Podcasts about r3d

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 573. This episode is brought to you by Primary Arms, Walker Defense, and XS Sights. In this show we will be discussing the Mete Prime, a new component trigger, an optic mount, and a retro upper   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - R3D 2.0 for the Smith and Wesson Bodyguard 2.0   Use Code “GGR20” for 20% off of almost everything at xssights.com   What we did in Firearms:   Announcements: Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Primary Arms VZ Grips - “GGR15” for 15% off handgun and rifle grips Brownells Gun Guys Garage discount code - “FRN15OFF” LA Police Gear Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount JSD Supply Modern Spartan Systems - “GGR15” for 15% off Rough Cut Holsters - “firearmsinsider” for 20% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off Lone Wolf Arms US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised. This is especially true on live shows.   Product Spotlight is sponsored by: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - Custom Combination: NILE grip panels   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Main Topic: Product Review or Updates on previous reviews None   Product Spotlight and Discussion:    Canik Mete Prime https://www.canikusa.com/mete-mc9-prime  MSRP - $649.99 or $849.99 w/optic   CMC component trigger MSRP - $139.99 - $164.99   ANVL UKON T2 1.93″ MSRP - $179.00  

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 566. This episode is brought to you by VZ Grips, Walker Defense, Primary Arms, and XS Sights. In this show I have a Clone review. We discuss a conversion brace, Romulus, a QD attachment, and a new auto knife   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - R3D 2.0 Night Sights for Glocks   Use Code “GGR20” for 20% off of almost everything at xssights.com   What we did in Firearms:   Announcements: Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Primary Arms VZ Grips - “GGR15” for 15% off handgun and rifle grips Brownells Gun Guys Garage discount code - “FRN15OFF” LA Police Gear Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount JSD Supply Modern Spartan Systems - “GGR15” for 15% off Rough Cut Holsters - “firearmsinsider” for 20% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off Lone Wolf Arms US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised. This is especially true on live shows.   Main Topic is sponsored by: VZ Grips    VZ Grips has been manufacturing handgun grips since 2003. With a reputation for quality, consistency & innovation, top tier manufacturers choose VZ grips. They come in a variety of styles, patterns, colors, and are manufactured from proprietary G10, Micarta, Carbon fiber, or polymer. Available with varying degrees of texture, VZ offers a wide range of grips for all different firearm types. Made in the USA, VZ gives you the grip you can count on.   Featured Grip of the week - VZ Slant for Sharps Bros P365 X Macro    Coupon code “GGR15” gets 15% off handgun and rifle grips at vzgrips.com   Main Topic: Product Review Chad - ZroDelta ZRO FKS-9   Product Spotlight and Discussion:    Recover Tactical S-Pro Conversion MSRP - $299.95   Alpha Foxtrot Romulus MSRP - $1520.00 +   Sponsor #3: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes...

This week we're speaking to Eduardo from Transparencia Electoral about modern elections all over the world that they've observed, and Vladimir from R3D about the 2024 elections in Mexico. We find out more about the technologies that are at use in elections all over the world.LinksGeneral- PI's technology, data and elections checklist- Transparencia Electoral's report- Transparencia's index on data protection in LatAm elections- R3D's report: Censura electoralEpisode links- Obama's 2012 targeted social media campaign- Our work on Cambridge Analytica- Deepfake use in elections- Our report with the Carter Center on the Kenyan Presidential elections- Listen to our episode about our work in Kenya (Election Observation: Data, Elections and a trip to Kenya) on our website and where ever you get your podcasts- DemoTech by Transparencia Electoral- Transparencia on the Venezuelan elections- More information on Chinese tech used in Venezuela- Candidate assasinations in Mexico- Ejército Espía

Darshan H. Brahmbhatt, Podcast Editor of JACC: Advances, discusses a recently published original research paper on echocardiogram vector embeddings via R3D transformer for the advancement of automated echocardiography.

En este episodio conversamos con el historiador Iván Martínez de R3D sobre la controversia de los derechos de autor y la circulación de contenidos en el internet. Así como una hoja en el viento, estas son ideas transmitidas a la memoria. #CultivamosMemorias Síguenos en nuestras redes sociales Libreta Negra Mx TW: https://twitter.com/LibretaNegraMx FB: https://www.facebook.com/LibretaNegraMx/ IG: https://www.instagram.com/libretanegramx/ Apóyanos para continuar la labor de difusión y divulgación cultural. Paypal: https://www.paypal.com/donate/?hosted_button_id=NCGTRH8N57XFE Ko-Fi: https://ko-fi.com/libretanegramx Patreon: https://patreon.com/LibretaNegraMx?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link #LaHojaSuelta #Podcast #Cultura --- Send in a voice message: https://podcasters.spotify.com/pod/show/libreta-negra-mx/message

Luis Fernando García, director de R3D

Esta mañana en #Noticias7AM entrevistamos vía telefónica a Pepe Flores, Experto de R3D, Red en Defensa de los Derechos Digitales.   Tema: Alertan por nueva CURP. Clave Única con foto y datos biométricos pone en riesgo privacidad de mexicanos: OSC's   #Uniradioinforma

Ni facebook, ni twitter, ni seres de otro planeta. Quien verdaderamente nos vigila es el gobierno.  En este episodio de Derecho Remix nos acompaña Pepe Flores, de R3D, para hablarnos  sobre cómo nuestros teléfonos recaban información personal para uso comercial, pero también con fines de espionaje político. Platicamos con él sobre  estos temas y la manera en que la 4T ha mantenido el espionaje al servicio del CIM.Support the show: https://www.patreon.com/antifazSee omnystudio.com/listener for privacy information.

A Memorial based project is using recycled plastic to create 3D printing filament. We spoke with Jenny Hillier, president of Enactus, about the inspiration behind project R3D

A special bonus episode from one of our favorite podcasts, Click Here. Click Here is a podcast about the world of cyber and intelligence hosted by Dina Temple-Raston.  Click Here did a special episode about Pegasus spyware in Mexico: Classified documents and internal memos in a new report from digital activists in Mexico make clear the Mexican Army systematically deployed Pegasus spyware against local journalists and activists. R3D, a Mexican digital rights group, and University of Toronto's Citizen Lab, also discovered the existence of a formerly unknown military intelligence unit whose sole purpose appears to be secret surveillance and deployment of spyware.  https://podcasts.apple.com/us/podcast/click-here/id1225077306

Esta mañana en #Noticias7AM entrevistamos vía telefónica a Grecia Macías, Abogada en R3D, Red en Defensa de los Derechos Digitales. Egresada de la Facultad de Derecho de la Universidad Panamericana. Cuenta con experiencia en Derecho Constitucional y Derechos Humanos. Ha colaborado en la SCJN y la Consejería Jurídica del Ejecutivo Federal. Sus áreas de investigación e incidencia son libertad de expresión en línea, violencia digital, vigilancia biométrica en el espacio público temas y desigualdad de algoritmos. Nos comentó acerca de la iniciativa avalada por Diputados para que Segob controle datos biométricos, ¿representa un peligro?   #Uniradioinforma

Con el espionaje del gobierno en internet, toda la información y datos están expuestos... incluso el dato coctelero. Es por eso que hablamos con Luis Fernando García y Nayeli Roldán para obtener todos los detalles sobre la nueva investigación llevada a cabo por R3D, A19, SocialTic y publicada por Animal Político, que presenta nuevas pruebas sobre el #EjercitoEspía.Luis Fernando nos contó todo el proceso de investigación y cómo llegaron a descubrir que el secretario de defensa estaba al tanto del malware #Pegasus y su uso por parte de la SEDENA. También nos compartió cómo se siente al ser la persona favorita del ejército. Además, en entrevista exclusiva para Derecho Remix, Nayeli Roldán nos habló sobre su enfrentamiento con el presidente cuando lo confrontó sobre el tema.Support the show: https://www.patreon.com/antifazSee omnystudio.com/listener for privacy information.

Un nuevo reporte de Citizen Lab y R3D confirma que el gobierno mexicano ha continuado usando el spyware Pegasus para continuar el espionaje de personas de interés. En documentos revisados por Animal Político, Proceso y Aristegui Noticias, entre varios, se habla sobre la CMI, o el Centro Militar de Inteligencia, un organismo que se mantenía en secreto ¿Qué tipo de información buscaba obtener este organismo? En la investigación se observa como el CMI estuvo espiando el teléfono de Raymundo Ramos, director del Comité de Derechos Humanos de Nuevo Laredo, esto para obstaculizar la investigación sobre una ejecución extrajudicial durante 2020. Este reporte, inicialmente liberado por Citizen Lab y la Red en Defensa de los Derechos Digitales, contradice las aseveraciones de Andrés Manuel López Obrador al respecto de la suspensión del uso del spyware por parte de su gobierno.Para esta y más noticias, escucha todos los días el podcast de Noticias de Tecnología ExpressDisponible en Spotifyhttps://open.spotify.com/show/2BHTUlynDLqEE2UhdIYfMaen Apple Podcastshttps://podcasts.apple.com/us/podcast/noticias-de-tecnolog%C3%ADa-express/id1553334024

A new report has published classified documents and internal memos that make clear the Mexican Army bought Pegasus spyware and systematically deployed it against journalists and activists in Mexico. R3D, a Mexican digital rights group, and University of Toronto's Citizen Lab, also found evidence of a formerly unknown military intelligence unit whose sole focus appears to be secret surveillance and deployment of spyware. Some of the sensitive material published in the report came from a massive hack into the Ministry of Defense by the hacktivist group Guacamaya last year. Click Here was part of a small group of journalists given early access to their findings.

The 20th century birthed ‘Big Brother' - an omnipresent surveillance state - but the 21st century's digital surveillance capacities have created a ‘Big Other' - online corporations watching us more closely than any state apparatus ever has - the difference is, we've put Big Other in our own pockets and homes.  Emily Hart is joined by Luis Fernando García, Executive Director and co-founder of Mexican digital rights organisation R3D, and Tomaso Falchetta, who leads Privacy International's global policy engagement.  They'll be digging into issues of online privacy and surveillance - how much do we even know about the data being collected on us? Why does it matter to our human rights and democracies? What can we do? 

Sobre el espionaje hablamos con Luis Fernando García de R3D. Sobre la influencia de Trump en la campaña, con Dori Toribio. Y sobre los cargadores únicos para los celulares en la Unión Europea, con el eurodiputado Jordi Cañas

Una investigación llevada a cabo por la ONG R3D reveló que el Ejército mexicano sigue usando el programa Pegasus para espiar a opositores, en este caso, dos periodistas y un activista. La semana pasada, un grupo de hackers llamado Guacamaya publicó miles de documentos y correos electrónicos de la Secretaría de la Defensa Nacional mexicana, la SEDENA. Con base a estos documentos y un peritaje técnico, la ONG mexicana de defensa de los derechos digitales R3D afirmó que el Ejército mexicano compró y utilizó el programa de espionaje Pegasus, de la empresa israelí NSO Group, para espiar a un activista y dos periodistas. “Todo indica que es el Ejército” El uso de dicho programa contra periodistas bajo el gobierno anterior había causado indignación, por lo que esta vez, se habría adquirido a través de empresas intermediarias, según indican los documentos filtrados. Luis Fernando García, el director de R3D, explica a RFI que la ONG pide “que el gobierno le exija a la empresa NSO Group y al gobierno de Israel que revelen, que hagan público quiénes son los clientes de NSO Group en México, quiénes han sido sus clientes. Todo indica que es el Ejército”. El problema es que “el presidente López Obrador ha descansado su gobierno de manera muy importante en las Fuerzas Armadas. Ahora, las Fuerzas Armadas en México controlan la seguridad pública, controlan puertos, aeropuertos, aduanas, caminos, construyen obras, tienen bancos, han acumulado un inmenso poder que respecto del cual no rinden cuentas”, subraya. “Una de dos opciones” Según el director de R3D, “hay una de dos opciones: o el presidente López Obrador ha mentido reiteradamente y ordenó o tenía conocimiento de que el Ejército espiaba a periodistas y personas defensoras de derechos humanos, o el Ejército desobedece a su comandante supremo”. Entre las tres personas que fueron espiadas con Pegasus bajo el actual sexenio de López Obrador, está, según la investigación, Raymundo Ramos, un defensor de derechos humanos en el estado de Tamaulipas. “Raymundo Ramos por muchos años ha documentado violaciones de derechos humanos cometidas por Fuerzas Armadas, por la Marina y por el Ejército. Ramos se acercó a nosotros y revisamos su teléfono y encontramos evidencia del espionaje de Pegasus”, comenta Luis Fernando García. “Él fue atacado en agosto y septiembre de 2020, que era un momento específico en donde se dio a conocer un video que demostraba la participación de las Fuerzas Armadas en la ejecución extrajudicial de tres civiles en Tamaulipas”, precisa. El presidente mexicano no confirmó si el Ejército seguía usando el controvertido programa de espionaje, pero anunció que se entregará un informe público al respecto.

Una investigación llevada a cabo por la ONG R3D reveló que el Ejército mexicano sigue usando el programa Pegasus para espiar a opositores, en este caso, dos periodistas y un activista. La semana pasada, un grupo de hackers llamado Guacamaya publicó miles de documentos y correos electrónicos de la Secretaría de la Defensa Nacional mexicana, la SEDENA. Con base a estos documentos y un peritaje técnico, la ONG mexicana de defensa de los derechos digitales R3D afirmó que el Ejército mexicano compró y utilizó el programa de espionaje Pegasus, de la empresa israelí NSO Group, para espiar a un activista y dos periodistas. “Todo indica que es el Ejército” El uso de dicho programa contra periodistas bajo el gobierno anterior había causado indignación, por lo que esta vez, se habría adquirido a través de empresas intermediarias, según indican los documentos filtrados. Luis Fernando García, el director de R3D, explica a RFI que la ONG pide “que el gobierno le exija a la empresa NSO Group y al gobierno de Israel que revelen, que hagan público quiénes son los clientes de NSO Group en México, quiénes han sido sus clientes. Todo indica que es el Ejército”. El problema es que “el presidente López Obrador ha descansado su gobierno de manera muy importante en las Fuerzas Armadas. Ahora, las Fuerzas Armadas en México controlan la seguridad pública, controlan puertos, aeropuertos, aduanas, caminos, construyen obras, tienen bancos, han acumulado un inmenso poder que respecto del cual no rinden cuentas”, subraya. “Una de dos opciones” Según el director de R3D, “hay una de dos opciones: o el presidente López Obrador ha mentido reiteradamente y ordenó o tenía conocimiento de que el Ejército espiaba a periodistas y personas defensoras de derechos humanos, o el Ejército desobedece a su comandante supremo”. Entre las tres personas que fueron espiadas con Pegasus bajo el actual sexenio de López Obrador, está, según la investigación, Raymundo Ramos, un defensor de derechos humanos en el estado de Tamaulipas. “Raymundo Ramos por muchos años ha documentado violaciones de derechos humanos cometidas por Fuerzas Armadas, por la Marina y por el Ejército. Ramos se acercó a nosotros y revisamos su teléfono y encontramos evidencia del espionaje de Pegasus”, comenta Luis Fernando García. “Él fue atacado en agosto y septiembre de 2020, que era un momento específico en donde se dio a conocer un video que demostraba la participación de las Fuerzas Armadas en la ejecución extrajudicial de tres civiles en Tamaulipas”, precisa. El presidente mexicano no confirmó si el Ejército seguía usando el controvertido programa de espionaje, pero anunció que se entregará un informe público al respecto.

Luis Fernando García, director de la R3D.

En entrevista Luis Fernando García, director de R3D, "Los hallazgos de esta investigación demuestran que el gobierno federal ha incumplido su compromiso de terminar con el espionaje", indicó

Luis Fernando García, director de la R3D

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.09.11.507483v1?rss=1 Authors: Yan, W., Lin, H., Yu, J., Wiggin, T. D., Wu, L., Meng, Z., Liu, C., Griffith, L. Abstract: The ellipsoid body (EB) is a major structure of the central complex of the Drosophila melanogaster brain. 22 subtypes of EB ring neurons have been identified based on anatomical and morphological characteristics with light-level microscopy and EM connectomics. A few studies have associated ring neurons with the regulation of sleep homeostasis and structure. However, cell type-specific and population interactions in the regulation of sleep remain unclear. Employing a unbiased thermogenetic screen of collected EB drivers, we found: 1) multiple ring neurons are involved in the modulation of amount of sleep and structure in a synergistic manner; 2) analysis of data for {triangleup}P(doze)/ {triangleup}P(wake) using a mixed Gaussian model detected 5 clusters of GAL4 drivers which had similar effects on sleep pressure and/or depth: lines driving arousal contained R4m neurons, whereas lines that increased sleep pressure had R3m cells; 3) a general linear model analysis correlating ring cell subtype and activity-dependent changes in sleep parameters across all the lines identified several cell types significantly associated with specific sleep effects: R3p for daytime sleep promotion, and R4m for nighttime wake-promoting; and 4) another subclass, R3d cells present in 5HT7-GAL4+ neurons and in GAL4 lines from our screen which exclusively affect sleep structure, were found to contribute to fragmentation of sleep during both day and night. Thus, multiple subtypes of ring neurons distinctively control sleep amount and/or structure, and the unique highly interconnected structure of the EB and its connections with other regions of brain suggest a local-network model worth future investigation. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

This week on The 8 More Than 92 Podcast Harrison and Najee are joined by fellow Great Convo Media family member Jay R3D from the R3d's View Podcast to discuss what its like joining a podcast network, some of the cons of being in a social media era, is it wrong for a woman to bring a man a gift on the first date, should Kobe get a nation holiday, Wack100 and DJ Akademics being cancers in our community and Tom Brady calling it a historic career....... As always this is The 8 More Than 92 Podcast, where we always keep it

¿Qué deben de hacer los gobiernos para controlar los impactos negativos de una plataforma como Facebok? ¿Cómo evitar que se vengan leyes que lastimen la libertad de expresión? Hablamos con Grecia Macías, abogada de R3D al respecto. Además, Fernanda Rocha, de Blackbot, explica cómo la tecnología está cambiando la manera en que recordamos a los muertos. PRODUCCIÓN: Luis Alberto Bazaldúa. --- Support this podcast: https://anchor.fm/estoesdominio/support

THE SAGA CONTINUES

Join us for this weeks FULL EPISODE of R3D's View. We discuss a wide range of topics from @OfficialBoosie appearing on the @Breakfast Club Power 105.1 FM , Sha'Carri Richardson, @Kevin Samuels , @Lizzo Music , and MUCH MORE!! SUBSCRIBE TO THE CHANNEL @R3D's View: Hip Hop Media FOLLOW @jayr3d ON INSTAGRAM & TIK TOKSUPPORT THE SHOW: Cashapp $jayr3d and Patreon.com/r3dsviewVISIT r3dsview.comWATCH “SHE SAY PT. 2” BY JAY-R3D https://www.youtube.com/watch?v=yNXJx7NKN-QNeed a DJ in Atlanta?? BOOK DJ-JayR3D r3dsview@gmail.com

We cover a lot in this weeks episode of R3D's View!! We ask questions about Lil' Nas X's following, Da Baby's recent controversy, Kanye West, Coi Leray, and more!! SUBSCRIBE TO THE CHANNEL @R3D's View: Hip Hop Media FOLLOW @jayr3d ON INSTAGRAMSUPPORT THE SHOW: Cashapp $jayr3d and Patreon.com/r3dsviewVISIT r3dsview.comWATCH “SHE SAY PT. 2” BY JAY-R3D https://www.youtube.com/watch?v=yNXJx...Need a DJ in Atlanta?? BOOK DJ-JayR3D r3dsview@gmail.com

Recibes un mensaje en tu celular con un enlace, le das clic y –con eso– alguien tiene acceso a todo tu teléfono. Así opera Pegasus, un software de espionaje que adquirió el gobierno mexicano y que intentó ser usado contra 15 mil personas en el sexenio de Enrique Peña Nieto, incluidos periodistas, activistas y familiares de víctimas.

Pegasus y otros sistemas de inteligencia podrían estar involucrados en fenómenos criminales, señala el director de R3D, Luis Fernando García

Esta semana analizamos que fue lo que dijo R3D con la resolución del IFT acerca de la neutralidad de la red en México ,también platicamos acerca del derecho a reparar tus cosas y del nuevo modelo de Nintendo Switch. Redes : linktr.ee/MudaMudaShow www.youtube.com/channel/UCb6RwrYfnxP4_fM5uTWGcqA twitter.com/MudaMudaShow Nota de R3d : https://r3d.mx/2021/07/07/lineamientos-del-ift-incumplen-obligacion-de-proteger-la-neutralidad-de-la-red-y-favorecen-a-empresas/ Diario Oficial de la Federación: https://diariooficial.gob.mx/nota_detalle.php?codigo=5622965&fecha=05/07/2021

Primeras impresiones de la Nintendo Switch OLED Model.Primera Vista: Huawei MatePad Pro 2021.Noruega aprueba una ley que obliga a los influencers a decir si una fotografía fue retocada.Lo que gastaron los capitalinos mientras duró el semáforo verde.Debes reportar tus actividades con criptomonedas al SAT.

Esta semana te platicamos algunas notas de cripto, viajes al espacio en aviones ,de igual manera te contamos de los nuevos lineamientos del IFT en México ,con respecto a la neutralidad de la red y al final te platicamos un poco que tal nos pareció Windows 11 y todo el drama que ha tenido desde su anuncio. Redes : linktr.ee/MudaMudaShow www.youtube.com/channel/UCb6RwrYfnxP4_fM5uTWGcqA twitter.com/MudaMudaShow Pagina de R3D: https://r3d.mx Notas de la Neutralidad de la Red: https://www.xataka.com.mx/telecomunicaciones/guia-definitiva-para-entender-nuevos-lineamientos-neutralidad-red-mexico-que-como-me-afectan https://www.xataka.com.mx/telecomunicaciones/telmex-izzi-otras-empresas-podran-gestionar-trafico-internet-mexico-ift-aprobo-lineamientos-neutralidad-red

En este episodio, Alejandra nos cuenta como una mujer cis-hetero se hace parte del activismo LGBT+ desde su trabajo como periodista. Además, nos recuerda la importancia que tiene crear espacios para que diversas voces sean escuchadas. También, Alejandra comparte sus reflexiones sobre el uso del lenguaje inclusivo y como con los años hemos ido ganando espacios (como por ejemplo, una fundación TodoMejora lo utiliza en todas sus campañas). Yo les recordaré un poco del episodio de José Francisco: "Locutor de Cultura Stonewall" dónde hablamos sobre la bella labor que es tener un podcast LGBTIQA+ y ser comunicadores sociales. Redes de contacto: Instagram: @todomejora.metropolitana (personal) @alelitz Recomendaciones: Para ver: (serie) Grey's Anatomy. (Serie) Deaf U. Para leer: (libro) "The Ugly, The Bitch & The Meltdown" de Jay Manuel. Para ver: (videopodcast) https://www.youtube.com/watch?v=hO6tnaQFiZA = Cultura Stonewall - T01 E01 "Un Gay en Chile" Para ver y escuchar: EUROVISION (video musical y presentación) https://www.youtube.com/watch?v=Eo5H62mCIsg = Kate Miller-Heidke. Zero Gravity. Eurovision Australia 2019 https://www.youtube.com/watch?v=Pfo-8z86x80 = Loreen - Euphoria - Live - Grand Final - 2012 Eurovision Song Contest https://www.youtube.com/watch?v=R3D-r4ogr7s = The Netherlands - LIVE - Duncan Laurence - Arcade - Grand Final - Eurovision 2019 https://www.youtube.com/watch?v=7EpSBDPlZn4 = The Mamas - Move - Sweden

Should Diddy be held responsible for former artists like Black Rob and others? Did the industry take the @Migos ATL style? Are you ready for new albums from @Kendrick Lamar and J. Cole? We discuss this and more on this weeks episode of @R3D's View: Hip Hop Media SUBSCRIBE TO THE CHANNELFOLLOW: @jayr3d on INSTAGRAMSUPPORT THE SHOW! Cashapp: $jayr3dPatreon: patreon.com/r3dsviewWATCH "She Say pt. 2" by Jay-R3D https://www.youtube.com/watch?v=yNXJx7NKN-QVISIT r3dsview.com TO ORDER YOUR SHIRT

La fundadora de la Casa de las Muñecas Tiresia habla sobre su travesía y los obstáculos que ha tenido que superar para abrir este centro. Luis Fernando García, Director Red Defensa de los Derechos Digitales nos explica los procesos para obtener un amparo vs la entrega de datos biométricos y Di Radio cuestiona: ¿Cómo bailan las personas sordas?

¿Qué vamos a tener que hacer al momento de comprar un chip derivado de la aprobación del Padrón Nacional de Usuario de Telefonía Móvil? ¿Hay manera de evitar dar nuestros datos biométricos? ¿Cuál es el riesgo de que el gobierno tenga una base de datos con toda esa información? Charlamos con Luis Fernando García, director ejecutivo de R3D, Red en Defensa de los Derechos Digitales, al respecto. Además, las noticias y recomendaciones. PRODUCCIÓN: Luis Alberto Bazaldúa --- Support this podcast: https://anchor.fm/qwertylive/support

Comedian "Jay Smith" joins R3D's View to discuss hot topics including: The passing of DMX, Kid Cudi wearing a Dress on SNL, Cardi B, Usher and more!SUBSCRIBE TO @R3D's View: Hip Hop Media SUPPORT THE SHOW:Cashapp $jayr3dpatreon.com/r3dsviewFOLLOW: @jayr3d @isthatjaysmith on INSTAGRAM

HAPPY EASTER!! On this weeks episode we give our predictions on the upcoming @Verzuz​ battles with @Earth Wind & Fire​ vs @The Isley Brothers​ , @Xscape​ vs @SWV Official​ We also discuss the recent controversy involving @Quavo Huncho​ @Official Saweetie​ and @Lil Nas X​ SUBSCRIBE TO THE CHANNEL!! @R3D's View: Hip Hop Media​ CASHAPP: $jayr3d PATREON: patreon.com/r3dsviewFOLLOW @jayr3d @theedjpm

... Fernanda Dudette habla sobre los usos de esta droga psicodélica y por qué ha vuelto a ser tema de conversación en 2021. Luis Fernando García, director de R3D por los derechos digitales explica qué implica la geolocalización en la banca electrónica.

Have you been a fan of the recent VERZUZ battles? Do you consider Nelly a "legend"? We cover this and much more on the latest episode of your fav show R3D's View!SUPPORT THE SHOW! CASHAPP: $jayr3dFOLLOW @jayr3d & @theedjpmVISIT r3dsview.comSUBSCRIBE TO THE CHANNEL

Internet tiene que ser un espacio seguro, y esto es importante para nosotras porque la violencia hacia las mujeres también existe en línea y hay muchos casos al respecto, los medios digitales no sólo se han convertido en espacios de denuncia que nos dan voz y nos pueden acercar a soluciones más inmediatas, también se han convertido en uno de los mejores lugares para que se dé la agresión virtual a las mujeres. ¿Sabes reconocerla? ¿Cómo puedes prevenirla?En este episodio Hijas de internet nos dan una guía para hacer del internet un espacio seguro para las mujeres.¿Qué debes hacer si has sufrido violencia digital?- Documenta. Antes de emprender cualquier acción es importante que registres el hecho. Puedes encontrar más información sobre cómo documentar la violencia en línea aquí: https://acoso.online/wp-content/uploads/2020/09/documentacion-difusion-de-imagenes.pdf - Reporta. Aquí: https://acoso.online/wp-content/uploads/2020/09/documentacion-difusion-de-imagenes.pdf puedes encontrar una guía que desarrolló Defensoras Digitales para denunciar el hecho a las plataformas digitales. - Asesórate. Identifica asociaciones civiles que estén hablando sobre el tema, y acompañando casos, están: R3D, Social Tic, Derechos digitales, Luchadoras, Acoso Online, VitaActiva, entre otras. Síguelas en sus redes sociales, lee sus reportes y sigue sus campañas. - Prevee. Comienza a tener hábitos de autocuidado digital y ciberseguridad. Es importante poner atención a las contraseñas que usas, no publicar información privada o muy delicada en tus perfiles, por tu ubicación geográfica. También es importante activar la verificación de dos pasos en nuestras redes sociales. Si quieres saber más sobre ciberseguridad escucha este podcast de hijas de Internet. https://open.spotify.com/episode/4K2VTdWl69vWs999gKXrYa - Protégete. Te compartimos el toolkit que hizo Luchadoras sobre cuidados digitales.https://luchadoras.mx/toolkit-de-cuidados-digitales/ Aquí encontrarás muchísima información sobre cómo podemos prevenir y navegar de forma más segura.Tips básicos de ciberseguridad: - No acceder a la información privada o delicada (como cuentas bancarias, o claves de acceso) desde redes públicas, transportes públicos o cafés internet. Para acceder a información delicada hay que utilizar solo redes wifi de confianza, que requieran clave de acceso- Activar la verificación de dos pasos en el correo electrónico y en redes sociales. - Para combatir el Phishing es recomendable acceder a las páginas web escribiendo la dirección directamente en el navegador, no proporcionar nuestros datos personales a través de enlaces no verificados.- Evitar acceder a enlaces o descargar archivos adjuntos de correos electrónicos sospechosos.- Actualizar los sistemas operativos y software en general, para corregir vulnerabilidades conocidas.- Ponerle atención a las contraseñas que usamos. Cambiarlas con frecuencia, puede ser cada 3 meses y no usar la misma contraseña para todas las cuentas que se tengan, estas medidas reducen la probabilidad de enfrentarse a un escenario de robo de datos. Está bueno ponerle acentos a alguna letra. - Revisar que nuestros canales de información sean cifrados de extremo a extremo, esto asegura que solo tú y el destinatario pueden leer lo que se envía, y nadie más- Existe un espacio abierto para compartir recursos sobre seguridad y privacidad digital, en su buscador ponen Portege.la, y puedes revisar qué tan sanos están tus dispositivos mediante una checklist y después recibes consejos para mejorar tus hábitos y el cuidado de tu información.Sigue a Hijas de Internet en Twitter: https://twitter.com/hijasdeinternet Escucha su podcast aquí: https://anchor.fm/hijas-de-internet

En esta ocasión platicamos con @nerisampi y @desgrecia de @R3D sobre qué es la violencia en línea y los tipos de violencia a la que nos enfrentamos las mujeres cuando navegamos en Internet. Escucha este episodio para conocer los primeros auxilios y pasos a seguir si enfrentamos, o conocemos a alguien que esté enfrentando una situación de violencia en línea. Les dejamos las referencias del programa y perfiles que organizaciones que te pueden auxiliar en estos casos: https://twitter.com/online_acoso https://twitter.com/LuchadorasMX https://twitter.com/R3Dmx https://www.apc.org/sites/default/files/HRC 29 VAW a briefing paper_FINAL_June 2015.pdf https://luchadoras.mx/13-formas-violencia-linea-las-mujeres/ https://acoso.online/mx/ https://www.cybercivilrights.org/online-removal/ https://www.inegi.org.mx/contenidos/programas/endireh/2016/doc/endireh2016_presentacion_ejecutiva.pdf https://www.inegi.org.mx/contenidos/programas/mociba/2019/doc/mociba2019_resultados.pd https://www.navegandolibres.org/#tipos https://www.navegandolibres.org/images/navegando/Diagnostico_navegando_libres_f.pdf

Lisa Sánchez nos explica cómo fue el proceso que culminó en los amparos que te permiten cargar un churro de cannabis en la bolsa (gracias Lisa), y Luis Fernando García de R3D pone en contexto hasta dónde llega el gobierno en el cruce con nuestra privacidad y libertad de expresión (gracias Luis Fernando). Disfruta estos especiales sándwich entre la quinta y la sexta temporada.  Support the show: https://www.patreon.com/antifaz See omnystudio.com/listener for privacy information.

Si entendemos bien, cosa improbable, el 2021 apunta a ser el año en que se sentarán las bases para la implementación del 5G en México. Se trata de una red de comunicación móvil superior a todas las que hemos usado hasta ahora, que da mejores conexiones, aumenta el ancho de banda y es la puerta de entrada al verdadero internet de las cosas (¿qué ha sido de ti, Purificación?). Todo esto emociona a empresas y consumidores, por lo que merece la pena debatir y deliberar sobre lo que realmente significa la adopción del 5G en México. ¿Cuáles son los riesgos de la implementación? ¿Perderemos la poca privacidad en línea que nos queda? ¿Aumentará la brecha digital entre los que tienen y los que no? ¿Cómo debe ser la regulación de esta red?DeliberanAdriana LabardiniAbogada. Fundó Conectadas, una red de mujeres en la industria de las telecomunicaciones que trabaja en favor de la igualdad de género. Fue comisionada del Instituto Federal de Telecomunicaciones. Además es maestra en Derecho por Columbia.Luis Fernando GarcíaAbogado. Es director de la R3D en Defensa de los Derechos Digitales. Ha sido profesor de la Ibero y es candidato a Maestro en Derecho Internacional de los Derechos Humanos por la Universidad de Lund en Suecia. Fue Google Policy Fellow en la Asociación por los Derechos Civiles de Argentina.César Funes GarayIngeniero en Telecomunicaciones. Lleva una década trabajando para Huawei, donde es vicepresidente de Relaciones Públicas para América Latina.Este debate se realizó la noche del 20 de agosto de 2021, como una colaboración entre EEE y Institute for Democracy and Innovation.

Join us for the latest episode of R3D's View in FULL. We cover all of the hottest topics. Be sure to SUBSCRIBE TO THE CHANNEL!Visit r3dsview.comFollow @jayr3d & @theedjpm

Picture of a lake rendered in R3D v2. By Andy Jones. Winner of organic section of the recent Amiga Swapshop BBS Raytracing Competition. NEWS Amiga Ireland Online: 2021 happens on January 16th – get your tickets (link) Alanna Kelly, Director at the Computer Museum of Ireland has finished a huge website revamp with her group. … Continue reading "Floppy Fodder"

In this Episode we did an end of year wrap-up with Jay-R3d from R3d's View . We discuss Snitching in Hip hop culture The Culture RAP BEEF CLUBHOUSE APP Artist money & mental health TOP 5 Artists Top 5 Albums https://www.youtube.com/user/WeAuthenticMusic Follow me Main Channel YouTube.com/cgwentertainment Motovlog channel https://youtube.com/channel/UCEBr1AGypyscy5YiABjvRMg Finally Famous channel https://youtube.com/channel/UCkE9QJxBcT4qmkl8N0YmMHg https://www.Instagram.com/dreambignyc_/ Subscribe to my podcast https://podcasts.apple.com/us/podcast/finally-famous-podcast/id1542487569?i=1000500634231 https://belive.tv/?referrer=ODQ5NjU5My Gaming Channel https://twitch.tv/boydadgaming --- Support this podcast: https://podcasters.spotify.com/pod/show/finallyfamous/support

Join us for the 3rd Annual “Year End Wrap Up” for R3D's View! We discuss our “Best of 2020” from albums, songs, rappers, movies, and more! Thank you for everyone who's been rocking with us the whole year! SUBSCRIBE TO THE CHANNEL!CATCH OUR PODCAST (TYPE IN R3D's VIEW) ON ALL STREAMING PLATFORMS VISIT r3dsview.com TO ORDER YOUR R3D's VIEW SHIRTS

How much has Lil Wayne influenced the culture? Does everyone sound like him? Also why is Lizzo receiving backlash for her weight loss? We answer it all plus more on this weeks episode of R3D's View!SUBSCRIBE TO THE CHANNELVISIT r3dsview.com

En este primer episodio nos acompañó Vladimir Chorny, investigador de R3D (organización de la sociedad civil mexicana en defensa de los derechos humanos en el ambiente digital), para platicar sobre las amenazas a la libertad y democracia en el mundo digital.

Join us for the latest episode of R3D's View where we discuss the "pending" battle between Outkast vs A Tribe Called Quest. Are you really looking forward to it?? Also we talk about why the Bone vs 3-6 battle was cancelled, Joe Biden, and more! When Jay-R3D is referring to rapping pre-dating DJ Kool Herc, google "Pig meat Markham"SUBSCRIBE TO THE CHANNELVISIT r3dsview.comBOOK DJ Jay-R3DFOLLOW @jayr3d#joebiden #kingvon #outkastvsatribecalledquest

Hoy les traemos un nuevo episodio de Sí o No en donde hablamos de #NiCensuraNiCandados, un movimiento que surgió tras modificaciones a la Ley de Derechos de Autor, la cual se aprobó de forma rápida la semana pasada y que deja varios vacíos legales que nos pueden afectar. Grecia Macías, integrante de R3d, la Red en Defensa de los Derechos Digitales, nos explica esto. Para participiar en #NiCensuraNiCandados: https://participa.nicensuranicandados.org/ Checa nuestra nota sobre esto en MediaLab: https://medialab.up.edu.mx/noticias/todo-para-entender-la-reforma-que-busca-censurar-el-internet-en-mexico/ Redes Sociales: @MediaLab_UP @SanchezSergioC @RomHer17

¡El gobierno te quiere censurar! ¡El gobierno te quiere impedir que uses tus gadgets de la manera en que quieras! ¡El internet no será el mismo debido al senado!Seguramente has leído o escuchado esto, acompañado de hilos de tuiter, videos explicativos del Sopitas, o charlas zoomeras con especialistas en donde se explica a detalle los riesgos tras la reforma a la Ley Federal de Derechos de Autor llevada a cabo hace unos días.Hay parte de verdad en esto. Hay parte de exageración en esto. Y hay mucha desinformación al respecto. Esto debido a que la mayoría de las notas que has leído o escuchado al respecto, parten de la misma fuente, donde no se explica a detalle todo lo que está en juego y solo repiten como cámara de eco, una misma opinión. Acompáñame para tener un mejor entendimiento sobre lo que se aprobó, sus implicaciones y como te afecta a ti, como humano regular. Este episodio es traído gracias al apoyo que recibimos en Patreon. A diferencia de otros Patreons donde puedes obtener fotos de cosplayeras guapetonas o podcasts que nadie escucha, en nuestra página encontrarás información y conocimiento verificable, con todo y fuentes, entrevistas con especialistas y programas de recomendaciones. ¿En dónde? En Patreon. ¿Quieres una versión de audio? La encuentras aquí, pero te pierdes de la genialidad de la imagen. Pero como soy banda, lo encuentras en tus favoritas como Spotify, iTunes, Pocket Cast, Sound Cloud, Spreaker, Stitcher, Tune In, Acast, Player FM, MixCloud, Overcast, iHeart Radio, Hear This At, Podcast Addict, Castbox, y hasta en iVoox. ¿Por qué se aprobó una ley que busca reforzar la protección del derecho de autor? La respuesta es simple. Con la actualización del Tratado de Libre Comercio, hay aspectos que han evolucionados y no eran contemplados en el tratado previo. Entre ellos, Estados Unidos, Canadá y México buscan el establecimiento de ciertos requerimientos para la protección de obras artísticas. Además, se busca el fortalecer estándares contra la elusión de candados digitales que protegen elementos digitales tales como canciones, películas y libros. Por otro lado, se establecen Safe Harbors, o puertos seguros, en los cuales se protege a los proveedores de servicios de acceso al internet, para que estos no sean criminalizados por que alguien publica contenido inapropiado al utilizarlos. Una de las medidas más agresivas y criticadas de la reforma a la Ley Federal de Derecho de Autor implica que los proveedores de internet podrán eliminar contenido sin que haya un juicio previo. Aunque parezca exagerado, esto en realidad es algo que se ha estado aplicando a nivel internacional desde hace tiempo, y en estados unidos se ha implementado en distintos servicios de publicación de contenido como YouTube, por años.La DMCA (Digital Millennium Copyright Act)Para entenderlo, hay que conocer la implementación de la DMCA, o Digital Millennium Copyright Act. Esta es una ley de Derechos de Autor establecida en Estados Unidos que implementa tratados establecidos desde 1996 por la Organización Mundial de la Propiedad Intelectual. Independientemente de los aspectos legales, vale la pena dejar algunos puntos en claro. Las protecciones del Copyright y el observar el derecho de autor surgen como incentivos para promover la creatividad, reconocer a los creadores, y que estos puedan proteger sus obras de usos indebidos. Imagina que tomaste una foto muy padre de un atardecer y la compartiste en alguna red social. A la semana siguiente te enteras de que esa foto es utilizada para posters de agencias de viajes o incluso se muestra en un comercial de televisión. Es tu foto. Tú la reconoces y jamás diste permiso de que alguien más la utilizara, y mucho menos de que obtuviera dinero por su uso. Dinero, del cual no te llegará ni un centavo a ti. ¿Suena descabellado? Me ha tocado trabajar en agencias de publicidad en donde ha habido ideas como descargar contenido de internet y reusarlo en publicidad televisiva, ya que “el internet es de todos y todo se puede usar”. Eso refleja el nivel de desconocimiento que muchos tienen sobre la reutilización de algo tan simple como una imagen o un video. En el extremo opuesto están quienes publican en sitios como Facebook, el aviso o disclaimer en que alegan que no permiten que la red social utilice sus datos o sus fotografías, cuando al crear una cuenta, están cediendo prácticamente todo lo que publiquen para que pueda ser reutilizado por la red de Zuckerberg. Es aquí donde pretenden ser expertos en derecho de autor, cuando antes no tenían empacho en robar memes, quitarles marcas de agua y no reconocer al creador de estos divertidos elementos. El Fair Use (Uso Justo)Por otro lado, tenemos el establecimiento del Fair Use, o el uso Justo. Es un principio basado en la creencia de que uno puede utilizar elementos de materiales registrado con copyright siempre y cuando sea para crítica, comentario, o incluso parodia.Esto de entrada hace que todos los que alegaban que ya no ibas a poder hacer memes de políticos debido a la censura que viene por parte de las reformas legales, no tengan mucha idea de lo que están alegando, ya que la mayoría de los memes estarían protegidos por el Fair Use, siempre y cuando estén utilizados para comentario y crítica. Dentro del Fair Use hay cuatro aspectos que se deben de considerar:1- Transformación de la Obra. ¿Se le agregó valor o un nuevo significado a la obra original al transformarla y no es solo una copia?2- La naturaleza del trabajo copiado. Es más aceptado que copies información de una biografía, por ejemplo, que de una novela, ya que son datos concretos más que ideas o historias ficticias. 3- La cantidad reutilizada. Mientras menos uses del material original, es menos probable que estés en problema. Claro, se debe tener cuidado, porque si copias lo que la hace reconocible, como el coro de una canción famosa, es casi seguro que te metas en problemas legales. 4- El efecto del uso del material en el mercado comercial. Imagina que tomaste una foto a una pintura de un autor poco conocido y empiezas a vender fotos de la pintura. Y se empiezan a vender muy bien. Al final, la persona que hizo la pintura, trata de venderla, pero no puede hacerlo por que los posibles interesados ya tienen una copia de la misma, que les costó menos, y que a final de cuentas es una copia del original. Hasta el momento hemos hablado de muchas maneras en las que se puede utilizar y reutilizar materiales de los que no somos autores. Todo esto entra dentro de lo aprobado por la legislación mexicana, cuya línea parte de lo que se busca unificar en los acuerdos comerciales con Estados Unidos y Canadá. Licenciamiento y UsoUn aspecto que nadie o casi nadie considera, es el manejo de licencias. Cuando compras un teléfono celular, como u iPhone, por ejemplo, te apuesto a que no leíste la letra chiquita donde vienen todos los aspectos legales del producto. Lo mismo aplica con tu suscripción a un servicio de streaming, o si adquiriste un objeto físico como una película en DVD o BluRay. Lo que adquiriste no es un producto o un servicio, sino una licencia para su uso bajo condiciones específicas. Si compraste la última película de Quentin Tarantino en glorioso 4K, además del disco, adquiriste el permiso para reproducirla y verla en tu casa, no en lugares públicos, ya que para eso, se necesitan pagar derechos más caros que lo que te costó la copia física. No importa si dices que solo la vas a ver mientras trabajas en un estacionamiento muy grande, y la vas a proyectar en un muro a la distancia, para poder verla, en este lugar donde los espacios para los autos están acomodados estratégicamente para que todos puedan ver la película, la cual tú planeabas ver por tu cuenta, y ya si más personas deciden hacerlo, pues es su problema. Aquí estás infringiendo derechos de exhibición por los cuales se debe de pagar más, especialmente si estás lucrando por la exhibición. Y es aquí donde tenemos muchos malentendidos. De la misma manera que mis anteriores compañeros creían que cualquier cosa de internet podría ser reutilizada solo por estar ahí, muchos creen que pueden hacer lo que quieran con los objetos que adquieren. ¿Compraste una licencia de Windows? Claro, la instalaste en tu computadora… y después en otra, gracias a un hack… y después en otra… y otra… y otra… Todo bien por que pagaste legalmente por tu copia… pero el uso que estás dando no es por el cual se te vendió un sistema operativo, y estás violando los candados digitales que se pusieron para evitar este tipo de manejos ilegales.Esto también aplica para otros bienes. El que tú pagues tu suscripción a Spotify, no significa que puedas hacer un podcast en el que cumples tus sueños de estrella de la radio y sirvas de presentador de distintos temas musicales que tienes derecho a escuchar, pero no a reutilizar y transmitir. ¿Y qué dice la ley?Muchos hablan de las limitantes de los candados digitales, los cuales están ahí para evitar las copias ilegales que tanto gustamos usar en México, pero nadie menciona detalles del articulo 114, donde se mencionan todos los casos en que no hay violación de la ley, por ejemplo:-Cuando el sortear los candados digitales se hace para hackear un sistema y tenga interoperabilidad con otros elementos de programas adquiridos legalmente. En consecuencia, el hackeo no está prohibido ni penado solo por ser hackeo.- Que el personal de una biblioteca, institución educativa o de investigación acceda a materiales que no podría obtener de manera legal, con el propósito de decidir si se adquieren copias legales de obras. Entonces, la piratería “a discreción”, no está penada. Y así podemos encontrar otros fragmentos permisivos en donde lo que se hace es cuestionar más el uso de las obras protegidas y el propósito de estas. En MéxicoQuizás el mayor problema es la desconfianza que tenemos sobre las autoridades que tenemos en México y las ambigüedades que pueden presentarse. El agregar el principio de “Notificación y Retirada” (similar al Cease and Desist) cuando publiques algo en internet, y que el proveedor pueda eliminarlo suena peligroso, pero en la práctica es algo que, quienes tenemos tiempo publicando contenido en sitios como YouTube, estamos más que familiarizados. Cada que subo un video a YouTube, tengo que pelear entre tres y cuatro avisos de contenido con copyright para especificar que su uso está protegido como Fair Use, pero cabe destacar que esto no es monitoreado por humanos, sino por algoritmos automatizados, que detectan elementos en video que ya fueron registrados por quien tiene los derechos. Esto es algo que hacen las grandes compañías y algo en lo que colaboran los ingenieros de Google y YouTube, ya que, al tener una película catalogada en su sistema, es más fácil que busque entre los cientos de miles de videos que se suben a diario, en caso que alguien haya subido una escena o la película completa a su servicio. Esto es interesante y es algo que, quizás debido al tamaño de nuestra industria cinematográfica, se ha dejado un tanto de lado, al grado que hace unos meses era posible encontrar la película de Cindy la Regia en YouTube, completa y con buena calidad, algo que no creo haya sido permitido por quienes trabajaron en la compañía encargada de crear o comercializar dicha cinta.A nivel personal me ha pasado algo similar, en donde otras personas han descargado videos que hago y los han vuelto a subir. Como no soy una gran compañía pasaron semanas, no días, para que YouTube eliminara el contenido sobre el cual yo tengo autoría y que alguien más estaba dando un uso no permitido, pero esto muestra que los instrumentos que se están legislando ya se han estado utilizando por años, en los distintos servicios. ConclusionesEs triste que muchas de las personas que más alegan sobre la posible censura y penalización están más enfocados en defender su uso de un Photoshop pirata para poder retocar fotos y hacerlas memes con tipografías horribles en pro de una libertad de expresión, sin darse cuenta de que ignoran el uso de herramientas libres y de usos perfectamente defendibles. Nadie está limitando tu capacidad de expresión o de difusión, pero sí se busca una mejor legislación sobre el uso de materiales y herramientas cuyo desarrollo implica un costo. Si la creatividad que supuestamente estamos viendo censurada se limita a usar el trabajo de otras personas sin aportar algo de valor, no es creatividad en sí. Claro, hay quien se defenderá diciendo que Cervantes no inventó un lenguaje para escribir al Quijote y solo reutilizó palabras ya creadas por alguien más, pero el hecho de poseer un diccionario no te vuelve escritor, de la misma manera que copiar canciones en un editor de audio no te vuelve presentador radiofónico.Tus memes están a salvo. Las personas que reparan equipo de cómputo en centros autorizados seguirán haciéndolo. Podrás seguir utilizando herramientas libres y gratuitas para hacer tu trabajo. Sin embargo, lo que es verdaderamente necesario, es que en países como en México se regule y establezca el uso de herramientas que ayuden a los creadores. Instituciones como Creative Commons ofrecen el manejo de licencias para que si tú quieres compartir algo, puedas hacerlo, sin pasar por penosos procesos de registro y derecho de autor. Esto tristemente es rara vez contemplado y cuando le preguntas a algún abogado sobre los contenidos con licencia CC, se burlan y dicen que eso no sirve en México. Y no están alejados de la verdad. Además de esto, es necesario que se especifique y se agregué en la ley la inclusión de elementos como el Uso Justo, el cual es reconocido, y discutido en otros países, como en Estados Unidos, a quien se le está haciendo la ley de modo para la aprobación del nuevo tratado de libre comercio. Esto ofrecería claridad y protección a usos legítimos, y son detalles que, nuevamente, se han implementado desde hace años y que el que México apenas esté incorporándose, habla más de la ignorancia y descuido de sus habitantes y legisladores, que de una posible censura.Finalmente, mucho se habla de la violación de derechos humanos con estas legislaciones, pero parece ser que uno como autor, no es humano. La protección de la propiedad intelectual es importante, y uno debe tener el derecho y las garantías para poder seguir creando contenidos y que estos no sean robados o reutilizados de maneras que benefician a alguien que no lo creo o con quien se hizo el acuerdo de comercialización. Como usuario, recuerda que no todo lo que encuentres en internet es para tu uso y disfrute, de la misma manera que cuando entras a una tienda, no significa que todo lo que está en exhibición es para que lo agarres y te lo lleves sin pagar. Esto es todo en esta ocasión. Si encontraste equivocaciones en este video o quieres dejar comentarios, por favor, déjalos en la sección que aparece aquí abajo. No soy abogado, pero he lidiado suficiente tiempo con manejo de derechos digitales y publicación de contenidos como para saber una o dos cosas al respecto, y si tú sabes más, ayúdame a que reduzcamos la desinformación. Gracias por acompañarme, yo soy Dan Campos. Si te gustó este video, deja tu like, suscríbete, pícale a la campanita que eso ayuda a tener más difusión. Si encontraste algo de valor en este contenido, ¿por qué no dar algo de valor a cambio? Entra a Patreon punto Com, diagonal Churros y Palomitas, en donde encontrarás este y más contenido, el cual es hecho gracias al apoyo de nuestros productores. Este episodio es traído gracias al apoyo de:Se Pone la Camiseta: Mauricio GonzálezProductora Ejecutiva: Blanca LópezProductor Asociado Honorario: Miguel HuescaCo-Productor: Jaime Rosales Co-Productor: Román Rangel Co-Productor: Dany Saadia Co-Productor: Juan EspírituAgradecimiento especial a nuestros Patreons: Adriana Fernández, Álvaro Vázquez, Barbas Poéticas, Daniel Krauze, Fernando Teodoro, Lau Berdejo, Arturo Manrique, Pepe Ruiloba, Alejandro Alemán, Luis Macías, Lulú Petite, Enrique Vázquez, Jorge I. Figueroa, Arturo Aguilar, Logan Mayer, Ernesto Diezmartínez, Jorge Eduardo López, Luiso Uribe, Marcela Salgado y Fernando Alonso.Música utilizada:Butchers - Silent PartnerConnection - Wayne JonesCypher - Wayne JonesGoat - Wayne JonesStinger - Silent PartnerTango de la Noche - Wayne JonesThe Future Ancient Now - Nathan MooreUnder Cover - Wayne JonesFuentes:La fuente que todos citan, pero que nadie se pone a analizar. Manifiesto de R3D en contra de la legislación.https://r3d.mx/2020/07/01/nicensuranicandados-condenamos-la-aprobacion-de-reformas-que-establecen-mecanismos-de-censura-en-internet-y-criminalizan-la-elusion-de-candados-digitales/Gaceta Parlamentaria, lo que dice la ley http://sil.gobernacion.gob.mx/Archivos/Documentos/2020/06/asun_4050300_20200630_1593532606.pdfActualización del TLC – NAFTA https://ustr.gov/trade-agreements/free-trade-agreements/united-states-mexico-canada-agreement/fact-sheets/modernizingExplicación del Safe Harbor (puertos seguros)https://www.patreon.com/posts/about-safe-38376240¿Qué es la Digital Millennium Copyright Act?https://www.congress.gov/bill/105th-congress/house-bill/2281/textPropiedad Intelectual y el Derecho a Repararhttps://ir.lawnet.fordham.edu/cgi/viewcontent.cgi?article=5618&context=flrFair Usehttps://fairuse.stanford.edu/overview/fair-use/Los límites del Fair Use https://fairuse.stanford.edu/overview/fair-use/four-factors/Aprobación del Senado y Violación al Derecho de Autorhttps://www.xataka.com.mx/legislacion-y-derechos/diputados-siguen-a-senado-contenido-internet-debe-ser-eliminado-inmediato-se-reporta-violar-derechos-autor¿Se puede utilizar música con copyright en mi podcast? https://learningsolutionsmag.com/articles/using-copyrighted-music-and-media-in-your-podcastFair Use y la DMCA https://www.authorsalliance.org/2018/03/02/fair-use-and-the-digital-millennium-copyright-act/Cómo nos afecta la ley de derechos de autor 2020https://www.youtube.com/watch?v=343mVSeAcBICharla en Rizoma, en donde tristemente hay muchas inexactitudes. https://www.facebook.com/watch/live/?v=2511928325786057El fin no justifica la excepción. Propiedad intelectual, educación y el fair use estadounidense.http://www.scielo.org.mx/scielo.php?script=sci_arttext&pid=S0041-86332012000200001Copyright es… https://www.iabmexico.com/news/copyright-es/Supuesto “aviso de privacidad” en Facebook https://www.welivesecurity.com/la-es/2016/06/30/deja-aviso-de-privacidad-facebook/Política de Uso de Datos de Facebookhttps://www.facebook.com/full_data_use_policyCómo las corporaciones usan los acuerdos para crear un sistema legal paralelo https://www.vice.com/en_us/article/wn949b/how-corporations-use-end-user-license-agreements-to-create-a-parallel-legal-systemEl internet de las cosas de las cosas… de las que no eres dueño https://www.vice.com/en_us/article/qkxkmw/the-internet-of-hackable-things-you-dont-ownAutorización para exhibición comercial de películas https://www.gob.mx/tramites/ficha/autorizacion-para-exhibicion-comercial-de-peliculas/SEGOB2885

En México solo hay dos partidos: Conservador y Conservador. Viri Ríos presenta su artículo de opinión publicado por el New York Times. Luis Fernand García Director de R3D habla sobre las modificaciones que se buscarán hacer son en la Ley Federal del Derecho de Autor y propiedad intelectual en la red. Tecnología con Aura López

Patrocinador: Huawei te invita a participar otro año en su gran concurso de fotografía internacional. Tienes hasta el 31 de julio para entrar en sus seis categorías. Los premios son muy, muy golosos. Dióxido de azufre de entrada, no / Antenas espía en México / Micro-podcasts en Apple News+ / Grinder quita el filtro de raza / Australia elimina su algoritmo de cobrar impuestos  Resucita la idea de irrigar la atmósfera para reducir el calentamiento global. La geoingeniería es una ciencia poco estudiada y con bajos fondos, pero desde hace tiempo tiene una solución barata pero arriesgada que reduciría el cambio climático en semanas: regar con dióxido de azufre el ecuador.  La teoría es sólida: las partículas reflejarían parte de la luz solar de vuelta al espacio y caerían las temperaturas. Los científicos quieren dinero para estudiar alternativas prometedoras que nos ayuden a ganar tiempo.  Los riesgos son tremendos: no solo el SO2 es muy contaminante (lluvia ácida), se sospecha que pueda haber efectos perversos inesperados. Pero es una solución tan “fácil y barata” que los investigadores temen que cualquier país decida hacerlo por su cuenta.  Así son los nuevos micro-podcasts de Apple News+. El servicio de pago de noticias de Apple incorporará una versión en audio de las noticias más interesantes del día. Los “episodios” estarán producidos por la propia Apple, y asociados al contenido de los medios.  Apple News se lanzó hace cinco años casi, y sin visos de que llegue a España o Latam. Ritmo, Tim Cook, ritmo.  Activistas mexicanos encuentran antenas espías en Ciudad de México. Según R3D, en la capital hay al menos 21 antenas que en realidad son stingrays: aparatos que recopilan información de todos los móviles de las inmediaciones. — No se sabe quién las mandó poner.  El estudio también encontró más antenas espías en La Paz, Caracas y en la frontera entre Colombia y Venezuela.  Huawei presenta un smartphone con termómetro. El nuevo Honor Play 4 incorpora este sensor que permite medir temperatura al instante. Obviamente con el coronavirus en mente, porque tradicionalmente se había descartado este tipo de sensores en móviles por ser poco fiables.  Vysor es una app de Android que te permite ver y controlar móviles remotos. Por ejemplo para ayudar a algún amigo o familiar a resolver dudas en remoto. Una vez instalada, nos deja enviar un simple enlace a la persona que queramos que controle nuestro terminal temporalmente.  Grinder elimina el filtro de raza/etnia. Los usuarios de la red social de contactos ya no podrán descartar a personas por el color de su piel, una función que seguía vigente a pesar de años de quejas de gran parte de los usuarios.  Reconozco que no entiendo mucho. OkCupid (mismos dueños que Tinder) creo que lo mantiene. Pero luego hay apps “específicas” para grupos sociales religiosos, étnicos, políticos, etc. que te crean un “filtrado” de salida. ¿Es ético, cínico, respetable? ¿Vosotros qué pensáis?  Unos paneles solares en el remolque para cargar el coche eléctrico. La perenne idea de energía ilimitada sigue sin cuajar, incluso con paneles baratos. El “inventor” deduce que necesitaría unas 100 horas para cargar su Model 3, mientras las remolca.  Alemania subirá las ayudas a coches eléctricos hasta 9.000 euros. Sigue la estela de Francia. El gobierno dobla a 6.000 euros, y los fabricantes el resto, pero solo para modelos que cuesten menos de 40.000 euros. Durará hasta finales de 2021.  La industria automovilística alemana prepara ahora una blitzkrieg de coches eléctricos competentes, capitaneados por el Volkswagen ID3 que se espera venda como churros.  Australia apaga su polémico algoritmo de cobrar impuestos y deudas. Durante cinco años el sistema “Robo-debt” hizo cobros indebidos e incontrolados a medio millón de australianos. — Ideado para “reducir el fraude”, ha acabado con el gobierno devolviendo 721 millones porque nadie sabía qué datos eran reales.  SpaceX modifica su satélite #480 con una gorra metálica. La compañía comprobará si esta versión reduce el brillo visible que refleja comparado con otros satélites Starlink.  El conflicto indio-chino llega a Android, y Google tiene que invertenir. Han eliminado de Google Play una aplicación que buscaba aplicaciones chinas y guiaba al usuario para desinstalarlas. Había sido descargada más de 5 millones de veces en dos semanas.  Las llaves de seguridad de Google mejoran en iPhone. Google añade soporte para WebAuthn, el sistema estándar abierto de autenticación. Más facilidad si conectáis vuestra Yubikei o Titan al iPhone, bien en el puerto o por NFC.  El impacto del coronavirus en la prensa digital. Chartbeat publica datos agregados que muestran el increíble crecimiento de artículos, lectores y tiempo de visitas en la prensa en información sobre el coronavirus. — También muestra que la “burbuja” se empieza a desinflar. ¿Quieres colaborar con el programa? Colabora en Patreon Colabora en Ko-Fi (PayPal) ---- Ahora también tenemos un grupo de Telegram para oyentes: https://t.me/joinchat/AF0lVBd8RkeEM4DL-8qYfw ---- Sigue la publicación en: Newsletter diaria: http://newsletter.mixx.io Twitter: http://twitter.com/mixx_io o sigue a Álex directamente en: http://twitter.com/somospostpc Envíame un email: alex@barredo.es Telegram: https://t.me/mixx_io Web: https://mixx.io

Racismo en México: ¿Qué se entiende por población afromexicana o negra?. Luis Fernando García director de R3D habla sobre las 21 antenas de espionaje en la CDMX. Isla Urbana nos plantea la posibilidad de captar y recuperar el agua de lluvia.

Esta semana Las Provincianas tuvieron a Grecia Macías, abogada en R3D (red de defensa de los derechos digitales), para platicar sobre cómo nuestro internet peligra y es URGENTE hacer algo al respecto. Vayan a www.salvemosinternet.mx y envía tu queja, tu voz importa, que se escuche.

Luis Fernando García, Salvemos Internet, R3D. Gastronomía con Issa Plancarte. Ganadores del Oscar.

Entrevistamos a Margot Robbie, Mary Elizabeth Winstead y Jurnee Smollett-Bell por el estreno de Birds of Prey. Además, Luis Fernando García, R3D. Olimpia Coral, Feminista.

Episode 4 - Cinematography with Karl Jenner Check out Karl's work here http://www.digitalrealm.com.au/Give Karl a follow https://www.instagram.com/karljenner66/ Transcript for our hard of hearing/deaf listeners Gareth Carr:Hey everyone, welcome to Action Cut and Everything in Between, episode number four. Today on the show, I've got Karl Jenner he was the director of photography on my film, my 50 man. And he's also just completed his own feature film called guilt. So we're going to jump right in and we're going to listen to the power of cinematography and the impact that it has on your movie. Gareth Carr:All right, so Karl Jenner, welcome to the show.Karl Jenner:Yeah, thanks for having me.Gareth Carr:That's all right. So you've just shot my film, Life After Man and your own feature film, Guilt. But how did you get to the point where you are now? Tell us about your journey over the years.Karl Jenner:For me, I actually started photography, underwater photography back in the day and always had a fascination with photography and cinema and anything creative, graphics and things like that. But my passion for diving led me into photography and I taught underwater photography. And through my diving, I worked on films and TV commercials, mainly doing a lot of underwater safety work, but some shooting as well. And I met up with an old character who shot documentaries on 16 mil. He used to build his own underwater housings and being working in the dive shop, we just chatted and I used to go out with him and we'd test all these housings and shoot all this underwater footage and things like that. And we ended up doing quite a bit. And then I just got hooked into filming and that kind of led me into where I am now.Karl Jenner:So just you know, an interest of anything creative in the photography field. And I worked on TV shows and did some big camera operating and shooting and eventually people asked me to shoot stuff for them, mainly corporate videos and corporate training and lots of this stuff. And I decided one day I'll just branch out on my own. And I had a very primitive set up back in the day with an older Amiga computer and an old video camera and an old VHS deck and a very primitive gen lock, which enable me to overlay graphics onto tape and just glue all this stuff together. So I had a very kind of early technical background in filmmaking. So this kind of led me from there. And just as the technology grew, I just grew with the tech. But I have to say, I got a bit disappointed with cameras, especially video cameras of how terrible quality they were.Karl Jenner:So I actually stopped shooting for quite a number of years and just got myself heavily into post production. And always had a fascination with visual effects, so I taught myself visual effects. I've done 3D animation ever since the very early days where you could do it on a home computer and actually wrote software out of a book, a Ray tracer that's how nerdy I was, and learned computer graphics that way. And then starting with my post production editing and graphics and visual effects work, I just spent years helping other people make their films and eventually the 5D Mark III came out. And so my interest then was piqued to get back into shooting. And so I bought a 5D Mark II and shot that with that.Karl Jenner:And then my passion just ignited from there and I've just been full steam ahead ever since, the shooting, shooting, shooting. Because now I can actually, what I have in my head or had in my head, I could actually get on screen. And so that's, I'm a bit of a perfectionist in a way. So I always hated those cameras and the look was horrible and everything was horrible about them. But the modern tech enabled me to get my creative vision that I had in my head across and we launched from there. So I just hung around with cameras and lenses and things like that and just became creative. So that's my journey in a nutshell.Gareth Carr:Yeah, that's awesome. So it was pretty much the DSLR revolution and the 5D Mark II that got you to where you are today?Karl Jenner:Yeah, pretty much. Probably, maybe a little bit earlier with the mini DV. I had a, I can't remember what it was, it was Panasonic FS 90 or something like that. And then I shot some, I actually shot a series for Fox Sports on old sports stars and where you actually use that little camera. And that kind of got me there, but I never used it to shoot really any kind of anything of significance. You know, I did my corporate work and stuff on that. But even when the price of cameras, like Digi beaters were astronomical and then they're crappy. So it wasn't until the 5D Mark III came out that I thought, "Nah, I can now get some focus separation and do all that fancy stuff that what kind of gives it that cinematic look." And it was at an affordable price, so there you go.Gareth Carr:Yeah. So since since the 5D, what cameras have you used or owned from that point to get to where you are now and tell everyone what camera that you're using now?Karl Jenner:Okay, well I bought a second hand 5D Mark II and then I had a 70 as well, and I was shooting quite a lot with that. And then the thing that made me kind of migrate up was the audio. The audio was always a challenge and post syncing though it was achievable, it was always fraught with danger. And so I built out a rig and it was like a big Franken monster just to get audio out, proper professional kind of audio with XLRs. And I had pre-amps and all these sort of things stuck in there. And it was just so many points of failure and always that fear in the back of your mind when you're on a big job that something was going to go really wrong. And then you'll get back to the studio and someone hadn't hit record or some, there was a hiss or a hum or something would just destroy it.Karl Jenner:So it was just this fear. So that's when Canon C100 came out so I was very interested in that camera. And then working with other DPs, I know a good DP friend of mine, Tom [Gleason 00:06:58] Had a RED Epic at the time and he also had a RED One and we did a lot of early testing on just some VFX and we shot some stuff on his RED One. So I was very familiar with the RED format and the difficulties in the early days of the R3D Kodak. But you know, being a bit of a tech head, I could get around all that. And I helped a lot of other companies deal with their workflows with the RED camera. But the C100 was in my price range, but it was only 1080p had Canon log on the camera, which is again it was interesting but I could see that the world was moving to 4K pretty quickly and then you could get 4K out the C100 I think, but you had to buy an extra module. And that price-wise, that pushed it up into the RED Scarlet range.Karl Jenner:So I started to look at the Scarlet as my next camera. And I, being familiar with the Red Epic of Tom's camera, I just thought the Scarlet is probably the way to go. It had 4K native, it had R3D, which is really the major selling point of the RED camera. So I jumped into that and I bought a Scarlet and I had, all my lenses went with it. Because I had a lot of Canon lenses. So I just bought a camera mount for it and for about the same price as the fully kitted out C100, I bought a RED Scarlet at the time. But it was based on the MX sensor, it was a great sensor, at the time it was probably the best one around, but it aged pretty quickly.Karl Jenner:And so I shot with that camera for about two years and it's enabled me to get on bigger projects, bigger, more high end stuff, shooting more high end projects. So that enabled me to basically, that camera paid for itself. And once you're in the RED ecosystem, you can actually, RED will buy your camera back and offer an upgrade path. And I think their mantra is obsolete, obsoletion, obsolete or something like that. And so I jumped and bought the Epic, which still was an MX sensor, but enabled me to shoot 6K and had all the goodies on that. And it wasn't compromised in any way. So I jumped to that. And then about probably 18 months, I had that camera and then they had the Dragon sensor come out and that was a beautiful sensor and still probably one of my favorite kind of looks in the RED line as sensors go.Karl Jenner:And so I used a lot of my money from that camera to buy that sensor. So I've got a sensor upgrade on that, which wasn't cheap, it was about $20,000 I think Australian. So it was serious money. But the camera was paying for itself. So I was kind of at a break even point by then. And I had the dragon for a good two and a half years I think. And that was a work horse, that was a real workhorse. Loved the look of it, that was just a tank. It was a bomb proof camera. Went through everything with me. And then, I then jumped to Epic W, which is then based on the HELIUM sensor. Again, I would've probably stuck with the Dragon for a lot longer.Karl Jenner:But the new form factor and all the new goodies that we're going in. And that's where they were going. And they offered a very good upgrade path. So I jumped on that. And so currently I shoot with the HELIUM 8K, which is basically the 8K Weapon. And that's my current camera. I don't know if I'm a RED fan boy or anything, but I'd be pretty camera agnostic if someone shoved a good camera under my face, I would use it, and that. But you use what you can afford. And fortunately I worked my way up into that camera over about five years. And that's the tool I've got. And it's, for somebody starting out, it's way out of most people's price range. But if you did what I did, you just start small and just build up and build up. But my God, the iPhone now shoots amazing pictures. So you know you can have a good camera. It's in your pocket.Gareth Carr:Yeah. Now we, well you shot both our films in 8K. Do you think that that's the way the industry is going and where will this resolution battle or war, where will it end and you know, what's the advantages that you found with shooting 8K?Karl Jenner:Okay. 8K yeah. I think 8K is where it's all going to go because TV manufacturers need to sell TVs. From a broadcast point of view, 8K is probably a long, long way away from a lot of broadcasts, especially in the country like Australia where some of the cable channels are still on standard def. Because it's cost prohibitive just to get in to HD. But as an acquisition format and a future proof your work, 8K is probably a good place to be. The reason I chose to shoot 8K for our projects was two fold, one is, it maximizes the full width of the sensor on the camera without having to go to [inaudible 00:12:30]. Because the way that the RED camera works is that you can have multiple resolutions but it's a sensor crop when you start to lower the resolution.Karl Jenner:So if you got down to 6K or 4K, it crops in on the sensor so you lose a little bit of the width of the sensor. Potentially compromising ... You got all those pixels that you paid for so you might as well use them. So I shoot 8K 2:1 which on the RED camera it's Super 35 but it's actually a little bit larger than a super 35 sensor. So on any of my lenses, I just want to maximize the width of that sensor. And 8K 2:1 gives me the full sensor across, because we shot the films with looking at doing a 235 output because you know, more cinematic. I just put up the frame guys for 235 and we just shot and framed everything within those guides.Karl Jenner:And it gives us the ability then to in post, just to do reframes and move, give people more head room if you feel like it, or lower the head room and that. But I'm not frightened of the 8K workflow and that. In fact my system here that I use, is not particularly powerful. I've got a five year old iMac Pro, 5K iMac. And I've just got a normal spinning backup drives but with a fast rate because I use Final Cut Pro just use their proxy workflow. And I barely touched the actual full res files which just sit on my drive and I've just got the proxy files sitting on my hard drive and I don't really have any slow kind of paid playback or anything like that. I've never had a glitch.Karl Jenner:I get perfect editing speed and I've got effects and layers and all that sorta stuff that all plays back in real time. So the workflow is not an issue with these computers, even a five year old iMac. But the ability to reframe, maximize the width of the sensor just gives you more possibilities and stuff. And I love the RED R3D which is really its signature selling point to have that, to have the ability to go in and when you're on set just to ... Because we're moving so quickly, we don't have a lot of lights or equipment, so difficult lighting situations or shooting in very low light, I can just, I know how to use the tools on the camera. So I just look at my histogram on the camera. I can look at the, I've got a little, a short cut to look at the raw sensor data so I can see what the sensor's seeing and if I can see detail in there and I can double check that across with my histogram and my tools, I'm pretty confident that I've got exposure I can work with in post.Karl Jenner:So when it comes back to post I can with the R3D I'm not locked into ISO or any of that stuff, so I can change that to do shot matching from shot to shot. Because I'm flying around the ISOs all the time just to try and get exposure as I need. I don't kind of lock myself into an ISO like some DPS will just say, we'll shoot 800 and that's it, the whole. But once you're so quickly and I need to get a stop or two stops and I don't have time to change an ND or anything like that, all right. And I do want to shoot fairly wide open most of the time one, five to two, eight is usually where I'm living.Karl Jenner:Sometimes I have to use an ISO change just to get those extra stops of light that I need. And I know that I can go in back into the R3D and change all that data if I need to. And you know, it's worked so far, so I'm pretty happy with that. That's why I think I liked the RED camera, just that flexibility and that bit of a safety net.Gareth Carr:Yeah, that's awesome. And Guilt and Life After Man both looking incredible. And I'd say, do you have a favorite shot now that you've edited Guilt and it's almost at it's kind of screener stage, do you look back through and you've got like a favorite shot from the film?Karl Jenner:For me I like all when the camera's moving. I don't think I've got a particularly favorite shot because the nature of the films that we've made, we're just moving so quickly. So I kind of have an idea of how I want the shot to go. But usually it's almost like shooting cinema verite in like you're making a documentary, you've got your actors all kind of lined up And as a DP you're looking for, trying to create some three dimensionality in your shot with a bit of separation and not having a large crew or a truck with any real light control and stuff. So it's really just kind of placing your actors very quickly, looking through my viewfinder and trying to find the best kind of composition and how to move and how to move the lighting that we've got into position and then snap that shot and then moving onto the next.Karl Jenner:So every shot was in a way a little bit challenging because a lot of the locations we would just walk in and we've got to figure it out on the fly. And so I think overall I'm pleased with pretty much all the shots because thinking back on how we got them, there's always kind of a pleasure. And at the time when you're shooting it, you're thinking, oh, I hope this works. And then you get back in the edit suite and you look at and think, "Okay, that's pretty good, I'm really happy with the results." But anytime I can get the camera moving, especially on the gimbals or little cheats or whatever, like we did sitting on the back of your truck, driving at 60 kilometers an hour hanging out the window, and those shots kind of worked.Karl Jenner:They are kind of like, wow, that's actually, yeah, that actually is really good. We got away with something and a lot of people will never know how it was done and think, wow you must have had a techno crane or some weird piece of gear. But it was really just gaffer tape and muscle power that gets the shot. So, yeah. So, yeah, no particular shot, but I'm pleased with how all the shots kind of come out. In Life After Man, I think probably my favorite shot is the horse shot with the sunset. You know, bomb it along with a gimbal that's at that breaking point, hanging out the window with the sun dropping and looking in the viewfinder, I could barely see thinking, I hope this is in frame and everything just lined up at the right time and it works.Gareth Carr:That's good. That's an awesome shot. I love it. So what advice would you give to people who want to shoot their first feature film? I know you said about starting small with your cameras and working their way up, but what about conditions to avoid? Like what's the most difficult conditions you'd say to shoot in and to avoid writing them into your script?Karl Jenner:Probably would be like shooting in the rain because rain has it's own kind of problems. Not for the fact that you don't want to get your camera wet, but you can be shooting in the rain in one direction and you can't even see it. Because you have to backlight rain to really see it. And then you turn it around to get your other coverage and suddenly it's bombing down with rain and you can see it. And then so when you go back to the edit suite and you're cutting, it's raining in one shot and not in another, even though it was raining. So I think above all, I think the biggest advice for anybody starting out in making a feature is control. You know, keeping control, having control of your set. Especially if you're using outdoor locations.Karl Jenner:And making sure you get the permissions and all that sort of stuff to shoot because there's nothing worse and we've experienced it, you know, when your guerrilla-ing and stuff that someone's going to kick you out and you've spent half a day getting all these shots and suddenly you can't even finish it, the work that you set out because you can't get access again and stuff. So having control and knowing that you can go in and you can block, you can work with your actors and get the shots and walk away at the end of the day. So above all it's control. And that control might have to spend money to get that by hiring a location and stuff. But the other things is just preparation.Karl Jenner:I think the thing with Guilt, even though we've managed to make a film, we were so time poor and we were always racing and that, because we had constraints before going in. We had a script and the script could have done with a few more revisions and stuff because we couldn't get the actors together to give them the words and then you want to hear those words by actors and then you can make those little changes. And if you get that script down and then you get on set, everybody knows what they got and you're not sitting there debating a bunch of dialogue. Because all that stuff's been done and then so you can get on set and everybody's on the same page. But if you try to make it up, that's always fraught with danger because then you end up with big continuity problems. So proper preparation prevents piss poor performance. So we weren't particularly prepared and we really paid for it at the end.Karl Jenner:And we were as prepared as we could with the time that we would given. But I would have love a bit more prep. And the thing with guilt is that was only myself and the main lead, Janet finding locations before we shot. So literally we spent two weeks finding all the locations for the film. So by the time we even got to the film where we're already knackered just by that sheer workload. So having people that can find your locations and do all of that paperwork and get all those permissions. And it was really myself, Janet and Lindsey doing a lion's share of the work even before we got to the shoot. And Lindsey, you know, she was based in Melbourne so she couldn't help out in that department. So she was doing as much of the prep work, getting on the phone, giving us permissions, doing all that sort of stuff.Karl Jenner:And then I was doing, up here, doing all the leg work, finding locations, negotiating with people, things like that. So by the time you get to that first day of shooting, you're completely knackered and you need to be fresh as a daisy because once those cameras roll, it's if you're shooting a big block, it's ... For us we shot for 15 days pretty much straight and after 15 days you are completely floored. And so yeah, script. Get the script right and be properly prepared. Cameras are irrelevant at that point. Get a good camera obviously to shoot your piece. But that's, you get a good DP, actually, he should come with his camera and not worry about all of that stuff. So look at your script to break it down, work out your scenes, get your actors together, do a script read, then get to set and everybody is on the same page and prepared to work. Because I think a lot of people in with short films start out on that adventure of making a film and it just gets bogged down in detail and everybody loses sight of what the end goal is and everybody loses direction and it only becomes too hard.Karl Jenner:And you end up, people walk away and I think a lot of films are never finished because it does get hard. And that can all be eliminated in the beginning if you're prepared. And for anybody out there who's going to be a director or the writer, producer, director, you just got to have tenacity and you got to fight every day to get your script done and stuff. But at the end of the day, it's worth it because I forget about all the pain now. I remember from your film, how many days we spend freezing cold on that farm. And it's worth it at the end of the day. It's like, you look at the fruits of your labor and you look it up on screen and you forget how you did it. In fact, I think I look at 80 and 90% of it thinking, I don't remember shooting that stuff. And that's what makes it worthwhile because then you just become an audience member and you can watch it.Gareth Carr:That's it. Sit back and enjoy the fruits of your labor. Yeah.Karl Jenner:That's it. And knowing that you've done it, it's just that sense of accomplishment because I think a lot of people want to go make a movie, but a lot of people don't even try because one, because a lot of people tell them it's too hard and you'll never succeed. And the other is that they do try, but they don't realize the burden or the amount of work that they're going to have to do. And that puts them off and stuff. But if you really want to do it, you'll do it and you'll do anything to do it. but it is worthwhile at the end of the day, even though you'd probably be poor at the end of it.Gareth Carr:That's it. You'll have no money but it's worth it. No, it's great. Such good advice. So where do you see now the future of cinema heading? I know we had 3D a couple of years back that seems to have died its death now, and then you've got kind of your 360 and AR now. Do you think that's going to take over or do you think the way cinema is, is it's here to stay?Karl Jenner:I think, personally I don't think you can beat the current cinema experience. I think 360 has its place, but I don't think it's an entertainment platform. I was involved not so long ago in doing some 360 tests for narrative with some good friends of mine. I was actually a little bit cranky and stuff because we've been talking about making films for so long and then 360 comes up and it's, oh we'll do 360 and I'm like kind of saying we just spent five years solving all the other problems. So now we've got all the cameras, I've got all the gear, we've got everything, we should be making a film and now you want to go solve a whole another set of problems, you know?Karl Jenner:And I said, let someone else figure that out. And I can't, personally don't want to sit in a room with a big headset on to have watch this movie. I think it'd be great as an experience. Just to go in, especially if it's like a good ghost story, a short film or whatever. But I don't think as a filmmaker I want to have people sit in a cinema and then look all around the room. As a filmmaker you want to ... But I've put something over there, there's the clue and then you've got somebody's looking at the back of the room because, that looks interesting. But I did read some statistics with 360 and it was like the first, and these were videos that were on YouTube and you can look at the analytics and this is why I'm always having these big discussions about doing 360. And it kind of transpired that it was usually the first 30 seconds people would look around, and then their vision would be usually where we watch movies because the experience was over and stuff.Karl Jenner:So they started to watch the movie where it was supposed to be. So it's like, but you went to all this effort to make this 360 movie. But the other issue with 360 movies are, where do you put the lights? Where do you put the crew? Everybody has to hide behind trees or duck behind cars. And you know, it's just like, no, no. 3D's again interesting, again an experience kind of movie. I think it's great for animation and things like that. 3D movies don't make me sick at all so I can put the goggles on and watch it and it doesn't bother me. So I can enjoy a good 3D movie and that. But going for, that's for high end productions. You got to have the dollars to do it.Karl Jenner:And most movies now aren't shot in 3D, they shoot with just one camera and they just dimensionalize them after the fact and stuff. I have been involved in doing some early 3D testing and things like that. And I've got some very good friends, Alpha geeks that worked on that stuff. And Yeah. But again, died a death, because I think people just want to go to the movies, pay their 10 bucks or 15 bucks, have that popcorn and just enjoy something and just be transported somewhere else and stuff. So yeah, putting on the headset and it kind of isolates you from the person next to you as well if you're wearing a big headset. So.Gareth Carr:Yeah, you might as well just sit at home-Karl Jenner:Sit at home.Gareth Carr:... and do that.Karl Jenner:Yeah. Yeah. So yeah, I think the way we're shooting movies now, even high frame rates, I don't like high frame rates. I think 24 looks really nice. There's a big push to have all those TVs, the DPS from Hollywood all want those TV's to come with the default off of that super smooth motion they stick on the TVs because it makes your work look like a soap opera. So, yeah. So anyway, maybe I'm a traditionalist, but-Gareth Carr:No, no, I'm with you on this one. I like it, yeah. I like what you're saying. [crosstalk 00:30:52].Karl Jenner:... But also from a post side of view, I don't want to rendering out 24 frames at high res it takes a long time, I don't want to do 48.Gareth Carr:I know. Right? Listen, this has been awesome Karl. Like I hope this has inspired people to just get out there and make their feature and you don't have to have a RED, do you, to shoot a movie.Karl Jenner:No, right. There's some amazing, very cheap cameras out there that just cut your teeth on something that's achievable and eventually all that stuff will become available as you progress as a filmmaker. People want to work with you and all that high end gear will naturally kind of come with it. But at the end of the day, you can give someone a RED camera or an Arial or something like that and they can still make it look bad. So the camera doesn't mean a thing. I know it's cliche and when you own a camera, big camera and saying, Oh, you've just got to use the camera because everybody craving for that new, big toy. But yeah, essentially at the end of the day most of these lower end cameras, sub $5,000 cameras and make amazing images like your little black magic pocket cinema cameras, just that's an amazing camera .for less than $2,000 you can shoot a feature on that no problem. RED cameras and Alexis and things, they come with a whole life support team because you're just going to have so much stuff on them. You can make them lightweight, but you know when we're shooting, you so often, I don't have a big set up, but that was still heavy and to lug that around all day. So yeah, shoot with what you have, make good films. That's the way to do it.Gareth Carr:So listen, where can people see more of your work and see your back catalog of stuff that's brought you to this point?Karl Jenner:I don't really have a big social media presence, but just go to karljenner.net and that's my DP site. You can see some of the stuff and some of the shorts on there. A lot of my stuff is client work never really ever sees the light of day. And I'm on a Instagram as @karljenner66, @karljenner66. That's how much I use it.Gareth Carr:Well there you go. Check all those out and hopefully-Karl Jenner:I'm getting better.Gareth Carr:Yeah, you're getting followers. Well, after this you never know, you might get a couple more followers. We'll see.Karl Jenner:I might get 10.Gareth Carr:But no, this has been awesome. Like I've loved hearing about your story and the process that you go through to shoot and like I'm just blown away with how Life After Man looks and I think it's probably going to be like one of the best looking zombie movies of all time and I can't wait to see how Guilt goes and the journey.Karl Jenner:Yeah. I've basically just got the screener ready and the Looking really good. I spent the afternoon painting out logos. The tedious work that you end up doing. That's why I always say to people, you always start out with like two people, three people with an idea and then you ramp up to your shooting and you might have 20 or 30 people and then eventually one day it's you in a room by yourself. And it becomes a labor of love. And I'm a perfectionist and bit of a pixel peeper. So I'll go in there and fix stuff that I probably don't even need to fix, but it annoys me. So I want to fix it. But yeah. But the film's looking really, really good and the story-wise and everything came together and I haven't even done the grade yet or we haven't got a sound mix or anything like that.Karl Jenner:And I'm really, really happy and super proud of everybody that worked on it. And it was a bit of a journey to get there, but we got there in the end and I think when people see it, they'll actually be quite surprised because when you're shooting a film, it doesn't look like a film, you know? And I've always said that's one of the reasons I love to operate as a DP because when I look through the lens, I actually get to see the movie. It's extraneous of all the other things that are around, you don't see any lights stands, you don't see any other people standing around. And that I just look at the lens and look at the actors and once you get a good performance and you know it in your eye that you can see it happening and you know, you've got some good stuff and you'd just piece together the film in your head.Karl Jenner:And that's the same with Guilt. And same with Life After Man. I could see everything as I'm shooting it and stuff. So I knew when the edit came together exactly how it would look and how it would feel. And it's once you get into the grade and you start to really craft it and that's a bit I like as well is just crafting your movie and eventually you can sit back and it looks amazing and sounds amazing and you're chuffed to bits that you've actually gone ahead and done it and stuff. So. But yeah, I'm super happy. With your crew, I think life After Man, it felt like a little family, when we were tucked away on the farms and all the right remote areas and things like that we were filming in. And we had all these animals and horses and all those things and you really bond as filmmakers and I always think in my mind, it's just a bunch of crazy, crazy filmmakers in the middle of nowhere trying to make this film, and everybody else would be laughing at you for doing it, but you get a kick out of doing it because it's fun. And it's fun and it's tough, but it's well worth it. And that sense of camaraderie and everybody on the same trajectory and it's inspiring to see.Gareth Carr:Yeah. I feel like it's not just the movie, it's the journey that the people that you go on the journey with that makes it, makes the experience what it is.Karl Jenner:I always find, yeah, that first day that everybody meets, no one really knows each other and by the end of the journey you're all like best buddies. Or people that, they'd ring you up and say, "Hey, can you come and help me on my thing?" And you go, "Yeah, absolutely. I'll be there in a heartbeat," because they've shed blood for you kind of thing and then so you're willing to go to bat for them and they need you. And that this kind of level, where you do rely on a lot of favors and people giving up time and going out of their way and stuff. And you could use that going back to preparation for other people's films, just be mindful of people's time and try and schedule around that and stuff.Karl Jenner:Because the last thing you want is to piss your people off and just be mindful of all of that. Yeah, and you'll find the end of that journey you'll end up with some good relationships and then those people might get a really good gig and then bring you along with them. And that's how it all works. So, you never know. So the industry's too small to really piss people off.Gareth Carr:Yeah, definitely.Karl Jenner:Yeah.Gareth Carr:Well Karl, listen, this has been so good. And I hope everybody's taken a lot of information out of it and yeah, hopefully you all go on and just have the confidence to shoot your own films. So Karl, thank you very much.Karl Jenner:No worries. Pleasure.Gareth Carr:All right. Cheers mate.Karl Jenner:All right. See you.

The DJ Sessions - Featuring the best local, national, and world renowned DJ's playing live sets. R3D on The DJ Sessions "Rooftop Sessions" at AVA Queen Anne in Seattle, WA 3/30/19 About The DJ Sessions - We go LIVE every Wednesday at 6 p.m. PST. Be sure to follow us to watch our Silent Disco Saturday's and Sunday's in addition to our "Rooftop", "On Location", "Mobile" and "Secret Studio" Sessions happening every month. You can find out more information about our shows at www.thedjsessions.com/events. “The DJ Sessions" is an online/downloadable series featuring the hottest electronic music DJ's with live mixes and interviews, streamed live to a global audience. Check out the website: www.thedjsessions.com With over 1,500 episodes produced over the last eight years "The DJ Sessions" has featured international artists such as: BT, Simon Patterson, Darude, Morgan Page, Thievery Corporation, Sander Van Dorn, Jody Wisternoff, Benny Bennasi, Christopher Lawrence, Oliver Twizt, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Kalm Kaoz, Marco Bailey, Dirtmonkey, Beltek, Dyro, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Joop, Angry Muffin and many more. In addition to featuring international artists “The DJ Sessions” features local top talent from the home location of Seattle. Hundreds have been featured on the show such as: Pezzner, Johnny Monsoon, Fraktured, Karl Kamakahi, Sean Majors, Ramrio, Uniting Souls, 1LUV, De La Creme, In Motion Productions, Soft Option, Ocean Grooves, Keano Martinez, Darrius Washington, Micahel Mannahan, Compound Records, Tony Rockyhorror, and many more. We have also undergone a massive upgrade in our ITV LIVE studios and to our ITV LIVE Mobile Studio to full HD streaming and HD audio to make the quality of the shows even better than before. Along with that, we have launched a new website in June of 2019 that now features our current live streams and past episodes in a much more user-friendly social environment. About "The DJ Sessions" Distribution - "The DJ Sessions” is a Featured Partner on Twitch, their only regularly scheduled featured live streaming DJ show. The series has also been recognized by Apple twice as a "New and Noteworthy” podcast and has been featured three times in the iTunes store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream their platforms since its inception. The DJ Sessions is also streamed live to multiple other platforms and hosted on several podcast sites. The series has a combined live streaming/podcast audience is over 90,000 viewers per week. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com

40min snippet of 6h hour set played together with Efo, Finnish long term DJ and head honcho of Point Break and R3D club nights. Booth full of gear consisted of total 3 X1's, Technics SL1200, Xone92, Pioneer DJM900, F1 and Maschine, Clonk'd!

Colin is very excited to show you the newly acquired film finishing and color grading application SpeedGrade from IRIDAS. SpeedGrade contains powerful finishing tools to import EDLs from any editing environment and from there, conform, color grade and render out to multiple formats. For more helpful Adobe tutorials, visit Adobe TV,

Welcome to Episode 63 of "Peter and Omar's Arts and Culture Show". This week, Peter and Omar welcome Chris Mammarelli to the show. This is the first double (2x) (2) (two!) Bonus material episode in the history of the show. Just when you think it's wrapping up, absurd brilliance springs anew. Regarding Mr. Mammarelli.... Chris is a charismatic actor, director, filmmaker, director of photography, tech savant with a throbbing, hyper-intensity that takes the Peter and Omar lair by storm. As a proud college dropout, Chris mastered the tech world, excelling in the roles of a webmaster for a corporate undertaker (auction liquidation for bankrupt companies), to operations for a prominent national conference call company, to web marketing manager for a cochlear implant company, and finally to his own phone sex programming company. Sensing that Motion pictures are at the same tipping point that the music industry was at over a decade ago, Chris used his success in the tech world to amass a war chest that he is now unleashing to properly create films by his own rules. Mr. Mammarelli is the model for filmmaking in the 21st Century - fully embracing the bleeding edge of technology, using small, digital, savvy crews, and creating great content on small budgets. He was one of the first to receive a R3D Epic digital camera - the industry standard for long-form, digital feature filmmaking - a large feat for someone not affiliated with large production company or studio... On another note... After being in being present in Tokyo for the earthquake, tsunami and nuclear aftermath - Chris returned to raise money for Japan relief fund: https://picasaweb.google.com/109646301115959796032/JapanFundraiser . That life-changing event led to a sharpened focus to make the most of the opportunities before him and to make the most of the talents within. In his own words: "I fancy myself a ball-breaking asshole who is fiercely loyal which leads those who are no longer a part of my life to view me as fiercely vindictive. Italian blood for the win." Fasten your seatbelts for the double bonus material podcast ride of your life. Website: http://mammarelli.com Vimeo: http://vimeo.com/mammarelli Picasa: http://picasaweb.google.com/chris.mammarelli Twitter: @chrismammarelli

With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I'll show you how to link to AMA volumes, change the R3D source settings (such as ISO, color temperature etc.) within Media Composer, adjust the formatting and then transcode to DNxHD. Editorial note: I apologize for the bad audio quality in this and last week's podcast. Snow Leopard seems to reset my audio input gain now and again, but this way you finally know what quantization noise sounds like! Seriously, it'll get better next week. SHOW NOTES Avid System Recommendations for AMA (System Recommendations for Media Composer Feature Performance [365919]) http://avid.custkb.com/avid/app/selfservice/search.jsp?DocId=365919 Check out the blog entry for this week's episode: http://avidscreencast.com/asc36 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I'll show you how to link to AMA volumes, change the R3D source settings (such as ISO, color temperature etc.) within Media Composer, adjust the formatting and then transcode to DNxHD. Editorial note: I apologize for the bad audio quality in this and last week's podcast. Snow Leopard seems to reset my audio input gain now and again, but this way you finally know what quantization noise sounds like! Seriously, it'll get better next week. SHOW NOTES Avid System Recommendations for AMA (System Recommendations for Media Composer Feature Performance [365919]) http://avid.custkb.com/avid/app/selfservice/search.jsp?DocId=365919 Check out the blog entry for this week's episode: http://avidscreencast.com/asc36 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast

This is the first of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we'll convert R3D footage to DNxHD MXF files for offline editing. For this, we'll use Avid's Metafuze. Then, we'll quickly import the files into the Avid, so you can edit away! SHOW NOTES Avid Editing Products & the RED One Camera http://www.avid.com/red/ Avid / RED Workflow Guide http://www.avid.com/red/REDstepbystep.pdf Avid's MetaFuze http://www.avid.com/metafuze/ Avid MetaFuze 2.0 in a RED Workflow http://www.avid.com/metafuze/MetaFuze_for_RED_guide.pdf Alternate Workflow for Macintosh Environments Edit RED Footage in Avid Media Composer http://studiodaily.com/studiomonthly/currentissue/9261.html MetaCheater http://web.me.com/jabezolssen/metacheater/main.html Check out the blog enry for this week's episode: http://avidscreencast.com/asc08 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast The images in this episode were provides by Johanna Thiel. http://www.onhi.de

This is the first of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we'll convert R3D footage to DNxHD MXF files for offline editing. For this, we'll use Avid's Metafuze. Then, we'll quickly import the files into the Avid, so you can edit away! SHOW NOTES Avid Editing Products & the RED One Camera http://www.avid.com/red/ Avid / RED Workflow Guide http://www.avid.com/red/REDstepbystep.pdf Avid's MetaFuze http://www.avid.com/metafuze/ Avid MetaFuze 2.0 in a RED Workflow http://www.avid.com/metafuze/MetaFuze_for_RED_guide.pdf Alternate Workflow for Macintosh Environments Edit RED Footage in Avid Media Composer http://studiodaily.com/studiomonthly/currentissue/9261.html MetaCheater http://web.me.com/jabezolssen/metacheater/main.html Check out the blog enry for this week's episode: http://avidscreencast.com/asc08 Follow me on Twitter: http://twitter.com/avidscreencast Become a fan on the Avid Screencast on Facebook: http://facebook.com/avidscreencast The images in this episode were provides by Johanna Thiel. http://www.onhi.de