Podcasts about Black panther

And.... action! Vogue World: Hollywood took place yesterday at the historical Paramount Lot and what a show it was! Combining fashion and cinema, we saw clothes from costume designers like Colleen Atwood, Arianne Phillips, and Ruth E. Carter displaying different aesthtics (Gothic, Western, Afrofuturism, etc.) and special performances from Gracie Abrams and Doja Cat. Reporting live from the scene, Chloe and other Vogue colleagues shared moments from LA from Vogue Air to the war room.Also, Chioma sat down with Angela Bassett and Ruth E. Carter to discuss their long collaborative relationship dreaming up characters like Betty Shabazz, Tina Turner, and Black Panther's Queen Ramonda. They share stories from behind the scenes in the fitting room and talk about the impact of their careers. Plus, a fun story about Tina Turner doing Angela's makeup for the film What's Love Got To Do With It. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Brian and Hassan assemble for a deep dive into the modern classic Avengers: Ultron Unlimited from Kurt Busiek and George Pérez. This explosive saga pits Earth's Mightiest Heroes against their deadliest foe, with a stacked lineup featuring Captain America, Iron Man, Thor, Scarlet Witch, Vision, Wonder Man, Black Panther, Firestar, Justice, Wasp, and Hank Pym. We break down why this story remains a definitive Ultron tale and a high point of the Busiek and Pérez run. We also dig into some recent reads, including Aquaman and Incredible Hulk. You can follow us on Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, TikTok: https://www.tiktok.com/@comicsdiscourse114?_t=ZT-90qNuOHxG0L&_r=1 , Facebook: Facebook Comics Discourse 114 and X: https://x.com/comicsdiscourse?s=21 Also, please leave us a 5-star review at your favorite podcast platforms.  

Wrestling and a Movie! This week we talk with Professional Wrestler Darryon Drummond Darryon joins us this week to talk about wrestling and his favorite movie, Black Panther      #wrestling #cwf #wwe #aew #wrestlmania  #movies #moviereviews #classicmovies #comedy #disney #blackpanther #wakandaforever #killmongerwasright   https://www.instagram.com/darryondrummond?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==       Facebook: https://www.facebook.com/OAMR-1122730... Youtube: https://www.youtube.com/channåel/UCSy8... Email: oamoviereviews@gmail.com 

insta : laboite2chocolat ou la_boitedechocolatPour ce 7eme épisode de cette saison on avance dans la saga Marvel avec Black Panther.La première et aussi la dernière fois qu'on l'avait vu c'était dans Captain America Civil War, et vu qu'il y a Infinity War qui pointe le bout de son nez à grande vitesse, tu te doutes bien qu'il lui fallait son propre épisode afin de mieux se présenter.Chose faite, et en vrai y a plein de bon trucs dans cet opus !Bah déjà y a un méchant qui PETE la classe, et ça en vrai, c'est assez rare pour le souligner.Ensuite il y a la moralité du film qui peut carrément être discutée.Coté acteur on a le tout nouveau (et regretté) Chadwick Boseman qui fait carrément bien le boulot, Michael B Jordan qui... Pffff... De toute façon ce mec est tout le temps incroyable alors... et Michone de Walking Dead mais version chauve qui revient de Turquie.Coté musique on a enfin un film Marvel qui s'en sort plus que bien, et en vrai les effets spéciaux, en général, ne sont pas trop dégueu sauf pour le combat final.Mais en tout cas ce Marvel peut garder la tête haute parce qu'il reste plus que correct.Et justement pour en parler ce soir on va retrouver Thomas, Charlie et l'autre Thomas.N'hésitez pas d'ailleurs à nous LAISSER DES COMMENTAIRES ET AUSSI DES BONNES ETOILES (déjà parce qu'on est des gens cool), et puis aussi suggérez nous des films, on les fera avec plaisir.VOUS ETES DE PLUS EN PLUS NOMBREUX, SOYEZ DE MOINS EN MOINS TIMIDE voici notre mail pour toutes suggestions / propositions de films : laboitedechocolatmail@gmail.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

One of the most iconic Marvel Movies to date. Our first visit to Wakanda and this corner of the MCU comes out swinging. Great world building, beautifully complex characters, imaginative design, amazing soundtrack. Wakanda Forever! Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/mcucast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join The Stranded Panda Community! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.strandedpanda.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jack, Wendy, and Danny Torrance stay at The Overlook Hotel, caring for the estate during its off-season period. Jack has been outlining a new writing project and believes that five months of peace is just what's needed, but all work and no play makes Jack a dull boy. Fortunately, Danny has been mentored by Dick Hallorann, who provides cautionary advice and special instructions such as, "Stay out of Room 237," guidance that helps Danny stay one step ahead of dangers that lie within The Overlook, helping Danny evade the horrors that his father Jack will unleash. Designer, brand strategist, and writer Chris Cureton talks about what makes Stanley Kubrick's The Shining a perfect horror movie, and why writing in and of itself can sometimes be a scary endeavor.-Designer, brand strategist, and writer Chris Cureton helps executive teams move from confusion to clarity. His forthcoming book, The Five Laws of Brand Design, is a field guide for aligning product, marketing, and sales around one powerful, unified strategy. With nearly 20 years of experience, he's assisted leadership teams by helping them cut through complexity, clarifying their unique value, and confidently going to market. He loves helping CEOs, CMOs, CROs, and COOs build one clear strategy, creating actionable steps for teams.https://chriscureton.com https://chriscureton.com/the-five-laws-of-brand-design-book https://www.instagram.com/chriscureton -The Shining (1980)https://www.imdb.com/title/tt0081505/ https://www.afi.com/news/afi-movie-club-the-shining/https://www.artofthetitle.com/title/the-shining/https://youtu.be/U8wxjIecmD4?si=mhwfxDBqNZuoXRy6&t=292 https://www.itsnicethat.com/articles/saul-bass-the-shining -Other movies and shows discussed, alphabetical listThe Book of Boba Fett (2021)Black Panther (2018)The Exorcist (1973)Get Out (2017)Hostel (2005)The Mandalorian (2019-)Poltergeist (1982)Room 237 (2012)John Carpenter's The Thing (1982)Tron (1982)US (2019)

Buckle up. You submitted your X-Men hot takes and Dayspring answers them...and spilling some tea for X-Men '97 season 2 and Marvel Legends!

Since the beginning, comics have been a way to explore a variety of social injustices. We talk with Michael Miller, a justice-oriented theological consultant. Michael designed and taught a private high school class called MARVELous Justice that looked at the intersection of comics with social justice. Listen to this episode to find out why the school's Catholic Sisters approving content on Black Panther, Squirrel Girl, and Harley Quinn isn't as surprising as you might think.Michael Miller: mycomicrelief.wordpress.com & https://www.michaeljmillerconsulting.com/X: @My_ComicReliefInstagram: @consultingtheologianThreads: consultingtheologianBluesky: @mycomicrelief.bsky.social

Plus - The Cowboys look like a contender with the offense at full speed, firing on all cylinders; Wildfire risk grows as North Texas starts workweek dry and breezy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textIt's a listener pick! On this episode we look at one of the most influential musical groups of the twentieth century - Sly and the Family Stone, and their 1970 LP There's a Riot Going On. By 1970, Sly Stone and his band had already had a huge impact on modern music. It was a mixed-race and mixed-gender band that spoke of love and harmony among all people. Hits like "Everyday People," "Dance to the Music," and "Stand" had gained the band crossover success and spawned numerous copy cats. However, by the time work had begun on There's a Riot Going On, the band was beginning to splinter. Sly was under increasing pressure by militant groups like the Black Panthers to make his music more "black" and he began to find solace in drugs and isolation.  Forgoing the usual input from his band, Sly wrote, arranged, and recorded most of There's a Riot Going On himself. He brought in outside musicians, such as Billy Preston and Ike Turner to give the songs added dimension. The resulting LP was the big bang for the fledgling  genre of funk and an album that is consistently regarded as one of the best and most influential albums ever made. Visit us at www.tappingvinyl.com.

WHAT'S A BAD MIRACLE?! Nope Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Save & Invest In Your Future Today, visit: ⁠https://www.acorns.com/rejects⁠ GET OUT (2017) Movie Reaction: ⁠   • GET OUT (2017) IS MASTERFUL HORROR!! MOVIE...  ⁠ US (2019) Movie Reaction: ⁠   • US (2019) IS A SURREAL NIGHTMARE!! MOVIE R...  ⁠ NOPE Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon dive into Jordan Peele's sci-fi horror spectacle NOPE (2022), starring Daniel Kaluuya (Get Out, Black Panther), Keke Palmer (Good Fortune), Steven Yeun (The Walking Dead, Minari), Brandon Perea (The OA), and Michael Wincott (The Crow, Westworld). We break down the mysterious UFO (Jean Jacket), the Gordy's Home chimp attack, the shoe standing upright, the themes of spectacle addiction, Hollywood exploitation, animal symbolism, and the legacy of trauma. We react to iconic scenes like “What's a bad miracle?”, OJ staring down the alien without eye contact, Jupe's Star Lasso Experience massacre, the final balloon showdown, and Keke Palmer yelling “Let's go!” We discuss Jordan Peele's influences from Spielberg's Jaws & Close Encounters, Akira motorcycle slide homage, religious undertones, animal control metaphors, and the commentary on fame consumption. We talk about how NOPE connects to Get Out and Us, Steven Yeun's tragic backstory, and whether Jean Jacket is a monster or a god. Join us as we analyze deeper meanings, hidden details, visual metaphors, UFO design secrets, and give our full review of one of the most unique horror films ever made. Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

WHAT'S A BAD MIRACLE?! Nope Full Movie Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects GET OUT (2017) Movie Reaction:    • GET OUT (2017) IS MASTERFUL HORROR!! MOVIE...   US (2019) Movie Reaction:    • US (2019) IS A SURREAL NIGHTMARE!! MOVIE R...   NOPE Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon dive into Jordan Peele's sci-fi horror spectacle NOPE (2022), starring Daniel Kaluuya (Get Out, Black Panther), Keke Palmer (Good Fortune), Steven Yeun (The Walking Dead, Minari), Brandon Perea (The OA), and Michael Wincott (The Crow, Westworld). We break down the mysterious UFO (Jean Jacket), the Gordy's Home chimp attack, the shoe standing upright, the themes of spectacle addiction, Hollywood exploitation, animal symbolism, and the legacy of trauma. We react to iconic scenes like “What's a bad miracle?”, OJ staring down the alien without eye contact, Jupe's Star Lasso Experience massacre, the final balloon showdown, and Keke Palmer yelling “Let's go!” We discuss Jordan Peele's influences from Spielberg's Jaws & Close Encounters, Akira motorcycle slide homage, religious undertones, animal control metaphors, and the commentary on fame consumption. We talk about how NOPE connects to Get Out and Us, Steven Yeun's tragic backstory, and whether Jean Jacket is a monster or a god. Join us as we analyze deeper meanings, hidden details, visual metaphors, UFO design secrets, and give our full review of one of the most unique horror films ever made. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Kudos Kirby, a comics journey into Jack Kirby's lesser known works. Angus will be your guide through this monthly expedition to uncover those hidden gems from “The King of Comics” over 20,000 comic book pages! We hope you enjoy this latest adventure in the journey!Angus reviews Issue #10 "This World Shall Die!"Black Panther Epic Collection: Revenge Of The Black Panther⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/Black-Panther-Epic-Collection-1977-1979-ebook/dp/B07M8YN6LH/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Behold as the Black Panther sets out on adventures that only his co-creator, Jack Kirby, could conceive! T'Challa discovers the startling secret of King Solomon's frog, encounters alien races, battles eternal samurai warriors — and so much more! The history of the Wakandans, their majestic city and their amazing technology are also explored with a power and passion that only Kirby could offer!We will review, in issue order, one issue each month (#1 - #12) in 2025.Leave a message at kirbyskidspodcast@gmail.comPlease join us for our 2025 Graphic Novel Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2024/11/kirbys-kids-giving-thanks-2025-graphic.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com

In this episode of the Carl Jackson Show, Carl dives into the controversial appointment of Supreme Court Justice Ketanji Brown Jackson, critiquing her stance on race and cultural Marxism. He explores the implications of race-based gerrymandering and the Voting Rights Act, while also discussing the geopolitical tensions involving Venezuela, China, and Russia. Carl shares his thoughts on the recent New York City mayoral debate and the influence of figures like AOC and Bernie Sanders on the Democratic Party. Tune in for a candid discussion on these pressing issues and more. Don't forget to subscribe and rate the podcast on your favorite platform! Facebook: https://www.facebook.com/carljacksonradio Twitter: https://twitter.com/carljacksonshow Parler: https://parler.com/carljacksonshow Instagram: https://www.instagram.com/thecarljacksonshow http://www.TheCarlJacksonShow.comSee omnystudio.com/listener for privacy information.

In this episode of the Carl Jackson Show, Carl dives into the controversial appointment of Supreme Court Justice Ketanji Brown Jackson, critiquing her stance on race and cultural Marxism. He explores the implications of race-based gerrymandering and the Voting Rights Act, while also discussing the geopolitical tensions involving Venezuela, China, and Russia. Carl shares his thoughts on the recent New York City mayoral debate and the influence of figures like AOC and Bernie Sanders on the Democratic Party. Tune in for a candid discussion on these pressing issues and more. Don't forget to subscribe and rate the podcast on your favorite platform! Facebook: https://www.facebook.com/carljacksonradio Twitter: https://twitter.com/carljacksonshow Parler: https://parler.com/carljacksonshow Instagram: https://www.instagram.com/thecarljacksonshow http://www.TheCarlJacksonShow.comSee omnystudio.com/listener for privacy information.

[School of Movies 2025] Topping lists for film of the year, this is the first Ryan Coogler-directed film that is his own. Not a comic book adaptation like the Black Panthers, not a legasequel like Creed and not a direct real life account like Fruitvale Station. This one puts Ryan on the map as a genuine visionary and master of his craft. Clarksdale, Mississippi, 1932. Twin brothers, Smoke & Stack (both played by Michael B. Jordan) after returning home with stolen money from gangster shenanigans in Chicago, spend the day setting up an illegal juke joint for the local black community. As the sun goes down and the place starts rocking they attract the attention of some covetous vampires. Rich, bloody, tragic and complex, with otherworldly music, this story will knock your socks off and haunt your dreams. Guest: Brendan Agnew from Cinapse @blcagnew.bsky.social‬ Next Week: Adapting Frankenstein

Fashion isn't just functional — it's transformative. It can be a form of political speech, like when Alexandria Ocasio-Cortez made headlines in a white gown emblazoned with “Tax the Rich.” It can also be a statement of resistance, as when the Black Panthers adopted black berets, a uniform that came to symbolize unity and power. Understanding the language of fashion is key to understanding the times we live in. It's a translator for anyone trying to navigate this moment and one of the ten steps to reclaiming freedom and power as we challenge norms and assert our identity. Those of us who are pro-democracy may one day need to show who we are just as clearly. What we wear might matter more than we think. This week on Assembly Required, Stacey is joined by fashion editor and Pulitzer Prize–winning writer Robin Givhan. She breaks down how fashion reflects our culture back to us and what that reflection reveals about the political moment we're in.Learn & Do More:Be Curious: If you enjoyed my conversation with Robin, pick up her latest book, Make It Ours: Crashing the Gates of Culture with Virgil Abloh.Solve Problems: Of the 100 billion garments produced each year, 92 million tonnes end up in landfills — the equivalent of one garbage truck full of clothes every single second. To help reduce waste, be mindful of your clothing consumption and shopping habits. Before clicking “buy” on that fast fashion site for the latest trend at the cheapest price, ask yourself: Do I really need this? Can I buy it from a sustainable source? Can I thrift something similar instead? Do Good:If you have old clothes or have been meaning to clean out your closet, don't throw them away. Instead, consider donating them to those in need. Goodwill, your place of worship, or local homeless shelters are great places to start.  Get tickets to CROOKED CON November 6-7 in Washington, D.C at http://crookedcon.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Childhood schizophrenia is one of the rarest — and most controversial — diagnoses in psychiatry. In this episode, host Rachel Star Withers (who lives with schizophrenia) and co-host Gabe Howard, joined by board certified psychiatrist Dr. Nicole Washington, explore the complexities of diagnosing schizophrenia in children and teens. Together, they unpack the challenges of distinguishing symptoms from typical childhood imagination, the life-altering implications of early treatment, and the risks of misdiagnosis with conditions like autism, ADHD, or bipolar disorder. Rachel also shares her own childhood experiences with hallucinations, offering a rare personal perspective on what it's like to grow up with symptoms that may go unnoticed for years. Takeaways for listeners: why diagnosing schizophrenia in children is so complicated — and controversial how to tell the difference between usual childhood behavior and red flags the risks of misdiagnosis and overmedication what parents and clinicians should consider before starting treatment why early intervention can make all the difference — but also carries risks Whether you're a parent, mental health professional, or simply curious, this episode sheds light on the difficult realities and unanswered questions surrounding childhood schizophrenia. Our guest, a highly respected physician in her field, Dr. Nicole Bernard Washington is a board certified Psychiatrist, speaker, author, and consultant who has always had an affinity towards working with populations who aren't typically consumers of mental health services.  As Chief Medical Officer and founder of Elocin Psychiatric Services, she has become a staunch advocate for high level professionals who are dealing with untreated mental health issues or general occupational stressors. Dr. Nicole also co-hosts Healthline Media's Inside Bipolar podcast with Gabe Howard. Our host, Rachel Star Withers, (Link: www.rachelstarlive.com) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “Inside Schizophrenia”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS ) Fun Fact: She has wrestled alligators. Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. He also hosts the twice Webby honored podcast, Inside Bipolar, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this collaboration between Guerrilla History and the Adnan Husain Show, Adnan has a wonderful conversation with a remarkable radical activist, Elaine Mokhtefi, as part of our ongoing series of interviews with living historical revolutionaries. Elaine Mokhtefi is author of "Algiers, Third World Capital: Freedom fighters, Revolutionaries, Black Panthers." This fascinating discussion retraces Elaine's early political engagement with the FLN mission to the UN, her decision to move to Algeria to help build the postcolonial nation after liberation from France, her experiences as a translator and journalist covering the transnational movements for liberation across the Global South, and work with the Black Panthers exiled in Algiers. She danced with Fanon, met radical third world leaders, and struggled for a better world. Now in her 90's, she remains an inspiring and committed activist. A lot to learn in this conversation! Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory  We also have a (free!) newsletter you can sign up for, and please note that Guerrilla History now is uploading on YouTube as well, so do us a favor, subscribe to the show and share some links from there so we can get helped out in the algorithms!! Adnan Husain Show on YT and audio podcast and they can support patreon.com/adnanhusain and buymeacoffee.com/adnanhusain

Writer and co-executive producer Marc Bernardin discusses his journey from writing for Black Panther to co-writing the new Disney+ animated series Eyes of Wakanda. He shares illuminating insights into the creative process, the unique choice to focus on the War Dogs, and the integration of Greek mythology into Wakanda's narrative. From the complexity of Memnon's character to the implications of time travel in the finale, this episode is a deep dive into the rich history and future of Wakanda.

The X-Men '97 season 2 trailer is here! Let's discuss in DETAIL! Adventures of Cyclops & Phoenix! Rise of Apocalypse! Polaris! Kid Omega! Lady Deathstrike! X-Factor! There is SO MUCH to discuss!

In this inspiring interview on The Voice of Costume, host Catherine Baumgardner talks with acclaimed costume designer Lynn Ollie about her creative evolution from sketching fashion plates as a child to working for major productions like Black Panther, Mad Men, and The Great Gatsby. Lynn opens up about discovering her passion for storytelling through costume, her mentorship from legendary designer Ann Roth, and how persistence and curiosity helped her break into the film industry. She shares behind-the-scenes stories from “The Man in My Basement,” including collaborating with Corey Hawkins, Willem Dafoe, and director Nadia Latif, recreating authentic 1990s Long Island style, and improvising through last-minute wardrobe crises. Lynn also discusses her creative philosophy—how costume design bridges character psychology, history, and visual poetry. From the gritty realism of American Horror Stories to the cultural symbolism of Black Panther, she reveals the emotional truth behind every fabric choice. Filled with wisdom for aspiring costume designers, filmmakers, and creatives, this episode explores the art of collaboration, the balance of vision and budget, and why costume design is truly storytelling through texture, color, and time. Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Kathleen and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

Join Al Mega as he sits down with comic book royalty — the legendary Christopher Priest! As the first African-American writer and editor in mainstream comics, Priest has redefined characters like Black Panther, Deathstroke, and Quantum & Woody. Now, he's bringing his signature depth and edge to Sonja: Reborn, his first-ever take on Red Sonja, for Dynamite  Comics! Tune in as we explore his legacy, his take on the She-Devil, and the evolution of storytelling over 40+ years. This one's a masterclass in creation you don't wanna miss! Follow Chris on Instagram at: christopherpriest0 Sonja: Reborn #1 In Shops: Aug 06, 2025 Check out Dynamite.com for Sonja: Reborn and more…. Thank You for Watching / Listening! We appreciate your support! Episode 589 in an unlimited series! Hosted by Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: Rumble/Twitch: ComicCrusaders YouTube:YouTube.com/@comiccrusadersworld Visit the official  Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Website: https://www.comiccrusaders.com/​​​​ Edited/Produced/Directed by Al Mega Want to create amazing live streams like ours? Then look no further than StreamYard! The BEST and EASIEST to use Streaming Solution on Earth! Check it out at: https://streamyard.com/pal/d/6492786798886912

⚠️ Spoiler Note *Spoilers: Shin Godzilla (2016), Godzilla Minus One (2023) *No Spoilers: Godzilla (1954), Don't Look Up (2021), Black Panther (2018), Lost (2004-2010), All Quiet on the Western Front (2022), Enemy at the Gates (2001), Jacob's Ladder (1990), Joker (2019)  In this episode of Strange Days, Here We Come, we dive into SHIN GODZILLA and GODZILLA MINUS ONE to explore their themes of collapse by way of bureaucracy, inaction, war, and failed leadership—comparing the films' depictions of effective and ineffective governance and the power of direct civilian action amid crisis (e.g., natural disasters, climate change, pandemics, war, and nuclear devastation).   Links: "Pacific Rim, Godzilla, and the Balance of Nuclear Power" by Jess Kroll

BEWARE THE TETHERED!! US Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With HIM from Monkeypaw playing in theatres now (and having recently caught up with his debut, Get Out) Greg & Andrew RETURN to the twisted world of Jordan Peele giving their Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Greg Alba & Andrew Gordon dive into Us (2019), the critically acclaimed horror film written and directed by Jordan Peele (Get Out, Nope). A chilling exploration of duality, privilege, and hidden societal truths, Us follows Adelaide Wilson, played by Lupita Nyong'o (Black Panther, 12 Years a Slave), as she takes her family on a beach vacation only to be confronted by terrifying doppelgängers known as the “Tethered.” Alongside Nyong'o, the cast includes Winston Duke (Black Panther, Avengers: Infinity War) as her husband Gabe, Shahadi Wright Joseph (The Lion King 2019, Hairspray Live!) as daughter Zora, and Evan Alex (Mani) as son Jason. The film also features standout performances from Elisabeth Moss (The Handmaid's Tale, Mad Men) and Tim Heidecker (Tim & Eric Awesome Show), whose chilling turns highlight Peele's ability to blend suburban normalcy with pure terror. From the unforgettable opening scenes at the Santa Cruz boardwalk to the haunting “Hands Across America” imagery and the now-iconic reveal of Red (Nyong'o's Tethered double) with her eerie, rasping voice, Us has become one of the most analyzed and highly searched horror films of the past decade. In this full reaction & review, Greg and Andrew break down Peele's masterful use of symbolism, the shocking home invasion sequences, the underground world of the Tethered, and the legendary final twist that redefined how audiences see Adelaide's story. Whether it's the chilling “Good Vibrations” sequence, the scissor imagery, or Nyong'o's tour-de-force dual performance, Us remains a milestone in modern horror cinema. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we talk about Electronic Arts, 3DO, and the Saudi Arabian Public Investment Fund.We also discuss Jared Kushner, leveraged buyouts, and loot boxes.Recommended Book: Bandwidth by Dan CarusoTranscriptElectronic Arts, often shorthanded as EA, was founded in 1982 in California by a former Apple employee named Trip Hawkins, who also went on to found the ill-fated 3DO company, which made video game hardware, and the somewhat more prolific, but also ultimately ill-fated casual game developer Digital Chocolate.EA, though, has been an absolutely astounding success. It's business model was predicated on the premise of selling video games directly to retailers, rather than going through intermediaries. This allowed them to gain more market share than their competitors right off the bat, and it helped them glean higher margins than their competitors from each direct sale, too.EA also established an early reputation for treating its developers really well. They were the first gaming company to feature their developers in advertising and to give them platforms, promoting them as video game artists, basically, and it shared the profits netted from those direct sales with these develops—which in turn meant all the best developers really wanted to work for EA, which led to a beneficial cycle where they created better and better, and more and more financially successful games.In the late-80s, they started deviating from this model somewhat, scooping up a collection of successful independent game development studios and deviating, at times, from the creative lead's vision when releasing their games. They also refocused a fair bit of their resources on franchises, like the immensely successful, as it turned out, Madden NFL series, and they branched out into producing games for the console market, including the still-new Nintendo Entertainment System, in 1990.That same year, EA went public on the NASDAQ, the company got new leadership when Hawkins decided to refocus on his far less successful 3DO hardware startup, and in an interesting twist, the arrival of the Sony Playstation in North America caused EA to drop support for 3DO hardware in the mid-90s so it could refocus on Playstation games, which were a lot more lucrative.By the mid-90s, EA had an astonishingly large and successful software library, including franchises like the aforementioned Madden games and the FIFA soccer games, but also celebrity-tied games like Shaq Fu, and military shooters like Jungle and Urban Strike.By the early-2000s, EA was making exclusive licensing deals with the NFL and ESPN, in order to stave off newfound sports game competitors, and it was the only video game company to consistently make a profit, most others experiencing feast and famine cycles, with periodic wins, but a whole lot of losses they had to cover with the profits from those wins. EA, in contrast, had a reliable stable of profit-sources, and it thus had a whole lot of leverage in terms of attracting and retaining talent, but also getting big names and brands on board, for collaborative projects.What I'd like to talk about today is what happened to EA during and following the 2008 economic crisis, and how and why it recently became an acquisition target for Saudi Arabia.—In 2008, when the global economy was collapsing, EA suffered a bad holiday sales season and fired 1,100 employees and closed 12 of their facilities early the following year. Later in 2009, the company announced the firing of another 1,500 employees, which was about 17% of their total workforce at the time, and in 2010 they acquired a gaming company that focused on mobile games, which were becoming increasingly popular, now that many people had touch-capable smartphones, which brought hot new franchises like Angry Birds under their brand umbrella.On the strength of that acquisition and all those downsizings, in early 2011, EA announced that it hit $3.8 billion in revenue in the financial year for the first time, and in early 2012, it announced it surpassed $1 billion in digital revenue during the previous year, which was a huge figure that early in the digital media landscape. It used some of those profits to scoop up another mobile-first gaming company, adding properties like Plants vs Zombies and Peggle to their library.EA completed another mass-firing in 2013, dismissing 10% of their employees under what they called a reorganization, around the same time they announced an exclusive license with Disney that would allow them to develop Star Wars games.Their stock value boomed in the following years, as a result of those cost-savings measures, and those new relationships, and emboldened by record-high stock valuations, in the mid-20-teens, the company started releasing big-name games, like Star Wars Battlefront 2, with random-content loot boxes and other sorts of microtransactions.This did not go over well with players, who decried these in-game purchasing options as ‘pay to win' mechanics, as players could pay more money to get better characters and equipment, and a lot of the content, even after paying for the expensive games, was still locked behind paywalls, requiring more payments to unlock that content. A bunch of gaming journalists cried foul on this shift as the game careened toward its full release, as did a whole lot of early players, and Disney complained, too, so by the time it hit shelves, the game's loot system was substantially changed, but that whole controversy spooked investors, and led to an 8.5% stock value drop in just a single month, knocking $3.1 billion from the company's valuation. As a result of that controversy, EA also became the face for a larger legal and legislative debate about in-game purchases and how it's kinda sorta like gambling, from that point forward.Soon after, EA experienced a series of bad quarters, including a huge drop of 13.3% to its valuation when a major entry in one of their larger franchises, Battlefield V, was released late, and received very mixed reviews when it was released, which led to a million fewer sold copies than anticipated. The game was also lagging in terms of gameplay behind smaller, nimbler competitors, including then-burgeoning Fortnite.The company saw an overall boost with the surprise success of Apex Legends, and the COVID-19 pandemic boosted sales dramatically for a while, since everyone was staying home, which allowed EA to gobble up a few more competing companies with successful franchises, and they knocked out a few more successful Star Wars games, as well.In early 2021, Saudi Arabia's public investment funds bought 7.4 million shares of EA for about $1.1 billion, which flew under the radar for most gamers, but that'll be important in a moment.Later that year, the company experienced a massive hack, a lot of its data, including the source code for games, stolen and sold on the dark web. EA bought some more competitors, but word on the street in 2022 was the the higher ups at EA were quietly shopping the company around, themselves looking to be acquired by a larger entity, on the scale of Apple or Disney.In early 2023, the company announced more mass-layoffs and launched another internal reorganization. It gutted several of its most popular gaming sub-brands, including BioWare, it cancelled an upcoming Star Wars game, and it announced that it would be shifting away from licensing agreements and refocusing on EA-owned IP.The pattern of layoffs leading to better financial fortunes didn't pay off this time, though. In early 2025, EA divulged that it expected to underperform in the coming year, several of its big-name titles not doing as well as expected; the company cast blame on the market, but players and journalists pointed at the company's gutting of its big-name studios, and the firing of many of its veteran developers to explain the reduced sales.EA had another mass-firing in April of this year, and followed by another in May, which paralleled an announcement that they would no longer be moving forward with a big, planned Black Panther game.In late September of 2025, EA announced that it had reached a deal, worth $55 billion, to go private, no longer selling shares on the stock market, with the financial assistance of a group of investors, which included Affinity Partners, which is led by Jared Kushner, US President Trump's son-in-law, Silver Lake, which is a US-based private equity firm that helps make these sorts of big sales happen, and the aforementioned Saudi Arabian Public Investment Fund.This deal isn't done yet, it still needs to get regulatory approval and a successful vote by stockholders, but it seems likely to go through, since the US regulatory environment is pretty lax at the moment, and because Kushner is involved, it's unlikely President Trump will take a personal disliking to it.But the big story here seems to be that Saudi Arabia is buying up not just a video game company, but one of the biggest and most successful video gaming companies in the world, which, although it's lost a lot of fan-credibility over the years, still owns some massively influential intellectual property and has just a stunning number of relationships and connections throughout the media world, alongside its huge valuation.If the sale does go through, and we should know for sure by sometime around June 2026, it would be the largest-ever leveraged buyout, which means the purchase was completed by using borrowed money that was borrowed against the asset being purchased; so those investors have taken out debt against EA itself, which is an increasingly common means of buying a large asset on the cheap, but it also typically burdens that asset with a simply astounding amount of debt which must then be recouped, often by selling off undervalued assets.When this happens to a newspaper, for instance, the buyer will often sell off the paper's real estate and fire all their employees, to make money and pay off that debt, and in this case, there's a chance that debt will be paid by throwing up a bunch of new paywalls and really leaning into those in-game transactions that nobody really liked, including politicians, back in the day, but which in this current regulatory environment would probably be allowed, and they would probably make some serious bank off of it initially, before players started getting wise and moving on to other games released by less predatory companies.The really interesting facet of this story, though, is the question of why Saudi Arabia wants a video game company.And to understand that, it's important to understand that, first, the country's Public Investment Fund is meant to help its economy shift away from purely extractive resources, like oil, and it has thus invested in all sorts of things, including luxury beach resorts, minority stakes in financial service companies like Citigroup, stakes in companies like Disney and Boeing and Meta, and increasingly, investments in companies run by allies of President Trump, like the aforementioned Affinity Partners, which was formed by Jared Kushner.So this is an economic play, but also a political play, almost certainly, by the Saudis, to get in good with the people who are in good with the US government.It's also been alleged that this might be an attempt by the Saudis to engage in what's being called game-washing, which is similar to greenwashing, but instead of trying to make a company seem green and sustainable by doing kinda sorta green things, but only as a veneer to cover up the opposite, in this case it means using sports and video games and the like to increase a nation's reputation with humanistic seeming things, despite, well, the truth being much more complicated.Just as when the Fund participated in buying a Premier League football, a soccer team, back in 2021, then, alongside their concomitant establishment of LIV Gold, a golf league meant to compete with the PGA, this investment in EA, and other investments it's made in video game companies like Capcom and Nexon, might be part of a larger effort to diversify the nation's brand, not just its economics. It's human rights record is abysmal, and it's possible they're trying to cover that up, make people forget about it, by creating more connections between Saudi Arabia and more positive things, like sports and games and the like.There are additional concerns about this purchase of EA, too, by the way, because Saudi Arabia's cultural values are very anti-woman, anti-LGBTQ, and anti-liberal, democratic values. So there are fears that we might see less representation and fewer what we might call western values portrayed in the games released by these studios, as a result of this ownership.The folks running EA have said their core values will remain unchanged by the buyout, but it's expected, bare-minimum, that this will lead to another several restructurings and mass-layoffs throughout the company in the coming years, to help recoup all that debt, at the end of which even the people making those promises might be long gone.Show Noteshttps://en.wikipedia.org/wiki/Public_Investment_Fundhttps://www.nytimes.com/2025/09/29/business/dealbook/electronic-arts-buyout-jared-kushner.htmlhttps://www.wsj.com/business/deals/ea-private-deal-buyout-video-game-maker-808aefechttps://www.ft.com/content/61cef75e-ceba-43ee-80e3-040756c6154f?accessToken=zwAGQAMTiJKIkc9hzvdezrpD7tOA4wQHVsYVTw.MEUCIHND3WOT4rS4frIMIOoeXHQeil_Ma1yGrwOqUD2m306DAiEAtA_QLvpyObai9zoo_9GZSljJuJyTKxJgFHpQDcCcVsE&sharetype=gift&token=03dd6ca5-c34f-4925-8a3d-a89f4058ee80https://www.wsj.com/business/deals/ea-silver-lake-deal-jared-kushner-c145cd55?st=eZghQHhttps://en.wikipedia.org/wiki/Electronic_Arts This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe

Today on the Rarified Heir Podcast, we are talking to Nikki Nash, daughter of musician, trombonist Dick Nash. Now, you may not know the face or the name, Dick Nash but you certainly know his work with Henry Mancini, or should we say Hank Mancini with some of his best known work. Before the Wrecking Crew, Dick and a small group of side-men WERE the Wrecking Crew, playing on hundreds of studio dates for film, TV and major label albums in the 50s and 60s. But as we learn, Dick Nash didn't take every date offered for a very specific reason. Our conversation with Nikki centered around her new book, Collateral Stardust: Chasing Warren Beatty and Other Foolish Things, an autobiography about her life in and around show business that is one hell of a read. Some of the things we talk about in our conversation with Nikki include notable run-ins with everyone from the aforementioned Warren Beatty, as well as Dennis Miller, Louise Lasser, Don Cornelius, Robert Hays, the Black Panthers, Robert Altman and many others. We also discuss long-lost LA restaurants like The Old World and The Luau, the best toast, the job of an A.D. behind the camera, addiction, painting, depression, growing up in the San Fernando Valley of Los Angeles and much more. Nikki was open, honest, funny, matter-of-fact, attentive and gave us all we could handle in discussing her life and her book. And like her book, our interview was breezy and also had a lot of depth below the surface. But don't take my word for it, take a listen to this episode of the Rarified Heir Podcast and see for yourself. Everyone has a story.    

Last weekend, the English reggae band UB 40 played in the Orpheum in Los Angeles and included in the set their 1980 song “Tyler”. Tyler is guilty white judges said soWhat right do we got to say it's not soTyler is guilty white judges said soWhat right do we got to say it's not soTyler is guilty white judges said soWhat right do we got to say it's not soTyler is guilty white judges said soWhat right do we got to say it's not soIn the audience was the song's muse Gary Tyler who, as a sixteen year old in 1974, was put on death row for a crime he didn't commit:Appeal to the governor, of LouisianaYou may get an answer the process is slowFederal court won, too much to openHe's been there for five years and they won't let him goThis week, Tyler released his autobiography, Stitching Freedom, in which he tells the story of the 41 years he spent in Angola high security prison for his “crime”. Yes, the process was slow - shamefully slow. It's the shockingly true story of injustice, defiance and hope in Louisiana's bloodiest prison. Tyler is free now, living in Los Angeles, having successfully stitched his life together. He doesn't seem to have forgiven the system for this injustice (why should he?), yet the one thing that 41 years in Angola clearly didn't destroy was Gary Tyler's humanity. So I guess there's hope in this tragic story. 1. A 16-Year-Old Scapegoat for Racial Violence Gary Tyler was arrested at age 16 during a racial confrontation at a newly integrated Louisiana school in 1974. After a 13-year-old white boy was fatally shot during the chaos, police brutally beat Tyler to extract a confession he never gave, then charged him with first-degree murder despite no evidence linking him to the crime.2. Political Prisoners Saved His Life In Angola's death row, Tyler found unexpected mentors - former Black Panthers and civil rights activists who recognized his case as part of systemic injustice. These older inmates taught him to channel his anger into education and activism, helping him write letters that would eventually bring national attention to his case through organizations like Amnesty International.3. Finding Purpose in America's Bloodiest Prison Despite facing execution, Tyler transformed his imprisonment into service. He became president of multiple prison organizations and, most meaningfully, a hospice volunteer caring for dying inmates - including some of the very men who had mentored him. This work became his “sense of redemption” and healing.4. Justice Denied, Freedom Granted Tyler was never exonerated. Despite multiple appeals reaching the Supreme Court and three favorable parole board recommendations, politics kept him imprisoned. He was finally released in 2016 only because of new Supreme Court rulings against juvenile life sentences - not because the system admitted its mistake.5. Stitching a Life Back Together Tyler discovered quilting in prison, initially resisting it as “feminine” before recognizing it as both a way to help dying inmates leave something for their families and a metaphor for his own healing. Now a professional artist in Pasadena, he literally and figuratively pieces together a life that was torn apart, remaining optimistic that struggle against injustice must continue.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

She's back! One of our most requested guests — NYT columnist Dr. Tressie McMillan Cottom — returns to The Hometown Holler for a conversation about belonging, memory, and the stories we tell ourselves about America. Tressie takes us inside Winston-Salem's Black Panthers, unpacks the rise of disaster nationalism, and explains the difference between nostalgia and memory — and why that difference matters more than ever. She also breaks down why calling Trump an “idiot” completely misses the point, what the Left gets wrong about understanding his appeal, and what it really takes to build a sense of belonging in modern America. For more Tar Heel deep dives and quick hits, subscribe to follow us on social media:YouTube: https://youtube.com/@thehometownholler?si=f0vFneLZWVVawRBVInstagram: https://www.instagram.com/thehometownhollerTikTok: https://www.tiktok.com/@hometownhollerBlue Sky: https://bsky.app/profile/thehometownholler.bsky.socialTwitter/X: https://x.com/hometown_hollerFacebook: https://www.facebook.com/thehometownhollerPatreon: https://www.patreon.com/c/TheHometownHoller

The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The contemporaneous movements for human rights that Soviet rights defenders and the Black Panthers waged during the 1960s are analysed in a comparative fashion here for the very first time. The book also examines the extra-legal measures that both the KGB and FBI employed to destroy them.The Black Panthers and the Soviets: A Comparative History of Human Rights Movements (Bloomsbury, 2025) by Dr. Meredith Roman innovatively compares Soviet human rights activists' exposure of the workings of the Soviet police state with the miniature, city-level surveillance police states that the Black Panthers exposed as operating across the United States. It illuminates the legal tactics of counter-surveillance that Soviet rights defenders and the Black Panthers employed as a means of restraining acts of state-sanctioned violence. The book also highlights how the U.S. production of knowledge about Soviet 'dissidents' reified white supremacist, anti-communist notions of dissent, human rights, and state violence that facilitated the repression of the Black Panthers and the mass incarceration of African Americans as criminals.Dr. Roman disrupts the enduring Cold War binaries of authoritarianism-democracy and oppression-freedom that obscure our understanding of the complex, overlapping histories of these two superpowers. Dr. Roman convincingly argues that the Soviet rights defenders and the Black Panthers' vast documentation of domestic human rights abuses and the repressive measures that they faced for mobilizing to end them serve as an important societal reminder; they reaffirm that genuine democracy and the safeguarding of human rights are incompatible with authoritarian practices, the conditions of racial capitalism, and the ideology of national security. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this collaboration episode, host israa' is joined with Jordan and Prince from The Dugout Podcast and Dr. Mohamed Abdou. We got together to talk about Malcolm X, his evolution over time, his commitment to the below, and the role and impact of Islam on his journey towards collective liberation. Along the way, we talk about Malcolm's impact on our lives and our politics and share insights on how we think Malcolm would be showing up today. 00:00 Introduction and Host Introductions01:45 Personal Connections to Malcolm X04:52 Malcolm X's Influence and Evolution08:48 Reflections on Malcolm X's Teachings11:31 Malcolm X's Legacy and Modern Relevance19:39 Organizational Structures and Revolutionary Responsibility29:19 Global Impact and Pan-Africanism46:17 Evolving Governance and Lessons from the Zapatistas48:08 Exploring Malcolm X's Intersectional Analysis48:47 Malcolm X and James Baldwin: A Shared Journey50:45 Decolonization and Internationalism52:30 Contextualizing Malcolm X's Strategies54:34 Malcolm X's Methodology and Ethics58:38 Malcolm X's Legacy and Modern Implications01:18:09 The Role of Spirituality and Self-Critique01:29:20 Final Reflections on Malcolm X's InfluenceMohamed :Dr. Mohamed Abdou is a Muslim anarchist scholar and organizer. He's a student of the muqawama (the resistance) and author of Islam and Anarchism: Relationships and Resonances (Pluto Press, 2022).  His work centers on Palestinian, Indigenous, Black, and people of colour liberation, and draws on the Indigenous Zapatista movement in Chiapas, Mexico, as well as his participation in the Egyptian uprisings of 2011. substack: https://drmohamedabdou.substack.com/website: ⁠mabdou.net⁠. Twitter: @minuetinGmajor Instagram: @slightlydriftingisraa' :israa' (they/them) is an activist scholar in a committed relationship with collective liberation. They are part of From the Periphery Media collective where they are hosts of The Mutual Aid Podcast, The Fire of these Times, and From the Periphery Podcast. They're working towards building a world where all worlds fit through their activism and scholarship.israa' is on Bluesky and IGDugoutThe Dugout is a Black anarchist podcast rooted in political education, decolonial thought/praxis, and deep community study. We tell stories, break down systems, and honor the voices of those building liberation from below. From interviews with Black Panthers and movement elders to media critiques and abolitionist strategy, each episode is a living contribution to Black radical traditions.Stay connected with The Dugout! Follow us for updates, exclusive content, and more:

Askani'son RETURNS and we discuss the state of Jean Grey in 2025!

You'll know Letitia Wright from her standout roles in Black Panther, Wakanda Forever, Black Mirror and Top Boy. She won the BAFTA Rising Star award in 2019 and is currently starring in Not Your Superwoman at The Bush Theatre, London. But Letitia's journey hasn't always been lined with red carpets. Born in Guyana and raised in Tottenham, North London, she's faced her share of challenges including depression, anxiety and experiencing the pressure to fit in from a young age. In this episode, Letitia opens up about dealing with online bullying, rejection and the lessons she's learned along the way. She speaks powerfully about the importance of faith, friendship and resilience, sharing how those pillars helped shape the person she is today. ✨ IN THIS EPISODE: 02:36 Childhood Memories 11:44 Audition Failures 22:20 Online Bullying and Its Impact 24:40 Struggles with Acting Roles 25:53 Dealing with Negative Thoughts 26:51 Overcoming College Torment 28:59 Finding Purpose in Acting 30:12 Battling Depression 35:41 Directing Debut Challenges 43:36 Processing Grief and Moving Forward

Age of Revelation HATH BEGUN! Let's break down what we know so far. Covering Heir of Apocalypse; Age of Revelation issue 0; X-Men issue 22; and Age of Revelation Overture!

What if America's wilderness hides a predator science won't acknowledge? In this episode of Dark Outdoors®, author Michael Mayes—known for his work Shadow Cats—joins us to dig into the controversial and chilling reports of black panthers roaming across the U.S. For decades, eyewitnesses from Texas to the Appalachians have sworn they've seen something impossible: massive black panthers prowling the woods, stalking farmlands, and vanishing into the shadows. Yet, mainstream science insists such creatures don't exist in North America. In this thought-provoking episode of Dark Outdoors, we sit down with author and researcher Michael Mayes to explore the mystery at the heart of his book Shadow Cats. Together, we examine chilling accounts, folklore, and the deep cultural roots of black panther sightings. Are these elusive predators a product of myth, mass misidentification, or could there be something truly hidden in America's wild places? Expect a conversation that pushes beyond campfire tales—diving into history, biology, and the unsettling implications of predators that may walk unseen. Whether you're a skeptic or a believer, this is one episode that will make you think twice the next time you walk into the woods after dark. Are they black mountain lions - black cougars? Are they black jaguars? Are they jaguarundi? Are they escaped exotics? What about the mysterious black longtail? Take a deep dive on black panthers with us.

Mrparka's Weekly Reviews and Update Week 438 (10.04.2025) (Death Line 4K, HIM) www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/mrparkahttps://www.facebook.com/screamingpotty/https://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571 Time Stamps 0:00“Death Line” 4K Review - 0:16“Where the Dead Go to Die” Blu-Ray Review- 8:57“When Black Birds Fly” Blu-Ray Review - 15:50“Haunted Castle” Blu-Ray Review - 21:31“Wicked Games” Blu-Ray Review - 25:44“Screaming for Sanity: Truth or Dare 3” Blu-Ray Review - 31:592025 “Witchboard” Review - 36:352025 “HIM” Review - 41:16Patreon Pick “Coronered!” Review - 46:18Questions/Answers/ Comments- 48:58Update - 59:5722 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version – https://youtu.be/qmsrXCgkn34Links Blue Underground - https://www.facebook.com/BlueUndergroundFilms/Death Line 4K - https://mvdshop.com/products/raw-meat-aka-death-line-4k-uhd-blu-ray-4k-ultra-hdJimmy Screamerclaus - https://screamerclauz.com/Where the Dead Go To Die Blu-Ray - https://mvdshop.com/products/where-the-dead-go-to-die-blu-rayWhen Black Birds Fly Blu-Ray - https://mvdshop.com/products/when-black-birds-fly-blu-rayRadiance Films – https://www.radiancefilms.co.uk/Daiei Gothic Vol 2: Japanese Ghost Stories Blu-Ray - https://mvdshop.com/products/daiei-gothic-vol-2-japanese-ghost-stories-blu-raySRS - https://srscinemastore.com/Truth or Dare Legacy Blu-Ray - https://mvdshop.com/products/truth-or-dare-legacy-blu-rayWitchboard Rental - https://www.amazon.com/Witchboard-Chuck-Russell/dp/B0FLNFVRN2/HIM Preorder Rental - https://www.amazon.com/HIM-Justin-Tipping/dp/B0FQXPTS4R Cornered! DVD - https://www.amazon.com/Cornered-Steve-Guttenberg/dp/B003BJO8KAUpdate 1. Gang Related2. Bloody Creek3. Vice Academy 1-64. The Films of Larry Fessenden – Wendigo and The Last Winter5. The Black Panther of Shaolin/ The Black Six6. The Strange Affair7. Bloodstained Italy – Death Falls Lightly, The Obscene Mirror, The Bloodstained Lawn8. The Resurrected 4K9. House of Long ShadowsFilm NotesDeath Line 1972 Directed by Gary Sherman Where the Dead Go to Die 2012 Directed by Jimmy ScreamerClauzWhen Black Birds Fly 2016 Directed by Jimmy ScreamerClauzHaunted Castle 1969 Directed by Tokuzō TanakaWicked Games 1994 Directed by Tim RitterScreaming for Sanity: Truth or Dare 3 1998 Directed by Tim RitterWitchboard 2024 Directed by Chuck RussellHIM 2025 Directed by Justin TippingCornered! 2009 Directed by Daniel Maze

INTO THE SUNKEN PLACE!! Get Out Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Monkey's Paw & Producer Jordan Peele's HIM playing now in theatres, Greg & Andrew REUNITE to give their Get Out Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Greg Alba & Andrew Gordon dive into Jordan Peele's Oscar-winning 2017 social horror / thriller Get Out! This critically acclaimed film follows Chris Washington, played by Daniel Kaluuya (Judas and the Black Messiah, Black Panther), a young Black man who visits the family estate of his white girlfriend Rose Armitage, portrayed by Allison Williams (Girls, M3GAN). At first, the trip seems like an awkward but typical “meet the parents” scenario with Rose's seemingly friendly mother Missy Armitage (Catherine Keener, Capote, Being John Malkovich) and father Dean Armitage (Bradley Whitford, The West Wing, The Handmaid's Tale). But soon, Chris uncovers a terrifying secret involving hypnosis, body snatching, and the sinister Coagula Procedure. The supporting cast includes Caleb Landry Jones (Three Billboards Outside Ebbing, Missouri) as Rose's unsettling brother Jeremy, Lakeith Stanfield (Sorry to Bother You, Atlanta) as the mysterious Andre/Logan, Lil Rel Howery (Free Guy, Vacation Friends) delivering comic relief as Chris's TSA best friend Rod, and Stephen Root (Office Space, Barry) as blind art dealer Jim Hudson. Get Out became a cultural phenomenon with iconic moments like the chilling “sunken place” hypnosis scene, the eerie garden party sequence with the “grandparents” living inside Black hosts, and the shocking twist of Rose's betrayal. The film balances psychological dread with razor-sharp social commentary on race, privilege, and exploitation, making it one of the most discussed horror films of the 21st century. Join Greg & Andrew as they react to the film's most haunting visuals, dissect its layered themes, and break down why Get Out remains a groundbreaking entry in both horror and social cinema. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode 219 of the Campus Comics Cast were join Superman and the Black Panther for an anti-Klan episode. Timestamps: 00:00:00 Opening Music 00:00:19 Intro 00:00:30 News 00:08:10 Superman Smashes the Klan 00:44:06 Black Panther Versus the Klan 01:28:35 CLZ Shake 01:35:05 Next Episode 01:36:48 Outros 01:38:03 Stinger Did you ever wonder how superheroes tackle real-world hate—and what happens when comic legends like Superman and Black Panther go head-to-head against the Klan in stories inspired by true historical events? If racial tension, community division, or the resurgence of hate groups feels all too familiar, this episode dives into how comics not only reflect but confront those problems, offering hope and perspective when society needs it most. Listeners will discover: How classic comic arcs like "Superman Smashes the Klan" and vintage Black Panther stories expose the roots and impact of racist organizations in American history, making these tales urgently relevant today. Powerful examples of character growth and courage, including moments where heroes and everyday people break through prejudice, accept their true identities, and stand up for justice. Behind-the-scenes insights into how creators handled controversial content, balanced historical accuracy, and pushed boundaries with storytelling, artwork, and commentary. Press play now to experience a unique podcast episode that blends pop culture, history, and social commentary in ways that will challenge and inspire—plus, you'll hear which rare comic covers and storylines are the most collectible today!

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Courtney Glaudé.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Courtney Glaudé.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Courtney Glaudé.

The Blue Beetle was re-imagined in the 60's as not one, buttwo new characters- Dan Garrett and Ted Kord. It was areally quick passing of the torch. What's the story? Howare they connected? What's their connection to Watchmen?You can follow the show @ComicsLloyd on Twitter orsend an email to ClassicComicsMBL@gmail.com . Youcan find me on Twitter @MattB_Lloyd and atwww.dccomicsnews.com where I write reviews and editnews stories.You can also check out my chapter in “Politics in Gotham:The Batman Universe and Political Thought.”https://www.amazon.com/Politics-Gotham-Universe-Political-Thought/dp/3030057755“Black Panther and Philosophy: What Can Wakanda Offerthe World?”https://www.amazon.com/Black-Panther-Philosophy-Blackwell-Culture/dp/1119635845/ref=sr_1_1?crid=2F69N3WJBZMF3&keywords=what+can+wakanda&qid=1642053514&sprefix=what+can+wakanda%2Caps%2C256&sr=8-1“Batman's Villains and Villainesses: MultidisciplinaryPerspectives On Arkham's Souls”https://www.amazon.com/Batmans-Villains-Villainesses-Multidisciplinary-Perspectives-ebook/dp/B0C5SHX9BJ/ref=sr_1_1?crid=D49SBV4K1UQD&keywords=villains+and+villainess+arkham&qid=1695406720&sprefix=villains+and+villainesses+arkaham%2Caps%2C284&sr=8-1I've also submitted my essay on Silver St. Cloud to beincluded in “Batman, Also Starring….” Also look out forthe forthcoming “Comics Lit.” series from members of theComics in Motion family, and Anachronistic Comics a DIYanthology comic in which I have writer/artist/creatorcredits.Silver Age Blue Beetle NotesSteve Ditkohttps://en.wikipedia.org/wiki/Steve_DitkoJoe Gillhttps://en.wikipedia.org/wiki/Joe_GillBlue Beetle at Wikipediahttps://en.wikipedia.org/wiki/Blue_Beetle

On today's episode we discuss New X-Men #125 PLUS the legendary Uncanny X-Men 152 where Storm/Emma swap bodies!

This week on Nintendo Pow BlockThis week, ⁠⁠⁠Edward Varnell⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Corey Dirrig ⁠discuss the classic Nintendo question: will Switch 2 be a strong home for third-party games? This time, it feels promising.Star Wars Outlaws on Switch 2 impresses with smooth performance, steady framerate, and even ray tracing—better than the Xbox Series S port in many ways.Marvel Cosmic Invasion adds Black Panther and Cosmic Ghost Rider to the hero roster, while Super Mario Galaxy 1 & 2 return with upgraded graphics, assist options, amiibo support, and extra storybook content.Nickelodeon Splat Pack revives classic SNES and Genesis games with modern features like rewind and save/load, available for pre-order Sept. 19–Oct. 19.CLOVERS, Hideki Kamiya and Kento Koyama's new studio, is developing Okami 2 with Capcom, focusing on creativity and staff protection, while leaks hint at an Assassin's Creed: Black Flag remake in March 2026, adding pirate content and RPG elements.All this and more on Nintendo Pow Block!Follow our Hosts: ⁠⁠⁠⁠⁠⁠Edward Varnell⁠⁠⁠⁠⁠⁠, Cofounder of ⁠⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Corey Dirrig⁠⁠⁠⁠⁠⁠⁠⁠⁠, Founder of Boss Rush Media and the ⁠⁠⁠⁠⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠⁠⁠⁠Join the Boss Rush Community: Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠Boss Rush Network Community Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Boss Rush Network: Follow Boss Rush Network on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Boss Rush Network:Support Boss Rush on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and buy merch on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store.⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Boss Rush on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ and visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠website at BossRush.net⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more great content.Thank you for your Support!Thank you for watching or listening to Nintendo Pow Block, the Nintendo podcast from Boss Rush Network! If you enjoyed the show, be sure to subscribe to the channel, give the video a Like, and hit the notification bell so you never miss an episode. If you're listening on Apple Podcasts, Spotify, or any other podcast app, please leave us a 5-star rating and a review—it really helps! For more great content, visit our website at BossRush.net. Thanks for your continued support of Nintendo Pow Block and our independent endeavor with the Boss Rush Network!

Abby Govindan is here to discuss her Pushing 30 stand-up show at Just For Laughs Toronto on September 22, visiting her family in her beloved Houston, Texas hometown, her excitement as a New Yorker with high hopes for mayoral candidate Zohran Mamdani, being outspoken, translating one's affluence into empathy and fighting for those who are less fortunate than you are, the end of centrism, Malcolm X and the Black Panthers, how first generation immigrant alienation can lead to anxiety, stress, and depression, why a traumatic self-harming incident drew her family closer together, the end of her How to Embarrass Your Immigrant Parents performance run and building a new hour with Pushing 30, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1015: Alan LichtEp. #1011: Saul WilliamsEp. #1004: Liz PellyEp. #1001: Thanya IyerEp. #950: Gianmarco SoresiEp. #901: John EarlyEp. #869: Steve AlbiniEp. #785: Hari KondaboluEp. #280: Hasan MinhajEp. #352: Amy GoodmanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Derick shares his transformative journey through three consecutive ayahuasca ceremonies where he confronted his tendency to live in survival mode and discovered how self-sabotage keeps us trapped in fear-based patterns.• Three consecutive ayahuasca ceremonies revealed progressively deeper layers of consciousness• The medicine showed Derick how he unknowingly stays in survival mode through people-pleasing and seeking external validation• Jesus (the ceremony guide) asked penetrating questions that revealed how Derick's need for acceptance creates a survival pattern• Physical purging during ceremonies represented the release of old survival patterns and programming• The medicine revealed how self-sabotage keeps us in survival mode even when things are going well• Visions of a Black Panther symbolized the ability to hunt down shadow aspects hiding in darkness• The spirit of Kobe Bryant appeared with a message about legacy and moving beyond physical limitations• The third ceremony culminated in a vision of a golden Jaguar representing illumined leadership• Integration involves catching moments of self-sabotage and consciously choosing to move beyond survival patternsJoin today at dgmindset.com and I will see you inside.✨ Ready to take your growth to the next level? ✨The DG Mindset Academy | School of Growth is now open! Inside, you'll get access to my masterclasses, live 8-week courses, and Q&A coaching calls with me — all in a semester-style framework designed to help you transform at your own pace. Click here to join the Academy Your next level of growth starts now.