Podcasts about Artist

Dylan, Kev & Chris build up to our game away to Spurs this weekend. JOIN OUR PATREON - patreon.com/TalkinKopPodcast Subscribe, Like, Hit the bell icon and never miss another show! ** All views on the show are those of the individual and do not represent those of the Talkin' Kop ** lfc fan channel - liverpool fan channel - liverpool fc - lfc - lfc fan reaction - liverpool fan tv - lfc fan tv - lfc fan media - liverpool match reaction - lfc live chat - liverpool live chat - anfield reaction - liverpool live podcast - lfc live podcast - liverpool news - lfc news - liverpool free content - lfc live shows - liverpool analysis - lfc matchday - liverpool matchday - liverpool transfer news - liverpool transfer updates - lfc transfer news - liverpool live - liverpool podcast Training in the Fire by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://www.twinmusicom.org/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

'The View' co-hosts question if Pres. Trump's Wednesday night address was effective as he defended the economy and touted his accomplishments. Then, as the first trailer drops for the new documentary that follows first lady Melania Trump, the co-hosts weigh in. Patti LuPone and Mandy Patinkin remember their friend, director Rob Reiner, they look back on co-starring in the original stage production of "Evita" and discuss their new murder mystery series, "The Artist." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Money and pricing your art can feel like tricky, even uncomfortable topics, but they're also some of the most powerful conversations we can have as artists. Why? Because our beliefs about money and pricing often run deep and show up in ways we don't even realize. They influence how we value our art, how we show up for it, and ultimately, how we create a practice that truly supports and sustains us.In this final roundtable episode of The Savvy Painter Podcast, I'm joined by Growth Studiomembers Merrie Koehlert, Leslie Cannon, and Beverly Woodhall. We dig into how your thoughts about money and pricing impact your relationship with your art, and we get real about the hidden mindset blocks that can hold you back. Whether it's pricing your work with confidence, valuing your time, or shifting your money beliefs, this conversation is filled with insights to help you move forward and thrive as an artist1:23 - Quick self-introductions for Merrie, Leslie, and Beverly as artists2:56 - Assumptions about money as it relates to art that the roundtable have had or heard from others8:44 - How your subconscious programming can impact the lens through which you see your art14:04 - Critical junction points in Merrie's life that reinforced her negative assumptions about selling art18:40 - How Leslie, Merrie, and Beverly view pricing their artwork and how their thoughts about pricing have changed31:09 - Getting around the drama in your head so you can learn to get comfortable with your pricing 34:55 - How each participant has internalized what “the value of the painting” means to them43:25 - The value to the art collector and why buying a piece of art because it matches other room decor shouldn't be considered an insult50:12 - Painting pieces you know people buy when you need to make more money versus painting what you really want and not selling as frequently57:11 - Thoughts around money or pricing that the participants now notice that they were oblivious to before and how Growth Studio has helped Support the showAnd hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcastI'd love to hear this episode resonated you. ❤️

Cartoonists Brad Guigar and Dave Kellett discuss the nuances of print-on-demand services. As Brad says, "It's a good place to start, but a bad place to stay." They delve into the importance of advanced planning for holiday sales. Finally, they share strategies for engaging audiences at comic conventions, covering pricing strategies and the psychology of sales, and emphasizing the importance of understanding costs and audience engagement.Today's ShowPrint on DemandHow to "Let Time Be Your Editor"Convention PricingHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysPatience is key in daily struggles.Print on demand can be a good starting point but not a long-term solution.Planning for holiday sales should start well in advance.Engaging with audiences at conventions is crucial for building a network.Clear pricing and signage can significantly boost sales at conventions.Using loss leaders can attract customers but should be carefully calculated.Understanding your costs is essential for pricing strategies.Round numbers simplify transactions and reduce friction in sales.Time away from your work can provide valuable perspective for editing.Building a strong online presence is important for comic creators. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

The Gronch plots how he will ruin the Hoo's Christmas play by stealing Baby Jesus and replacing it with an "X." #kids, #storiesforkids, #bedtimestoriesforkids, #biblelessonsforkids, #roncarriewebb, #fishbytes4kids, #christiankids, #biblestoriesforkids, #storiesforkids, #christiankids, #Christianstoriesforkids, #kidstories, #adventuresbibletruthsinaction, #christmas, #christmasstory, #jesusisoursavior, #receivejesus, #believeonjesus, #salvationthroughjesus, #podcastforkids We Wish You a Merry Christmas by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license.https://creativecommons.org/licenses/by/4.0/Artist: http://www.twinmusicom.org/ "FairyTale Waltz by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artist: http://incompetech.com/ "Dance of the Sugar Plum Fairy” by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/ "Jingle Bells 7” by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://incompetech.com/ "Canon and Variation” by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://www.twinmusicom.org/ "Deck the Halls” by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100263 Artist: http://incompetech.com/ "I Saw Three Ships” by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/ "Away In A Manger” by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/

In this episode of The Motivatarian Exchange, Dionne Woods is joined by Saskatchewan-based artist Michele Rogers, whose powerful portrait work honors Indigenous First Nations women and reflects her Métis heritage through stories of strength, memory, and generational resilience. Michele's paintings give visual voice to grandmothers, granddaughters, and female warriors—women whose lives and legacies shape cultural identity. Her work is deeply intuitive and emotionally layered, rooted in storytelling rather than surface aesthetics. Through her art, Michele explores what it means to remember, to honor, and to create from lived experience. In this conversation, Dionne and Michele explore: How cultural heritage informs creative identity Painting as a form of remembrance and resistance The responsibility and reverence of telling women's stories through portraiture Finding confidence, leadership, and voice through the creative process Encouraging others to step into creativity without fear of outcome Michele shares reflections from her journey as a lifelong entrepreneur, community artist, and educator—from large-scale window installations in her hometown to teaching paint parties designed to build confidence and curiosity. She also speaks about recent career milestones, including award-winning work, gallery exhibitions, and her participation in The Art of Becoming, a documentary series exploring the evolution of creative women. This episode is an invitation to slow down, listen deeply, and consider how art can carry history, identity, and truth—especially for women navigating creativity, leadership, and becoming at every stage of life.

If you feel like you're slogging your guts out, and things aren't improving - this episode's for you.

What was it that made Paul McCartney's bass sound so unique?  We dive into that before welcoming our amazing guest, Diallo Riddle, and talking best Beatles roommates, a lot of Pee Wee's Big Adventure, the strange creepiness of The Magical Mystery Tour Cover, and the sped up b-side Rain.  Is it the best Beatles cover?  Where does it land on our big old list?  Listen in to find out.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Diallo Riddle (@diallo)Executive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

Episode 513 ~ December 18, 2025 Podcast Info / Topics Archaeologists have shed some new light on the Hjortspring boat. A large 2,400 year old canoe that was dug up 100 years ago An artist was killed while out kayaking. Was it an accident or something from a real life spy movie? There are a […]

Episode 513 ~ December 18, 2025 Podcast Info / Topics Archaeologists have shed some new light on the Hjortspring boat. A large 2,400 year old canoe that was dug up 100 years ago An artist was killed while out kayaking. Was it an accident or something from a real life spy movie? There are a […]

For those of you who are new to the podcast, and for those of you who've been listening for a while, thank you for being here. As we reach the edge of the festive season, I wanted to offer you something special. A small gift to carry into the new year. A mini-series on hosting your own events as an artist. Not because the world is begging you to. Not because someone has given you the green light. But because your practice deserves oxygen. Visibility. Conversation. Agency. And because too many artists are waiting for someone else to make the first move. If you've worked with me, you'll know I'm a firm believer in not waiting for permission. And I've seen too many artists twist themselves into knots wondering whether it's worth doing something self-initiated. Whether it looks desperate. Whether it's allowed. Whether someone else might quietly judge them. Whether it's pointless unless it's blessed by an institution. But in reality, artists at every stage host their own events. The big names do it with teams and budgets. The early career artists do it with hustle, charm and borrowed gear. Everyone else sits somewhere in the middle. Today's episode is all about the foundation. The why and the what. Why host your own event. What to show. What you're trying to learn. What you're trying to provoke. What you're building toward. -- Most artists are guessing their way through and staying stuck far longer than they need to. Inside Ceri Hand´s Coaching Membership, you get straight answers and real support through live sessions, portfolio reviews, virtual studio visits, monthly art world experts and community to help you cut through fast. Ceri covers everything. Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/ KEY TAKEAWAYS Start planning ideally, six months out, at minimum. Why six months? - because momentum in the art world drips rather than gushes. Every decision you make when building your event must flow from a high level of clarity. Otherwise, the event becomes a blur. Too much labour, not enough purpose. Too many hopes, not enough design. When you're clear on why you're holding your event, you're not just “putting on something,” you're designing an experience that has a job to do. BEST MOMENTS “I've seen too many artists twist themselves into knots, wondering whether it's worth doing something self-initiated.” “The three-month window is your sweet spot. Enough time for people to make space in their diaries, but not so far in advance that they forget.” “Both events are small, both events are intentional, and both events are entirely designed around their aims.” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

I heard this quote recently ("everyone is an artist until rent is due") and it got me thinking... Is this true? Are we all just purebred artists at our core? Do we default to creating beautiful art when we are NOT in need, and NOT stressed, and NOT short on time? And if so, how do we unlock those things? What does this say about us as a species? Press play to hear my answers to these questions. ;) ⭐️Nathan's Signature Coaching Program:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE BUSINESS BLUEPRINT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⭐️Questions about the Business Blueprint? Email info@nathanchanski.co to chat with Nathan directly.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The Art of Keeping Things Separate This topic comes up more than people admit. Usually in a whisper. Or an email that starts with, "This might be a weird question…" It's not weird. It's just complicated. A lot of actors are working in NSFW or spicy spaces. Erotica audiobooks. Adult games. ASMR. OnlyFans. Patreon. Sensual storytelling. And at the same time, they're booking e-learning, commercials, family-friendly narration, children's content. The work itself isn't the problem. The overlap is. So I want to talk about how to keep those worlds separate in a way that's professional, grounded, and sane. Not from a morality angle. From a business one. Why This Feels So Loaded Most of the discomfort doesn't come from the work. It comes from fear. Fear of being judged. Fear of being misunderstood. Fear that one client will see something they weren't meant to see and make a snap decision about you. And honestly? That fear isn't irrational. Algorithms don't understand nuance. Brand managers don't scroll thoughtfully. Google definitely doesn't care about context. So when people ask, "Should I be hiding this?" what they're really asking is, "How do I protect my career without betraying myself?" That's the real question. What Separation Actually Is Separating your spicy work is not about shame. It's about clarity. You're not hiding your art. You're organizing it. Just like authors use different names for different genres, actors can use separate identities for separate audiences. A pseudonym. A distinct brand. A different website, email, and social presence. Both are real. Both are you. They just serve different people. When everything lives in one place, clients get confused. And confused clients don't book. Clear clients do. The Practical Line in the Sand A few things matter more than people realize. Separate branding. Different headshots, colors, fonts, tone. If one side of your work says PBS and the other says sultry midnight headphones, they should not look related. Separate metadata. File names, tags, credits. This is where people accidentally connect dots they never meant to connect. Separate systems. Emails. Phone numbers. Invoicing if you can. Boundaries get easier when logistics support them. None of this makes you secretive. It makes you intentional. When the Worlds Almost Touch This is the moment that spikes everyone's nervous system. Someone recognizes your voice. A link gets shared accidentally. A client stumbles across something unexpected. Here's the rule. Don't panic. If you're comfortable acknowledging it, a simple line works: "I work in multiple genres under different names to keep my projects organized." That's it. No explanation tour. No justification. You're allowed to run your business like a business. And if you're not comfortable bridging those worlds, quiet consistency does the work for you. No cross-linking. No wink-wink posts. No mixing lanes just this once. Something We Don't Talk About Enough Adult performance work can take real emotional energy. Just like screaming in video games. Just like intense drama. Just like anything that asks your nervous system to open. So recovery matters. Boundaries matter. Choice matters. Doing one kind of spicy work does not obligate you to do all of it. Your comfort line is allowed to move, but it's also allowed to exist. Take care of the system holding all of this. One artist. One body. One brain. A Thought I'm Sitting With People assume separation means being two different people. I don't see it that way. I see one whole artist with range and boundaries. Different lighting. Different outfits. Same integrity. The goal isn't secrecy. It's sovereignty. You decide who sees what, where, and when. That's not avoidance. That's professionalism. If you want to train your voiceover craft in a grounded, professional space, Voiceover Gyms is where we do that. Learn more about the classes here: https://www.actingbusinessbootcamp.com/actor-training-program You can always reach me at mandy@actingbusinessbootcamp.com , and if Voiceover Gyms feels like the next right step, keep an eye on your inbox. I'll let you know when doors are open.

If your to-do list feels never-ending and you struggle to get everything done, you are far from alone and this one's for you!

Musician and artist Kev G Mor joins us to discuss his experience of psychosis, his daily support strategies, and the pros and cons of having a hundred-pound pit bull terrier for emotional support. Kev is a suicide survivor who grew up with early childhood trauma and has experienced homelessness as a teen, is a single father, and is now again in recovery. His work is about showing what staying well looks like on hard days and keeping it practical for people who live with psychosis. *** Thank you for being with us to listen to the podcast and read our articles this year. MIA is funded entirely by reader donations. If you value MIA, please help us continue to survive and grow. https://www.madinamerica.com/donate/ To find the Mad in America podcast on your preferred podcast player, click here: https://pod.link/1212789850 © Mad in America 2025. Produced by James Moore https://www.jmaudio.org

This week, Taylor, Sandy, Doug Jordan and Taddea Richard discuss an orchestrated attack on Christmas, Josh Hutcherson's taste of failure, the first glimpse of Charlie Kirk's alleged assassin, a pureed Ex-Miss Switzerland and much, much more! Thirty Days of Christmas continues with an all new edition of Our Week's: Ans Carol Of The Bells by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/

What does a piano recital have to do with war, faith, and forgiveness?In this episode of The Piano Pod, pianist and educator Anli Lin Tong shares the story behind Bells of Nagasaki: Music for Contemplation—a profoundly moving concert created for the 80th anniversary of the atomic bombing of Nagasaki.What began as a single song her father used to sing—The Bells of Nagasaki—became a powerful act of remembrance, shaped by the legacy of Dr. Takashi Nagai, a survivor who transformed unimaginable loss into a life devoted to peace.This conversation moves beyond repertoire and performance into questions rarely asked in classical music:• What responsibility does an artist carry when history is still unresolved? • How does sound hold memory when words fail?From the history of Urakami Cathedral's bells, silenced for decades, to Anli's own journey—moving to the U.S. alone as a child, studying with legendary teachers, and carrying artistic lineage forward—this episode reveals how music can become a moral witness.It's a conversation about remembrance, responsibility, and the quiet power of sound to hold history—and humanity—together.Learn More About Anli Lin Tong

This week we get to meet an aspiring game developer, writer and cartoonist, Mega Nerd Greg Diggs! .  We learn more about how how easy it is to get your projects into stores, art events, and the most Dank-tastic Burger.  Where would you like to be found on the internet?IG: @gregdiggs_comicsThreads: @gregdiggs_comics2:36 When did you know you wanted to get into comics?Created for the kids6:08 What do you wish you had known when you had started out?Ease to get into store11:27 What's your go-to order at your favorite hometown restaurant?Dank-tastic Burger15:37 What are you curious about?Animation18:31 What should I ask you that I didn't know enough to ask?Art Events23:42 If you could create a new holiday what would it commemorate?Creators of all kinds26:26 Why Create?Outlet Needed

PLEDGE DRIVE 2025 - all new subscribers to the Musicality tier on Patreon will get a Not A Diving Club t-shirt in your size of choice, delivered to your door completely free of charge!Full details.Music Not Diving is supported by Acid Nation (formerly AC55ID)... head over to www.acidnation.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!--Watch the video episodes of Music Not Diving over at youtube.com/@WeNotDivingKazim is an artist manager whose clients include Nightmares On Wax, and also the chief creative and brand officer at RA.We discuss the mechanics of creative campaigns for new and legacy artists, the challenge of breaking new music, and the different obstacles in the way of older acts. We also discuss the music media landscape and the role of media in today's industry.This is a rare chance to get the inside track on artist management and big music media platforms... get involved!Music discussed in the episode…https://jitwam.bandcamp.comhttps://anaiis.bandcamp.comhttps://saultglobal.bandcamp.comhttps://nightmaresonwax.bandcamp.com00:00 Brought to you by Acid Nation02:13 Episode start04:52 Artist management vs. media platforms07:55 Death of middle class in music11:35 Successful artists can't tour14:39 Everyone's a DJ Now17:38 Can albums still take years to break through?21:08 Great music always shines through24:04 100,000 songs a day27:09 Going viral is the wrong goal30:46 Success without social media33:14 Word of mouth over algorithms35:30 It's always been a slog39:00 Maintaining a legacy of an artist45:00 Power in the catalogue55:00 Working for Warp Records01:01:35 Fans vs. listeners01:03:20 Chasing the algorithm is not the way01:04:50 Working at RA01:12:08 The state of Berlin--If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist Hosted on Acast. See acast.com/privacy for more information.

It's another Christmas edition of the After Party featuring the one and only Freddy! As he comes on shares his horny story, tells us who broke his heart and how he became a horny boy/party boy in El Paso. Plus Voo lines up some questions so we can roundtable! Follow us on social media @AaronScenesAfterParty

Recorded by Aliki Barnstone for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 17, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

In this episode, Creative Guts hosts Becky Barsi and Joe Acone are joined by Kyle Wood, the inventive art educator and creator behind the Who ARTed and Fun Facts Daily podcasts. Throughout our interview, Kyle shares his passion for demystifying art history, engaging students with creative media, and making art accessible and fun for all ages. The conversation spans his journey into podcasting as an educational tool, favorite materials and makers, and how he cultivates creativity for kids and teachers alike. To learn more about Kyle, check out the links below:WhoArtEd on InstagramKyle Wood on YouTubeWho ArtEd WebsiteListen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

Executive function is the brain's management system – helping us plan, organize, manage emotions, and adapt to change. But for neurodivergent youth, these skills develop differently. In this episode, psychologist Dr. Mayra Quezada, PsyD and Rosinel Ermio, MS break down what executive function really means.Learn to recognize the difference between defiance and genuine executive function struggles, discover practical strategies for supporting youth, and understand when to seek professional help. Our experts share insights on time management challenges, task initiation difficulties, and the role technology can play in building independence. Whether it's struggling with homework completion, keeping track of schedules, or adapting to routine changes, this episode offers compassionate, actionable guidance. Discover how to balance scaffolding with independence as your youth prepares for adulthood, and learn to celebrate progress, no matter how small.Resources:CHC OnlineCHC's Catherine T. Harvey Center for Clinical ServicesCHC's Resource LibrarySign up for our Virtual Village email list to receive our latest episodes and recent CHC updates. Visit Voices of Compassion online for full show notes including additional resources. Find us on Facebook, Twitter, Instagram and LinkedIn and visit our YouTube channel for videos. Subscribe and leave us a review wherever you listen! We love to hear from you - email us at podcast@chconline.org.Santo Rico by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://www.twinmusicom.org/

Do You Still Love Me is a classic rock music podcast. Original music. No remixes. Great old classics. Please give this a listen. Artist names and song titles are in order of play... FLEETWOOD MAC-GYPSY (1982), BAD COMPANY-FEEL LIKE MAKING LOVE (1975), LED ZEPPELIN-GOOD TIMES BAD TIMES (1969), THE DOOBIE BROTHERS-LONG TRAIN RUNNIN' (1973), JETHRO TULL-AQUALUNG (1971), VAN HALEN-I'LL WAIT (1984), FLEETWOOD MAC-RHIANNON (1975), BAD COMPANY-SHOOTING STAR (1975), CROSBY, STILLS, NASH & YOUNG-CARRY ON (1970), THE DOOBIE BROTHERS-MIDNIGHT LADY(1973), LED ZEPPELIN-I CAN'T QUIT YOU BABY (1969), VAN HALEN-DROP DEAD LEGS (1984, VAN HALEN-JAMIE'S CRYIN' (1978), JETHRO TULL-CROSS EYED MARY (1971), FLEETWOOD MAC-SAY YOU LOVE ME (1975), NEIL YOUNG & CRAZY HORSE-SOUTHERN MAN (1970), THE DOOBIE BROTHERS-CHINA GROVE (1973), LED ZEPPELIN-HOW MANY MORE TIMES (1969), VAN HALEN-ICE CREAM MAN (1976), VAN HALEN-HOT FOR TEACHER (1984), JETHRO TULL-LOCOMOTIVE BREATH (1971), BAD COMPANY-GOOD LOVIN' GONE BAD (1975). End. Thanks for listening to Ken Steele Music.

Should you use anger to fuel your writing? Do you experience shame while creating art? Have you been keeping up with your artist pages?Week 3 of Julia Cameron's The Artist's Way poses these questions with clear answers in mind—but we're not convinced. In this episode, we dig into what happens when a wildly successful writing craft book conflicts with your actual creative process, and what's still valuable even when you fundamentally disagree.Remember, we have a Writers Process meetup every Wednesday. Check us out.

Five songs. Three countries. Zero dull moments. We kick off with Japan's Six Lounge, a trio that proves rock's heartbeat is still loud and live. The track is all lift and launch: punchy drums, humming bass, and guitar flashes that nod to classic grit while sounding clean and current. It's the kind of sound that drags you into motion—head, hands, and maybe an air guitar solo.Then we slide into a velvet lane with China's Tia Ray and Heart Shaped Hole. A Spanish-tinged guitar loop meets soft R&B swing while her vocal ties it together with poise and bite. The imagery is intimate and memorable, turning a love song into a promise to do it right and do it slow. It's the kind of hook that lingers long after the fade.Alamat's Sinigang, named after the beloved Filipino sour-and-savory soup, is comfort rendered in sound. Minimal percussion, delicate keys, and harmonies that bloom like steam from a bowl. Produced by member Alas, the arrangement leaves room for voices to intertwine, capturing the sweet-and-sour ache of longing and the warmth of being held by a melody you trust.We shift gears with Tomohisa Yamashita's The Artist, a pop-rock cut built on a relentless cadence—a tattoo in rhythm and permanence. Smooth vocals ride a gritty bed as Yamapi frames the artist-fan bond as both fuel and vow: I'll be strong for you, can you see me? It's precise, propulsive, and unashamedly direct.To close, a hypercharged collision: Mori Calliope x Kenty's Gold Unbalance. Sparse spark, then blast-off—new metal edges, EDM swells, even a jazzy flicker—plus two rap breaks that snap without stepping on each other. Her fierce attack and his grounded glide lock back to back, no matter what.If you love discovering global music that actually flows as a playlist—rock that roars, R&B that soothes, pop that pulses, and a collab that rockets—this one's for you. SIX LOUNGE: Instagram X YouTube Rock and RollTia Ray: Instagram X Heart Shaped HoleAlamat: Instagram X YouTube SinigangTomohisa Yamashita: Instagram X YouTube The ArtistMori Calliope: X YouTube Gold Unbalance (with KENTY)Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

This 28-day Advent devotional weaves together Scripture, reflection, prayer, and Neilson's signature angel artwork to help readers experience the true meaning of Christmas. With weekly themes of hope, love, joy, and peace, Neilson invites readers to slow down and prepare their hearts for the birth of Jesus—especially in a season often filled with pressure, comparison, and exhaustion.Through honest storytelling, she reflects on the tension many women feel: the desire to create meaningful traditions while feeling overwhelmed, underprepared, or spiritually dry. Christmas Angels becomes a gentle guide—a reminder that Jesus is the real gift, and He meets us in our mess, our weariness, and our longing. Neilson's angel paintings—already beloved—add a layer of sacred beauty and wonder to the experience. Readers will also explore Old Testament prophecies, the nativity narratives, and heartfelt prayers that encourage a deeper connection with God during the holiday season.Anne Neilson is well known for her ethereal Angel Series, which are inspiring reflections of her faith and recognized for their stunning use of color. In response to demand for more access to her acclaimed Angel paintings, Neilson published two coffee table books and launched Anne Neilson Home, a growing collection of luxury home products. Neilson also owns Anne Neilson Fine Art, a gallery located in Charlotte, North Carolina. Representing more than 50 talented artists from across the world, the gallery is dedicated to being a lighthouse in Charlotte and beyond, illuminating the work of emerging and established artists. As a wife, mother of four, artist, author, and philanthropist, Anne paints and creates with passion and purpose, always giving back to others by contributing to local and national charitable organizations.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Get a FREE Posing eBook from The Portrait System here: https://the-portrait-system.lpages.co/podcast-pose-funnel/Today, we have a very special re-release of the Portrait System Podcast! In this episode, host Nikki Closser interviews photographer/author/activist and body image expert Teri Hofford, who tells us about how she managed to expand her brand with body positivity. Listen in as Teri shares the ups and downs of her journey, how her own relation to body image has changed through the years, and how she now spreads body positivity to people around the world. If you're looking for an uplifting and inspiring conversation, then this podcast episode is for you!PODCAST LISTENER SPECIAL!! If you want to get started with the Portrait System, get a special discount using code “POD7” to get one month access for just $7 here https://theportraitsystem.com/pricing/IG https://www.instagram.com/theportraitsystem/YouTube https://www.youtube.com/c/theportraitsystemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Show Notes: https://wetflyswing.com/855B Duane Hada joins Chad Johnson for a thoughtful conversation on what actually creates trophy trout fisheries—and why stocking alone isn't the answer. Duane breaks down the importance of catch-and-release regulations, managing pressure, and letting fish live long enough to reach their full potential. Drawing from rivers like the White River and the San Juan, he explains how conservation-first thinking shapes not only fish size, but the long-term health of entire fisheries. Beyond fishing, Duane opens up about his life as an artist and how creativity, patience, and observation carry over from the studio to the river. He talks about seeing fisheries as living "gardens," the influence of Dave Whitlock on both his conservation mindset and artistic outlook, and why mentorship—on the water and off—matters just as much as catching fish. This episode is about legacy, restraint, and approaching both art and angling with intention. Show Notes: https://wetflyswing.com/855B

Let me see the coolest thing you have in your shop/mancave  Is it as cool as a custom painted vintage Refrigerator from Cody Wessels?

http://www.grantdvenerablephd.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

In our heads, I think most of us create this fantasy where everyone gets everything they want to do done, apart from us. So today I want to remind you that you're not alone.

In this refreshingly honest episode, Stacie is joined by fine artist Vanessa Piche (pronounced "cliché") for a raw conversation about what it feels like to start over again. Vanessa opens up about her unexpected move from a thriving art career in Rhode Island to rural Indiana, and the challenges of rebuilding her audience from scratch in an increasingly unpredictable online landscape. Together, Stacie and Vanessa reflect on what's not working anymore in creative business. This episode is a candid exploration of transition, vulnerability, and resilience. If you've been feeling lost or like you're shouting into the digital void, this conversation is for you. Today on Art + Audience: Vanessa's Journey: From art markets and a brick-and-mortar shop in Rhode Island to life on a farm in Indiana with chickens, horses, and a whole new creative landscape. Starting Over: What it really feels like to lose a built-in audience and begin again from zero, and why Vanessa isn't giving up. The Online Shift: A candid look at why platforms like Instagram aren't working the way they used to, and how creators are scrambling to find what will work. TikTok and Trust: The only place where Stacie and Vanessa are seeing any real organic growth, and how they're experimenting with it. Return to In-Person: How in-person events might be the next pivot, and why some of the most meaningful connections (and repeat buyers) still happen face-to-face. Connect with Vanessa Piche: Website: vanessapiche.com Instagram: @vanessapiche Connect with Stacie Bloomfield: Subscribe, Rate, and Review: Art + Audience Podcast Website: staciebloomfield.com | leverageyourart.com Instagram: @gingiber | @leverageyourart  Facebook: @ShopGingiber Pinterest: pinterest.com/gingiber Got questions? Call the Art + Audience Podcast hotline: (479) 966-9561 Get Stacie's book: The Artist's Side Hustle  

In this week's episode of I'm Fine, It's Fine, Comedian Amber Autry and Trauma Therapist Melanie Reese sit down with Comedian Tamar Rubin for a honest, hilarious deep dive into the messy stuff we ALL deal with but rarely talk about. We cover ADHD medication, what happens when you get way too close to your therapist, navigating OCD spirals, and why “the tortured artist” narrative is total BS.Tamar gets real about what happens on stage when you haven't dealt with your personal life, Melanie helps guide on how to handle people being mad at you, and the group discusses why comedy hits different when you're actually taking care of yourself. Expect raw truth, big laughs, and a ton of relatable moments for anyone juggling mental health, creativity, and being a human.Perfect for fans searching for: ADHD podcast, OCD conversations, therapy boundaries, stand-up comedy struggles, women in comedy, mental health and humor, creative burnout, healing while performing, and comedians being real.Listen, laugh, and maybe avoid texting your therapist after hours. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit imfineitsfine.substack.com/subscribe

We're wishing stoners young and old out there a joyous Season's Greetings with our BONKERS HOLIDAZE SPECIAL. Philena still hasn't seen WICKED: FOR GOOD but we got more than enough witches and weirdness for her with THE WONDERFUL WIZARD OF OZ from 1910, a silent wonder which condenses Dorothy's entire journey into just 13 baffling minutes! What this early (but not first) version of THE WIZARD OF OZ lacks in coherence, it more than makes up for with stoniness. Glinda turns Toto into a strange dog-beast, and the flying monkeys are replaced with a bat-winged frog nightmare! We not only tell you what to smoke with this one but also what to put on your playlist while you enjoy the confusion. THE WONDERFUL WIZARD OF OZ is public domain so it's streaming on YouTube, Archive and even TikTok! And speaking of barely coherent, our main feature is SANTA CLAUS, a brain-melting oddity from Mexico in 1959 where Santa Claus and Merlin must stop a pantaloons-clad Devil from wrecking Christmas. If you put this fantasia on at your family holiday gathering instead of LOVE ACTUALLY or whatever the normies watch this time of year, grandma will feel like she's stoned even if she doesn't have a medical marijuana prescription. This psychiatric experiment was directed by René Cardona, who later gave us such gruesome classics as NIGHT OF THE BLOODY APES (1969) and the cannibalism epic SURVIVE! (1976). Another public domain gem, so it's streaming everywhere but the print that's on Tubi is the best. We suggest watching with a crowd, but if the male loneliness epidemic has you down, here's the MYSTERY SCIENCE THEATER 3000 episode that Cory watched: https://www.youtube.com/watch?v=nTWs3zvz1z4 We also talk about the Netflix merger with Warner Bros (but recorded it before the Ellisons got involved), the short-lived CASABLANCA TV series from the 80s, Greg watching BATTLE BEYOND THE STARS (1980) on his new mammoth 4K TV and ZOOTOPIA 2. Happy New Year's everybody and see you back in February 2026! Hosts: Bob Calhoun, Cory Sklar, Greg Franklin, and Philena Franklin OMFYS Theme and "How to Hanukkah" by Chaki the Funk Wizard, used with permission. Joy To The World by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/ Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/ Auld Lang Syne by E's Jammy Jams courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

What is it like to be Jewish right now? That is the question that is pondered in a new art exhibit opening this week in Berlin. Artist and curator Yuri Kharchenko brings together the works of five artists, including “Maus” cartoonist Art Spiegelman, in a show entitled: “Bad/Good Jews” for a provocative exhibit amid a world of rising antisemitism and anti-Israeli sentiment. Reporter Arieh O’Sullivan spoke with Yuri Kharchenko about the show. (photo: courtesy) See omnystudio.com/listener for privacy information.

KUTX’s Artist of the Month program is powered by PNC Bank. Texas band Chaparelle harkens back to a golden era of country with modern lyrics. What started as a mind-meld between Zella Day and Jesse Woods in 2023 not only evolved into a match on its way towards matrimony, but also into a trio, originally working with […] The post Chaparelle: “Devil’s Music” [Live In Studio 1A] appeared first on KUT & KUTX Studios -- Podcasts.

After 30 years of spectacular designs for the World of Wearable Arts, one of New Zealand's most prolific illustrators, creators, designers and writers, Fifi Colston, is taking a break. 

Justin and Eric are joined by artist Tim Lattie, who has worked on such series as Masters of the Universe, Gi Joe, She Ra, Ghostbusters, Plants vs Zombies, as well as the TMNT Saturday Morning Adventures and the Shredder's Revenge Video Game. We are discussing his art, love of all toys vintage and new and some of his creator owned series The Candlestick Club and Time Kids.Tim is a deep lover of all these beloved franchises, and we talk everything from TMNT toys to the Monster Squad!Follow Tim on Instagram @teamlattie and check out his website at Lattieink.com.A Spicy Pizza recipe with Tortilla Pizzas with Chorizo for Pizza Time!Check out our Sponsors Deadly Grounds coffee @getdeadly.com

Andrew Pollard is one of those kids that grew up at Alta and had the mountain as his babysitter/playground.  And while it took Andrew a little longer to become a name in the ski industry--compared to his pro skier friends and classmates, Andrew eventually made it to the top.  But what's different and cool about Andrew's story is that he's not just a skier; he's also, an artist, a DJ, freeride coach, and in the podcast, he has no filter.  All of this makes for a fun episode and Andrew's little sister Jackie asks the Inappropriate Questions. Andrew Pollard Show Notes: 4:00: 100 Hours from Home, Mongolia, no Skimo for Apo, reeling it in, family story, Alta crew, and exit strategy advice from Greg Harms   21:00: Ski Idaho: With 19 mountains, a ton of snow and no lift lines, why wouldn't you Visit Idaho Stanley:  The brand that invented the category! Only the best for Powell Movement listeners.  Check out Stanley1913.com   Best Day Brewing:  All of the flavor of your favorite IPA or Kolsch, without the alcohol, the calories or sugar. 24:00: His thoughts on FIS putting Freeride in the Olympics, TGR, Sage, the influence of Seth Morrison, and hating self-promotion     40:30: Elan Skis:  Over 75 years of innovation that makes you better. Thermic Heated Socks:  If you have cold feet, there's nothing better than thermic Outdoor Research: Click here for 25% off Outdoor Research products (not valid on sale items or pro products) 43:00: Broke Americans on the FWT, money, and skiing with strategy   50:00: Inappropriate Questions with Jackie Pollard

How can you be more relaxed about your writing process? What are some specific ways to take the pressure off your art and help you enjoy the creative journey? With Joanna Penn and Mark Leslie Lefebvre. In the intro, Spotify 2025 audiobook trends; Audible + BookTok; NonFiction Authors Guide to SubStack; OpenAI and Disney agreement on Sora; India AI licensing; Business for Authors January webinars; Mark and Jo over the years Mark Leslie LeFebvre is the author of horror and paranormal fiction, as well as nonfiction books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. Mark and Jo co-wrote The Relaxed Author in 2021. You can listen to us talk about the process here. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why the ‘relaxed' author Write what you love Write at your own pace Write in a series (if you want to) Schedule time to fill the creative well and for rest and relaxation Improve your writing process — but only if it fits with your lifestyle You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. You can find Mark Leslie Lefebvre and his books and podcast at Stark Reflections.ca Why the ‘relaxed' author? Joanna: The definition of relaxed is “free from tension and anxiety,” from the Latin laxus, meaning loose, and to be honest, I am not a relaxed or laid-back person in the broader sense. Back in my teens, my nickname at school was Highly Stressed. I'm a Type A personality, driven by deadlines and achieving goals. I love to work and I burned out multiple times in my previous career as an IT consultant. If we go away on a trip, I pack the schedule with back-to-back cultural things like museums and art galleries to help my book research. Or we go on adventure holidays with a clear goal, like cycling down the South-West coast of India. I can't even go for a long walk without training for another ultra-marathon! So I am not a relaxed person — but I am a relaxed author. If I wanted to spend most of my time doing something that made me miserable, I would go back to my old day job in consulting. I was paid well and worked fewer hours overall. But I measure my life by what I create, and if I am not working on a creative project, I am not able to truly relax in my downtime. There are always more things I want to learn and write about, always more stories to be told and knowledge to share. I don't want to kill my writing life by over-stressing or burning out as an author. I write what I love and follow my Muse into projects that feel right. I know how to publish and market books well enough to reach readers and make some money. I have many different income streams through my books, podcast and website. Of course, I still have my creative and business challenges as well as mindset issues, just like any writer. That never goes away. But after a decade as a full-time author entrepreneur, I have a mature creative business and I've relaxed into the way I do things. I love to write, but I also want a full and happy, healthy life. I'm still learning and improving as the industry shifts — and I change, too. I still have ambitious creative and financial goals, but I am going about them in a more relaxed way and in this book, I'll share some of my experiences and tips in the hope that you can discover your relaxed path, too. Mark: One of the most fundamental things you can do in your writing life is look at how you want to spend your time. I think back to the concept of: ‘You're often a reflection of the people you spend the most time with.' Therefore, typically, your best friend, or perhaps your partner, is often a person you love spending time with. Because there's something inherently special about spending time with this person who resonates in a meaningful way, and you feel more yourself because you're with them. In many ways, writing, or the path that you are on as a writer, is almost like being on a journey with an invisible partner. You are you. But you are also the writer you. And there's the two of you traveling down the road of life together. And so that same question arises. What kind of writer-self do you want to spend all your time with? Do you want to spend all your time with a partner that is constantly stressed out or constantly trying to reach deadlines based on somebody else's prescription of what success is? Or would you rather spend time with a partner who pauses to take a contemplative look at your own life, your own comfort, your own passion and the things that you are willing to commit to? Someone who allows that all to happen in a way that feels natural and comfortable to you. I'm a fan of the latter, of course, because then you can focus on the things you're passionate about and the things you're hopeful about rather than the things you're fearful about and those that bring anxiety and stress into your life. To me, that's part of being a relaxed author. That underlying acceptance before you start to plan things out. If the writing life is a marathon, not a sprint, then pacing, not rushing, may be the key. We have both seen burnout in the author community. People who have pushed themselves too hard and just couldn't keep up with the impossible pace they set for themselves. At times, indie authors would wear that stress, that anxiety, that rush to produce more and more, as a badge of honor. It's fine to be proud of the hard work that you do. It's fine to be proud of pushing yourself to always do better, and be better. But when you push too far — beyond your limits — you can ultimately do yourself more harm than good. Everyone has their own unique pace—something that they are comfortable with—and one key is to experiment until you find that pace, and you can settle in for the long run. There's no looking over your shoulder at the other writers. There's no panicking about the ones outpacing you. You're in this with yourself. And, of course, with those readers who are anticipating those clearly communicated milestones of your releases. I think that what we both want for authors is to see them reaching those milestones at their own paces, in their own comfort, delighting in the fact their readers are there cheering them on. Because we'll be silently cheering them along as well, knowing that they've set a pace, making relaxed author lifestyle choices, that will benefit them in the long run. “I'm glad you're writing this book. I know I'm not the only author who wants peace, moments of joy, and to enjoy the journey. Indie publishing is a luxury that I remember not having, I don't want to lose my sense of gratitude.” —Anonymous author from our survey Write what you love Joanna: The pandemic has taught us that life really is short. Memento mori — remember, you will die. What is the point of spending precious time writing books you don't want to write? If we only have a limited amount of time and only have a limited number of books that we can write in a lifetime, then we need to choose to write the books that we love. If I wanted a job doing something I don't enjoy, then I would have remained in my stressful old career as an IT consultant — when I certainly wasn't relaxed! Taking that further, if you try to write things you don't love, then you're going to have to read what you don't love as well, which will take more time. I love writing thrillers because that's what I love to read. Back when I was miserable in my day job, I would go to the bookstore at lunchtime and buy thrillers. I would read them on the train to and from work and during the lunch break. Anything for a few minutes of escape. That's the same feeling I try to give my readers now. I know the genre inside and out. If I had to write something else, I would have to read and learn that other genre and spend time doing things I don't love. In fact, I don't even know how you can read things you don't enjoy. I only give books a few pages and if they don't resonate, I stop reading. Life really is too short. You also need to run your own race and travel your own journey. If you try to write in a genre you are not immersed in, you will always be looking sideways at what other authors are doing, and that can cause comparisonitis — when you compare yourself to others, most often in an unfavorable way. Definitely not relaxing! Writing something you love has many intrinsic rewards other than sales. Writing is a career for many of us, but it's a passion first, and you don't want to feel like you've wasted your time on words you don't care about. “Write what you know” is terrible advice for a long-term career as at some point, you will run out of what you know. It should be “write what you want to learn about.” When I want to learn about a topic, I write a book on it because that feeds my curiosity and I love book research, it's how I enjoy spending my time, especially when I travel, which is also part of how I relax. If you write what you love and make it part of your lifestyle, you will be a far more relaxed author. Mark: It's common that writers are drawn into storytelling from some combination of passion, curiosity, and unrelenting interest. We probably read or saw something that inspired us, and we wanted to express those ideas or the resulting perspectives that percolated in our hearts and minds. Or we read something and thought, “Wow, I could do this; but I would have come at it differently or I would approach the situation or subject matter with my own flair.” So, we get into writing with passion and desire for storytelling. And then sometimes along the way, we recognize the critical value of having to become an entrepreneur, to understand the business of writing and publishing. And part of understanding that aspect of being an author is writing to market, and understanding shifts and trends in the industry, and adjusting to those ebbs and flows of the tide. But sometimes, we lose sight of the passion that drew us to writing in the first place. And so, writing the things that you love can be a beacon to keep you on course. I love the concept of “Do something that you love, and you'll never work a day in your life.” And that's true in some regard because I've always felt that way for almost my entire adult life. I've been very lucky. But at the same time, I work extremely hard at what I love. Some days are harder than others, and some things are really difficult, frustrating and challenging; but at the end of the day, I have the feeling of satisfaction that I spent my time doing something I believe in. I've been a bookseller my entire life even though I don't sell books in brick-and-mortar bookstores anymore—that act of physically putting books in people's hands. But to this day, what I do is virtually putting books in people's hands, both as an author and as an industry representative who is passionate about the book business. I was drawn to that world via my passion for writing. And that's what continues to compel me forward. I tried to leave the corporate world to write full time in 2018 but realized there was an intrinsic satisfaction to working in that realm, to embracing and sharing my insights and knowledge from that arena to help other writers. And I couldn't give that up. For me, the whole core, the whole essence of why I get up in the morning has to do with storytelling, creative inspiration, and wanting to inspire and inform other people to be the best that they can be in the business of writing and publishing. And that's what keeps me going when the days are hard. Passion as the inspiration to keep going There are always going to be days that aren't easy. There will be unexpected barriers that hit you as a writer. You'll face that mid-novel slump or realize that you have to scrap an entire scene or even plotline, and feel like going back and re-starting is just too much. You might find the research required to be overwhelming or too difficult. There'll be days when the words don't flow, or the inspiration that initially struck you seems to have abandoned you for greener pastures. Whatever it is, some unexpected frustration can create what can appear to be an insurmountable block. And, when that happens, if it's a project you don't love, you're more likely to let those barriers get in your way and stop you. But if it's a project that you're passionate about, and you're writing what you love, that alone can be what greases the wheels and helps reduce that friction to keep you going. At the end of the day, writing what you love can be a honing, grounding, and centering beacon that allows you to want to wake up in the morning and enjoy the process as much as possible even when the hard work comes along. “For me, relaxation comes from writing what I know and love and trusting the emergent process. As a discovery writer, I experience great joy when the story, characters and dialogue simply emerge in their own time and their own way. It feels wonderful.” — Valerie Andrews “Writing makes me a relaxed author. Just getting lost in a story of my own creation, discovering new places and learning what makes my characters tick is the best way I know of relaxing. Even the tricky parts, when I have no idea where I am going next, have a special kind of charm.” – Imogen Clark Write at your own pace Mark: Writing at your own pace will help you be a more relaxed author because you're not stressing out by trying to keep up with someone else. Of course, we all struggle with comparing ourselves to others. Take a quick look around and you can always find someone who has written more books than you. Nora Roberts, traditionally published author, writes a book a month. Lindsey Buroker, fantasy indie author, writes a book a month of over 100,000 words. If you compare yourself to someone else and you try to write at their pace, that is not going to be your relaxed schedule. On the other hand, if you compare yourself to Donna Tartt, who writes one book every decade, you might feel like some speed-demon crushing that word count and mastering rapid release. Looking at what others are doing could result in you thinking you're really slow or you could think that you're super-fast. What does that kind of comparison actually get you? I remember going to see a talk by Canadian literary author Farley Mowat when I was a young budding writer. I'll never forget one thing he said from that stage: “Any book that takes you less than four years to write is not a real book.” Young teenage Mark was devastated, hurt and disappointed to hear him say that because my favorite author at the time, Piers Anthony, was writing and publishing two to three novels a year. I loved his stuff, and his fantasy and science fiction had been an important inspiration in my writing at that time. (The personal notes I add to the end of my stories and novels came from enjoying his so much). That focus on there being only a single way, a single pace to write, ended up preventing me from enjoying the books I had already been loving because I was doing that comparisonitis Joanna talks about, but as a reader. I took someone else's perspective too much to heart and I let that ruin a good thing that had brought me personal joy and pleasure. It works the same way as a writer. Because we have likely developed a pattern, or a way that works for us that is our own. We all have a pace that we comfortably walk; a way we prefer to drive. A pattern or style of how and when and what we prefer to eat. We all have our own unique comfort food. There are these patterns that we're comfortable with, and potentially because they are natural to us. If you try to force yourself to write at a pace that's not natural to you, things can go south in your writing and your mental health. And I'm not suggesting any particular pace, except for the one that's most natural and comfortable to you. If writing fast is something that you're passionate about, and you're good at it, and it's something you naturally do, why would you stop yourself from doing that? Just like if you're a slow writer and you're trying to write fast: why are you doing that to yourself? There's a common pop song line used by numerous bands over the years that exhorts you to “shake what you got.” I like to think the same thing applies here. And do it with pride and conviction. Because what you got is unique and awesome. Own it, and shake it with pride. You have a way you write and a word count per writing session that works for you. And along with that, you likely know what time you can assign to writing because of other commitments like family time, leisure time, and work (assuming you're not a full-time writer). Simple math can provide you with a way to determine how long it will take to get your first draft written. So, your path and plans are clear. And you simply take the approach that aligns with your writer DNA. Understanding what that pace is for you helps alleviate an incredible amount of stress that you do not need to thrust upon yourself. Because if you're not going to be able to enjoy it while you're doing it, what's the point? Your pace might change project to project While your pace can change over time, your pace can also change project to project. And sometimes the time actually spent writing can be a smaller portion of the larger work involved. I was on a panel at a conference once and someone asked me how long it took to write my non-fiction book of ghost stories, Haunted Hamilton. “About four days,” I responded. And while that's true — I crafted the first draft over four long and exhausting days writing as much as sixteen hours each day — the reality was I had been doing research for months. But the pen didn't actually hit the paper until just a few days before my deadline to turn the book over to my editor. That was for a non-fiction book; but I've found I do similar things with fiction. I noodle over concepts and ideas for months before I actually commit words to the page. The reason this comes to mind is that I think it's important to recognize the way that I write is I first spend a lot of time in my head to understand and chew on things. And then by the time it comes to actually getting the words onto the paper, I've already done much of the pre-writing mentally. It's sometimes not fair when you're comparing yourself to someone else to look at how long they physically spend in front of a keyboard hammering on that word count, because they might have spent a significantly longer amount of a longer time either outlining or conceptualizing the story in their mind or in their heart before they sat down to write. So that's part of the pace, too. Because sometimes, if we only look at the time spent at the ‘writer's desk,' we fool ourselves when we think that we're a slow writer or a fast writer. Joanna: Your pace will change over your career My first novel took 14 months and now I can write a first draft in about six weeks because I have more experience. It's also more relaxing for me to write a book now than it was in the beginning, because I didn't know what I was doing back then. Your pace will change per project I have a non-fiction work in progress, my Shadow Book (working title), which I have started several times. I have about 30,000 words but as I write this, I have backed away from it because I'm (still) not ready. There's a lot more research and thinking I need to do. Similarly, some people take years writing a memoir or a book with such emotional or personal depth that it needs more to bring it to life. Your pace will also shift depending on where you are in the arc of life Perhaps you have young kids right now, or you have a health issue, or you're caring for someone who is ill. Perhaps you have a demanding day job so you have less time to write. Perhaps you really need extended time away from writing, or just a holiday. Or maybe there's a global pandemic and frankly, you're too stressed to write! The key to pacing in a book is variability — and that's true of life, too. Write at the pace that works for you and don't be afraid to change it as you need to over time. “I think the biggest thing for me is reminding myself that I'm in this to write. Sometimes I can get caught up in all the moving pieces of editing and publishing and marketing, but the longer I go without writing, or only writing because I have to get the next thing done instead of for enjoyment, the more stressed and anxious I become. But if I make time to fit in what I truly love, which is the process of writing without putting pressure on myself to meet a deadline, or to be perfect, or to meet somebody else's expectations — that's when I become truly relaxed.” – Ariele Sieling Write in a series (if you want to) Joanna: I have some stand-alone books but most of them are in series, both for non-fiction and for my fiction as J.F. Penn. It's how I like to read and write. As we draft this book, I'm also writing book 12 in my ARKANE series, Tomb of Relics. It's relaxing because I know my characters, I know my world; I know the structure of how an ARKANE story goes. I know what to put in it to please my readers. I have already done the work to set up the series world and the main characters and now all I need is a plot and an antagonist. It's also quicker to write and edit because I've done it before. Of course, you need to put in the work initially so the series comes together, but once you've set that all up, each subsequent book is easier. You can also be more relaxed because you already have an audience who will (hopefully) buy the book because they bought the others. You will know approximately how many sales you'll get on launch and there will be people ready to review. Writing in a non-fiction series is also a really good idea because you know your audience and you can offer them more books, products and services that will help them within a niche. While they might not be sequential, they should be around the same topic, for example, this is part of my Books for Authors series. Financially, it makes sense to have a series as you will earn more revenue per customer as they will (hopefully) buy more than one book. It's also easier and more relaxing to market as you can set one book to free or a limited time discount and drive sales through to other books in the series. Essentially, writing a book in a series makes it easier to fulfill both creative and financial goals. However, if you love to read and write stand-alone books, and some genres suit stand-alones better than series anyway, then, of course, go with what works for you! Mark: I like to equate this to no matter where you travel in the world, if you find a McDonald's you pretty much know what's on the menu and you know what to expect. When you write in a series, it's like returning to hang out with old friends. You know their backstory; you know their history so you can easily fall into a new conversation about something and not have to get caught up on understanding what you have in common. So that's an enormous benefit of relaxing into something like, “Oh, I'm sitting down over coffee, chatting with some old friends. They're telling me a new story about something that happened to them. I know who they are, I know what they're made out of.” And this new plot, this new situation, they may have new goals, they may have new ways they're going to grow as characters, but they're still the same people that we know and love. And that's a huge benefit that I only discovered recently because I'm only right now working on book four in my Canadian Werewolf series. Prior to that, I had three different novels that were all the first book in a series with no book two. And it was stressful for me. Writing anything seemed to take forever. I was causing myself anxiety by jumping around and writing new works as opposed to realizing I could go visit a locale I'm familiar and comfortable with. And I can see new things in the same locale just like sometimes you can see new things and people you know and love already, especially when you introduce something new into the world and you see how they react to it. For me, there's nothing more wonderful than that sort of homecoming. It's like a nostalgic feeling when you do that. I've seen a repeated pattern where writers spend years writing their first book. I started A Canadian Werewolf in New York in 2006 and I did not publish it until ten years later, after finishing it in 2015. (FYI, that wasn't my first novel. I had written three and published one of them prior to that). That first novel can take so long because you're learning. You're learning about your characters, about the craft, about the practice of writing, about the processes that you're testing along the way. And if you are working on your first book and it's taking longer than planned, please don't beat yourself up for that. It's a process. Sometimes that process takes more time. I sometimes wonder if this is related to our perception of time as we age. When you're 10 years old, a day compared to your lifetime is a significant amount of time, and thinking about a year later is considering a time that is one-tenth of your life. When you have a few more decades or more under your belt, that year is a smaller part of the whole. If you're 30, a year is only one-thirtieth of your life. A much smaller piece. Just having written more books, particularly in a series, removes the pressure of that one book to represent all of you as a writer. I had initial anxiety at writing the second book in my Canadian Werewolf series. Book two was more terrifying in some ways than book one because finally, after all this time, I had something good that I didn't want to ruin. Should I leave well enough alone? But I was asked to write a short story to a theme in an anthology, and using my main character from that first novel allowed me to discover I could have fun spending more time with these characters and this world. And I also realized that people wanted to read more about these characters. I didn't just want to write about them, but other people wanted to read about them too. And that makes the process so much easier to keep going with them. So one of the other benefits that helps to relax me as a writer working on a series is I have a better understanding of who my audience is, and who my readers are, and who will want this, and who will appreciate it. So I know what worked, I know what resonated with them, and I know I can give them that next thing. I have discovered that writing in a series is a far more relaxed way of understanding your target audience better. Because it's not just a single shot in the dark, it's a consistent on-going stream. Let me reflect on a bit of a caveat, because I'm not suggesting sticking to only a single series or universe. As writers, we have plenty of ideas and inspirations, and it's okay to embrace some of the other ones that come to us. When I think about the Canadian rock trio, Rush, a band that produced 19 studio albums and toured for 40 years, I acknowledge a very consistent band over the decades. And yet, they weren't the same band that they were when they started playing together, even though it was the same three guys since Neil Peart joined Geddy Lee and Alex Lifeson. They changed what they wrote about, what they sang about, themes, styles, approaches to making music, all of this. They adapted and changed their style at least a dozen times over the course of their career. No album was exactly like the previous album, and they experimented, and they tried things. But there was a consistency of the audience that went along with them. And as writers, we can potentially have that same thing where we know there are going to be people who will follow us. Think about Stephen King, a writer who has been writing in many different subjects and genres. And yet there's a core group of people who will enjoy everything he writes, and he has that Constant Reader he always keeps in mind. And so, when we write in a series, we're thinking about that constant reader in a more relaxed way because that constant reader, like our characters, like our worlds, like our universes, is like we're just returning to a comfortable, cozy spot where we're just going to hang out with some good friends for a bit. Or, as the contemplative Rush song Time Stand Still expresses, the simple comfort and desire of spending some quality time having a drink with a friend. Schedule time to fill the creative well and for rest and relaxation Mark: What we do as writers is quite cerebral, so we need to give ourselves mental breaks in the same way we need to sleep regularly. Our bodies require sleep. And it's not just physical rest for our bodies to regenerate, it's for our minds to regenerate. We need that to stay sane, to stay alive, to stay healthy. The reality for us as creatives is that we're writing all the time, whether or not we're in front of a keyboard or have a pen in our hand. We're always writing, continually sucking the marrow from the things that are happening around us, even when we're not consciously aware of it. And sometimes when we are more consciously aware of it, that awareness can feel forced. It can feel stressful. When you give yourself the time to just let go, to just relax, wonderful things can happen. And they can come naturally, never feeling that urgent sense of pressure. Downtime, for me, is making space for those magic moments to happen. I was recently listening to Episode 556 of The Creative Penn podcast where Joanna talked about the serendipity of those moments when you're traveling and you're going to a museum and you see something. And you're not consciously there to research for a book, but you see something that just makes a connection for you. And you would not have had that for your writing had you not given yourself the time to just be doing and enjoying something else. And so, whenever I need to resolve an issue or a problem in a project I'm writing, which can cause stress, I will do other things. I will go for a run or walk the dogs, wash the dishes or clean the house. Or I'll put on some music and sing and dance like nobody is watching or listening—and thank goodness for that, because that might cause them needless anxiety. The key is, I will do something different that allows my mind to just let go. And somewhere in the subconscious, usually the answer comes to me. Those non-cerebral activities can be very restorative. Yesterday, my partner Liz and I met her daughter at the park. And while we quietly waited, the two of us wordlessly enjoyed the sights and sounds of people walking by, the river in the background, the wind blowing through the leaves in the trees above us. That moment wasn't a purposeful, “Hey, we're going to chill and relax.” But we found about five minutes of restorative calm in the day. A brief, but powerful ‘Ah' moment. And when I got back to writing this morning, I drew upon some of the imagery from those few minutes. I didn't realize at the time I was experiencing the moment yesterday that I was going to incorporate some of that imagery in today's writing session. And that's the serendipity that just flows very naturally in those scheduled and even unscheduled moments of relaxation. Joanna: I separate this into two aspects because I'm good at one and terrible at the other! I schedule time to fill the creative well as often as possible. This is something that Julia Cameron advises in The Artist's Way, and I find it an essential part of my creative practice. Essentially, you can't create from an empty mind. You have to actively seek out ways to spark ideas. International travel is a huge part of my fiction inspiration, in particular. This has been impossible during the pandemic and has definitely impacted my writing. I also go to exhibitions and art galleries, as well as read books, watch films and documentaries. If I don't fill my creative well, then I feel empty, like I will never have another idea, that perhaps my writing life is over. Some people call that writer's block but I know that feeling now. It just means I haven't filled my creative well and I need to schedule time to do that so I can create again. Consume and produce. That's the balance you need in order to keep the creative well filled and the words flowing. In terms of scheduling time to relax instead of doing book research, I find this difficult because I love to work. My husband says that I'm like a little sports car that goes really, really fast and doesn't stop until it hits a wall. I operate at a high productivity level and then I crash! But the restrictions of the pandemic have helped me learn more about relaxation, after much initial frustration. I have walked in nature and lain in the garden in the hammock and recently, we went to the seaside for the first time in 18 months. I lay on the stones and watched the waves. I was the most relaxed I've been in a long time. I didn't look at my phone. I wasn't listening to a podcast or an audiobook. We weren't talking. We were just being there in nature and relaxing. Authors are always thinking and feeling because everything feeds our work somehow. But we have to have both aspects — active time to fill the creative well and passive time to rest and relax. “I go for lots of walks and hikes in the woods. These help me work out the kinks in my plots, and also to feel more relaxed! (Exercise is an added benefit!)” –T.W. Piperbrook Improve your writing process — but only if it fits with your lifestyle Joanna: A lot of stress can occur in writing if we try to change or improve our process too far beyond our natural way of doing things. For example, trying to be a detailed plotter with a spreadsheet when you're really a discovery writer, or trying to dictate 5,000 words per hour when you find it easier to hand write slowly into a journal. Productivity tips from other writers can really help you tweak your personal process, but only if they work for you — and I say this as someone who has a book on Productivity for Authors! Of course, it's a good idea to improve things, but once you try something, analyze whether it works for you — either with data or just how you feel. If it works, great. Adopt it into your process. If it doesn't work, then discard it. For example, I wrote my first novel in Microsoft Word. When I discovered Scrivener, I changed my process and never looked back because it made my life so much easier. I don't write in order and Scrivener made it easier to move things around. I also discovered that it was easier for me to get into my first draft writing and creating when I was away from the desk I use for business, podcasting, and marketing tasks. I started to write in a local cafe and later on in a co-working space. During the pandemic lockdown, I used specific playlists to create a form of separation as I couldn't physically go somewhere else. Editing is an important part of the writing process but you have to find what works for you, which will also change over time. Some are authors are more relaxed with a messy first draft, then rounds of rewrites while working with multiple editors. Others do one careful draft and then use a proofreader to check the finished book. There are as many ways to write as there are writers. A relaxed author chooses the process that works in the most effective way for them and makes the book the best it can be. Mark: When it comes to process, there are times when you're doing something that feels natural, versus times when you're learning a new skill. Consciously and purposefully learning new skills can be stressful; particularly because it's something we often put so much emphasis or importance upon. But when you adapt on-going learning as a normal part of your life, a natural part of who and what you are, that stress can flow away. I'm always about learning new skills; but over time I've learned how to absorb learning into my everyday processes. I'm a pantser, or discovery writer, or whatever term we can apply that makes us feel better about it. And every time I've tried to stringently outline a book, it has been a stressful experience and I've not been satisfied with the process or the result. Perhaps I satisfied the part of me that thought I wanted to be more like other writers, but I didn't satisfy the creative person in me. I was denying that flow that has worked for me. I did, of course, naturally introduce a few new learnings into my attempts to outline; so I stuck with those elements that worked, and abandoned the elements that weren't working, or were causing me stress. The thought of self-improvement often comes with images of blood, sweat, and tears. It doesn't have to. You don't have to bleed to do this; it can be something that you do at your own pace. You can do it in a way that you're comfortable with so it's causing you no stress, but allowing you to learn and grow and improve. And if it doesn't work but you force yourself to keep doing it because a famous writer or a six-figure author said, “this is the way to do it,” you create pressure. And when you don't do it that way, you can think of yourself as a failure as opposed to thinking of it as, “No, this is just the way that I do things.” When you accept how you do things, if they result in effectively getting things done and feeling good about it at the same time, you have less resistance, you have less friction, you have less tension. Constantly learning, adapting, and evolving is good. But forcing ourselves to try to be or do something that we are not or that doesn't work for us, that causes needless anxiety. “I think a large part of it comes down to reminding myself WHY I write. This can mean looking back at positive reviews, so I can see how much joy others get from my writing, or even just writing something brand new for the sake of exploring an idea. Writing something just for me, rather than for an audience, reminds me how much I enjoy writing, which helps me to unwind a bit and approach my projects with more playfulness.” – Icy Sedgwick You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. The post The Relaxed Author Writing Tips With Joanna Penn and Mark Leslie Lefebvre first appeared on The Creative Penn.

Every year we want to give a little extra thanks to our military and we do so with our Military Christmas Bonus. We called our lucky winner and surprised them with a gift pack for them to share with their family and make their Christmas one to remember.Thor's baby son was being a little fussy in the car the other day so him and his wife turned on some music to help calm him down. They tried song after song and nothing worked until they got to one specific artsit who doesn't have a great reputation right now...How was your 2025? We went around the room and checked in with each other and then looked into a poll and see how everyone ranked their 2025

In episode 220, host Galit Friedlander and guest Chad Geiger (dance agent at The Movement Talent Agency) pull back the curtain on what representation really looks like from the agency side and what dancers often misunderstand about it. We talk about essential pieces of a sustainable dance career: communication, contracts, headshots and resumes that actually serve you, and how your choices off the floor impact your opportunities just as much as your training on it. Chad shares insight on navigating direct bookings, building trust with your team, and why “doing the basics well” is still one of the biggest differentiators in today's industry. Follow Galit: Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Chad Geiger on https://www.instagram.com/chad_geiger Listen to DanceSpeak on Apple Podcasts and Spotify.

Armanii Talks Giving Back, “Haad (Fiesta)” Sample, Drill Records & Fatherhood + More Way Up With Yee Explodes With B. Dot's new list. See omnystudio.com/listener for privacy information.

This episode it is just Adam and Danny once again. They discuss the latest 40K detachments, how these detachments affected sales at Adam's store, go over the changes from the Balance Dataslate, and more! Check out Adam's store, Crown City Games:   / crowncitygamespasadena   Jingle Bells by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/

Mex has to decide how to cover a Humble Pie song. Mouth of Sauron visits to unveil The 6th Annual Phlegm Cat Happy Merry Christmas Podcast Show™ plans. The Artist meets a dude that can cook AND knows about Space Ghost. Your Huckleberry is not so keen on the newest member of Kiss.

Gav, Emmet & Keith look back at the win against Brighton, Salah back in the squad and a week off for the reds! JOIN OUR PATREON - patreon.com/TalkinKopPodcast Subscribe, Like, Hit the bell icon and never miss another show! ** All views on the show are those of the individual and do not represent those of the Talkin' Kop ** lfc fan channel - liverpool fan channel - liverpool fc - lfc - lfc fan reaction - liverpool fan tv - lfc fan tv - lfc fan media - liverpool match reaction - lfc live chat - liverpool live chat - anfield reaction - liverpool live podcast - lfc live podcast - liverpool news - lfc news - liverpool free content - lfc live shows - liverpool analysis - lfc matchday - liverpool matchday - liverpool transfer news - liverpool transfer updates - lfc transfer news - liverpool live - liverpool podcast Training in the Fire by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://www.twinmusicom.org/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Each one of us has the ability to discover the positive nuggets inside painful and negative experiences. Jan shares the true story of his encounter with the late writer, activist, and playwright, Elie Weisel, recipient of the Nobel Peace Prize, and the tears they shared when art turned to palpable hope right there backstage.