Podcasts about wynorski

If you have got a wicked case of the munchies, boy howdy, do we have the perfect episode for you! MUNCHIES (1987) directed by Tina Hirsch and MUNCHIE (1992) directed by Jim Wynorski. It's a Roger Corman produced double feature celebrating 4/20 here on Death By DVD and we hope you tune in and light one up for this special fan request episode. Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES or copy and paste the link below : https://deathbydvd.com/who-shot-hankWhoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD

Tubi? Jim Wynorski? Comic book movie? Sometimes I think we parody ourselves. Your Stupid Minds comes to you this time around with 1989's The Return of Swamp Thing, starring Heather Locklear, Louis Jourdan and Wynorski muse Monique Gabrielle. Picking up after the events of the last movie, as best we can surmise Swamp Thing killed Dr. Anton Arcane (Jourdan) but it didn't take, since he specializes in Ra's al Ghul style immortality practices. So Swamp Thing, a.k.a. Alec Holland, wanders around the Louisiana bayou campily beating up monsters and cajun caricatures. It vaguely resembles Alan Moore's run of the comic; as if someone recited major plot points from memory to the screenwriters while they watch TV. Meanwhile, Abby Arcane (Locklear) goes to her step-father's swamp compound in some vague attempt to learn more about her dead mother. She's met by Dr. Arcane's menagerie of 80s misfits: buxom British scientist Dr. Lana Zurrell (Sarah Douglas), asthmatic other scientist Dr. Rochelle (Ace Mask, who as far as we know is not a homunculus assembled from Jim Carrey movie titles) and mercenary Miss Poinsettia (Gabrielle). There's some plot point about using Abby's blood to create an immortality serum (since she has the "exact genetic code" of her mother, which is not how genetics work). Meanwhile some crawfish-fed local youths try to snap a picture of Swamp Thing using their dad's $5,000 camera. Will Swamp Thing save the day? Will he and Abby have sex after hallucinating off a flower he picked off his body? Can Swamp Thing drive a Jeep? You'll have to listen to find out!

Bamboozled again! Did we just trick ourselves into watching softcore porn? We sure did! Fred Olen Ray AND Jim Wynorski return to us as directors this week. So stay tuned as we find out why those two make such a lethal combo for boobs, crappy special effects, and a whole lot of laughs. This week it's DINOSAUR ISLAND!   Find us online: Instagram: @bmoviebeatFacebook: The B Movie BeatdownEmail: thebeatmoviebeatdown@gmail.com    

We finally complete our mini-series on the 1980s movies released by Miramax Films in 1989, a year that included sex, lies, and videotape, and My Left Foot. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we complete our look back at the 1980s theatrical releases for Miramax Films. And, for the final time, a reminder that we are not celebrating Bob and Harvey Weinstein, but reminiscing about the movies they had no involvement in making. We cannot talk about cinema in the 1980s without talking about Miramax, and I really wanted to get it out of the way, once and for all.   As we left Part 4, Miramax was on its way to winning its first Academy Award, Billie August's Pelle the Conquerer, the Scandinavian film that would be second film in a row from Denmark that would win for Best Foreign Language Film.   In fact, the first two films Miramax would release in 1989, the Australian film Warm Night on a Slow Moving Train and the Anthony Perkins slasher film Edge of Sanity, would not arrive in theatres until the Friday after the Academy Awards ceremony that year, which was being held on the last Wednesday in March.   Warm Nights on a Slow Moving Train stars Wendy Hughes, the talented Australian actress who, sadly, is best remembered today as Lt. Commander Nella Daren, one of Captain Jean-Luc Picard's few love interests, on a 1993 episode of Star Trek: The Next Generation, as Jenny, a prostitute working a weekend train to Sydney, who is seduced by a man on the train, unaware that he plans on tricking her to kill someone for him. Colin Friels, another great Aussie actor who unfortunately is best known for playing the corrupt head of Strack Industries in Sam Raimi's Darkman, plays the unnamed man who will do anything to get what he wants.   Director Bob Ellis and his co-screenwriter Denny Lawrence came up with the idea for the film while they themselves were traveling on a weekend train to Sydney, with the idea that each client the call girl met on the train would represent some part of the Australian male.   Funding the $2.5m film was really simple… provided they cast Hughes in the lead role. Ellis and Lawrence weren't against Hughes as an actress. Any film would be lucky to have her in the lead. They just felt she she didn't have the right kind of sex appeal for this specific character.   Miramax would open the film in six theatres, including the Cineplex Beverly Center in Los Angeles and the Fashion Village 8 in Orlando, on March 31st. There were two versions of the movie prepared, one that ran 130 minutes and the other just 91. Miramax would go with the 91 minute version of the film for the American release, and most of the critics would note how clunky and confusing the film felt, although one critic for the Village Voice would have some kind words for Ms. Hughes' performance.   Whether it was because moviegoers were too busy seeing the winners of the just announced Academy Awards, including Best Picture winner Rain Man, or because this weekend was also the opening weekend of the new Major League Baseball season, or just turned off by the reviews, attendance at the theatres playing Warm Nights on a Slow Moving Train was as empty as a train dining car at three in the morning. The Beverly Center alone would account for a third of the movie's opening weekend gross of $19,268. After a second weekend at the same six theatres pocketing just $14,382, this train stalled out, never to arrive at another station.   Their other March 31st release, Edge of Sanity, is notable for two things and only two things: it would be the first film Miramax would release under their genre specialty label, Millimeter Films, which would eventually evolve into Dimension Films in the next decade, and it would be the final feature film to star Anthony Perkins before his passing in 1992.   The film is yet another retelling of the classic 1886 Robert Louis Stevenson story The Strange Case of Doctor Jekyll and Mister Hyde, with the bonus story twist that Hyde was actually Jack the Ripper. As Jekyll, Perkins looks exactly as you'd expect a mid-fifties Norman Bates to look. As Hyde, Perkins is made to look like he's a backup keyboardist for the first Nine Inch Nails tour. Head Like a Hole would have been an appropriate song for the end credits, had the song or Pretty Hate Machine been released by that time, with its lyrics about bowing down before the one you serve and getting what you deserve.   Edge of Sanity would open in Atlanta and Indianapolis on March 31st. And like so many other Miramax releases in the 1980s, they did not initially announce any grosses for the film. That is, until its fourth weekend of release, when the film's theatre count had fallen to just six, down from the previous week's previously unannounced 35, grossing just $9,832. Miramax would not release grosses for the film again, with a final total of just $102,219.   Now when I started this series, I said that none of the films Miramax released in the 1980s were made by Miramax, but this next film would become the closest they would get during the decade.   In July 1961, John Profumo was the Secretary of State for War in the conservative government of British Prime Minister Harold Macmillan, when the married Profumo began a sexual relationship with a nineteen-year-old model named Christine Keeler. The affair was very short-lived, either ending, depending on the source, in August 1961 or December 1961. Unbeknownst to Profumo, Keeler was also having an affair with Yevgeny Ivanov, a senior naval attache at the Soviet Embassy at the same time.   No one was the wiser on any of this until December 1962, when a shooting incident involving two other men Keeler had been involved with led the press to start looking into Keeler's life. While it was never proven that his affair with Keeler was responsible for any breaches of national security, John Profumo was forced to resign from his position in June 1963, and the scandal would take down most of the Torie government with him. Prime Minister Macmillan would resign due to “health reasons” in October 1963, and the Labour Party would take control of the British government when the next elections were held in October 1964.   Scandal was originally planned in the mid-1980s as a three-part, five-hour miniseries by Australian screenwriter Michael Thomas and American music producer turned movie producer Joe Boyd. The BBC would commit to finance a two-part, three-hour miniseries,  until someone at the network found an old memo from the time of the Profumo scandal that forbade them from making any productions about it. Channel 4, which had been producing quality shows and movies for several years since their start in 1982, was approached, but rejected the series on the grounds of taste.   Palace Pictures, a British production company who had already produced three films for Neil Jordan including Mona Lisa, was willing to finance the script, provided it could be whittled down to a two hour movie. Originally budgeted at 3.2m British pounds, the costs would rise as they started the casting process.  John Hurt, twice Oscar-nominated for his roles in Midnight Express and The Elephant Man, would sign on to play Stephen Ward, a British osteopath who acted as Christine Keeler's… well… pimp, for lack of a better word. Ian McKellen, a respected actor on British stages and screens but still years away from finding mainstream global success in the X-Men movies, would sign on to play John Profumo. Joanne Whaley, who had filmed the yet to be released at that time Willow with her soon to be husband Val Kilmer, would get her first starring role as Keeler, and Bridget Fonda, who was quickly making a name for herself in the film world after being featured in Aria, would play Mandy Rice-Davies, the best friend and co-worker of Keeler's.   To save money, Palace Pictures would sign thirty-year-old Scottish filmmaker Michael Caton-Jones to direct, after seeing a short film he had made called The Riveter. But even with the neophyte feature filmmaker, Palace still needed about $2.35m to be able to fully finance the film. And they knew exactly who to go to.   Stephen Woolley, the co-founder of Palace Pictures and the main producer on the film, would fly from London to New York City to personally pitch Harvey and Bob Weinstein. Woolley felt that of all the independent distributors in America, they would be the ones most attracted to the sexual and controversial nature of the story. A day later, Woolley was back on a plane to London. The Weinsteins had agreed to purchase the American distribution rights to Scandal for $2.35m.   The film would spend two months shooting in the London area through the summer of 1988. Christine Keeler had no interest in the film, and refused to meet the now Joanne Whaley-Kilmer to talk about the affair, but Mandy Rice-Davies was more than happy to Bridget Fonda about her life, although the meetings between the two women were so secret, they would not come out until Woolley eulogized Rice-Davies after her 2014 death.   Although Harvey and Bob would be given co-executive producers on the film, Miramax was not a production company on the film. This, however, did not stop Harvey from flying to London multiple times, usually when he was made aware of some sexy scene that was going to shoot the following day, and try to insinuate himself into the film's making. At one point, Woolley decided to take a weekend off from the production, and actually did put Harvey in charge. That weekend's shoot would include a skinny-dipping scene featuring the Christine Keeler character, but when Whaley-Kilmer learned Harvey was going to be there, she told the director that she could not do the nudity in the scene. Her new husband was objecting to it, she told them. Harvey, not skipping a beat, found a lookalike for the actress who would be willing to bare all as a body double, and the scene would begin shooting a few hours later. Whaley-Kilmer watched the shoot from just behind the camera, and stopped the shoot a few minutes later. She was not happy that the body double's posterior was notably larger than her own, and didn't want audiences to think she had that much junk in her trunk. The body double was paid for her day, and Whaley-Kilmer finished the rest of the scene herself.   Caton-Jones and his editing team worked on shaping the film through the fall, and would screen his first edit of the film for Palace Pictures and the Weinsteins in November 1988. And while Harvey was very happy with the cut, he still asked the production team for a different edit for American audiences, noting that most Americans had no idea who Profumo or Keeler or Rice-Davies were, and that Americans would need to understand the story more right out of the first frame. Caton-Jones didn't want to cut a single frame, but he would work with Harvey to build an American-friendly cut.   While he was in London in November 1988, he would meet with the producers of another British film that was in pre-production at the time that would become another important film to the growth of the company, but we're not quite at that part of the story yet. We'll circle around to that film soon.   One of the things Harvey was most looking forward to going in to 1989 was the expected battle with the MPAA ratings board over Scandal. Ever since he had seen the brouhaha over Angel Heart's X rating two years earlier, he had been looking for a similar battle. He thought he had it with Aria in 1988, but he knew he definitely had it now.   And he'd be right.   In early March, just a few weeks before the film's planned April 21st opening day, the MPAA slapped an X rating on Scandal. The MPAA usually does not tell filmmakers or distributors what needs to be cut, in order to avoid accusations of actual censorship, but according to Harvey, they told him exactly what needed to be cut to get an R: a two second shot during an orgy scene, where it appears two background characters are having unsimulated sex.   So what did Harvey do?   He spent weeks complaining to the press about MPAA censorship, generating millions in free publicity for the film, all the while already having a close-up shot of Joanne Whaley-Kilmer's Christine Keeler watching the orgy but not participating in it, ready to replace the objectionable shot.   A few weeks later, Miramax screened the “edited” film to the MPAA and secured the R rating, and the film would open on 94 screens, including 28 each in the New York City and Los Angeles metro regions, on April 28th.   And while the reviews for the film were mostly great, audiences were drawn to the film for the Miramax-manufactured controversy as well as the key art for the film, a picture of a potentially naked Joanne Whaley-Kilmer sitting backwards in a chair, a mimic of a very famous photo Christine Keeler herself took to promote a movie about the Profumo affair she appeared in a few years after the events. I'll have a picture of both the Scandal poster and the Christine Keeler photo on this episode's page at The80sMoviePodcast.com   Five other movies would open that weekend, including the James Belushi comedy K-9 and the Kevin Bacon drama Criminal Law, and Scandal, with $658k worth of ticket sales, would have the second best per screen average of the five new openers, just a few hundred dollars below the new Holly Hunter movie Miss Firecracker, which only opened on six screens.   In its second weekend, Scandal would expand its run to 214 playdates, and make its debut in the national top ten, coming in tenth place with $981k. That would be more than the second week of the Patrick Dempsey rom-com Loverboy, even though Loverboy was playing on 5x as many screens.   In weekend number three, Scandal would have its best overall gross and top ten placement, coming in seventh with $1.22m from 346 screens. Scandal would start to slowly fade after that, falling back out of the top ten in its sixth week, but Miramax would wisely keep the screen count under 375, because Scandal wasn't going to play well in all areas of the country. After nearly five months in theatres, Miramax would have its biggest film to date. Scandal would gross $8.8m.   The second release from Millimeter Films was The Return of the Swamp Thing. And if you needed a reason why the 1980s was not a good time for comic book movies, here you are. The Return of the Swamp Thing took most of what made the character interesting in his comic series, and most of what was good from the 1982 Wes Craven adaptation, and decided “Hey, you know what would bring the kids in? Camp! Camp unseen in a comic book adaptation since the 1960s Batman series. They loved it then, they'll love it now!”   They did not love it now.   Heather Locklear, between her stints on T.J. Hooker and Melrose Place, plays the step-daughter of Louis Jourdan's evil Dr. Arcane from the first film, who heads down to the Florida swaps to confront dear old once presumed dead stepdad. He in turns kidnaps his stepdaughter and decides to do some of his genetic experiments on her, until she is rescued by Swamp Thing, one of Dr. Arcane's former co-workers who got turned into the gooey anti-hero in the first movie.   The film co-stars Sarah Douglas from Superman 1 and 2 as Dr. Arcane's assistant, Dick Durock reprising his role as Swamp Thing from the first film, and 1980s B-movie goddess Monique Gabrielle as Miss Poinsettia.   For director Jim Wynorski, this was his sixth movie as a director, and at $3m, one of the highest budgeted movies he would ever make. He's directed 107 movies since 1984, most of them low budget direct to video movies with titles like The Bare Wench Project and Alabama Jones and the Busty Crusade, although he does have one genuine horror classic under his belt, the 1986 sci-fi tinged Chopping Maul with Kelli Maroney and Barbara Crampton.   Wynorski suggested in a late 1990s DVD commentary for the film that he didn't particularly enjoy making the film, and had a difficult time directing Louis Jourdan, to the point that outside of calling “action” and “cut,” the two didn't speak to each other by the end of the shoot.   The Return of Swamp Thing would open in 123 theatres in the United States on May 12th, including 28 in the New York City metro region, 26 in the Los Angeles area, 15 in Detroit, and a handful of theatres in Phoenix, San Francisco. And, strangely, the newspaper ads would include an actual positive quote from none other than Roger Ebert, who said on Siskel & Ebert that he enjoyed himself, and that it was good to have Swamp Thing back. Siskel would not reciprocate his balcony partner's thumb up. But Siskel was about the only person who was positive on the return of Swamp Thing, and that box office would suffer. In its first three days, the film would gross just $119,200. After a couple more dismal weeks in theatres, The Return of Swamp Thing would be pulled from distribution, with a final gross of just $275k.   Fun fact: The Return of Swamp Thing was produced by Michael E. Uslan, whose next production, another adaptation of a DC Comics character, would arrive in theatres not six weeks later and become the biggest film of the summer. In fact, Uslan has been a producer or executive producer on every Batman-related movie and television show since 1989, from Tim Burton to Christopher Nolan to Zack Snyder to Matt Reeves, and from LEGO movies to Joker. He also, because of his ownership of the movie rights to Swamp Thing, got the movie screen rights, but not the television screen rights, to John Constantine.   Miramax didn't have too much time to worry about The Return of Swamp Thing's release, as it was happening while the Brothers Weinstein were at the 1989 Cannes Film Festival. They had two primary goals at Cannes that year:   To buy American distribution rights to any movie that would increase their standing in the cinematic worldview, which they would achieve by picking up an Italian dramedy called, at the time, New Paradise Cinema, which was competing for the Palme D'Or with a Miramax pickup from Sundance back in January. Promote that very film, which did end up winning the Palme D'Or.   Ever since he was a kid, Steven Soderbergh wanted to be a filmmaker. Growing up in Baton Rouge, LA in the late 1970s, he would enroll in the LSU film animation class, even though he was only 15 and not yet a high school graduate. After graduating high school, he decided to move to Hollywood to break into the film industry, renting an above-garage room from Stephen Gyllenhaal, the filmmaker best known as the father of Jake and Maggie, but after a few freelance editing jobs, Soderbergh packed up his things and headed home to Baton Rouge.   Someone at Atco Records saw one of Soderbergh's short films, and hired him to direct a concert movie for one of their biggest bands at the time, Yes, who was enjoying a major comeback thanks to their 1983 triple platinum selling album, 90125. The concert film, called 9012Live, would premiere on MTV in late 1985, and it would be nominated for a Grammy Award for Best Long Form Music Video.   Soderbergh would use the money he earned from that project, $7,500, to make Winston, a 12 minute black and white short about sexual deception that he would, over the course of an eight day driving trip from Baton Rouge to Los Angeles, expand to a full length screen that he would call sex, lies and videotape. In later years, Soderbergh would admit that part of the story is autobiographical, but not the part you might think. Instead of the lead, Graham, an impotent but still sexually perverse late twentysomething who likes to tape women talking about their sexual fantasies for his own pleasure later, Soderbergh based the husband John, the unsophisticated lawyer who cheats on his wife with her sister, on himself, although there would be a bit of Graham that borrows from the filmmaker. Like his lead character, Soderbergh did sell off most of his possessions and hit the road to live a different life.   When he finished the script, he sent it out into the wilds of Hollywood. Morgan Mason, the son of actor James Mason and husband of Go-Go's lead singer Belinda Carlisle, would read it and sign on as an executive producer. Soderbergh had wanted to shoot the film in black and white, like he had with the Winston short that lead to the creation of this screenplay, but he and Mason had trouble getting anyone to commit to the project, even with only a projected budget of $200,000. For a hot moment, it looked like Universal might sign on to make the film, but they would eventually pass.   Robert Newmyer, who had left his job as a vice president of production and acquisitions at Columbia Pictures to start his own production company, signed on as a producer, and helped to convince Soderbergh to shoot the film in color, and cast some name actors in the leading roles. Once he acquiesced, Richard Branson's Virgin Vision agreed to put up $540k of the newly budgeted $1.2m film, while RCA/Columbia Home Video would put up the remaining $660k.   Soderbergh and his casting director, Deborah Aquila, would begin their casting search in New York, where they would meet with, amongst others, Andie MacDowell, who had already starred in two major Hollywood pictures, 1984's Greystoke: The Legend of Tarzan, Lord of the Apes, and 1985's St. Elmo's Fire, but was still considered more of a top model than an actress, and Laura San Giacomo, who had recently graduated from the Carnegie Mellon School of Drama in Pittsburgh and would be making her feature debut. Moving on to Los Angeles, Soderbergh and Aquila would cast James Spader, who had made a name for himself as a mostly bad guy in 80s teen movies like Pretty in Pink and Less Than Zero, but had never been the lead in a drama like this. At Spader's suggestion, the pair met with Peter Gallagher, who was supposed to become a star nearly a decade earlier from his starring role in Taylor Hackford's The Idolmaker, but had mostly been playing supporting roles in television shows and movies for most of the decade.   In order to keep the budget down, Soderbergh, the producers, cinematographer Walt Lloyd and the four main cast members agreed to get paid their guild minimums in exchange for a 50/50 profit participation split with RCA/Columbia once the film recouped its costs.   The production would spend a week in rehearsals in Baton Rouge, before the thirty day shoot began on August 1st, 1988. On most days, the shoot was unbearable for many, as temperatures would reach as high as 110 degrees outside, but there were a couple days lost to what cinematographer Lloyd said was “biblical rains.” But the shoot completed as scheduled, and Soderbergh got to the task of editing right away. He knew he only had about eight weeks to get a cut ready if the film was going to be submitted to the 1989 U.S. Film Festival, now better known as Sundance. He did get a temporary cut of the film ready for submission, with a not quite final sound mix, and the film was accepted to the festival. It would make its world premiere on January 25th, 1989, in Park City UT, and as soon as the first screening was completed, the bids from distributors came rolling in. Larry Estes, the head of RCA/Columbia Home Video, would field more than a dozen submissions before the end of the night, but only one distributor was ready to make a deal right then and there.   Bob Weinstein wasn't totally sold on the film, but he loved the ending, and he loved that the word “sex” not only was in the title but lead the title. He knew that title alone would sell the movie. Harvey, who was still in New York the next morning, called Estes to make an appointment to meet in 24 hours. When he and Estes met, he brought with him three poster mockups the marketing department had prepared, and told Estes he wasn't going to go back to New York until he had a contract signed, and vowed to beat any other deal offered by $100,000. Island Pictures, who had made their name releasing movies like Stop Making Sense, Kiss of the Spider-Woman, The Trip to Bountiful and She's Gotta Have It, offered $1m for the distribution rights, plus a 30% distribution fee and a guaranteed $1m prints and advertising budget. Estes called Harvey up and told him what it would take to make the deal. $1.1m for the distribution rights, which needed to paid up front, a $1m P&A budget, to be put in escrow upon the signing of the contract until the film was released, a 30% distribution fee, no cutting of the film whatsoever once Soderbergh turns in his final cut, they would need to provide financial information for the films costs and returns once a month because of the profit participation contracts, and the Weinsteins would have to hire Ira Deutchman, who had spent nearly 15 years in the independent film world, doing marketing for Cinema 5, co-founding United Artists Classics, and co-founding Cinecom Pictures before opening his own company to act as a producers rep and marketer. And the Weinsteins would not only have to do exactly what Deutchman wanted, they'd have to pay for his services too.   The contract was signed a few weeks later.   The first move Miramax would make was to get Soderbergh's final cut of the film entered into the Cannes Film Festival, where it would be accepted to compete in the main competition. Which you kind of already know what happened, because that's what I lead with. The film would win the Palme D'Or, and Spader would be awarded the festival's award for Best Actor. It was very rare at the time, and really still is, for any film to be awarded more than one prize, so winning two was really a coup for the film and for Miramax, especially when many critics attending the festival felt Spike Lee's Do the Right Thing was the better film.   In March, Miramax expected the film to make around $5-10m, which would net the company a small profit on the film. After Cannes, they were hopeful for a $15m gross.   They never expected what would happen next.   On August 4th, sex, lies, and videotape would open on four screens, at the Cinema Studio in New York City, and at the AMC Century 14, the Cineplex Beverly Center 13 and the Mann Westwood 4 in Los Angeles. Three prime theatres and the best they could do in one of the then most competitive zones in all America. Remember, it's still the Summer 1989 movie season, filled with hits like Batman, Dead Poets Society, Ghostbusters 2, Indiana Jones and the Last Crusade, Honey I Shrunk the Kids, Lethal Weapon 2, Parenthood, Turner & Hooch, and When Harry Met Sally. An independent distributor even getting one screen at the least attractive theatre in Westwood was a major get. And despite the fact that this movie wasn't really a summertime movie per se, the film would gross an incredible $156k in its first weekend from just these four theatres. Its nearly $40k per screen average would be 5x higher than the next closest film, Parenthood.   In its second weekend, the film would expand to 28 theatres, and would bring in over $600k in ticket sales, its per screen average of $21,527 nearly triple its closest competitor, Parenthood again. The company would keep spending small, as it slowly expanded the film each successive week. Forty theatres in its third week, and 101 in its fourth. The numbers held strong, and in its fifth week, Labor Day weekend, the film would have its first big expansion, playing in 347 theatres. The film would enter the top ten for the first time, despite playing in 500 to 1500 fewer theatres than the other films in the top ten. In its ninth weekend, the film would expand to its biggest screen count, 534, before slowly drawing down as the other major Oscar contenders started their theatrical runs. The film would continue to play through the Oscar season of 1989, and when it finally left theatres in May 1989, its final gross would be an astounding $24.7m.   Now, remember a few moments ago when I said that Miramax needed to provide financial statements every month for the profit participation contracts of Soderbergh, the producers, the cinematographer and the four lead actors? The film was so profitable for everyone so quickly that RCA/Columbia made its first profit participation payouts on October 17th, barely ten weeks after the film's opening.   That same week, Soderbergh also made what was at the time the largest deal with a book publisher for the writer/director's annotated version of the screenplay, which would also include his notes created during the creation of the film. That $75,000 deal would be more than he got paid to make the movie as the writer and the director and the editor, not counting the profit participation checks.   During the awards season, sex, lies, and videotape was considered to be one of the Oscars front runners for Best Picture, Best Director, Best Screenplay and at least two acting nominations. The film would be nominated for Best Picture, Best Actress and Best Supporting Actress by the Golden Globes, and it would win the Spirit Awards for Best Picture, Soderbergh for Best Director, McDowell for Best Actress, and San Giacomo for Best Supporting Actress. But when the Academy Award nominations were announced, the film would only receive one nomination, for Best Original Screenplay. The same total and category as Spike Lee's Do the Right Thing, which many people also felt had a chance for a Best Picture and Best Director nomination. Both films would lose out to Tom Shulman's screenplay for Dead Poet's Society.   The success of sex, lies, and videotape would launch Steven Soderbergh into one of the quirkiest Hollywood careers ever seen, including becoming the first and only director ever to be nominated twice for Best Director in the same year by the Motion Picture Academy, the Golden Globes and the Directors Guild of America, in 2001 for directing Erin Brockovich and Traffic. He would win the Oscar for directing Traffic.   Lost in the excitement of sex, lies, and videotape was The Little Thief, a French movie that had an unfortunate start as the screenplay François Truffaut was working on when he passed away in 1984 at the age of just 52.   Directed by Claude Miller, whose principal mentor was Truffaut, The Little Thief starred seventeen year old Charlotte Gainsbourg as Janine, a young woman in post-World War II France who commits a series of larcenies to support her dreams of becoming wealthy.   The film was a modest success in France when it opened in December 1988, but its American release date of August 25th, 1989, was set months in advance. So when it was obvious sex, lies, and videotape was going to be a bigger hit than they originally anticipated, it was too late for Miramax to pause the release of The Little Thief.   Opening at the Lincoln Plaza Cinemas in New York City, and buoyed by favorable reviews from every major critic in town, The Little Thief would see $39,931 worth of ticket sales in its first seven days, setting a new house record at the theatre for the year. In its second week, the gross would only drop $47. For the entire week. And when it opened at the Royal Theatre in West Los Angeles, its opening week gross of $30,654 would also set a new house record for the year.   The film would expand slowly but surely over the next several weeks, often in single screen playdates in major markets, but it would never play on more than twenty-four screens in any given week. And after four months in theatres, The Little Thief, the last movie created one of the greatest film writers the world had ever seen, would only gross $1.056m in the United States.   The next three releases from Miramax were all sent out under the Millimeter Films banner.   The first, a supernatural erotic drama called The Girl in a Swing, was about an English antiques dealer who travels to Copenhagen where he meets and falls in love with a mysterious German-born secretary, whom he marries, only to discover a darker side to his new bride. Rupert Frazer, who played Christian Bale's dad in Steven Spielberg's Empire of the Sun, plays the antique dealer, while Meg Tilly the mysterious new bride.   Filmed over a five week schedule in London and Copenhagen during May and June 1988, some online sources say the film first opened somewhere in California in December 1988, but I cannot find a single theatre not only in California but anywhere in the United States that played the film before its September 29th, 1989 opening date.   Roger Ebert didn't like the film, and wished Meg Tilly's “genuinely original performance” was in a better movie. Opening in 26 theatres, including six theatres each in New York City and Los Angeles, and spurred on by an intriguing key art for the film that featured a presumed naked Tilly on a swing looking seductively at the camera while a notice underneath her warns that No One Under 18 Will Be Admitted To The Theatre, The Girl in a Swing would gross $102k, good enough for 35th place nationally that week. And that's about the best it would do. The film would limp along, moving from market to market over the course of the next three months, and when its theatrical run was complete, it could only manage about $747k in ticket sales.   We'll quickly burn through the next two Millimeter Films releases, which came out a week apart from each other and didn't amount to much.   Animal Behavior was a rather unfunny comedy featuring some very good actors who probably signed on for a very different movie than the one that came to be. Karen Allen, Miss Marion Ravenwood herself, stars as Alex, a biologist who, like Dr. Jane Goodall, develops a “new” way to communicate with chimpanzees via sign language. Armand Assante plays a cellist who pursues the good doctor, and Holly Hunter plays the cellist's neighbor, who Alex mistakes for his wife.   Animal Behavior was filmed in 1984, and 1985, and 1987, and 1988. The initial production was directed by Jenny Bowen with the assistance of Robert Redford and The Sundance Institute, thanks to her debut film, 1981's Street Music featuring Elizabeth Daily. It's unknown why Bowen and her cinematographer husband Richard Bowen left the project, but when filming resumed again and again and again, those scenes were directed by the film's producer, Kjehl Rasmussen.   Because Bowen was not a member of the DGA at the time, she was not able to petition the guild for the use of the Alan Smithee pseudonym, a process that is automatically triggered whenever a director is let go of a project and filming continues with its producer taking the reigns as director. But she was able to get the production to use a pseudonym anyway for the director's credit, H. Anne Riley, while also giving Richard Bowen a pseudonym of his own for his work on the film, David Spellvin.   Opening on 24 screens on October 27th, Animal Behavior would come in 50th place in its opening weekend, grossing just $20,361. The New York film critics ripped the film apart, and there wouldn't be a second weekend for the film.   The following Friday, November 3rd, saw the release of The Stepfather II, a rushed together sequel to 1987's The Stepfather, which itself wasn't a big hit in theatres but found a very quick and receptive audience on cable.   Despite dying at the end of the first film, Terry O'Quinn's Jerry is somehow still alive, and institutionalized in Northern Washington state. He escapes and heads down to Los Angeles, where he assumes the identity of a recently deceased publisher, Gene Clifford, but instead passes himself off as a psychiatrist. Jerry, now Gene, begins to court his neighbor Carol, and the whole crazy story plays out again. Meg Foster plays the neighbor Carol, and Jonathan Brandis is her son.    Director Jeff Burr had made a name for himself with his 1987 horror anthology film From a Whisper to a Scream, featuring Vincent Price, Clu Gulager and Terry Kiser, and from all accounts, had a very smooth shooting process with this film. The trouble began when he turned in his cut to the producers. The producers were happy with the film, but when they sent it to Miramax, the American distributors, they were rather unhappy with the almost bloodless slasher film. They demanded reshoots, which Burr and O'Quinn refused to participate in. They brought in a new director, Doug Campbell, to handle the reshoots, which are easy to spot in the final film because they look and feel completely different from the scenes they're spliced into.   When it opened, The Stepfather II actually grossed slightly more than the first film did, earning $279k from 100 screens, compared to $260k for The Stepfather from 105 screens. But unlike the first film, which had some decent reviews when it opened, the sequel was a complete mess. To this day, it's still one of the few films to have a 0% approval rating on Rotten Tomatoes, and The Stepfather II would limp its way through theatres during the Christmas holiday season, ending its run with a $1.5m gross.   But it would be their final film of the decade that would dictate their course for at least the first part of the 1990s.   Remember when I said earlier in the episode that Harvey Weinstein meant with the producers of another British film while in London for Scandal? We're at that film now, a film you probably know.   My Left Foot.   By November 1988, actor Daniel Day-Lewis had starred in several movies including James Ivory's A Room With a View and Philip Kaufman's The Unbearable Lightness of Being. He had even been the lead in a major Hollywood studio film, Pat O'Connor's Stars and Bars, a very good film that unfortunately got caught up in the brouhaha over the exit of the studio head who greenlit the film, David Puttnam.   The film's director, Jim Sheridan, had never directed a movie before. He had become involved in stage production during his time at the University College in Dublin in the late 1960s, where he worked with future filmmaker Neil Jordan, and had spent nearly a decade after graduation doing stage work in Ireland and Canada, before settling in New York City in the early 1980s. Sheridan would go to New York University's Tisch School of the Arts, where one of his classmates was Spike Lee, and return to Ireland after graduating. He was nearly forty, married with two pre-teen daughters, and he needed to make a statement with his first film.   He would find that story in the autobiography of Irish writer and painter Christy Brown, whose spirit and creativity could not be contained by his severe cerebral palsy. Along with Irish actor and writer Shane Connaughton, Sheridan wrote a screenplay that could be a powerhouse film made on a very tight budget of less than a million dollars.   Daniel Day-Lewis was sent a copy of the script, in the hopes he would be intrigued enough to take almost no money to play a physically demanding role. He read the opening pages, which had the adult Christy Brown putting a record on a record player and dropping the needle on to the record with his left foot, and thought to himself it would be impossible to film. That intrigued him, and he signed on. But during filming in January and February of 1989, most of the scenes were shot using mirrors, as Day-Lewis couldn't do the scenes with his left foot. He could do them with his right foot, hence the mirrors.   As a method actor, Day-Lewis remained in character as Christy Brown for the entire two month shoot. From costume fittings and makeup in the morning, to getting the actor on set, to moving him around between shots, there were crew members assigned to assist the actor as if they were Christy Brown's caretakers themselves, including feeding him during breaks in shooting. A rumor debunked by the actor years later said Day-Lewis had broken two ribs during production because of how hunched down he needed to be in his crude prop wheelchair to properly play the character.   The actor had done a lot of prep work to play the role, including spending time at the Sandymount School Clinic where the young Christy Brown got his education, and much of his performance was molded on those young people.   While Miramax had acquired the American distribution rights to the film before it went into production, and those funds went into the production of the film, the film was not produced by Miramax, nor were the Weinsteins given any kind of executive producer credit, as they were able to get themselves on Scandal.   My Left Foot would make its world premiere at the Montreal World Film Festival on September 4th, 1989, followed soon thereafter by screening at the Toronto International Film Festival on September 13th and the New York Film Festival on September 23rd. Across the board, critics and audiences were in love with the movie, and with Daniel Day-Lewis's performance. Jim Sheridan would receive a special prize at the Montreal World Film Festival for his direction, and Day-Lewis would win the festival's award for Best Actor. However, as the film played the festival circuit, another name would start to pop up. Brenda Fricker, a little known Irish actress who played Christy Brown's supportive but long-suffering mother Bridget, would pile up as many positive notices and awards as Day-Lewis. Although there was no Best Supporting Actress Award at the Montreal Film Festival, the judges felt her performance was deserving of some kind of attention, so they would create a Special Mention of the Jury Award to honor her.   Now, some sources online will tell you the film made its world premiere in Dublin on February 24th, 1989, based on a passage in a biography about Daniel Day-Lewis, but that would be impossible as the film would still be in production for two more days, and wasn't fully edited or scored by then.   I'm not sure when it first opened in the United Kingdom other than sometime in early 1990, but My Left Foot would have its commercial theatre debut in America on November 10th, when opened at the Lincoln Plaza Cinemas in New York City and the Century City 14 in Los Angeles. Sheila Benson of the Los Angeles Times would, in the very opening paragraph of her review, note that one shouldn't see My Left Foot for some kind of moral uplift or spiritual merit badge, but because of your pure love of great moviemaking. Vincent Canby's review in the New York Times spends most of his words praising Day-Lewis and Sheridan for making a film that is polite and non-judgmental.    Interestingly, Miramax went with an ad campaign that completely excluded any explanation of who Christy Brown was or why the film is titled the way it is. 70% of the ad space is taken from pull quotes from many of the top critics of the day, 20% with the title of the film, and 10% with a picture of Daniel Day-Lewis, clean shaven and full tooth smile, which I don't recall happening once in the movie, next to an obviously added-in picture of one of his co-stars that is more camera-friendly than Brenda Fricker or Fiona Shaw.   Whatever reasons people went to see the film, they flocked to the two theatres playing the film that weekend. It's $20,582 per screen average would be second only to Kenneth Branagh's Henry V, which had opened two days earlier, earning slightly more than $1,000 per screen than My Left Foot.   In week two, My Left Foot would gross another $35,133 from those two theatres, and it would overtake Henry V for the highest per screen average. In week three, Thanksgiving weekend, both Henry V and My Left Foot saw a a double digit increase in grosses despite not adding any theatres, and the latter film would hold on to the highest per screen average again, although the difference would only be $302. And this would continue for weeks. In the film's sixth week of release, it would get a boost in attention by being awarded Best Film of the Year by the New York Film Critics Circle. Daniel Day-Lewis would be named Best Actor that week by both the New York critics and the Los Angeles Film Critics Association, while Fricker would win the Best Supporting Actress award from the latter group.   But even then, Miramax refused to budge on expanding the film until its seventh week of release, Christmas weekend, when My Left Foot finally moved into cities like Chicago and San Francisco. Its $135k gross that weekend was good, but it was starting to lose ground to other Oscar hopefuls like Born on the Fourth of July, Driving Miss Daisy, Enemies: A Love Story, and Glory.   And even though the film continued to rack up award win after award win, nomination after nomination, from the Golden Globes and the Writers Guild and the National Society of Film Critics and the National Board of Review, Miramax still held firm on not expanding the film into more than 100 theatres nationwide until its 16th week in theatres, February 16th, 1990, two days after the announcement of the nominees for the 62nd Annual Academy Awards. While Daniel Day-Lewis's nomination for Best Actor was virtually assured and Brenda Fricker was practically a given, the film would pick up three other nominations, including surprise nominations for Best Picture and Best Director. Jim Sheridan and co-writer Shane Connaughton would also get picked for Best Adapted Screenplay.   Miramax also picked up a nomination for Best Original Screenplay for sex, lies, and videotape, and a Best Foreign Language Film nod for the Italian movie Cinema Paradiso, which, thanks to the specific rules for that category, a film could get a nomination before actually opening in theatres in America, which Miramax would rush to do with Paradiso the week after its nomination was announced.   The 62nd Academy Awards ceremony would be best remembered today as being the first Oscar show to be hosted by Billy Crystal, and for being considerably better than the previous year's ceremony, a mess of a show best remembered as being the one with a 12 minute opening musical segment that included Rob Lowe singing Proud Mary to an actress playing Snow White and another nine minute musical segment featuring a slew of expected future Oscar winners that, to date, feature exact zero Oscar nominees, both which rank as amongst the worst things to ever happen to the Oscars awards show.   The ceremony, held on March 26th, would see My Left Foot win two awards, Best Actor and Best Supporting Actress, as well as Cinema Paradiso for Best Foreign Film. The following weekend, March 30th, would see Miramax expand My Left Foot to 510 theatres, its widest point of release, and see the film made the national top ten and earn more than a million dollars for its one and only time during its eight month run.   The film would lose steam pretty quickly after its post-win bump, but it would eek out a modest run that ended with $14.75m in ticket sales just in the United States. Not bad for a little Irish movie with no major stars that cost less than a million dollars to make.   Of course, the early 90s would see Miramax fly to unimagined heights. In all of the 80s, Miramax would release 39 movies. They would release 30 films alone in 1991. They would release the first movies from Jean-Pierre Jeunet, Quentin Tarantino and Kevin Smith. They'd release some of the best films from some of the best filmmakers in the world, including Woody Allen, Pedro Almadovar, Robert Altman, Bernardo Bertolucci, Atom Egoyan, Steven Frears, Peter Greenaway, Peter Jackson, Neil Jordan, Chen Kaige, Krzysztof Kieślowski, Lars von Trier, and Zhang Yimou. In 1993, the Mexican dramedy Like Water for Chocolate would become the highest grossing foreign language film ever released in America, and it would play in some theatres, including my theatre, the NuWilshire in Santa Monica, continuously for more than a year.   If you've listened to the whole series on the 1980s movies of Miramax Films, there are two things I hope you take away. First, I hope you discovered at least one film you hadn't heard of before and you might be interested in searching out. The second is the reminder that neither Bob nor Harvey Weinstein will profit in any way if you give any of the movies talked about in this series a chance. They sold Miramax to Disney in June 1993. They left Miramax in September 2005. Many of the contracts for the movies the company released in the 80s and 90s expired decades ago, with the rights reverting back to their original producers, none of whom made any deals with the Weinsteins once they got their rights back.   Harvey Weinstein is currently serving a 23 year prison sentence in upstate New York after being found guilty in 2020 of two sexual assaults. Once he completes that sentence, he'll be spending another 16 years in prison in California, after he was convicted of three sexual assaults that happened in Los Angeles between 2004 and 2013. And if the 71 year old makes it to 107 years old, he may have to serve time in England for two sexual assaults that happened in August 1996. That case is still working its way through the British legal system.   Bob Weinstein has kept a low profile since his brother's proclivities first became public knowledge in October 2017, although he would also be accused of sexual harassment by a show runner for the brothers' Spike TV-aired adaptation of the Stephen King novel The Mist, several days after the bombshell articles came out about his brother. However, Bob's lawyer, the powerful attorney to the stars Bert Fields, deny the allegations, and it appears nothing has occurred legally since the accusations were made.   A few weeks after the start of the MeToo movement that sparked up in the aftermath of the accusations of his brother's actions, Bob Weinstein denied having any knowledge of the nearly thirty years of documented sexual abuse at the hands of his brother, but did allow to an interviewer for The Hollywood Reporter that he had barely spoken to Harvey over the previous five years, saying he could no longer take Harvey's cheating, lying and general attitude towards everyone.   And with that, we conclude our journey with Miramax Films. While I am sure Bob and Harvey will likely pop up again in future episodes, they'll be minor characters at best, and we'll never have to focus on anything they did ever again.   Thank you for joining us. We'll talk again soon, when Episode 119 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

TEACH ME PAGE 43!„Nach dem Absturz ihrer Militärmaschine können sich Captain Briggs (Ross Hagen) und seine Männer auf eine Insel retten. Hier geraten sie in die Gefangenschaft eines Amazonenstammes. Zu ihrer Überraschung werden sie von den wilden Weibern zuvorkommend behandelt - aus gutem Grund: Briggs und seine Soldaten sollen nämlich einen Tyrannosaurus Rex für die Frauen erledigen...“ (Inhaltsangabe ofdb.de)1994 hat Roger Corman die beiden Trashfilm-Legenden Fred Olen Ray und Jim Wynorski beauftragt, im Fahrwasser von JURASSIC PARK einen dinothematischen Low Budget-Streifen mit anzüglichen Herrenwitzen und einer ordentlichen Ladung Hupen im Fellbikini abzudrehen. Zwölf schwitzige Drehtage später war DIE INSEL DER RIESEN-DINOSAURIER abgedreht... und was soll man sagen: Ray und Wynorski haben geliefert.WARNUNG: Wenn ihr bei meinen Podcasts und/oder besprochenen Filmen Trinkspiele auf "Brüste" praktiziert, legt euch dieses Mal den Notruf auf Kurzwahl und holt euch eine nüchterne Begleitung mit Ersthelfer-Ausbildung dazu... wir fliegen heute mit Mopsgeschwindigkeit an den Rand des Geschmacksuniversums!Erfahrt alles zu DIE INSEL DER RIESEN-DINOSAURIER in dieser Episode vom Trashtaucher-Podcast!--- Feedback, Verbesserungen, Wünsche? Gerne hier zurückmelden!Unterstützen: Merch-Shop | Kaffekasse (Ko-Fi) | Koch Films Shop (Affiliate)Abonnieren: iTunes | Spotify | Amazon Music | Google Podcasts | RSSFolgen: Youtube | Instagram | Facebook | Twitter---Intro-/Outro-Song: © Aidan Finnegan (https://soundcloud.com/triadaudioofficial)Bildmaterial: © Retromedia Entertainment

Special guest MissShadowLovely joins us for the final Wynorski, Doggone Hollywood. What's up with Paul Logan? Is Principal Dirty Harry going to break more gender barriers? Find out!

It's time for another episode of Junk Food Dinner, except nobody told Kevin Moss to show up. It's okay, though, because we're joined by friend of the show Virtual Kevin Moss and even better friend of the show Justin Wiese. Up first! It's Jacques Demy's /other/ musical, the French fairytale musical that Sean was afraid to pick in Kevin's presence. It's Donkey Skin, from 1970! It's the one with a lady who vomits frogs. Does Kevin like that sorta thing? Next up! We head on over to Hong Kong with Maggie Cheung, Michelle Yeoh and some other famous Hong Kong lady in the gender-swapped Chinese Triple Batman sorta flick The Heroic Trio (from 1993). We can't even explain what the heck's going on here until you listen to the episode. Finally! Of course, it's 1995's Sudden Death, starring Jean Claude Van Damme. It's the one with the hockey game! All this plus the real donkey lips raps, the final verdict on all of the new and controversial mainstream film releases, the triumphant return of the boob scale (featuring a rare double-chester), Win Lose or Wynorski, grandpa's jazz records, Virtual Kevin, who are the 1960s goblin-faced men?, a double-dose of nerd news sadness, Cubby Broccoli pulls his hair out, nerd news and even more! Recorded live-to-tape on National Cow Appreciation Day, 2022!! Direct Donloyd HereGot a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION!Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll watch hockey for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Acomi and Turk182 test their might against ninja assassins and buxom beauties for the honor to watch Jim Wynorski's first feature film, The Lost Empire. Starring Melanie Vincz(?), Raven De La Croix(?), and Angela Aames(?), and special appearances by Blackie Dammett (B-movie thug king), and Angus “The Tall Man” Scrimm. Before making classic B-movies such as Chopping Mall a.k.a. Killbots, Deathstalker II, Return of the Swamp Thing, Munchie, The Bare Wench Project, and Cleavagefield, Wynorski made this low-budget, confusing, titillating, action-adventure about long lost magic stones, a mysterious cult leader, and a forbidden island. Inspector, detective, special agent, number one kick-ass police officer, Angel Wolfe (Melanie Vincz), recruits a team of chestily overdeveloped beauties, to help her sneak onto the island of Golgatha and kill the cult leader and sorcerer Dr. Sin Do. Yep! It's just as awesome as it sounds, and set the stage for everything we've come to expect from Jim Wynorski, a.k.a. Harold Blueberry, a.k.a. H.R. Blueberry, Sam Peppermint, a.k.a. Jay Andrew, a.k.a. Rob Robertson, a.k.a. Salvadore Ross, a.k.a. Andrew James, a.k.a. Arch Stanton, a.k.a. Tom Popatopolous, and many others. Join Acomi and Turk182 as they watch the film birth of cinematic genius. Jim “many names” Wynorski's The Lost Empire. #TheLostEmpire #Jim Wynorski #HaroldBlueberry #HRBlueberry #SamPeppermint #JayAndrews #AndrewJames #RobRobertson #SalvadoreRoss #ArchStanton #TomPopatopolous #ChoppingMall #Killbots #Deathstalker2 #BareWenchProject #AngusScrimm #BlackieDammett #RavenDeLaCroix

In this episode I'm joined by Mitch from The Video Vacuum as we look at schlock auteurs Fred Olen Ray and Jim Wynorski. We start with the Ray directed Don "The Dragon" Wilson film Inferno, then discuss the DC comic book great Return of Swamp Thing, directed by Wynorski. You can find The Video Vacuum at thevideovacuum.blogspot.com, and his books at Amazon by typing Mitch Lovell into the search bar.

Those intrepid weirdos we call the Dom Deluise Club have done it yet again. And by 'it', we mean they've picked three very different cult flicks for us to review, as is their monthly ritual. Up first! It's Delinquent Girl Boss: Tokyo Drifters, one of them sleazy pinky violence flicks from Japan (via patreon pal Steve M), coming early in the genre's history with its 1970 release date. In fact, it just might be the earliest movie we've seen in which bare boobs are deployed as a mid-fight distraction tactic. Next up! Oh no, a 3-hour British flick? O! Lucky Man (from 1973 & picked by Justin D) seems like a surefire way to piss off at least two of your three charming JFD hosts. But can the presence of Malcolm McDowell alleviate the misery? The only way to know is to listen (or check the replay on the evening news). Finally! Of course, it's 1983's The Man with Two Brains, our long-awaited dissection of this important entry in the series of films Carl Reiner made with Steve Martin. And since it's got both boobs and brains, how the hell did it take all three of us this long to finally see it? (picked by Ricky O) All this plus strugglin' with Skype, Parker's Wynorski binge, the brittle bones of a 70-year old Gene Kelly, surprising physical media news, the Dinklage Report co-starring Sean, no junkmails, Kevin picks his "trash-art beserker" of the week, boobies floppin' everywhere, nerd news and even more! Recorded live-to-tape on National Dimpled Chad Day, 2021!! Direct Donloyd HereGot a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION!Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll watch nearly any three hour British flick for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Rusty is coming back to Doctor Who. No, not that one. It's Russell T Davies, back to regenerate the greatest show on TV with his old production team. It remains to be seen whether he can recapture the magic, but the BBC must be desperate. Gaming PCs are incredibly rare, and they're likely to get even rarer. This means people will pay a massive premium, and that entry level parts don't really exist anymore. This makes us sad. Everyone should have the opportunity to build a PC and learn about electronics. Maybe in the post apocalyptic future there will be enough supply to meet demand. An Aussie team has created a significantly cheaper and easier to make solar panel that outperforms traditional panels. The sunniest place on Earth could really use some of those. They still need to scale up, but it's great to see Aussie scientists making huge strides. Doctor Who: A New Hope? - https://twitter.com/bbcdoctorwho/status/1441405833997217798 Affordable PCs are now a pipe dream- https://www.pcgamer.com/rip-cheap-graphics-cards/Tech Start Up makes new Solar Cell- https://www.abc.net.au/news/2021-09-21/australian-start-up-creates-world-s-most-efficient-solar-cell/100476152Other topics discussedBBC - 5 things the Doctor does in any worrying situation | @Doctor Who - BBC- https://www.youtube.com/watch?v=l0ED6CGmjm4Russell T Davies (a Welsh screenwriter and television producer whose works include Queer as Folk, The Second Coming, Casanova, the 2005 revival of the BBC One science fiction franchise Doctor Who, Cucumber, Years and Years and It's a Sin.)- https://en.wikipedia.org/wiki/Russell_T_DaviesTorchwood (a British science fiction television programme created by Russell T Davies. A spin-off of the 2005 revival of Doctor Who, it aired from 2006 to 2011.)- https://en.wikipedia.org/wiki/TorchwoodBad Wolf (production company) (a British television production company founded by Julie Gardner and Jane Tranter in 2015, with its headquarters in Cardiff, Wales.)- https://en.wikipedia.org/wiki/Bad_Wolf_(production_company)Olly Alexander set to be new Doctor Who as first gay actor to play Time Lord- https://www.thesun.co.uk/tv/15405348/olly-alexander-doctor-who-actor-gay/Ruth Clayton (a human identity assumed by the Fugitive Doctor, who hid on Earth using a Chameleon Arch.)- https://tardis.fandom.com/wiki/Ruth_ClaytonJo Martin (Jo Martin played Ruth Clayton/Fugitive Doctor in the Doctor Who television stories Fugitive of the Judoon and The Timeless Children, alongside Jodie Whittaker's Thirteenth Doctor. She was the first non-white actor to be cast in the role of the Doctor in the DWU.)- https://tardis.fandom.com/wiki/Jo_MartinDoctor Who: actor Christopher Eccleston reveals he has anorexia- https://www.bbc.co.uk/newsround/49719101Christopher Eccleston is the Doctor!- https://www.bigfinish.com/news/v/christopher-eccleston-is-the-doctorMurray Gold (an English composer for stage, film, and television and a dramatist for both theatre and radio. He is best known as the musical director and composer of the music for Doctor Who from 2005, until he stepped down in 2018 after the tenth series aired in 2017. He has been nominated for five BAFTAs.)- https://en.wikipedia.org/wiki/Murray_GoldDaleks and Cybermen- https://www.youtube.com/watch?v=UCsXO7r6-z4Bob Baker (scriptwriter) (a British television and film writer. Baker and Martin devised for Doctor Who the robotic dog K-9 (created for The Invisible Enemy), the renegade Time Lord Omega (created for The Three Doctors, Doctor Who's 10th anniversary story) and the Axons. K-9 was originally intended to appear in one story only, but the BBC decided to make it a recurring character. )- https://en.wikipedia.org/wiki/Bob_Baker_(scriptwriter)Elisabeth Sladen (an English actress. She became best known as Sarah Jane Smith in the British television series Doctor Who, appearing as a regular cast member from 1973 to 1976, alongside both Jon Pertwee and Tom Baker, and reprising the role many times in subsequent decades, both on Doctor Who and its spin-offs, K-9 and Company (1981) and The Sarah Jane Adventures (2007–2011).)- https://en.wikipedia.org/wiki/Elisabeth_SladenSarah Jane Smith (a fictional character played by Elisabeth Sladen in the long-running BBC Television science fiction series Doctor Who and two of its spin-offs.)- https://en.wikipedia.org/wiki/Sarah_Jane_SmithThe Sarah Jane Adventures (In addition to Sladen, the first series of the programme stars Yasmin Paige as Maria Jackson, Sarah Jane's 13-year-old neighbour in Ealing, west London, and Tommy Knight as a boy named Luke, who is adopted by Sarah Jane at the conclusion of the introductory story.)- https://en.wikipedia.org/wiki/The_Sarah_Jane_Adventures#Cast_and_crewSadie Miller (an English actress and author. She is known for her portrayal of Natalie Redfern in the Sarah Jane Smith audio drama series by Big Finish, her novel, Moon Blink, from Candy Jar Books's series, Lethbridge-Stewart, as well as her association with the science fiction series, Doctor Who. She is the daughter of actors Brian Miller and Elisabeth Sladen.)- https://en.wikipedia.org/wiki/Sadie_MillerSean Pertwee (the son of Jon Pertwee, who played the Third Doctor. He briefly appeared as himself in the 50th anniversary story The Five(ish) Doctors Reboot.)- https://tardis.fandom.com/wiki/Sean_PertweeJon Pertwee (played the Third Doctor from 1970 to 1974, beginning from Spearhead from Space to Planet of the Spiders.)- https://tardis.fandom.com/wiki/Jon_PertweeGotham (TV series) (an American crime drama television series developed by Bruno Heller, produced by Warner Bros. Television and based on characters published by DC Comics and appearing in the Batman franchise, primarily those of James Gordon and Bruce Wayne.)- https://en.wikipedia.org/wiki/Gotham_(TV_series)Showrunner Russell T. Davies wants a Doctor Who Cinematic Universe- https://winteriscoming.net/2021/01/25/doctor-who-cinematic-universe-russell-t-davies/The Day of the Doctor (a special episode of the British science fiction television programme Doctor Who, marking the programme's 50th anniversary.)- https://en.wikipedia.org/wiki/The_Day_of_the_DoctorJourney's End (TV story) (Journey's End was the thirteenth and final episode of series 4 of Doctor Who. It was the final regular appearance of all the Tenth Doctor's companions, though they would all appear in cameos in The End of Time (barring Catherine Tate and Bernard Cribbins who prominently feature) to commemorate David Tennant's final story.)- https://tardis.fandom.com/wiki/Journey%27s_End_(TV_story)Torchwood: Miracle Day (the fourth series of the British science fiction television programme Torchwood, a spin-off from the long-running show Doctor Who.)- https://en.wikipedia.org/wiki/Torchwood:_Miracle_DayDay One (Torchwood) (the second episode of the first series of the British science fiction television series Torchwood. The episode centres on Gwen Cooper (Eve Myles) working her first case with the alien hunters Torchwood in Cardiff, when she lets loose a purple alien gas that survives on the energy of orgasms. Over the course of the episode, the team hunt for Carys before the gas kills her.)- https://en.wikipedia.org/wiki/Day_One_(Torchwood)Everything Changes (Torchwood) (the first episode of the British science fiction television programme Torchwood, which was first broadcast on 22 October 2006. The story is told from the perspective of Gwen Cooper (Eve Myles), who comes across the Torchwood team through her job as a police officer with the South Wales Police, who are investigating a series of strange deaths in Cardiff.)- https://en.wikipedia.org/wiki/Everything_Changes_(Torchwood)Resurrection gauntlet (The resurrection gauntlet — also known as the resurrection glove or just the glove, and, jokingly, the risen mitten — was a metal gauntlet that had the ability to revive the dead for a limited time, though with unfortunate and usually deadly consequences.)- https://tardis.fandom.com/wiki/Resurrection_gauntletTorchwood: Children of Earth (Children of Earth is the banner title of the third series of the British television science fiction programme Torchwood, which broadcast for five episodes on BBC One from 6 to 10 July 2009.)- https://en.wikipedia.org/wiki/Torchwood:_Children_of_EarthRyzen (a brand of x86-64 microprocessors designed and marketed by Advanced Micro Devices (AMD) for desktop, mobile, server, and embedded platforms based on the Zen microarchitecture. It consists of central processing units (CPUs) marketed for mainstream, enthusiast, server, and workstation segments and accelerated processing units (APUs) marketed for mainstream and entry-level segments and embedded systems applications.)- https://en.wikipedia.org/wiki/RyzenWhy is there a chip shortage?- https://www.bbc.com/news/business-58230388Nvidia sold $155 million in crypto mining chips last quarter, but PC gaming remains its biggest market- https://www.cnbc.com/2021/05/26/nvidia-pc-gaming-still-more-important-than-crypto-for-revenue.htmlThe Life of a Miner - Crypto Mining Farm at Apartment | August 2021 Update- https://www.youtube.com/watch?v=VB7NV7SR3bAChubbyemu - A Bitcoin Miner Heatstroked In His Sleep. This Is What Happened To His Organs.- https://www.youtube.com/watch?v=fr8bp8a2QS4PCPartPicker - Asus Radeon RX 580 8 GB DUAL Video Card- https://au.pcpartpicker.com/product/jkFXsY/asus-radeon-rx-580-8gb-dual-video-card-dual-rx580-o8g?history_days=730China's top regulators ban crypto trading and mining, sending bitcoin, rivals tumbling- https://www.abc.net.au/news/2021-09-25/chinas-top-regulators-ban-crypto-trading-/100491122Chrome OS (a Gentoo Linux-based operating system designed by Google. It is derived from the free software Chromium OS and uses the Google Chrome web browser as its principal user interface. Unlike Chromium OS, Chrome OS is proprietary software.)- https://en.wikipedia.org/wiki/Chrome_OSSolarCity (a publicly traded company headquartered in Fremont, California that sold and installed solar energy generation systems as well as other related products and services to residential, commercial and industrial customers.)- https://en.wikipedia.org/wiki/SolarCityElon Musk's Battery Farm Has Been a Total Triumph. Here Comes the Sequel.- https://www.popularmechanics.com/science/green-tech/a34598095/elon-musk-battery-farm-sequel-australia-tesla-powerpack/Hornsdale Power Reserve (a 150MW/194MWh grid-connected energy storage system owned by Neoen co-located with the Hornsdale Wind Farm in the Mid North region of South Australia, also owned by Neoen. During 2017 Tesla, Inc. won the contract and built the Hornsdale Power Reserve, for a capital cost of A$90 million, leading to the colloquial Tesla big battery name.)- https://en.wikipedia.org/wiki/Hornsdale_Power_ReserveHornsdale Power Reserve (Elon Musk placed a wager that the battery would be completed within "100 days from contract signature", otherwise the battery would be free. Tesla had already begun construction, and some units were already operational by 29 September 2017, the time the grid contract was signed. The battery construction was completed and testing began on 25 November 2017. It was connected to the grid on 1 December 2017. The 63 days between grid contract and completion easily beat Musk's wager of "100 days from contract signature", which started when a grid connection agreement was signed with ElectraNet on 29 September 2017, 203 days after Musk's offer on 10 March (in Australia).- https://en.wikipedia.org/wiki/Hornsdale_Power_Reserve#ConstructionNorwich Games Festival - Ashens - Gallery of Shame - 1 June 2019- https://www.youtube.com/watch?v=wFF9O73iwkoS.S. Antarctica (a battleship owned by the penguins of Antarctica.)- https://simpsonswiki.com/wiki/S.S._AntarcticaSS Penguin (a New Zealand inter-island ferry steamer that sank off Cape Terawhiti after striking a rock near the entrance to Wellington Harbour in poor weather on 12 February 1909.)- https://en.wikipedia.org/wiki/SS_PenguinElden Ring (an upcoming action role-playing game developed by FromSoftware and published by Bandai Namco Entertainment. The game is a collaborative effort between game director Hidetaka Miyazaki and fantasy novelist George R. R. Martin.)- https://en.wikipedia.org/wiki/Elden_RingBandai Namco Selects “My Dark Souls Story” Contest Winners- https://www.gameinformer.com/b/news/archive/2016/03/11/bandai-namco-selects-my-dark-souls-story-contest-winners.aspxNerdy, Inc. - My Dark Souls Story: Biography of the Chosen Undead - The Dark Souls Story- https://www.youtube.com/watch?v=mbiLl-m0Ry4NASA's Mars Rover Curiosity Had Planetary Protection Slip-Up- https://www.space.com/13783-nasa-msl-curiosity-mars-rover-planetary-protection.htmlAmazon Women in the Mood (the first episode in season three of Futurama.)- https://en.wikipedia.org/wiki/Amazon_Women_in_the_MoodApocalypse Now (a 1979 American epic psychological war film directed and produced by Francis Ford Coppola. It stars Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest, Albert Hall, Sam Bottoms, Laurence Fishburne, Harrison Ford, and Dennis Hopper.)- https://en.wikipedia.org/wiki/Apocalypse_NowCast Party: A Dungeons & Dragons Podcast (TNC podcast)- https://www.patreon.com/CastPartyShout Outs 20th September 2021 – Mick McGinty, Legendary Video Game Artist, passes away - https://www.nintendolife.com/news/2021/09/legendary_street_fighter_ii_artist_mick_mcginty_has_passed_away Mick McGinty, an artist that produced cover art for video games like Street Fighter II and Streets of Rage 2, has died. While many gamers might not know McGinty by name, those that grew up in the '90s will immediately recognize his art. The artist contributed some of the most iconic images in all of gaming, telling stories that immediately captivated players. McGinty was an immensely talented artist, as is evidenced by the impressive collection of work on his personal site, but for gamers of the '90s, his output will be almost synonymous with video game covers. He is perhaps most famous with Nintendo fans for creating the western cover artwork for the SNES version of Street Fighter II. While many people took issue with the 'westernisation' of the artwork at the time, it was very common practice for companies like Nintendo to commission entirely new artwork which was better suited to a particular region. McGinty's cover – which features Chun-Li fighting Blanka over the prone body of Ryu – has gone down as one of the most recognisable video game covers of all time. McGinty's association with Street Fighter would continue with Street Fighter II: Champion Edition on the Mega Drive / Genesis, Street Fighter II Turbo on the SNES and Super Street Fighter II.21st September 2021 – Endangered South African penguins killed by swarm of bees near Cape Town - https://www.bbc.com/news/world-africa-58622482Sixty-three endangered African penguins have been killed by a swarm of bees in a rare occurrence near Cape Town, bird conservationists in South Africa say. The protected birds, from a colony in Simonstown, were found on the shore with multiple bee-stings. They had no other physical injuries. National parks officials told the BBC this was the first known attack at the world-famous Boulders Beach, which attracts up to 60,000 visitors a year. "Usually the penguins and bees co-exist," said Dr Alison Kock, a marine biologist with South Africa's national parks agency (SANParks). "The bees don't sting unless provoked - we are working on the assumption that a nest or hive in the area was disturbed and caused a mass of bees to flee the nest, swarm and became aggressive," she added. "Unfortunately the bees encountered a group of penguins on their flight path." Post-mortems found that the birds had been stung around the eyes and on their flippers. That is because "those are the parts that are not covered by feathers," Dr Katta Ludynia, from the Southern African Foundation for the Conservation of Coastal Birds (Sanccob), told the BBC. Penguins have pink sweat glands around their eyes and "that area is particularly thin - similar to human fingers," explained Shanet Rutgers, senior penguin keeper at Cape Town's Two Oceans Aquarium. One of the penguins had been stung 27 times. African penguins are distinctive for their small size, and live on the coast and islands of South Africa and Namibia - though some have been spotted as far north as Gabon.Their populations are rapidly declining, the International Union for Conservation of Nature says. The national body said in a statement on Sunday that it was still conducting toxicity and disease checks on the birds, and would continue to monitor the situation.22nd September 2021 – 10th Anniversary of Dark Souls - https://www.glitched.online/landmark-rpg-dark-souls-celebrates-its-10th-anniversary-today/ Ten years ago to the day, Japanese video game developer From Software released the critically acclaimed dark fantasy action RPG, Dark Souls, which would go on to change the gaming landscape forever. Refining the formula already established in Demon's Souls while introducing a bevy of new mechanics that have been adopted and replicated by other titles, Dark Souls would spearhead an entirely new sub-genre of gaming. Today, Dark Souls officially celebrates its 10th anniversary. Dark Souls‘ history is relatively straightforward in comparison to many other success stories in gaming. From Software first dabbled in the dark fantasy setting with Demon's Souls, showcasing their ability to tell epic but narratively mysterious tales featuring fantastical beasts, ambiguous NPCs and deceptively challenging gameplay. The last part has remained the foundation of all From Software games since, increasing their difficulty in newer titles like Bloodborne and Sekiro while still retaining their creative power for captivating and immersive stories, worlds and characters. Dark Souls was well-received by fans, often cited as their favourite game of all time. It's success went on to spawn two sequels, Dark Souls II and Dark Souls III; two creative spiritual successors in Bloodborne and the upcoming Elden Ring; and a Tenchu-styled action title Sekiro: Shadows Die Twice that heavily borrowed elements from From Software's trademark style. Demon's Souls may have been the first, but it was really Dark Souls that put the Japanese studio on the map, leaving behind a legacy that has been the source of inspiration for a number of games like the Nioh series, The Surge, Lords of the Fallen, Mortal Shell, and numerous others. Dark Souls is not only remembered for its staple difficulty, but inspired world design, creative boss encounters, a plot that simply begged to be dissected and explored further, and a blueprint for a new style of game that bounced off the success of this defining RPG.24th September 2021 – 20th anniversary of Ico - https://www.nme.com/en_au/features/gaming-features/ico-minimalist-masterclass-in-cinematic-and-emotional-storytelling-3051674 Released between those two films in 2001 and 2002, Ico (pronounced ‘ee-ko' – but don't worry if you get it wrong, I did so too for a very long time) is a single-player action-adventure game developed by Sony's Japan Studio. This game kicked off the career of Fumito Ueda. It was the first in a series of games that featured similar themes, including beloved titles like Shadow of the Colossus and The Last Guardian. Ico is special in the way it handles abandonment and isolation. Devoid almost entirely of all dialogue, Ico essentially works like a silent film. There's a clear sense of loneliness that's present throughout the entire game. But there's also a feeling of hope. Ico's soundtrack is almost suffocating at times, though it also presents a number of beautiful pieces. “Heal,” for example, is one of the best save themes in any game. Ico's soundtrack is almost suffocating at times, though it also presents a number of beautiful pieces. “Heal,” for example, is one of the best save themes in any game. One of the game's fans is also Hidetaka Miyazaki of FROM Software. Miyazaki, the creator of Demon's Souls, and in turn the Souls series, is one of the biggest game industry figures of the last decade. Much in the way the game would inspire Straley and Druckmann, Miyazaki cites Ico as a game that showed him the different possibilities that video games as a medium had to offer.Remembrances21st September 1954 – Mikimoto Kōkichi - https://en.wikipedia.org/wiki/Mikimoto_K%C5%8DkichiA Japanese entrepreneur who is credited with creating the first cultured pearl and subsequently starting the cultured pearl industry with the establishment of his luxury pearl company Mikimoto. He was inducted into the house of peers by imperial decree and posthumously awarded the Grand Cordon of the Order of the Sacred Treasure. On April 18, 1985, the Japan Patent Office selected him as one of Ten Japanese Great Inventors. The company was ranked as one of the world's most luxurious brands by Women's Wear Daily Magazine and Mikimoto was considered one of the best Japanese financial leaders of the 20th century by Nihon Keizai Shimbun. He is also known as the founder of Mikimoto Pharmaceuticals, a company specialising in beauty products containing pearl calcium. Mikimoto Pearl Island is named after him. In addition, the "Phoenix Mikimoto Crown" used by Miss Universe winners as well as the pageant crown used by Miss International is credited to his patented work. Mikimoto began his search of an alternative method to produce pearls as the chairman of the Shima Marine Products Improvement Association. At this point the demand for pearls had severely outweighed the supply, prompting the consideration of an effort to protect the oysters. In 1888, Mikimoto obtained a loan to start his first pearl oyster farm at the Shinmei inlet on Ago Bay in Mie prefecture with his wife and partner Ume. On 11 July 1893, after many failures and near bankruptcy, he was able to create the hemispherical cultured pearls. The pearls were made by seeding the oyster with a small amount of mother of pearl. In 1927, Mikimoto met with inventor, Thomas Edison, who was in awe of Mikimoto's cultured pearls as it was "supposed to be biologically impossible". He died at the age of 96 in Japan.Famous Birthdays21st September 1902 – Allen Lane - https://en.wikipedia.org/wiki/Allen_LaneA British publisher who together with his brothers Richard and John Lane founded Penguin Books in 1935, bringing high-quality paperback fiction and non-fiction to the mass market. In 1967 he started a hardback imprint under his own name, Allen Lane. He rose quickly at Bodley Head, becoming managing editor in 1925 following the death of his uncle. After conflict with the board of directors who were wary at first—for fear of being prosecuted—of publishing James Joyce's controversial book Ulysses, Lane, together with his brothers Richard and John, founded Penguin Books in 1935 as part of the Bodley Head. Penguin Books became a separate company the following year. The legend goes that on a train journey back from visiting Agatha Christie in 1934, Lane found himself on an Exeter station platform with nothing available worth reading. He conceived of paperback editions of literature of proven quality which would be cheap enough to be sold from a vending machine; the first was set up outside Henderson's in Charing Cross Road and dubbed the "Penguincubator". Lane was also well aware of the Hamburg publisher Albatross Books and adopted many of its innovations. Most booksellers and authors were against the idea of paperbacks. They believed that paperbacks would result in individuals spending less money on books. Lane was a person that was very stubborn when it came to his company. He operated mainly on intuition and imagination. "He thrived in an atmosphere of crisis and came most fully alive under the challenge of great dilemmas." He was a creative genius that once he had an idea he would not stop until it came to fruition. Once he decided on creating paperbacks he set about in deciding what the books should look like and finding a name. He had decided that the books would be reprints so he also needed to approach other publishers to see if they and their authors would be willing to sublease the rights of the books. He was quoted as saying, "I have never been able to understand why cheap books should not also be well designed, for good design is no more expensive than bad." He was born in Bristol.Events of Interest21th September 2003 – The Galileo spacecraft is terminated by sending it into Jupiter's atmosphere. - https://en.wikipedia.org/wiki/Galileo_project#End_of_mission_and_deorbit When the exploration of Mars was being considered in the early 1960s, Carl Sagan and Sidney Coleman produced a paper concerning contamination of the red planet. In order that scientists could determine whether or not native life forms existed before the planet became contaminated by micro-organisms from Earth, they proposed that space missions should aim at a 99.9 percent chance that contamination should not occur. This figure was adopted by the Committee on Space Research (COSPAR) of the International Council of Scientific Unions in 1964, and was subsequently applied to all planetary probes. The danger was highlighted in 1969 when the Apollo 12 astronauts returned components of the Surveyor 3 spacecraft that had landed on the Moon three years before, and it was found that microbes were still viable even after three years in that harsh climate. An alternative was the Prime Directive, a philosophy of non-interference with alien life forms enunciated by the original Star Trek television series that prioritized the interests of the life forms over those of scientists. Given the (admittedly slim) prospect of life on Europa, scientists Richard Greenberg and Randall Tufts proposed that a new standard be set of no greater chance of contamination that that which might occur naturally by meteorites. Galileo had not been sterilized prior to launch and could have carried bacteria from Earth. Therefore, a plan was formulated to send the probe directly into Jupiter, in an intentional crash to eliminate the possibility of an impact with Jupiter's moons, particularly Europa, and prevent a forward contamination. On April 14, 2003, Galileo reached its greatest orbital distance from Jupiter for the entire mission since orbital insertion, 26 million km (16 million mi), before plunging back towards the gas giant for its final impact. At the completion of J35, its final orbit around the Jovian system, Galileo impacted Jupiter in darkness just south of the equator on September 21, 2003, at 18:57 UTC. Its impact speed was approximately 48.26 km/s (29.99 mi/s).21st September 1994 – Dinosaur Island premiered in Japan - https://www.imdb.com/title/tt0109627/ On this day in 1994 in Japan, Dinosaur Island enjoyed its premiere on home video. The Fantasy/Comedy feature starred Griffin Drew and Michelle Bauer, and here's the premise: "An army captain is flying three misfit deserters home for a court martial when the plane has engine trouble and they must land on an uncharted island. There they find a primitive society of cave women who routinely sacrifice virgins to appease The Great One, the top dog dinosaur on the the island. Mistaken for gods, the men must destroy The Great One or face death, but meanwhile they fall in love."The cavewomen's ranch was constructed on a remote portion of David Carradine's ranch.Shot in 12 days.Almost every day was extremely hot during the shooting of this film except one.A sequence with a stop-motion animation dinosaur attacking people on the beach was changed to a hand puppet dinosaur in post-production.The filmmakers paid an additional four thousand dollars for the poster art used to advertise this film.Antonia Dorian said she was nervous filming her first love scene in this film, especially since she was going to be topless. She'd danced topless in Vegas shows and in videos, but that wasn't the same as being on a small set surrounded by male actors and crew just a few feet away, all staring at her. Jim Wynorski gave her wine to calm her nerves. He also limited how many people would be on set. That and the wine helped her finally get through the scene.When the female warriors are chasing the dinosaur towards the ocean, you can see Malibu homes in the background hills.Wynorski said that Roger Corman asked he and Fred Olen Ray to make the film after Jurassic Park came out. "It wasn't so much a Jurassic Park rip off as a cavewoman movie", Wynorski said.Wynorski and Ray said they rewrote the script entirely. They knew who they were going to cast, employing actors they had worked with before, and tailored the script accordingly. They based the characters of the soldiers on characters in Stripes. Another influence was The War that Time Forgot, part of the Star Spangled War Stories comic book series.The movie was shot at Vasquez Rocks and David Carradine's ranch at Sun Valley over ten days. Wynorski says he and Ray made it "on a wing and a prayer".Wynorski later said, "I'd never co-directed a movie before, but it was smooth sailing all the way. When one of us got tired, the other would take over. I'd usually go back to the comfort of the air-conditioned motor home and hang out with the girls. You really can't beat that."Wynorski says he was at a party when he met Joe Pesci who told him he loved the film, saying "everytime I watch it I feel like I want to go there."IntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094Instagram - https://www.instagram.com/nerds_amalgamated/Email - Nerds.Amalgamated@gmail.comSupport via Podhero- https://podhero.com/podcast/449127/nerds-amalgamated See acast.com/privacy for privacy and opt-out information.

On this episode we make another dream come true as we fulfill yet ANOTHER fan request! A fine fellow named Ryan S. e-mailed us, and he said:"Definitely a horror comedy film that doesn't get any publicity and is a bit of a hidden 80's gem is 'Munchies'. I think that would be a very good movie to cover for sure. Take care and best of luck fellas! Keep up the good work as I just recently stumbled onto you guys"Well Ryan, we don't just talk the talk, but walk the walk. This episode is for you! THANK YOU SO MUCH FOR SUPPORTING AND CONTRIBUTING TO DEATH BY DVD!     The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

Compañeros Radio Network proudly presents episode 38 of Movies About Girls. This episode was originally released on October 24, 2009. "After two weeks, we make our triumphant return. This week,it's all Wynorski, all the time! We review Screwballs (1983) and Cheerleader Massacre (2003), plus we interview the man himself! Also, the usual: Top 5 Bottom 5, Songs About Girls, Weird News, and more!" Please support the Compañeros Radio Network Patreon, if you can! Check out the other Compañeros Radio Network shows: Movie Melt Songs on Trial Get Soft with Dr Snuggles Heavy Leather Horror Show Ballbusters In Search of the Perfect Podcast

Despite the misleading poster and title, Chopping Mall remains a classic of 1980s horror / sci-fi cinema with two amazing female leads. Desmond and Tom talk all about that and more in their review of the Wynorski film this week. Then, Desmond goes solo on a Dread Media Top 5 TV Shows I'm Watching Lately. Look, they're not all going to have great themes! Songs included: "Chop Chop Chop" by Alice Cooper, "Robot Assisted Suicide" by Polkadot Cadaver, "Your Window Is Open" by Macabre, and "John Carpenter Powder Ballad" by Turbonegro. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

Despite the misleading poster and title, Chopping Mall remains a classic of 1980s horror / sci-fi cinema with two amazing female leads. Desmond and Tom talk all about that and more in their review of the Wynorski film this week. Then, Desmond goes solo on a Dread Media Top 5 TV Shows I'm Watching Lately. Look, they're not all going to have great themes! Songs included: "Chop Chop Chop" by Alice Cooper, "Robot Assisted Suicide" by Polkadot Cadaver, "Your Window Is Open" by Macabre, and "John Carpenter Powder Ballad" by Turbonegro. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

It's got a random gorilla, a laser "unit", eyebrows that change from shot to shot, a trio of tough ladies, possible ninjas and a dubious plot to build the Infinity Gauntlet so you know this must be a Jim Wynorski movie. Bring on the chesty women! If you've ever seen a Jim Wynorski film, you know of two things to expect: the left boob and the right boob. This one is no different. It's just a silly budget movie with a fairly standard plot (a trio of chesty ladies team-up to destroy an evil plot to take over the world) but that's where the convention ends. Things get pretty loosey goosey with regard to its own script as Jim runs roughshod with his own project. It's glorious. This is not a tight ship that's being ran here. And it was never supposed to be. This project was intended to lose money as a tax write-off for a movie theater owner. But Jim just can't help himself and made one of his most fun films. There's errors and mistakes everywhere including very strange and cryptic ad-libbing that couldn't be reshot due to time constraints and location limitations. There's bad props and terrible costumes. There's strange sequences that don't fit into anything leaving the viewer having to try and make sense of all the nonsense. Arguably, it's one of Wynorski's "best" films as it's got all the hallmarks of his usual fodder but without the expertise that he garnered as his career progressed. It should not be missed by any fan of Stinker Madness's film selection.

I vårt etthundrasjunde avsnitt granskar vi regissören Jim Wynorski under lupp. Ett urval av denne mans filmer, där hans förtjusning för skämtsamhet och storbystade kvinnor lyser igenom, passerar våra kritiska ögon. The post #107 – Wild Wild Wynorski appeared first on FromBeyond.se.

Out of the darkness and into the light... we discuss the much maligned Jim Wynorski classic 976-Evil 2. We promise that this isn't just a Wynorski podcast, it just happened that we talked about it last time, and got really stoked to watch it again. Which was a great idea, because its a crazy-fun movie. 

We’re giving ourselves a break this week and watching our first softcore movie since episode 4. And yes, it’s another movie from one of our favorite maniacs, Jim Wynorski. This movie doesn’t take place in our favorite house (check out episode 4 for more on that!) but it does seem to include one of Wynorski’s go-to actors as head of LA’s elite Busty Cops division, so we’re going to say this one is part of the breastiverse. Busty Cops is gleefully dumb and never pretends that it’s anything other than dumb, and that’s refreshing. It’s also a seventy-minute movie that’s padded out with fifteen minutes of slow credits, troubling bloopers, and an interview that allows star Nikki Nova to further stretch her comedy chops. We pretty much liked it but we are deeply damaged people and our opinions should not be trusted. Oh hey look! Sequels! BRB watching all the sequels! Cast and crew: https://www.imdb.com/title/tt0366269/ Full movie: https://www.pornhub.com/view_video.php?viewkey=ph5a508a1120a28

Welcome to the Breastiverse! Legendary bad-movie director Jim Wynorski has filmed at least a half-dozen softcore flicks all in the same cabin somewhere in the woods of California. We’re trying to figure out where the cabin is--maybe it’s on AirBNB? Until then, we’re enjoying Wynorski recycle the same locations, the same actors, and pretty much the same stories film after film. Unfortunately, our first two episodes about Wynorski’s terrible, terrible movies have been lost. The cause? Well, the government would have you believe it was a simple case of rookie recording mistakes. We’re pretty sure it was a curse. We’ll let you decide for yourself. But, BtBC super-fans (or Pozzies, as we like to call you) may want to investigate a couple of other terrible Wynorski late-night cable classics: The Witches of Breastwick and Lust Connection. Both intersect with The Breastford Wives in ways that make the experience more interesting. Not exactly “good” but more interesting, at least. This one isn’t on anyone’s list but ours. We got started with Wynorski movies because we wanted to watch something with megastar Stormy Daniels, who’s one of the titular witches in The Witches of Breastwick. We’ll see a good Stormy Daniels movie eventually--we promise. Cast and crew: https://www.imdb.com/title/tt1014796/?ref_=fn_al_tt_1 Full, movie, if you can stand it: https://www.pornhub.com/view_video.php?viewkey=ph58306e99da5b8

Director of Chopping Mall, Gila, The Lost Empire and more. Indie film icon, Jim Wynorski joins us LIVE on The Dorkening.This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.comA 25-year veteran in the Hollywood exploitation field, writer/producer/director Jim Wynorski is responsible for over 150 varied motion pictures in a myriad of genres. Leaving behind a successful commercial business in New York, Wynorski relocated to California in 1980 and soon found himself on the doorstep of his childhood idol, B-film king Roger Corman. "The rest was destiny," recounts Wynorski, who soon found himself hired by the renowned movie mogul to cut "coming attractions" for all of the company's new action and horror films. "It was like grasshopper learning from the kung-fu master," says Wynorski, who claims his six-months internship with Corman taught him more than four years at film school."It wasn't long after that Corman offered me the first of many writing/directing assignments. Some distributor wanted a flick about a killer in a shopping mall," recalls Wynorski, "and Roger trusted me enough to say 'come up with something good, and you can direct it." Well, a couple days later, the director walked in with the first treatment to a film called Chopping Mall (1986), and the rest was history. From then on, Jim Wynorski turned out an average of three to five films a year as a director, and even more as a producer/writer. Throughout the 1980s came a steady stream of wild exploitation titles like Big Bad Mama II (1987) with Angie Dickinson, Not of This Earth (1988) with Traci Lords and The Return of Swamp Thing (1989) with Heather Locklear. On into the 1990s, Wynorski continued to climb to the top of the B-Film mountain with flicks like Hard Bounty (1995) starring Kelly LeBrock, Point of Seduction: Body Chemistry III (1994) & Body Chemistry 4: Full Exposure (1995) with Shannon Tweed and Morgan Fairchild and Munchie (1992), which featured the first film appearance of the then-unknown 12-year-old child actress Jennifer Love Hewitt.As the years peeled by and tastes changed, Jim Wynorski kept hip by innovating new special effects techniques that landed the director no less than seven world premieres on the Sci-Fi Channel. His credits there include films like Gargoyle (2004), The Curse of the Komodo (2004), Project Viper and Cry of the Winged Serpent (2007).As for the future, the 59-year-old Wynorski feels the audience for alternative cinema made away from the studio system will continue to grow thanks to new advances in Internet and Cable technologies. In fact, he is in post-production on another thriller, Vampire in Vegas (2009). "And you can bet I'll be there," he offers with a big smile, "with some really fun stuff." Jim has a huge following in the MidWest and is beloved in Franklin, Indiana, Home of The B Movie Celebration.Find out more at https://wicked-horror-show.pinecast.coSend us your feedback online: https://pinecast.com/feedback/wicked-horror-show/f8899379-83c4-4efb-83cd-3919395c8726

MangaMatt was too tired, so Andrew threw these show notes together after shitty night-work and after editing the muthafuckin’ podcast. Devil’s Gate antics and a must-listen-to episode covering The Lost Empire. Don’t Sleep! Feature Presentation: The Lost Empire (1983) directed by Jim Wynorski

Put on your cinema goggles and get ready to get a decade's worth of moving pictures doled out directly into your earholes by your favorite film-going fanatics Sean, Brian, and special guest Zach! Embedded version!Or, download the show directly!Available in .M4A or .MP3 format. Or check out DoC in the iTunes Store or search us on your Podcasts app.E-mail us directly with any questions or comments and also to submit your own movie lists for consideration for our show-ending segment Rapid Fire Reviews! Our official e-mail address is: decadesofcinema@yahoo.comIf you are a Letterboxd user here's a DoC Episode #5 list there if you want to follow along at home and use it track which films from this episode you've seen!Without further adieu -- here's this episode's films!1920sThe Hands of Orlac (Wiene, 1924)1930sAll Quiet on the Western Front (Milestone, 1930)1940sThe Big Sleep (Hawks, 1946)1950sA Man Escaped (Bresson, 1956)1960sDavid Holzman's Diary (McBridge, 1967)1970sGrin Without a Cat (Marker, 1977)1980sThe Thin Blue Line (Morris, 1988)1990sDinosaur Island (Ray, Wynorski, 1994)2000sDirty Pretty Things (Frears, 2002)2010sJustin and the Knights of Valour (Sicilia, 2013)Rapid Fire ReviewsIn lieu of RFR on this episode our hosts and their special guest all discuss something they've seen recently they'd recommend as well as something they're looking forward to!Remember to e-mail us at decadesofcinema@yahoo.com to send in your comment, questions, and requests for the Rapid Fire Reviews segment! Thanks for the support and we'll see you at the movies!

Chopping Mall, Tales of Terror and a little 80's slasher movie called Slaughterhouse are discussed today

This week on the show, Jeff (@Jeff_FOTD), Jesse (@DestroySuperman), James (@DrJimmyTerror), and Shawn (@TheLiberalDead) finish the infamous Lionsgate Horror 8-Pack and wrap up the unofficial "Bargain Bin Madness" series. Yes, Shawn is still alive. First, the guys tell you why they aren't too impressed with AS ABOVE SO BELOW or SIN CITY: A DAME TO KILL FOR, Jeff tells the story of finally meeting James in real life at Italian Splatterfest 3, and then everyone praises the new DVD release (finally!) of the indie horror flick, FOUND. They also give you a run down of the Halloween-centric content over at The Liberal Dead and talk about the recently announced first wave of programming at the 2014 Toronto After Dark Film Festival (which Jeff will be attending and covering). Next up, the guys worship at the alter of Jim Wynorski and tell you why you shouldn't dismiss 976-EVIL 2 (even though the first film really isn't worth talking about), and then they revisit Anothony Hickox's wickedly funny/awesome genre mashup, WAXWORK. As always, there's plenty of ridiculous banter, Elvis sightings, and Jesse even sings a few songs for your amusement... If streaming isn't your thing, you may Download the MP3 Directly here or Subscribe Via iTunes. iTunes listeners: Please take a moment to leave us a rating/review, and we will share it on an upcoming podcast! The Dead Air Horror & Genre Podcast is brought to you by GenreWatch,The Liberal Dead, and Doc Terror. Be sure to visit the sites for more great content! Looking to order any of the titles we discussed on this show? Head on over to Amazon for the best prices and help support our show. And, as always, if you want to drop us a line to let us know what you think of any of the movies discussed tonight, or you just want to give us feedback on the podcast in general, please send an email to podcast (at) liberaldead (dot) com.

Dead Air: Episode 56 - Chopping Mall (1986) / Slaughter High (1986)   Welcome back to the Dead Air Horror & Genre Podcast; brought to you by GenreWatch,The Liberal Dead, and Doc Terror!   This week on the show, Jeff (@Jeff_FOTD), Shawn (@TheLiberalDead) James (@DrJimmyTerror), and Jesse (@DestroySuperman) kick off the unofficial "Bargain Bin Madness" series (aka there are no new releases worth featuring) with a double shot of 1980s horror fun!   All of the films for the next several weeks can be purchased in the Horror Collection DVD Pack for super cheap, so pick it up and watch along!   As always, the guys kick things off with some discussion about a few recent films they've been watching.   Next up is a full review of Jim Wynorski's classic killer robot flick, Chopping Mall!   The guys then go back to their high school reunion to review the infamous Slaughter High...   Stay tuned for the last segment, where the crew announce the films for next week and goof off some more. If streaming isn't your thing, you may Download the MP3 Directly here or Subscribe Via iTunes. iTunes listeners: Please take a moment to leave us a rating/review, and we will share it on an upcoming podcast! Looking to order any of the titles we discussed on this show? Head on over to Amazon for the best prices and help support our show. And, as always, if you want to drop us a line to let us know what you think of any of the movies discussed tonight, or you just want to give us feedback on the podcast in general, please send an email to podcast (at) liberaldead (dot) com.