Podcasts about teatro la fenice

Una volta Vittorio Gassman disse: “L'attore è un bugiardo al quale si chiede la massima sincerità”. E aveva ragione. Fonti: estratti dal film "Amadeus" diretto da Miloš Forman nel 1984 e disponibili su YouTube; video "Mozart - Requiem in re minore kv 626 (Claus Peter Flor )" pubblicato sull'account YouTube del Teatro La Fenice il 30 novembre 2021; estratto del video "Storia e musica di Wolfgang Amadeus Mozart" pubblicato sul sito di Sky Arte, estratto del film "The Social Network" diretto da David Fincher nel 2010 e disponibile su Youtube. Learn more about your ad choices. Visit megaphone.fm/adchoices

Un viaggio nel mondo delle ghost stories classiche britanniche e delle bed time stories a tema natalizio, attraverso una rielaborazione della popolare e inquietante novella ottocentesca La storia della vecchia balia della scrittrice inglese Elizabeth Gaskell a cura di Giacomo Sette.

DescriptionLa Traviata in 60 seconds. Take a minute to get the scoop!Fun FactGiuseppe Verdi's "La Traviata" premiered on March 6, 1853, at the Teatro La Fenice in Venice. Initially, the opera faced a lukewarm reception due to its controversial subject matter. However, it quickly gained popularity and is now one of the most beloved and frequently performed operas worldwide for its poignant story and beautiful music.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Recently, I chatted with author Sophia Lambton about her book, "The Callas Imprint: A Centennial Biography". If you are a fan of Callas, which I am, this book offers you a deep dive into her life, born from extensive research, debunking popular theories and offering an authentic portrayal. Twelve years in the making "The Callas Imprint" reaps never-before-seen correspondence and archival documents worldwide—closing in on the self-contradictions of Callas, her attitudes and habits with empathic scrutiny. It swivels readers through the singer's on- and offstage scenes and flux of fears and dreams... the double life of all performers. Please enjoy!To order on Amazon, visit.Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964  c/o Warner Classics[Maria Callas' final appearance on the operatic stage was in Tosca ​at Covent Garden's 1965 Royal Gala. ​​​For many opera lovers, Maria Callas and Tosca's Vissi d'Arte ​are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, ​​​​her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in  1964 and is one of just many jewels in the Maria Callas Live edition.] __________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Private Water Taxis: Navigating Venice's Waterways in StyleVenice is comprised of an intricate network of canals. For a truly luxurious experience, opt for a private water taxi to whisk you away to your destination. Glide through the shimmering waters of the Grand Canal, passing historic palaces and ornate bridges, as your knowledgeable guide tells the tales of Venice's storied past! Private water taxis typically cost 70-80 Euros and are well worth the ride.Hotel ai Cavalieri di Venezia: A Luxurious RetreatUnwind in style at the Hotel ai Cavalieri di Venezia, a luxurious boutique hotel nestled in the heart of Venice's historic center. Indulge in elegant accommodations adorned with sumptuous furnishings and modern amenities, and savor exquisite Venetian cuisine at the Hotel's gourmet restaurant. With its impeccable service and prime location, Hotel ai Cavalieri di Venezia offers the perfect base for exploring all that Venice has to offer.Mask Stores: Unveiling Venice's Carnival TraditionStroll through Venice's enchanting mask stores, which hark back to the city's famous Carnival celebrations. In addition, you can explore the narrow alleys of this "City of Mazes" to discover hidden gems where artisans craft exquisite masks using traditional techniques passed down through generations. Whether you're seeking a whimsical souvenir or a stunning piece of wearable art, Venice's mask stores offer something for every taste. Shopping: A Venetian Retail TherapyIndulge your inner shopaholic as you meander through Venice's charming streets lined with boutiques and artisanal shops. From high-end fashion boutiques showcasing Italian luxury brands to quaint artisan workshops selling handcrafted goods, Venice offers a shopping experience like no other. Treat yourself to Venetian lace, Murano glass jewelry, or delectable Venetian delicacies. Venice is the perfect place to find a souvenir. This way, you can remember Venice long after you've returned home. My favorite souvenirs from Venice were a porcelain blue and gold mini mask I bought the first time I visited and a matching red and gold leather crossbody purse and wallet, which I was gifted by family members who visited Venice.Basilica di San Marco and Doge's Palace Tour: A Glimpse into Venice's Glorious PastStep back in time as you explore the iconic landmarks of Venice, including the magnificent Basilica di San Marco and the imposing Doge's Palace. Marvel at the intricate mosaics adorning the basilica's façade, depicting scenes from biblical tales and Venetian history. Then, venture inside to admire the opulent interior adorned with shimmering gold leaf and precious marbles. Next, embark on a guided tour of the Doge's Palace, once the seat of Venetian political power, and immerse yourself in the grandeur of its ornate chambers and lavish frescoes.Private Gondola Rides: Romance on Venice's CanalsNo trip to Venice would be complete without a romantic gondola ride along its tranquil waterways. Snuggle up with your loved one as your gondolier serenades you with melodic Italian ballads, offering a unique perspective of Venice's iconic landmarks bathed in the golden light of dusk. Opt for a private gondola ride for an intimate experience that promises to create cherished memories that will last a lifetime.Theater La Fenice: A Cultural ExtravaganzaImmerse yourself in Venice's vibrant cultural scene with a visit to the illustrious Teatro La Fenice. Renowned for its spectacular opera performances and classical concerts, La Fenice promises an unforgettable evening of artistic excellence. Marvel at the theater's opulent interiors adorned with gilded stucco work and intricate frescoes as you enjoy a captivating performance by world-class artists. If you don't have time to see a show but still want to visit the gorgeous Teatro, you can take an audio tour.Concerts at Vivaldi's Four Seasons: Musical Magic in VeniceFor music aficionados, a visit to Vivaldi's Four Seasons promises an unforgettable auditory experience. Situated in the heart of Venice, this historic venue hosts a series of concerts showcasing the timeless works of the legendary composer Antonio Vivaldi. Lose yourself in the sublime melodies of Vivaldi's masterpieces as you bask in the intimate ambiance of this historic concert hall.Murano Glass Factory Tours: A Fascinating Artisanal TraditionEmbark on a journey to the nearby island of Murano to discover the centuries-old tradition of Murano glassmaking. Witness skilled artisans at work as they transform molten glass into exquisite works of art using age-old techniques passed down through generations. Marvel at the dazzling array of glass sculptures, chandeliers, and jewelry on display, and perhaps even purchase a one-of-a-kind piece to adorn your home.A Day Trip to The Colorful Fishing Village of Burano: A Photographic ParadiseEscape the crowds of Venice and venture off the beaten path to the picturesque island of Burano. Famous for its vibrant pastel-colored houses and intricate lacework, Burano offers a tranquil retreat from the hustle and bustle of the city. Explore the quaint streets lined with charming cafes and artisanal shops, and don't forget to capture the postcard-perfect scenes that abound at every turn.Venice captivates the imagination with its timeless beauty, rich history, and vibrant culture. Whether you're gliding along its tranquil waterways in a private gondola, exploring its iconic landmarks, or immersing yourself in its rich art and music scene, Venice promises a truly magical experience that will linger in your memory long after you've bid arrivederci to this enchanting city.

Il Giustino RV 717 is a 1724 opera by Vivaldi set to a libretto by Nicolò Beregan, also set by Albinoni and Handel. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica.The aria of Anastasio, Vedrò con mio diletto, has become a famous piece sung at concerts and on recordings by countertenors such as Philippe Jaroussky and Jakub Józef Orliński and by contraltos as Sonia Prina. Sinfonia of Act I, Scene V, is also used by Vivaldi as the main motif of the first movement of La Primavera ("Spring") from his concerti The Four Seasons.The opera was revived in modern times in 1985 in a production directed by Alan Curtis and performed at the Teatro Olimpico in Vicenza, at the Opéra Royal of the Palace of Versailles, and at the Teatro La Fenice in Venice. According to data reported by Le magazine de l'opéra baroque, a subsequent performance in concert form was held at the Mégaron Musikis in Athens in 2007, while a further revival on stage, for a total of twelve performances, took place, between 2008 and 2009, at the Oldenburgisches Staatstheater.In July 2018, a concert performance was given at the Festival International d'Opéra Baroque de Beaune — with the Accademia Bizantina conducted by Ottavio Dantone. In August 2018, a full costume version of Il Giustino, directed by Deda Cristina Colonna and conducted by Peter Spissky and the Camerata Øresund, figured as one of the central pieces in the Næstved Early Music Festival.

A cura di Paolo Pellegrini Puccini – TurandotAnna da Cavalieri (Turandot) –Daniele Barioni (Calaf)Maria Chiara (Liù)Giuseppe Modesti (Timur)Orchestra del Teatro La Fenice di VeneziaArmando La Rosa Parodi – Direttore

Summary: Ciao, bella! Welcome to the first stop on our Summer Jetset Series - Italy! Today Devin and Holly visit Venice and Positano together to understand the close relationship between love and death in Italy. Since the time of Shakespeare, the country has been a place of passion in literature (second only, perhaps, to France). They agree that regardless of your prior experience visiting the country, novels set in the country are always vivid, intriguing, and colorful.  Topics Discussed: The Dagger (4:19): Holly discussed Death at La Fenice by Donna Leon, a crime fiction novel set in Venice featuring the fictional hero Commissario Guido Brunetti. The book opens at the end of intermission at Teatro La Fenice; the conductor, Maestro Wallauer, has been poisoned and is dead on the floor of his dressing room. Holly's key takeaways were: The mystery of who killed the Maestro is a slow burn through the book. Brunetti's tactics are conversation focused, and the novel is the opposite of a templated popcorn thriller. That being said, it came together very effectively by the end.  Leon has lived in Venice for years and brought her experiences to the page; we get great behind-the-scenes looks at the Venetian opera house, excursions by canal around the city, and a colorful cast of Italian characters (most of whom are constantly smoking and drinking coffee)  This series is the Italian cousin to the Bruno Chief of Police series set in southern France; if you're a fan of Louise Penny you'll also likely enjoy these books!  The Heart (17:35): Devin discussed One Italian Summer by Rebecca Searle, a novel set in Positano that follows Katy Silver on a vacation that was intended as a mother-daughter trip. When Katy's mother dies before they can make it to the Amalfi Coast, Katy's entire sense of reality and herself is turned upside down. She is unsure if she wants to stay in her marriage, and uses the vacation to get some space. Devin's key takeaways were: This is essentially a time travel story; once Katy arrives, she meets her own mother (Carol) at 30 years old in the summer she had spent in Positano before meeting her husband and settling down. The time travel element isn't fully explained and the reader is left unsure of how Katy travels back and forth across decades (best not to think too hard on this and just enjoy the story).  Searle explores this mother-daughter relationship in-depth through the novel. Katy has a romantic fling as well, but ultimately the book posits that Carol is her soulmate. Katy must learn how to reframe herself as an individual, instead of as a bonded pair with her mother.  Regardless of the plot holes, this novel had such vivid descriptions of Positano, the hotels, the hills, the restaurants, even Katy's outfits, that the reader is fully drawn into the Italian adventure. The sense of place could not be stronger.  Hot On the Shelf (38:34): Holly: Decent People by De'Shawn Charles Winslow Devin: In the Lives of Puppets by TJ Klune What's Making Our Hearts Race (41:15): Holly: Libro.fm  Devin: Ted Lasso Season 3    Instagram: @heartsanddaggerspod Website: www.heartsanddaggerspod.com   If you like what you hear, please tell your friends and rate and review us on Apple Podcasts and Spotify so that we can find our perfect audience.

A cura di Paolo PellegriniGiuseppe Verdi - Attila Attila, Boris ChristoffEzio, Lorenzo SaccomaniOdabella, Maria ParazziniForesto, Francisco OrtizUldino, Guido FabbrisLeone, Ledo Freschi Coro e Orchestra del Teatro La Fenice di VeneziaBruno Bartoletti, direttore - 1976(LI)

Giulio Wilson e gli Inti Illimani saranno in concerto a Senigallia al Teatro La Fenice

DescriptionRecently I came across a fabulous Spanish Concert Pianist on YouTube, by the name of Juan Pérez Floristán. He was playing the Prokofiev Piano Concerto No. 1—one of my favourites. Watching him play had me literally jumping out of my seat. So, I decided that I've really got to chat with him. And I did, from his home in Spain. Juan's websiteJuan's YouTube ChannelTócala otra vez Juan (Play it again, Juan)My Note: I checked it out and watched (with subs) his analysis of Rachmaninoff's Second Concerto. It was fun and informative.

Livia Camargo ou “Tiça Camargo” Visagista e caracterizadora atuante há onze anos no mercado artístico (teatros, TV e cinema), especializada na produção de óperas, balés e grandes espetáculos. Em 2011 iniciou nas Óperas com “O menino e os sortilégios” com direção da Livia Sabag no Theatro Municipal de São Paulo. De 2013 a 2015 assumiu as temporadas líricas do Theatro Municipal de São Paulo – onde a partir de 2016 passou a ser visagista residente. Em 2017 realizou intercâmbio para o Teatro Colón, Buenos Aires (Argentina). Realizou mais de 50 produções de óperas entre elas, as mais recentes “Sonho de uma Noite de Verão” com direção de Jorge Takla, no Theatro São Pedro e “The Rakes Progress” com direção de Maria Thais e Julianna Santos no Theatro Municipal de São Paulo. Atua há 9 anos com treinamento e preparo de jovens da periferia para inseri-los no departamento de visagismo e caracterização, bem como treinamento e preparo do elenco artístico através de oficinas e cursos de formação livre. Desde 2019 realiza um projeto de workshop de visagismo, em parceria com a EMESP, para os alunos da Academia de Ópera do Theatro São Pedro. Em 2020 ministrou o curso “Maquiagem Artística para a Ópera”, realizado no XIX Festival de Ópera do Theatro da Paz. No universo da dança realizou diversos títulos com o Balé da Cidade de São Paulo, sendo o espetáculo “Transe” de Clébio Oliveira o mais recente estreado e com a Cia Quasar de Dança e Cia K, com o espetáculo “Lenda das Cataratas”, que teve sua estreia mundial pelo Itaipu Binacional no Pavilhão Brasil na Dubai 2020 Expo, nos Emirados Árabes em 2022. Atua também na criação, produção e fabricação de adereços, perucas e postiços. Em paralelo, desenvolve o projeto: "Naturalização da Beleza", há 6 anos em atividade, que atua como um tratamento terapêutico de beleza, considerando a beleza e seus aspectos num formato holístico e integrativo. Release: Com libreto de Felice Romani, a ópera não se baseia no famoso texto de Shakespeare, mas em uma fonte italiana da história, uma peça teatral de Luigi Scevola escrita em 1818. Estreada em 1830, no Teatro La Fenice, de Veneza, a obra é um dos maiores sucessos do compositor, e tem como particularidade o fato de os dois protagonistas serem interpretados por mulheres: Giulietta por uma soprano, e Romeo por uma mezzo-soprano. Vincenzo Bellini (1801- 1835), conhecido por suas belas linhas melódicas, é considerado um dos maiores expoentes do bel-canto, ao lado de Gioachino Rossini e Gaetano Donizetti. A produção inédita do Theatro São Pedro tem direção cênica de Antonio Araujo, fundador do Teatro da Vertigem. O diretor parte de dois eixos principais. Um deles atualiza a luta entre os tradicionais clãs dos Capuletos e Montéquios e ganha nova roupagem, mostrando a rivalidade entre milícia e tráfico. O outro critica a visão patriarcal da sociedade e da própria ópera, com a presença de Giulietta cercada por figuras masculinas. Além disso, a presença de um coro de atrizes, faz participações pontuais na montagem, também estabelece um distanciamento crítico em relação a essa predominância dos homens na narrativa. Ficha técnica Alessandro Sangiorgi, direção musical Antonio Araujo, direção cênica Guilherme Bonfanti, iluminação Antonio Duran e Silvia Fernandes, dramaturgismo André Cortez e Carol Bucek, cenografia Cristian Duarte, coreografia Tiça Camargo, visagismo Elenco Denise de Freitas, mezzo-soprano (Romeo) Carla Cottini, soprano (Giulietta) Aníbal Mancini, tenor (Teobaldo) Douglas Hann, barítono (Lorenzo) Anderson Barbosa, baixo (Capelio) Participação da ORQUESTRA DO THEATRO SÃO PEDRO e do CORAL JOVEM DO ESTADO

Synopsis Do you enjoy a good ghost story? The American novelist Henry James did, but liked to give the ones he wrote an extra twist – another “turn of the screw” you might say. In fact, one of his classic ghost stories from 1898 is titled just that: “The Turn of the Screw.” In it, a young British governess is entrusted with the care of two orphaned children, who may – or may not – have been abused by their previous governess and her lover, both now dead, who may – or may not – have returned as ghosts to continue their torment of the children. The manner in which Henry James tells the story leaves open the question whether the ghosts are real or just figments of the young governess's lurid imagination. “The Turn of the Screw” has been adapted for both stage and screen, and, on today's date in 1954, an operatic version by the British composer Benjamin Britten received its premiere performance at the Teatro La Fenice in Venice. Each of the 16 scenes in Britten's chamber opera is preceded by a variation on a ghostly 12-note theme, a “tone row” in the style of the Austrian composer Arnold Schoenberg, and since we see and hear the ghosts on stage, it's pretty clear Britten is suggesting the ghosts and the evil in the tale are disturbingly real. Music Played in Today's Program Benjamin Britten (1913–1976) –The Turn of the Screw (Sir Peter Pears, tenor; English Opera Group, Benjamin Britten, cond.) London/Decca 4256722

Personaggi ed interpretiMaría, noble dama suiza - Katia RicciarelliMatilde, su prima - Silvia BaleaniCorrado, prometido de Matilde - Leo Nucci.Enrico, hermano de Corrado - Alberto CupidoRambaldo, secretario del castillo - Giorgio SurjanEl canciller de castillo - Silvio EupaniOrchesta e Coro del Teatro La Fenice. Direttore - Eliahu Inbal

Ai microfoni di Unica Radio ospitiamo la violinista Anna Tifu per raccontare il concerto che sabato 14 maggio la vedrà protagonista al Teatro Doglio di Cagliari insieme al pianista Giuseppe Andaloro. Dopo due anni di assenza dai palcoscenici cagliaritani, torna a esibirsi nel capoluogo sardo la violinista Anna Tifu, protagonista, insieme al pianista Giuseppe Andaloro di un concerto straordinario che si terrà al Teatro Doglio sabato 14 maggio alle ore 21. Il concerto si inserisce nell'ambito della programmazione di Teatro Doglio ed è realizzato con la collaborazione di Compagnia B e del LEI Festival. Tifu e Andaloro sono reduci da un applauditissimo concerto tenutosi a fine marzo nello storico Teatro Regio di Parma. Vincitrice nel 2007 del prestigioso concorso internazionale George Enescu di Bucharest, Anna Tifu è considerata una delle migliori interpreti della sua generazione. All'età di 12 anni, debutta alla Scala di Milano con il Concerto n.1 di Max Bruch. Viene ammessa, all'età di 17 anni, al Curtis Institute di Philadelphia. Si è esibita con alcune tra le più prestigiose Orchestre Nazionali ed Internazionali come l'Orchestra Nazionale di Santa Cecilia, Orchestra Nazionale della RAI di Torino, Orchestra del Teatro Carlo Felice di Genova, Orchestra del Teatro La Fenice di Venezia, Simòn Bòlivar Orchestra del Venezuela, George Enescu Philarmonic, per citarne alcune, e ha collaborato con direttori del calibro di Yuri Temirkanov, Gustavo Dudamel , Diego Matheuz, Ezio Bosso, David Afkham, Mikko Franck, Jonathon Heyward. Tra gli impegni più prestigiosi ricordiamo concerti al George Enescu Festival di Bucharest con l'Orchestra RAI di Torino e Juraj Valcuha, concerto con Gustavo Dudamel e la Simòn Bòlivar Orchestra del Venezuela, inaugurazione della Stagione a Genova, Teatro Carlo Felice dove, per l'occasione, si è esibita con il famoso violino Guarneri del Gesù detto “IL CANNONE” appartenuto a Niccolò Paganini, inaugurazione a Venezia, Teatro La Fenice con Diego Matheuz, concerto inaugurale della Stagione Fondazione Società dei Concerti di Milano dove è regolarmente invitata, concerto allo Stradivari Festival di Cremona, dove si è esibita in uno spettacolo insieme all'Etoile Carla Fracci, concerti all'Auditorium Parco della Musica di Roma insieme a Yuri Temirkanov e l'Orchestra dell'Accademia di Santa Cecilia e l'inaugurazione della Stagione a Parigi, con l'Orchestra Filarmonica di Radio France, diretta da Mikko Franck. Recente è il suo debutto per la casa discografica Warner Classics, in duo con il pianista Giuseppe Andaloro. Anna Tifu è stata testimonial della campagna pubblicitaria 2011 di Alitalia, assieme a Riccardo Muti, Giuseppe Tornatore ed Eleonora Abbagnato. Suona il violino Antonio Stradivari “Marèchal Berthier” 1716 ex Napoleone e il violino Carlo Bergonzi “Mischa Piastro” 1739 della Fondazione Canale di Milano. Molto suggestivo il programma del concerto che consente ai due musicisti di poter esprimere al meglio le doti tecniche e esecutive e che prevede la Sonata in Sol maggiore di Ravel, la Fantasia op. 131 di Robert Schumann, Il Poeme di Ernest Chausson e la Tzigane, ancora di Ravel. Sul palco del Teatro Doglio la Tifu sarà accompagnata dal pianista d'eccezione Giuseppe Andaloro, ospite di importanti festival, presso le più prestigiose sale del mondo e, come solista, di orchestre quali la London Philharmonic, Nhk Symphony Tokyo, Philharmonische Camerata Berlin. Ha collaborato con direttori del calibro di Vladimir Ashkenazy, Gianandrea Noseda, Andrew Parrott, e con artisti quali Sarah Chang, Giovanni Sollima, Sergej Krylov, John Malkovich. Ha al suo attivo numerose incisioni discografiche: il suo ultimo album Cruel Beauty nel 2013, edito da Sony, è una world première di musiche italiane del tardo Rinascimento e del primo Barocco, per la prima volta registrate con un pianoforte moderno. Info biglietti su questo link.

Synopsis In 1952, the West Point Military Band celebrated that famous military academy's Sesquicentennial by asking prominent composers to write celebratory works to mark the occasion. Among those who responded was the American composer Morton Gould, whose “West Point Symphony” received its premiere performance on today's date in 1952, at a gala concert featuring the West Point Academy. There are two movements in Gould's “West Point Symphony.” They are titled “Epitaphs” and “Marches,” and the composer himself provided these descriptive comments: “The first movement is lyrical and dramatic… The general character is elegiac. The second and final movement is lusty… the texture a stylization of marching tunes and parades cast in an array of embellishments and rhythmic variations… At one point,” concludes Gould, “there is a simulation of a Fife and Drum Corp, which, incidentally, was the instrumentation of the original West Point Band.” Of all the pieces written in honor of West Point's Sesquicentennial in 1952, Gould's Symphony is probably the best-known. The score of the West Point Symphony calls for a “marching machine,” but on this classic 1959 recording under the late Frederick Fennell, the required sound was provided by the very real marching feet of 120 Eastman School of Music students. Music Played in Today's Program Morton Gould (1913-1996) — West Point Symphony (Symphony for Band) (Eastman Wind Ensemble; Frederick Fennell, cond.) Mercury 434 320 On This Day Births 1810 - French composer Felicien David, in Cadenet, Vaucluse; 1816 - English composer Sir William Sterndale Bennett, in Sheffield; 1938 - American composer and pianist Frederic Rzewski, in Westfield, Mass.; Deaths 1756 - Burial date of the German composer and keyboard virtuoso Johann Gottlieb Goldberg, age c. 29, in Dresden; 1826 - German composer Franz Danzi, age 62, in Schwetzingen; 1944 - French composer and pianist Cécile Chaminade, age 86, in Monte Carlo; Premieres 1742 - Handel: oratorio, "Messiah,"in Dublin (Gregorian date: April 24); 1789 - Mozart: Divertimento in Eb (K. 563) for string trio, in Dresden, by Anton Teiber (violin), Anton Kraft (cello), and the composer (viola); 1943 - Randall Thompson: "A Testament of Freedom" for men's voices and piano, at the University of Virginia; The orchestral version of this work premiered in Boston on April 6, 1945; 1952 - Morton Gould: Symphony No. 4 ("West Point Symphony") for band, during the West Point Military Academy Sesquicentennial Celebration in West Point, N.Y, by the Academy Band, with the composer conducting; 1961 - Luigi Nono: opera "Intolerance 1960," in Venice at the Teatro La Fenice; 1992 - Schnittke: opera "Life with an Idiot," in Amsterdam at the Dutch Opera; 1997 - Morten Lauridsen: "Lux Aeterna"for chorus and chamber orchestra, at Dorothy Chandler Pavilion in Los Angeles, by the Los Angeles Master Chorale, Paul Salamunovich conducting; 2000 - Danielpour: Piano Trio ("A Child's Reliquary"), at Hancher Auditorium at the University of Iowa, by the Kalichstein-Robinson-Laredo Trio; Others 1823 - Franz Liszt, age 11, performs at the Imperial Redoutensaal in Vienna; Legend has it that Beethoven attended this performance and planted a kiss on the young performer's forehead, but in fact Beethoven did not attend the concert; According to Liszt, the incident occurred a few days before at Beethoven's home, after Liszt had performed one of Beethoven's works; See Dec. 1, 1822, for Liszt's Vienna debut; 1896 - The American Guild of Organists is founded in New York City; 1958 - American pianist Van Cliburn wins the Tchaikovsky Competition in Moscow, the first American to do so. Links and Resources On Morton Gould

Synopsis On today's date in 1706, the German composer and organist Johann Pachelbel was buried in Nuremberg, the town where he was born some 53 years earlier. In his day, Pachelbel was regarded as an innovative composer of Protestant church music and works for harpsichord and organ. Pachelbel was acquainted with the Bach family, and was, in fact, the teacher of the teacher of J.S. Bach, and served as godfather to one J.S. Bach's older relations. Johann Pachelbel would be pretty much forgotten by most music lovers until late in the 20th century, when an orchestral arrangement of a little Canon he had written would suddenly become one of the best-known classical themes of our time. In 1979, the American composer George Rochberg, even included variations on Pachelbel's famous Canon as the 3rd movement of his own String Quartet No. 6. Like Bach, some of Johann Pachelbel's children also became composers, and one of them, Karl Teodorus Pachelbel, emigrated from Germany to the British colonies of North America.  As “Charles Theodore Pachelbel,” he became an important figure in the musical life of early 18th century Boston and Charleston, and died there in 1750, the same year as J.S. Bach. Music Played in Today's Program George Rochberg (b. 1918) — Variations on the Pachelbel Canon (Concord String Quartet) RCA/BMG 60712 On This Day Births 1737 - Bohemian composer Josef Mysliveczek, in Ober-Sarka; He was a friend and colleague of Mozart; 1839 - Russian composer Modest Mussorgsky (Gregorian date: Mar. 21); 1910 - American composer Samuel Barber, in West Chester, Pa.; 1930 - American composer and jazz saxophonist Ornette Coleman, in Forth Worth, Texas; Deaths 1706 - Burial date of German composer Johann Pachelbel, age c. 52, in Nuremberg; Premieres 1740 - Handel: oratorio "L'Allegro, il Penseroso, ed il Moderato," and Organ Concerto in Bb, Op. 7, no. 1, in London (Julian date: Feb. 27); 1748 - Handel: oratorio "Joshua," in London at the Covent Garden Theater; The event possibly included the premiere of Handel's "Concerto a due cori" No. 1 as well (Gregorian date March 20); 1842 - Verdi: opera "Nabucco" (Nabucodonosor), in Milan at the Teatro alla Scala; 1844 - Verdi: opera "Ernani," in Venice at the Teatro La Fenice; 1849 - Nicolai: opera "Die lustigen Weiber von Windsor" (after Shakespeare's play "The Merry Wives of Windsor"), in Berlin at the Königliches Opernhaus; 1868 - Thomas: opera "Hamlet," (after Shakespeare's play "Hamlet") at the Paris Opéra; 1877 - Tchaikovsky: symphonic-fantasy "Fancesca da Rimini," in Moscow (Julian date: Feb. 25); 1924 - Prokofiev: Piano Sonata No. 5 (first version), in Paris, by the composer; A revised version of this sonata premiered in Alma-Ata (USSR) on February 5, 1954, by Anatoli Vedernikov; 1930 - Weill: opera "Die Aufsteig und Fall der Stadt Mahagonny" (The Rise and Fall of the City of Mahagonny), in Leipzig at the Neues Theater; 1941 - Cowell: Symphony No. 2 ("Antropos"), in Brooklyn; 1951 - Honegger: Symphony No. 5 ("Di tre re"), by the Boston Symphony, Charles Munch conducting; 1980 - Earle Brown: "Caldar Piece," for percussionists and mobile, in Valencia, Calif.; 1982 - Berio: opera "La vera storia" (The True Story), in Milan at the Teatro alla Scala; Others 1831 - Italian violin virtuoso Nicolo Paganini makes his Parisian debut a the Opéra; Composers in the audience include Meyerbeer, Cherubini, Halvéy; and Franz Liszt (who transcribes Pagnini's showpiece "La Campanella" for piano); Also in attendance are the many famous novelists and poets, including George Sand, Victor Hugo, Alfred de Mussset and Heinrich Heine. Links and Resources On Johann Pachelbel On George Rochberg

Synopsis On today's date in the year 2000, the Royal Danish Opera in Copenhagen gave the premiere of a new opera entitled “The Handmaid's Tale,” based on the dystopian novel by Canadian writer Margaret Atwood. The book and opera tell of a nightmarish future: following a nuclear disaster in the United States, infertility rates have soared, and a religious sect has staged a military coup, enslaving the few fertile women who remain as breeders, or “handmaids,” for the military and religious commanders of their sect. Says Atwood, "There is nothing new about the society I depicted in The Handmaid's Tale except the time and place. All of the things I have written about have been done before – more than once, in fact." Despite its grim subject matter, Danish composer Poul Ruders says he saw "huge operatic potential" when he first read the book back in 1992. The original production in Copenhagen was sung in Danish, but Ruders says he conceived the work in English. The opera was staged in that language first in London at the English National Opera, and subsequently, at the opera's American premiere, in St. Paul by The Minnesota Opera, to great critical acclaim. Music Played in Today's Program Poul Ruders (b. 1949) — The Handmaid's Tale (Royal Danish Orchestra; Michael Schonwandt, cond.) DaCapo 9.224165-66 On This Day Births 1844 - Russian composer Nicolai Rimsky-Korsakov (Gregorian date: Mar. 18); 1870 - Austrian operetta composer Oscar Straus, in Vienna; Deaths 1932 - American composer and bandleader John Philip Sousa, age 77, in Reading, Pa.; 1967 - Hungarian composer Zoltán Kodály, age 84, in Budapest; Premieres 1791 - Beethoven: "Ritterballett" (Knightly Ballet), in Bonn; 1825 - Beethoven: String Quartet in Eb, Op. 127, in Vienna, the Schuppanzigh Quartet; This premiere was under-rehearsed and poorly performed (the Quartet had only received the music two weeks earlier), and Beethoven arranged for a second performance by a quartet led by violinist Joseph Boehm on March 26, which was better rehearsed and better received; 1831 - Bellini: opera "La Sonnambula" (The Sleepwalker), in Milan at the Teatro Carcano; 1853 - Verdi: opera "La Traviata" (The Lost One), in Venice at the Teatro La Fenice; 1896 - Arthur Foote: Suite in d, by the Boston Symphony, Emil Paur conducting; 1917 - Rachmaninoff: "Etudes-tableaux," Op. 39 (first complete performance of the set of nine), in Petrograd (St. Petersburg), by the composer (Julian date: Feb. 21); 1926 - Hindemith: "Concerto for Orchestra," by the Boston Symphony with Serge Koussevitzky conducting; 1927 - Prokofiev: Quintet for winds and strings, Op. 39, in Moscow; 1933 - Varèse: "Ionisation," in New York City, with Nicholas Slonimsky conducting; 1934 - Piston: "Concerto for Orchestra," in Cambridge, Mass.; 1947 - Miaskovsky: Symphony No. 25, at the Moscow Conservatory by the USSR State Symphony, Alexander Gauk conducting; 1984 - John Harbison: "Ulysses' Raft," by the New Haven Symphony, Murray Sidlin conducting; 2000 - Poul Ruders: opera "The Handmaid's Tale," in Copenhagen, by the Royal Danish Theater, Mark Schönwandt conducting; 2003 - John Harbison: "Requiem," by vocal soloists Christine Brewer, Margaret Lattimore, Paul Groves, and Jonathan Lemalu, with the Tanglewood Festival Chorus, and the Boston Symphony conducted by Bernard Haitink. Links and Resources On Poul Ruders More on "The Handmaid's Tale"

Numerosi documenti indicano che Giuseppe Verdi desiderava mettere in scena il King Lear di Shakespeare. Fortunato Ortombina, sovrintendente e direttore artistico del Teatro La Fenice di Venezia, racconta come lo stesso Verdi avrebbe potuto distruggerne la partitura.

Synopsis Today's date marks the birthday in 1885 of María Joaquina de la Portilla Torres, in the Mexican state of Guanajuato. Under her married name of Maria Grever, she became the first female Mexican composer to achieve international fame. She composed her first song at age four, studied in France with Claude Debussy among others, and at 18, one of her songs sold 3 million copies. At age 22, she married Leo A. Grever, an American oil company executive, moved to New York City, and by the 1930s was composing for Paramount and 20th Century Fox films. Her best-known song is probably "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), written in 1934. Her songs have been recorded by singers ranging from the Andrews Sisters and Frank Sinatra to Dinah Washington and Aretha Franklin to Plácido Domingo and Juan Diego Flórez. “I am interested in Jazz and Modern Rhythms,” said Grever, “but above all, in Mexican Music … There is such a cultural richness in Mexican Music, its Hispanic and indigenous origins ... It is my wish and yearning to present these native rhythms and tunes from a real perspective, but with the necessary flexibility to appeal to a universal audience." Music Played in Today's Program María Grever (1885 – 1951) – Júrame (Juan Diego Flórez, tenor; Fort Worth Symphony; Miguel Harth-Bedoya, cond.) Decca 4757576 On This Day Births 1737 - Austrian composer Johann Michael Haydn, in Rohrau; He was the younger brother of Franz Joseph Haydn (b. 1732); 1760 - Italian composer Luigi Cherubini, in Florence (although August 14 is occasionally cited as his birthdate); 1910 - American composer and eminent theatrical conductor Lehman Engel, in Jackson, Miss.; 1910 - Swiss composer Rolf Liebermann, in Zurich; Premieres 1854 - Bruckner: Mass in Bb ("Missa Solemnis") in St. Florian, Austria; 1952 - Frank Martin: Concerto for Harpsichord, in Venice; 1954 - Britten: opera "The Turn of the Screw," in Venice at the Teatro La Fenice; 1968 - Shostakovich: String Quartet No. 12, in Moscow, by the Beethoven Quartet; 1978 - Barber: Third Essay for Orchestra, by the New York Philharmonic conducted by Zubin Mehta; 1994 - Richard Danielpour: Cello Concerto, commissioned and performed by San Francisco Symphony conducted by Herbert Blomstedt, with soloist Yo-Yo Ma; 1996 - Stockhausen: "Freitag aus Licht" (Friday from Light), at the Leipzig Opera; 1997 - Saariaho: "Graal Théâtre" (chamber version), in Helsinki, by the Avanti Ensemble and violinist John Storgards. 2002 - David Amram: Flute Concerto ("Giants of the Night"), in New Orleans by the Louisiana Philharmonic conducted by Klauspeter Seibel, with James Galway the soloist; 2002 - Colin Matthews, Judith Weir, Poul Ruders, David Sower, Michael Torke, Anthony Payne, and Magnus Linberg: "Bright Cecilia: Variations on a Theme by Purcell," at Royal Albert Hall in London, with the BBC Symphony, Leonard Slatkin conducting; This set of orchestral variations on a Purcell theme was commissioned by BBC Music magazine to celebrate its 10th anniversary; Others 1731 - J.S. Bach performs organ recitals in Dresden on Sept. 14-21; 1741 - Handel finishes scoring his famous oratorio, "Messiah," begun on August 22 (The entire work was composed in a period of 24 days); These dates are according to the Julian "Old Style" calendar (Gregorian dates: Sept 2 to Sept. 25); 1914 - W. C. Handy copyrights his most famous song, "The St. Louis Blues"; 1973 - The Philadelphia Orchestra gives a concert in Beijing, the first American orchestra to perform in Red China; Eugene Ormandy conducts symphonies by Mozart (No. 35), Brahms (No. 1) and the American composer Roy Harris (No. 3).

Hailed by the New York Times as a soprano of “gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace,” Jessica Pratt is considered one of today's foremost interpreters of some of bel canto's most challenging repertoire.Since her European debut in 2007 as Lucia di Lammermoor, Ms Pratt's schedule has included performances at opera theatres and festivals such as the Teatro alla Scala of Milan, Zurich Opera, Deutsche Oper Berlin, the Vienna State Opera and the Royal Opera House Covent Garden, working with conductors such as Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Christian Thielemann, Donato Renzetti, Pier Giorgio Morandi, Carlo Rizzi, Antonino Fogliani, Wayne Marshall and David Parry.The 2012/13 season brought several acclaimed debuts at Festival Verdi in Parma, including Gilda to Leo Nucci's Rigoletto, at Deutsche Oper Berlin as Lucia, at Vlaamse Opera in New Year's Eve Concert, at Teatro de la Maestranza in Sevilla (Gilda, once more next to Leo Nucci), in the role of Matilde in Guillaume Tell next to Juan Diego Florez interpreting Arnold in Lima, Giulietta in I Capuleti e i Montecchi in Reims, in the role of Lisinga in Demetrio e Polibio of Rossini in Neaples, and in the role of the protagonist in Giovanna d'Arco at Festival della Valle d'Itria in Martina Franca.In the 2013/14 season Ms Pratt could be heard in new productions of Lucia di Lammermoor at La Scala and in Amsterdam, as Amina in La sonnambula in Bari, Gilda in Padova, in the season opening of La Fenice as Inès in Meyerbeer's L'Africaine, as Musetta in La Bohème in Salerno, in her role debut as Violetta in La Traviata in Melbourne, as Zenobia in Aureliano in Palmira at the Pesaro Rossini Opera Festival as well as in recitals in Tokyo and Florence with Vincenzo Scalera.In 2014/15 the soprano made her role debuts as Cleopatra in Handel's Giulio Cesare at the Teatro Regio in Turin and as Amenaide in Rossini's Tancredi at the Opéra de Lausanne. Other performances included Donna Anna in Don Giovanni and Giulietta in I Capuleti e i Montecchi at the Teatro La Fenice in Venice; Elvira in I Puritani in Florence and in Melbourne; Lucia di Lammermoor at the Rome Opera House and at the Festival Granda in Lima; her role and festival debut as Rosina in Il barbiere di Siviglia at the Arena di Verona, where she could also be heard as soprano soloist in Carmina Burana; the soprano solo in Rossini's Messa di Gloria alongside Juan Diego Florez and La morte di Didone at the Rossini Opera Festival; as well asconcerts in Milan, Bonn, and London.Performances of the 2015/16 season included Jessica Pratt's returns to Florence, Turin and Melbourne as Lucia di Lammermoor, her debuts at the Gran Teatre del Liceu Barcelona as Desdemona in Rossini's Otello, at the Palau de les Arts Reina Sofia Valencia in Mozart's Davidde penitente and at the ABAO Bilbao as Amina in La sonnambula, her role debuts as Semiramide at the Opéra de Marseille and later at the Washington Concert Opera and as Linda di Chamounix at the Rome Opera House; and concerts in Oviedo and Moscow.More recently, Semiramide and Rosmonda d'Inghilterra at the Florence Opera House, a concert with the Queensland Symphony Orchestra, Rosmonda d'Inghilterra at the Donizetti Festival Bergamo, her debut at the Metropolitan Opera House New York as Queen of the Night in The Magic Flute, and Rigoletto in Oviedo.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

La storia di Beatrice ci ha incuriosite, innanzitutto perché ci dava l'opportunità di scoprire un nuovo settore: quello della musica classica, ma anche perché Beatrice è tra i più giovani direttori d'orchestra italiani e una delle poche professioniste femminili. Quello che trasparira dalla nostra intervista è che questo suo essere giovane l'ha portata a vedere la sua professione, e il mondo della musica classica, in una chiave diversa. Beatrice ha chiaramente una mentalità imprenditoriale sviluppata e l'ha usata per crescere nel suo percorso usando strategie di marketing intorno al suo personaggio che, unite al suo talento, l'hanno portata a collaborare con artisti di fama mondiale come Bruno Canino, Stefan Milenkovich, Valentina Lisitsa, Carla Fracci, Andrea Bocelli e con orchestre di fama mondiale come l'Orchestra del Teatro La Fenice, l'Orchestra del Maggio Musicale Fiorentino e la New Japan Philharmonic. È una delle poche donne a dirigere orchestre di livello internazionale: dal Giappone alla Bielorussia, dal Portogallo al Libano, dal Canada all'Argentina, dagli Stati Uniti all'Armenia.Nel 2017 è stata insignita della storica e prestigiosa Scala d'Oro, il Corriere della Sera l'ha inserita nella lista delle 100 donne dell'anno 2016 e in quella delle 50 donne dell'anno 2017, e nel 2018 Forbes Italia l'ha inserita la lista dei 100 giovani leader del futuro under 30.Ha anche inciso vari dischi, l'ultimo che uscirà a breve, e quest'anno molti di noi l'hanno vista sul palco dell'Ariston di Sanremo. Un suo grande sogno ed obiettivo è quello di avvicinare i giovani al mondo della musica classica. --Questo episodio è stato sponsorizzato da Young Platform, una piattaforma innovativa che permette a tutti di formarsi e poi semplicemente iniziare a comprare e vendere criptovalute in modo facile e sicuro. L'app è pensata e realizzata per chiunque voglia iniziare un percorso nel mercato crypto ma non sa da dove iniziare, quindi semplicissima e immediata nell'utilizzo.La notizia bomba è che otterrete 10€ di bonus sull'app già alla registrazione usando il link che abbiamo incluso nei dettagli della puntata o usando il codice MADEIT durante l'iscrizione. Praticamente Young vi consentirà di avere subito un budget con cui partire per acquistare criptovalute. Per attivare il bonus, dovrete iscrivervi alla piattaforma e fare la verifica dell'identità e poi fare un deposito minimo di 50€. Inoltre, all'interno dell'app potete guadagnare 5€ per ogni amico che invitate!https://youngexchange.page.link/Dw1j--Seguiteci suInstagram: https://www.instagram.com/madeit.podcast/LinkedIn: https://www.linkedin.com/company/madeitpodcast/?viewAsMember=true

Intervista ad alcuni membri del gruppo Maestranze dello spettacolo Veneto in occasione della manifestazione tenutasi il 26 maggio al Teatro La Fenice per chiedere un dialogo con la Direzione della Fondazione. Il movimento, costituito da lavoratrici e lavoratori dello spettacolo del Veneto, assieme ad altri gruppi auto organizzati regionali, ha portato alla nascita di R.I.S.P., ente rappresentante della rete nei dialoghi con le istituzioni. Dall'incontro con Maestranze sono emerse le criticità legate alla professione, la mancanza di una tutela e di norme adeguate alla condizione, nonché l'estenuante attesa da parte del settore di una riforma che riconosca le specificità del mestiere e che possa migliorare la qualità di vita e di lavoro delle lavoratrici e dei lavoratori dello spettacolo.

Il 6 ottobre del 1964 al Teatro La Fenice di Venezia va in scena per la prima volta l'Hyperion di Bruno Maderna. Anna Rastelli lo racconta a Wikimusic

Il 15 settembre 1964 è eseguita per la prima volta presso il Teatro La Fenice di Venezia la Fabbrica illuminata di Luigi Nono. Guido Barbieri lo racconta a Wikimusic

Nel 1920 si celebrano i 100 anni dalla nascita di Bruno Maderna.Il compositore veneziano - scomparso prematuramente nel 1973 - è stato uno dei più importanti del secondo Novecento. Abile musicista e stimato direttore, Maderna è stato un artista eclettico, capace di lavorare nel jazz come nella musica per film; ma è soprattutto ai lavori d'avanguardia che è legato il suo nome.Abbiamo ripercorso la sua carriera e il suo peso nella storia della musica assieme al professor Paolo Pinamonti, docente di Storia della musica contemporanea a Ca' Foscari e già direttore artistico del Teatro La Fenice di Venezia e del Teatro San Paolo di Napoli.

Nel 1920 si celebrano i 100 anni dalla nascita di Bruno Maderna.Il compositore veneziano - scomparso prematuramente nel 1973 - è stato uno dei più importanti del secondo Novecento. Abile musicista e stimato direttore, Maderna è stato un artista eclettico, capace di lavorare nel jazz come nella musica per film; ma è soprattutto ai lavori d'avanguardia che è legato il suo nome.Abbiamo ripercorso la sua carriera e il suo peso nella storia della musica assieme al professor Paolo Pinamonti, docente di Storia della musica contemporanea a Ca' Foscari e già direttore artistico del Teatro La Fenice di Venezia e del Teatro San Paolo di Napoli.

Il 13 aprile 1961 va in scena al Teatro La Fenice di Venezia Intolleranza 1960 di Luigi Nono. Guido Barbieri lo racconta a WikiMusic

Neste episódio, os músicos de nossa Orquestra, Cássia Renata Lima, flautista, e Marcus Julius Lander, clarinetista, falam sobre a Ópera, um gênero que há mais de 400 anos encanta plateias de todo o mundo. Você ouve trechos de: "Rosa del Ciel", da ópera "Orfeu", de Monteverdi, com Concerto Vocale sob a regência de René Jacobs. "Dança das escravas persas”, da ópera "Khovantchina" de Mussorgsky, com a Orquestra Filarmonia sob a regência de Herbert von Karajan “Abertura” da ópera "Idomeneo", de Mozart, com a Academia de Saint Martin in the Fields sob a regência de Sir Neville Marriner "Recitativo" e "Ária" da ópera "Cinderela", de Rossini, com orquestra e coro do Teatro Regio di Parma sob a regência de Maurizio Barbacini "Marcha triunfal e balé", da ópera "Aida", de Verdi, com orquestra e coro do Teatro La Fenice sob a regência de Riccardo Frizza e a torcida do Urawa Reds “Intermezzo” da ópera "Cavalleria Rusticana" de Mascagni, com a Orquestra da Filadélfia sob a regência de Eugene Ormandy "Noturno" da ópera "Condor", de Carlos Gomes, com a Orquestra do Teatro Amazonas sob a regência de Luiz Fernando Malheiros “Abertura” da ópera "A viúva alegre", de Lehár, com a Orquestra Sinfônica de Nurnberg sob a regência de Hanspeter Gmür. Esta temporada é realizada pelo Instituto Cultural Filarmônica, com o oferecimento da Aliança Energia.

The guys are back! Mike has returned from his trip to Italy and it's time to hear about his watch spotting adventures. From mutant seagulls to pickpocketing, hot garbage, and driving on Italy's autostrada, it's a discussion you won't want to miss. Hey... the guys are also giving away another watch! Listen in for details. Plus, Kaz is closer than ever to pulling the trigger on his first home and the guys continue to question their approaches to collecting while remaining financially responsible. Oh, and people in Italy are really, really good-looking. Show Notes CWC '83 Royal Navy Diver: https://www.cwcwatch.com/collections/heritage-reissue-historical-watches/products/1983-quartz-royal-navy-divers-watch Orient Star GMT: https://www.instagram.com/p/BzgS23bHrSw/ Panerai's Florence Boutique: https://www.hodinkee.com/articles/photo-report-insides-panerais-flagship-boutique-in-florence Hemel HFT20: https://twobrokewatchsnobs.com/hemel-watches-review-the-hft20-chronograph/ New Olech & Wajs models: https://ow-watch.ch/?SID=glum34ni5th1bhb2k4qqeqob2g The Colosseum: https://en.wikipedia.org/wiki/Colosseum Gladiator: https://www.imdb.com/title/tt0172495/ Russell Crowe: The Art of Divorce: https://timeandtidewatches.com/news-the-results-from-russell-crowes-auction-including-a-surprisingly-expensive-speedmaster/ Sistine Chapel: https://en.wikipedia.org/wiki/Sistine_Chapel Doxa Sub 300 Black Lung: https://www.instagram.com/p/By0UhBDnY-5/ When in Rome, Sea Gulls Do as They Please: https://www.nytimes.com/2018/09/04/world/europe/rome-seagulls-italy.html Uffizi Gallery: https://en.wikipedia.org/wiki/Uffizi Cattedrale di Santa Maria del Fiore: https://en.wikipedia.org/wiki/Florence_Cathedral Swatch: https://www.swatch.com/en_us/ Teatro La Fenice: https://www.teatrolafenice.it/ Casio A168WA-1: https://twobrokewatchsnobs.com/casio-a168wa-review/ Citizen NY008 Series: https://twobrokewatchsnobs.com/citizen-promaster-ny008-asia-limited-series-divers/ Duomo clock restored by Panerai: http://www.theflorentine.net/art-culture/2016/03/the-duomo-clock/ Piaget restores Venice clock tower: https://www.watchonista.com/piaget/news/piaget-continues-its-preservation-work-venice%E2%80%99s-tower-clock Alfa Romeo Giulia: https://www.alfaromeousa.com/cars/giulia

Mit der Uraufführung des "Rigoletto" im Jahr 1851 am Teatro La Fenice in Venedig setzte Giuseppe Verdi den Grundstein für seinen internationalen Ruhm. Am 22. September feiert die Oper am Theater in Hof Premiere. Chefdirigent und Musikdirektor Walter E. Gugerbauer hat mit BR-KLASSIK über die neue Spielzeit, die notwendigen Sanierungsmaßnahmen am Hofer Theater und natürlich über Verdis Oper gesprochen.

Il Teatro La Fenice raccontato da Angelo Foletto

Belisario: Giuseppe Taddei; Antonina: Leyla Gencer; Irene: Mirna Pecile; Alamiro: Umberto Grilli; Eutropio: Bruno Sebastian; Giustiniano: Nicola Zaccaria; Eudora: Rina Pallini; Eusebio: Giovanni Antonini; Ottario: Augusto Veronese; Centurion: Alberto Carusi. Gianandrea Gavazzeni, Teatro La Fenice di Venezia. May 14, 1969.

Belisario: Giuseppe Taddei; Antonina: Leyla Gencer; Irene: Mirna Pecile; Alamiro: Umberto Grilli; Eutropio: Bruno Sebastian; Giustiniano: Nicola Zaccaria; Eudora: Rina Pallini; Eusebio: Giovanni Antonini; Ottario: Augusto Veronese; Centurion: Alberto Carusi. Gianandrea Gavazzeni, Teatro La Fenice di Venezia. May 14, 1969.

Belisario: Giuseppe Taddei; Antonina: Leyla Gencer; Irene: Mirna Pecile; Alamiro: Umberto Grilli; Eutropio: Bruno Sebastian; Giustiniano: Nicola Zaccaria; Eudora: Rina Pallini; Eusebio: Giovanni Antonini; Ottario: Augusto Veronese; Centurion: Alberto Carusi. Gianandrea Gavazzeni, Teatro La Fenice di Venezia. May 14, 1969.

Renata Scotto (Amina), Alfredo Kraus (Elvino), Ivo Vinco (Rodolfo), Rosa Laghezza (Lisa), Marisa Zotti (Teresa). Teatro La Fenice, Venezia, Nello Santi, conductor. May 26, 1961.

Renata Scotto (Amina), Alfredo Kraus (Elvino), Ivo Vinco (Rodolfo), Rosa Laghezza (Lisa), Marisa Zotti (Teresa). Teatro La Fenice, Venezia, Nello Santi, conductor. May 26, 1961.

Richard Wagner composed his Symphony in C Major at the age of nineteen. It is clearly the work of a young man influenced by the towering figure and musical innovations of Ludwig van Beethoven. The symphony was given its premiere during the composer's youth, and then remained dormant for decades until Wagner himself resurrected it, leading the orchestra as a birthday gift for his wife Cosima. This private performance took place at Teatro La Fenice in Venice a few months before the composer's death.  

The second and third acts of the opera, with Katia Ricciarelli (Maria di Rudenz), Sylvia Baleani (Matilde di Wolf), Leo Nucci (Corrado Waldorf), Alberto Cupido (Enrico), Giorgio Surjan (Rambaldo). Coro e Orchestra del Teatro La Fenice di Venezia; Eliahu Inbal. December 21, 1980.

Katia Ricciarelli (Maria di Rudenz), Sylvia Baleani (Matilde di Wolf), Leo Nucci (Corrado Waldorf), Alberto Cupido (Enrico), Giorgio Surjan (Rambaldo). Coro e Orchestra del Teatro La Fenice di Venezia; Eliahu Inbal. December 21, 1980.

So here we are at the final act of Giordano's Fedora, and all those nasty little secrets everyone's been telling throughout the opera are about to be exposed! Marcella Pobbe stars as the mysterious Princess Fedora Romazoff in this performance of from the Teatro La Fenice, February 9, 1968. With Dani...

Which Russian princess and her anarchist boytoy are shacking up in Paris? Marcella Pobbe stars as the mysterious Princess Fedora Romazoff in this performance of Giordano's opera from the Teatro La Fenice, February 9, 1968. Daniela Mazzucato (Olga Sukarev), Aldo Bottion (Loris Ipanov), Attilio d'Oraz...

Marcella Pobbe stars as the mysterious Princess Fedora Romazoff in this performance of Giordano's opera from the Teatro La Fenice, February 9, 1968. Daniela Mazzucato (Olga Sukarev), Aldo Bottion (Loris Ipanov), Attilio d'Orazi (Giovanni de Siriex). Francesco Molinari-Pradelli, conductor.