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2 episodes with sony atv music publishing
4 episodes with sony atv music publishing
2 episodes with sony atv music publishing
10 episodes with sony atv music publishing
Stacy Burse, Jr., is the Founder and CEO of S.N.B.JR. Records. Based in Illinois, Stacy's label focuses on artist management, branding, and music releases. Before launching his own company, he gained valuable experience interning at Sony/ATV Music Publishing, as well as Lyrical Lemonade. Stacy and Tom dive into Stacy's unwavering drive to elevate his company, his process for scouting and signing talent, and we'll wrap up with an exclusive just for listeners of “The Undaunted Creative”
Songwriters: "Ticket to Ride" was written by John Lennon and Paul McCartney. Publisher: The song is published by Sony/ATV Music Publishing. Permission: To legally cover and distribute the song, you must obtain a mechanical license. This can be done through organizations like The Harry Fox Agency in the U.S. or other similar rights organizations depending on your location. Credits: When publishing your cover, be sure to include the original songwriters and the publisher in the credits. For example: Original Song: "Ticket to Ride" Songwriters: John Lennon, Paul McCartney Publisher: Sony/ATV Music Publishing Cover By: [Jason Newland]
Songwriters: "Ticket to Ride" was written by John Lennon and Paul McCartney. Publisher: The song is published by Sony/ATV Music Publishing. Permission: To legally cover and distribute the song, you must obtain a mechanical license. This can be done through organizations like The Harry Fox Agency in the U.S. or other similar rights organizations depending on your location. Credits: When publishing your cover, be sure to include the original songwriters and the publisher in the credits. For example: Original Song: "Ticket to Ride" Songwriters: John Lennon, Paul McCartney Publisher: Sony/ATV Music Publishing Cover By: [Jason Newland]
Spontan, intuitiv, ohne Skript, Improvisation pur! Authentisch, ehrlich, direkt! Dafür steht Weissbunt! Prof. Dr. Jalid Sehouli, der Direktor der Frauenklinik an der Charité – Campus Virchow, startete im Mai 2021 mit „WeissBunt“ seinen eigenen Podcast. Maya Singh ist Musikerin, Komponistin, Songschreiberin und Produzentin. Maya Singh studierte am Berklee College of Music in Boston Jazzgitarre. Nach ihrem Studium wurde sie vom Plattenlabel Virgin unter Vertrag genommen und ihre erste Maxi-CD mit dem Titel Prinzessin erschien. In der Folge konzentrierte sie sich auf das Songwriting. Maya Singh arbeitet seitdem erfolgreich als Songschreiberin und ist bei Sony/ATV Music Publishing unter Vertrag. Prof.Dr. Jalid Sehouli ist renommierter Krebsspezialist, Frauenarzt, Wissenschaftler, Schriftsteller und Weltbürger und engagiert sich seit Jahren für die zivile Gesellschaft für ein ganzheitliches und soziales Miteinander. Der Podcast entstand in Zusammenarbeit mit der Berliner Marketing Agentur Brand Activation und baut Brücken aus der Welt der Medizin in die unterschiedlichsten Bereiche der Gesellschaft. Instagram: @dr.sehouli @brandactivation_berlin Homepage: https://www.brand-activation.de https://weissbunt.podigee.io/ Presseanfragen: Karim Loreti per E-Mail an presse@brand-activation.de Allgemeine Anfragen: per E-Mail an request@brand-activation.de
On this episode of Roger the Wild Child Show: Nashville edition, we are joined by country/pop/alternative artist, Tayla Reese!TAYLA REESis a passionate, vibrant and exciting young artist. She is very dedicated, strong, fun and professional with a special “fire” when it comes to music. She incorporates all that she is within every lyric she writes and every note she sings. She has a special ear and soul for music and is excited to share her unique sound with everyone. She has been performing since the age of 10 as both a solo artist and with her own bands at events and venues. Her journey to success started by singing at fundrasiers and local venues and continues today at - Bethel Woods, Daryls house, The Chance Theater, Towne Crier, The Falcon, Splashdown Beach, etc. In 2015 & 2017, she performed at Bethel Woods singing live on stage with Foreigner to a 32K audience, as well as a song at a local venue with Country singer and mentor, Jessica Lynn. Tayla Rees also works with producers recording her own songs as well as others. She has acted, sang, and performed in music videos and was an intern for 2 summers on set with a NYC Producer. She has been an extra on popular TV shows such as Law & Order SVU, Unforgettable, and the newer Annie movie. Tayla Rees starred in a Scarlett Antonia Musical Production, A Journey Home, 2021/2022 and sang a couple of her own songs. Tayla Rees has released singles on all Major Platforms and music videos on YouTube, etc. She loves being able to share her music with others and using outlets such as YouTube videos, Instagram, TikTok, etc. Her EP “Unscathed”, releasing early 2023 and will be on all major platforms as well as YouTube Music Videos (with Producer, Pat Gasperini, (Singer/Songwriter, Sony/ATV Music Publishing, with multiple Top 40 mainstream and active Billboard Charting Artists). Tayla Rees's live tour begins 2023 performing with Patrick James Band as well as her Solo career preforming across the U.S.******Roger the Wild Child Show: Nashville is streamed live every Wednesday night 9pm ET/ 6pm PT on Facebook, YouTube and Twitter. The show is rebroadcasted on 20+ different podcast platforms. Each week they talk with up-and-coming artists, legends of country music and other influencers to the Nashville scene. Roger is joined by co-hosts Megan Bennett, Patrick James and Kristen Kae. Wanna know what's the nitty gritty from music city? Elise Harper has your Nashville Music News! Check out the video/audio podcasts and the rest of our linksLinkTree https://linktr.ee/wildchildradio
This week I'm talking with writer, producer and composer Brian Steckler in CA. Brian has made a successful career for himself producing albums, composing for sync and library production music with NBC, CBS, Netflix and more. Brian has won a Clio award for helping create the audio and star in one of the most famous Super Bowl ads of all time as a certain frog who liked to say “er!” We are discussing working for a jingle company and creating world famous ads, writing production library music used on countless shows, finding your niche to work in a field of music that only you can provide and how you need to decide what success looks like for you. Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. In this episode we discuss: *Working for Hummingbird Productions in Nashville. *What a jingle company does. *Creating the voices of the Budweiser Frogs commercial soundtrack. *The difference in studio budgets from the 1980s and today. *Working in sync music. *Writing library production music. *Writing to briefs on a deadline. *Writing for a children's preschool curriculum program. *Making the right connections. *Having a breadth of knowledge to do many things. *Writing custom cues for Netflix. *Putting favorite sounds into a template for speed. *Align yourself with people who are good at things you aren't. *It's a long term numbers game. *Send it, forget it. *Tear tracks apart to learn how to create them. *Making your first instinct sound good. *https://www.briansteckler.com/ *@briansteckler on IG. BIO: I have made a career of creating music in a wide variety of forms and genres. The scope of my experience includes collaborations with directors, editors, and ad agencies for commercial musical purposes as well as working with individual artists, and bands to create and hone unique musical styles.This range of experience has given me a broad musical basis to draw from. I enjoy learning what people want and need musically, and then bringing even more than they expect to both the process and the result. After receiving my BFA (piano performance) from Western Michigan University in 1993, I moved to Nashville and began my career at Hummingbird Productions, one of the leading jingle houses on Music Row at the time. It was there I co-produced the audio and lent my voice to one of the most recognized, Clio-winning Super Bowl commercials of all time: Budweiser “Frogs.” I wrote and produced national, regional, and local spots during my years at Hummingbird and it was there that I learned how to deliver great sounding audio on very tight deadlines. I moved to Los Angeles in 1997 in order to pursue songwriting and production and began working with artists and bands crafting songs, producing tracks, and mixing my own work, as well as other producer's songs. I wrote songs for Sony ATV Music Publishing, including co-writing with Billy Porter, Gary Barlow (Take That), Paul Stanley (KISS), 2Gether (an MTV boy band spoof series), and many others. With artist Angela Via, I co-wrote and produced a song that landed in Pokemon: The Movie and on the multi-platinum selling soundtrack album. It was also during this time I had my first taste of film scoring, working closely with Keith Forsey (Billy Idol's long-time record producer) to create the score for Wisegirls, a film starring Mira Sorvino and Mariah Carey. As the record industry underwent significant changes during the Napster era, my wife and I chose to move our young family to Northern California. While maintaining my relationships in LA, I was able to work with independent artists and bands, as well as grow my skills and experience scoring, working for Universal Pictures on trailers and promos, as well as regularly placing cues in TV shows. Recently, I've written the score for the Netflix series The Day I Met El Chapo, provided the bulk of the music, including the Main Title theme for a number of other series: Hunted (CBS), S.T.R.O.N.G. (NBC), Ultimate Beastmaster, Awake, Cooked with Cannabis (Netflix). I also had the opportunity to score the award winning documentary Hand Rolled: A Film About Cigars, as well as Sun, Soil & Water, which is currently being screened at a number of film festivals. My wife and I live in Granite Bay, CA which is situated between Folsom and Roseville, about 30 minutes from downtown Sacramento, and 90 minutes from Lake Tahoe. Living somewhere beautiful, outside the “rat race,” certainly helps my creative flow. I work in my well sound-proofed custom recording studio called “The Stickhouse,” which is an ideal place for creating and mixing music. My studio is built around the Slate Digital VRS8 system, running Pro Tools Ultimate and Logic Pro, depending on the functionality I need for each project. I have a substantial library of Virtual Instruments and samples which cover any genre, from orchestral to hip-hop.
Welcome to the family! You have a place here!Please let us know if you are watching our stream for the first time, if you have made a decision, or are in need of prayer – text CONNECT to (941) 260-1395 or click here: https://app.textinchurch.com/groups/familyform/MTM2MzEz Click here if you would like to give online: https://engage.suran.com/familychurchpc/Music used with permission, CCLI License # 594759, Streaming Plus License # 21044022How Great Thou Art CCLI Song # 14181Stuart Wesley Keene Hine © Copyright 1949 and 1953 Stuart Hine Trust CIO Stuart K. Hine Trust (Administration: USA All rights by Capitol CMG Publishing, except print rights for USA, North, Central and South America administered by Hope Publishing. All other non USA Americas rights by the Stuart Hine Trust. Rest of World – Integritymusic.com.)Christ Our Hope in Life and Death CCLI Song # 7147502Jordan Kauflin | Keith Getty | Matt Boswell | Matt Papa | Matthew Merker © 2020 Getty Music Hymns and Songs (Admin. by Music Services, Inc.) Getty Music Publishing (Admin. by Music Services, Inc.) Jordan Kauflin Music (Admin. by Music Services, Inc.) Love Your Enemies Publishing (Admin. by Music Services, Inc.) Matthew Merker Music (Admin. by Music Services, Inc.) Messenger Hymns (Admin. by Music Services, Inc.)Living Hope CCLI Song # 7106807Brian Johnson | Phil Wickham © 2017 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) Bethel Music PublishingO Praise the Name (Anástasis) CCLI Song # 7037787Benjamin Hastings | Dean Ussher | Marty Sampson © 2015 Hillsong Music Publishing Australia (Admin. by Capitol CMG Publishing) Small City Music (Admin. by Music Services, Inc.)Arise My Love Eddie Carswell © 1987 Sony/ATV Songs LLC All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
It's important to have a healthy view of God—one that is based not on our feelings or opinion, but on the truth of His Word. This week, Pastor Darrell Bierman shares the names and attributes of God, which will give you a fresh perspective into His character and heart. Be sure to join us this Sunday and experience who God is in a new way. Music: LION; Steven Furtick, Chris Brown, Brandon Lake, Pat Barrett, 2022 Elevation Worship, CCLI#7181115 1,000 Names; Adrian Disch, Phil Wickham, Sean Curran, and Taylor Scott Johnson, 2021 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Remaining portion is unaffiliated, Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply G, CCLI#7176517 Way Maker; Osinachi Kalu Okoro Egbu, 2016 Sinach (Admin. by SLIC Inspire), CCLI#7115744 Because He Lives (Amen); Chris Tomlin, Daniel Carson, Ed Cash, Gloria Gaither, Jason Ingram, Matt Maher, and William J. Gaither, 2014 © William J. Gaither, Inc. (Admin. by EMI Christian Music Publishing), Open Hands Music (Admin. by Sony/ATV Music Publishing), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), S, EMI Christian Music Publishing, Gaither Copyright Management, Capitol CMG Publishing, and Music Serv, CCLI#7027887 Take You At Your Word; Aodhan King, Benjamin Hastings, and Cody Carnes, Capitol CMG Paragon (Admin. by Capitol CMG Publishing), SHOUT MP Brio (Admin. by Capitol CMG Publishing), and Writer's Roof Publishing (Admin. by Capitol CMG Publishing), CCLI#7206632 River City Church by Pat Chan.
Daniel Martin is a music producer, songwriter, and musician with a strong entrepreneurial spirit. Formerly the Founder of ReAmp Recording Studios, and co-owner of Hourglass Independent Records, he now runs and operates Cali.Co Music Group based out of Temecula, California. Daniel is a multi-instrumentalist who studied music production at both Fullerton College and UCLA. His confidence in the recording studio brings a sense of security and creative reinforcement to the artists that trust him to bring their projects to life. Daniel has been published by RipTide Music, Perfect Storm Music Group, Sony ATV Music Publishing. He has also worked on projects that have impressed the likes of Grammy Award Winning Producer Rodney “Darkchild” Jerkins (Sam Smith, Michael Jackson, Lady Gaga, Black Eyed Peas) and Mike Elizondo (Warner Brothers, Eminem, Dr. Dre, Fiona Apple, Pink). Since opening his first studio in 2009, Daniel has produced hundreds of artists just like you! While running ReAmp Studios, Daniel hosted and recorded world-class artists such as multi-platinum recording artist Fetty Wap, American Idol Finalist Jessica Muse, YouTube favorite Bryan Lanning, legendary guitar maker Paul Reed Smith (PRS), and Grammy Award-winning bassist Victor Wooten (Dave Matthews Band) just to name a few. His desire to make the music industry more equitable has lead him on his journey to start Authentic Artists. Daniel believes that with the right changes, more artists will be able to live off their art and be motivated to create more than ever. Make sure you check out his website and YouTube channel in the links below. Dad Up! Dad Up YouTube: https://youtube.com/c/DadUpPodcast Dad Up Apple Podcast: https://podcasts.apple.com/us/podcast/dad-up-podcast/id1486764562 Dad Up Website: https://www.daduptribe.com/ Dad Up Instagram: https://www.instagram.com/daduppodcast/ Dad Up LinkTree: https://linktr.ee/Daduptribe Martin & Rose Music Linktree: @martinandrosemusic | Linktree Daniel Martin Instagram: https://instagram.com/danielmartinproducer Martin & Rose Website: https://www.martinandrosemusic.com/ Martin & Rose YouTube: https://youtube.com/@martinandrosemusic Martin & Rose Instagram: https://instagram.com/martinandrosemusic Martin & Rose Facebook: https://www.facebook.com/martinandrosemusic?mibextid=LQQJ4d --- Support this podcast: https://anchor.fm/daduppodcast/support
Are you ready to thrive with your family this Christmas? If not, there is one more message coming your way Christmas Eve at 4pm online and in-person. Pastor Darrell Bierman will continue to share from Isaiah and give us insight into the Hope, Love, Joy and Peace that the Christ child still brings us today. We will also gather together today in-person and will be sharing some warm drinks of apple cider or hot cocoa with you! Music: O Come O Come Emmanuel; Joel Smallbone, Luke Smallbone, Benjamin Backus, Mark Campbell, Stephen Blake Kanicka, Stephen Lynch, 2020 Curb | Word Entertainment, CCLI Administration Account, CCLI#31982 O Come All Ye Faithful (His Name Shall Be); JD Myers and Kristian Stanfill, 2020 Kristian Stanfill Publishing Designee (Admin. by Capitol CMG Publishing), sixsteps Music (Admin. by Capitol CMG Publishing), worshiptogether.com songs (Admin. by Capitol CMG Publishing), and Remaining portion is unaffiliated, CCLI#7163644 Mary, Did You Know?; Mark Lowry and Buddy Greene, 1991 Word Music, LLC, Capitol CMG Publishing Prince Of Heaven: Brooke Ligertwood and Scott Ligertwood, 2017 Hillsong Music Publishing (Admin. by Capitol CMG Publishing), CCLI#7095645 Hark The Herald / King of Heaven; Charles Wesley, Felix Mendelssohn-Bartholdy, Jason Ingram, and Paul Baloche, 2013 Integrity Worship Music (Admin. by Capitol CMG Publishing (IMI)), Leadworship Songs (Admin. by Capitol CMG Publishing (IMI)), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), West, Capitol CMG Publishing (IMI), CCLI#7019799 Joy To The World (Joyful Joyful); George Frideric Handel, Isaac Watts, and Phil Wickham, 2018 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), CCLI#7128618 Silent Night; Benjamin Backus, David Gerald Sutton, Franz Xaver Gruber, Joel Smallbone, John Freeman Young, Joseph Mohr, Luke Smallbone, and Tedd Tjornhom, Words: Public Domain, Music: 2020 Kilns Music (Admin. by CURB | Word Music Publishing), Method to the Madness (Admin. by CURB | Word Music Publishing), Shankel Songs (Admin. by CURB | Word Music Publishing), Warner-Tamerlane Publishing Corp. (Admin. by CURB | Word Music Publishing), Ben Backus Music (Admin. by Curb Music Publishing), Curb Congregation Songs (Admin. by Curb Music Publishing), Curb Wordspring Music (Admin. by W.C.M. Music Corp.), Fleauxmotion Music (Admin. by W.C.M. Music Corp.), Shaun Shan, CCLI#7163370 His Name Shall Be; Jonas Myrin and Matt Redman, © Capitol CMG Paragon (Admin. by Capitol CMG Publishing), Said And Done Music (Admin. by Capitol CMG Publishing), sixsteps Music (Admin. by Capitol CMG Publishing), Son of the Lion (Admin. by Capitol CMG Publishing), Thankyou Music (Admin. by Capitol CMG Publishing), and worshiptogether.com songs (Admin. by Capitol CMG Publishing), Capitol CMG Publishing, CCLI#7069406 River City Jingle by Pat Chan
Music: Glory (Let There Be Peace); Chris Stevens, Matt Maher, and Rachel Popadic, 2017 Meaux Mercy (Admin. by Capitol CMG Publishing), Moody Producer Music (Admin. by Capitol CMG Publishing), and Remaining portion is unaffiliated, CCLI#7071972 O Come All Ye Faithful (His Name Shall Be); JD Myers and Kristian Stanfill, 2020 Kristian Stanfill Publishing Designee (Admin. by Capitol CMG Publishing), sixsteps Music (Admin. by Capitol CMG Publishing), worshiptogether.com songs (Admin. by Capitol CMG Publishing), and Remaining portion is unaffiliated, CCLI#7163644 O Come O Come Emmanuel; Joel Smallbone, Luke Smallbone, Benjamin Backus, Mark Campbell, Stephen Blake Kanicka, Stephen Lynch, 2020 Curb | Word Entertainment, CCLI Administration Account, CCLI#31982 He Shall Reign Forevermore; Chris Tomlin and Matt Maher, 2015 S. D. G. Publishing (Admin. by Capitol CMG Publishing), Sixsteps Songs (Admin. by Capitol CMG Publishing), Worship Together Music (Admin. by Capitol CMG Publishing), Be Essential Songs (Admin., Capitol CMG Publishing, CCLI#7050416 Hark The Herald / King of Heaven; Charles Wesley, Felix Mendelssohn-Bartholdy, Jason Ingram, and Paul Baloche, 2013 Integrity Worship Music (Admin. by Capitol CMG Publishing (IMI)), Leadworship Songs (Admin. by Capitol CMG Publishing (IMI)), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), West , Capitol CMG Publishing (IMI), CCLI#7019799 River City Church jingle by Pat Chan.
At River City, we are looking to not just survive but thrive as we learn what Jesus' birth means for all of us from the words of Isaiah the prophet. We hope you will join us each Sunday at 10 am on YT or FB, or in person at 15 Wellington and replace the busy of this season with something much better for you. Music: King Of Love; Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Garrard, and Jonathan Smith, 2013 © Jingram Music Publishing (Admin. by Sony/ATV Music Publishing), Sony/ATV Cross Keys Publishing (Admin. by Sony/ATV Music Publishing), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), Stugio Music Publishing (Admin. by Sony/ATV Music Publishing), and Unknown (Admin. by Unaffiliated Admin (UA)), CCLI#6529824 Dawn Is Breaking; Bryan Brown and Eddie Kirkland, 2013 North Point Music, EMI Christian Music Publishing and Unaffiliated Admin (UA), EMI Christian Music Publishing and Unaffiliated Admin (UA), CCLI#7004366 Make Room; John Mark Hall and Matt Maher, 2017 Be Essential Songs (Admin. by Essential Music Publishing LLC), I Am A Pilgrim Songs (Admin. by Essential Music Publishing LLC), and Remaining portion is unaffiliated, CCLI#7101018 His Name Shall Be; Jonas Myrin and Matt Redman, © Capitol CMG Paragon (Admin. by Capitol CMG Publishing), Said And Done Music (Admin. by Capitol CMG Publishing), sixsteps Music (Admin. by Capitol CMG Publishing), Son of the Lion (Admin. by Capitol CMG Publishing), Thankyou Music (Admin. by Capitol CMG Publishing), and worshiptogether.com songs (Admin. by Capitol CMG Publishing), Capitol CMG Publishing, CCLI#7069406 1,000 Names; Adrian Disch, Phil Wickham, Sean Curran, and Taylor Scott Johnson, 2021 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Remaining portion is unaffiliated, Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply G, CCLI#7176517 River City Church jingle by Pat Chan.
This is the last week of the Investigating Jesus series. What has the journey been like for you? I can still remember Darrell bringing in the strange stick with the sponge on the end. Maybe you don't remember that. Many of you don't remember much of the journey through the book of Luke. That's no matter,... join us this week for highlights from beginning to end that will consolidate what we've learned both mentally and spiritually this year. Music: Battle Belongs; Brian Johnson and Phil Wickham, 2021 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Remaining portion is unaffiliated, Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), CCLI#7148126 Hymn Of Heaven; Bill Johnson, Brian Johnson, Chris Davenport, and Phil Wickham, 2020 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Remaining portion is unaffiliated, CCLI#7168994 What A Beautiful Name/Agnus Dei; Ben Fielding, Brooke Ligertwood, and Michael W. Smith, 2016 Hillsong Music Publishing Australia (Admin. by Capitol CMG Publishing), ©1990 Sony/ATV Milene Music (Admin. by Sony/ATV Music Publishing), Capitol CMG Publishing, Sony/ATV Music Publishing, CCLI#7068424 Firm Foundation (He Won't); Austin Davis, Chandler Moore, and Cody Carnes, 2021 Capitol CMG Paragon (Admin. by Capitol CMG Publishing), TBCO Publishing (Admin. by Capitol CMG Publishing), Writer's Roof Publishing (Admin. by Capitol CMG Publishing), A.L.K.D. Music (Admin. by Watershed Music Group (Admin. by Capitol CMG Publishing)), and Remaining portion is unaffiliated, CCLI#7188203 Multiplied; Nathaniel Rinehart and William Rinehart, 2013 Bear Lee Breathing Music (Admin. by Bluewater Music Services Corp.) and NeedToBreathe Music (Admin. by Bluewater Music Services Corp.), CCLI#7029227 River City jingle by Pat Chan.
GREAT ARE YOU LORD || KING OF GLORY GLORY WORSHIP TO SUPPORT THIS CHANNEL DONATE HERE OR https://withkoji.com/@NationsArise/95e4 GREAT ARE YOU LORD All Sons & Daughters CCLI #6460220 ©2012 Integrity's Alleluia! Music (Admin. by Capitol CMG Publishing (IMI)), Integrity's Praise! Music (Admin. by Capitol CMG Publishing (IMI)), Open Hands Music (Admin. by Sony/ATV Music Publishing), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing) KING OF GLORY By: Todd Dulaney & Shana Wilson-Williams Recording Info CCLI #:7135918
The future is here! It is now! Every second is one more step of us continuously moving into the future. Even more mind boggling than that, God's future kingdom is described as being already and not yet. You're invited to get a picture of the future kingdom this week so you can make it down the homestretch with Jesus all the way! Join us for "The Coming Kindgom" this week with Pastor Darrell Bierman at 10am this Sunday. Music: Great Jehovah; Travis Greene, 2019 Provident Label Group, LLC Because He Lives (Amen); Chris Tomlin, Daniel Carson, Ed Cash, Gloria Gaither, Jason Ingram, Matt Maher, and William J. Gaither, 2014 © William J. Gaither, Inc. (Admin. by EMI Christian Music Publishing), Open Hands Music (Admin. by Sony/ATV Music Publishing), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), S, EMI Christian Music Publishing, Gaither Copyright Management, Capitol CMG Publishing, and Music Serv, CCLI#7027887 How Long O Lord; Doug Plank, 2017 Sovereign Grace Worship (Admin. by Capitol CMG Publishing (Integrity Music [DC Cook])), CCLI#7096632 Multiplied; Nathaniel Rinehart and William Rinehart, 2013 Bear Lee Breathing Music (Admin. by Bluewater Music Services Corp.) and NeedToBreathe Music (Admin. by Bluewater Music Services Corp.), CCLI#7029227 Hymn Of Heaven; Bill Johnson, Brian Johnson, Chris Davenport, and Phil Wickham, 2020 Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]), and Remaining portion is unaffiliated, CCLI#7168994 River City Jingle by Pat Chan
This week, Pastor Darrell Bierman is taking us down the Homestretch and knows that God doesn't want any of us to get lost in the last leg of this race. All those who get lost, can be found by Him. Our God is that good and that ready to seek and save those who feel lost. Music: Shepherd; Jeff Jansen, Matthew Ferrer, Stefan Green, Sharif Iman, Seth Overby, 2020 Risen Music Publishing, CCLI# --- Firm Foundation (He Won't); Austin Davis, Chandler Moore, and Cody Carnes, 2021 Capitol CMG Paragon (Admin. by Capitol CMG Publishing), TBCO Publishing (Admin. by Capitol CMG Publishing), Writer's Roof Publishing (Admin. by Capitol CMG Publishing), A.L.K.D. Music (Admin. by Watershed Music Group (Admin. by Capitol CMG Publishing)), and Remaining portion is unaffiliated, CCLI#7188203 What A Beautiful Name/Agnus Dei; Ben Fielding, Brooke Ligertwood, and Michael W. Smith, 2016 Hillsong Music Publishing Australia (Admin. by Capitol CMG Publishing), ©1990 Sony/ATV Milene Music (Admin. by Sony/ATV Music Publishing), Capitol CMG Publishing, Sony/ATV Music Publishing, CCLI#7068424 Evidence; Ed Cash, Ethan Hulse, and Josh Baldwin, 2020 Capitol CMG Paragon (Admin. by Capitol CMG Publishing), We The Kingdom Music (Admin. by Capitol CMG Publishing), Be Essential Songs (Admin. by Essential Music Publishing LLC), EGH Music Publishing (Admin. by Essential Music Publishing LLC), and Bethel Music Publishing, CCLI#7147432 River City Jingle by Pat Chan
Über Frankfurter Legenden, erfolgreiche Synchs und Champagner am Faxgerät. Patrick Jöst startete bei Sony Music und dann in seiner Frankfurter Heimat im Marketing und Promotion für 3p in der Musikbranche. In dieser Zeit begleitete er u.a. Sabrina Setlur und Xavier Naidoo bei ihren enormen Erfolgen. Danach wechselte er auf die Medienseite und als Manager Talent & Artist Relations zum damals populären Musiksender MTV. Später baute er für Sony/ATV Music Publishing die Abteilung für Song Marketing & Synch Licensing für Werbung, Film und Video Game auf, bevor er von 2009 bis 2020 bei BMG ähnliche Bereiche verantwortete und weltweit in Führungspositionen tätig war. Im Redfield Podcast berichtet Jöst unterhaltsam von seinen bisherigen Stationen und führt aus, wie vielfältig er aktuell als international vernetzter Musik-Experte für Synch, Publishing und Music Tech berät, investiert und arbeitet. Er erklärt diese oft noch unbekannte Welt und lässt auch persönliche Einblicke in seine eigene Karriere und Familiengeschichte zu. Diese reichen von den legendären Frankfurter Jöst-Häuschen bis hin zu seinen deutsch-argentinischen Wurzeln. www.musicwi.se www.wkdj.de www.redfield-podcast.de
On this episode of Roger the Wild Child Show: Nashville, we are joined by singer/songwriter, Whitney Miller and singer/songwriter/musician/producer, Pat Gasperini!WHITNEY MILLERFormer professional athlete, Miss United States 2012, kickboxing commentator and podcaster, Whitney is a Texas born country rock pop singer- songwriter living in Nashville, TN. Whitney's roots and deep love to write and perform original country music dates back to being a little girl in South Texas, growing up listening to acts like Hank Williams, Patsy Cline, Bonnie Rhiatt and Johnny Cash from her parents' record collection. Today, her sound is influenced by those early days as well as early Miranda Lambert and Gretchen Wilson. Whitney strongly encourages self empowerment and a fearless take on life. Hearing no, is only an opportunity to find a yes. Her overall mission in life is to inspire others to live life out loud! Prior to her move into her passion of creating music, Whitney specialized in unique relationship and life design. She knows how freeing it is to live life on your own terms, with less fear, and directly supported hundreds of people from professional and Olympic athletes and CEOs, to stay at home parents as they step into their truth and unleash the life they truly desire. She joined forces with some of the leading scientists and researchers in the field, and co-hosted an extremely popular podcast that debuted at #50 on overall iTunes charts and now has over 1.5 million downloads. In true "go for it" Whitney fashion, she has decided to take her biggest leap of faith yet and left her home state of Texas for Nashville, Tennessee to chase her lifelong dream as a singer-songwriter. Her vast life experience and comfort in the spotlight allows her to not only create feeling through her lyrics and voice, but also to inspire her audience. Whitney is currently finishing her debut album recorded at Orb Recording studios with an all star cast of guest musicians to be released in 2022. Expect a fun, country rock album filled with vulnerable real life stories and lots of attitude!PAT GASPERINI Patrick James (a.k.a. Pat Gasperini) is a Billboard hitmaking musician, songwriter, and producer who plays all facets of the industry. As a longtime member of groups such as Pound, Flywheel, Four By Fate, and Patrick James Band, Patrick James is involved in every step of his music from writing, performing, producing, and working the business side of it. Since forming PJM Records and signing with Sony ATV Music Publishing, he has garnered the attention of many industry professionals. He has been working with many up-and-coming artists over the years and has produced many successful projects. The moment of clarity has arrived.Roger the Wild Child Show: Nashville is streamed live every Sunday night 8pm ET/ 5pm PT on Facebook, YouTube and Twitter. The show is rebroadcasted on 20+ different podcast platforms. Each week they talk with up-and-coming artists, legends of country music and other influencers to the Nashville scene. Roger is joined by co-hosts Elise Harper and Justin Love, who are both singer/songwriters. Wanna know what's the nitty gritty from music city? We got your Nashville Music News! Oh, and don't miss the craziness from Moonshine Shenanigans!LinkTree https://linktr.ee/wildchildradio
Think you got following Jesus down pat? Still got questions about Jesus' teaching? There are some surprising things to learn about following Jesus as we head into part 6 of our Investigating Jesus series based on the book of Luke. Whether you have been following Jesus for a long time or just getting interested, there is room for us to all be challenged!!! Join us for a series that will give you more reason to follow Jesus as Lord and Saviour. Music: More Like Jesus - Kristian Stanfill, Brett Younker, Scott Ligertwood, and Brooke Ligertwood; SHOUT! Music Publishing (Admin. by Capitol CMG Publishing), sixsteps Music (Admin. by Capitol CMG Publishing), and worshiptogether.com songs (Admin. by Capitol CMG Publishing), CCLI#7105732 Lord I Need You - Daniel Carson, Matt Maher, Christy Nockels, and Jesse Reeves; 2011 Sweater Weather Music, Valley Of Songs Music, and Thankyou Music, EMI Christian Music Publishing, CCLI#5925687 Hell Or High Water - Andrew Riddle, Ben Gazdik, Charity Gayle, Daniel Riddle, Jennie Lee Riddle, Joshua Sherman, Kaden Slay, Kaleb Frazier, Mary Grace Batson, Melanie Tierce, Ryan Kennedy, Steven Musso, and Wesley Nilsen; 2019 People & Songs (Admin. by People & Songs LLC), CCLI#7127637 What A Beautiful Name/Agnus Dei - Ben Fielding, Brooke Ligertwood, and Michael W. Smith; 2016 Hillsong Music Publishing Australia (Admin. by Capitol CMG Publishing), ©1990 Sony/ATV Milene Music (Admin. by Sony/ATV Music Publishing), Capitol CMG Publishing, Sony/ATV Music Publishing, CCLI#7068424 River City Jingle by Pat Chan
EPISODE 24 - EXTERNAL Version for Non-Spotify Listeners! LIFEHOUSE Jason Wade: Singer/songwriter/guitarist/piano Rick Woolstenhulme: Drums Bryce Soderberg: Bass “And we turn it inside out/To take it back/To the start.” “Who We Are” With the release of Lifehouse: Greatest Hits on Universal Music Enterprises, a chronological collection of the band's 18 hit singles and best songs, this year marks a time for the band to look back on a remarkably successful career. Founded in 1999 by singer/ songwriter/guitarist Jason Wade in suburban Los Angeles while still in his teens as Blyss, Lifehouse has forged a path that most bands only dream about, topping the charts, having hit songs all over the radio, sharing the stage at arenas with the likes of the Rolling Stones, Pearl Jam and Matchbox Twenty. Since bursting on to the scene in 2000 with their hit debut, No Name Face – which sported the chart-topping Modern Rock-turned Hot 100 #2 hit, “Hanging by a Moment” – Lifehouse has released seven albums that have cumulatively sold more than 15 million around the world, spawning a string of multi-format airplay hits like “You and Me”, “First Time”, “Whatever It Takes” and “Halfway Gone”, the latter four co-written by Wade with collaborator Jude Cole. Having taken some time out after the release of 2015's Out of the Wasteland, Lifehouse's three members have dedicated themselves to individual pursuits. Recently signed to Sony/ATV Music Publishing, Wade has devoted himself to writing, releasing 40 songs that have never previously been available- one a week on the Internet. Bassist Bryce Soderberg now fronts his own band Komox (named after his Canadian hometown), while drummer Rick Woolstenhulme moved with his wife to Arizona to pursue online session work from his recording studio. “Radio has changed dramatically in the last few years, so it's a nice change to be off that treadmill,” admits Wade, the son of missionaries who traveled to various countries, including Hong Kong before returning to the Pacific Northwest and then the West Valley of L.A., where he turned to songwriting to cope with a “traumatic” adolescence. “We feel a profound gratitude to be able to get to this point,” echoes Soderberg, who joined the band in 2004 in time to play on 2005's Lifehouse album. “That we can celebrate our accomplishments with a new tour and Greatest Hits record makes this an amazing time for us.” https://lifehousemusic.com/ @addtomyplaylistpodcast on all social platforms https://truemediasolutions.ca/add-to-my-playlist podcast presented by True Media Solutions
Stefani Joanne Angelina Germanotta (/ˈstɛfəni ˌdʒɜːrməˈnɒtə/ STEF-ən-ee JUR-mə-NOT-ə; born March 28, 1986), known professionally as Lady Gaga, is an American singer, songwriter, and actress. She is known for her image reinventions and musical versatility. Gaga began performing as a teenager, singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21, through New York University's Tisch School of the Arts, before dropping out to pursue a career in music. After Def Jam Recordings canceled her contract, she worked as a songwriter for Sony/ATV Music Publishing, where she signed a joint deal with Interscope Records and Akon's label, KonLive Distribution, in 2007. Gaga rose to prominence the following year with her debut studio album, The Fame, and its chart-topping singles "Just Dance" and "Poker Face". The album was later reissued to include the EP The Fame Monster (2009), which yielded the successful singles "Bad Romance", "Telephone", and "Alejandro".Gaga's five succeeding studio albums all debuted atop the US Billboard 200. Her second full-length album, Born This Way (2011), explored electronic rock and techno-pop and sold more than one million copies in its first week. The title track became the fastest-selling song on the iTunes Store, with over one million downloads in less than a week. Following her EDM-influenced third album, Artpop (2013), and its lead single "Applause", Gaga released the jazz album Cheek to Cheek (2014) with Tony Bennett, and the soft rock album Joanne (2016). She also ventured into acting, playing leading roles in the miniseries American Horror Story: Hotel (2015–2016), for which she received a Golden Globe Award for Best Actress, and the critically acclaimed musical drama film A Star Is Born (2018). Her contributions to the latter's soundtrack, which spawned the chart-topping single "Shallow", made her the first woman to win an Academy Award, BAFTA Award, Golden Globe Award, and Grammy Award in one year. Gaga returned to her dance-pop roots with her sixth studio album, Chromatica (2020), which yielded the number-one single "Rain on Me". She followed this with her second collaborative album with Bennett, Love for Sale, and a starring role in the biographical crime film House of Gucci, both in 2021.Having sold 124 million records as of 2014, Gaga is one of the world's best-selling music artists and the only female artist to achieve four singles that sold at least 10 million copies globally. Her accolades include 13 Grammy Awards, 18 MTV Video Music Awards, 16 Guinness World Records, awards from the Songwriters Hall of Fame and the Council of Fashion Designers of America, and recognition as Billboard's Artist of the Year (2010) and Woman of the Year (2015). She has also been included in several Forbes' power rankings and ranked fourth on VH1's Greatest Women in Music (2012). Time magazine named her one of the 100 most influential people in the world in 2010 and 2019 and placed her on their All-Time 100 Fashion Icons list. Her philanthropy and activism focus on mental health awareness and LGBT rights; in 2012, she founded the Born This Way Foundation, a non-profit organization aiming to empower youth, improve mental health, and prevent bullying. Gaga's business ventures include Haus Labs, a vegan cosmetics brand that launched in 2019.
Stefani Joanne Angelina Germanotta (/ˈstɛfəni ˌdʒɜːrməˈnɒtə/ STEF-ən-ee JUR-mə-NOT-ə; born March 28, 1986), known professionally as Lady Gaga, is an American singer, songwriter, and actress. She is known for her image reinventions and musical versatility. Gaga began performing as a teenager, singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21, through New York University's Tisch School of the Arts, before dropping out to pursue a career in music. After Def Jam Recordings canceled her contract, she worked as a songwriter for Sony/ATV Music Publishing, where she signed a joint deal with Interscope Records and Akon's label, KonLive Distribution, in 2007. Gaga rose to prominence the following year with her debut studio album, The Fame, and its chart-topping singles "Just Dance" and "Poker Face". The album was later reissued to include the EP The Fame Monster (2009), which yielded the successful singles "Bad Romance", "Telephone", and "Alejandro".Gaga's five succeeding studio albums all debuted atop the US Billboard 200. Her second full-length album, Born This Way (2011), explored electronic rock and techno-pop and sold more than one million copies in its first week. The title track became the fastest-selling song on the iTunes Store, with over one million downloads in less than a week. Following her EDM-influenced third album, Artpop (2013), and its lead single "Applause", Gaga released the jazz album Cheek to Cheek (2014) with Tony Bennett, and the soft rock album Joanne (2016). She also ventured into acting, playing leading roles in the miniseries American Horror Story: Hotel (2015–2016), for which she received a Golden Globe Award for Best Actress, and the critically acclaimed musical drama film A Star Is Born (2018). Her contributions to the latter's soundtrack, which spawned the chart-topping single "Shallow", made her the first woman to win an Academy Award, BAFTA Award, Golden Globe Award, and Grammy Award in one year. Gaga returned to her dance-pop roots with her sixth studio album, Chromatica (2020), which yielded the number-one single "Rain on Me". She followed this with her second collaborative album with Bennett, Love for Sale, and a starring role in the biographical crime film House of Gucci, both in 2021.Having sold 124 million records as of 2014, Gaga is one of the world's best-selling music artists and the only female artist to achieve four singles that sold at least 10 million copies globally. Her accolades include 13 Grammy Awards, 18 MTV Video Music Awards, 16 Guinness World Records, awards from the Songwriters Hall of Fame and the Council of Fashion Designers of America, and recognition as Billboard's Artist of the Year (2010) and Woman of the Year (2015). She has also been included in several Forbes' power rankings and ranked fourth on VH1's Greatest Women in Music (2012). Time magazine named her one of the 100 most influential people in the world in 2010 and 2019 and placed her on their All-Time 100 Fashion Icons list. Her philanthropy and activism focus on mental health awareness and LGBT rights; in 2012, she founded the Born This Way Foundation, a non-profit organization aiming to empower youth, improve mental health, and prevent bullying. Gaga's business ventures include Haus Labs, a vegan cosmetics brand that launched in 2019.
Stefani Joanne Angelina Germanotta (/ˈstɛfəni ˌdʒɜːrməˈnɒtə/ STEF-ən-ee JUR-mə-NOT-ə; born March 28, 1986), known professionally as Lady Gaga, is an American singer, songwriter, and actress. She is known for her image reinventions and musical versatility. Gaga began performing as a teenager, singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21, through New York University's Tisch School of the Arts, before dropping out to pursue a career in music. After Def Jam Recordings canceled her contract, she worked as a songwriter for Sony/ATV Music Publishing, where she signed a joint deal with Interscope Records and Akon's label, KonLive Distribution, in 2007. Gaga rose to prominence the following year with her debut studio album, The Fame, and its chart-topping singles "Just Dance" and "Poker Face". The album was later reissued to include the EP The Fame Monster (2009), which yielded the successful singles "Bad Romance", "Telephone", and "Alejandro".Gaga's five succeeding studio albums all debuted atop the US Billboard 200. Her second full-length album, Born This Way (2011), explored electronic rock and techno-pop and sold more than one million copies in its first week. The title track became the fastest-selling song on the iTunes Store, with over one million downloads in less than a week. Following her EDM-influenced third album, Artpop (2013), and its lead single "Applause", Gaga released the jazz album Cheek to Cheek (2014) with Tony Bennett, and the soft rock album Joanne (2016). She also ventured into acting, playing leading roles in the miniseries American Horror Story: Hotel (2015–2016), for which she received a Golden Globe Award for Best Actress, and the critically acclaimed musical drama film A Star Is Born (2018). Her contributions to the latter's soundtrack, which spawned the chart-topping single "Shallow", made her the first woman to win an Academy Award, BAFTA Award, Golden Globe Award, and Grammy Award in one year. Gaga returned to her dance-pop roots with her sixth studio album, Chromatica (2020), which yielded the number-one single "Rain on Me". She followed this with her second collaborative album with Bennett, Love for Sale, and a starring role in the biographical crime film House of Gucci, both in 2021.Having sold 124 million records as of 2014, Gaga is one of the world's best-selling music artists and the only female artist to achieve four singles that sold at least 10 million copies globally. Her accolades include 13 Grammy Awards, 18 MTV Video Music Awards, 16 Guinness World Records, awards from the Songwriters Hall of Fame and the Council of Fashion Designers of America, and recognition as Billboard's Artist of the Year (2010) and Woman of the Year (2015). She has also been included in several Forbes' power rankings and ranked fourth on VH1's Greatest Women in Music (2012). Time magazine named her one of the 100 most influential people in the world in 2010 and 2019 and placed her on their All-Time 100 Fashion Icons list. Her philanthropy and activism focus on mental health awareness and LGBT rights; in 2012, she founded the Born This Way Foundation, a non-profit organization aiming to empower youth, improve mental health, and prevent bullying. Gaga's business ventures include Haus Labs, a vegan cosmetics brand that launched in 2019.
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Her discography spans multiple genres, and her narrative songwriting—often inspired by her personal life—has received critical praise and widespread media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville, Tennessee, at the age of 14 to pursue a career in country music. She signed a songwriting contract with Sony/ATV Music Publishing in 2004 and a recording deal with Big Machine Records in 2005, and released her eponymous debut studio album in 2006.Swift explored country pop on the albums Fearless (2008) and Speak Now (2010); the success of the singles "Love Story" and "You Belong with Me" on both country and pop radio established her as a leading crossover artist. She experimented with rock and electronic genres on her fourth studio album, Red (2012), supported by the singles "We Are Never Ever Getting Back Together" and "I Knew You Were Trouble". Swift eschewed country on her synth-pop album 1989 (2014) and its chart-topping tracks "Shake It Off", "Blank Space", and "Bad Blood". The media scrutiny on Swift's life inspired Reputation (2017), which drew from urban sounds. Led by "Look What You Made Me Do", the album made Swift the only act in MRC Data history to have four albums each sell over a million copies in a week.Parting ways with Big Machine, Swift signed with Republic Records in 2018 and released her seventh studio album, Lover (2019). Inspired by escapism during the COVID-19 pandemic, Swift ventured into indie folk and alternative rock styles on her 2020 studio albums, Folklore and Evermore, receiving plaudits for their nuanced storytelling. Following a dispute over the masters of her back catalog, she released the 2021 re-recordings Fearless (Taylor's Version) and Red (Taylor's Version) to universal acclaim. The number-one songs "Cardigan", "Willow" and "All Too Well (10 Minute Version)" made Swift the only act to simultaneously debut atop the US Billboard Hot 100 and Billboard 200 charts three times. Besides music, she has played supporting roles in films such as Valentine's Day (2010) and Cats (2019), released the autobiographical documentary Miss Americana (2020), and directed the musical films Folklore: The Long Pond Studio Sessions (2020) and All Too Well: The Short Film (2021).With over 200 million records sold worldwide, Swift is one of the best-selling musicians of all time. Eight of her songs have topped the Hot 100, and her concert tours are some of the highest-grossing in history. She has received 11 Grammy Awards (including three Album of the Year wins), an Emmy Award, 34 American Music Awards (the most for an artist), 29 Billboard Music Awards (the most for a woman) and 58 Guinness World Records, among other accolades. She has featured on Rolling Stone's 100 Greatest Songwriters of All Time (2015), Billboard's Greatest of All Time Artists (2019), the Time 100 and Forbes Celebrity 100 rankings. Having been honored with titles such as Woman of the Decade and Artist of the Decade, Swift is regarded as a pop icon due to her influential career, philanthropy, and advocacy for artists' rights and women's empowerment.
Part 2 When Thriller was released in November 1982, it didn't seem to have a single direction. Instead, it arguably sounded like many singles. But it became apparent that this was precisely what Michael intended Thriller to be: a brilliant collection of songs meant as hits, each designed for a particular audience in mind. Michael put out "Billie Jean" for the dancers and "Beat It" for the rockers and then followed each jam with amazing videos to enhance his allure and his inaccessibility. These songs had a life of their own. Thriller was almost called “Star Light”. The lyric "thriller" in the track of the same name was originally "star light". The decision to change it was down to marketing appeal. This wonderful article from Rolling Stone says: "Wanna Be Startin' Somethin'" had the sense of a vitalizing nightmare in its best lines ("You're stuck in the middle/And the pain is thunder. … Still they hate you, you're a vegetable. … They eat off you, you're a vegetable"). "Billie Jean," in the meantime, exposed how the interaction between the artist's fame and the outside world might invoke soul-killing dishonor ("People always told me, be careful of what you do. … 'Cause the lie becomes the truth," Jackson sings, possibly thinking of a paternity charge from a while back). And "Beat It" was pure anger – a rousing depiction of violence as a male stance, a social inheritance that might be overcome. It also almost caught the studio on fire. When Eddie Van Halen recorded his solo, the sound of his guitar caused one of the studio speakers to catch fire. The video for “Beat It” was set in Los Angeles' Skid Row and featured up to 80 real-life gang members from the notorious street gangs the Crips and the Bloods. It cost $100,000 to make. Thriller's parts added up to the most improbable kind of art – a work of personal revelation that was also a mass-market masterpiece. It's an achievement that will likely never be topped. It was the best-selling album worldwide in 1983 and became the best-selling album of all time in the U.S. and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles. Thriller is still the highest-selling album of all time. Want to know what the top 25 are? Subscribe to our Patreon for our video bonus on the top-selling albums ever! Billie Jean was the first video by an African-American artist to air on MTV. The video revealed Jackson's new look of a leather suit, pink shirt, red bow tie and his signature single white glove. It was a style copied by kids throughout the United States. It caused one school, New Jersey's Bound Brook High, to ban students from coming to class wearing white gloves. Toto members Keyboardist Steve Porcaro co-wrote Human Nature, and Steve Lukather contributed rhythm guitar on Beat It. On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million and featured the Jacksons and other Motown stars. Jackson had just performed a medley of greatest hits with his brothers. It was exciting stuff, but for Michael, it wasn't enough. As his brothers said their goodbyes and left the stage, Michael remained. He seemed shy for a moment, trying to find words to say. "Yeah," he almost whispered, "those were good old days. … I like those songs a lot. But especially—" and then he placed the microphone into the stand with a commanding look and said, "I like the new songs." Then, wearing a white glove decorated with rhinestones, he swooped down, picked up a fedora, put it on his head with confidence, and vaulted into "Billie Jean." He also debuted his moonwalk dance (which became his signature dance). This was one of Michael's first public acts as a star outside and beyond the Jacksons, and it was startlingly clear that he was not only one of the most breathtaking live performers in pop music but that he could mesmerize the audience, something not seen since the likes of Elvis Presley. Michael had initially turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder and Icon Berry Gordy, he performed in exchange for an opportunity to do a solo performance. And he killed it. "Almost 50 million people saw that show," Michael wrote in his book Moonwalk. "After that, many things changed." At this time, Michael Jackson was obviously an immensely talented young man – he seemed shy but ambitious and undoubtedly enigmatic. Nobody knew much about his beliefs or sex life; he rarely gave interviews, but he also didn't land himself in scandals. He did, however, describe himself as a lonely person – especially around the time he made Off the Wall. Former Los Angeles Times music critic Robert Hilburn recently wrote of meeting Jackson in 1981, when the singer was 23, that Jackson struck him as "one of the most fragile and lonely people I've ever met … almost abandoned. When I asked why he didn't live on his own like his brothers, instead of remaining at his parents' house, he said, 'Oh, no, I think I'd die on my own. I'd be so lonely. Even at home, I'm lonely. I sit in my room and sometimes cry. It is so hard to make friends, and there are some things you can't talk to your parents or family about. I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home.'" Jackson's social uneasiness was probably formed by the wounds in his history; the children were insulated from others their age, and Jackson's status as a lifelong star may have left him feeling not just cut off from most people but also alienated from them – as if his experience or his vocation made him extraordinary. "I hate to admit it," he once said, "but I feel strange around everyday people." Not exactly an unusual sentiment for some highly celebrated celebrities, especially former child stars. At the same time, it's a statement full of signals: Michael didn't enjoy the sort of company that might guide him in positive ways. He probably never did throughout his life. Maybe the most troubling passage in his autobiography Moonwalk is when he talks about children in the entertainment world who eventually fell prey to drugs: "I can understand … considering the enormous stresses put upon them at a young age. It's a difficult life." Thriller placed seven singles in Billboard's Top 10 (presently around 50 million copies). At the 1984 Grammy Awards, Michael finally claimed his due, capturing eight awards, a record he holds with the band Santana, including Album of the Year, Record of the Year, Best Male Pop Vocal Performance, Best Rock Vocal Performance for "Beat It," Best R&B Song, and Best R&B Vocal Performance for "Billie Jean," and he won an award for the E.T. the Extra-Terrestrial storybook. In addition, the album won Producer of the year (Quincy Jones). At the 11th Annual American Music Awards, Michael won another eight awards and became the youngest artist to win the Award of Merit. He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video, and Favorite Pop/Rock Single. In addition, the album won Favorite Soul/R&B Album and Favorite Pop/Rock Album. Thriller's sales doubled after releasing an extended music video, Michael Jackson's Thriller, seeing Michael dancing with a group of incredibly designed zombies and was directed by John Landis. Michael had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $5 in 2021). The same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). At this time, The New York Times wrote, "in the world of pop music, there is Michael Jackson, and there is everybody else." Oddly enough, On May 14, 1984, then-President Ronald Reagan gave Michael an award recognizing his support of alcohol and drug abuse charities. In November 1983, Michael and his brothers partnered with PepsiCo in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $13,603,408 in 2021). On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial. Pyrotechnics accidentally set Jackson's hair on fire during a simulated concert before a whole house of fans, causing second-degree burns to his scalp. Michael underwent treatment to hide the scars and had his third rhinoplasty shortly after. Pepsi settled out of court, and Jackson donated the $1.5 million settlement to the Brotman Medical Center in Culver City, California; its now-closed Michael Jackson Burn Center was named in his honor. Michael signed a second agreement with Pepsi in the late 1980s for $10 million. The second campaign covered 20 countries and provided financial support for Jackson's Bad album and the 1987–88 world tour. He was making SO much money and was the most significant music star globally. Then, months later, it was announced that Michael would be setting out on a nationwide tour with the Jacksons. He didn't want to do it but felt obligated. Clearly, Michael was bigger, better, and "badder" than his family's limitations on him. He should have been taking the stage alone at this point in his career. Jackson's aversion to the Victory Tour was apparent when he sat looking miserable at press conferences. The Victory Tour of 1984 headlined the Jacksons and showcased Michael's new solo material to more than two million Americans. Following the controversy over the concert's ticket sales, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity. What controversy, you ask? Don King (yeah, boxing promoter Don King), Chuck Sullivan, and Papa Joe Jackson came up with a way to generate extra money from ticket sales. Those wanting to attend would have to send a postal money order for $120 ($310 in current dollars) along with a particular form to a lottery to buy blocks of four tickets at $30 apiece (US$78 in 2021 dollars), allegedly to stop scalpers. Upon receipt, the money was to be deposited into a standard money market account earning 7% annual interest; it would take six to eight weeks for the lottery to be held and money to be refunded to those that didn't win. Since only one in ten purchasers would win the lottery and receive tickets, there would be more money in the bank for that period than there were tickets to sell, and they expected to earn $10–12 million in interest. Obviously, the Jacksons were all for the idea, but Michael wasn't, and he warned them that it would be a public relations disaster. The $30 ticket price was already higher than most touring acts (like Prince and Bruce Springsteen) were charging at the time and was even worse by the requirement to buy four. This put tickets out of reach of many of Michael's African-American fans who were not financially secure. At this time, Michael was already being blasted about his physical look and music separating him from his race. That community was joined by many commentators in the media in criticizing the Jackson's over the plan. Nevertheless, it worked, and people were lining up to get their newspapers to sign up for the lottery. On July 5, 1984, after receiving a letter from eleven-year-old fan Ladonna Jones, who accused the Jacksons and their promoters of being "selfish and just out for money," Michael held a press conference to announce changes in the tour's organization and also to announce that his share of the proceeds from the tour would be donated to charity. Jones later received VIP treatment at the Dallas concert. The following is Michael's speech at the press conference: "A lot of people are having trouble getting tickets. The other day I got a letter from a fan in Texas named Ladonna Jones. She'd been saving her money from odd jobs to buy a ticket, but with the turned tour system, she'd have to buy four tickets and she couldn't afford that. So, we asked our promoter to work out a new way of distributing tickets, a way that no longer requires a money order. There has also been a lot of talk about the promoter holding money for tickets that didn't sell. I've asked our promoter to end the mail order ticket system as soon as possible so that no one will pay money unless they get a ticket. Finally, and most importantly, there's something else I am going to announce today. I want you to know that I decided to donate all my money I make from our performance to charity. There will be further press statements released in the next two weeks." Some procedures were modified; however, the ticket price remained unchanged, and at a press conference, Don King justified the $30 fee as appropriate and that he did not blame the promoters for charging that price, adding that "you must understand, you get what you pay for." During the last concert of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split from The Jacksons during "Shake Your Body". His charitable work continued with the release of "We Are the World" (1985), co-written with future Icon Lionel Richie, which raised money for the poor in the U.S. and Africa. It earned $63 million (equivalent to $158,728,032 in 2021) and became one of the best-selling singles, with 20 million copies sold. It won four Grammy Awards in 1985, including Song of the Year for Michael and Lionel as its writers. Michael collaborated with Sir Paul McCartney in the early 1980s and learned that Paul was making $40 million a year from owning the rights to other artists' songs. By 1983, Michael had begun buying publishing rights to others' songs, but he was careful with his purchases, only bidding on a few of the dozens offered to him. Michael's early buys included Sly and the Family Stone's "Everyday People" (1968), Len Barry's "1–2–3" (1965), Dion DiMucci's "The Wanderer" (1961), and "Runaround Sue" (1961). In 1984, it was announced that the publishing rights to nearly 4000 songs from ATV Music, including most of the Beatles' material, were coming up for sale. In 1981, Paul McCartney was offered the catalog for £20 million ($40 million). Michael submitted a bid of $46 million on November 20, 1984. When Michael and Paul were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own. At first, Michael's team couldn't figure it out and walked away, but then they heard someone else was looking to buy them. Michael's increased bid of $47.5 million (equivalent to $119,675,897 in 2021) was accepted because he could close the deal faster. His purchase of ATV Music was finalized on August 10, 1985. So, at this time, why was Michael being questioned about his look and his music? As a child, Michael had a sweet, dark-skinned appearance; many early Jackson 5 fans regarded him as the cutest of the brothers. J. Randy Taraborrelli, author of Michael Jackson: The Magic and the Madness, has written, "[Michael] believed his skin… 'messed up my whole personality.' He no longer looked at people as he talked to them. His playful personality changed, and he became quieter and more serious. He thought he was ugly – his skin was too dark, he decided, and his nose too wide. It was no help that his insensitive father and brothers called him 'Big Nose.'" Also, as Jackson became an adolescent, he was horribly self-conscious about acne. Hilburn recalled going through a stack of photos with Jackson one night and coming across a picture of him as a teenager: "'Ohh, that's horrible,' [Jackson] said, recoiling from the picture." The face Jackson displayed on the cover of Thriller had changed; the skin tone seemed lighter and his nose thinner and straighter. In his book, Moonwalk, Michael claimed that much of the physical overhaul was due to a change in his diet; he admitted to altering his nose and chin, but he denied he'd done anything to his skin. Still, the changes didn't end there. Over the years, Michael's skin grew lighter and lighter, his nose tapered more and more, and his cheekbones became more defined. This all became fair game for mockery to some; to others, it seemed like mutilation – not just because it might have been an act of conceit, aimed to keep him looking child-like, but worse because some believed Michael wanted to transform himself into a white person. Or an androgyne – somebody with both male and female traits. Michael's art was still his best way of making a case for himself at that time. Then, in 1987, he released Bad, his highly-anticipated successor to Thriller. It may not have been as eventful and ingenious as Off the Wall and Thriller, but Bad was awesome. It became the first album to produce five U.S. number-one singles: "I Just Can't Stop Loving You," "Bad," "The Way You Make Me Feel," "Man in the Mirror," and "Dirty Diana.", which you can hear our version at the end of this episode. Another song, "Smooth Criminal," peaked at number seven. Bad won the 1988 Grammy for Best Engineered Recording – Non-Classical and the 1990 Grammy Award for Best Music Video, Short Form for "Leave Me Alone". Michael won an Award of Achievement at the American Music Awards in 1989 after Bad generated five number-one singles, became the first album to top the charts in 25 countries, and the best-selling album worldwide in 1987 and 1988. By 2012, it had sold between 30 and 45 million copies worldwide. Oh, and it was considered a "flop." Oh, and The title track for the Bad album was supposed to be a duet with Prince. But the latter walked away from it due to the opening line "Your butt is mine". "Now, who is going to sing that to whom? Cause [he] sure ain't singing that to me, and I sure ain't singing it to [him]," Prince said in a TV interview with American comedian Chris Rock. Later that year, Michael staged his first solo tour, The Bad World Tour. It ran from September 12, 1987, to January 14, 1989. The tour had 14 sellouts in Japan and drew 570,000 people, nearly tripling the previous record for a single tour. In addition, the 504,000 people who attended seven sold-out shows at Wembley Stadium set a new Guinness World Record. In 1988, Michael released the autobiography, as mentioned earlier, Moonwalk. It sold 200,000 copies and reached the top of the New York Times bestsellers list. In October, Michael released a film, Moonwalker, which featured live footage and short films starring himself and Goodfella star Joe Pesci. In the U.S., it was released direct-to-video and became the best-selling videocassette. The RIAA certified it as eight-time platinum. In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez, California, to build a new home, Neverland Ranch, at $17 million (equivalent to $38,950,760 in 2021). In 1991, Michael renewed his contract with Sony for $65 million (equivalent to $129,317,127 in 2021), a record-breaking deal. Also, in 1991, he released his eighth album, Dangerous, co-produced with Mr. Rumpshaker himself, Teddy Riley. It was certified eight times platinum in the U.S., and by 2018 had sold 32 million copies worldwide. In the U.S., the first single, "Black or White," was the album's highest-charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved similar chart performances worldwide, and the video featured a very young Macauley Culkin. The second single, "Remember the Time," peaked at number three on the Billboard Hot 100 singles chart, and that video featured Eddie Murphy. At the end of 1992, Dangerous was the best-selling album worldwide and "Black or White" the best-selling single of the year worldwide at the BillboardMusic Awards. Obviously, Michael wanted to tour in promotion of his latest album, and The Dangerous World Tour ran between June 1992 and November 1993 and grossed $100 million (equivalent to $187,583,506 in 2021); Jackson performed for 3.5 million people in 70 concerts, all of which were outside the U.S. A part of the proceeds went to the Heal the World Foundation. In addition, Michael sold the broadcast rights of the tour to HBO for $20 million, a record-breaking deal that still hasn't been broken. Also, in 1993, Michael performed at the Super Bowl 27 halftime show in Pasadena, California. The NFL wanted a prominent musical artist to keep ratings high during halftime. It was the first Super Bowl where the halftime performance drew higher audience figures than the game. Jackson played "Jam," "Billie Jean," "Black or White," and "Heal the World." Dangerous rose 90 places in the album chart after the performance In January 1993, Michael won three American Music Awards for Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time"), and he was the first to win the International Artist Award of Excellence. In addition, he won the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles in February. He attended the award ceremony with Brooke Shields. In addition, "Dangerous" was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance for "Jam," and Best R&B Song for "Jam." In June 1995, Michael released the double album HIStory: Past, Present, and Future, Book I. The album debuted at number one on the charts and certified for eight million sold in the U.S. It is the best-selling multi-disc album of all time, with 20 million copies (40 million units) sold worldwide. In addition, HIStory received a Grammy nomination for Album of the Year. The first single from HIStory was "Scream/Childhood." "Scream" was a duet with Michael's youngest sister Janet, or "Miss Jackson if you're nasty." The single reached number five on the Billboard Hot 100 and received a Grammy nomination for "Best Pop Collaboration with Vocals." Also, at the time, in 1995, it was the most expensive music video ever produced. It had a budget of 7 million dollars. FOR ONE VIDEO!! His second single, "You Are Not Alone," holds the Guinness world record for the first song to debut at number one on the Billboard Hot 100 chart. In addition, it received a Grammy nomination for "Best Pop Vocal Performance" in 1995. In November of the same year, Michael merged his ATV Music catalog with Sony's music publishing division, creating Sony/ATV Music Publishing. He kept ownership of half the company, earning $95 million upfront (equivalent to $168,941,909 in 2021) and the rights to a ton more songs. Michael promoted HIStory with the obviously named HIStory World Tour, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries, and 58 cities to over 4.5 million fans, making it his most attended tour. It grossed $165 million, or $302,346,462 today. In 1997, Michael released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of singles from HIStory and five new songs. Worldwide sales stand at 6 million copies, making it the best-selling remix album ever. It reached number one in the U.K., as did the title track. In the U.S., the album reached number 24 and was certified platinum. Yeah, a remix album going platinum. From October 1997 to September 2001, Michael worked on his tenth solo album, Invincible, which cost $30 million to record! Invincible was released on October 30, 2001. It was his first full-length album in six years and the last album of original material he would release in his lifetime. It debuted at number one in 13 countries, sold eight million copies worldwide, and went double platinum. In September 2001, Michael performed in two "30th Anniversary concerts" with his brothers for the first time since 1984. The show also featured Mýa, Usher, Whitney Houston, Destiny's Child, Monica, Liza Minnelli, and Slash. On January 9, 2002, Michael won his 22nd American Music Award for Artist of the Century. On November 18, 2003, Sony released Number Ones, a greatest hits compilation. It was certified five-times platinum by the RIAA, and nine times platinum in the UK, for shipments of at least 2.7 million units. During this time, allegations of child sexual abuse, and the trials that followed, were all over the news. If you're unfamiliar, you can research it for yourself. Unfortunately, Michael's finances were also coming undone; he had been spending ludicrous sums, and he'd mismanaged his money – which took some doing since he had made such a vast fortune. As a result, the biggest star in the world had fallen from the tallest height. He left the country and moved to Bahrain, where it was announced that Jackson had signed a contract with a Bahrain-based startup, Two Seas Records; nothing came of the deal, and Two Seas CEO Guy Holmes, later said it was never finalized. That October, Fox News reported that Michael had been recording at a studio in County Westmeath, Ireland. It was unknown what he was working on or who had paid for the sessions; his publicist stated that he had left Two Seas by then. After that, Michael was only occasionally seen or heard from. Nobody knew whether he could recover his name or preserve his undeniable music legacy until he announced an incredibly ambitious series of 50 concerts – which he described as the "final curtain call." The "This Is It" shows were his first significant concerts since the HIStory World Tour in 1997. Michael suggested he would retire after the shows. The initial plan was for 10 concerts in London, followed by shows in Paris, New York City, and Mumbai. Randy Phillips, president, and chief executive of AEG Live, predicted the first 10 dates would earn Jackson £50 million, or close to 63 Million US dollars. After record-breaking ticket sales, the London shows were increased to 50 dates; over one million tickets were sold in less than two hours. The concerts were to run from July 13, 2009, to March 6, 2010. Michael moved back to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of choreographer Kenny Ortega, whom he had worked with during his previous tours. Most rehearsals took place at the Staples Center, which was owned by AEG. It's hard to believe that Jackson, who was so proud of his public performances and so peerless at delivering them, would have committed himself to a project he might fail so tremendously. At the same time, it is not inconceivable that Michael Jackson could have been a man half-hungry and broken in the past few years. All that is certain is that on June 25, in Los Angeles, Michael Jackson met the only sure redemption he might know in the most famous unexpected, and mysterious death in current history. That redemption didn't come because he died, but because his death forced us to reconsider what his life added up to. Less than three weeks before the first This Is It show was due to kick off in London, with all concerts sold out, I repeat; sold out, Michael Jackson died from cardiac arrest caused by a propofol and benzodiazepine overdose. Conrad Murray, his personal physician, had given Michael different medications to help him sleep at his rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:22 pm Pacific time and arrived three minutes later. He wasn't breathing, and the medics performed CPR. Resuscitation efforts continued en route to Ronald Reagan UCLA Medical Center and for more than an hour after Michael's arrival, but were unsuccessful, and Michael Jackson, the king of pop, was pronounced dead at 2:26 pm. News of his death spread quickly online, causing websites to slow down, crash from user overload, and put unprecedented strain on services and websites, including Google, AOL Instant Messenger, Twitter, and Wikipedia. Overall, web traffic rose by between 11% and 20%. MTV and BET aired marathons of Michael's music videos, and specials aired on television stations worldwide. MTV briefly returned to its original music video format, which is messed up that it took an Icon to die for MTV to actually be MUSIC TELEVISION, and they aired hours of Michael's music videos, with live news specials featuring reactions and interviews from MTV personalities and other celebrities. His memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets. The memorial service was one of the most-watched events in streaming history, with an estimated US audience of 31.1 million and an estimated 2.5 to 3 billion worldwide. Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and others performed at the memorial, and Smokey Robinson and Queen Latifah gave eulogies. Reverend Al Sharpton received a standing ovation with cheers when he told Michael's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Michael's 11-year-old daughter Paris Katherine, wept as she addressed the crowd. Michael's body was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California. Oh, but wait. There's more. But of course there is. It's Michael Jackson! His doctor was initially charged with involuntary manslaughter and was found guilty. So he was sentenced to four years. Yep... four friggin years. After his death, Michael was still winning awards. He won 4 awards at 2009's AMA's, bringing his total AMA wins to 26, something no one else has touched. The documentary "Michael Jackson's This Is It" came out shortly after, and I have seen it and loved it, as sad as it was knowing that he'd never get to perform those concerts. Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with more than $260 million worldwide earnings.
No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. The best part? Every executive answers the same three questions and 3Q never takes more than 15 minutes of your time. Janine Kerr is currently the VP of Music at Bally Sports and Sinclair Broadcast Group working as a music supervisor managing staff, creative, and business affairs. Prior to her current role, she held positions at Riptide Music Group, Sony ATV Music Publishing, and NBC Universal in Television Music.
Pastor Darrell Bierman continues our Waiting in Hope Series with "A Promise Fulfilled". The birth of Jesus was foretold in the Old Testament - how was God's promise fulfilled with his arrival? Music: "Hark The Herald Angels Sing / King of Heaven". Words and Lyrics by Charles Wesley, Felix Mendelssohn-Bartholdy, Jason Ingram, and Paul Baloche. © 2012 Integrity Worship Music (Admin. by Capitol CMG Publishing (IMI)), Leadworship Songs (Admin. by Capitol CMG Publishing (IMI)), Sony/ATV Timber Publishing (Admin. by Sony/ATV Music Publishing), West Main Music, Windsor Music, SESAC CCLI Song # 7019799. Used by permission. CCLI License # 2338901. "This Is Christmas". Words and Lyrics by Tasha Layton. © 2021 BEC Recordings. Used by permission. CCLI License # 2338901. "Light Has Come". Words and Lyrics by Charlie Hall and Matt Maher. ©2012 Valley Of Songs Music and Thankyou Music. CCLI Song # 6401162. Used by permission. CCLI License # 2338901. "Make Room" . Words and Lyrics by John Mark Hall and Matt Maher. © 2017 Be Essential Songs (Essential Music Publishing LLC), I Am A Pilgrim Songs (Essential Music Publishing LLC), and My Refuge Music (My Refuge Music c/o Essential). CCLI Song # 7101018. Used by permission. CCLI License # 2338901 River City Jingle by Pat Chan
This is the week to get a good and godly perspective on decisions as they affect relationships around you each and every day. Our last episode in this series on Better Decision and Fewer Regrets. Music: Sons and Daughters - [Default Arrangement] by Ike Ndolo, MLK Foundation, Jason Ingram and Matt Maher. © © I Am A Pilgrim Songs (Admin. by Sony/ATV Music Publishing), Open Hands Music (Admin. by Sony/ATV Music Publishing), Sony/ATV Timber Publishing(Admin. by Sony/ATV Music Publishing), Sony/ATV Tree Publishing (Admin. by Sony/ATV Music Publishing), Ike Ndolo, and Remaining portion is unaffiliated. CCLI Song # 7039398 -- CCLI License # 23389011 "River City Jingle" by Pat Chan "Sunny Day" by muzofob on Icons8
Live Session with 2021 Grammy-winning and Diamond Certified producer FORTHENIGHT. Charles Jr. Ocansey, also known as FORTHENIGHT, is a Diamond Certified, Grammy-winning Canadian-based producer signed to Wondagurl's label imprint, Wonderchild, a joint-venture with Sony/ATV Music Publishing and Travis Scott's Cactus Jack Publishing.
It was an honor to have Brice on the Podcast he is beyond talented... a genius songwriter, salt of the earth, humble and a #6 roper... Brice has enjoyed a successful 25 year music career. As a songwriter he has had cuts with Garth Brooks, George Strait, Chris Stapleton, Hank Williams Jr, Randy Houser, Josh Turner, Reba McEntire, Gary Allan, Chris Young, Jon Pardi, The Grascals, Casey James, Darryl Worley, Randy Travis, Craig Campbell, Gretchen Wilson, John Michael Montgomery, Porter Wagoner and many more. Brice’s songwriting hits include the #1 singles “Heartache On The Dance Floor” by Jon Pardi and “Nothing On But The Radio” by Gary Allan. Randy Houser’s “Like a Cowboy”, a song that also garnered Brice a CMA nomination for Song of the Year. Other recent chart toppers are Randy Houser’s debut single, “Anything Goes”, “Today” from Gary Allan, Casey James’ “Let’s Don’t Call It A Night” and Jon Pardi’s, “What I Can’t Put Down”. Brice Long is signed to Sony / ATV Music Publishing. He is a native of Hopkinsville, KY. His self-titled album is available on iTunes or wherever digital music is streamed and sold. For more info: Resources: www.bricelongmusic.com www.facebook.com/bricelongmusic @BriceLongSongs Show Sponsors: @moderncowboypodcast @moderncowboyperformance www.moderncowboy.global https://nrsworld.com/collections/modern-cowboy (Modern Cowboy) @nrsworld Show Music: "Like A Cowboy" By: Brice Long / Randy Houser “Cowboy” By: Kolt Barber https://www.koltbarber.com/ (https://www.koltbarber.com/) “The Ropin Pen” By: Trent Willmon https://trentwillmon.com/ (https://trentwillmon.com/) MC Podcast Production & Editing: Tyler Hillenbrand @tyhbrand
Jakgeem Mays, Esq.CEO / Principal AttorneyJakgeem earned a Bachelor of Music from New York University and began a career in the music industry working for companies such as Epic Records, Sony/ATV Music Publishing and EMI Music Publishing. He received his Juris Doctor from Thomas Jefferson School of Law while attending Southwestern Law School in Los Angeles. Before he formed Mays Law Group, Jakgeem worked at NBCUniversal for seven years in Business Affairs (NBC Entertainment/Universal Television) on programs such as The Voice, Grimm, American Ninja Warrior, The NAACP Image Awards and Betty White's 90th Birthday Special and Legal Affairs (Cable Entertainment) where he drafted and negotiated various development and production agreements and handled production legal. Jakgeem is an active member of the Black Entertainment and Sports Lawyers Association (“BESLA”) and is an Advisory Member and former Co-Chair of BESLA's Young Lawyers Division. #TheirJourneyYourRoadmapWebsite: https://www.mayslawgrouppc.com/LinkedIn: https://www.linkedin.com/in/jakgeemmays/Instagram: https://www.instagram.com/jamaysing/Rise Social Media links:Twitter: https://twitter.com/risecethepodInstagram: https://www.instagram.com/risecareerexploration/Facebook: https://www.facebook.com/risecareerexplorationWebsite: risecareer.orgRise career exploration is financially supported by listeners like you. Every dollar helps towards future podcast episodes. Click on the link in the show notes or visit us at risecareer.org today. Thank you for your support, enjoy the show and remember, together we RISE. Donate: https://liberapay.com/Rise-Career-Exploration/donate Shop: https://teespring.com/stores/my-store-10434812My books:HarlemPressLLC.comP.S. I easily get frustrated with tech. For whatever reason, I make a mess of things. But the Buzzsprout podcast platform has been super easy to create, upload and publish. And if "I" say it was easy, it's easy. The customer service is off the chain. I actually got emailed back the same day. Once, tech support went in to fix the problem and report to me that it's been taken care of. I'm a huge fan and that's the only reason I'm endorsing them. Sign up to share your ideas via podcast now: https://www.buzzsprout.com/?referrer_id=1382848Support the show
For this episode I got down and dirty talking about the very ambiguous topic of music publishing rights within the MENA region, with the CEO of PopArabia commonly known as Spek. PopArabia is the leading rights consultancy and independent music company in the Middle East and North Africa (MENA). PopArabia represents the leading music publishing catalogues in the world including Sony/ATV Music Publishing (including the EMI Music Publishing catalogue), BMG Rights Management, Concord Music, Peermusic, Downtown Music Publishing, Kobalt Music Publishing, Round Hill Music, Atlas Music Publishing and others in the MENA region. We also represent the BMG and EMI Play Production Music libraries. Spek and I speak about what publishing rights are and explore the publishing rights landscape within the Middle East. Spek explains the difference of sound recording rights and composition rights as well as music rights within the live streaming space. We touch on whether blockchain is a possible solution to the music industry data challenges and finally he gives some advice to buddy musicians. To contact Spek - email https://www.poparabia.com/contact More about Learning Hub.Ma'ana Lab Musiqaa More about Ma'ana https://www.maaanmusic.com More about host Tobie Allen Facebook Link Please contact tobie@maanamusic.com in need any help with your music career
With more than three decades of experience, our guest is one of music’s most respected, accomplished executives and a preeminent creative authority. She is the first female chairman of a global music company and the first woman to be named CEO of a major music publisher. Since joining Universal Music Publishing Group in 2015, she has transformed the company into a billion-dollar business and the industry’s best global home to songwriters. She has led the signings and extensions of world-class songwriters including the Bee Gees, Elton John, Carly Simon, Bruce Springsteen, Prince, Taylor Swift, Billie Eilish, Rosalia, Alicia Keys, Coldplay, Justin Bieber, Jack White, SZA, Post Malone, Quavo, Brandi Carlile, Ariana Grande, H.E.R., Harry Styles, Maren Morris and many more. A strong advocate for women’s empowerment, our guest co-founded and serves on the Board of Directors for She Is The Music, a nonprofit championing equality and inclusion for women. She also serves on boards for the USC Annenberg Inclusion Initiative, Rock & Roll Hall of Fame, the National Music Publishers Association (NMPA), and The Archer School for Girls. She has been named to numerous prestigious honors, including: Billboard 2020 ‘Executive of the Year’ for the prestigious Power 100 list; Billboard Power 100 numerous consecutive years; Billboard 2015 Executive of the Year for their Women In Music issue; Rolling Stone’s ‘Future 25’; Variety’s Power of Women L.A.; 2016 March of Dimes Inspiring Woman of the Year for her accomplishments as a leader in the entertainment industry and as a dedicated mother; and more. Prior to joining Universal Music, she served as Co-President of Sony/ATV Music Publishing. Previous to that, she was part of the senior management team at EMI Music Publishing, serving as head of the company’s east coast publishing division and then revitalized and led EMI’s west coast division. Outside of music, this executive has also served as a producer of the successful films Drumline and ATL and as executive producer for VH1’s Drumline 2. And The Executive Is... Chairman and CEO of Universal Music Publishing Group, Jody Gerson!This episode is brought to you in partnership with She Is The Music.Art: Michael Richey White See acast.com/privacy for privacy and opt-out information.
In this episode host Andy Saunders talks to Spirit Music Global President Rak Sanghvi about his journey from 4 year old Ugandan Asian refugee, escaping the terrors of Idi Amin , through medical school , a pivot into the law , a rise to become Managing Director of Sony/ATV Music Publishing , time in the post-sacking wilderness and finally to his current position heading up one of the world's most successful independent music publishers. There are plenty of twists and turns to reflect on in this episode of 'My Beautiful Mistakes.'
Hacking Music: The Habits of Headliners, Habits and Hacks for Thriving in the New Music Marketplace
Becoming Newsworthy - Modern Messaging, PR & Story w/Eric Dahl - Hacking Music Ep: 05 with John Pisciotta. Join us for a conversation on how Eric is Maximizing Output, Organizing Processes, Thinking Strategically and Executing Daily. About Hacking Music with John Pisciotta: Welcome to the Hacking Music podcast, here you will learn the Strategic Frameworks, Force Multipliers & Micro Habits essential for thriving in the new music marketplace. Our mission is to help you to massively grow your artist career in new ways that support, strengthen and sell your content. Additionally, we bring together music and media leaders to unpack how strategy and execution drive their success. “An Operating System For Thriving In The Music Marketplace” Ted Goldthorpe, Sony/ATV Music Publishing, Supervisor North American Publishing This Episode is brought to you by the Sync Center. Sync Spotlight: Chris Rodriguez “Easy As Uno, Dos, Tres” Subscribe to Hacking Music with John Pisciotta: https://www.youtube.com/channel/UC2C2jY46Z5PEchNOIcIAsNQ?view_as=subscriber Facebook https://www.facebook.com/johnpisciotta Youtube https://www.youtube.com/channel/UC2C2jY46Z5PEchNOIcIAsNQ?view_as=subscriber Linkedin https://www.linkedin.com/in/johnpisciotta/ Podcast: https://anchor.fm/hackingmusic Watch more Jetpack Artist Ventures: https://www.youtube.com/channel/UCOhbcw6oNeZdrLlaKFdgaJw Follow Jetpack Artist Ventures: Facebook https://www.facebook.com/jetpackartistventures Spotify: https://open.spotify.com/playlist/2KFv9TZr6OHKs2KUkciPdy?si=Y-uoFsnySkiHgJioyqpr2g Instagram: https://www.instagram.com/jetpacklabelgroup YouTube: https://www.youtube.com/channel/UCOhbcw6oNeZdrLlaKFdgaJw?view_as=subscriber Store: https://shop.jetpackartistventures.com Hacking Music Methodology https://www.jetpackartistventures.com/hackingmusic Jetpack Artist Ventures https://www.jetpackartistventures.com Jetpack Label Group https://www.jetpacklabelgroup.com The Sync Center https://www.thesynccenter.com #HackingMusic #JohnPisciotta #CreatWhat'sNext --- Send in a voice message: https://anchor.fm/hackingmusic/message
What are Neighboring Rights? If you have played on a recording and it was played on the radio, in a club or in visual media then you should be collecting these royalties. They are being collected for you, but do you claim them? Naomi Asher, Anne Tausis and Stacey Haber are board members of IAFAR (Independent Alliance For Artist Rights) and they discuss what Neighboring Rights are and how you can collect them. Best is to become a member of IAFAR so you can stay up to date with your rights and help support IAFAR in making sure new legislation is put in place to protect your rights. Naomi Asher is Vice President of International Neighboring Rights at Sony/ATV Music Publishing. Previously she was President and Company Director of Wixen Music UK LTD which is a publishing and neighbouring rights management company. Naomi is also the president and co-founder of the IAFAR.Ann Tausis, who has worked in the publishing and music rights sectors of the industry for over 30 years including senior positions at Universal Music Publishing Group and her current position of CEO of Kobalt Neighbouring Rights Limited. Ann is also Treasurer/Secretary and Vice Chair of the IAFAR.Stacey Haber is Head of Legal & Business Affairs at Inside Baseball Music Publishing. Stacey’s diverse professional life has taken her through many aspects of the entertainment and legal worlds. This includes television, theatre, music videos and feature films. Her in-house legal career began at Instinct Records, in private practice she was a senior lawyer at Simms & Walters LLP in NYC and Theodore Goddard in London working with the firm’s A-listers David Bowie, Elvis Costello and Tina Turner. Stacey is currently, in addition to her position at Inside Baseball Music Publishing, Founder of the multi-media company The Music Firm, Founder of Hope & Plum Book Publishing, Partner at FoxPin Artist Management and Business and Legal Head at the IAFAR.Please take our survey and let us know what you think, any and all feedback is very appreciated. The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive. Thanks all!Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)
What are Neighboring Rights? If you have played on a recording and it was played on the radio, in a club or in visual media then you should be collecting these royalties. They are being collected for you, but do you claim them? Naomi Asher, Anne Tausis and Stacey Haber are board members of IAFAR (Independent Alliance For Artist Rights) and they discuss what Neighboring Rights are and how you can collect them. Best is to become a member of IAFAR so you can stay up to date with your rights and help support IAFAR in making sure new legislation is put in place to protect your rights. Naomi Asher is Vice President of International Neighboring Rights at Sony/ATV Music Publishing. Previously she was President and Company Director of Wixen Music UK LTD which is a publishing and neighbouring rights management company. Naomi is also the president and co-founder of the IAFAR.Ann Tausis, who has worked in the publishing and music rights sectors of the industry for over 30 years including senior positions at Universal Music Publishing Group and her current position of CEO of Kobalt Neighbouring Rights Limited. Ann is also Treasurer/Secretary and Vice Chair of the IAFAR.Stacey Haber is Head of Legal & Business Affairs at Inside Baseball Music Publishing. Stacey’s diverse professional life has taken her through many aspects of the entertainment and legal worlds. This includes television, theatre, music videos and feature films. Her in-house legal career began at Instinct Records, in private practice she was a senior lawyer at Simms & Walters LLP in NYC and Theodore Goddard in London working with the firm’s A-listers David Bowie, Elvis Costello and Tina Turner. Stacey is currently, in addition to her position at Inside Baseball Music Publishing, Founder of the multi-media company The Music Firm, Founder of Hope & Plum Book Publishing, Partner at FoxPin Artist Management and Business and Legal Head at the IAFAR.Please take our survey and let us know what you think, any and all feedback is very appreciated. The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive. Thanks all!Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)
Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Links mentioned by guest during podcast & their social media or website links:https://tamilatrell.com/https://www.facebook.com/tamilatrellfanshttps://www.instagram.com/tamilatrell/https://www.youtube.com/user/tamilatrell?sub_confirmation=1https://twitter.com/tamilatrellAbout Our Guest:Tami LaTrell is a multi-platinum, GRAMMY-nominated songwriter with Sony/ATV Music Publishing who's written for artists such as the late Whitney Houston, Keyshia Cole, SWV and Monica to name a few. She is a music advocate and is also the Chief Marketing Officer for The LABZ, a music tech startup that helps creators collaborate and protect their work in one workspace. Signing up for TheLABZ is FREE for music creators at TheLABZ.com. She also holds membership with The Recording Academy, ASCAP and is a founding member of Women In Music-Atlanta.
Joseph Patton is a staff songwriter at Sony/ATV Music Publishing on Nashville's Music Row. In this episode, Jonathan and Joseph talk about what happens in Music Row writing rooms, the difference between songs that help people remember and songs that help people forget, and the tensions between commercialism and "loving thy listener." Subscribe to The Habit Weekly newsletter. Find out more about The Habit Membership. Support the show: https://therabbitroom.givingfuel.com/member See omnystudio.com/listener for privacy information.
Kejam feat. Juanita Wynn "Let It Go" At the young age of 5, in her father’s church is where “GRAMMY AWARD WINNING” song writer Juanita Wynn began singing with her five older siblings, “The Wynn Sisters”. There she learned the art of harmonizing. At 18 yrs old she began writing her own songs, ultimately, attracting the interest of music’s icon, Quincy Jones, signing her first 2-year publishing deal. She later signed on with Sony ATV Music Publishing for 4 years. Juanita has written for the incomparable ‘Diana Ross’. She has also written for artists such as: Gospel Artist Fred Hammond, and the R&B songstress Angie Stone, the most popular, multiplatinum selling female R&B group Destiny’s Child, Ben Tankard, Jazz musician Norman Brown, Shirley Murdock, and her most recent artist Lalah Hathaway, just to name a few. Her list of amazing talents is unremitting. Juanita also prides herself as a notable motivational speaker for women and children. September 2015 Juanita Wynn was asked to be the keynote speaker at Fordham University, elaborating on the exploitation of women in the music industry. Juanita’s journey has been in much anticipation of introducing to the world her interpretations of love, joy, peace and encouragement through her new CD entitled "This Thing Called Life". Introducing these new compositions at several events for battered, or homeless women and children, and also the Coronado School for pregnant teens, in Virginia Beach. Juanita loves music, but she loves music with a purpose even more so she's inspired to reach people from every generation, culture, and color. Through her music you will hear the heart, and soul of a preachers daughter, turned run away child, to homeless mother of two, turned group home counselor, turned professional singer/writer, traveling the country to now motivational singer & speaker.
The Heart of a Lion - David Francisco David Francisco is an accomplished singer, songwriter, producer, recording engineer and spinal cord injury survivor. While attending the prestigious Blackbird Academy furthering his music career, on April 27, 2016, and his life was forever changed when he was struck by a car. This accident resulted in significant injuries most notably a spinal cord injury. David’s response was to rebuild and then grow. Since that time, David finished his schooling at the Blackbird Academy, tried out and had a very successful season on American Idol, organized a charity ride and appeared on ELLEN to tell his story and receive funds for his charity, amongst so much more. In this episode we discuss, David’s life prior to his accident and his accident story. Redemption and building your redemption story. ELLEN, American Idol, shows, and other very public performances. Purpose in Suffering and the blessings of a supportive community. Proving you can do more than you realize. David talks about his single Lionheart releasing on the third anniversary of his accident. This is an anthem to those that have persevered through really difficult experiences. David Francisco talks about his upcoming book (exclusive!). More About David Francisco David Francisco is an accomplished singer/songwriter, musician, producer, recording engineer and spinal cord injury survivor. He opened and operated a small recording studio in Knoxville for a couple of years before deciding to enhance his producing and engineering skills by attending the world renowned Blackbird Academyin Nashville Tennessee. Three weeks after moving to Nashville, tragedy struck. While riding his bicycle home from school at lunch to feed his dog, David was t-boned by a distracted driverwho ran a red light at a busy intersection. His body slammed into the windshield, launched 10 feet into the air and crashed into the pavement. His back was snapped, his spinal cord severely damaged and his left forearm torn open. It was April 27, 2016, and his life was forever changed. The following year consisted of intense, full-time physical therapy and rehabilitation at the Shepherd Center in Atlanta, where David focused all of his efforts on regaining any possible mobility. He returned to Nashville in January 2017, and graduated from the Blackbird Academy in June 2017. His journey is documented in the short film "Back To Blackbird”. Later in 2017 he auditioned for American Idoland went all the way to Hollywood week. His audition was televised and viewed more than 42 million times around the world. He met, fell in love and married the beautiful Kristi Wilhelm, who started dating him while he was still in a wheelchair. Their love blossomed and powered his amazing recovery to where he and Kristi organized a charity bicycle ride from San Francisco to Los Angeles to celebrate all that he had recovered. This led to an appearance on the ELLEN showwhere ELLEN Degeneres gave them a $10,000 contribution to support the Ride! David is signed with Extreme Music, a division of Sony/ATV Music Publishing, and currently lives in Los Angeles. He has performed on stage with Martina McBride, Steven Curtis Chapmanand opened for 3 sold out shows for THE VOICE winner, Chris Blue. He has shared his story at the Grammy's annual MusiCares foundation gala and in person with Katy Perry and Kacey Musgraves. http://www.davidfranciscomusic.com https://www.instagram.com/davidfranciscomusic/ https://www.facebook.com/davidfranciscomusic http://www.youtube.com/channel/UCxBrCHmqjvkgwjnkrEV68ag Back to Blackbird Documentary: https://www.youtube.com/watch?v=DXeF1zv7zaU This episode is brought to you by Living Adaptive with Scott Davidson. Find Living Adaptive at, www.livingadaptive.comfor more information. Instagram: https://www.instagram.com/living_adaptive/ Facebook: https://www.facebook.com/livingadaptive/
El domingo 17 de marzo se presentará en el teatro de Strathmore en Bethesda la filarmónica de Maryland Classic Youth Orchestras (MCYO), compuesta por jóvenes de secundaria y dirigida por Kristopher Sanz y producida por Rolando Sanz. Destino, es el nombre del concierto donde se presentará la producción musical del compositor venezolano Pablo Manavello titulada, El Camino de Santiago Llega a Ti. Este trabajo musical retrata los cambios físicos, emocionales y espirituales que uno experimenta a lo largo del peregrinaje a Santiago de Compostela en Galicia, España. También se presentará la producción de Jorge Mejía, artista Steinway, pianista y compositor de música clásica, quien también es Presidente de Sony/ATV Music Publishing para Latinoamérica y el mercado Latino de los Estados Unidos. Sus aclamadas presentaciones en vivo y su estilo de composición evocativo son enriquecidos por su rol como líder a nivel mundial en la industria de la música latina. En Tu Familia Zol conversamos con el productor de Destino, Rolando Sanz y también con el compositor colombiano Jorge Mejía.
What makes a hit? Jacob Fain of Sony/ATV Music Publishing knows that the path from creative genius to creative success is rarely a straight line. Jacob shares the thoughts, processes, and tools that a music A&R uses to bring the next big thing to the world.
Tami LaTrell is a multi-platinum, GRAMMY-nominated songwriter who’s written for artists such as Whitney Houston, Monica, Keyshia Cole, SWV, Rotimi and Country duo Love and Theft to name a few. She inked her first music publishing deal with EMI Music Publishing in 2002, and is now an established writer with Sony/ATV Music Publishing. Aside from songwriting, she facilitates music publishing and copyright workshops online and at different universities. She’s a Youtube partner with over 650k+ views, and is a Brand Ambassador for Songtrust. In this episode of Music Business Dreams, Tami details her career as a songwriter, including the time one of her songs was sold to Whitney Houston without her knowledge and the process she went through to be properly credited. We talk about publishing deals, the importance of being business minded as a songwriter, and the advocacy work Tami does to ensure the next generation of songwriters is protected. Links Mentioned: When Life Hands Your Lennons Interview | KDMR Music YouTube Channel Listen & Subscribe to Music Business Dreams: Apple Podcasts | Spotify | Stitcher | Google Play Join The Indie Club - Our Free Networking/Support Community: http://kdmr.us/indieclub More From Tami Latrell: | Official Website | Instagram | The Labz - Songwriter Collaboration and Rights Management
On this special Bonus podcast, I thought I'd put together a short little episode and play a favorite holiday song. It'll be a new "I'm In Love With That Song Podcast" tradition! So let's start with a great track from The Kinks. Happy Holidays, everyone! "Father Christmas" (Ray Davies) Copyright 1977 Davray Music Limited, Sony/ATV Music Publishing
Thalia Ewing aka Muziqueen is a native of Nashville, TN and has an extensive career in the music business that spans over 15 years and includes artist management, copyright clearance, mechanical licensing, and royalty processing to name a few. She has worked for some of the biggest companies in music such as Sony Music Entertainment, Sony/ATV Music Publishing and EMI Music Publishing. Thalia began her career in the music industry in the early 2000s when she started managing and consulting local artists. She was successful in securing radio air time, creating marketing campaigns and booking performances.In 2005, Thalia moved to New York where she began working at Sony Music Entertainment as a Copyright Coordinator for Jive Records. Her duties included clearing and verifying writer and publisher song splits for releases from artist like Chris Brown, Outkast, Ciara, and Alicia Keys. Soon thereafter, she was heavily recruited by EMI Music Publishing and in 2008 joined the company as the Assistant Manager of Licensing. In this position she issued mechanical licenses, calculated album caps, and verified royalty payout rates by acquiring artist, writer and producer contacts. Returning to Nashville in 2010, she began working at Sony/ATV Music Publishing in the Royalty Department processing millions of dollars in payments. When Sony/ATV acquired EMI Music Publishing, Ms. Ewing was then promoted to work in the Copyright Department because of her background with EMI. Her duties included, retention rights, copyright ownership, and deal terminations for such artist catalogs like Michael Jackson, The Beatles, Motown and many others.In 2014 Thalia started Muziqueen Publishing Administration (a division of Muziqueen Music Group LLC.). It’s an independent boutique publishing company located in Nashville, TN. She provides quality music publishing services to help artists, songwriters, producers and musicians maximize the monetary potential of their music. She assists artist with song registration, negotiate license fees for synchronization uses and much more. The roster includes some of the best urban talent in the Nashville market. Thalia is currently the Mechanical Licensing Manager at BMG Rights Management. She is also a member of The Recording Academy Nashville Chapter, The National Association of Recording Industry Professionals, The Association of Independent Music Publishers, Women in Music Business, and National Association of Black Female Executives in Music & Entertainment. www.themuziqueen.com@themuziqueen (IG & Twiter)Hosts: IG @ambitious1k, @bookquethedj , @thresholdbrace
Ever wondered how songs get written, pitched, and cut? How songwriters and publishers work together? How the creative process unfolds? The role publishers play in getting a song out there? To answer all these questions, we sat down with legendary Nashville songwriter Tom Douglas and the president and CEO of Sony/ATV Music Publishing, Troy Tomlinson. It’s a fascinating look at both the art and business of songwriting. If you’re in a creative field, you’ll find plenty of takeaways for your own business. http://buildingastorybrand.com/111
Sam stops by to bring me his new debut EP Not A Hobby and we play all 4 tracks off the project and chat about each one. You aren't going to want to miss the live performance of "The City" at the end of the show as well. Honestly, one of my favorites. Just remember who introduced you to him first ;) ABOUT SAM Growing up in the Northern suburbs of Sydney, Sam Fischer wrote his first song at the age of 12, a passion that led him to pursue a career in music during his teens and become formally trained in both the violin and saxophone. A degree program at the prestigious Berklee College of Music in Boston soon followed, as did a move to Los Angeles where he dove head-first into the music scene working as a background vocalist with HOLYCHILD. A prolific songwriter, Sam's talents led him to co-writes with DJ Mustard, Clean Bandit, Jennifer Hudson, Sabrina Claudio and Andy Grammar, among others, as well as a publishing deal with SONY/ATV Music Publishing. 2017 has seen Sam in various studios working on his debut album with top writers and producers including OAK, Fran Hall, Jaimie Hartman, Alex and Alex, and Alex Salibian to name a few . His first, indie released single “Lean” debuted on StereoGum and has passed 275,000 streams on Spotify. The Top music site raved: Fischer melds the R&B leanings of his smooth, tender vocals with pop craftsmanship for catchy, sultry grooves.
The Magic of the Taylor Swift Brand – Episode 113 Are you looking to make your brand stand out from the rest? It is possible. However, it takes a lot of work. Famous college basketball coach Bobby Knight once said, “Everyone wants to be a champion, but few want to do the work it takes to be a champion.” Taylor Swift is one of those people willing to do the work. I think you can learn a lot from the Taylor Swift brand when creating your own. She has done amazing work over the past 10 years. Regardless of your musical preferences, it is hard not to admire the empire she has created. Taylor Swift was recently in town for a pair of concerts. This was the fourth time I've had the pleasure of meeting her. She never fails to amaze me with her networking abilities. There are four things you can learn by studying the brand Taylor has created. 1. KNOW WHEN TO LAUNCH Now 25 years old, Taylor moved to Nashville when she was 14. She was determined to get a record deal when most 8th graders are just figuring out middle school. She knocked on doors until someone opened. Even though she got a record deal at 14, she didn't experience immediate success. Taylor wrote, recorded and learned the business for two years before her first album was even released. Taylor Swift took her time to learn what she needed to know. When her record label felt the time was right, they launched her. Lesson: Learning is important, but at some point you have to launch. 2. BE DARING & DIFFERENT Taylor Swift broke the mold. Kids simply didn't have hits on country radio. She dared to do the unthinkable. By not giving up, she eventually found a record label willing to give it a try. The accomplishments Taylor has achieved are impressive. She is the youngest songwriter to ever sign with Sony/ATV Music Publishing, one of the largest in the world. She is the youngest person to have ever write and perform a #1 song by themselves. Her 2nd album “Fearless” made her the youngest Album of the Year Grammy winner. Taylor Swift has only released 5 albums. Even so, she is the only artist to have 3 albums sell more than one million copies in the opening release week. That mark is even more impressive in today's music world on digital downloads when people are buying single songs over albums. With her latest album “1989”, Taylor left the world of country music to release a pop album. People thought she was crazy. She took the daring leap and sold over a million copies in the first week of release. It was also named one of the best albums of the year by magazines Rolling Stone, Time and others. By daring to be different, people take notice. Lesson: Do what others are scared to attempt. 3. PUT IN THE WORK Taylor Swift has many, many other awards. One of her attributes that make her so successful is the fact that she is willing to do things few others are willing to do. She goes above and beyond. When was the last time you sent a hand-written thank you note? I've had the great fortune of meeting many big names in the music business. Justin Timberlake, George Strait, Ozzy Osborne, Christina Aguilera, Blake Shelton, Metallica. It is one of the perks of the business. The Program Director of a radio station decides which songs make it on the radio station. Artists usually want to take time to meet the person who holds the keys. They understand a handshake can go a long way. Most stop there. A typical meet & greet at a concert is in a converted locker room and resembles a cattle call. People wait in line making their way around the room until they reach the artist. "Thanks for being here. Let's get a photo. Enjoy the show." Taylor is different. Instead of a locker room, Taylor sets up a “tea party” or a “loft” party backstage, complete with soda machines, photo booths, high top tables, boas, other party accessories and a professional photographer. VIP guests hang out, eat munchies and get ready for the show. Instead of the handshake and photo op, Taylor makes her way around the room coming to each VIP for a photo and minute to chat. It is obviously different from every other experiences. It is what happens a week later that really sets Taylor apart. About a week after the concert, I received a hand-written note from Taylor thanking me for taking the time to bring my family to the show and for the support. Nobody does that, especially the biggest stars in music. Inside of my note was another hand-written note. This one was for my daughter. That note thanked my daughter for coming to the show. Taylor encouraged my daughter to stick with her piano lessons. She went on to tell my daughter to tell her friend Ellory (who was also with us) “hi”. The details Taylor included were amazing. I'm not sure if she has a photographic memory, if she video tapes the event to review later, if someone close by takes notes, or if there is some other magic involved. It really doesn't matter. What does matter is the fact that Taylor takes the time to ensure it all happens. That attention to details makes her stand out from every other artist. She is willing to do the extra work. Lesson: Do the things that others are not willing to do that will make you stand out. 4. SURROUND YOURSELF WITH HELP After a typical meet & greet, the artist typically sends you on your way. Instead of sending you to your seat, Taylor sent us on a backstage tour led by her mom, Andrea. Mama Swift led out around the backstage area telling us all about the stage and production. We saw the hydraulics under the stage. We saw the cases and trucks that transport the gear. We saw the costumes Taylor wore. She took us to the tour busses Taylor uses for the band and dancers. At the end of the tour, Taylor's mom took us directly to our seats. It was the kind of customer service you don't typically receive from average businesses. As Taylor's mom is leading us around backstage, Taylor is freed up to handle the other pre-show duties on her list. She needs to meet those in her fan club. She needs to warm up her voice. I'm sure there are a few other things in her routine before the show begins. The amazing team Taylor has assembled helps her be the best she can be. Lesson: Find great people that can help you. YOUR BRAND As you create your brand, be willing to do the work it takes to be a champion. Know when to launch. Be daring and different. Put in the work. Surround yourself with others who will help you reach your goals. Do you need help with your podcast? E-mail me any time at Coach@PodcastTalentCoach.com. Let's see what we can do. You can find my podcast and other tools to help you create great content at www.PodcastTalentCoach.com. 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