Podcasts about Filmmaking

"It was a headless horseman!" For Episode 379, Brandon and David continue CineNation's series on Folk Horror with a mainstream version of the genre, SLEEPY HOLLOW. Listen as they discuss the history of Washington Irving's original story, how the film was originally going to be a low-budget slasher film, why Tim Burton became involved in the project, why the movie ended up filming in England over the US, how they broke new ground with their creation of the Headless Horseman, how Paramount used an early version of online marketing for the film, and more!  Also, don't forget to join our Patreon for more exclusive movie content:  Opening - One Battle After Another -  (00:00:10) Early Thoughts on Sleepy Hollow (00:08:02) Recap of Folk Horror Movies (00:10:14) Intro to Sleepy Hollow (00:13:52) How Sleepy Hollow Got to Production (00:23:32) Favorite Scenes (00:44:55) On Set Life - (01:09:42) Aftermath: Release and Legacy (01:23:18) What Worked and What Didn't (01:30:40) Film Facts (01:35:15) Awards (01:35:54) Final Questions on the Movie (01:41:50) Wrapping Up the Episode (01:46:45) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

It's spooky season and Steve and Sean are diving headfirst into the blood soaked chaos of V/H/S: Halloween! This week it's just the guys catching up on horror news, swapping scares, and breaking down the latest entry in the found footage anthology that refuses to die. Grab your candy, dim the lights, and get ready for another Mostly Horror deep dive.COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Filmmaker Ingrid Haas is the writer and director of PUSH, a short film created in partnership with PUSH for Empowered Pregnancy to raise awareness about stillbirth prevention. In this episode, Ingrid shares her personal journey through pregnancy loss, how those experiences led her to advocate for families, and the creative process behind PUSH and the Stillness is an Illness campaign. Together, Ingrid and Dr. Dekker discuss the realities of stillbirth, the importance of listening to families' concerns, why fetal movement matters, and how storytelling can educate both the public and health professionals. Ingrid also highlights resources for parents and ways to support systemic change in U.S. protocols.   Content Note: This episode discusses pregnancy loss, stillbirth, and related experiences. Please take care of yourself while listening.   October is Pregnancy and Infant Loss Awareness Month. For more information, visit: marchofdimes.org/pregnancyandinfantlossmonth   (01:44) Ingrid's Story of Pregnancy Loss and the Road to Filmmaking (05:56) The Sliding Doors Concept Behind PUSH (10:01) Depicting Labor and the Realities of Stillbirth on Screen (17:12) The Goal of the Stillness is an Illness Campaign (21:15) Challenges of Counting Kicks and Different Pregnancy Experiences (25:29) Viewer Reactions and the Power of Feeling Seen (26:50) Why Listening Matters: Preventable Stillbirths and Provider Dismissal (29:35) A Call to Action: Signing the Petition for Updated U.S. Protocols   Resources Watch the film and learn more: pushpregnancy.org Explore free stillbirth prevention resources: pushpregnancy.org/resources Check out Count the Kicks: countthekicks.org EBB 243 – Importance of Kick Counting for Preventing Stillbirth with Stephaney Moody, Health Equity Ambassador of Count the Kicks   For more information about Evidence Based Birth® and a crash course on evidence based care, visit www.ebbirth.com. Follow us on Instagram and YouTube! Ready to learn more? Grab an EBB Podcast Listening Guide or read Dr. Dekker's book, "Babies Are Not Pizzas: They're Born, Not Delivered!" If you want to get involved at EBB, join our Professional membership (scholarship options available) and get on the wait list for our EBB Instructor program. Find an EBB Instructor here, and click here to learn more about the EBB Childbirth Class.

Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star.Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway's 2020 legalization of single-parent conception.Janicke's cinematic influences span Fritz Lang's expressionism, Billy Wilder's Sunset Boulevard, and Maren Ade's Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.”Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don't wait for permission.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

If you could highlight one person standing at the intersection of journalism and filmmaking, it would be my guest today, Diana Schemo. 11 years ago, she founded the Double Exposure Film Festival as a way to reach people, alongside journalism, and it's been extraordinarily successful, in both the quality of films and its importance in the larger filmmaking and journalistic communities.This year's edition takes place October 30th - November 2nd, in Washington, DC, and it not only includes films but fantastic panels and a matchmaking platform for you to find funding and for funders to find you. Whether you're a documentary filmmaker or you just care about making the world a little brighter place, Diana is here today endeavoring to do both. In this episode, Diana and I talk about:What's changed in the 11th edition of the Double Exposure Film Festival since its start;How she started the film festival and why it is so vital for today's world;What the process looks like each year for the festival in terms of accepting submissions;What kind of films *don't* get selected;The difference between journalism and documentary filmmaking;Her thoughts on hybrid documentaries and new forms of docs;The saga of RETROGRADE (you can read more about it in the linked Washington Post article);How to balance corporate interests with the plight of working documentary filmmakers;How she feels about Washington, DC as the home for this festival;The amazing things the film festival offers beyond screeningsDiana's Indie Film/Show Highlight: THE SIX BILLION DOLLAR MAN (2025) dir. by Eugene Jarecki; TRADE SECRET (2025) dir. by Abraham Joffe; RIVER (2015)Memorable Quotes:“The universe in which these films operate has changed tremendously because at that time it was considered like a golden age for documentaries.”“You are allowed to eavesdrop.”I don't know what madness seized me to think that I would ever make money for the organization doing film festivals. Totally not the case. Do not do this at home, kids. It'll not get you there.”“I saw it as like a great way to build awareness of investigative journalism as a driver of culture.”“My feeling at that time was we think that we stand on such a solid foundation that we have the First Amendment, that we have libel laws, we have this, we have that. We don't. It's as only as strong as people who support it and believe in it.”“And if they're not reading our 5,000 word takeouts on deficiencies in hospital inspections, maybe they'll watch a film about it.” “We used to just do by invitation only when we were starting out because that was the only way it was manageable. But I wanted to open it up because I thought we wanna see if there's new work.” "Filmmaking is very different from journalism.”“No, I actually like weird. I like people who are creative, who are pushing the envelope.”“We actually check out who's funded the pieces.”“ Sometimes with questions [regarding] representation, oh, is somebody on the film team actually from the community that you're telling their story?”Links:Double Exposure Film FestivalFollow Double Exposure Film Festival On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Lighting the Legends: A Conversation with Veteran Gaffer Jim PlannetteIn episode 168 of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen welcome back veteran gaffer Jim Plannette for his second appearance. Jim shares his incredible journey through 50 years in the motion picture industry, working on iconic movies like Young Frankenstein, E.T., Braveheart, and The Fisher King. He discusses his career path, influenced by his father, his approach to lighting, and the challenges and rewards of working on both low-budget films and major productions. Plannette also reflects on the importance of collaboration, union rules, and what makes a good assistant director. This episode provides a fascinating look at the art and craft of cinematic lighting from one of the industry's most experienced professionals. Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.com About Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.  For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction to Low Budget Filmmaking00:14 Meet the Hosts and Guest Introduction01:08 Jim Plannette's Early Career and Family Influence02:53 First Gaffer Experiences and Learning the Craft06:32 Technological Changes in Lighting07:44 Critique of Marvel Movies' Lighting09:35 The Fisher King: A Memorable Project19:23 Behind the Scenes of Braveheart28:59 Top Five Elements of a Great Ad29:09 The Importance of a Good Assistant Director29:38 Braveheart: Organizing Extras30:29 Communication on Set31:02 Anticipation and Eavesdropping32:01 Challenges in Set Decoration32:49 Approach to Different Projects33:23 Working with Cinematographers35:02 Lighting Techniques and Challenges44:33 Experiences with Low Budget Films47:27 Choosing Projects and Career Reflections49:00 The Role of Luck in a Film Career50:55 Final Thoughts and Wrap-Up Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Have a question you want me to answer on the podcast? Ask Here!In this inspiring episode of the UncommonTEEN Podcast, host Jamie Kirschner interviews filmmakers Joseph Stam and David Alford to talk about faith-based filmmaking, authenticity, and the power of storytelling.Hear how their journeys through the challenges of the COVID pandemic shaped their creativity and strengthened their faith. Together, they dive deep into what it means to create films that resonate with both Christian and secular audiences—showing how empathy, honesty, and real-life stories can point people to Jesus.

We are so back! It's the worst pandemic in modern history, and we couldn't be more excited (and terrified) to be trapped on a Zoom call with you (and a demon) again.Lockdown-era movies have been pretty unimpressive so far, but HOST is a VERY notable exception. This Zoom call has everything! A mopey quarantine boyfriend, a naughty grandpa, and… oh god is that a disembodied facetune filter?Next week, we've got two tickets to the most satanic talk show in television -- it's LATE NIGHT WITH THE DEVIL (2024)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesHost Behind the ScenesShort of the Week Production HistoryYahoo Production HistoryRob Savage Happy Hour PrankThe Telegraph Production HistoryShudder Producing HostDatebook Production HistoryThe Filmmakers Podcast Gemma Hurley InterviewNightmare on Film Street Rob Savage, Jed Shepard, and Gemma Hurley InterviewSci Fi Now Cast InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After nearly 20 years dedicated to James Cameron's groundbreaking Avatar saga, virtual production supervising stage operator Dan Fowler joins host Chris Nichols in the garage for a deep dive into his incredible 30-year career. Dan recounts his journey from being the drummer in a 90s hair metal band to becoming a key operator on one of the most technologically advanced film sets in history. This conversation is a rare, firsthand look into the evolution of modern filmmaking. Dan shares stories from the trenches, starting with his self-taught entry into VFX, his "rock and roll" days at Digital Domain in the late 90s, and the pivotal moment in 2005 when he joined the top-secret Avatar prototype project. He provides an insider's perspective on how the virtual production pipeline was built from the ground up, the immense pressure of working alongside James Cameron, and what it was like to solve unprecedented technical challenges in real-time. Dan Fowler and IMDB > Dan Fowler on LinkedIn > Avatar: The Way of Water - Capturing Pandora > Episode 518 - Scott Ross: "You Got It Wrong About James Cameron" > Episode 510 - Industry Roundtable — James Cameron, AI, Sinners, and Indie films >

Where can I park the camera truck? SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

On this week's episode of Inside The Crazy Ant Farm, the guys dive deep into the state of the entertainment industry — and things are shaking up big time! From Disney standing alone as the last pure entertainment studio to the streaming bubble finally bursting, to mid-budget projects like Dwayne Johnson's The Smashing Machine struggling to find their footing at the box-office. Dustin and Logan break down how the power players are shifting, what it means for creators, and why content has become a weapon in the new era of corporate ecosystems. In this week's Top 5, the guys count down their Favorite A24 Films, celebrating the bold, weird, and wonderful stories that prove original cinema is still alive and thriving. And as always, they've got your Box Office Recap, breaking down the winners, losers, and surprises from the weekend, along with the latest IMDb Top Trenders, spotlighting who's hot across film and TV this week.It's an unfiltered, insider look at the future of Hollywood on this can't-miss episode of Inside The Crazy Ant Farm!Chapters: News Tease 0:00Intro Music 3:29Show Open 3:50State Of The Industry Discussion 5:48Top 5 Favorite A24 Films 51:12Box Office 1:25:08IMDb Pro Top Trending 1:29:35Goodbyes 1:33:33Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

In this engaging conversation, Jordan Brady and Jason Slaughter delve into the intricacies of filmmaking, particularly focusing on the role of a First Assistant Director (AD). They explore personal connections, the journey into the film industry, and the evolution of technology in filmmaking. Jason shares valuable insights for new filmmakers, emphasizing the importance of trusting the crew and respecting the creative process. The discussion also touches on the challenges and rewards of working in commercials, the significance of the Directors Guild of America (DGA), and the impact of technological advancements on production. Overall, the conversation is a rich resource for aspiring filmmakers and industry veterans alike. FILMMAKER RETREAT JOSHUA TREE '26 - SAVE YOUR SPOT! Thursday, October 1st – Sunday, October 4th, 2026. Limit 15 Filmmakers. This will be our 5th year. Limit 15 filmmakers and only 14 spots remain so SIGN UP! ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIR - SAVE w BRADY20Save hugely on Magic Mind with this link. — This link is the way. Magic Mind is now in Target. TRIPPY Check out Frequency Caps to try some mushroom-based treats. I like the cocao cubes. The code is BRADY10. Also, if you're in LA, Frequency House hold ceremonies often. Thanks, Jordan My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. "Respect The Process" podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

It's that time of year once again! It comes every year! SPOOKY PENIS MONTH! And we're hitting it hard with a "classic" in the form of John Irvin's GHOST STORY! I don't want to diminish it; it is a classic. It has some memorable moments and a scene that we uncover that we got very excited about. The way it's put together and how it's presented really make it. But other than that, it's about a bunch of rich old men having nightmares after some supremely abhorrent behavior in their youth haunts them and irritates their spouses, and that's about it. Anyway, let's ring in the festivities with our first installment of the season!

This week, Tiff dives into the business of filmmaking with special guest Mikey T—a passionate filmmaker whose work centers around Jamaican culture, legacy, and economic empowerment. Together, they explore the intersection of creativity, culture, and business, and how aspiring creatives can navigate the industry with both financial sense and social impact in mind.Check out the full show notes: https://moneytalkwitht.com/podcast-show-notes/turning-stories-into-impact/Key Topics CoveredWhat Is Filmmaking (for Mikey T)?Filmmaking isn't just about art—it's a powerful way to start conversations, drive change, and reach people worldwide. Mikey shares how his love for Jamaica inspired him to document and amplify voices that matter.The Importance of the Elevator Pitch:In today's fast-paced networking environment, having a clear, compelling elevator pitch is crucial for filmmakers and creatives looking to find support or funding.Common Mistakes in Film Business:Mikey discusses why passion alone isn't enough to attract investors—artistry must be paired with business acumen and clarity on ROI (return on investment), whether financial or social.Social Capital & ROI in Filmmaking:Not every film yields direct profits, but building social capital can offer tremendous value. Mikey highlights ways filmmakers can appeal to impact-driven investors and align their projects with broader social good.Shifting Media Landscape:With platforms like TikTok, YouTube, and digital streaming, the paradigms for making—and funding—films are rapidly evolving. Mikey outlines how these changes have opened global doors for storytelling and monetization.Current & Upcoming Projects:Jamaica Story (documentary) — Exploring Jamaican diasporic investment and social changeReal Jamaican Food (short doc) — Featuring food security activist Peter IvyBeg Yuh a Call (narrative short) — A festival-circuit film on family and friendshipEvent mini-docs in the worksSpecial treat for Tiff's email list subscribers: exclusive access to unreleased films!Tiff's TakeawaysAlways lead with your passion but NEVER skip the business strategy—investors want to know why they should invest, and how they'll see a return (not just money, but impact too!).Build your social capital and leverage your network, especially if you're funding your own projects.Don't sleep on new content formats—short-form video and global streaming are changing the filmmaking game.Community-building and sharing culture through art can be just as valuable (if not more) than chasing Hollywood profits.Links & ResourcesJamaica Story - Watch on YouTubeSign up for Tiff's Email List for exclusive sneak peeks (join here)Connect with Mikey T:Instagram: @mikeytspeaksEmail: mikeytspeaks@gmail.comConnect with TiffWebsite: moneytalkwitht.comInstagram / Facebook / Twitter: @moneytalkwithtThanks for tuning in! Don't forget to subscribe, rate, and leave a review if you enjoyed the episode. See you next Thursday for more Money Talk With Tiff!

"There's no one here to help you!" For Episode 378, David and Brandon continue CineNation's series on the Folk Horror genre. Listen as the two discuss one of the biggest indie films of all time, THE BLAIR WITCH PROJECT. Listen to learn more about the film's unorthodox style of filming, how they developed the story, how it was the first real internet movie, how the cast was affected by it, the film's lasting impact, and much more! Also, don't forget to join our Patreon for more exclusive movie content: Opening - The Last Picture Show and Peter Bogdanovich -  (00:00:10) Recap of Folk Horror Movies (00:04:47) Intro to The Blair Witch Project (00:09:23) How The Blair Witch Project Got to Production (00:18:01) Favorite Scenes (00:26:16) On Set Life - (00:55:10) Aftermath: Release and Legacy (01:07:01) What Worked and What Didn't (01:25:40) Film Facts (01:34:24) Awards (01:36:37) Final Questions on the Movie (01:42:09) Wrapping Up the Episode (01:48:07) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Today we chat with actor, gaffer and filmmaker Raymond Power. Raymond is one of the elite forces in the Pacific Northwest filmmaking scene. We've worked with him multiple times over the years and have became collaborators, colleagues and most importantly... friends. His tenaciousness and spirit is infectious. His love for film couldn't be more evident and on today's show he will fill you in. Enjoy our conversation on filmmaking, what it takes to be successful and how grit can get you there! Podcast also available on Spotify, Apple Podcasts, YouTube, Amazon Music, Youtube and anywhere you get your podcasts!

Margo is joined by husband-and-wife directing duo Jason & Blue Gerber, an award-winning team working across films and commercials. Their creative synergy has led them to direct for brands like Walgreens, 7UP, Chipotle, Intelligentsia, and LOEWE, while also producing heartfelt storytelling work for organizations such as The Boys & Girls Clubs, Athletes Unlimited, and Lincoln Park Community Services. Their short film Otis' Dream, about voter suppression, was shared by Oprah as an official Super Soul Sunday short film, and their commercial and nonprofit work has been recognized with industry honors including a Silver Telly Award. Together, Jason & Blue bring both tactful precision and deep feeling into everything they create, evoking imagination and authentic human narratives as one voice. In this conversation, Margo, Jason, and Blue dive into the power of collaboration, storytelling that heals, and the journey of their new feature documentary, Dawn Dusk. Margo, Jason & Blue discuss: From college pals to co-directors: how their friendship at Columbia College Chicago grew into a collaborative career. What it takes to truly direct as a duo—prep, trust, communication, and playing to each other's strengths. Choosing projects that center the human spirit, resilience, and creativity. How a short five-minute idea evolved into the four-year feature documentary Dawn Dusk, following artist Chelli Look's journey of grief and healing through her leather goods business, CHC. The role of composer Silas Hite's score as the “unseen narrator” guiding the emotion of the film. Why experimentation, patience, and deep listening are essential for creative work that connects. Lessons from navigating both commercial and narrative filmmaking, and how storytelling always comes back to empathy. Connect with Jason & Blue Website: jasonandblue.com Film Website: dawnduskfilm.com/trailer Instagram: @jasonandblue, @dawnduskfilm Connect with Margo: www.windowsillchats.comwww.instagram.com/windowsillchats www.patreon.com/inthewindowsill https://www.yourtantaustudio.com/thefoundry

The panel examines the controversy over “Tilly Norwood,” an AI-generated actress, and what it means for Hollywood's future. Chuck Joiner, David Ginsburg, Marty Jencius, Brian Flanigan-Arthurs, Eric Bolden, Guy Serle, Web Bixby, Jeff Gamet, Jim Rea, and Mark Fuccio debate whether artificial performers threaten human creativity, explore ethical uses of AI to augment actors, and consider the limits of synthetic art versus human expression as technology blurs artistic boundaries.  This edition of MacVoices is brought to you by our Patreon supporters. Get access to the MacVoices Slack and MacVoices After Dark by joining in at Patreon.com/macvoices. Show Notes: Chapters: [0:00] Introduction – Who is Tilly Norwood? [2:00] Actors React to AI Talent Representation [3:30] AI and the Future of Hollywood Production [5:00] Human Stars vs Synthetic Characters [6:20] Animation and AI Integration in Film [9:00] Creativity and the Human Element in Art [10:20] Ethical and Consensual Uses of AI in Movies [12:30] CGI, Storytelling, and Human Essence [14:50] AI Voices and Changing Audience Perception [17:20] Actor Credit and Fair Use of AI Models [18:50] Limits of AI Creativity and Originality [21:50] A Spectrum of AI Applications in Entertainment [24:10] Public Acceptance and Hollywood's Next Move Links: SAG-AFTRA Responds To AI Actress Tilly Norwood Furore: “Creativity Is & Should Remain Human-Centered https://deadline.com/2025/09/sag-aftra-responds-ai-actress-tilly-norwood-1236565959/ Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn, but prefers Bluesky. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Mark Fuccio is actively involved in high tech startup companies, both as a principle at piqsure.com, or as a marketing advisor through his consulting practice Tactics Sells High Tech, Inc. Mark was a proud investor in Microsoft from the mid-1990's selling in mid 2000, and hopes one day that MSFT will be again an attractive investment. You can contact Mark through Twitter, LinkedIn, or on Mastodon. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Guy Serle, best known for being one of the co-hosts of the MyMac Podcast, sincerely apologizes for anything he has done or caused to have happened while in possession of dangerous podcasting equipment. He should know better but being a blonde from Florida means he's probably incapable of understanding the damage he has wrought. Guy is also the author of the novel, The Maltese Cube. You can follow his exploits on Twitter, catch him on Mac to the Future on Facebook, at @Macparrot@mastodon.social, and find everything at VertShark.com. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Muriel "Aggie" Murch and her husband, Academy Award winning film editor and sound designer Walter Murch, have lived on Blackberry Farm in Bolinas for some five decades, along with their children, chickens, and horses. The two just celebrated their 60th wedding anniversary.They both have newly published books, and are out on the circuit telling their stories that stand at the intersection of the organic farming movement and the independent filmmaking movement of the 1970's.Director Francis Coppola, Walter's longtime collaborator, describes his new book, Suddenly Something Clicked, as "a vast encyclopedia of cinema and everything that can be touched by it."Director Phillip Kaufman said this about Harvesting History While Farming the Flats: "Blackberry Farm is Aggie Murch's Walden Pond. She made existence sustainable, rebuilt life over and over, helped spirits enter the world and gently helped them leave. She's got the gift."We have known and admired the Murches for some four decades and asked if we might do a story to celebrate this moment of love and publishing and graciously they said yes.Produced by The Kitchen Sisters, Davia Nelson & Nikki Silva, in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.  Special Thanks to City Lights Bookstore and Peter Maravelis.Funding for our stories comes from listener contributions to The Kitchen Sisters Productions, The Robert Sillins Family Foundation, The Every Page Foundation, The Susie Tompkins Buell Foundation, The Buenas Obras Fund, The TRA Fund, Barbara & Howard Wollner, Michael Pollan & Judith Belzer, Bonnie Raitt, and you.Our deep thanks to our community for your spirit and for supporting the stories.The Kitchen Sisters Present is part of Radiotopia from PRX, a network of independent podcasts that widen your world.Thank you for subscribing and thanks for listening. 

Psycho: Episode 365 - The spooky season is upon us which can only mean one thing - your hosts get to pick horror movies and record their favorite episodes!!! We're kicking off the 2025 Spooktober season with the MOTHER of all horror films - Psycho. The 1960 classic finally made the world take the genre seriously, but does it still hold up or should it be sent to the showers? Tune in to find out! Mother, what have you done!? Podcasts. Podcasts everywhere!. Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Drones are ubiquitous in the wedding space, but with a lot of the uncertainty around drones here in the USA and the emergence of Content Creators are our opening drone shots of the gold course under threat? Jason and Jared discuss! 

Get Reelisms Podcast Episode 167: From ET to Anora - A Journey in Filmmaking In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen discuss their experiences and updates in the filmmaking industry. They reveal their guest, Jim Plannette, a veteran gaffer known for his work on 'ET' and many other iconic films, who will join the show in a few hours. The hosts share insights into their personal experiences with new projects, navigating the slow periods in the film industry, and their methods for staying productive and overcoming challenges on set. They also delve into the recent Oscars, discussing 'Anora' and the controversy surrounding 'Emilia Perez'. Additionally, Christine highlights her latest project 'Yokai' and shares a resourceful problem-solving story from the set. The episode captures the essence of creativity, resilience, and the detailed craft of filmmaking. Hosts: Adam Rani (@adamthechase)   &  Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.com About Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Special Guest Announcement01:07 Podcast Episode Kickoff01:42 Technical Difficulties and Updates03:57 Industry Insights and Oscar Talk09:19 Editing Techniques and Processes15:12 Yokai Project and Production Challenges20:50 Creative Problem-Solving in Filmmaking21:22 The Importance of Details in Filmmaking22:14 The Impact of a Single Scene25:20 Marvel Movie Critique27:26 Personal Reflections on Learning Disabilities28:49 ADHD and Productivity34:16 The Game of Efficiency37:59 Wrapping Up and Upcoming Guest  Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

The screen is life! The found footage genre infects MacOS this week with a truly horrific story of parenting, grief, and, of course, screens!!Is John Cho the most oblivious father in movie history? Or is the internet a terrible place that preys on society's most vulnerable youths? Probably a little of both… but hey, at least we still had Addicting Games Dot Com!Next week, we fall even deeper into the screen abyss for Rob Savage's HOST (2020). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesCommentaryTimur Bekmambetov on Screenlife FilmsAn Alien Invasion Under Our NosesAsian Cinevision Aneesh Chaganty and Sev Ohanian InterviewWe Need to Make John Cho OlderFrame.io Editing BreakdownNo Film School Aneesh Chaganty and Sev Ohanian InterviewGlide Magazine Aneesh Chaganty and Sev Ohanian InterviewFilm School Rejects Juan Sebastián Barón InterviewFilmmaker Magazine Juan Sebastián Barón InterviewThe Verge John Cho InterviewThe Columbia Dispatch Debra Messing InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kyle Dudgeon (@kdudgeonphoto) is an award-winning filmmaker and nature photographer based in the breathtaking landscapes of Bozeman, Montana. Kyle's work is deeply rooted in his passion for the natural world, particularly the fascinating relationship between humans and birds as they navigate a rapidly changing environment.Expect to Learn:How to take breaks when the pressure to produce feels overwhelmingHow creators can focus on personal growth and avoid comparisonHow to maintain motivation and momentum in long-term creative endeavorsHow there are limitless stories to tell with your cameraHow to celebrate consistency and effort over resultsKyle's Links:Website: https://kyledudgeoncreative.com/YouTube: https://www.youtube.com/@kyledudgeoncreativeSponsors:Thanks to WhiteWall for being our lead sponsor this episode! They're the top choice for photographers who want high-quality prints, with a variety of material options, and who want their work delivered fast in 9 days or less! Use the code TPM2025 at checkout for 15% off: https://www.whitewall.com/Thanks also to the National Park Foundation for sponsoring today's episode. Enter the Share the Experience photo contest for a chance to win $10,000 and prizes from Celestron, Historic Hotels of America, and YETI. The grand prize winner's photo could be featured on the America the Beautiful—the National Parks and Federal Recreational Lands Annual Pass. Submit your best shots now at sharetheexperience.org/tpmOur Links:Join our subreddit where you can share stories and ask questions:https://www.reddit.com/r/photographermindset/Subscribe to TPM's Youtube page and watch full length episodes: https://www.youtube.com/thephotographermindset/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show: https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

https://www.imdb.com/title/tt1235529/Ever wonder how the scrappy, sarcastic world of Murderbot was brought to life? Veteran Visual Effects Supervisor Sean Faden pulls back the curtain on the hit Apple TV+ series, revealing the innovative and often hilarious journey of its creation. He shares the origin story of his involvement, detailing a highly collaborative process that began nearly a year before filming. Discover how the team stretched a modest budget to create an epic feel, using real-world locations from the deserts of Moab to the volcanic landscapes of Iceland. Sean gives a masterclass in creative problem-solving, from embracing the glorious cheese of the show-within-a-show "Sanctuary Moon" to designing a spaceship based on Jiffy Pop popcorn and filming creature attacks with a kiddie tunnel. They also discuss the future of the entire industry. Looking ahead from his current work on the anticipated Highlander reboot, Sean provides a firsthand account of the massive technological shifts underway. He and Chris dive deep into how AI tools are revolutionizing the filmmaking process, accelerating everything from initial concept art to on-set communication. This is a must-listen for anyone interested in the creative and technical magic behind modern visual effects and what's coming next. Sean Faden's Previous CG Garage Episode > Sean Faden's IMDb > Murderbot on Apple TV+ > Highlander (Upcoming Reboot) >

Body horror for the ladies.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

We welcome you to sit down for an in depth conversation about the late 80's masterpiece, ‘THE ABYSS.' Tune in for tons of relevant pop culture news and recommendations! Mixed and edited by: Wesley Swanson. Featuring: Chris Pawlak.

On this week's episode, Disney steals the spotlight with a massive one-two punch: the long-awaited announcement of The Simpsons Movie 2 and the debut trailer for Zootopia 2, featuring a wild Shakira/Ed Sheeran team-up, while Warner Bros. rides Superman's record-breaking streaming success and Paramount stirs buzz with A Quiet Place Part III and a Raymond reunion. Plus, Fox revives Doc, Tarantino finally delivers Kill Bill: The Whole Bloody Affair, A24 unveils Hotel Hotel Hotel Hotel, and Amazon, Netflix, and Apple stack the slate with sequels, docs, and prestige projects. We've also got our Top 5 Spooky Season Films, the Box Office Recap, and the IMDb Top Trenders. Hollywood's buzzing, and ITCAF has every headline covered!Chapters: News Tease 0:00Intro Music 2:40Show Open 3:00Disney News 5:05Fox News 21:32Warner Bros News 23:11Paramount News 25:20NBC Universal News 35:49Lionsgate News 47:40A24 News 49:13Amazon MGM Studios News 50:58Netflix News 58:07Apple News 1:03:44Deadlines Re-Release Teaser Trailer 1:10:31Top 5 Spooky Season Films 1:13:02Box Office 1:38:23IMDb Pro Top Trending 1:48:02Goodbyes 1:49:43Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

In this episode of the No Film School Podcast, host GG Hawkins sits down with legendary screenwriter and director Shane Black, known for iconic films like Lethal Weapon, The Last Boy Scout, The Nice Guys, and Kiss Kiss Bang Bang. The two dive deep into Black's creative process, his latest project Play Dirty (an adaptation of Donald Westlake's Parker novels), and how his filmmaking journey and sobriety have shaped his vision. From staying true to source material while adding his unique voice, to building character-driven action scenes and navigating Hollywood with integrity and purpose, Shane shares invaluable insights for filmmakers at every stage. In this episode, No Film School's GG Hawkins and guest Shane Black discuss... What drew Shane to the Parker novels and how he approached adapting them The balance between honoring Westlake's tone and injecting Shane's signature wit How to structure complex stories while preserving ambiguity and character depth Creating blue-collar, competent anti-heroes as a more grounded alternative to spy thrillers The role of pre-visualization, animatics, and spontaneity on set How Shane leads a creative and collaborative environment with his cast and crew The power of post-production and the art of shaping the final story in the edit Building creative stamina and the importance of structure in a writer's day Advice for filmmakers entering a fear-based industry with confidence and authenticity The impact of sobriety and self-awareness on creativity and leadership Memorable Quotes: "Parker is a lot of things. Sentimental is not one of them." "You're comparing your insides with their outside. So they look great... So are they." "You don't die from a feeling.” "Be so good they can't ignore you." Guests: Shane Black Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

The Cinematography Podcast Episode 327: Bryn Mooser and Paul Trillo Bryn Mooser and Paul Trillo of Asteria on AI in filmmaking Asteria, an AI-driven film and animation studio, recently merged with Moonvalley, an AI research firm, to create generative video technology for filmmakers. Their AI model, Marey, is a visual intelligence model trained only on data that is fully licensed by the company. Unlike other AI companies that use large language models (LLMs) that process text, Marey is designed to understand and generate physical movement. Asteria hired a group of filmmakers who contributed to Marey's research for six months, followed by a three-month alpha testing period with outside partners. Users can now access Marey online at Moonvalley with a subscription. Co-founder Bryn Mooser and Paul Trillo, a director and partner at Asteria, saw a clear need to involve filmmakers and artists in the inevitable future of AI, which is already integral to the film and television process. As Paul puts it, “AI is a bunch of forking paths with different people approaching it in different ways.” Asteria's AI is just a tool for filmmakers to use. “We don't need it to know how to make a movie,” Bryn says. “We make the movie, and we already know how to make the movie.” Both Paul and Bryn want to be thoughtful about how AI is used, and to constantly ask why they are using the tools, and if there's a new way to use them. They don't believe those in the film industry will be replaced or no longer have jobs. “Right now, using AI is optional as a filmmaker,” says Bryn. “But learning about it is not optional right now. We have to learn about it. We know that this is an inevitability that a lot of it is gonna be in the way that we make stuff.” Bryn sees it as another evolution and democratization of the filmmaking process. “My first documentary I was nominated for was shot on the Canon 5D with a GoPro,” he says. “That was a moment where the democratization of indie film and documentaries allowed me to be a filmmaker when I couldn't have before. Now we sit at a time where the same opportunity for this democratization is happening, but it's studio level films.” Asteria will launch its first live-action feature with Natasha Lyonne's film, Uncanny Valley, which will combine AI-generated footage with traditional filmmaking techniques. Find Bryn Mooser: Instagram: @brynmooser @asteriafilm Find Paul Trillo: Instagram: @paultrillo Demo Marey online: https://www.moonvalley.com/marey Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Join hosts Tony Gapastione and Belgica Rodriguez for a special conversation with selected creators whose bold stories will be featured in our upcoming festival.

"It is time to keep your appointment with the Wicker Man." For Episode 377, Thomas and Brandon kick off their Folk Horror series with one of the most important movies of the genre, THE WICKER MAN. Listen as they discuss how it was the brainchild of Christopher Lee, why the movie was rushed into production, what major change was made during the film's production, which American producer became involved in the film's post-production, and more! Also, don't forget to join our Patreon for more exclusive movie content:  Opening - Starting Spooktober Fest -  (00:00:10) Intro to Folk Horror (00:08:00) Intro to The Wicker Man (00:16:27) How The Wicker Man Got to Production (00:24:02) Favorite Scenes (00:36:04) On Set Life - (01:01:18) Aftermath: Release and Legacy (01:08:11) What Worked and What Didn't (01:26:26) Film Facts (01:32:55) Awards (01:37:32) Final Questions on the Movie (01:41:45) Wrapping Up the Episode (01:50:01) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Around The Reel is back! And what better way to start off the new season than diving into the good, the bad and what filmmaking is all about! Join Samantha Hanna, Steve Eaton, Kelvin Galloza and Aaron Carlson in an in-depth conversation from their on set experience with Jason Voorhees Nightmares, working with an elite cast, the production and how far positivity can get you! It's time! Let's go!

From raising funds to facing rejection, from burnout to breakthroughs — this convo doesn't hold back. If you're dreaming of making your feature, don't miss this raw, honest look at what it REALLY takes.Watch the weekly LIVE stream on ⁠⁠BraveMaker ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow BraveMaker on social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠#BraveMaker #BraveMakerPodcast #Filmmaking #FilmProducer #FeatureFilm

Nicole Jones-Dion, a screenwriter, director, and producer, shared her unconventional path into filmmaking, beginning in the world of video games and comics before moving into film. Known for her work on projects like Tekken 2, Dracula: The Dark Prince, and the SyFy thriller They Found Hell, she has built a career in genre storytelling that blends sci-fi, horror, and action. Her persistence paid off after writing more than fifteen spec scripts and seizing opportunities to rewrite and adapt existing material, which she says makes up most of Hollywood screenwriting.Nicole's approach emphasizes discipline, structure, and character-driven storytelling, ensuring her projects are both creative and marketable. She also found success with crowdfunding, raising nearly $20,000 for her short horror film Debris, which explored the legend of a cursed samurai sword. The campaign's popularity proved the power of a strong concept and led to festival recognition. With her directorial debut Stasis and other projects in development, Nicole continues to explore stories that challenge audiences while entertaining them. Her journey demonstrates the importance of adaptability, hard work, and never stopping the pursuit of growth as a filmmaker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Benny Safdie (Uncut Gems, The Curse) joins this weeks The Filmmakers Podcast to discuss the challenging process of directing his solo feature debut, the gritty sports biopic The Smashing Machine, starring Dwayne Johnson as MMA legend Mark Kerr. Fellow filmmakers Giles Alderson and Dom Lenoir sit with Benny and dive into the Safdie style, his approach to directing actors and making raw, kinetic cinema. As one half of the acclaimed Safdie Brothers duo, Benny co-directed, co-wrote, and edited films that make your heart pound out of your chest. We're talking about the incredible, neon-drenched chase thriller "Good Time," and the anxiety-inducing, chaotic masterpiece "Uncut Gems," starring Adam Sandler. These films established a gritty, naturalistic style, full of propulsive energy, often focusing on outsiders desperately struggling in the urban landscape of New York. But he's not just a master behind the camera! As an actor, he has completely transformed and disappeared into roles, giving incredible performances like the troubled Nick Nikas in "Good Time," the compassionate Joel Wachs in Paul Thomas Anderson's "Licorice Pizza," and the brilliant physicist Edward Teller in Christopher Nolan's blockbuster, "Oppenheimer." He's even popped up in TV like "Obi-Wan Kenobi" and co-created, wrote, directed, and starred in the critically praised Showtime series, "The Curse." And now, he's stepped out as a solo director, writer, and editor with the highly anticipated film, "The Smashing Machine." This intense biographical sports drama, which premiered to acclaim at the Venice Film Festival, stars a completely transformed Dwayne "The Rock" Johnson as pioneering MMA fighter Mark Kerr, alongside the brilliant Emily Blunt and other great actors. It's a grittier, unflinching look at a champion struggling with addiction and the pressures of the sport. He's a true filmmaking polymath who brings a raw, authentic urgency to everything he touches. It's the brilliant Benny Safdie! OTHER LINKS DIRTY BOY cinema listings FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey For more interviews on filmmaking like this go to www.thefilmmakerspodcast.com #Director #creative #BennySafdie, #JoshSafdie, #SafdieBrothers, #directing #interview #thefilmmakerspodcast #filmmakerspodcast, #screenwriting, #editing, #directingstyle, #A24. #thesmashingmachine , #UncutGems, #GoodTime, #TheCurse, #Oppenheimer, #Licorice Pizza. #DwayneJohnson, #MarkKerr, #MMAmovie, sports biopic, acting vs directing, The Smashing Machine #behindthescenes Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep #89: Danielle Scruggs: Curating the Future of Black FilmmakingThis conversation was recorded live in person on Saturday, September 27, 20205, at Lumpen Radio in Chicago.Summary of the episodeIn this episode of noseyAF, Stephanie talks with Danielle Scruggs—Chicago-based photo editor, photographer, writer, curator, and founder of Black Women Directors. Danielle recently curated File Under: Horror, a program spotlighting horror shorts by Black women and non-binary filmmakers. Together, they dive into why representation in film matters, how horror can be a powerful tool for storytelling, and the ways community sustains creative practice. Danielle also shares insights from organizing the Chicago Film Symposium, a celebration of Black filmmakers that fosters connection between artists and audiences.This conversation explores the intersection of art, activism, and community building, while honoring the unique voices shaping the future of cinema.What we talk aboutDanielle's journey founding Black Women DirectorsWhy horror is the perfect genre for telling underrepresented storiesBehind-the-scenes of curating File Under: HorrorBuilding community through the Chicago Film SymposiumThe challenges and joys of creating space for diverse filmmakersChapters00:01 – Introduction to the Show04:11 – Exploring the Impact of Black Women in Horror Film29:16 – The Chicago Film Symposium: A Celebration of Black Filmmakers36:46 – Exploring Creative Constraints in Filmmaking47:22 – Exploring the Aspirations of FilmmakingThings We MentionedBlack Women DirectorsChicago Film SymposiumAll about Danielle ScruggsYou're gonna love Danielle !—she's a visionary curator, photo editor, and community builder who founded Black Women Directors to archive and amplify the work of Black women and non-binary filmmakers.Danielle A. Scruggs (she/her) is a Chicago-based photo editor, photographer, writer, and curator with over 15 years of experience in photojournalism, curation, and film programming. She is the founder of Black Women Directors, a digital archive and curatorial platform celebrating the work of Black women and nonbinary filmmakers, featured in outlets like Marie Claire, The Cut, Blavity, and the British Film Institute. Danielle has worked as a photo editor at The Wall Street Journal, Getty Images, Vox Media, and ESPN.Sponsor Shoutout

Celebrate a decade of AlzAuthors with this replay of a film discussion from our first film festival! Marianne Sciucco and the AlzAuthors community gathered to discuss Susie Singer Carter's documentary series No Country for Old People, inspired by her painful but illuminating journey alongside her mother in a five-star Los Angeles nursing facility. Key Topics Behind the Film: Susie shares what drove her to make No Country for Old People, highlighting the persistent systemic crises in long-term care and her struggle to advocate for her mom within a broken system. She discusses both personal and policy challenges—from underfunding and understaffing to navigating Medicaid and family caregiver roles.Caregiving Realities: Multiple audience members and guests brought their own lived experiences—from those who have placed loved ones in care homes to those doing the daily grind at their side. Honest input covers the isolation and exhaustion of caregiving, the guilt and judgments faced, and the varied trajectories and needs of those with dementia.Systemic and Cultural Barriers: The episode reveals the complexities behind facility care: understaffing, high turnover, the business model of elder care, and how profit-driven motives can lead to neglect, overmedication, and a lack of dignity for residents.Advocacy and Taking Action: Susie announced the ROAR initiative—Respect, Oversight, Advocacy, and Reform for Long Term Care. She stresses the urgent need for grassroots collective action and oversight to drive meaningful change for people living with dementia and their caregivers. Standout Quotes from Susie Singer Carter “Love is super powerful. I think it's our greatest tool.”“Documentaries are not money makers. They are changemakers at best.”“We have a broken system... But it's so important to know what's out there and what's really happening.” Takeaways Caregiver stories are unique—what works (or doesn't) varies case by case.The importance of advocacy and family involvement doesn't end with placement in a facility; sometimes, it increases.Systemic reforms are desperately needed, and community effort can move the needle.Connection, creativity, and compassion remain vital tools in the caregiving journey. Next Up Tune in to the upcoming episode with Frank Silverstein as he discusses his short film, Lousy: Love in the Time of Dementia, and continue engaging with films that capture the real, raw, and sometimes uplifting world of dementia caregiving. Join the film festival Resources Mentioned Listen & Watch: Find film festival films, replays, and podcast episodes on alzauthors.comListen to Susie's Love Conquers Alz PodcastWatch My Mom and the Girl (short film)Watch No Country for Old People (docu-series)Get Involved with ROARSubscribe to the AlzAuthors newsletter and follow us on social media (@alzauthors on Facebook, Twitter/X, Instagram, LinkedIn, Pinterest, Bluesky). Learn about the Moderators Marianne Sciucco Christy Byrne Yates About the Podcast AlzAuthors is the global community of authors writing about Alzheimer's and dementia from personal experience to light the way for others. Our podcast introduces you to our authors who share their stories and insights to provide knowledge, comfort, and support. Please subscribe so you don't miss a word. If our authors' stories move you, please leave a review. And don't forget to share our podcast with family and friends on their own dementia journeys. Ideas and opinions expressed in this podcast belong to the speakers and not AlzAuthors. Always consult your healthcare provider and legal and financial consultants for advice on any of the topics covered here. Thanks for listening. We are a Whole Care Network Featured Podcast Proud to be on The Health Podcast Network Find us on The World Podcast Network and babyboomer.org Want to be on the podcast? Here's what you need to know We've got merch! Shop our Store

There's meta, and then there's a movie thats so self-referential it basically takes place inside a Russian nesting doll. It's the INCEPTION of the found footage genre!This week we're getting to the center of a very, very crunchy tootsie pop. Another remarkable low-budget success story, ONE CUT is the type of movie that makes you want to pick up a camera and go shoot something… or behead some zombies. Either way, it's inspiring stuff!!Next week we're returning to the (nightmare) world of screenlife with Aneesh Chaganty's SEARCHING. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Making of One Cut of the DeadOne Cut of the Dead Refuses to Die at Box OfficeOne Cut of the Dead: RemoteOne Cut of the Dead Getting English RemakeThe Indian Express Production HistoryTokyo Weekender Yuzuki Akiyama InterviewScenario Club Shinichiro Ueda InterviewThe Hollywood Reporter Shinichiro Ueda InterviewThe Japan Times Shinichiro Ueda InterviewCinemore Shinichiro Ueda InterviewJapan Debates Making Films CheaplyCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"A woman isn't truly free until she's married" and other lines that will make you see red.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

On this week's episode Disney's roller-coaster week leads the headlines with streaming price hikes, record-breaking Jimmy Kimmel ratings, and a first look at The Mandalorian & Grogu. But that's just the start! Then the guys dive deep into Warner Bros. sharpening its Weapons for awards season while Superman dominates HBO Max, Universal turning Oz gold with Wicked: For Good, and Sony stirring the pot with Aaron Sorkin's The Social Reckoning and a Spider-Verse date shift. Plus, Hallmark's The Way Home lands on Netflix, Avatar: Fire and Ash drops a fiery trailer, Baywatch makes a splashy comeback, and Apple shocks by shelving Jessica Chastain's The Savant.We're also serving up our Top 5 Timeless Films, our Box Office Recap led by Demon Slayer: Infinity Castle, and the IMDb Top Trenders, including the legendary Robert Redford. Hollywood's buzzing, and we've got every twist, turn, and surprise covered!Chapters: News Tease 0:00Intro Music 2:37Show Open 2:57DGA News 4:54SAG-AFTRA/WGA News 6:30Disney News 7:53Fox News 17:54Warner Bros News 19:33Paramount News 28:04NBC Universal News 33:22Sony News 39:32Amazon MGM Studios News 43:54Netflix News 47:39Apple News 51:49Top 5 Favorite Timeless Films 56:39Box Office 1:20:41IMDb Pro Top Trending 1:24:17Goodbyes 1:25:07Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Send us a textIn this engaging conversation, DJ Ragland, founder and CEO of DJ Entertainment, shares his journey in the independent film industry, discussing the evolution of his company, the casting process, and the importance of storytelling. He reflects on his success at film festivals, the emotional moments during premieres, and his plans for upcoming projects, including an animated film. DJ emphasizes the significance of building relationships with his cast and crew, and the impact of audience reactions on his work.DJ Ragland InstagramThe DJ EntertainmentDJ's MMP Instagram00:00Introduction to DJ Ragland and His Journey02:56The Evolution of MMP and Its Impact05:56Casting Choices and Talent Selection08:42Navigating Personal Relationships in Business11:26The Growth of Actors in DJ Entertainment14:20Behind the Scenes: Building a Family Atmosphere17:23The Success of the AMC Premiere20:18Emotional Moments and Future Aspirations22:57The Importance of Storytelling in Film24:46Upcoming Projects and Future EndeavorsSubscribe to Visit Vegas Places with Coyal Never miss an episode again!Plus get behind the scenes coverage with business owners and chefs.Want to elevate your content and lifestyle? Shop the same creator tools, fashion, and home goods I trust for great results. Find all my favorites at the link in the description. Click here to find creator and podcast equipment on AmazonShow music composed by: Dae One Visit Vegas Places with Coyal. Real Vegas, Real Topics, Real Business with Real Owners. Covering topics on economics, entrepreneurship, health, well-being and FOOD! Thank You for tuning in and make sure to VISIT VEGAS PLACES!Follow our social media platforms:https://www.instagram.com/visitvegasplaces/https://www.youtube.com/c/CoyalHarrisonIIISupport the show

Keeping secrets...In the shadows... Or something more descriptive/funny/entertaining, etc. This film is the very definition of "twisty-turny", full of characters waiting to double-cross or double-cross those double-crossers. Maybe the twistiest, turniest film we've ever covered. More so than WILD THINGS. A very serious film about the Dutch Resistance fighters during the Second World War made by Paul Verhoeven.BLACK BOOK marked his departure from Hollywood and a return to Holland since making THE FOURTH MAN. This is a very accomplished film by a very accomplished filmmaker and is well worth a watch or two to get all the little details he put in there. Sit back and strap in for a 2.5-hour ride (don't worry, this episode is only 50 minutes).

In this episode of Scenecraft, we break down the "Falling with Style" rocket sequence from Pixar's Toy Story (1995), directed by John Lasseter. Drop us a line at contact@scenecraftpodcast.com, or follow us on Instagram, Threads, TikTok, and Bluesky @scenecraftpodcast for the latest news on the show. — Show Notes — Quick Takes ~ 00:00:38 Caught Stealing (2025), The Fountain (2006), Materialists (2025), Task (2025), KPop Demon Hunters (2025), The Paper (2025) Toy Story (General Review) ~ 00:23:13 Scene Selection ("Falling with Style") ~ 00:34:26 Thanks for listening!

Episode 175 - Wilson Hickman: The Role of Fantasy in Christian Filmmaking In this episode of the Faith and Family Filmmakers podcast, Your host Geoffrey Whitt welcomes Wilson Hickman, a passionate young Christian filmmaker. Wilson shares his journey from writing stories as a child to creating "The Lost Healer," an award-winning proof of concept for a Christian fantasy TV series. Inspired by the topic of spiritual warfare, Wilson discusses weaving biblical themes into imaginative storytelling, the challenges of independent filmmaking, and the importance of authentic, God-honoring entertainment. He also opens up about his faith, creative process, and the collaborative effort behind bringing his vision to life.Highlights Include:Passion for StorytellingThe Lost Healer ProjectCreative ProcessCreating the Fantasy WorldCasting ProcessExperience as a Young FilmmakerBio:Wilson Hickman is a follower of Jesus with a strong passion for storytelling. From a young age, he began writing books in a variety of genres, and his creativity soon expanded to screenwriting. Wilson's latest project is The Lost Healer, an award-winning proof-of-concept episode for a Christian-themed fantasy TV series. Inspired by real-life spiritual warfare, the series transports viewers to an imaginative new world while weaving biblical themes throughout its narrative. Recognizing the power of stories to shape the culture, Wilson seeks to make compelling, God-honoring entertainment that can be enjoyed by a broad audience.Website: thelosthealer.comFacebook: https://www.facebook.com/thelosthealerseries/Instagram: https://www.instagram.com/thelosthealerseries/Editor: Geoffrey WhittFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship The Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications...

We chat with Nichols & Thron about their careers and their new venture, SIGGRAPH highlights, and the future of filmmaking -- gaussian splats and all.

Clarke Scott, an Australian writer, director, and commercial photographer, shared his unconventional path into filmmaking after leaving behind academia and corporate work. A chance encounter in the Himalayas reignited his creative spark, leading him to dive into the DSLR revolution and embrace filmmaking as both an artistic outlet and a practical career. His debut feature, 1000 Moments Later, was a fully independent production he wrote, directed, shot, and edited himself — a bold decision driven by his refusal to wait for permission or compromise his creative voice.Clarke opened up about the challenges of independent filmmaking, from battling weather and limited budgets to convincing actors to join his project on back-end deals. He stressed the importance of patience, resourcefulness, and building a body of work rather than chasing quick wins like Sundance. For Clarke, the future of filmmaking lies in using available tools, leveraging local resources, and proving one's ability to finish projects with vision and determination. His story is a testament to the power of grit and creativity in bringing films to life outside the traditional studio system.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Grandma's home! It's Shyamalan's ticket out of director jail this week, we're paying him a visit. There's something seriously wrong with Becca and Tyler's grandparents. And it may or may not involve dirty diapers, naked sleepwalking, and a very, very scary game of hide and seek. Next week, it's the found footage zombie satire, ONE CUT OF THE DEAD (2017). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod.References:Special FeaturesThe Making of The VisitCast and Crew InterviewsThe Fall and Rise of M. Night Shyamalan“Sundowning” Plot and Cast Revealed“Sundowning” Beings ProductionBloody Disgusting Shyamalan InterviewThe Visit Trailer Attached to UnfriendedFilmmaker Magazine Maryse Alberti InterviewGeeks of Doom Shyamalan InterviewGlam Adelaide Olivia DeJonge InterviewPop Horror Ed Oxenbould InterviewVogue Kathryn Hahn InterviewThe New York Times Shyamalan ProfileCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

GG Hawkins sits down with Carmen Emmi (director, writer) and Erik Vogt-Nilsen (editor) of Plainclothes, a striking debut feature that blends the aching vulnerability of first love with the sharp tension of queer identity under surveillance. Set in 1997 and laced with nostalgic Hi8 footage, the film isn't just a period piece — it's a raw, intimate time capsule of self-discovery, repression, and resilience. This episode dives deep into the emotional and creative process behind the film, from Sundance dreams to strawberry farm editing sessions and how true collaboration can unlock something extraordinary. In this episode, No Film School's GG Hawkins and guests discuss… The genesis and central themes of Plainclothes, including first love/obsession, policing emotions, identity, nostalgia, and honesty in queer storytelling Why the 1990s setting — especially 1997 — was chosen, both for personal reasons and as a tool for emotional resonance How Carmen and Erik came together creatively, even though Erik joined after principal photography, and how they structured their collaboration (the “Editing Intentions” document, visits, tone setting, etc.) The editorial process: charting out passes, refining scenes, balancing structure vs. emotional truth, and maintaining rawness from the editor's cut through to the final version Test screenings: what kinds of feedback matter, figuring out clarity vs. ambiguity in the narrative, audience confusion around timelines, and how those screenings shaped the final cut On‑set dynamics: director's approaches, setting tone (no yelling unless dire), using music on set, capturing wordless moments, incubating trust and structure among cast and crew Filmmaking tools & creative choices: use of Hi8 footage to express internal states like anxiety; letting instinct and experimentation guide sequences; integrating personal memory and sensory detail into the cinematic style Advice for emerging filmmakers: avoid perfectionism, work with collaborators or friends you trust, give ideas a chance in editing, accept that not everything needs to be precious, learn from every project Memorable Quotes: “It was really, every creative decision I made was like, it was all stemmed from like, what does it feel like to police your feelings?” “One rule. And that was no yelling on set unless like someone's life was in danger…” “We had a lot of love for the story … there was so much levity and play in the edit room … even though we were dealing with very serious kind of themes…” “Give every idea a try … you don't have to spend too much time on it, if it's not working. But … that yes and‑kind of mentality … unlocks stuff you would never think of.” Guests: Carmen Emmi Erik Vogt-Nilsen Resources: Plainclothes Official Trailer I Really Love My Husband Screenings Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram