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Ep 154 — Wolf Kahler — Colonel Dietrich in Raiders of the Lost ArkFor Episode 154 of The Filmumentaries Podcast, I'm going back to one of my earliest and most memorable interviews: a conversation with German actor Wolf Kahler, best known to film fans as Colonel Dietrich in Raiders of the Lost Ark.Kahler's wonderfully imposing performance as the Nazi officer who helps Belloq search for the Ark is one of the many unforgettable supporting performances in Spielberg's 1981 adventure. But there's much more to his career than one film.In this episode, Wolf talks about his acting career, how he came to be cast in Raiders of the Lost Ark, working with Steven Spielberg and the cast, and his memories of making one of the most beloved adventure films ever made.It's also a chance to revisit the making of Raiders from the perspective of someone who was actually there — and to hear stories from behind the scenes that you won't find in the finished film.Wolf Kahler has appeared in numerous films and television productions, often playing German military characters, including The Dirty Dozen: The Next Mission, The Bourne Identity, The Remains of the Day, Charlotte Gray, Wonder Woman and The Great Escaper.So, grab your hat, whip and favourite archaeological artefact, and join me for a conversation with Colonel Dietrich himself.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links
Monday Morning Cooking Club's Merelyn Chalmers her family's story of survival, and piecing together hundreds of treasured family recipes from Jewish communities around the world, including her mother's top-secret yellow cake recipe.Merelyn grew up tied to the apron strings of her mother, an Hungarian Jew who had survived Auschwitz and eventually ended up in Western Australia.In Perth, she met a man who had his own remarkable World War Two survival story, after fleeing Poland and being conscripted into the Polish regiment of the Red Army.For the couple, Perth became their Garden of Eden, where they raised Merelyn and her older brother in peace.From her mother, Merelyn learnt how to make the perfect pastry in her pyjamas at midnight; how to fry schnitzel properly; and how to make a succulent roast for Shabbat. And from her father, Merelyn learnt how to appreciate both an Aussie barbecue of snags and steaks, as well as the acquired taste of Gefilte fish.Years later, Merelyn would join a group of women who decided to raise money for charity by putting together a cookbook filled with treasured family recipes from Jewish communities in Australia and around the world.As a member of the Monday Morning Cooking Club, Merelyn finally convinced her mother to share her secret recipe for yellow cake, a chiffon cake that had become famous in suburban Perth.A Year of Jewish Cooking is published by Simon & Schuster.You can find out more about the Monday Morning Cooking Club online.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores cooking, cookbooks, holiday cooking, Jewish cooking, stories of survival, origin stories, Bondi, Shabbat, Jewish holidays, Yom Kippur, Rosh Hashanah, Passover, Pesach, Hanukkah, family recipes, secret recipes, charity, books, writing, Shoah tapes, Holocaust, Auschwitz, refugees, migration, first generation Australians, Kosher kitchen, Judaism, religion, cultural identity, children of immigrants, Communism, Stalin, Hitler, Soviet Union, Spielberg.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.
David Robert Mitchell’s The End of Oak Street drops an ordinary family into extraordinary circumstances, forcing them to focus all their energy on surviving— and maybe, just maybe, learning to understand each other along the way. That structure, combined with Oak Street’s Spielbergian spectacle, pointed us toward 2005’s War of the Worlds, which fuses H.G. Wells’ 1898 novel to images and emotions that draw on the attacks of 9/11. How that approach holds up a quarter-century removed from the events that inspired it is up for discussion this week, along with where War of the Worlds falls on the Steven Spielberg Alien-Encounter Continuum, and just how close that sentimental ending comes to ruining the movie entirely. Then in Feedback, a listener, with an assist from Orson Welles, invites us to get galaxy-brained on the nature of homage as it relates to cinema generally and this podcast specifically. Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
This Week In Startups is made possible by: Odoo https://Odoo.com/twist Quo https://quo.com/TWiST Conservation Fund https://conservationfund.org how old a movie has to be for me to be able to show a part of it on youtube Generally 10 seconds or less of a film clip can fall under fair use for commentary or criticism — which is how most podcasts and talk shows use clips without issue. But there's no hard legal rule based on age. What actually matters more than age is fair use, which considers: Purpose — commentary, criticism, education = stronger fair use case Amount used — shorter = safer; a 5-10 second clip for reaction/discussion is generally fine Effect on market — your clip shouldn't replace the original In practice for YouTube specifically: Most major studios have Content ID systems that will flag clips regardless of movie age — even 100-year-old films if the rights holder has registered them Public domain is the real safe zone — films from 1927 or earlier are generally in the public domain in the US. Some films from the 1928-1963 range are also public domain if copyright wasn't renewed Disney, Warner Bros., Universal etc. actively enforce even very old films For a show like TWiST showing a short reaction clip — 5-10 seconds with clear commentary context is the industry standard and rarely gets actioned. But age alone won't protect you. Today's show: *A humanoid robot ran the 100m in 9.39, breaking the human Usain Bolt's world record, while an entire stadium cheered. Jason thinks Beijing's World Humanoid Robot Games aren't a science fair, or a fun exhibition, but the best AI PR campaign on Earth. While Americans debate the data centers that train the robot brains, China is already turning them into a spectacle and world-class entertainment. Find out what Jason thinks America can do to catch up… and why he believes there will be 1 billion Optimus robots deployed by the year 2036. PLUS on an all-news TWiST, hot takes on the potential $13B Hugging Face sale (to a mystery buyer), why founders should always "buy the threat," analyzing Sam Altman's "I'm listening and I hear you" face, and are kill drones already in operation around the world? We're digging in to how close the real world is to mirroring the "Terminator" films. Relevant Links CBS coverage of World Humanoid Robot Games: https://www.cbsnews.com/news/china-robot-usain-bolt-sprint-run-record-faster/ Bloomberg coverage of World Humanoid Robot Games: https://www.youtube.com/watch?v=0lsrUAdcPPE X-Humanoid: https://www.x-humanoid.com/ Tesla Optimus on X: https://x.com/Tesla_Optimus Trailer for Spielberg's "A.I. Artificial Intelligence": https://www.youtube.com/watch?v=_19pRsZRiz4 Bloomberg: Hugging Face exploring sale: https://www.bloomberg.com/news/articles/2026-08-23/hugging-face-gauging-interest-for-potential-sale-business-insider-says Fortune: Stripe acquires OpenRouter: https://fortune.com/2026/08/16/stripe-7-billion-deal-ai-firm-openrouter-acquisition/ InfoWorld: OpenAI acqui-hires OPenClaw founder: https://www.infoworld.com/article/4132731/openai-hires-openclaw-founder-as-ai-agent-race-intensifies-2.html David Senra podcast w/ Sam Altman: https://www.davidsenra.com/episode/sam-altman Harvey Tenet Research Preview: https://www.harvey.ai/blog/post-training-update-harvey-tenet David Sacks comments on Harvey's Tenet (from X): https://x.com/DavidSacks/status/2090790063047168473 CNBC: Iran linked to UK cyberattack: https://www.cnbc.com/2026/08/23/small-uk-power-plant-shut-down-after-iran-linked-cyberattack-report.html NYT: A drone killed 3 Ukrainians: https://www.nytimes.com/2026/08/24/world/europe/russia-drones-autonomous-ai-kill-ukraine-war.html Forbes: Eric Schmidt secretly testing AI drones: https://www.forbes.com/sites/sarahemerson/2024/06/06/eric-schmidt-is-secretly-testing-ai-military-drones-in-a-wealthy-silicon-valley-suburb/ Restream: https://restream.io/ Kimbal Musk's Nova Sky Stories: https://novaskystories.com/ IKEA: Plug-in Solar Panels: https://www.ikea.com/be/en/energy-services/plug-in-solar/ Deadline: "Mandalorian and Grogu" box office: https://deadline.com/2026/08/star-wars-mandalorian-grogu-disney-release-date-1237040464/ THR: Dave Filoni leading Lucasfilm: https://www.hollywoodreporter.com/movies/movie-news/star-wars-mandalorian-grogu-box-office-franchise-low-1236604973/ Star Wars: Starfighter first look: https://www.starwars.com/news/star-wars-starfighter-ryan-gosling Star Wars Theory: "Vader" fan series: https://www.youtube.com/watch?v=Ey68aMOV9gc Timestamps: 0:00 Jason got a fresh Optimus demo 1:35 Robots are breaking human sports records 3:39 America's messaging problem vs. China's elite PR machine 11:07 Odoo - The all-in-one business platform. Your first app is free! Get started today at https://Odoo.com/twist 12:08 Jason got a fresh Optimus demo 19:21 Quo (formerly OpenPhone) - Quo gives you a clean, modern way to handle every customer call, text, and thread all in one place. Try it free and get 20% off your first 6 months at https://quo.com/TWiST 28:09 Who's going to buy Hugging Face and why? 28:56 Conservation Fund - Find out more about how the Conservation Fund is protecting land, wildlife, and our shared access to the great outdoors while also providing economic opportunities. Visit https://conservationfund.org 31:35 How OpenAI killed OpenClaw 39:08 Sam Altman wants to make a platform, not a product 41:19 The "Castles and Keeps" metaphor for sovereign AI 49:27 UBI isn't happening but we could raise the minimum wage 58:47 Embracing redundancy and self-reliance 1:10:53 Is Star Wars at a historic low point (and Lon's Worst Take) Subscribe to the TWiST500 newsletter: https://ticker.thisweekinstartups.com Check out the TWIST500: https://www.twist500.com Subscribe to This Week in Startups on Apple: https://rb.gy/v19fcp Follow Lon: X: https://x.com/lons Follow Jason: X: https://twitter.com/Jason LinkedIn: https://www.linkedin.com/in/jasoncalacanis Check out all our partner offers: https://partners.launch.co/ Great TWIST interviews: Will Guidara, Eoghan McCabe, Steve Huffman, Brian Chesky, Bob Moesta, Aaron Levie, Sophia Amoruso, Reid Hoffman, Frank Slootman, Billy McFarland Check out Jason's suite of newsletters: https://substack.com/@calacanis Follow TWiST: Twitter: https://twitter.com/TWiStartups YouTube: https://www.youtube.com/thisweekin Instagram: https://www.instagram.com/thisweekinstartups TikTok: https://www.tiktok.com/@thisweekinstartups Substack: https://twistartups.substack.com
David Robert Mitchell’s The End of Oak Street drops an ordinary family into extraordinary circumstances, forcing them to focus all their energy on surviving— and maybe, just maybe, learning to understand each other along the way. That structure, combined with Oak Street’s Spielbergian spectacle, pointed us toward 2005’s War of the Worlds, which fuses H.G. Wells’ 1898 novel to images and emotions that draw on the attacks of 9/11. How that approach holds up a quarter-century removed from the events that inspired it is up for discussion this week, along with where War of the Worlds falls on the Steven Spielberg Alien-Encounter Continuum, and just how close that sentimental ending comes to ruining the movie entirely. Then in Feedback, a listener, with an assist from Orson Welles, invites us to get galaxy-brained on the nature of homage as it relates to cinema generally and this podcast specifically. Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.
Director Jeff Wadlow (Kick-Ass 2, Imaginary) has a new killer shark movie out now called The Devil's Mouth starring Kathryn Newton, so naturally he had to come on The Spiel talk a little bit about his Spielberg-y influences. Yes, Jaws does come up, of course, but the conversation mostly focuses on Spielberg's move into the executive arena when he, Jeffrey Katzenberg, and David Geffen launched their very own movie studio and called it Dreamworks. What happens when a filmmaker is put in charge? Does that have an impact on their own films? With multiple Oscar winning films and giant blockbusters that have come out of the studio over the years, there's no question that the venture was a success, but it wasn't without its lows as well. We talk about all that and more in this new episode of The Spiel! Learn more about your ad choices. Visit megaphone.fm/adchoices
Following up on our discussion of Bicentennial Man, we discuss two movies, starting with the 28th highest-grossing movie of 2001, Steven Spielberg's A.I. - Artificial Intelligence. A.I. has a lot of connections to 1999, since it was originally meant to be directed by Stanley Kubrick, who died in 1999, and starred two of 1999's Best Supporting Actor Oscar nominees, Haley Joel Osment and Jude Law. It's also proven stunningly prescient and holds up in a way that makes it arguably better now than it was 25 years ago. Spielberg's latest, Disclosure Day, while appearing to share a lot of DNA with A.I., is...less good. And John rants about it a lot.
Liv, Brad, and Jake have a grand time dissecting Spielberg's latest non-human biologics picture. They discuss everything from poorly painted Alien artifacts to bizarre boomer film transition techniques. Jake discovers a promising Colin Firth impression. This is ground truth podcasting. Subscribe for $5 a month to get all the premium episodes: www.patreon.com/qaa Check out our new podcast series network Cursed Media! All episodes of Spectral Voyager Season 2 are out now! Binge the entirety of Truly Tradly Deeply by Annie Kelly and Megan Kelly as well as Science in Transition by Liv Agar and Spencer Barrows: cursedmedia.net Produced by Liv Agar & Corey Klotz. Theme by Nick Sena. Additional music by Pontus Berghe and Jake Rockatansky. Theme Vocals by THEY/LIVE (instagram.com/theyylivve / sptfy.com/QrDm). Cover Art by Pedro Correa: (pedrocorrea.com) qaapodcast.com QAA was known as the QAnon Anonymous podcast.
We're hanging out at The End of Oak Street, discussing dinosaurs, summoning Spielberg and pontificating about Poltergeists! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Our deepest apologies for making you wait so long for the return of your favorite podcast, but get ready for a marathon episode worthy of the runtime of Christopher Nolan's The Odyssey. This epic - not just in length - episode kicks off with a discussion about Austin Powers and Verizon, observations about James Bond and Jeff Bezos, as well as rare book and podcast recommendations before your regularly scheduled programming of Movies We've Seen since last time (25:05), TV Talk (2:13:04), and Entertainment News/Upcoming Trailers and Stuff (2:29:40). Then Patrick continues to share his gift by absolutely crushing this latest edition of What Year Did That Come Out Again? (2:56:27), trying his hand at Spielberg alien movie Tomato Talk (2:58:33) and providing a Hidden Gem recommendation (3:03:00) before we allow you to get back to less entertaining real life. Episode highlights include discussions about the brilliance of Obsession, the brilliance of Tuner, the brilliance of Pressure, the brilliance of The Invite, how many great movies we've already gotten in 2026, how theaters are back(, baby!), the Jackass crew, Minion movie love, our lukewarm responses to recent Spielberg and Nolan, a glowing endorsement of the Girl Scouts of America, dinosaurs onscreen, a shared love of Leo Woodall, Zendaya's best performance picks, Statham carrying the R-rated action movie torch, being burned out on musician biopics, Hitchcock talk, the lasting excellence of La La Land, the appropriate pacing for crowd pleasing flicks, the fantastic and ever-improving movie scene in LA, continued Trek talk, the unforgivable sin of changing a movie years after its release, and the problem with blockbuster movie pre-sale tickets. The Movies N Shit podcast WILL return in Episode 79.
Is The End of Oak Street the best Spielberg movie of 2026? Or is one of your hosts committing movie heresy? Adam and Josh review David Robert Mitchell's dinosaur-filled family adventure and consider whether there's more on its mind than blockbuster thrills. Plus: thoughts on the Anthony Bourdain biopic Tony, Willem Dafoe in Late Fame, and Adam's conversation with the creators of the Table Read podcast. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Filmspotting Podcast (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) The End of Oak Street (00:02:24-00:49:09) Spoiler Talk: The End of Oak Street (00:49:09-01:10:34) Filmspotting Family (01:10:35-01:17:04) Tony (01:17:05-01:22:22) Late Fame (01:22:23-01:41:26) MLB at Field of Dreams on Netflix (01:41:27-01:45:52) Introducing: Table Read Podcast (01:45:53-01:59:42) Massacre Theatre (01:59:43-02:08:57) Credits / Releases (02:08:58-2:11:44) Notes: -Myth of the American Sleepover Review | Ann Arbor Observer https://annarborobserver.com/myth-of-the-american-sleepover/ Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Use code "summer" for 20% off a Filmspotting Family membership http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
Is The End of Oak Street the best Spielberg movie of 2026? Or is one of your hosts committing movie heresy? Adam and Josh review David Robert Mitchell's dinosaur-filled family adventure and consider whether there's more on its mind than blockbuster thrills. Plus: thoughts on the Anthony Bourdain biopic Tony, Willem Dafoe in Late Fame, and Adam's conversation with the creators of the Table Read podcast. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) The End of Oak Street (00:02:24-00:49:09) Spoiler Talk: The End of Oak Street (00:49:09-01:10:34) Filmspotting Family (01:10:35-01:17:04) Tony (01:17:05-01:22:22) Late Fame (01:22:23-01:41:26) MLB at Field of Dreams on Netflix (01:41:27-01:45:52) Introducing: Table Read Podcast (01:45:53-01:59:42) Massacre Theatre (01:59:43-02:08:57) Credits / Releases (02:08:58-2:11:44) Notes: -Myth of the American Sleepover Review | Ann Arbor Observer https://annarborobserver.com/myth-of-the-american-sleepover/ Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Use code "summer" for 20% off a Filmspotting Family membership http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
J.J. Abrams is behind a movie that wants to be Spielberg so badly (shocking, we know)! It's the 80s, there are dinosaurs, plenty of action, and of course - family drama. But can THE END OF OAK STREET live up to the Amblin-esque expectations? Watch on YouTube: https://youtu.be/Z_PwtnoK8WYSupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.
This week, Griffey, Heath and Sam review the new dinosaur thriller from It Follows director David Robert Mitchell, starring Anne Hathaway and Ewan McGregor. It is a big, dumb, expensive throwback packed with plenty of violence, dinosaurs with feathers and a sex scene you have to see to believe. Is this the dinosaur movie we've been waiting for, or a Spielberg imitation powered entirely by human idiocy? We debate Anne Hathaway carrying the movie on her back, Ewan McGregor swinging a sledgehammer at a T. rex, a gigantic prehistoric snake, and mountains of dinosaur shit. WARNING: We spoil the absolute shit out of this movie. Go see it before listening if you care about surprises. Have you seen The End of Oak Street? Tell us whether it was glorious dumb fun or just plain dumb. Subscribe to Misfit Parade for more New Movie Mondays, deep dives, drafts, filmmaker interviews and movies that embrace the insane, outrageous, unhinged and all-around messed-up fun we can't take our eyes off. Support the show, join our community and help select movies for future episodes on Patreon: https://www.patreon.com/c/messedupmoviespod Follow Misfit Parade: https://www.misfitparade.com/ #TheEndOfOakStreet #DinosaurMovies #MovieReview
We discuss the various films Steven Spielberg has released about alien encounters: Close Encounters of the Third Kind (1977), E.T. The Extra Terrestrial (1982), War of the Worlds (2005), and our inciting film, Disclosure Day. Featuring Mark, Lawrence, Sarahlyn, and Al. How is the new film as "mature Spielberg"? Is it as fun as the older films? Is it too heavy handed? Do the older films hold up? Would YOU go with the aliens? Are we as a society too jaded at this point for the Spielberg magic to fully work? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.
By the early 1980s Francis Ford Coppola, Steven Spielberg and George Lucas were the richest, best-known filmmakers in the world, with an empire of their own. Coppola had directed The Godfather, then the highest-grossing film of all-time, until Spielberg surpassed it with Jaws — whose record Lucas broke with Star Wars, which Spielberg surpassed again with E.T. In a new book, The Last Kings of Hollywood, Paul Fischer charts their rise from young, ambitious filmmakers in the 1960s to the dominant creative forces of 1970s and 80s American cinema. In this episode, he joins Anna Bogutskaya to examine how these three era-defining filmmakers rivalled and supported each other, fell out and reconciled, and struggled to reinvent popular American cinema. Paul Fischer is an author, screenwriter and filmmaker. The Last Kings of Hollywood: The Battle for the Soul of American Cinema is available online and in bookstores now. Anna Bogutskaya is a film critic, programmer and author of Feeding The Monster. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
We are storytellers. From childhood fairy tales to the most erudite and complex cosmological theories, we use good stories to communicate truth. What exactly then is the story of the cosmos? Is there one? And what can modern science tell us about this story? Good science communicators attempt to answer these questions, composing their explanations about the heavens into meaningful and compelling narratives. But is the modern story of the cosmos the true story of the cosmos? Most scientific theories about the universe take little or no account for God. The universe is only or "just" what it is made of, just what it does, nothing more. But we here at Good Heavens! believe there is a true and good story about the universe that includes where it came from, what it all means, and to whom it points. Jesus. As Colossians 1 proclaims, "For by Him all things were created, both in the heavens and on earth, visible and invisible, whether thrones or dominions or rulers or authorities—all things have been created through Him and for Him. He is before all things, and in Him all things hold together. He is also head of the body, the church; and He is the beginning, the firstborn from the dead, so that He Himself will come to have first place in everything. For it was the Father's good pleasure for all the fullness to dwell in Him, and through Him to reconcile all things to Himself, having made peace through the blood of His cross; through Him, I say, whether things on earth or things in heaven" (Colossians 1.17-20, NASB 1995). Astrophysicist Jeff Zweerink is a former senior research scholar at Reasons to Believe (RTB). He earned a BS in physics and a PhD in astrophysics from Iowa State University with a focus on gamma rays. He taught at and ran the planetarium at Loras College in Dubuque, Iowa, until postdoctoral research in gamma rays led him to the University of California, Riverside. Jeff spent years working on the STACEE and VERITAS gamma-ray telescopes and was involved in research projects such as the Solar Two project and the Whipple Collaboration. He continues to work as a project scientist at UCLA on GAPS, a balloon experiment seeking to detect dark matter. Zweerink is also a coauthor of more than 30 academic papers published in peer-reviewed journals such as Astrophysical Journal, Astroparticle Physics, and Astrobiology. While an undergrad at Iowa State University, he heard astrophysicist and RTB founder Hugh Ross speak on the constructive integration of science and the Christian faith. Ten years later, a professor encouraged Zweerink to enroll in RTB's volunteer apologists program. This involvement eventually led to a scholar position in 2005. Today, Zweerink writes and speaks on the compatibility of science and the Christian faith and on evidence for intentional design from multiverse theory and exoplanets, as well as artificial intelligence (AI). His speaking engagements take him to universities, conferences, churches, high schools, youth groups, and other venues around the world. His books include Is There Life Out There?, Who's Afraid of the Multiverse?, Escaping the Beginning?, and Building Bridges (coauthor). He has also made many media appearances on television, radio, and in print. Zweerink and his wife, Lisa, live in Southern California and have five children. Image credit (Crab Nebula): Hubble Space Telescope, NASA, Goddard. Two-part episode with cosmologist Dr. Luke Barnes on C.S. Lewis' science fiction. Part One Part Two Watchman Fellowship Resources on the Question of Aliens, UFOs, and UAPs: Free Four-Page Profile Articles UFOs and UAPs Raelians Heaven's Gate Disclosure Day The Urantia Book Podcast Episodes on UFOs, Aliens, and Extraterrestrials Aliens, Evolution, and Intelligent Design What is the Message of Spielberg's Disclosure Day? UFOS and Aliens Ufologist Gary Bates Part One Ufologist Gary Bates Part Two Ancient Aliens? No. Daniel's interview with Sasha Sagan, the daughter of the late planetary astronomer Carl Sagan Additional Resources FREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/Free PROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/Notebook SUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/Give Good Heavens! is a ministry of Watchman Fellowship For more information, visit www.watchman.org © 2026 Watchman Fellowship, Inc. Podbean enables our podcast to be on Apple Podcasts and other major podcast platforms. To support Good Heavens! on Podbean as a patron, you can use the Podbean app, or go to https://patron.podbean.com/goodheavens. This goes to Wayne Spencer. If you would like to give to the ministry of Watchman Fellowship or to Daniel Ray, you can donate at https://www.watchman.org/daniel. Donations to Watchman are tax deductible.
Braga, King, and Ski close out Spielberg month with arguably the best war movie ever made, Saving Private Ryan. It features a hyper realistic Omaha Beach scene which has been called the most accurate depiction of battle put to film. Hanks and Sizemore shine, but how does it rank among Spielberg's best? Is it any good? Listen!
An absolutely jam-packed, mid-August episode of Breakfast All Day. Here's what we've got for you: THE END OF OAK STREET. Suburbia and dinosaurs and divorce! This isn't a Spielberg movie, but it sure feels like it. Anne Hathaway, Ewan McGregor, Maisy Stella and Christian Convery star as a family who wake up and discover that their pleasant cul-de-sac has been picked up and plopped down in the prehistoric era. From writer-director David Robert Mitchell. In theaters. TEENAGE SEX AND DEATH AT CAMP MIASMA. We're catching up with Jane Schoenbrun's follow-up to "I Saw the TV Glow" as it expands into more theaters. Hannah Einbinder stars as a queer filmmaker who's reinvigorating a problematic horror franchise, with hopes that its reclusive, original Final Girl (Gillian Anderson) will star. Funny, thoughtful, self-aware and brimming with clever details. In theaters. THE WRONG GIRLS. Kristen Stewart and Alia Shawkat co-star as stoner best friends who stumble across a mysterious substance that gives them unexpected powers, sort of? The feature debut from writer-director Dylan Meyer (Stewart's wife) is a larky romp across Los Angeles. Maybe it helps if you're high, too. Co-starring LaKeith Stanfield, Kate McKinnon, Seth Rogen and Kumail Nanjiani. In theaters. MOVIE NEWS LIVE! What a treat! The great Dave White (Alonso's husband) joined our Friday livestream, so this went extra long. Among the many topics we covered were the latest in the Paramount/Warner Bros. merger, Nikki from "Obsession" joining Universal's Halloween Horror Nights, Nicholas Hoult joining the "Harry Potter" series and John Oliver's soap opera run. We're here Fridays at Noon Pacific. Thanks so much for starting your weekend with us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/
This week we head to the suburbs—or at least what's left of them—to talk about The End of Oak Street (2026), the new sci-fi survival thriller from It Follows director David Robert Mitchell. Starring Anne Hathaway and Ewan McGregor, the film follows the Platt family after a mysterious cosmic event rips their entire neighborhood out of suburbia and drops it somewhere very, very unexpected. We talk about the movie's wild combination of 1980s nostalgia, family drama, dinosaurs, sci-fi mystery, and survival horror, as well as Mitchell's playful nods to classic Spielberg-era adventure movies. With its strange premise and surprisingly heartfelt story, The End of Oak Street is a pretty big departure from the director's earlier horror work—but it still carries some of that eerie, mysterious DNA. We also get into the film's visual effects, performances, action sequences, and whether the ambitious premise sticks the landing. Is this the next great suburban creature feature, or does the mystery get a little lost along the way? Follow Us on Instagram and TikTok: @horrorhourwiththehannas Music by Aries Beats - https://www.youtube.com/watch?v=DPpnxLYrzVA #horrorpodcast #horrormovies #horrorfilm #scarymovie #scarymovies #scarymoviesbelike #horrortok #horrorhour #behindthescenes #howscary #moviereview #filmreview #morbidpodcast #creepypodcast #filmtok #moviesummary #horrorpodcast #horrormovies #horrorfilm #scarymovie #scarymovies #scarymoviesbelike #horrortok #horrorhour #behindthescenes #howscary #moviereview #filmreview #morbidpodcast #creepypodcast #moviesummary #movieexplained #scary #horror #movie #film #behindthescenes #behindthescene #filming #moviefacts #halloween #filmpodcast #horrorfilmanalysis #filmpodcast #horrorgenre #horrorfilmanalysis #newrelease #horrormoviepodcast #theendofoakstreet #oakstreet
Ceuta afronta la amenaza de una nueva entrada masiva de migrantes. El gobierno refuerza la frontera y acelera la devolución de irregulares a Marruecos. La Iglesia ayuda a la población, lamentando la falta de recursos para menores. Comienza la operación salida más importante del año, con 5,6 millones de desplazamientos previstos. El mercado laboral español muestra que siete de cada diez trabajadores están dispuestos a cambiar de empleo por una oferta mejor, valorando la flexibilidad y el crecimiento personal más allá del salario. El doctor Mario Alonso Puig aborda el miedo a envejecer, destacando cómo la sociedad y la mentalidad influyen en esta percepción. Subraya la importancia de la curiosidad, el propósito, las relaciones sociales, el movimiento y el descanso para una "juventud acumulada". En el ámbito cultural, se recomiendan películas como la animada "Toy Story 5", la ciencia ficción "El día de la revelación" de Spielberg, la comedia "Las ovejas detectives", y dramedias españolas ...
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Welcome to The Celluloid Mirror!In this episode we discuss Paul Norman's 1995 film Ice Cream Man starring Clint Howard and Steven Spielberg's 2001 film A.I. Artificial Intelligence starring Haley Joel Osment.Did we do this episode partly to comment on a certain other Ice Cream Man film that is currently getting torn apart by horror fans and uses generative A.I.? Yup. We briefly discuss Eli Roth's latest "efforts." We also discuss how the 1995 Ice Cream Man is a whole lot of fun, A.I. was mis-marketed leading to poor audience reactions, read some listener/viewer comments, and spend some time on the internet. Ice Cream Man Reviews:Stefan Birgir Stefans: https://www.sbs.is/movie-review/ice-cream-man-1995/Robert Scucci: https://www.giantfreakinrobot.com/ent/horror/ice-cream-man-review.htmlCritic Quotes about A.I. Artificial Intelligence:“By the end A.I. exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.” - Mick Lasalle, SF Chronicle“There aren't many at all like Spielberg and Kubrick, directors willing to lasso dreams (that's Steven) and nightmares (that's Stanley) or die trying. A.I. is a clash of the titans, a jumble, an oedipal drama, a carny act. I want to see it again.” - Lisa Schwazbaum, EWSubscribe to the audio-only version of The Celluloid Mirror on your podcast platform of choice or subscribe to our YouTube Channel at https://www.youtube.com/@4milecircusprod and turn on reminders to catch our livestreams. Find The Celluloid Mirror (including bonus episodes) at its home on Patreon: http://www.patreon.com/4milecircusRegular episodes (as well as some other posts) are free to all. Most posts are free if you subscribe, and there are even more if you wanna pay. Join us!Learn more about our work in general at http://www.4milecircus.comMusic"Twisted" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"
JT Follows JC joins Nephilim Death Squad for a wide-ranging conversation connecting UFO disclosure, alien encounters, the Nephilim, the Book of Enoch, MKUltra, Project Monarch, Tartaria, old world architecture, artificial intelligence, and Biblical prophecy through a Christian worldview.David Lee Corbo, Matthew Heppner, and JT Follows JC (Joe Telford) begin by discussing JT's journey from working in construction to creating content full-time. That background leads directly into questions surrounding Tartaria, Greco-Roman architecture, Gothic cathedrals, cymatics, frequency, resonance, hidden technology, mysterious stonework, and seemingly impossible construction timelines. Could previous civilizations have understood sound, vibration, energy, and architecture differently than we do today?The conversation then turns toward UFO disclosure and the modern alien narrative. The guys analyze Spielberg's Disclosure Day, alien abduction experiences, astral simulation theories, Skinwalker mythology, MKUltra, Project Monarch, trauma-based dissociation, and occult symbolism appearing throughout movies and television. From Zoolander and Gravity Falls to Stranger Things, they ask whether entertainment is simply fiction—or conditioning audiences to interpret spiritual phenomena through a different framework.Could AI eventually replace the alien invasion narrative? Why are discussions about demons, the Nephilim, and the Book of Enoch becoming increasingly mainstream? The episode explores Tucker Carlson, modern disclosure conversations, the Anunnaki narrative, the Watchers, Greek mythology, The Odyssey, and possible Biblical parallels involving fallen spiritual beings.The final section goes deep into Scripture and theology: Pharaoh's hardened heart, free will, predestination, manufactured prophecy, Israel, replacement theology versus fulfillment, Rahab, Ruth, Passover, the mixed multitude, hyssop, Jesus Christ, the Book of Life, and once saved always saved.Finally, the guys return to the central question: Are alien and UAP encounters actually demonic or spiritual phenomena masquerading as something physical?What do you think—physical extraterrestrials, demonic deception, psychological manipulation, or something even more complicated? Join the discussion in the comments.Listen on Spotify, Apple Podcasts, and everywhere podcasts are available.► Subscribe for more Biblical analysis, Christian worldview discussions, and conspiracy research through a Biblical lens.JT Follows JC — LinksAll Links / Linktree:https://linktr.ee/jtfollowsjcYouTube:https://www.youtube.com/@jtfollowsjcInstagram:https://www.instagram.com/jtfollowsjc/X / Twitter:https://x.com/jtfollowsjcTikTok:https://www.tiktok.com/@jt_follows_jcFacebook:https://www.facebook.com/JTFOLLOWSJCRumble:https://rumble.com/user/jtfollowsjcSpotify – JT's Mix Tape:https://open.spotify.com/show/2y27vDkaiRVtXkBXAdDo6HAncient Angels:https://www.ancientangelsmovie.com/00:00 Intro: Brohemian Grove VIP Eve01:23 Meet JT Follows JC03:54 From Construction to Full-Time Content Creator06:00 Tartaria, Old World Buildings & Meltology11:48 Hoover Dam, Symbolism & Secret Societies13:38 Cymatics, Frequency & Cathedral Architecture16:08 Impossible Old World Construction Timelines?21:57 UFO Disclosure & Hidden Technology23:47 Spielberg's Disclosure Day & the Alien Narrative30:24 Astral Simulation & Alien Abductions36:11 Project Monarch, MKUltra & Trauma Programming39:34 Are Aliens Demons? The Spiritual Explanation43:07 MKUltra in Movies, Zoolander & Media Programming45:58 Gravity Falls, Bill Cipher & Occult Symbolism49:39 Could AI Replace the Alien Invasion Narrative?56:19 Tucker Carlson, Nephilim & Mainstream Disclosure01:00:23 Anunnaki, Book of Enoch & the Watchers01:03:02 The Odyssey, Greek Gods & Biblical Parallels01:07:47 Prophecy, Pharaoh, Free Will & Predestination01:10:32 Israel, Replacement Theology, Rahab & Ruth01:13:34 Passover Hyssop, Jesus & the Mixed Multitude01:14:43 The Book of Life & Once Saved Always Saved?01:16:08 Why Must Aliens Be Physical? Demonic Deception01:21:42 JT Follows JC Links & OutroBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.
"Are you trying to develop a sense of humor or am I going deaf?" Welcome to Spielberg & Me, a mini series from Not Just For Kids. Each week a guest will join to discuss the works of Steven Spielberg, picking their first, best and worst film from the director. This time we're joined by podcaster, Vanessa Cordner (https://www.instagram.com/vanessacordner/) Email us: notjustforkidspodcast@gmail.com Find us on Threads, Instagram and Letterboxd: @adultstoopod Give the Not Just For Kids Movie Club a listen: https://anchor.fm/russell-bailey2
Spielberg's film Disclosure Day takes on the narrative of the recently released government UFO files. Speculation claims that what Spielberg aimed for was to shake up the Christian faith by his documentation of possibility of aliens from other planets. These extraterrestrials woud prove to Christians that biblical Christianity is false. But that's not what Spielberg necessarily said. We examine the premise of the movie as well as what the disclosed government files tell us. Comparing the two we see where facts end and speculative fiction begins.
Ok, we finally made it! Wrapping up our multi-part appreciation of the work of Steven Spielberg with Part 5. Spoilers for GYMKATA, ZODIAC, QUANTUM OF SOLACE and, of course, the films of Spielberg. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk
Eric on Blue Sky: @eric-hauter Eric on Youtube. Check out Gaming Nexus Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd. Just search JeffyPods and Eric Hauter.
Steven Spielberg doesn't want you to know his aliens aren't real. That's the standard Matthew Butler had to hit on Disclosure Day: total photographic believability, zero tolerance for anything that reads as fantasy, even when the story is about a supposed decades-long government cover-up of extraterrestrial contact. Butler has been Spielberg's go-to VFX supervisor for grounded, "make it real" work since Ready Player One, and before that, he was Chris's first VFX supervisor ever, on The Day After Tomorrow. Back in Episode 557, Chris and Daniel broke down Disclosure Day as fans, tracing its DNA back through Close Encounters and Sugarland Express. This time they bring on the person who actually built it, for a conversation about matching digitally-replaced train sequences to real-world reference plates, a shot count that came in smaller than planned going in, and why the biggest emotional gut-punch in the movie has almost nothing to do with visual effects at all. Butler walks through how Spielberg directs VFX without ever really discussing VFX, and the two of them dig into what makes his process so different: a shot list that shrank instead of ballooning, something Butler says has never happened on any other project in his career, a director who wants to solve problems himself rather than have them solved for him, and a 30-year veteran realizing mid-conversation that the AI moment VFX is living through right now feels exactly like the unsolved chaos of the 1990s. A conversation about restraint, trust, and knowing when the effects work is actually done when nobody notices it. Mentioned in this episode: Digital Domain, James Cameron, Titanic, Poltergeist, Tobe Hooper, Eric Barba, Doug Roble, Janusz Kamiński, Chris Columbus, Gremlins reboot, The Odyssey, Dune Guest links: Mattew Butler on IMDB > Matthew Butler on LinkedIn > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/
The gang goes on a rant about AI and watches the worst Spielberg movie for Joe's birthday.---Follow the gang on Twitter & Instagram! And send us movie suggestions at nostalgiaeffectpod@gmail.com.Watch Amy talk more movies over on her YouTube channel: youtube.com/themoviechecklist
Chegou o momento de atualizar o seu feed com as novidades mais marcantes, bizarras e bombásticas da cultura pop, cinema, streaming e tecnologia!
Summer 2001's Silver Anniversary celebration kicks into full swing as the Fab Four — Andy, Ash, Ed, and Stu — reunite for a sun‑soaked, nostalgia‑drunk march through one of the strangest, most transitional seasons in blockbuster history. From the dying glow of pre‑franchise Hollywood to the first rumblings of the IP‑driven future, the lads dig into what made Summer '01 such a peculiar cultural crossroads and why its films still echo through the multiplexes today.This week's Short Short Film Film Review spotlights Charlie Kaufman's How to Shoot a Ghost, a surreal, melancholic, and quietly deranged miniature about grief, hauntings, and the impossible etiquette of dealing with the dead. It's slippery, funny, and unmistakably Kaufman — a spectral how‑to guide that leaves the boys wondering whether the ghost is the problem, or whether the living are far worse.Finally, the Cruise cruise barrels forward into the neon‑blue, pre‑cog‑powered paranoia of Minority Report. Futurist tech, spider‑bots, milk‑bath visions, and Spielbergian momentum collide as Tom Cruise sprints through a world determined to arrest him for a crime he hasn't committed yet. Between the philosophical tangles of free will, the early‑2000s tech prophecy, and the ever‑important Scientology Watch check‑in, the lads ask the big question: is this Cruise's most finely tuned blockbuster performance, or simply the moment Spielberg weaponised Tom's run for maximum cinematic impact?With the usual blend of silliness, seriousness, and four‑man chaos, it's time once again to take Cruise Control.
Braga, King, and Ski keep rolling through Spielberg month with Catch Me If You Can. FBI agent Tom Hanks chases after con kid Leonardo DiCaprio who sweeps through the country cashing fake checks and becoming a pilot, doctor, and lawyer. The story ended up being fake. Do we care? Why did our parents not do any of this? Is the movie any good? Listen!
JOIN PATREON FOR EARLY UNCENSORED EPISODE RELEASES: https://www.patreon.com/JulianDorey CLIPPERS DISCORD: https://discord.gg/8QmWEKJ3BT FOLLOW JULIAN DOREY IG: https://www.instagram.com/julianddorey/ X: https://x.com/juliandorey FOLLOW JOEY DEEF IG: https://www.instagram.com/joeydeef/ X: https://x.com/TokeMalone JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 0:00 - I spoke w/ Amanda Ungaro on phone this week 4:19 - Julian REACTS to Baron-JSM Kirk Podcast 9:36 - Baron Coleman's Reaction to Podcast 11:58 - Julian on Baron being open minded 13:08 - Behind the Scenes of the Baron-JSM Podcast 14:08 - “The Most Comprehensive Breakdown of Kirk Crime Scene & Investigation to date” 15:23 - Hope for the Kirk Case moving forward 17:01 - “The Kirk Effect” 18:50 - BACKSTORY: Julian talked w/ Amanda Ungaro (Paolo Zampolli's wife) 20:55 - Amanda's earliest days in modeling 21:44 - Amanda came to US on Epstein's plane (STORY) 23:59 - Amanda would be **incentivized** to say opposite of some things she says 25:04 - How Amanda met Epstein friend & father of her child, Paolo Zampolli 29:35 - Paolo Zampolli is Tony Soprano 31:44 - Paolo love bombed Amanda & made her promises 32:48 - The INSANE Black Market Inside The UN 36:33 - Paolo & Ghislaine Maxwell LOVE the Oceans 37:25 - Paolo & Putin love Tigers; Zampolli's Tiger Heist 40:12 - Zampolli is a real life Sopranos Mobster 41:35 - China whacks dude in UN Claim 42:28 - Amanda runs into Ghislaine in UN; Paolo's secret emails w/ Ghislaine 43:59 - Paolo reneges on separation agreement terms w/ Amanda; Amanda moves back in 45:51 - Amanda leaves Paolo for good, Amanda's relationships in Miami 47:23 - Amanda & her new husband's arrest (Paolo behind it?) 48:11 - Amanda raids Paolo's office 49:33 - Amanda gets arrested 50:38 - Amanda seeks help from Melania Trump Amanda asks judge to deport her 51:54 - Paolo allegedly called ICE Senior Official to grab Amanda 53:51 - Paolo strong arms Amanda and Amanda refuses to go along 54:10 - Timeline of Amanda's relationship w/ the Trumps 58:03 - Paolo & Donald Trump tell Amanda who introduced Melania to Donald (STORY) 59:42 - Melania' Economic Status when she first came to US 1:00:30 - Amanda is a fan of the show; Amanda does not like Paolo 1:02:11 - Danny Jones interviews Mossad Assassin, Juval Aviv 1:03:02 - Juval Aviv was basis of Spielberg film, “Munich” (BACKSTORY) 1:08:18 - Danny Jones' “2nd” Podcast w/ Juval 1:10:19 - Juval Aviv CLAMS UP over Epstein's Blackmail & Intel Ties 1:13:25 - Kiriakou & Bustamante Intel ties 1:14:28 - Andy Bustamante's “Tell” about CIA relationship 1:18:41 - Being skeptical of every single spy 1:19:26 - Juval's Theory on Epstein's Death & potential assassins 1:24:34 - Epstein's Dead Man Switch & Trump Pardon Rumor 1:27:37 - Juval Aviv's Investigation into Robert Maxwell Death & Relationship w/ Ghislaine 1:35:06 - Epstein's insane wide reach CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef Julian Dorey Podcast Episode 460 - Julian Dorey Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices
We said The Prestige is the "most" Christopher Nolan movie, and that Inception is his most autobiographical... but it turns out we were wrong, because both apply to Interstellar. It's a movie where a character literally says, "I'm not afraid of death. I'm afraid of time." It's a movie about a man who desperately wants to return home to his children, except that he wants even more to go do some cool stuff in outer space. The movie's working title was Flora's Letter, referring to Nolan's real-life 11-year-old daughter Flora, the inspiration for the character of Murph. And it's probably Nolan's best movie. Laci and Matt spend more than three hours celebrating this masterpiece, and talk a lot about whether you should even care if the human race got resurrected via a tube of sperm on another planet hundreds of years in the future. Watch this Interstellar podcast in full on YouTube: https://youtube.com/@1weekrental Get more 1-Week Rental on Patreon: https://patreon.com/1weekrental Next episode (Aug. 14, 2026): Tenet (2020)! The Summer of Nolan is our summer 2026 miniseries covering the movie career of Christopher Nolan through nine movies on the main feed (plus additional episodes on the Patreon!), presented in chronological order, starting with Memento and going through Oppenheimer. And don't be surprised if our old pal Odysseus drops by to tell us about his long journey home to his wife. Time stamps: 00:01:41 — What have we learned about Christopher Nolan so far? And how does it apply to Interstellar? 00:20:00 — History segment: Producer Lynda Obst and physicist Kip Thorne develop Interstellar for Steven Spielberg, with Jonah Nolan as the screenwriter; Spielberg leaves, Christopher Nolan comes aboard; the science of Interstellar is always emphasized during the movie's development; Nolan works with composer Hans Zimmer on the movie's music before shooting begins; casting Matthew McConaughey; release, reception, and legacy of Interstellar 01:24:43 — Movie discussion + Interstellar film analysis 03:10:55 — Star ratings + final review of Interstellar INTERSTELLAR (2014) was directed by Christopher Nolan. Screenplay by Nolan with his brother Jonah. Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, Mackenzie Foy, Matt Damon, David Gyasi, Bill Irwin, John Lithgow, Casey Affleck, Topher Grace, Timothée Chalamet, and Michael Caine as Professor Brand. Sources: "Interstellar: How Christopher Nolan's Space Exploration Movie Achieved Lift-Off" by Dan Jolin | Empire (2014) - https://bit.ly/451fLOh "The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan" by Tom Shone (2020) - https://amzn.to/4yiNtw0 Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business by Lynda Obst (2014) - https://amzn.to/4xjbtOa "Wrinkles in Spacetime: The Warped Astrophysics of Interstellar" by Adam Rogers | Wired (2014) - https://bit.ly/4wbvs0r "Writer with real stars in his eyes" by Jay Fernandez | The Los Angeles Times (2007) - https://lat.ms/4pSL4UO "All About Christopher Nolan's 4 Kids, Who All Worked on 'The Odyssey' With Him" by Bailey Bujnosek | InStyle (2026) - https://bit.ly/4bwYeRI "Meet the Woman Behind Dunkirk" by Rebecca Keegan | Vanity Fair (2017) - https://bit.ly/4bvzlps "Christopher Nolan on Dunkirk, Taking His Kids to Phantom Thread" by Christina Radish | Collider (2018) - https://bit.ly/3RP25mf "Steven Spielberg Worked on 'Interstellar' for One Year and Says 'I Became Fascinated With It' Before Dropping Out: 'It Was a Much Better Movie in Nolan's Hands'" by Zack Sharif | Variety (2026) - https://bit.ly/4cmPqht Transcript: https://1weekrentalpod.com/2026/08/interstellar/#transcript Artwork by Laci Roth. Matt has two monthly spin-off podcasts! PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007). The Sign Post Up Ahead: A Twilight Zone Recap Podcast on Apple Podcast (https://bit.ly/4vtO6jG), Spotify (https://bit.ly/4w1qDat), and YouTube (https://www.youtube.com/@TheSignPostUpAhead). Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: "Summer of Nolan" - https://youtube.com/shorts/CAIzthDLrT8 "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ The "Summer of Nolan" theme song was written by Matt Stokes. Produced, engineered, mixed, and mastered by TJ Barends. Performed by: TJ Barends - backing vocals Wade Hymel - drums, percussion, and backing vocals Laci Roth - vocals Matt Stokes - vocals, guitar, and bass Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social 1-Week Rental used to be Load Bearing Beams.
This was the movie that was supposed to change everything! Life on Earth was never going to be the same after this movie! Instead, we get Emily Blunt having a Dr. Doolittle relationship with animals, a glowing phallic stick of extraterrestrial origins and an unveiling of footage less scary than anything currently on Instagram. Barry and Julia talk about this Spielberg film, compare it to his extraordinary body of work, and try to find enthusiasm for an alien movie less exciting than "MAC and Me."Follow the show behind the scenes on Instagram @soimarriedafilmcritic_podcast.
This week on Unknown Pleasures, Jennifer and Craig prepare to drop flash drives of conversation about Spielberg, generational divides of attitudes about systems, and getting alien powers in 2026's DISCLOSURE DAY! linktr.ee/swimfans patreon.com/swimfans Theme by Padlock: http://padlock.bandcamp.com/
This week on Bad Dads Film Review, the dads look to the skies for Steven Spielberg's Close Encounters of the Third Kind, a film packed with UFO classifications, mysterious lights, mashed potato mountains, musical alien communication and one of cinema's more questionable parenting decisions.Sidey begins by digging into what a “close encounter of the third kind” actually means, using J. Allen Hynek's UFO classification system as a guide. The dads move from first and second kind sightings into the third kind itself, before noting that later fourth and fifth kinds make parts of Spielberg's film feel even stranger in retrospect. From there, the conversation follows the film's global mystery: missing aircraft in the Sonoran Desert, the SS Cotopaxi, Bermuda Triangle mythology, air traffic controllers who definitely do not want to file an official UFO report, and Claude Lacombe's calm international investigation.The episode then turns to Roy Neary, whose roadside encounter with the impossible changes him completely. The dads talk through the power outage, the lights, the shaking truck, the radio interference and the physical burn that marks Roy's experience as more than just a sighting. What follows is one of Spielberg's most famous depictions of obsession, as Roy becomes consumed by an image he cannot explain: first in shaving foam, then in mashed potato, and eventually in the enormous Devil's Tower model that takes over his family home.Barry's abduction also gets plenty of attention, partly because the sequence remains so unsettling and partly because Dan remembers the repeated cry of “Barry!” as one of those film moments that became permanently lodged in family folklore. The dads discuss Spielberg's clever methods for directing such a young child, the way Barry's toys come to life, and the strange mixture of fear and wonder that runs through the whole sequence.As the film moves toward Devil's Tower, the dads dig into the bigger ideas underneath the spectacle. Close Encounters is a film about translation, interpretation and communication: people trying to understand languages, music, symbols, visions and experiences that do not fit ordinary life. Reegs picks up on the repeated non-verbal communication, while the group discuss how the aliens never feel like a straightforward invading force in the Independence Day mould. Spielberg's first contact is eerie and overwhelming, but also curious, musical and strangely hopeful.The final act gives the episode its big Spielberg moment: the government cover story, the fake contamination zone, the secret landing site, the five-note musical conversation, the glass-shattering alien volume and the mothership reveal that still looks astonishing nearly fifty years later. The dads also touch on production trivia, including model details, Easter eggs such as R2-D2, and the famous Spielberg/Lucas percentage swap between Close Encounters and Star Wars.Naturally, the Bad Dads courtroom saves its harshest scrutiny for Roy boarding the alien ship. Is he a terrible dad for abandoning his family, or does his altered mental state earn him some kind of cosmic mitigation? Sidey is ready to place Roy firmly in the Bad Dad category, while Dan offers a partial defence on the grounds that Roy has clearly been changed by forces beyond normal human control. Either way, it leads into a broader discussion of Spielberg's recurring interests in fathers, fragmented families, engineers, artists, music, communication and wonder.The verdict is a unanimous strong recommend. Nearly fifty years on, Close Encounters of the Third Kind still works as spectacle, mystery, family drama, spiritual science fiction and pure Spielberg awe. It is hopeful without being naïve, strange without becoming hostile, and still technically impressive thanks to practical effects, patient build-up and one of cinema's great mothership reveals. Roy may or may not get a full Bad Dad pardon, but the film itself absolutely gets a pass.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
Bob and Brad revisit 1933's King Kong and find it isn't just a landmark, but the full- formed template of the adventure movie itself, right down to the Jurassic Park structural blueprint Spielberg would lift sixty years later.Plus, a genuinely strange whiskey pairing: SHĀNG Dàn Yǎ, a first-of-kind jiàngxiāng whiskey that takes sauce-aroma baijiu from China, redistills it, and ages the result in charred American oak. At 100 proof and $64.99, it splits the hosts harder than almost anything this season over what may or may not be the birth of a new spirits category.For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey InstagramFilm & Whiskey FacebookFilm & Whiskey TwitterEmail us!Join our Discord server!For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.
In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Send us Fan MailOn the podcast this time, Steven and Sean are going to tell the truth to the world. We watched the 2026 film from Steven Spielberg, Disclosure Day.What would you do if you knew a secret so big, so world-changing, so possibly devastating that secretive government-adjacent companies were out to silence you before you could utter a single word?That's the overarching question to the latest from one of the greatest directors to have ever made movies. Enjoy this thrilling episode filled with big questions and appropriate Spielberg-aimed awe.(Recorded on July 08, 2026)Links to Stuff We Mentioned:Disclosure Day - The Movie Database (TMDB)Disclosure Day trailer - YouTubeEmily Blunt — The Movie Database (TMDB)Josh O'Connor — The Movie Database (TMDB)Colin Firth — The Movie Database (TMDB)Colman Domingo — The Movie Database (TMDB)Eve Hewson — The Movie Database (TMDB)Wyatt Russell — The Movie Database (TMDB)Elizabeth Marvel — The Movie Database (TMDB)The Orville (TV Series 2017) — The Movie Database (TMDB)Contact (1997) — The Movie Database (TMDB)Doctor Who (TV Series 2005) — The Movie Database (TMDB)Bullitt (1968) — The Movie Database (TMDB)Napoleon (2023) — The Movie Database (TMDB)John Williams — The Movie Database (TMDB)Jackie Gleason — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show
Braga, King, and Ski keep Spielberg month going with Indiana Jones and the Last Crusade. Harrison Ford and Sean Connery join forces to take down Nazis in their quest to find The Holy Grail. It fully explores Indy's lore, had banger one liners, and had some big continuity errors. Is it any good? Listen!
Wave pools. Drain suction. Parasites that laugh at chlorine. Turns out the "safe" attraction at the water park was never safe — and we've got the real-life horror stories to prove it (RIP Action Park, aka "Traction Park").
Program Note: Daniel misspoke about the Tycho and Kepler supernovae. They were not the last to be seen in the universe but the last two supernovae to be seen in the Milky Way galaxy. A great deal of time, effort, and tax dollars have been spent to explore the heavens. But even after all the expenditures, secular astronomy and cosmology are still unable to say what it all means. Some have suggested the universe doesn't mean anything, that it just is. Others say we can make up our own meaning. But we here at Good Heavens! believe the universe exists for one main purpose, to declare the glory and the righteousness of God, to display His handiwork and remind us of His many invisible attributes (Psalm 19; 50.6; Romans 1.18ff; Colossians 1.16ff). Here on this episode we sit down with Christian and astrophysicist Dr. Jeff Zweerink and get his thoughts about how he sees the universe pointing him to the glory of God. Astrophysicist Jeff Zweerink is a former senior research scholar at Reasons to Believe (RTB). He earned a BS in physics and a PhD in astrophysics from Iowa State University with a focus on gamma rays. He taught at and ran the planetarium at Loras College in Dubuque, Iowa, until postdoctoral research in gamma rays led him to the University of California, Riverside. Jeff spent years working on the STACEE and VERITAS gamma-ray telescopes and was involved in research projects such as the Solar Two project and the Whipple Collaboration. He continues to work as a project scientist at UCLA on GAPS, a balloon experiment seeking to detect dark matter. Zweerink is also a coauthor of more than 30 academic papers published in peer-reviewed journals such as Astrophysical Journal, Astroparticle Physics, and Astrobiology. While an undergrad at Iowa State University, he heard astrophysicist and RTB founder Hugh Ross speak on the constructive integration of science and the Christian faith. Ten years later, a professor encouraged Zweerink to enroll in RTB's volunteer apologists program. This involvement eventually led to a scholar position in 2005. Today, Zweerink writes and speaks on the compatibility of science and the Christian faith and on evidence for intentional design from multiverse theory and exoplanets, as well as artificial intelligence (AI). His speaking engagements take him to universities, conferences, churches, high schools, youth groups, and other venues around the world. His books include Is There Life Out There?, Who's Afraid of the Multiverse?, Escaping the Beginning?, and Building Bridges (coauthor). He has also made many media appearances on television, radio, and in print. Zweerink and his wife, Lisa, live in Southern California and have five children. Image credit (Helix Nebula): NASA/JPL-Caltech, Spitzer Space Telescope. Two-part episode with cosmologist Dr. Luke Barnes on C.S. Lewis' science fiction. Part 1: https://www.podomatic.com/podcasts/jwalker55293/episodes/2026-06-28T22_00_00-07_00 Part 2: https://www.podomatic.com/podcasts/jwalker55293/episodes/2026-07-05T22_00_00-07_00 Watchman Fellowship Resources on the Question of Aliens, UFOs, and UAPs: Free Four-Page Profile Articles UFOs and UAPs Raelians Heaven's Gate Disclosure Day The Urantia Book Podcast Episodes on UFOs, Aliens, and Extraterrestrials Aliens, Evolution, and Intelligent Design What is the Message of Spielberg's Disclosure Day? UFOS and Aliens Ufologist Gary Bates Part One Ufologist Gary Bates Part Two Ancient Aliens? No. Daniel's interview with Sasha Sagan, the daughter of the late planetary astronomer Carl Sagan Additional Resources FREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/Free PROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/Notebook SUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/Give Good Heavens! is a ministry of Watchman Fellowship For more information, visit www.watchman.org © 2026 Watchman Fellowship, Inc. Podbean enables our podcast to be on Apple Podcasts and other major podcast platforms. To support Good Heavens! on Podbean as a patron, you can use the Podbean app, or go to https://patron.podbean.com/goodheavens. This goes to Wayne Spencer. If you would like to give to the ministry of Watchman Fellowship or to Daniel Ray, you can donate at https://www.watchman.org/daniel. Donations to Watchman are tax deductible.
Send us Fan MailAaron, Trent, and Peaches are back in the team room talking defense budgets, military waste, the NDAA, future war with China, Space Force, Flock cameras, and why everyone suddenly has feelings about height-to-waist standards.The team breaks down why the Department of War is asking for more money, what the military says it needs to fund, and why that answer still does not solve the bigger problem: nobody can explain where all the money is already going. They talk munitions, drones, shipbuilding, Golden Dome, personnel, aging infrastructure, bloated conferences, pet projects, federal billets, and the fact that the military still cannot pass a clean audit.Then the episode shifts into surveillance and civil liberties with Flock cameras, license plate readers, the Patriot Act, and why “if you did nothing wrong, you have nothing to worry about” is a terrible argument.Finally, the guys get into Air Force height-to-waist standards, body composition, fat bodies in uniform, false positives for built-like-a-fridge humans, and why most people complaining about the standard probably just need to work out and eat less.Check out Tasty Gains: TastyGains.comGet AFSPECWAR prep gear through ATACLETE: OnesReady.comRegister for Operator Training Summit: OperatorTrainingSummit.comChapters:00:00 - Intro, Tasty Gains, ATACLETE, and OTS02:34 - San Diego and Pennsylvania OTS Updates04:20 - Why Does the Military Want More Money?04:58 - What the Defense Budget Is Paying For06:00 - Warfighter Performance, Drones, and China07:13 - Navy Upgrades and Global Shipping07:45 - Where Has the Money Been Going?08:14 - DOGE Cuts, Federal Workers, and Billets11:22 - Why Cutting Billets Does Not Always Cut Costs12:28 - A-10, B-21, F-47, and Military Construction14:04 - The $1.5 Trillion Defense Budget Request15:20 - China, Taiwan, and Future War Prep16:17 - Trent's Problem With the Budget Argument17:56 - The Department of War Has Never Passed a Clean Audit18:38 - Space Force Funding and Real Missions20:24 - NDAA, SAVE Act, and Israel Integration22:46 - Voter ID, Senate Drama, and Political Games24:10 - Why the NDAA May Get Stripped Down25:33 - Midterms, Messaging, and DC Theater26:49 - Talking Politics With Kids27:14 - Aliens, Spielberg, and Disclosure28:38 - Why Military Leaders Do Not Cut Waste29:02 - Civilian Leadership and Budget Authority29:55 - How End-of-Year Spending Works31:55 - The GARV Vehicle and Sunk Cost Fallacy34:37 - Unused Float Tanks and Base-Level Waste36:08 - VR Headsets and Gear With No Sustainment Plan37:10 - When Waste Becomes Gear Money38:25 - Donated Mattresses and Internet Outrage39:30 - Cutting Generals, E-9s, and Conferences40:27 - Senior Leader Conferences and Yucking It Up41:50 - Commanders' Roundtables and No Decisions43:34 - Senior Leaders Need to Take More Risk45:05 - Aaron's Defense Budget Take46:13 - A Possible New Ones Ready Series47:57 - Naming the New Series50:34 - What the New Series Could Cover53:09 - Flock Cameras and AI Surveillance54:31 - License Plate Readers and False Tickets56:50 - Aaron's Las Vegas Parking Ticket Story01:00:24 - The Process Is the Punishment01:01:42 - UK CCTV and 198401:03:15 - The Patriot Act and Giving Up Freedom01:04:46 - Height-to-Waist Standard Chaos01:05:59 - Fat People Resist Accountability01:06:26 - Show the Scores01:07:07 - The One Built-Like-a-Viking Exception01:08:13 - Almost Crashing a Helicopter With Big Humans01:09:56 - When Pencil Whipping Makes Sense01:11:01 - Trent's Fatty Rant01:11:40 - MTIs, Maintainers, and No Excuses01:12:31 - Final Thoughts and MembershipSupport the showJoin this channel to get access to perks: HEREBuzzsprout Subscription page: HERERegister for our Operator Training Summit: OperatorTrainingSummit.comFind an Air Force Recruiter: AirForce.comCollabs:Ones Ready - OnesReady.com 18A Fitness - Promo Code: ONESREADY ATACLete - Follow the URL (no promo code): ATACLeteDanger Close Apparel - Promo Code: ONESREADYDFND Apparel...
This week on HMP we wrap up our Summer of Spielberg with a movie we didn't know would be THIS pertinent when programming it weeks ago. So WHILE this week's show is devoted to the Summer of Speiberg- we ALSO want this to be a celebration of the Life and Work of Sam Neill in the role as least many of us associate him with- Alan Grant in JURASSIC PARK. Executive Producers: Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week. YouTube https://www.youtube.com/@HMPOD Merchandising, Merchandising, Merchandising: https://www.teepublic.com/user/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portrais Sean Likes Spaceships: https://www.youtube.com/@Seanlikesspaceships Bruce YouTube- https://www.youtube.com/@Animedad Email- HalfAssMoviePod@gmail.com
What's poppin', con-gregation? This week, Lamorne Morris is on the pod to talk about the man who was so good at scheming that Spielberg made a movie about it. Plus, the girl who "does braces." Stay schemin! Research by Sharilyn Vera. Sources: https://en.wikipedia.org/wiki/Frank_Abagnale https://www.biography.com/personality/frank-abagnale https://www.aarp.org/podcasts/the-perfect-scam/ https://www.bostonmagazine.com/news/2020/04/24/covid-19-scams/See omnystudio.com/listener for privacy information.
Adam and Josh take stock of the movie year with their Top 5 Films of 2026 (So Far), making picks that reflect the strength of of the year’s genre offerings, comedies, and intimate dramas. Plus: Massacre Theatre, and Best of ‘26 poll results. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:03) Top 5 of 2026 (00:03:04-00:32:36) Filmspotting Family: ‘20s/’30s Madness (00:32:37-00:40:52) Poll: Best of ‘26 (So Far) (00:40:53-00:49:36) Top 5 of 2026, cont. (00:49:37-01:17:26) RIP Sam Neill / Massacre Theatre (01:17:27-01:26:54) Credits / Releases (01:26:55-01:28:56) Links: Alison Willmore on Blue Heron | Vulture https://www.vulture.com/article/review-the-masterful-blue-heron-uses-cinema-as-a-sance.html Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
EP947: Bryan and Krissy review one hell of a movie! Gramps goes back to college. Spielberg...look out! TCB is a The Commercial Break LLC production Visit: www.TCBpodcast.com Insta: @thecommercialbreakBryan Green on Insta: @BryanWGreen Hosts: Bryan Green & Krissy Hoadley Created by: Bryan Green Written by: Bryan Green, Krissy Hoadley Produced by: Astrid Green & Gustavo Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.