Podcast appearances and mentions of Heath Ledger

In episode 2134, Jack and Miles are joined by comedian, writer, journalist, and host of The Bitchuation Room, Francesca Fiorentini, to discuss… Mama Mia! Don’t Bothc-a the GOTCHA! TSA Pulls Reverse-George Costanza--Bans Chairs, The Parental Estrangement “Epidemic” Is The Right’s Latest Obsession and more! Eric Schmitt beclowns himself during Jack Smith hearing Schmitt is like one of those knock-off cosplaying Batman guys Heath Ledger’s Joker slaps around. As Jack Smith Testifies, a Senator’s Accusation of Perjury Falls Apart Oh man the influencer instruction emails went out BEFORE the testimony George Feels The Plight Of The Security Guard | The Maestro | Seinfeld TSA officers now not allowed to sit down while checking boarding passes and IDs Trump nominates David Cummins to head the TSA after a rocky period for the agency What to know about TSA Gold+, the Trump administration's new push to privatize airport security An unhinged boomer breaks down and cries and screams that her “petty” daughter cut her off and won’t let her see her grandson. As insane as it sounds, this is very, very likely to be one of the next big hot-button culture wars the right focuses on: stopping children from estranging their parents. FOX NEWS: Cut off by your adult child? Psychology researcher reveals what parents should do next The Free Press: I Went No Contact with My Parents. I Regret It. WSJ: Why Are So Many Adults Cutting Off Their Parents? The Christian Post: Cutting off parents may sound therapeutic, but is it unbiblical? Going no-contact with MAGA parents: Crucial self-care or the “unraveling of America”? Psychologist Reveals the Real Reason So Many Adult Children Cut Off Their Parents The real reason many Americans are cutting ties with their parents and siblings LISTEN: Terrapin by BonoboSee omnystudio.com/listener for privacy information.

When Magda Szubanski discovered what had happened to her mum as a child, two years after she died it helped her see her in an entirely new light (CW: discussion of sexual abuse, please take care when listening)Magda released her first memoir a few years ago, to widespread acclaim.It was the story of how Magda unearthed the life story of her Polish-born father and his role as an assassin during WWII.Magda's now written her second memoir which hinges on the life story of her charming and funny Scottish-born mother, Margaret.Magda had a complicated and deeply loving relationship with her mum, who sometimes lashed out at her daughter in devastating ways.Two years after Margaret died, Magda found out a tragic secret about her life.The revelation explained so much, and Magda later realised she had also suffered a similar trauma in her own childhood.Content warning: this episode of Conversations contains discussion of childhood sexual abuse.I Can't Tell You But I Will is published by Text Publishing.This episode of Conversations was produced by Elizabeth Kulas. Executive Producer is Nicola Harrison.It explores Australian actors, Australian comedians, Australian television, Australian cinema, Kath and Kim, mothers and daughters, childhood abuse, child on child abuse, sexuality, queerness, queer actors, gay marriage referendum, intergenerational trauma, coming out, famous lesbians, Sharon Strzelecki, Gina Riley, Jane Turner, Babe, Babe: Pig in the City, Happy Feet, Heath Ledger, youngest children, cancer diagnosis, Mantle Cell Lymphoma, Maggie Smith, memoir, writing, books, Australian literature, family origin stories, nervous system, fight, flight, freeze, fawn, Catholic school, George Orwell, mental health, university, shame, pray the gay away, suicidal thoughts, LGBT rights, same-sex marriage, George Miller, domestic violence, violence against women, group think, free bleeding, activism, Madrid, Spain, grief, Catholicism.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Michael Jai White (Spawn, Black Dynamite, The Dark Knight) joins me this week for the longest conversation I have ever had on this show, and I did not want it to end. Michael opens up about growing up in Brooklyn and Bridgeport where violence was right outside the doorstep, being on his own since 14, and the lunch with a friend who served 30 years in prison that made him realize how close he came. We get into where his anger really came from and the mindset that ended it, his honest feelings about Spawn, what Heath Ledger was like when cameras were not rolling, playing Mike Tyson, and the night he got jumped by five men and walked away. He also breaks down the generational conditioning he caught working on himself, and why he calls poverty a gift. Thank you to our sponsors:

Medieval history meets classic rock in this week's episode as we discuss the beloved 2001 film A Knight's Tale. Starring the late Heath Ledger, this unique adventure blends jousting, romance, comedy, and an unforgettable soundtrack into a crowd-pleasing favorite. We explore the film's enduring appeal, memorable characters, historical liberties, and why it continues to resonate with audiences more than two decades later. Join us as we revisit a movie that proves legends can come from the unlikeliest places. Our Linktree: https://linktr.ee/FiveishFangirls #FiveishFam    TIME STAMPS 00:00:24 Intro 00:04:59 News 00:13:19 Feedback 00:30:21 A Knight's Tale 01:32:27 Closing Thoughts 01:35:09 Outro Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

[School of Movies 2026] The final week of Shakestember brings us to a modern teen high school adaptation that far surpasses the dodgy original by an as-yet-unseasoned William, blushingly groping for a satirical take on misogyny in the sixteenth century and landing by accident upon dystopian horror with Taming of the Shrew. 10 Things was the debut of Heath Ledger, and is intensely fondly remembered, being the sweetly dry retreat for those who mourned his passing just nine short years later. It is also the most prominent early onscreen role for Julia Stiles, Joseph Gordon-Levitt and David Krumholtz. This one was a favourite for us from the first word, but we found out things we never knew whilst exploring these hallowed hallways. Our Shakespeare season may be ended here, but the Patreon bonus feed for the next few weeks will play host to a series of discussions on movies that explored the real life man, some heartbreaking, some hilarious and one utterly despicable! Coming soon, we unexpectedly find ourselves training up to tackle the Rocky movies after years of putting them off. This next month will be our long-awaited, long-promised Rocktober! This week's After School Club: Cutting Class on 10 Things Next week: Flash Gordon (1980)

This week, Justin and Chad take some time on the dark fantasy action-adventure side of things with 2005's The Brothers Grimm, starring Matt Damon and Heath Ledger! Download and listen today on Apple Podcasts, Spotify, iHeart, Amazon, Stitcher, Goodpods, and more of your favorite podcast services!  Support our Extra Life effort for Children's Miracle Network Hospitals and maybe win yourself a big prize! Details: https://dd.extra-life.org/teams/73355 

Well Happy Batman Day... This Is A Weird One. Today we're diving into two of our favorite corners of the comic book movie world — the future of Marvel's X-Men AND the long history of Batman villains. First up, we're talking about the latest X-Men MCU casting rumors, including an Asian woman in a supporting role, a Native American man in a supporting role, and another female character who could have a small role in the first X-Men movie before becoming much more important in the sequel. Who could Marvel Studios be looking to bring into the MCU? We break down some of our biggest guesses, including characters like Thunderbird, and get into their powers, personalities, comic book histories, and how they could potentially fit into this new version of the X-Men. Then, in honor of Batman Day, we're doing the impossible: RANKING EVERY BATMAN MOVIE VILLAIN! We're going through the Tim Burton Batman movies, Joel Schumacher era, The Dark Knight Trilogy, Zack Snyder's Batman appearances, The Batman, Batman: Mask of the Phantasm, and The LEGO Batman Movie — from Jack Nicholson and Heath Ledger's Joker to Danny DeVito's Penguin, Michelle Pfeiffer's Catwoman, Jim Carrey's Riddler, Tom Hardy's Bane, Cillian Murphy's Scarecrow, Paul Dano's Riddler, Colin Farrell's Penguin, Mark Hamill's Joker and MANY more. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher Nolan is one of the few directors in the world of film using traditional techniques mixed with practical modern effects to make his movies. For years he was accused of whitewashing and downplaying women alongside of criticism for telling his stories in a non-linear fashion with variations in the audio. He is also criticized for relying on explanatory dialogue instead of an overload of stimulating images. Suddenly, however, his movie The Odyssey is being called "woke" for the casting of racially-different actors and for interpreting the original story in a modern way, even portraying Odysseus as weak because the movie relied on the psychology of trauma. Ironically, the so-called diverse cast saw very little air time, and some of them were not horrible performances. Portraying Odysseus as more human and interpreting his journey through a modern lens is not in any way new to a Nolan film. Most of his films rely heavily on psychology and somewhat unorthodox dialogue. Some castings don't work, but others do; like when he was criticized for casting Heath Ledger as the Joker, which turned out to be one of the single greatest performances in cinema history. When asked about the "woke" accusations, Nolan doubled down on his body of work and made no attempt to justify it based on politics, race, gender, etc. In other words, it appears that accusations of "woke" are based on nothing but broken, hollow arguments that are looking for conspiracies and something to be angry about. In this case, it is coming from the right rather than the left. Furthermore, Nolan uses practical effects to create plane crashes, atomic bombs, and even giant cyclopes, instead of relying on CGI, something that again, ironically, something the anti-woke people are usually complaining about in Hollywood needing to change. *The is the FREE archive, which includes advertisements. Subscribe to remove ads. The show has no sponsorship and has been banned countless places. 

Austin comedian and rising star, Xaria Coleman, joins Torie for the first of a three part series showcasing the some of the greatest gay love stories to hit the silver screen. To kick off this steamy triad, Torie and Xaria discuss Ang Lee's sweeping epic romance, BROKEBACK MOUNTAIN (2005). Starring the late Heath Ledger, Jake Gyllenhaal, Michelle Williams and Anne Hathaway, this devastating portrait of clandestine love between two cowboys was a cultural juggernaut that early aughts audiences never saw coming. Released during the lingering homophobia of the post-Y2K era, BROKEBACK MOUNTAIN was arguably the first guy-on-guy romance featuring explicit sex to hit mainstream media. Both groundbreaking and back-breakingly heartbreaking, Ennis and Jack walked so the other boys could run.   ---- Xaria Coleman is a comedian from Austin Texas with 14 years of improv and sketch comedy experience. You can see her on Austin PBS summer 2027. Follow @xariadoesit on Instagram and TikTok

In the last of four episodes from the Provence Arts Festival du Film, Mark sits down with editor Susan Steinberg to talk about Rolling Stones documentary Gimme Shelter. Next, he talks to Samantha Morton about her festival highlights, her role as Circe in Christopher Nolan's The Odyssey, and Heath Ledger. And finally, festival director Lucy Darwin looks back on the festival, and the Elvis screening that blew her mind.Films mentioned in this episodeGimme Shelter (1970, dir. Albert and David Maysles, Charlotte Zwerin)Cocksucker Blues (dir. Robert Frank, unreleased)Broken English (2025, dir. Jane Pollard and Iain Forsyth)Summer of Soul (2021, dir. Questlove)EPiC: Elvis Presley in Concert (2025, dir. Baz Luhrmann)One to One: John & Yoko (2024, dir. Kevin Macdonald and Sam Rice-Edwards)The Odyssey (2026, dir. Christopher Nolan)Rosemary's Baby (1968, dir. Roman Polanski)The Brothers Grimm (2005, dir. Terry Gilliam)This episode was recorded at the Provence Arts Festival du Film, an annual festival founded by Lucy Darwin, dedicated to documentary cinema and the arts held in the hilltop village of Ménerbes, which this year focused on music documentaries.This episode was produced by Hedda Lornie Archbold and recorded and edited by Richard Gay.With thanks to Lucy Darwin and the Provence Arts Festival du Film, and to Susan Steinberg and Samantha Morton.Kermode on Film is an HLA Agency production© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

In this episode, we kick off September with our mainstream pick of the month, the historical epic from director Roland Emmerich, "The Patriot", starring Mel Gibson, Jason Isaacs and Heath Ledger! Listen now!

A Massachusetts courtroom just produced something that almost never survives into public record: a near-complete paper trail of one woman's psychiatric care in the three months before catastrophe. Her diary, her phone notes, and the testimony of every provider who tried to help her sleep all lead to a central question: what actually happens when insomnia and psychiatric illness feed each other, and how thin is the system supposed to catch it before it breaks? In this episode we will:Walk through the documented timeline od initial depression, an SSRI, a reported 48 hours without sleep, and a rapid cascade through a benzodiazepine, an antihistamine, and eventually an antipsychotic, across three different providers in three monthsBreak down SSRI-induced activation syndrome and why it can look clinically identical to an antidepressant unmasking bipolar disorderBring in the hard data on sleep loss as a trigger, not just a symptom, including a study of 870 women with bipolar disorder showing one lost night of sleep around delivery raised postpartum psychosis odds roughly fivefoldDraw the same throughline through Michael Jackson, Heath Ledger, and Brittany Murphy, three deaths where a real, unresolved insomnia complaint met multiple prescribers without a shared pictureEvaluate national data putting mental-health ED visits at over 35,000 a day, and a 2013 survey showing a third of psychiatry residencies don't even offer an elective in sleep medicineOriginal intro music Vigilanteology by Abhinav Singh (copyright 2026) Original outro music Vigilanteology (reprise) by Abhinav Singh (copyright 2026)Produced by: Maeve WinterMusic by: Dr. Abhinav Singh (@sleep_vigilante), all rights reservedMoreTwitter: @drchriswinterIG: @drchriwinterThreads: @drchriswinterBluesky: @drchriswinterThe Sleep Solution and The Rested ChildThanks for listening and sleep well!

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2026 and rate them. This coupon code will get you 25% off the ebooks in the Ghost Armor series at my Payhip store: FALLARMOR The coupon code is valid through September 21, 2026. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 319 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September the 4th, 2026, and today I'm looking back at the movies and streaming shows I watched over Summer 2026. We will also have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Ghost Armor series at my Payhip store. That coupon code is FALLARMOR. As always, you can get the coupon code and the links to my Payhip store available in the show notes for this episode. This coupon code will be valid through September 21st, 2026, so if you need a new ebook for this fall, we have got you covered. Now an update on my current writing, publishing, and audiobook projects. I'm pleased to report that the rough draft of Blade of Visions is done. It came to 99,000 words. It'd be kind of cool if it came to 100,000, but as I've learned in the 15 years I've been doing this, it's not a good idea to pad things for length. Editing is underway. I'm about 15% through the first pass of edits. I'm working on the cover design, so I'm on good track to have the book out before the end of the month. I also wrote a tie-in short story called Winter Crown and don't forget that [newsletter] subscribers will get a free ebook copy of that short story when Blade of Visions comes out later this month. So this makes a very excellent time to subscribe to my new release newsletter. I am also 12,000 words into Elven-Warlock, which will be the seventh book in the Half-Elven Thief series. Hopefully that will be out in October, if all goes well. In audiobook news, I think Blade of Thieves (as narrated by Brad Wills) and Cloak of Worlds (as narrated by Hollis McCarthy) are now finally available at all the usual audiobook stores, which includes Audible, Apple, Amazon, Kobo, Google Play, Chirp, and all the others. So if you want to listen to those if you are going on a Labor Day road trip, you can check those out. A reminder that Stealth and Spells Online: The Complete LitRPG trilogy (narrated by C.J. McAllister) is also available on Audible, so check that out. That's 32 hours long and that would also cover all your Labor Day travels. So that is where I'm at with my current writing, publishing and audiobook projects. 00:02:22 Main Topic of the Week: Summer 2026 Movie Roundup So let's move on to our main topic this week. Our main topic this week is the Summer 2026 Movie Roundup and I always enjoy doing those. These episodes are a little less serious than some of the other episodes and it's fun to talk about things I enjoyed and that you might enjoy as well. And I did see a lot of new movies this summer. In fact, I went to the actual theater four times for Masters of the Universe, The Odyssey, Spider-Man, and Coyote vs. Acme, which is probably more than I've gone in a single season since before COVID times. So as usual, here are the movies I saw this summer (rated from least favorite to most favorite). The grades are totally subjective and based on nothing but my own thoughts and opinions. First up is The Breadwinner, which came out in 2026. This is basically standup comedian Nate Bargatze's act come to life as a movie. If you've seen Bargatze's standup, his usual routine is to portray himself as the dumb husband and bumbling Girl Dad, which is actually quite clever from a comedic standpoint since you're unlikely to have outraged mobs calling for your head if all you're doing is making fun of yourself. Anyway, Bargatze portrays Nate Wilcox, the best Toyota salesman in Nashville. (Don't worry, this is the first of only many product placement moments.) He lets his wife Kate manage the household and do the bulk of the work with their three daughters. When Kate's invention takes off on Shark Tank, she has to go to South Korea for two weeks to oversee manufacturing, leaving Nate in charge of the kids. Comedic chaos ensues. On the positive side of this movie, I did approve how this movie showed a married couple trying to work through a rough patch and do what's right for their kids and each other in a semi-productive way rather than blowing up their lives over nonsensical trivialities in the style of Eat, Pray, Love. On the downside, there was a lot of product placement, to the point where it at times felt like an extended commercial with bits of plot jammed in between product endorsement. No doubt most of the production budget came from product placement money. Will Forte was funny as an eccentric roofing contractor and Martin Herlihy as a shifty DoorDash employee. Kumail Nanjiani was funny as Nate's rival salesman at the car dealership. So overall, I would say this was blandly amusing and inoffensive with some funny slapstick moments. Overall grade: C- Next up is Supergirl, which came out in 2026. This movie really was sort of a strange combination of John Wick and the human trafficking subplot from 2020's Black Widow. The end result wasn't quite as good as Superman from 2025, alas. I did like this movie's interpretation of Supergirl. Kara Zor-El's departure from Krypton was way more traumatic than Superman's, so she's dealing with her unresolved emotional issues by traveling from planet to planet with red suns and getting hammered since the same yellow sun that gives Kryptonians their superpowers on Earth also keeps them from getting drunk because their bodies process alcohol too efficiently. However, Kara comes to a planet where a girl named Ruthye lives. Ruthye's family has been slaughtered by ruthless brigands yet led by Krem of the Yellow Hills and she's going on a quest for revenge. When Ruthye tries to recruit Kara for the quest, she's not interested, but then Krem steals Kara's spaceship and poisons her dog Krypto. Krem carries the antidote on his person, so now Kara and Ruthye team up to get vengeance on Krem and to heal Krypto. Krem is a nasty piece of work and he and his space gang travel from planet to planet abducting women to be their wives. I think the problem was that Krem was kind of a boring but nasty villain, but he was still boring. He was basically a space thug with too many piercings. Lex Luthor from 2025 Superman, by contrast, was a really interesting villain, this malignant narcissist who knows that his obsession with Superman is over the top, but he's going to act on it anyway. Additionally, I don't think this version of Supergirl is quite capable of being a lead character on her own. She'd make a superb secondary character, but I don't think she could quite carry a movie on her own. And Jason Momoa was pretty good as Lobo. Overall grade: C- Next up is Troy, which came out in 2004. I wanted to see this either before or after I watched The Odyssey this summer and ended up watching it the day before I went to see The Odyssey. I would say this movie was slow and ponderous, but I did enjoy watching it. This is an adaption of The Iliad and has the sort of slow stateliness of epic films from the '60s. It had good performances and good battle scenes. Brian Cox was enjoyable as a scenery chewing Agamemnon and Brad Pitt worked as Achilles. Interestingly, his version of Achilles reminded me of the interpretation of Feyd-Rautha Harkonnen from Dune 2 as sort of a violent psychopath with his own twisted sense of honor. Oddly, despite the fact that this was rather a long movie, the ending seems a bit rushed, like we needed to hurry up and get to the Trojan Horse. It was amusing how Achilles' relationship with Patroclus was changed to "cousin" for the modern audience, but Greek views on sexuality would definitely be unpalatable with both right-wing and left-wing versions of the modern mind, which is a good thing because while the Greeks contributed a great deal to the development of civilization, they were into a lot of unsavory stuff. So overall, I would say this was a fun, epic movie, but I think this walked so the 2026 version of The Odyssey could run. Amusing fact: Christopher Nolan was apparently supposed to direct this, but the deal fell through and he got Batman Begins as a consolation prize instead. Overall grade: B- Next up is The Dink, which came out in 2026. This is an Apple TV comedy movie about pickleball of all things. I feel like this was made because some Apple executive got made fun of by some tennis players for playing pickleball and then decided to take revenge through media. Jake Johnson plays Dustin Boyd, a washed up former child tennis star who now works at his father's tennis club. The club has difficulties because of a growing influx of pickleball players who the hardcore tennis players hate. Dustin's father decides to use the club's bylaws to force a duel match to decide the issue, in the grand tradition of wacky comedy stakes. Dustin really wants to play the duel match, but his wrist is injured in an accident. To get his wrist mobility back, the doctor suggested he play some pickleball and Dustin views this as beneath him, but he really wants to play again, so he signs up for pickleball. This ends up being a wacky sports company/buddy movie as Dustin gradually befriends an eccentric older pickleball player. Ed Harris should really do more comedic roles. He was great as Dustin's stern, yet unscrupulous father. I do admire Apple TV's dedication to making random stuff. Overall grade: B- Next up is Green and Gold, which came out in 2025, and this is a melodrama about a farmer and his granddaughter dealing with the grim economic realities of farming. This is set in 1992/1993 era Wisconsin. Buck refuses to modernize his dairy farm in Door County, Wisconsin. His granddaughter Jenny is a talented musician and also a skilled farmer, and Buck wants her to take over the farm one day, but Jenny's ambitions are looking elsewhere. Events come to a head when Jenny realizes that Buck is deeply in debt to the bank, which is about to foreclose on the farm. However, Buck and the chief banker have a personal animosity, so they settle on a bet. If the Green Bay Packers win a Super Bowl title in 1993, the banker will give Buck one more year to turn things around on the farm. Meanwhile, Jenny begins to wonder if her music ambitions might generate the money to save the farm. Of course, if you are familiar with the history of the Packers, you know that they won a Super Bowl in 1996, not 1993. The movie has carried on the back of the very strong performances of its actors. It also has an ambiguously happy ending, as is true with so many things in farming. I like this movie because I've spent a lot of my life in the American Midwest, [and] I did appreciate how it shows the difficulties of the farming life. Also, this is important: a fall from a ladder is a plot point. Ladder safety is important, people! If you are going up a ladder, for heaven's sake don't climb the ladder in high heels like the character in question does. Wear sensible, well-fitting shoes with good soles. A very long time ago, I used to work with a guy who would climb extension ladders in cowboy boots. It is nothing short of the mercy of God that he didn't fall off and shatter half the bones in his body. Overall grade: B Next up is Grumpy Old Men, which came out in 1993. Apparently this is set in Wabasha, Minnesota, which is amusing because filming actually took place in several areas in the Twin Cities in Eastern Minnesota, but not actually in Wabasha. I found that personally amusing because I'm quite familiar with the area and so I recognize several filming locations. Anyway, the movie is about two retirees, Max and John, who are enemies and have been enemies for years, but Max is lonely and wants to get married again, and John is about to lose his house to the IRS due to tax problems. Things come to a head when an attractive literature professor moves across the street and both Max and John take an interest in her and start competing for her affections. However, it turns out that Max and John are actually best friends whose love language happens to be hatred and practical jokes, kind of like Wile E. Coyote and Road Runner, but more on them below. This was a good character comedy/drama. It was interesting that the professor was an early version of the Manic Pixie Dream Girl trope, albeit several decades before someone came up with the term. This is worth watching both as a character and comedy drama and a time capsule of the 1990s. Sometimes a movie ages a bit badly (Airplane and the Thomas Crown Affair from the Spring Movie Roundup come to mind), but this didn't. The sequel Grumpier Old Men from 1995 is basically the same movie, but with the characters acting about 20% dumber so a sitcom style plot can happen. Still entertaining, but not as good as the first one, so Grumpier Old Men only gets a B-, but Grumpy Old Men gets a B+. Next up is Masters of the Universe, which came out in 2026. It was amusing to read reviews of this movie because people thought way too hard about a movie that is essentially about battling action figures. Anyway, this was pretty good. It was nice to see a movie about a science fiction property that doesn't actually hate the source material. Basically it's a live action version of the cartoons from the '80s, albeit with somewhat more thoughtful moments. I heard someone suggest that it was close in tone to Thor: Ragnarok, and that seems accurate. The plot is that Skeletor conquers Eternia and 10-year-old Prince Adam is sent with the Sword of Power through a magical portal to Earth to keep him and the sword out of Skeletor's reach. However, Adam loses the sword while passing through the gate and 15 years later is working in human resources. He's still seeking for the sword despite his therapist trying to convince him that it was a trauma-induced fantasy. However, his persistence pays off and he does find the sword. Teela, who is one of the resistance leaders against Skeletor's rule, comes to Earth to find him and bring him back, but Skeletor's minions arrive to claim the sword as well. Adam and Teela escape back to Eternia and it's up to Adam to find a way to use the Sword of Power to become the hero that Eternia needs. Dolph Lundgren's cameo was great. Overall, I would say this is a fun movie to watch, especially if you're a Millennial or Gen Xer who saw the cartoons or the live action movie back in the '80s. Jared Leto has something of an increasingly questionable reputation these days, but he did a good job as Skeletor, played him halfway between the solemn gravitas of the 1987 version and the malevolent comedic cornball of the cartoons. Of course, in my opinion, the Frank Langella version from 1987 is the best version of Skeletor since he placed it with all the seriousness of a Shakespearean villain monologue at the Royal Shakespeare Company. In hindsight, it wasn't terribly surprising that this underperformed at the box office. It felt like it was made for guys my age, not for kids. I would've been comfortable bringing an eight-year-old to see The Mandalorian and Grogu or Super Mario Galaxy, but I would've been less certain bringing a kid that age to see Masters of the Universe. Additionally, it seemed very Marvel in tone, and I think the overall mood of the US these days is less "Marvel Cinematic Universe quips and banter" and more sort of the grimness of The Odyssey, which we'll talk about shortly. Overall grade: B+ Next up is Young Washington, which came out in 2026, a biopic of the early life of George Washington, covering how he more or less accidentally started the French and Indian War and how he recovered his reputation at the Battle of Braddock's Field. To be fair, the international situation at the time meant that someone was going to start the French and Indian War. It just happened to be Washington, who was in the wrong place at the wrong time. Overall, I liked this. It was reasonably historically accurate, though some of the emotional and family dialogue at times was a bit clunky. Additionally, Washington was portrayed as having revolutionary leanings much earlier in life than he actually did, since when he was a young man, he had no thoughts of being anything but a British subject and officer. That said, some of the most implausible stuff in the movie actually happened in real life. Like if I were to write in a novel that the future president of the United States personally rallied the army's rear guard to save as many men as possible from an ambush, and in the process had two horses shot out from under him and ended up with bullet holes in his hat and coat (all while fighting continuously), you would probably find that a bit implausible, but it actually happened that way. Washington's daring actions during that battle were one of the reasons he was appointed commander of the Continental Army during the Revolutionary War, that and there weren't many other colonials with as much experience of military command as Washington. In that vein, the battle scenes were the best part of the movie. They captured the brutality and messiness of 18th Century warfare without being especially graphic. Anyway, I'm glad this is getting a sequel. Maybe we'll end up with a Young Washington Cinematic Universe. Overall grade: B+ Next up is Meet the Parents, which came out in 2000, and this is probably one of the apex forms of cringe comedy. Ben Stiller plays Greg Focker, a nurse who's in love with schoolteacher Pam Burns. Greg wants to marry Pam, but overhears a phone call with her sister where she says her fiancé asked permission of her traditional father first. Greg decides that he's going to ask Pam's father's permission first to get off on the right foot, and so accompanies Pam to her sister's wedding and her parents' house to, as the title says, Meet the Parents. However, Pam's father is the former CIA counterintelligence officer Jack, and he and Greg immediately get on each other's nerves. To make things worse, the airline has lost Greg's luggage. From these two starting premises follow a cascading series of hilarious disasters that accumulate in a septic tank fire on the lawn. I'm not sure, but I think I saw this one in the theaters when it came out in 2000, and I thought it was funny then. With 26 years of additional life experience under the belt, I still think it's pretty funny, though you could still tell that this movie was filmed before 9/11 because if Greg had his airport meltdown seen today, the consequences would've been much worse. Overall grade: B+ Next up is O Brother Where Art Thou, which came out in 2000. This is a very, very, very specific adaptation of The Odyssey directed by the Coen brothers. George Clooney plays Everett, a convict who escapes from a chain gang in Mississippi during the Great Depression. He wants to find a treasure and he recruits fellow convicts Delmar and Peter to assist him. Along the way, Everett and his team encountered 1930s era versions of the Sirens, the cyclops, the blind prophet Tiresias, and other characters and foes from the original Odyssey myth. Everett and his friends end up running a scam where they pretend to be a Christian music group, but as it turns out, they're actually pretty good at singing, so this leads to unexpected hilarity and opportunities. This was also a very funny movie. Imagine The Odyssey is a comedy with a lot of singing set in the Deep South during the Depression, and you're there. If you're a fan of bluegrass music, this is worth watching. If you've seen Christopher Nolan's The Odyssey, it's worth watching this just to ponder how the same source material can produce such wildly divergent interpretations. If you don't care about The Odyssey, then this is still a fun movie to watch. Proof: I mentioned to someone that I had seen this and she responded that she both loved the movie and was surprised to learn that he had in fact been inspired by The Odyssey. Overall grade: A- Next up is Hoppers, which came out in 2026. Like most Pixar movies, this was very high concept. Unlike many recent Pixar movies, it wasn't too depressing and didn't disappear up its own tailpipe. In the city of Beaverton, hot tempered girl Mabel bonds with her grandmother in their favorite place, a woodland grove favored by beavers. Years later, Mabel is a biology student under Dr. Fairfax, but is neglecting her studies to face off against her nemesis, the popular yet sketchy Mayor Jerry of Beaverton. Mayor Jerry wants to build an expressway that will wipe out the woodland grove, and he's perfectly within his rights to do it since no animals have been found living there. Since Mabel's grandmother has died, she's unwilling to give up the grove. However, Dr. Fairfax's research might give her a way. Dr. Fairfax has worked out a way to temporarily transfer human consciousness to a robotic beaver capable of speaking to real beavers, much like the plot of Avatar. In a funny scene, Fairfax angrily denies that it's just like Avatar. Mabel gets the idea to use this to convince real beavers to settle in the grove, thereby thwarting Mayor Jerry's plans. This touches off both a wacky yet poignant adventure. The plot was very well structured and it followed the proper rules of story structure, which I've talked about before. Mabel definitely is a protagonist who takes action, but experiences setbacks and problems of her own creation. It was pretty good. I say it was a return to form for Pixar after some of their weaker movies in the 2020s. Overall grade: A Now it's time for my three favorite movies of summer 2026, all of which I actually saw in the theater. First up is Coyote versus Acme, which came out in 2026. This movie had an extra surge of popularity from the fact that Warner Brothers canceled it as a tax write-off, but distributor Ketchup Entertainment revived it. That makes it a plucky underdog since Warner Brothers senior executives are kind of like the apex version of soulless corporate bug men. Like if I wrote characters in my books who acted like Warner Brothers senior executives, people would think I was being didactic and heavy-handed. Anyway, after decades of failures in efforts to capture the Road Runner, Wile E. Coyote decides to sue Acme Corporation for its numerous defective products. Coyote teams up with a lazy strip mall lawyer named Kevin Avery, who specializes in getting small settlements from Acme. However, Avery and Coyote end up filing a massive lawsuit against Acme, which means they'll face the full wrath of Acme Corporation, including its ace lawyer Buddy Crane and its ruthless CEO, Foghorn Leghorn. What follows is a comedic courtroom battle as Coyote and Avery try to defeat Acme Corporation, defeat its sinister plans, and Coyote starts to realize that Road Runner might actually be his best friend. Both quite amusing and touching, and I'm glad this was rescued from the tax write-off vault. Overall grade: A Next up is The Odyssey, which came out in 2026. This wasn't quite as good as Oppenheimer in 2023 in my opinion, but it was still very good and very much worth seeing. It was weird that The Odyssey was briefly a football in the never-ending US culture war scrum because the movie isn't really political and doesn't really have a message beyond "war is destructive and bad", which every sensible person would agree with, and a lesser message of "violating the law of morality has unforeseen cascading bad consequences, including the destruction of civilization", which is also quite true and was one of the themes of Oppenheimer. Nolan himself dismissed the controversies as "irrelevant" and "part of the territory" since no one had actually seen the movie yet, and given that The Odyssey has made a billion and a half dollars as of this recording, I think that may have proved his point. I imagine the scrutiny from Batman fans back in the 2010s was way more intense since in the modern era, many people care more deeply about the accuracy of Batman than The Odyssey. I do think the debate over the historical accuracy in The Odyssey is pointless because the Odyssey is myth, not history. The Iliad and The Odyssey are a lot like Arthurian myth in terms of their actual historicity. Even when Arthurian legend was massively popular with English kings and nobles in the late medieval and early modern period (for example, Henry VIII's older brother was named Arthur in imitation of King Arthur), the version of Arthurian myth they celebrated and wished to emulate had virtually no connection to the reality of Britain in the 500s AD and was instead a sort of fantasy version of their own time in the 14th and 15th centuries. By the time The Odyssey was written down, no doubt a similar process was underway. Both The Iliad and The Odyssey and the Arthurian cycle probably have a kernel of historical truth buried underneath the tales of magic swords, sirens, cyclopses, and vengeful witches with magic islands. There likely was a Romano-British warlord who might have been named Arthur (or possibly Ambrosius Aurelianus) who held off the Saxons for a while before he was overwhelmed and killed. Likewise, Heinrich Schliemann was a highly eccentric and very sketchy crazy rich guy, but he did prove that there really was some version of the city of Troy that was destroyed at the end of the Bronze Age. But everything beyond those basic details came from thousands of years of embellishments and flourishes from later poets and writers. So arguing about the historical accuracy of The Odyssey is a bit like arguing if Star Wars portrays faster than light travel in an accurate way. That kind of argument is just missing the point entirely. It's also interesting to see how modern standards clashed with the ancient mindset. You know how I always say that everywhere in the United States is exactly the same right until it really, really isn't? I think ancient people are just like us until they really, really weren't. Like ancient people would have been superstitious to an extent that even the most credulous crystal and aura influencer on TikTok would find horrifying and frequently violent in a way that the most strident self-defense advocate would find shocking. The Odyssey's version of Odysseus feels guilt and remorse over his actions in a way an actual ancient Greek probably wouldn't have, but so what? This is The Odyssey viewed through the lens of the 21st century, just as those English nobles viewed the myth of King Arthur and his knights through the lens of their time. As I mentioned with Troy above, the ancient Greeks were often quite brutal and would celebrate sacking an enemy city. One side note before we get to the movie, I probably found it funnier than I should have how Nolan favorably cited classicist Emily Wilson's translation of The Odyssey as a source, and Wilson then had an extended and unintentionally comedic multi-article crashout about how much she hated the movie and of course how much she hated the commemorative Trojan Horse popcorn bucket. Apparently Wilson hated the movie so much she's going to do a new translation of The Odyssey, much to her publisher's baffled dismay. No one does offended huffy petulance quite like an academic. Anyway, back to the movie. It follows the familiar story of Odysseus through Christopher Nolan's preference for non-linear storytelling and practical effects. I did think it was interesting how in this interpretation, Odysseus explicitly connected the ruse of the Trojan Horse with the collapse of the Bronze Age and the rise of the Sea Peoples. It's also probably the most supernatural film Nolan has ever done with actual fantasy and supernatural elements as opposed to science fiction like Inception, Tenant, and Interstellar. Odysseus talks to Athena throughout the movie and it's left up to the viewer's interpretation whether or not he's actually talking to Athena or his own guilt-ridden hallucinations. That said, Odysseus encounters a witch with actual magic powers and travels to the underworld to speak with the shades of the dead, so it's entirely possible he's talking to the actual Athena. In this version, as I mentioned, Odysseus is guilt-ridden over the ruse of the Trojan Horse, which is shown as a violation of the sacred hospitality of Zeus's law and as great a crime as the creation of the atomic bomb in Oppenheimer, which of course is similar to Oppenheimer, where Oppenheimer's creation of the atomic bomb is treated similarly. There are also some genuinely scary sequences in the movie. The bit with the underworld is very spooky, the cyclops is actually quite frightening, and the character of Circe reaches the level of scary previously attained by Heath Ledger's version of The Joker in The Dark Knight. If Nolan ever decides he wants to do a horror movie, it will probably be one of the scariest ones ever made. To sum up, The Odyssey has great performances, great spectacle, great cinematography, and great action sequences. As an interesting interpretation of the original myth, definitely worth seeing. I think you can tell it was a great movie because of all the arguments on the Internet about "what does it really mean?" Great art often has that effect. Overall grade: A The final of my three favorite movies of [Summer] 2026 is Spider-Man: Brand New Day, which came out in 2026. There's a rumor, and I don't know if it's true or not, that Tom Holland found the experience of working with Christopher Nolan on The Odyssey so eye-opening that he insisted that if they made another Spider-Man movie, it had to have a reason for existing other than "make a lot of money". If this story is true, it clearly worked. Previously, I though the two best Spider-Man movies were Spider-Man 2 from 2004 and Spider-Man: No Way Home from 2021. I must now amend that opinion to say that there are three best Spider-Man movies and Spider-Man: Brand New Day is one of the three. It is pretty good. I would've trimmed it here and there, but I thoroughly enjoyed it and is an excellent Spider-Man story that totally captures the essence of the character within a good story. It takes place four years after the events of No Way Home erased everyone's memory that Peter Parker was Spider-Man. Peter has now been crime fighting full time, but it is taking a severe toll on his emotions and personal life that he's deliberately ignoring. Meanwhile, Spider-Man has become the beloved crime fighter of New York, trusted by both the NYPD and the Federal Department of Damage Control, which is a reoccurring frenemy for superheroes from other movies. When someone launches an attack on the headquarters of Damage Control, the director recruits Peter to fight their new enemy, a mysterious figure who uses telepathy to possess people from a distance. Peter is the only one who can sense it thanks to his spider sense, and he's also the only one able to resist the telepath's possession abilities. But despite his resistance to possession, fighting a telepath is a dangerous proposition for someone with as many emotional issues as Peter, and things start to spiral out of control when the telepath starts digging into his life. But there's another lesson Peter has to learn. People (and especially superheroes) who take the federal government at its word tend to regret it. For that matter, ignoring his emotional issues is causing Peter's spider powers to start acting in strange ways. But of course, at the end of the day, Spider-Man always follows his conscience, no matter how high the cost to him personally. Definitely an enjoyable movie. All the scenes with Spider-Man and Punisher were great, and the two of them had a great dynamic together. A few other Marvel Cinematic Universe people show up, but this is probably one of the most standalone movies the MCU has done in a while. Of course, the risk of MCU Continuity Lockout is always there (which is one of the reasons I started writing Half-Eleven Thief in 2023). Overall grade: A So I would say it was a pretty good summer for movies. It's also valuable lessons in not taking the Internet too seriously, which too many people do nowadays. There are all these dedicated analyses on X, Threads, and Reddit in June and May explaining why The Odyssey was going to fail for whatever reason, and instead it made $1.5 billion. So I think that's a good lesson in not taking everything you read on the internet a little too seriously. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show enjoyable. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

Tyler and Konnery try to fight against anarchy as the Jokerfied Jared Padilla and shining Gotham DA Jacob Padilla join the pod to cover the culturally momentous, "The Dark Knight"! Together they discuss Heath Ledger's monumental performance, how much more of a crime film it is over a superhero movie,, the film's beautiful construction and massive explosions, poetic script and philosophical quandaries, hockey pads,, learning that some men just want to watch the world burn, and so much more on this chaotic crime caper (get it because Batman has a cape?!) episode of The Friendchise Podcast!   TikTok Threads Instagram What's New: Kon: The Devil's Plan (Netflix) Tyler: X-Men '97 Season 2 (Disney+) Jacob: Widow's Bay (Apple TV+), Aztec Batman (HBOMax), Lanterns (HBOMax) Jared: All The President's Men, LCD Soundsystem

Celebrating the 100th episode of Drunk Cinema, Charles Skaggs and Xan Sprouse watch The Dark Knight, the 2008 superhero film directed by Christopher Nolan, featuring Christian Bale as Batman/Bruce Wayne, Heath Ledger as The Joker, Gary Oldman as James Gordon, and Aaron Eckhart as Two-Face/Harvey Dent! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday-Friday, 3 pm-6 pm MT. https://RushToReason.com HOUR 1 John Rush and Andy Peth kick off the show with wild Colorado storms and a captivating warning about roof-damage scams. Don't get fooled by fake inspection photos! Then, the energy skyrockets as they dive into Colorado's political drama: explosive reactions to Greg Lopez's debate, bold takes on party loyalty, and the mysterious vanishing act of the RINO Watch newsletter. What's next for the movement backing Lopez, and will political outcasts make a comeback? Next up, it's movie showdown time. John and Andy debate whether Hollywood can still deliver true romance or Looney Tunes mayhem. Finding Emily offers a nostalgic rom-com twist on modern dating, while Coyote vs. Acme hurls Wile E. Coyote into a wild courtroom battle. Which film survives Andy Peth's famously tough 5-Star Movie Review system? Tune in for the verdict and discover if the critics got it right. Find the complete breakdown of Andy's Movie Reviews ➡️https://www.rushtoreason.com/movie-reviews-2/ Timestamps Finding Emily — Review begins at 11:45 Coyote vs. Acme — Review begins at 30:37 HOUR 2 John Rush, Andy Peth, and Richard Rush shift gears with a fast-paced, no-holds-barred countdown of the greatest Warner Bros. movies ever made. From iconic classics like Casablanca and The Maltese Falcon to modern legends The Matrix, The Dark Knight, Dune, and The Lord of the Rings, the conversation races through generations of unforgettable cinema. Along the way, the trio relives powerhouse performances from Heath Ledger, Jack Nicholson, and Clint Eastwood, while passionately debating underrated gems like Edge of Tomorrow and Gran Torino. Comedy classics get their moment in the spotlight too—Blazing Saddles, The Hangover, Vacation, We're the Millers, and Rush Hour spark bold questions about whether Hollywood has lost its comedic edge. The hour ends in a rapid-fire lightning round, packed with audience favorites, cult hits, and blockbuster surprises. Who will come out on top—and which picks cause the biggest debates?

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday-Friday, 3 pm-6 pm MT. https://RushToReason.com HOUR 1 John Rush and Andy Peth kick off the show with wild Colorado storms and a captivating warning about roof-damage scams. Don't get fooled by fake inspection photos! Then, the energy skyrockets as they dive into Colorado's political drama: explosive reactions to Greg Lopez's debate, bold takes on party loyalty, and the mysterious vanishing act of the RINO Watch newsletter. What's next for the movement backing Lopez, and will political outcasts make a comeback? Next up, it's movie showdown time. John and Andy debate whether Hollywood can still deliver true romance or Looney Tunes mayhem. Finding Emily offers a nostalgic rom-com twist on modern dating, while Coyote vs. Acme hurls Wile E. Coyote into a wild courtroom battle. Which film survives Andy Peth's famously tough 5-Star Movie Review system? Tune in for the verdict and discover if the critics got it right. Find the complete breakdown of Andy's Movie Reviews ➡️https://www.rushtoreason.com/movie-reviews-2/ Timestamps Finding Emily — Review begins at 11:45 Coyote vs. Acme — Review begins at 30:37 HOUR 2 John Rush, Andy Peth, and Richard Rush shift gears with a fast-paced, no-holds-barred countdown of the greatest Warner Bros. movies ever made. From iconic classics like Casablanca and The Maltese Falcon to modern legends The Matrix, The Dark Knight, Dune, and The Lord of the Rings, the conversation races through generations of unforgettable cinema. Along the way, the trio relives powerhouse performances from Heath Ledger, Jack Nicholson, and Clint Eastwood, while passionately debating underrated gems like Edge of Tomorrow and Gran Torino. Comedy classics get their moment in the spotlight too—Blazing Saddles, The Hangover, Vacation, We're the Millers, and Rush Hour spark bold questions about whether Hollywood has lost its comedic edge. The hour ends in a rapid-fire lightning round, packed with audience favorites, cult hits, and blockbuster surprises. Who will come out on top—and which picks cause the biggest debates?

Hop into the Way Back Machine as this week on GENZ/X™, JM & Braxton go first to 1989 for the Tim Burton classic BATMAN! Starring Michael Keaton, Jack Nicholson, and Kim Basinger! Then we jump forward to 2008 for Christopher Nolan‘s The Dark Knight! Starring Christian Bale, Heath Ledger, Gary Oldman, and SO MANY MORE! […] The post 021 GENZ/X | Batman, The Dark Knight, and Dr. Frank-N-Furter appeared first on The LEFT Show.

Kevin from Pegwarmers comes by to talk about the late Heath Ledger in A Knight's Tale. It's a Rocky style underdog story set in medieval times and accompanied by an awesome dad rock soundtrack! Find out why A Knight's Tale ROCKS in this episode!https://youtu.be/cFuq-b4czmghttps://rumble.com/v7emcpu-a-knights-tale-will-rock-you-hack-the-movies.html

Clint, Meg and Dan kick off Tuesday’s 6am Breakfast with talk of truck drivers, lotto winnings, and a near “Night at the Museum” moment after accidentally staying past closing at MOTAT. The show dives into a global penis-length ranking where New Zealand places 16th, ahead of Australia, then covers Zara Larsson laughing onstage at a crowd choreography trend. They chat unusual fetishes after a Harry Potter actor earns money on OnlyFans with hair-focused content, take calls on weaponized incompetence in relationships, and check in with Swedish correspondent Sven about a condom recall in France. Other segments include Easy Money, The Impostor celebrity story debate, social media checks for a US trip, standout work perks, and an A/B/C-list ranking of Johnny Depp, Heath Ledger, and Cindy Crawford. 02:18 MOTAT After Hours Mishap 05:32 NZ Penis Rankings Reveal 09:30 Zara Larsson Crowd Chaos 11:38 First Call Kimmy Spotlight 15:35 Harry Potter OnlyFans Twist 19:09 Weird Fetishes and Earlobes 21:48 Listener Fetish Confessions 24:29 Easy Money Letter R 25:12 Ella Plays The Game 26:58 Weaponized Incompetence Debate 30:48 Texts And Callers Confess 34:11 Sven On Faulty Condoms 39:16 Canceled Concert Pivot 40:42 Hit The Spot Alex Warren 42:43 Unreal Work Perks 50:30 Easy Money Challenge 52:53 Impostor Setup 01:01:13 Social Media Visa Check 01:06:08 A Lister List Returns

We turned The Dark Knight into a full-on rescore experiment and honestly... it worked way better than it should have.

Holy Aerosol Spray, Batman! Gotham's on drugs!  This week we're diving into Batman Begins (2005) and The Dark Knight (2008), both directed by Christopher Nolan, and what starts as a straightforward celebration of two of the greatest superhero movies ever made ends up going places we may or may not have wanted to go. Thanks, Jonathan. We start by praising Batman Begins but the convo quickly spirals faster than Gotham's insurance premiums. We celebrate Cillian Murphy's Scarecrow for committing city-wide chemical warfare before casually going back to selling drugs like the most overqualified pharmacist in comic book history.Seriously. Imagine turning an entire city into a nightmare hallucination... and then showing back up six months later like:"Hey guys... anybody need drugs?"AND PEOPLE BUY THEM.We harp on why Wayne Enterprises invested millions into developing a wrist-mounted Van Opener™, memory-cloth capes, and sonar surveillance technology instead of, you know... starting with functioning neck mobility. Somewhere in Gotham, Lucius Fox is trying to cure cancer while Bruce Wayne keeps asking if his grappling hook can also be used as a can opener.  Then we arrive at The Dark Knight, where Heath Ledger's Joker once again reminds us that he isn't just one of the greatest comic book villains ever put on film—he's a sleep paralysis demon that somehow learned improv comedy. We refuse to believe Joker's bank robbery happened without seventeen planning meetings, four whiteboards, three Google Calendars, a shared Dropbox folder, and at least one henchman getting yelled at because the shipment of bazooka's weren't delivered before lunch.There had to be a clown accountant.There HAD to be.Elsewhere we celebrate Mark Hamill's legendary Joker, Jack Nicholson, discuss Barry Keoghan, not-so-politely acknowledge Jared Leto's... attempt... gush over Batman: The Animated Series, the Harley Quinn animated series, question Gothamites incredible inability to recognize billionaires wearing armor, and wonder how on earth did Batman get in that interrogation room. Where does he get those wonderful toys, indeed. CREEP-O-RAMA is: Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CREEP-O-RAMA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creep-o-rama⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stranjlove

Forrest, Conan Neutron, Kristina Oakes and FreddyG discuss Christopher Nolan's The Dark Knight Last week, we did the 2005 Batman origin story.. Batman Begins. Christopher Nolan's first entry in a grittier, realier, darker Batman series after decades of more campy and cartoonish portrayals. However, it was the Dark Knight in 2008 that really was the gem in the Batman crown for Nolan's trilogy.Coming at an incredibly pivotal year in American History, with the winds of change hopefully in the air, the Dark Knight blew up like a discourse bomb, inspiring like Batman himself, dozens of copycats and changing the trajectory of the "Superhero Movie" by being more crime movie than comic book movie.Of all the performances, Heath Ledger who actually died six months before the movie finally came out, stole the show as the chaotic and nihilistic Joker who manages to get all Gotham's Organized Crime under his thumb without them realizing what they've unleashed.Starring Christian Bale, Heath Ledger as the Joker, Michael Caine, Morgan Freeman, Maggie Gylenhaal as Rachel, Gary Oldman, and Aaron Eckhart as Harvey Dent. FreddyG is a stand up comedian who hosts the monthly stand up show "Paid Protest Comedy" with Anders Lee and Kate Willett and Nonye Brown-West as well as doing content creation for Track AIPAC. Conan is ONCE AGAIN going on tour to the West Coast from August 26th to September 5th https://www.songkick.com/artists/8525203-conan-neutron-and-the-secret-friends

The Dark Knight trilogy didn't just redefine Batman on screen, it reshaped what superhero movies could be. In this episode, the hosts dig into how Christopher Nolan's Gotham evolved across the trilogy, why Heath Ledger's Joker became such a cultural reset, and where the films still inspire debate today. From the ambition of Batman Begins to the scale and impact of The Dark Knight, and the pitfalls of Rises, this conversation explores the action, characters, and creative choices that made the trilogy feel both grounded and unforgettable.

Julia is joined by bestina and hospital chaplain Sarah Doumar to confront the only thing we are unfortunately promised in this lifetime: death. Together the girlies deconstruct how dying transformed from an intimate, familiar occurence to a hidden and medicalized taboo, unpacking the predatory funeral industry, the West's treatment of elders, and society's obsession with immortality. Plus, Sarah shares what sitting with dying patients has taught her about grief, fear, and spirituality. Digressions include tyrannical choir teachers, a sacred dream about Heath Ledger, and smoking hookah at the retirement village. WE'RE GOING ON TOUR!!!! Find tickets for the Shake Up Your Life Tour at https://binchtopia.com/tour This episode was produced by Julia Hava and Kylie Finnigan and edited by Livi Burdette.  To support the podcast on Patreon and access 50+ bonus episodes, mediasodes, and more, visit patreon.com/binchtopia and become a patron today. SOURCES A Third of Young Adults Are Still Living With Their Parents—as Old Taboo  Aging Out by Lucy Schiller Approaching Death: Improving Care at the End of Life Becomes the New Normal Amid Soaring Costs  Being Mortal by Atul Gawande  Death Is Having a Moment  Death anxiety. The worm at the core of mental health.  Does The Internet Change How We Die And Mourn? Overview And Analysis  Good Grief  Growing Old in America by David Hackett Fischer It's Mourning in America It's Time to Let the Five Stages of Grief Die  Longevity increased by positive self-perceptions of aging  Mid-Late Victorian Mourning Dress Mortal Remains: Death in America by Nancy Isenberg Mourning during the Civil War  New study challenges notion that aging means decline, finds many older adults improve over time  Place of Death Before and During the COVID-19 Pandemic  Poor Relief and the Almshouse  Senior Living History: 1930 - 1939  TERROR MANAGEMENT THEORY  The American Way of Death Revisited by Jessica Mitford  The Denial of Death and the Practice of Dying  The Hour of Our Death by Philippe Ariès The FTC Funeral Rule  The other side of sadness: What the new science of bereavement tells us about life after loss.  The Trouble with Nursing Homes  The Year of Magical Thinking by Joan Didion U.S. centenarian population is projected to quadruple over the next 30 years  Western Attitudes Toward Death From The Middle Ages To The Present by Philippe Ariès  When Breath Becomes Air by Paul Kalanithi

To wrap up our month-long series of Australian movies, chosen by Sandro and our patrons, we are reviewing two highly regarded crime comedies. The first is Idiot Box, where a young Ben Mendelsohn works with his best mate Jeremy Sims to rob a bank. Then there's Two Hands, which sees Heath Ledger also trying to rob a bank for a crime lord played by Bryan Brown, all while trying to date Rose Byrne.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChair- TikTok: https://www.tiktok.com/@sandrofalceZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Comic-Con weekend is here, and we're celebrating in style!

Comic-Con weekend is here, and we're celebrating in style!

At long last, two white men have been given microphones to talk about Christopher Nolan. To celebrate the release of "The Odyssey," The Boys go all the way back to the beginning to track Nolan's roots, what makes him so enigmatic, where they were when Heath Ledger died, the Anne Hathaway renaissance and so much more. Pop, pop!

Welcome to NOLAN WEEK!Before reviewing his latest big budget opus (The Odyssey), let's revisit the beloved superhero sequel which helped push Oscar-winning writer/director Christopher Nolan (Inception, Oppenheimer, Dunkirk) into the pantheon of master modern filmmakers.  As a direct sequel to 2005's word-of-mouth hit Batman Begins, this was released with much fanfare as it was not only about the continuing adventures of Batman/Bruce Wayne (Christian Bale) but also the reintroduction of a classic villain who happpens to be the latest threat to his beloved home of Gotham City. :o This new threat is mysteriously known as the Joker (Oscar-winner Heath Ledger) who has been havoc around the city, not only terrifying citizens but even threatening local organized crime.  And what results is an epic battle for the soul of Gotham involving not only Batman and the Joker, but local law enforcement lead by Comissioner Jim Gordon (Oscar-winner Gary Oldman), District Attorney Harvey Dent (Aaron Eckart), and Assistant DA Rachel Dawes (Oscar-nominee Maggie Gyllenhaal).  Also co-starring at least two other Oscar-winners (Michael Caine, Morgan Freeman), this mega-smash would also receive eight Oscar nominations that year including two wins for Best Supporting Actor (Ledger) and Best Sound Editing - it would not only set a new bar for superhero movies moving forward but also action blockbusters.  Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture With the release of Christopher Nolan's "The Odyssey" arriving in theaters, our 2008 retrospective revisits his comic book action film that not only re-defined the genre, but changed the whole industry up until the Oscar nominations where it forced the Academy to expand the Best Picture lineup for the first time in decades, "The Dark Knight," starring Christian Bale, Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, and Morgan Freeman. Co-written with his brother Jonathan Nolan, the world had never seen a comic book film quite like Christopher Nolan's crime epic. Marked by the untimely passing of Heath Ledger before its release, the film had a tremendous amount of hype surrounding it during the summer of 2008 and continues to be talked about till this day for Ledger's iconic, Academy Award-winning performance, Nolan's grounded realism borrowing from other crime classics such as "Heat," the film's politics and how it directly commented on the Patriot Act, its themes of escalation, chaos, vigilantism and more! How does it hold up nearly 20 years later? Please tune in as Alyssa Christian, Josh Parham, Amy Kim, Brendan Hodges, and I talk about the film's screenplay, Nolan's direction, the performances, the action sequences, the film's historic awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, and "Milk." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Heath Ledger left behind a body of work that continues to inspire actors and audiences alike, despite a career that lasted barely a decade. His story is a heartbreaking look at immense talent, creative passion, and the enduring legacy of an artist whose life ended long before his potential was fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio de Café en Mano Podcast me siento con Omar O'Farrill, actor puertorriqueño, para hablar de lo que realmente cuesta construir una carrera actoral en Puerto Rico.Hablamos de sus comienzos desde niño, su paso por el canal 6, la UPR, Broche de Oro, su experiencia viviendo en Los Ángeles, las audiciones en Estados Unidos, el deseo de entrar a escuelas como Juilliard y NYU, y cómo fue descubriendo el tipo de actor que realmente quiere ser.También entramos en algo que casi no se habla con honestidad: lo difícil que es vivir de la actuación en Puerto Rico, por qué muchos actores tienen que diversificarse, crear negocios o usar otras herramientas para quedarse en la isla sin soltar su pasión.Además, hablamos de redes sociales, wellness, salud mental, aburrimiento, comunidad, creatividad, alcohol, ejercicio, propósito, y cómo Omar está usando su plataforma para algo más profundo que simplemente postear por postear.Una conversación sobre arte, identidad, disciplina, bienestar y lo que significa seguir apostando por tu camino aunque sea cuesta arriba.Gracias por apoyar el podcast y por apoyar Café Dos Caminos. Consigue el café en cafedoscaminos.com y usa el código cafeenmano para un 10% de descuento.00:00 Intro + Café Dos Caminos + bienvenida a Omar O'Farrill03:41 Cómo empezó a actuar y sus primeros pasos en canal 605:30 Broche de Oro, dejar la universidad y lanzarse a trabajar07:20 Regresar a la universidad, graduarse y apuntar a escuelas top09:20 Audiciones para Juilliard, NYU y el proceso en Estados Unidos11:20 Qué tipo de actor quiere ser realmente12:40 Heath Ledger, actor método y técnicas de actuación14:30 Vivir en LA, el choque cultural y actuar en inglés18:00 Qué tipo de papeles y carrera quiere construir22:27 Redes sociales, propósito y dejar de postear por postear27:56 El ruido mental, el celular y aprender a aburrirse31:00 The Walk: comunidad, soledad y conectar con desconocidos35:56 Lo difícil que es ser actor en Puerto Rico38:00 Nadie vive full de la actuación aquí y por qué hay que diversificarse40:30 Cine puertorriqueño, distribución y cómo llevar gente al cine43:19 Nuevos proyectos, dirección y Una Bella Crisis46:30 Fitness, wellness y lo difícil que es mantenerse saludable en Puerto Rico49:30 Alcohol, hábitos y cómo quiere llegar a los 4052:00 Cierre

Chris and Erik talk about cold brew and coffee orders, the DEI executive who stole the trash can how hard it is to cancel subscriptions, Vegas casinos charging for everything now, Cirque du Soleil, Erik's testosterone test and the funniest text Chris has ever gotten, Erik's lack of confidence at the gym, watching their sons run around on the 4th of July, a full spoiler breakdown of Obsession, Netflix and the binge model killing shows, actors stuck in iconic roles forever, Heath Ledger's Joker, how bad the new Mortal Kombat is, video game movies, Denzel's British accent, Chris and Erik's upcoming shows, and much more!Get two extra episodes every month at https://Patreon.com/TheGoldenHourPodcastTo submit to the show email: thegoldenhoursubs@gmail.com or Dropbox Link: https://www.dropbox.com/request/fqtbexhxyaky9X8f8MV1In the subject line, specify whether your submission is King It or Sting It, Debate Club, Rip My Drip, Relationship Advice, or Flaunt My Aunt. In the body of the email, include the attachment, your name, where you're from, and in the case of Flaunt My Aunt, the name of your relative.SUBSCRIBE to The Golden Hour Podcast: http://www.youtube.com/c/KingandtheSting Get your King and the Sting merch at https://thicccboy.com/collections/sale-home-pageFollow #TheGoldenHourInstagram: https://www.instagram.com/the.golden....Twitter:https://twitter.com/the_golden_hrFacebook: https://www.facebook.com/KingandtheStingAnd check out Brendan, Chris, & Erik on social media!Brendan Schaub:https://www.instagram.com/brendanschaubhttps://twitter.com/BrendanSchaubhttps://www.facebook.com/OfficialBren...Chris D'Elia:https://twitter.com/chrisdeliahttps://www.instagram.com/chrisdelia/https://www.facebook.com/chrisdeliaof...Erik Griffin:https://twitter.com/ErikGriffinhttps://instagram.com/erikgriffinhttps://www.facebook.com/erikgriffinc...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Few movies have penetrated the general pop culture landscape like Christopher Nolan's The Dark Knight. And few characters have resonated the way the Joker, as brought to life by Heath Ledger, did when Nolan's movie came out in the summer of 2008 and became the biggest movie of all time. For their 200th episode, Matt and Laci dive deep—and I mean deep—into The Dark Knight. And in a surprise that could have been conceived by the Joker himself, it turns out Laci loves this movie. Matt, meanwhile, continues to feel extremely mixed about all three of Nolan's Batman movies—there's so much to love, and so much more to be confused and baffled by.  For the history segment, the podcast goes behind the scenes to talk about the casting of Heath Ledger and his process for becoming the Joker. Ledger famously isolated himself in a hotel room for a month, journaling his weird thoughts to turn into a version of the Crown Prince of Crime we'd never seen before. We also talk about the history of the Joker as a character, going all the way back to the 1940s. What exactly is it about the Joker that appeals to so many people? And, even putting aside the tragic circumstances behind Ledger's performance, what about the Nolan Joker resonated with so many people?  Then, we talk for two hours about the movie itself, celebrating what we love, rubbing our temples about what we hate, and ultimately trying to figure out what exactly Bruce Wayne believes. How has he become so enchanted by a tough-on-crime prosecutor? Isn't Harvey Dent just Rudy Giuliani, but handsome? And the Joker's philosophy was extremely appealing to people, but does it actually make sense? We spend a lot of time unpacking it, and theorizing about where the Joker would have gone in a sequel, and if he would have done some maturing in between movies. If we have a contrarian take on The Dark Knight, it is this: The Joker isn't a reaction to Batman, he's a reaction to Bruce Wayne. Bruce Wayne rules the world of this movie so insivisbly that he poisons everything without anyone noticing.    Watch this episode in full on YouTube: https://youtu.be/OFrmrdTeHX4  Get more 1-Week Rental on Patreon: https://patreon.com/1weekrental  Next week (July 17, 2026): Inception (2010)! The Summer of Nolan is our summer 2026 miniseries covering the movie career of Christopher Nolan through nine movies on the main feed (plus additional episodes on the Patreon!), presented in chronological order, starting with Memento and going through Oppenheimer. And don't be surprised if our old pal Odysseus drops by to tell us about his long journey home to his wife.   Time stamps: 00:01:24 — Opening thoughts on The Dark Knight 00:15:10 — History segment: Initiatal development of the Batman Begins sequel; a brief history of the Joker; Heather Ledger and the Joker; the legendary viral marketing campaign Warner Brothers ran to introduce the world to Ledger's Joker; Ledger's tragic death and the pall that cast over the movie; the release and legacy of The Dark Knight and the Ledger Joker 01:12:28 — Movie discussion + The Dark Knight film analysis 02:51:15 — Star ratings + final review of The Dark Knight   The Dark Knight was directed by Christopher Nolan. Screenplay by Nolan with his brother Jonah; screen story by Nolan with David Goyer. Starring Christian Bale, Heath Ledger, Aaron Eckhart, Gary Oldman, Maggie Gyllenhaal, Michael Caine, Morgan Freeman, Eric Roberts, Chin Han, Nestor Carbonell, Joshua Harto, Michael Jai White, Ritchie Coster, Colin McFarlane, Monique Curnen, and Anthony Michael Hall as a news anchor.   Sources: "Dark Knight Review: Nolan Talks Sequel Inflation" by Anne Thompson | Variety (2008) - https://bit.ly/3RsQ7yy  "Batman's Burden: A Director Confronts Darkness and Death" by David M. Halbfinger | The New York Times (2008) - https://bit.ly/4glGzQ4  "The Caped Crusade: Batman and the Rise of Nerd Culture" by Glen Weldon (2016) - https://amzn.to/4aNZi2Y  "Christopher Nolan (Iconic Directors)" by Dan Jolin (2026) - https://amzn.to/4oEtmE3  "The Making Of The Joker" by Dan Jolin | Empire (2009) - https://bit.ly/44MKjmz  "A look inside Heath Ledger's sinister 'Joker journal' for The Dark Knight" by Christopher Hooton | The Independent (2015) - https://bit.ly/4eKswSY  Interview with Christopher Nolan by Steven Weintraub | Collider (2008) - https://bit.ly/3QZqR2Q  "Why is the Joker so popular?: A psychological look" by Byron Lafayette | Bam! Smack! Pow! (2019) - https://bit.ly/4xZCJCu  "Why So Serious? Warner Bros.' Use of the Joker in marketing The Dark Knight" by Kim Owczarksi | from "The Joker: A Serious Study of the Clown Prince of Crime" edited by Robert Moses Peaslee & Robert G. Weiner (2015) - https://amzn.to/4gqECC0  "Christopher Nolan: The Iconic Filmmaker and His Work" by Ian Nathan (2026) - https://amzn.to/4oc2lro  "Heath Ledger died of accidental overdose" | The Associated Press (2008) - https://bit.ly/4p7oebP  "Showdown in Gotham Town" by Manohla Dargis | The New York Times (2008) -  https://bit.ly/4fjtaad  "The Joker Didn't Inspire the Aurora Shooter, but the Rumor Won't Go Away" by Yohana Desta | Vanity Fair (2019) - https://bit.ly/4vmCAXq    Transcript: https://1weekrentalpod.com/2026/07/the-dark-knight/#transcript  Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has two monthly spin-off podcasts!  PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007). The Sign Post Up Ahead: A Twilight Zone Recap Podcast on Apple Podcast (https://bit.ly/4vtO6jG), Spotify (https://bit.ly/4w1qDat), and YouTube (https://www.youtube.com/@TheSignPostUpAhead).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Summer of Nolan" - https://youtube.com/shorts/CAIzthDLrT8  "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    The "Summer of Nolan" theme song was written by Matt Stokes. Produced, engineered, mixed, and mastered by TJ Barends. Performed by: TJ Barends - backing vocals Wade Hymel - drums, percussion, and backing vocals Laci Roth - vocals Matt Stokes - vocals, guitar, and bass   Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

HAPPY 4th OF JULY!

Following the dramatic change in his appearance, Owen Shroyer has been compared to or mistaken for various figures and characters, including Kathy Griffin, Aunt Gladys from Weapons, Heath Ledger's Joker, Buffalo Bill, Beetlejuice, the QAnon Shaman, and a “Timu” version of Alex Jones.Summary of IPS DEprogram (July 2, 2026)This session focuses on the “Great Deconstruction Project,” which aims to delineate between reality and the “world stage”. The host, Tim Ozman, analyzes recent media events—such as the appearance changes of Owen Shroyer and the reported death of Charlie Kirk—not as organic news, but as scripted “influence operations” designed to trigger predictable emotional responses in the public. By applying “Metascript” analysis, the program encourages listeners to move beyond “Trutherville” (the world of government-manufactured conspiracy subplots) and become “informed disbelievers” in “Realville”.Key Topics* The “Squibbed” Death of Charlie Kirk: The program asserts that Charlie Kirk's public “assassination” was a choreographed simulation involving Hollywood-style “blood bags” (squibs) and crisis actors. The host argues that faking a death publicly is a “ridiculous notion” for a real witness protection scenario and instead points to the event being a “psychological warfare operation”.* Erica Kirk as an Engineered Archetype: Erica Kirk is described as an actress playing a “pre-manufactured character” that mirrors “femme fatale” and “jezebel” archetypes found in movies like Snake Eyes. Her alleged “guilt by association” with a 2012 Aurora shooting victim is cited as evidence that she is a “walking psyop” rather than a real person.* The Mechanics of “Mind Viruses”: A “mind virus” is defined as cultural information or a “smuggled premise” (such as the question “What are they spraying?” regarding chemtrails) that is passively accepted because the individual's “mental immune system” has been compromised by traditional schooling.* Predictive Programming and Archetypes: The source suggests that public reactions to political figures are “programmed” through entertainment media. For example, “Trump Derangement Syndrome” is viewed as the result of a lifetime of being presented with the “Biff Tannen” or “bully” archetype in films, making the public conditioned to respond predictably to him.* The Metascript and “History Bending”: This theory posits that global history is proactively manufactured 30 to 50 years in advance through a “secondary timeline” of fake events. This process, called “history bending,” creates an “internalized Truman Show” where the news cycle serves as a “News Testament” to conform the population to a prefabricated worldview.Speaker Quote* Tim Ozman: “The reason why I wasn't cheering the death of Homelander is I'm deprogrammed—I don't have that programming in me to make me hate Trump or hate Homelander... I'm not going to be responding emotionally to a World Wrestling Entertainment character turned into a president”.The Deconstruction of the Charlie Kirk “Simulation”: An analysis of the Charlie Kirk shooting as a choreographed event using “squibs” and “crisis actors” to create a generational martyr narrative.FREE COURSEhttps://the-ips-institute-for-metascript-deconstruction.teachable.com/p/charlie-kirk-is-alive This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit infiniteplanesociety.substack.com/subscribe

IPS DEPROGRAM 7/2/26 "FIRST ALEX JONES, NOW OWEN SHOYER REPLACED" Following the dramatic change in his appearance, Owen Shroyer has been compared to or mistaken for various figures and characters, including Kathy Griffin, Aunt Gladys from Weapons, Heath Ledger's Joker, Buffalo Bill, Beetlejuice, the QAnon Shaman, and a "Timu" version of Alex Jones.This session focuses on the "Great Deconstruction Project," which aims to delineate between reality and the "world stage". The host, Tim Ozman, analyzes recent media events—such as the appearance changes of Owen Shroyer and the reported death of Charlie Kirk—not as organic news, but as scripted "influence operations" designed to trigger predictable emotional responses in the public. By applying "Metascript" analysis, the program encourages listeners to move beyond "Trutherville" (the world of government-manufactured conspiracy subplots) and become "informed disbelievers" in "Realville".The "Squibbed" Death of Charlie Kirk: The program asserts that Charlie Kirk's public "assassination" was a choreographed simulation involving Hollywood-style "blood bags" (squibs) and crisis actors. The host argues that faking a death publicly is a "ridiculous notion" for a real witness protection scenario and instead points to the event being a "psychological warfare operation".Erica Kirk as an Engineered Archetype: Erica Kirk is described as an actress playing a "pre-manufactured character" that mirrors "femme fatale" and "jezebel" archetypes found in movies like Snake Eyes. Her alleged "guilt by association" with a 2012 Aurora shooting victim is cited as evidence that she is a "walking psyop" rather than a real person.The Mechanics of "Mind Viruses": A "mind virus" is defined as cultural information or a "smuggled premise" (such as the question "What are they spraying?" regarding chemtrails) that is passively accepted because the individual's "mental immune system" has been compromised by traditional schooling.Predictive Programming and Archetypes: The source suggests that public reactions to political figures are "programmed" through entertainment media. For example, "Trump Derangement Syndrome" is viewed as the result of a lifetime of being presented with the "Biff Tannen" or "bully" archetype in films, making the public conditioned to respond predictably to him.The Metascript and "History Bending": This theory posits that global history is proactively manufactured 30 to 50 years in advance through a "secondary timeline" of fake events. This process, called "history bending," creates an "internalized Truman Show" where the news cycle serves as a "News Testament" to conform the population to a prefabricated worldview.Tim Ozman: "The reason why I wasn't cheering the death of Homelander is I'm deprogrammed—I don't have that programming in me to make me hate Trump or hate Homelander... I'm not going to be responding emotionally to a World Wrestling Entertainment character turned into a president".Summary of IPS DEprogram (July 2, 2026)Key TopicsSpeaker Quote

Tickets for Brandon's Drunk Black History tour are available at https://www.drunkblackhistory.com/upcoming-shows Support the podcast by subscribing to our Patreon to get access to hundreds of hours of bonus content, early access to upcoming episodes, and the ability to chat with the hosts! www.patreon.com/mediumpopcorn  On this week's episode, Brandon and Justin review the Mel Gibson starring war film, "The Patriot".  They discuss the lost potential of Heath Ledger, why this movie was basically if John Wick fought the Joker during the Revolutionary war, and Brandon continues with his struggles to say "wardrobe".  MP Links: - patreon.com/mediumpopcorn - youtube.com/@MediumPopcornPodcast - https://www.teepublic.com/stores/medium-popcorn Hosts: Brandon Collins (https://www.instagram.com/frodo_blackins) Justin Brown (https://www.instagram.com/jbrowndidit) Medium Popcorn Podcast (https://www.instagram.com/mediumppodcast) "Medium Popcorn" is a production of Casa de Collins LLC.

This week, we head back to Gotham City to dissect Christopher Nolan's acclaimed superhero epic, The Dark Knight (2008). While we give massive props to Heath Ledger's legendary performance and the film's spectacular action set pieces, there's a lot to nitpick regarding its clunky dialogue and head-scratching plot logic.

Welcome to the Video Store Podcast.Celebrating America's 250th Birthday at the Video StoreThe red, white, and blue decorations are up at the Video Store as America celebrates its 250th birthday. Across the country, families are gathering for fireworks, cookouts, and long holiday weekends, and there's no better way to mark the occasion than with a great movie.For this special Fourth of July episode, I pulled four movies from the shelves that capture different chapters in American history. From the battlefields of the Revolution to the launch pads of the Space Race, from the cockpits of Navy fighter pilots to the occupied Rocky Mountains, these movies explore the values that have long defined the America: freedom, courage, sacrifice, and resilience.The Patriot (2000)To celebrate America's birthday we should start at the beginning. Roland Emmerich's The Patriot tells the story of Benjamin Martin, a widowed veteran of the French and Indian War who reluctantly joins the American Revolution after British forces bring the war to his home. Starring Mel Gibson, Heath Ledger, and Jason Isaacs, the film transforms the struggle for independence from a distant historical event into a deeply personal story of sacrifice and revenge.The Patriot released on VHS and DVD in October 2000 and is one of the final blockbuster releases of the VHS era.The Right Stuff (1983)Before America reached the Moon, there were the test pilots and astronauts who risked everything to get us there. The Right Stuff chronicles the early days of the Space Race, beginning with legendary test pilot Chuck Yeager and continuing through the Mercury Seven astronauts as America races to catch up with the Soviet Union.Featuring an outstanding cast the film is about much more than rockets and space capsules. It's about ambition, competition, courage, and the uniquely American belief that impossible challenges can be overcome through determination and ingenuity. Top Gun (1986)Few films capture American confidence and optimism quite like Top Gun. Tony Scott's blockbuster follows hotshot Navy pilot Pete “Maverick” Mitchell, played by Tom Cruise, as he attends the elite Naval Fighter Weapons School and learns that true greatness requires more than talent, it requires sacrifice, teamwork, and humility.Top Gun also changed the home video industry forever. When Paramount released the film on VHS in 1987 at the low price of $26.95, it sold nearly three million copies and helped establish the modern home video market.Red Dawn (1984)If the previous films celebrate America's founding, ambition, and confidence, Red Dawn asks what Americans are willing to sacrifice to defend them. John Milius's Cold War classic follows a group of Colorado teenagers who flee to the mountains after a Soviet and Cuban invasion and gradually transform themselves into resistance fighters.Like the citizen-soldiers of the American Revolution, the teenagers didn't fight for glory, but because they believe some things are worth defending. Red Dawn also made history as the first film released with the new PG-13 rating.Wolverines!

Families often assume everything will work itself out after a major loss, until unanswered questions and outdated decisions start creating confusion. The hardest part usually isn't the paperwork itself, it's the conversations that never happened beforehand. In this episode of Celebrity Estates, Senior Editor David Lenok speaks with Brad Repinsky, director of estate, tax and financial planning at Signature Estate and Investment Advisors, about the estate planning lessons connected to Heath Ledger's story.  Using Ledger's outdated will as a starting point, Brad explains why estate plans should evolve alongside marriages, children, shifting family relationships and changing financial circumstances. David and Brad also discuss the importance of involving spouses and adult children in financial conversations earlier, how beneficiary designations can unintentionally disrupt a carefully structured plan, and why simplifying accounts can make estate administration easier for surviving family members. Their conversation highlights how ongoing reviews and open communication can help families avoid unnecessary stress later on. Key takeaways: Why outdated wills and beneficiary designations can create confusion after major family changes How annual estate planning reviews help families adjust to life, tax and wealth transitions Why involving spouses and adult children early can reduce conflict and confusion later on How advisors can approach difficult family conversations without creating fear or resistance Why simplifying accounts and estate structures can ease stress for surviving family members Resources: Listen to Celebrity Estates on Wealth Management Subscribe and listen to Celebrity Estates on Apple Podcasts Subscribe and listen to Celebrity Estates on Spotify Trust and Estates Magazine Connect With David Lenok: david.lenok@informa.com  Wealth Management LinkedIn: David Lenok LinkedIn: Informa LinkedIn: Wealth Management Connect With Brad Repinsky: LinkedIn: Brad Repinsky LinkedIn: Signature Estate & Investment Advisors Website: Signature Estate & Investment Advisors About Our Guest: Brad Repinsky is the Director of Estate, Tax, and Financial Planning at Signature Estate and Investment Advisors, where he works with high-net-worth families on estate planning, wealth transfer, and long-term financial planning strategies. His work focuses on helping families navigate topics such as beneficiary designations, trust structures, retirement planning, and multi-generational wealth conversations. Brad is particularly passionate about helping clients simplify complex financial situations and create plans that evolve alongside changing family dynamics and life events.

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On episode 159 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Trey Flynn of The Extra Credits podcast to discuss the next film in their Christopher Nolan series, The Dark Knight Rises (2012). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. Riding high off the success of his two biggest films to date, Nolan went back to the world of Gotham City to conclude his Dark Knight trilogy with a full circle, political warfare, myth busting epic, settling one and for all his ties to the genre, while deconstructing what it means to put on the mask, and how does one carry on a legacy when faced with so much pain. After the death of actor Heath Ledger, it took a lot for Nolan to step back into his vision of Batman, but with the help of two memorable villains, and leaning into the political, social aspects found in the first film, he left the franchise on a financial high, with some questionable story choices that have aged well for some (Trey) and no so much for others (Ryan and Jay). Controversial, dated, unique, The Dark Knight Rises ends Nolan's superhero vision on his own terms, for better or for worse. The guys and their guest break down their thoughts on the film, what worked for them and what didn't, the appeal of Anne Hathaway, Nolan's use of the original characters throughout the third film, how radical or dull the film's politics are, the choices Bruce makes throughout the film, the puzzling ending, the opening plane sequence, and plenty of Bane voice impressions. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h47m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Interstellar. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 157 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by founder and podcast host at InSession Film JD Duran and Editor-In-Chief of InSession Film Dave Giannini discuss the next film in their Christopher Nolan series, The Dark Knight (2008). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. In what might be the single most important film of the 21st century for blockbuster filmmaking, The Dark Knight turned Christopher Nolan into the legend, iconic filmmaker he is today, creating a comic book, action packed crime thriller that elevated the entire genre, creating a film that audiences would obsess over for decades to come; the definitive comic book movie. With an all-time performance from the late Heath Ledger, Nolan upped the stakes of this second Batman film to be more about the fight to save soul of Gotham City, and gain hope in the future beyond the capes and clowns, and created a epic masterpiece. Ryan, Jay, JD, and Dave break down their thoughts on the film, the action set pieces, the battles for Gotham with our flawed heroes, Ledger's iconic Joker, the special effects work on Two-Face, the legacy of this film and why it's (more or less) aged so well. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h53m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Inception. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us Fan MailJoin the fight for independence and rally with the hosts as they prepare to review the sweeping Revolutionary War drama The Patriot, starring Mel Gibson, Heath Ledger, Jason Isaacs and directed by Roland Emmerich. Still celebrated more than two decades later, The Patriot endures for its emotional storytelling, standout performances, and its large-scale, unforgettable battle sequences that bring the era vividly to life. The hosts pair the film with The Martini Revolution cocktail. So let's march back onto the battlefields of the Revolutionary War and revisit one of cinema's most enduring tales of liberty, family, and perseverance.Be sure to listen, subscribe, and follow the show on Instagram and YouTube @the.gentlemenpodcast.

Hang ten brothers! Today we're talking all about the explosion of skateboarding and the legendary Z-Boys. This movie stars Emile Hirsch, Heath Ledger, Johnny Knoxville, and was directed by Catherine Hardwicke. Come listen and enjoy with us, we're catching air on half pipes, and doing gnarly tricks in a swimming pool! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on ApplePodcasts. It helps potential sponsors find the show! Check out The Wholly Roast use promo code RHP26 or Rhist26 Sign up for @Riversidefm: https://www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: https://betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #lordsofdogtown #american #americanhistory #filmmaking #CatherineHardwicke #emilehirsch #heathledger #skateboarding #70s #tonyhawk #skating #xgames #zboys #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

Today's episode of The Rizzuto Show somehow turns into a full-blown academic collapse as the gang spirals into a chaotic spelling bee competition that proves middle schoolers are smarter than every adult in the room. Seriously… nobody could spell “diarrhea” without looking like they were fighting demons. If you've ever confidently spelled a word wrong in a work email and immediately wanted to move to another country, this episode of your favorite daily comedy show is for you.The crew dives into the insanity of the Scripps National Spelling Bee, where kids are out here spelling words nobody's ever heard while grown adults on this show can barely survive “separate” and “bougie.” Lern absolutely battles for her life trying to spell basic words while Rizzuto and the gang provide the emotional support of raccoons fighting over French fries. Honestly, if spelling counted as cardio, this episode would qualify as CrossFit.Then things shift into celebrity chaos with Crap on Celebrities featuring emotional David Lee Roth stories, Ted Nugent tour updates, Nicolas Cage lying in Elvis Presley's bed, and the heartbreaking realization that Heath Ledger is still gone and we're all still upset about it. Plus: Russell Crowe yelling at autograph hunters, Jerry Seinfeld allegedly crushing a child's spirit, and James Corden once again proving that every rude celebrity rumor about him somehow feels believable.Also in today's mess:Beartooth singer Caleb Shomo publicly comes out and opens up emotionally about his journeyReba McEntire continues being America's favorite redheaded auntRob Base gets remembered properly because “It Takes Two” still slaps at weddingsThe gang debates celebrity jerks and who's secretly awful in real lifeRizz delivers a Dracula impression so powerful it may legally count as theaterThis daily comedy show is packed with celebrity news, hilarious fails, pop culture commentary, weird news, music stories, and the kind of sarcastic group therapy only The Rizzuto Show can provide. If you like funny podcasts, comedy talk, STL humor, and hearing adults completely unravel over third-grade vocabulary words, congratulations — you found your people.Subscribe for more daily chaos from The Rizzuto Show, the funny morning show proudly representing St. Louis one disaster at a time.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Bettany is back and so is Vision with the upcoming Marvel series, Visionquest! But first up for the actor is the Starz series, AMADEUS, co-starring Will Sharpe. Here Paul chats about all of it including the unlikely film that landed him his Marvel role, whatever happened to the MASTER & COMMANDER sequel, his memories of Heath Ledger and more. Plus, Benjamin Wagner joins Josh to talk about his new documentary, FRIENDS & NEIGHBORS, in which he confronts the chronic stress epidemic and his own personal journey with it. Watch FRIENDS & NEIGHBORS now on VOD! SUPPORT THE SHOW BY SUPPORTING OUR SPONSORS! Rula -- Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠⁠⁠⁠⁠https://www.rula.com/happy⁠⁠⁠⁠⁠ #rulapod Quince -- Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quince.com/HAPPYSAD ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping and 365-day returns. Limited Time Offer–Get Huel today with my exclusive offer of 15% OFF online with my code happy15 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://huel.com/happy15.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ New Customers Only. Thank you to Huel for partnering and supporting our show! UPCOMING EVENTS! 5/17 -- Billy Eichner in NY -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tickets here⁠⁠⁠⁠⁠⁠⁠ 5/18 -- Power Ballad w/Paul Rudd & Nick Jonas -- ⁠⁠⁠⁠⁠Tickets here⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices