Podcasts about t rex

Book Worm's Story Snacks | The Great Dino-Sneeze Can a single sneeze save an entire herd of dinosaurs from a T-Rex? Join the Book Worm in this prehistoric story snack and gear up with tropical vests and explorer boots to travel 75 million years back to the humid jungles of the Cretaceous period. What starts as a leafy lunch quickly turns into a “sticky” emergency when a massive, duck-billed Parasaurolophus named Barnaby gets his musical head-crest plugged with thick tree sap—leaving him unable to call his herd to safety before the sun goes down and the predators arrive. Join the high-speed dragonfly Dash, scale Barnaby's 30-foot leathery neck, and help the Reader perform a high-energy Mega-Tickle to trigger a record-breaking blast of air. Together, you'll discover how extra Oxygen made prehistoric bugs super-sized, the science of Resonance in musical crests, and how a little bit of silly teamwork can protect a whole dinosaur family—all through courage, logic, and a giant ACHOO!

The artifact has been stolen and random objects in the museum are coming to life and killing the party guests! Oh, and did I mention we're about to fight a T-Rex skeleton?! What the hell are you doing still reading the description? Hit play!⁠Sign up for Talltale Tavern Bonus Action for additional content and to help support the show!⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast's socials!Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@talltale_tavern_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plus, join our⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to our players! Clay as Amuun Etka the Elf Order of Scribes WizardDayne as Kaelen, Apostle of the Clouds the Aarakocra Warror of the Mystic Arts MonkKyle as Duratan Blackfang the Orc Oath of Devotion PaladinScott as Marklay Pinglepopper the Halfling Clockwork SorcererTalltale Tavern Theme Song by Tyler AdelspergerTalltale Tavern Artwork by Tal

Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/LAPLATICA10 Sponsored by SeatGeek. *Restrictions apply. Max $20 discount   What started as Josh and Sebas doing a recap of their experiences with our recent guests quickly turned existential as the Boily Pops started asking questions we don't have all the answers to. From dinosaurs to reincarnation, religion to fossil fuels, prepare to dive deep and question everything you know about our lives as humans. Are we all connected? Or are we just here for a good time and not a long time?   CHAPTERS: 00:00 – Intro 02:28 – Shout Out to the Ladies 05:12 – Josh' is Feeling Good 07:23 – Did It Hit? Was It Lit? 09:51 – Guest Recap: Mariana Van Zeller, P-Rod 10:53 – It's Time For ___________! 14:16 – This Fires Me Up!

2. David K. Randall, *The Monster's Bones: The Discovery of T-Rex and How It Shook Our World*. In 1902, Barnum Brown tracked a lead from a photograph of a triceratops skull to Jordan, Montana. Though the specific skull was disappointing, Brown recognized the potential of the remote Hell Creek region. Utilizing his unique skill for reading rock colors, he identified Sheba Mountain as a likely site for fossilization. He used dynamite to reveal a carnivorous dinosaur that had never been described before: the Tyrannosaurus Rex. Brown's discovery was a "jackpot" for the American Museum, even though the process of transporting and mounting the heavy specimen would take years to complete. (2)Butte, MT

3. David K. Randall, *The Monster's Bones: The Discovery of T-Rex and How It Shook Our World*. This source describes the intense "bones race" between major museums and their wealthy financiers, such as J.P. Morgan and Andrew Carnegie. These titans of industry sought massive dinosaur fossils to bolster their own prestige and increase public interest in their institutions. Henry Osborne, the director of the AmericanMuseum of Natural History, felt immense pressure to find "monster" specimens to make the museum relevant to the city's population. At the time, the museum was an isolated building that struggled to connect with visitors. Brown's relentless searching eventually provided the sensational exhibits necessary to transform the museum into a major cultural attraction. (3)GREEN RIVER FORMATION

4. David K. Randall, *The Monster's Bones: The Discovery of T-Rex and How It Shook Our World*. Between 1904 and 1910, Barnum Brown focused on recovering the missing pieces of the T-Rex skeleton in Hell Creek. He was initially supported by his wife, Marian Raymond, but her sudden death from scarlet fever in 1910 left him emotionally shattered. To cope with his grief, Brown worked in the harsh conditions of the Red River Valley in Canada. The museum finally mounted the full T-Rex exhibit in 1915, accompanied by Charles Knight's immersive paintings that brought prehistoric landscapes to life. Brown lived until 1963, leaving behind a legendary status as the man who discovered the world's most famous predator. (4)HELICOPRON

The formula for elite running performance lies in the consistent application of stress and recovery - repeatable things that you can sustain over time.Cliff Pittman serves as the Coaching Development Director for CTS, where he leads the Ultrarunning and Cycling Coaching staff. With a deep passion for ultrarunning and a commitment to excellence, Cliff specializes in coaching athletes at all levels—from beginners to elite runners. Jon chats with Cliff about:• stress and recovery fundamentals• minimum effective dose for training adaptations• subjective feedback vs. objective data analysis• training specificity for race demands and terrain• how to manage life stress as part of your training loadStay connected:Follow Cliff:www.instagram.com/coachcliffpittmanThis episode is supported by:AmazFit Check out the T-Rex 3 and a selection of GPS watches at https://us.amazfit.com/discount/FTLR2026 and use code “FTLR2026” for 10% off.Vacation Races Run where you play and chase the extraordinary. Use code “FTLR” for 15% off their half marathons, ultras, and trail fests at vacationraces.com through the end of 2026.Precision Dial your fueling in this year. Use code “LONGRUN26” for 15% off your first order at www.precisionhydration.com.Tifosi Optics If you've been curious, now's a great time to try them. Head to tifosioptics.com and use code [FTLR2026] for [20% off]. That's tifosioptics.com with code FTLR2026 to tell ‘em i sent you!

Zackary Canepari is an Emmy Award–winning filmmaker and Guggenheim Fellow whose work moves between documentary film and photography.  He began as a photojournalist in India and Pakistan before creating the Sundance-screened series California Is a place, a portrait of the golden state unraveling at the edges. He later co-directed the feature documentary T-Rex (SXSW), following teenage Olympic boxer Claressa “T-Rex” Shields as she fought her way toward gold; the film was adapted by MGM into the narrative feature The Fire Inside. His Guggenheim-supported project Flint Is a place expanded documentary storytelling across film, photography, archival material, and immersive media, earning a World Press Photo Award and recognition as Multimedia Photographer of the Year at POYi. His monograph REX won POYi Book of the Year and was shortlisted for the Paris Photo–Aperture First PhotoBook Prize. Zackary's documentary Fire in Paradise won an Emmy and an Edward R. Murrow Award and was shortlisted for an Academy Award. He received a second Emmy for directing The Gallagher Effect for The New York Times Presents (FX/Hulu). Instagram In episode 277, Zackary discusses, among other things: How he started in photography The experience of cutting his photographic teeth in India The complicated question of whether it's a good time to be a filmmaker His early project California Is a place, with his collaborator Drea Cooper Learning the ropes through experience His first feature documentary, T-Rex, and being smiled upon by the documentary gods Flint Town Thoughts & Prayers Fire in Paradise Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

GIANTS, T-REX, & A SHOWDOWN W/ MR. 5, VALENTINE, FRIDAY, & 13! One Piece Season 2 Full Reaction Watch Along:   / thereelrejects   Grab Yourself Our One Piece Inspired Apparel! https://www.rejectnationshop.com/ Visit https://huel.com/rejects to get 15% off your order Greg Alba and Aaron Alexander react to One Piece Season 2 Episodes 4 & 5, covering the full Little Garden arc as the Straw Hat Pirates arrive on a mysterious prehistoric island in the Grand Line. What starts as an exploration quickly turns into chaos when the crew finds themselves caught in a deadly trap set by the secret criminal organization Baroque Works. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Está con nosotros en entrevista Trex. Además, nuestro gran equipo de colaboradores: Gil Barrera con espectáculos, Poncho Vera con los deportes,El Borrego Nava y Mónica Mandujano. Entrevista con Luis Ernesto Franco.See omnystudio.com/listener for privacy information.

Jessie Cervantes platica con los integrantes de Trex. En este encuentro dinámico, la banda comparte de manera general su propuesta musical, la energía de sus presentaciones en vivo y cómo están refrescando la escena del rock en México con su sonido auténtico.See omnystudio.com/listener for privacy information.

When pro ultrarunner Hayden Hawks faces challenging conditions on the trails, he doesn't just endure them—he transforms them into opportunities for growth, proving that sometimes the hardest moments forge the strongest athletes.Hayden Hawks has been a professional ultra runner for 10 years competing at and winning some of the biggest races in the world. He is sponsored by HOKA, AG1, Precision Fuel and Hydration, as well as many other sponsors. He has also been a huge advocate for helping and building youth group initiatives and inspiring the younger generation around the world, most notably the Trail Fam. Hayden is also a coach with Hawks Running and Centurion Running. He is a father of 2, husband to Ashley Hawks, and loves traveling with his family and being outside as much as possible. Jon chats with Hayden about:balancing competition with being a good person and giving backgradual training progression instead of extreme volume jumpsfueling runs over 90 minutes for better performancemental toughness through embracing uncomfortable mountain conditionsconsistency over time creates sustainable athletic careersStay Connected:Follow Hayden:https://www.instagram.com/hawks_hayden/“Hayden Hawks” on Stravahttps://trailfam.com/https://www.hawksrunning.com/This episode is supported by:Precision Dial your fueling in this year. Use code “LONGRUN26” for 15% off your first order at www.precisionhydration.comBoulderthon: Our favorite Colorado race event with a variety of distances. Use code FTLR2026 for $20 off the marathon or half marathon when you register at www.boulderthon.org.AmazFit Check out the T-Rex 3 and a selection of GPS watches at https://us.amazfit.com/discount/FTLR2026 and use code “FTLR2026” for 10% offVacation Races Run where you play and chase the extraordinary. Use code “FTLR” for 15% off their half marathons, ultras, and trail fests at vacationraces.com through the end of 2026

The National Hockey League trade deadline has passed, and The Minnesota Wild have locked their roster for the 25-26 season. With alot of chatter around the league for the last month or so, Billy Guerin has made his deals, and the Wild can exhale and focus on finishing the regular season strong. Ryan Carter is joined by fellow sweet tooth Al Stalock at the Waldorf Astoria in Vegas, as the Wild warmup for tonights battle against the Knights, and Kinger holds it down in Saint Paul, where the Boys State Tourney is in full swing. Grab yourself a T-Rex cookie, exhale, and imagine the Stanley Cup Playoff run of your dreams, because we've got our team, and now we go!

Here's a taster of our new Premium-only story.  To hear it in full, please join our Premium Subscription service. Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you:All episodes in our catalogue advert freeBonus Premium-only episodes (every Friday) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available. You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcastA Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page. As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.

Tampa Says “No Crocs” Tom Hanks as Lincoln. Morons in the News. Talkback Callers.   Everyone Needs a Laugh. T-Rex on It’s Tip Toes. Down the Rabbit Hole.   Talkback Callers. Can You Believe This? Wild Wing Lawsuit.   The Return of the Buffet. From the Vault.

A true architect of modern horror comics: Stephen Bissette (Swamp Thing, Taboo, Tyrant) joins the show to discuss his incredible journey from the first graduating class of the Joe Kubert School to becoming a pioneer of independent publishing. Steve is also working with Lighthouse Press to officially bring back his prehistoric masterpiece, Tyrant. We talk about the origin of this meticulously researched T-Rex biography, why he's bringing it back for a modern audience now via Kickstarter, and how his 15 years teaching at the Center for Cartoon Studies shaped his perspective on the industry today.Watch the uncut video version of this episode on YouTubeLINKS: Join our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group Click here to text us Fan Mail!Check out Teenage Mutant Ninja Turtles: Battle Nexus, the raddest TMNT event of the decade! Buy your tickets for Collective Con 2026, Northeast Florida's largest pop culture convention: HERE Proudly sponsored by IDW ComicsProudly sponsored by Collective ConProudly sponsored by Gotham City LimitDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

Send a textBrandon @cladasaurus.trex joins us today to talk about his Crosstrek Wilderness , which I believe is the first Wilderness Crosstrek on the podcast!  He also shares his experience with Offroad Roos and getting more involved in the Subaru community.  Of course he shares his Subaru journey and progression to where is he is today.Links from the show, links to sponsors and discount partners, and ways to support the podcast:Cladasaurus Trexhttps://www.instagram.com/cladasaurus.trex - - - - - - - - - - - - - - - - - - - - - - - - - - -Subie & YOU! Podcast Website!!https://subieandyoupodcast.com/ Go check out the Subie & YOU! Podcast website!!Subie & YOU! YouTube Channelhttps://www.youtube.com/@subieyou Please visit the channel and subscribe.- - - - - - - - - - - - - - - - - - - - - - - - - - -Sponsors of the Podcast:Subaru GearUse code subieandyou2026 to get 20% off your purchase!Get FREE shipping for orders over $50 after 20% discount!Website:https://subarugear.com/ Accentrek DesignsInstagram:https://www.instagram.com/accentrek.designs/ Website:https://www.accentrekdesigns.com/ Mele Design FirmUse code subieandyou on most products store wide to get 10% off your purchase!Website:https://meledesignfirm.com/ - - - - - - - - - - - - - - - - - - - - - - - - - - - Other Brands Offering DiscountsOrbis Overlanding10% discount off Orbis Overlanding and partnering car products(excludes apparel)Discount code: subieandyou Website:www.orbisoverlanding.com/  

In this episode, hosts Eric Trexler and Eric Helms explore a wide range of topics including the culture of bodybuilding, the impact of step counts on health, protein intake nuances, and the effects of various performance-enhancing drugs. They also address common misconceptions and recent research findings, providing practical insights for fitness enthusiasts and professionals alike. Be sure to support us (and our friends!) by using code "MRR10" for 10% off your order at elitefts.com Chapters 00:00 Intro 05:26 Who can claim to be a "Bodybuilder" 14:35 Protein Intake and Muscle Protein Synthesis 25:39 Soy Intake and Its Effects on Hormones 31:10 Step count "limits" 39:44 Clarification related to soy intake 44:32 Trex research updates & Constrained Energy Expenditure Model 56:50 Exercise energy compensation: natural vs enhanced lifters 01:04:52 Hypertrophy and Proximity to Failure: Insights from Meta-Analysis

Legendary ultra-marathoner Pam Reed has a simple solution for people who feel tired: stop sitting and start moving.Pam Reed is an accomplished ultra-runner who has been competing since 1992. She is a hyperactive person who strives to get every moment out of every day, structuring her schedule as full as possible because she considers time the most valuable asset.Beyond racing, Reed directed the Tucson Marathon for 30 years before passing it to Jamil, believing that successful race directors must be hands-on and understand every aspect of event management. She continues racing with a full 2026 schedule and maintains her philosophy of maximizing each day while gradually accepting that recovery takes longer as she ages.Jon chats with Pam about:ultra-running discovery through tennis training and progressionnatural energy and ability to bounce back quicklyheat and cold training strategies with specific tipsTriple Crown achievement: Western States, Hard Rock, Badwaterher winning mental approachStay connected:Follow Pam:https://www.instagram.com/pamreed100/This is episode is supported by:Skej My favorite tool to help schedule meetings. Check out skej.com/longrunlabs for a very special offer!Precision Dial your fueling in this year. Use code “LONGRUN26” for 15% off your first order at www.precisionhydration.comAmazFit Check out the T-Rex 3 and a selection of GPS watches at https://us.amazfit.com/discount/FTLR2026 and use code “FTLR2026” for 10% off.

0:00 - Nuggets are in OKC to take on the Thunder tonight? What are the Keys to a Nuggets victory?After that...(former) Miami Hurricanes DE Rueben Bain Jr just got measured at the combine. He's a beast and built like a ton of bricks, but he has weirdly short arms. He's a T-Rex. Why don't we measure our own arms and see how we all stack up?12:13 - Airport Beer Connoisseur & Former Broncos Backup QB Ben "Gucci" DiNucci joined the show today! Almost a month ago, he tweeted about how important Davis Webb is to the offense. He also said he assumed "Sean is going to give up playcalling now" after Webb was promoted to OC. Nailed it on all fronts. Today, we dug into the Broncos QB room, AFC Championship, airport beers, and golf with the Nucc himself. 32:19 - It's our favorite part of the week DRUNK TAKES! We take clips from thoughout the week, slow em down to half speed and it makes us sound like we're hammered.

In Jurassic Park, the T-Rex stomps around the place with an earth-shattering rumble, but a new study in the States has discovered that it actually moved much more daintily, using its tip toes.Filippo Bertozzo, Researcher at the Institute of Natural Sciences in Brussels and a dinosaur expert, wasn't involved in the study, but has been reviewing its findings, and joins Seán to discuss.

Three dinosaurs and a furry mammal are watching a strange light in the sky.Written especially for this podcast by Simon.  If you enjoyed this story, please do leave us a review.  And, if you'd like to suggest an animal for a future Animal Tales story, you can do so by emailing podcast@animaltales.uk. We would love to hear from you.  Animal Tales Books!Collections of Animal Tales children's stories are available to buy exclusively at Amazon. Simply search for Animal Tales Short Stories or follow this link: https://www.amazon.co.uk/dp/B0CLJQZ9C9?binding=paperback&ref=dbs_dp_sirpi Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you:All episodes in our catalogue advert freeBonus Premium-only episodes (one per week) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available.   Discover a brand new story every Monday, Wednesday and Friday – just for you!  You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcastA Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page. As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.

Topics discussed on today's show: It's Friday, Olympic Update, New Baseball Rule, Andrews Arrest, Shia's Drinking Again, Drunk Dentist, Eric Dane Passes Away, AI Advances, AI Pony, Kung Fu Robots, T-Rex and Triceratops, Global Warming, Victoria's Secret, You Suck, Toy Story 5, History Quiz, Ralph and Angela, Stay Or Go: GRVNT, Food Fight, Probably White, and Apologizes.

After transitioning from oncology physical therapy to full-time running, Rachel Entrekin discovered her true calling was not in conquering traditional hundred-mile races, but in pushing the boundaries of human endurance across multiple days and hundreds of miles.Rachel has been running since 2009, gradually making her way up from road 10ks to multi-day trail races. While born and raised in the southeast US, she currently resides in Colorado, where there is exactly zero humidity. Jon chats with Rachel about:her running journey from college marathons to ultramarathonsthe transition from physical therapy to professional running career200-mile race strategy and mental approach at Cocodonasports nutrition partnership with Precision Fuel and Hydrationphilosophy on process versus outcome-focused racing goalsStay connected:Follow Rachel:https://www.instagram.com/rachel__entrekin/Rachel's Blog:https://blondeidiotrunning.wordpress.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleAPvkdJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAacg8Fo31S7ggaU3zfdCDjsLlJYiyLYgJY33CdsPkrAAlbSiiguTikjxlNsSkg_aem_MZqdK3OHod6Qgy6-yC4ZEAVagabond Trails TMB tour: https://www.vagabond-trails.com/tmb-rachel-entrekin?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleAPvke5leHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaf4YWwaHMYnTW0Zrm-N4lN1TD0jl_dTVUiwIYFT_rYsVNAp8pgqd23CSj_bPw_aem_jYSHI0G1B9zMyz_Qz9VL7AThis is episode is supported by:Skej My favorite tool to help schedule meetings. Check out skej.com/longrunlabs for a very special offer!Precision Dial your fueling in this year. Use code “LONGRUN26” for 15% off your first order at www.precisionhydration.comBoulderthon: Our favorite Colorado race event with a variety of distances. Use code FTLR2026 for $20 off the marathon or half marathon when you register at www.boulderthon.org.AmazFit Check out the T-Rex 3 and a selection of GPS watches at https://us.amazfit.com/discount/FTLR2026 and use code “FTLR2026” for 10% off.

Matty Grace helps us celebrate 10 years of the Power Chord Hour by celebrating one of our favorite records: The Replacements 1984 classic Let it Be MATTY GRACE https://mattygrace.bandcamp.com https://crisisparty.bandcamp.com https://www.instagram.com/mattydisgrace https://linktr.ee/mattydisgrace PCH Instagram - www.instagram.com/powerchordhour Twitter - www.twitter.com/powerchordhour Facebook - www.facebook.com/powerchordhour Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8Lgg Donate to help show costs - https://www.paypal.com/paypalme/pchanthony https://cash.app/$anthmerch powerchordhour@gmail.com Check out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.

“Look who’s back” es la nueva entrega de The Nude Party. Los siete mismos amigos que se juntaron en una universidad de Carolina del Norte siguen unidos tras cuatro álbumes, asentados en una casa comunal en el estado de Nueva York. Su receta sonora mezcla a los Rolling Stones con Lou Reed pasando por los Byrds, T-Rex, los Kinks, Gram Parsons o Grateful Dead. De su alquimia salen canciones que llegan para quedarse. Es un placer que hayan vuelto.Playlist;THE NUDE PARTY “Look who’s back” (Look who’s back, 2026)THE NUDE PARTY Juarez” (Look who’s back, 2026)THE NUDE PARTY “Love is electric” (Look who’s back, 2026)DANIEL ROMANO’S OUTFIT feat CARSON McHONE “Cardinal star” (Preservers of the Pearl, 2026)JE’TEXAS “Love is teasin” (Suit yourself, 2025)THE SHEEPDOGS “I do” (Keep out of the storm, 2026)FAST KIDS “Too busy hatin’ to understand love” (Fast Kids forever, 2026)ADAM AMRAM “Locked in” (To the end, 2025)AWEFUL KANAWFUL “A horse with no name” (Endless pleasure, 2025)RATBOYS “Anywhere” (Singin’ to an empty chair, 2026)THE PARANOID STYLE “Known associates” (Known associates, 2026)SNÜFF “Luciana” (2026)OLD LADY “Giggle” (Kissing creek, 2023)JEFF CLARKE “Sparrow” (Miracle after miracle after…, 2025)JACUZZI BOYS “Ozone” (Too cold to Tango, 2025)PROGRAM “Sparks” (It’s a sign, 2024)Escuchar audio

A Reading Bug Adventure with Original Songs Parts 1 and 2, combined into a full story. Get ready to roar as Lauren and the Reading Bug leap into the magic book bag for an epic journey back to the Mesozoic Era. In this action-packed adventure, you'll explore a prehistoric world where Pteranodons soar and wonder—or danger—lurks around every corner. Will you spot a Triceratops, a Parasaurolophus, or even the mighty T-Rex? The stakes are high as Lauren and the Reading Bug race to rescue their brand-new dinosaur friend, Albert. Grab your explorer's hat and join us for a journey through time filled with excitement, discovery, and prehistoric fun! Explore the Magic: Check out the books featured in this adventure at: ⁠⁠www.thereadingbug.com/adventures/dinosaur⁠⁠

There's a common misconception in ultra running that it's all about toughness, but Shea Aquilano believes gentleness is more important.Shea currently resides in Boulder, CO and focuses on ultra-distance trail events. At 24, she is a 2x US Mountain Running team member, and pro runner for Nike ACG. Shea loves a good pickle and has a knack for rationalizing almost any experience into a good one.Jon chats with Shea about:setting intentional pre-race goals and success definitionspursuing longer trail running distances over shorter formatsmoving to Colorado for mountain training opportunitiesjoining supportive running communities and trail teamsmaintaining joy as central motivation in competitive runningStay connected:Follow Shea:https://www.instagram.com/shea_aq/The Trail Team:https://www.trail-team.com/This is episode is supported by:AmazFit Check out the T-Rex 3 and a selection of GPS watches at https://us.amazfit.com/discount/FTLR2026 and use code “FTLR2026” for 10% offPrecision Dial your fueling in this year. Use code “LONGRUN26” for 15% off your first order at www.precisionhydration.com

The annual tradition continues!David Kim (

It looked like Shopify's stock was headed for a great day when it reported earnings, only for the stock to give up all its gains and then some when management started talking on the conference call. The gang discusses why management's comments had such a profound effect on the stock. Plus, a look at Moderna after the recent FDA approval and stocks on our radar Tyler Crowe, Matt Frankel, and Jon Quast discuss: - The market's sharp reaction to Shopify's earnings - e-commerce in the era of agentic commerce - The FDA's refusal to review Moderna's new flu vaccine - Stocks on our radar Companies discussed: SHOP, AMZN, GOOG, PINS, WMT, MRNA, TREX, CROX, SAFRY Host: Tyler Crowe Guests: Matt Frankel, Jon Quast Engineer: Dan Boyd Disclosure: Advertisements are sponsored content and provided for informational purposes only. The Motley Fool and its affiliates (collectively, “TMF”) do not endorse, recommend, or verify the accuracy or completeness of the statements made within advertisements. TMF is not involved in the offer, sale, or solicitation of any securities advertised herein and makes no representations regarding the suitability, or risks associated with any investment opportunity presented. Investors should conduct their own due diligence and consult with legal, tax, and financial advisors before making any investment decisions. TMF assumes no responsibility for any losses or damages arising from this advertisement. We're committed to transparency: All personal opinions in advertisements from Fools are their own. The product advertised in this episode was loaned to TMF and was returned after a test period or the product advertised in this episode was purchased by TMF. Advertiser has paid for the sponsorship of this episode. Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a very special episode of Electric Gold as the boys usher in the 2026 soccer season for Nashville SC.  Up first, the boys look ahead to the matchup with Canadian Premier League champs, Atletico Ottawa.  And to do so, they welcome special guests from the Capital City Supporters Group to share insights about the team, the players and what the hell there is to do in Hamilton, Ontario.  Special guests Bryce and Jon share some great stories about the history of Ottawa soccer, their fan culture, the recent success of their team, and especially the origin of their T-Rex mascot.  And of course, everyone bonds over their love of Letterkenny, SCTV and other Canadian comedy gems.  When that's all done, the boys break out the crystal balls to make some predictions for the first game of the CONCACAF tournament.  And they drink beer.

A Reading Bug Adventure with Original Songs Part 2 of 2. Get ready to roar as Lauren and the Reading Bug leap into the magic book bag for an epic journey back to the Mesozoic Era. In this action-packed adventure, you'll explore a prehistoric world where Pteranodons soar and wonder—or danger—lurks around every corner. Will you spot a Triceratops, a Parasaurolophus, or even the mighty T-Rex? The stakes are high as Lauren and the Reading Bug race to rescue their brand-new dinosaur friend, Albert. Grab your explorer's hat and join us for a journey through time filled with excitement, discovery, and prehistoric fun! Explore the Magic: Check out the books featured in this adventure at: ⁠www.thereadingbug.com/adventures/dinosaur⁠

"Protest is a form of art. Let's treat it as such." And that's what Cinema Junkie is doing as we go a little off topic to don an inflatable T-Rex costume and discuss tactical frivolity as a protest tool and then see how it has played out in movies.  

What happens after the lord of the rings?Whale roads, facts don't exist, be free!How do you have a fact-less epistemology?Most of academia is a loop, or trails off into a phantasm. Put a constant on it. Where Big G comes from.You really can't believe anything.Greek people are kind of swarthy.The first T-Rex, dinosaurs are fake, just 10 more shots bro.All cuisines were invented by hotels.Freud killed philosophy.Leftests are straight people pretending to be gay, right-wingers are gay people pretending to be straight.MAPSOC epistemology is to connect the dots into the most glorious image possible.The New Shadow.Kavi connects the dots and it's a spikey ghost.The Yin and Yang of the right and the left.What happens to the hero after the battle is over.Talking about Zelda and Majora's Mask.How can you exist if you're not being beating by a baton?You only win if you want to get back home, the real hero never wanted to be one.Support the showMore Linkswww.MAPSOC.orgFollow Sumo on TwitterAlternate Current RadioMAPSOC back on YouTube Again!Support the Show!Subscribe to the Podcast on GumroadSubscribe to the Podcast on PatreonSubscribe to the Podcast on BuzzsproutSubscribe to the Podcast on SubstackBuy Us a Tibetan Herbal TeaSumo's SubstacksHoly is He Who WrestlesModern Pulp

Fluent Fiction - Italian: Dinosaurs & Discovery: Giulia's Paleontological Dream Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-02-07-23-34-02-it Story Transcript:It: In una fredda mattina d'inverno, il sole filtrava dalle alte finestre del Museo di Storia Naturale di Firenze.En: On a cold winter morning, the sun filtered through the tall windows of the Museo di Storia Naturale di Firenze.It: La luce creava lunghe ombre sugli scheletri di dinosauro, rendendo l'atmosfera magica ed antica.En: The light created long shadows on the dinosaur skeletons, making the atmosphere magical and ancient.It: Giulia, una ragazza di quattordici anni, camminava per i corridoi del museo insieme a suo fratello Luca e al loro padre Marco.En: Giulia, a fourteen-year-old girl, walked through the corridors of the museum with her brother Luca and their father Marco.It: Luca saltellava da una vetrina all'altra, eccitato da ogni scoperta.En: Luca hopped from one display case to another, excited by each discovery.It: Marco, con pazienza, leggeva le descrizioni ad alta voce, cercando di trasformare la visita in un'esperienza educativa.En: Marco, patiently, read the descriptions aloud, trying to turn the visit into an educational experience.It: Giulia, invece, camminava un po' indietro, fingendo disinteresse.En: Giulia, on the other hand, walked a bit behind, pretending disinterest.It: Dentro di sé, però, era affascinata.En: Inside, however, she was fascinated.It: Amava i dinosauri e sognava di diventare una paleontologa.En: She loved dinosaurs and dreamed of becoming a paleontologist.It: Ma non osava mostrarlo.En: But she didn't dare to show it.It: "Dai, Giulia!En: "Come on, Giulia!It: Guarda questo scheletro enorme!"En: Look at this huge skeleton!"It: esclamò Luca, puntando verso un T-Rex gigante al centro della sala.En: exclaimed Luca, pointing to a gigantic T-Rex in the center of the room.It: Giulia alzò lo sguardo.En: Giulia looked up.It: Era un'impressionante vista.En: It was an impressive sight.It: Il T-Rex sembrava saltar fuori dal passato, imponente e maestoso.En: The T-Rex seemed to jump out from the past, imposing and majestic.It: "Questo mangia solo carne!"En: "This one eats only meat!"It: continuò Luca, poco informato.En: continued Luca, slightly uninformed.It: Giulia non poté trattenersi: "In realtà, Luca, ci sono studi che suggeriscono che non disdegnasse anche le carogne.En: Giulia couldn't hold back: "Actually, Luca, there are studies suggesting that it didn't disdain carrion either.It: E usava il suo senso dell'olfatto per individuarle."En: And it used its sense of smell to find them."It: Marco si voltò verso di lei, sorpreso.En: Marco turned to her, surprised.It: "Davvero, Giulia?En: "Really, Giulia?It: Non sapevo ti interessassero così tanto i dinosauri."En: I didn't know you were so interested in dinosaurs."It: Giulia arrossì leggermente.En: Giulia blushed slightly.It: Questa era la sua occasione.En: This was her chance.It: Poteva finalmente condividere il suo interesse.En: She could finally share her interest.It: "Sì, li trovo affascinanti.En: "Yes, I find them fascinating.It: Mi piacerebbe saperne di più, magari studiarli."En: I'd love to know more, maybe study them."It: Marco sorrise, compiaciuto.En: Marco smiled, pleased.It: "Questo è fantastico, tesoro!En: "That's fantastic, sweetheart!It: La passione è importante.En: Passion is important.It: Dovresti seguire ciò che ami."En: You should follow what you love."It: Luca guardò sua sorella con gli occhi spalancati.En: Luca looked at his sister with wide eyes.It: "Vuoi insegnarmi di più sui dinosauri, Giulia?"En: "Do you want to teach me more about dinosaurs, Giulia?"It: "Con piacere," rispose lei, più sicura.En: "With pleasure," she replied, more confidently.It: Il suo cuore si sentiva più leggero.En: Her heart felt lighter.It: Non c'era nulla di cui vergognarsi.En: There was nothing to be ashamed of.It: La sua famiglia era un supporto, non un ostacolo.En: Her family was a support, not an obstacle.It: In quel momento, Giulia si rese conto che poteva essere sé stessa.En: In that moment, Giulia realized she could be herself.It: Camminò con passo deciso accanto al resto della famiglia, discutendo con entusiasmo delle nuove scoperte sui dinosauri.En: She walked with a determined step next to the rest of the family, enthusiastically discussing new discoveries about dinosaurs.It: Il museo, con tutte le sue meraviglie preistoriche, era ora il suo parco giochi.En: The museum, with all its prehistoric wonders, was now her playground.It: E mentre le ombre dei dinosauri danzavano intorno a loro, Giulia sapeva che quel giorno avevano esplorato non solo una parte della storia antica, ma anche un nuovo capitolo della sua vita.En: And as the shadows of the dinosaurs danced around them, Giulia knew that that day they had explored not only a part of ancient history but also a new chapter of her life. Vocabulary Words:the winter: l'invernothe shadows: le ombrethe skeletons: gli scheletrithe corridors: i corridoithe discovery: la scopertaeducational experience: esperienza educativafascinated: affascinatapaleontologist: la paleontologathe display case: la vetrinaimpressive: impressionantegigantic: gigantemajestic: maestosocarrion: le carognethe smell: l'olfattoblushed: arrossìamazed: compiaciutopassion: la passionesupport: il supportoobstacle: l'ostacolodetermined step: passo decisoenthusiastically: con entusiasmoprehistoric: preistoricheplayground: il parco giochidanced: danzavanochapter: il capitoloancient: anticaloved: amavaashamed: vergognarsislightly uninformed: poco informatoshow: mostrare

Fluent Fiction - Swedish: Linnea's Dinosaur Discovery: A Journey Beyond Fossils Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-02-07-23-34-02-sv Story Transcript:Sv: Det var en kall vinterdag i Stockholm.En: It was a cold winter day in Stockholm.Sv: Snöflingor föll tyst och täckte staden med ett vitt täcke.En: Snowflakes fell silently, covering the city with a white blanket.Sv: Inne i Naturhistoriska museet värmde barn sig med spänning och upptäckarlust.En: Inside the Naturhistoriska museet, children warmed themselves with excitement and a sense of discovery.Sv: Det var dags för en skolutflykt, och eleverna rörde sig i klunga mellan de majestätiska marmorsalarna.En: It was time for a school trip, and the students moved in a cluster between the majestic marble halls.Sv: Linnea stod lite bakom gruppen.En: Linnea stood a little behind the group.Sv: Hon var tolv år och ofta försjunken i sina tankar.En: She was twelve years old and often lost in her thoughts.Sv: Hennes gröna ögon glänste när hon såg de enorma dinosaurieskeletten sträcka sig mot taket.En: Her green eyes shone as she looked at the enormous dinosaur skeletons stretching towards the ceiling.Sv: Hon älskade dinosaurier och hade funderat mycket på varför de hade dött ut.En: She loved dinosaurs and had pondered a lot about why they went extinct.Sv: Hennes fråga kändes alltmer angelägen.En: Her question felt increasingly urgent.Sv: Petter, hennes livliga klasskamrat, ledde gruppen med högljudda kommentarer och skratt.En: Petter, her lively classmate, led the group with loud comments and laughter.Sv: Elsa, Linneas bästa vän, följde honom, men hennes blick sökte ständigt Linneas.En: Elsa, Linnea's best friend, followed him, but her gaze constantly sought Linnea.Sv: Elsa var kluven mellan Linneas lugn och Petters charm.En: Elsa was torn between Linnea's calm and Petter's charm.Sv: När läraren stannade vid en monter full av fossiler, tog Linnea ett beslut.En: When the teacher stopped at a display case full of fossils, Linnea made a decision.Sv: Hon skulle låna sina egna fötter för att söka svaren hon så gärna ville hitta.En: She would use her own feet to seek the answers she so eagerly wanted to find.Sv: Medan klassen fokuserade på guiden smög Linnea mot dinosaurieutställningen.En: While the class focused on the guide, Linnea sneaked towards the dinosaur exhibit.Sv: Där, i en stor sal, mötte hon den mäktiga T-Rexen.En: There, in a large hall, she encountered the mighty T-Rex.Sv: Skelettet reste sig högre än hon någonsin kunnat föreställa sig.En: The skeleton stood taller than she had ever imagined.Sv: Vid dess fot fanns en skylt.En: At its foot was a sign.Sv: Linnea läste ivrigt och upptäckte något hon inte visste.En: Linnea read eagerly and discovered something she didn't know.Sv: Det handlade om en enorm meteorit som krockade med jorden och förändrade allt.En: It spoke of a massive meteorite that collided with the Earth and changed everything.Sv: Med hjärtat fyllt av nyvunnen kunskap och lite mod, återvände hon till sin klass.En: With her heart filled with newfound knowledge and a bit of courage, she returned to her class.Sv: Petter berättade något roligt, men Elsa såg direkt Linneas upphetsade ansikte.En: Petter was telling something funny, but Elsa immediately noticed Linnea's excited face.Sv: "Vad har du hittat?" frågade Elsa, nyfikenheten tydlig i rösten.En: "What have you found?" Elsa asked, curiosity clear in her voice.Sv: Linnea log stort och berättade om meteoriten och hur den hade förändrat världen.En: Linnea beamed and told them about the meteorite and how it changed the world.Sv: Petter slutade prata och lyssnade också.En: Petter stopped talking and listened too.Sv: När Linnea avslutat sin berättelse tittade Petter på henne med nya ögon.En: When Linnea finished her story, Petter looked at her with new eyes.Sv: "Det där var riktigt coolt," sa han och log.En: "That was really cool," he said, smiling.Sv: Elsa nickade och lade en arm om Linnea.En: Elsa nodded and put an arm around Linnea.Sv: "Du är så smart, Linnea."En: "You're so smart, Linnea."Sv: För första gången kände Linnea att hennes frågor och passioner var viktiga.En: For the first time, Linnea felt that her questions and passions were important.Sv: Hon hade modet att dela med sig, och det var precis tillräckligt för att hon skulle vilja fortsätta fråga ännu mer.En: She had the courage to share, and that was just enough for her to want to keep asking even more.Sv: När mörkret föll över Stockholm den kvällen, tog tre vänner sig ut i snön igen, deras vänskap starkare och Linneas värld lite större.En: As darkness fell over Stockholm that evening, three friends ventured out into the snow again, their friendship stronger and Linnea's world a bit larger. Vocabulary Words:cold: kallsnowflakes: snöflingorsilently: tystexcitement: spänningdiscovery: upptäckarlustmajestic: majestätiskamarble: marmorhalls: salarnapondered: funderatextinct: dött uturgent: angelägenlively: livligagaze: blicktorn: kluvencharm: charmdisplay case: monterfossils: fossilersneaked: smögencountered: möttemighty: mäktigaskeleton: skelettmeteorite: meteoritcollided: krockadecourage: modcuriosity: nyfikenhetenbeamed: log stortventure: tog sig utfriendship: vänskappassions: passionerdarkness: mörkret

Super Woden: Rally Edge, Mario Kart World, and Donkey Kong Bananza, plus a Partner Showcase to pick apart, a delayed Steam Machine, and GTA 6 is on track The post BRB UK 667: T-Rex on a Escalator! appeared first on Big Red Barrel.

How to Fix Boring Brand Podcasts If we're going to be perfectly honest, many branded podcasts are either boring or they sound just like a recycled commercial. To win the hearts and minds of your B2B target audience, you must move beyond generic corporate messaging and create high-quality content that addresses your listeners' needs. So how can brands produce engaging content that will resonate with their audiences, and what strategic role does B2B storytelling play?That's why we're talking to Jen Moss (Co-Founder and Chief Creative Officer, JAR Podcast Solutions), who shared her expertise and strategic insights on how to fix boring brand podcasts. During our conversation, Jen discussed the importance of creating engaging brand podcasts that build trust and loyalty. She explained why B2B podcasts should go beyond product promotion and focus on deeper stories and societal issues. Jen also highlighted the need for creative courage, proper planning, rigorous pre-production, and engagement with the audience. She advised against rushing into production without proper ideation and marketing budget. Jen also underscored the power of authentic B2B storytelling and cautioned against relying too heavily on AI for content creation. https://youtu.be/sVlsvotzFEE Topics discussed in episode: [02:22] The definition of a successful brand podcast: It shouldn’t just be a CEO talking about products, but rather a way to facilitate deeper conversations on industry issues.  [05:12] Why brands need “creative courage” to stand out in a saturated market, including experimenting with fiction or narrative formats.  [08:32] How to tell a good B2B story by focusing on “beats,” high stakes, and the transparent struggle rather than just the solution.  [17:28] The top pitfalls in podcasting: Failing to budget for marketing, ignoring audience analytics, and drop-off rates.  [29:25] A real-world example of how Genome BC used human storytelling to make complex scientific topics accessible and engaging.  [37:40] Why using AI purely for speed and volume is a mistake, and why the mission of podcasting should be connection, not efficiency. Companies and links mentioned: Jen Moss on LinkedIn  JAR Podcast Solution  Genome BC Bumper Ira Glass Cory Doctorow Nice Genes! Podcast Another Round Podcast Hot Ones Podcast Transcript Christian Klepp, Jen Moss Jen Moss  00:00 Podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears if they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you. Christian Klepp  00:17 If we’re going to be perfectly honest, many brand podcasts are either boring or they just sound like a commercial. To win the hearts and minds of your target audience, you need to create content that serves your listeners and is something they actually want to hear. So how can you achieve that? And what role does B2B Marketing play in producing successful brand podcasts? Welcome to this episode of the B2B Marketers in the Mission podcast, and I’m your host, Christian Klepp, today I’ll be talking to Jen Moss, who will be answering that question. She is the Co-Founder and Chief Creative Officer of JAR Podcast Solutions, which helps create quality podcasts that earn trust. Tune in to find out more about what this B2B Marketers Mission is, okay, and I’m gonna say, Jen Moss, welcome to the show. Jen Moss  01:05 Thank you so much for having me. Christian Klepp  01:07 Great to have you on. We’ve had such a fantastic conversation before. I hit record. I probably should have recorded this earlier, but in any case, Jen Moss  01:14 Yes, if anyone needs any parenting tips, we got your back. Christian Klepp  01:18 Absolutely, absolutely that that book is coming out soon on Amazon. I’m just kidding, But Jen, really looking forward to this conversation, because, man, we are going to cover a topic which, you know, might rock the boat a little bit, but it’s all, you know, constructive, and you know, it’s all for the sake of growing in a positive way, right? Jen Moss  01:35 I think so, Christian Klepp  01:36 At least I like to think so. Jen Moss  01:38 That is the goal. Christian Klepp  01:39 Absolutely, absolutely, all right, so here it comes. So Jen, you’re on a mission to help brands craft story first, podcasts that earn trust, build loyalty and connect deeply with the audiences that matter most. So for today’s conversation, I’d like to zero in on the following topic. Here comes how to fix boring brand podcasts. I know we’ve got a ton to talk about, but let’s kick off this conversation with two questions, and I’m happy to repeat them. So what is it about brand podcasting that you wish more people understood? And number two is, where do most brand podcasts go wrong. Jen Moss  02:22 Okay, so those are both great questions, so that what is a branded podcast is probably a good place to start. A lot of people might think that it’s, you know, the CEO of a company talking about their products and services ad nauseam. And if you happen to want to buy those products and services, maybe you would listen to it, because you could get more information, like, kind of an informational, almost transactional thing. I think that’s what a lot of people imagine when they hear the words branded podcast. However, that there’s a lot more to branded podcasting than that, and a lot of the smarter sort of, I would say, savvy brands, the ones with kind of sophisticated marketing campaigns that are multifaceted, are looking at podcasting as a way to tell deeper stories, engage with conversations that are ongoing in society that really matter so, sort of a chance for the brand to show its stripes a little bit, and an opportunity to offer something to a target audience that is sort of like a kind of a gift. You know, like we’re going to give you something of value that you actually will benefit from or enjoy, learn something from, be emotionally moved by, you know, hear a good story, and it’ll be in an area that the brand cares about, that that kind of ticks the boxes in terms of, like, what are the brand’s values, but is not specifically, and this is very important, is not specifically related to the brand’s products and services, per se. So it’s more like, okay, the brand maybe exists in a certain wider industry, and there’s an issue in that industry that keeps coming up, or a new technology that’s affecting everything, something like that, something that needs to be talked about. And so they’ll, they’ll set out to kind of facilitate those kinds of conversations through their podcasts. And a branded podcast doesn’t need to be just a one on one interview. It could be, it could be a fiction podcast if you were feeling extra frisky and creative that day, you know, if you wanted to do something fun, like I had a conversation with a solar company not that long ago, and we actually pitched them a fiction podcast about a world powered by sun. And because we thought the opportunity for a solar panel company to sponsor a fiction podcast about a world powered by sun like sci-fi would be, would be exciting and different. Christian Klepp  05:11 How did that go? Jen Moss  05:12 Yeah, well, we didn’t end up getting that job because they didn’t have the creative courage to do it. And so this is, this is the kind of conversation that I’m always on with brands is like, have the creative courage to do something that’s a little out of the ordinary because there’s 500 million podcasts or whatever, so you’ve got to stand out. And so you’ve got to think about how to stand out, and one of the best ways to do that is to do something different that hasn’t been done before. For example, there is a great branded fiction podcast called Murder in HR, and it’s by an online HR platform company. And, you know, like, it’s just a scripted fiction true, true crime. It’s not really true because it’s scripted fiction podcast. But, you know, it’s kind of different and fun. So, so there’s stuff like that. There’s, you know what we would call narrative podcasting, which is a mixture of script and clip, where you’re kind of combining on scene recordings with interview tape, with narration, and kind of thoughtfully braiding all those things together, like an NPR (National Public Radio) storytelling experience or a CBC (Canadian Broadcasting Corporation) storytelling experience. So there’s all of that that can be part of branded podcasting, and so I just frankly think it’s kind of lazy when brands just decide that they’re going to talk about themselves indefinitely in a podcast. If I want to learn about a brand, I and buy something from them, I’ll go to their website. But if the brand wants to win hearts and minds and raise awareness and build trust and kind of operate on that deeper level to widen their impact. That’s where a podcast, and sponsoring a podcast, or getting behind the production of a podcast can really help. So that’s, I mean, I guess that kind of answers your second question, where do brands go wrong? And it’s usually with just doing the obvious, doing the thing that they think is the most direct route to a customer. And with podcasting, I try to remind people there is a difference between a customer and an audience. A customer is someone who already, at least wants to know more about your product and is thinking of buying maybe they’ve bought from you before. An audience may include those customers, but it may include other people as well who have a wider array of interests and are not yet, do not yet know that they need to buy a new pair of running shoes, but then the next time they need a new pair of running shoes, they may think of you because of that excellent podcast they listen to where you had all those celebrities on talking about the things that motivate them to push harder and go faster, right? So it’s just sort of, it’s a little bit of a roundabout way of winning customers by winning hearts and minds is how I would describe it. Christian Klepp  08:03 Yeah, winning hearts and minds. I like that. Now. That was a great way to open up this conversation. And thanks for sharing that I had two follow up questions for you. So let’s start with, you know, people loving to hear a good story, so let’s, let’s, let’s take a step back, because remember, the audience of this podcast. They’re mostly B2B Marketers. So from a B2B context, what would you how would you define what a good story is? Jen Moss  08:32 Yeah, that’s a great question. So I mean, a good story is told beat by beat, this happened, and then this happened, and then this happened. And here’s the lesson we took from it. Is one of the ways that it has been boiled down, I believe, by Ira Glass, you know, icon of podcasting. So I think you know thinking about even with B2B storytelling, if you’re telling a story that’s based in your industry, and you’re trying to position yourselves as thought leaders in that space. And let’s say you’re interviewing someone who is another company that sells a particular product, and you’re talking to them about a case study, instead of saying, like, what is the product and how does it work, try saying, tell us a story about a problem that someone was having. Start with the stakes, like, what would have happened if they didn’t solve that problem, what was at stake, then build to like how that problem got solved, and perhaps the product or service was involved, right, right? But build to how the problem was solved, so that there’s a bit of an arc from A to B to C to D, so that you start with a problem, work towards a solution. And and make sure to take the time to identify the stakes, like, what would have happened if it didn’t work. Where did it go wrong along the way? Where were the points where you thought, this is not going to work worse? We’re we’re hooped, you know, make sure that when you are telling stories, you’re actually telling the whole story, not just the win, not like we solved it this way, this way and this way. And aren’t we great? Nobody cares. That’s just bragging, and it comes across very badly in podcasting, podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears. If they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you, right? They’ll go look at something else or go walk their dog, right? So you really have to just really focus in on the beat by beat. How are you going to hold attention throughout? You can also use sound design to support the tension arc of the story. And don’t be afraid to show the tough stuff, the hard stuff, the stuff that didn’t work, the stuff that even makes you look a bit foolish. We tried this as a brand. It didn’t work. We failed, but what we learned from that was this, right, if you can be a little bit transparent and a little bit more real, you will win hearts and minds, like I said, and if you want, if you can’t do that, people have a nose for BS, and they will smell it, and they will not take you as seriously. So it’s like a sacred duty to tell the truth, which is, which is challenging in a branded space where it’s all about spin and messaging and stuff like that. But the more you can do that, the more credible your content will be. Christian Klepp  11:56 Absolutely, absolutely. Yeah, on that topic, the ones I love the most, of the guys that say, like, you know, I, um, I lost my job and I moved to my parents basement, and now I’m making multiple six figures, all within the span of 12 months. Jen Moss  12:10 I mean, amazing, amazing. Not true, but also, at least they understand the tension arc. Christian Klepp  12:17 Yes, that’s certainly one way of looking at it, yeah, second follow up question. And I love this, like, creative courage, right? Jen Moss  12:28 Yeah. Christian Klepp  12:29 Not many people have it, if we’re going to be perfectly honest, right? Jen Moss  12:32 Yeah, I’m realizing that. I’m realizing that the older I get, the more I realize how rare it actually is creative courage. Yeah. Christian Klepp  12:40 Here’s the thing, like, Why do you think that that’s so prevalent, even in in the podcast space? Is it because it’s it because it’s it’s the unknown that people are worried about, like, what if it doesn’t work? Jen Moss  12:50 Yeah, if you think about podcasting, especially in a branded space, but really in any space, yeah, it’s a vulnerable act. You’re putting yourself out there, you’re putting your brand out there, you’re putting your stories out there, you’re putting your company out there. You’re putting, in some cases, your job on the line, right, by spending budget on this thing, right? So the so the stakes are real for the people involved, and it’s tricky, because striving for perfection right out of the gate is possibly a mistake. I think that podcasting has always been kind of an organic form where it evolves over time. You’ve got to study the audience data and see whether what you’re doing is actually resonating with your audience, and if it’s not, you’ve got to be prepared to pivot and change and adapt the storytelling, the timing, the pacing, the music, all of those things have to be a little bit up for grabs if the audience isn’t resonating. So I do think, I do think there’s that to consider, yeah. Christian Klepp  13:53 And I suppose people’s tastes very right, like, what people find is creative is very can be very subjective. Jen Moss  14:01 The creative bravery thing is tricky because of all the reasons I listed, but also because you’re right. It means different things to different people, like for a bank or some sort of finance institution or a pharma company in a very heavily regulated industry, to be like creatively brave in their storytelling is pretty difficult. It’s been, it’s been compared to putting up a tent in the rain, right? Trying to be creative in a corporate environment, putting up a tent in the rain with your spouse is one way to think about Christian Klepp  14:34 Putting up a tent in the rain with your spouse. And there’s a T-Rex sitting… Jen Moss  14:38 Graded by a bunch of Russian judges, yeah. Christian Klepp  14:42 Absolutely. Jen Moss  14:43 Yeah. It’s tricky, and so to maintain the principles of creativity within that environment is hard. So the principles of creativity include brainstorming, ideation, adaptation, experimentation, so trial and trial and error a little bit, and eventually, you through that process, that iterative process, you arrive at a really great finished work of art, hopefully. But those people who have not been through the creative process and trusted a bunch of you know flaky writers with their with their goals before, and I say that as a flaky writer, it’s it can be hard to trust the creative process if you’re not used to going through it. So if you are working in an industry where everything is about quarterly planning, everything is planned down to the minutia. List, list, list, bullet point, bullet point, bullet point, check, check, check, box. And then somebody’s coming in and saying, Well, what about if we explored this? And let’s discuss, Let’s hypothetically explore this topic. You know, there are personality types out there, and a lot of them are working in corporate jobs who are just like, No, I don’t know how to do that. I don’t trust it, and it totally freaks me out. So that kind of I would call it, like floating the creative balloon and batting it around for a while before you make a decision. Trying to create room for that process to happen before you launch your podcast is quite important, and giving proper space and time to that creative process is something that I think the more corporate and kind of button down podcasting becomes, the more I’m seeing that we have to fight that, because we have to be accountable with our timelines. We have to be accountable with our messaging. We have to be accountable with all this stuff. So that’s all very important. Brand safety matters. But if you don’t allow space for that creative ideation phase, and I would, I would argue, frankly, ongoing space within your process, then you will not rise the balloon as high as you could. You could probably still do something that is regularly released and has decent sound quality. So check, check, but is it going to win hearts and minds of audiences? Is it going to stand out 500 million other podcasts? No, it is not. Yeah. So that’s why it matters. Christian Klepp  17:17 Absolutely, absolutely. Moving on to key pitfalls to avoid. What are they and what should folks be doing instead? Jen Moss  17:28 I mean, there’s so there’s so many pitfalls. I don’t know where to start … Christian Klepp  17:32 Try to condense them into like, maybe, like the five, the top five that you’ve seen. Jen Moss  17:36 Well, let’s look at maybe, let’s look at the phases of doing a podcast, pre-production, production and post-production. So in pre-production, I think the big pitfalls are failing to allow time and space for creative ideation, rushing into it without proper consideration. I think failing to set aside budget to market your podcast can be a mistake, and I think budget for marketing is quite important because, well, we’ll get into that in post production, but one of the important ways for people to find podcasts is through ads on other podcasts, and that costs money. So there’s a little aspect of a pay to play nature that kind of creeps into podcasting. I think it’s important to be realistic about that. It’s not the only way to promote a podcast. There’s many good, organic ways, but if you can reserve some budget for marketing, I think it’s a good idea to do so. And yeah, I would say in pre-production, failure to think big and kind of have embraced blue sky thinking early on, what could this podcast be? Who is it for? Right? Those are very important questions. So at JAR, we have a system. We call the JAR system. It’s job, audience, result, and in pre production, that’s where we really focus on job and audience. What is the job of the podcast? Why are you doing it? Who is the audience? Who is it for? What do they need? Where do they hang out? Are they on audio platforms? Are they on video platforms? Are they YouTubers? Like, what you know? Who are you talking to, and why? Is very important. So job and audience, and then with production, once you get into that big phase. That’s where I think, I sort of say it’s like, point your skis and go, but also bend your knees, because things are going to come up and so, for example, I always recommend having three or four possible guests lined up to service an episode. Because if the first one that you’re going after falls through due to timing and unavailability in your production timeline, an amateur podcaster would just be like, well, that’s okay. I’ll wait till October, when you’re free, whereas I’m saying, no, no. So if you want to do a podcast on this topic, and it’s important to do it now because timeliness matters, then you need to have a couple of other options that are backup options for that guest if they’re unavailable, so things like that. So prepping backups to your backups for your guests is a really good idea so that you can keep your production moving forward and stay focused on the ideas that you’re you’ve determined to explore. So making a plan and then doing your best to stick to it, I think, but keeping your knees bent critically within that plan. Some people have said, Well, is it kind of like you write like a podcast Bible? And I’m like, No, it’s more of a pirate code, but you do need to have a code like there needs to be a plan going forward, but it can change. And then post production, I think the biggest thing is people fail to study their analytics, or fail to understand and interpret their analytics. So if you’re not looking at your audience data, then you’re not getting the most out of that those analytics platforms. So you should be looking at your Spotify data. You should be looking at your apple, podcast data, your YouTube data, the data from your hosting platform. At JAR, we use a company called Bumper. They’re a Canadian company that does a really nice job of pulling together a dashboard which shares a lot of valuable information about about how your podcast is performing. So you can actually see things like, Oh, I made a 30 minute podcast, but everyone’s dropping off at 21 minutes. I wonder why. So either make it really much more interesting at the 21 minute mark, or make a shorter podcast. That’s what the audience data is telling you, right? So being receptive and flexible, keeping your knees bent throughout is very important, and then using that data to feed back into the creative cycle, so that it becomes this circular process of testing and learning, studying the results, making changes, and you’re gradually honing your podcast into something that your audience really, really responds to. So that’s those are the pitfalls that we try to steer people through and around. Christian Klepp  22:08 That is a great list. And you probably, for those that are listening to the audio version of this, I was, I was nodding the whole time, but, um, one of the things that I would add in there, which I’ve seen happen, and it’s happened to me, and I’m not gonna say who it is, but like, you know, one of the things that they immediately did after having me as a guest on is they pushed me into a follow up call, which big surprise was a was a sales pitch. It’s like, Thank you for being on our show. By the way. Would you like to buy some advertising space in our magazine? Would you like to exhibit in our, you know, upcoming event. You know, for small business, you know, we only charge $10,000 you know, it’s not that much. It’s like, Jen Moss  22:47 For a lot of small businesses, that is a lot, right? Christian Klepp  22:50 Exactly. Jen Moss  22:50 It’s kind of like, to me, if you think of it like dating, you want to play a little bit cool, like, it’s great. You can think of a podcast as a networking tool, absolutely, but it’s you have to just not be like Johnny obvious about it, like, maybe, maybe wait a few months and then reach out and say, Hey, we’re having a special promotion, and we’re you people who have been on our show get a reduced rate or something like that. Sure. Christian Klepp  23:19 Yeah, exactly. Jen Moss  23:20 Or just trust the universe. You could also try that, which would be, I had a great you like you and I had a great connection on this podcast. We chat very well. We even talked before the recording about parenting. So, like, we kind of click. So like, if there were ever anything that we could help each other with, I’m sure we would at least be somewhat amenable to it, and maybe that’s enough. Maybe that’s enough, right? Christian Klepp  23:45 Yeah, probably, probably. Jen Moss  23:46 Yeah. So I think yes, it’s an opportunity to network, but it is also in the same way that yeah, between people’s ears is a sacred space. Also when someone comes on your show as an unpaid guest, which most podcasts? I think it’s worth pointing out that most podcast guests are unpaid, so they’re doing that out of the sort of the free desire of exchange of ideas, right? And so respecting that in and of itself is very important. And this is why podcasting has risen to such heights is because it is really grounded in that kind of authentic communication, where people are really trying to figure stuff out together, that’s it, and it’s wonderful, and it’s amazing. And so you got to respect that. You got to let that be enough sometimes Christian Klepp  24:36 Absolutely, absolutely, wow. So you’ve kind of touched on this already, but in our previous conversation, you mentioned that in podcasting, and this does this is not unique to just the B2B space alone, but like in podcasting in general, the story comes first, not the product or the promo. So please elaborate on that. Jen Moss  24:58 No one is going to listen a 30 minute ad, right? It’s just not gonna happen. As soon as they detect the fact that you’re selling, they’re gone. If you want to have some follow up product information in your show notes, or, you know, I wouldn’t necessarily recommend that, but you could, I suppose, or on your website, great. But the purpose of a podcast is not necessarily that sort of bottom of funnel sales. The purpose of a podcast is, is, it’s a top of funnel engagement opportunity, right? So you’re really, you’re you can build trust, you can build awareness, you can reach new people, and the way you do that is by being relevant and authentic and telling good stories in a way that holds attention. So my own background is from, you know, years of working in radio, documentary storytelling and things like that, I really learned how every, every piece of the story matters. You really have to break down the story arc. Like I said. You got to examine the stakes. You got to think about pacing. All of these things are critical and a funny thing too that I’ve learned I also teach creative writing, and one of the things that one of the lessons that I share with my students, is that the more specific you are in your storytelling, the more it will resonate universally. So through the specific example comes the universal ‘aha' moment. Whereas if you go in with a bunch of like, I’m like, I’m doing right now, if you go in with a bunch of principles, like, here’s what you got to do, and here’s, here’s the rules, and you should follow these rules, 10 Steps to heaven. Kind of, kind of formulas that might work in a, in a sort of, like a bullet point list on the internet, but in podcasting, that doesn’t really work. It’s, it’s more of a, it’s more of a like, I mean, they say the devil is in the details, but I actually think so are the angels like you really like, if I were to tell you a story about a time I worked with a client, let me think of a real example, Like, okay, Genome, BC (Bristish Columbia) is a client of ours. They are a non-profit here in British Columbia in Canada, and they are dedicated to promoting Genomic Science, and specifically they’re promoting the ability of Genomic Science to solve big problems that the world is facing, okay, like global warming type level problems, right? So that’s great. So how do we tell that story? How do we tell that specifically, we could have a bunch of egg heads on to talk about their research, and we do, we have, it’s a science podcast. We have lots of eggheads, and they’re great, you know, but we have to balance that with like people who are impacted by the issues that the science is trying to address. So we did a piece recently about an episode about genetic testing for, you know, heart problems and things like that, and how we with the study of the human genome, we know with the study of the human genome, we now know so much more about about how to spot those problems almost before they happen, because of your genetic predisposition to certain problems. So we told that story by finding a high schooler who had had a heart attack because of a genetic problem that he didn’t know about. And we told that story beat by beat. I was on the field. This happened. My parents got a call. We talked to his parents, we interviewed everybody. They all told the story about the time the son had the heart attack. They all told it separately in their own way, and we intercut it into this really tense, like, you know, exciting, really piece of storytelling. Then we brought on the scientists to talk about the power of genomic testing and genetic testing and genetic awareness around these health issues, but we first establish why it matters, and it matters because it affects people’s lives. So if you’re doing storytelling and you can connect your ideas to something that’s real, then you’re going to you kind of, you win, you win the storytelling day. Christian Klepp  29:27 Oh, that’s an that’s an excellent example. And, and I hear you, the easier path would have been to just invite the scientists on, or whoever it was, and they go on and talk about all of their research, and Jen Moss  29:39 Which is amazing stuff. But I don’t know if you’ve interviewed any scientists. Lately. They can be a little dry, they can be a little dense and hard to listen to. Christian Klepp  29:47 I’ve interviewed I’m associate professors. Does that count? Jen Moss  29:52 Yeah, it does. Yeah. People get very granular, right when they’re studying a very specific interest, like that, and that’s what makes them so incredible at their jobs, and I have huge respect for these scientists and and for our host, who is a scientist, credibility also matters with with your core target audience. So it’s not like we de emphasize the science, we just frame the science with important storytelling that helps the wider audience understand why this matters. So if you think about your core target audience, and then you think about people who are just adjacent to that, what would it take those people, the ones who are kind of peering over the fence at your brand, you know, or at your topic? So we say that that particular show for Genome BC, it’s for scientists and for the science curious sort of thing. And so we try to remember the science curious folk when we’re doing our storytelling. It doesn’t mean that we dumb it down. It means that we open our arms and we try to write it in a way that’s inclusive to a slightly wider audience, while still delivering excellent, groundbreaking, scientific insight that is timely and relevant. It’s a hard line to walk. Actually. Christian Klepp  31:07 It is. Jen Moss  31:07 It takes a lot of skill and it takes a lot of attention, but if you get it right, you know that show, that show, is winning every award we enter. Christian Klepp  31:17 Wow, yeah, remind me what the name of the show was again. Jen Moss  31:20 Oh, it’s called Nice Genes, like G-E-N-E-S yes, yeah. And then they have a short form one called Genes Shorts. Christian Klepp  31:27 Genes shorts, okay? Because why not? All right, Jen Moss  31:30 Because why not. Trying to have a little fun. So what’s gonna stand out? Right? We thought, you know, Nice Genes!, exclamation mark. That’ll stand out. Christian Klepp  31:38 Yeah, absolutely, absolutely, Jen, you’ve given us plenty of insights already and some actionable tips, but just imagine that there’s somebody out there that’s listening to the show and they’re like, gosh, you know what we are exactly in this situation right now. What advice would you give them? Like, maybe, like, three to five things they can take action on right now that they can help launch a podcast that is not boring and that doesn’t sound like PR (Public Relations). Jen Moss  32:06 So probably the best thing you could do is do a little bit of like light competitive research. So have a look at what other podcasts are in your space, in your topic area, right? And check out this. This is going to sound mean, but check out what’s wrong with them. Like, actually go and listen to as many of them as you can. Maybe give yourself a week to do that and make make a point of listening to five a day for a week. And then you’ll start to see, okay, the vast majority of these, they don’t have good sound quality, like the host doesn’t have a proper microphone. Or the vast majority of these, the lighting is terrible, or the vast majority of these, they’re asking the same questions over and over again, and, oh, I saw that guest on three different podcasts, right? So if that’s happening, then ask yourself the next logical question, which is, how can we be different? How can we find our own kind of quadrant to step into? How can we rewrite the book here and do something unexpected that still meets our values, that still targets the right audience, but does it in a way that is going to just shake things up a little bit and challenge people’s expectations of us and and our own expectations of ourselves. So don’t take the lowest hanging fruit, at least until you’ve considered some of the other options. And it may be that you’re like, No, I actually really want to do a straight interview podcast, because I really want to have deep conversations with people like this, like this podcast does, and that’s great, but then you know, like you’ve chosen that for a reason, like you’ve you’ve given it due consideration. And then within that, even within a if you’re planning to do a straight ahead interview podcast, is there’s no shame in that. But even thinking about, like, what would make your interview podcast different? So it’s the it. Could you describe it at a cocktail party as, like, it’s the one where they blank, blank, blank, right? Could you describe it in one sentence, and is it going to be memorable that sentence? There was a show I used to watch years ago and listen to where, what was it called? It was called Another Round, and it was one of the first shows where they would drink and podcast, but they would do a ton of Political Research, these two journalists, and then they would interview someone, while getting increasingly sloshed, the guest and the two hosts, and they would get increasingly sloshed, and the questions would become more and more but, I mean, they were very successful. They had, they were on WNYC. They had Hillary Clinton on when she was running for president. So, like, it this, this is the kind of thing I’m saying. Like, I’m not saying everyone should drink in podcasts. Us. No, let’s be clear. That’s not my message. Yeah, my message is, what makes your podcast, what makes you distinct in the way you’re delivering your podcast? What is your framing device? What is the lens that you’re bringing to it? Christian Klepp  35:12 Yeah, right, yeah. No, no, I hear you. I hear you. Jen Moss  35:15 Yeah. So I think those would be my biggest pieces of advice. Is just to spend the time trying to, trying to position yourself differently. Christian Klepp  35:25 No, fantastic, fantastic. It reminds me of, I think the show was called in the Hot Seat, and it was by a cyber security firm, and they were, they were bringing in somebody that was, and I didn’t actually realize there was such a role, but this is the person that’s actually responsible for negotiating with cyber criminals. Jen Moss  35:45 Whoa, that’s I’m immediately interested. Christian Klepp  35:48 That’s a pretty intense job, right? So, yeah, when they have all that ransomware and what have you right? So this is the guy that negotiates like, release all our release all our data, right? So anyways, the host asks him the questions, and with every question, they’re basically eating chicken wings with a different type of hot sauce. Jen Moss  36:10 Oh, yeah, yeah. Christian Klepp  36:11 And the more intense question, yeah, Jen Moss  36:14 Hot ones, yeah, yeah, yeah. Christian Klepp  36:15 The more intense the question gets, the hotter the sauce becomes. Jen Moss  36:19 Yes. That’s a great show. It’s they have all kinds of interesting people on it, and it’s interesting to watch people’s reactions shift as they get more and more overwhelmed by heat. Yeah. So that’s another super example of a framing device. I mean, arguably, that one’s a bit of a gimmick. Christian Klepp  36:36 Sure. Jen Moss  36:37 You don’t necessarily need to do something that obvious. It might be something like, on this show, we always ask a certain question, or we’re always trying to get at sort of, I would call it like, the the underlying idea of this show is we’re always trying to expose this concept, like, maybe you’re trying to prove that work life balance is important, and that’s your overarching goal, and that’s the lens that you bring to your to your all of your conversations that you have. So every time you’re able to, you bring up that theme in some way and explore it with a new guest. So just whatever it is, whatever the lens is, or the device that you’re framing with, it’s just important to be intentional about that? Christian Klepp  37:21 Yeah, absolutely, absolutely. All right, Jen, I have a feeling that you’ve been on your soapbox this whole time, but please just stay up there a while longer, while I ask you this question. All right, and a status quo in your area of expertise that you passionately disagree with and why? Jen Moss  37:40 Okay, well, right now there’s, am I allowed to mention the AI (Artificial Intelligence) please? Christian Klepp  37:49 Absolutely. Jen Moss  37:49 Okay. Well, right now there’s a lot of discussion around AI driven content, and one of the ways that it’s being sort of sold to people in the industry is that it will allow you to put out more content quicker. And I can see lots of advantages to AI in the production pipeline. For example, it can be helpful with research if you’re as long as you double fact check it. It can be helpful with correcting certain things in editing. You know, if a host mispronounces a word, or you need to do like, you need to remove some background noise. AI tools can be really, really helpful. So I’m not knocking ai i i teach it. For example, I teach creative writing for new media, and I’m very interested. I’m currently building an AI VR (Virtual Reality) poetry machine with some students. So, you know, I spent a lot of time thinking about AI, and I like it and hate it. It’s a double edged sword. But what I don’t agree with is that we should be measuring the efficacy of a tool based on how fast and how often it allows us to put out content. I just don’t think that an onslaught of mediocre content is what people want. I think it’s killing the internet. Corey Doctorow would say he would call it the in shittification of the internet. And it is already, it is already happening, right? He got check it out. He’s got a book out. Christian Klepp  39:22 Okay. Jen Moss  39:22 And so that’s, you know, that’s what I worry about, is that it’s becoming like a big content hose. And so then I actually believe that the way forward, in order to actually have your message heard and received by your intended audience is to really hold on to that authenticity piece. I would rather see people do things less often, but do them better and remember that quality matters. And if we can’t remember that, then the internet is just going to be a bunch of bots talking to each other, and it’s just stupid. I just think it’s stupid. So that’s the that’s, that’s, if you know, not to put too fine a point on it, podcasting is, is not about efficiency. It’s about communication. It’s about connection. It’s about contact. It’s about humans talking to humans. And if it’s, if you fail to recognize that it’s sort of at your peril, you know, Christian Klepp  40:23 Absolutely, absolutely. And I mean, it goes back to the point you were making at the beginning of this conversation. I mean, if you want to create a show that stands out and that’s different, right, then you probably shouldn’t be churning out vanilla content, right? Using AI. Jen Moss  40:39 Doesn’t work. Christian Klepp  40:39 That’s not the way to do it, right? Jen Moss  40:41 Go ahead, but no one will listen to it. So you’ll be able to be like, Look, I I tick, tick, tick. I put out this many episodes, or this many social media clips, or whatever it is. But what’s what are your consumption rates like? Are the right? Are the right people finding your content? Are they engaging with you? Is it moving the needle for you in terms of your goals, the job of the podcast? Like these are all the things that people really need to consider before they sort of hop on the AI bus, I think. And again, I’m not a Luddite, yeah. I use AI daily despite its rather terrifying environmental impact, yeah, yeah, but it’s become almost a ubiquitous tool that’s difficult to avoid in our line of work. But I do think that some people are really taking it too far, and it’s because they’re misunderstood. They’re misunderstanding the mission. The mission is not volume and efficiency. The mission is connection. Christian Klepp  41:41 Absolutely, absolutely Jen, wow. What a conversation. Well, at the very least this episode is not boring, right? Jen Moss  41:50 Like, I mean, I don’t know, ask my ask my 20 something daughter. Christian Klepp  41:58 Different strokes are different folks, I’m gonna say, but thank thank you so much for coming on and for sharing your expertise and experience with the listeners. So please, a quick introduction to yourself and how folks out there can get in touch. Jen Moss  42:09 with you. Oh, so the best way to get in touch with me would probably be through the JAR podcasts website, jarpodcasts.com and I’m also just Jen@jarpodcasts.com. Christian Klepp  42:22 Fantastic, fantastic. Once again. Jen Moss, thank you for your time. Take care, stay safe and talk to you soon. Jen Moss  42:29 Awesome. Thank you. Okay. Christian Klepp  42:30 Bye, for now. Jen Moss  42:31 Bye.

 The JBP hits 900 episodes as its latest dives into a recap of the 2026 Grammys (24:55) with the crew sharing their thoughts on the speeches and performances (44:25). Shakur Steveson beats Teofimo Lopez Jr. to become a four-division champion (1:21:56), Ice and Joe discuss Plies vs. Trick Daddy (1:36:48) before turning to a recap of Mike Will Made-It vs. Hit-Boy (1:44:30). T-Rex discusses his business dealings with URL (1:59:40), Lil Wayne's tweet about not being included in this year's Grammys (2:13:40), the room has a debate over a woman not taking a man's last name in marriage (2:34:34), and much more!  Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden 

Need (Trex Remix) by SUNANDBASS

Cthunkle, Thomas the T-Rex, and a Ghost Spinosaurus show up in this very special episode, featuring Callie as our guest. Lessons: This is an exercise in improv, with a grown-up and kid working together and agreeing with each other to bring you an amazing adventure! We're selling one of a kind merch collections to raise money for the ACLU. Half of the proceeds go to them, and shipping is included in the price! Check out our shop for a limited time! Want more kids podcasts for the whole family? Grown-ups, subscribe to Starglow+ here. Learn more about Starglow Media here. Follow Starglow on Instagram and YouTube Share questions with a grownup's help via email: hello@whatifworldpodcast.com or voicemail: 205-605-WHAT (9428) Eric and Karen O'Keeffe make What If World. Our producer is Miss Lynn. Character art by Ana Stretcu, episode art by Lynn Hickernell, podcast art by Jason O'Keefe, and theme song by Craig Martinson.

A Reading Bug Adventure with Original Songs Part 1 of 2. Get ready to roar as Lauren and the Reading Bug leap into the magic book bag for an epic journey back to the Mesozoic Era. In this action-packed adventure, you'll explore a prehistoric world where Pteranodons soar and wonder—or danger—lurks around every corner. Will you spot a Triceratops, a Parasaurolophus, or even the mighty T-Rex? The stakes are high as Lauren and the Reading Bug race to rescue their brand-new dinosaur friend, Albert. Grab your explorer's hat and join us for a journey through time filled with excitement, discovery, and prehistoric fun! Explore the Magic: Check out the books featured in this adventure at: www.thereadingbug.com/adventures/dinosaur

In this episode, we complete our quest to find out which fictional character is the ultimate fighter in our 2025 Unmatched tournament! To run the tournament, I identified our 16 most-played Unmatched heroes, then set up some brackets to pit them against each other. A few episodes ago, I reported on the first half of the tournament: the first-round games that whittled our list of heroes to the Elite 8. Today, I'm excited to share the second half of the tournament!As a reminder, the hero who wins each battle isn't necessarily the hero who moves on in the tournament. The teenager and I play a game with each pair of heroes, then discuss the game and the heroes and decide which of the two heroes we like playing the most. That's the hero that moves on to the next round.Achilles, Little Red, Houdini, Invisible Man, Beowulf, Jekyll & Hyde, Shakespeare, and T-Rex! Who will be the champion?Episode Resources:Buy Unmatched sets on Amazon.Listen to our 2023 review of Unmatched.Listen to Part 1 of our 2025 Unmatched tournament.Music:"Open Road," Purple Planet Music"Field of Heroes," Tabletop AudioSend us a textPodcast Links: Order a First Player Token coffee mug. Visit the First Player Token website. Join the FPT Facebook group. Follow @firstplayertoken on Bluesky. Join the Family Tabletop Community on Discord.

From residency training to ultramarathons - discover how Dr. Lauren Puretz balances life as a gynecologic surgeon with competing at the highest levels of trail running, including her breakthrough performance at UTMB and the mindset shifts that fuel both operating rooms and mountain peaks.Lauren Puretz, DO is a board-certified OB/GYN, elite ultrarunner, and mom of 2 based in Colorado Springs. She is the co-founder of Mountain View OB/GYN and co-host of the podcast Speaking of Labias. Outside the clinic, Lauren is intentionally making the most of her time as a competitive runner, chasing big goals, embracing challenge, and having as much fun as possible along the way.Jon chats with Lauren about:Lauren's transition from gymnastics and soccer to cross country runningbalancing medical career as gynecologic surgeon with ultra running trainingbuilding community through persistent outreach and shared running experiencesmanaging eating disorder recovery while fueling for endurance performanceovercoming fear to compete in challenging mountain races like UTMB Stay connected:Follow Lauren:https://www.instagram.com/lauren1642/This episode is supported by:Rocket Money Take control of your spending. Cancel unwanted subscriptions and reduce the rest with Rocket Money: RocketMoney.com/GORUNAmazFit Check out the T-Rex 3 and a selection of GPS watches at http://bit.ly/4ojbflT and use code “FTLR” for 10% off.

Our hosts return to the Podcave and sit down to review the episode, “Mean Seasons.” Alex and Will break down Calendar Girl as a character, and unpack the striking similarities between her story and the voice actor's real-life experiences with ageism in Hollywood.Along the way, they tackle the truly important questions: What would Calendar Man's favourite type of calendar be in the 90's? Why does Alfred apparently have a spicy account? How did Batman get a full-sized T-Rex back into the Batcave? And would Wayne Enterprises still expect you to come into work even when you're on your literal deathbed?Tip Jar: https://buymeacoffee.com/batmantaspod Buy Our Merch: https://www.bleakworld.store/category/btas-podcast-collaborationOutbreaks Issue 4 Kickstarter: https://www.kickstarter.com/projects/speechcomics/outbreaks-1-4-an-ongoing-zombie-anthology-seriesMobster Mash 1-2 Kickstarter: https://www.kickstarter.com/projects/speechcomics/mobster-mash-1-2-classic-movie-monsters-as-mobsters Join Our Discord - https://discord.com/invite/bQF76V3nUs TikTok⁠⁠⁠⁠⁠⁠ - https://www.tiktok.com/@batmantaspod?_t=8zn1yhsgnfz&_r=1⁠⁠⁠⁠⁠⁠ Follow us on YouTube⁠⁠⁠⁠⁠⁠ - https://www.youtube.com/@batmantaspod Follow the Pod on Instagram⁠⁠⁠⁠⁠⁠ - https://www.instagram.com/batmantaspod/⁠⁠⁠⁠⁠⁠⁠ Follow the Pod on Facebook⁠⁠⁠⁠⁠⁠⁠ - https://www.facebook.com/BatmanTASPod Follow the Pod on Twitter⁠⁠⁠⁠⁠⁠ - https://twitter.com/batmantaspod1⁠⁠⁠⁠⁠⁠ Subscribe to Will's Patreon⁠⁠⁠⁠⁠⁠ - https://www.patreon.com/willrobson Speech Comics Website⁠ - https://www.speechcomics.com/ Will's WhatNot Page⁠⁠⁠⁠⁠⁠⁠ - https://www.whatnot.com/user/speechcomics

Recruiting in the new college football era has changed ... drastically. With NIL and the transfer portal entering mix, chaos has basically ensued. There are many that feel high school recruiting is going the way of the dinosaur. Is that so? Will Ohio State be a T-Rex on the recruiting trail? Garrick Hodge and Mark Porter are here to dive deep on how the Buckeyes will attack high school recruiting going forward. We also have a scouting report on DJ Jacobs - an elite Ohio State HIGH SCHOOL commitment.  Spend 5ish with us this a.m.,'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

At 20,000 feet, running feels like moving through molasses… but Erin Ton has found that climbing Colorado's highest peaks in stilettos actually makes her a more thoughtful athlete.Erin was born and raised in Colorado. After graduating from Cornell University in 2020, she moved back to Colorado to pursue professional mountain running. Her primary focus is on Fastest Known Time (FKT) speed records, specializing on steep, technical terrain at high altitude. She currently resides in her van and can be found chasing records all across the American West and all across the world. Jon chats with Erin about:High altitude running challenges and trainingFKT (Fastest Known Time) pursuitsfourteeners climbed in high heelsprofessional athlete sponsorship journeygoal of climbing all Colorado 13ersupcoming Aconcagua speed record attemptStay connected:Follow Erin:https://www.instagram.com/erin_ton7/Erin's Strava:“Erin Ton”This episode is supported by:AmazFit Check out the T-Rex 3 and a selection of GPS watches at http://bit.ly/4ojbflT and use code “FTLR” for 10% off.Rocket Money Take control of your spending. Cancel unwanted subscriptions and reduce the rest with Rocket Money: RocketMoney.com/GORUN

 Hello, and welcome to the Reloading Podcast here on the Firearms Radio Network.   Tonight the gang is talking with Jeff Siewert from Bulletology LLC.  Jeff's history in reloading and Ballistics What is Bulletology LLC? What resources do you offer for people to read/watch? Is there one thing you've learned on your journey that just blew your primers right out of their pockets? Where is a good starting point for someone looking to go from being just a reloader, to a “handloader”?   Cartridge case Design of the case Quality of the case Case inspection Case preparation Sizing of the case  Priming Case rim Thickness Priming systems Primers Primer seating depth Powder Selection Difference in powders Charge weights (accuracy) Why some powders are more accurate Bullet Different types What are more accurate What makes a bullet accurate Seating of the bullet Crimping or not Taper crimping Pressures How is a handloader to test for pressure Primer condition Case head expansion Bolt swipe/extractor swipe Effects on accuracy   Cartridge corner:    Suicide hotline 988 or 800-273-8255 https://walkthetalkamerica.org/ For Active Military or veterans, www.militaryonesource.com   Reviews:   Reloading Podcast Merch link   Please remember to use the affiliate links for Amazon and Brownells from the Webpage  it really does help the show and the network. Also visit https://huntshootoffroad.com/shop/ and use code RLP10 to save 10%on your Brass Goblin gear.   Patreons  New Patreons:  Current Patreons: Aaron R, AJ, Alexander R, Anthony B, Mr. Anonymoose, bt213456, Bill N, Brian M, Carl K, Chris S, KC3FHH, Ryan J, D MAC, David S, Drew, Eric S, Fatelvis111 Gerrid M, Jack B, Jason R, Jim M, Joel L, John C, Kalroy, Jason R. Joseph B, Brewer Bill, Larry C, Lonnie K, Mark H, Mark K, Vic T., Matthew T, David D, michael sp, Mike St, Mitchell N, Nick M, Nick R, N7FFL, Paul N, Peter D, Richard C, Riley S, Robert F, Russ H, Socal Reloader RP, T-Rex, Tony S, Winfred C RLP pledge link   Thank you for listening.   How to get in contact with us: Google Voice # 608-467-0308 Reloading Podcast website. Reloading Podcast Facebook Reloading Podcast on Instagram Reloading Podcast on MeWe Reloading Podcast on Discord The Reloading Room  Buckeye Targets  

Hello, and welcome to the Reloading Podcast here on the Firearms Radio Network.   Tonight the gang is assembling the Frankford Arsenal reloading table.     Platinum Series Reloading Stand   Cartridge corner:    Suicide hotline 988 or 800-273-8255 https://walkthetalkamerica.org/ For Active Military or veterans, www.militaryonesource.com   Reviews:   Reloading Podcast Merch link   Please remember to use the affiliate links for Amazon and Brownells from the Webpage  it really does help the show and the network. Also visit https://huntshootoffroad.com/shop/ and use code RLP10 to save 10%on your Brass Goblin gear.   Patreons  New Patreons:  Current Patreons: Aaron R, AJ, Alexander R, Anthony B, Mr. Anonymoose, bt213456, Bill N, Brian M, Carl K, Chris S, KC3FHH, Ryan J, D MAC, David S, Drew, Eric S, Fatelvis111 Gerrid M, Jack B, Jason R, Jim M, Joel L, John C, Kalroy, Jason R. Joseph B, Brewer Bill, Larry C, Lonnie K, Mark H, Mark K, Vic T., Matthew T, David D, michael sp, Mike St, Mitchell N, Nick M, Nick R, N7FFL, Paul N, Peter D, Richard C, Riley S, Robert F, Russ H, Socal Reloader RP, T-Rex, Tony S, Winfred C RLP pledge link   Thank you for listening.   How to get in contact with us: Google Voice # 608-467-0308 Reloading Podcast website. Reloading Podcast Facebook Reloading Podcast on Instagram Reloading Podcast on MeWe Reloading Podcast on Discord The Reloading Room  Buckeye Targets  

What if I told you that the most brutally honest performance metric you'll ever face isn't on your smartphone, can't be faked by AI, and strips away every excuse you've ever made about what you're truly capable of? It's called running.Nicholas Thompson is the CEO of The Atlantic, an American magazine founded in 1857, which earned the top honor for magazines, General Excellence, at the National Magazine Awards in both 2022 and 2023. In his time as CEO, the company has seen record subscriber growth. Before joining The Atlantic, he was the editor-in-chief of Wired magazine. He is also a former contributor for CBS News and has previously served as editor. He has long been a competitive runner; in 2021, he set the American record for men 45+ in the 50K race.Jon chats with Nick about:running's purity reveals personal truth and growthmultitasking training with commuting and daily life breaking psychological barriers through gradual exposurehow AI threatens media authenticitysetting challenging goals creates transferable resilienceStay connected:Follow Nick:http://linkedin.com/in/nicholasxthompson/https://x.com/nxthompsonhttps://www.instagram.com/nxthompson/?hl=enNick's book, “The Running Ground” on Amazon:https://www.amazon.com/Running-Ground-Father-Simplest-Sports/dp/0593244125This episode is supported by:Rocket Money Take control of your spending. Cancel unwanted subscriptions and reduce the rest with Rocket Money: RocketMoney.com/GORUNAmazFit Check out the T-Rex 3 and a selection of GPS watches at http://bit.ly/4ojbflT and use code “FTLR” for 10% off.