Podcast appearances and mentions of Dustin Hoffman

Revisitamos, analizamos y discutimos la película ALL THE PRESIDENT'S MEN con Robert Redford y Dustin Hoffman de Alan J. Pakula (1976).Fico Cangiano Alexis LeonLuis AngeletJose Morales

This week's episode of the Gimme Three Podcast, Producer Sonja Mereu and co-host Nicholas Ybarra celebrate the life and career of the late, great, and seminal figure in American cinema, Robert Redford. In particular, we discuss three of Redford's most politically-charged films. We start with the classic, pulse-pounding journalistic thriller All The President's Men. Robert Redford and Dustin Hoffman portray Bob Woodward and Carl Bernstein in this unforgettable masterpiece.Second, Michael Ritchie directs the hyper-realistic satire The Candidate, in which Redford plays a gorgeous, idealistic figure thrust into the political machine. Third, Barbra Streisand and Robert Redford play lovers on two different sides of the political spectrum in this powerful and heart-wrenching love story, The Way We Were.Let us know what you think of these films and what your favorite Robert Redford film is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Wéi denken Filmstaren iwwer de Filmbusiness? Ginn et genuch gutt Rollen? Wat sinn déi wichtegst Viraussetzungen fir e gelongene Film? De Pit Biwer huet grouss Staren wéi Julia Roberts, Kevin Costner, Dustin Hoffman oder Jennifer Lopez am Interview.

DUSTIN HOFFMAN & BARBARA STREISAND JOIN THE CAST!!! Meet the Fockers Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ben Stiller & the Severance Team cleaning up at the Emmy's, Aaron & John are back for some more of his comedic work giving their Meet the Fockers Reaction, Recap, Commentary, Analysis, Breakdown, & Review! Aaron Alexander & John Humphrey dive into the hilarious 2004 comedy sequel Meet the Fockers, directed by Jay Roach, following up the smash hit Meet the Parents. This time, Greg Focker (Ben Stiller — Zoolander, Night at the Museum) and his fiancée Pam Byrnes (Teri Polo — The West Wing) bring her strict ex-CIA father Jack Byrnes (Robert De Niro — Taxi Driver, Goodfellas) and mother Dina (Blythe Danner — Will & Grace) to meet Greg's eccentric parents, Bernie (Dustin Hoffman — Rain Man, The Graduate) and Roz Focker (Barbra Streisand — Funny Girl, A Star Is Born). The clash between the uptight Byrnes family and the free-spirited Fockers leads to unforgettable comedic chaos, from Jack's spy-like parenting tactics to Bernie's outrageous enthusiasm and Roz's oversharing as a sex therapist. The film also features Owen Wilson reprising his role as Kevin Rawley, Pam's ex-boyfriend, creating even more awkward hilarity. Meet the Fockers is packed with iconic comedy moments — from Jack's “truth serum” debacle and baby Jack's first words to the volleyball accident and the unforgettable family dinner chaos. The movie explores love, family, and generational clashes with nonstop laughs, cementing itself as one of the funniest comedy sequels of the 2000s. Join Aaron & John as they react to the outrageous comedy, break down the best moments, and revisit this beloved addition to the Meet the Parents saga in their full spoiler Reaction & Review! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Woofy, set, go! This week, Jane and Brandon tackle the gritty legal drama that deigns to ask all too prescient questions like, who can claim full custody of a clown-cum-basketball playing dog? Think Kramer Vs Kramer, but Meryl Streep and Dustin Hoffman are locked in a broom closet somewhere and there's a dog playing both their parts and the script is a lot worse. This one is gonna make you laugh, cry, and ask yourself, “would I be brave enough to let my dog shoot hoops with the local ramshackle junior high school basketball team?” Listeners, we present to you our coverage of 1997's Air Bud! Hosted on Acast. See acast.com/privacy for more information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!This week we celebrate the late, great Robert Redford the Bad Dads way: with a chaotic Top 5 Roberts and a deep dive into All the President's Men — the newsroom thriller where Redford and Dustin Hoffman painstakingly peel back Watergate until the whole presidency caves in. It's cigarettes, typewriters, and journalism that actually mattered.What we get intoRedford & Hoffman, peak charisma: why their odd-couple energy (and immaculate 70s fits) makes procedural journalism feel electric.The craft stuff: split-diopter shots, sound design that drowns phone calls in newsroom chaos, and that final typewriter barrage (“Nixon Resigns”) still landing like a gut punch.Truth vs. proof: editors wrestling with “we know it” versus “we can print it,” and why that tension hits even harder now.Deep Throat decoded: “follow the money,” the parking-garage paranoia, and how the film weaponises quiet dread.Top 5 Roberts (no De Niro, no Redford — house rules)We raid film, TV, music and pop culture for the best Bobs/Roberts/Robbies—from Sideshow Bob and Robert Englund to Robert Mitchum, Rob Reiner, Bob Odenkirk, Robert “Bob with bitch tits” Paulson, SpongeBob (Robert) Squarepants, and some gloriously fringe picks (RIP Rob Garrison, Cobra Kai's OG goon). Expect arguments, deep cuts, and at least one guided detour through Spinal Tap and King Crimson.The chaotic quiz: Redford or Red Ford (…or both)?Sidey springs a quiz where every answer is either Redford (the man) or red Ford (the car on screen). Cue confusion, Christine vs Cars, The Sting, All Is Lost, and a tricksy Winter Soldier “both” that broke brains and buzzers.Content note: swearing, savage tangents, and the occasional anatomical overshare. If you came for “balanced coverage,” you've wildly misread the brand.

Zach and Ben tackle another deadly sin by reviewing Mike Nichols sensation "The Graduate" starring Dustin Hoffman and Anne Bancroft. Don't miss out on the discussion!Instagram-@TheMovieVaultPodEmail us- themovievaultpod@gmail.comYouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Point A Insurance (formerly Hedman Anglin Agency). Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.PointAInsurance.com

En Gente que trabaja, Cristina Moreno charla con Miguel Ángel Delgado y Flako Estévez, el director y el protagonista de 'San Simón', antes de su estreno en el Festival de Cine de San Sebastián.¿Para qué sirven las fotos analógicas en la era digital? Leila Méndez, fotógrafa con más de 25 años tras la cámara y autora del ensayo 'Disparos contados' (Anagrama), reflexiona con Leticia Sanz sobre la actitud analógica en la época de la inmediatez.En Verso Suelto de Abraham Boba recordamos a Jack Kerouac recitando alguno de sus poemas incluidos en 'LIbro de Jaikus', publicado por Bartleby Editores.Estrenada en 1975 y llevada al cine por Dustin Hoffman en el 96, 'American Buffalo' sigue siendo un espejo incómodo de la ambición, la lealtad y la nada. Ahora llega al teatro Fernán Gómez de Madrid y Natalia Sprenger nos trae al estudio a sus protagonistas: Israel Elejalde, David Lorente y Roberto Hoyo.Escuchar audio

Estrenada en 1975 y llevada al cine por Dustin Hoffman en el 96, 'American Buffalo' sigue siendo un espejo incómodo de la ambición, la lealtad y la nada. Ahora llega al teatro Fernán Gómez de Madrid y Natalia Sprenger nos trae al estudio a sus protagonistas: Israel Elejalde, David Lorente y Roberto Hoyo.Escuchar audio

In tribute to Robert Redford we've taken another look at the movie he and Dustin Hoffman, plus director Alan J. Pakula and screenwriter William Goldman, made about the Watergate break-in Presented by J.R. Southall, with Matt Barber

In de 30e aflevering van de Gremlins Back 2 Back podcast hoor je besprekingen van Straight Time (1978) en The Hidden (1987). Maarten en Sven zijn onder de indruk van zowel Dustin Hoffman als Kyle MacLachlan, zweetaanvallen werden nog nooit zo ‘tastbaar' bevonden, Sven heeft iets voor mooie bolides en Maarten gaat goed op ontploffingen. Tijdens de intermission krijgt Robert Redford een oorkonde vooraleer Weapons, Wraak, F1: The Movie, The Thursday Murder Club, Unknown Number: The High School Catfish en Reagan aangestipt worden. Klaar voor horror? Luister dan zeker binnen twee weken naar episode 31 van de Gremlins Back 2 Back podcast!

In this episode, I sit down with Seth Kearsley, a veteran animation director, writer, and producer, to explore his incredible career. With over three decades in the industry, Seth has worked on fan-favorite shows like The Maxx, The Simpsons, and Dilbert, and directed Adam Sandler's Eight Crazy Nights. We talk about his beginnings, discovering pencil and paper in his dad's truck, and the path that led him to major animation projects.From wild CalArts parties to life advice from Dustin Hoffman, Seth shares stories that are both hilarious and inspiring. He also opens up about Never Wonderland, his dark reimagining of Alice in Wonderland, and how a near-fatal car accident pushed him to focus on personal creative work.We cover everything from directing celebrities and stealing art supplies as a kid to finding balance between perfection and progress. It's an episode full of humor, insight, and behind-the-scenes magic from the world of animation. Host: Mike Rosado (mrcraleigh.com) (instagram.com/ekimodasor) Post Production: Max Trujillo (instagram.com/trujillomedia) Sponsors: MRC (mrcraleigh.com) and Burny Wild's (burnywilds.com) 

“A world without Human Beings has no center to it.” Little Big Man (1970) Directed by Arthur Penn and starring Dustin Hoffman, Chief Dan George, Faye Dunaway, Martin Balsam and Richard Mulligan

This is another milestone.  We only had a half hour, so I began by asking a specific question. The video that I posted, that Jennifer had not seen - was of footage of Saipan in 1944.  I asked Amelia if this footage featured the Electra?  She said it did but the "wrong date." (She says year, but Jennifer later said that meant date to her). The video was 3/4's correct.   Because the footage shows three planes in a hangar on Saipan - two Japanese Zeros and another plane covered by camouflage.  Amelia confirms that this was her Electra - which they found "the next day."  And is part of the book SHE WAS NEVER LOST: THE AMELIA EARHART SAGA.  Read it to give this comment context. Then we invited Robert Redford to speak to us.  It happens sometimes where I feel like "someone is bugging me" and two days ago that happened. So I asked him all the questions that I could muster about his family and friends. I know the family asked for privacy and apologies for asking him for messages for them - but we've been doing this weekly for ten years now. I've learned that even if a person doesn't believe that we're speaking to their loved one, eventually they come to realize it's accurate. Jennifer revealed she did a reading with Jean Smart, the Emmy winner of "Hacks" - and while not revealing anything they talked about, described the process of their getting together. And then throughout the podcast, she had other things come to mind - working on Robert's daughter's fiancee's case in Colorado - something she hadn't thought about in ten years, but came to her the night before he passed. Jennifer has been working with members of Kobe's family (they've allowed her to say that) - and other folks.  The point isn't about celebrity - it's about the fact that Jennifer has the ability to just say whatever comes to mind. I asked Robert how it was he was aware of our class, and Kobe showed Jennifer that it was his introduction that made him show up. We've interviewed a number of his pals, Sidney Pollack's daughter wrote to me that everything we reported was accurate about her, about him turning his chair around and packing his cigarettes while he answered questions. Sidney confirmed a latter he'd written to my pal Phillip Noyce before he passed.  We've been doing this for awhile. So I dove into the interview. He had messages for his pals, I asked for them by first names, but anyone could figure out who he's referring to.   So Jane Fonda, Barbra Streisand, Dustin Hoffman, Bob Woodward, Meryl Streep, Rod Lurie - he has a comment for all of you.  It doesn't matter if one believes it's him speaking to them or not - eventually we'll realize the process.   Jennifer can be reaches at JenniferShaffer.com, I can be reached at RichardMartini.com He gives some sage advice about politics, and lowering the political temperature. 

“You're trying to seduce me…” The Graduate dropped in 1969 from Mike Nichols on the cutting edge of New Hollywood. The story of a recent college grad and an affair that shapes the transitional years into his adulthood and his lover's middle age. As iconic as a movie can be, Dustin Hoffman and Anne Bancroft starred in a movie that's as relevant now as it was in the aftermath of the Hays Code and on the cusp of a new style of filmmaking that would define a generation of artists. Clint, Cal and Nick talk about revisiting this classic in their own moments of change, how an old school cinematographer was the best way to break new ground and why the movie hits WAY different when you realize you're older than Mrs. Robinson. Meanwhile, Dan's Algorithm wonders where Joe DiMaggio has gone… CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watergate, the scandal that toppled Nixon. All the President's Men (1976) tells the story of Woodward and Bernstein, the two Washington Post journalists who “followed the money” and uncovered corruption at the highest level. But does the film hold up today or has it become a mythologized version of journalism that no longer exists? Richard, Thorin, and MonteCristo dig into Robert Redford & Dustin Hoffman's iconic roles, the slow-burn procedural style, the myth of journalism as a heroic truth-to-power force, and why this movie may feel like historical fiction in today's cynical political world.

I told you I'd make Dustin watch this - and boy did it pay off! I know it's probably a bad podcasting idea to cover a movie no one saw and that the director pulled from all distribution channels... HOWEVER I just saw you can stream MEGALOPOLIS on Apple TV+ right now! So get a free trial and check it out because you will want at least some context for this episode. We dig into all the characters played by spectacular actors and how badly wasted Dustin Hoffman was. We try to explain the fable and allegory as best it makes sense. And we struggle to fathom how a movie about America has zero grasp of what it is or was (or really Rome, for that matter). There are interesting things that worked, and more that should work on paper, so it's complicated and definitely an interesting discussion. Lots to dig into, and we want to hear your takes as well. Leave a voicemail or shoot us a text:⁠⁠⁠⁠ +1(724)4-BONERZ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Before that, we need to spin for another random movie because we can't find one of the 10 picked last episode. Then Dustin gives spoiler-free first impressions of The Naked Gun (2025), The Thursday Murder Club, and revisiting Ben Hur. Jake shares thoughts after seeing Together, Primitive War, and Unknown Number: The High School Catfish.----Special thank you to Alan Hlavacek and Travis Mason from ⁠⁠Attack on Venus⁠⁠ for the sick theme music! Check them out here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠- ⁠⁠⁠⁠⁠⁠⁠https://attackonvenus.bandcamp.com⁠⁠⁠⁠⁠Spotify⁠⁠ - ⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/34bZPk9DrWCURfBNmkRiKt?si=T25gxlo_QzChS-ZSoEwoJA⁠Apple Music⁠ - ⁠https://music.apple.com/us/artist/attack-on-venus/974094891⁠⁠⁠⁠⁠⁠⁠----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with us and share your thoughts:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/moviebonerz/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@moviebonerz⁠⁠⁠⁠⁠Facebook:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/moviebonerz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@moviebonerz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hace algo así como una semana que se me ocurrió que necesitaba o quería escuchar a estos dos con los apellidos de Simon y Garfunkel. El café esta tibio me entero ahora, y solo había empezado con el affaire de la familia Robinson. Algo de estar sentados comodos en el sofa de un domingo y donde fuiste a parar Joe Di Maggio, y otras referencias que son bien de la ciudad que no duerme, del central park en un día soleado, cuando tomaron la foto de estos dos que por un tiempo se aburrieron de vender discos con sus canciones de un puente por el que por debajo hay aguas turbulentas. el que trae los grandes éxitos de estos dos, estaba en la casa en la que vivimos por un tiempo con mis hermanos. Nos mudamos un tiempo a la casa de mi padre, me acuerdo bien, iba a tomar la comunión ese año.faltar un domingo a la misa a una cuadra, era una buena idea si me quedaba escuchando cosas de que el paraíso era algo bueno para los que se quedaban rezando. Un pequeño secreto no ira a misa, y quedarse escuchando a estos dos. Voy a investigar un poco de lo que ya sabía, donde miro encuentro que se conocieron desde muy chicos, que eran compañeros de clase en los días de la escuela en Queens. el primer intento que tuvieron fue malo, eso fue a una temprana edad, en medio de la adolescencia no se sabe cual es tom y el otro Jerry, puede ser que los dos recuerden bien ese primer intento de editar un disco para el fracaso. Parece que eran unos pobres chicos, pero no se habían dedicado al boxeo. Querían hacer canciones que en público escuche, no todos parientes, amigos y familiares. El público de medio millón apareció en el Central Park en 1981, concierto que más de una vez mi madre dijo haber estado, y puedo tomar la letra de otro de la gran manzana que dijo no siempre podes confiar en lo que tu madre ha dicho.en el grandes éxitos de estos dos, el alto y el bajito, no se iban a llamar de ese modo. Art de nombre, rulos rubios alto, con ese nombre más tarde iba a probar suerte en la actuación, pero nunca con Dustin Hoffman, si pudieras hacerme el favor, de agregar mi parte en alguna película que fueras a trabajar después del éxito del graduado. Sucede que luego de probar suerte con Tom el gato y Jerry el ratón se partieron en dos. Paul voló para London town, para ver que cosas podían pasar con el folk oscuro del disco que grabo, que permanece metido en los sonidos del silencio, del fracaso. En que andaba Garfunkel, metido sus ojos en el flash de las luces de neon. El disco que escucho es un jump back, un salto para atrás, un cuarto, una cama que no se parece en nada a estar internado, no es el post operatorio de apendistis casi peritonitis. En aquel día de inverno no había profundo diciembre de nada, desde mi ventana no nevaba, pero sonaba la canción en la que Simon le canta a Garfunkel, soy una roca, mejor una isla soy. No siente dolor, no llora. no voy a querer hablar mucho más de estos dos, es muy probable que solo quiera escucharlos cantar sus canciones, puedo esperar más tiempo, para contar más cosas. También vale decir hablo del amor si quiero, vive en mi memoria. Era muy bueno Simon se convierte en el ratón de las letras. El Wilson Tom que había producido los de Dylan en el mismo sello de Columbia hicieron su primera aparición fallido con la feria de Scarborough y su cantico, ella una vez fue un verdadero amor mió, en la parte profunda de un bosque y por entre montanas y nubes suena esta que trae algo de mas aventuras en el estudio para un cuarto definitivo, despedida de este no va a volver a pasar hasta que vayamos a cumplir 80 años.Con 84 años es el que golpea en las puertas del paraíso desde 1973 es Dylan. Viva la radio,saludos cordiales,the galgo.

Este podcast es el primero de una serie donde haremos un repaso de los coches más bonitos por décadas… Y como sé que algunos diréis: “Eso ya se ha hecho antes” vamos a añadir una cierta dificultad: Elegiremos los más bonitos, entre 15 y 20, que por lógica serán casi todos coupés y además las 3 berlinas más bonitas, un descapotable, un TT y uno que destaque por su aportación estilística… y, como fin de fiesta… ¡El vencedor absoluto! ¿Estás preparado? Comienzo por la década de los 60, porque fue una década prodigiosa. Normalmente usó muchas expresiones como “yo estuve allí”, “probe este coche”, “Fui a la presentación de este modelo” … obviamente, en los coches de hoy no es el caso. Quiero destacar que son coches que descubrí a posteriori y a veces mucho después. Cuando comencé a leer revista regularmente con 12+1 años, en 1973, algunos de esos coches ya eran viejos y los he conocido por maquetas, sobre todo de 1/43 y en algunos casos, mucho después, como clásicos. Así que en muchos casos, puede que los tenga idealizados. Pero para lo que nos atañe es igual, porque en esta colección de videos vamos a hablar de estética y diseño, no de “cómo van”. Y ya directamente, como hay ¡muchos!, casi 30, vamos al lío… ¿Estáis preparados para un Maratón de coches bonitos? Pues comenzamos… Categoría absoluta. AC Shelby Cobra (1962). Alfa Romeo 33 Stradale (1967). Alpine A110 (1963). Aston Martin DB5 (1963). Buick Riviera (1963). Chevrolet Corvette Sting Ray (1963). Dino Ferrari GT (1967). Ferrari GTO (1962). Ford Mustang (1965). Iso Rivolta Grifo (1963). Jaguar E (1961). Lamborghini Miura (1966). Lancia Fulvia Coupé HF (1966). Maserati Ghibli (1967). Mercedes Benz 280 SL “Pagoda” (1963). Plymouth Barracuda (1964). Porsche 911 (1964). Toyota 2000 GT (1967). Triumph TR6 (1969). Volvo P 1800 (1961). Llegamos a las Berlinas. Aunque alguno de los coches citados los hubo en versiones berlina, vamos con este apartado exclusivo de coche de 4 puertas. Citroën DS (1955). No, no es un error, se presentó en 1955 pero se vendió hasta 1975 y sus mejores momentos fueron en los años 60. Jaguar XJ6 Series (1968). Este XJ6 en cuyo diseño y definición técnica participó el mismismo Sir Williams Lyons fue un éxito en todos los sentidos. Lincoln Continental (1961). Sí, ya sé que, en este coche, en versión sin techo, fue asesinado el presidente Kennedy. Descapotable. Alfa Romeo Spider “Duetto” (1966). Este coche lo conocí en el cine, en la excelente película de “El graduado” donde compartía protagonismo con el jovencísimo Dustin Hoffman. Todo Terreno. Ford Bronco (1966). Me parece que hay TT muy bonitos, como esta primera generación del Bronco de estética “robusta” y que se acompañaba de un motor V8 de 4.7 litros y 205 CV. Mayor aportación de diseño. Mi idea es que en esta categoría tengamos solo un coche, pero esta vez no he podido resistirme y tenemos dos: Citroën Mehari (1968). Mehari es como se dice “dromedario” en árabe. Este coche reunía las cualidades de sencillez y robustez del mítico 2 CV con la practicidad de una carrocería de inspiración náutica y con un diseño único, agradable y diría que moderno… sencillamente, ¡me encanta! Jeep Wagoneer (1963). Te gusten o no, los SUV han llegado para quedarse. Y aunque el Wagoneer no es realmente el primero, si es el primero que tuvo verdadero éxito. Pretendía re unir las cualidades de robustez y línea rotunda propia de los TT con las comodidades de un turismo. Y lo consiguió… y detrás de él vinieron muchos, muchísimos más… hasta nuestros días.

EPISODE 100 -  “LIGHTS! CAMERA! KARGER! TCM's DAVE KARGER HELPS US CELEBRATE 100 EPISODES” - 8/11/25 We're thrilled to celebrate the 100th episode of FROM BENEATH THE HOLLYWOOD SIGN with a very special guest: DAVE KARGER, beloved host of Turner Classic Movies and one of the most respected voices in entertainment journalism. In this milestone episode, Dave joins us to discuss his fascinating new book, 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins, a dazzling journey through Academy Awards history told through unforgettable moments, behind-the-scenes stories, and personal reflections. Whether you're a film buff, an Oscars obsessive, or just love a great Hollywood tale, this conversation is the perfect way to help us celebrate our 100th episode. SHOW NOTES:  Sources: 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins (2024), by Dave Karger; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Breakfast Club (1985), starring Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheed, and Anthony Micheal Hall; Sixteen Candles (1984); starring Molly Ringwald & Anthony Michael Hall; Ferris Bueller's Day Off (1986), starring Matthew Broderick &  Alan Ruck; Children of a Lesser God (1986), starring William Hurt & Marlee Matlin; Breathless (1983), starring Richard Gere & Valerie Kaprisky; Tootsie (1982), starring Dustin Hoffman & Jessica Lange; Laura (1944), starring Dana Andrews & Gene Tierney; Seven Chances (1925) starring Buster Keaton; Citizen Kane (1941), starring Orson Welles & Joseph Cotton; On The Waterfront (1954), starring Marlon Brando,Eva Marie Saint, & Karl Malden; Rainman (1988), starring Dustin Hoffman & Tom Cruise; Stella Dallas (1937), starring Barbara Stanwyck & Anne Shirley; Reveille with Beverly (1943), starring Ann Miller; Penny Serenade (1941), starring Cary grant & Irene Dunne; Boys Don't Cry (1999), starring Hilary Swank & Chloë Sivegny; Norma Rae (1979), starring Sally Field & Beau Bridges; Sophie's Choice (1982), starring Meryl Streep, Kevin Kline, & Peter MacNicol; Learn more about your ad choices. Visit megaphone.fm/adchoices

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 8ú lá de mí Lúnasa, liomsa Lauren Ní Loingsigh. I 1986 bhí plean ag na dochtúirí chun stailc a dhéanamh ach ar deireadh níor tharla sé mar go raibh idirghabháil ón Chúirt Oibre. I 1991 tháinig sé amach go raibh an costas chun páiste a chuir tríd bunscoil agus meánscoil timpeall 8 míle punt. I 1975 d'oscail an Aire Gaeltacht scoil nua mar go raibh siad ag iarradh níos mó cuairteoirí agus chun na daoine ón chontae chun labhair níos mó Ghaeilge. I 1991 tháinig sé amach go raibh an seomra in Inis chun dialann a fhoilsiú le caitheamh aimsire, imeachtaí agus spórt in Inis. Sin Typically Tropical le Barbados – an t-amhrán is mó ar an lá seo I 1975. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1987 fuair U2 a dara huimhir a haon I Meiriceá lena hamhrán I Still Haven't Found What I'm Looking For óna albam Joshua Tree. I 2010 bhí parúl Mark David Chapman, dúnmharfóir John Lennon, curtha siar go dtí mí Mheán Fómhair de bharr go raibh siad ag iarradh níos mó eolas a fháil ar an chás. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir Dustin Hoffman I Meiriceá I 1937 agus rugadh amhránaí Shawn Mendes I gCeanada ar an lá seo I 1998 agus seo chuid de amhrán. Beidh mé ar ais libh an tseachtain seo chugainn le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 8th of August, with me Lauren Ní Loingsigh 1986: Strike planned by doctors were averted following intervention by the Labour Court. 1991: It was reported that to educate one child from the beginning r primary school to the end of secondary level it would cost £8,000. 1975: The Minister of the Gaeltacht opened a new school in hopes to interest visitors and urge Clare people to return to Irish Heritage. 1991: It was reported that Junior Chamber Ennis would publish a social diary featuring all social activities, events and sports in Ennis That was Typically Tropical with Barbados – the biggest song on this day in 1975 Onto music news on this day In 1987 U2 scored their second US No.1 single from their Joshua Tree album with 'I Still Haven't Found What I'm Looking For'. 2010 John Lennon's killer, Mark David Chapman, had his parole hearing delayed until early September so that officials could gather additional information. And finally celebrity birthdays on this day – actor Dustin Hoffman was born in America in 1937 and singer Shawn Mendes was born in Canada on this day in 1998 and this is one of his songs. I'll be back with you next week with another edition of Ar An Lá Seo.

National Pickleball day.  Entertainment from 2010.  Nixon announced his resignation, The Great Train Robbery in England, Mt. Blanc summited for first time.  Todays birthdays - Webb Pierce, Mel Tillis, Dustin Hoffman, Connie Stevens, Larry Wilcox, Don Most, Scott Stapp, JC Chasez. Shawn Mendes.  Olivia Newton-John died.Intro - God did good -  Dianna Corcoran    https://www.diannacorcoran.com/ Picleball anthem - Eddie & Webby PickleballLove the way you lie - Eminem  RhihannaLover lover - Jerrod NiemannBirthdays - In da club - 50 Cent    https://www.50cent.com/In the jailhouse now - Webb PierceI aint never - Mel TillisSixteen reasons - Connie StevensChips TV themeHappy Days TV themeHigher - CreedBlowin me up with her love - JC ChasezStitches - Shawn MendesPlease Mr. Please - Olivia Newton- JohnExit - A memory I can't drown - Anthony Price     https://anthonypricemusic.com/countryundergroundradio.comHistory & Factoids webpage

We were in actual tears by the end of this episode. Kel takes us back to 1960 on the remote island of Hydra, where singer-songwriter Leonard Cohen first met and fell in love with Marianne Ihlen, a young mother from Norway. Although their paths didn't stay aligned forever, Leonard and Marianne never quite forgot each other– even in their very last days. Whether you're unfamiliar with Leonard's music (although everyone knows ‘Hallelujah') or a die-hard Cohen fan, there's a lot to learn from Leonard and Marianne's relationship. But first, Kel makes Mel and Kaitlyn correctly differentiate Leonard Cohen, Dustin Hoffman, and Al Pacino in a lineup. Later, she has a random rant about the Boygenius song “Leonard Cohen.” And we end it with a good cry… “It's time to laugh and cry, and cry and laugh about it all again.” Mentioned in Episode: Leonard Cohen, Dustin Hoffman, or Al Pacino? ***** This is a teaser for a bonus episode— the full episode is 2 hr 59 minutes long! You can listen to it in full ⁠on Patreon⁠. About Significant LoversSignificant Lovers is a true-love podcast exploring couples throughout history and pop culture, hosted by cousins Kelly, Melissa, and Kaitlyn. Follow us on Instagram and TikTok @significantlovers, listen on YouTube, and contact us at significantlovers@gmail.com.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for ‘fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Paul and Erin discuss two films that tell the origin stories behind classics of children's literature: Marc Forster's 2004 Oscar-bait drama about the creation of PETER PAN; and DREAMCHILD, the Dennis Potter-scripted 1985 drama about the creation of ALICE WONDERLAND.

Nathan is still recovering from Jason's gunshots so Jerika fills in this week to help discuss Francis Ford Coppola's film Megalopolis after nearly 50 years in the making. Did Francis really cast the Cancelled Actor All-Stars? Is there any baseline of logic to understand ANY of this movie? Does Aubrey Plaza nearly save this entire thing? Should this have been a musical? And just what in the hell did Jon Voight just say?! Next week: Nathan returns as the guys go nuclear. What We've Been Watching: Crimes and Misdemeanors How to Train Your Dragon (2025) Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/wwttpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme Song recorded by Taylor Sheasgreen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/themotorleague⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo designed by Mariah Lirette: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Montrose Monkington III: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/montrosethe3rd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Megalopolis stars Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Shia Labeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D.B. Sweeney, Balthazar Getty and Dustin Hoffman; directed by Francis Ford Coppola. Learn more about your ad choices. Visit megaphone.fm/adchoices

After Rick talked about Dick Tracy with Maz earlier this year to celebrate the 35th anniversary of the movie, Sarah Says gave him a call to let him know that it is one of her five favorite movies of all-time.  Of course, we have to hear from Sarah Says about this movie if she loves it so much.

In a long, sad American tradition, comics have been cancelled, arrested, and harassed for exercising their First Amendment rights. 1974's Lenny starring (the ironically now cancelled Dustin Hoffman) shows how far we've come and how much we've stepped back from progress. What differentiates tasteful subversive comedy from exploitative junk? Was Lenny Bruce a great comic, or was he trying too hard to make a point about censorship? Find out our thoughts here. Guest Information: Ian Simmons is the Podcaster/Writer/YouTuber at Kicking The Seat http://www.kickseat.com/ X @KICKSEAT YouTube https://www.youtube.com/channel/UCt3kngIP7djl1CsEyppoalA  Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content. Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603 Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005 Subscribe on SoundCloud https://soundcloud.com/user-114056851 Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago

For our final episode in this summer's Drive-In series, we review the film, "Hook," a cinematic endeavor released in 1991, which features the esteemed talents of Robin Williams and Dustin Hoffman. We engage in a critical discourse regarding the film's unjust placement on the list of poorly rated movies, as evidenced by its subpar score on Rotten Tomatoes. Our examination delves into the narrative elements, character arcs, and thematic undercurrents that contribute to the film's enduring appeal, particularly in relation to the themes of nostalgia, familial bonds, and the importance of childlike wonder. As we explore our personal connections to the film, we articulate our perspectives on its merits and shortcomings, striving to ascertain whether its critical reception aligns with our own sentiments. Ultimately, we invite listeners to reflect on their interpretations of "Hook," as we navigate the complexities of nostalgia and cinematic critique in our discussion.The dialogue centers around the cinematic exploration of 'Hook,' a film that presents a reimagined narrative of Peter Pan, now portrayed as an adult grappling with the responsibilities of life. The hosts express their disbelief at the film's low Rotten Tomatoes rating, which they categorize as a profound injustice against a film that resonates deeply with themes of nostalgia and the complexities of adulthood. Their discussion unveils the intricate layers of the plot, which follows Peter's journey from a work-obsessed lawyer back to the world of Neverland, where he confronts the infamous Captain Hook, a character brought to life by the talented Dustin Hoffman.Throughout the podcast, the hosts engage in a reflective analysis of the film's thematic elements, particularly the dichotomy between childhood innocence and adult responsibilities. They underscore the importance of imagination and the loss of one's youthful spirit, positing that these concepts are pivotal to the film's narrative. The hosts also critique certain aspects of the film, such as its pacing and length, suggesting that a more concise structure could enhance its overall impact, yet they remain steadfast in their admiration for its emotional depth.In wrapping up their discourse, the hosts invite listeners to reassess 'Hook' not merely through the lens of critical reviews but as a profound exploration of the human experience. They emphasize the film's ability to evoke powerful emotions and provoke thought, ultimately urging audiences to embrace its messages about family, adventure, and the enduring power of imagination.Takeaways: The film 'Hook' explores the theme of rediscovering one's childhood and the importance of imagination, as Peter Pan learns to reconnect with his inner child. Critics have often dismissed 'Hook' as a failure, yet the film resonates deeply with audiences who appreciate its nostalgic value and emotional depth. The portrayal of Captain Hook in 'Hook' adds complexity to the character, showcasing his desire for revenge and reclamation of honor, rather than presenting him as a one-dimensional villain. Despite its low Rotten Tomatoes score, 'Hook' features strong performances, particularly by Robin Williams and Dustin Hoffman, contributing to its enduring appeal and cultural significance. .We discuss all this and more in this one! Join in the conversation with us on Discord now!.Support our show on Captivate or Patreon, or by purchasing a comfy T-Shirt in our

Sphere is a 1998 American science fiction psychological thriller film directed and produced by Barry Levinson, adapted by Kurt Wimmer, and starring Dustin Hoffman, Sharon Stone and Samuel L. Jackson. The film centers on a large mysterious underwater object discovered by Navy divers. When the scientists are sent to examine it, they are puzzled to find out it is a huge metal sphere, with no further information. It is based on Michael Crichton's novel of the same name. The film's score was composed by Eliot Goldenthal. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!     Watch Sphere: https://amzn.to/45kTnzd     Out this Month: Congo (1995) Sphere (1998) Patreon: Michael Crichton Poll!      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Karl Haikara Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero Thomas Jane's gun Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

GGACP celebrates the 50th anniversary of the #1 record of 1975, "Love Will Keep Us Together" with this LIVE singalong episode (from Sid Gold's Request Room in New York City) and tribute to songwriter Neil Sedaka (and others). In this episode, Gilbert and Frank are accompanied by pianist extraordinaire Joe McGinty and a roomful of passionate (and knowledgeable!) listeners as they warble memorable tunes from ABBA, The Archies, Jim Croce, Paper Lace and Kermit the Frog. Also, Helen Reddy gets the jump on Bette Midler, Herve Villechaize covers the Captain & Tennille, Gilbert picks a bone with Kenny Rogers and Dustin Hoffman shares the screen with Dr. Hook & the Medicine Show. PLUS: The songs of Shel Silverstein! “The Blind Man in the Bleachers”! And "The Wreck of the Barry Fitzgerald!” Learn more about your ad choices. Visit megaphone.fm/adchoices

We are bringing back the "I've Never Seen" segment from the old days. One of us absolutely loves 2004's 'I Heart Huckabees' and the other two have never even heard of it. A self-described "existential comedy", I Heart Huckabees has an insane cast including Dustin Hoffman, Lily Tomlin, Jude Law, Jason Schwartxman, Mark Wahlberg, Naomi Watts and so many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight's Triple Feature is a director spotlight on Barry Levinson, a filmmaker whose career is as quietly influential as it is stylistically fluid. We're looking at three of his most potent and thematically rich films: Good Morning, Vietnam (1987), Sleepers (1996), and Wag the Dog (1997). While these movies differ wildly in tone—ranging from manic comedy to grim drama to razor-sharp political satire—they're united by something deeper: a fascination with storytelling as both a tool of survival and a weapon of manipulation.To understand how these films fit together—and what they say about Levinson himself—we need to start with the man behind the camera.Who Is Barry Levinson?Barry Levinson emerged from the 1980s auteur boom with a distinctly humanistic voice. A Baltimore native, Levinson first made his mark as a screenwriter, penning ...And Justice for All (1979) and Diner (1982), the latter of which marked his directorial debut. He quickly carved out a niche making intelligent, character-driven dramas with sharp dialogue and a blend of humor and melancholy.You might call him an American moralist—but a flexible one. His best films don't preach; they interrogate. Levinson doesn't arrive at the story with a hammer and message—he arrives with a question. What is the cost of truth? What happens when institutions fail? What stories do we tell to protect ourselves… or to control others?This puts him in a rare category: a commercial filmmaker who consistently tackles uncomfortable ideas, often smuggled into crowd-pleasing packages.The Aesthetic: Naturalism Meets Narrative ControlVisually, Levinson isn't flashy. He doesn't announce himself with whip-pans or long takes. Instead, his aesthetic is clean, restrained, and deceptively simple—he clears space for character and performance. He's a director who understands the power of a well-cast actor and a lived-in setting.But beneath the grounded surface, Levinson is obsessed with the structure and function of narrative. His films constantly interrogate who gets to tell the story, why they're telling it, and what the consequences are. That meta-awareness—about media, perception, and memory—is central to tonight's triple feature.Good Morning, Vietnam (1987): Humor as SubversionGood Morning, Vietnam is perhaps Levinson's most accessible film, largely thanks to Robin Williams' explosive, genre-defying performance as real-life military radio DJ Adrian Cronauer. On the surface, it's a war comedy—a zany, rapid-fire laugh-fest set against the backdrop of Vietnam. But dig deeper, and it's a biting exploration of truth, censorship, and the psychological cost of telling jokes in a world on fire.Levinson lets Williams run wild, yes—but he also carefully frames Cronauer as a man whose humor is both a coping mechanism and a form of protest. The military brass wants control over the narrative. Cronauer wants to tell the truth, or at least laugh at the lie. And that tension—between comedy and tragedy, propaganda and rebellion—makes the film more than just a showcase for improv. It becomes a study of how humor can be a form of defiance in the face of institutional rot.This is Levinson at his most charming, but also his most subversive. He knows a spoonful of sugar helps the medicine go down—and he laces the sugar with acid.Sleepers (1996): Trauma, Brotherhood, and Justice Outside the SystemNearly a decade later, Levinson delivered Sleepers, a completely different animal. Based on Lorenzo Carcaterra's controversial novel (whose “based on a true story” claim remains disputed), Sleepers is a dark, operatic tale of childhood abuse and adult revenge. The humor of Vietnam is gone. In its place: Catholic guilt, corrupted institutions, and the brutal costs of unresolved trauma.If Good Morning, Vietnam was about resisting propaganda, Sleepers is about rewriting it. The second half of the film becomes an elaborate lie—a staged trial, manufactured witnesses, rigged outcomes—all orchestrated not to deceive the audience, but to achieve justice the legal system refuses to provide.Levinson doesn't ask us to condone this. He asks us to understand it. What happens when the people we trust—priests, guards, judges—become the abusers? And what happens when no one will hold them accountable?This is Levinson's angriest film, and his most emotionally direct. It's also deeply personal. Set in Hell's Kitchen in the 1960s, it's saturated with nostalgia—until that nostalgia curdles. It's the American coming-of-age story turned into a horror film.And once again, we're dealing with a narrator—Jason Patric's character—telling us the story long after the fact. But can we trust him? Should we?Levinson doesn't answer. He just holds the camera steady.Wag the Dog (1997): Manufacturing Reality in Real TimeIf Sleepers is a courtroom drama told through shadows and memory, Wag the Dog is a satire of the same mechanisms—but weaponized in real time. Released just weeks before the Clinton-Lewinsky scandal broke, this film is practically prophetic.A spin doctor (Robert De Niro) and a Hollywood producer (Dustin Hoffman) fabricate a fake war to distract from a presidential sex scandal. It's absurd. It's hilarious. And it feels… inevitable.This is Levinson in full meta mode, stripping the illusion of politics down to its skeleton. But while the premise is cynical, the filmmaking is precise and controlled. The performances are pitch-perfect. The script, by David Mamet and Hilary Henkin, is lean and lethal. And the message is terrifying:If the story is good enough, the facts don't matter.Wag the Dog completes the arc that began with Vietnam. In that film, the media truth-teller is punished. In Wag the Dog, the media manipulator is rewarded. Humor, once a weapon of rebellion, has become a tool of control. The satirical bite here is so sharp it draws blood.What These Films Say About LevinsonTaken together, these three films show a director fascinated by the moral weight of storytelling. Levinson keeps returning to the same idea: that narrative is power. Whether it's used to comfort soldiers, avenge childhood trauma, or distract a nation, stories shape the way we see the world—and they're always being weaponized by someone.He's not flashy. He's not dogmatic. But Barry Levinson understands something fundamental: that the line between truth and fiction is thin, fragile, and often chosen for us by people we'll never meet.And that's what makes him one of the most essential—and underrated—American filmmakers of the last 40 years.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

 Back for another week, as July kicks off and Happy 249th Birthday, 'Merica!  This week's episode has nothing to do with July 4th or patriotism, but instead, the Top 10 Summer Series continues!  This week, Miss Independent, Jeremy Burgess, joins Mikey, d$, and #XLessDrEarl take a look at the late 80s, in the year 1988!  It was a year that saw Tim Allen and Annette Bening get their big break... Bill Murray go Christmas... Monty Python win an Oscar... Tom Hanks get seduced by an older lady... Tom Cruise outshine Dustin Hoffman... The Coreys peak... a double dose of Kevin Dillon... space Klowns... and of course, its Die Hard in a building!

Veronica Radaelli is a filmmaker and producer that has made seven feature films in Kentucky. Her most recent projects in the Commonwealth include The Revisionist starring Dustin Hoffman and Alison Brie and Gus Van Sant's biopic of Tony Kiritsis, Dead Man's Wire, starring Bill Skarsgård and Dacre Montgomery. A native of Milan, Italy Veronica splits time between Los Angeles, Las Vegas... and Louisville.Her body of work includes films like Ghost House (2017), Disturbing the Peace (2020), Desperation Road (2023), Saint Clare (2024) and Bride Hard (2025).Veronica's IMDb: https://www.imdb.com/name/nm5253415/?ref_=tt_fm_nameSupport the show

Fran and Babs from Over/underrated podcast return to Flixwatcher to review Fran's choice Chef. Chef (2014) is a comedy drama road trip film, written, directed and starring Jon (Iron Man) Favreau. Also starring Sofía Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Amy Sedaris, Emjay Anthony, and Dustin Hoffman, along with Robert Downey Jr. Miami Chef Carl Casper is the head chef at a popular LA restaurant but clashes with the restaurant owner over the menu. When he receives a negative food review from a prestigious food critic and blogger Ramsey Michel he unintentionally starts a Twitter (hello 2014!) spat. After a failed attempt to serve innovative cuisine to Michel and redeem his status, Casper quits and decides to take his food on the road in a food truck and drag his son along for the ride. Chef is a charming and easy going film, even if it is occasionally a vehicle for Favreau's ego. If you enjoy food and hold nostalgia for a time when Twitter was a fun social media platform then Chef is the film for you. Chef scores highly across all categories apart from repeat viewing to give an overall rating of 3.70. [supsystic-tables id=397]     Thanks to the Episode # 383 crew of Fran (@ and Babs (@flame_me_up) from Over/underrated podcast You can find their website here https://podcasts.apple.com/be/podcast/over-underrated-a-music-podcast-with-fran-and-babs/id1544600726 And at https://www.instagram.com/overunderratedmusicpod/ Please make sure you give them some love   For more info on Chef can visit Chef IMDB page here Chef Rotten Tomatoes page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Episode #383 Crew LinksMore about ChefFinal Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we talk about the intense and unforgettable scenes from Monster's Ball, focusing on P. Diddy's haunting execution. The conversation takes a turn and dives into the crime drama BILLY BATHGATE, starring Dustin Hoffman as Dutch Shultz. Giannis shares how eerily similar the film's storyline is to his own life.

(00:00-15:00) Is this a passive aggressive shot? Ladies loved James Taylor. Everybody gets nicked on this show. Martin tried to get a Tkachuk on the show. Might have been a copy and paste situation in the group chat. Panthers already bangin' up The Cup. Are there multiple Stanley Cups? Pony in Ft. Lauderdale. Barkov ringing on doors at 5AM with The Cup. Confirmed copy/paste text from Matthew Tkachuk. Mr. Pick. Tuesdays with Tye.(15:08-31:27) Did Wayne's World ruin Bohemian Rhapsody? Favorite Queen song. News in the St. Louis Business Journal. State legislation on stadium renovations and its effect on the Cardinals. Gotta get those bad boys in your Apple Wallet. You can't let your phone die. The 10 year BMI adjustment at Busch. Nationals have dropped 11 in a row. Audio of Bob Carpenter from the Nationals broadcast giving perspective on underperforming teams.(31:37-53:47) The Graduate, The Godfather, and Goodwill Hunting. The owner of Good or Bad ranks Dustin Hoffman movies. Pre revenue or free revenue. Doug's scared to ask what a BBL is. Sometimes a helmet nacho or two can feign a BBL. Hot dogs or legs? Backfat leading to a housing boom in Arnold. Gangs of New York. Ratings down 22% from last year's deciding game in the NBA Finals. Star power in the Finals. June 17th, 1994.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Ringer's Bill Simmons and Chris Ryan have one question for you: Is it safe? The guys sit down in the dentist chair to revisit the 1976 crime thriller ‘Marathon Man,' starring Dustin Hoffman, Laurence Olivier, and Roy Scheider. Producers: Craig Horlbeck, Jack Sanders, and Ronak Nair This episode is sponsored by State Farm®. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're diving into Outbreak (1995), the viral thriller that turned sneezing into a death sentence. Dustin Hoffman's a scrappy Army virologist, Rene Russo's his ex with better instincts, and Morgan Freeman's somewhere between helpful and horrifying. From monkey smugglers to military cover-ups, we're breaking quarantine to figure out how this ‘90s pandemic panic still infects our brains today. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going! Want the lyrics to our Outbreak song? [Verse 1]  At first, we felt a chill, just a cough, a little sweat  Then came the news from overseas—it ain't over yet  From the jungle to the airwaves, it flew fast and flew unseen  One scratch from Betsy, now this town's a quarantine [Verse 2]  We wore our masks, we sealed our suits  Still the sirens howled, the threat was absolute  They said “Control the panic,” but we knew it wasn't true  When your generals are hiding truths, what's a virologist to do? [Chorus]  We won't die, not today  Though McClintock's bombs are coming, we still found another way  We tracked that monkey through the trees, we hit the skies, we found a cure  Now this town will stand, and science will endure [Verse 3]  Jimbo touched that monkey, which grayed out his anatomy   You can call him McDreamy, but his guts turned creamy   Made out with his girlfriend and his luck ran dry First on the slab, and the first to die  [Bridge]  And Robby held on strong, though her hands began to shake  Her life on the line, with every move she'd make  But with serum in the needle and a second left to spare  She took the cure and breathed again, fresh hope in the air [Chorus]  We won't die, no, not this time  Though fear spread fast and high command tried to cross the line  They said “nuke it from orbit,” we said “That's insane!”  So we flew between the bombs and saved the town from flame Cedar Creek still breathes…  And we—we won't die

The First Part in our Symbols of America Trilogy We debate whether the true symbol of America is laser tag or 1970s pornography. Probably should have stuck with a debate between Dustin Hoffman or Robert Redford but where is the debate in that? Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Are you ever going to text me?This episode has night mowing.Jason, Jim, and Joseph list some of the best parents on the silver screen.Jason calls "FOUL" on single parenting.Jim destroys a hotel room with his impression of JoBeth Williams.This house is clean.The latest mashup of Dustin Hoffman films: RainDaddyIt even has a time code on it.  And those are difficult to fake.NOOOOOOOOOOOOOOOOOOOO!You would think that having a certain set of skills would include warning your child about the dangers of travelling.Amadeus was a great composer, but a terrible father.Still Magnolia, still dying.Jason Meeker: Genius or neighborhood nuisance? Do you like fried chicken?

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're sinking into the beautifully awkward and emotionally layered world of The Graduate (1967), a landmark in American cinema that captured the confusion and alienation of a generation—and still resonates today.Directed by Mike Nichols and based on Charles Webb's novel, The Graduate stars a breakout Dustin Hoffman as Benjamin Braddock, a recent college graduate adrift in a sea of expectations, ennui, and passive-aggressive dinner parties. Returning home to California, Ben finds himself stuck in a well-off suburban limbo, unsure of what to do with his future and utterly disconnected from the adults around him.Enter Mrs. Robinson (Anne Bancroft), the wife of his father's business partner and one of the most iconic seductresses in film history. Their affair is sultry, weirdly funny, and shot through with a tragic edge that gives the film its unique tone—equal parts satire, drama, and coming-of-age fable. Complications multiply when Ben falls for Mrs. Robinson's daughter Elaine (Katharine Ross), throwing everyone's lives into romantic chaos and sparking a messy, impulsive pursuit that culminates in one of the most famous closing shots in cinema history.Visually, The Graduate is striking—Nichols' inventive use of framing, reflections, and slow dissolves elevates the emotional subtext, and Simon & Garfunkel's folk-heavy soundtrack ("The Sound of Silence", "Mrs. Robinson") lingers in your head long after the credits roll. The music doesn't just underscore the scenes—it becomes a character in itself, echoing Benjamin's alienation and longing.But what really makes The Graduate endure is its tonal complexity. It's satirical, yes, but also melancholic. Benjamin isn't a traditional hero; he's self-absorbed, indecisive, and often unlikeable. Yet in that uncertainty lies the film's power—it taps into that restless moment between adolescence and adulthood where everything feels hollow, and rebellion can look like love, lust, or simply running away.Is the ending romantic or despairing? Is Benjamin a rebel or just another aimless rich kid? The Graduate leaves space for interpretation, and that ambiguity is what keeps it feeling alive, even decades later.So whether you're watching for the sharp dialogue, the iconic performances, or just to see Dustin Hoffman awkwardly floating in a pool of existential dread—this one's a classic for a reason.

Ever heard of Jurassic Park? Michael Crichton's greatest adaptation! Well get ready for another adaptation that's not Congo, Sphere. A movie about aliens and time travel and Sphere's and nightmares. Starring a young…ish Samuel L Jackson, Dustin Hoffman and Sharon Stone it sank like a bloody stone at the box office due to poor reception and general disinterest in its blend of sci-fi and horror. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ► https://youtu.be/N-9HfQskrGwHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

In 1990, Disney released the movie Dick Tracy under the Touchstone Pictures umbrella.  Initially, the theme parks were full of Dick Tracy references, but that died down quickly, and you can hardly find any traces of this movie in the parks.  On today's show, Rick and Maz talk about the film after rewatching it for the first time in decades.

Paul joins the boys to take on 1978's masterful crime / character study / social commentary of a film in "Straight Time," starring Dustin Hoffman, Theresa Russell, M. Emmett Walsh, Harry Dean Stanton, and Gary Busey. You may not have heard of this one, but its a classic, and you will enjoy it. Trust us.E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comPrime Cut is on TikTok @PrimeCutPodcastFollow and Subscribe to the Prime Cut Podcast on YouTube at - https://www.youtube.com/@ThePrimeCutPodcastFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Based upon the comic strip created in 1931 by Chester Gould, this eye-popping live-action adaptation was long planned by Oscar-winning director Warren Beatty (Reds, Heaven Can Wait) who also elected to star as the titular square-jawwed crime fighter sporting a bright yellow jacket.  Finally green-lit and released by Disney in the wake of the breakout success the prior year of Tim Burton's Batman, the studio was hoping that it could duplicate the mega-blockbuster success of that comic book adaptation, backing its release with loads of marketing hype AND three different soundtrack albums including an assortment of original songs written by Tony-winning songwriting stage legend Stephen Sondheim (West Side Story, Into the Woods) and performed one of its co-stars....that would be Madonna who played Breathtless Mahoney, who is also a key femme fatale for the story.  She is joined by completely STACKED cast by Paul Sorvino, Mandy Patinkin, Glenne Headley, Charlie Korsmo, Charles Durning, James Caan, Dustin Hoffman, AND Al Pacino who plays the film's main villain Big Boy Caprice. Alas the film did solid box office but did not live up to the Batman-level hype...though it DID set a record for most Oscars won by a comic book adaptation with three for Best Makeup, Best Original Song, and Best Art Direction.  This record of three Oscars would not be matched for another 28 years until it was eventually tied by another Disney comic book release, Black Panther. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

A pet raccoon hits the pipe, Dave Portnoy v. the anti-Semitic sign maker, loudmouth slob on a cop cam, Kate Cassidy's new TikToks, Tom Cruise has no bad films, the newest Radio Hall of Fame nominees, and Forrest Gump's Jenny had AIDS. Dave Portnoy responds to Mo Khan. The Temple University student defended the antisemitic incident at Barstool's bar Khan has several GiveSendGo fundraisers. Shiloh Hendrix is making that dollar after calling a 5-year-old the n-word. Jennifer Aniston is safe from that creeper, but still slightly shaken. 3 Doors Down's Brad Arnold is diagnosed with stage 4 cancer. The Crackoon is the greatest thing to hit the internet in a while. No Pope for us today. The Radio Hall of Fame nominees are out. Some people are saying there was a snub… again. The Golden Globes will give out a Podcasting award. Smokey Robinson is appalled at his own actions. #MeToo has nothing on Dustin Hoffman. The Naked Gun is coming out soon. Sydney Sweeney has a good (and excitable) dog. The Met Gala remains an event that no normal person cares about. Ben Affleck has sympathy for Britney Spears… since they hooked up once. Janelle Evans is celebrating her divorce in the trashiest way possible. The lady who pooped on that minivan is an OnlyFans foot star. Kristin Cavallari made a news story out of her own advertisement because she's hot. The Pittsburgh Pirates fan that fell has an actual need for a GoFundMe. Here he is losing his shoes as a new angle of the fall was released. Ranking Tom Cruise movies. Drew learns Jenny from Forrest Gump had AIDS. Vote for yourself. Joe Biden spoke and coughed with the BBC. Drew's neighbor swam nude too. Kate Cassidy is back to posting her videos online. Liam Payne left no will, so his baby mama takes control. Jorts are SO BACK! Tim Tebow is gonna be pumped. Jordon Hudson is on the offensive about her relationship with Bill Belichick. RG3 calls out the coach and his eye candy. Somebody save Bill's brand. Diddy's lawyer got yelled at. Ha ha. NYT editors mean business. Cop Cam: Car load of losers including a very loud slob. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

GGACP celebrates May's National Dental Care Month by revisiting this discussion of a favorite Gilbert and Frank movie, the classic 1976 thriller "Marathon Man." In this mini-episode: Roy Scheider finds trouble, Dustin Hoffman relies on "the Method," Laurence Olivier attracts a crowd and Danny Kaye comes aboard as a "special consultant"?? PLUS: Frank introduces Gil to "Road to Perdition"! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this deep dive into cinematic curiosities, Johnny Spoiler and the Binge-Watchers crew unpack the mysteries of The Sphere. Join us as we explore alien artifacts, legendary sea creatures, and a powerhouse cast featuring Dustin Hoffman, Sharon Stone, and Samuel L. Jackson.