Podcasts about Balkans

Broadcast from Serbia, this episode dives into the Balkans, the most misunderstood, most underestimated corner of Europe, and one with the biggest upside if it can ever stop tripping over its own history. We look at why Serbia sits so close to Russia, why Kosovo still blocks the country's European future, and how war, sanctions, hyperinflation, and decades of bad leadership turned a natural crossroads into an economic cul-de-sac. A new generation is pushing back against corruption and state capture, and culture may be moving faster than politics, from packed derby stadiums in Belgrade to a runaway rom-com hit about a Croat-Serb wedding that's quietly rewriting the story. If the Balkans can turn rivalry into cooperation, it could become one of Europe's great comeback economies. Hosted on Acast. See acast.com/privacy for more information.

Mystery caves, cursed mountains and unexploded ordinance…. let's hike the Peaks of Balkans Trail!                             Links- Peaks of Balkans Site - https://www.peaksofthebalkans.com/ Trek article - https://thetrek.co/peaks-of-the-balkans-114-unforgettable-miles-in-the-albanian-alps/#highlights Peaks of the Balkan Trail Guidebook - https://www.amazon.com/Peaks-Balkans-Trail-Montenegro-Albania/dp/178631231X Connect with Anna, aka Mud Butt, at info@traildames.com You can find the Trail Dames at: Our website: https://www.traildames.com The Summit: https://www.traildamessummit.com The Trail Dames Foundation: https://www.tdcharitablefoundation.org Instagram: https://www.instagram.com/traildames/ Facebook: https://www.facebook.com/groups/traildames/ Hiking Radio Network: https://hikingradionetwork.com/ Hiking Radio Network on Instagram: https://www.instagram.com/hikingradionetwork/ Music provided for this Podcast by The Burns Sisters "Dance Upon This Earth" https://www.theburnssisters.com

In October 1940, Mussolini launched an invasion of Greece from Albania, determined to secure Italian expansion in the Balkans before any peace could be negotiated. This episode examines the lead-up to the Italo-Greek War, beginning with Greece under the Metaxas dictatorship and its efforts to build up military strength despite limited industrial capacity. We explore Italy's decision to target Greece after delays in North Africa, the flawed assumptions Italian leaders held about Greek willingness to fight, and the fabricated provocations used to justify the invasion. When the Italian ultimatum was delivered at 3AM on October 28th, Metaxas famously rejected it, and Greece mobilized with unexpected unity as political divisions evaporated overnight. The episode follows the opening days of the invasion, hampered by torrential rains and mountainous terrain, culminating in the Battle of Kalpaki on November 2nd where Greek artillery devastated Italian tank attacks. By November 8th, the Italian offensive had completely stalled, forcing a major reorganization and change of command that set the stage for further failures to come. Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit ⁠⁠⁠megaphone.f⁠m Learn more about your ad choices. Visit megaphone.fm/adchoices

Ils sont partis sans savoir pour combien de temps... sans être forcément militants de l'opposition à Vladimir Poutine, ils ne voulaient pas vivre dans un pays en guerre sous une chape de plomb. Des centaines de milliers de Russes ont quitté leur pays depuis 2022. Dans les Balkans, la Serbie a accueilli entre 200 000 et 300 000 d'entre eux. Le pays attire grâce à une politique de visa souple, des liaisons aériennes quotidiennes et des liens culturels -mais aussi politiques - entre les deux pays. À Belgrade, les exilés russes apprécient une certaine liberté mais leur avenir reste suspendu à la position géopolitique de la Serbie. Reportage de Louis Seiller.     Documentaire : « Giorgia Meloni et le clan des goélands » ou la fulgurante ascension du rôle modèle de l'extrême droite européenne De son engagement à l'adolescence auprès des jeunes héritiers de Mussolini, à l'élection de 2022 qui la porte au pouvoir, Giorgia Meloni est restée fidèle à ceux qui l'ont toujours accompagnée et qui occupent aujourd'hui de très hautes fonctions dans l'appareil d'État. Le documentaire de Barbara Conforti raconte cette incroyable ascension. Entretien avec Eric Joszef, coréalisateur de ce documentaire à voir sur la chaine Arte le 24 février 2026 et sur arte.tv.   Agriculture La crise du monde agricole n'épargne pas l'Italie. En Sardaigne, les agriculteurs doivent aussi faire face à la concurrence, à l'exode rural, et aux calamités climatiques. Ces dernières semaines, des pluies torrentielles et des tempêtes ont infligé de gros dégâts aux futures récoltes de l'île. Et la profession tire la sonnette d'alarme. Reportage à Cagliari, Cécile Debarge. 

Aus dem Kosovo direkt nach Mainz – Groundhoppen mit Zwischenstopp Bundesliga. Muchel hatte vermutlich die längste Auswärtsanreise der Saison. Warum das Spiel für ihn zwischenzeitlich ernsthaft auf der Kippe stand und was unterwegs alles schiefgehen konnte, erzählt er euch in dieser Folge selbst.

In dieser Zwischenfolge beschäftigen sich Krsto und Danijel mit einem echten Phänomen. Seit gut einem Monat bricht die kroatische Komödie „Svadba“ (Die Hochzeit) im ehemaligen Jugoslawien alle Zuschauerrekorde. Allein in Kroatien haben ihn inzwischen annähernd 700.000 Menschen im Kino gesehen – beachtlich für ein Land mit gerade einmal 3,8 Millionen Einwohnern. Die Prämisse des Films: Eine Kroatin ist schwanger, der Vater ist Serbe. Beide Familien pflegen ihren typischen Ethno-Patridiotismus und müssen jetzt doch irgendwie die Hochzeit über die Bühne bekommen. Inzwischen ist „Svadba“ auch in den Kinos im DACH-Raum angekommen. Und was soll man sagen? Auch hier sind die Säle voll. Zeit also, mal einen Blick auf die Hit-Komödie zu werfen.

Ils sont partis sans savoir pour combien de temps... sans être forcément militants de l'opposition à Vladimir Poutine, ils ne voulaient pas vivre dans un pays en guerre sous une chape de plomb. Des centaines de milliers de Russes ont quitté leur pays depuis 2022. Dans les Balkans, la Serbie a accueilli entre 200 000 et 300 000 d'entre eux. Le pays attire grâce à une politique de visa souple, des liaisons aériennes quotidiennes et des liens culturels -mais aussi politiques - entre les deux pays. À Belgrade, les exilés russes apprécient une certaine liberté mais leur avenir reste suspendu à la position géopolitique de la Serbie. Reportage de Louis Seiller.     Documentaire : « Giorgia Meloni et le clan des goélands » ou la fulgurante ascension du rôle modèle de l'extrême droite européenne De son engagement à l'adolescence auprès des jeunes héritiers de Mussolini, à l'élection de 2022 qui la porte au pouvoir, Giorgia Meloni est restée fidèle à ceux qui l'ont toujours accompagnée et qui occupent aujourd'hui de très hautes fonctions dans l'appareil d'État. Le documentaire de Barbara Conforti raconte cette incroyable ascension. Entretien avec Eric Joszef, coréalisateur de ce documentaire à voir sur la chaine Arte le 24 février 2026 et sur arte.tv.   Agriculture La crise du monde agricole n'épargne pas l'Italie. En Sardaigne, les agriculteurs doivent aussi faire face à la concurrence, à l'exode rural, et aux calamités climatiques. Ces dernières semaines, des pluies torrentielles et des tempêtes ont infligé de gros dégâts aux futures récoltes de l'île. Et la profession tire la sonnette d'alarme. Reportage à Cagliari, Cécile Debarge. 

VOV1 - Trong những ngày qua, xoáy thuận từ khu vực Balkan quét qua phần châu Âu của Nga khiến tuyết rơi dày và gió giật mạnh tại thủ đô Moscow, đồng thời gây mưa tuyết, băng giá đến nhiều tỉnh miền Nam nước này.Tại Moscow đây là một trong những đợt tuyết rơi mạnh nhất kể từ đầu mùa đông. Theo cơ quan khí tượng, lượng tuyết đạt ngưỡng 15m - 20mm trở lên trong 12 đến 24 giờ. Tuyết rơi liên tục trong ngày, kèm gió giật mạnh khiến tầm nhìn giảm đáng kể.Mùa đông 2025 - 2026 có thể là một trong những mùa đông nhiều tuyết nhất ở Moscow trong 60 năm qua (Nguồn: aif.ru)

Galardones balcánicos y rusos Balkan and Russian recognitions Repasamos el resultado y algunas de las músicas que más interesantes nos han parecido de entre las galardonadas en varias convocatorias de las que los hacedores de Mundofonías somos miembros del jurado: Balkan World Music Chart, Russian World Music Chart y Russian World Music Awards, en las que se ha elegido los más destacados discos del 2025 en sus respectivos ámbitos. Escuchamos músicas de raíces croatas, serbias, húngaras, eslovenas, rusas, tuvanas y griegas. We review the results and some of the music we have found most interesting among the winners of several calls in which the makers of Mundofonías serve as jury members: the Balkan World Music Chart, the Russian World Music Chart and the Russian World Music Awards, where the most outstanding albums of 2025 have been selected in their respective fields. We listen to music with Croatian, Serbian, Hungarian, Slovenian, Russian, Tuvan and Greek roots. - Čipkice - Zumba iz Lovreća - Croatia in dub [traditional songs] - Paganke - Rasti bore više kuće moje / Grow, pine tree over my home - Od zlata jabuka / Golden apple - ViGaD - Tri, i (kolo) - Tri, i - Širom - Between the fingers the drops of tomorrow's dawn - In the wind of night, hard-fallen incantations whisper - Ansambl Krasnaya Gorka - Nakolola Masha nozhenku (zastolnaya) - Na gore-gore - Tatyana Molchanova - Prokhodi-ka, da moe skuchnoe vremya - Pesni Lidii Ruslanovoi. Chast 2 - Izumrud - Gusli-samogudy - Oduchu - Doshpuluur - Nostalgia - Sokratis Sinopoulos & Yann Keerim - Fast dance - Topos Širom (Nada Žgank)

Many years ago, we did an episode about the legends of the Balkans. We thought it would be interesting to go across the Black Sea and explore the legends of the Caucasus. The Caucasus is a region of Eastern Europe and Western Asia that includes the countries of Georgia, Armenia, Azerbaijan and Southern Russia. This region is steeped in folklore, mythology, and legends and that isn't surprising because the history here is one of struggle, war, conquest and the precarious victory of independence. Paganism gave way to Christianization and cultural beliefs mixed. Join us as we explore the legends of the Caucasus! This Month in History features the sinking of the USS Maine. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2026/02/hgb-ep-625-legends-of-caucasus.html    Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode: (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Title: "Mummified Remains" Artist: Tim Kulig (timkulig.com) Licensed under Creative Commons By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/ IMDB: https://www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1

From the jigs of County Clare to the reels of Donegal, this week we're taking you on a musical journey across Ireland and beyond. We've got everything from Boxing Robin's energetic traditional sets to contemporary voices like Nerea The Fiddler and Irish Millie. Plus, the legendary Altan stops by with a stunning reel selection. Grab your headphones—this is This Week in Celtic Music on the Irish & Celtic Music Podcast #747  -  -  Subscribe now at CelticMusicPodcast.com! Boxing Robin, Alex Sturbaum, Vienna Scheyer, The Drowsy Lads, Nerea The Fiddler, Erin Ruth, Autumn Rhodes, Tulua, ISHNA, Sue Tillotson, Jim Cunningham, Altan, Low Power Trio, Ian Alistair Gosbee, Ironwood music, Callán, Irish Millie, The Irish Rovers GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! THIS WEEK IN CELTIC MUSIC 0:06 - Boxing Robin "Clare to Donegal Jigs" from The View From Here 3:29 - WELCOME 5:29 - Alex Sturbaum "Irishman's Heart to the Ladies / Hills of Glenorchy / When the Cock Crows it is Day (feat. Vienna Scheyer)" from Slash 10:25 - The Drowsy Lads "Memories and Moments" from Time Flies 13:57 - Nerea The Fiddler "A Moment of Absence" from Off The Beatn Path 16:15 - Erin Ruth, Autumn Rhodes "Irish Ways & Irish Laws" from single 19:10 - FEEDBACK 23:09 - Tulua "Rambling Boys of Pleasure" from No Coming No Going 28:56 - ISHNA "Cunla" from Slí Amach 32:57 - Sue Tillotson & Jim Cunningham "Star of the County Down" from Water Horse 35:55 - Altan "The House of Baoithín Selection: Miss Stewart's/Bonnie Annie/Hand Me Down The Tea Things/House of Baoithín (Reels)" from Donegal 39:42 - Low Power Trio "Arthur McBride" from Dirty Old Town 45:13 - THANKS 47:05 - Ian Alistair Gosbee "Grace" from Ray of Sunshine 50:01 - Ironwood "The White Gypsy" from Gretna Green 54:08 - Callán "Young Bridie" from Bloody Callán 56:57 - Irish Millie "Big Red" from GRACE 1:00:49 - CLOSING 1:01:49 - The Irish Rovers "Across The Western Ocean" from Drunken Sailor 1:04:21 - CREDITS Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra - rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. This podcast is for fans of all kinds of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email the artists to let them know you heard them on the Irish & Celtic Music Podcast. These musicians are not part of some corporation. They are small indie groups that rely on people just like you to support their music so they can keep creating it. Please show your generosity. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. IRISH & CELTIC MUSIC PODFEST Join us Sunday, March 8, 2026, from 12 to 6 PM for the Irish & Celtic Music PodFest and Arts Market at The Lost Druid Brewery in Avondale Estates, Georgia. Spend the afternoon surrounded by live Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Grab a pint, enjoy the tunes, and share the energy of a true Celtic gathering. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

durée : 00:04:16 - Le Polar sonne toujours 2 fois - par : Ilana Moryoussef - Direction les Balkans avec un polar serbe. Le premier polar serbe traduit en français, signé Oto Oltvanji. Il s'intitule "Le champ des méduses" et c'est l'atmosphère de ce roman qui a d'abord accroché notre chroniqueur Michel Abescat. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The latest from Geneva as the US mediates two separate rounds of talks on Iran and the war in Ukraine. Then: we speak to Bill Browder about the future of Russia’s economy. Plus: Macron’s high-profile visit to India and news from the Balkans.See omnystudio.com/listener for privacy information.

Rother, Frederik www.deutschlandfunk.de, Europa heute

Rother, Frederik www.deutschlandfunk.de, Europa heute

Rother, Frederik www.deutschlandfunk.de, Europa heute

Le bektachisme est l'une des confréries spirituelles les plus énigmatiques de l'histoire du monde musulman. Né entre mystique soufie, chiisme hétérodoxe et traditions populaires d'Anatolie, il a longtemps évolué à la marge de l'islam officiel, tout en jouant un rôle politique et culturel majeur dans l'Empire ottoman.La confrérie tire son nom de Hacı Bektaş Veli, un mystique du XIIIᵉ siècle originaire d'Anatolie. Personnage semi-légendaire, il prêche une spiritualité fondée sur l'amour, la tolérance, l'égalité entre les êtres humains et la recherche intérieure plutôt que sur l'observance stricte de la loi religieuse. Dans un monde médiéval souvent dominé par l'orthodoxie, ce message tranche radicalement.Le bektachisme se distingue d'abord par sa lecture symbolique et ésotérique de l'islam. Les textes sacrés ne sont pas rejetés, mais interprétés à plusieurs niveaux. Les rituels sont volontairement secrets, réservés aux initiés. Contrairement à l'islam sunnite classique, les bektachis ne mettent pas l'accent sur la prière canonique quotidienne, le jeûne strict ou la séparation rigide entre hommes et femmes. Le vin, normalement interdit, peut même avoir une valeur symbolique lors de certaines cérémonies.Autre particularité majeure : le bektachisme accorde une place centrale à Ali, le gendre du prophète Mahomet, et aux douze imams du chiisme, tout en intégrant des éléments préislamiques, chrétiens et chamaniques. Cette hybridation religieuse a longtemps nourri sa réputation de doctrine “hérétique” aux yeux des autorités sunnites.Son importance historique explose à partir du XVe siècle, lorsque la confrérie devient intimement liée aux janissaires, le corps d'élite de l'armée ottomane. Cette alliance offre au bektachisme une protection politique considérable. Pendant plusieurs siècles, la confrérie agit comme un contre-pouvoir spirituel, diffusant une vision plus égalitaire et plus souple de la religion au sein de l'Empire.Mais cette proximité avec les janissaires scelle aussi son destin. En 1826, lorsque le sultan Mahmud II fait massacrer et dissoudre les janissaires, le bektachisme est à son tour interdit. Les tekkes, les lieux de rassemblement, sont fermés, les maîtres spirituels persécutés, et la confrérie entre dans la clandestinité.Aujourd'hui, le bektachisme survit principalement dans les Balkans — notamment en Albanie — et en Turquie, sous une forme discrète. Plus qu'une simple confrérie religieuse, il incarne une autre voie de l'islam, profondément humaniste, où la quête spirituelle prime sur la loi, et où la foi se vit comme une expérience intérieure.Le bektachisme reste ainsi un rappel troublant : l'histoire religieuse n'est jamais monolithique, et certaines traditions ont longtemps prospéré… précisément parce qu'elles refusaient les dogmes rigides. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this special bonus episode from The Financial Times, "The Broker" tells the story of how a failed baseball hopeful and disgraced stockbroker reinvented himself as one of America’s most consequential modern arms dealers. From a family-run warehouse in Virginia Beach, Will Somerindyke built his company into a crucial conduit in the Pentagon’s covert supply chains — sourcing Soviet-era weapons for wars in Syria and Yemen before emerging as a central player in Ukraine’s fight against Russia. As artillery shells became the most sought-after commodity of the war, he placed a multimillion-dollar bet on reviving crumbling Cold War factories in the Balkans, transforming himself from middleman to manufacturer. Based on months of reporting, The Broker traces Somerindyke’s rise through the shadow world of privatized warfare — where geopolitics, profit and personal ambition collide — and reveals how modern conflicts are sustained not only by soldiers on the front lines, but by entrepreneurs who move the weapons behind the scenes. This piece, written by the FT’s Miles Johnson, host of Hot Money Season 2: The New Narcos, was originally printed in FT Weekend.See omnystudio.com/listener for privacy information.

In this special bonus episode from The Financial Times, "The Broker" tells the story of how a failed baseball hopeful and disgraced stockbroker reinvented himself as one of America's most consequential modern arms dealers.From a family-run warehouse in Virginia Beach, Will Somerindyke built his company into a crucial conduit in the Pentagon's covert supply chains — sourcing Soviet-era weapons for wars in Syria and Yemen before emerging as a central player in Ukraine's fight against Russia.As artillery shells became the most sought-after commodity of the war, he placed a multimillion-dollar bet on reviving crumbling Cold War factories in the Balkans, transforming himself from middleman to manufacturer.Based on months of reporting, The Broker traces Somerindyke's rise through the shadow world of privatised warfare — where geopolitics, profit and personal ambition collide — and reveals how modern conflicts are sustained not only by soldiers on the front lines, but by entrepreneurs who move the weapons behind the scenes.This piece, written by the FT's Miles Johnson, host of Hot Money Season 2: The New Narcos, was originally printed in FT Weekend. Hosted on Acast. See acast.com/privacy for more information.

Peter Solomon speaks to Paul Fonfara and Spencer Roth of The Brass Messengers, a Twin Cities-based brass band that blends elements of Balkan, Macedonian, Afrobeat, Free Jazz, New Orleans sounds. The group will play a Mardi-Gras show called "Dance Your Brass Off" Tuesday, February 17th at the Turf Club, presented by Jazz88.

Send a textSelco Begovic - Survivor of the Balkan War - SHTF Expert!  PART 2 InterviewSelco Begovic, a survivor of the tumultuous Balkan war in the 1990s, endured the daunting challenges of living in a besieged city without access to necessities like electricity, running water, and food distribution. Today, he shares his firsthand experiences through physical courses, offering invaluable insights for those eager to learn from his real-life ordeal.Through his online writings, Selco offers an unfiltered view of the brutal realities of survival in extreme conditions. With candid assessments of effective strategies and lessons learned from his trials, he also discusses contemporary preparations for uncertain times.Continuing his relentless pursuit of survival knowledge since the war, Selco provides a unique opportunity for others to glean from his experiences, even if they may never face such extreme circumstances.Explore Selco's articles, purchase his PDF books, including the highly acclaimed "The Dark Secrets of Survival," or dive deep into his expertise through his online course, the SHTF Survival Boot Camp. Enroll in his course, "One Year in Hell," to gain an insider perspective on life during a crisis.Selco's message is clear: Real survival lacks romance or idealism; it's a brutal, arduous, and often unfair journey. Let Selco guide you through this uncompromising world and prepare you for the realities that may lie ahead.https://www.shtfschool.com/ Join PrepperNet.Net - https://www.preppernet.netPrepperNet is an organization of like-minded individuals who believe in personal responsibility, individual freedoms and preparing for disasters of all origins.PrepperNet Support the showPlease give us 5 Stars! www.preppingacademy.com Daily deals for preppers, survivalists, off-gridders, homesteaders https://prepperfinds.com Contact us: https://preppingacademy.com/contact/ www.preppernet.net Amazon Store: https://amzn.to/3lheTRTwww.forrestgarvin.com

Dragones en el páramo galáctico Dragons on the galactic moor Músicas tan variopintas como el mundo nos sorprenden en esta edición de Mundofonías, hablándonos de dragones, lágrimas, perlas, ramas, páramos, sopas, aperitivos, voces, huellas, casamientos y descasamientos. Suena música con aires de Armenia, Albania, Alemania, los Balcanes, los países nórdicos y los ibéricos, Argentina, Perú y Colombia, a partir de muy recientes ediciones discográficas que nos ofrecen mil tratamientos a partir de la música de raíz, desde rudas guitarras a los ecos de las voces indígenas. Music as diverse as the world itself surprises us in this edition of Mundofonías, speaking of dragons, tears, pearls, branches, moors, soups, appetisers, voices, footprints, weddings and unweddings. We hear music with flavours of Armenia, Albania, Germany, the Balkans, the Nordic and the Iberian countries, Argentina, Peru and Colombia, drawn from very recent record releases that offer a thousand different approaches to root music, from raw guitars to the echoes of indigenous voices. - Victoria Alexanyan - Yerangi - Vishap - Hersi Matmuja & Jacopo Conoci - Dada - Lum - Borsch4Breakfast - Borsch auf dem Gelben Wagen - Appetizer - Maria Kalaniemi & Pekko Käppi - Maanitus - Tåreportens pärla - Trio Mio - Ping syndrome - Dansant - Gangar - BomBom [+ Synnøve Brøndbo Plassen, Martin Steinum Brun, Karl Seglem] - BomBom [single] - El Naán - A la rama - Versos del páramo negro - Magalí Sare - Sirviñaco - Descasada, vol. 1 - Ranil y su Conjunto Tropical - Galaxia tropical - Galaxia tropical - Yeison Landero - Época de oro - Landero vive - Yaki Kandru - Canto de amor wayana / Río negro / Edanaka - Voces huellas 📸 El Naán

Jonathan continues his travels through the Balkans, stopping at the party city of Budva in Montenegro.Listen to Jonathan's Travelogues every Wednesday on The Lunch Break from 12 noon to 1 pm.Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Episode Summary:In this episode of Explaining History, Nick delves into the cataclysmic events of 1912-1913 that shattered the Ottoman Empire and set the stage for the First World War.Following the humiliating loss of Libya to Italy, the Balkan states—Serbia, Greece, Montenegro, and Bulgaria—sensed weakness and struck. We explore how this coalition of former subjects mobilized a massive army of over 700,000 men to drive the Ottomans out of Europe.Drawing on Eugene Rogan's The Fall of the Ottomans, Nick examines the internal chaos of the empire, from the violent coup led by Enver Pasha at the Sublime Porte to the desperate siege of Edirne. Why did the "Sick Man of Europe" fight so poorly in the Balkans but so fiercely later at Gallipoli? And how did the loss of its European heartland radicalize the Young Turk regime?Plus: Important announcements about our upcoming live masterclasses for history students in February, March, and April!Key Topics:The First Balkan War: How a coalition of small states defeated an empire.The Raid on the Sublime Porte: Enver Pasha's violent seizure of power.The Loss of Europe: The economic and psychological blow of losing Macedonia, Albania, and Thrace.Schrödinger's Empire: The paradox of Ottoman weakness in 1912 vs. resilience in 1915.Explaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

Is the United States a nation state? Does it have a national identity? On this episode of the Transatlantic, scholar Colin Woodard discusses his early career experiences as a journalist in Eastern Europe and the Balkans at the end of the Cold War and how that work informs his work on national identity in the United States. He then talks about his current research uncovering what he describes as eleven distinct nations that make up the United States and how their clashing cultures and traditions have defined the country's struggle to form a national story and identity.    Colin Woodard – a New York Times bestselling historian and Polk Award-winning journalist – is one of the most respected authorities on North American regionalism, the sociology of United States nationhood, and how our colonial past shapes and explains the present. Compelling, dynamic and thought provoking, he offers a fascinating look at where America has come from, how we ended up as we are, and how we might shape our future. Author of the award winning Wall Street Journal bestseller American Nations: A History of the Eleven Rival Regional Cultures of North America, Woodard has written six books including The Republic of Pirates — a New York Times bestselling history of Blackbeard's pirate gang that was made into a primetime NBC series with John Malkovich and Claire Foye – and Union: The Struggle to Forge the Story of United States Nationhood, which tells the harrowing story of the creation of the American myth in the 19th century, a story that reverberates in the news cycle today. His latest book is Nations Apart: How Clashing Regional Cultures Shattered America, released by Viking/Penguin in November 2025. He is the founder and director of Nationhood Lab at the Pell Center for International Relations and Public Policy at Salve Regina University, an interdisciplinary research, writing, testing and dissemination project focused on counteracting the authoritarian threat to American democracy and the centrifugal forces threatening the federation's stability. He is also a Fellow of the Royal Geographical Society, a visiting scholar at the Minneapolis-based HealthPartners Institute and a POLITICO contributing writer. As State and National Affairs Writer at the Portland Press Herald and Maine Sunday Telegram he received a 2012 George Polk Award, was named Maine Journalist of the Year in 2014, and was a finalist for the 2016 Pulitzer Prize for Explanatory Reporting. A longtime foreign correspondent of The Christian Science Monitor, The San Francisco Chronicle, and The Chronicle of Higher Education, he has reported from more than fifty foreign countries and seven continents from postings in Budapest, Zagreb, Washington, D.C. and the US-Mexico border and covered the collapse of communism in Eastern Europe and its bloody aftermath. His work has appeared in dozens of publications including The Economist, The New York Times, Smithsonian, The Washington Post, The Guardian, Newsweek and Washington Monthly and has been featured on CNN, the Rachel Maddow Show, Chuck Todd's The Daily Rundown, The PBS News Hour, and NPR's Weekend Edition. A graduate of Tufts University and the University of Chicago, he's received the 2004 Jane Bagley Lehman Award for Public Advocacy, a Pew Fellowship in International Journalism at the Johns Hopkins University School for Advanced International Study and was named one of the Best State Capitol Reporters in America by the Washington Post. He lives in Maine.   This podcast is hosted by Bakhti Nishanov and produced by Alanna Novetsky, in conjunction with the Senate Recording Studio.

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett examine 20th-century Eastern Europe, detailing the tragic shift from organic aristocratic societies to brutal, industrialized totalitarian regimes. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (02:11) The Greatest Tragedy in Human History (04:47) The Transition from Monarchy to Totalitarianism (09:44) The Scythe Lens Mechanical Pressure (21:41) The Staggering Intellectual Loss (27:59) Capitalism Nobility and the Path to Democracy (35:32) Defining Mass Politics (54:19) The Ethnic Map of 1914 vs Modernity (01:05:43) The Hot Seat of the Balkans and WWI (01:22:47) The Eastern Front of WWI (01:38:13) The Urge to Submission (01:47:48) The Daily Horror of Stalinism (02:05:33) WWII The German Colonial Dream (02:17:15) The Legacy of the Holocaust and 40 Million Dead (02:28:44) Contemporary Resilience and Neoliberalism Learn more about your ad choices. Visit megaphone.fm/adchoices

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Immigrant and refugee poet Dario reflects on war, displacement, identity, and healing—revealing how poetry becomes both a refuge and a form of resistance in a world shaped by trauma and migration.00:34- About Dario CvencekDario is an immigrant and a refugee poet from the Balkans.He's an author of a book titled PTSD Martini. 

Da Agami Hando var 21 år gammel dro han til Balkan for å finne seg en klubb. Han har vært innom klubber i Norge, Albania, Bosnia, Kosovo og Montenegro. Karrieren hans er ikke helt som alle andre.

In Chapter 43 of The Book of Trump, Ghost is joined by Lt. Col. Oak McCulloch for a deep, firsthand examination of the Kosovo War and the geopolitical precedent it set. The conversation traces the breakup of Yugoslavia, the rise of ethnic and religious conflict in the Balkans, and NATO's decision to intervene without UN authorization. Oak shares detailed on-the-ground experiences from his deployment, including the realities of peacekeeping, working alongside Russian forces, and navigating tensions between Serb, Albanian, and Gypsy communities. The episode explores how Kosovo became a turning point in international law, influencing later Russian actions in Georgia, Crimea, and Ukraine. Through historical context, military insight, and lived experience, this chapter connects a decades-old conflict to the modern geopolitical landscape, showing how decisions made in Kosovo continue to echo across today's global power struggles.

On today’s “Closer Look with Rose Scott,” we focus on immigration from a policy perspective. First, we speak to U.S. Corporate Immigration Attorney Giselle Carson. She discusses President Trump’s sudden immigration ban on 75 countries, consisting of applicants from Latin America and the Caribbean, the Balkans, and several countries in South Asia, Africa, and the Middle East. Attorney Carson also provides her perspective on a recently filed lawsuit against the immigration ban. The conversation continues with Adriana Heffley, the Director of Legal Services for the Georgia Asylum and Immigration Network. Heffley highlights how some of the asylum seekers she works with have been detained by Immigration agents. She also mentions how actions by ICE have scared some immigrants into hiding and not seeking help for issues such as domestic violence. We learn what GAIN is attempting to do to protect immigrants and those seeking asylum in Georgia.See omnystudio.com/listener for privacy information.

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze the structural evolution of Eastern European empires from the 17th century to World War I , examining how imperial elites managed multiethnic, multicultural societies. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (00:16) Age of Empires and Personal Anecdotes (03:23) The East Europe Run and the Bloodlands (05:06) Ruling Philosophies of European Dynasties (06:09) Industrialization and the Origins of World War I (09:51) Three Conflicts that Formed the Era (11:10) The Expansion of the Austrian Empire (13:35) Imperial Identity vs National Identity (20:18) Religious Unification and Catholicism (22:38) Ottoman Resilience and Decadence (24:26) Hungarian Governance and the Steppe Frontier (31:28) Multiculturalism and Merchant Ethnicities (38:41) Modern Greek Identity and the Ottoman Elite (41:38) Trust and Honor Culture (46:34) The Balkans under Turkish Rule (52:10) Religion and Social Engineering (55:03) The Austrian Idea and Intellectual Legacy (01:03:07) Culture vs Civilization (01:08:25) The German Nobility of Europe (01:10:03) Enlightened Absolutism and Serfdom (01:15:43) The Great Northern War and the Rise of Russia (01:21:44) The Shift to Mass Mobilization and Drill (01:26:43) The Russian Menace and Power Politics (01:39:53) Prussian Excellence and the Yoker Nobility (01:48:34) Napoleon in Eastern Europe (01:54:40) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

To, katere besede izbiramo, kako nekaj povemo in o čem najpogosteje govorimo, je včasih še zgovornejše kot to, kaj povemo. Zato se je dr. Jernej Kaluža, raziskovalec s Katedre za kulturologijo ljubljanske Fakultete za družbene vede lotil analize besedil glasbenih del balkan trapa. Pojasnil bo, kakšen jezik uporabljajo ustvarjalci, kako se razlikuje glede na državo, iz katere je pisec besedila, katere besede so v teh besedilih najpogostejše in kaj teme, ki se jih lotevajo, povedo o sodobni družbi in njenem pogledu na ljubezen.

Rumi is perhaps the most famous Sufi of all time. For centuries after he died in 1273, his Persian poems were read and recited from the Balkans to Bengal. But his teachings were also passed down through the Mevlevi order that was established after his death in Konya (in present-day Turkey). From their headquarters around Rumi's shrine in Konya, then subsequently from the Ottoman capital of Istanbul, the Mevlevis became one of the most influential Sufi orders in the eastern Mediterranean. Wrapping Rumi's poetry into a larger package of ritual, music, meditation, and dance, the Mevlevis explored the many layers of meaning in Rumi's masterpiece the Masnavi, on which several Mevlevi leaders penned commentaries. In this episode, we trace the development and teachings of the Mevlevi order, with a focus on the distinct emotional style that characterized its spirituality. Nile Green talks to Jamal J. Elias, author of After Rumi: The Mevlevis and Their World (Harvard University Press, 2025).

Radio Totchka, c'était la voix du pouvoir, dont la présence sonore s'imposait aux Bulgares dans leur espace privé, mais aussi dans leur espace public, puisque les programmes étaient diffusés dans la rue par des haut-parleurs, mais aussi à la mairie, à la poste, ou encore à l'usine ! Une radio dont la mémoire sonore réactive à la fois les bons et les mauvais souvenirs d'un monde communiste aujourd'hui disparu. Dans le premier épisode, nous avions suivi les tribulations de l'ethnologue Olivier Givre et du créateur sonore Raphaël Cordray à la recherche de Radio Totchka, petit haut-parleur en plastique importé d'URSS et placé dans les murs des habitations, dont les Bulgares ne pouvaient pas changer la station ! Entre information, musique et propagande, les programmes de Radio Totchka ont marqué plusieurs générations de Bulgares jusqu'à la fin des années 80, la chute du mur de Berlin, l'effondrement de l'Union soviétique et la fin du régime communiste dans leur pays devenu la Bulgarie, aujourd'hui intégrée à l'Europe et à la zone euro. Dans ce second épisode, nous retrouvons l'ethnologue Olivier Givre et le créateur sonore Raphaël Cordray en Bulgarie à la recherche des anciens animateurs de Radio Totchka, dans l'espoir de retrouver des archives radiophoniques non conservées par l'État. Comment étaient fabriqués les programmes de Radio Totchka, depuis les années 40 jusqu'au fameux « changement » du 9 novembre 1989, date de la chute du mur de Berlin et de l'effondrement du bloc communiste… Olivier Givre est maître de conférences en Anthropologie à l'Université Lumière Lyon 2 depuis 2007. Ses travaux concernent principalement l'Europe orientale et les Balkans, et portent sur trois thématiques : les processus patrimoniaux et mémoriels, les dynamiques frontalières et transfrontalières, les recompositions rituelles et religieuses. Plus récemment, il engage une série de travaux sur les approches sensorielles et la recherche-création. Membre de l'Institut Universitaire de France Anthropologie à Lyon2 Nouvelles Écritures de l'Anthropologie Dernière publication : Collectif Balkabas, Les Balkans en transformation. Quatre variations : pancarte, passeport, argent, maison, Collection Meydan, Editions Karthala, Paris, 2025 Écoutez LMDM, le premier volet de LMDM avec Olivier Givre.   Vous pouvez écouter en intégralité les trois derniers épisodes de la série ici : - À LA POURSUITE DE RADIO TOCHKA / Épisode 4 : Entre technique et idéologie - À LA POURSUITE DE RADIO TOCHKA / Épisode 5 : Les voix de radiotočka - À LA POURSUITE DE RADIO TOCHKA / Épisode 6 : Voyage au bout d'une mémoire sonore.

The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past. Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century. Profile page: here Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past. Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century. Profile page: here Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Send us a textSelco Begovic - Survivor of the Balkan War - SHTF Expert!  PART 1 InterviewSelco Begovic, a survivor of the tumultuous Balkan war in the 1990s, endured the daunting challenges of living in a besieged city without access to necessities like electricity, running water, and food distribution. Today, he shares his firsthand experiences through physical courses, offering invaluable insights for those eager to learn from his real-life ordeal.Through his online writings, Selco offers an unfiltered view of the brutal realities of survival in extreme conditions. With candid assessments of effective strategies and lessons learned from his trials, he also discusses contemporary preparations for uncertain times.Continuing his relentless pursuit of survival knowledge since the war, Selco provides a unique opportunity for others to glean from his experiences, even if they may never face such extreme circumstances.Explore Selco's articles, purchase his PDF books, including the highly acclaimed "The Dark Secrets of Survival," or dive deep into his expertise through his online course, the SHTF Survival Boot Camp. Enroll in his course, "One Year in Hell," to gain an insider perspective on life during a crisis.Selco's message is clear: Real survival lacks romance or idealism; it's a brutal, arduous, and often unfair journey. Let Selco guide you through this uncompromising world and prepare you for the realities that may lie ahead.https://www.shtfschool.com/ Join PrepperNet.Net - https://www.preppernet.netPrepperNet is an organization of like-minded individuals who believe in personal responsibility, individual freedoms and preparing for disasters of all origins.PrepperNet Support the showPlease give us 5 Stars! www.preppingacademy.com Daily deals for preppers, survivalists, off-gridders, homesteaders https://prepperfinds.com Contact us: https://preppingacademy.com/contact/ www.preppernet.net Amazon Store: https://amzn.to/3lheTRTwww.forrestgarvin.com

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze the ethno-genesis of Eastern Europe, tracing the Slavic migration, the impact of Mongol and Turkic conquests, and the unique sociopolitical structures of Poland, Russia, and the Balkans. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (02:50) The Human Character and Potential of Eastern Europe (08:52) The Hunnic Migration and the Slavic Power Vacuum (15:58) Proximity to Rome and Ancient Greek Colonies (21:54) The Avars, Bulgars, and Nomadic Confederacies (23:45) Surviving Populations: Albanians (Illyrians) and Romanians (Vlachs) (26:22) The Significance of the Slavic Slave Trade (32:55) Byzantine Influence and the Creation of the Slavic Alphabet (43:24) Imperial Cultures versus National Identities (51:50) The Khazar Kingdom and Jewish Conversion (54:19) The Vikings (Rus) and the Foundation of Kievan Rus (01:07:22) The Year 1000: Monotheistic Religions and the Civilizational Fault Line (01:16:30) The Relationship Between Russia, Ukraine, and Belarus (01:24:00) 19th Century Intellectualization of Peasant Identities (01:32:00) The Formation of Poland and Hungary (01:38:52) Bohemia (Czechia) and the Early Protestant Hussite Wars (01:45:26) The Severity of Eastern European Serfdom (01:51:30) The Rise and Fall of the Polish-Lithuanian Commonwealth (02:03:50) The Teutonic Knights and the Prussian State (02:11:30) The Mongol Storm and the Rise of Muscovite Russia (02:17:15) Ivan the Terrible and the Shift to Autocratic Totalitarianism (02:21:30) The Austrian Habsburgs and Ottoman Balkan Governance (02:28:09) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

Ivana Stradner on Serbia's brute President Aleksandar Vučić welcoming PRC money, examining how Beijingexpands influence in the Balkans through investment while Serbia drifts from Western alignment.1800 BANK OF ENGLAND

251 AD wasn't just a bad year. It was Rome's near-death experience.First, an emperor vanishes into a Balkan swamp. Decius charges forward with his son—and both are gone. No heroic last stand. No recovered body. Just an army shattered and 20,000 Romans dead.Then comes the second удар: the Plague of Cyprian. Fever. Diarrhea. Throat ulcers. Entire streets empty in days. Ancient sources claim 5,000 dying per day in Rome at the peak.This episode walks you through the moment Romans may have first felt the thought:“This might actually be the fall.”In this video, you'll learn:• Why 251 AD sits at the center of the Crisis of the Third Century• What happened at the Battle of Abritus• How plague + invasion create the perfect collapse spiral• Why Rome survived…barely—and what it cost

FILE 7. SPHERES OF INFLUENCE AND FAILED NEGOTIATIONS. GUEST AUTHOR SEAN MCMEEKIN. During 1940 negotiations in Berlin, Hitler attempted to align the Soviets with the Axis powers, but talks failed due to Stalin's insistence on expanding influence into Finland and the Balkans. Consequently, Hitler decided to invade Russia to break their economic stranglehold, while Soviet leadership simultaneously began preparing their own military deployments for a future war with Germany,.1931

3 Hours and 13 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Here, in one file, are the 3 episodes Thomas777 did with Pete covering the 1990's Balkans Wars.Episode 1: The 1990's Balkan Wars - Part 1 - 'The Homeland War' w/ Thomas777Episode 2: The 1990's Balkan Wars - Part 2 - WW2 Context - w/ Thomas777Episode 3: The 1990's Balkan Wars - Part 3 - The Hostilities - w/ Thomas777Thomas' SubstackThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

In this episode of “History of the Second World War,” we explore Yugoslavia's precarious position in the early years of WWII — a newly formed nation straddling ethnic diversity and geopolitical tension, created after WWI from the remnants of the Austro-Hungarian and Ottoman empires. As Germany surged into Poland and Italy sought to expand its influence in the Balkans, Yugoslavia found itself caught between competing powers: diplomatically aligned with France but economically entangled with Nazi Germany through vital resource trade. When Italy's ill-fated invasion of Greece forced it to seek transit routes through Yugoslav territory — a move the neutral country refused — tensions escalated rapidly. This episode sets the stage for how Yugoslavia, despite its best efforts at neutrality, would soon become a focal point in Hitler's broader Balkan strategy, setting the stage for one of WWII's most dramatic and consequential invasions. Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.