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Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
First, we break down what rising wholesale inflation means for the US economy. President Donald Trump and Russian President Vladimir Putin will hold a joint media conference after tomorrow's summit in Alaska. Israel is set to approve a controversial settlement plan in the occupied West Bank. More rural emergency rooms in the US may be run without doctors. Plus, a court case over a kids' song has gone all the way to South Korea's top court. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
President Zelensky has vowed to reject any proposal from Russia that would mean Ukraine ceding territory or withdrawing troops from the eastern Donbas region. He was speaking ahead of a meeting between Presidents Trump and Putin in Alaska on Friday. Donald Trump has said any peace deal would involve "some swapping of territories" and it is believed one of Vladimir Putin's demands is that Kyiv surrenders the parts of the Donbas it still controls. Also: A surgeon operating in Gaza tells us he has to recycle surgical parts from dead bodies to save the living, and the owners of the video game Fortnite take on Apple and Google over access in an Australian court. Plus: the UN tells torturers in Myanmar: "We know who you are", the heatwaves blasting much of Europe, the US puts a $5 million reward on the head of a gang leader in Haiti, a former first lady of South Korea is arrested, the American woman convicted of conspiracy to murder in Britain -- disguised in an Islamic headscarf, and how AI is helping to keep elephants in India safe.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk
Yes, AOL dial-up internet is still a thing, but not for much longer. We reminisce on the "good" old days of the internet and how far we've come. Plus, we had some big news in the AI world this week and so much more. Watch on YouTube! - Notnerd.com and Notpicks.com INTRO (00:00) AI Stuff, should we cover more or less? Let us know in the comments (03:30) MAIN TOPIC: Pour one out for dial-up (05:45) AOL ditching dial-up service, a relic of the internet in the '90s and early '00s AOL Sound Board AOL Wikipedia Net Zero Dialup still kicking - maybe not, but they have a website The Commodore 64 is back DAVE'S PRO-TIP OF THE WEEK: Shared Photo Albums (17:30) JUST THE HEADLINES: (25:05) Starbucks asks customers in South Korea to stop bringing printers and desktop computers into stores Jellyfish swarm forces French nuclear plant to shut Astrophysicist proposes paperclip-sized spacecraft could travel at lightspeed to a black hole Microsoft sued for discontinuing Windows 10 support Autonomous AI-guided Black Hawk helicopter tested to fight wildfires Xerox buys Lexmark for $1.5 billion as print industry clings to relevance US to expedite plan for nuclear reactor on the moon LISTENER MAIL: Todd - Magnets and computers (28:05) TAKES: Here's everything OpenAI announced at its GPT-5 event (03:30) OpenAI announces massive US government partnership - Anthropic is giving Claude to the U.S. government for $1 as AI companies try to win key agencies (36:20) Elon Musk's xAI releases Grok 4 for free globally, challenges OpenAI's GPT-5 launch (39:25) Reddit will block the Internet Archive (44:45) Microsoft Patch Tuesday August 2025 (46:40) BONUS ODD TAKE: Lex.games (49:25) PICKS OF THE WEEK: Dave: Amazon Kindle Colorsoft 16 GB (newest model) – With color display and adjustable warm light – No Ads – Black (51:10) Nate: Flat Plug Power Strip Surge Protector, 5ft Ultra Thin Extension Cord with 4 USB Wall Charger(2 USB C Port), 6 Widely-Spaced Outlets Power Strip Compact for Travel, Office, Dorm Room Essentials (White) (54:50) RAMAZON PURCHASE OF THE WEEK (57:15)
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common? In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood. Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you're science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, What the Ear Hears (and Doesn't): Inside the Extraordinary Everyday World of Frequency (Sourcebooks, 2022) is an immensely enjoyable read filled with "did you know?" trivia you'll love to share with friends. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Asia correspondent Adam Hancock spoke to Lisa Owen about the wife of South Korea's jailed former president being arrested, as well as Nepal opening up Himalayan mountins for free to clear congestion on Mt Everest.
What do the world's loneliest whale, a black hole, and twenty-three people doing Tae Bo all have in common? In 2011, a skyscraper in South Korea began to shake uncontrollably without warning and was immediately evacuated. Was it an earthquake? An attack? No one seemed quite sure. The actual cause emerged later and is utterly fascinating: Twenty-three middle-aged folks were having a Tae Bo fitness class in the office gym on the twelfth floor. Their beats had inadvertently matched the building's natural frequency, and this coincidence--harnessing a basic principle of physics--caused the building to shake at an alarming rate for ten minutes. Frequency is all around us, but little understood. Musician, composer, TV presenter, and educator Richard Mainwaring uses the concept of the Infinite Piano to reveal the extraordinary world of frequency in a multitude of arenas--from medicine to religion to the environment to the paranormal--through the universality of music and a range of memorable human (and animal) stories laced with dry humor. Whether you're science curious, musically inclined, or just want to know what a Szechuan pepper has to do with physics, What the Ear Hears (and Doesn't): Inside the Extraordinary Everyday World of Frequency (Sourcebooks, 2022) is an immensely enjoyable read filled with "did you know?" trivia you'll love to share with friends. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
SPONSORS: 1) MOOD: Discover your perfect mood and get 20% off your first order at https://mood.com and use code JULAN at check out! 2) Control Body Odor ANYWHERE with @shop.mando and get 20% off + free shipping with promo code JULIAN at shopmando.com ! #mandopod WATCH PART 1 W/ HYUN-SEUNG LEE: https://open.spotify.com/episode/69c87hJDVHTeFjW0zdl1Cg?si=L-P78bpUTRmlCCzHZTj46Q PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in Description Below) ~ Hyun-Seung Lee is a former DPRK businessman and chair of the Kim Il Sung Socialist Youth League branch in Dalian, China. A series of purges by Kim Jong Un forced him and his entire family to defect in late 2014, making their way first to South Korea then to the United States. Lee now works as a director for One Korea Network and a fellow of North Korean studies at the Global Peace Foundation, and he has interned with the Foundation for Defense of Democracies. HYUN-SEUNG'S LINKS: YT: https://www.youtube.com/c/Pyonghattan FB: https://www.facebook.com/MrNorthKorea X: https://x.com/LeeHyunSeung85 IG: https://www.instagram.com/mr.northkorea/ WEBSITE: https://give.globalpeace.org/campaign/695826/donate FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 00:00:00 – China & Military Service, Workers Party, Boot Camp, Pride in Serving 00:11:42 – Unit Dispatch, Propaganda, Protecting Leader, Supreme Family Pins 00:23:30 – Camaraderie, Special Forces, Farming, Morse Code, Parade Marching, Mother Singer 00:34:51 – Sister, Banned Words, Pop Star Executions, China-NK Weapons, Troops to Russia 00:46:07 – Weapons & Amm0 to Russia, Discharge, State TV, Propaganda Dept., Leader Focus 00:56:49 – Propaganda with Limited Electricity, The 3rd Channel, 1984 Parallels, Foreign Media, Smuggled USBs, Free Healthcare, Failed Communism 01:07:15 – Bribes for Treatment, Hospital Neglect, COVID D3aths, Post-Service, Studying in China 01:17:12 – Life in China, Father's Realization, First Hamburger, China's Progress, Prison Camps 01:27:57 – Killings & Imprisonment, 3-Gen Punishment, Kim Jong Il D3ath, Defection, “No Future” 01:37:35 – Father's Transition, Defection Help, Escaping NK & China, 24-Hour Notice 01:46:22 – ‘Missing' Status, Family Leverage, Moving to US 02:00:09 – Leaving South Korea, Arriving US, Living in DC, Leaders Assembly, Fear for Life 02:10:34 – Texas Visit, Guns, Hope for NK, Trump Strategy, Iran Strike Threat, Regime Change 02:23:15 – NK Sympathizers in California, Sanctions Blame, Spirituality in Freedom 02:30:07 – Hyun's Work CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 328 - Hyun-Seung Lee Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices
NK News Executive Director Jeongmin Kim joins the podcast to discuss the story of a North Korean defector in her 70s who is under investigation for allegedly leaking the locations of fellow escapees to Pyongyang's secret police, as well as the daring maritime defection of a North Korean who swam across the Han River estuary. She also talks about the recent decision by South Korea and the U.S. to postpone half of their summertime Ulchi Freedom Shield drills and the latest on the dismantling of propaganda loudspeaker arrays along the inter-Korean border. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insights from our very own journalists.
Starbucks in South Korea asks customers to stop bringing desktop computers and printers to the cafe. French man arrested after lighting a cigarette off the flame of a WWI memorial. Woman gets engaged to an AI chatbot after dating for five months. // Weird AF News is the only daily weird news podcast in the world. Weird news 5 days/week and on Friday it's only Floridaman. SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones
EChemical pollution a threat comparable to climate change, scientists warnTwo companies are arguably the largest PFAs and chemical manufacturers of human pollutants, and both are publicly traded with boards you can vote out: 3M and ChemoursTexas prepares for war as invasion of flesh-eating flies appears imminentSid Miller, the Texas Ag Commissioner who once called Hillary Clinton a “cunt” on social media, will protect you from flesh eating flies.Heatwaves will bring temperatures of 50C to Paris by 2050, weather experts warnPlastic waste leakage in Asia could rise 70% by 2050: OECDWashington State Braces for ‘Inevitable' Megafire. Climate Change May Bring It Sooner Great Barrier Reef records largest annual coral loss in 39 years Climate change may be lengthening tick and mosquito seasons France battles largest wildfire in 75 years amid climate change concernsSAmazon CEO Andy Jassy is right: Big businesses need fewer peopleSo if you need fewer people, what will CEOs manage? Do we also need fewer loud mouth CEOs?Populist math: if every major business in the US cut 20% of staff, but CEOs were paid the same exact amount, the CEO pay ratio would go from 264:1 on average to 330:1 on average. The total major employer employees would go from 30,085,694 to 24,068,555. Elon Musk has announced that we need to have more births in order to generate growth, and Andy Jassy has announced that less people should have jobs. Maybe the two of them can start a band called “Bet You Wish You Were Rich”Starbucks is asking customers in South Korea to stop bringing monitors, printers, and desk dividers into their storesMatch Group's rape problem: A lawsuit alleges that inaction by Tinder and Hinge's owner allowed abusers to stay on the appsThere's a new 'Tea' app going viral. This time, it's for men to post anonymously about womenThe oppression of men continues, at least we can vent about itWendy's says it realized it had 'too many' promotions this summer, confusing customersGU.S. Government to Take Cut of Nvidia and AMD A.I. Chip Sales to China in potentially unconstitutional arrangementMM: Trump said they, “negotiated a little deal. So he's selling an essentially old chip.” The “little deal” is an extortion payment, and the “he” is Jensen Huang. That's FOUNDER Jensen Huang, NOT shareholders or the board. The board is busy at happy hour - there are FIVE 1990s/00s tech and VC bros - all bros - Rob Burgess, Tench Coxe, Harvey Jones, Brooke Seawell, Mark Stevens - most of whom have been with Jensen Huang for 30 years. Who cares about central planning US socialism when your with your bros?PS: You think Huang regrets flip flopping and kissing Trump's ass now?:From 2018: US chipmaker Nvidia's founder and Chief Executive Jensen Huang said curbing China's technological development could not be achieved by adopting heavy tariffs.From May: “Obviously, I don't know all of his ideas, but let me tell you about two that are incredible,” answered Huang. "The first one is utterly visionary. The idea of tariffs being a pillar of a bold vision to re-industrialize to onshore manufacturing and motivate the world to invest in the United States is just an incredible vision.”Congrats on your extortion payments!Tim Cook fawns over Trump with 24-karat gold gift during $600 billion Apple pledgeBy 2050?One Oregon company paid its CEO 1,300 times what workers makeA Sam Altman says he's 'uneasy' about people trusting their biggest life decisions to ChatGPTAI is creating new billionaires at a record paceInstagram Map lets your friends, and possibly exes, track your every move
The Old Farmer's Almanac is predicting a ton of snow this winter. AOL dialup internet is going away for good. Starbucks in South Korea are banning customers that appear to be "café squatters". NASA Intern stole lunar rocks for his girlfriend after promising her the moon.See omnystudio.com/listener for privacy information.
As the US and China pause any hike in tariffs for 90 days, we'll be in Beijing looking at what soybeans have to do with the trade truce.Meanwhile, could US recognition of Somaliland finally become a reality? A former diplomat in Somaliland explains what it could mean for both sides.And in South Korea, Starbucks has asked customers to stop bringing items like printers into its cafes. We look at whether the trend of working in cafes has gone too far.
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
Drs. Jeffrey Jensen and Johanna Richey welcome Dr. Naomi Choi, a third year resident at Yale New Haven Health. Dr. Choi received her Undergraduate degree from UCLA with a Bachelors of Art in Sociology. She received an MBA from Quantic School of Business and technology on a full ride scholarship as well as completing post-bac work at Charles Drew University of Medicine and Science. She went on to complete her Podiatric Medical degree from Samuel Merritt University. Dr. Choi has an interesting and non-traditional background as she had the opportunity to travel to South Korea and be a translator for the First Lady of Korea. She also worked internationally as a clinical research associate in Lucca, Italy and Potsdam, Germany. Join us, as she dives into her fascinating story about how she found podiatric medicine. Her diverse background provides her with different perspective and she has applied this to her podiatric medicine career. She holds 9 provisional patents (as a resident!!!) and her innovation work has received first place awards at the Columbia University: Hack Health and MIT: Hacking medicine “Grandhack” competitions. Despite her incredible accomplishments, Dr. Choi is kind, humble and transparent as she discusses her passion around innovation and serving vulnerable populations. We hope you will enjoy this special episode with one of podiatry's young physician pioneers in the world of innovation and service. https://www.linkedin.com/in/naomiii/ https://www.ynhh.org/medical-professionals/gme/our-programs/podiatric-medicine-and-surgery https://www.apma.org/ https://www.abfas.org/residents https://bmef.org/ https://www.acfas.org/
The Angels assured themselves a regular season series win over the Dodgers with last nights win. The Padres are now just 1 game back of the NL West lead. So has Fred backed off of his stance that "everything is fine?" Also, theres an epidemic of people using Starbucks as their own personal office space and theyre putting a stop to it in South Korea.
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
Stepping beyond America's borders might be the smartest move for savvy investors right now. Phil Wool of Raliant Capital makes a compelling case for international equities—particularly emerging markets—at a time when U.S. stocks trade at historically high valuations.The numbers tell a striking story: U.S. equities currently command a Shiller-CAPE ratio of 38 times earnings—three standard deviations above historical averages. While this doesn't predict an imminent crash, it strongly suggests lower-than-average returns over the next decade. Meanwhile, international markets offer better growth prospects at more attractive valuations.Wool challenges the oversimplified narrative that international stocks have performed well this year solely because of dollar weakness. He highlights how emerging markets contain significant technology exposure, with many companies either competing with or supplying critical components to U.S. tech giants driving the AI revolution. This mirrors patterns from the dot-com era, when companies supplying internet infrastructure in emerging markets ultimately outperformed many headline-grabbing U.S. names.For investors concerned about selecting winners in unfamiliar markets, Raliant's "quantamental" approach offers a solution. Their systematic strategies analyze billions of data points to identify companies with strong fundamentals flying under the radar. They incorporate market-specific factors that pure fundamental investors might miss, like foreign institutional investor holdings in South Korea or retail investor behavior in Taiwan.Recent trade policy developments, including the Japan-U.S. trade agreement, demonstrate how market overreactions to political theater create opportunities for patient investors focused on fundamentals. These dislocations generate alpha for systematic strategies that can identify when stocks have unreasonably discounted good news or failed to properly price in positive developments.Ready to diversify globally? Consider using the ACWI as your benchmark, with approximately 60% in U.S. stocks and 15% in emerging markets—then adjust based on current valuations and opportunities. With today's pronounced valuation disparities, overweighting international exposure might be the prudent choice for investors seeking both diversification and potential outperformance in the coming years. Sign up to The Lead-Lag Report on Substack and get 30% off the annual subscription today by visiting http://theleadlag.report/leadlaglive. Foodies unite…with HowUdish!It's social media with a secret sauce: FOOD! The world's first network for food enthusiasts. HowUdish connects foodies across the world!Share kitchen tips and recipe hacks. Discover hidden gem food joints and street food. Find foodies like you, connect, chat and organize meet-ups!HowUdish makes it simple to connect through food anywhere in the world.So, how do YOU dish? Download HowUdish on the Apple App Store today:
A Message From Our Sponsor:Looking for top-tier talent to join your team? Call The Allred Group for your elevator recruiting needs! With a deep network and unmatched industry expertise, we quickly connect you with skilled professionals who are ready to elevate your team. Let us handle the hiring process, so you can focus on growing your business with the best in the industry. Reach out today, and let us help you take your business to new heights!To contact us go to: http://allredgroup.comIntro:From fixing cars on Staten Island to installing elevators in the heart of Brooklyn—and eventually helping shape elevator innovation overseas—Ken Hickey's 37-year journey in the industry is anything but ordinary. Today, he opens up about the tough early days, the mentors who shaped him, the shift from union to non-union work, and the leadership lessons that have helped him build teams and move elevators. If you've ever wondered what it means to really grow in this business, Ken's story gives a great example.Summary:Ken Hickey, with 37 years in the elevator industry, discusses his journey from automotive to elevators, influenced by a mentor who taught him hands-on skills. He transitioned from union to non-union work for broader opportunities, including management, engineering, and sales. Hickey highlights a significant project with LG Otis, designing and installing MRL elevators in New York City, which required six weeks in South Korea and approval from the Department of Buildings. He emphasizes the importance of safety, teamwork, and continuous learning, advocating for passion and dedication in the industry.
Host Ricky Sacks and Jason McGovern are joined by South Korean Journalist Sungmo Lee as we reflect on Sonny's legacy at the club. Son arrived at Tottenham Hotspur a decade ago - in August, 2015 - and has since established himself as one of the Club's all-time greats. The South Korea international went on to make 454 appearances in Lilywhite, scoring 173 goals, the fifth-highest tally in our history. Appointed captain in 2023, there have been countless memorable moments for Sonny on the pitch during his decade at the Club. In April, 2019, he etched his name into the history books with the first official goal at the new Tottenham Hotspur Stadium, and later that same season was an integral member of the first Spurs side to reach a Champions League final, scoring important goals in the round of 16 and quarter-final. Sonny won the FIFA Puskas Award in 2020 for an extraordinary solo goal against Burnley, which saw him dribble the length of the pitch before finding the net. Both a scorer of great goals and a great goalscorer, he added to his personal accolades in 2021/22, receiving the Premier League Golden Boot for his 23-goal return in the division. During his time at the Club, Sonny also became the highest-scoring Asian player in Premier League history and, in addition to leading South Korea to Asian Games success in 2018, has been named ‘Best Footballer in Asia' a record nine times. Sonny's greatest achievement in our colours came in May, 2025, as he led the Club to UEFA Europa League glory in Bilbao. By doing so, he wrote his name into Spurs folklore, becoming one of 13 captains in our history to lift a major trophy. Nominate Last Word On Spurs for Best Podcast - Premier League at the
Kevin had a 360 moment this week as he went to see Oliver on the West End and PJ questions whether it was actually a 360 moment and Kevin retorts that Dua Lipa confused him by saying 'Did a fully 180, baby' because 180 is only a half turn. Ultimate confusion.Then the lads discuss a topic that they've wanted to discuss for ages and kind of already have been discussing in part in previous episodes, especially since they watched Dream Academy on Netflix and it's the iconic world of K-pop. From trainees to debuts, icons to a bias, the lads break it all down and leave no light-stick unturned when delving into South Korea's most lucrative export.Sign up to the I'm Grand Mam Patreon for more stunning content: https://www.patreon.com/imgrandmam ✨ Hosted on Acast. See acast.com/privacy for more information.
진행자: 홍유, Chelsea ProctorIs using a sun umbrella linked to racial bias?기사요약: 최근 TikTok 영상에서 아시아에서의 양산 사용이 '백인 우월주의'와 연결된다는 주장에 논란이 일었지만, 전문가들은 양산이 자외선 차단, 피부 보호, 건강 관리에 중요한 역할을 한다고 강조했다.[1] Parasols, or sun umbrellas, have long been a summer necessity in several Asian countries. It is easy to spot both men and women holding them over their heads in the streets of South Korea and Japan, to shield against the sunlight and strong UV rays.necessity: 필수품shield against: ~로 부터 막다, 보호하다[2] However, a viral TikTok video claiming that the widespread use of such sunshades in Asia stems from underlying "white supremacy" has stirred controversy and sparked heated debates over whether the issue is about racism or health.widespread: 널리 퍼진underlying: 겉으로 드러나지 않지만 그 아래에 존재하는stir: 감정이나 반응을 불러일으키다[3] In the video, titled “Asians afraid of being dark," the TikToker questions why parasols are so popular in Asian countries. “Someone needs to explain to me why Asians are so afraid of the sun,” she said."I promise you it's not that bad if you go a little darker ... A few minutes in the sun won't make your skin that dark.”She then went on to imply that the fear of darker skin tones among Asians is linked to the bias of “white supremacy,” suggesting that such aversion stems from internalized ideals of lighter skin as superior.bias: 편견, 특정한 사람이나 그룹에 대해 공정하지 않거나 부당한 생각을 가지는 것white supremacy: 백인 우월주의aversion: 아주 싫어함, 혐오stem: 어떤 일이나 상황이 특정 원인에서 비롯되다internalize: 내재화하다, 외부의 영향이나 사회적 규범을 개인의 사고나 행동으로 받아들이고 그것을 자신의 것으로 만들다기사 원문: https://www.koreaherald.com/article/10545033
Another round of Sinister Six comes to a close, but our monkey business is far from over. 1976's A*P*E confronts us with an all-too-familiar question: “What If King Kong, But No Plot?” The answer may shock you. A 36-foot-tall gorilla escapes his captors at sea, battles an extra-large shark, and then makes landfall in South Korea. Also visiting the country is movie star Marilyn Baker, quickly joined by her old flame, “jokester” journalist Tom Rose. The Korean and U.S. militaries are hesitant to believe reports about A*P*E roaming the countryside, so the giant monster manages to elude them for about 80 minutes of runtime. Not helping matters is Col. Davis being perpetually drunk and Capt. Kim giving Tom free jeeps. Ultimately, the only thing capable of stopping A*P*E is the viewer turning the movie off once the 15-minute montage finale begins. Remember to pack your puppets and be cautious while paragliding into today's poorly scaled episode of Anime Was (Not) A Mistake! Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: "Danse Macabre" Saint-Saëns - Rock/Metal Version Cover – EXMORTUS TV “Live and Learn” – Crush 40 - Main Theme of Sonic: Adventure 2 “Chromaggia” – Repo! The Genetic Opera: Original Motion Picture Soundtrack
Beloved English classics scholar Dame Mary Beard offers wisdom on how to tackle the vast collection of the British Museum, and ponders the ethics and responsibility of retaining the cultural antiquities of other lands. Then a cartoonist shares his love of museums and how they transform us by illustrating memorable moments at his favorites across North America. And a Korean American travel writer explains why Seoul is an ideal introduction to traveling in Asia, and recommends a relaxing island counterpoint to the bustling, 24-hour capital. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.
In this quick episode Gemini and ADM One go over everything that been going down far for Summer 2025. Battle For Free Passage has been completed and we have to Congradulate JReign from USA, Chederac from Poland, and Dj Pad from South Korea as they will be heading out to London to Battle it out at Portablist Lounge. You can follow @BeatGeekUK and head over to www.portablistlounge.com for More Info on whats going on in September.The Beatjunkie Scratch League is ready to end Season One of their Scratch League as the Final Four Cutters go head to head in July. DMC has some announcements for the USA Finals coming up in Berkley. BiteSize, Santi, and Netwerk will be duking it out for the DMC Open. Also KidRD3 will be defending against Shimeeze, Chris Kuts, Izloh, The Beat Molester, and JP Gunnz. Battle Season is defintly in full effect! You can join us for Round 3 on July 12th at The Beatjunkies Institute of Sound in Glendale to see who is Crowned Champion. Mad Love to Lost Tone Pros, Open Format, Jesse Dean, Scratch Break, and Jetpack Bags for Helping put this whole thing together.As always you can follow us on IG @Tables_4_Two and give the Beatjunkies a follow as well @BeatjunkieIOS for info on all of their events going down at the school. To Enroll or take a Tour of the IOS pull up to the Battle or check out their schedule online at:https://www.beatjunkiesound.com All the Beats that we used durning the Promos were from Swiftstyle's Phrase Looper with you can download for FREE on his website below:https://scratchbreak.com/collections/loopers/products/phrase-looper-swiftstyleBecome a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
At the London 2012 Olympics, a women's doubles badminton match between China and South Korea caused controversy when the four players were disqualified for deliberately underperforming. This incident, which marred the spirit of the games, saw the players serving into the net and hitting shots out of bounds in a blatant effort to manipulate the draw for the knockout stage. The sound of the shuttlecocks was drowned out by boos from the spectators and the commentators called the game a disgrace. The match referee Torsten Berg talks to Sean Allsop about what went down on the court that day. An Audio Always production.Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: Tournament referee Torsten Berg speaks to players from China and South Korea during their women's doubles match at the London 2012 Olympic Games. Credit: Reuters/Bazuki Muhammad)
In this week's episode of America on the Road, we dive deep into two standout vehicles that couldn't be more different but are each compelling in their own right — the 2025 Dodge Durango Hellcat and the 2025 Hyundai Ioniq 6. As the vehicle for the AOTR “Made in America” tour, the 2025 Dodge Durango SRT Hellcat showed its all-around abilities over the course of a test that took it 2,000 miles. Host Jack Nerad piloted the three-row family SUV that refuses to compromise on power but also shows a remarkable ability as a cross-country companion. With a jaw-dropping 710 horsepower from its supercharged 6.2-liter HEMI V8 engine, the Hellcat goes from 0 to 60 in just 3.5 seconds and hits a top speed of 180 mph. But the Hellcat also has a kittenish side. Packed with engineering precision, from adaptive suspension and all-wheel drive to seven selectable drive modes, the SRT is a very malleable daily driver. Inside, it offers the user-friendly Uconnect 5 infotainment system, digital performance gauges, and custom SRT graphics. It's a muscle car wrapped in family-friendly practicality, and as the most powerful gas-powered SUV on the road, it made short work of its 2,000-mile cruise. On the other end of the spectrum, Co-host Chris Teague tests the 2025 Hyundai Ioniq 6, an all-electric sedan that blends aerodynamic design with leading-edge efficiency. With its sleek silhouette and ultra-low drag coefficient, the Ioniq 6 isn't just about looks; it's built for range and refinement. This EV offers both single- and dual-motor options, fast-charging capability, and a tech-forward cabin that rivals luxury brands. Hyundai continues to carve out a serious space in the EV segment, and Jack and Chris will discuss the car and where EVs are heading. Also on the show, host Jack Nerad shares highlights from the America on the Road “Made in America” tour, a two—week journey through the heart of the Midwest that showcased American automotive history, innovation, and community spirit. From Milwaukee to St. Ignace, Traverse City to Detroit, and on through Cleveland and Pittsburgh and finally to Chicago, Jack visited factories, classic car sites, and met with countless workers who embody the soul of American mobility. It's a road trip full of character, grit, and horsepower just like the cars we love. This week's news segment is stacked with stories that signal real shifts in the auto industry: • Ford's “Model T Moment”: CEO Jim Farley promises a game-changing reveal next week with a brand-new, U.S.-built EV platform. The upcoming vehicle, born from a secretive skunkworks project, aims to bring affordable electric vehicles to the masses, marking Ford's pivot away from delayed or canceled high-end EV plans. • Japan Pushes Back on Tariffs: Japan is urging the U.S. to enforce its side of a July trade agreement that caps auto tariffs at 15%. With Japanese automakers still facing up to 27.5% in duties, the country warns that trade imbalances could weaken long-standing economic ties. • Hyundai Celebrates U.S.-Korea Deal: In contrast, Hyundai is applauding a new U.S.-South Korea trade agreement that locks in a 15% tariff and supports massive investments in American manufacturing. The automaker emphasized its $21 billion U.S. investment plan and says the deal strengthens its long-term growth. • Interest Rates Stay High, Leasing Gets Popular: With the Fed holding steady on interest rates, more car buyers are turning to leasing as a workaround. Analysts say leasing's popularity could keep climbing unless rates ease, especially for consumers looking to keep monthly payments manageable. But is leasing a good idea for you? Chris and Jack will share their thoughts. • Stellantis Names New Design Boss: Scott Krugger has been tapped to lead Stellantis' North American design team, with oversight of brands like Jeep, Dodge, and Ram. The move is part of a broader shift toward more regionally tailored vehicle designs under Chief Design Officer Ralph Gilles...
Amy shared that she went in to 'fix' her hair after getting roasted by us and why we might see her wearing a wig soon. In the Anonymous Inbox, a listener wants to know what we do in situations when an artist comes in to perform and it's bad. Do we still air it? Do we edit it? We play our favorite game of the week, Easy Trivia! Can Amy or someone stop Eddie from dominating another season? Plus, Fun Fact Friday includes how South Korea has way different rules in basketball when it comes to three-pointers. Bobby also talks about how he rates different tiers of listeners in his head.See omnystudio.com/listener for privacy information.
Also, should coders fear AI, and why Google Maps isn't as good in South Korea. Starring Tom Merritt, and Huyen Tue Dao. Show notes can be found here. Hosted on Acast. See acast.com/privacy for more information.
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
Much of the attention on the world's plunging birth rate is on east Asian countries like Japan and South Korea. But Latin American countries, like Chile, are also seeing a decline in fertility. We go to Chile's capital to understand the personal decisions behind the countries plummeting birth rate trend.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
In this episode of The Korea Pro Podcast, Jeongmin and John dive into President Lee Jae-myung's escalating confrontation with major firms after a series of deadly workplace accidents, with POSCO and SPC under fresh scrutiny. They examine what the government's shift toward aggressive administrative penalties means for business. The hosts also break down why inflation remains volatile despite a steady consumer price index and why South Korea's export outlook is darkening amid U.S. tariffs. They then turn to the upcoming Ulchi Freedom Shield drills — including the decision to postpone half of the planned field exercises — and preview next week's ROK-Vietnam summit and President Lee's Aug. 15 Liberation Day address. About the podcast: The Korea Pro Podcast is a weekly 15-minute conversation hosted by Korea Risk Group Executive Director Jeongmin Kim, Editor John Lee and correspondent Joon Ha Park, diving deep into the most pressing stories shaping South Korea — and dissecting the most complicated ones for professionals monitoring ROK politics, diplomacy, culture, society and technology. Uploaded every Friday. This episode was recorded on Thursday, Aug. 7, 2025. Audio edited by Gaby Magnuson
On this week's episode, Maeng Hyo-shim, a young woman who fled North Korea in 2018, joins the podcast to share her experiences of state discrimination, systemic neglect and a violent attack against her disabled mother which led her family to escape the DPRK. Born in Hyesan in 2001, Maeng shares her memories of life growing up under the Kim regime, where people with disabilities were routinely excluded from society and punished for being unable to work in state-run enterprises. She reflects on the hardships her family faced due to her mother's condition, how her parents met and raised her despite overwhelming odds. Maeng Hyo-shim was born in Hyesan, a city on North Korea's northern border with China, in the years after the devastating famine of the 1990s. In 2018, she fled North Korea with her parents after a violent incident against her mother who has a disability and the regime's refusal to deliver justice. She now lives in South Korea and works to raise awareness about human rights issues in North Korea, testifying publicly under her real name — including at the United Nations High Commission on Human Rights in Seoul in June this year. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.
The extraterrestrial comedy podcast where we probe one of the alleged spookiest places in the world, the Gonjiam Psychiatric Hospital in South Korea. This hospital is said to have been owned by a crazed doctor director who conducted cruel experiments on his inpatients, resulting in many losses of life. Alongside this there was also a serial killer inpatient and alongside that, staff and family members of the inpatients also begun dying without explained causes. Did this place become haunted due to all the trauma? Or has this story gotten away with itself a little? There's only one way to find out… PROBE!Patreon:https://www.patreon.com/butitwasaliensStore:https://butitwasaliens.co.uk/shop/Probe us:Email: butitwasaliens@gmail.comInstagram/Threads @ ButItWasAliensTwitter @ ButItWasAliensFacebook: @ ButItWasAliens - join Extraterrestrial TowersMusic: Music created via Garageband. Additional music via: https://freepd.com - thank you most kindly good people.Sources:Curious Archive summary of the story and links to some vlogs: https://www.curiousarchive.com/haunted-gonjiam-psychiatric-hospital/ Moonmausoleum: https://moonmausoleum.com/gonjiam-psychiatric-hospital/ Fright Find: https://frightfind.com/the-real-gonjiam-haunted-asylum/#:~:text=The My So Called Creative Life (photos): https://mysocalledcreativelife.com/2015/05/29/a-creepy-afternoon-alone-in-an-abandoned-hospital-gonjiam-psychiatric-hospital/Modern history of Korean mental health treatment journal article:Shin, J-H and Yim, S-V. (2023) A Foundation for a “Cheerful Society”: The Korean War and the Rise of Psychiatry. Korean Journal of Medical History. 32(2): pp. 553–591. doi: 10.13081/kjmh.2023.32.553Available at https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10556413Accessed: 30/09/2024The Gonjiam Psychiatric Hospital Google Maps coordinates: “37.362433, 127.33474
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
✦ Grease is the word, and it's also the film we're screening for our next City Lights Cinema event. Join us at the Plaza Theater next Saturday, August 16, at 4 pm for a movie plus shenanigans. We'll have a couple of competitions ahead of the screening – one for the hand jive - the ridiculous patty-cake type routine that the entire graduating class at Rydell High does during the school dance, and we'll also be hosting a costume contest! So, throw on your favorite dancing shoes, leather jackets, and blue jeans and meet us at the Plaza Theater on August 16. Get your tickets now at WABE dot org slash events. ✦ Atlanta Influences Everything, as espoused by Tory, Ian, and Bem, speaks to the fact that what is local in Atlanta is national and even international. This is evident in the work of Korean American filmmaker Crystal Jin Kim. Her latest short film, Threadbeat Dad, was shot in Atlanta but is poised to reach the world. Kim joins City Lights Co-host Jon Goode, from her filmmaking residency in Jeju, South Korea, to discuss the film and her journey as a filmmaker. ✦ Brunching in Atlanta is practically a sport. There are strategies involved—arrive early to beat the rush of a crowd, or maybe you're a diner that prefers to make reservations. Regardless, you'll need good stamina to make it through bottomless mimosas and rich portions of pancakes and bacon. BUT in this economy, who has the money to drop $80 to $100 on breakfast food and drinks every weekend? In our new mini-series, Brunchin' on a Budget, we feature several delicious AND affordable brunch spots in Atlanta. On today's premiere installment, WABE Arts Reporter Summer Evans heads to Decatur to visit Pastries A Go Go. ✦ When we think of the European Master of Art, Atlanta might not be the first connection we make, but this story aims to revisit that assumption. Enter Athos Menaboni, an Italian-born artist, who moved to Atlanta in the 1920s. While here, he painted ceilings, murals, and even airplane interiors for Coca-Cola executives. But his most profound passion? Birds. From cardinals to crows, he painted them not just with scientific accuracy but with reverence. It led to him and his wife, Sara to publish Menaboni's Birds, a book now considered a Southern classic. City Lights Collective member Victoria Lemos shares more on this bit of Atlanta history. ✦ Are you a fan of music photography, but craving something more than a casual stroll through an exhibit? How about being surrounded by over 1,200 iconic images of rock legends, projected onto 40-foot-high walls, all synced to a high-octane soundtrack played through a state-of-the-art sound system? Amplified: The Immersive Rock Experience, now showing at Atlanta's Illuminarium, takes visitors on a full-body journey through the history of rock and roll. Created in partnership with Rolling Stone, the show blends legendary soundscapes with cutting-edge visuals to celebrate the artists and moments that defined generations. City Lights Collective producer Josh Thane sat down with creative director Brad Siegel to learn more about the making of this immersive experience. ✦ In our series, In Their Own Words, we check in with our artistic community. This is where they tell us who they are, what they do, what they love, and a few things you might not see coming. What things? Who knows, there's only one way to find out. Today, we hear from Atlanta actor Christopher McDonald, who recently appeared in Superman.See omnystudio.com/listener for privacy information.
AP correspondent Karen Chammas reports on an ongoing political investigation in South Korea.
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025 Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.
Darkness Radio presents Supernatural News/Parashare: Alien Homicide, AI Obituaries, & Haunted Museums Edition w/ Mallie Fox ! This Week, Matt Rife and his partner have announced the purchase of the Warren estate, but not everyone close to the Warrens is happy about it! We have the details! A Minnesota Man murders his neighbor, who he thought was an ALIEN! Someone close to you die? Can't find the words? How about letting ChatGPT find the right way to summarize your life experiences together?! And a couple of biblical mysteries take a strange turn as there is news on the Ark of the Covenant and the Shroud of Turin! Scientists are on the hunt for the ultra-rare "Lite intermediate black holes"! Read the article here ! https://www.unexplained-mysteries.com/news/389241/mystery-continues-to-surround-lite-intermediate-black-holes Bigfoot has been spotted in Coyote Ridge, California! Check out a video on the case here: https://www.unexplained-mysteries.com/news/389129/video-clip-shows-alleged-bigfoot-in-coyote-ridge-california A large unidentified river creature was caught in camera in South Korea! See the video here: https://www.unexplained-mysteries.com/news/389196/large-unidentified-river-creature-caught-on-camera-in-south-korea Check out all things Mallie here: https://www.paranormalgirl.com/ Mallie has been spreading her wings and featured as a researcher and talking head on Strange Evidence on the Science Channel! You can stream it on demand on Discovery + or on Max! Get Max here: https://bit.ly/469lcZH Sign up to go with Dacre Stoker and Mysterious Universe Tours to Romania here: https://www.mysteriousadventurestours.com/darkness_radio/ Want to attend JUST Dracula's Vampire Ball at Bran Castle? Click this link to find out how: https://www.mysteriousadventurestours.com/darkness_radio/ Travel with Brian J. Cano to Ireland for Halloween for 11 days and get 100 dollars off and break it into 10 easy payments here: https://www.mysteriousadventurestours.com/darkness_radio/ Make sure you update your Darkness Radio Apple Apps! and subscribe to the Darkness Radio You Tube page: https://www.youtube.com/@DRTimDennis #paranormal #supernatural #paranormalpodcasts #darknessradio #timdennis #malliefox #paranormalgirl #strangeevidence #supernaturalnews #parashare #ghosts #spirits #hauntings #hauntedhouses #haunteddolls #demons #supernaturalsex #deliverances #exorcisms #paranormalinvestigation #ghosthunters #Psychics #tarot #ouija #Aliens #UFO #UAP #Extraterrestrials #alienhumanhybrid #alienabduction #alienimplant #Alienspaceships #disclosure #shadowpeople #AATIP #DIA #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti #abominablesnowman #ogopogo #lochnessmonster #chupacabra #beastofbrayroad #mothman #artificialintelligence #AI #NASA #CIA #FBI #conspiracytheory #neardeatheexperience
Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.
Philip, Bridget, and Lara discuss the new film from Netflix and Sony Pictures Animation, 'KPop Demon Hunters'. The film follows a group of K-Pop artists in South Korea, Huntr/x, comprised of pop stars Rumi, Mira, and Zoey. These are no ordinary artists, but super-powered warriors capable of detecting and fighting off demons that manage to infiltrate the real world. They not only uses their music to entertain millions, but also to cast an aura of protection over their homeland that keeps ancient demons from feeding on human souls. This aura, the Honmoon, is threatened when one musically talented demon forms a K-Pop boy band to rival Huntr/x. Will the rivalry doom Huntr/x to failure in their mission to protect the world from their nemesis, Gwi-Ma, now that his servants, the Saja Boys, have found success? Follow The ThawedCast: Conversations About Animation: twitter.com/thawedcast and instagram.com/thawedcast. instagram.com/partoflarasworld, instagram.com/bridget5246, instagram.com/philipehlke. Visit thawedcast.com
Patrick opens with the breaking news that World Youth Day 2027 will take place in South Korea, sparking conversation about the unique meaning of this event for young Catholics. Taking questions live, Patrick answers everything from defending religious images using scripture to clarifying rules about holy water bottles, marriage, and what it really means to follow Church teaching in daily life. The episode is peppered with Patrick’s spontaneous humor and real-life stories, making faith topics vivid, even as he tackles serious theological and practical concerns. 2027 World Youth Day to be in Seoul (01:07) John - My friend is a non-Catholic Christian and says things like worshiping statues and Mary being a mom is not in the Bible. How do I tell him in a loving way that what he is saying is wrong? (10:51) Jerry - The Old Testament says that a Messiah must come. Where is that first mentioned in the bible? (23:40) Dylan (email) - I feel like I’m not going to Heaven. Anna - How do you store Holy Water and can I recycle old Holy Water containers? (36:10) Nolan - Does the altering state of caffeine negatively affect how we can be receptive for Mass? (47:08) Carolyn - Can I get an annulment without getting a legal divorce? (49:12)
Have you been seeing protein everywhere? So has Dave. Dave talks about fad diets and his own experiences with nutrition and weight. He then interviews Dr. Michael Ormsbee, protein expert and director of FSU Institute of Sports Sciences and Medicine, to get all the answers on the craze and what you should or should not be eating regarding collagen and protein. Dave finishes with an open conversation about the importance of having open conversations. Learn more about Professor Orsmbee: Follow Professor Ormsbee on Instagram: https://www.instagram.com/mikeormsbee/?hl=en Learn more about Florida State's Institute of Sports Science and Medicine (FSU ISSM): https://annescollege.fsu.edu/resources/institute-sports-sciences-and-medicine Follow FSU ISSM on Instagram: https://www.instagram.com/fsuissm/?hl=en Learn more about the Vox article Dave mentions on South Korea's residents getting taller: https://www.vox.com/videos/2023/2/23/23611947/world-south-koreans-people-getting-taller Learn more about Bella Ma's butter eating videos: https://www.youtube.com/@SteakandButterGal Learn more about the National Health and Nutrition Examination Survey (NHanes): https://www.cdc.gov/nchs/nhanes/index.html Learn more about MyPlate: https://www.myplate.gov/ Learn more about the FSU ISSM Courses: https://www.amazon.com/Changing-Body-Composition-through-Exercise/dp/1629972789 Send in your Ask Dave questions to bit.ly/AskDaveForm or askdave@majordomomedia.com. Subscribe to the show on YouTube: https://www.youtube.com/@thedavechangshow. Subscribe to Recipe Club on YouTube: https://www.youtube.com/@recipeclubofficial. Submit your favorite food moments in your favorite movies to majorfoodporn.com. Join our community Discord on majordomo.com. Free Grubhub+. It's on Prime. *Additional terms apply* Host: Dave Chang Majordomo Media Producer: David Meyer Spotify Producer: Felipe Guilhermino Editor: Stefano Sanchez Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hundreds of ex-Israeli security officials write to President Trump, urging him to pressurize the government into ending the war in Gaza, amid reports that Prime Minister Netanyahu is seeking to expand the military offensive to free the remaining hostages. Also: A BBC investigation into child abuse in Kenya, South Korea dismantles loudspeakers on its border with North Korea to ease tensions, plus how David Attenborough's new wildlife documentary on parenthood might teach humans how to parent. The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment.
Looking at the details behind South Korea's most famous missing children case and why their bodies went undiscovered for 11 years, the Frog Boys Disappearance. Support us directly: https://www.redwebpod.com On a spring day in 1991, five boys mysteriously vanished after leaving home to hunt salamanders. What began as an innocent outing became a harrowing nightmare when the boys never returned home. Their remains were found 11 years later, but left investigators with even more questions. Today, we examine the haunting case of the Frog Boys Disappearance. Sensitive topics: death, murder, violence - all involving minors Our sponsors: Rocket Money - Cancel your unwanted subscriptions and reach your financial goals faster at http://rocketmoney.com/redweb Shopify - Go to http://shopify.com/redweb to sign up for your $1-per-month trial period. This episode is sponsored by BetterHelp - go to http://betterhelp.com/redweb to get 10% off your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Ricky Sacks is joined by Richard Cracknell, Jaon McGovern and Marlon as our visit to Asia ended in in a 1-1 draw with Newcastle United on an emotional evening for skipper Heung-Min Son, appearing in his hometown just a day after announcing his intention to leave the Club. Following Thursday's defeat of Arsenal in Hong Kong, we rounded off this year's pre-season tour with a competitive clash against the Magpies in Seoul, South Korea, with Brennan Johnson's early goal cancelled out by Harvey Barnes in the Coupang Play Series. Following his announcement on Saturday, Son was selected to start by new Head Coach Thomas Frank and wore the armband at a venue he knows so well as captain of his country, with his substitution from the pitch in the 64th minute a poignant moment. Unfortunately though, James Maddison left the pitch on a stretcher in the closing stages after pulling up with no-one around him, clearly in distress. Spurs also announced the signing of João Palhinha on loan from FC Bayern, subject to international clearance and work permit. The 30-year-old Portugal international joins the Club on loan until the end of the 2025/26 season with an option to make the move permanent next summer. Independent Multi-Award Winning Tottenham Hotspur Fan Channel (Podcast) providing instant post-match analysis and previews to every single Spurs match along with a range of former players, managers & special guests. Whilst watching our content we would greatly appreciate if you can LIKE the video and SUBSCRIBE to the channel, along with leaving a COMMENT below. Nominate Last Word On Spurs for Best Podcast - Premier League at the
Over the last few months, President Donald Trump has struck numerous trade deals with countries and continues to negotiate with others. The European Union, Japan and South Korea all agreed to a tariff rate of 15%. WSJ's Greg Ip says Trump has succeeded on his own terms and created a new trade world order, albeit a fragile one. Jessica Mendoza hosts. Further Listening:- A Pharmaceutical Executive on Trump's Tariff Strategy- Why Trump Pushed His Tariff DeadlineSign up for WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices