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Art historian and design historian Tony Best knows visual culture and as president of Sunset & Madison LLC, a research-based communications firm, his work is rooted in creative services management, archival practices, and mass media studies. Tony suggested a couple of movies to discuss, but ultimately landed on Purple Rain. Prince is The Kid, a young musician facing challenges at home who strives to be the best artist, the best possible musician that he can, no matter the distractions. If you grew up in the 80s, then you know the music, featuring Prince and the Revolution, The Time and Apollonia 6. On March 5th, theaters around the country will re-release Purple Rain for one night only, an exclusive Dolby Cinema Engagement with visuals and audio that improve upon the 40th anniversary edition from May 2024.-Tony Best holds degrees in Moving Image Archive Studies and Art History from UCLA. His portfolio includes projects for the UCLA Film & Television Archive, Academy of Motion Picture Arts and Sciences, CalArts, Mass Appeal/Showtime, and Amaru Records.https://www.linkedin.com/in/tonyjbest/-Purple Rain (1984)https://www.imdb.com/title/tt0087957/ https://www.fandango.com/search?q=Purple+Rain&mode=all https://variety.com/2025/film/news/purple-rain-theater-rerelease-dolby-vision-8k-presentation-1236312227/ https://www.history.com/this-day-in-history/year/1984/page/2 https://www.instagram.com/vaughnterryofficial/ https://en.wikipedia.org/wiki/Parental_Advisory https://deadline.com/2023/05/jim-brown-dead-nfl-dirty-dozen-actor-civil-rights-1235373574/ https://www.npr.org/2024/07/26/g-s1-13857/purple-rain-prince-movie-40-anniversary https://www.grammy.com/news/prince-purple-rain-album-anniversary-film-legacy-influence https://www.nytimes.com/2024/09/08/magazine/prince-netflix-ezra-edelman-documentary.html https://www.usatoday.com/story/opinion/2016/04/25/prince-purple-rain-darling-nikki-censorship-lyrics-tipper-gore-column/83466774/ -Other movies discussed, alphabetical listBeat Street (1984)Breakin' (1984)Breakin' 2: Electric Boogaloo (1984)Fame (1980)Krush Groove (1985)Missionary (2024) https://www.youtube.com/watch?v=Ho5iOnGcWas Saturday Night Fever (1977)Staying Alive (1983)Urban Cowboy (1980)Xanadu (1980)
Lots of movies are filmed in Los Angeles, but only a relative few give a leading role to the city itself. Yet a new series at Berkeley's Pacific Film Archive “considers a selection of films that foreground the history, architecture, and neighborhoods of Los Angeles.” The series includes mainstream picks like “Chinatown” and “La La Land”, but also under the radar gems like “Killer of Sheep,” a milestone in Black indie film, and the landmark Asian Pacific American feature “Hito Hata: Raise the Banner.” We'll talk with film critics about those movies and more…and we want to hear from you…what's your most essential LA movie? Guests: Elvis Mitchell, culture critic and historian; host of KCRW's The Treatment, an inside look at the creators of popular culture; director of the 2022 Netflix documentary "Is That Black Enough for You?!? Amy Nicholson, LA-based film critic; host of the podcast "Unspooled" May Hong HaDuong, director, UCLA Film & Television Archive; Film and Television Archive - which collaborated with BAMPFA on the "Cities and Cinema: Los Angeles series. The series runs through October 3 at BAMPFA in Berkeley.
David Stenn was hired by the TV series Hill Street Blues immediately after graduating from Yale, becoming the show's youngest writer ever. David then wrote She Was Marked For Murder, an NBC movie that earned an Edgar nomination from the Mystery Writers Guild of America.David returned to television as Producer of 21 Jump Street, then Supervising Producer of Beverly Hills, 90210. David's first biography, Clara Bow: Runnin' Wild, which was published by Doubleday and edited by no less than Jacqueline Onassis, became a national bestseller. Variety raved, "Only rarely will you find a book that is as total a winner on every level as Clara Bow: Runnin' Wild." His second biography, “Bombshell: The Life and Death of Jean Harlow, again, edited by Jacqueline Onassis, was cited by the New York Times as one of the year's notable books.“It Happened One Night…At M-G-M,” David's discovery for Vanity Fair of Hollywood's best-suppressed scandal, brought vindication to rape survivor Patricia Douglas after sixty-six years in hiding and is now considered an historical progenitor of the MeToo movement. The story was adapted into Girl 27, a documentary film that David directed. I've read David's excellent book on Clara Bow and seen Girl 27. Both are powerful pieces about Hollywood's long history in how power players treat both celebrities and those who wish to become celebrated.David then served as Co-Executive Producer of The L Word and Supervising Producer on the HBO series Boardwalk Empire. His most recent screenplay assignments have been for Martin Scorsese; Leonardo DiCaprio/Warner Bros.; and Working Title.David is a passionate supporter of film preservation. He serves on the Film Committee of the Museum of Modern Art in New York and Board of Directors at the UCLA Film & Television Archive in Los Angeles.
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and
„L'Atalante“ heißt der Flussfrachter, dessen junger Kapitän Jean das Mädchen vom Dorf, Juliette, heiratet. Sie erträumt sich von der Ehe den Ausbruch aus der Enge und Besuche in der Glitzerwelt von Paris. Die Wirklichkeit ist etwas ärmlicher und weniger aufregend, als Juliette erhofft hatte. Und so rechnet sich ein charmanter Straßenhändler bei ihr Chancen aus. Die junge Ehe zwischen Eifersucht, Streit, Selbstverwirklichung und Versöhnung scheint zu zerbrechen. Der wütende Ehemann muss erst einmal erwachsen werden, während Juliette mit der harten Wirklichkeit konfrontiert wird.Wir haben den französischen Filmklassiker von Jean Vigo in der Capitol-Jubiläumsnacht als Überraschungsfilm gesehen. Weniger als ein Dutzend Zuschauer haben bei der Information „französischer Schwarzweissfilm von 1934“ sofort das Kino verlassen. Das überwiegend junge Publikum hat sich auf Jean Vigos einzigen Langfilm eingelassen: Ein tragikomischer Liebesfilm, der in der Erzählweise, Dramaturgie und Inszenierung seiner Zeit weit voraus war und mit seinem poetischen Realismus unter anderem die Filmemacher:innen der Nouvelle Vague inspiriert hat. Eine einfache Liebesgeschichte mit überraschend subtilen Elementen – die Charaktere sind komplex und sie durchlaufen in nur 88 Minuten Laufzeit eine glaubwürdige Entwicklung.Jahrzehnte gab es den Film nur in einer stark geschnittenen Fassung, erst 1990 wurde eine längere Fassung entdeckt. Die ursprüngliche Schnittfassung wurde im Auftrag von Gaumont von Jean-Louis Bompoint und Pierre Philippe restauriert, wobei vor allem eine von Bompoint im britischen National Film and Television Archive entdeckte Kopie des Films zugrunde gelegt wurde, Wir haben im Capitol die restaurierte Version des British Film Institute (BFI) gesehen – im französischen Original mit englischen Untertiteln. Im Podcast nach dem Film reden wir über einen schlechtgelaunten Hochzeitszug, über die starke Hauptdarstellerin Dita Parlo, über eine faszinierende Unterwasser-Sequenz, über eine beeindruckende Tanzinszenierung und vielschichtige Nebenfiguren (der alte Matrose!) und wir fragen uns, was aus den Katzen an Bord der L'Atalante wurde. Am Mikrofon spät in der Nacht vor dem Capitol: Kathrin, Johanna und Thomas.
In this episode, we discuss Billy Woodberry's Bless Their Little Hearts, including the film's expertly crafted opening, the theme of masculinity, and the film's place within the L.A. Rebellion film movement.See where Bless Their Little Hearts is available to watch.Supplemental Material:Milestone Films' Bless Their Little Hearts DVDUCLA Library Film & Television Archive's The Story of L.A. RebellionWhat Is LA Rebellion Film Movement? The Essential GuideNotebook Primer: L.A. Rebellion by A.E. HuntBilly Woodberry - Bless Their Little Hearts Q&ABilly Woodberry - L.A. Filmforum Q&A (November 10, 2016)Arts Express | Featuring Bill Woodbury, Director of Bless Their Little Hearts (Podcast) ‘Bless Their Little Hearts' Director Billy Woodberry on His First Feature in Over Thirty Years by Danny King“People Can Choose to Create the Collective, Social Experience”: Billy Woodberry on Bless Their Little Hearts by Steve Macfarlane and Madeline ColemanAdditional Audio Sources:Bless Their Little Hearts TrailerMilestone Films' Bless Their Little Hearts DVDIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin
Episode 65 welcomes the BBC's only ever Sound Archivist (the title changed a few times), Simon Rooks. For 33 years he was lost in the archives and now he's found his way out, he's here to tell us the way. This episode is more interview than usual, including a whizzthrough 100 years of the BBC Sound Archive - from no recordings to the first recordings, Lance Sieveking's re-enactments and Leslie Baily's archive gathering, Marie Slocombe and Lynton Fletcher's channelling of Marie Kondo, location actuality recordings, the first retake and recording from a WW2 bombing mission... and that's all just in the first two decades! Simon guides us all the way through to BBC7 and the present day - if you love old radio, it's a fascinating insight. Thanks Simon - and thanks to you and the team for looking after it for all these years. Elsewhere, our timeline of British broadcasting's origin story continues, covering March 16th-26th 1923 - which happens to include the first BBC music library under Frank Hook. And the archive is off... So as we traverse the early tale of the Beeb, this is the perfect episode to go deeper into the tale of the archive than you've probably ever gone before (I should add we're mostly talking about the Sound Archive here. As for the Written Archives, the Television Archive - one day...) Plus one of my favourite stories about the early BBC, involving an Archbishop, a bit of Schubert and All-Request Monday. I hope you enjoy this episode as much as I did putting it together. Happy listening! SHOWNOTES: LOTS of extra things you could listen to if you hunger for more... Hear the Radio 4 Archive Hour that Simon made with Sean Street on the first Sound Archives Librarian Marie Slocombe: https://www.bbc.co.uk/archive/archive-hour--marie-slocombe-and-the-bbc-sound-archive/zvrf7nb Simon mentions this 1942 programme, 'You Have Been Listening to a Recording' featuring Lynton Fletcher and Marie Slocombe: https://www.bbc.co.uk/archive/you-have-been-listening-to-a-recording--part-3/znsm47h Hear even more of Lynton Fletcher on this 1941 literary lunch talk: https://www.bbc.co.uk/archive/foyles-literary-luncheon--the-bbc-recorded-programmes-department/z72kf4j Hear an extended interview with Marie Slocombe here: https://www.bbc.co.uk/archive/marie-slocombe--sound-archives-librarian-1937-1972/zr4vmfr The London Sound Survey is quite something - the late Ian Rawes curated it, from BBC discs including the first location recordings. See the dates down the left, and have a listen to the everyday 1930s: https://www.soundsurvey.org.uk/index.php/survey/radio_actuality_recordings A reminder that this podcast is nothing to do with the BBC. We're talking about them, not with their permission. And in fact the BBC we're talking about isn't today's BBC - it's the British Broadcasting Company. The Corporation is not behind this in any way. It's a one-man operation - so thanks for supporting on patreon.com/paulkerensa if you do. Or one-off tips if you prefer are much appreciated too! ko-fi.com/paulkerensa. But the free way to support us is to share this podcast with others. Help it grow by helping others find us. That will keep us going as long as... well maybe not quite as long as the BBC's archives, but we can make a start. Original music by Will Farmer. Archive material is so old it's generally out of copyright. BBC content is used with kind permission, BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved. Thanks for listening. Do rate/review if you like, if you like it. And subscribe so that you get future episodes, including... NEXT TIME: News, the first daily weather and SOS broadcasts in late March 1923 - with more great guests. https://www.paulkerensa.com/oldradio
Creator and Independent Producer of numerous award winning movies and long form drama series including: The Man In The High Castle a 40 hour long Amazon series which has become the cornerstone of the streaming network's line-up, winner of two Primetime Emmy's and many other awards. Quartet Dustin Hoffman's directorial debut and Golden Globe nominee, starring Maggie Smith, The Invisible Woman Oscar nominated, starring and directed by Ralph Fiennes, the Emmy Award winning Peter and Wendy starring Stanley Tucci. The Miners winner of the Grierson Award, This Little Life BAFTA nominated and winner of the Dennis Potter, BANFF and RTS awards and Saboteurs the Prix Italia winning series. Stewart studied at the Edinburgh College of Art and Royal College of Art in London and after graduating regularly contributed illustrations for The Times, Sunday Times, Oz, Nova, Time Out, , Spare Rib, Ambit and Management Today amongst many others. He also produced the artwork for the British TV movie The War Game and designs for the Royal Shakespeare Company. His work was featured in the Radical Illustrators magazine published by the Association of Illustrators in which co-editor George Snow singled out Mackinnon as “perhaps the greatest single influence on today's Radical Illustrators.” After being awarded a DAAD scholarship for his film Border Crossing he spent a year in Berlin before returning to the UK where he founded Trade Films which produced films and television such as The Miners' Campaign, Woodbine Place and Grierson Award winner, When the Dog Bites. He was closely involved in devising the Workshop Declaration in partnership with Channel 4. The Workshops worked with their local communities, women's organisations and ethnic minority communities. So began a decade of experiment with progressive and aesthetically avant-garde documentaries and dramas screened on British television, which continued until 1990. Stewart set up the Northern Film and Television Archive in the late 1990s and some years later co-founded the Northern Screen Commission with Sir Peter Carr, and Media Training Centre which provided courses for deaf students which was the first of its kind in the world. In 2005 he founded Headline Pictures with the Head of BBC drama Mark Shivas and after delivering the fourth and final season of Man in the High Castle in 2020 founded Circle Pictures with US based Jere Sulivan with the aim of producing world class drama which explores the pressing issues of our times.
Creator and Independent Producer of numerous award winning movies and long form drama series including: The Man In The High Castle a 40 hour long Amazon series which has become the cornerstone of the streaming network's line-up, winner of two Primetime Emmy's and many other awards. Quartet Dustin Hoffman's directorial debut and Golden Globe nominee, starring Maggie Smith, The Invisible Woman Oscar nominated, starring and directed by Ralph Fiennes, the Emmy Award winning Peter and Wendy starring Stanley Tucci. The Miners winner of the Grierson Award, This Little Life BAFTA nominated and winner of the Dennis Potter, BANFF and RTS awards and Saboteurs the Prix Italia winning series. Stewart studied at the Edinburgh College of Art and Royal College of Art in London and after graduating regularly contributed illustrations for The Times, Sunday Times, Oz, Nova, Time Out, , Spare Rib, Ambit and Management Today amongst many others. He also produced the artwork for the British TV movie The War Game and designs for the Royal Shakespeare Company. His work was featured in the Radical Illustrators magazine published by the Association of Illustrators in which co-editor George Snow singled out Mackinnon as “perhaps the greatest single influence on today's Radical Illustrators.” After being awarded a DAAD scholarship for his film Border Crossing he spent a year in Berlin before returning to the UK where he founded Trade Films which produced films and television such as The Miners' Campaign, Woodbine Place and Grierson Award winner, When the Dog Bites. He was closely involved in devising the Workshop Declaration in partnership with Channel 4. The Workshops worked with their local communities, women's organisations and ethnic minority communities. So began a decade of experiment with progressive and aesthetically avant-garde documentaries and dramas screened on British television, which continued until 1990. Stewart set up the Northern Film and Television Archive in the late 1990s and some years later co-founded the Northern Screen Commission with Sir Peter Carr, and Media Training Centre which provided courses for deaf students which was the first of its kind in the world. In 2005 he founded Headline Pictures with the Head of BBC drama Mark Shivas and after delivering the fourth and final season of Man in the High Castle in 2020 founded Circle Pictures with US based Jere Sulivan with the aim of producing world class drama which explores the pressing issues of our times.
The great Bill Duke, immortalized onscreen for his roles in Car Wash, Predator, Action Jackson, The Limey and Mandy, also boasts a distinctive five-decade career directing film and television. On this episode, hosts Christopher Funderburg and John Cribbs welcome back Pinnland Empire guru Marcus Pinn to discuss Duke's 1984 feature debut, The Killing Floor. After premiering on the PBS American Playhouse series, winning the Special Jury Prize at Sundance and being chosen as an Official Selection of the "La Semaine de la Critique" section at Cannes, the movie practically disappeared from sight until its recent 4k restoration and preservation by the UCLA Film & Television Archive. Set during a period of migration of Southern black workers to the giant Chicago slaughterhouses during the first World War, Killing Floor concerns the struggle to build an interracial union even as meatpacking management actively plotted to divide the workface along ethnic lines, a conflict which boiled over in the race riots of 1919. Featuring early performances from Alfre Woodard and Dennis Farina, an exhaustively researched screenplay by Leslie Lee (from a story by producer Elsa Rassbach) and assured direction from Duke, it's a film that deserves more recognition for both its subject matter and its own time and place in American filmmaking. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: https://twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"
In this Episode Nick and Simon discuss Stars of Jazz which was an American television program that ran between 1956 and 1958 and featured performances and interviews with many leading jazz performers of the time. The innovative program started on KABC-TV in Los Angeles in June 1956. It was produced by Jimmie Baker, and presented by pianist and songwriter Bobby Troup. Musicians who appeared on the show included Oscar Peterson, Billie Holiday, Art Blakey, Dave Brubeck, Stan Getz, Kid Ory, Chet Baker, and Troup's wife Julie London. All 130 shows were filmed as kinescopes, but all but 45 were later lost. The remaining films were donated to the UCLA Film and Television Archive, where they are gradually being restored.
Hooman and Chris sit down with Eddie Muller the host of TCM's Noir Alley franchise.Muller writes novels, biographies, movie histories, plays, short stories, and films. He also programs film festivals, curates museums, designs books, and provides commentary for television, radio, and DVDs. He produces and hosts NOIR CITY: The San Francisco Film Noir Festival, the largest noir retrospective in the world, which now has satellite festivals in seven other U.S. cities.As founder and president of the Film Noir Foundation, he has been instrumental in preserving America's noir heritage, which to date has included restoring and preserving (with the UCLA Film & Television Archive) more than 30 nearly lost classics, such as Too Late for Tears (1949), Woman on the Run (1950), and The Bitter Stems (1956). Muller has also presented and lectured on film noir at the Cinémathèque Française in Paris, the Museum of Modern Art in New York, and the Smithsonian Institution in Washington, DC.UPDATE: Due to the surge in Omicron infections, the NOIR CITY 19 film festival scheduled for January 20–23 at the Grand Lake Theatre has been postponed. New dates will be announced when the threat of exposure is sufficiently diminished. For more information, visit: https://www.noircity.com/.Now playing on Fandor is The Bigamist (1953).Today's show is brought to you by Fandor. Learn more and subscribe for the latest updates here.Fandor on Social Media:Facebook: https://www.facebook.com/fandorTwitter: https://twitter.com/FandorInstagram: https://www.instagram.com/fandorfilmsVimeo: https://vimeo.com/fandor Hosted on Acast. See acast.com/privacy for more information.
In this episode I tackle silent films and radio adaptations of Jane Eyre. For the first part I take on the difficult task of examining two different silent films...that I have not seen! I know, I know! The 1910 version starring Irma Taylor (Jane) and Frank Hall Crane (Rochester) has been lost to time and Woman and Wife (aka The Lifted Cross) from 1918 starring Alice Brady (Jane) and Eliot Dexter (Rochester) survives in an incomplete state at the BFI National Film and Television Archive. I do my best to piece together what they are about and look at reviews at the time to give my best analysis on how well they accomplish adapting the source material. In the second half of the episode, I look at the Lux Radio Theatre production of Jane Eyre from June 14, 1948 starring Ingrid Bergman as Jane and Robert Montgomery as Rochester. Listen to the radio play here. Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/dear-reader-a-jane-eyre-podcast/id1585429797 Don't use iTunes? Use this link for your podcast catcher: https://feeds.feedburner.com/dear-reader-podcast Also available on Spotify, Stitcher, Amazon Music and Google Podcasts Follow DEAR READER on TWITTER: https://twitter.com/batgirltooracle This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Put down your comics, pick up your first editions, and subscribe to DEAR READER, A JANE EYRE PODCAST!
A look at the Television Archive episode on The Good Place (101) "Everything is Fine"!
It's important to discover films before our time... On this episode we go to something that is near and dear our bosses heart; old movies. With the TCM Classic Film Festival kicking off online today until May 9th. It's running at two virtual venues at the TCM Network and the Classics Curated by TCM Hub over at HBO Max in the States. 'Doctor X' and the horror films of Michael Curtiz is helping kick off the fest in style. This 1932 recently restored version premiered recently on TCM. The new two-color Technicolor master was restored by UCLA Film and Television Archive and The Film Foundation in association with Warner Bros. Entertainment. In 'Doctor X' New York City reporter Lee Taylor (Lee Tracy) is doing a piece on a series of grisly, cannibalistic murders that have all been committed under a full moon. Police soon begin to suspect that the murderer works at the lab of Dr. Jerry Xavier (Lionel Atwill), a mysterious Long Island researcher who is doing an investigation of his own. Antsy for an inside story, Taylor breaks into the lab, where he meets and falls in love with Dr. Xavier's daughter Joan (Fay Wray). Academy Award—winning director Michael Curtiz (1886—1962) — whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) — was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks. Classic cinema is Alan's DNA and a particular expert since he wrote a comprehensive biography on the career of Curtiz and serves as a producer and programmer in his own right on several festivals. In advance of the TCM Classic Film Festival we got to talk with Alan about 'Doctor X' why this was such a unique period in cinema history and why so many noted filmmakers have gotten to use horror as a proving ground for the work they are doing.
"This old man, he played three, Bert Freed first played Columbo on TV."This week on Mystery to Me, we'll be discussing the genesis of beloved fictional detective Lt. Columbo. The fictional sleuth — with his rumpled sensibilities and absent-minded charm — was most notably portrayed by Peter Falk. But Falk wasn't the first to have a go at Columbo. That honor would belong to actor Bert Freed, who portrayed the character on the Chevy Mystery Show. Columbo writers Richard Levinson and William Link first unleashed the character on the episode "Enough Rope" on July 31, 1960. The story is a classic "howcatchem," following a cunning murderer who seeks to outwit Freed's blue collar detective. Áine and Kevin discuss how this early version of a beloved franchise hadn't quite yet earned its rumpled raincoat. Special thanks to the UCLA Film & Television Archive for putting on the special digital screening of "Enough Rope." Just one more thing. Make sure to follow us on social media!FacebookTwitterInstagramAnd send us mysterious and intriguing missives at mysterytomepodcast@gmail.com.
A look at the Television Archive episode on Death Note (101) "Rebirth"!
A look at The Television Archive episode on Cosmos (101) "The Shores of the Cosmic Ocean"!
Shane Belcourt and Face2Face host David Peck talk about Amplify, resistance, Metis history and voice, interpretation and interconnectedness, sonic highways, identity politics, music and art and what it reveals about culture and us.TrailerMore info here.Synopsis:Our Endless Resistance featuring songwriter Shane Belcourt author Maria Campbell and Métis Rights Advocate Tony Belcourt.Métis songwriter Shane Belcourt, finds inspiration looking back on interviews he did with celebrated Métis author Maria Campbell, and his father, an acclaimed Métis Rights leader Tony Belcourt.What are lessons we can learn from the 1960-1980 Métis Rights movement?About Shane:Shane Belcourt is a two-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV. His debut feature film Tkaronto, had a theatrical release, was sold to SuperChannel and Air Canada, and was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”. Shane also directed Chanie Wenjack which Walrus Magazine noted as “The Heritage Minute Canada needs to see”.His most recent feature film, Red Rover, premiered at the Whistler Film Festival, opened the Canadian Film Festival, and was released in March 2020 to glowing reviews.On the documentary side of things, Shane directed Kaha:wi, which features dancer and choreographer Santee Smith. It premiered at the imagineNATIVE Film + Media Arts Festival, aired on APTN and CBC Docs, and won a CSC award for Best Cinematography in 2016, along with a CSA Best Director nomination.Most recently, Shane is in post-production on a new 13-part music documentary series, Amplify, which he created and will air on APTN in the Fall of 2020. And was a Consulting Producer (writing room story editor) on CBC”s new drama series, The Trickster, set to air Fall 2020.Currently Shane is in development to direct a feature documentary, Beautiful Scars, for TVO and Sky Network on internationally acclaimed songwriter Tom Wilson, and a feature narrative based around a family tale entitled Dumbbell, which received development funding from Telefilm Canada. Shane is an alumna of the TIFF Talent Lab and NSI’s Totally Television programs, and a member of the DGC.Image Copyright and Credit: Shane Belcourt and APTN.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
A look at The Television Archive episode on Fringe (101) "Pilot"!
Author Randy Skretvedt on Laurel & Hardy, and the new restorations from the UCLA Film & Television Archive and Kit Parker Films (89:49)
#TheFilmScene #IlleanaDouglas #AlanKRode Alan K. Rode’s affinity for classic cinema is part of his DNA. His mother grew up in Hollywood and was an extra in Our Gang comedy shorts and studied acting at Ben Bard Drama. His grandfather was a silent film violinist who went from bit actor to Universal Studios house composer and eventually founded Corelli-Jacobs Recording Inc. A great-uncle doubled Gary Cooper in The Virginian (1929) and fought Jack Dempsey. Yet another grandfather promoted rodeos with cowboy star Hoot Gibson at Gilmore Stadium. Before the advent of classic films on cable, video or streaming, Alan incessantly watched and catalogued movies on television.He is the author of a pair of notable cinema biographies. Charles McGraw: Film Noir Tough Guy is a critically acclaimed saga of the rough-hewn actor’s life and times. Michael Curtiz: A Life in Film is the first comprehensive biography of the director of Casablanca, Mildred Pierce, Yankee Doodle Dandy and The Adventures of Robin Hood among other classic films. The Curtiz book has received enthusiastic reviews from the New York Review of Books (David Thomson), the Wall Street Journal (Scott Eyman), the Los Angeles Times (Kenneth Turan) and Leonard Maltin. Alan has been the producer and host of the annual Arthur Lyons Film Noir Festival in Palm Springs, California since 2008. He has hosted and programmed classic cinema events for a variety of organizations including: The American Cinematheque, the Los Angeles Conservancy, the Alex Film Society and the UCLA Film and Television Archive. Alan is also charter director and treasurer of the Film Noir Foundation. With FNF president Eddie Muller, Alan has spearheaded the preservation and restoration of “lost” films and co-programs and co-hosts several of the annual NOIR CITY film festivals. Alan founded TVP Enterprises in 2017. With his talented filmmaking partners, he exec-produced featurette packages for the Blu-ray releases of: T-Men, He Walked by Night, The Man Who Cheated Himself and Trapped. A U.S Navy veteran, Alan is the chairman & programmer of the historic Hollywood Legion Theater. Alan’s video interviews with numerous Golden Age of Hollywood personages can be found on his web site and the Film Noir Foundation’s video archive. His blog ONE WAY BLOG and writing and interviews for a variety of publications (several are archived on his web site) have been supplemented by his commentaries and featurettes on numerous Blu-Ray®/DVD classic film releases. He can be contacted via email at: moxie160@gmail.com.
On Friday, July 12th, the Shock Waves gang, Rob Galluzzo, Rebekah McKendry, and Elric Kane, were fortunate enough to host a special screening of the 1988 Mexican horror film DON'T PANIC at the Billy Wilder Theater in Los Angeles in association with the UCLA Film & Television Archive department as part of a month long screening series from AGFA. (The American Genre Film Archive) We're joined by AGFA's Joseph Ziemba, Bret Berg, Sebastian Alvarez del Castillo and Alicia Coombs. We discuss DON'T PANIC, the Doris Wishman catalog, the inner workings of finding and restoring these exploitation films, TAMMY & THE T-REX, and much much more. The screening series is running now through August in Los Angeles, so come on down!
When UCLA Film & Television Archive launched its annual UCLA Celebration of Iranian Cinema in 1990, it was the first showcase for new Iranian films in the U.S. It has been a platform for exciting new voices in cinema as well as a dialogue to foster cultural understanding—and in that time Iranian filmmakers have moved to the forefront of the cinematic world. It has also been a barometer of global politics. In partnership with Farhang Foundation, this year’s UCLA Celebration of Iranian Cinema offers Los Angeles the chance to see a stellar lineup of new Iranian films that includes four Los Angeles premieres and three U.S. premieres, along with the revival of a modern classic. From fraught intimate relationships to big social issues, these expertly crafted films reveal the complexities – and universalities – of contemporary Iran. The annual celebration, now entering its 28th year, showcases the best in contemporary Iranian Cinema. Paul Malcolm is the film programmer for UCLA Film & Television Archive where he began in 2007. He was an associate programmer of feature and short films for the Los Angeles Film Festival 2006-2010. As adjunct faculty at Chapman University, he has taught classes on the history and aesthetics of 3D cinema and film reviewing at Chapman University. He was also assistant film editor and film critic for the LA Weekly from 1998-2006. Malcolm graduated from USC with a BA in journalism and he received his MA in Film Studies from UCLA. He is a Sundance Institute Arts Writing Fellow (2001).
Listen to The Guardian's film critic and author David Thomson describe why he loves His Girl Friday. The 1940 film, starring Cary Grant and Rosalind Russell, is now regarded as one of Hollywood's most beloved screwball comedies. But at the time of production, it was considered run-of-the-mill. As Thomson explains, this was the case for many movies and is why film preservation is so important. The UCLA Film and Television Archive not only preserved His Girl Friday, but many other treasures that would have otherwise been forever lost. Hear that full story: https://soundcloud.com/one_bold_idea/film_podcast
In this episode of One Bold Idea, we learn about the unexpected role the University of California played in saving a treasure trove of American film. Hear from venerated film critic, David Thomson of The Guardian, and Jan-Christopher Horak, Director of the UCLA Film and Television Archive. Credits: Narrator: Shuka Kalantari Reporter: Coby McDonald Mixer: Francesca Fenzi Editor and producer: Graelyn Brashear Executive producer: Ben Manilla Music: Blue Dot Sessions One Bold Idea is produced by the UC Berkeley Advanced Media Institute in collaboration with the University of California.
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Slow Writing: Thom Andersen on Cinema (Visible Press) Slow Writing is a collection of articles by Thom Andersen that reflect on the avant-garde, Hollywood feature films, and contemporary cinema. His critiques of artists and filmmakers as diverse as Yasujirō Ozu, Nicholas Ray, Andy Warhol, and Christian Marclay locate their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape. The city of Los Angeles and its relationship to film is a recurrent theme. These writings, which span a period of five decades, demonstrate Andersen’s social consciousness, humour and his genuine appreciation of cinema in its many forms. Thom Andersen’s films include the celebrated documentary essays Eadweard Muybridge, Zoopraxographer (1975), Red Hollywood (1996), Los Angeles Plays Itself (2003), and The Thoughts That Once We Had (2015). Of the thirty-four texts included in the book, six are hitherto unpublished; others have been revised or appear in different versions to those previously available. Praise for Slow Writing “There are few writers and few filmmakers who make me rethink what cinema is more than Thom Andersen. Sometimes this is a matter of introducing fresh perspectives, such as making cinema and architecture more mutually interactive. It’s always a political matter of figuring out just who and where we are, and why.”----- Jonathan Rosenbaum “In his disarmingly plainspoken introduction, Thom Andersen more or less apologizes for not becoming a film critic, and for not delivering a manifesto. Slow Writing shows us just how terrific a critic he hasn’t (mostly) bothered to be. This book belongs on a very small and special shelf of the most incisive and ungrandiose books by artists.”----- Jonathan Lethem Thom Andersen has lived in Los Angeles for most of his life. His knowledge of and enthusiasm for the city has deeply informed his work, not least his widely praised study of its representation in movies, Los Angeles Plays Itself (2003), which was voted one of the 50 Best Documentaries of All Time in a Sight & Sound critics’ poll. Andersen made his first short films and entered into the city’s film scene as a student of USC and UCLA in the 1960s. His hour-long documentary Eadweard Muybridge, Zoopraxographer (1974) was realised under an AFI scholarship and has lately been restored by the UCLA Film and Television Archive. His research into the victims of the Hollywood Blacklist, done in collaboration with film theorist Noël Burch, produced the video essay Red Hollywood (1996) and book Les Communistes de Hollywood: Autre chose que des martyrs (1994). Andersen’s recent films include Reconversão (2012) on the work of Portuguese architect Eduardo Souto de Moura, and The Thoughts That Once We Had (2015), a personal history of cinema loosely inspired by Gilles Deleuze. A published writer since 1966, Andersen has contributed to journals such as Film Comment, Artforum, Sight and Sound and Cinema Scope. He has taught at the California Institute of the Arts since 1987, and was previously on faculty at SUNY Buffalo and Ohio State University. Also a respected film curator, he has acted as programmer for Los Angeles Filmforum and curated thematic retrospectives for the Viennale. Slow Writing: Thom Andersen on Cinema is the first collection of his essays. Tosh Berman is a writer and poet. His two books are Sparks-Tastic (Rare Bird) and a book of poems, The Plum in Mr. Blum's Pudding (Penny-Ante Editions). He is also the publisher and editor of his press, TamTam Books, which published the works of Boris Vian, Serge Gainsbourg, Guy Debord, Jacques Mesrine, Ron Mael & Russell Mael (Sparks) Gilles Verlant, and Lun*na Menoh.
Dan Einstein talks about the Jack Benny Collections at the UCLA Film and Television Archive. Plus Jeanette Berard from the Thousand Oaks Library American Radio Archive talk about their collection of Jack Benny Scripts.
With a recently restored version of this 1975 film directed by Haile Gerimaa led to this conversation with Jan-Christopher Horak, Director of the UCLA Film and Television Archive and co-editor of the recent collection documenting the archive’s restoration of LA Rebellion films. He is joined by UCSB Department of Film and Media Studies Professors Anna Everett and Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 30806]
With a recently restored version of this 1975 film directed by Haile Gerimaa led to this conversation with Jan-Christopher Horak, Director of the UCLA Film and Television Archive and co-editor of the recent collection documenting the archive’s restoration of LA Rebellion films. He is joined by UCSB Department of Film and Media Studies Professors Anna Everett and Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 30806]
In 2011, the Academy for International Communication of Chinese Culture (AICCC) conducted a survey of international views toward Chinese cinema. The AICCC concluded that foreign audiences simply don't understand Chinese films and culture. To discuss this, AICCC selected five films that provided popular in China. At USC five AICCC scholars will discuss these films and other issues with American specialists. About AICCC Jointly established by Beijing Normal University and International Data Group (IDG) , the Academy for International Communication of Chinese Culture aims to introduce and disseminate Chinese culture worldwide more effectively and contribute to a harmonious world culture through solid, in-depth research and art works with Chinese characteristics by effectively integrating resources from Beijing Normal University, IDG, relevant government departments, enterprises, non-profit organizations and communities. Robert Rosen is a professor, critic, preservationist and Dean Emeritus of the UCLA School of Theater, Film and Television. He has spoken at scholarly, public, and professional meetings in more than twenty nations on subjects related to film criticism, media history, film and television production and curatorship. He has guided the growth of the UCLA Film & Television Archive from a small study collection to the world's largest university-based holding of original film and television materials and has occupied many positions of leadership in the field.
In 2011, the Academy for International Communication of Chinese Culture (AICCC) conducted a survey of international views toward Chinese cinema. The AICCC concluded that foreign audiences simply don't understand Chinese films and culture. To discuss this, AICCC selected five films that provided popular in China. At USC five AICCC scholars will discuss these films and other issues with American specialists. About AICCC Jointly established by Beijing Normal University and International Data Group (IDG) , the Academy for International Communication of Chinese Culture aims to introduce and disseminate Chinese culture worldwide more effectively and contribute to a harmonious world culture through solid, in-depth research and art works with Chinese characteristics by effectively integrating resources from Beijing Normal University, IDG, relevant government departments, enterprises, non-profit organizations and communities. Robert Rosen is a professor, critic, preservationist and Dean Emeritus of the UCLA School of Theater, Film and Television. He has spoken at scholarly, public, and professional meetings in more than twenty nations on subjects related to film criticism, media history, film and television production and curatorship. He has guided the growth of the UCLA Film & Television Archive from a small study collection to the world's largest university-based holding of original film and television materials and has occupied many positions of leadership in the field.
Filmmaker Nina Menkes discusses her collected works, now in a retrospective at the UCLA Film & Television Archive and following at the Anthology Film Archive in New York.
03.14.11: UCLA Film & Television Archive by Sara Harris
An interview with cinematographer ERIC DAARSTAD of THE EXILES - the groundbreaking film made between 1958 - 1961 that chronicles one night in the lives of young Native American men and women living in the Bunker Hill district of Los Angeles. Based entirely on interviews with the participants and their friends, the film follows a group of exiles - transplants from Southwest reservations - as they flirt, drink, party, fight, and dance. Filmmaker Kent Mackenzie first conceived of The Exiles during the making of his short film Bunker Hill - 1956 while a student at the University of Southern California. The Exiles was photographed by Daarstad and a group of young filmmakers - Mackenzie's college mates, fellow employees, and friends holding down a variety of day-to-day jobs in the motion picture industry. Much of the picture was shot on "short ends," the leftovers of 1,000 - foot rolls (varying from 100 to 300 feet of stock) discarded by major film producers. Milestone, in cooperation with USC's film archivist Valarie Schwan, brought the film to preservationist Ross Lipman and the UCLA Film & Television Archive.
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