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In this episode of the Arts to Hearts Podcast, host Charuka Arora sits down with French-born, Melbourne-based artist Lucy Lucy. From leaving behind a career in international commerce to becoming a full-time artist, Lucy shares how community, color, and collaboration shaped her creative path. A heartfelt conversation about art, staying true to yourself, and finding beauty in the journey.
Pair ‘fun' with ‘leading fashion' and a handful of brands come to mind. Add ‘community-built' to the mix, and there's only one – Never Fully Dressed. Join Verity for today's exclusive episode, as she sits down with Lucy Aylen (Founder @ NFD). This is your chance to learn from an industry titan, levelling up your career savvy and brand strategy in the process. From the brand's first days in her parents attic to sell-out drops, packed events, and a ride-or-die community that spans the globe, Lucy walks us through the moments that transformed Never Fully Dressed's trajectory. The CEO, entrepreneur & training Doula stops at Spitalfields Market, a first NYC pop-up (you and Kendall Jenner's memorable t-shirt know the one), and more from the last 15 years along the way. Tune in to hear Lucy's Founder story, and her practical advice on… The Power of Long-Term Relationships: Establishing long-term, meaningful connections with customers, employees, and partners is an essential part of NFD's sustainable brand growth. By taking the ‘spikes' caused by short-term success out of the business, these enduring relationships are built on trust, foster loyalty, and ensure consistent support. Each is key to navigating market fluctuations, to drive continuous development and innovation. Making Customers Your Influencers: When it comes to community-building, NFD lead the industry for good reason. Creating the fun and empowering culture the brand is known for has fostered belonging and loyalty with superfans. Bonus: it naturally turns loving customers into genuine Brand Advocates, too. Building these deep bonds passes on the power of influence, as each Advocate leverages their authentic voice to promote the brand and enhance its credibility. Amplifying Brand Voice: Encouraging this user-generated content, as well as implementing loyalty programs and rewarded referrals, has created a strong sense of belonging among NFD's customers. As the brand expands to new markets, Lucy is looking to further amplifying the brand's voice through community projects and charitable support. Everything is done in favor of the heroes behind the brand (aka their customers), and never product-first. Expect brand lessons, expert-but-humble entrepreneurial know-how, and the first-hand Advocacy tactics you can only learn from Lucy. Rate & review Building Brand Advocacy: Apple Podcasts Spotify Connect with Lucy: Lucy's Instagram NFD on Instagram NFD on TikTok NFD's Website
People are the fuel that keeps brands going. Without them, you simply don't have a brand. That's why it's more important than ever to build companies that connect with customers on a personal level. Lucy Toone knows this intimately. Join Verity in this episode of Building Brand Advocacy to hear from a Brand Builder who perfectly practices what Brand Advocacy marketing preaches. Lucy (Founder & CEO @ Tomm Jewellery) shares the importance of creating a community, the power of founder-led marketing, and the value of working with micro-influencers over the megas. By making difficult calls to optimize for sustainable, long-term growth – opting out of $190k+ months and downsizing in the process – Lucy is a Founder with heart in all the right places. Tune in to hear… The Value of Vulnerability: Embracing vulnerability as a brand fosters genuine connections with your audience, creating a sense of authenticity and trust. By sharing real stories, challenges, and behind-the-scenes moments, Tomm Jewellery humanizes themselves and engages more deeply with their customers – ultimately building stronger loyalty and community. How To Harness Livestreaming's Potential: Leveraging the power of Livestreaming on TikTok has significantly boosted Tomm's engagement and reach, Lucy has found – allowing for real-time interaction and immediate feedback from her viewers. An agile team is crucial to capitalize on this potential, as they can quickly respond to trends, interact with viewers, and adapt content on the fly to maintain relevance and maximize impact. Finding Balance: To prioritize your company, you have to prioritize your personal well-being. Having learnt this lesson through live experience, Lucy knows you can avoid burnout, maintain a positive mindset, and enhance your creativity by stepping away to step back stronger. You won't forget what you learn here. Rate & review Building Brand Advocacy: Apple Podcasts Spotify Connect with Lucy: Lucy's LinkedIn Tomm Jewellery on Instagram Tomm Jewellery on TikTok Tomm Jewellery's Website
Some brands are built to effortlessly attract communities. Lucy & Yak is one of them. Here, we uncover the secret sauce to cultivating an irresistible brand experience.In this episode, Lucy Greenwood (Co-Founder and Creative Director @ Lucy & Yak) shares her journey building the iconic community-led brand.Lucy & Yak first ignited their flame with a creation story rooted in passion and purpose. Known for sustainable and inclusive fashion, particularly their playful dungarees, they've had stratospheric success over the last 7 years. Most of this success can be attributed to engaging a passionate community of customers, the rise of dopamine dressing, and an unwavering commitment to solid brand values. In conversation with Paul, Lucy gives exclusive insight into the brand's community of 843k+ members across Instagram and Facebook – 76k+ of these coming from private Facebook communities, built by and for dedicated brand fans. In the month since recording, this community has only grown. Today, the brand has over 855k followers on these platforms alone.Lucy & Yak's community is powerfully fan-created. Brand Advocacy at its finest!This conversation dives into…Authentic Community Building: Lucy & Yak's remarkable story is testament to the power of holistic community building. From humble beginnings on Depop to explosive growth, their community-first approach has fostered genuine Advocacy and unwavering loyalty among their customers.Embracing Brand Values: At the heart of Lucy & Yak's ethos lies a commitment to sustainability, inclusivity, and authenticity. Explore how Lucy's personal values shape the brand's identity, and how she strategically prioritizes the causes they get behind.Innovative Marketing Strategies: Delve into Lucy & Yak's innovative marketing strategies, from incentivizing user-generated content to treating their customers as influencers since day one. Discover how a focus on word-of-mouth marketing and strategic gifting has amplified Brand Advocacy and fueled next-level growth.Navigating Growth Challenges: Though the journey has been steady, it hasn't been without moments of doubt. Lucy shares insights into the challenges and triumphs of scaling a brand – from overcoming imposter syndrome and balancing creative flow with the day-to-day of brand building, to embracing uncertainty and responsibility as the team expands. Gain valuable lessons on navigating the complexities of growth while staying true to core brand values.Tune in to learn from one of the UK's trailblazing fashion founders.Elevate the brand you build.Rate & review Building Brand Advocacy:Apple PodcastsSpotifyConnect with Lucy:Lucy's LinkedInLucy & Yak's WebsiteLucy & Yak's InstagramLucy & Yak's Facebook Hosted on Acast. See acast.com/privacy for more information.
Model Lucy Krinsky joins host Nikki Gal for a conversation on the power of kindness, following dreams, becoming discovered through Instagram, self-esteem, social media, staying true to yourself, the topic of eating disorders, and much more. Connect with Lucy: Lucy's Instagram: https://www.instagram.com/lucyyoojin?igsh=MWZ6MHJ4NXViM2dyYw== Connect with host Nikki Gal: https://www.nikkigal.com
On today's show….neighborly shakedowns, bad beats, golfing tips, tricks for how to stop overthinking, lottery ticket blunders, cartels killing cops, McDonalds brining back the snack wrap, solar storms, hot chicks swimming with sharks, Chinese boner bladders & More! (00:01:43) How was your weekend?
Episode 2 – I Love Lucy: Lucy Mercer Some love is so strong, it has the power to change the course history-like the lifelong, secret affair between President Franklin Roosevelt and a woman named…. Lucy Mercer. Credits: Narrated, researched, and written by GennaRose Nethercott. Created by Alexandra Steed, and co-produced by Alexandra Steed, Alex Robinson and GennaRose Nethercott. Engineered by Otis Gray. Recorded with generous support from Latchis Arts. Executive produced by Aaron Mahnke. Episode Resources: Harlots webpage here
On today's episode….someone left a dirty bomb on an airplane bathroom during a flight from Panama to Tampa Bay that got confused as an actual bomb, causing an emergency landing (00:00:00) - Intro (00:04:48) - Will's fishing trip was AWESOME! (00:07:37) - Wes isn't alone
On today's episode….substitute teachers and inappropriate memories from our past, stripper stealing cars to strip, Grizzly attacks, animal fights & is Tim Ballard a sexual predator? (00:02:59) RIP Parlay (00:03:40) Pat's son had so much fun at the Pumpkin Patch
2023年10月7日,以哈马斯为首的巴勒斯坦武装从加沙地带向以色列发起大规模袭击。以色列方面也已对哈马斯宣战,宣称将以前所未有的方式对加沙进行反击。截至录制,双方已经交换了数万枚火箭弹等炮火,地面攻击也正在展开中,人员总伤亡已经超过了四位数,并且仍在快速增长。 没有一个爱好和平的人希望战局恶化,但令人遗憾的是,这次加以(巴以)冲突,严重程度已经超过了历次冲突,大有升级为第六次中东战争的态势。 今天我们的连线对象 Lucy,是一位在特拉维夫工作的华人创业者。由于以色列的义务兵役制,她的公司已经有数位同事被征召前往战场,身边也有更多人正在等候最新的动员令。在短暂的连线中,她向我们通报了最新的战况,并且围绕最近一两年里以色列本地的政治、经济、司法环境的变化,以及对科创市场的影响,提供了一手的分析。 这是一期紧急录制的节目,感谢你的收听。如果你愿意,请和我们一起为和平祈祷。 本期人物 Lucy,在以色列一家创业公司工作的华人 丁教,声动活泼联合创始人,「科技早知道」主播 杜晨,「科技早知道」制作人、主播 时间轴 [01:23] 正常工作暂时中断,一些同事应征上战场 [03:18] 不止战争:为何 Startup Nation 正在经历资金、项目外流? [07:38] 中国企业在以色列,近况如何? [14:48] 一次次冲突磨练出的创业者,选择活在当下 [18:28] 期待恢复和平,但一切不会很快结束 关联节目 「声东击西」两难的暴力与和平,一名巴勒斯坦难民的讲述 | 中文版 (https://www.xiaoyuzhoufm.com/episode/65252ce88a7fd93d93ef87ca) 「科技早知道」S6E36|以弹丸之地吸引全球科技巨头,以色列凭什么? (https://www.xiaoyuzhoufm.com/episode/63624b7b4c4aa259b3630359) 「后院鹅」#19 利比亚往事 (https://www.xiaoyuzhoufm.com/episode/649d5aeeba16d4cb98538517) 「声东击西」#165 巴以和平为何如此脆弱,一名巴勒斯坦难民的讲述 | 英文版 (https://www.xiaoyuzhoufm.com/episode/60af796a4580aa3d3f33d745) 幕后制作 监制:丁教、杜晨、Jecci(实习) 后期:迪卡普里鑫 运营:瑞涵 设计:饭团 加入声动胡同会员计划 成为声动活泼会员,支持我们独立而无畏地持续创作,并让更多人听到这些声音。 支付 ¥365/年 (https://sourl.cn/rYXHK9) 成为声动胡同常住民。加入后,你将会在「声动胡同」里体验到专属内容、参与社群活动,和听友们一起「声动活泼」。 在此之前,也欢迎你成为声动胡同闲逛者 (https://sourl.cn/rYXHK9) ,免费体验会员内容、感受社群氛围。了解更多会员计划详情,我们在声动胡同等你。 (https://sourl.cn/seG52h) 商务合作 声动活泼商务合作咨询 (https://sourl.cn/6vdmQT) 加入我们 声动活泼正在招聘「节目监制」和「声音设计师」,查看详细讯息请 点击链接 (https://sourl.cn/j8tk2g) 。如果你正准备在相关领域发挥专长、贡献能量,请联系我们。 关于声动活泼 「用声音碰撞世界」,声动活泼致力于为人们提供源源不断的思考养料。 我们还有这些播客:声动早咖啡 (https://sheng-espresso.fireside.fm/)、What's Next|科技早知道 (https://guiguzaozhidao.fireside.fm/episodes)、吃喝玩乐了不起 (https://urbanfloat.fireside.fm)、反潮流俱乐部 (https://fanchaoliuclub.fireside.fm/)、泡腾 VC (https://popvc.fireside.fm/)、商业WHY酱 (https://msbussinesswhy.fireside.fm/)、跳进兔子洞 (https://therabbithole.fireside.fm/) 欢迎在即刻 (https://okjk.co/Qd43ia)、微博等社交媒体上与我们互动,搜索 声动活泼 即可找到我们。 期待你给我们写邮件,邮箱地址是:ting@sheng.fm Special Guest: Lucy.
In this episode, I'm joined by the incredible Lucy Hall, a great friend of mine that I met while at SMU, whose journey of resilience and determination has left a profound impact on me. Lucy shares with us a deeply personal account of her college experience and her battles with autoimmune diseases, specifically her diagnosis of Celiac disease during her teenage years. She candidly discusses the challenges she has faced during this time and how it led her to embrace a gluten-free lifestyle. Lucy provides valuable insights into navigating college life while dealing with an autoimmune condition, offering a glimpse into the triumphs and hurdles that come with it. Moreover, we dive into the heartwarming story of our friendship, how we met and bonded during our time at SMU, cherishing the memories and the strong bond that has grown over the past year. I had such an amazing time recording with Lucy and hearing her journey and I hope you do as well! Connect with Lucy: Lucy's Personal Instagram Lucy's Food and Travel Instagram Make sure to subscribe so you won't miss an episode! Find us on Instagram: @themorningmusepodcast and @sierraebrewer Music provided by Audio Library Plus Track: Flexy — Land of Fire [Audio Library Release] Music provided by Audio Library Plus Watch: https://youtu.be/STVCwZGLwr0 Free Download / Stream: https://alplus.io/flexy Track: Static — Land of Fire [Audio Library Release] Music provided by Audio Library Plus Watch: https://youtu.be/oROZqpCPvhA Free Download / Stream: https://alplus.io/static --- Send in a voice message: https://podcasters.spotify.com/pod/show/morningmusepod/message
Massive thank to Lucy (Lucy_teamfit) for her time and brain! We discuss building your business based on your values and how you like to coach. Why we decided not to go with group coaching for Lucy Taking on your first coach & the considerations required The hardest part about taking on a coach If you can build your business from 1 platform &much more! Enjoy this one - lots of gold. Apply for AFM here
Want to submit your work in our Studio Visit Book Vol. 2? Get all the details here Want To Pre-Order our Studio Visit Book Vol. 1? Get it from here https://shop.artstoheartsproject.com/products/studio-visit-book-vol-1-pre-order?_ga=2.265273418.41060166.1688615019-2083855471.1673187658 Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at Listen & Subscribe on Apple Artist Services:
FB粉專 影片 https://reurl.cc/RzDYle YouTube 影片 https://reurl.cc/p6XajQ 本集主題:梭哈,換一輩子的幸福:單親母子的韓國勇氣與成長之旅 訪問作者:盧妍菲Lucy 內容簡介: 新時代女力心聲,你不可錯過的自我成長與勵志生命的故事! 「正當我們母子卸下武裝與不安全感,準備享受片刻親情幸福的時候,一場突然的高燒,使我被診斷出疑似惡性腫瘤。這個突如其來的噩耗,對我們母子是很重很重的打擊,原來暴風雨過後不一定天晴……」 堪比八點檔還戲劇化的人生,毫無預警的接連發生在一位平凡的單親母親——Lucy身上。有誰能想到在27歲的青春歲月裡,Lucy卻經歷了原生家庭的重男輕女;一畢業就陷入愛河後帶球閃婚;新婚完跳過蜜月期換來的是夫家的暴力;如諜對諜般的情節逃離婚姻順利離婚後卻又被診斷出腫瘤……所有生命中會遇到的最壞情況,彷彿都在Lucy的青春年少裡一次集齊,還同時湊在一起,都能打一桌麻將了……在經過每一個難關時,Lucy都彷彿重新活過一次。 「每個人的人生都是有限的,離婚又大病後的我明白了這件事,決心在有限的人生裡,挑戰無限可能的事情,從此以倒數計時的方式面對人生。」 在手術結束,與死神拔河勝利後,Lucy開始思考如果意外與未來哪個不知道先來,她想過什麼樣的生活?想留給孩子什麼樣的回憶? 「我不想留有遺憾,也不想讓兒子對於跟媽媽的回憶,沒有任何美好或難以忘懷的記憶點。」 「我告訴自己在有限的生命當中,如果想要留下些什麼給我的小孩,除了母親對孩子百分百的陪伴之外,還有「勇氣」。我必須讓他知道,要是沒有人可以依靠,就必須自己學會堅強。」 僅憑著這股「希望給孩子一個快樂長大、平安健康的環境」,以及「不為自己的人生徒留遺憾」,Lucy選擇帶著只有3歲的兒子,在那個網路還不太發達,連大人自由行都不算很方便的時空背景下,扛著幾乎全世界都不看好的壓力遠赴韓國,重新開始自己與小孩的人生。 「離開目前的舒適圈看似危機重重,卻也能擺脫過去的矛盾與離異的衝突,避免聽到更多閒言閒語,影響孩子的身心發展,讓小孩有更健康與完整的成長過程,塑造更多機會,創造豐富多樣的選擇。那年我27歲,兒子未滿4歲。」 兩個人一個半,也是一個伴。帶著3歲的小孩,在韓國找回彼此的幸福。 最溫柔的歷程,最勵志的旅途,用一無所有賭出幸福的第二人生。 勵志溫暖系女力作家 Lucy 不平凡的人生,不將就的選擇。 讓我們一起跟著她的故事找到不顧一切的勇氣,找回不忘初心的堅韌。 ⠀⠀⠀ 作者簡介:盧妍菲(Lucy) 1985年2月生,現任職於外商公司,擔任服裝商品採購開發經理。是有求必應的單親媽媽、是爸媽的寶貝女兒、是貓奴、是潛水員、是救生員、是料理美食家、是朋友的心靈導師、是新手作家。 外表冷冷的但內心很溫暖,有著不畏惡勢力,永不低頭的倔強個性。剛做完月子就變成單親媽媽,腫瘤手術後又決定帶著小小孩前往韓國留學,保持著赤子之心,勇於挑戰與突破的冒險精神。 骨子裡刻著時尚魂,熱衷於服飾產業,有得天獨厚的創造力與熱情。 害怕死了之後墓誌銘沒事蹟可以寫,勇於挑戰極限。 我的人生我做主。 作者粉絲頁: 盧妍菲Lucy 出版社粉絲頁: 遊讀世界 #李基銘#李基銘主持人#fb新鮮事#生活有意思#快樂玩童軍 #廣播之神#廣播之神李基銘#漢聲廣播電台 YouTube頻道,可以收看 https://goo.gl/IQXvzd podcast平台,可以收聽 SoundOn https://bit.ly/3oXSlmF Spotify https://spoti.fi/2TXxH7V Apple https://apple.co/2I7NYVc Google https://bit.ly/2GykvmH KKBOX https://bit.ly/2JlI3wC Firstory https://bit.ly/3lCHDPi 請支持六個粉絲頁 李基銘主持人粉絲頁:https://www.facebook.com/voh.lee 李基銘的影音頻道粉絲頁:https://www.facebook.com/voh.video 廣播之神李基銘:https://www.facebook.com/voh.god Fb新鮮事新聞報粉絲頁:https://www.facebook.com/voh.fbnews 漢聲廣播電台「fb新鮮事」節目粉絲頁:https://www.facebook.com/voh.vhbn 漢聲廣播電台「快樂玩童軍」節目粉絲頁:https://www.facebook.com/voh.scout
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Heirs Without DescendantsIntervenant(s)Bernard Wood, George Washington University, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : ClôtureIntervenant(s)Jean-Jacques Hublin, Professeur du Collège de FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : RetrospectIntervenant(s)Ian Tattersall, American Museum of Natural History, New York, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Lucy's Grandchild Homo NalediIntervenant(s)Zachary Cofran, Vassar College, Poughkeepsie, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Is Australopithecus Sediba the Ancestor of Homo? A Dental PerspectiveIntervenant(s)Thomas Davies, University of Kent, Canterbury, UKColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Dinner with Lucy: What Does Paranthropus Boisei Bring to the Table?Intervenant(s)Matt Sponheimer, University of Colorado at Boulder, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : The New Status of AustralopithecusIntervenant(s)Zeray Alemseged, University of Chicago, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : The New Status of AustralopithecusIntervenant(s)Stephanie Melillo, Mercyhurst University, Erie, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Exploring Early Hominin Evolution through Developmental Biology and New Fossil Evidence from Southern AfricaIntervenant(s)José Braga, Université Paul Sabatier, Toulouse, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : On the Pliocene Origins of Stone Tool UseIntervenant(s)Shannon P. McPherron, Max Planck Institute for Evolutionary Anthropology, GermanyColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Lucy a-t-elle taillé la pierre ? Que nous disent les découvertes faites en Afrique orientaleIntervenant(s)Hélène Roche, CNRSColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Lucy's Lineage: Exploring the Progression of Hominin Behavioral EvolutionIntervenant(s)David R. Braun, George Washington University, USA - Max Planck Institute for Evolutionary Anthropology, GermanyColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Singularité ou pluralité des artisans et des cultures matérielles au Plio-Pléistocène ? Regards croisés entre anatomie et données de terrainIntervenant(s)Sandrine Prat, CNRS, Musée de l'Homme, Paris, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Lucy's Next-Door Neighbors: She Was Not Alone!Intervenant(s)Yohannes Haile-Selassie, Institute of Human Origins, Arizona State University, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Mid-Pliocene Hominin Diversity RevisitedIntervenant(s)Fred Spoor, Natural History Museum, London, UK – Max Planck Institute for Evolutionary Anthropology, GermanyHester Hanegraef, Natural History Museum, London, UKColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Une, deux, ou trois espèces d'Australopithecus en Afrique australe ? La diversité taxinomique au temps de « Lucy »Intervenant(s)Amélie Beaudet, CNRS, Université de Poitiers, France - University of Cambridge, Royaume-UniColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : L'ancienneté de Little foot (StW 573) et des australopithèques du site de Sterkfontein (Afrique du Sud)Intervenant(s)Laurent Bruxelles, CNRS, Université de Toulouse, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Du Miocène au Pliocène et l'origine des australopithèquesIntervenant(s)Brigitte Senut, Muséum national d'Histoire naturelle, Paris, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : New Hominid Fossils from the Basal and Mid-Pliocene of KenyaIntervenant(s)Martin Pickford, Muséum national d'Histoire naturelle, Paris, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Au Tchad… Abel & Toumai les deux nouvelles icônes de notre Histoire évolutive ancienneIntervenant(s)Michel Brunet, Professeur du Collège de FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Environnements et évolution humaine en Afrique : un plaidoyer pour le registre paléontologique globalIntervenant(s)Jean-Renaud Boisserie, CNRS, Université de Poitiers, FranceColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : The French Connection: From the Omo to the AfarIntervenant(s)Donald Johanson, Institute of Human Origins, Arizona State University, USAColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
Jean-Jacques HublinPaléantropologieCollège de FranceAnnée 2022-2023Colloque - Les héritiers de Lucy / Lucy's Heirs : Intrudction, Jean-Jacques HublinColloque en hommage à Yves Coppens.Organisé par le Collège de France et la Fondation Hugot du Collège de France.Avec le soutien du Musée de l'Homme et de la Société des Amis du Musée de l'Homme.PrésentationLa disparition d'Yves Coppens le 22 juin 2022 a provoqué une vive émotion au sein de la communauté des paléoanthropologues et bien au-delà. Cette personnalité hors norme a profondément marqué sa discipline à la fois par une contribution scientifique exceptionnelle, mais aussi par un impact inégalé auprès d'un très large public. En son hommage, la chaire de Paléoanthropologie du Collège de France organise, avec le soutien de plusieurs partenaires, un colloque exceptionnel intitulé « Les héritiers de Lucy ». Il se tiendra dans l'amphithéâtre Marguerite de Navarre du Collège de France les 15 et 16 juin prochains.Depuis la découverte de la fameuse « Lucy », les découvertes se sont succédé sur le continent africain à un rythme toujours accéléré, avec notamment la mise en évidence de plusieurs espèces d'Hominines fossiles jusqu'alors inconnues. Les innovations méthodologiques ont été, elles aussi, nombreuses et ont conduit à des réinterprétations parfois radicales des données existantes. Ces progrès spectaculaires offrent aujourd'hui à nos yeux un paysage complètement renouvelé. Nous sommes passés d'une vision linéaire de l'évolution humaine à un buissonnement et une diversité longtemps insoupçonnée de formes d'Hominines aujourd'hui éteintes.Le colloque « Les héritiers de Lucy » rassemblera les meilleurs spécialistes internationaux des Hominines anciens. Il permettra de faire le point sur les nombreuses avancées réalisées depuis les premiers travaux d'Yves Coppens au Tchad et en Éthiopie. Plusieurs générations de chercheurs pourront y confronter leurs résultats et leurs points de vue sur une période cruciale de notre évolution qui a vu l'émergence du genre Homo et porte donc en germe l'Homme véritable.
What's good everyone. We are Where It's ATT and welcome to our new mixtape series called ATT Last. In this mix expect some funky tech house bangers. Here we go, let's give it a rinse and This Is Where It's ATT. Tracklist: 0:00 - 2:54 Kx5 - Escape x Where It's ATT ID 2:54 - 3:59 Noizu & Westend - Push To Start It (feat. No/Me) 3:59 - 5:17 Gorillaz - Feel Good Inc (Powl Edit) 5:17 - 6:32 Tom Budin, Rave Radio - Venezuela 6:32 - 7:39 Good Times Ahead - La Fiesta 7:39 - 8:50 Joshwa (UK), Ossey James - Party's Jumpin 8:50 - 10:05 Niko The Kid, SSOL, Zen World - Dale 10:05 - 11:20 CastNowski - Tulum Sundown 11:20 - 12:21 Joshwa & Fallon - Papi 12:21 - 13:07 Hugel feat. Cumbiafrica - El Sueno 13:07 - 14:19 MYLØ feat. Zafra Negra - Sufriendo 14:19 - 15:24 Gianluca Vacchi, Alterboy, Thorn - Cucaracha 15:24 - 16:23 Thomas Newson - Lick It 16:23 - 18:42 Sadyouth & Where It's ATT - All I Wanna Do 18:42 - 19:26 PAJANE - Back Once More 19:26 - 20:42 Cloonee vs. Biscits - Sun Goes Down vs. Me & U (WeDamnz VIP Edit) 20:42 - 21:42 - Nitti Gritti, MARTEN HØRGER - Want You 21:42 - 23:50 - Veste & Where It's ATT - ID 23:50 - 25:09 R3WIRE - Save Me 25:09 - 26:25 Tommy Trash & Go Freek - Darkness Into Light (feat. Lucy Lucy) 26:25 - 27:39 Chemical Surf & Kess Ross - Bubbalicious 27:39 - 28:54 Dom Dolla x Rihanna - New Gold x The Monster (Where It's ATT Mashup) 28:54 - 30:27 DJ Snake, Malaa & Florence & The Machine - Made In France x Sweet Nothing (Where It's ATT Mashup) 30:27 - 31:43 DJ Snake & Justin Bieber x James Hype - Let me Love you x Dancing (Where It's ATT Mashup) 31:43 - 33:13 Burnr x Diplo - Gand Tech Auto x Be Right There (Where It's ATT Mashup) 33:13 - 34:13 Dillon Francis & Shift K3Y feat. Marc E. Bassy) - Love Me Better (Jonasu Remix) 34:13 - 35:15 Ship Wrek X Kendrick Lamar - Drank 35:15 - 36:15 Britney Spears - Toxic (WeDamnz VIP Edit) 36:15 - 37:32 Where It's ATT - I Make That 37:32 - 38:33 - Matroda & Bleu Clair - PWR 38:33 - 39:33 Marten Hørger - Take Me High 39:33 - 40:37 Kyle Watson - The Reason (Original Mix) 40:37 - 41:16 Twolate x Merk & Kremont - Space Jam (Remix) 41:16 - 42:05 DJ Snake x Wade - Guddi Riddim (ft. Nooran Sisters) 42:05 - 42:51 Pimp Chic! - Stick-Up 42:51 - 44:53 Where It's ATT ft. Veste - The Static 44:53 - 46:08 Chemical Surf - Pararam (Clean Extended) 46:08 - 47:23 Julio Navas, Gustavo Bravetti, David Amo - Raw (Tony Romera Remix) 47:23 - 48:23 Joel Corry, Da Hool - The Parade 48:23 - 49:39 AYYBO, Ero808 - HYPNOSIS 49:39 - 50:30 Martin Ikin & Joshwa - Take Me 50:30 - 51:27 David Novacek - Águila Del Monte (feat.Martina Camargo) 51:27 - 52:28 BYOR, Alle Farben, Damien N-Drix - Hands Up 52:28 - 53:45 Timbaland - Give It To Me [ONI Remix] 53:45 - 55:01 Snoop Dogg & Pharrell Williams - Drop It Like It's Hot (GRAYMATTER Remix) 55:01 - 56:17 Marten Hørger & BIJOU - I Know 56:17 - 57:16 LOGE21 - Hangar 57:16 - 58:09 Where It's ATT - Pull Up 58:09 - 59:33 Matt Sassari - Boom Boom (feat. CHRSTPHR) 59:33 - 1:01:07 Acraze - Take Me Away
La colaboración hace la fuerza y en el ámbito artístico no hay excepciones, como demuestran dos artistas sumamente talentosas de diversos orígenes, que quieren expresar tanto la lucha como la fuerza de las mujeres. La artista colombiana, quien en la actualidad trabaja en Australia, Katherine Gailer (también conocida como KATIRA) presenta una nueva exhibición junto con Lucy Lucy, una artista nacida en París, quien ahora vive en Melbourne. Conoce a la artista multifacética colombiana que pinta, ilustra y también es muralista y miembro de la banda Amaru Tribe, un grupo influenciado por América Latina, que incorpora el "urban flow" y música electrónica.
今天我們邀請到作家盧妍菲 Lucy 來聊聊 母職罪惡感 ,我自己沒有小孩,但我一直都有在做一對一教練諮詢,我也發現有許多學生都是母親,他們很常詢問時間管理、專案管理類的問題,而從他們的痛點當中,也能夠感覺出來他們在追逐自己的夢想與家庭之間不斷的拉扯。 大部分都不是因為身邊家人反對,而是自己內心糾結,覺得追夢是自私的,需要瓜分掉自己能夠在家庭中付出的時間,而儘管你不是一位媽媽,我也認為這種「為了自己夢想而放下一切去任性追夢」的想法,在多數人心中是一種負擔。 工作怎麼辦?爸媽怎麼辦?另外一半怎麼辦?那些想提拔你、看好你的主管、貴人又該怎麼交代?因此今天我們邀請到作者本人,來分享他身為一位單親媽媽,帶孩子勇闖韓國生活的故事,怎麼卸下母職罪惡感,滿足孩子,也滿足自己。
Tread Perilously's crossover month concludes where superheroes and sitcoms collide -- an episode of I Love Lucy called "Lucy and Superman." Little Ricky and his best friend, Stevie, will soon celebrate their birthdays, but Lucy and Stevie's mother enter an arms race to see who can throw the better party. Stevie's mother hires a clown and magician. Strapped for ideas, Lucy gets Ricky to reach out to Superman, a TV star they met while visiting Los Angeles. But when the Man of Steel initially turns down the offer to appear, Lucy takes it upon herself to become the Last Son of Krypton. Will her hare-brained scheme work or will the Man of Tomorrow come to her rescue? Erik and Justin accept I Love Lucy's premise that Superman is a real celebrity who is both super-powered and a TV star. They also "'splain" the premise of the original three-camera sitcom. Both Lucille Ball and Desi Arnaz are praised for their pioneering efforts. Their children, less so. Erik reveals the meaning of I Love Lucy to him, which differs greatly for Justin. Nikita Khrushchev's plan to create a Soviet Superman is revealed. Justin once again stumps for Hollywoodland. Erik tries to remember all the men who played Superman and Chris Knight continues to evolve into the devil.
In this episode Katie talks to Lucy* Lucy shares her powerful story of going through the court process with a bio Mum with multiple personality disorders.We talk about the importance of focusing on your relationship with your partner, knowing your truth, and how to handle some really tricky stepfamily situations.Thank you Lucy, you are a strong, inspiring and wonderfully kind woman!Please note this episode contains discussions of emotional, psychological and physical abuse.*not her real nameSupport the show
Full show: https://kNOwBETTERHIPHOP.com Artists Played: The Do Gooders, SoyIsReal, conshus, DJ Center, Oddisee, Shinobi Stalin, Jensine Benitez, Thee Sacred Souls, SomeOthaShip Connect, Blu, Maya Killtron, R.A.P. Ferreira, Hemlock Ernst, Kenny Segal, The Allergies, Sly5thAve, JSWISS, Mono Neon, Terror Firma, Jelani Malik, Tamara Monk, Little Dragon, JID, Miloe, Misha, cocabona, J.Lamotta, Lee, TEKBEATZ, Sampa the Great, W.I.T.C.H., What So Not, Body Ocean, Lucy Lucy, Sareem Poems, Madi, Cee-Lo, Erykah Badu, OutKast, GOODie MOb, IMAKEMADBEATS
科技業男女比例失衡的現象會為女性工程師帶來什麼樣的挑戰? 這集就來和矽谷的資深工程師Lucy來聊聊女性會遇到的職場性別刻板印象的問題,以及怎麼化解這些影響! 節目內容會分享:
Club Sweat takes over the show with mixes from Tommy Trash and Go Freek. We have a new mix from Richard Vission and his new record release with Luciana and Christo coming out on Insomniac Recs.Catch us every Saturday on Sirius XM Ch 13. Pitbull's Globalization at 9PM PST/11PM EST. Follow us on our Social Media: @djtommytrash@gofreek @richardvission@club.sweat@SiriusXM@GlobalizationXM@wearepowertools Tommy Trash Tracklist 1. Jaguwawa (dillon Nathaniel remix) - Tommy Trash2. Tuko Tuko (Original Mix) - Lee Foss & paskman3. Chucky73 - Bzrp 43 (Club Version) - Catz 'n Dogz4. Down To This (Extended Mix) - Chaney, Danny Howard5. Pray - Pelvis Moves6. The Attention Deficit Track (Terrace Mix) - Skream & Jackmaster7. Darkness Into Light (Extended Mix) - Tommy Trash, Go Freek feat Lucy Lucy8. Echo In The Dark - lo99 9. Spilt Milk VIP mix - Benson & Tommy Trash (New Release) Richard Vission x Luciana x Christo - UniqueGo Freek Tracklist1. Paul Woolford, Bobby Peru - Erotic Discourse (Audiojack Remix)2. Odd Mob - Left To Right3. David Amo, Julio Navas, Gustavo Bravetti - Raw (Tony Romera Remix) 4. Nic Fanciu - Over5. Dom Dolla - Miracle Maker6. Space Jump - Take Me Up7. Tommy Trash & Go Freek - Darkness Into Light (ft Lucy Lucy)8. Michael Bibi, Blue Foundation - Eyes On Fire (Michael Bibi Remix) Richard Vission Tracklist:Ravelle - Baila (Richard Vission Edit)Dario Nunez ft. Mathieu Ruz - La Tarde Se Ha Puesto Triste F (Richard Vission Edit)Din Da Da (Acapella)Pajame - Back Once More (Richard Vission Edit)Anti Up - ChromaticRichard Vission x Static Revenger x Luciana - I Like That (Acapella)DJ Drew and White Shadow - Just The Way You Are (Richard Vission Edit)Chaney and Danny Howard - Down To Do ThisWhat Is House Muzik (Acapella)Avicii & Sebastien Drums - My Feelings For You (Don Diablo Remix)Bob Sinclair - Feel For You (Star B Remix) Icona Pop and Ultra Nate - You're FreeDeee-Lite - Groove Is In The Heart (The Sponges Remix)
Vintage Culture drops his brand new remix alongside tracks from Tïesto, Yotto, Solardo, Tommy Trash, Fisher, Kaskade and more! Don't forget to rate & review on all of your favorite podcast apps! Post your comments on Twitter @VintageCulture #CULTURESHOCK 01. Franky Wah x AR_CO - Under The Sun (Vintage Culture Remix) 02. Orbital - Belfast (Yotto Remix) 03. Kaskade - Birds of Paradise 04. Bhaskar & Breaking Beattz - Higher (feat. your friend polly) 05. Bob Sinclar Ft. Steve Edwards - World Hold On (Fisher Rework) 06. Project 46 - Again & Again 07. Spada - Take Me There 08. Tommy Trash & Go Freek - Darkness Into Light (Feat. Lucy Lucy) 09. LeFraud, The Oddness - Violet Shots (The Oddness Remix) 10. David August - Instant Harmony 11. Tiësto & Charli XCX - Hot In It 12. Ivan Masa - Borderline 13. Le Youth - About Us 14. Solardo x Vintage Culture x LOWES - Adidas & Pearls 15. Steve Silk Hurley, Sharon Pass - The Word Is Love (Silks Original Anthem Mix)
FEELS LIKE HOME Radio – Your weekly house music by Kenn Colt Tommy Trash, Go Freek, Lucy Lucy – Darkness Into LightMelsen – Tell Me What You WantAlmero & Rushline feat. Laney – Dancing AloneMOORAD & OMERGY – PleasureDallasK & Dark Heart – Time (Sevek Extended Remix)Mike Candys & Jack Holiday – Children (Extended Rework)Nicky […]
Guest: RICHARD HURLEYIn this episode, you'll learn from our guest today some of the great advice for musicians and musicians-to-be and we are glad to have him on the show today! We're pleased to introduce our special guest today, Richard Hurley, a Canton, N.C. native, and UNC grad who is a veteran of the U.S. Navy, a former radio DJ, and a renowned award-winning songwriter and musician. He is active in community work, serving on various boards and as an emcee for Folkmoot, Shindig on the Green, the Mountain Dance & Folk Festival, and the Bascom Lamar Lunsford Festival, while also promoting area musical events along with his own musical projects –Cataloochee, and My Mountains, My Songs. He now resides in Asheville, N.C. In this podcast episode, he will discuss the North Carolina mountain music scene, his involvement in the community, his first (and second) music project as well as upcoming events in the area. https://richardhurleymusic.com/Tune in for this fun conversation at TalkRadio.nyc or watch the Facebook Livestream by Clicking Here.SHOW NOTESSEGMENT 1August 1963 WBTL station was when it opened. He worked there during college promoting rock and country to other younger people. He got to do MC gigs in which he picked skills from people around him. Florida Boys and Old Kingsmen were some of the music they played. He admits to being naive when starting off playing, but now has a collection of guitars. He had the opportunity to work with JFK's personal naval aid. In the Navy, he got influenced by the chief of naval operations, and so he wrote a song on guitar and got it recorded. His song was inspired by Zumwalt (chief) and his z-grams, he got to meet up with him as Zumwalt thanked him in person and over letter for the song.SEGMENT 2In 1981 he made a record called The Ballet of Old Fort. He worked with the Crow Brothers, Raymond Fairchild, and Arnold Freeman. He used to casually play it for people and got encouragement to record it. Jimmy Haney and he worked as disc jocks. He was one of the speakers at Fairchild and stated “there's only one Raymond Fairchild''. They both had a close friendship and also looked up to each other as artists. Eddie Swan worked for Regal Media, he recorded people like Ben Skill, David Wilcox, and Brian Sutton over the span of his 50-year career. He had a homemade washtub bass and he used to carry it to a tomato festival in Canton with his brother to play there.SEGMENT 3His first project is called “My Mountain, My Songs”. He started it with a throwback, Old Fort. He received an award from the North Carolina Society of Historians for the historical value of his album. One of his songs was about the Coal Mountain Bomber Crash. He also sang about the floods of ‘04.SEGMENT 4He's been taking part in volunteer activities. Shindig on the Green starts this Saturday at the courthouse 7-10 pm. Mark Pruit took part in that event. Bearshare started in 1979, it was a great festival. His website has places to purchase his albums. Towards the end, a child breaks into the podcast recording to blow a raspberry at Hurley.-----------------------------------------------------------------------------------TRANSCRIPT00:00:41.040 –> 00:00:48.600 Joseph McElroy: Howdy, Welcome to the Gateway to the Smokies Podcast, this podcast is about America's most visited National Park.00:00:48.960 –> 00:01:01.410 Joseph McElroy: The Great Smoky Mountain National Park and the surrounding towns. This area is filled with ancient natural beauty, a deep-storied history, and rich mountain cultures that we explore with weekly episodes. 00:01:01.890 –> 00:01:12.990 Joseph McElroy: I am Joseph Franklyn McElroy, a man of the world, but also with deep roots in these mountains. My family has lived in the Great Smokies for over 200 years. My business is in travel, but my heart is in culture.00:01:13.650 –> 00:01:24.330 Joseph McElroy: Today we're talking about Songs and then Cataloochee Valley by Richard hurley but first, let's talk about our sponsors.00:01:25.590 –> 00:01:34.470 Joseph McElroy: Imagine a place evocative of motor courts of the past, yet modern and vibrant with a “Chic Appalachian” feel. A place for adventure and for relaxation.00:01:35.130 –> 00:01:44.040 Joseph McElroy: Imagine a place where you can fish in a mountain heritage trout stream, grill the catch on fire, and eat accompanied by fine wine or craft beers.00:01:44.850 –> 00:01:57.420 Joseph McElroy: Imagine a place with old-time music and world cultural sounds. There is no other place like the Meadowlark Motel in Maggie Valley, NC – your Smoky Mountain Adventures Start with Where You Stay.00:01:58.770 –> 00:02:04.080 Joseph McElroy: and others sponsor smokiesadventure.com that smokies plural adventure singular.00:02:04.740 –> 00:02:19.200 Joseph McElroy: The Smoky Mountains and surrounding area is a vacation destination for all seasons. Some of the nation's best hiking trails, waterfalls, outdoor adventures, and family entertainment can be found right here.00:02:19.890 –> 00:02:30.780 Joseph McElroy: Start your adventure by using SmokiesAdventure.com to explore all the wonderful features of the Great Smoky Mountains National Park: trails, waterfalls, Cades Cove, and more.00:02:31.200 –> 00:02:37.680 Joseph McElroy: Then check out all the awesome family attractions and entertainment you and your entire family can enjoy.00:02:38.100 –> 00:02:51.930 Joseph McElroy: And if you look at it, have a life event somewhere like a wedding or a honeymoon and we got you covered there go to smokies adventure.com is one of the leading information portals for adventures and experiences and the Great Smoky Mountains.00:02:53.370 –> 00:02:57.390 Joseph McElroy: So welcome you can see we're sitting in the basement of the Meadowlark Motel00:02:58.620 –> 00:03:05.730 Joseph McElroy: At the Speakeasy where we have underground speakeasy and we're gonna have some upcoming events at the Meadowlark Motel will tell you about.00:03:06.120 –> 00:03:19.920 Joseph McElroy: On July 9 we're having a wildcrafting and mother nature's natural garden program with the legendary Illa hatter it starts on Saturday, July 9th at 10 am with the program featuring.00:03:21.210 –> 00:03:30.570 Joseph McElroy: legendary wildcrafting expert, renowned author, filmmaker, instructor, and tour guide for the GSM National Park's elite GSM Field School educational programs, Illa Hatter.00:03:31.260 –> 00:03:42.090 Joseph McElroy: she's an is an expert on edible plants, medicinal herbs, and anything pertaining to wildcraft foraging and Appalachian plants, trees, and flowers.00:03:42.420 –> 00:03:56.190 Joseph McElroy: She has been featured on a variety of national television shows, videos, and books, and has worked as an advisor for multiple movies and television shows. she is an iconic female a smoky soon-to-be featured in one of our name theme groups.00:03:57.900 –> 00:04:13.350 Joseph McElroy: She will be presenting her beloved program Mother Nature's Natural Garden and leading a short tour of the grounds identifying nature's bounty that can be found in our own back yards.00:04:14.520 –> 00:04:20.640 Joseph McElroy: And then there'll be a free Barbecue supper and music by Mike Ogletree and friends Saturday evening.00:04:21.210 –> 00:04:26.760 Joseph McElroy: $20 per person per night guests and it's free for motel disappeared as club members.00:04:27.540 –> 00:04:46.140 Joseph McElroy: Now a big event coming For those of you who want to learn how to write songs is August 12 and 13th we're having SONGWRITERS CAMP AND CONCERT WITH GRAMMY-WINNING ARTISTS JIM LAUDERDALE AND CHARLES HUMPHREYS III, ALONG WITH AWARD-WINNING ARTISTS DARREN NICHOLSON, CLAY MILLS, AND CHARLES CHAMBERLAIN.00:04:48.690 –> 00:04:54.420 Joseph McElroy: You won't get an opportunity like this very often in your life if you're wanting to really balancing.00:04:54.690 –> 00:05:01.140 Joseph McElroy: hanging out with grammy award-winning artists it's a two-day event of interactive songwriting structures with world-class musicians.00:05:01.440 –> 00:05:13.260 Joseph McElroy: a demo tape produced for each participant, a concert by the Songs From the Road Band on Friday Night, and a BBQ dinner and all-star concert on Saturday night.00:05:14.010 –> 00:05:24.150 Joseph McElroy: This is a unique event, no other place there's nothing, nothing else like it, and it will be a space will be limited to make sure that every participant gets into the.00:05:25.680 –> 00:05:31.110 Joseph McElroy: Attention the price is 675 dollars per person including all activities and the DEMO tape.00:05:31.440 –> 00:05:51.840 Joseph McElroy: The concerts and the dinner and everything else and their special room packages available for those that want to stay overnight at the meadowlark motel so call 8289261717 for details and the reserve your space and the reserve room again 8289261717 to get your place.00:05:52.860 –> 00:05:58.260 Joseph McElroy: there are also limited tickets available, just for the concerts and you can get those as well.00:05:59.850 –> 00:06:03.420 Joseph McElroy: Today, I have a great guest his name is Richard Hurley.00:06:05.010 –> 00:06:08.400 Joseph McElroy: He's a Canton, N.C. native, and UNC graduate I won't hold against.00:06:11.970 –> 00:06:21.270 Joseph McElroy: Is a vendor to the US day my friend, yeah he's a former radio DJ and renowned award-winning songwriter and musician.00:06:21.840 –> 00:06:34.710 Joseph McElroy: is active in Community work in service and serving on various boards and as an MC for food shindig on the green the mountain dance and folk festival, and the basket l'amour longsword festival.00:06:35.130 –> 00:06:47.010 Joseph McElroy: while also promoting area music events, along with his own musical projects will talk which we'll talk about Cataloochee and my mountains my song he resides in Asheville North Carolina my new home.00:06:50.820 –> 00:07:01.740 Joseph McElroy: So let's jump into something exciting, you are a DJ or w pto, and can we just spend about 17 years they tell us that actually a.00:07:02.430 –> 00:07:09.420 Joseph McElroy: station opened in August of 1963 there's already one station there that started in 1954.00:07:09.810 –> 00:07:16.080 Joseph McElroy: And the guy who made fresh they won't have a country station, because there was no kind of crustacean camp, so the open web GL.00:07:16.500 –> 00:07:27.660 Joseph McElroy: August of 63 what I wanted to have a high school kid that could bring in the hospital audience, so I got the gig has to be asked this jockey and that's back when Lou I for.00:07:28.740 –> 00:07:39.630 Joseph McElroy: us back in the dark ages, but I work there you're in college and before all the service in 1970 so was there off and on and had a great time and.00:07:40.410 –> 00:07:48.480 Joseph McElroy: learn a lot and got to play a lot, a lot of old country music at that time, some Gospel music rock music listening music play with it at all, it.00:07:49.140 –> 00:08:01.020 Joseph McElroy: was quite a fun time in my early career, yes, and how was it was help you in your career-defining experiences where your performance ability to do a performance there did yeah.00:08:01.560 –> 00:08:11.400 Joseph McElroy: It led me into doing some MC gigs which I carried on time I'm an MC stuff so yeah it was helpful in that regard and.00:08:12.810 –> 00:08:22.290 Joseph McElroy: You know, having to work there are a lot of people that came through that well you kind of pick up something from everybody you're exposed to in the music business like that so yeah it was quite helpful, then.00:08:22.560 –> 00:08:34.320 Joseph McElroy: Then, when I started doing shows later on the 80s and a lot of these old records I'd played back in the 60s were songs I learned back then, of course, I was influenced by a lot of those artists in the country and.00:08:34.680 –> 00:08:43.950 Joseph McElroy: The Kingston Trio, and some of the folks to hit 1958 when the case, the tree okay mouth Tom ui that just changed the world because I love it.00:08:44.820 –> 00:08:58.110 Joseph McElroy: It made this country teammate all the char key so so that is kind of what got me started running into that my folks got me Wendy when I was about 12 and I learned to play that and I bought a 10 hour day guitar for buddy mind.00:08:58.650 –> 00:09:04.170 Joseph McElroy: And that's kind of how I got to start making music and you got it you started, playing on the radio.00:09:04.680 –> 00:09:12.660 Joseph McElroy: Some early on to write a little bit i'd written a song about the know smothers market there and cam oh I just had his father's on.00:09:13.590 –> 00:09:24.960 Joseph McElroy: The smothers the sun yeah is that resembles they have here on the show granddaddy yeah and so, and that was mathers have a at the grocery store back man.00:09:25.470 –> 00:09:35.400 Joseph McElroy: And I wrote a song called Underwood it was like under what don't you wish we could anyway, we my brother's nice to play some of the only played at the Cannes first and made a festival.00:09:36.900 –> 00:09:45.930 Joseph McElroy: The new old why gone now when I recorded that just to you know they track tape back then, which both your sprinkler so, can you play that song.00:09:50.310 –> 00:10:00.420 Joseph McElroy: ready to record the, yeah Those are all good experiences, did you click Gospel to play Gospel on the air Yesterday we had a program called the Gospel care of and it's like 11 to 12.00:10:00.930 –> 00:10:08.850 Joseph McElroy: That I can just come in at nine, it was cold country star time in the guy named Jimmy hey Andy was a big influence on me early on, see behind there's a local musician he's.00:10:09.210 –> 00:10:20.250 Joseph McElroy: been gone number of years, but he was a he's an award-winning folk singer in fact team is the national focusing champion, I think it was 1950 or there abouts and a big influence on me, because he used to come to the grammar schools.00:10:20.610 –> 00:10:30.780 Joseph McElroy: And play programs us wow i'm going to be that one of these days, so that was kind of started Jimmy used to sign on six gutter 999 to 11 of.00:10:31.170 –> 00:10:40.860 Joseph McElroy: Country music and 11 to 12 Gospel man i'd come back to and go to two 330 with the country music and not go the easy listing is 330 to sign off.00:10:41.790 –> 00:10:52.890 Joseph McElroy: But it has to the rock the rock show was like 330 to 630 or something likely no experience I asked about the Gospel and I am one of the one of the.00:10:53.430 –> 00:11:11.550 Joseph McElroy: You know i've traveled a bit and one of the most popular brunches I ever saw was actually in Barbados yeah they had a Gospel brunch right they have run some even have a good old Gospel music right yeah people love that I would say that would probably go well, here too, yeah.00:11:13.770 –> 00:11:27.120 Joseph McElroy: Gospel me to certainly been popular in the south, for years and years yeah no he's play a lot of the old groups that you know the old Florida boys and the old kings cream local group and people like that.00:11:28.080 –> 00:11:39.120 Joseph McElroy: Number number of those great and there were some local people are bigger than the Gospel music did quite well Francis play lock and dam was a locally that's a big hit here and Haywood county back in the 60s there.00:11:40.860 –> 00:11:43.500 Joseph McElroy: But what was the what how did you learn to play.00:11:44.730 –> 00:11:51.090 Joseph McElroy: I got a Mel Bay 50-cent book shows the three chords C D E, F, and G.00:11:51.720 –> 00:12:05.880 Joseph McElroy: And the other progressions and I just kind of picked it up, but I was so naive, but that i'm embarrassed to say this, but i'm going to tell you to know, I was so naive I didn't have another you know but it's a play on territory, I didn't realize you had to change strings.00:12:07.740 –> 00:12:19.950 Joseph McElroy: Okay, once you know it doesn't matter you get a string I didn't even know that I learned later on, but that's how long did you almost entirely learn to do today, did you have some mentors are learning almost.00:12:22.110 –> 00:12:36.630 Joseph McElroy: All the gifts little G one gifts in the problem of 50s model for about I think I paid $25 for a buddy of mine and I eventually I got an Aston Martin guitar years later, that you know goes collects the guitars.00:12:38.400 –> 00:12:54.210 Joseph McElroy: that's pretty cool so you went off to your high school, then you went off to unc first are going to go the baby first went to usc usc usc yeah I started at usc I tell people is back when the tar heels we're still playing woman gym.00:12:56.250 –> 00:13:04.020 Joseph McElroy: Dean Dome that was before carmichael born with a we're playing a little again music Cunningham, was a senior housing right right so.00:13:04.800 –> 00:13:11.580 Joseph McElroy: that's how I got started when I would come home from school breaks, I would go back to the station and do vacation relief stuff like that and.00:13:12.060 –> 00:13:17.940 Joseph McElroy: I worked at Campo networks, the mail can't mill one summer season seven which is great experience paper.00:13:18.900 –> 00:13:29.040 Joseph McElroy: Paper data that helped me with my career later I got an extreme rarity coming so then after you and see you another baby yeah it was it was during the.com era where I.00:13:29.400 –> 00:13:36.330 Joseph McElroy: went out and did had one job interview, and they said come see us when you're through the starters, nobody would argue you got the service.00:13:37.350 –> 00:13:45.900 Joseph McElroy: So I ended up going to the program that required drilling for a year and then I went in on D for two years and then another three year obligation but.00:13:46.410 –> 00:13:52.620 Joseph McElroy: I was fortunate, I was on the USS wash, which is an aircraft carrier and we were in the North Atlantic up there.00:13:53.370 –> 00:14:06.390 Joseph McElroy: Doing maneuvers and but i've had the privilege to work with JFK personal naval eight so that was quite an experience I learned a lot from those guys and that all all those experiences help you later in life, you know I got it.00:14:07.500 –> 00:14:20.790 Joseph McElroy: cool and that was that was also the start of some my songwriting is in the navy the navy because i've got a memo zoom Lol Chief of naval operations back and he was loosening up the navy, let the skies where.00:14:22.380 –> 00:14:28.770 Joseph McElroy: He would come out these see grams, you know for some walls, the grams, and so I wrote a song called the balance is a graph.00:14:30.090 –> 00:14:47.970 Joseph McElroy: The Admiral heard about it, he called me to stay room and i've already guitar on our platform he wanted to send it to zoom wall record a little fork and say yeah little real real three inch screen record it you send it to zoom wall and month or so later I get this letter for.00:14:50.580 –> 00:14:56.760 Joseph McElroy: letter their little list of the guy says, you know, dear petty officer hurley Thank you so much for your song about.00:14:58.620 –> 00:15:05.910 Joseph McElroy: And he and I connect about seven years later, when he was out, and I was it came to Asheville to bait nuclear-armed with some retired general.00:15:06.360 –> 00:15:13.560 Joseph McElroy: And I walked up to him after the speech I said, George space, I do not remember the side of the road song about you and he said yeah I said on that side.00:15:15.570 –> 00:15:25.500 Joseph McElroy: Of the thought, he just met john, okay well cool well, we have to take a break now Sir so then we'll come back we'll talk more about your career in business and then in music, thank you.00:17:40.830 –> 00:17:47.430 Joseph McElroy: howdy this is Joseph Franklyn McElroy back with the Gateway to the Smokies podcasts and my guest Richard Hurley.00:17:47.880 –> 00:17:57.960 Joseph McElroy: So Richard after the navy, you had a long career as an HR manager for square D how's that good company well I just got real lucky because I come home.00:17:58.770 –> 00:18:08.460 Joseph McElroy: About three months before i'm supposed to get out of service and put an application and I had a cousin worked over there, and he put in a good word for me, I went into.00:18:08.940 –> 00:18:16.560 Joseph McElroy: That time I called personnel supervisory like backwards personnel manager personnel his word I started out the second seat and moved up.00:18:17.010 –> 00:18:28.140 Joseph McElroy: For years later I guess the first seat and and but my own volition, I wanted to stay in Nashville yeah so I thought Tom to I might have to move, but it worked out and it's great company they trade as well.00:18:28.590 –> 00:18:37.920 Joseph McElroy: And it was very giving kind of very caring complete and coming to the law united way and give a lot give a lot of bucks to the Community and various organizations out there.00:18:38.820 –> 00:18:57.540 Joseph McElroy: So I had a wonderful career cool did you get to play music, while you're while you're in that career not not in that role ticket I was out playing places i've crossed I did a record not team at one a coma valuable for mountain yeah remember that record a really.00:18:59.130 –> 00:19:08.730 Joseph McElroy: good idea as a 45 and dude legendary greatest of all banjo player Raymond Fairchild light on and Raymond I go back way back.00:19:09.540 –> 00:19:17.670 Joseph McElroy: The guy got Mr freeman has gone also and then the programmers who are popular good a tour with Raymond he's played with picking the brain.00:19:18.120 –> 00:19:29.040 Joseph McElroy: So i've written the song battle for mountain i've seen at parties and people see all the record that so as last time and then one day I said i'm not gonna turn around 10 years from now, and say what If so, I.00:19:29.730 –> 00:19:46.980 Joseph McElroy: called her brain is that would you got me and he said sure be led to some are also we got together having to be August 12 at one i've been coached now when you go to that studio do you're rehearsing before you go in there because that's money yeah right.00:19:49.980 –> 00:19:54.900 Joseph McElroy: Back stuff order ish will be asked our our weekly break door.00:19:55.650 –> 00:20:03.480 Joseph McElroy: And i'm sweating bullets and walk in that studio is following our with now on the studio and they said, like three Max back in those days now.00:20:03.870 –> 00:20:14.520 Joseph McElroy: According whole different ballgame instead of like three months and I kicked off on the guitar right and they jumped in this music, it was just fabulous and they just made that song so.00:20:15.540 –> 00:20:27.270 Joseph McElroy: It was 45 rpm so we took pto course never wc and w devotees but they all start playing on a call, so I saw him through angles markets, not so.00:20:27.870 –> 00:20:35.370 Joseph McElroy: pressed a couple of thousand problems, so I get a few hundred bucks but it kind of summer here when I was a kid yeah I also you know was looking.00:20:35.820 –> 00:20:39.240 Joseph McElroy: yeah well I don't know a while back, I was looking at what rate and fairchild.00:20:40.050 –> 00:20:48.030 Joseph McElroy: That record came out with him being on air yeah Yes, he was something else, but he he helped me out with that and it's all my first albums.00:20:48.510 –> 00:20:59.220 Joseph McElroy: Are all the songs on my to our songs i've written and the first album my mountains my songs I put that on air as a bonus track all the other tracks are things that we recorded so.00:20:59.790 –> 00:21:09.270 Joseph McElroy: cool yeah Bob Plott, you know, is the GM of the Meadowlark Smoky Mountain Heritage Center and he also helps put together.00:21:09.570 –> 00:21:17.610 Joseph McElroy: Some of the information of your questions and he mentioned that you mentioned one of them already rent Fairchild and when the other big musical influence was.00:21:17.940 –> 00:21:28.020 Joseph McElroy: Jimmy haney yeah I mentioned Jimmy a little bit earlier that we'd work together is discharged and he was like say when I was very school didn't come around to schools and play.00:21:28.500 –> 00:21:36.510 Joseph McElroy: ramin here's the store matt Ryan, that when Raymond was very before he became Raymond Fairchild famous like he was.00:21:37.200 –> 00:21:43.080 Joseph McElroy: He was working around these parts and he had done a wreck he'd done his first record old similar record was and.00:21:43.920 –> 00:21:56.910 Joseph McElroy: my brother came home with that record now listen to that man, this is just difference it's just it was like a snake charmer he just he had he had a way of playing songs that just drew me in.00:21:57.360 –> 00:22:08.040 Joseph McElroy: So I got some maintenance management time to evaluate he'd give me copies of his records without playing them on my program and then occasionally he another guy we have breakfast down.00:22:08.310 –> 00:22:17.460 Joseph McElroy: Little restaurants can either bottomless pit of on the show and play for 20 minutes or so, so that was how my friendship with Raymond started way back when.00:22:18.240 –> 00:22:30.120 Joseph McElroy: But, but he was he was really something else, and then, when he went to the brand debut the grand Ole opry and 78 he invited me to go live in essence up with down lana pick your brother.00:22:31.020 –> 00:22:39.030 Joseph McElroy: Already about for went over to the national we got to go backstage and all that one written bill Monroe balls hot dogs that would.00:22:40.980 –> 00:22:46.290 Joseph McElroy: Go out there Raymond walked out there and start playing and they had never heard it.00:22:47.700 –> 00:22:51.330 Joseph McElroy: encores of standing ovations yeah Raymond Fairchild00:22:53.160 –> 00:22:56.190 Joseph McElroy: Or, he was His grace banjo I think grace man.00:22:58.350 –> 00:23:05.160 Joseph McElroy: You could do it yeah and then, when he played here in the valley you remember the matter with me about the Opera House yeah like there.00:23:05.520 –> 00:23:16.650 Joseph McElroy: For years and was there, so yeah yeah but every time I would go in case, yet they see in his wife sure we had that business for number of years for writing and passed in October Tina thing was.00:23:17.070 –> 00:23:26.550 Joseph McElroy: Every time I go in the shadows he'd see me in the audience and so on his old friend is richer heard he used to play my record, so they played he played my record so much that they fired.00:23:28.530 –> 00:23:40.800 Joseph McElroy: Their more banjo players just ran and fell out there yeah true, of course, I had to build a service that is a That was a good story, and you can you got you did is you, with the right.00:23:41.790 –> 00:23:54.240 Joseph McElroy: Top right, I did I was asked to speak and I much some other people, but I was extremely flattered to be part of the one of the speakers that spoke there yeah it's up the stomping ground appear Maggie badly.00:23:55.440 –> 00:24:02.850 Joseph McElroy: And part of my comments, where I said, you know there's only one Elvis there's only one hank liam's there was only one Raymond fair to.00:24:04.140 –> 00:24:12.960 Joseph McElroy: One of my many comments talking about on a great person he was a good family man, he was a loving father and husband and just a great guy.00:24:13.560 –> 00:24:26.400 Joseph McElroy: But he had a gift he had to give a few few they have yet so the way he played that manager, I heard that he's a you know i've been from a value of them, and I have seen him a couple times and I think my dad.00:24:27.720 –> 00:24:28.770 Joseph McElroy: Daniel and i'm sure.00:24:30.660 –> 00:24:36.510 Joseph McElroy: yeah but you know my understanding was he was a great friend, but he was also a little cantankerous.00:24:40.170 –> 00:24:47.520 Joseph McElroy: He raised his music good yes very busy i'll tell you one thing is the Raymond was noted for.00:24:51.150 –> 00:24:52.800 Joseph McElroy: Aware of was.00:24:53.970 –> 00:25:03.510 Joseph McElroy: You know, some towns that have been leaner audiences than others and goes, you know, whatever reason, traffic or whatever, if there was one person that audience about ticket Raymond well and say that.00:25:03.870 –> 00:25:11.730 Joseph McElroy: will be 500 or whatever we're going to play them a good show he whether he play a whole show for one person, but the only matters i'm sorry cancer, he.00:25:12.210 –> 00:25:18.480 Joseph McElroy: said that person management and 500 miles to your show we're going to plan the show that's right he's very caring shorter guy.00:25:19.350 –> 00:25:35.280 Joseph McElroy: Very caring yeah he was the one guy, yeah well yeah we know we're talking about your records that's real Famous people on those records, but there are other Famous people to work with I've got some pretty heavy hitters all my albums.00:25:36.780 –> 00:25:56.130 Joseph McElroy: yeah but they they're people that I work with a guy named at swan yeah and regal music regal media it's a medical media.net website, but but he's he's been in business about 50 years he's reporting people like Ben scale and he's reported recorded David Wilcox.00:25:57.300 –> 00:26:09.330 Joseph McElroy: Brian sudden the great brown certain he's recording squire parsons that great deal and land song right dollars per summit be recorded that and he's worked with a lot of the great spirit.00:26:10.590 –> 00:26:14.370 Joseph McElroy: Anyway, yeah I got to work in an ad and Prince mountains together.00:26:15.600 –> 00:26:17.760 Joseph McElroy: Well, you got some some great ones.00:26:18.930 –> 00:26:27.030 Joseph McElroy: But before we get there, you know what I wanted to do understand you know your your songwriting right and you did some great songs i've read that.00:26:27.570 –> 00:26:37.110 Joseph McElroy: I was looking at, we listened to one and i've seen some of the others and and you're playing a guitar but you play anything else I don't really i'm not play I took a few.00:26:37.530 –> 00:26:46.110 Joseph McElroy: banjo lessons from mark pruitt the grading where he's on one of my hours to market and Martin our friends from way back, but I never could quite get into the banjo so I just like.00:26:47.430 –> 00:26:52.470 Joseph McElroy: I heard you got the the walk handmade watch the bass bass yeah so.00:26:53.610 –> 00:27:04.200 Joseph McElroy: what's that everybody should probably seen, or at least nothing prompts and you'll watch the bass bass so most folks have are not familiar he's turning on tobacco really be go watch.00:27:04.860 –> 00:27:14.250 Joseph McElroy: The one i'm not is over 70 years old, oh yeah sequence and during the home that middle of it and you take an old broomstick and just run a quarter size core.00:27:14.730 –> 00:27:21.450 Joseph McElroy: And you put it on and you hold the stick down the edge of your pocket, and that gives you a base, and it goes because of the tub and I was.00:27:22.440 –> 00:27:38.820 Joseph McElroy: awkward so you could have a vibrant right, so my brother's not playing at this tomato festival years going can't so I carried on part of my act and I tell people I said don't worry I get beaten up your audience the basement and then key is Spanish Oh, because.00:27:40.230 –> 00:27:54.990 Joseph McElroy: that's what that's that's a real fun part of my program and I always preface it by saying that don't worry this tub is is over 70 years old and literally the stick and string have been on there since 1969 oh my gosh it's been British.00:27:57.240 –> 00:27:59.730 Joseph McElroy: Is the shirt but don't worry it'll be okay.00:28:01.140 –> 00:28:02.430 Joseph McElroy: Yes, that's the fun part.00:28:03.510 –> 00:28:12.360 Joseph McElroy: Well, you know I don't know if you ever walked out white wines mainstream you know they have all sorts of sculptures on there yeah what i'm one of the sculptures as a duo.00:28:12.750 –> 00:28:22.680 Joseph McElroy: musicians are there 10 foot tall oh yeah I want them to watch oh yeah you see there, so people you definitely should make a pilgrimage there.00:28:24.180 –> 00:28:31.740 Joseph McElroy: is surprising people don't realize how long a sound that that will make and that's why people develop a years ago they didn't have money to go out and buy things that.00:28:32.370 –> 00:28:50.400 Joseph McElroy: improvised just like my good friend, David holds things on my album you know, David term Doc Watson about 14 years and David plays he plays a number of different instruments on his show when we're doing live shows he played paper bag and plays spoons like bones slugger.00:28:51.900 –> 00:28:56.220 Joseph McElroy: ization improvisation music over the years of development me.00:28:57.780 –> 00:29:02.190 Joseph McElroy: Well, we have to take another break now, when we come back we'll talk about some of your out straight.00:31:08.700 –> 00:31:18.690 Joseph McElroy: howdy this is Joseph Franklin McElroy back with the Gateway to the smokies podcasts and My guest Richard Hurley, so Richard you've got two albums out right?00:31:19.440 –> 00:31:29.760 Joseph McElroy: Can you tell me about your first project was what my mountains by sounds so project called my mountains my songs and I can hold it up to the camera and those people watch it there.00:31:32.640 –> 00:31:46.470 Joseph McElroy: We started out with the old for the song which I mentioned I've written back in the quarterback in 81 I thought well Okay, this is 2013 just a few years later I bought a new cut a record over 30 years or so yeah all right yeah like it's in.00:31:47.520 –> 00:31:50.430 Joseph McElroy: Your cadence or is this musical okay yeah.00:31:53.190 –> 00:32:04.590 Joseph McElroy: I have written a bunch of songs over the years and just take them back in the files and whatnot so I'm sad pull them out and see what we can do with them, so I called a that holds a date I'm thinking about doing an album 20.00:32:05.760 –> 00:32:12.990 Joseph McElroy: Some recommendations well, you need to call josh to go forth josh go forth his genius musician the literature Madison county.00:32:13.620 –> 00:32:19.140 Joseph McElroy: He played all mile they played the lead guitar the rhythm guitar banjo the base the mandolin and fiddle.00:32:19.680 –> 00:32:29.940 Joseph McElroy: Allah and woven together oh wow so so that's how this thing started and we put these 15 songs on here with the old for a song being a bonus track, one of the.00:32:30.300 –> 00:32:41.580 Joseph McElroy: One of the ones you look at the reward thing here that North Carolina society of historians actually gave me a reward the reward for the historical significance of the project.00:32:42.330 –> 00:32:51.450 Joseph McElroy: And there's a song on here about the cold mountain bottom and crash oh yeah a lot of people saw the coal mountain movie, in the end, it was written by Charles Fraser.00:32:51.840 –> 00:32:57.300 Joseph McElroy: Franklin who has connections back to my hometown Cantonese model from their reason anyway.00:32:58.260 –> 00:33:08.640 Joseph McElroy: So the thing, most people don't realize, is that all Friday the 13th September 46 a beat 25 bomber was coming from Detroit to Tampa.00:33:09.180 –> 00:33:25.800 Joseph McElroy: And crashed into the topical mountain Mr bell about 150 feet, they call the Tower at that time in Bristol Tennessee, and so they wanted to go visual So be careful because of kind of nasty and rainy down there the next thing you know lamb youngest general near a core to sergeants to kernels.00:33:27.060 –> 00:33:29.250 Joseph McElroy: Imagine what that was like Crusoe big.00:33:30.360 –> 00:33:41.310 Joseph McElroy: yeah so a lady named George ron's cannon is deceased now she wrote a book about it and back about I guess was in 2012 I saw this book in the movies books here and label.00:33:41.820 –> 00:33:51.270 Joseph McElroy: And I got to look at so Now I know some of these and I read the book and I remembered hearing about it because, as a kid my late brother point over there and mountain across from where I grew up so that's that.00:33:51.840 –> 00:34:03.990 Joseph McElroy: that's plane crash okay fine my scoutmaster you talk, Okay, but it never text on the hack up there, so I went up the mountain couldn't find confining it crashed evidence is all in picked oh.00:34:05.130 –> 00:34:10.890 Joseph McElroy: Really, I wrote the song, so I got doors to a guy named.00:34:14.460 –> 00:34:22.080 Joseph McElroy: Having everything or guy helped me out down the road Moody help me out with this make sure my atma factor accurate.00:34:22.740 –> 00:34:34.290 Joseph McElroy: So, then, we recorded that song and Doris simplest thing to the north county historical society and they basically this whole thing because I got some other historic going on about the slides ago for over a year and i've got some other.00:34:34.770 –> 00:34:44.460 Joseph McElroy: songs similar and they gave you the historical and okay yeah I want to know why people get that but it's still a nice it's nice to get it yes.00:34:45.930 –> 00:34:49.980 Joseph McElroy: it's not a participation prize it actually does work.00:34:51.540 –> 00:34:53.370 Joseph McElroy: yeah exactly exactly.00:34:54.660 –> 00:34:58.830 Joseph McElroy: So you have you gotta go you gotta know saw you got a real a.00:34:59.340 –> 00:35:07.080 Joseph McElroy: Real it's real work, so you got a good thing, so this one, this one came out 13 and josh these musics is famous for singing swan the engineer, I mean he knows what he's doing.00:35:07.950 –> 00:35:21.060 Joseph McElroy: His fifth year so fast forward to 2021 I came out of this album fleet song Cataloochee, which is you know you know music to my heart to them now you alleys.00:35:21.510 –> 00:35:25.650 Joseph McElroy: Post account Lucy Lucy bow they've got the elk and everything else so.00:35:26.160 –> 00:35:26.760 Joseph McElroy: So tell us.00:35:27.000 –> 00:35:35.130 Joseph McElroy: Tell us the story of this one, the backstory is that there's a guy named Steve what he's a friend of mine, and he is a descendant of the old woody family, the life back in capital h.00:35:35.190 –> 00:35:43.800 Joseph McElroy: er and Steve one time there nationally known each other for years, he said, I said I understand you're having your big reunion coming up having here like first second weekend in August.00:35:44.100 –> 00:35:49.920 Joseph McElroy: Is yeah why don't you come about gifts, so now let's do that because I never been reading i've been Cataloochee00:35:50.310 –> 00:36:02.130 Joseph McElroy: So I went to the reunion and he got monitors church service there and during the shirts or is he going to do some politicians, then introduced me and said somebody might know Richard you know to pay with boy write songs just.00:36:02.760 –> 00:36:05.370 Joseph McElroy: said, I think he already song that Kevin did you, what do you all.00:36:08.460 –> 00:36:09.360 Joseph McElroy: feel blackmailing.00:36:11.250 –> 00:36:12.090 Joseph McElroy: wrote a song about.00:36:13.890 –> 00:36:25.710 Joseph McElroy: This research on it and the song and then he asked me to come play it, so I went back and played what that was 19 in August of 19 I played it live at church service oh that's Nice.00:36:26.310 –> 00:36:35.370 Joseph McElroy: I don't mean this to sound right people got emotional I got it I got emotional I don't know which one i'm Scott materials.00:36:36.900 –> 00:36:46.710 Joseph McElroy: emotional standing there and then I said i'm going to have to record it so we record it and got us some different players on this, some of the phone you got some great people on this.00:36:47.280 –> 00:36:53.670 Joseph McElroy: I mean, these are credible yeah TIM CERT and Darren Nicholson, both with balsam range or on their tone increases.00:36:54.150 –> 00:37:01.620 Joseph McElroy: percussionist that works these kind of movement else's grammar need work to Glen Campbell waylon are not waiting merle haggard and.00:37:02.010 –> 00:37:12.060 Joseph McElroy: James Taylor some of those guys and then, of course, David holds on Bobby hicks won a grammy with ricky skaggs the same time that mark did and RON said another little boy.00:37:12.600 –> 00:37:19.470 Joseph McElroy: So he's a 10 time grammy award actually bring to get him to help us out thanks to my buddy so we got some.00:37:20.010 –> 00:37:31.260 Joseph McElroy: Pretty heavy hitters not a dedicated this album to my old friend Ray M and fairchild there you go but he's got the cattle he song and it's got a number of other so there's one song on there you got the legend of losing weight.00:37:32.400 –> 00:37:39.600 Joseph McElroy: This week, there is Buddhism, can you give us a short version of what that is not sure what is a boogeyman.00:37:40.110 –> 00:37:44.100 Joseph McElroy: is actually a story that goes back in the legend goes back in the 1800s.00:37:44.370 –> 00:37:54.150 Joseph McElroy: And up like Logan which used to be on a champion paper back in the old days you had a little boogeyman cave in there is big picture of the boogeyman which is now in the in the downtown teflon.00:37:54.630 –> 00:38:05.010 Joseph McElroy: Remember yeah so patch mathers was the Mayor of can now he was he's been Mayor of can he called me up so we're going to the festival about food too much come in and see if I said to.00:38:05.430 –> 00:38:17.400 Joseph McElroy: And I said we'll go around song about it, so we wrote record a song called the legend of the blue, and it's all about the history of the book eight foot shaggy and eight foot tall and Shay you catch you move from.00:38:18.570 –> 00:38:21.480 Joseph McElroy: That it was it was that a big thing in canton.00:38:22.710 –> 00:38:36.570 Joseph McElroy: Where there was a bigger because he doesn't really remember, since he was in 1616 2016 so the legend came up with us from played the song, I wrote the song for that festival it only had that one year didn't.00:38:37.650 –> 00:38:46.920 Joseph McElroy: see that didn't happen after that, but you know the songs the songs on there and there's a guy named Dave Johnson place about 20 different instruments it's quite.00:38:47.400 –> 00:39:02.220 Joseph McElroy: Another local board down so that old for somewhere plays a mean plays everything he did all the music God and it came out pretty well and there's The thing is that when when i've given this to folks to original head is a single the kids get into this any kid.00:39:04.590 –> 00:39:11.850 Joseph McElroy: I guess it's the sound of the name boom oh yeah with it, but the story was a he had a penchant for two things he liked to go.00:39:12.390 –> 00:39:20.400 Joseph McElroy: He would hide out in the Bush is he was he was he was haven't counted version of victory right yeah see it out our leads there and he'd see the girls and their.00:39:21.240 –> 00:39:30.720 Joseph McElroy: Different pools, and then he said, the thing was he likes to go out and found all these precious stones and he had a cave and he'd go take them to that came storming or liquid jugs to fill them up many chat.00:39:31.620 –> 00:39:41.880 Joseph McElroy: Those two things so one day is how man is this young girls she's in the cooler swim and she sees the Buddha in their eyes walk and they fall in love.00:39:42.690 –> 00:39:49.470 Joseph McElroy: They get married and they go back to the mountains, but he still had to go out look for all these precious stones so she would get it out.00:39:51.870 –> 00:40:01.650 Joseph McElroy: Get lonely and share the harder for him and he had a holler back to the power till they came together and her name is Andy okay therefore came the word good man.00:40:04.440 –> 00:40:07.860 Joseph McElroy: that's Barclays really knows he's a hooter.00:40:10.050 –> 00:40:19.470 Joseph McElroy: So that's all in the song the legend wow that's that's a little tears a boogeyman yeah drinking booze and talking about losing this guy this.00:40:20.850 –> 00:40:23.160 Joseph McElroy: is given given oh i'm going to yeah.00:40:24.240 –> 00:40:29.370 Joseph McElroy: What is some of the other favorite songs is the one I think I think about the question.00:40:30.030 –> 00:40:45.780 Joseph McElroy: I think about some of the historic stuff is vascular marlins for Dino that name and he was he was the the minstrel the appalachians he was born on the campus plus now Marshall university and he started our mountain dance folk festival in 1928 and actual.00:40:47.010 –> 00:40:55.800 Joseph McElroy: Madison county ashbury it's the longest running folk festival in America well in America have you been on the board of that too right well i'm on the advisory.00:40:56.310 –> 00:41:06.510 Joseph McElroy: Playing there, and you see there yeah i'm involved with it for years and years but pete seeger came down to learn about the banjo from Boston the marlins for.00:41:07.020 –> 00:41:20.220 Joseph McElroy: pete seeger many of fans who know the music fans know he had that long neck banjo story was he got that from Boston oh so i've got a tribute to baskin here on on my album that I want other songs.00:41:21.480 –> 00:41:27.300 Joseph McElroy: i've got one on this placement about is called god's special children and it's about special needs kids oh.00:41:28.530 –> 00:41:34.950 Joseph McElroy: I was doing some volunteer work already worth and Center over ashfall which should help special needs kids and.00:41:35.250 –> 00:41:40.950 Joseph McElroy: A lady i've worked with came in and she said, well, you did so i'm going to volunteer what are you doing here she's talking pick up my son.00:41:41.460 –> 00:41:52.020 Joseph McElroy: And this was years actually both retired and our flashback and remember she has a son named our special needs kid adding them in the next mourners Christmas Eve.00:41:52.530 –> 00:42:02.040 Joseph McElroy: And I woke up and I wrote the song called god's special children, and I remember as a kid my mom used to say, and she lived to be rather than one she used to say.00:42:02.850 –> 00:42:10.350 Joseph McElroy: If you'd see you know, a special needs child she's it will sound Those are just god's special tool well that just made everything everything.00:42:11.340 –> 00:42:20.010 Joseph McElroy: That so we did God special to integrate at our producer was able to pull in a later that same with me on that harmonizing you read it came out pretty well.00:42:20.820 –> 00:42:37.440 Joseph McElroy: Actually we've got goodness the number of the things I don't call the leaning sound about what about columns guitars i've got one about monocle house burnett he was he was a great storyteller and fox theater okay now tell me Bob and his plot.00:42:38.730 –> 00:42:52.680 Joseph McElroy: State dogs, we all know that fox fox fox fox hunting, the thing, but my grandfather was a lousy he loved the Walker have the upper hand the latter house and I guarantee that we've known each other yeah.00:42:53.730 –> 00:43:04.590 Joseph McElroy: Big talks louder so I had written a song about him back in the 70s and I pulled out my files and revising David told plays washboard on it, and this David Johnson did some music.00:43:05.100 –> 00:43:12.870 Joseph McElroy: I said, you know we need some dog barks on this supposed to do is lackey do that and they weren't you and he put dog barks we're.00:43:14.100 –> 00:43:19.890 Joseph McElroy: Going on the mountain gotta go gotta go home because he's house burns, and he grew.00:43:22.050 –> 00:43:23.430 Joseph McElroy: up so we let the dogs.00:43:26.040 –> 00:43:36.690 Joseph McElroy: favorite their local flow but we're gonna have to take another break here and come back we'll finish up with some of the other things to do and how you can help people get the CDS right all right.00:45:37.980 –> 00:45:45.240 Joseph McElroy: Howdy this is Joseph Franklyn McElroy back with the Gateway to the Smokies Podcast and my guest Richard Hurley, So, Richard.00:45:45.810 –> 00:45:52.560 Joseph McElroy: You were born and raised in Canton but now you live in Asheville your most of your life so yeah why just stick in Asheville for?00:45:52.950 –> 00:46:03.210 Joseph McElroy: Well, I just love the mountains, like your intro when you're talking about your hotel and the great smoky mountains and the fishing stream all those things you talked about it's made me realize how fortunate I am to00:46:04.260 –> 00:46:05.460 Joseph McElroy: stay here in Asheville.00:46:06.540 –> 00:46:13.500 Joseph McElroy: Western North Carolina you know a lot of volunteer activities I'm involved with taking all across Western North Carolina but.00:46:13.890 –> 00:46:24.060 Joseph McElroy: I thought there was a time to do my career, I was gonna have to leave and move to another location or leasing company and do something else, and I was blessed lucky that I didn't have them leave.00:46:24.450 –> 00:46:31.920 Joseph McElroy: How do you like, how Asheville grown, oh I see it really changed and scrolled a lot, and this is an interesting place that's.00:46:32.460 –> 00:46:37.770 Joseph McElroy: what's that sort of a music city right? yeah, there's a lot of you know, the best years on every corner seemed like that.00:46:38.520 –> 00:46:47.850 Joseph McElroy: You know, we have a couple of events of advanced downtown like the shindig on the green which I also wrote a song about on the first album we have shindig on the green in front of the courthouse there on Saturday nights.00:46:47.970 –> 00:46:59.880 Joseph McElroy: These seven Saturday nights during the summer in fact we'll start this coming Saturday seven to 10 freebies right people bring a lawn chair or blanket and spread out there and they sit three hours, and we have all these musicians to come in.00:47:00.330 –> 00:47:09.750 Joseph McElroy: I'm going from deep in the hollers and some bones wherever square dance teams and all that and a lot of the greats like mark for it and Brian session, you know the hottest guitar player.00:47:10.200 –> 00:47:19.770 Joseph McElroy: In Ashville, I things the number one call guy over there and studios he cut his teeth or they've known split tons of big names play at home, Shindig on the green stage.00:47:20.700 –> 00:47:27.720 Joseph McElroy: But I know you've been involved with a lot of those different revenue festivals you're involved with bells here right.00:47:28.740 –> 00:47:40.830 Joseph McElroy: I wrote a song about that I know I saw that I was wondering what happened, the bell share it just finally ran its course really started in 1979, yeah and I don't remember what year it.00:47:41.700 –> 00:47:50.550 Joseph McElroy: folded video is a great festival, I mean how many times, do you walk down the street of Main Street drinking beer and eating a hot dog or whatever, and all this great entertainment oh my gosh.00:47:51.150 –> 00:47:58.080 Joseph McElroy: Is it that Doc and nice to have Skaggs and a lot of the big nice fact I mentioned a number of them in my song really yeah.00:47:59.010 –> 00:48:12.000 Joseph McElroy: So give people the flavor of what that was it was a special sort of vessel that folks got to get it back and 79 to have a street party with a sound about a phone on the phone or something different than normal kind of fair that got together got shows together and started a bill share.00:48:13.710 –> 00:48:21.240 Joseph McElroy: me just a beautiful life yeah the kids you grant end wife, which feed on the street, when the sun goes down music in the air and actually.00:48:21.960 –> 00:48:31.080 Joseph McElroy: There you go, of course, well you've been involved with a number of what other what other your favorite festivals well, those are pretty much it on ice.00:48:31.770 –> 00:48:37.380 Joseph McElroy: least try to go see Doc every time you come around I never played I played on the same show waiting one day out the.00:48:37.770 –> 00:48:45.180 Joseph McElroy: monster festival that marciel that's another big festival the basketball marlins, for it was the only festival, is he would let us his name.00:48:46.140 –> 00:48:59.220 Joseph McElroy: And it started, I think, somewhere, back in the 60s and 70s, but it was a Mars hill moving on bringing a lot of evil talent back in Madison county and other Mecca for musicians so that's a great fast.00:49:00.480 –> 00:49:14.160 Joseph McElroy: But I never I never got to play on the stage leap, but I did REP with chat room some backstage few few times on some of these programs but but tell us about the mountain DAS it falls fast again it's the granddaddy of all focused.00:49:15.300 –> 00:49:24.600 Joseph McElroy: that's the one yeah other venues what Ben is like the cholesterol killer well you know I like to go to some of the things that happened at the.00:49:25.080 –> 00:49:31.920 Joseph McElroy: Civic Center and some of the problems that happen there, and like you know, let us go back to see balsam range I've introduced those guys sometimes.00:49:32.370 –> 00:49:47.850 Joseph McElroy: Of course, my friend at work for those guys to the studio and he worked with the Steve can you arrange boy is not allowed, but anything in these venues that like your met your Maggie valley festival grounds here on some programs there and I played there actually one time.00:49:52.860 –> 00:49:53.700 Joseph McElroy: promote myself.00:49:57.120 –> 00:50:12.840 Joseph McElroy: I did a fair amount of volunteer work I go to Assisted Living Binion's places like that and people call me I go to a program they can come to a pool party that's not my opinion, without being a concert you got pretty much listen to the lyrics yeah right just.00:50:14.010 –> 00:50:24.120 Joseph McElroy: Because what so somebody coming to Western North Carolina asheville every county what you put in some things they shouldn't miss shindig on the green, they should not miss that.00:50:24.660 –> 00:50:34.470 Joseph McElroy: that's every every Saturday night not ever said that we break for the mountain dance folk festival start the 25th this it's always the first weekend around the fourth of July.00:50:35.070 –> 00:50:49.830 Joseph McElroy: 25 of June, this time, and then we have starting second on through the break for the things of the sixth of August basketball we said, our focus was always the first weekend long about sundown.00:50:51.180 –> 00:50:55.710 Joseph McElroy: What i'm saying is OK, for you folks were watch mean seven o'clock yeah.00:50:57.030 –> 00:51:13.050 Joseph McElroy: So that's a must see there yeah of course they'll share was pulling that was that was but there, there are a lot of fans out there that probably need to get around go visit some of them haven't visited all me I like the orange peel myself yeah.00:51:14.250 –> 00:51:23.040 Joseph McElroy: I did my bell share something there when when a buddy mine was chairing the camp chair and bill share asked me to come play it so we did that kind of kick it off.00:51:23.850 –> 00:51:35.100 Joseph McElroy: I just saw like 11 I think in New York City winery but he was also at the art of appeal to the Glasgow plays he plays a callings guitar that's brand new guitar and I played.00:51:35.700 –> 00:51:45.990 Joseph McElroy: college to the dishes mark i've got a song called the column guitar song oh really are you are you do, do you have a, you said you have a collection guitar.00:51:48.210 –> 00:51:50.790 Joseph McElroy: Like like nobody's saying you can't have too many guitar.00:51:52.950 –> 00:52:02.160 Joseph McElroy: When I wrote this song about the colonies that's your favorite yeah it's like the head of me my servers back 34 years I said, good bass print my name and she had severe.00:52:02.520 –> 00:52:09.930 Joseph McElroy: will spend it on the new and follow this new and following a hot rod car, no, no thing so good rather have a college, maybe.00:52:11.730 –> 00:52:12.420 Joseph McElroy: Not kick off.00:52:14.760 –> 00:52:20.010 Joseph McElroy: spent many years, making money and then decided to buy a hotel yeah That was a better.00:52:21.750 –> 00:52:36.150 Joseph McElroy: guitar yeah well, it was all the time I bought it because yeah yeah being home homestead and big ideas have been doing things with it now it's become something else, but I did get to touch Tony Tony robbins guitar when they.00:52:37.440 –> 00:52:38.010 Joseph McElroy: got to reach over.00:52:39.960 –> 00:52:51.630 Joseph McElroy: Well, how did How do people buy your albums well not my website and I was hoping might go take a look the websites Richard hurley he already why returning music.com.00:52:52.050 –> 00:53:00.660 Joseph McElroy: And the various tabs if they work through the tabs their maintenance places to pursue them and also my two videos are on that video about Kevin lynch.00:53:01.410 –> 00:53:10.380 Joseph McElroy: saw with all the beautiful pictures pictures make hundreds and i'm pretty sure not together a video there's a video about shindig on the green locally.00:53:11.370 –> 00:53:18.360 Joseph McElroy: leverage books here in waynesville strange for music Scott my album and can you get the picture of a mercantile maddie.00:53:19.170 –> 00:53:34.860 Joseph McElroy: actually got the Chamber of Commerce over there, but the average American music.com can lead you in the first place, and you have your Facebook or anything like Facebook, to look you up there yeah alright cool well yeah Thank you very much for.00:53:36.570 –> 00:53:49.920 Joseph McElroy: appreciate it, and you know it's just it's fun to come up with a song strikes you something happens that makes you want around a song it just feels really good you get it recorded.00:53:51.090 –> 00:53:58.440 Joseph McElroy: she's got a great show here I want you to be here what's nice about the smokies and the culture and everything, are you better than that.00:53:59.640 –> 00:54:00.000 Joseph McElroy: and00:54:01.350 –> 00:54:06.390 Joseph McElroy: my daughter just walk well hey there, this is the gateway to the spotify asked why do.00:54:06.870 –> 00:54:14.700 Joseph McElroy: You want to be on the show the show here my daughter's on this show is the gateway to the post focus podcast you can find out more about us at.00:54:15.270 –> 00:54:27.150 Joseph McElroy: Facebook COM says gateway to the smokies podcast and we're on the talk radio dot nyc network, which is a live podcast network with blocks of.00:54:27.690 –> 00:54:35.400 Joseph McElroy: Everyday alive podcasts that, ranging from small business to travel to self help to any number of things, but it's a really good network.00:54:35.790 –> 00:54:49.800 Joseph McElroy: If you like listening to podcast I would recommend you take a listen to some of the other shows all of us that work, I actually have another podcast on this network called wise content creators well, but we talked about you know, using modern content marketing practices.00:54:52.950 –> 00:55:01.140 Joseph McElroy: To help your business so that's on Fridays from noon until one, so I appreciate it that's an interesting you're just looking at us look us up, but this podcast.00:55:01.500 –> 00:55:16.470 Joseph McElroy: Is every Tuesday from six until seven we talked about the smoky mountains and hey we're county actual and Tennessee even and things to do, and things and doing the culture and the people that are here so take a take a look look up come back again.
This week, I'm so excited to introduce you to a dear friend of mine, Lucy Blehar. I've known her for around seven years now, and she's the kind of friend who always has a creative project cooking. She first moved to LA to pursue traditional acting, and after several auditions and "no's," she took matters into her own hands and started putting skits on TikTok. At almost 200,000 followers, she has wisdom to share about Hollywood, how it's changing, and why creativity shouldn't be considered an option, but rather, a duty. Don't forget to rate the show 5 stars if you liked this episode!For more on Lucy:Lucy's TikTokLucy's IGLucy's WebsiteGreat TedTalk about creativity by Ethan HawkeFor more on me:Join my journal club:www.joclub.world (use notyouraveragejo at checkout for 50% off your first month)!Sign up for my newsletter to find out more about my future projects, including language learning:https://jofranco.world/21-day-challengeWatch my YouTube videos! https://www.youtube.com/jofrancoFollow my many Instagram accounts:Follow the show's account: https://www.instagram.com/notyouraveragejopod/My account: https://www.instagram.com/jo_francoJournal Prompts: https://www.instagram.com/joclub_/:) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Forward and backward are not stable concepts. The curtains close, a mask is shattered, but we're still here. Wren helps a lost soul and meets some familiar ones. Thank you all so much for listening, and special thanks to guests Jess Syratt of Nowhere, On Air and Shannon Strucci of Critical Bits and more. (CWs, spoilers: bullying, derealization, implied dysphoria, brief fire and engine sounds, alcohol, smoking) *audience shuffling and chatting, dies down* LOST FISHERMAN: “Good evening, dear audience. Tonight we present to you the final act in a series of strange events. The detective this evening will be played by Wren once more, with the receiving clerk reprising the role of the vanished. I will be your chorus. When you see me again, it will all be over. When I return, you will not be ready, but it must end as all things do. Until then, please enjoy the show. “A crack in the sky and a hand reaching down to me” WREN: The vault wasn't so much an actual vault, but–as you've no doubt surmised–a cave. Like the cave I had encountered before, where Lucy served me breakfast. Where I cried over eggs and toast. Maybe just a different part of the same cave, even. All around me, stacked and scattered throughout the yawning caverns was dead mail: letters, packages, objects covered in grime and dust. The light from my phone only revealed a harsh circle in front of me, leaving much of the vault in total darkness. I felt things stirring in that darkness whenever I turned away. They gathered behind me, at my sides, spiraled gaseous tendrils around my ears. But they dissipated any time I faced them. I flipped through folders and sifted through cabinets and baskets full of decomposing paper. I found many strange stories among the mundane cruft. Some stories I had heard before, some I had not. These pieces had little in common: from different parts of the country, different times, different people. Many followed a similar thread, though. Something under the office's purview, my purview, appeared in each: a moth here, an alien worm there. Just little hints of the ineffable, the sublime radioactive backdrop that most people tune out. This damp hall was where my furry friend would have ended up, had I not saved them from that fate. I panned the pulp silt for gold, trying to find any clue I could sink my teeth into. I went further and farther back, in time and in space. The older files were kept ever deeper in the cave. I was in the middle of reading a peculiar letter regarding an ill-tempered neighbor when my boot struck a vein. Masonry. Not the deep brown rock surrounding me, but a gray slab shaped by human hands. Around the base of the stone was a shallow puddle. I looked up and there I saw an angel. An angel in gray, its features blurred and worn by time, its form smudged with black. Had the angel been there the whole time, or had it just appeared a moment ago? I leaned closer and inspected its surface. All across this sculpture–from the top of its head to the base–were dark fingerprints. I gently slid the letter I was carrying through one of the tacky prints. The black substance followed, sticking to the paper. Simply looking was going to get me nowhere. What use is a detective that only uses one sense, anyway? I held the tacky substance close to my nose and inhaled. Fire, smoke, machinery. This thing was covered in scorched oil. The angel's hands were clasped to its chest, and I could tell there was something within. I recalled a story I had heard about a sculpture of similar kind. About a disappearance and a hanging thread. I had to know what was held in its hands. As if already planting its roots in my mind, the angel's stone fingers unfolded, and there it proffered an egg, no bigger than a chicken's. I dared not touch the angel, this seraph bathed in the blood of the ancient earth. I took a step back and shuddered. At this rejection, many fish fell around the angel, all dead and frozen, slapping hard against the cave floor. Then, from the deepest recesses of my consciousness, there came a sound: steel wire hanging high above a field of corn. The lines shivered in the breeze and sang like clockwork sparrows. Metallic spring sprung forth in a curl of light and noise. An electrical pylon, its arms spread wide, so wide it held the whole state to its chest. Transmissions from everywhere and nowhere collected in the still air inside its ribs. It blew a whispered kiss through the heavy bent stalks, through iced cities and rolling foothills. It blew a kiss as loud as the trumpets of revelation, and spoke in a hundred tongues of electric rapture: “The next time you see me, you will be dead. And when I come, you will not be ready…” All of my training, all of my will and wit was for naught in the face of it. And in my mind were two diverging paths, two images in a cracked mirror. One was the face of god, of satan, of bosses and kings, of whips and chains, of a thousand bodies clawing and tearing their way to the top of a pyramid of their own kind. I saw the end of history, a prison of gold bars. I saw an ant on fire under a magnifying glass, carrying this flame back to its colony. In the other I saw a face I thought I had seen before, strong hands held and strong hearts holding fast against the unceasing tide. But this second image was hazy, uncertain. No way to tell what was to come, but at least something was to come. I was not prepared to face this pyramid of corpses on my own. I had yet to contend with a force of this magnitude before, and have yet to still again. So I ran. I ran blindly, avoiding every rocky spire and pitfall as if possessed. I ran until my lungs burned cold and my throat was a sandpaper bellow. I may have run for all time, the ant ever fleeing the flame, were it not for a flickering glow oozing from a bend in the path ahead. I slowed my jog and warily closer to the light. Beyond the turn I came to its source: a small television set, hissing with static, resting atop a vcr. Nearby were stacks of tapes. I heard no chase being given behind me, so I closed my eyes hard and just let myself breathe. Once my chest ceased its convulsions, I picked up one of the tapes at my side. There were no official markings or symbols: not mass produced media, these were home movies. And along the spine of each was a different date, but the same name: Lucy. *** Sound of vcr Some collage of sounds here *** The video I saw on the screen was odd, clearly taken on a camcorder, but its point of view didn't make any sense, and seemed to shift scenes at will. There were birthdays, static, soccer games, color bars, a lakeshore, hissing, a hundred domestic scenes. Then the video slowed and focused on a single point: a specific space and precise time. And here there was a lone child, 10, maybe 12. She sat alone in her room, the low sun filtering golden through the falling leaves outside. A breeze snuck in through the cracked window and stirred the cotton balls on her bed. She held one hand out in front of her, a tiny brush in her other. Once the dark blue paint had been applied to her nails, she rested her hand on the sill to dry. Static She was in the woods, laughing and kicking at sticks and stones. She was alone, but content. She climbed a wide oak, chipping a bit of her fresh polish on the rugged bark. From the low branch she stood and surveyed her quiet kingdom. Not far from her perch, she saw the cave. She had heard stories about it from others at school, rumors of danger in this cave. She heard that people had gotten lost there, or lost parts of themselves. That there was something within that would eat you alive. She heard these rumors, but didn't fully believe them. Usually she stayed clear anyway. Just in case. This day, however, she was old enough to know better but still young enough to feel invincible. So she went in. *** This child snuck into the shale chasm and strained to see in the dark. She took a few steps forward and stopped, startled by the echoing of her own footsteps. She could hear her breathing on the air growing shorter, heavier as the cave whispered it back to her. This wasn't enough to deter our brave little explorer, however. She gripped the strap of her backpack tight to her shoulder and trudged inward, farther away from the circle of daylight that dared stick show its face in the cave. Before long, she heard different sounds ahead. Anonymous low voices, clinking and hissing. She thought about turning back, but wasn't sure which way back was. The voices and clanking grew louder, and a flicker of light drew her attention. She saw fire spark to life. Glowing embers floated in the dark like tiny red eyes. These eyes, these sounds, she thought, must belong to a great beast with many heads and many eyes, glass knives for fingers, blowing fire in the deep. She stepped on a loose rock during her ingress, the movement of which clicked and clacked down the stone corridor. She froze, and a great circle of light struck her. The beast had her in its horrible sight. She strained to see through the awful beam. She held her hand over her eyes and tried to speak, to apologize to the great creature, to say she was sorry for disturbing its home. But peals of laughter interrupted her. More beams of light flickered in front of her, and she saw that the many heads of this beast were actually attached to tall, lanky bodies–human bodies–leaning awkwardly against the shale in baggy shirts and shorts. The lights weren't the dread traces of a monstrous eye, but simple flashlights. And the floating embers weren't red eyes, but lit cigarettes, the kind her uncle smelled like. There were four of them in all: teens who snuck into the cave for a little underage drinking. Though teenagers could be just as fearsome as some beasts, she had learned. She lowered her hands as the laughing died down. One teen boy pointed his ashy smoke at her hands, snorted and spoke some words she didn't understand yet but would some years later. The kinds of words that curse a person, that haunt their dreams and sink in icy fangs when they're at their lowest. No, she didn't understand the words at the time, but she felt their dripping intent. She knocked over one of the half empty beer bottles and fled the cave, leaving only a thin line of tears in her wake. She sat on the uneven rock of the cave's entrance and kicked her heels against the dirt. She looked down at her fingernails, rich cerulean inexpertly applied like waves whipped up by a storm. She grabbed a piece of loose shale from the ground and chipped at the polish on her left hand until there was nothing left but little scratches. And then she vanished, and this lone figure became two: a mask, and an invisible hand to hold it. *** There were other tapes, too, footage of a first kiss, driving exams, awkward names. College, empty pockets, kaleidoscopic tigers licking their stripes and worms inhaling copious ether. And jobs, so many jobs, so many painful jobs that weakened the back and hands. Breakfast joints, transmission towers, a post office. A letter, an angel, a tower, an engine. A promise, split in half: a face sold for a seat in the boardroom. The last image I saw before the tape jammed in the vcr was a fuzzy lighthouse. Then the cathode ray spat black and white fizzling particles over the cave wall. And in this, I knew clarity. At this time, I knew where Lucy was, who she was, but not yet how to get to her. I thanked the glowing television and ventured beyond it. Fresh air soon tickled my skin, and led me to the mouth of the vault–the cave–and I stepped once more into the cold blue sun. I was surrounded by trees, and all around me was quiet. To my right, a leaf jumped from its branch and made a slow descent to the forest floor. I felt a gust stir my hair from behind my ear. Things here in the land of the real had begun moving again, which meant… I rushed aimlessly through the trees, desperately searching for an opening in the canopy. I needed to see it, I needed to be sure. And sure enough, in time I did see it: the giant hand above was once again resuming its thunderous plummet to the earth. I spun around, hoping someone else would be there, someone older, wiser, maybe, someone who knew what to do, whose job it was to fix this sort of thing. There was no one under the denuded trees but me. That's when it dawned on me, perhaps much later than it should have. It was my job to fix this sort of thing. I had been called to this middle of nowhere, ohio branch for a reason. The boss wanted me here, and not just to talk about Lucy. There was more. I keenly felt the same pain that lone child did. I felt the looks and the comments and the barely-stifled giggling. I felt the carceral hex of the conjurers of orthodoxy. I felt the box they taped me in. Luckily, tape is temporary, and cardboard soft: it only appears to be a prison if you let it be so. I ripped at the tape, set fire to the box, and came out real and raw and wreathed in black flame. And I felt that I was here to help Lucy do the same. You see, Director, the moral arc of this world doesn't bend toward anything. History isn't an arc, or a line, it's a tapestry of ever expanding silk. And unlike an arc, there is no end to this tapestry. Even if we won here, even if everything went just right, the tapestry weaves on, eons before we were born and millennia after we're dead. There are a thousand knots and tears and creases all the way down. But this didn't dissuade me. No, it opened my eyes. All the feats of our past weren't accomplished by a few great men, ordained by the universe to bend history by hand. It was threads like us that made it happen. Though I may be just one thread among billions, every thread composes the whole, and the more threads that intertwine, the stronger we become. In times like these, we threads must act together, act decisively, to prevent the weave's destruction. We must hold the things we cherish close, yes, but also smother the flames that singe our edges. No half measures, no hesitation, no waiting. We must offer our hands in love, and offer fists in kind for our jailers. We cannot survive on one of these alone. This, Director, is what I believe is at the core of it all: there can be no love too fierce for ourselves, for each other, and no fury too fierce for our oppressors. No one will come to save us–no one will embrace us–but ourselves. I looked up to the hand in the sky. Though it was now a fist, perhaps it could be opened. I held my hand aloft and called her name. The stone hand in the sky relaxed as it fell, its fingers extended. If you looked at it at just the right angle, we lined up perfectly. I held the falling hand in my hand, gently and sweetly. The cold stone turned to skin, and the missing second came to an end. *** The biting wind and rain of Aisling was no more, replaced by yellow leaves sailing on stiff curls of wind. I saw the cave in front of me, a child sitting at its entrance with tears streaming down her face. I gently called her name and her head rose. She seemed confused, didn't expect anyone else to be there. But the way her eyes widened told me she recognized me. Somehow she knew who I was, and why I was there. I placed my hand on her head and tousled her hair lightly. I told her I would be right back, and stepped into the cave. I could feel red heat bloom in my face, and my fists clenched into white circles. The adolescents who had teased this child were still children themselves. They had much to learn about the world, about how to be human. I would forgive them this trespass and hope that Lucy would too, some day. Though they were children, sometimes children require instruction, and I was eager to teach. None but those of us within the cave know what was said next, and I will not reveal it here nor anywhere. Needless to say, some important lessons were learned that day. By the time I left the hollow again, I had calmed down. I unclenched my jaw and let out an extended breath. Lucy noticed my posture soften, and she too relaxed. She looked up at me from her spot on the loose shale. WREN: “Are you ready to go home?” She silently wiped the drying tears from her cheek. I took her hand and helped her up. She stood for a moment, gripping my hand tight, then nodded. We walked through the woods quietly. No one else was around today, no hikers, no one walking their dogs. We listened to the whistle of the air fluttering through the sparse leaves and the percussive crunch of sticks breaking under our boots. We eventually came to the end of the woods, beyond which was a narrow gravel road. Lucy released her hand from my grasp and made for the treeline. The dark boughs and branches of the trees overhead leaned and bent around her, pulling away in semicircles. The limbs formed parted stage curtains around her. Under her feet, roots twisted and twined, laying themselves as planks beneath her. An audience waited with baited breath beyond. She turned back at the edge of the sylvan stage one last time. She smiled as she waved goodbye, and walked beyond the wooded theatre into the unknown. I tried to peer beyond the webbed drapes, but all I could see were points of light near the ground, shining my direction. I stepped up to the edge of the stage myself, took a bow, and returned where I belonged. *** I found myself exiting the vault door, once more inside the inverted lighthouse. The hanging ice that had been occupying its ceilings and clinging to its walls had almost entirely melted now, and the oppressive atmosphere was clearing. In the center, the engine had vanished. In its stead was a white rotary phone, and strung around its cradle was a mask of a dead president. I waited for the inevitable haunting ring for a second, a minute, an hour, but nothing came. The room was silent save for the occasional drip of water. There would be no call for me. I had to make one myself. I dialed a familiar number. The line rang only once, and then the call was answered. There was no greeting, however, just a single plaintive line. “You can take the mask off now, Wren. I'm ready to go.” I placed the receiver gingerly back on the cradle. Next up was untangling the mask's elastic strap from the phone cord. Once freed, I held the plastic face in front of me. A cheap, ugly mask from a halloween store, sunbleached from sitting out too long. I peered through its empty eyes and felt bile rising. I knew in that moment that I could put on the mask. That things would be easier if I did. That I had one last chance to take over the Office. One last chance to be the Boss. One last chance to be at the top of the pyramid. I threw the mask to the wet floor and crushed it underfoot. It made a sickening crunch as I twisted my heel. The fragile mask snapped and broke apart beneath me. In the same instant, I felt a seismic rumble in the earth. The lighthouse shook, and its walls began to crack. I stomped again, and again, and again, just to be sure. And with each stomp, the walls of the lighthouse crumbled further and fell heavy around me, allowing fresh sunlight steal into the chamber. When I finally lifted my foot, the plastic face was nothing more than fragments, loose change. The lighthouse had been reduced to rubble. I was exposed to the wintry weather again, standing in the open air near the shore of lake Erie. I scanned the clouds above for any indication of the falling arm, but there was no trace of it. The town around me, the specter that once haunted this coast, was leveled. Bits of debris blew in the lashes of wind and sleet. Much of the scrap of this place was being pulled and washed away by the advancing tide, as if the lake itself was reclaiming this rancid land. And so the inverted lighthouse was gone, the hand was gone, Aisling was gone, and all that remained was me, alone among waterlogged wreckage and rising slush. Well, not totally alone. Along the cold broken shore of the great lake, I found a friend. Alas, it was a friend who couldn't commiserate with me due to their lack of vocal chords. The little creature's fur was soaked, yellow beak chipped, but they survived their encounter with the frozen beasts. I brushed the beads of ice from the fur as best I could. My phone was completely dead by now, so I wandered to the edge of the former town. We sat in the frosty grass by the side of the road under a rocky overhang. No sign of my car, of course. It figured it had been swept away with the rest of the place. We leaned against the wet rock for a time, the chill creeping in once the adrenaline wore off. “Well friend, we best hope someone drives by before sundown and we can hitch a ride.” I kicked at the loose gravel lining the road. “Otherwise, we might be in for a tough night.” I sat with legs folded, one arm out with thumb extended. The other arm cradled the little mechanical creature. I let my head hang. I was exhausted and getting colder by the second. The rhythmic patter of the light rain swept me into an unsettling dream. But as I struggled against sleep, something stirred the air. A rumbling engine. I winced at first, still dazed, but reminded myself that the terrible machine was gone. This had to be something else. The source of the rumble had pulled up in front of me. It was an old cutlass–my cutlass! My precious jalopy!--idling a few feet away. In the drivers' seat was a young woman I didn't recognize. Her dark hair curled and danced in the storm, her eyes obscured by big reflective sunglasses. LIZ: “Hey, is that you little bird? We've been looking for you.” Though I didn't recognize the face, I knew the voice. The shadow on the other line. WREN: “Liz? Oh my god, you made it! And you…stole my car! Okay!” LIZ: “Hey, just be grateful we got here before you turned into a popsicle. Hop in, we've got some insurance money to collect.” There was another in the car as well, a woman in the passenger's seat. I sidled into the back. LIZ: “I've been legally dead for, what, a year now? I think I deserve a payout. Plus I've got an expensive plane ticket to buy. Let's get you warmed up. Blast the heat, Ash.” Liz sped down the slick roads a little faster than I'd have liked, but still, I really was grateful. WREN: “You have to tell me everything. I'm dying to know what you went through on your side.” Now in cases like this, Director, it's important to take in more than just the events. You need a feel for the atmosphere, the scene, the unseen. You'll recall that forward and backward are not stable concepts: the past outlines the future, and the future colors the past. If I were an animal, maybe I would be the scrappy songbird, or the oblivious beetle, but recent events leave me feeling uncertain. Perhaps I was the hawk after all. Or simply a beetle playing at being a hawk. Only time would tell. For now, I was alive, and that had to be enough. *** WREN, on tape: So the town was leveled, and the engine hasn't been found since. Is that all? Okay, I'll send her in next. Thank you, Director. *** Office ambience, phones going off in the background, quiet indistinguishable chatter. WREN Now that the director's debriefing is over, It's nice to finally meet you face to umm…face, Conway. LUCY Oh, Conway's my last name, actually. Call me Lucy. WREN Well, Lucy, it's nice to know there's another one of us in the office. LUCY Another what? WREN You know. Another Gay. LUCY, with a slight laugh Right. Well, speaking of this office, I'm actually leaving. WREN Oh yes, my assignment at this branch is over, as well. At least once I finish the mountain of paperwork regarding your case. Then I'll be heading out west for a while. A matter surrounding a few odd streetlights calls to me. It'll be nice to see the ocean again, too. LUCY No, I mean I'm LEAVING leaving. I don't think I can deal with any more of this psychedelic bureaucracy stuff. WREN, disheartened Oh…I understand. What are you going to do? LUCY I'm honestly not sure. I'm tired Wren. The radio station is gone, the DLO is not for me. Don't want to go back to the gas station or the Waffle House if it can be helped. I'll be kissing my health insurance goodbye, regardless. Might try my hand at painting. If war criminals can find peace in it, maybe I can too. WREN That sounds lovely. I wish I could do the same. But the reality is that this is what I'm good at, this is where I feel at home: surrounded by things no one else sees, hearing things no one else should, dipping my toes into pools I've been warned not to disturb. I don't really fit in elsewhere, you know? I don't have a community. Too weird for queer spaces, too queer for weird spaces. It is what it is. Maybe I'll have better luck finding commonality outside the midwest. LUCY I sure hope so. Well, good luck to you, then. And thank you. You helped me find my way out of the dark. Find myself. You could've given up anytime, but you didn't. You put your hand out even after I bit it. Metaphorically speaking. WREN Think nothing of it. After all, we have to stick together if we want to continue onward. It's a dangerous world for us at the best of times, and we are not in the best of times. LUCY True enough. By the way, I got these for you. To thank you. Even after all this, I don't know you that well, so I made an educated guess. Hope you like flowers. A silent moment passes. WREN What a lovely gesture. Say, Lucy: d-do you have any plans this evening? I was considering stopping by the Song Bird one last time. A little drink, a little song, a little dance. Would you like to join me? After what we went through, I feel like I should make more of an effort. To put myself out there, to make friends. I can show you around if you've never been. And maybe we could take some time to finally get acquainted. LUCY, hesitant Oh. Um, that's mighty nice of you, but I ought to skip this one. I've got to have my cubicle cleared out by 5, and I…well, I wouldn't want to impose on your good time. WREN, disappointed I see. Then best wishes to you, and I hope we meet again someday under more auspicious circumstances. LUCY ...you too. Stay safe out there, Wren. WREN And you stay you, Lucy. Wren steps away from the desk. Another moment passes. Then Lucy drops the box on the desk. LUCY H-hey Wren! You know what, to hell with this. I'm done wasting my time dithering: let's dance. Let's sing. Let's pretend things are normal for a couple hours. I'm buying. What'll you have? WREN Corpse Reviver number two. LUCY Do…do they serve absinthe there? WREN As if I'd patronize a bar that didn't. LUCY Fair enough. But you're not allowed to laugh when I whiff the high note in Life on Mars. WREN I wouldn't dream of it. LUCY To the Song Bird it is. Outro music begins, seems like the end of the episode. All is resolved. But the music eventually fades to an eerie drone. LUCY, cautious Hey, Wren. WREN Yes? LUCY, with some fear ...we're still here. WREN Yes, I won't be leaving until next week. LUCY, anxious Well, I just thought…we finished what we started, didn't we? We're back at the office, the Boss is gone, the shadows are free. You took a bow, the curtains closed, you got you roses. This should be it. Why are we still here? WREN Of course we're here, we haven't left yet. Are we taking the bus to the Song Bird or should I drive? LUCY No, no. I just. I feel like something is…When you started this job, did they tell you much about it? Why we were doing any of this cataloging and recording? WREN Not particularly, no. I investigated the matter on my own, but I was stonewalled at every turn. LUCY Same with me. And do you know who hired you in the first place? WREN What are you getting at? No, I don't remember his name. It's been a while. LUCY, with growing concern Neither do I. Now that I think about it, I'm having a hard time remembering when I started working for the office. WREN, concerned for LUCY Lucy, are you all right? Do you feel light-headed? Just take a breath. Remember that odd radio station I told you about? The drone of the astral plane? Tune into that. LUCY, now starting to panic I'm forgetting something. Something big. Wren, tell me this: how did we get here? Back to the office, I mean. Literally. WREN I…we walked from the parking lot…right? LUCY Maybe. But are you sure? You're not, are you. You're not sure how we got back. You're not sure because…because nobody saw it. WREN, trying to help I'm not sure I follow. Lucy, you're sweating. Here, sit down. A chair is pushed back, squeaking on wood. LUCY, making a terrible realization No. I need to think. This is like…deja vu. ‘Now she walks through her sunken dream to the seat with the clearest view.' Wren I…I think I've seen this before. WREN Wait. What do you mean?. How could you have...Oh my god. I think we…I think I miscalculated. There was an…unexpected variable in my equation. A remainder. I should have seen this sooner, how did I miss it? This anomaly…It vexes my thesis. Damn it all. I should have seen this. Not now. LUCY, feeling impending doom The man under the stage. He's the one doing all this. WREN “All the nightmares came today, and it looks as though they're here to stay.” There must be so many. Like a winter morning full of constellations. It's almost beautiful. Lucy, I know this may sound like a joke, but I promise you I am deadly serious. This is vitally important, perhaps the most important question I've ever asked in my life. I want your full attention, ignore everything else. Look me in the eyes. Feel my hands. We're still here. Now tell me: what do I look like? LUCY, realizing there's nothing to see Wh...Wait, I…I can't… WREN Please…let us– The scene instantly changes to the shore of Lake Erie. A man is casting his line into the cold water. The line goes taut, reeling begins. The fisherman has caught something big. A heavy object is pulled ashore. LOST FISHERMAN: Now I am speaking to you as in a dream. I told you that when you saw me again, it would all be over. And that when I came, you would not be ready. That reality is but a veil, a scent on the breeze. So easily dismissed if you know how. It's the dream that lingers. It's the nightmare you still remember. Now, I want you to think real hard on what I'm about to ask you: What's my name? What were you doing before you heard this message? Now look at the clock. Can you read it? What time is it?” An engine sputters to life and roars. THE END
SLUMBERJACK perform 'Better Off' Ft. Lucy Lucy before covering La Roux's 'In For The Kill' Ft. Mikaila Delgado for Like A Version
Fed up with Lucy's constant fibbing, Ricky and the Mertzes bet her a hundred dollars that she can't go twenty-four hours without telling a lie. Original airdate- November 9, 1953
In this episode, I speak with my friend Lucy Puttergill - a transformational coach and breathwork facilitator - about her transition from banking and her journey of inner healing. Lucy spent 9 years working on the trading floor at Citi then J.P. Morgan and now supports overachievers to break free of limiting narratives, do the inner work and create lasting and real change in their lives. We discuss how much focus we put on fixing the external things (ie not enjoying our job, relationships, environment) instead of taking it as a cue to go inwards and assess our belief systems and early traumas that are playing out and which we are being called to heal. This is NOT a podcast telling you to quit your job and your life, buy a van and a surfboard and live on the beach (unless you want to) but instead act as invitation to take ownership of your internal landscape and see yourself as your own best healer so that you can live a fulfilling and joyful life, anytime, anywhere. Also in this episode: - The isolating reality of perfectionism and how connecting to our shadows and flaws is a catalyst for deeper acceptance and authentic relationship to self and others - Looking at how we uniquely define success - Ways in which we seek external validation - Reconnecting to creativity as a mechanism for self-exploration - Generalised anxiety and depression as a clue for collective as well as individual healing - Dismantling our belief systems and subconscious programs created by childhood experiences and early traumas to liberate us in adulthood - Being our own best healer and mustering the courage to make big leaps in our life Books & Podcasts mentioned in this episode: "Creativity, Chemistry and Claiming your Joy" by Glennon Doyle 'We can do the hard things' "The Four Agreements" by Don Miguel Ruiz, "The Untethered Soul" by Michael A. Singer and "The Power of Now" by Eckhart Tolle You can connect with Lucy @Lucy_puttergill for all her daily wisdom and details on working with her.
Learn British English in this episode with Charlie, your host, gets Lucy from the YouTube Channel "English with Lucy" back on the podcast to go through a quick-fire round of personal questions. We even find out what Lucy gives herself a score of 1 out of 10 for!Links below...
Alternative Communication can feel so overwhelming. There are so many different options and it seems impossible to understand them all or have a good grasp on how to best use them with your students. In this week's episode I am chatting with Lucy from The Alternate Way to Pre-K. She is sharing her expertise in AAC Devices and giving 3 different steps on getting started. In this episode you will learn: The benefits of collaborating with your speech therapist How to adapt based on how your student is progressing. How to take matters into your own hands. About different types of AAC devices. Links and Resources Lucy's Freebie Dynavox Project-Core Connect with Lucy Lucy's Alternative Way to Pre-K Instagram Lucy's Blog Lucy's Alternative Way to Pre-K Facebook Early Childhood Sped Club Connect with Dawn Find me on IG Etsy Shop TpT Store Subscribe Are you subscribed to my podcast? Trust me, you definitely want to do that so you don't miss a thing! Click here to subscribe in iTunes! Leave a Review If you are loving the podcast, I would be really grateful if you left me a review over on iTunes, too. Those reviews help other teachers find my podcast and I love hearing what you think about the podcast as well. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what part of the podcast you found to be the most helpful!
大家好,我是主持人英英,這一集我們邀請到「Lucy、海大富**」 **,來到節目上與大家分享他們如何從相識到合作~ 兩人的相遇是在一間東區的咖啡廳,當時帶著14歲妹妹赴約的Lucy,讓大富至今印象深刻,原本期望能夠成為空姐的Lucy竟因為害怕針頭所以打消念頭,聲音相當有特色的她,本人也散發著獨特的氣質,甚至會在正中午到大安森林公園做瑜伽! 首次發行的 Live Session EP『Folk Ÿou』也將於9/11數位發行,其中的歌曲也分別講述一些故事,帶大家進入一些愛與靈魂、精神的奇幻世界,就讓我們一起來找找,那些藏在旋律及歌詞中的祕密吧!
Hey heeeyyy Tuesgays, we've got a hot ep this week as Joe is in the thick of filming his big movie while Mark loses his phone during a DMV battle before trying to find a gig in the middle of a hurricane. Check it out! Check out our new merch here! Shirts, stickers, phone cases, mugs, you name it! https://www.teepublic.com/user/tuesday-s-with-stories Sponsored by: MyBookie (mybookie.ag code: tuesdays), Native (nativedeo.com/tuesdayswithstories or use code: tuesdayswithstories), Raycon (buyraycon.com/tuesdays), & Lucy (Lucy.co code: tuesdays) Subscribe to our Patreon for full video of the show A WEEK EARLY, bonus eps, and more! www.patreon.com/tuesdays
In anticipation of a Bravo kiki with one of her dream guests, Sarah books a table for two at Villa Blanca, only to realize 1. it's...still closed and 2. she lives in New York. Undeterred, Sarah adorns herself with diamonds and rosé and zooms up RHOBH fan, New York Times contributing writer, and acclaimed author, Roxane Gay ("Bad Feminist," "Difficult Women," "Hunger," "Ayiti," "An Untamed State"). They discuss Erika Jayne's performative vulnerability, whether the cast of Housewives could ever include Househusbands, and why the pleasure of watching Bravo is best enjoyed without guilt. Lucy Lucy says this ep is so good she's going back to Dorit - it's Andy's Girls, Episode 216! - JOIN/LEVEL-UP THE ANDY'S GIRLS PATREON, AND ENJOY EXCLUSIVE BONUS EPISODES, INVITES TO SPECIAL EVENTS, AND THE OPPORTUNITY TO GUEST CO-HOST ON A FUTURE EP: https://www.patreon.com/AndysGirls FOLLOW SARAH ON IG: https://www.instagram.com/damegalli/ SEND IN YOUR SMALL BUSINESS SATCHELS: They may be featured as gratis ads/shout-outs on future episodes! Please include your first name/town (or note if you'd prefer to be anonymous), the name of your submitted company/business, and why they should be considered for a Small Business Satchel/what they mean to you. Please note if the company is owned/operated by a woman/person of color/member of the LGBTQIA+ community/is a family run business. Email: andysgirlsshow@gmail.com.
Heute haben wir uns die Frage gestellt wie Peter Pettigrew zu den Weaslys gekommen ist. Viel Spaß beim zuhören! Danke an die Antworten von: Miss Ravenclaw (Der Fuchsbau), Finja (Finja‘s Leben), Klara (H. Pottercast), Pia (Slytherincast), Lucy (Lucy's Bücherwelt)
Join us as we take a deep dive into the science of human origins with Dr. William Kimbel, Director of the Institute of Human Origins based at Arizona State University. We discuss Dr. Kimbel's research on human origins, specifically the period between 2.5 and 4 million years ago - during which our own genus Homo emerged from smaller-brained ancestors. We talk specifically about Lucy (Lucy is a hominin ancestor that lived in east Africa between 3 and 3.9 million years ago, and she is “famous” because her skeleton is remarkably complete – 40 percent – and because she changed the way we understood the evolution of bipedalism. She is a member of the species known as Australopithecus afarensis. We also talk about another well-known Australopithecine species found in South Africa – A. africanus – which lived between 2.7 and 2.3 million years ago. And last but not least, we focus in on Ardi (Ardipithicus ramidus), a remarkably complete skeleton, which also came from Ethiopia and dates to 4.4 million years ago. This is a fascinating discussion about our deep genealogy, join us and learn more about how we became human. To Learn More: Institute of Human Origins https://iho.asu.edu/ Fossil Men by Kermit Pattison Smithsonian National Museum of Natural History - What does it mean to be human?
In this episode I chat to Lucy Lucraft all about the benefits of podcasting as a marketing tool. Lucy is an award nominated freelance journalist and podcast producer based in Brighton. A former travel writer she has bylines with The Sun, Express, Lonely Planet, Stylist, Red, The Pool and Mother & Baby but now focuses on helping womxn make podcasts while making her own! We talk about: Why podcasting is great for building your brand What are some of the mistakes people make Important things to think about when considering starting a podcast Tips for creating artwork and choosing music that reflects the podcast well See more from Lucy: Lucy's Podcast with Aja Barber Lucy's Podcast What She Said Lucy's Website Lucy's Instagram To find more from Liz visit lizmosley.net and follow her on instagram at @lizmmosley
Constant interruptions frustrate Lucy's attempts to tell Ricky she is pregnant Original airdate- December 5, 1952 Follow me on Facebook @ When TV Was Great
吃素看似環保又健康,但是隱形地雷也不少 為什麼吃素的人比較容易臉黑黑?吃素常見的問題有哪些? 功能醫學營養師Lucy跟你分享國外最流行的健康素食小技巧!
The Ross Bolen Podcast returns for its 367th episode. Hosted by Ross Bolen with co-host Chris Coulson featuring special guest musician Shane Smith of "Shane Smith And The Saints." (0:00) Introduction (4:33) Lil Wayne Receives Presidential Pardon (13:44) Shane Smith Of "Shane Smith And The Saints" (54:40) Announcements + Conclusion Lucy: Lucy.co (Code: RBP) Quip: GetQuip.com/RBP Athletic Greens: AthleticGreens.com/ROSS Ad-free Friday episodes exclusively on Patreon: Patreon.com/RossBolenPodcast 888-WRBOLEN YouTube.com/BolenMedia Twitch: Twitch.TV/BossRolen Twitter: @RossBolenPod, @WRBolen Instagram: @TheRossBolenPodcast, @WRBolen Snapchat: @WRBolen Produced by Mike Moody Garcia of Permanent RCRD Studios in Austin, TX. permanentrcrd.com
你最喜歡的早餐飲料是什麼呢? 你知道嗎?豆漿可能值得嘗試的好選擇呦! 到底喝豆漿會不會增加婦科問題?什麼年紀的人又應該多喝豆漿呢? 功能醫學營養師Lucy從荷爾蒙平衡和免疫系統的角度與你聊聊這個早餐飲料的好選擇!
聽說喝牛奶可以補充蛋白質和鈣質 但又怕喝到生長激素和抗生素? 到底牛奶能不能喝,又該怎麼挑選呢? 功能醫學營養師Lucy從乳品加工與免疫系統的角度與你分享鮮乳背後的秘辛!
趕著上班而放棄早餐? 執行間歇性斷食而跳過早餐? 你知道嗎?不吃早餐會變笨哦! 到底誰可以不吃早餐?空腹建議不要超過多久?在執行168間歇性斷食,又該如何解決早餐呢? 今天讓功能醫學營養師Lucy跟你從大腦和腸道健康角度,分享最佳健康又能變聰明的早餐策略!
理想的健康與現實執行總是天差地遠? 如何覺察身體與食物的關聯?設計適合身體需求的生活對策? 「整合營養」或許就是很棒的解方哦! 功能醫學營養師Lucy分享「整合營養」的概念,將功能醫學與營養學結合成為日常能輕鬆執行的健康技巧!
The Ross Bolen Podcast returns for its 362nd episode. Hosted by Ross Bolen with co-host Chris Coulson. Presented by Bolen Media. Watch episodes: http://www.YouTube.com/BolenMedia Ad-free Friday episodes exclusively on Patreon: Patreon.com/RossBolenPodcast (0:00) Introduction + Making Contact With Elon (25:06) Monday Mental Health Message (40:03) The Year Of The... (43:48) 2021 Podcast Release Schedule + Patreon Teaser (59:52) Random Stuff (1:10:21) Announcements + Conclusion Lucy: Lucy.co (Code: RBP) ShipStation: ShipStation.com (Code: ROSS) 888-WRBOLEN YouTube.com/BolenMedia Twitch: Twitch.TV/BossRolen Twitter: @RossBolenPod, @WRBolen Instagram: @TheRossBolenPodcast, @WRBolen Snapchat: @WRBolen Produced by Mike Moody Garcia of Permanent RCRD Studios in Austin, TX. permanentrcrd.com
On the very first episode of In Limbo with Lily and Lucy (Lucy and Lily?) the sisters shoot the s*** and navigate the space that they describe as Limbo...
Gobble gobble everyone! Since Thanksgiving is all effed up this year anyway, we figured we'd lean into the curve and celebrate with a Very Special non-Thanksgiving episode from the annals of classic TV and dive into the seminal I Love Lucy for the very first time by discussing the episode in which Lucy has to tell Ricky she's pregnant without saying the word "pregnant" because the 1950s! Join Carolyn, David, and Austin as they get all horned up like Lucy and talk Communism, sandwiches, and raw doggin' it! So head on down to the club, then download and listen here, rate & review us on iTunes or listen via Podbean, Stitcher, Google Play and Spotify! You can follow the show on Twitter, like our Facebook page, and email us via avsepodcast@gmail.com. Also, be sure to listen to Carolyn's spinoff podcast, Pitch Please!, here, and buy the game here!http://media.averyspecialepisodepodcast.com/AVerySpecialEpisode102.mp3
Lucy Ann Polk was one of the most acclaimed jazz big band vocalists of the early 1950's having won the Downbeat girl singer poll two years in a row, in 1951 and 1952, when she sang for Les Brown's band. She only recorded about 3 albums so there is not much recorded material by her. I managed to find enough of her recorded output to pay tribute to this great singer. She left the business around 1960 and passed away in 2011 virtually unknown. I hope you enjoy this look at a great singer who only left us a handful of recordings. Please visit this podcast at http://bigbandbashfm.blogspot.com
You remember that sound, it's coming from a block on your belt loop. This is long before cell phones made it main stream, it's your beeper going off. You see 911 before the number. It's your mom, looking for the pickles. We're covering the history of communication in our lifetime. From 4.4 pound brick phones to having to remember all the phone number of your friends and family. How did we do it? Most barely know their own. Pop Quiz: Do you remember the phone number you had growing up? All about cell phones: We're showing you how to save money on a big expense that you pay for every month. What are you really paying for? What are your options? The more people you have in your family, the more you are going to save. We're breaking down our favorite 3 smart phone carriers in 3 different categories: Super Cheap: Plans from a carrier for as low as $7 - Really? Yeah, and they are actually good. Unlimited Data: We don't think you need it, but if you really do, we're going to show you where to look first. All Around Best: We share our favorite carrier, why they are the best and how you can get a deep discount for your monthly cell phone plan by treating your cell phone plan like that toilet paper that you have been hoarding. Money Saving Tip of the week:This one is different, it's less of a tip and more of a gift... for our tens of listeners! Use this to calculate how much you could save by making the cell phone switch. Show Links: Budget Bros Podcast
Costco is a destination. Designed to draw you in with deep discounts and play on our treasure hunting mentality, Costco makes the majority of its money on one thing, find out on today's podcast. We break down the top things that you should always buy at Costco, you may be surprised at number five. What part of the store holds the biggest discounts? Treasure hunting for bargains has never been so good. If you are shopping online at Costco.com, how do you make sure that you get the best deals? We tell you how much Instacart is charging you to do the Costco shopping for you. Make sure to listen because we are sharing how you could lose out by shopping directly on the Instacart.com website. Interview with Chris: Side Business Extraordinaire. He has started every business from crypto currency mining and trading of Bitcoin to being a bounty hunter for cars. Have you ever been paid to drink beer? He has and he's going to share how you can too. Chris also shares his favorite find at Costco... not what we expected. This weeks Podcast is brought to you by... no one, just us and we think you like it that way... for now. Each episode comes with a blog from Lucy "Lucy's 2 Cents". This week, she explains what each price tag means for your wallet in store and online. You are going to want to use this cheat sheet every time you shop there, especially when Costco decides to discontinue an item. check out the blog here: Lucy's 2 Cents. Visit Our Website: BudgetBrosPodcast.com for all episodes and our deal of the week breakdown. Please send us a message while you're on our site. Tell us what you like, what you don't like and what we can do to get better. If you have any money savings tips, let us know. You can also email us at budgetbrospodcast@gmail.com Follow Joe @joebudget on twitter - Instagram - Facebook --- Send in a voice message: https://anchor.fm/budgetbrospodcast/message
Corona oder das Covid-19 Virus beschäftigen uns bereits seit mehr als 10 Wochen und ist in Presse und Medien nicht mehr wegzudenken. Wir haben bereits viel über die Neuerungen in der Pflege gesprochen und jetzt ist es einfach Zeit für eine etwas andere Folge PflegeFaktisch. Ich stelle euch Frida Firlefanz vor. Frida hat einen ganz besonderen Umgang mit Krisen, liebt das Scheitern und zaubert nicht nur Pflegeheimbewohnerinnen und Bewohnern ein Lächeln ins Gesicht – besonders jetzt in Zeiten Corona. Wir sprechen auch über die Ausbildung zum Klinik- und Seniorenheim Clown. Als zusätzlichen besonderen Gast in dieser Folge hören wir Lucy - Lucy ist 4 Jahre alt und hat ihre ganz eigene Sicht auf die Situation und das Virus. Sie hat das Virus gemalt - ganz groß- und auf einmal wirkt das Virus auch nicht mehr so bedrohlich. Ich freue mich auf zahlreiche Hörer - In diesem Sinne- Lächeln statt Händeschütteln und Podcast hören
On New Year's Eve we released episode 69 (Neil's favourite episode) where some of our contributors and guests revealed their top films of 2019. Following some fantastic feedback, we now have, for you, the second half of the show. Once again, guests and contributors tell us what their favourites were. For our guests and contributors we have an equally strong list: Declan - Who takes a break from watching TV for Carry On Streaming to tell us his top picks from the movie world Nick - All the way from across the pond to tell us about the movie year Stateside Elijah - Staying in America, our classic film reviewer also reveals his best films. Lucy - Lucy takes a break from preparing some fascinating discussions for her State Of The Movie feature to tell us what she considers great from 2019. Zayn - A new listener to the show from sunny Cape Town who has some very interesting choices Ashley - A sneak peak as Ashley tells us what impressed him during 2019. We have a more detailed interview coming with this incredibly talented sound engineer in a couple of months. In the next show the At The Flicks founder members reveal their top ten of the year. Expect disagreements, the odd tantrum and tears. After which we will calm Neil down with a nice soothing cup of tea.
Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit Monica Sabolo pour son livre « Eden » paru aux éditions Gallimard À propos du livre : "Eden" paru aux éditions Gallimard «Un esprit de la forêt. Voilà ce qu'elle avait vu. Elle le répéterait, encore et encore, à tous ceux qui l'interrogeaient, au père de Lucy, avec son pantalon froissé et sa chemise sale, à la police, aux habitants de la réserve, elle dirait toujours les mêmes mots, lèvres serrées, menton buté. Quand on lui demandait, avec douceur, puis d'une voix de plus en plus tendue, pressante, s'il ne s'agissait pas plutôt de Lucy - Lucy, quinze ans, blonde, un mètre soixante-cinq, short en jean, disparue depuis deux jours -, quand on lui demandait si elle n'avait pas vu Lucy, elle répondait en secouant la tête : "Non, non, c'était un esprit, l'esprit de la forêt."» Dans une région reculée du monde, à la lisière d'une forêt menacée de destruction, grandit Nita, qui rêve d'ailleurs. Jusqu'au jour où elle croise Lucy, une jeune fille venue de la ville. Solitaire, aimantant malgré elle les garçons du lycée, celle-ci s'aventure dans les bois et y découvre des choses, des choses dangereuses... La faute, le châtiment et le lien aux origines sont au cœur de ce roman envoûtant sur l'adolescence et ses métamorphoses. Éden, ou le miroir du paradis perdu. Monica Sabolo est une journaliste et écrivaine française, d'origine italienne. Elle vit à Paris. Elle est journaliste (Elle, 20 ans, Voici). Après "Le roman de Lili", elle signe avec "Jungle" son second roman. Elle reçoit le Prix de Flore 2013 pour "Tout cela n'a rien à voir avec moi". Dans ce roman, Monica Sabolo dissèque le chagrin d'amour. À mesure que Monica Sabolo raconte son histoire d'amour et son épilogue, elle se replonge dans son passé. Son chagrin d'amour fait écho avec celui d'une autre avant elle, sa mère. Mais c'est surtout la forme du livre qui séduit la critique. En 2017 est publié son roman "Summer", qui est finaliste du Prix Goncourt des lycéens, et finaliste du Prix du roman des étudiants France Culture - Télérama. Source : http://www.editions-jclattes.fr/auteurs/jc-lattes-auteur-000000008898-sabolo-monica-biographie-bibli
Tune in as Lucy shares her incredible life story. During a successful engineering career, Lucy found herself hospitalize, in a very dark place. Feeling utter despair. But she was determined not to let herself remain there. Life Coach Adele She identifies how she prevailed and became the expert that now helps others thrive. First by embracing her imperfections, identifying areas of low self worth. Lucy initiated a daily, weekly and monthly plan. To rebuild herself. She was brave and bold. Her plan found her completely removed from her homeland. Emigrating to Canada where she began to identify her passion and pursue her dreams. Her single minded purpose? To be a better person each and every today. Lucy did gain control over her eating disorder and depression. Educated herself in nutrition and holistic medicine. She continues to expand her knowledge, fearlessly facing the obstacles in her life. Helping others do the same with a complete holistic makeover. optimalhealthsolutions.ca https://www.facebook.com/optimalhealthsolutions.ca/ https://twitter.com/opt_solutions/ https://ca.linkedin.com/in/lucyliu8 More about Lucy: Lucy has in depth knowledge of chinese medicine and is an internationally certified hypnotist and master nlp programming practitioner. She is both author and speaker. She has been invited to speak for many special groups and colleges on various topics regarding health and nutrition. Both blogging and authoring books about holistic health, women and children's health. Adele's Bio: I am in love with passion and purpose and neuroscience. Drawn to the power of the mind; as a survivor of a plane crash. What I experienced while drowning changed my life forever. I make sure I consciously live my values. Being clear about what I do and don;t want. Living a life that I love waking up to everyday! I thrive on learning, growing and expanding my awareness so I can embrace all that life has to offer. My clients are successful professionals looking for, or going through change. They want to be listened to and are looking for a personal, caring and holistic approach. If you are: 1. Tired of repeating patterns of behavior that sabotage 2. Feel stuck 3. Experience uncomfortable or imbalanced feelings in your body 4. Wake up feeling a sense of dissatisfaction 5. Live under stress 6. Or are looking for a new beginning that fulfills your inner purpose Then you have found your place. As a neuro net worker, I create shifts, teach and provide insight into life skills, plus install the neuro networking necessary for transformation body, mind and soul. My multi-dynamic and personalized approach includes a deep sense of intuition, natural medicine, neuroscience, integrity and care. Clients say they feel happier, sleep more soundly and experience feelings of deep satisfaction and well being. Knowing they are living the live they desire and deserve. #NLP #NLPtraining #coaching #healthcoach #Lifecoach #communication #parenting #Behaviorchange #goop #moderntherapy #behappy #choiceisreal
Sarah packs a lunch of 9 lemons in a bowl and heads over to the RHOBH reunion, determined to use her Nancy Drew-esque skills to solve The Mystery Of The Missing Three-Part Plot. After realizing the only evidence she can find is a list of grievances written by Lucy Lucy's team at CAA, she heads over to RHOP Central to uncover The Case of Katie Rost, with Potomac superfan, and AOL's managing editor, Gibson Johns. They discuss editing accusations on Potomac and Beverly Hills, lessons this season of NY could learn from seasons past, and what Katie Rost's absence will mean for the RHOP reunion. Camille said this episode is her absolute favorite, and she's always sincere - it's Andy's Girls, Episode 117!
In this week's episodes: first is Sacred:: It big trouble in China. Everyone gets a bit of torture and this might be the end of Isabel. Then in Lucy: Lucy lane storms into town and not all is what it seems. Also more crystal shenanigans. Website Youtube FB
Ep 69 - Spider-Man: Far From Home, Midsommar, Stranger Things S3, and Big Little Lies S2 E5 (Guests: Blake - Movie Lovers Guild and Lucy - Lucy Goes To Hollywood)Today we review Spider-Man: Far From Home with Blake from Movie Lovers Guild! And then we review Midsommar with Lucy from Lucy Goes To Hollywood!We then babble about Stranger Things season 3 and end with our reaction to the latest episode of Big Little Lies.00:00:00 - 00:00:38 Intro. Please make sure to Subscribe, Rate and Review us on Apple Podcast. We are also on Spotify and wherever you listen to podcasts!00:00:38 - 00:14:55 Spider-Man: Far From Home Review with Blake from Movie Lovers Guild00:14:55 - 00:55:20 Spider-Man: Far From Home SPOILERS with Blake from Movie Lovers Guild*Contains Spoilers for Avengers Endgame and previous MCU films00:55:20 - 01:02:42 Midsommar Review with Lucy from Lucy Goes To Hollywood01:02:42 - 01:43:07 Midsommar SPOILERS with Lucy from Lucy Goes To Hollywood*Contains Spoilers for Hereditary01:43:07 - 01:47:22 Stranger Things Review01:47:22 - 02:17:51 Stranger Things SpoilersArticle: Every Emotionally Devastating Detail to Remember From Season 3 of Stranger Things (https://www.popsugar.com/entertainment/Stranger-Things-Season-3-Recap-46347835?stream_view=1#photo-46348010)02:17:51 - 02:28:52 Let’s BabbleBig Little Lies S2 E5 Spoilers02:28:52 - 02:29:20 OutroFollow Blake’s podcast on Instagram (https://www.instagram.com/movieloversguild/) and subscribe wherever you listen to podcasts (h)!Follow Lucy on Twitter @LGTHBlog (https://twitter.com/LGTHBlog) and visit her blog (https://lucygoestohollywood.com/) Also listen to her podcast Lucy Goes To Hollywood on Podbean, Soundcloud and Spotify.Thank you for listening. Please make sure to Subscribe, Rate and Review us on Apple Podcast.Follow us on:Twitter // Instagram // Letterboxd // FacebookTheme Music: Urbana-Metronica (wooh-yeah mix) by spinningmerkaba
We talk about Real Housewives of Atlanta, Real Housewives of Beverly Hills, Real Housewives of New Jersey, Real Housewives of New York City, NFL Free Agents and Zion Williamson.
Aneal & Neda break down the RHOBH epic premiere episode. Evan Biddell stops by the studio to play 'Who Said That: Michael Kors or RuPaul' and weighs in the controversial RuPaul Drag Race All Stars 4 finale. We also discuss his Project Runway All Stars experience and representing Canada in a season of international winners. Thank you to our sponsor Hayu! From Keeping Up with the Kardashians to Vanderpump Rules to Below Deck, the service boasts an impressive reality show library, with thousands of juicy episodes from over 200 shows waiting to be devoured. What’s even better is, hayu is affordable so Canadian reality fans won’t have to break their budget to binge away the weekend. You can get one month free at www.hayu.com/thyrst
Well, we're back in the swing of having several shows to break down! We kick things off with the premiere of The Real Housewives of Beverly Hills and all the antics those rich ladies get into, including Dorit's shady dog return, LVP's emotional breakdown, Erika's complacency, and Jagger verbally assaulting another small child. We also delve into the finale of The Real Housewives of New Jersey and the new episode of Vanderpump Rules! So hop into your PJ and listen to this episode (and then, like, keep listening since the ep is longer than the PJ ride would be.) Talk to us! Twitter:https://twitter.com/friendsrh (@FriendsRH) Evan: https://twitter.com/evanslead (@EvanSlead) Joe: https://twitter.com/joebgh (@JoeBGH) Facebook: https://www.facebook.com/FriendsRH/ Instagram: https://www.instagram.com/friendsoftherealhousewives/ (@Friendsoftherealhousewives)
Episode review of Season 9 Episode 1.
“What worries me most is ‘success’ has been reduced to an arbitrary tick list of Facebook updates and that’s not going to work for me.” - Lucy Sheridan On this week’s show I’m joined by my darling friend Lucy Sheridan, who’s the world’s first and only comparison coach. We talk all things comparison, mostly when it doesn't work, and also when it does. On the show we explore: Understanding how comparison affects and shows up in our lives Online vs. online comparison behaviours Why comparison is an inside and outside job How not to get caught up in someone else’s dream Using comparison on a timeline of what’s gone before, where we want to be in the future, and where we are in the present moment Supporting improvement and progress rather than ‘success’ Why relationships are our biggest assignment in life When our thoughts are hysterical, it can be historical Why comparison is directly linked to our self-care What happens when we're a comparison trigger for someone else. Where to find Lucy: Lucy’s website Instagram Lucy’s online classroom Lucy's YouTube Channel Lucy's go-to tracks Whitney Houston singing 'Higher Love' Higher Love - Steve Winwood The Practical Magic Activation Deck on Kickstarter
Une émission ALP spéciale Melbourne avec Audrey, auteur du guide Melbourne l'essentiel (éditions Nomades & Chapka Assurances). A l'antenne : le journaliste Christophe, le professeur de français Alain et l'artiste de rue Lucy Lucy.