Podcasts about marat sade

David San Juan, componente Grupo de Teatro Zaquizami, nos habla de la representación de Marat Sade.

  A sinister figure in the underground art world forces talented artists to paint fakes and passes them off to influential players to make him rich, then kills them..until a famed artist, thought dead, resurfaces. Inspired by true events. Director and star Brandon Gibson who is the bad guy Named rameriez his on screen wife, Valentina played by Vanessa Tamyo, The hero Helena played by Justine Renee and the muscle for Ramirez , Sonia- former WWE powerhouse Steph Delander. Vanessa Tamayo - Colombo-Brazilian actress and producer. Grew up in theatre as part of the cast of Cenicienta (Cinderella) in Colombia, Marat Sade in Canada, and Shakespeare is a White Supremacist in Miami among others. Vanessa has also been part of different Netflix productions such as Sin Senos Si Hay Paraiso, Ingobernable, Lady La Vendedora de Rosas, and Cien Días para Enamorarnos. Vanessa's big screen debut was in the film Out of the Dark working alongside Julia Stiles and Scott Speedman. Her most recent work can be seen starring in The Attack of the Meth Gator (Prime Video) and Monster Grizzly (Tubi). And also looking forward to the release of the Tubi series Spilled Paint, and the films View From the Edge and A Time to Dance.

Trailer - https://www.youtube.com/watch?si=Lbo8hMbt6c47XwvH&v=TvOnFbXoqxE&feature=youtu.be Filmmaker Meosha Bean interviews Jensen Atwood plays- hakeem baylor FBI detective who has been around and seen a lot of things happen even to his own family. Bio Historically, Atwood played Wade Robinson in LOGOs cable series Noah's ARC.Steven RHO plays - Daniel Montrose booksmart Guy, who is learning the ropes of fieldwork under agent. Baylor, very observant and his keen sense is what guides him Bronsonn Taylor plays -Booda the muscle for Ramirez Ponce they grew up together, has always been by Rez side, but his mama's voice keeps playing in his headmVanessa Tamayo plays Valentina ponce, the wife of the bad guy Ramirez Ponce. She has an affinity for finer things, including art, but also very deep and does not like when others are in pain.Bio Vanessa Tamayo - Colombo-Brazilian actress and producer. Grew up in theatre as part of the cast of Cenicienta (Cinderella) in Colombia, Marat Sade in Canada, and Shakespeare is a White Supremacist in Miami among others. Vanessa has also been part of different Netflix productions such as Sin Senos Si Hay Paraiso, Ingobernable, Lady La Vendedora de Rosas, and Cien Días para Enamorarnos. Vanessa's big screen debut was in the film Out of the Dark working alongside Julia Stiles and Scott Speedman. Her most recent work can be seen starring in The Attack of the Meth Gator (Prime Video) and Monster Grizzly (Tubi). And also looking forward to the release of the Tubi series Spilled Paint, and the films View From the Edge and A Time to Dance.About show : A sinister figure in the underground art world forces talented artists to paint fakes and passes them off to influential players to make him rich, then kills them until a famed artist, thought dead, resurfaces. Meosha Bean Films on Plex https://watch.plex.tv/person/meosha-beanWatch Meosha films on Tubi -- https://tubitv.com/person/b00c45/meosha-bean Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Host Luisa Lyons chats with David Nando Rodgers, an actor/singer/writer whose new cabaret My Sunday Clothes will be livestreamed from NYC's The Green Room 42. In this thoughtful and enlightening conversation, David shares his journey into the world of musical theatre which began with sitting in the second row of a matinee of the Phantom of the Opera. Dive into the practice of theatre from the perspectives of drama school, performance, being a repeat viewer, and creating a new cabaret from scratch.David Nando Rodgers is an actor, singer, and writer. Recently, he appeared in The REV Theatre's Evita in the ensemble and covered Juan Perón. Other select credits are Marat/Sade, Jane Eyre, The Rover, and Sweet Revenge. He co-adapted a production of Dracula and he's been co-writing a new musical, The Starving Artist. David also has a longstanding non-profit administration career. Training: BFA, University of Minnesota/Guthrie Theater Actor Training Program and Shakespeare's Globe Theatre, London. www.davidnandrodgers.com @davidnandorodgersShow Links My Sunday Clothes @ The Green Room 42Support the showFilmed Live Musicals is where musicals come home. Use the searchable database to find musicals filmed on stage to watch from the comfort of your living room! Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook, Instagram, Twitter, and YouTube. You can also support the site at Patreon. Patrons get early access to the podcast and site content, no matter how much you pledge. Become a Patron today!Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.

Guest hosted by Associate Producer Jeff Lunden, this is the conclusion of a two-part program featuring director/choreographer Martha Clarke and composer Richard Peaslee. Clarke is known as one of the founders of Pilobolus Dance Theater, and Peaslee for composing scores to such shows as Peter Brook's MARAT/SADE and TELL ME LIES. Clarke and Peaslee discuss their collaboration on the dance/music/theatre piece THE GARDEN OF EARTHLY DELIGHTS based on the Hieronymus Bosch painting.   Featured music: Instrumental selections from “THE GARDEN OF EARTHLY DELIGHTS,” featuring musicians Eugene Friesen (cello), William Ruhl (percussion), and Steven Silverstein (18 reed instruments), recorded exclusively for this program.   Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest hosted by Associate Producer Jeff Lunden, this is the first of a two-part program featuring director/choreographer Martha Clarke and composer Richard Peaslee. Clarke is known as one of the founders of Pilobolus Dance Theater, and Peaslee for composing scores to such shows as Peter Brook's MARAT/SADE and TELL ME LIES. Clarke and Peaslee discuss their collaboration on the dance/music/theatre piece THE GARDEN OF EARTHLY DELIGHTS based on the Hieronymus Bosch painting. Part One also features early work by Peaslee.   Featured music: “Medley of songs from MARAT/SADE,” “THE CORDAY WALTZ,” “BRANCHES” and “LET'S HAVE A PARTY” from a Peaslee/ Jean Claude Van Italie collaboration entitled KING OF THE U.S., plus a song called “ALICE” featuring the words of Lewis Caroll. Instrumental selections from “THE GARDEN OF EARTHLY DELIGHTS” featuring the musicians, Eugene Friesen, Bill Ruyle, and Steven Silverstein.   Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Bannister on Daniel Ellsberg, the whistleblower who leaked the Pentagon Papers, revealing the US government's secret approach to the Vietnam War. Glenda Jackson, the Oscar winning actor and Labour MP Melanie Phillips, who helped to change embedded racial prejudice in the social work system Sir Ben Helfgott, who survived the horrors of the Nazi concentration camps and went on to become captain of Britain's Olympic weightlifting team Producer: Ed Prendeville Interviewee: Robert Ellsberg Interviewee: Maurice Helfgott Interviewee: Ratna Dutt & Jabeer Butt Archive used: SIX FIFTY-FIVE SPECIAL. BBC2 Tue 17 Aug 1982; This Cultural Life. Thu 15 Jun 2023; Clip from Marat Sade published on Youtube on 10 Jun 2010; Clip from Women in Love published on YouTube 7th July 2021; Glenda Jackson winning Best Actress for "Women in Love" published on Youtube 30 Mar 2011; Glenda talking about the news she had won ITN Archive 16 April 1971; Glenda Jackson Remembers... Elizabeth R; Clip from Elizabeth. Broadcast Wed 24 Mar 1971; Glenda winning Hampstead and Highgate constituency. BBC 1 First Broadcast Fri 10 Apr 1992; Glenda talking about her maiden speech. BBC2. First Broadcast Tue 28 May 1996; Glenda Jackson: Housing benefit debate, House of Commons. Glenda Jackson MP speaks in the debate on housing benefit, 9/11/10; Clip from Elizabeth is missing. BBC1, Sun 08 Dec 2019; Conversations with History: Daniel Ellsberg From: University of California Television. Uploaded 08.02.08

Almost two years ago, I had the great pleasure of interviewing Dustin Britt prior to a production of Peter Weiss' MARAT/SADE he directed at St. John's Metropolitan Church in Raleigh, North Carolina. Now, he's back with them helming an upcoming production of Terrence McNally's CORPUS CHRISTI, which will be taking place from June 1st-10th. Dustin is a Triangle-based theatremaker for more than twenty years as an actor, stage manager, designer, music director, playwright, educator, arts journalist, and director with over a dozen theatre companies. He has directed productions for Seed Art Share (THE MIRACLE WORKER), Sonorous Road (NO CONTEST, A TELLER'S TALE), North Raleigh Arts and Creative Theatre (HEATHERS, asst. director), and Bare Theatre (SHAKESBEER, SHAKESBEER II: THE BARD STRIKES BACK, TIMON OF ATHENS, SHAKESQUEER, and their 2020 production of MARAT/SADE). He has also completed extensive training with Theatrical Intimacy Education, is certified in Mental Health First Aid, and holds a Master of Arts in Special Education from East Carolina University. For more information, please visit: www.stjohnsmcc.org/corpuschristi Follow Dustin Britt on Twitter:@dkbritt85 If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter:@KareReviews Also please visit the newly launched Patreon page:https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter:@JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available.Anchor: https://anchor.fm/jeffrey-kareApple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNzSpotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTGBreaker: www.breaker.audio/kare-reviews-podcastOvercast: overcast.fm/itunes1453846013/kare-reviews-podcastPocket Casts: pca.st/47VwRadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support

Sunna Dís Másdóttir tók við Ljóðstaf Jóns úr Vör við hátíðlega athöfn um helgina, og kallast sigurljóð hennar ?Á eftir þegar þú ert búin að deyja?. Ljóðstafurinn, sem hefur verið veittur frá 2001 í minningu skáldsins Jóns úr Vör, er veittur að lokinni samkeppni þar sem öllum er frjálst að senda inn frumsamin ljóð, og undir dulnefni. Hér takast því á reyndari skáld og þau yngri í jöfnum leik. Alls bárust 230 ljóð í keppnina að þessu sinni. Sunna Dís verður gestur okkar í dag. Myrkir músíkdagar hefjast á morgun, tónlistarhátíð sem er eins og vanalega tileinkuð samtímatónlist, bæði innlenri og erlendri. Megnið af hátíðinni fer fram í Hörpu að þessu sinni og margir tónlistarhópanna eru þekktir þátttakendur á þessari rótgrónu hátíð: Caput, Kammersveit Reykjavíkur, Nordic Affect og Sinfóníuhljómsveit Íslands en aðrir koma að henni nú í fyrsta sinn. Ásmundur Jónsson, listrænn stjórnandi hátíðarinnar verður gestur Víðsjár í dag. Leikhópurinn LabLoki, í samstarfi við Borgarleikhúsið, frumsýndi um liðna helgi eitt af öndvegisverkum 20.aldar, Marat/ Sade eftir Peter Weiss. Eva Halldóra Guðmundsdóttir rýnir í uppsetninguna í þætti dagsins. Umsjón: Halla Harðardóttir og Guðni Tómasson

Sunna Dís Másdóttir tók við Ljóðstaf Jóns úr Vör við hátíðlega athöfn um helgina, og kallast sigurljóð hennar ?Á eftir þegar þú ert búin að deyja?. Ljóðstafurinn, sem hefur verið veittur frá 2001 í minningu skáldsins Jóns úr Vör, er veittur að lokinni samkeppni þar sem öllum er frjálst að senda inn frumsamin ljóð, og undir dulnefni. Hér takast því á reyndari skáld og þau yngri í jöfnum leik. Alls bárust 230 ljóð í keppnina að þessu sinni. Sunna Dís verður gestur okkar í dag. Myrkir músíkdagar hefjast á morgun, tónlistarhátíð sem er eins og vanalega tileinkuð samtímatónlist, bæði innlenri og erlendri. Megnið af hátíðinni fer fram í Hörpu að þessu sinni og margir tónlistarhópanna eru þekktir þátttakendur á þessari rótgrónu hátíð: Caput, Kammersveit Reykjavíkur, Nordic Affect og Sinfóníuhljómsveit Íslands en aðrir koma að henni nú í fyrsta sinn. Ásmundur Jónsson, listrænn stjórnandi hátíðarinnar verður gestur Víðsjár í dag. Leikhópurinn LabLoki, í samstarfi við Borgarleikhúsið, frumsýndi um liðna helgi eitt af öndvegisverkum 20.aldar, Marat/ Sade eftir Peter Weiss. Eva Halldóra Guðmundsdóttir rýnir í uppsetninguna í þætti dagsins. Umsjón: Halla Harðardóttir og Guðni Tómasson

Föstudagsgestur Mannlega þáttarins í þetta sinn var einn af stórleikurum þjóðarinnar, Arnar Jónsson, en hann á einmitt áttræðisafmæli á morgun, laugardaginn 21.janúar. Hann hefur leikið vel á annað hundrað hlutverk í leikhúsum landsins, mörg af þekktustu burðarhlutverkum leikbókmenntanna. Arnar hefur auðvitað líka leikið í fjölda kvikmynda og í miklu magni sjónvarpsefnis og hefur tekið þátt í miklu grasrótarstarfi í leikhúsinu, með leikhópnum Grímu, Alþýðuleikhúsinu o.fl. meðfram því að leika í stofnanaleikhúsunum. Arnar leikur De Sade markgreifa í leikritinu Marat/Sade sem verður frumsýnt í kvöld í Borgarleikhúsinu. Það var því um nóg að ræða við Arnar í þættinum í dag, en við forvitnuðumst um hans æsku og uppvöxt og svo ferðalagið í gegnum lífið og leikhúsið til dagsins í dag. Í dag er bóndadagur, fyrsti dagur í þorra. Nú fyllast trog og bakkar um allt land af þorramat, súrum og ósúrum. Við fengum af því tilefni Jóhannes Stefánsson, eða Jóa í Múlakaffi, til að koma í þorramatarspjall í dag. Þar á bæ er allt á fullu á þessum tíma enda sækir gríðarlegur fjöldi sinn þorramat þangað og þau laga allan þorramat sem þar er í boði frá grunni. Jói kom með fullt fangið af þorramat og við smökkuðum hjá honum kræsingarnar og forvitnuðumst um þær í leiðinni. Tónlist í þættinum í dag: Niðrí bæ með bónda mínum / Borgardætur (Irving Berlin og Friðriks Erlingssonar) Skáldið og bóndinn / Bogomil Font og hljómsveitin Flís (Rafael De Leon og Sigtryggur Baldursson) Non, je ne regrette rien = Nei, ég iðrast ekki neins / Brynhildur Guðjónsdóttir (Charles Dumont, Michel Vaucar og Þórarinn Eldjárn) Þorrablót / Pétur Pétursson og Sigfús Pétursson (Ögmundur Eyþór Svavarsson) UMSJÓN: GUNNAR HANSSON OG MELKORKA ÓLAFSDÓTTIR

Föstudagsgestur Mannlega þáttarins í þetta sinn var einn af stórleikurum þjóðarinnar, Arnar Jónsson, en hann á einmitt áttræðisafmæli á morgun, laugardaginn 21.janúar. Hann hefur leikið vel á annað hundrað hlutverk í leikhúsum landsins, mörg af þekktustu burðarhlutverkum leikbókmenntanna. Arnar hefur auðvitað líka leikið í fjölda kvikmynda og í miklu magni sjónvarpsefnis og hefur tekið þátt í miklu grasrótarstarfi í leikhúsinu, með leikhópnum Grímu, Alþýðuleikhúsinu o.fl. meðfram því að leika í stofnanaleikhúsunum. Arnar leikur De Sade markgreifa í leikritinu Marat/Sade sem verður frumsýnt í kvöld í Borgarleikhúsinu. Það var því um nóg að ræða við Arnar í þættinum í dag, en við forvitnuðumst um hans æsku og uppvöxt og svo ferðalagið í gegnum lífið og leikhúsið til dagsins í dag. Í dag er bóndadagur, fyrsti dagur í þorra. Nú fyllast trog og bakkar um allt land af þorramat, súrum og ósúrum. Við fengum af því tilefni Jóhannes Stefánsson, eða Jóa í Múlakaffi, til að koma í þorramatarspjall í dag. Þar á bæ er allt á fullu á þessum tíma enda sækir gríðarlegur fjöldi sinn þorramat þangað og þau laga allan þorramat sem þar er í boði frá grunni. Jói kom með fullt fangið af þorramat og við smökkuðum hjá honum kræsingarnar og forvitnuðumst um þær í leiðinni. Tónlist í þættinum í dag: Niðrí bæ með bónda mínum / Borgardætur (Irving Berlin og Friðriks Erlingssonar) Skáldið og bóndinn / Bogomil Font og hljómsveitin Flís (Rafael De Leon og Sigtryggur Baldursson) Non, je ne regrette rien = Nei, ég iðrast ekki neins / Brynhildur Guðjónsdóttir (Charles Dumont, Michel Vaucar og Þórarinn Eldjárn) Þorrablót / Pétur Pétursson og Sigfús Pétursson (Ögmundur Eyþór Svavarsson) UMSJÓN: GUNNAR HANSSON OG MELKORKA ÓLAFSDÓTTIR

Á morgun frumsýnir Lab Loki, leikritið Marat/Sade í leiksjtórn Rúnars Guðbrandssonar. Leikhópurinn er skipaður leikurum á aldrinum 70-90 ára. Við ræðum við leikstjórann og leikkonu í verkinu, Júlíu Hannan, um ferlið, verkið og erindi þess í samtímanum. Brynja Hjálmsdóttir, skáld, flytur hugleiðingu um tanntöku, tanntúrisma og tannlæknaótta. Post-dreifing er listahópur eða hreyfing, sem skipuð er ungu listafólki, úr ólíkum áttum grasrótarlistastarfs Reykjavíkur. Samkvæmt aðstandendum Post-dreifingar er markmiðið að tryggja sýnileika og sjálfsnægtir listamanna með samstarfinu. Á morgun kemur út fjórða safnplata undir merkjum Postdreifingar sem kallast drullumall, síðasta Drullumall plata kom út fyrir tæpum þremur árum þar sem haldið er áfram þar sem frá var horfið; að safna saman grasrótartónlistarfólki á einn stað og gefa pláss og sýna með því fjölbreytni tónlistarinnar sem ómar undir yfirborðinu. Rætt er við Einar Karl Pétursson og Simon Hirt.

Á morgun frumsýnir Lab Loki, leikritið Marat/Sade í leiksjtórn Rúnars Guðbrandssonar. Leikhópurinn er skipaður leikurum á aldrinum 70-90 ára. Við ræðum við leikstjórann og leikkonu í verkinu, Júlíu Hannan, um ferlið, verkið og erindi þess í samtímanum. Brynja Hjálmsdóttir, skáld, flytur hugleiðingu um tanntöku, tanntúrisma og tannlæknaótta. Post-dreifing er listahópur eða hreyfing, sem skipuð er ungu listafólki, úr ólíkum áttum grasrótarlistastarfs Reykjavíkur. Samkvæmt aðstandendum Post-dreifingar er markmiðið að tryggja sýnileika og sjálfsnægtir listamanna með samstarfinu. Á morgun kemur út fjórða safnplata undir merkjum Postdreifingar sem kallast drullumall, síðasta Drullumall plata kom út fyrir tæpum þremur árum þar sem haldið er áfram þar sem frá var horfið; að safna saman grasrótartónlistarfólki á einn stað og gefa pláss og sýna með því fjölbreytni tónlistarinnar sem ómar undir yfirborðinu. Rætt er við Einar Karl Pétursson og Simon Hirt.

Dohy Balázs 1996-ban született. ELTE-n szabadbölcsészet hallgatott 2015-2016 között. Színház- és Filmművészeti Egyetem, színházi dramaturg szakán tanult 2016-2021 között. Master of Arts (M.A.) 2021-ben szerezte meg színházi dramaturg diplomáját, Akademie für Darstellende Kunst Baden-Württemberg-ben. Szintén 2021-ben meghívták Philip Arnoult LINKAGES: Hungary című projektjébe, aminek célja USA-ban és Magyarországon élő színházi alkotók közötti szakmai kapcsolatok létrehozását segíteni. https://www.citd.us/linkages-hungary-citd). Középiskolás korában tagja volt a Krétakör Szabadiskolának. (http://www.schillingarpad.com/work/118). Az Örkény István Színház színházi nevelési programjának tagja volt 3 évig. #rendező #dramaturg #színház https://szinhaz.online/kataklizma-utan-interju-dohy-balazzsal/ https://dunszt.sk/2019/09/12/a-drama-ami-kikonyokli-maganak-a-teret/ https://index.hu/kultur/2022/09/06/katona-jozsef-szinhaz-sufni-zsambeki-gabor-tarnoczi-jakab-bagossy-julia-dohy-balazs-freeszfe/ https://papageno.hu/promocio/2022/10/kihirdettek-a-mastercard-osztondijprogramjanak-szinhazi-nyerteseit/ https://www.facebook.com/events/445675502704906/445675506038239/ https://fidelio.hu/szinhaz/nyolc-fuggetlen-eloadas-keszulhet-el-2023-ban-a-stafeta-palyazat-tamogatasaval-176290.html https://orkenyszinhaz.hu/hu/musor/rubens-es-a-nemeuklideszi-asszonyok https://orkenyszinhaz.hu/hu/musor/rubens-es-a-nemeuklideszi-asszonyok?fbclid=IwAR36BOQaYf5liSqFd8H25QdX8fHZUbUchpQyCZjVuHCmZPVeaE_egOA5peM https://ketlampas.blog.hu/2022/03/27/a_nevetseges_sotetseg?fbclid=IwAR31WFFNB4OVDYO3ptTtgyGSJNpyG-ihB_W0bjYYne7oYzrRhlY_qt0-als rendezései: • A Schroffenstein család (Heinrich von Kleist, Janus Egyetemi Színpad, Pécs, premier: 2022 11. 05.) • Körtükör (Annie Baker: Circle Mirror Transformation, KV Társulat, premier: 2022 02. 13.) • A nevetséges sötétség (Wolfram Lotz hangjátékából adaptálta Komán Attila és Dohy Balázs, eredeti cím: Die lächerliche Finsternis, Szentendre, 2021) • Nihil (Móricz Zsigmond novelláiból összeállította Dohy Balázs); Kaposvári Egyetem, a végzős színészosztály vizsgaelőadása, 2020) • Rubens és a nemeuklideszi asszonyok (írta: Esterházy Péter, SZFE, Ódry Színpad 2019) • MOST FESZT legjobb színész díja: Hajduk Károly, 2020 • 35. OTDK dramatikus előadóművészet 1. díj, 2021 tervezett bemutatók rendezőként: • Eltűntek (Elise Wilk: Dispariții, Budapest, premier: 2023 05. 31.) • A politikusok (Wolfram Lotz: Die Politiker, Katona József Színház, Budapest, premier: 2023 04. 20.) dramaturg: • Vígszínház dramaturgia (2022) – a 2023-as évadterv kidolgozása, darab olvasás, fordítás, a német nyelvterület színházi trendjeinek kutatása • 33 Variationen auf Haydns Schädel (írta: Esterházy Péter, rendező: Bodó Viktor, Deutsches Schauspielhaus Hamburg, 2021) – segéd dramaturg • Tonio Kröger (Thomas Mann elbeszéléséből a színházi változatot készítette Dohy Balázs és Fehér Balázs Benő, rendező: Fehér Balázs Benő, Fészek Művészklub, 2021) • Ex Katedra (A társulat improvizációi alapján írta Dohy Balázs és Boross Martin, rendező: Boross Martin, Stereo Akt, Jurányi Ház, 2021) • Papa és Josette (Eugène Ionesco meséi alapján írta Cseri Hanna, rendezte: Cseri Hanna, SZFE, Ódry Színpad) • Punch and Judy (rendezte: Gardenö Klaudia, SZFE, Ódry Színpad) • Marat/Sade (írta: Peter Weiss, rendezte: Kovács D. Dániel, SZFE, Ódry Színpad) • Amphitryon (A szövegkönyvet Moliére és Kleist drámáiból Darvasi Áron és Dohy Balázs állította össze, rendezte: Darvasi Áron, SZFE, Ódry Színpad)

THE GAUNTLET MOVIE MIXTAPE – VOLUME 3 A SONIC JOURNEY through THE GAUNTLET From A Date with Doris to The Long Cinema Club Music and Sounds from Episodes 21-30 Barabbas (1961) – Bad Girls Go to Hell (1965) – Marat/Sade (1967) – Dirkie (1969) – White Sun of the Desert (1970) – Deadly Weapons (1974) – Summerfield (1977) – Missing (1982) – Suspicion (1982) – Quicksilver (1986) – The Beast of War (1988) – The Cyclist (1989) – Color of Night (1994) – Waiting to Exhale (1995) – Now and Then (1995) – The Island of St. Matthews (2013) – Court (2014) – I Do Not Care If We Go Down in History as Barbarians (2018) – The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)(2020)

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Sir Peter Brook, (born March 21, 1925, London, Eng.—died July 2, 2022, Paris, France), British director and producer. After directing plays in Stratford-upon-Avon, he became director of the Royal Opera House at Covent Garden (1947–50). He later directed several innovative Shakespearean productions that aroused controversy, including his 1962 staging of King Lear at the Royal Shakespeare Co. During his long association with that company, he directed such other critically acclaimed productions as A Midsummer Night's Dream (1970). Brook won international fame with his avant-garde direction of Peter Weiss's play Marat/Sade (1964). His films include Lord of the Flies (1963), King Lear (1970), and the six-hour Mahabharata(1989). In 1970 he moved to Paris, where he cofounded the International Centre for Theatre Research. Brook continued to work into the early 21st century.From https://www.britannica.com/biography/Peter-Brook. For more information about Peter Brook:The Quality of Mercy: Reflections on Shakespeare: https://www.barnesandnoble.com/w/the-quality-of-mercy-peter-brook/1114335100“Peter Brook, Celebrated Stage Director of Scale and Humanity, Dies at 97”: https://www.nytimes.com/2022/07/03/obituaries/peter-brook-dead.html“For Peter Brook, the Experimental Showman, ‘Nothing Is Ever Finished'”: https://www.nytimes.com/2019/09/18/theater/peter-brook-interview.html“Peter Brook: ‘To give way to despair is the ultimate cop-out'”: https://www.nytimes.com/2019/09/18/theater/peter-brook-interview.html

Actor and former MP Glenda Jackson reveals the influences and experiences that inspired her work on stage and screen. One of the greatest actors of her generation, Glenda won Academy Awards for Women in Love and A Touch Of Class, and was Oscar nominated for Sunday Bloody Sunday. She has also won Tony, Emmy and Golden Globes awards for her theatre and television work. In 1992 she gave up acting to become a Labour MP, winning her seat five times. But in 2016 she returned to the stage, playing King Lear in London and New York, and to television for a BAFTA winning performance as an elderly women with dementia in Elizabeth Is Missing. Glenda Jackson recalls her working class upbringing in Birkenhead, and how she won a scholarship to the drama school RADA with help from the manager of the Boots chemists' where she worked at the time. She chooses the director Peter Brook as a major influence on her work, having starred in his radical 1964 stage production of the play Marat/Sade, and the version he subsequently adapted for cinema. She remembers also working closely with the director Ken Russell on several films, including the Oscar-winning Women in Love, adapted from the DH Lawrence novel. Glenda's comic appearances on the Morecambe and Wise Show in the early 1970s are recalled as career highlights. Glenda Jackson also chooses Margaret Thatcher as huge influence on her life and career, as it was the policies of the former Prime Minister which prompted her to give up acting for 23 years while she served as a Labour MP. Producer: Edwina Pitman

The thespians are joined by Kevin Kautzman of the Art of Darkness podcast to discuss the late Peter Brook, his seminal book on theatre THE EMPTY SPACE (1968), and his film MARAT/SADE (1967). Buy THE EMPTY SPACE here Follow Kevin on Twitter and Instagram Follow Art of Darkness on Twitter and Instagram Listen to Art of Darkness on Apple Podcast, Spotify, and subscribe to their Patreon.

Peter Brook and Richard Wolinsky. Peter Brook (1925-2022), visionary director, in conversation with Richard Wolinsky. Peter Brook was one of the greatest theatrical directors of the twentieth century. Artistic director of the Royal Shakespeare Company for twenty years from 1962-1982, he transformed how the English speaking world looked at the plays of William Shakespeare. He is perhaps best known, during those years, for his production of “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,” also known as “Marat/Sade,” which later became a film and turned Glenda Jackson into an international star. His other films include “Lord of the Flies,” “Meetings with Remarkable Men” and a version of “King Lear” starring Paul Scofield. His 1985 nine-hour adaptation of the Indian epic Mahabharata is probably his masterpiece. At the age of 92, he and his collaborator Marie Helene Estienne went back to the Mahabharata with a short theatrical piece, “Battlefield,” which played at ACT's Geary Theater in May, 2017. This interview was recorded on April 24, 2017 in a rehearsal studio in the ACT offices in San Francisco. Included in the podcast is a brief commentary on Peter Brook by actor and director Simon McBurney. Peter Brook Wikipedia page   The post Peter Brook (1925-2022), legendary director, “Battlefield,” 2017 appeared first on KPFA.

Marat/Sade (1967) / I Do Not Care If We Go Down in History as Barbarians (2018) This week we're going into production as we join the crew of Radu Jude's Romanian historical reenactment and get caught in the madhouse of Peter Brook's play-within-a-play

Ross Beschler & Brenna Geffers – College Financial Aid and Career Navigation with Tom & Maria Geffers and Seth Greene Episode 012 Ross Beschler & Brenna Geffers Ross Beschler has been a professional actor for nearly 20 years and is a founding member of the Wilma Theatre's Hothouse Company in Philadelphia. He is also a Hothouse Associate Trainer and teaches the company techniques in summer sessions and international workshops.   Brenna Geffers is a theater-maker and director based in Philadelphia. She has been nominated for Outstanding Direction, Outstanding Choreography, and Outstanding New Play under the Barrymore Awards and has been named Best Director by the Philadelphia Critics' Choice. She has created many new works for theater, opera, and museums like her immersive choose-your-own-adventure opera, Shadow House. She also creates highly dynamic and stylized versions of classic texts like Machinal and Marat/Sade, as well as contemporary pieces like, Knives in Hens and Lulu's Golden Shoes.   Listen to this informational College Financial Aid and Career Navigation episode with Ross Beschler and Brenna Geffers about a career on the stage. Here is what to expect on this week's show: -Some of the unexpected benefits of remote learning -Performance art and theater in a digital space -The many different educational avenues to consider when embarking on a career in performance art -How to nail the audition process -The future of theater in a post-COVID world   Connect with Ross Beschler & Brenna Geffers: Links Mentioned: rossbeschler.com die-castphilly.org   Guest Contact Info: Email brenna.geffers@gmail.com ross.beschler@gmail.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

A new production of THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE by Peter Weiss will be presented live and in-person from July 23rd-August 8th at St John's Metropolitan Church in Raleigh, NC. I recently had the great pleasure of interviewing the director of the upcoming production, Dustin Britt. He has been a Triangle-based theatremaker for more than twenty years as an actor, stage manager, designer, music director, playwright, educator, arts journalist, and director with over a dozen theatre companies. He has directed productions for Seed Art Share (THE MIRACLE WORKER), Sonorous Road (NO CONTEST, A TELLER'S TALE), North Raleigh Arts and Creative Theatre (HEATHERS, asst. director), and Bare Theatre (SHAKESBEER, SHAKESBEER II: THE BARD STRIKES BACK, TIMON OF ATHENS, SHAKESQUEER, and their 2020 production of MARAT/SADE). He has also completed extensive training with Theatrical Intimacy Education, is certified in Mental Health First Aid, and holds a Master of Arts in Special Education from East Carolina University. For more information, please visit: www.maratsade.com Follow Dustin Britt on Twitter: @dkbritt85 If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Also please visit the newly launched Patreon page: https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support

Contestants: Internet personality "Default Friend," Trey Kelso, Tom Colocci College football, DC Comics, The Office, Wicca, and Donny Osmond are all on the syllabus of an episode bookended, for no particular reason, by the works of Stephen King. Come for the realization that your favorite '80s one-hit wonder also wrote your favorite '90s Disney song; stay for the cautionary tale of what happens when you doodle a drag queen at the wrong moment (not a metaphor); savor hearing me recite the full title of "Marat/Sade" off the top of my head, because that's the kind of person I am. Like what you hear? Consider donating via PayPal or Patreon, and remember to leave a review and/or rating on iTunes!

Be sure to subscribe for more - Creation Grounds Podcast Know who casts what and measure your way to your bookings with Auditiontrackers.com ________ Helene Kvale Imdb Website: Helene Kvale Upcoming documentary: The Loom Helene Kvale was born in Norway, grew up in San Francisco until she was eleven and then lived in London. She received a BSc Econ Honors. from the London School of Economics, reading Anthropology and then gained her post graduate actor training diploma at The Drama Studio, London. As an actor, Helene performed on the West End stage in Burning Blue (winner of 2 Olivier Awards), Life During Wartime, and To Kill A Mockingbird. She also starred in numerous regional and touring productions including The Secret Rapture, Roman and Marys, Diary of Anne Frank, Getting Out, Brand, Canadian Gothic, Sexual Perversity in Chicago. Helene was part of the National Theatre Company playing Lady Anne opposite Ian McKellen in Richard III and in King Lear (Brian Cox) as well as Napoli Milionaria. At the NT Studio she played opposite Ray Winstone in Shift and in Gitta's Atonement, directed by Brian Cox. Helene has appeared in over twenty television dramas including Prime Suspect 4, Soldier Soldier, Daddy's Girl, London Bridge, This Life, Deceit, Lovejoy, The Bill. Film work includes Tomorrow La Scala! (British Academy Award Nomination and Juried at the Cannes Film Festival), Talk and 5:45 (Winner Berlin Short Film Festival). In 2003, she returned to the USA to join the faculty in the Department of Dramatic Arts at the University of Connecticut as Assistant Professor in Residence. Helene is also a director and writer. She is the founding Artistic Director of Bated Breath Theatre Company where she produced, conceived and directed Hunger, The Parkville Project and her translation of A Doll's House at the Gene Frankel Theater in New York. Helene regularly directs for The Connecticut Repertory Theatre including If We Were Birds, Eurydice, Big Love, Pride and Prejudice, Too Much Memory, The Skin of Our Teeth and Gut Girls. She also directed Marat/Sade for the Studio D Series. Helene is an alumna of The Lincoln Center Theater Directors Lab. As a screenwriter, Helene co-wrote the independent films Burning Blue (national release July 2014) and When You're Not Looking. She is currently writing a TV pilot called Indivisible. She currently is working on a documentary near and dear to her heart slated for release in 2023. ________ Some Questions I Ask: When did your interest for the arts begin? (3:35) About the day she decided to start taking action towards building career as artist? (5:06) On transition from the US to Europe (6:45) What was the London Arts scene like and how was your journey to success there (10:18) On working opposite Ian McKellen & Brian Cox at National Theatre (13:52) What was it like building your Lady Anne? (19:32) On television career (21:05) What prompted shift from TV career to teaching? (24:22) What biggest foundation lesson do you want actors to walk away from the things you teach? (26:30) On directing (30:50) Favorite kind of actors to direct (34:10) What led to the formation of your theater Bated Breath? (37:17) What do you believe today that you didn't believe 10 years ago & why? (38:49) On her interest for documentaries (41:56) When you think of the word creative who comes to mind for you and why? (51:14) How can people connect with you? (55:00) ____________ You can follow Arron at: Website: ArronLloyd.com Instagram: https://www.instagram.com/arronlloyd/ Facebook: Arron Lloyd Twitter: https://twitter.com/ArronLloyd Twitch: https://www.twitch.tv/arronsl316 TikTok:Arronslloyd Youtube: Arron Lloyd This is NYC merch -

Today's guest is actress and writer Jennifer Grace. Jennifer received her BA from Kansas State University in 1997. She has been working as a professional actor since, most notably in a record-shattering run as Emily Webb in Tony award-winning director David Cromer’s critically acclaimed production of OUR TOWN, which she performed in Chicago, New York and Los Angeles, opposite actors such as Michael Shannon, Helen Hunt and Michael McKean, and for which she was recognized with a Theatre World Award for Outstanding Off-Broadway debut. Other New York theatre credits include: NIKOLAI AND THE OTHERS (Lincoln Center Theatre, world premiere, with Blair Brown, Michael Cerveris, John Glover and Kathryn Erbe) and THE 4TH GRADERS PRESENT AN UNNAMED LOVE SUICIDE (59E59). Selected regional credits: CAT ON A HOT TIN ROOF, TIME & THE CONWAYS, 4.48 PSYCHOSIS, BALM IN GILEAD, ARCADIA, JACK OR THE SUBMISSION, THE SEA GULL, MARAT/SADE, BLOOD WEDDING, and ANGELS IN AMERICA. Film: I SEE YOU (w/Helen Hunt), THE CASSEROLE CLUB (w/ Susan Traylor, Jane Wiedlin), KELLY & CAL (with Juliette Lewis) Television: ”Inside Amy Schumer,” “VEEP,” “Billions,” “Chicago P.D.,” and “The Red Line.” She is also an audiobook narrator, VO artist, and a writer. Proud member of SAG-AFTRA and Actor’s Equity.

BETO BRUEL Natural da cidade da Lapa/PR, iniciou sua carreira de iluminador em 1971, no Colégio Estadual do Paraná em Curitiba. Em 1973, no Teatro de Bolso, passou a integrar o Grupo Margem de Teatro Experimental, dirigido por Manoel Carlos Karam. Seu primeiro trabalho profissional foi com o Grupo Momento, na peça “Marat Sade”, com direção de Oraci Gemba. É membro da OISTAT (International Organisation of Scenographers Theatre Architectes and Technicians). Com quase 50 anos no teatro e mais de 500 trabalhos realizados e inúmeras premiações, é um dos mais importantes iluminadores do Brasil.

En este programa charló con Ricardo Cartas sobre una obra de teatro que se llevó al cine: la Película Marat/Sade, dirigida en 1967 por Peter Brook.

Etat Libre d'Orange Attaquer le Soleil Marquis de Sade (2016) + Richard Boleslawski's Beauty For Sale (1933) + George Cukor's The Women (1939) + Peter Brook's Marat/Sade (1967) with Eugene Kotlyarenko ep. 96 02/06/2021   To enjoy the remainder of this episode and gain access to the full catalog of TPN content please support us at https://www.patreon.com/perfumenationalist

Coinciden en los escenarios dos obras sobre la idea de revolución, 'Marat-Sade' y 'Turba', hablamos con el dramaturgo Juan Mayorga de la importancia de la vocación revolucionaria, celebramos la obra de Diane Arbus y hablamos de los nuevos libros de Alejandro Gándara y Laura Ferrero

Repasamos las principales noticias del día y hablamos de la representación de "Marat/Sade" que llega al Teatro Principal de Zamora

Alison and Timothy relate the story of William Amos Wilson, also known as The Pennsylvania Hermit. After his sister was tragically hanged, Wilson became a hermit and lived in a cave for 19 years. Chad, Alison, and Timothy visit Indian Echo Caverns - Wilson’s Cave - for an underground tour and a visit to Wilson’s former residence. If you would like to help us continue to make *Strange Familiars* , get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25 Strange Familiars ‘Awoken Tree’ t-shirts are available in our Etsy shop: https://www.etsy.com/listing/739690857/strange-familiars-podcast-awoken-tree Check out the *Strange Familiars* ebay store: https://www.ebay.com/str/strangefamiliars *Strange Familiars* t-shirts and other designs are available here: https://www.teepublic.com/user/darkhollerarts *Episode 182 notes and links:* *Indian Echo Caverns:* https://indianechocaverns.com ( https://indianechocaverns.com/ ) *90 Days to the Perfect Puppy:* https://perfectpuppies.sithappens.us/90-days *Timothy* ’s new book, with co-author *Joshua Cutchin* is now available on Amazon: *Where the Footprints End: High Strangeness and the Bigfoot Phenomenon, volume 1* ( https://www.amazon.com/Joshua-Cutchin/dp/B0882N61XN/ ) *Strange Familiars Photo of the Week #33: Rakish Dandy* DandyRake_web.jpg ( https://www.etsy.com/listing/846820659/rakish-dandy-strange-familiars-photo-of ) This photo is available in our etsy shop: https://www.etsy.com/listing/846820659/rakish-dandy-strange-familiars-photo-of *Timothy* ’s books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5 Our *Lost Grave* etsy shop has art, books, patches, and more ... including original art done for Strange Familiars: https://www.etsy.com/shop/lostgrave *Alison* : https://www.etsy.com/shop/odpeacock *Chad* ’s ** YouTube channel where you can see some videos of Pandemonium, the dynamite shack and more: ** https://www.youtube.com/channel/UCNB7MSJ2F1SRBPcQsEFLnvg (make sure to subscribe to Chad’s channel, *Ruck Rabbit Outdoors*.) Contact us via email at: strangefamiliarspodcast@gmail.com http://www.facebook.com/strangefamiliars Join the *Strange Familiars Gathering* group on facebook: https://www.facebook.com/groups/strangefamiliars/ instagram: @strangefamiliars http://www.strangefamiliars.com ( http://www.strangefamiliars.com/ ) Intro and background music by *Stone Breath*. You can find more at http://stonebreath.bandcamp.com ( http://stonebreath.bandcamp.com/ ) The closing song is The Corday Waltz (from Marat/Sade) as performed by *Timothy*. Support this podcast at — https://redcircle.com/strange-familiars/donations Advertising Inquiries: https://redcircle.com/brands

Sean and Lucy team up once again with Max Feldman to explore Sadeian liberty, the principles of Enlightenment, the history of madness, Artaud's theatre of cruelty and the still ongoing the repercussions of the French Revolution in Peter Brooke's 1967 adaptation of Peter Weiss's play The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade

Con el Terror, la Revolución pasa a parecerse al dios Cronos “aquel que devora a sus propios hijos”. La “dictadura jacobina” casi acaba con los ideales revolucionarios, pero ni siquiera esta cruel etapa terminó con la lucha por los derechos y la búsqueda de la libertad que guiaron a los franceses. Incluso, la consecuencias de la revolución viajaron por el mundo y el tiempo hasta alcanzar la actualidad Notas del episodio: ¿Qué dice la letra de La «Marsellesa» ? Aquí la historia de uno de los himnos más famosos del mundo. Robespierre y el Terror. Aquí la película que recomendó Diana a lo largo de estos episodios «Danton» (1983) de Andrzej Wajda. Dos películas sobre el Marqués de Sade, la primera «Marat Sade » (1968). Y la segunda película que también trata algo sobre Sade y la Revolución «Quills» (2000). ¿Cómo Napoleón llegó a ser Emperador?. La campaña fracasada más «exitosa» de la historia, la expedición napoleónica en Egipto. Jorge Núñez nos cuenta sobre la relación que existió entre las Independencias de América Latina y la Revolución francesa.

Actor, Jayne Eastwood joining the conversation on Cue To Cue Today!! What a blast I had with Jayne! She made me guffaw a few times during our conversation. Don’t be fooled! There are so many gems of wisdom hidden amongst the laughter and funny stories, Jayne has had a diversified career as an actor with much success and she is opening up about the ups and downs of it all and how she remains grounded through it all.   In this episode: How painting has served as another creative outlet and forces her to be present and in the moment What mantra she used to help her quit smoking after 50 years and the effect it has had on her vocal range How to accept rejection as a part of the game and why it is important to feel the feelings around being rejected. How “showing up” is the key to moving forward in your career as an artist. A little about Jayne: Jayne Eastwood, actor (born in Toronto). Jayne Eastwood was raised in Toronto, where she attended Northern Secondary School. It was in Toronto that she became a member of the cast of the musical Godspell, which played at the ROYAL ALEXANDRA THEATRE. The show ran from 1972-73 and Eastwood worked with cast members Martin SHORT, Andrea MARTIN, Gilda RADNER, and Eugene LEVY, and joined several of them in founding the Second City Theatre Troupe. Eastwood often appeared on Second City's creative offspring, SCTV, most memorably in the famous parody of GOIN' DOWN THE ROAD (her recurring line of dialogue is "I'm bummed out") with John CANDY and Joe FLAHERTY. Though Eastwood moves effortlessly from comedy to drama, comedy remains her magnetic north, drawing her to work with Women Fully Clothed, a group of performers nominated in 2005 for a CANADIAN COMEDY AWARD for best sketch troupe. From the early 1970s to the mid-1980s Eastwood appeared in stage productions of works by Michel TREMBLAY, Tom Stoppard, and Neil Simon, by such companies as Theatre in the Dell, Toronto Arts Productions, Centrestage Company, and Toronto Truck Theatre. She maintained a presence in both movies and television, working steadily in a variety of roles that began, in the 1980s, to include considerable voice work. One of her first television appearances was on the series That's Show Biz with Lorne MICHAELS and Hart and Earl Pomerantz, and she went on to become a regular on John Byner's show Bizarre from 1980 to 1985. In film, she played the president's wife in Al WAXMAN's sex comedy My Pleasure Is My Business (1975), appeared in the Robin SPRY film One Man (1977), had a small part in David CRONENBERG's Videodrome (1983) and did voice work for The Care Bears Movie (1985). She could be heard as the voice of Mrs Dingle and of Cookie and Joyce in the animated shows For Better or For Worse, and Bob and Margaret. In 1998 she won a GEMINI AWARD for best supporting actress in a drama for Dangerous Offender: the Marlene Moore Story. She played Aunt Agatha on the series Noddy and Friends, winning a 1999 Gemini Award for her work. Eastwood's film and TV appearances continued through the 1990s and into the new millennium, in works as varied as Life with Judy Garland: Me and My Shadows (2001), Chicago (2002) and My Big Fat Greek Wedding (2002). Eastwood has had parts in everything from stage productions of Marat/Sade to TV shows such as King of Kensington, Anne of Green Gables, and Riverdale, and in radio plays like CBC's Steve the Second. She is best known for her role as Betty, the pregnant wife abandoned by Joey in the canonical English-Canadian film Goin' down the Road (1970). Many viewers will recall her as the character Ronnie Sacks in the Canadian television series This Is Wonderland or as one of the regular characters in the partly improvised Train 48. She appears as Maxine Bingley in the series Billable Hours and plays a teacher in the movie Hairspray (2007), which was shot in Toronto. She has a recurring character part in the popular series Little Mosque n the Prarie, and reprised her Goin' down the Road role in the sequel, Down the Road Again (2011). In 2014 she was a guest star on Working the Engles alongside her old friend Andrea Martin.  She can be seen in the hit series Haven (2013-2014) as the recurring lead role of Gloria.  More recently Jayne worked with director Kenny ORTEGA on The Rocky Horror Picture Show and Orphan Black with Tatiana MASLANY. In 1999 Jayne Eastwood received the EARLE GREY AWARD for lifetime achievement and the recipient of the 2011 DAVE BROADFOOT AWARD at the CANADIAN COMEDY AWARDS. Eastwood is a talented and reliable actor who decided early on to remain in Toronto rather than leave for the limelight of the US. Her career is curiously and satisfyingly Canadian in that she has crafted a successful working life as an ensemble player in a variety of media while remaining in her own home town. See Jayne's Sketch Comedy Group Women Fully Clothed 

Il teatro di “Arte e Salute” fa scuola alla psichiatria nipponica “Occorre tirarsi fuori dal fosso per i capelli, rovesciare se stessi da dentro in fuori e guardare il mondo con occhi nuovi.” Questa frase è un estratto dall'opera teatrale dal titolo “La Persecuzione e l'assassinio di Jean Paul Marat”o più semplicemente “Marat/Sade”, che racconta di come il marchese de Sade inizia a preparare, all'interno del manicomio di Charenton in cui è rinchiuso, uno spettacolo teatrale sull'assassinio di Jean paul Marat, impiegando come attori gli internati del manicomio. Quest'opera è stata portata in scena dagli attori di “Arte e Salute onlus”, la compagnia teatrale di Bologna diretta da Nanni Garella, già qualche tempo fa. Ma quest'anno, il quarantesimo dalla legge Basaglia è l'occasione per una tourneé speciale, in Giappone. Gli attori sono partiti per Tokyo e dintorni con una delegazione di psichiatri del Dipartimento di Salute mentale di Bologna, tra cui il direttore Angelo Fioritti, per portare nel paese del Sol Levante il modello terapeutico attivo in Italia dopo la legge 180 del 1978. Obiettivo del viaggio è mostrare ad una realtà in cui esistono ancora i manicomi che curare senza rinchiudere è possibile. Agli attori abbiamo chiesto aspettative e riflessioni sull'opera che andrà in scena. “La parte più bella? Quando alla fine cantiamo l'inno ‘Marat siam tutti qua, vogliamo la libertà', è stato un momento di grande soddisfazione perché siamo andati oltre il pregiudizio del manicomio, questo dà senso al nostro lavoro”, racconta uno degli attori, Luca. “La legge Basaglia è una conquista culturale ed etica che in molti ci invidiano, un modello che è nostro dovere esportare”, ha aggiunto Marco Lombardo, l'assessore al lavoro, alle relazioni internazionali e alle politiche del terzo settore del Comune di Bologna, partito con la delegazione. “Viaggio, libertà esperienza, ecco quello che mi aspetto dal Giappone”, conclude Moreno , il “Marat” della compagnia Arte e Salute.....Tra apocalissi interiori e “La fine del mondo”....“Le apocalissi non si generano solo nella società ma anche dentro ognuno di noi, sono quei momenti di crisi in cui le persone si allontanano dal mondo e i propri valori perdono di senso”. Lo dice ai microfoni di Psicoradio Nicola Martellozzo, antropologo dell'università di Bologna, presentando il seminario su “La fine del mondo”, l'opera incompiuta di Ernesto De Martino, che si terrà sabato 27 ottobre al circolo CostArena di Bologna. “Ognuno di noi ha in sé la capacità di affrontare le proprie crisi – spiega Martellozzo - e De Martino ce lo fa vedere, ci insegna che il rinnovamento interiore è possibile”...L'evento fa parte della rassegna (In)Attualità del Pensiero Critico

Il teatro di “Arte e Salute” fa scuola alla psichiatria nipponica “Occorre tirarsi fuori dal fosso per i capelli, rovesciare se stessi da dentro in fuori e guardare il mondo con occhi nuovi.” Questa frase è un estratto dall’opera teatrale dal titolo “La Persecuzione e l’assassinio di Jean Paul Marat”o più semplicemente “Marat/Sade”, che racconta di come il marchese de Sade inizia a preparare, all’interno del manicomio di Charenton in cui è rinchiuso, uno spettacolo teatrale sull’assassinio di Jean paul Marat, impiegando come attori gli internati del manicomio. Quest’opera è stata portata in scena dagli attori di “Arte e Salute onlus”, la compagnia teatrale di Bologna diretta da Nanni Garella, già qualche tempo fa. Ma quest’anno, il quarantesimo dalla legge Basaglia è l’occasione per una tourneé speciale, in Giappone. Gli attori sono partiti per Tokyo e dintorni con una delegazione di psichiatri del Dipartimento di Salute mentale di Bologna, tra cui il direttore Angelo Fioritti, per portare nel paese del Sol Levante il modello terapeutico attivo in Italia dopo la legge 180 del 1978. Obiettivo del viaggio è mostrare ad una realtà in cui esistono ancora i manicomi che curare senza rinchiudere è possibile. Agli attori abbiamo chiesto aspettative e riflessioni sull’opera che andrà in scena. “La parte più bella? Quando alla fine cantiamo l’inno ‘Marat siam tutti qua, vogliamo la libertà’, è stato un momento di grande soddisfazione perché siamo andati oltre il pregiudizio del manicomio, questo dà senso al nostro lavoro”, racconta uno degli attori, Luca. “La legge Basaglia è una conquista culturale ed etica che in molti ci invidiano, un modello che è nostro dovere esportare”, ha aggiunto Marco Lombardo, l’assessore al lavoro, alle relazioni internazionali e alle politiche del terzo settore del Comune di Bologna, partito con la delegazione. “Viaggio, libertà esperienza, ecco quello che mi aspetto dal Giappone”, conclude Moreno , il “Marat” della compagnia Arte e Salute.....Tra apocalissi interiori e “La fine del mondo”....“Le apocalissi non si generano solo nella società ma anche dentro ognuno di noi, sono quei momenti di crisi in cui le persone si allontanano dal mondo e i propri valori perdono di senso”. Lo dice ai microfoni di Psicoradio Nicola Martellozzo, antropologo dell’università di Bologna, presentando il seminario su “La fine del mondo”, l’opera incompiuta di Ernesto De Martino, che si terrà sabato 27 ottobre al circolo CostArena di Bologna. “Ognuno di noi ha in sé la capacità di affrontare le proprie crisi – spiega Martellozzo - e De Martino ce lo fa vedere, ci insegna che il rinnovamento interiore è possibile”...L’evento fa parte della rassegna (In)Attualità del Pensiero Critico

Il teatro di “Arte e Salute” fa scuola alla psichiatria nipponica “Occorre tirarsi fuori dal fosso per i capelli, rovesciare se stessi da dentro in fuori e guardare il mondo con occhi nuovi.” Questa frase è un estratto dall’opera teatrale dal titolo “La Persecuzione e l’assassinio di Jean Paul Marat”o più semplicemente “Marat/Sade”, che racconta di come il marchese de Sade inizia a preparare, all’interno del manicomio di Charenton in cui è rinchiuso, uno spettacolo teatrale sull’assassinio di Jean paul Marat, impiegando come attori gli internati del manicomio. Quest’opera è stata portata in scena dagli attori di “Arte e Salute onlus”, la compagnia teatrale di Bologna diretta da Nanni Garella, già qualche tempo fa. Ma quest’anno, il quarantesimo dalla legge Basaglia è l’occasione per una tourneé speciale, in Giappone. Gli attori sono partiti per Tokyo e dintorni con una delegazione di psichiatri del Dipartimento di Salute mentale di Bologna, tra cui il direttore Angelo Fioritti, per portare nel paese del Sol Levante il modello terapeutico attivo in Italia dopo la legge 180 del 1978. Obiettivo del viaggio è mostrare ad una realtà in cui esistono ancora i manicomi che curare senza rinchiudere è possibile. Agli attori abbiamo chiesto aspettative e riflessioni sull’opera che andrà in scena. “La parte più bella? Quando alla fine cantiamo l’inno ‘Marat siam tutti qua, vogliamo la libertà’, è stato un momento di grande soddisfazione perché siamo andati oltre il pregiudizio del manicomio, questo dà senso al nostro lavoro”, racconta uno degli attori, Luca. “La legge Basaglia è una conquista culturale ed etica che in molti ci invidiano, un modello che è nostro dovere esportare”, ha aggiunto Marco Lombardo, l’assessore al lavoro, alle relazioni internazionali e alle politiche del terzo settore del Comune di Bologna, partito con la delegazione. “Viaggio, libertà esperienza, ecco quello che mi aspetto dal Giappone”, conclude Moreno , il “Marat” della compagnia Arte e Salute.....Tra apocalissi interiori e “La fine del mondo”....“Le apocalissi non si generano solo nella società ma anche dentro ognuno di noi, sono quei momenti di crisi in cui le persone si allontanano dal mondo e i propri valori perdono di senso”. Lo dice ai microfoni di Psicoradio Nicola Martellozzo, antropologo dell’università di Bologna, presentando il seminario su “La fine del mondo”, l’opera incompiuta di Ernesto De Martino, che si terrà sabato 27 ottobre al circolo CostArena di Bologna. “Ognuno di noi ha in sé la capacità di affrontare le proprie crisi – spiega Martellozzo - e De Martino ce lo fa vedere, ci insegna che il rinnovamento interiore è possibile”...L’evento fa parte della rassegna (In)Attualità del Pensiero Critico

By 1988, Glenda had made six films with Ken Russell including THE MUSIC LOVERS and WOMEN IN LOVE. But though Ken didn't quite have the clout he once did, Glenda was still loyal and totally game for this high-camp, theatrical, romp complete with loads of boobs, dildo-spears, and some baffling full frontal nudity. Glenda (braying, bilious and bejeweled from head to toe) is Herodias, second wife of Herod Antipas, who has the hots for his niece/step-daughter Salome, who in turn has the hots for John the Baptist. Now imagine all this being acted out in front of Oscar Wilde himself, by a cast of bootboys and skivvies. MARAT/SADE seems tame by comparison. We discuss Ken Russell, Wilde, our own personal nudity, and the Gospels, of course. Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).

Dicen que para no temer a la muerte hay que hablar de ella y eso es lo que nos proponemos en este nuevo capítulo de La Escóbula, acompañados de nuestro invitado Pedro Ortega (director de Mistérica, ars secreta) para que nos hable de los intríngulis de cuadros como “El entierro del señor de Orgaz” o “El triunfo de la muerte” de Brueghel o del simbolismo de las danzas de la muerte medievales.También entrevistaremos a Virginia de la Cruz, comisaria de la exposición “Imágenes de muerte” en el museo de Etnología de Valencia, que nos hablará de esos retratos funerarios a niños que tanto morbo generan. Israel Espino sacará de su baúl de los recuerdos, la leyenda mexicana de la “comadre Sebastiana”.Juan Ignacio Cuesta y Marcos Carrasco diseccionarán la obra de “Marat-Sade”, de Peter Weiss, y a colación de ello se mostrarán las distintas interpretaciones y puntos de vista que han adoptado algunos artistas sobre el asesinato del jacobino Marat a manos de Charlotte Corday, desde el célebre cuadro de Jacques-Louis David hasta el de Munch.David Sentinella tratará de las máscaras mortuorias y sobre algunos museos con huesos y momias a la vista (en México y en Palermo están dos de ellos). Jesús Callejo sobre las curiosidades de la gastronomía funeraria, tanto en los velatorios como el Día de Todos los Santos, y nos contará el cuento del científico clonado. Para caerse muerto…

Courtney Ch'ng Lancaster is presently a resident artist and the Shen Fellow at Soulpepper Theatre Company. She is a Founding Member of The Howland Company and a graduate of UBC, the Citadel/Banff Theatre Program and the Soulpepper Academy. Selected theatre credits include Spoon River, Blood Wedding, Incident at Vichy, The Dining Room, Eurydice, Of Human Bondage, Marat/Sade, Alligator Pie, Idiot’s Delight, The Barber of Seville, The Royal Comedians, The Crucible, Death of a Salesman, Assistant Director on The Anger in Ernest and Ernestine (Soulpepper); The Flood Thereafter (Canadian Stage); As You Like It (Blue Bridge); Pride and Prejudice (Citadel); 52 Pick-Up (Co-Director, Howland Company). Screen credits include The Drawer Boy feature film, Murdoch Mysteries, Fringe, Supernatural and Shattered. http://www.courtneylancaster.com/@courtneyvlhttp://www.theatreinamorata.com/@theainamorataStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Peter Brook, visionary director, in conversation with Richard Wolinsky. Peter Brook is one of the greatest theatrical directors of the twentieth century. Artistic director of the Royal Shakespeare Company for twenty years from 1962-1982, he transformed how the English speaking world looked at the plays of William Shakespeare. He is perhaps best known, during those years, for his production of “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,” also known as “Marat/Sade,” which later became a film and turned Glenda Jackson into an international star. His other films include “Lord of the Flies,” “Meetings with Remarkable Men” and a version of “King Lear” starring Paul Scofield. His 1985 nine-hour adaptation of the Indian epic Mahabharata is probably his masterpiece. Now, at the age of 92, he and his collaborator Marie Helene Estienne have gone back to the Mahabharata with a short theatrical piece, “Battlefield,” which is playing at ACT's Geary Theater through May 21st. This interview was recorded on April 24, 2017 in a rehearsal studio in the ACT offices in San Francisco. American Conservatory website Peter Brook Wikipedia page The post Peter Brook appeared first on KPFA.

It's 2017! Where better to start than with an old friend, much theatre/Dr Who nerdiness, and absolutely filthy sexual content. Seriously - **STRONG ADULT/SCIFI CONTENT** Scott Brennan and I met twenty years ago when we were both cast in an amateur production of Marat/Sade and we've been complimentary dickheads ever since. A writer, stand up comedian, actor, skilled improvisor, musician, voice-over artist, mentor, producer, star of the Talking Poofy podcast and all round spunk, Scott has been a familiar face on Australian TV and a familiar voice on Australian radio for more years than either of our ageing, forgetful brains care - or are able - to remember. We share a love of the timelord and an adoration of David Bowie (Scott was my date for the David Bowie Is... exhibition in 2015), and he's one of my favourite guest singers in my many idiotic band ventures. Not to overstate it, but he's the David to my Freddie in Under Pressure. From the changing face of gay identity, to which people over 50 years old we'd root, to difficult parent/child relationships, to the inherent impracticalities of the spit roast, join Uncle Scotty B and Aunty Quim as they dispense relationship advice and struggle to remember actors' names like two drunk, dirty, addled old ravaged hags (i.e. basically, us). P.S. In case you were wondering, the thumbnail image is precisely what Scott delivered when I asked for a high res picture...  P.P.S. Ian MARTER. It was Ian Marter...GAH!! P.P.P.S. Sound is a little different in the studio narration - sorry about that - emergency recording set up!  Tickets for the Asylum Seeker Resource Centre on 9 April 2017 - a tribute to Split Enz with many special guests - can be purchased here! 

Welcome to Episode 64 of Brain Software with Mike Mandel and Chris Thompson! Amazingly, we continue with our 5 Star Rating, despite the absolute idiocy of this podcast. Check out mikemandelhypnosis.com for more info on what we’re up to. Here are the show notes for this episode: Despite technical difficulties, we’re still here! Two Silver Bags of Pykthos arrived in the mail! Who the heck was it?!? Mike explains how he just helped out the Soulpepper play Marat/Sade as the Mind Consultant. More about pattern interrupts…Chris messes people up with them; then helps them get resourceful! Chris tells a Ken Sweatman story about using a pattern interrupt on his daughter Gloxinnya But isn’t the real reason…??? Mike challenges Chris to give his product free to the planet. Chris reverses and attempts to get Mike to sell his hypnosis training cheaper. It doesn’t work. 1971: Mike’s friends were the intelligentsia of Wexford Collegiate. Mike begins a Ken Sweatman story. The Mike Gray psychedelic ending as a pattern interrupt. Mike is called “A bloody idiot!” by his mentor, Derek Balmer. Mike grips Chris spasmodically, and coughs on his neck without warning, and is greatly amused by his own brilliant humour. Congrats to Steve in Australia for a mind-boggling hypnosis show! It’s just the beginning for Steve… Chris drops Larry Elman’s name to gain prestige. He goes on to quote Dave Elman, Larry’s father. A Ken Sweatman story rapidly develops and goes almost nowhere, although Chris talks about lotions and petroleum jelly and numbness, and placebos. The story continues for about 5 more hours, or seems to… Is the placebo “waking hypnosis”? Does it even matter? Or is waking hypnosis a placebo? Mike complains of being contacted by every lunatic on the planet. He tells of dealing with a moron via pointing out the red herring…Well you’re wrong!!! Factor vs Faculty, yet again. Words mean things… Dan asks about hypnotizing the deaf. Mike answers…The story of the Dominican Republic and hypnotizing the South Americans. Unconscious cues can lead to hypnosis. Mike at a school for the deaf, where 2 people signed the entire show. “He’s okay, he’s waving…” Chris doesn’t realize the story’s over and largely uninteresting, and keeps it going, rapidly converting it to yet another Ken Sweatman story. Igor at Hypnothoughts. Was he having a stroke, or was it the CVA Induction? Question about Florida…A principal who got raked over the coals because of alleged connexions between student deaths and his hypnotic interventions. Chris says “Ath-a-lete” but Mike exercises admirable restraint and says nothing. It leads to another opportunity for Chris to channel Ken Sweatman. Someone is furious with Mike, calling him “arrogant and abusive”. Mike admits to the arrogance, but does not accept the abusive title. The word is losing all meaning which is sad and dangerous. The man from Montreal was on a tirade, not understanding hyperbole and discussion. Some of Mike’s in laws need diagrams to stay ontrack during discussions. This is because they are idiots. Mike calls for precision in the richest of all languages: English Empowering question: What vital task will you complete before the end of this year?

Steve Cooper talks with actor William Morgan Sheppard. WIlliam graduated from the Royal Academy of Dramatic Arts 1958 before spending 12 years as Associate Artist with the Royal Shakespeare Company.  He appeared on Broadway in 1966 with Marat/Sade and later in 1975 with Sherlock Holmes. He won the Los Angeles Drama Critics Circle Award for The Homecoming in 1995, at the Matrix Theatre. He appeared in several episodes of different series of Star Trek, as well as the feature films Star Trek VI: The Undiscovered Country and in Star Trek. Outside of Star Trek, he is probably best known for his roles as Blank Reg on Max Headroom and Confederate General Isaac Trimble in the films Gettysburg and God and Generals. A few other movies and TV shows that appear on his resume are MacGyver, Babylon 5, It's Always Sunny in Philadelphia, The Prestige, Wild at Heart, Transformers, SeaQuest 2032, The Elephant Man, Cold Case, Alias, Gilmore Girls, Criminal Minds, American Gothic, Mad Men and many, many more. He has also lent his voice to many projects including Biker Mice from Mars, Gargoyles, The Legend of Prince Valiant, Mighty Ducks, Timon & Pumbaa, Medal of Honor, Justice League, Atlantis: Milo's Return and Civilization V.

Patrick currently stars in the USA Network hit Suits.A Canadian native, Patrick graduated with honors from USC (where he collected the Jack Nicholson Award for acting).  He immediately made a dent on American pop culture with his scene-stealing feature film debut as “Patch,” in the 2003 Will Ferrell classic comedy Old School, directed by Todd Phillips.  He subsequently captivated Los Angeles theatre audiences in the lead role of “Billy” in the 2005 West Coast premiere of Pulitzer Prize-winning playwright Edward Albee’s savage family drama, The Goat, Or Who Is Sylvia? at Center Theatre Group’s Mark Taper Forum.  Directed by Warner Shook, this show was honored with “Best Production” at the 2005 Ovation Awards. Patrick subsequently produced and directed his own revival of Marat/Sade at the Sacred Fools Theatre, which collected “Best Production” at the 2007 LA Weekly Awards.  He has made several appearances at the Ojai Playwrights Conference, originating lead roles in plays by writers Bill Cain and Keith Bunin, including Equivocation, Nine Circles, How to Write a New Book For the Bible: A Play For an Older Actress and The Busy World is Hushed.  He most recently starred in the acclaimed Los Angeles debut of Bill Cain’s epic Equivocation, at the Geffen Playhouse.  

With John Wilson. Brian Wilson and Bruce Johnston of The Beach Boys reflect on their never-released album Smile, recorded in 1966 and 1967 and now made available for the first time. Brian Wilson remembers the destructive role drugs played in the creation of this legendary 'lost' album, and music broadcaster Paul Gambaccini assesses how it sounds four decades on. Steven Spielberg's new film is an adaptation of the Tintin comic series using motion-captured CGI with Jamie Bell in the leading role of the intrepid boy reporter. Naomi Alderman considers how well the Hergé characters translate into film. Peter Brook's 1964 production of Marat/Sade for the Royal Shakespeare Company caused huge controversy and public outcry. Now, as part of their 50th anniversary season, the RSC are restaging it. Has it retained its shock value? Andrew Dickson has the verdict. Producer: Philippa Ritchie.

Episode 74: We talk with Loren Rhoads, author of 199 Cemeteries to See Before You Die, about graveyards - the good, the bad, and the scary. We talk about Loren's cemetery travels, including some spooky experiences she's had amongst the tombstones and mausoleums. Loren also gives us a short list of graveyards-to-visit in the U.S. Of course there are tales of lost and forgotten graves, ghosts, and vampires along the way.  If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25 Check out the Strange Familiars ebay store: https://www.ebay.com/str/strangefamiliars Strange Familiars t-shirts and other designs are available here: https://www.teepublic.com/user/darkhollerarts Including a new Flannel Man design: Episode 74 notes and links: Loren Rhoads: https://lorenrhoads.com Loren on Amazon: https://www.amazon.com/Loren-Rhoads/e/B002P905PETimothy’s books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5 Alison: https://www.etsy.com/shop/odpeacock Sarada: http://www.etsy.com/shop/ArtBySarada Michael Anderson: https://drekka.bandcamp.com Contact us via email at: strangefamiliarspodcast@gmail.com http://www.facebook.com/strangefamiliars Join the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/ instagram: @strangefamiliars http://www.strangefamiliars.com Intro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.com The closing song is The Corday Waltz by Timothy - this is a previously unreleased song - a cover of a song from the Marat/Sade film / musical. Support this podcast at — https://redcircle.com/strange-familiars/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.

Episode 75: First, we hear an incredible Flannel Man account from Jade who had a fascinating encounter with a lumberjack-like entity on Halloween 1997. Then we talk to Mo who had a terrifying encounter with a bigfoot creature in the nineties which still effects him today. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars If you would prefer a one-time payment to help us out, here is a PayPal.me link - you can change the number 25 in the URL to any amount: https://www.paypal.me/timothyrenner/25 Check out the Strange Familiars ebay store: https://www.ebay.com/str/strangefamiliars Strange Familiars t-shirts and other designs are available here: https://www.teepublic.com/user/darkhollerarts Including a new Flannel Man design: Episode 75 notes and links: Timothy’s books: https://www.amazon.com/Timothy-Renner/e/B072X44SD5 Alison: https://www.etsy.com/shop/odpeacock Sarada: http://www.etsy.com/shop/ArtBySarada Michael Anderson: https://drekka.bandcamp.com Contact us via email at: strangefamiliarspodcast@gmail.com http://www.facebook.com/strangefamiliars Join the Strange Familiars Gathering group on facebook: https://www.facebook.com/groups/strangefamiliars/ instagram: @strangefamiliars http://www.strangefamiliars.com Intro and background music by Stone Breath. You can find more at http://stonebreath.bandcamp.com The closing song is One Day it Will Come to Pass by Timothy - this is a previously unreleased song - a cover of a song from the Marat/Sade film / musical. Support this podcast at — https://redcircle.com/strange-familiars/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.