Podcasts about Balkans

“To live, a people must always be able to know its past, to judge it, to accept it.”— Simone Veil, French politician and Shoah survivor When I sat down with historian Anastasios Karababas to discuss his new book, In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day (Paperback, published January 30, 2024), I was struck by the depth and complexity of the story he tells—a story that spans over 2,500 years and is still unfolding today. Karababas in the book and the conversation guided me through the origins and evolution of Jewish life in Greece from ancient times to today. We discussed the four major Jewish groups whose histories are intertwined with the Greek landscape: Romaniots, the ancient Greek Jews whose presence predates the Romans. Ashkenazi Jews, who arrived between the 11th and 13th centuries, bringing their Central European traditions. Sephardic Jews, who found refuge in Greece after their expulsion from Spain in the 15th century, especially revitalizing the community in Thessaloniki. Italian Jews, who settled in the 16th century, further enriching the community's diversity. Thessaloniki, once known as the "Jerusalem of the Balkans," stood out in our conversation as a beacon of Jewish life, with Jews making up 30–40% of the city's population at its height. Karababas's account of the 20th century was both inspiring and heartbreaking. Before World War II, there were about 75,000 Jews in Greece. He shared the stories of Jews who served in the Greek army against Mussolini, a testament to their deep sense of belonging. But the Holocaust cast a long shadow, with 85% of the community deported and wiping out around 90% of the community leaving a profound void. Today, as Karababas explained, the Jewish population in Greece numbers only about 5,000, spread across nine communities—a stark contrast to the more than thirty that once existed. Only Athens, Thessaloniki, and Larissa still have resident rabbis. These communities survive through private funding and the interest of Jewish heritage tourism, striving to keep their unique traditions alive. Our discussion also touched on the complexities of Judeophobia in Greece. Karababas described Judeophobia as a blend of anti-semitism, anti-zionism, and anti-Judaism, with roots in the influence of the Greek Orthodox Church. He characterized current anti-semitism as “superficial,” with few violent incidents. Despite the rise in anti-zionist sentiment, he pointed out that Greece maintains strong governmental ties with Israel, reflecting the nuanced relationship between Greek society, its Jewish citizens, and the broader region. Reading In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day and speaking with Karababas reminded me how vital it is to know, judge, and accept our past as a means of ensuring a safer future. The story of Greek Jewry is one of migration, tragedy, and renewal—a testament to resilience and the enduring spirit of a people determined to remember and to live. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“To live, a people must always be able to know its past, to judge it, to accept it.”— Simone Veil, French politician and Shoah survivor When I sat down with historian Anastasios Karababas to discuss his new book, In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day (Paperback, published January 30, 2024), I was struck by the depth and complexity of the story he tells—a story that spans over 2,500 years and is still unfolding today. Karababas in the book and the conversation guided me through the origins and evolution of Jewish life in Greece from ancient times to today. We discussed the four major Jewish groups whose histories are intertwined with the Greek landscape: Romaniots, the ancient Greek Jews whose presence predates the Romans. Ashkenazi Jews, who arrived between the 11th and 13th centuries, bringing their Central European traditions. Sephardic Jews, who found refuge in Greece after their expulsion from Spain in the 15th century, especially revitalizing the community in Thessaloniki. Italian Jews, who settled in the 16th century, further enriching the community's diversity. Thessaloniki, once known as the "Jerusalem of the Balkans," stood out in our conversation as a beacon of Jewish life, with Jews making up 30–40% of the city's population at its height. Karababas's account of the 20th century was both inspiring and heartbreaking. Before World War II, there were about 75,000 Jews in Greece. He shared the stories of Jews who served in the Greek army against Mussolini, a testament to their deep sense of belonging. But the Holocaust cast a long shadow, with 85% of the community deported and wiping out around 90% of the community leaving a profound void. Today, as Karababas explained, the Jewish population in Greece numbers only about 5,000, spread across nine communities—a stark contrast to the more than thirty that once existed. Only Athens, Thessaloniki, and Larissa still have resident rabbis. These communities survive through private funding and the interest of Jewish heritage tourism, striving to keep their unique traditions alive. Our discussion also touched on the complexities of Judeophobia in Greece. Karababas described Judeophobia as a blend of anti-semitism, anti-zionism, and anti-Judaism, with roots in the influence of the Greek Orthodox Church. He characterized current anti-semitism as “superficial,” with few violent incidents. Despite the rise in anti-zionist sentiment, he pointed out that Greece maintains strong governmental ties with Israel, reflecting the nuanced relationship between Greek society, its Jewish citizens, and the broader region. Reading In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day and speaking with Karababas reminded me how vital it is to know, judge, and accept our past as a means of ensuring a safer future. The story of Greek Jewry is one of migration, tragedy, and renewal—a testament to resilience and the enduring spirit of a people determined to remember and to live. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

“To live, a people must always be able to know its past, to judge it, to accept it.”— Simone Veil, French politician and Shoah survivor When I sat down with historian Anastasios Karababas to discuss his new book, In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day (Paperback, published January 30, 2024), I was struck by the depth and complexity of the story he tells—a story that spans over 2,500 years and is still unfolding today. Karababas in the book and the conversation guided me through the origins and evolution of Jewish life in Greece from ancient times to today. We discussed the four major Jewish groups whose histories are intertwined with the Greek landscape: Romaniots, the ancient Greek Jews whose presence predates the Romans. Ashkenazi Jews, who arrived between the 11th and 13th centuries, bringing their Central European traditions. Sephardic Jews, who found refuge in Greece after their expulsion from Spain in the 15th century, especially revitalizing the community in Thessaloniki. Italian Jews, who settled in the 16th century, further enriching the community's diversity. Thessaloniki, once known as the "Jerusalem of the Balkans," stood out in our conversation as a beacon of Jewish life, with Jews making up 30–40% of the city's population at its height. Karababas's account of the 20th century was both inspiring and heartbreaking. Before World War II, there were about 75,000 Jews in Greece. He shared the stories of Jews who served in the Greek army against Mussolini, a testament to their deep sense of belonging. But the Holocaust cast a long shadow, with 85% of the community deported and wiping out around 90% of the community leaving a profound void. Today, as Karababas explained, the Jewish population in Greece numbers only about 5,000, spread across nine communities—a stark contrast to the more than thirty that once existed. Only Athens, Thessaloniki, and Larissa still have resident rabbis. These communities survive through private funding and the interest of Jewish heritage tourism, striving to keep their unique traditions alive. Our discussion also touched on the complexities of Judeophobia in Greece. Karababas described Judeophobia as a blend of anti-semitism, anti-zionism, and anti-Judaism, with roots in the influence of the Greek Orthodox Church. He characterized current anti-semitism as “superficial,” with few violent incidents. Despite the rise in anti-zionist sentiment, he pointed out that Greece maintains strong governmental ties with Israel, reflecting the nuanced relationship between Greek society, its Jewish citizens, and the broader region. Reading In the Footsteps of the Jews of Greece: From Ancient Times to the Present Day and speaking with Karababas reminded me how vital it is to know, judge, and accept our past as a means of ensuring a safer future. The story of Greek Jewry is one of migration, tragedy, and renewal—a testament to resilience and the enduring spirit of a people determined to remember and to live. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

What does it take to introduce an entire country to a cuisine they've never heard of—and scale it into a multi-million-dollar empire? Ivan Iricanin pulled it off with AMBAR, turning an obscure idea into one of the most successful and unique restaurant groups in the country.In today's episode, Ivan breaks down how he created product-market fit where none existed, scaled a culturally unfamiliar concept into a household name, and mastered the economics of an unlimited tasting menu—without racing to the bottom. You'll hear how he used hospitality as a weapon, designed operations for profitability, and built a team that could support explosive growth in both the U.S. and abroad.If you're sitting on an unconventional idea or wondering how to scale in a crowded market, this one's for you. To learn more about Ambar and the group behind one of the most successful Balkan concepts in the world, visit https://www.ambarrestaurant.com.____________________________________________________________Full Comp is brought to you by Yelp for Restaurants: In July 2020, a few hundred employees formed Yelp for Restaurants. Our goal is to build tools that help restaurateurs do more with limited time.We have a lot more content coming your way! Be sure to check out our other content:Yelp for Restaurants PodcastsRestaurant expert videos & webinars

Önce, Cihat Gökdemir'in tespitini alıntılayayım: “Kudüs ittifakı, Selçuklu ruhu. Öyle görünüyor ki genç Türkiye Cumhuriyeti, Osmanlı'nın mirasını da bagajına alıp Selçuklu'nun mirasına yürüyor. Osmanlı, bir Balkan devletiydi. Selçuklu ise bir Anadolu-Ortadoğu devleti. Bir tür Türk, Kürt, Arap ittifakı. Devlet, Selçuklu mirasına karar vermiş.”

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight. Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad's in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities. In this illuminating and concise survey, Charles Glass shows how Assad's misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes. Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region. In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring. About the Author: Charles Glass was ABC News Chief Middle East Correspondent from 1983 to 1993. Since 1973, he has covered wars in the Middle East, Africa and the Balkans. He is the author of Syria Burning, Tribes with Flags, The Tribes Triumphant, Money for Old Rope, The Northern Front, Americans in Paris, The Deserters, They Fought Alone and Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War. His website is www.charlesglass.net. About the Host: Stuti Roy is a recent graduate with an MPhil in Modern South Asian Studies from the University of Oxford, and a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Is there a lack of democracy in Serbia? Can the current student-led protests topple the Government? Will this Balkan country ever join the European Union? Allan Little chairs a panel of leading Serbian politicians and analysts who face tough questions from across the nation.The panel: Marko Djuric: Minister of Foreign Affairs, Serbian Progressive Party Borko Stefanovic: Deputy Leader, Freedom and Justice Party Danica Ilic: Journalist Filip Balunovic: Research fellow, University of Belgrade

This week on Wine Chats, we're on holidays and throwing it back to Season 5, where we're pouring Balkan wine and diving into one of the most emotional conversations we've ever had - why are women still being silenced in this day and age?Join us as we crack open a bottle of rich Serbian Merlot from our wine sponsor, Podrum Food & Liquor, and dive into a deeply emotional conversation about the terrifying silencing of women around the world.

Die Trans Dinarica ist ein neuer Fernradweg, der Brücken schlägt. Seit letztem Sommer verbindet er auf einer Länge von 5.500 Kilometern acht Länder des westlichen Balkans – von Slowenien bis Albanien. Auch durch Bosnien-Herzegowina führt die Route. Florian Guckelsberger ist sie von Sarajevo bis Mostar geradelt. Der Radweg schlängelt sich von den Bergen Bosniens bis in die mediterrane Herzegowina. Er verläuft entlang alter Waldpfade, über die Sarajevo während der Belagerung versorgt wurde. Im Schatten der Berggipfel geht es weiter zu abgelegenen Bergdörfern, die seit Jahrhunderten bewohnt sind; und von dort hinab entlang wilder Flüsse in Richtung Mittelmeer. Florian Guckelsberger hat sich den vielen Höhenmetern gestellt und berichtet von einer Reise, die viel über die Vergangenheit und Gegenwart des Balkans erzählt. Wer die sportliche Herausforderung annimmt, hat nicht nur die Chance auf warmherzige Begegnungen abseits ausgetretener Tourismuspfade, sondern auch die Gelegenheit, einige der letzten wirklich abgeschiedenen Landschaften Europas zu erkunden.

Meet Fred and Jonelle Liddell, missionary candidates to the Balkans. In this presentation we hear their call, and their passion. Learn more and support them at: https://catalog.friendsmission.com/campaign/efm-missionary-candidates-or-the-liddell-family/c580952; and see the video at our YouTube. "Both Fred and Jonelle have felt a strong calling to serve overseas and have diligently prepared themselves spiritually, emotionally, and practically for this endeavor. They have expressed interest in serving in the Balkans region, including countries such as Croatia, Bosnia and Herzegovina, Montenegro, and Serbia."

On this day in 1995, at the height of the war in the former Yugoslavia, the Bosnian Serb army captured what was supposedly the UN "safe area" of Srebrenica. In the ensuing days, thousands of Bosnian Muslim women were raped. 8000 Muslim men and boys were murdered. It was Europe's worst massacre since the Second World War.Also in the programme: a Liberian historian on whether his fellow citizens should be outraged by President Trump's remarking on the Liberian leader's "excellent English"; and Scottish writer Irvine Welsh on his sequel to Trainspotting 30 years on from the publication of the original novel.(Photo: Bosnian Muslim women react as they stand amid grave stones of victims killed during the Srebrenica genocide, at the Srebrenica Genocide Memorial in Potocari, Bosnia and Herzegovina, 11 July 2025. Credit: Reuters/Amel Emric)

One of the writing skills I am asked about the most is, “How do I get emotion on the page?” People ask this no matter what genre they are writing, because no one wants to produce a manuscript that is flat and unengaging. Emotion is the key, but figuring out how to inspire your reader to feel something is a tricky thing to learn and an even trickier thing to master.In her debut novel, Slanting Towards the Sea (Simon & Schuster, July 2025), Lidija Hilje has mastered it. The story feels so raw and so real—and English is not even Lidija's first language! It's a remarkable achievement. I'm excited to speak with Lidija about her path to publication and how she figured out how to get the emotion of her characters onto the page.Links from the Pod:Article from Jane FriedmanGuide on Literary Fiction from LidijaLidija's website: www.lidijahilje.comAuthor Accelerator book coaches Barbara Boyd and Nita CollinsHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 456 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach—which is to say, someone who makes money, meaning, and joy out of serving writers—I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. That's bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. Alright, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.Jennie NashHey writers, I'm Jennie Nash, and this is the Hashtag AmWriting podcast, the place where we talk about writing all the things; short things, long things, fiction, nonfiction, pitches, and proposals. Today I'm talking with Lidija Hilje, the author of the novel Slanting Towards the Sea. And what we're talking about is how to capture emotion on the page—the most elusive thing in the entire writing universe. Lidija lives in Croatia. She's a former lawyer who I know because she became a book coach through Author Accelerator. This is her first novel, and it's something else. As a longtime book coach, it's really hard for me to read for pleasure anymore, because it's so hard not to see the writer at work and the seams of the creation. But Slanting Towards the Sea—I saw none of that. I fell wholly into the story and became lost in it; the olive trees and the sea, the pain of these people and this love triangle, and also just the love that they had for life and each other. It's almost unbearably raw—the way life itself can feel sometimes. And yet, since I know Lidija and her story to becoming a writer, I also know how much work it took to create this feeling and emotion. I'm so excited to speak with Lidija today, and so excited for people to hear about her and her story. So welcome, Lidija. Thanks for coming onto the podcast.Lidija HiljeThank you so much for having me and for this incredible introduction. I'm so honored.Jennie NashWell, before we get started, I want to read the jacket copy for Slanting Towards the Sea, so that our listeners can hear the bones of the story that you wrote. Is that okay if I read it for our listeners?Lidija HiljeAbsolutely. Thank you so much.Jennie NashOkay.Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona's dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona's life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life's disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona's life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved. Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.That's it! What a—what a—what a summary, right? So I want to start by talking about the genre of this book, Lidija. As a book coach, you specialize in helping people write literary fiction. And you're extremely articulate about defining exactly what it is. And I'd like to just start there, by talking about how you see this novel, where it's positioned and, um, and your sense of it in, as a—in the genre, um, categories, if you will. Um, and I'll share with our listeners before you answer that English is not your first language—which is something we're going to talk about from a writing perspective, but just from a listening perspective, to give people some context for that. So let's talk about—let's talk about genre.Lidija HiljeYeah, well, genre is one of my favorite topics as a book coach, and so naturally it is something I love talking about. So the first book I ever wrote, which is now safely shelved in a drawer at the bottom of a drawer, was women's fiction. And the reason why it was women's fiction was that because I was learning how to write, I was learning how to weave a story together. And in doing so, I was trying to find some commonalities in stories—like how stories work, how you develop them, how you develop a character arc, how you wrap it up towards the end. And—but my intention always was to write literary. I was just not very good at doing it. And so I kind of—like all the feedback that I got throughout my—from developmental editors—it was like geared towards kind of channeling the book towards women's fiction. And this is something that really still strikes me as a book coach: how different it is to coach literary fiction as opposed to genre fiction, which is more formulaic. So basically, that first book is safely shelved. And when I started writing this book, I was working really hard at trying to make it not be formulaic. And actually, one of the book coaches from our community helped me. I had a conversation with Barbara Boyd where I outlined my story for her, and she said there was this moment where I kind of did something in my outline…what could basically be called a cop-out—so that… I killed a character, basically, so that the…you know, that the book would close neatly, right? And so she called me out on it and said—because I talked to her specifically because she coaches literary fiction but didn't like or coach women's fiction—and I thought that perspective was something I needed. And so she said, "Why are you killing that character?” And that was the wake-up moment for me, because that was the moment when I realized that in doing so, that was the typical moment where a writer kind of goes toward the genre. And where the interesting thing in the literary fiction genre lies is exploring, you know, what happens when you don't kill the character—when you don't take the easy way out. And so, genre-wise, what I, you know—I run a book club for writers, and we read a lot of literary fiction. And so, I was constantly trying to figure out, like, what is it about these books that, you know, define genre? And in studying these books, there are several things, and I could talk about this, I guess, for centuries, but I'll try to...Jennie NashI—I love it. Let's do it.Lidija HiljeSo basically, in literary fiction, there are many things that genre fiction also has. There are themes, there are character arcs—you know, a character might grow, though not necessarily. But basically, it's much less clear than in genre fiction. In genre fiction, for instance, you have—especially in women's fiction—you will have a woman who is shy and then she becomes confident toward the end. Or you have a horrible, you know, self-obsessed character who learns their lesson toward the end of the book. It's really clear-cut. The reader can latch on to what the problem is without thinking too much about it. And literary fiction does the opposite. It fans out a little bit. It touches on many different things that kind of seem unrelated, but they are related. And this is a problem in writing it, as well as coaching it, because as a coach or as a writer, you have to be aware of all these things. You have to beware of how these things tie together so that you have the idea of this through line that goes throughout the story, whereas the reader might not be catching on as fast but does have the confidence that you, as the writer, are going to get them there, if that makes sense.Jennie NashOh, it makes so much sense. So when you were working on—I actually remember reading some opening, maybe the opening chapters of the novel that has been shelved. When I read those pages, they struck me as if they had that feeling of literary fiction. Was that your intention with that novel as well?Lidija HiljeYes, it was. It was just that I was unable to... I came to writing late. I mean, I was always a writer in the sense that I was always writing something, but I came to writing fiction and specifically books very late. It was 2017 when I started writing that book in Croatian. And the first, you know, contact with any craft or writing happened in 2019 when I finished the draft and I translated that book into English, and I started looking for ways of pub... you know, publishing that book and realized that the first draft is not the last draft. Like that was the—like it was—sometimes it's so funny to think like how recently I didn't know anything about publishing or writing at all. So basically, I did want that book to be literary fiction. I always wanted to do, you know, to write the type of fiction that I wrote in Slanting [Slanting Towards the Sea], and obviously I hope to, you know, hone my craft in the future, but it wasn't—it wasn't on that level. And the first developmental editor that I worked with in 2019, she was giving me all the logical advice that you can give someone, which is... hone the character arc you are telling here, show, you know, all those things that we tell our clients when we work with them as book coaches. But what it did is it completely stripped the literary part from it, and it made me write in scene, which is not how literary fiction is written. You know, like, one of the differences between commercial fiction and literary fiction is that you don't necessarily write in scenes. You write in summaries, and you write in postcards, which is the type of a scene that goes deeper instead of forward, if that makes sense. So you're not kind of—nothing changes for the protagonist, the protagonist doesn't realize anything, they don't decide on a new course of action, nothing new happens, but the reader's understanding of the character happens. And this is also true when you're looking at the character arc on the, you know, scope of the whole novel. Like in literary fiction, it will often be that, you know, that the character doesn't change much in terms of, like what I said before—she was shy and she stopped being shy, right? It will just be that the reader's understanding of the character deepens. And so my first book was an attempt at literary fiction, but it was not an execution. You know, the execution didn't really match that, and I feel like the advice that I got from my early developmental editor was just kind of trying to put me in the confines of commercial fiction. Which is... you know... understandable. You know, and I'm great— I'm even, like, today—I'm grateful for it because you first have to learn how to walk and then you can run, right? So I did have to go through the process of learning how to write a good scene, of learning how not to tell, of learning how to hide the seams that you—that you were talking about—you need to hide your fingerprints as a writer. And that was my learning book. I learned a lot from writing it, but by the time I was done with it, it was not—it didn't—it was not a bad book, and I got a lot of full requests for it, but it was not—it did not end up being what I had hoped for it.Jennie NashSo, in 2017, when you started that book, you said you came to writing late. Do you mind sharing where you were in your life, if you want to share your age or what you were doing in your life, just to give us some context for what you mean by that—by coming to it late?Lidija HiljeSo yeah, so 2017 was one of the hardest years in my life, I think. I think it's just the moment where I was around 35, I think. I would have to do the math, but mid-30s. And I had just been fired for the second time after my second maternity leave. And, you know jobs in my profession, which is—I was an attorney—were scarce, and I opened my own law firm. And I sat there in my law office, you know, a woman working as an attorney in Zadar, Croatia. It was not, you know, I was not having like flocks of clients, you know, going through the door. And you had to sit there from 8am to 4pm, which is our work time. And I had, um, ii had um... I started writing basically to pass the time. And I was writing just the scenes that I was interested in that, you know, brought me joy and then I, you know, wrote the intermittent scene, and the book grew and grew. And by the time I had finished it, which was a year and a half later, you know, it became... It just became a thing that I was—it took over it took over my whole life. I could not, you know and financially it was a difficult time for us as well. We had reached—my husband and I, like I said mid 30's—and we had kind of peaked career wise here in Croatia. So basically, what people don't understand about Croatia is that even if you're a brain surgeon, or if you're a lawyer, or if you're a programmer—like my husband—the money you make is not much more than the average wage. And so, you know, we were at the top of our game professionally, but not earning enough to make ends meet. And so we had started thinking about moving to Ireland basically, which is the, you know, IT hub for the... in Europe. And in thinking about it, I was sitting in my law office and I was basically crying my eyes out thinking if I go there, I'm going to be stripped of my identity as an attorney. I had been working toward that for basically 15, 20 years. And in trying to get over that pain of working towards something that in Ireland, it's not going to mean anything because, you know, the legal system is so very different and my use of language was not, you know, it's still not really good. Like professional English is not the same as this spoken English, you know, everyday English. And so, in kind of trying to accept that we are going to move and I'm going to be stripped of that identity as a lawyer, I was, in a way, you know, to make it easier for myself, I started accepting all the things that I didn't want to look at, which is I hated my job.Jennie NashRight, right.Lidija HiljeI loved being in a courtroom, like that was a good part of it. But everything else, you know, the intellectual part of it, like thinking about law, applying law to a certain case was interesting to me. But everything else was horrible. And so, once I accepted that, and my husband got a job, you know, like working for... as a freelancer for an outside company, and we could stay in Croatia, I was like, "And what am I going to do now? I can't go back to being a lawyer." And so, because his wage was a little bit more than, you know, for the first time, he could afford for me to go, you know, to take a year off and to see what I could do. And so, for a while, I interned at a foreign literary agency—that didn't go anywhere. Then I wrote, you know, a copy for a startup that didn't end up, you know, paying me. So that was kind of like—I was at the end of my rope by the, you know, toward the end of that year. And then I encountered the Author Accelerator program for book coaches, and I had during that year I had connected with writers and I have realized that basically the legal knowledge really translates beautifully into book coaching. So it was kind of like, you know, working on a story, or if you're working on a case, or working on a book, it's kind of a similar thing, similar logic applies. And so it was a… you—you know, it was, I know I'm mixing a little bit the books coaching and legal and, you know, writing careers...Jennie NashNo, it's fascinating.Lidija HiljeBut they are so intertwined in my life, yeah.Jennie NashI mean, it's fascinating the way that you trained yourself on story, basically. And I remember the conversation when you approached Author Accelerator, because you were nervous about being able to meet the requirements of our program because of your language—that English is not your first language. But I, I mean, we have a system whereby it's you try it, you know, if—if you'd meet the requirements, you meet them and if you don't, you don't. And it struck me that your grasp of story was so profound. That I didn't know... you know, it was one conversation about your grasp of the written language. But, um, you were... you were very nervous about your ability to do the work of book coaching in another language. And it's just interesting from where we sit now, so I want to circle back to the book itself and the novel and what you accomplished in it, because it really does have the thing that so many writers are always trying to do, and they talk about it—it is so elusive. Which is this capturing this feeling, emotion, letting the reader sit in the mirror of what those characters are feeling, and you feel it your own self, and that it, you know, when it, when it works, it's, it's like a magic trick. And it strikes me that you came at that very deliberately. It was not accidental. Is that fair to say? Would you believe that?Lidija HiljeI think I always wanted to write about... I always wanted to write quiet stories. And for quiet stories to work, you have to make the quiet things loud in a way. And the loud things are the emotions. And so yes, yes, it was always my goal. I was not always good at it... in writing emotion. But yeah, like during that process of writing that first book, I struggled with it a lot. I struggled with what I guess happens a lot of the time when we are writing is that we're trying very hard for the reader to see things the way we are seeing them. And this counter-intuitively causes the very reverse effect. You know the reader—is the more you're trying to make them listen to you, the more you're trying to, you know, impose your view of things on them, the more they resist. So the trick is basically, and I'll make it sound very easy, it's not easy at all to execute, but the trick is to kind of, you know, to try to find a way and to deliver that emotion without judgment. Like, this is what I'm feeling, or this is what my character is feeling. And not trying to explain it, not trying to get compassion, not trying to get the reader to feel anything. Like, you're just putting things out in the ether, and you're allowing the reader to do their own math. And this is something you can do in literary fiction, which is more open-ended, right? And the readers of genre fiction, I do need more hand-holding in that sense that they will not maybe work as hard as the literary reader. So yeah, I did work very hard. And, you know, the first book, the “shelved” book, really got to a point where I couldn't do that work anymore. But when I started Slanting [Slanting Towards the Sea]… the literally... the first scene in Slanting [Slanting Towards the Sea], came out the way it did. Like that's…Jennie NashOh wow!Lidija HiljeIt didn't change. We had this meeting of writing friends and one of them said, let's exchange, like, let's read 500 new words and I was not working on anything. I had been focusing on book coaching at that moment—that was 2021. And I went to the moment in that room when she is thinking about her ex-husband, you know, when the protagonist is thinking about her ex-husband, and it just came out the way it is. I don't think I changed basically more than three words since that scene came out the way it is. And so...Jennie NashOh, that's amazing. I want to... I want to read some of the lines from that opening scene, if I can, to give the readers... I mean the listeners a sense of what we're talking about. So here's how Slanting Towards the Sea begins.I open his socials and sift through his photos. I know their sequence like I know the palm of my hand. Better even, because I can never memorize what my palm looks like, how the life line twirls into the love line, how it begins tight and uniform, but then turns ropey. It scares me to look at it, to trace the lines, to see where they might lead me in years to come. But I know Vlaho's photos by heart.And it goes on from there. It's, it's just, it's so haunting. And, and the whole, the whole novel is, is that, has that feel to it. So when did you, when did you know that with this story you had it? You knew with the other one that you couldn't get it back, or that it wasn't going to happen. When did you begin? Was it after the sharing of that scene where you thought, oh, I've got this?Lidija HiljeI knew that I could write a scene, but there's a difference, you know, a postcard. I would call this a postcard. This is the typical example of a postcard, a scene where nothing changes for the protagonist and she doesn't understand anything new, but it kind of deepens the reader's understanding of, you know, her situation. So I knew I could write it, which is something I struggled with, with the first book, but I—there's a long road from doing one good postcard and then, you know, writing an entire book, which in literary fiction you have this additional, you know, challenge. You do a ratio basically of normal scenes and summaries, and postcards, and you have to maintain that ratio throughout the book. So, um, yeah for the... relatively early in the book I had submitted that first scene for some competitions. And I got great feedback. It won a critique match, writing a competition in the literary fiction category. And it was long listed in the BPA Pitch Prize in the UK. So I knew that... you know... you know... that the opening of the book was working. So that was good. But from then on, it was such a struggle, because you read the book, and so you know, it has dual timelines; it spans 20 years. I was struggling so bad trying to figure out whether I should do, you know, the past in flashbacks? Whether I should alternate timelines? How do I set this massive story up, which has, you know, the past, and, you know, the present, which happens over a span of... I don't know... five or six months in the present timeline. So I struggled with it a lot. But the thing that I struggled with the most was accountability. So basically, for the first year and a half—for the first year—I wrote, I think, maybe 150 pages. They were not very well set up. I was unsure of them, and I would always push the book backwards to work on client stories. And so what really changed the game for me was when I—I have this program that I run in summertime and one of our book coaches was in that program, Nita Collins. And after the program ended, we partnered up. And so she was my accountability—you know partner, as well as…you know, feedback giver and cheerleader and all the things. And so, you know, I still struggled with how to set up all the things and how to build up the narrative, which I think is really hard for people to coach literary fiction, because you can basically only offer solutions that are kind of geared towards tropey, right? So the author really does have to do all the work, in that sense, but she was absolutely instrumental in terms of me getting the pages down and just seeing if the pages hit the mark or didn't, why they didn't, you know, talking to her, just voicing, talking about the book. And so this went on for a year and within one year I had a full first draft and from then on it was a quick revising process and within three months I had three agent offers. So it was a fast process from then on, from having the first draft, to getting an agent.Jennie NashWell, big shout out to Nita Collins and the Author Accelerator community. I love that a connection happened for you guys. It's really beautiful the way you describe it. So can you explain why you decided it was time to go out to agents? With the first book you decided... this is not going to go anywhere. I'm putting it aside. And with this one, very soon after you finished the first draft, you decided to pitch. What was that decision-making process like for you?Lidija HiljeSo I want to be completely honest. I didn't shelve the first project because I thought it was not, I could not get it to a level. I was convinced that it was on a level, and I had pitched it, but I had been rejected over 100 times. So basically the industry decided for me that it wasn't going to happen. And one of the things that was really hard for me in that first book is that I set it in the US, which I've never been to the US. So it made it very difficult, but I felt like if I set the book in Croatia, I would, like the cultural perspective would overpower the quiet narrative. And I thought that I couldn't do it. And so I, you know, in Slanting [Slanting Towards the Sea], this is the base of the book. Like, it's, you know, I've found a way to weave the cultural perspective as seamlessly as I could. But the pitching process—I basically... I had the first draft done when I had decided to pitch the book. It was a little bit—to be honest, I was a little bit hasty. I had applied for The Muse & the Marketplace conversation with agents. You could...Jennie NashLike the speed dating.Lidija HiljeYeah, like the speed dating. And so I purchased a few tickets for that. And this was done for two reasons. The first one was to, you know; give myself a goal to work towards—to kind of make it all go faster. And the second goal was to see how the industry looks at this. And if there are any issues that they have with the, you know, with the book or with how it's set up, I would rather know sooner than later. And so, because they were reading not just the pages—they were reading, like, 10 pages, a synopsis, and a query letter—which I would also wholeheartedly recommend writing during the writing phase. Preferably, you know, toward the end of the first draft, you would have to do the pitching materials, because they inform so much of... they make you really focus on what the book is about and kind of drawing out the themes and the plot and kind of parsing all those things out. So I told myself: if I go there, and if I get some, you know the best thing that could happen is I could get some full requests. The worst thing that could happen was they will tell me that I'm not there, that my writing is not there, and that the and/or that the book doesn't hold together. And so what happened is, I was... I had just finished my first draft, but I knew that the ending wasn't right. I had the wrong ending. So I knew I had to rewrite the last third of the book, at least. And I went on to that conference, and out of five agents I had talked to, four had requested a full manuscript—toward, like, when I had it. So it was a huge, you know, confidence builder, and that summer I really, really—I can't, it's really amazing what happened—I just, I was so energized, and I just, you know, I don't know, it's like a visit from the muse, even though it's just work. But it felt—I felt very inspired, and I completely rewrote the book, basically, and that gave it the ending that it needed to have, which was also one of the fights against the genre confinements which I had kind of put on myself. So yeah, so that was the decision that I should be doing that, and at the same time, I wanted to be, like, 100% sure that when I sent the manuscript out, it would be finished—that it would be the best that I can make it by myself, you know, and, you know, for Nita to read it, for a couple of beta readers that I've really trusted—and they have the same taste in books that I do—to read it. And only with that feedback was I really ready to send it out to agents.Jennie NashSo—the—we'll get to what happened with the agents in a minute. But I want to return to something that you said about the culture of Croatia and the role that it has in the story, and you called it foundational. And it really feels both the setting of the country, meaning the land, there's... there's a lot you write about, um, the sea, and the food that comes from the sea, and the winds that travel, um, both on the sea and on the land, and there's olive trees that play a large part in this story. So there is a lot about the country itself, and then there's, there is a lot about the, the culture and the, the changing bureaucracies and politics and things that are going on. And it's interesting that you spoke in your own life about contemplating leaving the country, because your characters at some key points, contemplate leaving as well. So there's—there was very much about the constraints of the world of this place, and that's part of what the, you know, it's interesting that you talk about it as your concern was that it would overwhelm the story, but it's part of, for me, what the container in which that emotion happened. It felt not separate from the story, but a really critical component of it. The way these characters lived on the land, and in this place, and what that allowed them to do,—or to be—or not be and how they bumped up against it. It was... It's really like you have a historian's grasp of that, your world, was that something you were conscious of while you were writing as well?Lidija HiljeYes. I was always worried about writing, you know, a Croatian perspective. Like that was always a big concern for me because I, you know, when you're looking at literature and what interests readers, it's either, you know, the book set in the UK and US, which is kind of the clear narrative, it doesn't, it's, it's a pervasive culture that we all understand when it kind of becomes invisible, or, you know, a background noise, it doesn't really affect the narrative. Whereas the other interesting things that readers, when they want to travel somewhere, they will want to go somewhere exotic, you know, whether it's Nigeria or, you know, Eastern Asia, Japan, China, you know? So it felt like Croatia is different, but not different enough, you know? And so it's, it's kind of like almost like it makes the reader constantly forget that they're in Croatia, while at the same time kind of jarring them when you remind them of the differences, and this was one of the, one of the, you know, key points of my work with Nita, was when she would just notice things like, what is, you know, what is the, why are there, there are no dividers in the hospital between the beds? And it's just like... and now I realize that I have to explain how our hospitals look like, and it's not like yours. Or the difference in the tides, which in America are, you know, over, over, I don't know how many feet, and in Croatia they're just, um, and we talked about it when you were here in Zadar as well. So it's just like, it's very similar to America, but not quite. And that was very frustrating at times to try to depict. But on the other hand, in writing Ivona, I wanted to, I feel, I have felt and still feel a lot of frustration with my country. I love it, but I have been planning, like there have been multiple, you know, periods in my life when I had hoped to leave, just because how frustrating it is to live here sometimes with the bureaucracy and just the way the mentality is here and everything. So basically in writing her story, I wanted to air out those grievances in a way. To give them voice, to examine them, to see what they are, and like everything, you know, it's not black or white, it's the way we are here, and it's also the way I am, you know. I notice this when I interact with people from other areas, and they say that us Croats and, you know, Balkan people are very, you know, always like, always complaining about something, which is true, we are. And so, yeah, so it's difficult. It's difficult because I wanted that to be a part of the story. And at the same time, you know, there, you know, there is the possibility of the American reader who doesn't see that it's a part of the culture here, basically. That they could look at Ivona, and say, you know, why does she just not snap out of it?Jennie NashHmm…Lidija HiljeAnd, you know, it's almost like saying to me to snap out of the issues that I had as I was like, trying, you know, like banging my head against the wall, trying to get my career going, and t's not working. Like whatever you're, you're trying—like it's easier for me to make it in the US, never having set a foot there, than in Croatia.Jennie NashRight.Lidija HiljeI mean, my book is being published in the US; it's still not being published in Croatia, just for the record. So it's really hard, and it's really hard to make that a part of the book, but not have it, like, weigh the book all the way down. So it was a process. It's like all the things you try and miss and, you know, sometimes you go overboard, and then you have to pull back, and you have to be careful not to go too deeply into your own experience and just feel that the character is separate from you, and obviously she has some different issues than I had and a different occupation, but a lot of her grievances are mine as well.Jennie NashWell, that yearning and, can… I guess confusion really does come across. The how will I, how will I live? How will I love? How will I spend my days? I mean, these are the questions of our life, and they're the questions of this character in—as she goes through what she's experiencing. That they're, they're both mundane questions and, and, you know, the most profound. And, and the way you capture it... I mean, that was just to circle back to my initial idea of talking about how to capture emotion on the page, you know, which is the work of a novel. That's what it's for. That's its point. And it's just so hard to do. And you just did it on so many levels in a language that's not your first. And it really is just extraordinary and moving. And in preparing to talk to you today, I read a lot of the early reviews—people who got advanced readers copies, 'cause the book comes out in July, 2025, and we're speaking a few months before that time. So it's not fully out in the world, but it's enough that, um, I can see that reaction rippling through the readers and, and certainly through the, um, professional, um, colleagues and, you know, who've blurbed the book. But this idea of it being—the word people kept using was “moving.” And there was a lot of words like “tender” and “haunting,” you know, people really felt what it sounds like you intended them to feel. So how, from where you sit now, how does that—how does it feel to have gotten that feedback from some of the writers you admire? And to know that it did… it works doing what you want it to do? How does that feel?Lidija HiljeOh, it's, it's impossible to talk about that because I guess I'm typically Croatian in the way that it's easier for me to sit in my failures than to sit in my successes. So it's absolutely incredible. I mean, when you get a blurb from Claire Lombardo, who is, you know, I absolutely adore her books and I think she's insanely talented, you know, and for her, you know, she used the words “humane,” and that really—I was so moved by that. So my… kind of my goal is for, for people to see the humanity in these, these characters. And so it's really, it's really amazing. It's, it's beyond, you know, some of the, you know, I got really great blurbs from authors I really, really deeply admire: Thao Thai, Nguyễn Phan Quế Mai, Amy Lin, and Madeline Lucas, and as well, you know, Claire Lombardo, whom I mentioned. It's really incredible. It's so life affirming for me, you know, to be able to do that. But like I said, it's always, you know, when I'm reading the reviews, which I probably shouldn't be doing, I'm always focusing on the few that are not—just not feeling it. And then I have to remind myself it's not—this is not a book for anyone, for just everyone. And it's, you know, it's a journey. It's still, like you said, early days. I'm learning to be an author, to grow an even thicker skin in that sense. But yeah, it did feel great to get those beautiful reviews. And I'm so grateful to them for reading and donating their time to me.Jennie NashI mean, it's so not fair what I want to say. It's so not fair. But I want to ask anyway. Quite a few of the reviews said they can't wait for your next book, which, you know, it's like you're not a machine. You've just done this one. But are you thinking about that? Are you… do you have thoughts about that?Lidija HiljeYeah, I am trying to work on my new book. But, you know, I'm admiring the writers who put out a book a year. That's definitely not going to be me. There's an insane amount of work in putting the book out. You know, there's invisible work that goes behind the screen, you know, that people don't see, but it's happening and it takes up a lot of time. And there's also this emotional, you know, it's, it's—it's difficult sitting in, like… you're trying to make this your career. You wrote your heart on the paper and you're offering it to the world. And now you're suspended in this period when you put it out and you're waiting to see how it's received, whether someone tramples on it or whether it's upheld. And so it's a difficult, emotionally difficult place to be in, and I'm one of those writers who struggle to create when I'm not, you know, when I'm feeling… when I'm feeling stressed. So work on my second novel is going slowly. I've gotten to page 100, but then I realized it needed, you know, I needed to make some changes, so I'm back to page 30. So it's a, you know, it's a—it's a process. I think, you know, writing literary fiction takes time. It takes self-examination; it takes a lot of reading of other people who have done it successfully—the type of novel that you're trying to execute. So, so yeah, I'm trying to work on it, but, um, but it may, it may be a while.Jennie NashAll right. I know—that's why it wasn't fair to even ask. Um, so back to… I just want to pick up the story back to—you got the three or the four, um, agent requests, and you, you finished the novel, and, um, and you pitched to them. Can you just share what all unfolded? Because… it was pretty extraordinary.Lidija HiljeSo, basically, what happened was I didn't pitch all the four agents that had requested the pages. I had the first querying experience, which is what I said—you know 100 rejections. I took a long, hard look at it and realized that many of the time I was querying the wrong agents, genre-wise, which, you know, I was not aware of at the time. So a lot of those rejections were basically because I was querying a women's fiction book to literary agents. And that was one thing. And the other thing is… I was pretty, you know, unselective with whom I was querying the first time around. And the second time around, I was really intentional with the type of agent and their reputation and the connections within the industry—you know, just much more aware, approaching it much more professionally in terms of, you know, just wanting a good fit that would actually be able to do something for me, you know, to sell the book. And so a friend who had, you know, she had given me a referral to her agent—that didn't pan out. I gave that agent a month, an exclusive. And when that didn't pan out, I basically sent the query to my now agent, Abby Walters, at CAA. And, you know, it was a form on the website. I didn't even write her an email. It was just a form. So I didn't think that anyone would read it, basically. And I got—quickly I got like five or six requests, right out of the gate, those maybe first 10 days. And by the end of the second week I had gotten an offer of representation from Abby. And I followed up with the rest of the agents. The total, uh, the total number of, uh, full requests ended up being, I think, maybe nine out of 20, 25 queries. And, uh, I got three offers of representation, um, from fantastic agents. And, uh, deciding was hell. I was—I was—it was horrible to be in a position where you had to say no to an agent that you admire and that you would genuinely love to work with, but you know, for some reasons I chose Abby and I'm really happy with working with her. She's fantastic. I—I, you know, love her to death. And yeah, so that was the story of getting an agent. It was—it was—it was pretty quick and painless, I have to say, the second time around.Jennie NashRight, from 100 rejections with the first one to—to nine full requests and three offers on—on this one, that's an extraordinary swing, for sure. And I love the—the way that you approached it the second time with that intention. It just says everything about the kind of person and writer you are, and the book landed with Simon & Schuster and will be coming out soon, and I can't wait to share it with our listeners. It's a beautiful, beautiful novel. I just—I cherished reading every page, and we had the really great good fortune of my taking a vacation to Croatia and coming to your town and meeting you and walking through the town with you, and I treasure that for so many reasons. But having read the book, I felt like I could taste it and see it in a really special way, having had a tour of your city with you. So that, for me, was just a special—a special part of it too.Lidija HiljeThank you so much, Jennie. But actually, you kind of were a part of that, because when I thought about the places where Ivona would take a seer to, you know, to see, I had our tour in my—you know, on my mind, because I was thinking, like, what would she show someone who's from another place? Like, where would she take him? And it wouldn't be the things I showed you. I mean, I showed you some of the big things that you have to see when you're here. But I took you to the places that are more intimate to me, like more personally important to me.Jennie NashYeah.Lidija HiljeAnd so this is—this is what's behind the scene where she shows him her school. And, you know, so, yeah… you know, real life.Jennie NashOh, that's amazing. That's amazing. Well, yeah, I did get to see where you went to school and where the law office was. And—and one of the things that's really stayed with me was we went to a bookstore and it… Um, and it—just knowing what your life in books has been, Lidija, and how you've studied them and how you've worked to become a writer of the caliber that you are. And that bookstore was so small, and it had mostly books in Croatian, and it was not anything like the kind of bookstore that one would think would spark a major literary career. And it… that just has stuck with me, because you—you made your own bookstore, right? You found your own literary community. You found your own career and way, and it's just been a joy to watch and to cheer you on. And thank you for coming and talking with us today.Lidija HiljeThank you so much for having me, and all the encouragement over the years. I'm really grateful for that as well.Jennie NashAll right, well, until next time, for our listeners—keep your butt in the chair and your head in the game. Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Über 500.000 Menschen pilgerten zum Konzert von Thompson, den wahrscheinlich bekanntesten und umstrittensten Sänger in Kroatien. Seine Texte handeln von der Heimatliebe und strotzen nur von faschistischen Symbolen und Hass gegenüber anderen Ländern. Dennoch sorgte er mit seinem Konzert in Zagreb nun für einen Weltrekord. Wie kann das sein, dass ein nationalistischer Sänger so viele Menschen anzieht? Dazu spricht Musiker David Slomo mit Dr. Vedran Džihić, der Experte, wenn es um das Thema Balkan geht. Sie ordnen das Mega-Konzert ein und reden darüber, wie Nationalismus in Kroatien in der Gesellschaft verankert ist.  Wir würden uns sehr freuen, wenn Du "Ganz offen gesagt" auf einem der folgenden Wege unterstützt:Werde Unterstützer:in auf SteadyKaufe ein Premium-Abo auf AppleKaufe Artikel in unserem FanshopSchalte Werbung in unserem PodcastFeedback bitte an redaktion@ganzoffengesagt.at

Das Massaker von Srebrenica jährt sich zum 30. Mal. Im Juli 1995 erschossen bosnisch-serbischen Militärs und serbische Paramilitärs mehr als 8000 bosnische Muslime, vor allem Männer und Jungen. Es war das schlimmste Massaker in Europa seit dem Zweiten Weltkrieg. Die Tausenden Opfer wurden in Massengräbern verscharrt. Insgesamt fielen diesem Krieg mehr als 130.000 Menschen zum Opfer. Der Name Srebrenica ist zum Symbol und Sinnbild für den rassistischen Hass geworden, der die Triebfeder des Konflikts war. Heute schauen die Menschen auf dem Balkan ganz unterschiedlich auf den Krieg. Im BR24 Thema des Tages berichtet Balkan-Korrespondent Oliver Soos über sein Treffen mit Zeitzeugen und zeigt, wie die Geschichte Srebrenicas gedeutet und umgedeutet wird // Moderation: Daniela Stahl

Ob Belgrad, Novi Sad oder Niš: Die Bilder, die uns in diesen Tagen aus Serbien erreichen, zeigen friedlichen Protest. Mit ihren Handys verwandeln Zehntausende die nächtlichen Straßen in ein Lichtermeer. Ihre Forderung: Recht und Gesetz sollen für alle Menschen in Serbien gelten - auch für diejenigen, die ganz oben im Staat stehen. Auslöser für die Massenproteste war der Einsturz eines Bahnhofsvordachs in Novi Sad Anfang November. 15 Menschen verloren dabei ihr Leben. Für die Studierenden, die seitdem demonstrieren, ist der Vorfall nicht einfach ein tragisches Unglück, sondern Folge unsachgemäßer Renovierungsarbeiten durch ein chinesisches Unternehmen. Sie kritisieren, dass die serbische Regierung zunächst versucht habe, das Unglück zu vertuschen und Verantwortung abzuweisen. "Korruption tötet", so der Slogan, der auf vielen Plakaten zu lesen ist.Florian Bieber ist Leiter des Zentrums für Südosteuropastudien an der Universität Graz. Er beobachtet die Situation in Serbien sehr genau: Es gehe den Studierenden nicht um einen Umsturz, wie Präsident Aleksandar Vučić behauptet, sondern um Transparenz und um Rechtsstaatlichkeit. "Das sind wirklich die großen Probleme, mit denen Serbien seit über einem Jahrzehnt zu kämpfen hat", sagt Bieber im Podcast "Wirtschaft Welt & Weit".Längst gehen nicht mehr nur Studierende auf die Straße, sondern auch Anwälte, Ärzte und viele andere Berufsgruppen. Gerade erst haben sie den Rücktritt des serbischen Ministerpräsidenten Miloš Vučević erreicht. Doch der ist für Bieber "kein bedeutendes Schwergewicht in der serbischen Machtkonstellation", sondern eher eine Art Bauernopfer. Dennoch sieht er den Rücktritt als Indiz dafür, "dass sich das Regime im Moment bedroht fühlt".In der neuen Podcast-Folge erklärt der Professor für Geschichte und Politik Südosteuropas, wie das "System Vučić" funktioniert: Zwar liege die Macht formal beim Ministerpräsidenten, doch in der Praxis habe es Vučić geschafft, die wichtigen Institutionen des Landes zu übernehmen. Seine Macht gehe dabei nicht von der Verfassung aus, sondern von der Partei und seiner Person. "Er könnte theoretisch morgen als Präsident zurücktreten und weiterhin die gleiche Macht ausüben", sagt Bieber. Das passe nicht mit dem Status eines EU-Beitrittskandidaten, den Serbien seit zehn Jahren innehat, zusammen, kritisiert Bieber. "Serbien ist im letzten Jahrzehnt sehr viel weniger demokratisch geworden." Stattdessen beobachtet er "größere Missachtung von Menschenrechten und Rechtsstaatlichkeit". Deutschland und die EU müssten sich dagegen stellen - und ihre Prinzipien auch beim Aushandeln wirtschaftlicher Deals verfolgen. Ansonsten sieht Bieber die Gefahr, dass die EU ihre Sympathien bei vielen Menschen in Serbien verspielt.Im Sommer 2024 haben Serbien und die EU einen Lithium-Deal abgeschlossen. Dabei geht es um die Förderung von Lithium im serbischen Jadartal durch den Bergbaukonzern Rio Tinto. Serbien würde gerne die komplette Wertschöpfungskette vom Abbau des Lithiums bis hin zur Produktion von E-Autos im Land konzentrieren. Die EU will das Vorhaben fördern und beim Thema Lithium weniger abhängig von China werden. Für Bieber rutscht die EU jedoch in eine neue Abhängigkeit, der serbische Präsident Aleksandar Vučić ist für ihn "kein zuverlässiger Bündnispartner". Das Lithium-Abkommen "hat der Europäischen Union und Deutschland auf dem Balkan einen Riesen-Schaden zugefügt", konstatiert Bieber. Viele Menschen haben seiner Beobachtung zufolge inzwischen das Gefühl, dass die EU ihre Forderungen nach mehr Demokratie und Rechtsstaatlichkeit nicht wirklich unterstütze, sondern stattdessen ihre eigenen Interessen verfolge. "Viele Menschen sagen, die EU ist nicht anders als China, die wollen nur unsere Rohstoffe."Dass die EU auf höhere Umweltauflagen setzt als China, lässt der Südosteuropa-Experte übrigens nicht gelten. Denn für ihn fehlen angemessene Kontrollmechanismen. Schon jetzt würden in vielen Fällen, etwa beim Bau von Fabriken, selbst die serbischen Auflagen nicht eingehalten. "Warum sollte das bei einem Minenprojekt einer multinationalen Firma anders sein?", gibt Bieber zu bedenken.Bei dieser Folge handelt es sich um einen Re-Upload. Die Folge haben wir erstmals am 30. Januar 2025 veröffentlicht.Schreiben Sie Ihre Fragen, Kritik und Anmerkungen gern an www@n-tv.de. Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html Wir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, klicken Sie hier: https://datenschutz.ad-alliance.de/podcast.htmlUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Ils sont des milliers à avoir entamé une longue marche dans la forêt bosnienne, sur les traces de tous ceux qui, en 1995, avaient fui le massacre de Srebrenica. C'était il y a trente ans, 8 000 hommes étaient exécutés par les troupes serbes du Général Mladic... leurs corps jetés dans des charniers. La justice internationale a qualifié ce crime de guerre de génocide. Mais en Bosnie, les nationalistes serbes et les familles des victimes musulmanes sont toujours divisés sur l'Histoire avec un grand H. Cette semaine, ces derniers célébreront la mémoire des victimes au mémorial de Potocari. Reportage signé de notre correspondant dans la région, Louis Seiller.   Et l'on reparle d'entente cordiale des deux côtés de la Manche !   Voilà 17 ans qu'un président français n'avait pas été reçu au Royaume-Uni avec toute la pompe de la monarchie. Entre Paris et Londres, on a parlé dissuasion nucléaire, Ukraine, migrants... la fin de 20 années de turbulences, Marie Billon.     La revue de presse de Franceline Beretti La Pologne a décidé de fermer ses frontières avec la Lituanie et l'Allemagne.   Barcelone vent debout contre le surtourisme  Surtourisme, touristification, les néologismes ou les anglicismes ne manquent pas pour dénoncer un phénomène de masse... La prise d'assaut des grandes villes du sud de l'Europe par les touristes, à tel point que les logements manquent pour les habitants à l'année... On voit donc l'émergence d'un vaste courant militant qui voudrait repenser ce modèle économique. Et c'est la ville de Barcelone en Espagne qui en est le fer de lance. C'est le reportage d'Elise Gazengel.  

Ils sont des milliers à avoir entamé une longue marche dans la forêt bosnienne, sur les traces de tous ceux qui, en 1995, avaient fui le massacre de Srebrenica. C'était il y a trente ans, 8 000 hommes étaient exécutés par les troupes serbes du Général Mladic... leurs corps jetés dans des charniers. La justice internationale a qualifié ce crime de guerre de génocide. Mais en Bosnie, les nationalistes serbes et les familles des victimes musulmanes sont toujours divisés sur l'Histoire avec un grand H. Cette semaine, ces derniers célébreront la mémoire des victimes au mémorial de Potocari. Reportage signé de notre correspondant dans la région, Louis Seiller.   Et l'on reparle d'entente cordiale des deux côtés de la Manche !   Voilà 17 ans qu'un président français n'avait pas été reçu au Royaume-Uni avec toute la pompe de la monarchie. Entre Paris et Londres, on a parlé dissuasion nucléaire, Ukraine, migrants... la fin de 20 années de turbulences, Marie Billon.     La revue de presse de Franceline Beretti La Pologne a décidé de fermer ses frontières avec la Lituanie et l'Allemagne.   Barcelone vent debout contre le surtourisme  Surtourisme, touristification, les néologismes ou les anglicismes ne manquent pas pour dénoncer un phénomène de masse... La prise d'assaut des grandes villes du sud de l'Europe par les touristes, à tel point que les logements manquent pour les habitants à l'année... On voit donc l'émergence d'un vaste courant militant qui voudrait repenser ce modèle économique. Et c'est la ville de Barcelone en Espagne qui en est le fer de lance. C'est le reportage d'Elise Gazengel.  

The Fates of Classical Antiquity not only survived in the form of related fairy-tale figures but also as the object of superstitions and rituals associated with newborns. In South Slavic and Balkan regions particularly, these customs represent a surprisingly long-lived and genuine case of pagan survival. We begin our episode examining the fairy godmothers of "Sleeping Beauty" as embodiments of the Fates.  Mrs. Karswell reads a few key passages from the definitive version of the story included in Charles Perrault's 1697 collection, Histoires ou contes du temps passé ("stories of times gone by.") We learn how the fairies fulfill the historical role of godparents at the newborn's christening. We also note the peculiar emphasis on the quality of what's set before the fairies at the christening banquet, observing how a failure there leads the wicked fairy to curse the Sleeping Beauty. 1874 illustration by František Doucha for a Czech edition of Sleeping Beauty We then explore antecedents to Perrault's tale, beginning with the 14th-century French chivalric romance, Perceforest.  A peripheral story in this 8-volume work is that of Troylus and Zeelandine, in which the role of Sleeping Beauty's fairy godmothers are played by Greek and Roman deities, with Venus as supporter of Princess Zeelandine (and her suitor Troylus) and Themis cursing Zeelandine to sleep in a manner similar to Perrault's princess.  A failure to correctly lay out Themis' required items at the christening banquet is again again responsible for the curse, though the awakening of Zeelandine by Troylus awakens is surprisingly different and a notorious example of medieval bawdiness. Preceding Perceforest, there was the late 13th-century French historical romance Huon of Bordeaux, in which we hear of the newborn fairy king Oberon being both cursed and blessed by fairies attending his birth.  From around the same time, French poet and composer Adam de la Halle's Play of the Bower describes a banquet at which fairy guests pronounce a curses and blessings on those in attendance prompted again by their pleasure or displeasure at what's set before them at a banquet. We also  hear of the Danish King King Fridlevus (Fridlef II) bringing his newborn son to a temple of "three maidens" to ascertain the  destiny pf the child in Gesta Danorum ("Deeds of the Danes").written around 1200 by Saxo Grammaticus. And lest listeners think such appeals to the Fates were strictly a literary motif, we hear Burchard of Worms, in his early-11th-century Decretum, condemning the not uncommon among the Germans of his region of setting up offering tables for the Fates.  By this point, the connection between how fairy godmother types are served at a banquet and offerings made to the Fates to ensure a cild's fortune should be clear. We then turn back to the Greek Fates, the Moirai (Clotho, Lachesis, and Atropos) and the Roman Parcae (Nona, Decuma, and Morta). Particularly in the case of the Parcae, we hear examples of their connection to the newborn's destiny in the celebration nine or ten days after the birth of the dies lustricus, during which offerings were made to the Fates. The Three Fates by Bernardo Strozzi, late 17th c We make a brief side-trip to discuss the Norns (Urðr, Verðandi and Skuld), the Germanic equivalent of the Fates.  These are more distant cousins, not strongly associated with the newborn and his destiny, though we do hear a passage from the Poetic Edda, in which the Norns are  present birth of the hero Helgi. We also hear a gruesome passage from the 13th-century Njáls Saga, in which the Valkyries weave out the fate of those who will die in the Battle of Clontarf. The Anglo-Saxon equivalent of the Fates, the Wyrds, are also discussed, and we hear how the  witches in Macbeth partook in this identity as the "Weird Sisters," an association Shakespeare inherited from his source material, the 1587 history of Great Britain, known as Holinshed's Chronicles.

Multidisciplinary artist, researcher, and educator Joseph Cochran II returns for his second appearance on The Truth In This Art. Born and raised in East Harlem, Joseph's practice spans photography, video, and archival work, focusing on the systems that define industrialized societies and the emotional toll of late capitalism.In this conversation, Joseph opens up about the years he spent living and working in China, rebuilding from personal loss, and how maintaining his identity shaped the way he navigates spaces abroad and at home. He reflects on the tension between financial survival and creative ethics, why he refuses to distance himself from the communities he comes from, and the emotional weight behind many of his images.This is a raw, thoughtful, and often funny dialogue about legacy, creative freedom, and what it means to stay grounded while moving through a world that often demands compromise.Highlights include:Learning to live without depending on art to make a living—and why that helped his practiceWhy staying connected to the streets isn't just about authenticity, but accountabilityThe power of memory in his photographs—and why he remembers every shotThoughts on working in Shanghai, Brussels, and the Balkans while staying rooted in NYCUpcoming exhibition Public Work opening July 10 in New York

Des milliers de personnes ont entamé mardi une longue marche à travers la forêt bosnienne pour mettre leurs pas dans ceux qui ont fui le massacre de Srebrenica, il y a trente ans. Le 11 juillet 1995, 8 000 hommes ont été massacrés par des militaires serbes dirigés par le général Ratko Mladic. Un crime qualifié de génocide par la justice internationale. Mais en Bosnie, la mémoire reste divisée entre les familles des victimes qui enterrent toujours les restes de leurs morts, et les nationalistes serbes qui refusent le terme de génocide, et estiment avoir été, eux aussi, victimes de la guerre des Balkans.  Un reportage à retrouver dans son intégralité dans Accents d'Europe.   À lire aussiÀ Srebrenica, à l'ombre du génocide, l'impossible réconciliation

Des milliers de personnes ont entamé mardi une longue marche à travers la forêt bosnienne pour mettre leurs pas dans ceux qui ont fui le massacre de Srebrenica, il y a trente ans. Le 11 juillet 1995, 8 000 hommes ont été massacrés par des militaires serbes dirigés par le général Ratko Mladic. Un crime qualifié de génocide par la justice internationale. Mais en Bosnie, la mémoire reste divisée entre les familles des victimes qui enterrent toujours les restes de leurs morts, et les nationalistes serbes qui refusent le terme de génocide, et estiment avoir été, eux aussi, victimes de la guerre des Balkans.  Un reportage à retrouver dans son intégralité dans Accents d'Europe.   À lire aussiÀ Srebrenica, à l'ombre du génocide, l'impossible réconciliation

Trideset godina nakon genocida u Srebrenici, sjećanje na žrtve živi kroz brojne komemoracije diljem BiH, Njemačke i svijeta. Bundestag, kulturne institucije, brojne udruge i mediji šalju snažnu poruku da se najveći zločin nakon Drugog svijetskog rata nikada ne zaboravi. Maja Marić razgovara s dr. Edvinom Destanovićem iz udruge Amanet o Maršu mira koji se već desetu godinu održava u Dortmundu. Nenad Kreizer govori izmedju ostalog o sve češćim pozivima da se Srebrenica uvrsti u školske kurikulume. Von Maja Maric.

PREVIEW BALKANS: Colleague Ivana Stradner comments on how few will take on the complexity of untangling the Yugoslavia  breakup of the 1990s. More. 1910 KING NICHOLAS OF MONTENEGRO AND FAMILY

„Kiekvienais metais būna tokios karščio bangos, bet jos niekada nesitęsia taip ilgai“, - sako Paryžiuje gyvenanti lietuvė Goda Klimavičiūtė. Šis birželis Prancūzijoje tapo antru karščiausiu nuo stebėjimų pradžios 1900-aisiais. Ispanijoje ir Anglijoje pirmasis vasaros mėnesis pripažintas karščiausiu istorijoje.Alinanti kaitra pastarosiomis savaitėmis apėmė ir Italiją, Portugaliją, Balkanų šalis. Graikija ir Turkija kovoja ir su didžiuliais miškų gaisrais. Ekstremalūs orų reiškiniai jau pareikalavo aukų.Tuo metu Lietuvoje karštis šią vasarą kol kas vienadienis. Klimatologai sako, kad vasaros mūsų šalyje neprognozuojamos, tačiau ilgainiui kaitrai intensyvėjant, ir Lietuvoje galėtų praversti europinės praktikos. „Jeigu pastebėsite, Pietų Europoje visi namai turi medines langines – jos, o ne užuolaidos, apsaugo nuo karščio“, - sako VU profesorius Arūnas Bukantis.Autorė Karolina Panto

From the ruins of war to the pages of Marvel and DC, Croatian artists have built stories as powerful as the ones they illustrate. They have now built a reputation within the popular world of comic books. Few fans are aware that some of these iconic characters originate from a small Balkan nation with a limited comic book market of its own. For years, Croatian illustrators have quietly made their mark at top publishers like Marvel and DC Comics, crafting the visual worlds of heroes known and loved by millions. It's an unlikely success story born not in flashy studios, but amid the upheaval of war and economic uncertainty. Before the breakup of Yugoslavia in the early 1990s, comics were a staple of youth culture in the region. From that era emerged a generation of Croatian artists who would later earn international acclaim in an industry far from home. “We've always had great talent. But as the market declined significantly in our country, these talented individuals—thanks to their skill and excellence—were forced to seek opportunities abroad. … There's no secret to their success, these are simply top-notch cartoonists,” explains Marko Šunjić, founder of Fibra, a Croatian comic book publisher. Dalibor Talajić, a former clarinet teacher, traded music for illustration and never looked back. Today, his résumé includes titles such as Deadpool, X-Men, Avengers, and The Hulk. “Ever since I was a kid, I was dreaming about superhero comics, about doing superhero comics. Marvel, DC, that was eventual goal. Unless you're a genius, which I'm not, you start small. So, I was firstly published in a couple of small publishers, but I was persistent… And it took me, let's say, 15 years to break the ice, to appear in the foreign market, in the American market. But after that, only two years, it took to get to Marvel,” says Talajić. Being a comic book artist, he says, is a dream come true—a rewarding but extremely demanding job. Behind every issue are weeks or even months of work, sleepless nights, and a constant run with deadlines. This article was provided by The Associated Press.

Dans le supplément de ce dimanche, en première partie, nous débutons par la Syrie, plus précisément par un reportage dans les régions ouest de la Syrie, littoral de la Méditerranée, ce sont des fiefs de la communauté alaouite, la communauté de l'ex-président Bachar el-Assad réfugié en Russie. La région a connu et connait des vengeance et règlements de compte sanglants entre soutiens des nouvelles autorités et tenants de ce qui fut la terrible dynastie des Assad Bachar et Hafez, avec un fond de dissensions également confessionnelles sunnites alaouites. Bilan : des centaines de morts, dans les gouvernorats de Lattaquié, Tartous, Hama et Homs, le calme n'est toujours pas revenu.  En deuxième partie, Louis Seiller revient sur le génocide de Srebrenica, il y a 30 ans. Quelles séquelles, quelles mémoires ? Trois décennies après le massacre de plus de 8 000 Bosniaques musulmans par les Serbes. Syrie : quatre mois après les massacres, la côte alaouite toujours en proie aux violences Aujourd'hui nous voici en Syrie, sur une bande littorale que l'on appelle le réduit alaouite, fief des soutiens à l'ancien régime de Bachar al-Assad. Quatre mois après les massacres dont a été victime principalement cette communauté, (ils ont fait des centaines de morts) violences et exactions persistent dans ces gouvernorats de Lattaquié, Tartous, Hama et Homs.  Il y a d'un côté : les factions les plus radicales, en soif de vengeance envers un régime qui a multiplié les crimes et qui s'en prend aujourd'hui à la minorité alaouite. De l'autre, les loyalistes à l'ancien régime. Ils appellent à l'insurrection armée et mènent régulièrement des attaques contre les membres de la sécurité générale. Une commission, initiée par le nouveau gouvernement et chargée d'enquêter sur ces violences, doit rendre ses conclusions dans les prochains jours.   Un Grand Reportage de Manon Chapelain qui s'entretient avec Jacques Allix. À Srebrenica, à l'ombre du génocide, l'impossible réconciliation Il y a trente ans, du 11 juillet au 17 juillet 1995, plus de 8 000 hommes et adolescents bosniaques musulmans étaient systématiquement assassinés autour de la petite ville de Srebrenica, dans l'est de la Bosnie. Ce massacre a été l'un des points culminants des 3 ans et demi de guerre qui ont opposé les différents peuples de ce pays des Balkans. La justice internationale l'a qualifié de génocide, et elle a condamné à perpétuité ses principaux responsables bosno-serbes. Mais 3 décennies après, la mémoire douloureuse de la guerre et de ce massacre divise toujours Serbes et Bosniaques qui vivent dans la région, le long de la Drina… Un Grand reportage de Louis Seiller qui s'entretient avec Jacques Allix.

Visiting The Balkans - Imran Qasim by Radio Islam

durée : 00:57:55 - Le Grand Reportage - par : Aurélie Kieffer - Trente ans après le génocide, une commémoration historique est attendue à Srebrenica, en Bosnie. En juillet 1995, plus de 8 000 hommes et garçons musulmans ont été tués en quelques jours par les forces des Serbes de Bosnie. Pendant que l'Europe oublie, les rescapés racontent. - réalisation : Annie Brault - invités : Véronique Nahoum-Grappe Anthropologue; Florence Hartmann Ancienne porte-parole de la procureuse du Tribunal pénal international pour l'ex-Yougoslavie (TPIY) et correspondante du journal Le Monde pendant le conflit des Balkans

Three decades after the signature of the Dayton Accords put an end to the devastating war in Bosnia-Herzegovina, the nation remains deeply divided. To what extent are the different communities in this small Balkan country managing to live side by side? FRANCE 24's Karim Yahiaoui and Mohamed Farhat report. 

The Energy Community celebrates its 20th anniversary this year. Established in the aftermath of the Balkans war and the accession of many central European countries to the EU, the institution faces similar challenges now, being instrumental in supporting Ukraine's energy resilience in the face of Russian attacks and assisting contracting parties on their path towards EU energy market integration. In this interview, Energy Community director, Artur Lorkowski, tells ICIS journalist Aura Sabadus about the pending opening of the EU energy chapter for Ukraine, Moldova and Bosnia-Herzegovina as part of their accession negotiations as well as the work done to engage observer countries such as Armenia and Norway. 

durée : 00:05:13 - La Revue de presse internationale - par : Catherine Duthu - La canicule qu'a connue la France fait encore souffrir le sud de l'Europe, de l'Espagne à la Grèce à l'Espagne, en passant par l'Italie et les Balkans. La presse rapporte plusieurs morts et personnes hospitalisées suite à des incendies, des malaises sur des chantiers de BTP, notamment.

What the HELL Were You Thinking covers all the Little Wars, so convenient to make a politician LOOK good without killing too many Americans! Join us as we go from the Iran Hostage Crisis all the way to the Balkans as three Presidents wagged the dog for their ratings! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Il y a trente ans, du 11 juillet au 17 juillet 1995, plus de 8 000 hommes et adolescents bosniaques musulmans étaient systématiquement assassinés autour de la petite ville de Srebrenica, dans l'est de la Bosnie. Ce massacre a été l'un des points culminants des 3 ans et demi de guerre qui ont opposé les différents peuples de ce pays des Balkans. La justice internationale l'a qualifié de génocide, et elle a condamné à perpétuité ses principaux responsables bosno-serbes. Mais 3 décennies après, la mémoire douloureuse de la guerre et de ce massacre divise toujours Serbes et Bosniaques qui vivent dans la région, le long de la Drina… «À Srebrenica, à l'ombre du génocide, l'impossible réconciliation», un Grand reportage de Louis Seiller.

X: @GarrettInExile @americasrt1776 @ileaderssummit @NatashaSrdoc @JoelAnandUSA @supertalk Join America's Roundtable (https://americasrt.com/) radio co-hosts Natasha Srdoc and Joel Anand Samy with the Honorable Tom Garrett, a leading attorney, currently serving as a legislator in the Commonwealth of Virginia and former Assistant Attorney General. While serving in the US Congress, Tom served on the Foreign Affairs Committee and Homeland Security Committee. An expert on Iran and the Middle East, Tom Garrett's analysis and insights are enlightening as America's foreign policy and national security concerns are focused on a strategic region adversely impacted by Iran, a state sponsor of terrorism. Our conversation is focused on: The US airstrikes authorized by President Trump targeting Iran's nuclear sites and the realities on the ground within the Middle East. Lessons Learned in the Middle East | The next step as calls for "regime change in Tehran" grow louder within the Iranian diaspora, and the importance of an organic grown opposition in Iran to revolt, rather than foreign intervention. The rise of socialism in America's major cities. Ten percent of NYC voters choose a socialist with anti-Semitic views as the official Democratic Party's NYC mayoral candidate for the November 2025 election. Rise of Socialism in America | Zohran Mamdani, the 33-year-old democratic socialist embracing radical views which undermine the U.S. Constitution would be the first Muslim to lead the nation's largest city if elected. His chants for a "free Palestine" and the public call to "Globalize the Intifada" - a slogan used by pro-Palestinian activists to call for widespread violence against Jews and Israel has raised serious concerns from within New York and around the country. Focusing on the Immigration and Customs Enforcement (ICE) as it carries out its responsibilities in arresting illegal immigrants involved in criminality. On the efforts of ICE within Virginia: “We are now through over 2,000 arrests as part of the Virginia Homeland Security Task Force. It's working, and most importantly, we're getting really tough bad guys off the street.” - Governor Glen Youngkin, Virginia In addition to the conversation on US airstrikes on Iran's nuclear sites authorized by President Trump and the reaction by Democrat leaders on the Hill, Tom Garrett also highlights the challenges we face within America as New York City's democrat voters elect a staunch socialist as its candidate for this November's mayoral election. Tom Garrett is a US Army veteran and served in locations including the perilous Balkan region during the 1990s right after the Dayton Peace Accords were signed. He served as Assistant Attorney General, Commonwealth of Virginia. In 2016, Honorable Tom Garrett was elected to represent Virginia's 5th Congressional District in the United States House of Representatives. While in Congress, Tom served on the Foreign Affairs Committee, Homeland Security Committee and the Education and Workforce Committee. Tom Garrett has been engaged in foreign policy, civil society and serves as a well-respected advisor on freedom, the rule of law, and religious liberty fronts - having spent time in difficult parts of the world including war-torn Syria and Ukraine. As an attorney, he practices law in the Commonwealth of Virginia. americasrt.com (https://americasrt.com/) https://summitleadersusa.com/ | https://jerusalemleaderssummit.com/ America's Roundtable on Apple Podcasts: https://podcasts.apple.com/us/podcast/americas-roundtable/id1518878472 X: @GarrettInExile @americasrt1776 @ileaderssummit @NatashaSrdoc @JoelAnandUSA @supertalk America's Roundtable is co-hosted by Natasha Srdoc and Joel Anand Samy, co-founders of International Leaders Summit and the Jerusalem Leaders Summit. America's Roundtable (https://americasrt.com/) radio program focuses on America's economy, healthcare reform, rule of law, security and trade, and its strategic partnership with rule of law nations around the world. The radio program features high-ranking US administration officials, cabinet members, members of Congress, state government officials, distinguished diplomats, business and media leaders and influential thinkers from around the world. Tune into America's Roundtable Radio program from Washington, DC via live streaming on Saturday mornings via 68 radio stations at 7:30 A.M. (ET) on Lanser Broadcasting Corporation covering the Michigan and the Midwest market, and at 7:30 A.M. (CT) on SuperTalk Mississippi — SuperTalk.FM reaching listeners in every county within the State of Mississippi, and neighboring states in the South including Alabama, Arkansas, Louisiana and Tennessee. Tune into WTON in Central Virginia on Sunday mornings at 6:00 A.M. (ET). Listen to America's Roundtable on digital platforms including Apple Podcasts, Spotify, Amazon, Google and other key online platforms. Listen live, Saturdays at 7:30 A.M. (CT) on SuperTalk | https://www.supertalk.fm

Depuis novembre, la Serbie, candidate à l'Union européenne, fait face à une contestation étudiante sans précédent. Depuis le weekend du 28 et 29 juin, la protestation est passée à une autre étape.Le mouvement, qui a rassemblé 140.000 personnes dans les rues de Belgrade, réclame la fin de la corruption dans le pays et le bon fonctionnement des institutions. Pour y parvenir, les manifestants exigent des élections législatives anticipées, pour chasser le parti du président Aleksandar Vucic, au pouvoir depuis plus de dix ans.Les étudiants avaient lancé un ultimatum au Président. Le chef d'Etat nationaliste n'a pas cédé et des affrontements ont éclaté dans la capitale serbe. Quelles sont les revendications du mouvement ? Quelle est la réaction du gouvernement ? Quelle est la prochaine étape pour la contestation ?Dans cet épisode, Sur le Fil vous emmène dans les Balkans, avec les journalistes du bureau de l'AFP à Belgrade.Réalisation : Maxime MametInvités : Mina Pejakovic et Ognjen Zoric, journalistes au bureau de l'AFP à Belgrade.Sur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ? Ecrivez-nous à podcast@afp.com. Vous pouvez aussi nous envoyer une note vocale par Whatsapp au + 33 6 79 77 38 45. Si vous aimez, abonnez-vous, parlez de nous autour de vous et laissez-nous plein d'étoiles sur votre plateforme de podcasts préférée pour mieux faire connaître notre programme Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Serbia is home to a large Russian and Belarusian community, which has increased in number since the full-scale invasion of Ukraine. But the small Balkan country was already a popular destination for Russians and Belarusians looking to move abroad. Among this older population of Russian and Belarusian immigrants, those who want to adopt Serbian nationality have been facing administrative difficulties for the past two years, resulting in them becoming stateless. FRANCE 24's Laurent Rouy, Aleksandar Cvrkotic, Edward Godsell and Paul Murray report.

VOV1 - Ngày 1/7, tại thủ đô Skopje, BắcMacedonia, Ủy viên phụ trách vấn đề mở rộng châu Âu, Marta Kos, đã tái khẳng định cam kết mạnh mẽ của Liên minh châu Âu (EU) đối với tiến trình mở rộng khối đối với các quốc gia Tây Balkan, nhấn mạnh đây là chìa khóa cho sự thống nhất của châu Âu.

Following President Trump's unexpected mediation of a ceasefire between Israel and Iran—after a targeted strike on Iran's nuclear facilities—the world is watching closely. But serious questions remain: Is this truly the end of the conflict, or just a temporary lull? Will Israel push for regime change in Tehran? What is the significance of Iran's reported relocation of highly enriched uranium to undisclosed sites? Can diplomacy prevail, or is the region headed for deeper confrontation? To unpack the implications and global ramifications, the program featured two distinguished experts: Professor Gregory Aftandilian Nonresident Fellow, Arab Center Washington DC Senior Lecturer in U.S. Foreign Policy, American University A seasoned former U.S. government official and Middle East policy expert, with over 20 years of experience in the State Department and U.S. Senate. Professor Brad R. Roth Professor of Political Science and Law, Wayne State University Visiting Scholar, Mitchell Institute for Global Peace, Security and Justice, Queen's University Belfast An internationally respected authority on sovereignty, political legitimacy, and the legal dimensions of armed conflict. His work spans key flashpoints such as Israel-Palestine, Ukraine, and the Balkans. The episode was broadcast on June 27, 2025 US Arab Radio can be heard on wnzk 690 AM, WDMV 700 AM, and WPAT 930 AM. Please visit: www.facebook.com/USArabRadio/ Web site : arabradio.us/ Online Radio: www.radio.net/s/usarabradio Twitter : twitter.com/USArabRadio Instagram : www.instagram.com/usarabradio/ Youtube : US Arab Radio

Hold onto your scarves, Kopites! Liverpool just shattered records, signing Bournemouth's electrifying left-back, Milos Kerkez, for a staggering £40 million, making him Anfield's most expensive full-back ever. Discover why this 20-year-old "Hungarian Hurricane" is Arne Slot's perfect weapon, with his relentless energy, aggressive attacking instincts, and incredible durability (playing every minute of the last Premier League season!). Is he the long-term successor to Andy Robertson? We break down Kerkez's journey from Balkan roots to Anfield destiny, his tactical fit in Slot's system, and what this record-breaking transfer means for Liverpool's Premier League title defense and Champions League ambitions. Liverpool FC, Milos Kerkez, Premier League, Football Transfer News, Arne Slot

Vlad sits with the Balkan DreamTeam in Chicago at the tail end of the USA/Canada shows, talking about being stranded with an Electric Vehicle, the old country, doing stand up in a carpark, living in America, being a dog dad, Balkan hate and grudges plus 24 beers being smashed. DNA DISTILLERY (AWARD WINNING RAKIJA)Award winning Rakija company with immaculate celebratory beverages. Check out the entire range on the below websites, order a tasting pack or some of their flagship, amazing rakija today! https://www.dnadistillery.comCARDSTRIKE! (NEW PODCAST SPONSOR!!!)  Amazing Basketball cards, Michael Jordan memorabilia and everything collectable sports card buying and selling!!!https://www.cardstrike.com.auROYAL STACKS! (IMMACULATE BURGERS)Melbourne's Greatest Burgers! Royal Stacks is a booming burger chain in Victoria with classic burgers, shakes and more, with a 90s vibe and high quality food! https://www.royalstacks.com.auMETROPOLITAN STONE (Kitchens, Cabinets, Laundry, All Cabinets)We have a combined 30 years experience in the cabinet making industry in Victoria! Everything from small projects to large projects!Benchtop change overs, Kitchen facilities, Kitchens, Laundries, Bathroom cabinets, T.V units, Wardrobes etc!MENTION: VLADContact: MATT 0425797488Matthew@metropolitanstone.com.auhttp://www.metropolitanstone.com.auORANGE LEGAL GROUP (Specialising in Property law for purchasing and selling, conveyancing, in-house Mortgage broker & Chartered Account! One stop shop for ALL property needs! Wrap! FREE Contract reviews for buyers before purchasing property!Mention VLAD!https://www.orangelegalgroup.com.auEmail: property@orangelegalgroup.com.auContact: mycousinvlad@gmail.comhttp://www.instagram.com/mycousinvladSend Vlad a Text MessageSupport the showBE GOODDO GOODGET GOOD

Emma Nelson is joined by Nina dos Santos and Charles Hecker to unpack the week’s headlines, with Guy De Launey reporting from Ljubljana. See omnystudio.com/listener for privacy information.

This week on the GeekWire Podcast, our guest is Hanson Hosein — an Emmy Award-winning journalist, filmmaker, and communication strategist who has spent his career making sense of the world in times of change. His latest project is American Dignity, a short documentary that follows the legacy of the Civil Rights Movement from Seattle to Selma to Washington D.C., and considers what those lessons mean for America today. He started out as an NBC News correspondent, reporting from conflict zones in the Middle East and the Balkans. Later, he founded the Communication Leadership program at the University of Washington and became an early voice for digital storytelling, using technology to find new ways of reaching audiences. We visit his self-contained studio on the former site of a chicken coop, and talk about how he made this film as a one-person operation, what he learned along the way, and where he thinks media is headed. We also dig into how AI is changing the creative process and what it takes to tell meaningful stories in this new world. With GeekWire co-founder Todd Bishop. Edited by Curt Milton. See omnystudio.com/listener for privacy information.

From dreaming of being a commando at eight years old to commanding the Special Forces Qualification Course, Colonel (Ret.) Jim O'Brien's career is a blueprint for service, humility, and transformational leadership.In this episode, Jim sits down with SOFcast to unpack a lifetime in Special Forces — from chasing insurgents in the Balkans to shaping the next generation of Green Berets. He shares powerful lessons from time in Iraq with partner forces like El Salvador's elite troops, reflects on the enduring influence of mentors like Tim Norris and Joe Dawson, and opens up about passing the torch to the next generation, including his two sons, both now infantry officers.Jim's story is about more than tactics or titles. It's about showing up, serving others, and doing the basics right every time.Whether you're in uniform, raising one, or leading a team of any kind, this is an episode you don't want to miss.

La consommation de drogue dure est en augmentation constante un peu partout en Europe, et elle entraîne une montée des problèmes sociaux liés aux narcotrafics. Pour atteindre l'Europe, la cocaïne est souvent cachée dans les containers d'engrais agricoles, de cafés, ou de bananes. Ces containers arrivent dans les ports du continent : Anvers, Rotterdam, Bilbao… C'est par exemple le cas de celui de Durrës, en Albanie. On retrouve notre correspondant dans la région, Louis Seiller, juste devant l'entrée du principal port de ce petit pays méditerranéen de deux millions et demi d'habitants. Un reportage à retrouver dans son intégralité dans Accents d'Europe.   À lire aussiEn Amérique latine, la Triple frontière, la route sud de la cocaïne vers l'Europe

Discussion Highlights:Demographic megatrends: Population is shrinking and aging across Central, Eastern and Southeastern Europe; fertility rates remain low and often below replacement levels. Some Western nations rely on immigration to maintain workforce levels.Economic and fiscal impact: Falling birth rates and working-age populations threaten tax bases needed to sustain pensions, healthcare, and living standards.Policy responses: Hungary's family incentives briefly boosted fertility before rates fell again to ~1.38. Scandinavian social policies helped but haven't reached replacement fertility. Immigration remains essential.Healthy life expectancy: Lifespans have increased significantly but healthy years have not kept pace. Promoting healthy ageing is critical for extending working lives.Political narratives: Demographic anxieties underpin nationalist rhetoric in Hungary and Bulgaria. In Western Europe, aging populations amplify both immigrant integration debates and depopulation concerns (e.g., rural Spain).Ukraine and modern warfare: Judah shares frontline insights: drones, electronic warfare countermeasures, fiber-optic-controlled UAVs, land drones for logistics and medevac, and upcoming AI-swarm tech reshape battlefield dynamics.Ukrainian resilience: On-the-ground mindset is “phlegmatic pragmatism”—facing war fatigue, debate over ceasefire, but determination to adapt.Europe's future: Post-Brexit Britain re-engages with EU; EU enlargement may take a variable-geometry approach. Western Balkans and Ukraine may enter through piecemeal integration rather than simultaneous accession.Guest BioTim JudahA British journalist and author  Tim Judah is a Special Correspondent for The Economist and a longtime commentator on Eastern Europe. Educated at the LSE, and Fletcher School at Tufts University, he has reported from global hotspots across the Balkans, Ukraine, Africa, and Asia. His major works include The Serbs: History, Myth and the Destruction of Yugoslavia, Kosovo: War & Revenge, and In Wartime: Stories from Ukraine. He has been shortlisted for the 2022 Bayeux Calvados-Normandy War Correspondents Prize. Judah co-founded the concept of the “Yugosphere” during a fellowship at LSE in 2009, serves on the boards of BIRN and the Kosovar Stability Initiative, and was a fellow of IWM and ERSTE Foundation's Europe's Futures programme in 2018/19 Online ProfilesFind Tim on Bluesky @timjudah.bsky.socialTwitter/X: @timjudah1More on Life and Fate is @ the IWM's site here Ivan Vejvoda is Head of the Europe's Futures program at the Institute for Human Sciences (IWM Vienna) implemented in partnership with ERSTE Foundation. The program is dedicated to the cultivation of knowledge and the generation of ideas addressing pivotal challenges confronting Europe and the European Union: nexus of borders and migration, deterioration in rule of law and democracy and European Union's enlargement prospects.The Institute for Human Sciences is an institute of advanced studies in the humanities and social sciences. Founded as a place of encounter in 1982 by a young Polish philosopher, Krzysztof Michalski, and two German colleagues in neutral Austria, its initial mission was to create a meeting place for dissenting thinkers of Eastern Europe and prominent scholars from the West.Since then it has promoted intellectual exchange across disciplines, between academia and society, and among regions that now embrace the Global South and North. The IWM is an independent and non-partisan institution, and proudly so. All of our fellows, visiting and permanent, pursue their own research in an environment designed to enrich their work and to render it more accessible within and beyond academia.For further information about the Institute:https://www.iwm.at/

3 Hours and 13 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Here, in one file, are the 3 episodes Thomas777 did with Pete covering the 1990's Balkans Wars.Episode 1: The 1990's Balkan Wars - Part 1 - 'The Homeland War' w/ Thomas777Episode 2: The 1990's Balkan Wars - Part 2 - WW2 Context - w/ Thomas777Episode 3: The 1990's Balkan Wars - Part 3 - The Hostilities - w/ Thomas777Thomas' SubstackThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

Laurent remembers vividly his trip to Sofia Bulgaria in winter 2009 when the Russian had cut the gas for Bulgaria during a -15C winter. Russia was already playing hard ball because of (guess what) a financial disagreement with Ukraine. The blackmail lasted 3 weeks, and the poor Bulgarians were cutting the trees from their equivalent of Hyde Park or Central Park not to freeze to death.    Lots of progress has been made since then, and Eastern Europe is an emerging bright spot of development for Renewables. It is not just about Economics but also about Security of Supply. We bring in Dimitar Enchev, Cofounder & CEO Europe at CWP - a global renewable energy company, behind some of the largest projects in Southeast Europe.  CWP has been active since 2007 and developed the largest projects in Serbia, Bulgaria, Romania, including Europe's largest onshore wind farm for 10 years – a 600MW project in Romania and has now partnered with Mercuria, one of the largest energy trading houses in the world. They discuss how Eastern Europe felt the largest blunt of Russia's Energy War and how they have been accustomed to living, surviving and thriving with a hostile and aggressive neighbour, always prompt to weaponize energy. Is Europe “bringing a knife to a gunfight” when it comes to countering Russia?We explain how opportunities have risen from this difficult environment and how the decorrelation of wind and solar between the East and West of the Continent, and a continuous integration with the global European Grid creates significant investment opportunities. It is about Transmission, Resilience, Hybridization and digitization.

On today's episode, we discuss one of the most overlooked turning points of the 20th century, Greece and Turkey agreed to swap over 1.5 million people—Christians for Muslims—in what became the first large-scale, state-sanctioned population exchange. Also, marble skulls, Balkan giants, and why Americans are the loudest tourists on Earth. Links to our other stuff on the interwebs: ⁠⁠⁠https://www.youtube.com/@BroHistory⁠ ⁠https://brohistory.substack.com/⁠⁠⁠ #329 Learn more about your ad choices. Visit megaphone.fm/adchoices