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https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Catherine Curtin, known for her powerful performances in Orange is the New Black and Stranger Things, engages in a thought-provoking discussion about her psychological thriller "Camera Obscura" and the essential role of art in society. Curtin passionately argues that theater represents the highest form of artistic expression and celebrates how platforms like Netflix are democratizing storytelling, allowing diverse voices and challenging ideas to reach audiences worldwide. She emphasizes that art is not a luxury but a necessity—food for the soul that nourishes people with ideas, emotions, empathy, and meaning. The conversation explores how horror and thriller genres create "experiential" rather than passive viewing, forcing audiences to athletically engage with difficult subjects in ways that raise empathy and understanding.The heart of the discussion focuses on PTSD and how "Camera Obscura" tackles this often-misunderstood condition through the lens of a war photographer whose trauma manifests through his camera. Curtin makes the crucial point that PTSD isn't limited to combat veterans—it can affect a teenager being cyberbullied, a survivor of abuse, or anyone who witnesses tragedy, such as someone involved in a fatal car accident caused by mechanical failure. She praises the film for exploring the moral ambiguity faced by whistleblowers who must decide whether to expose wrongdoing despite the personal consequences. Drawing parallels to contemporary figures like James Comey and Edward Snowden, Curtin argues that society is navigating new moral dilemmas about transparency, accountability, and the courage required to speak truth to power. This compelling conversation demonstrates how genre filmmaking can illuminate important social issues while entertaining audiences.

Send us a textSupport the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail ~ breakfastwithtiffanyshow@outlook.com SUBSCRIBE and SUPPORT us here ~ https://www.buzzsprout.com/1187534/supporters/new

Thu, 04 Dec 2025 15:30:00 GMT http://relay.fm/penaddict/694 http://relay.fm/penaddict/694 Orange Is the Worst 694 Brad Dowdy and Myke Hurley Among the many seasons that we are currently in, none is less interesting than Incoming Price Increase Season. The big three Japanese brands have changes coming, so what does it all mean? Also, Brad slanders an orange pen. Among the many seasons that we are currently in, none is less interesting than Incoming Price Increase Season. The big three Japanese brands have changes coming, so what does it all mean? Also, Brad slanders an orange pen. clean 3372 Among the many seasons that we are currently in, none is less interesting than Incoming Price Increase Season. The big three Japanese brands have changes coming, so what does it all mean? Also, Brad slanders an orange pen. This episode of The Pen Addict is sponsored by: Pen Chalet: Check out this week's special offer, and to get your code for 10% off. Enigma Stationery: Unique items, top brands and hard-to-find imports. Get a FREE gift and free US shipping. Links and Show Notes: Support The Pen Addict with a Relay Membership Submit Feedback The Pen Addict #693: Get 'em, Ana - Holiday Gift Guide 2025 - Relay Notice of product price revision | Platinum fountain pen Platinum Biso - Goldspot Pens Notice of Price Revision for Our Writing Instruments and Stationery ｜PILOT Fountain pen "Custom NS" released | Press release | PILOT Aston Martin Cygnet Aston Martin Cygnet (Toyota iQ) - Wikipedia Sailor 1911 14K / 18K Gold Trim Fountain Pen – Instagram 1911 18K Gold Trim Fountain Pen | Sailor Pen 1911 14K Gold Trim Fountain Pen | Sailor Pen Fountain Pens - CJ's Wunderkammer Inkvent 2025 - Day 2 Drehgriffel Nr. 1 - Luminous Edition - LEUCHTTURM1917 Drehgriffel Nr. 1 - Gradient Edition Farther Bag Co. + Doane Paper Lazy Sunday Tote — doane paper Fish Pouch - Silver/Navy | Enigma Stationery Pen Show Schedule

Kimiko Glenn brings a mix of honesty, humor, and delightful chaos to this conversation, opening up about the vulnerable journey behind her new single Hang Out Forever and why the music video takes such a hilariously dark turn. She talks about songwriting as her personal diary, how she finally found the courage to share it publicly, and why creative control feels like oxygen after years of being the “vessel” for other people's visions. We dig into the surprising things that make her the most self-conscious, the unexpected fears that shaped her early career, and why being an “impatient cheerleader” might be her truest personality trait. She also speaks candidly about the realities behind the fame surge during Orange Is the New Black, including the overwhelming moments she endured in public and the long path toward reclaiming safety and boundaries. Kimiko shares the story of developing panic disorder during Waitress, how she learned to manage anxiety in different performance environments, and the tools she's built to protect her joy. We also get into identity, community, vulnerability, the pressure to perform online, and what she hopes her upcoming music — including the acoustic version of Hang Out Forever — will reveal about her. Kimiko Glenn is an actor, singer, songwriter, and multi-hyphenate creator whose work spans Broadway, television, film, animation, and music. She originated roles in Waitress and the National Tour of Spring Awakening, earned global recognition as Soso in Orange Is the New Black, and became one of the most distinctive voices in animation with roles in Hazbin Hotel, Kiff, Centaurworld, Spider-Man: Into the Spider-Verse, DuckTales, My Little Pony, and more. Her latest artistic chapter focuses on original music, beginning with her single Hang Out Forever and a forthcoming EP that blends emotional storytelling with sharp comedic edge. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Find Kimiko Online Instagram: @kimikoglenn, @kimiko.wav TikTok: @itskimiko Watch Hang Out Forever Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into a powerful, wide ranging conversation with actress and artist Jessica Pimentel, the Brooklyn born Dominicana whose talent and spirit stretch across continents and creative worlds. Known globally for her seven season role as Maria Ruiz on Orange Is the New Black, Jessica is a three time SAG Award winner, a classically trained musician, and the fierce female vocalist of the heavy metal band Brujeria. A graduate of NYC’s iconic High School of Performing Arts and the American Academy of Dramatic Arts, Jessica’s artistry runs deep. She sings, plays violin, guitar, and bass, and brings a level of discipline and soul shaped by her journey as a Tibetan Buddhist, a practice she embraced back in the 90s. In our interview, she opens up about growing up Dominican in Brooklyn, the path that led her from city blocks to global stages, and why Sweden stole her heart as she now splits her life between Switzerland and New York. We get into everything, from her family’s stories and political views to the healing work behind the scenes and why we really shouldn’t eat the mangoes. It’s culture, creativity, spirituality, music, and truth told with cariño. A conversation about identity, legacy, and life en español, straight from a woman who has lived many lives and carries them all with power.See omnystudio.com/listener for privacy information.

We're headed on the road in Spring 2026! Sign up to be the first to know our tour cities and dates and ticket access! https://forms.gle/zFmxCUNBN2SX42yU7"Maybe we need a new thing. When Abby contradicts herself you drink. When NOTHING makes any sort of sense now you drink as well. You will be hammered." While Christi might be setting some of you up for alcohol poisoning with that one, It's undeniably true that things at the ALDC are starting to fray at the seams and Abby is becoming increasingly incomprehensible as "Abby Got Served" gets underway.Abby is served Paige's lawsuit, throwing the ALDC into a panic. Abby gathers the team off-camera to discuss how to handle the situation. The crew in-turn tries to make the most of the situation. Without Christi and Kelly present to fuel drama, the show can just focus on Paige's lawsuit until Abby finds actual drama elsewhere! Speaking of drama: Kalani's reintroduction to the team is off to a rocky start as she shows up late for her first day back. Does she get shouted at for such a blunder? Of course not! Instead she is rewarded with Top of the Pyramid. The moms are rightfully upset by the unfair double standards, but worry upsetting Abby at this moment will only make things worse for themselves. Though with a questionable Orange is the New Black inspired group number, how much worse can it really get?Abby insists the girls receive new headshots for LA. Though time for the photoshoot is limited, Abby instructs the photographer to prioritize Kalani and the Zieglers as they're the only ones "who are going to get jobs". Jill overhears this and it only worsens the mom's frustrations with their new direction. Why are they going to LA if they're just going to continue to be jostled around by Abby's whims? Abby does begrudgingly allow more time for the girls who got short changed by the situation but the stress of the photoshoot, LA move, and lawsuit are all starting to pile up.Quotes“I'm sitting there thinking to myself, 'Oh my god my daughter is teaching me how to read.' Like this is pretty sad!'" (03:24-03:31 | Kelly)“When I did my Instagram post where I told everybody that I had been diagnosed later in my life with ADHD, somebody wrote on the comments: Yeah I could have told you that after the first episode of Dance Moms. You and Kelly both!" (04:20-04:31 | Christi)“I got some exciting news! Is it a dead bird?" (12:32-12:365| Christi & Kelly)“I don't think there's anything pretty about a prop." (42:09-42:11 | Christi)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510 Hosted on Acast. See acast.com/privacy for more information.

Al & Val attend Sage Academy and even their best friendship can't save them from the hijinx that ensue! Upside Down Magic (July 31, 2020)IMDB WikipediaDirected by Joe Nussbaum (Sleepover, Sydney White, Just Add Magic, Gabby Duran & the Unsittables)Written by Nick Pustay (Ramona & Beezus - this was his last writing credit), Josh A. Cagan (The Duff, Kim Possible movie, Spin, Under Wraps 2, Zombies 4), Sarah Mlynowski (wrote the novel)Starring: Izabela Rose as Elinor "Nory" Boxwood-Horace (Secrets of Sulfur Springs, The Curious Case of Dolphin Bay)Siena Agudong as Reina Carvajal (Nicky, Ricky, Dicky & Dawn, Star Falls, No Good Nick, Resident Evil)Kyle Howard as Budd Skriff (Love Boat: The Next Wave, Grosse Point, Orange County, Run of the House, The Drew Carey Show, My Boys, Royal Pains, Me)Elie Samouhi as Elliot Cohen (Bizardvark, Team Kaylie)Alison Fernandez as Pepper Paloma (Law & Order SVU, Orange is the New Black, Once Upon a Time, Team Kaylie)Max Torina as Andres Padillo (Raven's Home)Vicki Lewis as Linda Knightslinger (character & voice actor - Den Brother, NewsRadio, Three Sisters, Finding Nemo & Finding Dory, Betsy's Kindergarten Adventures)Yasmeen Fletcher as Chandra (Ms. Marvel)Callum Seagram Airlie as Phillip (When Calls the Heart)Cynthia Kaye McWilliams as Professor Argon (character - The Lake House, Real Husbands of Hollywood, Prince of Peoria, Bosch, What If…?)Synopsis: Nory, who can transform into unusual hybrid animals, is placed in the Upside-Down Magic program as she is a prime target for an evil force called the Shadow Magic.Fun Facts: Based on a novel of the same nameNext Movie: SpinCreators & Guests Allie Ring - Host Val Agnew - Host ★ Support this podcast on Patreon ★

From a small-town church girl to an Oscar-nominated powerhouse, Danielle Brooks has built her career on faith, passion, and trusting divine timing. In a soulful and hilariously honest Virgo catch-up, she and Keke talk Orange Is the New Black, The Color Purple, finding what's meant for you, making Oprah laugh, and the struggle of “good cop vs. bad cop” as a mom—plus a game that's pure theater.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor, comedian, and jazz singer Lea DeLaria joins the show. Over enchiladas and rosé, Lea reflects on a life of firsts — from becoming the first openly gay comic on American television with her legendary “Arsenio Hall Show” set, to stealing scenes as Big Boo on Netflix's “Orange Is the New Black.” We revisit our nearly 30-year friendship, beginning with playing lovers in Shakespeare in the Park's “On the Town,” and share behind-the-scenes stories from our time in the theater world together. Lea opens up about the pride and pressure of visibility in the '90s, why OITNB resonated so deeply with butch women who finally saw themselves represented on screen, and how a joke she improvised one night on stage became the now-iconic “U-Haul lesbian” punchline. This episode was recorded at Little Owl in the West Village — also known to TV fans as the building from “Friends." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor and singer-songwriter Alicia Witt has been acting since the age of 7, when she made her film debut in David Lynch's sci-fi classic Dune. She will next be seen starring opposite Nicholas Cage in the thriller Longlegs, set for a 2024 worldwide theatrical release. She also just appeared on Fox's The Masked Singer as Dandelion, winning her first episode with her rendition of Over The Rainbow. Recent sightings include psychological drama Fuzzy Head (2023); I Care A Lot (2021) on Netflix, Lifetime Network's The Disappearance of Cari Farver (2022) and as Zelda on the final season of Orange Is The New Black. Additionally, her films include Two Weeks' Notice, Last Holiday, The Upside of Anger, Mr. Holland's Opus, Urban Legend, Four Rooms, 88 Minutes, Vanilla Sky, and Fun, for which she was awarded the Special Jury Recognition Award from the Sundance Film Festival, and an Independent Spirit Award nomination.Alicia is also a familiar face to Christmas audiences for her 10 holiday movies, many of which have featured her original music and continue to air every year.Alicia received rave reviews for her role as Paula in Season 6 of AMC's critically acclaimed series The Walking Dead. Witt also appeared during Season 4 of ABC's 'Nashville' as country star Autumn Chase and in Season 3 of David Lynch's Twin Peaks on Showtime, reprising her role from the original as Gerstein Hayward. Other TV includes FOX's The Exorcist; Law & Order: Criminal Intent; The Mentalist; Friday Night Lights; The Sopranos; Cybill; Ally McBeal; and Twin Peaks.Alicia has performed her original piano-driven pop music all over the world, including at the renowned Grand Ole Opry. She has also opened for Ben Folds Five, Rachel Platten, and Jimmy Webb, to name a few. Her 2018 release, 15000 Days, was produced by Grammy-winning producer Jacquire King (James Bay, Norah Jones, Kings of Leon, Dawes). Witt's previous album, Revisionary History, was produced by Ben Folds. Her newer records include "The Conduit" in 2021 and "Witness" 2023. Witt's first book, Small Changes, came out in Fall 2021 from Harper Horizon. The book is an inspiring, welcoming and simple yet effective guide to health, happiness and sustainable living. Instead of promoting a rigid diet, Small Changes offers readers a stress-and-judgment-free approach for enacting easy, incremental changes across all areas of life.Witt starred in Neil LaBute's Tony nominated play Reasons to Be Pretty at the Geffen Playhouse. She also appeared at London's Royal Court theatre in Terry Johnson's Piano/Forte and made her West End debut with The Shape of Things. She has performed at Williamstown Theatre Festival and has made many appearances in the 24-Hour Plays on Broadway and the 24-Hour Musicals off-Broadway.https://www.imdb.com/name/nm0001860/https://www.instagram.com/aliciawitty/?hl=enhttps://www.facebook.com/alicia.witt/https://www.aliciawittmusic.com/"Still on the Run" - https://www.fbrmusic.com/@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

The new iPhone models are here, a yearly event that we look forward to mostly to see what Apple has done with the iPhone cameras. Does a 48 megapixel telephoto camera capable of 8x zoom appeal to you enough to buy a new iPhone Pro? Is the svelte shape of the new iPhone Air compelling enough to pay more for, despite it having just one camera and less battery life? Or did you see the Cosmic Orange color of the iPhone 17 Pro and made your decision immediately based on that? We look at what Apple announced and what we're looking forward to. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson), Jeff on Bluesky (https://bsky.app/profile/jeffcarlson.bsky.social) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn), Kirk on Bluesky (https://bsky.app/profile/kirkville.com) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-194-iphone-event)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Apple Thinks Orange Is the New Black. It Isn't (https://www.cnet.com/tech/mobile/apple-thinks-orange-is-the-new-black-it-isnt/), CNET Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Welcome to Get a Heck Yes!Today's guest is someone whose career has been as dynamic as it is inspiring: Jolene Purdy.Jolene first captured attention with her breakout role in the cult classic Donnie Darko, and since then, she's continued to impress audiences with memorable performances in Under the Dome, Orange Is the New Black, WandaVision, and The White Lotus. Most recently, she stars opposite Kevin Bacon in The Bondsman.In this episode, Jolene shares her journey as a performer, the lessons she's learned along the way, and what it means to keep evolving in an ever-changing industry.If you're a fan of authentic storytelling and behind-the-scenes insight, you won't want to miss this conversation.

The incredible Samira Wiley (Orange Is The New Black, The Handmaid's Tale) joined Huss in the PCS studio for a very special conversation!

Send us a textSupport the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail ~ breakfastwithtiffanyshow@outlook.com SUBSCRIBE and SUPPORT us here ~ https://www.buzzsprout.com/1187534/supporters/new

YOU can change this! It's summary from Zoom! Use for reference. Get ready for a truly insightful conversation with the incredible Jolene Purdy! After seeing her at a recent in-person audition, Alyshia immediately called her agent and declared, “I just met this actress—I swear to God she's gonna get it!” From that moment, she knew Jolene had to come on the podcast. In today's episode, you'll hear behind-the-scenes stories like that shared audition, where Jolene made bold, unexpected choices despite having very little information about the character. Her distinctive voice and interpretations often go against the writing—making it even better. That inventive spirit has fueled a career spanning her unforgettable debut in Donnie Darko to standout roles in Under the Dome, Orange Is the New Black, The White Lotus, and her latest work opposite Kevin Bacon in The Bondsman. These are the unforgettable stories that landed Jolene Purdy right here. CREDITS: The White Lotus The Bondsman WandaVision Firefly Lane The Magicians Orange Is the New Black The Resident Teachers Breaking Bad Superstore Under the Dome Glee Unseen Donnie Darko GUEST LINKS: IMDB: Jolene Purdy, Actress, Writer Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition SLAYTEMBER: Starting September 18th MAGIC MIND: 60% off ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

“Our goal in writing [Sirens] was to write something that makes you think, and offers the opportunity to re-examine your own assumptions that you made about these characters. And it's taxing. We ask some difficult questions. It's not The Perfect Couple. It's not a murder show. We're going after something thematically that's really large and really ambitious, and that's why the Greek mythology came to mind. These are epic stories. These are about blood, and moms, and torture, and trauma, and pain. These themes are not tiny. These are complicated, juicy stews,” says showrunner and creator, Molly Smith Metzler about why she wanted to invoke big themes from Greek drama in her TV show Sirens.  On today's episode, we chat with Molly Smith Metzler, showrunner and creator of the hit Netflix limited series Sirens starring Julianne Moore, Meghann Fahy and Kevin Bacon. The show is based on her stage play Elemeno Pea from 2011. Smith Metzler talks about making the transition from playwriting to television and what she learned about being in the writer's room for Orange is the New Black.  "Everything you do in a [writer's] room is an offering. I'm here to serve, I'm here to serve you. Come in with ideas, offer them. If they don't hit, back off of them. You are a sous chef and a waiter," she says.  She also talks about writing edgy female characters unapologetically, like the ones in Sirens, and the numerous times she was asked to remove a certain risqué scene from the pilot script – which she refused to do. "We have to write these women in their truest form – they're complicated, and they don't have to explain themselves, either. My job is not to soften her so an audience won't turn off the TV show," she says.  To hear more about creating Sirens listen to the podcast. 

Chris and Andy talk about the trailer for the 'Office' spinoff ‘The Paper' that was released today (8:48) and also the trailers for the movies ‘Ella McCay' and ‘Jay Kelly' (27:46). Then they talk about the news that Cindy Holland, the Netflix exec who helped launch series like ‘Orange Is the New Black,' ‘House of Cards,' and ‘Stranger Things,' is coming on at Paramount as the new head of streaming (33:22). Finally, they make the pitch for why you should be watching the Polish thriller series ‘The Eastern Gate' (46:35). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Video Producer: Jon Jones Learn more about your ad choices. Visit podcastchoices.com/adchoices

The story of Regina Spektor is one of a truly self-made artist. In 1989, at nine years old, Spektor and her family emigrated from Moscow to the Bronx in New York. Her love and affinity for playing the piano found her studying in high school at the Manhattan School of Music, and as she continued her classical studies she was also being exposed to and fell in love with pop music, hip-hop, and punk rock. Her self-released albums 11:11 and Songs led to a growing audience and opening slots for The Strokes and Kings of Leon. She was soon signed to Sire Records, who released her third album, Soviet Kitsch. Fast forward many years, and the list of accolades and accomplishments for Regina is long. She has released eight studio albums, featured at the Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury festivals, performed at the White House for the Obamas, wrote the theme song for the Netflix series Orange is the New Black, and has had songs appear in multiple films. She recently reissued her albums Begin to Hope, Far, What We Saw From The Cheap Seats, Remember Us To Life, and Live in London all exclusively on vinyl. Geoff Stanfield caught up with Regina from her home in New York to discuss her early years, her passion for the craft, and takeaways from working with producers such as Jeff Lynne, Jacknife Lee, John Congleton, and Mike Elizondo. Enjoy!

You might know Vicci Martinez as the fierce and unforgettable “Daddy” from Orange Is the New Black (Seasons 6 & 7) or from her soul-shaking performances on The Voice and role as Frida Kahlo on HBOmax's Clone High. But behind the spotlight is a story few have heard — and in this episode, she tells it all.A Grit City Local, Vicci gets real about her journey from national stages to personal healing with host and friend, Krystle Edwards. Through it all, she's kept her core intact and she's not here to play the game by someone else's rules.We dive deep into what it costs to stay authentic in industries designed to shape, market, and sell your story before you've lived it. This isn't just a celebrity interview for being famous.It's about being whole. Join us a we discuss: Turning Rejection into Resilience: Navigating the path to success while staying authentic Sobriety Over Sales: The decision to choose healing, even when the industry glamorizes chaos. A Producers Ultimatum : A behind-the-scenes ultimatum on OITNB- a gift or a curse? Sisterhood, Not Rivalry: Choosing connection in a world that pits women against each other.

Lara Love Hardin is a NY Times best-selling author, including a 2024 Oprah Book Club pick, a 5-time NY Times bestselling collaborative author, a literary agent, a Mother, and a prison reform advocate. She's also a former addict and justice-involved individual. Lara's memoir, The Many Lives of Mama Love: A Memoir of Lying, Stealing, Writing, and Healing, is the transformational story of her life, her experiences with the criminal justice system, and the stigma surrounding addiction.  While her story contains notes of "Wild", "Orange is the New Black", and "Catch Me If You Can", it is the power of storytelling that offered her a means of healing and forgiveness, because as she says, "I want to do what's true to me".

Bundjalung man, Jack Manning Bancroft's scholarship to a prestigious Sydney University college showed him a rarefied world that shocked him, and he used his childhood grit to channel his energy into a world-changing project.Jack's mother is Bundjalung artist, Bronwyn Bancroft. Growing up in inner-Sydney, he was intimidated by her artistic drive and threw himself into sport, because that was the only way a young Jack thought a man could have influence in the world.When he was ten the family moved to Bundjalung country to spend time with his mum's side of the family. The local kids refused to accept that Jack was Aboriginal. He escaped into fantasy books and wrote long letters home to his dad, Ned Manning, in Sydney.Jack received a scholarship to St Paul's College at the University of Sydney and vowed to use his opportunity to increase the number of Indigenous kids at university.The Australian Indigenous Mentoring Experience (AIME) was born and Jack has since used his position to forge connections between communities to foster understanding across the world.Further informationWatch Australian Story featuring Jack and his partner, Yael Stone on iview.Listen to Jack's dad, Ned Manning, on Conversations in 2022.This episode of Conversations was produced by Alice Moldovan. Conversations Executive Producer is Nicola Harrison. The presenter was Rudi Bremer.This episode of Conversations touches on Aboriginal culture, mentoring, changing the world, personal story, epic life story, family dynamics, Aboriginal excellence, grief, loss, depression, failure and painting.

In this episode, the Munsons are joined once again by veteran guest Munson, Cam Sully, for a deep dive into the unparalleled career of Trinidadian-American actress Lorraine Toussaint. A Juilliard graduate with over 30 years in film, TV, and theater, Toussaint consistently delivers powerhouse performances, making even small roles unforgettable. We explore her impactful work in Selma, her iconic turn as Vee in Orange Is the New Black, her underrated brilliance in Nightjohn, her chilling role in Scary Stories to Tell in the Dark, her ongoing presence as Vi in The Equalizer, and her latest performance in Better Sister. Plus, we revisit the classic Dangerous Minds to see if it still holds up. How does she rank on the Munson Meter? Listen to find out.

The Kelly Alexander Show welcomes Canadian pop recording artist Mint Simon who has just released their debut EP "Chimera" and will be performing at the world-renowned music festival Osheaga in August in Montreal. Mint Simon talks to us about their sound and who influenced them growing up including Prince. They also let us know that going through the pandemic affected their mental health and how their music helped them through it. We delve into how they got chosen to perform at Osheaga this year, what it means to them and what it is like to write music for TV and film, (having some of their songs placed on shows like Grey's Anatomy, Madame Web and Orange Is The New Black). Enjoy the conversation and thank you for listening!

Myrna Cabello is a Mexican American actress, voiceover artist, and creative based in New York City. Born and raised in Austin, Texas to immigrant parents, she has been immersed in storytelling and performance since childhood—writing plays, songs, and short stories. Myrna Recurs as Silvia, Guillermo's mom, on FX's What We Do In the Shadows, and also as Lucia in the Freevee series Sprung. Her voice can be heard on PBS Kids promos, national commercial spots on Pandora, and the original variety series Myrna & The Bulldog in 3D, which she created with her husband. Most recently, she can be seen as Esperanza on the new Apple TV series Your Friends and Neighbors, which premiered in May 2025. Myrna is also known for her work in New Amsterdam, Bull, FBI: Most Wanted, Jessica Jones, Blindspot, Friday Night Lights, Orange is the New Black, Mozart in the Jungle and Walker Texas Ranger.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Watch best scene reading: https://www.youtube.com/watch?v=8M-6es5qNVc Get to know the writer: What is your screenplay about? A former Army lawyer, Gemma Lightwater battles troubled family and calculating investors to reopen her Missouri Ozarks ranch that pairs broken veterans with broken horses GEMMA LIGHTWATER a mid-30s Army veteran struggles to reopen the Red Rock Ranch that serves female veterans wellness. That is until she receives a five million dollar offer from her former captain, ASTRID MITCHELL, but the money comes with a ticking clock and giving up decision-making control to her former JAG leader. As the new veteran arrivals, tensions run high as NORMA JONES, Gemma's right hand at the ranch tries to help Gemma and Astrid understand what a deal means for them. After a few rounds of will they or will won't they sign, Gemma and Astrid find common ground to finalize the deal. Then tragedy strikes leaving Gemma conflicted and suspicious at the exact time she is supposed to be opening a new chapter for the only real mission she has left, saving others to save herself. What genres does your screenplay fall under? Thriller, Drama, Suspense Why should this screenplay be made into a movie? As a female veteran, I look into the eyes of women in uniform and remind them that our service matters. They remind me to tell their stories. The doubts of if female veterans deserve a seat at the table of service will be removed. And in this show, we ARE the table. This pilot should do for women veterans what Orange is the New Black did for incarcerated women. And do for Missouri what Yellowstone did for Montana. What Band of Brothers did for male veterans. We have a long historic legacy that quickly being erased. Women have put their lives on the line since the beginning of time, when do we see them as the main characters. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Dascha Polanco opens up like never before. She gets real about her journey from growing up in New York City with strong Dominican roots

Jason Biggs is an actor known for his roles in the American Pie film series, Orange is the New Black, and The Subject. In this candid conversation, he opens up about his rise to fame at a young age, becoming a household name at 21, the pressure that came with early success, the spiral into addiction that followed, and what it took to reclaim his life. We talk about the realities of fame, hitting rock bottom, the messy path to sobriety—and the unexpected freedom he's found on the other side.This episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct, or indirect financial interest in products, or services referred to in this episode.Try LMNT and get a free sample pack when you go to DrinkLMNT.com/WELLGo to boncharge.com and use coupon code BLONDE to save 15%.Go to helloned.com/BLONDE or enter code BLONDE at checkout for 15% off.Go to clearstem.com/WELL and use code WELL at checkout for 20% off. Visit Nutrafol.com and enter code BLONDE for $10 off your first month and free shipping. Visit purelyelizabeth.com and use code WELL at checkout for 20% off.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we're getting real with Kimiko Glenn— actor, singer, and voiceover queen. You've seen her in Orange Is the New Black, heard her in Baby Shark, Centaurworld, Spider-Man: Into the Spider-Verse, and more…We talk about her journey from Broadway to Hollywood, how she became one of the most recognizable faces during the SAG-AFTRA strike, and her own original music!And yes, she takes on our signature Sweet or Savory questions— and even walks us through her cooking show-style method of making the perfect PB&J. Kimiko Glenn on Instagram: http://instagram.com/kimikoglenn

Send us a text Emmy Award-winning actor and comedian Jeremy Piven brings his razor-sharp wit and high-energy stand-up to The Factory in Chesterfield, MO on Sunday, June 8, 2025! Known for his iconic role as Ari Gold on Entourage and countless other roles, Piven now delivers a night of laughs, stories from Hollywood, and unfiltered comedy that fans won't want to miss. Doors open at 6:30 PM with the show kicking off at 7:30 PM — and it's ALL AGES. A household name for his 2x Golden Globe and 3x Emmy Award-winning performance‬ playing the fast-talking, acerbic Hollywood agent ‘Ari Gold' in the HBO series‬ Entourage‬‭ , actor, comedian, and podcast host‬‭ Jeremy‬‭ Piven‬‭ also achieved significant‬ success playing the title role in the British/PBS television drama series‬‭ Mr. Selfridge‬‭ , the‬ semi-fictional story based on the life of Harry Selfridge, who founded the London‬ department store Selfridge's. Piven has also appeared in numerous successful films,‬ including‬‭ Grosse Pointe Blank‬‭ ,‬‭ Singles‬‭ ,‬‭ Very Bad Things‬‭ ,‬‭ The Family Man‬‭ ,‬‭ Black Hawk‬ Down‬‭ ,‬‭ The Kingdom‬‭ ,‬‭ Heat‬‭ ,‬‭ PCU‬‭ ,‬‭ Old School‬‭ ,‬‭ Rock N Rolla‬‭ ,‬‭ Serendipity‬‭ ,‬‭ Smokin' Aces‬‭ ,‬ and‬‭ Runaway Jury‬‭.‬‭Piven appears as Joel Lapchick the man responsible for helping Nat “Sweetwater”‬ Clifton break the color barrier in the NBA in 1950 in the movie‬‭ Sweetwater,‬‭ which‬ dropped on Angel Studios on September 26‬‭ th‬, soon to‬‭ be available VOD. His next film,‬ The‬‭ Performance‬‭ , is an adaptation of an Arthur Miller‬‭ work due out in theaters at the‬ end of 2024.‬He was recently seen in the feature film‬‭ Last Call‬‭ opposite Oscar winner Bruce Dern‬ and‬‭ Orange is the New Black‬‭ star Taryn Manning. Other‬‭ recent and upcoming films‬ include‬‭ American Night‬‭ opposite Oscar nominee Emile‬‭ Hirsch, Jonathan Rhys Meyers,‬ which screened at the Venice Film Festival, period drama film‬‭ The Walk‬‭ opposite Justin‬ Chatwin and Oscar nominee Terrence Howard, and‬‭ The‬‭ System‬‭ which teamed him up‬ again with Terrence Howard and Tyrese Gibson.‬Piven also released the popular podcast “How U Livin' J Piven,” where he interviewed‬ influential guests such as Jamie Foxx, Tiffany Haddish, Common, Mark Cuban and UFC‬ stars Rashad Evans and Jorge Masvidal, in an intimate and in depth format that‬ showcased his dynamic personality in a never-before-seen way. The show is available‬ wherever you get your podcasts.‬ Piven now tours the country with his successful stand-up comedy show, flexing a‬ comedic muscle that few actors have been able to transition over to. The tour will see‬ him across the entire continental U.S. and also take him internationally to the U.K. and‬ beyond.‬http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Actor, writer, and director Max Talisman joins The Art of Kindness with Robert Peterpaul to discuss the power of creating inclusive stories, redefining queer romance on screen, and leading with kindness on set of his new film Things Like This. MAX TALISMAN is rapidly emerging as a leading voice in Hollywood, with standout performances in the indie thriller Super Dark Times, the Jennifer Lopez film Marry Me, and hit series including Orange is the New Black, The Blacklist, and Search Party. Now, he makes his highly anticipated directorial debut with Things Like This, a bold reimagining of queer romance that follows two men with the same name as they navigate love and self-discovery in New York City. Starring Joey Pollari (Love, Simon), Jackie Cruz (Orange is the New Black), and Cara Buono (Stranger Things), the film steers away from traditional coming-out or trauma-centered stories, instead embracing humor, complexity, and the universal joy of connection—positioning it as one of 2025's most exciting indie releases. Follow Max @themaxtshow Let's be friends! ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠youtube.com/@artofkindnesspodcast⁠ ⁠Support the show⁠! (⁠https://www.buymeacoffee.com/theaok⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In this episode, we sit down with the dynamic Elizabeth Rodriguez—actress, Broadway star, and proud Nuyorican—for a conversation about her journey through some of television and theatre’s most impactful roles. From her breakout as Aleida Diaz on Orange Is the New Black to her polarizing turn as Paz Valdez on Power, Elizabeth opens up about the love, hate, and everything in between that comes with playing complex characters. We also dive into her latest film Allswell in New York, a raw and heartfelt portrayal of sisterhood and struggle, co-starring fellow Latina powerhouses Daphne Rubin-Vega and Liza Colón-Zayas. Elizabeth shares how growing up on Manhattan’s Upper East Side as the daughter of Puerto Rican parents shaped her perspective—and her passion for telling real, rooted stories. Plus, we talk about the growing wave of Latino narratives on stage, including Broadway’s current productions of Buena Vista Social Club and Real Women Have Curves, and why representation isn't just important—it's urgent. This is an unfiltered, inspiring look at identity, resilience, and the magic that happens when Latinas rise together.See omnystudio.com/listener for privacy information.

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Join Justin as he chats with actor Connie Schulman about her childhood in East Tennessee, paranormal experiences with her pets, landing the role of Patti Mayonnaise on Doug, her TV show with Dolly Parton that never aired, and more!Connie Schulman bio:“Constance Ann Shulman (born April 4, 1958) is an American actress. In 1987, Shulman originated the role of Annelle in the first production of Steel Magnoliasoff Broadway. She later appeared in films Fletch Lives (1989), Men Don't Leave (1990), and Fried Green Tomatoes (1991). She voiced Patti Mayonnaise in the animated sitcom Doug (1991–99) and the 1999 film Doug's 1st Movie. She played Yoga Jones in the Netflix comedy-drama series, Orange Is the New Black from 2013 to 2017, for which she received three Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. “Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube

Few contemporary actors better represent the bravado and edginess of New York City natives than Natasha Lyonne. Over a four-decade career that began with a role on Pee-wee’s Playhouse, Lyonne has become known for portraying characters that are gruff but likable, hard-nosed but sympathetic. She’s exhibited these traits in films ranging from Everyone Says I Love You to American Pie; but her brashness truly hit the mainstream in 2013, upon the release of Netflix’s Orange Is The New Black. That show kicked off a run on television that has found her as the creator and star of recent hits such as Russian Doll and Poker Face, the latter of which just released its much-anticipated second season. On this week’s episode of Table for Two, the actress joins host Bruce Bozzi to discuss New Yorkers’ street smarts, why she loves Richard Pryor’s Jo Jo Dancer, Your Life Is Calling, and the genius of Maya Rudolph.See omnystudio.com/listener for privacy information.

This is the episode every creative, dreamer, and anyone navigating reinvention needs to hear.In this intimate and powerful conversation, Josselyne sits down with actor Hunter Emery—known for his roles in Orange Is The New Black, The Penguin, and Hightown—to talk about the real story behind the screen.What unfolds is way more than a career interview.This is a brutally honest look at what it takes to chase a dream in an industry that tests you at every turn.Hunter opens up about the rejections, the hard lessons, the turning points—and how becoming a father changed everything. You'll hear how sobriety helped him reconnect with who he really is, what matters most, and why walking away from some opportunities was the most powerful thing he ever did.This episode dives into:The unglamorous side of Hollywood nobody talks aboutWhy “no” can be the most freeing word you ever sayHow to stay grounded in the middle of uncertaintyThe role of gratitude in staying the course when things get hardIf you've ever doubted your path, felt stuck in your journey, or wondered if you should just give it all up… listen to this.You don't have to be an actor to relate to this episode—you just have to be someone who cares deeply about what they're creating in life.Share this one with a friend who's working toward a dream. Or someone who needs to hear: you're not too late, and it's not too late.Tune in now—you'll walk away inspired, refocused, and reminded of your power.For more resources,CLICK HERE  for the podcast episode page.Get Your Free Transcend Imposter Syndrome Process Find Hunter at:InstagramConnect With JosselyneWebsite: beunmessablewith.comInstagram: @beunmessablewithLinkedin:Facebook:  Email: Book a FREE exploration call with Josselyne 

If you know anything about Natasha Lyonne’s character in Orange Is the New Black—let alone her rollicking roles in Russian Doll and Poker Face—you know that she’s an expert at using colorful language to dramatic effect. But off-screen, what is her go-to curse word? On this week’s bonus episode of Table for Two, the actress joins host Bruce Bozzi and discusses the performer she most wants to work with but hasn’t, the first thing she notices in a man, and the best advice she’s been given. Hear a preview of the episode below, and listen and subscribe on the iHeartRadio App, Apple Podcasts, or wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

YOU week continues! Madeline Brewer (Handmaids Tale, Orange is the New Black) is Joe’s Final Girl and she’s here to talk about it. She shares about her days as an adolescent in Pittman, NJ and the pivotal moment she crossed the river into New York to pursue acting. And of course, she and Penn reminisce on their time working on the set of YOU together. Massive thank you to DNS Productions Inc for shooting & editing this! Director / Supervising Producer: Daria ScoccimarroCo-Producer / Line Producer: Madia Hill ScottPost Producer / Lead Editor: Owen DonovanAssociate Producer / Assistant Editor: Jesse WilliamsDirector of Photography: Charlee HarrisonCamera Operator: Dylan EndikeCamera Operator: Stacy MizeGaffer: Graeme DempseyKey Grip: Chris AngaroneProduction Designer: Denise PascalSound Mixer: Sergio Reyes-SheehanSound Mixer Assistant: Chris BaroneSound Mixer Assistant: Dylan Andrew LappinProduction Assistant - Set PA: Madison CollinsProduction Assistant - Set PA: Jay Hernandez And preorder our new book, Crushmore, here: https://www.simonandschuster.com/books/Crushmore/Nava-Kavelin/9781668077993 ----------------------------------------------------------------------------------------- Want more from Podcrushed? Follow our social channels here: Insta: https://bit.ly/PodcrushedInsta TikTok: https://bit.ly/PodcrushedTikTok X: https://bit.ly/PodcrushedTwitter You can follow Penn, Sophie and Nava here: Insta: https://www.instagram.com/pennbadgley/ https://www.instagram.com/scribbledby... https://www.instagram.com/nnnava/ Tik Tok: https://www.tiktok.com/@iampennbadgley https://www.tiktok.com/@scribbledbysophie https://www.tiktok.com/@nkavelinSee omnystudio.com/listener for privacy information.

Join Lafayette, Carlos, and the always unpredictable Laura in this fun-filled episode of Nerds Talking The Podcast! After missing last week's show due to a feline fiasco, Laura returns with the full scoop on her missing cat—spoiler alert: he's been found safe and sound! But just as one crisis ends, another begins. Laura's now dealing with a mysterious issue involving her left eye, and she's got plenty to say about it.Once the ranting wraps, it's on to the world of entertainment! Laura gives us her thoughts on the complete run of Netflix's groundbreaking series Orange Is the New Black, and the crew dives into another Netflix gem, Adolescence.Expect laughs, unexpected detours, and loads of nerdy goodness as the trio keeps it real, ridiculous, and always entertaining. Don't miss this one—it's a ride!

On this episode of #LatinosOutLoud, #RachelLaLoca welcomes back fellow podcast hostess and actress, Laura Gómez. This dynamic Dominican talented Queen is best known for her role as Blanca Flores in "Orange is the New Black". She's host of her own podcast, Barajo Eso and is now the narrator behind the "Lost Women of Science" podcast season about the extraordinary life of Doctora Evangelina Rodríguez Perozo--the first female doctor in the Dominican Republic. Out by PRX Studios, the podcast is a project by the Lost Women of Science Initiative, which aims to tell the stories of female scientists who made groundbreaking achievements but remain largely unknown. The podcast is available in both English and Spanish. The Lost Women of Science Initiative is a 501(c)(3) nonprofit with two overarching and interrelated missions: to tell the story of female scientists who made groundbreaking achievements in their fields—yet remain largely unknown to the general public—and to inspire girls and young women to embark on careers in STEM (science, technology, engineering and math). Follow Rachel Follow Laura Follow The Lost Women of Science Initiative And while you're at it, follow the yellow brick road! #Latinas #Podcast #Latinos #Actress #OrangeIsTheNewBlack #LauraGomez

Join Lafayette, Carlos, Laura, and Marie in this jam-packed episode of Nerds Talking! Laura finally discovers the Netflix classic Orange Is the New Black, and we give it a quick, spoiler-free chat since the rest of us have already been there, done that. Meanwhile, Marie shares her experience of getting her tubes tied—no filter, no holding back!Ever wondered if your YouTube binge sessions are slowly killing you? Laura dives into the unsettling truth behind certain videos and their impact on your well-being.Lafayette and Carlos review Netflix's latest big-budget blockbuster, The Electric State, starring Chris Pratt and Millie Bobby Brown. Does it live up to the hype, or is it just another pricey misfire?And finally, Carlos takes on the viral internet drama surrounding TikToker Cierra Mistt and Pepsi—debunking the resurfacing social media conspiracy once and for all.All that, plus plenty of laughs, unexpected tangents, and nerdy insights. Don't miss it!

Russell Binder, the IP accelerator behind Five Nights at Freddy's, Twilight, and The Hunger Games, reveals how gaming communities are reshaping Hollywood's and gamings approach to franchise building.In this conversation, Russell Binder, founder of Stryker Entertainment, shares his journey from representing comic book creators to building billion-dollar transmedia franchises. With 30+ years of experience developing IPs like Five Nights at Freddy's, Twilight Saga, and Angry Birds, Russell provides unprecedented insights into how gaming communities are transforming Hollywood and gaming's approach to storytelling, merchandising and entertainment."When I started in the business, there were the five families, Warner's, Disney, Universal, Sony, and Paramount, and they were generally the gatekeepers of the big IPs," Russell explains. He reveals the strategies behind turning Five Nights at Freddy's from an indie game to a global phenomenon through community cultivation: "The virality of these jump scares and watching people play this game introduced this property to a massive social audience across YouTube, across Instagram... you didn't have to play the game to get excited about Five Nights at Freddy's."Russell also shares candid stories about working with industry legends: "If you ask me what I love about my job, as much as I love movies, as much as I love video games, the people I've had the pleasure to work with, Steven Spielberg, Sean Levy, Guillermo del Toro, like some of the coolest storytellers and filmmakers..." His insights on what makes an IP truly transferable are invaluable: "If you look at what works in horror, it's iconic. It's Freddie, Jason, Michael Myers in the film business. In gaming, Five Nights at Freddy's and Poppy and Bendy... Iconic characters that translate multi-directionally."Timestamps:00:00 Introduction to Russell Binder and Striker Entertainment05:32 The Twilight Saga 18:17 Transitioning to Video Games: Angry Birds and Five Nights at Freddy's25:43 Future of Transmedia and Cross-Platform Content34:27 The Challenges of Transmedia Projects34:54 Disney's Transmedia Mastery35:17 Amazon's Potential in Transmedia36:47 The Evolution of Gaming and Hollywood37:29 Criteria for Successful Transmedia Ventures40:15 High on Life: A Transmedia Success Story41:36 The Future of Transmedia Adaptations51:09: Working with Steven Spielberg 59:42 The Future of Transmedia and EntertainmentGuest Biography:Russell Binder is the founder of Stryker Entertainment, an IP accelerator specialising in transmedia development, licensing, and production. With over 30 years in the entertainment industry, Russell has managed blockbuster IPs including The Twilight Saga, The Hunger Games, TheWalkingDead, Pacific Rim, Five Nights at Freddy's, Preacher, KickAss2, TED and TED 2, Terminator Salvation, Terminator Genisys, House of Cards, Orange is the New Black, The BFG, Powers, Ender's Game, and others. His unique approach combines consumer products expertise with film/TV development, helping creators maximise their IP's potential across multiple platforms.Watch On YouTube: https://youtu.be/I3WAJiz82Hk?si=quh3xArWI_3B9h_P Connect with Russell Binder:LinkedIn: https://www.linkedin.com/in/russell-binder-19a3791/Website: https://www.strikerentertainment.com/Connect with Pete: LinkedIn: https://www.linkedin.com/in/peter-george-bell/Instagram: https://www.instagram.com/thepeterbell/Newsletter: https://www.linkedin.com/newsletters/before-5-on-friday-7244349280012886020/Website: https://www.purposemade.uk Join our tribe and lets grow together https://plus.acast.com/s/purpose-made-podcast. Hosted on Acast. See acast.com/privacy for more information.

Burnie and Ashley discuss Tim Robinson's perseverance, greatest episodes of television, Breaking Bad, Orange Is The New Black, skipping intros & recaps, Disney's release schedule, focal lengths, woolly mice, and HIV resistant people.

The one and only, Laverne Cox sits down with Kelly in this unfiltered conversation to discuss family, fame and being fabulous. Laverne bravely takes us behind the scenes of her family, from her brother's unyielding love to her mother's denial and acceptance. Laverne discusses her early beginning's at New York's famed coffee shop and how letting a guy know she was transgender was not always the easiest task. Laverne tells us about being directed by Jodie Foster on Orange is the New Black and working with the legend, the late, Norman Lear on her new show Clean Slate.

Actor extraordinaire Susan Heyward is on this week with a super-fun episode to, uh, give you some relief from dystopia descending... And of course, you know Susan from The Boys, Vinyl, Orange is the New Black... perhaps treading the boards on The Great White Way in Harry Potter and the Cursed Child? And so much more, but even if this is your first time meeting Susan, you're going to fall in love with her! We talk about some early lessons in injustice and therapy, ask why conservatives are obsessed with Jesus' abs, find out how the B train figured into the meet cute with her future husband and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!*Donate to displaced black families of the LA fires here*ALSO BUY A BRAND NEW CUTE AF "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings! Hosted on Acast. See acast.com/privacy for more information.

Todd Phillips, the director and co-writer of the new musical sequel to Joker, shares what it was like to direct Joaquin Phoenix and Lady Gaga in a singing, dancing, very dark adaptation of the DC character. And actor Uzo Aduba, best-known for her role as "Crazy Eyes" on Orange is the New Black and HBO's In Treatment, has written a new memoir that pays homage to her mother, a Nigerian immigrant who raised her family in a nearly all-white Massachusetts suburb. Also, David Bianculli reviews the new Disney+/Marvel series Agatha All Along, a spinoff of the series WandaVision. Subscribe to Fresh Air's weekly newsletter and get highlights from the show, gems from the archive, and staff recommendations.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Orange Is the New Black actor Uzo Aduba grew up the daughter of Nigerian immigrants in a predominantly white Massachusetts suburb. She looks back on her late mother's influence in the memoir, The Road Is Good. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Actress Uzo Aduba feels interested in being Conan O'Brien's friend. Uzo sits down with Conan to discuss bringing her mother to the White House, nearly quitting acting before landing her breakout role on Orange Is the New Black, realizing what makes us unique makes us better, and her new book The Road Is Good: How a Mother's Strength Became a Daughter's Purpose. Later, Conan and his team escape the heat with some impromptu Verbal Jazz. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link https://siriusxm.com/conan and code CONAN.