Podcasts about United States

Can you help me make more podcasts? Consider supporting me on Patreon as the service is 100% funded by you: https://EVne.ws/patreon You can read all the latest news on the blog here: https://EVne.ws/blog Subscribe for free and listen to the podcast on audio platforms: ➤ Apple: https://EVne.ws/apple ➤ YouTube Music: https://EVne.ws/youtubemusic ➤ Spotify: https://EVne.ws/spotify ➤ TuneIn: https://EVne.ws/tunein ➤ iHeart: https://EVne.ws/iheart ELECTRIC VEHICLES LEAD IN EMISSIONS REDUCTION https://evne.ws/46gJILu CHARGEPOINT UNVEILS 3.75 MW ULTRA-FAST EV CHARGERS https://evne.ws/41yCTlU U.S. AUGUST NEW-CAR SALES RISE AS EVS SURGE https://evne.ws/4n630sz MEDIA MISINFORMATION HAMPERS UK EV ADOPTION https://evne.ws/46fQykj NORWAY'S 94% EV ADOPTION HASN'T MELTED GRID https://evne.ws/45KakUY PUBLIC EV CHARGING COSTS SHOW MIXED CHANGES https://evne.ws/4pftzh0 PORSCHE CONSIDERS VIRTUAL GEAR SHIFTING FOR EVS https://evne.ws/3UPKDw2 BENTLEY CEO SAYS CRAFTSMANSHIP, NOT DIGITAL TECH, DEFINES LUXURY EVS https://evne.ws/4mH4eLh SUMMER RENTAL DEMAND BOOSTS EV TRIALS https://evne.ws/41tRKhn SURVIVING THE EV AFTERSALES TRANSITION https://evne.ws/4oZSg0L CLASSIC ASTON MARTIN DB6 CONVERTED TO ELECTRIC https://evne.ws/46eOxVE

When Jan Lewan escapes to the United States from Poland in the 1970s, he uses his musical talent to become a larger than life polka star and pursue the American dream. Fueled by his charm and charisma, he performs for presidents, gets nominated for a Grammy, and attracts a devoted following. But like any good showbiz story, there's a dark underbelly to Jan's world: he uses his fanbase to fuel a Ponzi scheme. But when his wife's pageant competition gets mired in a mysterious scandal, Jan's shady dealings come to light, and his career unravels in bitterness and tragedy. Until, that is, a legit Hollywood star steps in to give him an unlikely third act.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Scamfluencers on the Wondery App or wherever you get your podcasts. You can listen early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/scamfluencers/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When a new kidney could save your life, every minute counts. When Jazmin Evans discovered she could have received a kidney four years earlier, she was shocked. When she found out the delay was due to a racially biased testing process, she tried to warn others. This is a story from the archives. This originally aired on December 19, 2024. None of the dates, titles or other references from that time have been changed. In this episode: Jazmin Evans, Kidney Transplant Patient, PhD Student of Africology at Temple University Episode credits: This episode was produced by Manahil Naveed and Amy Walters, with Veronique Eshaya, Shraddha Joshi, and our host Malika Bilal. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. We’ll be back tomorrow.

Emotional repression is often invisible to high performers, and it can be one of the biggest barriers to sustainable success. In this episode of Trauma Rewired, we explore how trauma-shaped survival responses like fight, flight, freeze, and fawn can create patterns of overwork, perfectionism, and emotional disconnection. You'll learn how subconscious repression differs from conscious suppression, how shame and perfectionism drive overachievement, and why even big business milestones can feel hollow when your nervous system isn't safe enough to process emotions. Our guest, Margy Feldhuhn, shares her journey from multi–seven-figure business growth fueled by survival patterns to building capacity for joy, presence, and connection through Neurosomatic Intelligence (NSI) tools and regular emotional processing. We break down the health risks, relational costs, and business consequences of chronic repression and give you strategies to expand your emotional capacity so you can actually enjoy the success you've built. Timestamps 00:00 – Why Anger Matters and the Cost of Suppression 04:06 – Honoring Anger and Boundaries 06:06 – How Chronic Fight Shows Up in Life 09:45 – Early Conditioning and Nervous System Patterns 13:00 – Trauma, Parentification, and the Fight Response 15:43 – Impact on Relationships and Work 21:21 – The Neuroscience of the Fight Response 31:41 – Physical and Health Effects of Chronic Fight 39:28 – Anger vs. Chronic Fight: Key Differences 42:09 – Processing Anger Safely 49:36 – Boundaries, Regulation, and Aligned Action 53:38 – Final Takeaway: Fight as Pattern, Anger as Compass Topics Discussed in This Episode: How trauma survival responses show up in high performers The difference between suppression and repression The role of shame and perfectionism in overachievement Why business milestones can feel empty How repression impacts health, relationships, and leadership capacity Emotional hygiene for sustainable success Recognizing survival patterns in entrepreneurial decision-making Building nervous system capacity to enjoy success The ripple effect of emotional processing in business and life Practical tools to move from repression to authentic presence

In the annals of US military history, there are no doubt many unsolved and perplexing mysteries, but few could compare to the fate of the US Navy spy ship that was mercilessly attacked by one of its closest allies intentionally and without warning. One of the reasons it is still a mystery is because it is also the only peacetime attack on a US naval vessel that, to this day, has never been investigated by the Congress of the United States.The USS Liberty was a 455-foot, 10,150-ton electronic intercept spy ship, originally a standard-design Victory Ship--a more evolved version of the World War II Liberty Ships--which were built as supply ships, not intended for direct fighting. The Liberty had been converted to an Auxiliary Technical Research Ship (AGTR), known colloquially as a "spy ship," first deployed in 1965; its top speed was only 18 knots.Yet the Liberty's fate, one of the most enigmatic, unresolved military mysteries of all time, is, paradoxically at its core, quite clear-cut and undisputed. The basic facts generally accepted by all are that, on the fourth day of the Six Day War between Israel and its Arab neighbors (Egypt, Syria and Jordan), the Israeli Defense Forces (IDF) savagely attacked the U.S. spy ship, the USS Liberty.On the warm, sunny-bright day of June 8, 1967, starting at about 6:00 a.m., at least twelve, possibly thirteen Israeli aircraft of different types began surveilling the Liberty, some of which were only 1,000 feet or less in altitude, apparently to photograph and "map" her for later targeting purposes. The precision of the later attack could only have been accomplished through such pre-planning, specifically identifying the priority targets, starting with the gun mounts to render the ship defenseless, followed by all of the forty-five different radio antennae and related transmitting equipment. . Beginning just before 2:00 p.m., three unmarked French-built Mirage III-C swept-wing fighter jets, without warning, settled into a triangular formation, aimed straight at the Liberty and proceeded to bore down on the ship in a fast low-level attack that began with rockets targeted at the four gun mounts and heat-seeking missiles aimed at the communications gear, with their warmed transmitters. . When the attack was over, thirty-four men were dead and one hundred seventy-four were injured to varying degrees, some near death.Unlike all other books ever written about the tragic attack - none of which provide a satisfactory explanation of what really caused it - Remember the Liberty! examines it in complete context of how it was positioned there by Johnson himself, for the very purpose of being attacked, and sunk, with every one of the 294 men on board going to the bottom of the Mediterranean Sea. His purpose was to use that event - while blaming Egyptian President Gamal Nasser for the attack - as a pretext for joining Israel in the war, even at the risk of igniting World War III with the Soviet Union. This book provides the only realistic explanation for why Lyndon Johnson did what he did, and why, in the heat of battle, he intervened with his Navy officers who were determined to rescue the Liberty and ordered them to recall the squadrons of fighter jets they had already dispatched - twice, 90 minutes apart - for that purpose.When the heroic crew saved the ship from sinking, it stopped Johnson's plan to join Israel in the war and thereby saved the world from certain nuclear conflagration. It also prevented his strategy of entering what he felt would be a "popular war" (unlike his other one in Vietnam) in order to give him a better chance to be reelected president the following year. When that failed to materialize, so did his reelection campaign; ten months later he was forced to announce his decision to not re-run for the office that he had always considered his destiny.https://amzn.to/4n9s0zkBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In this week's MBA Admissions podcast we began by discussing the upcoming new MBA admissions season. This week, Duke / Fuqua, UVA / Darden and Notre Dame / Mendoza have their Early Action deadlines. Harvard, UPenn / Wharton, Columbia and London Business School have their round 1 deadlines, and Oxford / Said has its Stage 1 deadline. Graham highlighted the upcoming September series of admissions events, where Clear Admit will host the majority of the top MBA programs to discuss Round 2 application strategy. The first session is on Wednesday, and includes Dartmouth / Tuck, Duke / Fuqua, Georgia Tech / Scheller, UPenn / Wharton and UVA / Darden. Signups for this series are here: https://bit.ly/cainsidemba Our second livestream AMA is scheduled for Tuesday, September 23rd on YouTube; here's the link to Clear Admit's YouTube channel: https://bit.ly/cayoutubelive Graham then noted two stories covered on Clear Admit this week. The first looks at the ever-evolving picture of DEI in MBA admissions. The second focuses on a new climate-related program from Duke / Fuqua. Graham also highlighted three MBA admissions tips. The first focuses on the constraints of word and character counts, the second focuses on the optional essay, and the third tip focuses on the importance of avoiding the “comparison trap”. We continue our new series that Clear Admit is publishing this season, which focuses on profiling some of the leading MBA faculty at the top MBA programs. For this week, we have profiles on two faculty from Stanford GSB. We continue our series of Adcom Q&As; this week we hear from Berkeley / Haas and IESE. For this week, for the candidate profile review portion of the show, Alex selected three ApplyWire entries: This week's first MBA admissions candidate is from South Korea, with an undergraduate degree from the London School of Economics. They have a 685 GMAT score and several years of work experience. This week's second MBA candidate is debating on whether to take the GMAT or try to waive the GMAT. The final MBA candidate is a tech product manager, based in New York. They have a 330 GRE. This episode was recorded in Philadelphia, USA and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

While I'm at Dragon Con, here's an old Patreon episode about Tennessee water mysteries, including some spooky sightings of what were probably bears, and some mystery fish! Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. As this episode goes live, I should be at Dragon Con, so I decided to go ahead and schedule an old Patreon episode to run instead of trying to get a new episode ready in time. It's about some water mysteries in my home state of Tennessee, although I actually just moved away from Tennessee to Georgia. Tennessee is in the southeastern United States, a long thin state divided into three geographical sections. East Tennessee borders the southern Appalachian Mountains, Middle Tennessee is on the Cumberland Plateau, and West Tennessee borders the Mississippi River. The only natural lake in the state is Reelfoot in northwestern Tennessee, a shallow, swampy body of water formed in the early 19th century. Before 1811, instead of a lake a small river flowed through the area, a tributary of the Mississippi. In earlier accounts, Reelfoot River is called Red Foot River. Most of the residents of the area at the time were Choctaw, although white settlers lived in the small town of New Madrid near the bank of the Mississippi. From December 1811 through February 1812, a series of earthquakes in the New Madrid Seismic Zone changed the land radically. There were three main quakes and innumerable smaller ones, ranging from an estimated 6.7 for the smallest quake to a possible 8.8 for the largest. In the initial quake and aftershocks on 16 December 1811, chimneys collapsed, trees fell, and fissures opened and closed, projecting water or sand high in the air. Boats on the Mississippi capsized as huge waves crashed from bank to bank. A woman named Eliza Bryan, who lived in New Madrid, wrote an account of the quakes: On the 16th of December, 1811, about 2 o'clock a.m., a violent shock of earthquake, accompanied by a very awful noise, resembling loud but distant thunder, but hoarse and vibrating, followed by complete saturation of the atmosphere with sulphurous vapor, causing total darkness. The screams of the inhabitants, the cries of the fowls and beasts of every species, the falling trees, and the roaring of the Mississippi, the current of which was retrograde for a few minutes, owing, as it is supposed, to an eruption in its bed, formed a scene truly horrible. From this time on until the 4th of February the earth was in continual agitation, visibly waving as a gentle sea. On that day there was another shock…and on the 7th, at about 4 o'clock a.m., a concussion took place so much more violent than those preceding it that it is denominated the ‘hard shock.' The Mississippi first seemed to recede from its banks, and its waters gathered up like a mountain… Then, rising 15 or 20 feet perpendicularly and expanding, as it were, at the same time, the banks overflowed with a retrograde current rapid as a torrent. A riverboat captain reported in another account that his boat was caught in a ferocious current on the Mississippi, crashing across waves he estimated as six feet high, or 1.8 m. He also reported whirlpools that he estimated were 30 feet deep, or 9 m. He saw all the trees on either bank fall at once. The December quake was so large it was felt across North America, from Canada to the Gulf Coast. Then, only five weeks later, it happened again, followed by the third major earthquake on 7 February. Only 15 miles, or 24 km, from the epicenter, the land dropped 20 feet, or 6 m, and created a basin that immediately filled with water. Reelfoot Lake was formed, Tennessee's only natural lake. Reelfoot is a state park these days, popular with boaters, fishers, hunters, and birdwatchers. The only cryptid sighting I could find took place in the Glass community near Obion, within ten miles, or 16 km, of the lake. A man who grew up in Glass reported in 2009 that a bipeda...

In this episode, Brittany and Christina dive into the world of summer camp experiences, parenting in a busy world, and the ways camping—whether traditional or glamping—shapes our perspective on life. They explore the emotional weight many families are carrying this year, highlighting the importance of finding balance between plans and spontaneity while raising kids and pursuing personal growth.From cultural differences in sports culture (Canada vs. USA) to the chaos of traveling with hockey gear, the conversation weaves in humor, relatable stories, and practical reflections on the ups and downs of parenting.Key themes include the power of gratitude, how collective experiences shape our well-being, and why talking to yourself might actually be a sign of intelligence. With candid insights on navigating life challenges, this conversation reminds us to embrace both the good and the hard, finding growth and connection along the way.About Brittany and Christina:Meet Brittany and Christina, your dynamic podcast hosts who bring their unique blend of expertise, passion, and life experience to every conversation.Brittany, affectionately known as Britt, mom, mommy, bruh, and Queen, lives in Vancouver with her husband and their three fantastic kids (tweens and teens, hence the playful nicknames). Together for nearly two decades, Brittany and her husband share a love for travel and adventure. A self-proclaimed endurance sport junkie, Brittany thrives on pushing herself beyond her comfort zone to unlock her full potential. As a coach, she specializes in helping clients overcome overwhelm by aligning personal goals and values with actionable steps for success. Her greatest joys come from connecting with new people and witnessing their incredible achievements.Christina Lecuyer, a former professional golfer and TV host, is recognized as one of GlobeNewswire's Top Confidence Coaches. She works with clients worldwide, including entrepreneurs, Wall Street executives, stay-at-home moms, and small business owners. Through her signature "Decision, Faith & Action" framework, Christina has guided thousands of clients in creating their own versions of fulfillment and success, often leading to thriving six- and seven-figure businesses. Her 1-on-1 coaching model focuses on mindset and strategy to build self-trust, confidence, and long-term results.Together, Brittany and Christina bring their authentic, energetic, and empowering perspectives to help listeners navigate life, achieve their goals, and embrace their fullest potential. Feeling like you want to share a hot topic you'd like us to discuss on the podcast? Send us a DM over on Instagram at @anythingbutaveragepod. Your hot topic just might make it in the next episode!

Here's what to expect on the podcast:Lynda's inspiring transformation into a book publisher365 days of fearless livingWhy working with a life coach can create powerful breakthroughsHow stories can create a lasting impact on othersThe healing power of sharing your personal storyAnd so much more! About Lynda:Lynda Sunshine West is a 45-time #1 International Bestselling Author, Executive Film Producer of Wish Man, and Founder of Action Takers Publishing. Known for her mantra, “Do It BECAUSE You're Scared,” she helps people worldwide turn their stories into lasting legacies. Connect with Lynda Sunshine West!Website: https://actiontakerspublishing.com/IMDb: https://www.imdb.com/name/nm10751926/LinkedIn: https://www.linkedin.com/in/lyndasunshinewest/Facebook: https://www.facebook.com/lyndasunshinewestInstagram: https://www.instagram.com/lyndasunshinewestYouTube: https://www.youtube.com/@actiontakerspublishingTikTok: https://www.tiktok.com/@bookpublishingexpertAmazon Author Page: https://www.amazon.com/stores/Lynda-Sunshine-West/author/B078PX6MJW?ref=sr_ntt_srch_lnk_1&qid=1580957955&sr=1-1&isDramIntegrated=true&shoppingPortalEnabled=trueBrainz Magazine: https://www.brainzmagazine.com/executive-contributor/lynda-sunshine-west----- If you're struggling, consider therapy with our sponsor, BetterHelp.Visit https://betterhelp.com/candicesnyder for a 10% discount on your first month of therapy.*This is a paid promotionIf you are in the United States and in crisis, or any other person may be in danger -Suicide & Crisis Lifeline Dial 988----- Connect with Candice Snyder!Website: https://www.podpage.com/passion-purpose-and-possibilities-1/Facebook: https://www.facebook.com/candicebsnyder?_rdrPassion, Purpose, and Possibilities Community Group: https://www.facebook.com/groups/passionpurposeandpossibilitiescommunity/Instagram: https://www.instagram.com/passionpurposepossibilities/LinkedIn: https://www.linkedin.com/in/candicesnyder/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/Fall In Love With Artists And Experience Joy And Calm: https://www.youtube.com/@movenartrelaxationClick this link to receive your FREE TRIAL to The Greenhouse Communityhttps://www.thegreenhousecommunity.com/checkout/the-greenhouse-membership?affiliate_code=11e889Log in to your Greenhouse Community account here https://login.circle.so/sign_in?request_host=www.thegreenhousecommunity.com#email.

In this week's 5 Yrs Ago Flashback episode of the Wade Keller Pro Wrestling Post-show (9-2-2020), we flash back to the "PWT Talks NXT" episode featuring PWTorch's Kelly Wells and Tom Stoup discussing the four-way Ironman match and its polarizing pacing, how Karrion Kross's injury may have influenced plans, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-post-shows--3275545/support.

This is the Monday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of...

In Intergroup Conflict, Recategorization, and Identity Construction in Acts: Breaking the Cycle of Slander, Labeling and Violence (Bloomsbury, 2023) Hyun Ho Park employs social identity to create the first thorough analysis via such methodology of Acts 21:17-23:35, which contains one of the fiercest intergroup conflicts in Acts. Park's assessment allows his readers to rethink, reevaluate, and reimagine Jewish-Christian relations; teaches them how to respond to the vicious cycle of slander, labeling, and violence permeating contemporary public and private spheres; and presents a new hermeneutical cycle and describes how readers may apply it to their own sociopolitical contexts.After surveying previous studies of the text, Park first analyses Paul's welcome, questioning, and arrest, and how slandering and labeling make Paul an outsider. Park then describes how, through defending his Jewish identity and the Way, Paul nuances his public image and re-categorizes himself and the Way as part of the people of God. When Paul identifies himself as a Roman and later a Pharisee, Park examines Luke's ambivalent attitude toward Rome and the Pharisees, and assesses how Paul escapes dangerous situations by claiming different social identities at different times.Finally, he discloses the vicious cycle of slander, labeling, and violence not only against the Way but also against the Jews and challenges the discursive process of identity construction through intergroup conflict with an out-group, especially the proximate “Other.” Furthermore, he demonstrates how the relevance of such scholarship is not limited to Lukan studies or even biblical studies in general; the frequent use of slander, labeling, and violence in the politics of the United States and other polarized countries around the globe demands new ways of looking at intergroup relations, and Park's argument meets the needs of those seeking a new perspective on contemporary political discord. Hyun Ho Park is Associate Pastor of the First United Methodist Church of Yuba City, California and Editor-in-Chief of the Asian American Theological Forum. Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Historians have well described how US immigration policy increasingly fell under the purview of federal law and national politics in the mid-to-late nineteenth century. It is far less understood that the rights of noncitizen immigrants in the country remained primarily contested in the realms of state politics and law until the mid-to-late twentieth century. Such state-level political debates often centered on whether noncitizen immigrants should vote, count as part of the polity for the purposes of state legislative representation, work in public and publicly funded employment, or obtain professional licensure.Enacted state alienage laws were rarely self-executing, and immigrants and their allies regularly challenged nativist restrictions in court, on the job, by appealing to lawmakers and the public, and even via diplomacy. Battles over the passage, implementation, and constitutionality of such policies at times aligned with and sometimes clashed against contemporaneous efforts to expand rights to marginalized Americans, particularly US-born women.  Often considered separately or treated as topics of marginal importance, Disparate Regimes: Nativist Politics, Alienage Law, and Citizenship Rights in the United States, 1865–1965 (Oxford University Press, 2025) by Dr. Brendan A. Shanahan underscores the centrality of nativist state politics and alienage policies to the history of American immigration and citizenship from the late nineteenth to the mid-twentieth centuries. It argues that the proliferation of these debates and laws produced veritable disparate regimes of citizenship rights in the American political economy on a state-by-state basis. It further illustrates how nativist state politics and alienage policies helped to invent and concretize the idea that citizenship rights meant citizen-only rights in law, practice, and popular perception in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We often think of censorship as governments removing material or harshly punishing people who spread or access information. But Margaret E. Roberts' new book Censored: Distraction and Diversion Inside China's Great Firewall (Princeton University Press, 2020) reveals the nuances of censorship in the age of the internet. She identifies 3 types of censorship: fear (threatening punishment to deter the spread or access of information); friction (increasing the time or money necessary to access information); and flooding (publishing information to distract, confuse, or dilute). Roberts shows how China customizes repression by using friction and flooding (censorship that is porous) to deter the majority of citizens whose busy schedules and general lack of interest in politics make it difficult to spend extra time and money accessing information. Highly motivated elites (e.g. journalists, activists) who are willing to spend the extra time and money to overcome the boundaries of both friction and flooding meanwhile may face fear and punishment. The two groups end up with very different information – complicating political coordination between the majority and elites. Roberts's highly accessible book negotiates two extreme positions (the internet will bring government accountability v. extreme censorship) to provide a more nuanced understanding of digital politics, the politics of repression, and political communication. Even if there is better information available, governments can create friction on distribution or flood the internet with propaganda. Looking at how China manages censorship provides insights not only for other authoritarian governments but also democratic governments. Liberal democracies might not use fear but they can affect access and availability – and they may find themselves (as the United States did in the 2016 presidential election) subject to flooding from external sources. The podcast includes Roberts' insights on how the Chinese censored information on COVID-19 and the effect that had on the public. Foreign Affairs named Censored one of its Best Books of 2018 and it was also honored with the Goldsmith Award and the Best Book in Human Rights Section and Information Technology and Politics section of the American Political Science Association. Susan Liebell is associate professor of political science at Saint Joseph's University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

What happens when everyday people step into the woods and come face-to-face with something they can't explain? In this raw and unfiltered episode of the Bigfoot Society podcast, host Jeremiah Byron shares a chilling collection of first-hand encounters pulled from live call-ins across the United States and beyond. From a seven-foot figure peering around a house near Waitt's Mountain outside Boston… to whistled replies in the Texas wilderness… to rocks hurled in Alabama's backcountry… and even a trail camera capture in the forests of British Columbia — each account pushes the boundary between folklore and terrifying reality. You'll hear stories from Malden, Walpole, Tamworth, Bankhead National Forest, Oakmulgee WMA, and the Willamette National Forest of Oregon, including moments where glowing eyes, massive footprints, and even towering twenty-foot figures left witnesses shaken to their core. More than just campfire stories, these testimonies explore the violent, unpredictable, and deeply mysterious side of Sasquatch encounters — and what happens when the unknown decides to show itself.

With the end of the Jinshin War, Oama, posthumously known as Temmu Tenno, came to the throne.  And though they would need a new Great Council of State, they continued to build up and bolster the Ritsuryo state.  They were imagining a new Yamato based on continental models of what a state should look like, but also influenced by tradition.  This episode we take a look at that reimagining in broad strokes, asking a few questions--what was Oama's relationship with his brother, and touching on the relationship of Nakatomi no Kamatari and his brother, Nakatomi no Kane.  We also take a look at some of the literary propaganda that also helped to codify this new imaginary--the Nihon Shoki and the Kojiki.  We also touch on other sourcesof information, like the Fudoki and Man'yoshu. For more information, check out our blog:  https://sengokudaimyo.com/podcast/episode-133   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 133: Reimagining Yamato As the bells of Houkouji tolled, Ohoama and his wife, Uno, surveyed the construction on going in the Asuka valley.  Hordes of workers had been called up, and now they were working furiously towards the deadline of the new year.  Where once stood the later Wokamoto palace of Takara Hime, aka Ohoama's mother, Saimei Tennou, now the land was being prepared for a palace on a much grander scale.  And just as the palace was being remade, Ohoama's thoughts went beyond the valley, to the entire archipelago.  His brother, Naka no Oe, had started something profound.  Now here he was, helming the Ship of State, and Ohoama had plans of his own, built upon his brother's ideas.  He would build a new state, ensuring that the reforms that started back in 645 would continue for generations. Greetings everyone and welcome back.  As we dive back in, let's recap where we are. The year is now 673, and the fighting from the previous year—the Jinshin war—is over.  Prince Ohoama and his Yoshino forces were victorious and he is now poised to ascend the throne in the recently built Palace of Kiyomihara, in Asuka.  He will be known to future generations by his posthumous name:  Temmu Tennou. Ohoama would go ahead and continue to centralize the government under the continental model.  That said, he also would pay a not insignificant amount of attention to local tradition as well.  His reign would lead to the establishment of the first permanent capital city: Fujiwara-kyo.  He is also credited with initiating the projects collecting various historical records, which culminated in the Kojiki and the Nihon Shoki, the very chronicles on which this podcast is based – and both of which seem to have been designed specifically to promote the authority of the throne, specifically Ohoama and his descendants. Those descendants—the Temmu dynasty—would rule for almost a century, including four of the eight official female sovereigns (those eight become ten if you count the unofficial Himiko and Okinaga Tarashi-hime, aka Jingu Tennou).  This dynasty would reign from the end of the Asuka period up through to the Nara period, and it would see the evolution of the Yamato state into the kingdom of Nihon—which is to say the kingdom of Japan. The politics of this period were also quite something.  It is during this coming period that we see the rise of the famous Fujiwara family, who would come to dominate the political landscape.  We also see the continued contact with the mainland, with numerous trade goods coming over, many of which would be included in the famous Shousouin storehouse of Toudaiji temple, in Nara. Buddhism would also thrive, with Kokubunji, or provincial temples, being set up in a network around the archipelago.  There was also the building of the famous Daibutsu, or Giant Buddha statue, of Toudaiji. Art would also flourish.  The Man'yoshu would be published at this time—a collection of around 4,500 Japanese poems, or waka.  Meanwhile, the court would also focus on continental styles as well.  From this point on, not only do we have more evidence of what was happening through the written record, but the writing itself changed.  Different Sinitic characters were borrowed solely for their sound to help spell out Japanese words.  These would eventually be simplified, and known as “kana”.  The earliest use of these characters is known as “Man'yo-gana” because so many are traced back to the Man'yoshu itself.  They would eventually be standardized and simplified, becoming the hiragana and katakana we know and use today. But in 673, all of this is still on the horizon. So this is a great time to pause for a bit in our journey through the chronicles and set the stage for this next, incredibly transformative period in the archipelago by going over these larger patterns in some depth, so that, as we start to go through this period we get a better idea of just what was happening, and perhaps why.  That's what we'll do this episode. To start with, let's go back to the relationship between Naka no Oe and Ohoama.  As far as we can tell, these brothers were fairly close to one another.  Not only was Ohoama married to one of Naka no Oe's daughters, Princess Uno, he had actually taken as consort at least four of Naka no Oe's other daughters—all of which were Ohoama's nieces.  In turn, one of Ohoama's own daughters, Princess Touchi, had been married off to Ohotomo, aka the ill-fated Koubun Tennou.  On top of that, Naka no Oe and Ohoama both had taken as consorts daughters of Soga no Akaye, and both Ohotomo and Ohoama had consorts from Nakatomi—or Fujiwara—no Kamatari.  This demonstrates just how interrelated everyone was at court, presumably as a means of strengthening the ties between them.  Of course, as we've seen time and again, those ties were more symbolic than anything else, and certainly did not prevent the occasional use of violence, nor did it protect the fathers of those women from political repercussions when they found themselves on the wrong side. On the other hand, beyond the initial mention of their births, we don't see the two brothers together until Naka no Oe came to the throne.  Why?  Well, to be fair, we don't see much of anyone but the sovereign in the Chronicles unless there is a specific thing they are called out for—like an embassy, presenting something to the throne, etc.  Even Naka no Oe often isn't mentioned directly, even when he was the Crown Prince and supposedly helping run the government.  So that could be it. There are two apparent counter arguments to the idea that Naka no Oe and his brother, Ohoama, were tight.  First is a mention in the Toushi Kaden, the Family History of the Fujiwara Family, about Ohoama thrusting a spear into a board, which rattled Naka no Oe enough that he was apparently wondering if he needed to have his own brother taken out.  Then there is Ohoama's resignation at the time of Naka no Oe's death, presumably because he was warned that a plot was afoot, and that if he accepted Naka no Oe's offer to take the reins of the state in his own two hands then something—we aren't told what—would unfold. I can't rule out the idea that neither of those accounts is quite accurate either, however.  It is possible that the Toushi Kaden account is embellished to heighten Fujiwara no Kamatari's own role as peacemaker between the brothers.  I also have to wonder if the warning to Ohoama around Naka no Oe's death wasn't so much about Naka no Oe, but about his ministers.  After all, they seem to have had no problem supporting the much younger—and likely more malleable—Prince Ohotomo.  So it seems to me entirely possible that there were other threats that Ohoama was concerned with. That brings me to one of those ministers:  Nakatomi no Kane.  We talked about him before and during the war.  He first showed up participating in ritual and speaking on kami matters.  He would later rise to be one of the Great Ministers of State, and was one of the six ministers who had pledged themselves to Prince Ohotomo.  At the end of the Jinshin War, he was put to death and his family was banished.  That said, in period leading up to all of that,  we spent a good amount of time with another Nakatomi: Nakatomi no Kamatari. He was the head of the Nakatomi clan and the Naidaijin, the Interior Minister, a special position placing him on par, or even above, the Ministers of the Left and Right, but which did not have a well defined portfolio noted in the literature.  Interestingly, this position also doesn't seem to have survived Kamatari, at least in the short run.  From the time of Naka no Oe, aka Tenji Tennou, to the time of Ohoama, aka Temmu Tennou, it seems that the office of Naidaijin fell out of favor, possibly due, in part, to Prince Ohotomo being raised to a different post, that of Dajou Daijin, placing him in charge of the Great Council of State. The Naidaijin role wouldn't be revived until 717 for Kamatari's grandson, Fujiwara no Fusasaki (interestingly,  only three years before the completion of the Nihon Shoki). Nakatomi no Kane was, as far as we can tell, the brother to Kamatari.  When Kamatari passed away, Kane seems to have taken on the role as head of the Nakatomi family and he was also made Minister of the Right.  This mirrors, in its way, the relationship between Naka no Oe and Ohoama, and the common system of inheritance that would often go brother to brother.  And yet, while Kamatari was a hero of the Taika era, Nakatomi no Kane was executed for his role in the Jinshin War.  So in the context of the rise of the Fujiwaras to greater prominence later on in Ohoama's reign, it is significant that Kamatari's line would be set apart from the rest of the Nakatomi to the extent of giving it the new Fujiwara name.  Although the Chronicles claim that the “Fujiwara” name was actually granted by Naka no Oe, there is a thought that this was granted posthumously, and may have even been retconned by later members of the family, possibly to distance themselves from Nakatomi no Kane and his role on the losing side of the Jinshin War, and tie themselves clearly to Kamatari and his founding role in Naka no Oe's and Ohoama's new vision, instead.  This all brings me to my next point: the creation of the national histories.  The projects that culminated in what we know today as the Kojiki and the Nihon Shoki are said to have been started under Ohoama's reign, though they wouldn't be finished until much later, well into the 8th century.  A lot of what went into them was work under Ohoama's wife Uno, who succeeded him as Jitou Tennou, as well as her successors.  Prince Toneri, one of Ohoama's sons, is said to have overseen the Nihon Shoki's compilation. Prince Toneri was son of Ohoama and princess Niitabe, one of Naka no Oe's daughters, and while he never sat the throne, himself, one of his sons would eventually do so.  As such, we can see a strong royal hand on the project, even though the actual composition was probably by several teams of Chroniclers—we touched on this briefly back in Episode 131. The Kojiki, on the other hand, is said to have been written by Oho no Yasumaro based on the oral history that had been maintained by Hieda no Are.  We don't know much about Hieda no Are—there are some that believe they may have been a woman, since a passage in a later work, the Seikyuuki, suggests that they were a member of the Sarume no Kimi family, descended from Ame no Uzume no Mikoto, who is said to have danced and helped lure Amaterasu out of the rock cave.  And so they were particularly known for their role as shrine maidens—a particularly female role.  That said, Are received the title of “toneri”, which is often assumed to be male, and there is nothing else that explicitly says they were not. Either way, Hieda no Are is said to have been commanded by the sovereign, Ohoama, to memorize the history of the nation, presumably to then perform it as needed, for the court.  Only later was Oho no Yasumaro asked to write it down in what became known as the Kojiki. Both of these chronicles were attempts to organize the history of the nation and to put together all the stories in a way that would establish a foundation for the new state that was evolving out of ancient Yamato.  A large part of that effort was going to be to justify those who were in power at the time—including both the royal family and the various noble houses at the time, including the powerful Fujiwara. Now, when we talk about how these histories were created to bolster the state, I want to be careful.  It may not have necessarily been the case that the chroniclers were actively and consciously promoting a fictional account.  From what we can tell, the chroniclers drew from a collection of stories, some written down in diaries and court records, works like the Baekje annals and continental histories, and some that were likely just memorized tales that were part of the general culture.   There were a couple of existing histories—we are told, for example, that there was a Teiki and a Kyuji floating around, both attributed to the legendary Shotoku Taishi, and both supposedly including the royal lineage at least to Toyomike-kashikiya-hime, aka Suikou Tennou.  However, the copies that were being passed around were apparently suspect, and we are told that there were inconsistencies.  Which probably means that the way they told the story did not conform to the way that Ohoama and the royal family wanted it told, though it could also refer to the fact that different accounts had slight variations on the stories, many of which had probably started as oral traditions that were only later written down.  It is also likely that there was only so much detail in those ancient texts, but we can't know for sure.  The Sendai Kuji Hongi purports to be the text of the original Kyuuji, or Kyuujiki, but that claim is dubious, at best, though it may have used an older, no longer extant history to crib its own notes from. So there were probably some writings, already, but there was also so much more.  There were stories from various familial records, stories told by various shrines about their kami and their histories, and stories passed down as local history that had never been captured, previously.  All of this was good material for the project of creating an official national history that aimed to tell the whole story. To get an idea of what the Chroniclers of that time might have been going through, imagine that you have some 2,000 random facts about the United States, or any country of your choice, in no particular order—stories of heroes, presidents, wars, etc.  On top of that, only a few of them ever give you any kind reference dates, and when they do, those dates are only in relationship to the presidents in office – the third year of the presidency of Roosevelt, for example - or maybe they reference another event.  In addition, some of the facts have been lost, or they come from history books with a slightly different format.  Or they come from diaries with different perspectives and takes on the same event.  And then, without the aid of the Internet or any other reference material, you are asked to put all of that together into a coherent narrative. In all likelihood you would be able to generally construct many of the broad strokes.  You would leverage what you know to be true and do your best to put things in place, but there is no guarantee that everything would be in the right order.  And in places where there wasn't any clear through line, you may have needed to come up with your best, most plausible explanation and write that down. Also, imagine you had, in the interests of completeness, thrown in some of the more, shall we say, apocryphal stories.  George Washington cutting down a cherry tree, for instance, or the story of Johnny Appleseed, or even the more fantastical stories of Davy Crockett.  Without other reference points, would you know where they went, or how true they actually were? Add to all of that the lack of a referential calendar.  The sexagesimal system helps for units of 60 years, but there was nothing comparable to a western calendar in use at the time.  Instead, everything was based on the number of years in a given reign.  So instead of thinking about it as “did this happen in 584 or 524?” it was more like “Did this happen in the years of the sovereign reigning from X palace or Y palace?” Now that said, there do appear to have been individuals whose job was to memorize the stories and the histories and recite them.  We have, for example, the Kataribe, the guild of storytellers.  It may have been out of this tradition that we get the eventual commission of the previously mentioned Hieda no Are, who was to memorize all of the historical events and recite them back, which I can only imagine would have been a kind of performance for the court, helping to reinforce the narrative.  But still, as Are was putting everything together, what were the assumptions and guidelines they were working under? After all, there were no doubt certain truths, whether factual or not, that were pushed by the court.  Things like the idea of an unbroken line of sovereigns going all the way back to the mythical founding, just like in continental stories.  Or, the idea that worship centered from the beginning around the sun goddess, Amaterasu. There is plenty of evidence that while the early Wa people practiced various forms of sun worship, with traces found in their language as well as stories, cultural traditions, etc., it was not necessarily Amaterasu who was the primary deity of worship.  Back in the Age of the Gods we talked about the creator deities, Izanagi and Izanami, and about the High god of Heaven, Takami Musubi, who seems to at one point been the most prominent central deity, but who had since been eclipsed, if you will, by the likes of Amaterasu. We also see evidence that there were other sun deities.  The language around Sarutahiko no Ohokami suggests that he may have once been worshipped as a sun deity as well.  And there is the early primacy of Mt. Miwa as a place of worship, and the spirit of Ohomononushi.  This is to say nothing of Ohokuninushi, and all of his stories, up in Izumo. Furthermore, it seems telling that Amaterasu is not even central to the rituals conducted in the palace itself, which likely went back to an even earlier period.  If Amaterasu were central, and the ancestral kami of the royal family since its inception, one would expect that Amaterasu would also be central to the rites carried out by her descendants in the royal palace.  And yet most of her worship appears to have continued to be set apart from the palace ritual, and conducted out of Ise shrine (albeit after a certain point ceremonially led by a designated female member of the royal line). Even Ise shrine itself isn't the primary shrine in the Ise area—the Ichi-no-miya, or most important shrine, of Ise is actually said to be Tsubaki shrine, worshipping Saruta Hiko no Ohokami and Ame no Uzume. So how did Amaterasu come to be so central in Ohoama's vision? There are stories that say that worship at Ise Shrine—and worship of Amaterasu—was specifically conducted by Ohoama's wife during the Jinshin campaign.  This is to say Ohoama's wife, primary consort, eventual queen and then queen regnant, Uno, later known as Jitou Tennou.  Remember, Uno had fled with Ohoama and had been on the trail with him at first, but had stayed behind in Ise.  Worship towards Ise seems to have later been counted as foundational to Ohoama and Uno's victory, and many suspect that they themselves may subsequently have encouraged greater worship of Amaterasu and placed her in the central position of sacral authority amongst the various kami. If so, that could explain why their histories focus so much on Amaterasu and her Heavenly descendant, from which the royal line claimed direct lineage.  It might also be around this time that the story of Iwarebiko, aka Jimmu Tennou, and the conquest of Yamato from Himuka may have been introduced: telling how Iwarebiko justifiably took away the land from the descendants of Nigi Hayahi, and then connecting Iwarebiko, in an extremely loose fashion, to Mimaki Iiribiko no Mikoto, aka Sujin Tennou. Another influence on all of this was likely the continental concept that time is a circle, and history repeats itself.  Chroniclers seeking to place events in a narrative context would have likely seen reflections of more recent events and used that to help order their compilation.  And of course, if there were events that seemed to run counter to the truth as known by the court, well, those could be smoothed over.  In this way, co-rulers were probably serialized, inconvenient interim rulers may have been excised altogether, and different dynasties, which may have only had tenuous connections, at best, were written down as direct lineal descendants.  It also seems telling that the Chroniclers may have reduced the role of what appears to be matrilineal succession to a more patriarchal and patrilineal determination of legitimacy.  Similarly, connections could be made for families to ancient ancestors through whom they were able to claim a certain proximity to the royal family.  Likewise, rules for legitimacy could be imposed—or perhaps just assumed—for previous reigns, doing their best to bring them into harmony with the social norms and the cultural imaginaries of the late 7th and early 8th centuries. So that's the general context the Chroniclers were working under. But at this point it's illuminating to take a look at the two histories and how they differ, to see what we can understand about where those differences came from. The work of Hieda no Are, eventually recorded and written down as the Kojiki, seems to have dealt with history that was far enough back that it was likely hard to argue with—it isn't like there was anyone alive who could counter with their own facts.  And the Kojiki reads as a fairly straightforward narrative, relatively speaking. The Nihon Shoki, on the other hand, is a different beast.  While the Kojiki may have captured the official narrative, the Nihon Shoki seems to have been designed to include more—including some of the competing accounts.  Thus you'll get a lot of things like “another source says…” with a different take on the same event.  This is much more prevalent in the Age of the Gods, but still pops up occasionally throughout the rest of the text.  Nonetheless, it is still very much focused on the royal line from Amaterasu down to Naka no Oe and Ohoama.  Even their posthumous names, Tenji and Temmu, specifically reference Ten, also pronounced Ama, at the start of their names, in what appears to be a bid to further connect them to the sun goddess of Heavenly Brightness--Amaterasu. Both of these works have their own character, and while the dates they were presented to the throne—713 for the Kojiki and 720 for the Nihon Shoki—suggest that they were published in succession, there are those that argue that the Kojiki is largely a reaction against the Nihon Shoki. In all likelihood the contents of the Nihon Shoki were known to many people before it was presented.  There were groups of Chroniclers involved, after all -- which meant teams of scribes pouring through sources, seeking out myths and legends, and generally trying to bring everything they could to the table.  And there is no indication that this was done in secret.  So it is quite possible that the writers of the Kojiki had seen some of the early drafts and cribbed from those notes. Some of the ways that the the history differ are in their portrayal of certain accounts.  For example, the Kojiki presents Iwarebiko and the pacification of Yamato and archipelago more generally in terms of that mythical sovereign conversing with the spirits.  And so he converses with, for instance, Ohomononushi, the deity of Mt. Miwa, a spirit whose name might be translated as the Great Lord of the Spirits, or “Mono”.  This idea places the sovereign as an intercessor between the mortal and the spirit world.  It hearkens back to earlier systems of sacral kingship, where power and authority came, at least in part, from supposed power of one's sacred sites and protective spirits. The Kojiki is also written in a much more vernacular style, using kanji and what we know of as man'yogana, the kanji used for their sound, rather than meaning, to provide a syllabary with which to write out Japanese words.  This may have been done for similar reasons to why it was also used in the Man'yoshu itself—because the Kojiki was meant to be recited aloud, not just read for meaning. The Nihon Shoki, in contrast, is clearly attempting to emulate the continental style.  It relies much more heavily on not just the characters but the grammar of Chinese, though not without its own idiosyncrasies.  The Nihon Shoki incorporated classical references that mirrored the references found in the histories of the Tang and earlier dynasties.  I suspect, for instance, that this is one of the main reasons that Naka no Oe and Ohoama are given the posthumous names of “Tenji” and “Temmu”.  Tenji means something like the Wisdom of Heaven while Temmu is more like the Martial Virtue of Heaven.  This immediately brings to mind, for me, the continental concepts of Wen and Wu—Culture and Warefare, or Bunbu in Japanese.  This even mirrors the founding Zhou kings, King Wen and King Wu.  Later, in the Han dynasty, you have Emperor Wu of Han, the grandson of Emperor Wen of Han, and Wu was considered to be one of the greatest emperors of the Han dynasty.  And so I can't help but think that there was a similar attempt at mythmaking going on here, connecting these two reigns with the reigns of famous emperors of the continent.  Of course, “Wu” was a popular name amongst the imperial dynasties from that period onward, with emperors of Jin, Chen, Liang, and others all being given the same name. This all accords with the way that the sovereign in the Nihon Shoki is less of a sacral king, interceding and speaking with the kami, and more along the continental model of an absolute ruler who ruled by divine right and heavenly mandate.  The lands outside of Yamato are subdued and, except for the occasional uprising, stay subdued—or at least that is what the narrative would seemingly have us believe. Now, I would argue that these distinctions are not absolute.  The Kojiki contains plenty of concepts of imperial trappings, and the Nihon Shoki contains plenty of examples of the sovereign playing a more traditional role.  But it is something to consider in the broad strokes of what they are saying, and I would argue that it also speaks to the duality of what was going on in this period.  Clearly the Ritsuryo State was built on the continental model, with an absolute ruler who ruled through a Heavenly mandate.  And yet at the same time, we see Ohoama patronizing the traditional spiritual sites and kami worship, like the emphasis on Amaterasu and Ise shrine.  Besides the Kojiki and the Nihon Shoki, we have one more set of official records that were compiled just as the major histories were beginning to be finished.  These were the Fudoki.  Fudoki were texts about the various provinces, and they include information on the various places, population, soil quality, as well as various local myths and legends attached to such things.  Rather than supporting the royal lineage, the Fudoki were more geared towards supporting the process begun under Karu and Naka no Oe with the Ritsuryo system whereby knowledge of the archipelago was being centralized such that the State could know about its territories.  Still, there are many times that the various Fudoki refer to different sovereigns, often to help situate a given event roughly within the historical narrative. The Fudoki were commissioned in 713.  At least 48 chronicles were said to have been compiled, but only a handful of them remain extant today.  Most are only partial texts, though even those can still contain significant information.  We also have purported text from certain fudoki that were reprinted in later histories.  The Shaku Nihongi seems to have been one such work, expressly commissioned to try and compile various older records that were likely aging and in danger of being lost altogether.  However, there is a concern regarding just how faithful those later transcriptions might have been, meaning that we cannot rely on them, entirely.  Still, they are an invaluable addition to our study of the history of this period. I mention all of this because much of this period seems dedicated to remaking the nation of Yamato into what we know as Japan.  This evolution didn't happen overnight, and it seems clear that it started gradually, but had now come to a head.  There is some consideration, though, that many of the things attributed to earlier reigns—the work done by Shotoku Taishi, for example, or even that of Naka no Oe—may have been embellished in this period.  After all, consider the difference between Ohoama trying to institute something entirely new versus pointing back to a previous sovereign and claiming that he wasn't innovating, he was just following tradition. But there are still unmistakable signs of innovation in the following reigns.  The creation of the first permanent capital city, for one.  There was also the blending of Buddhist and local kami-based traditions.  While Buddhism had been ascendant for a while, now, we see Ohoama seemingly paying equal homage to Amaterasu and the local kami.  Even while instituting new fangled continental ideas, he is also hearkening back to traditions that I can only imagine helped assuage some of the fears of any traditionalists who saw the rapid speed at which the archipelago was adopting at least the trappings of continental imperial culture. Speaking of culture, there was one other work that we should probably mention, and that is the famous Man'yoshu—the collection of 10,000 Leaves.  I mentioned this briefly earlier in the episode, but I do want to discuss it a bit, because as much as we may glean from the official histories, as well as the various fudoki texts, the Man'yoshu provides an invaluable view into the minds of the people of the time, and contains some incredibly useful tidbits of information that, when put together, help give us a better idea of what was happening during this period. The Man'yoshu is a collection of more than 4500 poems attributed to various historical figures, from sovereigns, such as Ohoama and Naka no Oe, to common soldiers.  It is remarkable in that the poems are largely in native Japanese and are not using the Sinitic poetry styles that were popular with scholars of the time. These poems are waka, Japanese verse, which typically follows a pattern of repeating verses of 5-7-5 syllables or morae, ending with two lines of 7-7.  The most simple of these are tanka—one top verse of 5-7-5, and one bottom verse of 7-7.  However, the poems in the collection can vary quite a bit. They are also remarkable in that they are written in what we know as Man'yogana.  That is to say they use Sinitic characters—kanji—but for their sound rather than their meaning in many cases.  This practice allowed for much more nuanced writing, such that the author could be more certain that the correct meaning could be taken away, since Japanese grammar differs greatly from various Chinese languages, and leverages particles and suffixes that are non-existent in Sinitic script.  Often times, when reading something like the Nihon Shoki, one has to infer the Japanese word order, particles, and suffixes from the text as a whole.  This is common with any kanbun—a very Japanese style of Chinese writing that often requires its own study to fully understand. Meanwhile, the Man'yogana allowed someone to more easily sound out the letters in the Man'yoshu.  This must have been important when morae or syllable count was important to the art form.  Furthermore, it gives us tremendous insight into how spoken Japanese may have sounded  back in the 8th century. And of course it is great that we have all of these poems, but almost more important is the other information contained in the collection.  Most poems not only are attributed to a particular author, but they often give a brief introduction to lay out the circumstance in which the poem was composed.  These poems are, in many ways, more straightforward than many later poetic styles, which relied much more heavily on so-called “pillow words”, poetic allusions, or callbacks to previous poems—not that they were completely devoid of such references, especially to other, often continental, works. Some poems are actually paired—a type of call and response.  A man would often be expected to send a poem to a lady with whom he had recently had assignations, and she would often respond.  Through such correspondence, preserved in the poetic record, we can see connections that might not be as clear in the various historical texts. Now, 4500 is a lot of poems and I'll be honest, I'm probably not going to be researching all of them for historical tidbits, but it is nonetheless important to understand.  One should also be careful—while the poems are often attributed to various artists and famous persons, this may sometimes be misleading.  The attribution may have been garbled or forgotten, and recreated. Most of the poems in the Man'yoshu are presented with at least some amount of framing around them.  They are grouped loosely by various themes.  We are then told, for each poem, the composer and the occasion for which it was created.  Sometimes this may be as simple as “when they were out hunting”, but that still gives us some context on which to go by as for why the author was writing the poem in the first place. The poems themselves vary in size.  There are short poems, or tanka, but also longer form chōka poems, with multiple verses.  Some may allude to previous poems, but many of the poems are just about the author's feelings.  Unlike haiku, they were not quite so proscribed in terms of “pillow words” or requisite seasonal descriptions. And yet these poems, just as much as the histories, were important in capturing some part of the cultural zeitgeist from that time.  We can see what was considered popular or important, and it was there for future generations down until today. Ultimately the Kojiki would largely be overshadowed by the more comprehensive and prestigious seeming history in the Nihon Shoki.  The Nihon Shoki would become the official history, inspiring future historical records, such as the Shoku Nihongi, the continuation of the records.  The Man'yoshu, likewise, would be emulated, with future compilations like the Kokinshu. These, in turn, would impact the cultural imaginary of the time.  They would shape people's ideas about the past, about art, and even about the nature of the kami themselves.  During this period it is hard to understate just how much they were setting in place a new system.  It is even difficult to tell how much of that system had actually been instituted by previous sovereigns, even though it's hard to tell how much that actually happened as opposed to simple claims by Ohoama and, later, Uno, to justify what they were doing.  Up to this point, the Ritsuryou State and the various reforms had been an experiment, but under Ohoama we truly see that the new government upgrades would be fully installed.  At the same time, we also see a shake up in the court.  Those who had been loyal to Ohoama during the Jinshin conflict of 672 received various rewards—increased rank and stipend, for one thing.  As famous individuals passed away, they were also granted posthumous rank, which might not seem like much, but it increased the family's prestige and that of the individual's descendants without actually handing out a higher level stipend that would be a drain on the coffers.  All of this also continued to build up the elites' reliance on not just the court, but on the throne itself for their status, wealth, and position.  Thus they had a vested interest in seeing that the project succeeded. And that is the world that we are about to dive into.  Thank you, I know we didn't get into too much of the immediate history, and some of this is spoilers—after all, this took time and in the moment it could have turned out quite differently.  What if Ohoama had gotten sick and died?  What if there had been a rebellion?  What if Silla or Tang had attacked?  While we know what happened from the safety of our vantage point, far in the future, it is important to remember that at the time the people in the court didn't know what would happen next, so please keep that in mind. Next episode, we'll start to get into the actual events of the reign, starting with Ohoama's ascension to the throne at the newly built Kiyomihara palace in Asuka. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Historians have well described how US immigration policy increasingly fell under the purview of federal law and national politics in the mid-to-late nineteenth century. It is far less understood that the rights of noncitizen immigrants in the country remained primarily contested in the realms of state politics and law until the mid-to-late twentieth century. Such state-level political debates often centered on whether noncitizen immigrants should vote, count as part of the polity for the purposes of state legislative representation, work in public and publicly funded employment, or obtain professional licensure.Enacted state alienage laws were rarely self-executing, and immigrants and their allies regularly challenged nativist restrictions in court, on the job, by appealing to lawmakers and the public, and even via diplomacy. Battles over the passage, implementation, and constitutionality of such policies at times aligned with and sometimes clashed against contemporaneous efforts to expand rights to marginalized Americans, particularly US-born women.  Often considered separately or treated as topics of marginal importance, Disparate Regimes: Nativist Politics, Alienage Law, and Citizenship Rights in the United States, 1865–1965 (Oxford University Press, 2025) by Dr. Brendan A. Shanahan underscores the centrality of nativist state politics and alienage policies to the history of American immigration and citizenship from the late nineteenth to the mid-twentieth centuries. It argues that the proliferation of these debates and laws produced veritable disparate regimes of citizenship rights in the American political economy on a state-by-state basis. It further illustrates how nativist state politics and alienage policies helped to invent and concretize the idea that citizenship rights meant citizen-only rights in law, practice, and popular perception in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Send us a textIt's Labor Day here in the United States.  The rest of the world celebrates Labor efforts on May 1st.  Nevertheless, this month is a slightly shorter show, but still with good music.As Duke Ellington once said, "There are two types of music.  Good & the other kind".Enjoy!All podcasts are ASCAP/BMI authorized. 

In Intergroup Conflict, Recategorization, and Identity Construction in Acts: Breaking the Cycle of Slander, Labeling and Violence (Bloomsbury, 2023) Hyun Ho Park employs social identity to create the first thorough analysis via such methodology of Acts 21:17-23:35, which contains one of the fiercest intergroup conflicts in Acts. Park's assessment allows his readers to rethink, reevaluate, and reimagine Jewish-Christian relations; teaches them how to respond to the vicious cycle of slander, labeling, and violence permeating contemporary public and private spheres; and presents a new hermeneutical cycle and describes how readers may apply it to their own sociopolitical contexts.After surveying previous studies of the text, Park first analyses Paul's welcome, questioning, and arrest, and how slandering and labeling make Paul an outsider. Park then describes how, through defending his Jewish identity and the Way, Paul nuances his public image and re-categorizes himself and the Way as part of the people of God. When Paul identifies himself as a Roman and later a Pharisee, Park examines Luke's ambivalent attitude toward Rome and the Pharisees, and assesses how Paul escapes dangerous situations by claiming different social identities at different times.Finally, he discloses the vicious cycle of slander, labeling, and violence not only against the Way but also against the Jews and challenges the discursive process of identity construction through intergroup conflict with an out-group, especially the proximate “Other.” Furthermore, he demonstrates how the relevance of such scholarship is not limited to Lukan studies or even biblical studies in general; the frequent use of slander, labeling, and violence in the politics of the United States and other polarized countries around the globe demands new ways of looking at intergroup relations, and Park's argument meets the needs of those seeking a new perspective on contemporary political discord. Hyun Ho Park is Associate Pastor of the First United Methodist Church of Yuba City, California and Editor-in-Chief of the Asian American Theological Forum. Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

It is a privilege to welcome back singer Micah Christian to The Jake's Take with Jacob Elyachar Podcast.   Micah is the singer of the Billboard charting classical-crossover quartet, Sons of Serendip. In 2014, the group made its nationwide debut on the long-running NBC talent competition, America's Got Talent (AGT). Their emotionally resonant and ethereal interpretations of pop music, arranged with a unique blend of vocals, harp, piano, and cello performances, won over the nation and judges Howie Mandel, Mel B, and former judges Howard Stern and Heidi Klum.     After placing fourth in Season Nine, the group released four successful albums (Sons of Serendip, Christmas: Beyond the Lights, Life + Love, and Mosaic) and lifted audiences both nationally and internationally. Micah and Sons of Serendip collaborated with Cynthia Erivo, the Cincinnati Symphony Orchestra, Keith Lockhart and the Boston Pops, and the Plymouth Philharmonic Orchestra. The group also performed at the Creative Arts Emmy Awards and closed out the Denver, Colorado, stop at Oprah Winfrey's 2020 Vision Tour.  In 2022, the quartet was invited to represent the United States in Dubai at EXPO 2022.  On this edition of The Jake's Take with Jacob Elyachar Podcast, Micah Christian previewed  Sons of Serendip's latest tour, why the band did not compete on America's Got Talent spin-offs, AGT All-Stars, and AGT: Fantasy League. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Much has been written about political polarisation in the United States, but no one has examined it through the lens of recent U.S. history. There is nothing deterministic about how we became polarised, and it happened more recently than many think. To fully understand the problem, we must take the long view, the perspective provided by history, with its attention to change over time and the role of contingency. That's what The Path to Paralysis does. The book illuminates the broad forces that have shaped and reshaped American society and politics since the mid-1960s: the shift from an industrial to an information economy that produced economic inequality not seen since the 1920s; dramatic, unsettling changes in gender and sexuality; sharp conflict between those who embrace the culture of personal freedom that was a legacy of the 1960s and politically mobilised White evangelicals; persistent racial discord that transformed Southern politics and shattered the New Deal coalition; and dramatic changes in communication that transformed broadcasting into narrowcasting, creating alternate news and truths. These developments had their origin in the late 1960s and have generated sharp political conflict for six decades. But they didn't overwhelm the system until the 21st century. Ronald Reagan moved American politics to the right, but Republicans and Democrats forged compromise on issues as diverse as economic policy, civil rights, and immigration. After the culture wars of the 1980s and 1990s, Bill Clinton and George W. Bush tacked to the centre and sought bipartisan solutions to issues like welfare, education and immigration. Sharp conflict and governance were compatible. The tipping point was the election of the nation's first Black president and the economic collapse he inherited. Fault lines of religion, region, gender, sexual orientation, class, education and, especially, race widened. People chose sides and identified enemies, the number of true swing voters shrunk, fewer states and congressional districts were competitive, the two major parties became more monolithic, and appeals to the base drove strategy and what passed for policy. It was an atmosphere that provided fertile ground for a demagogue whose norm-busting appeals to White grievance and Christian Nationalism, as well as to regional and class resentment strengthened his appeal to an angry base and threatened the peaceful transition of power, the bedrock of American democracy for more than two centuries. Donald G. Nieman is an authority on modern U.S. law and politics, and professor of history and provost emeritus at Binghamton University – State University of New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Rymdkapplöpningen mellan USA och Sovjetunionen tog ordentlig fart efter att Sovjet skjutit upp satelliten Sputnik 1 i omloppsbana runt jorden den 4 oktober 1957, men drömmarna om att resa ut i rymden har funnits sedan antiken.Både de amerikanska och sovjetiska rymdprogrammen tog avstamp i Nazitysklands utveckling av robotar under andra världskriget. Och trots att bägge rymdprogrammen presenterades som civila fanns det i allra högsta grad militära bevekelsegrunder.I denna repris av av podden Historia Nu samtalar programledaren Urban Lindstedt med historikern Björn Lundberg om kampen om rymden. Björn Lundberg är aktuell med boken Kampen om rymden.När världen förundrades över Sovjetunionens uppskjutning av världens första satellit Sputnik 1 i omloppsbana runt jorden den 4 oktober var amerikanarna i chock över att det kommunistiska Sovjetunionen hann före ute i rymden. Sputnik 1 är startpunkten på en rymdkapplöpning som nådde sitt klimax med den amerikanska månlandningen den 20 juli 1969 med Apollo-programmet.Efter Sputnik chockade Sovjet USA igen genom kosmonauten Gagarins första rymdflygning den 12 april 1961 i omloppsbana runt jorden. Efter det bestämde amerikanarna att de skulle sätta ett mål så utmanande och krävande att Sovjetunionen inte skulle hänga med. Den 25 maj förklarade den nytillträdde presidenten John F Kennedy att USA innan 1960-talets slut skulle sätta en man på månen och få honom hem igen.Lyssna också på Berlinmuren – kalla krigets främsta symbol.Bild:Apollo 17-uppdrag, 12 december 1972. Astronaut Eugene A. Cernan gör en kort resa med Lunar Roving Vehicle (LRV) under den tidiga delen av den första Apollo 17 NASA, Wikipedia, Public Domain.Musik: Space Exploration Future Technology Cinematic Filmscore av MEDIA MUSIC GROUP, Storyblocks Audio. Hosted on Acast. See acast.com/privacy for more information.

Dear young people, How do we stay cool? Sincerely, Middle-aged TFALers There are many generations of Filipinos who live in the United States in this day and age. Immigrant generations, 2nd generations, 3rd generations, Baby Boomers, Generation X, Millennials, and now Gen Z. Many have different experiences as Filipino Americans, and in many ways, some...

The Iran-Israel conflict in June was terrifying but brief: it lasted 12 days. But that war is notover. Trita Parsi, vice president and cofounder of the Quincy Institute, has been warning thatboth the United States and Israel are planning for another round, with their European alliesproviding the groundwork. I spoke to Parsi about the likelihood of war, the rationale behind thecurrent sabre-rattling, and ways to stop the impending catastrophe.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Cay Johnston is a Pulitzer Prize-winning investigative journalist, bestselling author, and professor. With a career spanning almost six decades, Johnston has exposed complex financial systems, political corruption, and tax injustice across the United States. He is the author of several acclaimed books, including “The Making of Donald Trump”, “Perfectly Legal”, and “Free Lunch”, all of which break down how the wealthy and powerful manipulate the system for personal gain. Johnston served as a reporter for The New York Times for over 13 years, where his groundbreaking work on tax policy earned him national recognition. He is also the founder and editor of DCReport.org, a nonprofit news service that continues to track what the government is doing behind the scenes. As a professor at Rochester Institute of Technology, he teaches law, taxation, and investigative reporting. His expertise has made him a frequent guest on MSNBC, CNN, and NPR, and his writing has appeared in The Nation, The Daily Beast, and Reuters.

VP S5 Ep 173: Textured Pockets!  The Junk Journal Podcast! The Paper Outpost Podcast! The Joy of Junk Journals! Free to Listen Anytime! Every Tuesday & Thursday! Topics: Junk Journals, Paper Crafting, life of a crafter, answering crafty questions! Come have a listen on Apple Podcast, Spotify, Google Podcast or go to https://anchor.fm/the-paper-outpost Also check out my Video Podcasts on M,W, F, S, S on Spotify! :) You can make your own Podcast! It's easy at Anchor: Here is how!: anch.co/outpost Grab a FUNDLE! Now available in my Etsy Shop!: 100 pieces! A mix of antique/vintage ledger pages, hand-dyed papers, old postcards, tea cards, handwritten paper, awesome vintage book pages and so much more! Wonderful to use in your junk journal creations! Free Priority Shipping in the USA! :) Limited supply! :) See a Fundle Video!:) https://youtu.be/KJnWd9RSpOQ Buy a Fundle! :) Etsy Shop: https://www.etsy.com/listing/1007331616/antique-vintage-ephemera-paper?ref=shop_home_active_6&frs=1&crt=1 VINTAGE DIGIKITS! Amazing images to download & print out at home on your printer!: Etsy Shop: https://www.etsy.com/shop/ThePaperOutpost PRINT & MAIL Option for Vintage Digikits! :) I heard your call :) No Printer? No Problem! :) I will print & mail 10 Digikits to you! Free Priority Shipping in the USA! :) 1. Select 10 names of digikits, & send me the list via Etsy message or email to pam@thepaperoutpost.com or simply say "Surprise me!" :) 2. Then buy the Print & Mail Digikit option in my Etsy shop! :) Direct Link to Buy here: https://www.etsy.com/listing/1071078687/printed-mailed-digikits-no-printer?ref=shop_home_active_1&frs=1&crt=1 That's 50 Pages total on lightweight cardstock! See All My Digikits! https://www.etsy.com/shop/ThePaperOutpost Sincerely, Pam at The Paper Outpost :)!! I am currently buried in paper and covered in glue ;) Remember that Fun Can Be Simple! Go Forth and Create with Reckless Abandon! :) MY AMAZON STORE!: My Personal Favorite Products & Tools!: Click here to see all my items in one click with pictures in my Amazon Store! https://www.amazon.com/shop/thepaperoutpost NEWSLETTER!: Free Monthly Emailed Newsletter from The Paper Outpost! Sign Up here: https://bit.ly/paperoutpostnewsletter - Free Monthly Digital Printable! - Free The Note From The Book Maker explaining what a junk journal is and how to use it! - Free Page List of Ideas for Junk Journals! - Free Checklist of Junk Journal Supplies! - Junk Journal Tips & Updates from Pam at The Paper Outpost! COME FIND ME AT :) All My Links: https://linktr.ee/thepaperoutpost ETSY Shop: https://www.thepaperoutpost.com ETSY Shop: https://www.etsy.com/shop/ThePaperOutpost YOUTUBE: https://www.youtube.com/ThePaperOutpost NEWSLETTER: https://bit.ly/paperoutpostnewsletter INSTAGRAM: https://www.instagram.com/thepaperoutpost FACEBOOK: https://www.facebook.com/ThePaperOutpost The Paper Outpost FACEBOOK GROUP: https://www.facebook.com/ThePaperOutpost/ THE PAPER OUTPOST PODCAST: The Joy of Junk Journals!: https://anchor.fm/the-paper-outpost AMAZON STORE: https://www.amazon.com/shop/thepaperoutpost PINTEREST: https://www.pinterest.com/thepaperoutpost TWITTER: https://twitter.com/thepaperoutpost MERCHANDISE STORE!: https://the-paper-outpost-2.creator-spring.com/ #thepaperoutpost #paperoutpost #thepaperoutpostpodcast #digikits #junkjournal #junkjournals #howtomakeajunkjournal #junkjournalpodcast #thejoyofjunkjournals #fundle #thejunkjournalpodcast

Democrats have no answer to Trump's magic.It's one thing to note that President Trump is redefining government, as that is easy to see. His policies have rocked the establishment, and that includes both Republicans and Independents. For decades we've watched the two parties play footsies with one another, and creating an unrecognizable government that has no intention of representing the citizens of the United States. Trump changed all that, which is why they tried to assassinate him. He built the MAGA movement, undoubtedly the stickiest political movement in history.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the Sunday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of...

#238: Cameron Molberg of Greener Pastures Chicken shares how he's building a vertically integrated model for pasture-raised organic chicken  without cutting corners - as is typically done with the majority of usda organic labeled poultry found in chain supermarkets. From animal welfare to USDA loopholes, and feed fraud to school lunch programs, Cameron lays out the challenges and opportunities of scaling real organic poultry in a system that favors confinement.https://realorganicproject.org/cameron-molberg-real-organic-poultry-at-scale-238The Real Organic Podcast is hosted by Dave Chapman and Linley Dixon, engineered by Brandon StCyr, and edited and produced by Jenny Prince.The Real Organic Project is a farmer-led movement working towards certifying 1,000 farms across the United States this year. Our add-on food label distinguishes soil-grown fruits and vegetables from hydroponically-raised produce, and pasture-raised meat, milk, and eggs from products harvested from animals in horrific confinement (CAFOs - confined animal feeding operations).To find a Real Organic farm near you, please visit:https://www.realorganicproject.org/directoryWe believe that the organic standards, with their focus on soil health, biodiversity, and animal welfare were written as they should be, but that the current lack of enforcement of those standards is jeopardizing the ability for small farms who adhere to the law to stay in business. The lack of enforcement is also jeopardizing the overall health of the customers who support the organic movement; customers who are not getting what they pay for at market but still paying a premium price. And the lack of enforcement is jeopardizing the very cycles (water, air, nutrients) that Earth relies upon to provide us all with a place to live, by pushing extractive, chemical agriculture to the forefront.If you like what you hear and are feeling inspired, we would love for you to join our movement by becoming one of our 1,000  Real Friends:https://www.realorganicproject.org/real-organic-friends/To read our weekly newsletter (which might just be the most forwarded newsletter on the internet!) and get firsthand news about what's happening with organic food, farming and policy, please subscribe here:https://www.realorganicproject.org/email/

The Sinaloa Cartel is one of the largest and most powerful drug trafficking organizations in the world. It is based in the Mexican state of Sinaloa and has a global reach, with operations in several countries, including the United States, Canada, Europe, and Australia. The cartel is known for its ruthless tactics, including violence, bribery, and corruption.The Sinaloa Cartel was founded in the late 1980s by a group of drug traffickers, led by Joaquín "El Chapo" Guzmán, who is now serving a life sentence in the United States. Since then, the cartel has grown into a powerful criminal organization with a complex hierarchy and sophisticated operations.The cartel's primary source of income is the trafficking of illegal drugs, primarily cocaine, marijuana, and methamphetamine. The Sinaloa Cartel is responsible for a significant portion of the drugs that enter the United States from Mexico, and it has been estimated that the cartel's annual revenues exceed $3 billion.The cartel operates through a network of cells and affiliates, each with its own area of operations and responsibilities. The top leadership of the cartel is believed to be composed of a small group of individuals, including Ismael "El Mayo" Zambada, who is considered the current leader of the cartel.The Sinaloa Cartel is known for its brutal violence, and it has been responsible for numerous assassinations, bombings, and other violent acts.The cartel has also been accused of using bribery and corruption to maintain its power and influence, and it has been reported that the cartel has bribed law enforcement officials and politicians in Mexico and other countries.Despite efforts by law enforcement to dismantle the cartel, it remains a significant force in the global drug trade. The Sinaloa Cartel continues to adapt and evolve, using new technology and tactics to evade law enforcement and expand its operations.In this episode we pull back the curtain a little further and explore how the Sinaloa cartel has evolved since El Chapo's arrest and how his sons, the Los Chapitos have ushered in new future that is built upon the synthetic narcotics game(commercial at 10:17)to contact me:bobbycapucci@protonmail.comsource:Case details Sinaloa cartel's fentanyl-fueled evolution (msn.com)

Hey angels,  Jas gives us a review of some of the trending food joints, and we discuss if food reviews on TikTok are overhyped. We also did a deep dive on Love Island USA

This week, I am talking with previous My Weekly Mixtape guests, friends of the show & the amazing Patreon Mixtapers, and hearing their stories about what song made them each fall in love with music.   Guests appearing (in no particular order):  Barry Kerch & Eric Bass of Shinedown, Ed Toth of The Doobie Brothers / Vertical Horizon, CJ Pierce of Drowning Pool, Tim Foreman of Switchfoot, Cody Hanson of Hinder, Chris Ballew of The Presidents of The United States of America, Steve Bowman of Counting Crows, Paul Williams, Chris Vos of The Record Company, Doug Aldrich of The Dead Daisies, Paul Jackson of Blackberry Smoke, Jon Loree of Tantric & Smile Empty Soul, Jim Loughlin of moe., Don Jamieson of RockStrap & VH1's That Metal Show, Coco Kinnon of Winona Fighter, DT Carel of SpaceCastle, Carrie Cunningham, Jim & Lindsay Butler of Children of the 80's, Sean Faust, Bob Spear, Jay Sweet, Jason Whissell of It's Not That Bad / There Can Only Be One, Zack Derby of NeatCast, Kevin Brown of The Tom Petty Project, Leah Jones of The Struts Life, Sylvan Groth & Jesse Jackson of Perfectly Good Podcast, Greg Vorob of Reel Reactions, Dave Zalatoris of Beer In Front, and last (but certainly not least!) several of the incredible Patreon Mixtapers: Chad Lamasa, Brandon from VA, Philip Bergman & Tom Hutchinson. Head over to ⁠MyWeeklyMixtape.com⁠ to stream every song featured in this episode, browse the full archive of curated playlists, check out exclusive artist interviews, and discover even more music content designed for fans of all genres!  FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Blusky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Theme music is "Unveiled" by⁠ The 4th⁠. You can find the album on⁠ Spotify⁠,⁠ Apple Music⁠,⁠ Amazon Music⁠,⁠ Pandora⁠,⁠ YouTube⁠,⁠ Bandcamp⁠ & more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Stone was a previous guest on Episode 117 of the Agents of Innovation (October 2022). You can revisit that episode for Matt's story before 2022 here: https://youtu.be/eF_lJ03STrc?si=L4Ry0Yl9CHF0RPbP In this episode, we catch up with him since so much has happened in his life and career. A husband and now father of a 2-year old, Matt has taken his Elvis tribute show all over the United States and even internationally. He has met Priscilla Presley and even played Elvis' piano in RCA Studio B. This episode will teach you how one young man is charting his own course and how you can learn and apply lessons from his own story. Learn more about Matt Stone at: https://www.mattstoneaselvis.com Find him on Instagram at: https://www.instagram.com/realmattstone You can also watch this episode on YouTube here: https://youtu.be/vEmfhO54l24 Follow the Agents of Innovation podcast on: Instagram: / innovationradio Twitter: / agentinnovation Facebook: / agentsofinnovationpodcast You can support this podcast and our Fearless Journeys community on our Patreon account: www.patreon.com/fearlessjourneys Want us to host a Fearless Journey group trip to Memphis with Matt Stone? Email us at: fearlessjourneysLLC at gmail dot com You can also join our network -- and our group trips -- through the Fearless Journeys community at: https://www.fearlessjourneys.org and subscribe to our free newsletter at: https://fearlessjourneys.substack.com 0:00 Episode Introduction 3:02 Expanding the Elvis Tribute Artist tour 6:14 Renting Venues, Taking Risk and Ownership 7:34 Why Being a Student of Marketing and Advertising Helps 10:25 How to Pitch Talent Buyers to Take On Risk of Show Expenses 11:14 Creating Your Own Opportunity with Four Wall Touring 13:28 Why Entertainers Should Build Business Skills 18:53 National Touring with a Full Band 25:32 Playing Elvis' Piano in RCA Studio B in Nashville 30:57 The Importance of Consistency in Business Marketing 37:25 Learning Through Free Resources 38:45 Training AI as Your Assistant 40:48 Balancing a Separate Full Time Job and Being an Elvis Tribute Artist 44:37 Meeting Priscilla Presley 51:31 What's Next For Matt Stone? 53:40 Learning by Doing 54:30 Detail-oriented in Recreating Authentic Elvis Shows 1:01:50 Recapping Lessons We Can Learn from Matt Stone 1:04:08 Next Step: Scaling Up 1:05:56 A Trip to Memphis with Matt Stone?

We often think of censorship as governments removing material or harshly punishing people who spread or access information. But Margaret E. Roberts' new book Censored: Distraction and Diversion Inside China's Great Firewall (Princeton University Press, 2020) reveals the nuances of censorship in the age of the internet. She identifies 3 types of censorship: fear (threatening punishment to deter the spread or access of information); friction (increasing the time or money necessary to access information); and flooding (publishing information to distract, confuse, or dilute). Roberts shows how China customizes repression by using friction and flooding (censorship that is porous) to deter the majority of citizens whose busy schedules and general lack of interest in politics make it difficult to spend extra time and money accessing information. Highly motivated elites (e.g. journalists, activists) who are willing to spend the extra time and money to overcome the boundaries of both friction and flooding meanwhile may face fear and punishment. The two groups end up with very different information – complicating political coordination between the majority and elites. Roberts's highly accessible book negotiates two extreme positions (the internet will bring government accountability v. extreme censorship) to provide a more nuanced understanding of digital politics, the politics of repression, and political communication. Even if there is better information available, governments can create friction on distribution or flood the internet with propaganda. Looking at how China manages censorship provides insights not only for other authoritarian governments but also democratic governments. Liberal democracies might not use fear but they can affect access and availability – and they may find themselves (as the United States did in the 2016 presidential election) subject to flooding from external sources. The podcast includes Roberts' insights on how the Chinese censored information on COVID-19 and the effect that had on the public. Foreign Affairs named Censored one of its Best Books of 2018 and it was also honored with the Goldsmith Award and the Best Book in Human Rights Section and Information Technology and Politics section of the American Political Science Association. Susan Liebell is associate professor of political science at Saint Joseph's University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dental & Vision Plans.  Dental coverage explained.  July 4th and USA.  Inflation Reduction Act.  Rising Deductibles.  Co-pay VS Co-Insurance.  Lobbyists and their role.  United Healthcare Fraud Case.

The decade of decadence Despite a booming economy, the Reagan administration of the 1980s also created a lot of poverty in the United States. It coincided with the emergence of a new kind of drug, and created the perfect storm of devastation.... Join our PATREON ! (Get extra episodes, research articles and more)

For many artists, an art career takes many twists and turns—an adventure shaped by different mediums, jobs, and ways of sustaining creative work  while at the same time, educating oneself with the histories of your chosen path.  On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Charles Spitzack. We talk about his discovery of mokuhanga and how it connects to his broader printmaking practice. Charles shares his early experiences making mokuhanga, his teaching methods, and how his understanding of the medium developed through a Western American perspective. He also speaks about his time at the Mokuhanga Project Space, and his thoughts on the differences between oil-based and water-based mokuhanga. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Charles Spitzack - website, Instagram Seattle Print Arts - is a printmaking association based in Seattle, Washington, United States. It maintains a membership and is dedicated to the exchange of knowledge related to various printmaking practices. More info can be found, here.  High Point Center for Printmaking -is located in Minneapolis, Minnesota, United States. It is dedicated to increasing the understanding of printmaking and operates a co-op, gallery, and educational programs. More info can be found, here.  Cornish College of the Arts - is an independent art college located in Seattle, Washington, United States. Its programs emphasize experimentation and critical thinking. More info can be found, here.  Mokuhanga (木版画) - is a Japanese word meaning "wood" and "print." Traditionally, it refers to a relief printing method using woodblocks, water, natural handmade papers, and water-based pigments. With the rise of the sōsaku hanga (creative print) movement in the early to mid 20th century, mokuhanga expanded to include works made with Western oil pigments as well. Today, mokuhanga can be difficult to define, as many artists experiment with new approaches while others remain dedicated to traditional water-based methods. This balance between innovation and tradition shows that mokuhanga is limitless, continually evolving while still grounded in its past. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Stephen Hazel (1934-20120 - was a painter and printmaker based in the Pacific Northwest. He created works on paper, and educated upon the subject. More info can be found, here.  Beautiful Display 10: Beauties of Chinatown (1977) 24" x 17 11/16" Katheleen Rabel - is an American printmaker, painter and sculptor. More info can be found, here.  Penedo Alto (sōsaku hanga) 50″ x 39″ Hideo Hagiwara (1913-2007) - was a mokuhanga printmaker who came of age during the sōsaku hanga period of the mid 20th Century in Japan. He studied printmaking with Un'ichi Hiratsuka (1896-1997). Hagiwara made prints that were expressive of the self and abstract. He taught at Oregon State University in 1967.   Lady No. 6 (1975) 24.75" x 18.25"  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.  monotype print - is a unique print created from an image painted or drawn on a smooth surface, such as glass or metal, and then transferred to paper. Unlike most printmaking methods, where multiple copies of the same image can be produced, a monotype typically has a single, one-of-a-kind image. It's called a "mono" type because it is not part of an edition like traditional prints (e.g., lithographs, etchings), where you can make multiple copies.  Mike Lyon  -  is an American artist. His medium has varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here. Mike's interview with The Unfinished Print can be found, here.  Grass 4 (2010) 77" x 22" Naoko Matsubara - is a Japanese/Canadian contemporary artist, and sculptor, who lives and works in Oakville, Ontario, Canada.  She has focused much of her artistic life on making mokuhanga and has gained critical acclaim for it.  Naoko Matsubara's interview with The Unfinished Print can be found, here.  Conducting (2004) 22.05" × 15.59" Katsutoshi Yuasa - is a Japanese contemporary artist, and sculptor, who works predominantly in mokuhanga. He has  produced an incredible mount of work. Katsu's interview with the Unfinished Print can be found, here.  On The Dawn of Night and Fog (2025) 39.37" in × 78.74" Antonio Frasconi (1919-2013) - was a Urugyuan printmaker who lived and worked in the United States. He cerated coloured woodcuts and was an educator and author. Frasconi's themes could be political in nature. More info can be found, here.  Cows (1955) 7 1/2" x 12 15/16" The Arts and Crafts Movement in America - flourished from the late 19th to early 20th century, emphasizing simplicity of design, and the use of natural materials as a response to industrial mass production. Inspired by the ideals of John Ruskin (1819-1900) and William Morris (1834-1896) in Britain, the movement in the United States was closely tied to architecture, furniture making, and decorative arts, promoting honesty and a functional beauty.  There was a link with social reform, criticizing modernity and industry and fostering communities of makers across the country. In Japan this folk movement was explored in the mingei movement of the early 20th Century.  William S. Rice (1873-1963) - was a painter, educator and woodblock artist from the United States. Having moved to California early in his life, Rice made landscape prints and paintings of California. At the 1915 Panama Pacific International Exhibition, Rice had a chance to see Japanese mokuhanga in person and was influence by those prints in his woodcuts.  The Windy Summit (1925) 9" x 12" Arthur Wesley Dow (1857-1922) - was an American printmaker who was greatly influenced by Japanese ukiyo-e. He wrote a book on the subject of printmaking called Composition which was published in 1905.    Lily (Ipswich Prints x 1901) 5½" x 4⅛"   Toledo Museum Shin Hanga Exhibitions (1930 & 1936) - were held at the Toledo Museum of Fine Arts in the United States. These two exhibitions played an important role in introducing Japanese woodblock prints to the American market. They were curated by J. Arthur MacLean and Dorothy L. Blair. Artist Hiroshi Yoshida (1876-1950) had traveled to the United States in the 1920s, helping to set the stage for these exhibitions. More info can be found, here.    Walter J. Phillips (1884–1963) - was a British-Canadian printmaker who began his career as a commercial artist. After moving to Canada, he produced etchings, watercolors, and color woodcuts. Influenced by Japanese ukiyo-e, Phillips's prints offer a distinctive view of Canada in the early to mid-20th century.My interview with Sophie Lavoie of The Muse/Lake Of The Woods/Douglas Family Arts Centre about the life and times of Walter J. Phillips can be found, here.      Warren's Landing, Lake Winnipeg (1931) 6.30" × 9.45"   Kathleen Hargrave - is a printmaker and kiln formed glass maker. Kathleen explored various printmaking methods but uses mokuhanga in her practice. Kathleen's mokuhanga is abstract and uses colour in a fantastic way. More info can be found, here.      Resilience 5   Pratt Fine Arts Center - is a nonprofit arts educator in Seattle, Washington. It offers classes and instruction on various artistic expressions such as blacksmithing, glass, jewelry, paintings and printmaking. More info can be found, here.     Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. My interview with Keiko Hara and Benjamin Selby of MPS can be found, here. More info can be found, here.    Shoichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Utagawa Kuniyoshi - from The Series Bravery Matched With The Twelve Zodiac Signs. A Modern Reproduction 4.13" x 11.15" (2017) printed and carved by Shoichi Kitamura   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here.     It Happened To Me  (1995) 11" x 14"   Andrew Stone - is an American mokuhanga printmaker based in Florence, Italy. He is also a baren maker. The baren is a mokuhanga specific tool. Andrew's interview with The Unfinished Print can be found, here.    Tutto Bene? (2024)   Davidson Galleries - is a gallery situated in Seattle, Washington. Opening in 1973 Davidson Galleries focus on works on paper. In their stable of artists is Charles Spitzack and Andy Farkas. More info can be found, here.    SGC International - the Southern Graphics Council is a member supported printmaking organization which supports printmakers throughout the world. It is located in Kennesaw, Georgia, United States. More info can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. My interview with Karen Kunc for The Unfinished Print can be found, here. More information can be found on her website, here.      Weight of Air (2018) 12" x 24" Woodcut, etching, pochoir, watercolor   Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan and New York City, NY. More information can be found, here.    Ballinglen - is an arts foundation based in Ballycastle, Co Mayo, Ireland. The groups aim is to "enhance cultural awareness," of North County Mayo. This is done via fellowships, education, exhibitions and workshops. More info can be found, here.    Pomegranate - is a company which sells items such as jigsaw puzzles, holiday cards, etc using different types of artists  and their work in these pieces. More info can be found, here.    Gustave Baumann (1881-1971) - was a colour woodcut printmaker, and painter of German descent who made his life in the United States. More info can be found, here.      Marigolds (1960) colour woodcut 12 7/8" x 12 7/8" © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Intro music by Oscar Peterson, I Got It Bad (And That Ain't Good)  from Night Train (1963) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know.  ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                  

Samer Sinijlawi, a Palestinian politician from the opposition inside Fatah, said the move to revoke the US visa of Palestinian Authority President Mahmud Abbas represented a diplomatic failure of the Palestinian leadership. Nevertheless, he told reporter Arieh O’Sullivan that the solution to the Israeli-Palestinian conflict does not go through the United States or United Nations, but by creating trust right here between the peoples. (photo: Majdi Mohamed/AP)See omnystudio.com/listener for privacy information.

The sermon for August 17, 2025 is based on Acts 16:25-34. Sermon Given By: Pastor Paul Mueller Trinity Lutheran Church is located in Woodbridge, VA, USA and is a member of the Wisconsin Evangelical Lutheran Synod (WELS). If you would like more information about our congregation, please visit www.trinityofwoodbridge.org or www.facebook.com/trinityofwoodbridge

The sermon for August 24, 2025 is based on Luke 12:13-21. Sermon Given By: Pastor Paul Mueller Trinity Lutheran Church is located in Woodbridge, VA, USA and is a member of the Wisconsin Evangelical Lutheran Synod (WELS). If you would like more information about our congregation, please visit www.trinityofwoodbridge.org or www.facebook.com/trinityofwoodbridge

The sermon for August 31, 2025 is based on Ruth 1:1-19 Sermon Given By: Pastor Paul Mueller Trinity Lutheran Church is located in Woodbridge, VA, USA and is a member of the Wisconsin Evangelical Lutheran Synod (WELS). If you would like more information about our congregation, please visit www.trinityofwoodbridge.org or www.facebook.com/trinityofwoodbridge

Retired ambassador Alan Baker, a former legal adviser to the foreign ministry and former member of the UN legal office said that the United States was committed to allow heads of state to enter the country to attend the UN General Assembly. But regarding non-state, or terrorist organizations, he told reporter Arieh O’Sullivan that the US has the right to bar them entry. (photo: Frank Franklin/AP)See omnystudio.com/listener for privacy information.

Send us a text  This week we are joined by John Fugelsang , actor, comedian , host of Tell Me Everything on Sirius XM & The John Fugelsang Podcast and author of Separation of Church & Hate: A Sane Person's Guide to Taking Back the Bible from Fundamentalists, Fascists, and Flock-Fleecing Frauds                                            available on September 9, 2025                           We discuss the rise of Christian Nationalism post the Roe V Wade decision, people mistaking Paul for Jesus, accepting refugees, Public Enemy, Chuck D,  the Minnesota school shooting along with the gun problem in the United States, accepting gay and transgender people under Jesus, Bill Maher, Star Wars, the New York mayoral race and uniting the country with food. You can find John's show weekdays on Sirius XM channel 127 weeknights at 9 PM EST order his book on Amazon or http://www.johnfugelsang.com #PublicEnemy #DonaldTrump #SiriusXM #ChuckD #StarWars #SeparationOfChurchAndHate #Jesus #RomanEmpire #Paul #CNN Follow us at Reality Redemption on Facebook, Instagram, Threads, BlueSky and Tik Tok

Unter anderem mit Kommentaren zu den Visa-Sanktionen der USA gegen palästinensische Vertreter, zur Debatte über die Sozialausgaben und zum Vorschlag des Linken-Politikers Ramelow, eine neue Nationalhymne zu erwägen. www.deutschlandfunk.de, Presseschau

läs om hela innehållet här under: Lyssna på alla avsnitt i Sveriges Radio Play. timme 1:Domstol: Trumps tullar olagliga – Trump varnar för ”katastrof för USA”Hör Ginna Lindberg om presidentens motdrag.Roger Wilson sammanfattar sina 4 år som korrespondent i USAÄnnu en gång föreslås Trump få Nobelpris för sitt fredsarbete. Hör Dag Blanck, professor i nordamerikastudier vid Uppsala universitet.Brist på bärplockare – trots rekordhöga priser. Reportage av Magdalena Martinsson.Krönikör Agri Ismaïl om vatten som ändlig resursPanelen om telefonförsäljning, höstbudget och kulturkanonKajsa Kettil, Borås tidning, Leonidas Aretakis, Flamman, och Carolin Dahlman, Krönikör NWTtimme 2:Toppmöte mellan Kina och Ryssland i samband med SCO-mötet. Hör Moa Kärnstrand och rysslandkännaren Stig Fredrikson.Varma somrar - en utmaning för äldre personer. Reportage av Karin Wirenhed.På cykel längs fronten i Ukraina : ny bok av diplomaten Lars Peter FredénMusik på finlandssvenska är inte bara KAJ, om 1G3B som blivit ett kultband inom finsk hårdrock. Reportage av Margareta Svensson.satir med radioskugga: snapsfri kräftskiva med Tidöpartiernakåsör Mark Levengood delar ut dryga strafftullar: lyssna, lär och lidprogramledare: Jesper Lindauproducent: Anders Diamanttekniker: Mikael Sarabi

“ASTRO JAM – Eclipse Season” for Pisces Lunar & Virgo Solar.Astro Jam: A Celestial Stage Play – Dynamic Eclipse Tensions”Get ready for a unique online theatrical experience as "Astro Jam" brings to life the dynamic interplay of planetary archetypes! This special event personifies the celestial bodies.The cosmos experiences eternal orbital change, filtering to activating the creative interplay between creation and destruction as the entire process of life evolves. Outer planets traveling (in apparent) retrograde since entering new cycles during Spring and early summer mark significant shifts dialoguing in collective and individual journeys.The 15° Lunar Eclipse on September 7 involves strong planetary patterns thrusting agendas of adjustment in the forefront as we grasp what values, attachments, habits, ideology to surrender or engage. Universal aspects also support authentic, in-the-moment revelations. This Piscean on the North Node asks for us to surrender to the deep process as we revolutionize how we think, communicate, and connect.The 29° Virgo Solar Eclipse on the Autumn Equinox September 21 promises a thrust of discernment again releasing what obstructs our truth. Our ambition for our day-to-day life to be focused with activities, people, and perspective activating a daily life harmonizing in alignment with values in supporting new roles we share.Imagine witnessing the consciousness of these planetary energies unfold before your eyes! Eight astrologers will embody these archetypes in a spontaneous, interactive dramatization, offering a "front row seat" to the celestial dance that influences our lives.In a captivating performance, these esteemed astrologers unravel the identity consciousness of the Lunar and Solar Eclipse charts. An experiential period providing insights into the profound changes and life adjustments influenced by powerful archetypes during this eclipse season.Joining Talk Cosmos founder and evolutionary astrologer consultant, Sue Rose Minahan, are seven renowned astrologers from across the globe – hailing from England, Australia, and various regions of the USA, from the East to the Mountain to the West Coast, and even Hawai'i. Don't miss this opportunity to gain a deeper understanding of the cosmic forces at play.You'll find their bios below and on the Talk Cosmos website. Be sure to stay connected with us and subscribe for all our latest episodes on YouTube, Facebook, radio, and podcasts!#TalkCosmos #RobertPacitti #DeepEarthAstrology #SueMinahan #jensachs #MelissaElviraBillington #TrustTheLongerJourneySubstack #JoliKnott #MarieONeill #PadmaLifeCoaching #SeanKelley #2025Astrology #jensachs #Bodhimindful #EvolutionaryAstro #TalkCosmos #YouTubepodcast #SusieCox #RobPacitti #Neptuneinpisces #jupiterincancer #uranusingemini #saturninaries #astrologycommunity #astrologyinsights #astrologyfacts #astrologytips #astrologyanswers #trending #podcasting #astrologywisdom #mysticvibes #astrofacts #astrologyinsights #eclipseseason #pisceslunareclipse #virgosolareclipse #15pisces #29virgo #anorecticdegrees #astrojam #astrologywisdomSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HOLLYWOOD - US expatriate, English teacher and author Mr. Barlow Crassmont, a winner in the Writers of the Future Contest for his story, "The Boy from Elsewhen," is published in L. Ron Hubbard Presents Writers of the Future Volume 41 which was recently awarded the Gold Metal in the Anthology category at the 8th Annual American Fiction Awards. The awards recognize mainstream and independent titles for top honors. Mr. Crassmont currently lives in Tieling, China where he resides and works as an English teacher. Armand Diab, who writes under the pen name, Barlow Crassmont, has lived in the USA, Eastern Europe, Middle East and China. When not teaching English or writing speculative, fantasy, and science fiction, he dabbles in juggling, solving the Rubik's Cube, and learning other languages (his Spanish is coming along nicely). He has been published by British Science Fiction Association, Wilderness House Literary Review, and in Dark Speculations: Volume 1, by Little Red Publishing. "The Boy From Elsewhen '' was inspired by the current social climate across the globe. Everywhere one goes, regardless of country or nation, most people are endlessly staring at their smartphones, unable to look away, and often neglecting other humans around them for the sake of technology. As the dominant species on Earth, we are becoming too dependent on our hand devices, but are no smarter for it. In fact, I feel if the trend continues (and I see no evidence that it won't), future generations won't be able to construct a single solitary thought without AI's assistance. Let's hope that that day, at least, is in the far distant future, after me Daniel Montifar was destined to be an illustrator. Born and raised in Queens, New York, known as the "world's borough" for its rich cultural diversity, Daniel appreciated the melting pot of influences, including his Bolivian and Filipino heritage. Surrounded by art wherever he went in NYC and being raised by a Star Wars loving mom and a dad with a treasure trove of comics dating back to his high school days, his early fascination in the realm of sci-fi and fantasy fueled his passion for drawing. He became the kid who always had a sketchbook in hand, capturing scenes from his imagination wherever he went. Prior to the pandemic, while still a freshman in high school, he moved to Houston, Texas where Daniel delved deeper into the world of art. This transition was a pivotal chapter in his artistic evolution, as he honed his skills and explored new artistic horizons. His work won several competitions including the Golden Key Scholastic Art Award and the AIGA Worldstudio Award.

Volquardsen, Ebbe www.deutschlandfunkkultur.de, Fazit

The discussion focused on various social, political, and legal issues affecting the United States, with particular emphasis on financial support for families in El Salvador and the establishment of a dedicated bank account for money transfers. Brian highlighted the need for financial assistance, while Ray and Jeffrey explored modern payment methods. The conversation also touched on the politicization of federal agencies in relation to ongoing investigations, as well as a recent case involving a Navy sailor's undetermined cause of death, raising skepticism about the investigation's integrity. The group delved into historical and demographic topics, discussing the impact of smallpox on Native American populations and sharing personal experiences with vaccinations. Testecleese pointed out the historical lack of understanding of germ theory, which contributed to disease spread. They also addressed Argentina's efforts to recover a painting looted by Nazis, emphasizing the importance of historical accountability. The conversation shifted to contemporary issues, including the Biden administration's investment in electric school buses and the challenges associated with their maintenance, as well as the security measures surrounding Kamala Harris.

This week on the Mark Levin Show, critics of President Trump's executive order on American flag burning have not read it and are misrepresenting it, as the order creates no new laws or offenses. It does not run counter to the 1989 5-4 Supreme Court decision in Texas v. Johnson. Unsurprisingly, most of the media jumped the gun, and their favorite NeverTrumpers (among others) joined in the chorus, accusing the president of lawlessness, etc. Also, France's Emmanuel Macron is a disgusting quisling. He thinks it's still Vichy France, where he'd be more comfortable. Kudos to our Ambassador to France, Charles Kushner for calling out antisemitism in France. The question media pundits keep asking: what is happening to the democrat party? What happened is that the people have learned a great deal about the Democrat Party and its ideologies over the years and they don't like it. Ideas do have consequences. Educating and reading remain crucial. Unfortunately, too many people with microphones and TV cameras have forgotten about this. Scholarship, history, philosophy still matter. They have always mattered. The gunman responsible for the shooting at Annunciation Catholic Church in Minneapolis has been identified as transgender Robin Westman. Westman opened fire through the stained-glass windows during a celebratory mass, killing two children and injuring 17 others, including 14 kids. A manifesto reveals his psychotic obsession with mass shooters and includes anti-Semitic statements about "filthy Zionist Jews." It's sickening that people will inject their politics into this event. Evil and sick individuals will commit harmful acts regardless of circumstances. Former prosecutors and left-wing mayors blame society or weapons, but that blame leads nowhere. What's happening is the attack on faith. Faith is pushed out of the classroom and the public square. For a mayor to say don't talk about prayer, he's missing the point. Faith has turned a lot of people around; there can never be enough prayer. The United States is one of the most religious countries in the world. We have the freedom to practice any belief we would like, thanks to the Declaration of Independence. American society distinguishes between faith's role in personal life, community, and government, recognizing it as a moral and psychological foundation that influences behavior and promotes civility. Christianity, while the majority faith, does not seek governmental control, allowing faith and reason to coexist and enrich personal and societal development. Learn more about your ad choices. Visit podcastchoices.com/adchoices