Podcasts about Walt Whitman

Through her multifaceted work, the Bulgarian-born, Brooklyn-based writer, reader, and researcher Maria Popova, founder of the “free, ad-free, A.I.-free, fully human” website and newsletter The Marginalian, braids together literature, science, philosophy, poetry, and art in beautiful, alchemical ways. Traversing centuries, she approaches various ideas and thinkers, living and dead, as active references in the expansive, ongoing project of learning what it means to be human. Now, nearly 20 years since the site's founding, she continues to cultivate a singular space on the internet—one devoted not so much to information but to illumination. Her latest book, Traversal, which links figures such as Mary Shelley and Walt Whitman, alongside other writers, poets, physicists, and philosophers, serves as an intellectual journey and an across-time meditation on creativity, consciousness, and interconnectedness. On this episode of Time Sensitive, Popova discusses the idea of “spiritual ancestors,” why today's A.I. debates are fundamentally modern versions of age-old questions about the soul, and the mystery of being alive. Show notes:  Maria Popova [4:58] Traversal (2026) [5:43] René Descartes [6:50] Aristotle [6:50] Susan Sontag [7:03] Alan Lightman [8:16] Mary Shelley [8:16] Walt Whitman [9:42] Frankenstein (1818) [14:08] Frances “Fanny” Wright [17:13] Freeman Dyson [17:13] Maker of Patterns: An Autobiography Through Letters (2018) [16:04] Rube Goldberg [22:26] Nina Simone [23:28] Dan Frank [23:29] Figuring (2019) [34:24] The Marginalian [43:18] T.S. Elliot's “The Love Song of J. Alfred Prufrock” (1915) [55:00] Dacher Keltner's Awe (2023) [45:17] Iris Murdoch [45:33] The Universe in Verse (2024) [45:55] Patti Smith [45:57] Rebecca Elson [45:58] Vera Rubin [47:23] “Urns for Living” [48:54] Sylvia Plath [59:35] Leaves of Grass (1855)

Conan talks to Brooke in New York City about working as an intimacy coordinator, closure practices, and the most common inaccuracies while filming a sex scene.   Wanna get a chance to talk to Conan? Submit here: teamcoco.com/apply Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's lengthy episode (I probably should’ve divided it in half!) is another devoted to orchestral song, in this case Deutsche Orchesterlieder. But, in a twist, you will not be hearing any music by either Mahler or Strauss today. (Their orchestral songs have already been amply represented on Countermelody. No, today I am featuring songs ranging from the late nineteenth century through the mid-twentieth century. Some of the composers presented – Alban Berg, Max Reger, Hugo Wolf, Arnold Schoenberg – will be familiar to listeners; others – Alexander Zemlinsky (pictured), Hans Pfitzner, Paul Hindemith, Hans Werner Henze, Franz Schreker – perhaps more as names familiar for musical historical reasons than for their actual compositions. Still others – Ernst Toch, Wolfgang Fortner, Joseph Marx – may be new discoveries altogether. What links them is that they are all fascinating composers whose works run the gamut from lush post-romanticism to exotic orientalism to Neue Sachlichkeit clarity. Texts include the great German lyric poets; anonymous Italian folk poetry; German translations of American poets such as Walt Whitman and major figures of the Harlem Renaissance; and translations of ancient Chinese poetry and the verse of Rabindranath Tagore. Similarly varied are the singers (Elisabeth Söderström, Friedrich Schorr, Edith Mathis, Willard White, Elly Ameling, Irmgard Seefried, Roberta Alexander, Barry McDaniel, Christine Brewer, Christa Ludwig, Helen Donath) and conductors (Michael Tilson Thomas, Riccardo Chailly, Rafael Kubelik, Sergiu Celibidache, Erich Leinsdorf, Carl Schuricht, Hermann Scherchen), heard. Settle in for a ride across a varied, surprising, and always engaging musical landscape. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Face au déclin des sujets internationaux dans la presse américaine, deux anciens journalistes du prestigieux New Yorker lancent une revue audacieuse. Hélène Werner et Nicolas Niarchos, cofondateurs de Now Voyager, sont les invités de L'atelier des médias pour expliquer comment ils comptent redonner ses lettres de noblesse au grand reportage international. Dans un paysage médiatique américain marqué par des déserts médiatiques, des coupes budgétaires majeures et la fermeture des bureaux à l'étranger, le lancement de Now Voyager en mars 2026 peut faire figure d'exception. Portée par Hélène Werner et Nicolas Niarchos, cette revue indépendante à but non lucratif ambitionne de reconnecter les lecteurs anglophones (au premier rang desquels les Américains) avec le reste de la planète. Un bout de l'ADN du New Yorker Le duo ne part pas de rien. Tous deux sont âgés de 36 ans et ont fait leurs classes au prestigieux New Yorker, temple de la vérification des faits et du récit au long cours. Hélène Werner y a travaillé plusieurs années au service de fact-checking ; Nicolas Niarchos, reporter chevronné ayant parcouru une quarantaine de pays, y a fourbi ses premières armes d'enquêteur. Pour Hélène Werner, le projet de Now Voyager est né d'un constat lucide sur la crise de la presse : « Le paysage des médias traditionnels aux États-Unis traverse une véritable période de transition avec beaucoup de fragmentation. On pourrait dire que c'est inquiétant [...], mais c'est aussi un moment propice à l'émergence de nouveaux projets. » Elle souligne que la couverture internationale fait cruellement défaut aux États-Unis, un vide que la revue espère modestement combler, comme The Dial, Equator, Rest of World, et plusieurs autres. L'esprit de Walt Whitman et l'exigeance du récit Le nom de la revue, emprunté à un poème de Walt Whitman, résume à lui seul cette mission. « Maintenant, voyageur, mets les voiles pour chercher et trouver », écrivait le poète en 1871. Pour Nicolas Niarchos, ce titre poétique est une déclaration d'intention qui colle avec la réalité du métier de journaliste. Cette ambition littéraire se traduit par des récits exigeants. Le deuxième numéro propose ainsi une enquête de Jacob Kushner sur une icône littéraire sinophone au Sahara occidental ou un reportage poignant de Cameron Hudson à Khartoum, la capitale du Soudan, une ville « effacée » par les conflits. Combattre l'isolationnisme par le terrain L'une des motivations profondes des fondateurs de Now Voyager est la lutte contre un certain désintérêt des grands titres américains pour l'actualité internationale. Nicolas Niarchos se souvient de ses reportages en République démocratique du Congo que les rédactions new-yorkaises rechignaient à accepter : « J'ai vu des photographes là-bas qui prenaient des photos incroyables et ne pouvaient pas les vendre aux journaux américains. Ça ne les intéressait pas vraiment, c'était pour eux quelque chose dans un autre monde. » Face à la fermeture massive de bureaux à l'étranger, comme au Washington Post début 2026, Hélène Werner s'inquiète : « Le fait que ces services aient été décimés est très préoccupant. Aux États-Unis, il y a un élan pour renforcer l'information locale, mais ce n'est pas le cas pour la couverture internationale. » Au-delà de l'actualité brute, la revue laisse une place majeure aux arts, à la photographie et même à la gastronomie. Hélène Werner, ancienne concertiste classique, voit dans l'art une passerelle : « L'art est un moyen très efficace de toucher les gens. C'est une façon de transmettre l'information différemment ». Un modèle économique indépendant et des valeurs à défendre Installée à Chelsea – un quartier huppé de Manhattan –, l'équipe de 16 personnes mise sur un modèle non lucratif. Un choix éthique et pragmatique pour Hélène Werner : « Créer un modèle économique pérenne autour de ce type de travail qui demande du temps et coûte cher est un défi. Il serait malhonnête d'annoncer aux investisseurs un retour sur investissement. » Le modèle d'affaires repose sur des dons, des abonnements (160 dollars hors taxes par an) et de la publicité choisie éthiquement. « Pour nous, c'est important d'avoir des abonnés pas seulement comme des clients, mais plutôt comme des soutiens, comme une communauté », explique Nicolas Niarchos. En envoyant des exemplaires au Capitole et à la Maison Blanche, Hélène Werner et Nicolas Niarchos espèrent bien que leurs récits auront, à leur façon, un impact sur le regard que l'Amérique porte sur le monde.

In James Chesterton's dark and thrilling futuristic satire, ASHES OF THE REPUBLIC (Broken Ledger Press; April 28, 2026), it's the year 2046 and Christian Nationalism has fully consolidated power. Evidence of liberalism is subject to punishment, women's bodies are governed by data, medical professionals have been replaced with AI, and the blueprint for authoritarian rule is no longer theoretical—it's fully operational.  At the center of the story is Lily Osbourne, a gifted technologist who once helped build the very systems that now govern daily life. After crossing her employer, Dennison Robotics CEO Iwanna Dennison, Lily is cast out of power and retreats into quiet anonymity. That fragile invisibility shatters during a routine airport screening when a TSA agent informs her that she is pregnant—which is strictly controlled by the government. In the Republic, all unregistered pregnancies are flagged. Her fetus is issued a Social Security number. The state is notified. Her body is no longer her own. She and her boyfriend Jeff Maslow, a former professor once arrested for reading Walt Whitman, must now find a way to survive, even as Iwanna Dennison claws her way to the highest reaches of power, the focus of her psychotic ambition. Deeply rooted in current events, Ashes of the Republic draws from real-world debates surrounding reproductive surveillance, the fusion of religion and state power, the erosion of privacy, and the expanding role of data and AI in governance. Policies and ideas that felt speculative during the novel's early drafts have since emerged as court rulings, legislative proposals, and political platforms. This is not distant dystopia or traditional science fiction. Nearly every mechanism of control depicted in the novel already exists today, waiting only for the removal of institutional limits to be fully realized. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

You got small so you could learn how powerful you truly are. Every relationship, every betrayal, every "what was I thinking" moment… it's not punishment. It's a form of modern initiation. You are not behind. You're being initiated. You've loved people who didn't love you back the way you deserved. You've stayed longer than you should have. You've given the benefit of the doubt—and then wondered why you did. In this episode, Danielle shares a personal story—raw, funny, honest—about a dating app exchange that challenged her standards. What if every relationship that confused you, every situation that blindsided you, every "what was I thinking" moment wasn't punishment—but initiation?  If you've ever questioned your discernment after a hard experience. If you've done the work and still wonder why certain things keep showing up. If you want to know that you can trust yourself again… Press play. Episode Timestamps [00:53] Life update: Bless & Release, venture capital, and the Centering app [02:38] The Raya rude boy  [06:39] Shenpa: Buddhist emotional hooks and how you respond to the hard moment [07:50] The "what was I thinking" spiral [09:57] The priestess and warrior initiation [11:26] Earth school in the Age of Aquarius [12:50] The point is to love more now  [14:04] Revisiting rude boy: what he was actually a reminder of [15:00] Sign you're a Super Blesser [16:30] You can trust yourself [17:10] Walt Whitman close: I contain multitudes  

Latest up from Spoken Label (Poetry Podcast) features making her debut, the amazing Alexis Brown.Alexis is a poet, writer, musician, and shamanic/Reiki practitioner originally from the United States, now based in Manchester with her wife Danielle and their two cats, Jade and Salem. Raised between New York and the American South, her relationship to language was shaped early through literature, music, queerness, spirituality, and the emotional landscapes that exist between people.Though classically trained in music with foundations in blues and jazz, poetry remains the art form most deeply connected to her soul. Influenced by writers such as E. E. Cummings, Walt Whitman, and Audre Lorde - alongside the lyrical intimacy of Meshell Ndegeocello - Alexis writes toward feeling rather than simple description. Her work explores love, longing, devotion, power dynamics, queer identity, spirituality, memory, and the ways human connection can transform us.Her poetry is often shaped by the people who have crossed her path as teachers, whether through tenderness, heartbreak, desire, or revelation. Alongside Danielle, she is currently developing a collaborative poetry collection tracing the chronology of their relationship - a love they often describe as ancient, oceanic, and timeless.Now rooted in Manchester's vibrant creative community, Alexis continues building both her literary voice and spiritual practice, drawn to art that evokes emotion as viscerally as music itself.Instagram - Greyyylex and Rainbowreikishamanism

Across continents and centuries outsider poets have made a bold stand for the life of the body, contemplative ecstasy, sexual liberation, and the sacredness of nature, often in the face of religious and political repression.  From Rajasthan to New York, Ancient Persia to London, and Swansea in Wales to Balkh in Afghanistan, ecstatic poets have broken taboos around sex, death, gender, social caste, and religious dogma. In a follow-up to last week's interview with Britt Hartley of No-Nonsense Spirituality, Julian reflects on how poetry has always lit up his inner world as a form of embodied spirituality that transcends religious frameworks or supernatural metaphysics. He shares favorite pieces that span 800 years and three continents from Mirabai, Walt Whitman, Mary Oliver, Kabir, David Whyte, Dylan Thomas, and Rumi, along with stories from their lives, and his own. Learn more about your ad choices. Visit megaphone.fm/adchoices

[TRIGGER WARNING]: This episode includes discussion of a traumatic car crash and associated trauma (TBI). Listener discretion is advised, especially for those with past experiences related to car crashes. Alright everybody, that was a ripping chat with Damien Cole, who is an absolute legend and hammering towards his destiny. The core thread we pulled on was the difference between external labels—like his name, Damien or Damo—and what's actually going on inside, which led us into this heavy territory about whether love or blood ties should carry more gravitas when talking about family roles. The dude got real about escaping the Society Lie and the ideologies that trap you, pointing out that our society is just one option out of infinite possibilities. Damien's main approach to life, rooted in a Walt Whitman quote, is: Be curious, not judgmental. He was living this fear-based life for his entire 20s, working in the offshore mining industry and making "ridiculous money," which he called Escaping Blood Money. He finally bailed at 28 to jokingly/sincerely "save the world". We talked about his environmental Hippie Roots—his dad Maurice Cole co-founded Surfrider Foundation Europe in 1991, and Damien's first protest was at age 8 against French nuclear bombing. This led to a key takeaway on how to deal with overwhelming global crises like the Pacific Garbage Patch: don't get frozen by fear, you gotta Localize the Impact—think global, but act local. We shut down the haters who call you a hypocrite when you change your path, recognizing that a commitment to growth means you Embrace Evolution. The biggest piece of gold came when Damo shared the story of his traumatic car crash (which gave him a TBI) and the moment in a San Pedro ceremony where he chose Forgiveness is Self-Care. He realized holding onto anger toward the drunk driver, Samantha Hartwell, was just keeping a "black ball" of hatred inside himself. The final kernel of wisdom, mate, is that while we don't control outside things, we get to choose whether we react (leading with emotion and losing control) or respond (maintaining control and taking a beat). Pull your finger out of your ass, get engaged, and go do something! Damo & Mason Discuss: Ditch the Labels: Damien started leaning into his full name, Damien, as a new chapter, realizing that a name—or any external label—doesn't matter as much as what's going on internally. You are so much more than just your name. Love Over Blood: We dove into whether love should carry more gravitas than blood ties, especially when talking about family roles and who really steps up. It's about the energetic role, not just the blood role. The Society Lie: Don't get trapped by ideologies! The world we live in is just one option out of infinite possibilities, so you've got to be aware and curious about what could have been. Curiosity is the Key: Damien lives by the Walt Whitman quote: "Be curious, not judgmental." Every choice strips back to one core approach: lead with love or lead with fear (which breeds jealousy, anger, and frustration). Escaping Blood Money: Damo spent his entire 20s in the offshore mining industry making "ridiculous money," but it was "soul destroying" and led to low self-worth. He finally bailed at 28 to jokingly/sincerely "save the world". The Hippie Roots: This dude was influenced by his huge-character dad, Maurice Cole, who co-founded Surfrider Foundation Europe in 1991. Damien's first protest was at age 8 against French nuclear bombing, showing that connection between surfers and farmers. Localize the Impact: Don't get frozen by fear over the global plastics crisis (like the huge Pacific Garbage Patch). Think global, but act local. If you pick up a few bits of rubbish, that's four less bits that won't go into a turtle—that small action is where the true power is. Embrace Evolution: Don't let the haters call you a hypocrite! When people questioned Damien's jump from the mines to environmentalism, he shut them down—it's called evolution, and it's a never-ending path of growth. It's okay to fail and be wrong. Forgiveness is Self-Care: Damien talked about the gnarly car crash that gave him a Traumatic Brain Injury (TBI) and led to a moment in a San Pedro ceremony where he chose to forgive the drunk driver, Samantha Hartwell. He realized holding onto anger was just keeping a "black ball" of hatred inside himself. Respond, Don't React: This is the kernel of wisdom, mate. We don't control outside things, but we choose whether to react (leading with emotions and losing control) or to respond (maintaining control and taking a beat).   References: Guest Links DAMIEN COLE - CHOOSING THE RIGHT SIDE OF HISTORY Damo Instagram   Connect With Us SuperFeast Instagram SuperFeast Facebook SuperFeast TikTok

On this episode, Mississippi Poet Laureate Ann Fisher-Wirth speaks with fellow poet Danielle Sellers about the Walt Whitman poem, “I Saw in Louisiana a Live-Oak Growing.” Sellers received her MFA from the University of Mississippi, where she held the John Grisham Poetry Fellowship. She teaches at Trinity Valley School in Fort Worth, Texas. Hosted on Acast. See acast.com/privacy for more information.

Mayo, nos dio plumas que cambiaron el mundo. En este episodio de El Buen Cruel celebramos a los grandes que nacieron con la primavera en llamas: Nicolás Maquiavelo y el arte del poder, Arthur Conan Doyle y la mente de Sherlock Holmes, Rabindranath Tagore y sus versos Nobel, Walt Whitman y su canto al cuerpo y al alma. Y junto a ellos, otros rebeldes que soplaron velas en mayo. Repasamos sus vidas, sus frases que duelen y las anécdotas que no te cuenta la escuela. Porque mayo no solo trae flores: trae autores que siguen escribiendo el presente. Dale play.#WaltWhitman #ElBuenCruel #PodcastLiterario #NicolásMaquiavelo #ArthurConanDoyle

A sermon preached by Rev. Jonathan Brown with Foundry UMC, April 26, 2026. If there is one truth I want us to carry today, it is this: God's presence in suffering is our courage, but it is never an excuse to accept suffering as normal. That is the tension these texts hold. Psalm 23 gives us one of the most beloved images in all of scripture: the Lord as shepherd. First Peter gives us Christ as the shepherd and guardian of our souls. Both texts offer comfort. Both texts speak to people who know pain. But neither text tells us to make peace with injustice. Neither text tells us to baptize suffering. Instead, these texts tell the truth. There are green pastures and still waters and restoration, yes. But there are also dark valleys, enemies, unjust suffering, and wounds. And in the middle of that truth, scripture makes a defiant claim: we are not alone. Psalm 23 is so familiar that we can miss how honest it really is. “The Lord is my shepherd, I shall not want” can sound soft in our ears, but this is not a psalm written from a safe and easy life. It is the prayer of someone who knows danger, fear, and threat. It is the testimony of someone who knows what it means to walk through what the NRSV calls the darkest valley. And that matters, because Psalm 23 is not beautiful because it denies suffering. It is beautiful because it refuses to let suffering speak the final word. “Even though I walk through the darkest valley, I fear no evil; for you are with me.” And it is worth pausing to say a brief word about the psalm itself. The superscription says, “A Psalm of David,” and for generations that has connected the psalm to David the shepherd-king. But most modern scholars are cautious about treating that as proof that David personally wrote it. Like many psalms, Psalm 23 is difficult to date with precision. It does not give us firm historical markers. So it is often understood as part of Israel's worship tradition, preserved and prayed over time, shaped by a people who had learned to trust God through danger, worship, memory, and hope. That deepens the psalm for me. It means these words endured not because they belonged only to one famous person, but because generations of God's people found them true. Notice what the psalm does not say. It does not say, “I will never enter the valley.” It does not say, “If my faith is strong enough, I can avoid the valley.” It does not say, “The valley is secretly good.” It says, even there, even in the darkness, even in the fear, even in the threat: you are with me. That is the center of it. The courage of the psalm is not that life is easy. The courage of the psalm is not that the valley disappears. The courage of the psalm is the presence of God in the valley. That distinction matters, because Christians have not always handled suffering well. Too often, people have taken texts about endurance and presence and turned them into permission slips for oppression. Too often, religion has told people to quietly bear what should have been confronted. Too often, the suffering have been told to be patient while the powerful remain comfortable. Too often, faith has been used not to heal wounds but to explain them away. But Psalm 23 does not glorify the valley. It does not bless the darkness. It does not say that enemies are acceptable because God can still set a table. It says that God remains God even there, and that the Shepherd does not abandon the flock even there. And that shepherd image matters more than we sometimes realize. A shepherd is not just a sweet religious metaphor. A shepherd protects. A shepherd guides. A shepherd goes looking. A shepherd defends the vulnerable. A shepherd takes responsibility for lives that can be easily harmed. That is why the psalm says, “Your rod and your staff, they comfort me.” Those are not decorative objects. The rod is for protection. The staff is for guidance and rescue. So the comfort here is not vague spirituality. The comfort is active care. The comfort is the nearness of a God who is not detached from danger and not indifferent to fear. Then the psalm says something almost startling: “You prepare a table before me in the presence of my enemies.” Not after the enemies are gone. Not once the danger has passed. Not once everything is tidy and resolved. In the presence of my enemies. In other words, God does not wait for perfect conditions to sustain life. God nourishes in hostile places. God restores in wounded places. God anoints in threatened places. But let us be clear: that is not the same thing as saying hostile conditions are acceptable. God's presence in suffering is not God's approval of suffering. And that is where First Peter needs careful handling. “If, being aware of God, you endure pain while suffering unjustly…” Those words have too often been used badly. They have been used to tell people to remain in abuse, to stay silent under domination, to take the hit and call it holiness. But that is not good news, and that is not what this text should mean for the church. First Peter is speaking to vulnerable communities under pressure. It is trying to encourage people already suffering because the world is not arranged according to the justice of God. It is not praising the injustice. It is not calling suffering good. It is speaking to wounded people about how not to lose their souls in a wounded world. And then it points to Jesus: “When he was abused, he did not return abuse; when he suffered, he did not threaten; but he entrusted himself to the one who judges justly.” That is not weakness. That is not surrender to evil. It is Jesus refusing to become what the world is. He refuses to let violence dictate the shape of his spirit. He refuses to answer domination with domination. But hear this clearly: the suffering of Jesus is not God saying suffering is good. The cross is not heaven's endorsement of violence. The cross reveals what human sin does when confronted with divine love. And the resurrection is God's refusal to let that violence be final. So when First Peter says Christ suffered for you, leaving you an example, it does not mean Christians should seek pain. It does not mean people should stay in dangerous situations for the sake of appearing faithful. It means that when righteousness is costly, Christ has already gone ahead of us. It means that when suffering comes, we do not meet it alone. It means the Shepherd knows the valley from the inside. That is where these two readings reach toward one another in a powerful way. Psalm 23 says, “The Lord is my shepherd.” First Peter says we have now returned “to the shepherd and guardian of your souls.” The Shepherd of Psalm 23 is not far away. The Shepherd of Psalm 23 is not abstract. In the light of Christ, the Shepherd has scars. The Shepherd has known abuse. The Shepherd has known grief. The Shepherd has known the machinery of injustice. So when we say God is with us in suffering, we do not mean that in some thin, sentimental way. We mean that in Jesus Christ, God has entered the full reality of human pain. God knows what it is to be wounded. God knows what it is to be abandoned. God knows what it is to be crushed by the powers of this world. God knows. So yes, there is courage here. Real courage. Because some people in this room know what it is to walk through the valley. Some are carrying grief. Some are carrying fear. Some are exhausted. Some are dealing with illness. Some are trying to keep going under burdens no one else can quite see. Some are watching the pain of the world pile up and wondering how much more human hearts are supposed to bear. And the good news is not that none of it is real. The good news is that none of it is faced alone. But now let me say the other half of what must be said. God's presence in suffering must never be turned into permission to tolerate suffering. It must never become an excuse for passivity. It must never become a way of spiritualizing injustice. It must never become a reason to tell the suffering to stay quiet. There is a scene in Ted Lasso where Ted Lasso, the coach of AFC Richmond, is being underestimated during a game of darts. He recalls a line he says he once saw painted on a wall while driving his son to school: “Be curious, not judgmental.” In the scene he attributes the line to Walt Whitman. Whether or not Whitman actually said it, the point lands. Ted realizes that the people who dismissed him never asked real questions. They assumed they already knew who he was, and so they judged him instead of trying to understand him. The church has too often done the same thing with suffering. We have judged where we should have listened. We have explained pain where we should have shown up. We have sometimes treated suffering like a spiritual test instead of a human crisis. But the Shepherd of Psalm 23 does not stand at a distance judging the sheep in the valley. The Shepherd enters the valley. Because if God is with the suffering, then suffering should matter to us. Human suffering anywhere should trouble the conscience of the church. Poverty should trouble us. War should trouble us. Racism should trouble us. Displacement should trouble us. Abuse should trouble us. Systems that crush people while blessing the already secure should trouble us. The church cannot say, “Well, God is with them,” as a substitute for justice. Yes, God is with them. And that is exactly why suffering can never be treated as normal, holy, or acceptable. And when Psalm 23 says, “I shall not want,” that is not a promise of luxury. It is trust that the Shepherd will sustain. Trust that what is necessary for life with God will not be withheld. Trust that the valley does not cancel the care of God. And when First Peter says, “By his wounds you have been healed,” that is not cheap denial either. It does not mean every hurt is instantly repaired. It means that Christ's love breaks open the power of sin and violence. It means there is healing deeper than domination. It means restoration is possible even in a world that knows how to harm. So what do we do with all of this? We take courage, and we tell the truth. We take courage because we are not alone, because the Shepherd is in the valley, because Christ is not a distant savior offering advice from safety, because goodness and mercy are still moving even when the road is hard. And we tell the truth that suffering is real, that injustice is real, and that pain should never be romanticized. It is never God's plan for people to suffer. It is God's will that people be comforted and protected in suffering. That is what the Shepherd does. The Shepherd leads, guards, restores, and stays near. So let me leave you here. If you are in the valley, hear this: the Shepherd is with you now. If you are wounded, hear this: Christ knows woundedness from the inside. If you are weary, hear this: goodness and mercy are still on the move. And if these texts teach us anything about the Richmond way in the valley, it may be this: be curious, not judgmental. Be curious enough to listen to pain instead of explaining it away. Curious enough to see suffering instead of spiritualizing it. Curious enough to trust that it is never God's plan for people to suffer, but always God's will to meet people with comfort, protection, and mercy in the midst of it. Because the Shepherd does not abandon the valley. The Shepherd enters it, stays with us there, and leads us toward life. Amen.

Episode: 3370 A Look at Poetry and the Importance of Rhythmic Metre.  Today, the rhythm of poetry.

Daniel Che is a pacifist who left his home in Kyiv to live in Portugal and build Peaceful World, an online peace education project illuminated by Walt Whitman, Lev Tolstoy, the Woodstock Generation and Jainism. He joins World BEYOND War's Marc Eliot Stein for a wide-ranging conversation about counterculture, anekantavada, karma and ahimsa - and also US/Israel's war with Iran, military sadism, anger, revolution and evolution.

In our modern world, people are turning to all sorts of unusual beliefs and fringe disciplines just outside the bounds of medical science and psychology, all in search of a better understanding of the human mind and the origins of personality. In the mid-19th century, New Yorkers with similar questions became obsessed with the unusual practice of phrenology, which promised to unlock the secrets of the brain through a careful examination and mapping of the human skull. By the 1840s, visitors to New York City Hall and Barnum's American Museum could walk just a short distance to the curiosity cabinet run by the Fowler family, a group of phrenologists and publishers who helped popularize this now-debunked practice. At this very odd tourist attraction, visitors could examine rows of skulls and casts of skulls taken from both celebrated figures in human history and some of the world's most infamous criminals. Phrenology attracted the interest of some of the 19th century's most notable figures, including P. T. Barnum and Walt Whitman. The Fowlers' empire of unusual disciplines soon expanded to include mesmerism and even spiritualism. But there was also a darker side to phrenology: it was used by many to justify elitist and racist philosophies. Greg is joined in the studio by Paul Stob, author of the new book Empire of Skulls: Phrenology, the Fowler Family, and a New Nation's Quest to Unlock the Secrets of the Mind, to explore this strange craze, what people believed they saw when they looked at the skull, and why New York City played such a crucial role in its rise. Visit the website for more images and others relating to this topic. You can also watch this show on YouTube This show was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Variety on a WednesdayFirst,  a look at this day in History.Then, Amos ‘n' Andy, originally broadcast April 22, 1951, 75 years ago, Sapphire in Chicago. While Sapphire is away, the Kingfish is determined to be pleasant to his mother-in-law. His efforts led Mama and him to a courtroom!Followed by The Big Show starring Tallulah Bankhead,  originally broadcast April 22, 1951, 75 years ago.  Tallulah and Joan Davis compare ailments. Dennis King, Martin Blaine and Horace Braham do a scene from "The Devil's Disciple," by George Bernard Shaw. Judy Holiday recalls an early romance. Judy and Joan show Tallulah how to get a date. Herb Shriner does a funny monologue about his hometown. Fred Allen imagines the wedding of Tallulah and Dennis King. Tallulah reads a tribute to America by Walt Whitman.   Finally, Claudia, originally broadcast April 22, 1948, 78 years ago, In The Gloaming.  Kathryn Bard and Paul Crabtree star.  Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

What if the most chilling dystopia isn'timagined—but already in motion? InAshes of the Republic, author James Chesterton delivers a razor-edgedpolitical thriller set in a near-future America where surveillance, AI governance, and the fusion ofchurch and state have quietlyredrawn the boundaries of personal freedom. With eerie parallelsto some of today's headlines, this fast-paced futuristic story is atimely and provocative pick for coverage and author interviews. Pleaserefer to the press release below for additional information, and let meknow if you would like to receive a copy of Ashes of the Republicfor interview and/or review purposes. FORIMMEDIATE RELEASE Ashes OfThe Republic: New Political Thriller Imagines an America Shaped ByTheocratic Power “A sharp,timely examination of power, corruption, and control in a worldlulled into complacency.” — Kirkus Reviews WESTPORT, Conn.,April 1, 2026 — In James Chesterton's dark and thrillingfuturistic satire, Ashes of the Republic (Broken Ledger Press;April 28, 2026), it's the year 2046, and Christian Nationalismhas fully consolidated power. Evidence of liberalism is subject topunishment, women's bodies are governed by data, medical professionals have been replaced with AI, andthe blueprint for authoritarian rule is no longertheoretical—it's fully operational. At thecenter of the story is Lily Osbourne, a gifted technologist who once helpedbuild the very systems that now govern daily life. After crossingher employer, Dennison Robotics CEO Iwanna Dennison, Lily is cast out ofpower and retreats into quiet anonymity. That fragile invisibility shatters during a routine airportscreening when a TSA agentinforms her that she is pregnant, which is strictly controlled by thegovernment. In the Republic, all unregistered pregnancies are flagged.Her fetus is issued a Social Security number. The state is notified.Her body is no longer her own. She and her boyfriend, Jeff Maslow, aformer professor once arrested for reading Walt Whitman, must nowfind a way to survive, even as Iwanna Dennison claws her way to thehighest reaches of power, the focus of her psychotic ambition. Deeplyrooted in current events, Ashes of the Republic draws from real-worlddebates surrounding reproductive surveillance, the fusion of religionand state power, the erosion of privacy, and the expanding role ofdata and AI in governance. Policies and ideas that felt speculativeduring the novel's early drafts have since emerged as courtrulings, legislative proposals, and political platforms, Chestertonexplains. “This isnot distant dystopia or traditional science fiction. Nearly everymechanism of controldepicted in the novel already exists today, waiting only for the removalof institutional limits to be fully realized,” Chestertonsaid, enumerating these plot points: · TheUnited States is now a theocratic surveillance state. · Electionsare performative. · Dissentis being criminalized. · Women'sbodies are regulated by data systems backed by religious authorityand unchallenged executive power. · Freedomis being bureaucratized out of existence. “This isn'tyour parents' sci-fi,” he added. “Its tone is controlled,unsentimental, and wickedly funny—a fast-paced thrill ride fullof twists and turns.” Ashes ofthe Republic is the first installment in the Ascent of Dennisonseries of gripping political thrillers that asks what happens when legal,cultural, and moral guardrails are deliberately dismantled by leaderswho believe themselves divinely justified and technologically unaccountable. Ashes ofthe Republic: A Dark Speculative Thriller Publisher:Broken Ledger Press ReleaseDate: April 28, 2026 ISBN-13:979-8-9951710-1-0 (paperback) ISBN-13:979-8-9951710-2-7 (hardcover) ISBN-13:979-8-9951710-3-4 (audiobook) ISBN-13:979-8-9951710-0-3 (eBook) Available from https://www.amazon.com/Ashes-Republic-Dark-Speculative-Thriller-ebook/dp/B0GT1RCVBR

After a two-month break, I come back to something uncomfortable: maybe the thing getting in the way… is me. Inspired by Radiohead and Walt Whitman, this episode is about self-pressure, identity, and finding something sacred in the mundane - even in a moment at the airport.Follow us on Instagram: @suckerforpossibility

Henceforth I ask not good fortune. I myself am good fortune. - Walt Whitman Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Author Cynthia Wachtell describes contrasting views of war in American literature, including the Civil War reflections of Walt Whitman and the fervent anti-war beliefs expressed by Mark Twain in several works. To see additional resources and our other programs, please visit humanmedia.org . Humankind specials are  heard on NPR and PRX member-stations, in association with GBH Boston.

Author Cynthia Wachtell describes contrasting views of war in American literature, including the Civil War reflections of Walt Whitman and the fervent anti-war beliefs expressed by Mark Twain in several works. To see additional resources and our other programs, please visit humanmedia.org . Humankind specials are  heard on NPR and PRX member-stations, in association with GBH Boston.

National Spinach day.  Entertainment from 2003. Fire extinguisher invented, battle of Iwo Jima ended in a US victory.  Todays birthdays - Leonard Nimoy, James Caan, Diana Ross, Steven Tyler, Vicki Lawrence, Martin Short, Teddy Pendergrass, Charly McClain, Jennifer Grey, Kenny Chesney, Keira Knightley.  Walt Whitman died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Spinach song - Lorraine BowenIn da club - 50 CentBrokenheartsville - Joe NicholsBirthdays - In da club - 50 Cent   http://50cent.com/Star Trek TV themeBaby love - The SupremesWalk this way - AerosmithNight the lights went out in Georgia - Vicki LawrenceClose the door - Teddy PendergrassWho's cheatin who - Charly McClainWhatever it takes - Kenny ChesneyExit - Jersey Shore - Kenny Curcio    https://kennycurciomusic.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

In Part 3 of our series on feeling Alive, we explore the second of the three A's: Acceptance.Hope you enjoy this one!Zoom Summary:The Three A's to Feeling AliveKay discussed the second installment of a series focusing on the three A's to feel alive, following awareness with acceptance. Kay emphasized the importance of personalization in learning, encouraging participants to engage with the content in a way that works best for them rather than adhering to a strict structure. Kay then transitioned to discussing the concept of awareness, inviting participants to reflect on its meaning for themselves.Venn Diagram of Aliveness ConceptsKay discussed a Venn diagram about aliveness, explaining that movement through the diagram starts with awareness and then moves to acceptance. She noted that the word “disconnected” was near the awareness circle and “exhausted” was near the acceptance circle, suggesting a connection between being disconnected and lack of awareness, and between exhaustion and acceptance.Radical Acceptance Concepts DiscussionKay discussed the concept of radical acceptance, explaining how it involves allowing circumstances to be as they are rather than trying to control them. She outlined three qualities of acceptance: “own business minding” (practicing appropriate involvement in others' lives), curiosity, and trust.Own Business Minding Concept DiscussionKay discussed the concept of “own business minding,” which involves understanding and accepting one's own truth while letting go of control over others' actions. She emphasized the importance of acceptance over judgment, referencing Walt Whitman's idea that curiosity is better than judgment. Kay encouraged participants to reflect on their own experiences related to these concepts and invited them to share their thoughts via email.Components of Acceptance DiscussionKay discussed the components of acceptance, which include curiosity about someone's experience, open-mindedness, and trust. Kay emphasized that trusting can be challenging due to fears of betrayal or misplacement of trust, but emphasized that acceptance involves embracing reality as it is rather than wishing it to be different.Acceptance and Aliveness ConceptsKay discussed the concept of acceptance as part of a series on aliveness and agency. She encouraged listeners to reflect on how acceptance applies to their own lives and suggested exploring this topic with friends, therapists, or coaches. Kay also introduced a diagram showing the opposites of feelings that help us feel alive, including suspicion, anxiety, and over-control, which can help identify the need for acceptance.Invitations from meCome to the retreat that I'm hosting in SeptemberOr, hear more about itCome be in company with some like-minded soulsConnect with me to talk about coaching or facilitationThank you for being here with meLove, Kay This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit kaylockkolp.substack.com/subscribe

It's natural to want to look away from the inevitable reality of death but Buddhism teaches that death is an alternate phase of life and makes up a larger universal cycle. To understand death is to deepen our understanding of and appreciation for life. Today's guest, John Plummer, of Cold Spring, NY, shares how facing his fear of loss improved his relationships and deepened his work as a film and TV writer.  References:The New Human Revolution, vol. 24, pp. 177–78A Piece of Mirror and Other Essays, pp. 79, 83–84.Leave of Grass by Walt Whitman.“Like the Sun Rising,” Journey of Life: Selected Poems of Daisaku IkedaUnlocking the Mysteries of Unlocking Birth and Death, p. 104.The Wisdom for Creating Happiness and Peace, part 1, revised edition.

Kim Jong Un was re-elected as North Korea's leader, Trump's counterterrorism chief quit over the Iran war, Rep. Markwayne Mullin might not be the best pick to run DHS, and cousins can still marry each other in Florida. Friend of the show Edward Norton stops by with no project to promote, just a poem in his back pocket. Hear this extended cut of Stephen's interview with Edward Norton including a performance of a section from Walt Whitman's “Crossing Brooklyn Ferry.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Celebrities ranging from Oscar Wilde and Sarah Bernhardt to Mark Twain and Walt Whitman all made their way to the top-floor studio in Manhattan's Union Square—with its tiny elevator—to have their images immortalized by Napoleon Sarony, America's most famous photographer during the Gilded Age.  Sarony's genius lay in his ability to stage a photograph using poses, costumes, and makeshift sets, all designed to allow the essence of his subject to emerge. As a result, the portraits he created of so many of the era's leading figures have become their defining, iconic images. But who was Napoleon Sarony himself? In this episode, Dr. Erin Pauwels, author and scholar, joins The Gilded Gentleman at the table to discuss the subject of her latest book Napoleon Sarony's Living Pictures and to delve into Sarony's eccentricities and genius. The show also explores questions of copyright and branding, revealing how, largely through Sarony's work, the modern media celebrity image factory was born." This show was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After winning state wrestling titles last Saturday in Upper Marlboro, Linganore High wrestlers Cash Wheat and Alex Tortolani, as well as their coach, Jeff Wheat, Cash's father, are this week's guests on The Final Score podcast. The trio chats with host Greg Swatek about its big weekend at the state wrestling championships at The Show Place Arena. Cash Wheat pinned Walt Whitman's Matthew Hobbs in 5 minutes and 54 seconds in the Class 4A-3A championship match at 150 pounds, while Tortolani earned a 5-3 victory over Whitman's Zach Richards in the 4A-3A final at 215 pounds, reversing a loss to him from a week earlier in the regional championships. Wheat, who pinned over 100 opponents during his high-school career, grew up dreaming of winning a state title. Meanwhile, Tortolani didn't start wrestling until he was in high school and only recently developed the belief and the confidence that he could actually do it. How did they feel when they won their championships? And what did their coach, Jeff Wheat, think as he watched it all unfold? Prior to this conversation, FNP sports reporter Alexander Dacy joins Greg to discuss state semifinal boys basketball games featuring Frederick High and Middletown and Hood College's remarkable run to the Sweet 16 of the NCAA Division III men's basketball tournament.

A 2025 peer-reviewed study published in Frontiers in Psychology surveyed 28,000 adults across 166 countries, and found that global emotional intelligence scores have dropped by nearly 6% since 2019. That's the same window we normalised remote work, survived a pandemic, and rebranded burnout as a "wellness issue." In this episode, we're calling it what it is: an emotional recession, and it might be more dangerous than any financial one. We break down: What a 6% EQ drop actually looks like in real life (in leadership, relationships, and your workplace) Why low-EQ leaders don't produce more rational decisions — they produce worse ones dressed up in confidence The burnout loop nobody's diagnosing: did burnout cause the EQ decline, or did EQ decline cause the burnout? Why living in the most emotionally expressive era in history doesn't mean we understand our emotions How emotional literacy, mirror neurons, and Brené Brown's "emotional granularity" connect to everything And the one daily habit that can actually start reversing this, no app required If you've ever felt like something's off, in your team, your relationships, or just how people treat each other — this episode might be why.

A reading and exploration of part five of Walt Whitman's "Song of Myself" by storyteller and poet Jay Leeming.   www.JayLeeming.com

For William Allen White, the ideal Midwestern community was a utopian vision of what America could be: a prosperous, happy community built on equality, opportunity, and neighborly generosity. This anthology collects White's famous and obscure writings and presents him as the iconic voice of the Midwestern small town. William Allen White, the editor of The Emporia Gazette in Kansas, was an American institution. When he died in 1944, President Franklin Delano Roosevelt commented that America had lost one of its “wisest and most beloved editors.” White understood the value of his unique brand as “the voice of Main Street,” and would often preach his vision of the kind of nation the United States ought to be. From his view in Emporia, White's imagined Midwestern town was a dream for the nation to strive toward. He saw himself as a pioneer sowing the seeds of a great harvest to come, and he believed that the small-town civilization he venerated exemplified what was best in America. In Heartland Utopia: William Allen White on the Ideal Midwestern Town (UP of Kansas, 2026), Charles Delgadillo and Jason Stacy have gathered nearly twenty-five years of White's fiction and nonfiction focused on his idealized Midwestern community and how this utopian vision changed over time. Charles Delgadillo is a lecturer in history at the California State University, Pomona, and the author of Crusader for Democracy: The Political Life of William Allen White, published by Kansas. Jason Stacy is Distinguished Research Professor of history and social science pedagogy at Southern Illinois University, Edwardsville. His books include Spoon River America: Edgar Lee Masters and the Myth of the American Small Town and Walt Whitman's Selected Journalism. You can hear another interview with him about his Spoon River America here on the New Books Network. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For William Allen White, the ideal Midwestern community was a utopian vision of what America could be: a prosperous, happy community built on equality, opportunity, and neighborly generosity. This anthology collects White's famous and obscure writings and presents him as the iconic voice of the Midwestern small town. William Allen White, the editor of The Emporia Gazette in Kansas, was an American institution. When he died in 1944, President Franklin Delano Roosevelt commented that America had lost one of its “wisest and most beloved editors.” White understood the value of his unique brand as “the voice of Main Street,” and would often preach his vision of the kind of nation the United States ought to be. From his view in Emporia, White's imagined Midwestern town was a dream for the nation to strive toward. He saw himself as a pioneer sowing the seeds of a great harvest to come, and he believed that the small-town civilization he venerated exemplified what was best in America. In Heartland Utopia: William Allen White on the Ideal Midwestern Town (UP of Kansas, 2026), Charles Delgadillo and Jason Stacy have gathered nearly twenty-five years of White's fiction and nonfiction focused on his idealized Midwestern community and how this utopian vision changed over time. Charles Delgadillo is a lecturer in history at the California State University, Pomona, and the author of Crusader for Democracy: The Political Life of William Allen White, published by Kansas. Jason Stacy is Distinguished Research Professor of history and social science pedagogy at Southern Illinois University, Edwardsville. His books include Spoon River America: Edgar Lee Masters and the Myth of the American Small Town and Walt Whitman's Selected Journalism. You can hear another interview with him about his Spoon River America here on the New Books Network. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Send a textIt's a bittersweet day at The Wall Street Skinny, where we are recapping the SEASON FINALE!! While this one is lighter on finance than most episodes this season, we still dig into the mechanics of closing out a massive short position without spooking the tape. We also break down how hedge fund fees actually work — the industry-standard "two and twenty" structure where managers earn a 2% management fee on assets under management plus 20% of profits — and use that framework to reverse-engineer what this three-person fund operating out of a hotel room should have actually earned versus what got paid out. The numbers don't quite add up, and we have thoughts.This finale also takes a hard pivot into politics, power brokering, and some very dark territory for one of our favorite characters. We trace every reference and detail — from Walt Whitman to the Talented Mr. Ripley, George Orwell to Henry VIII — and debate what the show is setting up for its next chapter. Character arcs that have been building all season reach their breaking points, alliances shatter in stunning ways, and the episode forces us to ask whether people are truly capable of change or destined to become the very thing they fought against.We share our honest reactions to what worked and what left us frustrated, revisit our season-long theories one final time, and give our last bullish and bearish calls of the season. Thank you to every single listener who joined us on this ride — your feedback, theories, and insights made this our favorite recording day of the week. See you next season.For a 14 day FREE Trial of Macabacus, click HERE Visit https://iconnections.io/ to learn more about iConnections!Shop our Self Paced Courses: Investment Banking & Private Equity Fundamentals HEREFixed Income Sales & Trading HERE Wealthfront.com/wss. This is a paid endorsement for Wealthfront. May not reflect others' experiences. Similar outcomes not guaranteed. Wealthfront Brokerage is not a bank. Rate subject to change. Promo terms apply. If eligible for the boosted rate of 4.15% offered in connection with this promo, the boosted rate is also subject to change if base rate decreases during the 3 month promo period.The Cash Account, which is not a deposit account, is offered by Wealthfront Brokerage LLC ("Wealthfront Brokerage"), Member FINRA/SIPC. Wealthfront Brokerage is not a bank. The Annual Percentage Yield ("APY") on cash deposits as of 11/7/25, is representative, requires no minimum, and may change at any time. The APY reflects the weighted average of deposit balances at participating Program Banks, which are not allocated equally. Wealthfront Brokerage sweeps cash balances to Program Banks, where they earn the variable APY. Sources HERE.

Rev. Christopher Zacharias is a powerful example of what it means, as Walt Whitman described, to contain multitudes. It starts with his religious calling and belief in engaging across faith traditions to advance equity and justice in communities where they have been denied. He uses his voice to call out policy decisions and corporate practices that harm communities of color and identifies the action steps needed to produce solutions. Rev. Zacharias is grounded in his position as Senior Pastor of the John Wesley A.M.E. Zion Church in Washington DC, an historic pillar of America's civil rights movement. On this episode of Power Station I speak with Rev. Zacharias about his interconnected roles as Executive Director of Interfaith Action for Human Rights, whose legislative campaigns are designed to stop the overuse of solitary confinement in prisons within DC, Maryland and Virginia and his leadership of Boycott Target DC, a coalition organized in response to Target's rejection of its DEI programs and $2.5B commitment to Black businesses after the 2025 election of Donald Trump. Momentum is building for each, and corporate and public leaders are paying attention. Rev. Zacharias invites us all to exercise our passion and purpose.

We lost a great one, kids! RIP Robert Duvall, Swalwell once considered himself the next Walt Whitman & More See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Note: Due to technical difficulties, Rhina wasn't able to join us. Instead, Timothy Green and Katie Dozier talked about her work and read poems with her friends Alfred Nichol and Pedro Poitevin. Rhina P. Espaillat is a bilingual poet, essayist, short story writer, translator, and former English teacher in New York City's public high schools. Her newest book is For Instance, just out from Wiseblood Books. She has previous published twelve books, five chapbooks, and a monograph on translation. Her most recent works include the poetry collections: And After All, The Field, and Brief Accident of Light: A Day in Newburyport, co-authored with Alfred Nicol. Her numerous translations include work by Sor Juana Inés de la Cruz, San Juan de la Cruz, Garcia Lorca, Miguel Hernandez, Emily Dickinson, Walt Whitman, Robert Frost, Richard Wilbur, and many contemporary poets of the Americas and the Hispanic diaspora, among others. Find For Instance here: https://www.wisebloodbooks.com/store/p173/For_Instance%3A_Poems_by_Rhina_P._Espaillat.html As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem that explores how one of the cognitive biases has shaped your life. Next Week's Prompt: Write a formal sonnet—choosing between a Petrarchan, Shakespearean, Spenserian, or Miltonic sonnet. Don't forget the volta and at some point, use an exclamation mark! The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Jim talks with Ben Goertzel about his worldview. They discuss Ben's morning experience of consciousness crystallizing from ambient awareness, his identification as a panpsychic, the concept of pattern being more fundamental than stuff, Charles Peirce's ontology of first/second/third, the idea of uryphysics as a broader notion of physics beyond metaphysics, parapsychology and psi phenomena including remote viewing and Project Stargate, reincarnation-like phenomena and cases from India, experimental design in parapsychology research, the legitimation of both AGI and psi research, the consciousness explosion occurring alongside AI/ASI development, Jeffrey Martin's work on fundamental well-being and persistent nonsymbolic experience, the immense design space of possible minds, human cognitive limitations like seven plus or minus two short-term memory, the single-threaded nature of human consciousness versus potential multi-threaded ASI, scenarios for beneficial superintelligence and options for humans to remain in human form or upload, the question of how long human existence would remain interesting post-singularity, psychedelics as tools for accessing different states of consciousness and insights into mind construction, the absence of shamanic institutions in modern culture, experiences with DMT and heroic doses, holding multiple contradictory perspectives simultaneously, Walt Whitman's notion of containing multitudes, Ben's intuitive sense that consciousness and the basic ground of being are fundamentally joyful and compassionate, arguments for why superintelligence will likely be good based on efficiency of mutually trusting agents, and much more. Episode Transcript The Consciousness Explosion, by Ben Goertzel JRS EP 217 Ben Goertzel on a New Framework for AGI JRS EP 211 Ben Goertzel on Generative AI vs. AGI JRS Currents 072: Ben Goertzel on Viable Paths to True AGI Evidence for Psi: Thirteen Empirical Research Reports, ed. Damien Broderick & Ben Goertzel Dr. Ben Goertzel is a cross-disciplinary scientist, entrepreneur and author.  Born in Brazil to American parents, in 2020 after a long stretch living in Hong Kong he relocated his primary base of operations to a rural island near Seattle. He leads the SingularityNET Foundation, the OpenCog Foundation, and the AGI Society which runs the annual Artificial General Intelligence conference. Dr. Goertzel's research work encompasses multiple areas including artificial general intelligence, natural language processing, cognitive science, machine learning, computational finance, bioinformatics, virtual worlds, gaming, parapsychology, theoretical physics and more.

As the new year gets rolling, I've been trying to make room for what I call “the soul.” To me, this means being more receptive to those mysterious synchronicities, insights, and feelings so easily missed when I keep myself busy and distracted. Sometimes this energy comes from within, and sometimes it's a “postcard from God,” as Walt Whitman would say.Bernie With His Plough & The Great Horned OwlIt could be a lyric that aligns with something on my mind. The other day, I heard Elton John sing the lyric about the howling old owl in the woods (from “Goodbye Yellow Brick Road”). Though I've heard the line many times before, this time was different. Recently, each night when I take my dog out, I hear the haunting sound of a great horned owl in the woods behind my house.But what do I do with that synchronicity? Is it the owl itself - a symbol of wisdom, intuition, mystery, and the ability to see beyond illusion- that I should listen to? Maybe it's the lyric Bernie Taupin wrote for Elton about a desire to leave the superficial ego-driven world behind and return to a more grounded life - a more authentic self. Bernie was ready to leave the yellow brick road of striving for success. He wanted to go back to his plough and back to the howling old owl in the woods.Maybe it's both - the haunting sound of the owl and a longing to return “home.” Maybe the owl's saying, “Leave me alone already and just honor the mystery.” Maybe Bernie is telling me he'd love my simple, quiet life in rural Kentucky, a life that at times doesn't feel full enough.Contemplating Solitude With MertonA couple of days ago, while doing Qigong (meditative movements similar to Tai Chi), I wondered if there is a place nearby where people gather and move in these gentle ways. The first place that came to mind was the Abbey of Gethsemani, which is not far from here. Finding a group of monks, at least Trappist monks, doing Qigong, would be quite unlikely. Maybe if Merton were still around.Gethsemani was made famous by Thomas Merton, an influential spiritual writer and Trappist monk who lived at the monastery for 27 years. Four of those years, he spent mainly in his hermitage - a secluded cabin in the woods. “Not all of us are called to be hermits, but all of us need enough silence and solitude in our lives to enable the deeper voice of our own self to be heard at least occasionally.” - Thomas MertonBefore entering the Abbey at 26, Merton was worldly, raucous, and rebellious. Like Bernie and many of us, he struggled with the tension between a simple, humble life and a desire to engage with and influence the outside world.While at Gethsemani, Merton wrote over 70 books about contemplation, prayer, Eastern religions, interfaith dialogue and social justice, including his famous autobiography, “Seven Story Mountain.”What do I do with that? Merton did all of that while living a quiet life right here in my neck of the woods. Hmmmmmm….Reclaiming That Girl That Used to Be MineSometimes the soul provides a shift in how we think about ourselves and our lives. Sometimes, however, a postcard cuts right through all the analysis and goes straight to the heart.Yesterday, I saw a video reel of Sara Bareilles and Rufus Wainwright singing, “She Used to Be Mine.” Though I'd heard parts of this song before, I never stopped long enough to listen. Last night, with my reclaimed intention of receptivity, I did. Instead of landing on some great insight, I found myself in tears. Quickly, I pulled myself out, before sliding right back into those tears, tears that I realized I was grateful could still flow.When was the last time I cried? And why was I crying? And, why were so many of the people in the audience crying? The song is about losing one's self, and losing the connection to the child we once were - a universal loss that can make some of us ache, even at the age of 58, when we think we've done such a brilliant job of putting all of those parts of ourselves back together.Though no longer recognizing herself, she still remembers the girl she used to be. She sings with tenderness about that girl's imperfection, effort, goodness, and self-reliance. She questions what life would have been like if she could rewrite the ending for that girl.Sara Bareilles wrote this song for the 2016 Broadway musical, “Waitress.” The lead character sings it at the end of the second act when she has hit rock bottom. She is lost and struggling to remember who she is. Through the song, she mourns the loss of herself before starting to gain footing and for a moment taps into the strength and grit of that child she starts to reclaim.The story isn't over. We all have an opportunity to write the next act and to extend unconditional affection for the child that she describes as messy, but kind, lonely most of the time, but more, she is all of this “mixed up,” and “baked in a beautiful pie.”Why Here & Now?My long-held hope in sharing information online has been to balance the mind and spirit (the right and left brain). In recent times, I've leaned into the left-brain science. That's what people tend to read or listen to. That's what people need and can't easily find elsewhere. I'd forgotten, however, that expressing myself from my heart is something that I need. It is who I am. My own health and healing required much more than scientific information. It would be dishonest to only share part of that story.Even as a child, writing was my lifeline. It helped me find my place in the world. It gave me peace. That child wouldn't need to make sense of why the owl speaks to me at night. Or, why Bernie showed up with a plough in hand. Or, why Merton put down his pen and stepped out of his cabin to greet me in the woods. Or, even why Sarah, dressed as a waitress, crossed my path while singing a song I'd be sure was written just for me.But, I'm not only that child. I'm all grown up and can't help but wonder why these particular energies showed up now, beyond the fact that I created some space for them to do so? What would they have me know? I think, to embrace paradox and to remember that we are physical beings of this world, and also spiritual beings who transcend it. We need connection, and we need solitude. We are adults shaped by a lifetime of experience, and still vulnerable children filled with wonder and sometimes hurt. We are light, and we are shadow. And as Sara would say, we are all of this “mixed up and baked in a big beautiful pie.”Wishing you wholeness as you make your way through this year,CourtneyTo learn more about my discovery calls, non-patient consultations, or mentoring, please visit my website at:CourtneySnyderMD.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit courtneysnydermd.substack.com/subscribe

Today we come to praise the one-room schoolhouse of the 19th century (and some of its earlier forebears). Humble in appearance, these buildings might be easy to overlook but their existence hints at a broader social, cultural, and educational history across Long Island. Zach Studenroth, architectural historian and preservationist, documents this history in Historic Schoolhouses of Long Island from Arcadia Publishing (compiled with his co-author, the late Kurt Kahofer). On today's episode, Zach elaborates on the role of New York State in establishing schools in the 1800s, Walt Whitman's brief foray into teaching, and the surprising afterlife of school buildings as churches, fire houses, and storage sheds. Further Research Historic Schoolhouses of Long Island (Arcadia Publishing) Schoolteaching Years (Walt Whitman Archive) George Bradford Brainerd (Brooklyn Museum) Audio Footnotes Episode 89: Walt Whitman's Birthplace Intro Music: https://homegrownstringband.com/ Outro music: Capering by Blue Dot Sessions CC BY-NC 4.0

Happy New Year, Beauties! I wanted to start 2026 by shifting focus from productivity to seeking inspiration from creative figures. Instead of advocating for work ethic and goals, I introduce you all to my 'creative board of directors' to offer perspective. Diana Vreeland, Andre Leon Talley, Zora Neale Hurston, Walt Whitemand, and Thich Nhat Hanh are the 'creative ancestors' who help guide the way I live and work. In this episode, we explore the wisdom I've gleaned from these people, from keeping one's imagination fresh like Diana Vreeland wrote about, to the importance of not shrinking oneself, as taught by Andre Leon Talley. I reflect on Andy Warhol's views on combining commerce with creativity, and highlight the spiritual resilience of writers Zora Neale Hurston and transcendentalist Walt Whitman. To conclude, I drew on the wisdom from the mindfulness teachings of Vietnamese Zen Buddhist monk Thich Nhat Hanh regarding the importance of being present. Tune in for a reminder to embrace the present moment, stay curious, and relish the current season of their lives.Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevard Hosted on Acast. See acast.com/privacy for more information.

When Kevin Kelly dropped out of college in the 1970s, it was almost unheard of. Instead of following a traditional path, he chose a life driven by curiosity, freedom, and hands-on learning. That decision led him to hitchhike across Asia, document disappearing cultures, and eventually immerse himself in the early internet. Years later, he co-founded Wired, a magazine that soon became the voice of emerging technology and culture. In this episode, Kevin joins Ilana to share how Wired went from fighting for shelf space to redefining what a tech publication could be. He also explains his unique relationship with time, why he tracks the days he has left, and how creators today can thrive with just 1,000 true fans. Kevin Kelly is a writer, photographer, and Senior Maverick at Wired, an award-winning magazine he co-founded in 1993. He is also a former editor and publisher of the Whole Earth Review and the author of multiple bestselling books about the future of technology. In this episode, Ilana and Kevin will discuss: (00:00) Introduction  (02:14) Choosing an Unconventional Path to Success (06:34) The Start of His Adventures in Asia (10:54) Getting into Writing and Publishing (14:17) Creating One of the First Hacker Conferences (20:18) The Grit Behind Wired Magazine's Success (30:37) The Dot-Com Bust and Why Wired was Split (34:17) The Origin and Power of “1,000 True Fans” (41:18) How a Near-Death Experience Transformed Kevin (47:10) About His Latest Book,  Colors of Asia Kevin Kelly is a writer, photographer, and co-founder of the award-winning Wired magazine, and a former editor and publisher of the Whole Earth Review. He is the co-chair of The Long Now Foundation, which champions long-term thinking, and the creator of the Cool Tools website, which has reviewed tools daily for over 20 years. Kevin is also the author of multiple bestselling books on the future of technology, and his latest book, Colors of Asia, captures the culture of all 35 Asian countries through vivid photography. Connect with Kevin: Kevin's Website: https://kk.org  Kevin's Twitter: https://x.com/kevin2kelly  Resources Mentioned: Kevin's Book, Colors of Asia: A Visual Journey: https://www.amazon.com/Colors-Asia-Journey-Kevin-Kelly/dp/B0FGJ18PG5  Leaves of Grass: The Original 1855 Edition by Walt Whitman: https://www.amazon.com/dp/1449505716  Leap Academy: LeapCon is the #1 Conference for Reinvention, Leadership & Career — a powerful 3‑day experience designed to help you unlock what's next in your career and life.

Hosts Jim DeRogatis and Greg Kot welcome Jeff Tweedy of Wilco for a wide-ranging discussion about his solo album "Twilight Override" and other aspects of Tweedy's long and storied career.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Jeff Tweedy, "Lou Reed Was My Babysitter," Twilight Override, dBpm, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Jeff Tweedy, "Feel Free," Twilight Override, dBpm, 2025Jeff Tweedy, "One Tiny Flower," Twilight Override, dBpm, 2025Jeff Tweedy, "Parking Lot," Twilight Override, dBpm, 2025Jeff Tweedy, "Cry Baby Cry," Twilight Override, dBpm, 2025Jeff Tweedy, "Blank Baby," Twilight Override, dBpm, 2025The Velvet Underground, "Rock & Roll," Loaded, Cotilion, 1970Billy Bragg & Wilco, "Walt Whitman's Niece," Mermaid Avenue, Elektra, 1998Billy Bragg & Wilco, "California Stars," Mermaid Avenue, Elektra, 1998Billy Bragg & Wilco, "All You Fascists," Mermaid Avenue Volume II, Elektra, 2000Jeff Tweedy, "No One's Moving On," Twilight Override, dBpm, 2025Jeff Tweedy, "Enough," Twilight Override, dBpm, 2025Radiohead, "Everything In Its Right Place," Kid A, Parlophone, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Merriam-Webster's Word of the Day for December 14, 2025 is: multitudinous • mul-tuh-TOO-duh-nus • adjective Multitudinous is a formal word with meanings that relate to multitudes. It can mean “existing in a great multitude”—that is, “very many”; or “including a multitude of individuals”; or “existing in or consisting of innumerable elements or aspects.” // The two old friends reminisced about the multitudinous ways in which their lives had changed. // The author's appearance is expected to attract a multitudinous gathering that will fill the auditorium. See the entry > Examples: “Launched as Holton's artistic inquiry into his own Chinese heritage, the project has evolved into a profound examination of family dynamics, migration, and cultural hybridity in contemporary New York, where the American identity is multitudinous.” — Natasha Gural, Forbes, 11 June 2025 Did you know? “I am large, I contain multitudes.” So wrote Walt Whitman in his most celebrated poem, “Song of Myself.” He was expressing his ability to hold within himself contradictory statements, facets, opinions, beliefs, etc. Another, if less poetic, way of saying “I contain multitudes” might be “I am multitudinous,” using the sense of that five-syllable word meaning “existing in or consisting of innumerable elements or aspects.” Multitudinous doesn't have a lot of meanings—three to be exact—but each one concerns, well, a lot. In addition to serving Whitmanesque purposes as noted above, multitudinous is the kind of highly expressive word that you can rely upon when you want something a little more emphatic than plain old numerous, as in “multitudinous possibilities.” Lastly, its original sense—still in use today—is a synonym of populous meaning “including a multitude of individuals,” as in “the multitudinous city.”

This week's topics: • Netflix's prestige season • Fleabag being the top 5 programmes of all time • What we want at our funerals • Waakye v Rice & Peas • Broken promises at funerals • Walt Whitman's Song of Myself poem • No Limit v Cash Money Verzuz • Reform UK MP Sarah Pochin is mad at Black & Asian faces on TV • Tory MP, Robert Jenrick not seeing any White faces in Birmingham • Are the above two statements racists or no • Who does integration help • Prisoners set free by mistake • Racial tint on mistaken prison release reporting • Racial disparity in prison and why • Train stabbing attack • Tanzanian election troubles, first hand • Nigerian Muslims killing Christians? • #StavrosSays : Fleabag [https://www.bbc.co.uk/iplayer/episodes/p070npjv/fleabag] Connect with us at & send your questions & comments to: #ESNpod so we can find your comments www.esnpodcast.com www.facebook.com/ESNpodcasts www.twitter.com/ESNpodcast www.instagram.com/ESNpodcast @esnpodcast on all other social media esnpodcast@gmail.com It's important to subscribe, rate and review us on your apple products. You can do that here... www.bit.ly/esnitunes

Welcome to a new episode of The Way Out Is In: The Zen Art of Living, a podcast series mirroring Zen Master Thich Nhat Hanh's deep teachings of Buddhist philosophy: a simple yet profound methodology for dealing with our suffering, and for creating more happiness and joy in our lives. This is the recording of our second live public event, which recently took place in London. Zen Buddhist monk Brother Phap Huu and leadership coach/journalist Jo Confino are joined on stage by special guest Ocean Vuong, Vietnamese American poet, essayist, and novelist. Their conversation explores the themes of joy, togetherness, and cultivating courage in the face of hardship and suffering; the role of language, narrative, and technology in shaping modern experiences of suffering and joy; intergenerational trauma; and more. All three share personal experiences and insights about finding meaning and community amidst individual and collective challenges. Ocean recollects the way that, growing up in a community impacted by the opioid crisis, Buddhism and the teachings of Thich Nhat Hanh provided solace and a path to understanding suffering, while Brother Phap Huu reflects on his journey to become a Zen Buddhist monk, and the role of kindness, fearlessness, and vulnerability in his practice. The discussion culminates with a chant offered by Ocean as a message of hope and resilience in the face of adversity. Co-produced by the Plum Village App:https://plumvillage.app/   And Global Optimism:https://globaloptimism.com/ With support from the Thich Nhat Hanh Foundation:https://thichnhathanhfoundation.org/ List of resources Ocean Vuong https://www.oceanvuong.com Being with Busyness: Zen Ways to Transform Overwhelm and Burnouthttps://www.parallax.org/product/being-with-busyness/ Calm in the Storm: Zen Ways to Cultivate Stability in an Anxious Worldhttps://www.parallax.org/product/calm-in-the-storm/ Interbeinghttps://en.wikipedia.org/wiki/Interbeing W. S. Merwinhttps://en.wikipedia.org/wiki/W._S._Merwin Harry Beecher Stowehttps://en.wikipedia.org/wiki/Harriet_Beecher_Stowe  Tom Brokawhttps://en.wikipedia.org/wiki/Tom_Brokaw Duḥkhahttps://en.wikipedia.org/wiki/Du%E1%B8%A5kha Ford Model Thttps://en.wikipedia.org/wiki/Ford_Model_T The Dhammapadahttps://en.wikipedia.org/wiki/Dhammapada Anaphorahttps://en.wikipedia.org/wiki/Anaphora_(rhetoric) Schadenfreudehttps://en.wikipedia.org/wiki/Schadenfreude ‘Bright Morning Star'https://en.wikipedia.org/wiki/Bright_Morning_Star ‘The Five Earth Touchings'https://plumvillage.org/key-practice-texts/the-five-earth-touchings Quotes “When drinking water, remember the source.” “On the last day of the world / I would want to plant a tree / what for / not for the fruit […] / I want the tree that stands / in the earth for the first time / with the sun already / going down” – from ‘Place' by W.S. Merwin. “Being a Vietnamese person in the diaspora, for many of us, the temple or the church or what have you is the place where we hear Vietnamese at the longest unbroken duration. Whereas someone native to Vietnam would hear it all the time. So, to this day, the Vietnamese language, to me, elicits this collective desire to heal and understand suffering. And it’s very specific to the immigrant. It’s what I call a third culture: there’s nothing like it in the homeland; there’s nothing like it in the assimilated American ethos. But there’s this special place that displacement and violence created.” “In Plum Village, when I first entered, I was 13 years old, and I touched a kind of kindness that I’d never touched before. And I asked myself whether I could be a kind person. I think I’m good; I think I’m going to have a career of offering smiles.” “I invite us, as a collective, to invoke this peace that we can bring in our hearts and into the world at this moment. Body, speech, and mind in perfect oneness. I send my heart along with the sound of this bell. May the hearers awaken from forgetfulness and transcend the path of anxiety and sorrow.” “Just a smile can save someone’s life.” “Technology was supposed to bring us together. This is the promise of the Enlightenment. But it’s interesting that all technological movements or renaissances are controlled by the wealthy and the elites. So what I’m interested in, as a writer, as a teacher, is that so much of our world is about material resources and narrative. And this is why I tell my students, ‘They shame you for being a poet, for being a writer: “Oh, you’re doing this liberal arts, naval-gazing, decadent thing, dreaming”' – but the politicians and the elites are poets too. The greatest political speech is the anaphora. Walt Whitman used it as a catalog, but you hear it: ‘We will heal the working class, we will heal the great divide, I will solve, we will heal this country’s heart, we will heal the middle class.' And that's why the anaphora is so useful: because it doesn’t have to explain itself.” “All those in power are also poets. They’re manipulating meaning, but for votes, for profit, for power, towards fascism. And no wonder the system is designed to make you ashamed to be an artist. It’s so interesting, isn’t it, that, in the art world, we’re often asked to be humble, to be grateful for a seat at the table; to perform humility. And I think humility is good; as a Buddhist, I believe in it, but there is a discrepancy here: we never tell people on Wall Street to be humble. You never hear someone say, ‘You know what, we killed it last quarter, so let’s tone it down and be grateful that we have a seat at the economic table.'” “Kindness is more difficult now than ever because I think kindness is something that is deeply dependent on our proximity to suffering. It’s harder for us to comprehend suffering, now. Schadenfreude is in our hands and it’s always easier to see. We’ve normalized suffering so much that we’ve been disassociated from it.” “We speak about inclusiveness and equanimity in Buddhism, but we’re not equal. Some of us are born in places where we have more privileges: in a particular race, in a particular situation, in a particular year. But what is equal is, as human beings, we’re all going to grow old, we’re all going to get sick, we’re all going to have to let go of what we think is permanent. And we’re going to learn to live deeply in the present moment.” “Sadness becomes not just a feeling, but knowledge. So think about sadness as knowledge, as potential, and that anger even has an aftermath. And you realize that the aftermath of anger is care.” “The big trouble with masculinity is that we are not given the ability or the permission to feel and be vulnerable – but we are encouraged to have absolute agency. It’s incredible. It’s a perfect storm of violence: ‘Don’t feel, don’t interrogate, and don’t be vulnerable. But, meanwhile, go get ‘em, buddy.'” “Under our greatest fear is our greatest strength.” “Camus says that writing itself is optimism, because it’s suffering shared. Even if you write about the darkest things, it is optimistic because someone else will recognize it. And recognition is a democratic ideal, because it means that one feeling could then be taken and collaborated with.” “It’s really hard to convince people to go to war, historically. You need a lot of text, you need a lot of airwaves, you need a lot of speeches to convince people to go to war – but it's very easy to convince people to stop war. Very easy for people to stop armament. Difficult for folks who are in control to keep it up, but if you ask the general population, ‘Do you want peace?', it’s quick. So that gives me a little hope.” “In fast food is a kind of sinister beauty, because it’s an industrialized promise of absolute replication of fulfillment – and yet it’s a kind of poison as well. It’s like the ultimate democratic ideal, sadly: we can’t have equality, income equality, or healthcare, but we can all eat McDonald’s French fries, and, whether you’re a billionaire or a houseless person, it will taste the same. Likewise with Coca-Cola, etc. In a way it’s the sinister capaciousness of the American dream: you can all feel the same thing while you’re all slowly dying.”

Sermon by Jonathan Stoner at 10:00 a.m. on St. Francis Sunday, October 5, 2025 at All Saints Church, Pasadena. Readings: Jeremiah 1:1-6, The Lamentations of Jeremiah 3:19-26, Paul's Second Letter to Timothy 1:1-14 and Luke 17:5-10. Watch the sermon on YouTube.          Please consider pledging to All Saints Church at https://allsaints-pas.org/pledge/, or donate to support the mission and ministry of All Saints at https://allsaints-pas.org/giving/. Any donation, big or small, is appreciated! Like us on Facebook at https://www.facebook.com/AllSaintsPasadena/. Follow us on Instagram at #allsaintspas. Check out the rest of our YouTube channel at https://www.youtube.com/user/allsaintspasadena1/videos. Subscribe, like, get notifications every time we post! Enjoy our extensive archive of stimulating and inspiring content!

If you teach American literature, chances are you're touching on the theme of the American Dream somehow, through book clubs, a poetry unit, a look at Gatsby, or an essential question that binds together a variety of genres and perspectives. So when I received this request for our Plan my Lesson series, "How about a fun way to introduce the American Dream unit for juniors, about 36 of them," I was ready. In today's episode, we're going to talk about how you might introduce the concept of The American Dream through a series of multimedia activities, first letting students choose which ones to explore, then letting them respond with multimedia of their own, creating a collage of dream experiences for the class to view. American Dream Text Possibilities (Starter List): Death of a Salesman Trailer (Royal Shakespeare Company) American Gothic Painting (Painting at The Art Institute of Chicago) Reyna Grande: A Migrant's Story (Video on Youtube) The Sun is Also a Star (Movie Trailer) "American Dream" (Video from the Beltway Poetry Slam on Youtube) "Let America be America Again" (Poem by Langston Hughes at Poets.org) "Immigrant Photos by Augustus Sherman" (Photos from Ellis Island at the National Park Service) "An American Sunrise" (Poem by Joy Harjo at Poets.org) "American Dreamers Mural" (Mural by Shepard Fairey and Vils, Photo at Obey Giant) - you'd want to pull the photo out of the blog post "Lincoln, Nebraska 1977" (Photo by Keith Jacobshagen at the Spencer Museum of Art) American Dream Exhibit (Punto Urban Art Museum) "Gold Mountain Dreams" (PBS: Bill Moyer's Becoming American: The Chinese Experience") "This Hill we Climb" (Amanda Gorman on PBS Youtube) "I hear America Singing" (Poem by Walt Whitman at The Poetry Foundation) Start-up Story: "Jerry Yang" (The Immigrant Learning Center) Multimedia collage response example (one illustration, one quotation, and an interpretive 6 word memoir):  Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!   

Walt Whitman's startling line—“every atom belonging to me as good belongs to you”—meets the Śrīmad-Bhāgavatam, where Nārada Muni confronts two proud sons of Kubera and forces them to consider: who really owns the body? From Whitman's atoms to the yogic teaching “not me, not mine,” we uncover the liberating truth that the body is a vehicle on loan, entrusted for a higher purpose. Along the way we also explore how sages wield the power to curse—and why those curses are often hidden blessings. Srimad Bhagavatam 10.10.1-12 ********************************************************************* LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 ********************************************************************* Join the Gita Collective Whatsapp group! https://chat.whatsapp.com/IoClfPirgHXBad5SxjH2i6?mode=ems_copy_t

In today's episode, we're discussing the Circle of Sex, a 1960s astrological representation of sexuality, and its eccentric creator Gavin Arthur. Join us to hear about how to have sex à la Walt Whitman, how to figure out if you're a Sappho or a Club Woman, and whether there is a faint possibility, just maybe, that the Circle is a tiny bit flawed.  If you would like to follow along at home, please have a look at the Circle of Sex diagram. We do our best to explain it, but it will hopefully make things a little bit clearer if you have a look yourself! Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: The Circle of Sex, a diagram of a circle cut into twelve segments, with a Yin-Yang symbol at the centre. Each segment has a label such as 'Hyperheterogenic - Don Juan' or '3/4 homogenic - Lesbian'.]

The boys talk about two new movie musical trailers, as well as the new FX/Hulu show “Adults,” and we get an update on the Bark Box Pride Collection saga. --- Share the gift of gay all year round! https://www.patreon.com/RealityGays/gift JOIN RealityGays+ for exclusive content  + Patreon  https://www.patreon.com/RealityGays or  + Supercast  https://realitygaysmulti.supercast.com/  + Apple Subscriptions https://podcasts.apple.com/us/podcast/reality-gays-with-mattie-and-poodle/id1477555097  Click here for all things RG!  https://linktr.ee/RealityGays We covered the latest season of The Secret Lives of Mormon Wives Season 2 on Hulu!  Watch us on video- www.youtube.com/@RealityGays To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

While you may know the Brooklyn Museum for its wildly popular cutting-edge exhibitions, the borough's premier art institution can actually trace its origins back to a more rustic era -- and to the birth of the city of Brooklyn itself.On July 4, 1825, the growing village laid a cornerstone for its new Brooklyn Apprentices Library, an educational institution to support its young "clerks, journeymen and apprentices." This was a momentous occasion in the history of Brooklyn, a ceremony overseen by the Marquis de Lafayette and observed by a young boy named Walt Whitman.The library was part of a movement -- started a century before by Benjamin Franklin-- to make knowledge readily available within the young country.The Brooklyn Museum's celebratory new exhibition Breaking the Mold: Brooklyn Museum at 200 looks back at its storied origins and eventual growth, encompassing most of the young city's cultural institutions and soon expanding into a monumental new home next to the new Prospect Park, designed by McKim, Mead and White.Abigail Dansiger, the Director of Libraries and Archives, and Meghan Bill, the Coordinator of Provenance, join Greg on this week's show to explain the unusual origins of the Brooklyn Museum and the unique philosophies which inform its exhibitions.PLUS: A couple genuine mysteries lurk within the new exhibition, including a bottle-shaped niche within the cornerstone and an Egyptologist's unencrypted notebook.This episode was edited by Kieran Gannon