Podcasts about broadway musicals

HEDWIG AND THE ANGRY INCH | Text by John Cameron Mitchell | Music & Lyrics by Stephen Trask Works Consulted & Reference :Hedwig and the Angry Inch (Original Libretto) by John Cameron Mitchell & Stephen TraskHedwig and the Angry Inch (Broadway Libretto) by John Cameron Mitchell & Stephen Trask, Directed by Michael Mayer"John Cameron Mitchell reflects on 'Hedwig and the Angry Inch' - Q with Tom Power" Podcast InterviewNew York TimesTalks Interview of Neil Patrick Harris, John Cameron Mitchell, & Stephen Trask" 'Midnight Radio' with John Cameron Mitchell | Queer the Music with Jake Shears Ep. 14" Podcast InterviewMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wicked Little Town" from Hedwig and the Angry Inch (Original  Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Cameron Mitchell "Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

It's hard for me to believe that I launched this podcast exactly five years ago this week, and even harder for me to comprehend that, to date, more than 279,000 people, from nearly every country in the world, have listened to at least one, and in many cases all, of the 175 episodes! So, today it seemed fitting to rerelease the episode that started it all — the very first episode of Broadway Nation: George M. Cohan and the Immigrants Who Invented Broadway. As you will hear, at the time, we were still trying to figure out exactly how to make a podcast, so the production quality is not up to my current standards. However, the content and subject matter are still, I believe, essential to fully understanding and appreciating the remarkable history of the Broadway Musical. Happy birthday, Broadway Nation, and thank you all! Learn more about your ad choices. Visit megaphone.fm/adchoices

On the April 29 edition of Music History Today, Mozart premieres a classic, Bruce goes trespassing at a famous mansion, & a modern Broadway classic musical premieres. Also, happy birthday to a lot of people, including Duke Ellington, Willie Nelson, & Master P.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠Resources for mental health issues - ⁠https://en.wikipedia.org/wiki/List_of_suicide_crisis_lines⁠⁠https://findahelpline.com⁠

This is a special encore episode of my 2022 interview with Tony-award-winning lighting designer Ken Billington. This past week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken's own tremendous contribution to it. This is a two-part conversation and I will be rereleasing both parts this week. Original Description: My guest on this episode is Tony Award winning lighting designer Ken Billington who created the lighting for an incredible 105 Broadway plays and musicals, including 21 productions that were directed by Harold Prince.  Ken's career spans from his very first Broadway show in 1967 when he was the assistant to legendary lighting designer Tharon Musser, to his most recent Broadway show, the hit musical, Waitress.  Along the way, he designed the original productions of Sweeney Todd, On The 20th Century, The Drowsy Chaperone, The Scottsboro Boys, The Search For Signs Of Intelligent Life In the Universe starring Lily Tomlin, three revivals of Fiddler On The Roof, two revivals of Sunday In The Park with George, and the still running 1996 revival of Chicago for which he received the Tony Award. I have had the great pleasure of knowing and working with Ken for more than 40 years, and it is always fascinating and always a delight to speak with him. Theatrical lighting design is a very young art form. Its history begins primarily in the early 20th Century -- just as the Broadway musical was being invented. Lighting design's earliest innovators include the American actress Maude Adams – most famous today for her performance as Peter Pan – and producer, director, playwright, and theater owner David Belasco.  One of the recurring themes of this podcast, and one of my obsessions, is how the art and craft of the Broadway Musical have been handed down directly – firsthand – from artists to artists, from craftsperson to craftsperson.  Ken Billington's long career and especially his early experiences as the assistant to the pioneering designers Peggy Clark, Pat Collins, Tom Skelton, William Rittman, and Tharon Musser make him the ideal guest for this episode. And of course, after Ken stopped being an assistant, he eventually became one of Broadway's most acclaimed and most prolific lighting designers. And we'll hear the story of how that came about on the next episode of Broadway Nation! You can learn more about Jean Rosenthal, Tharon Musser and other great women lighting designers on Episode 8 of Broadway Nation, which is titled, “Agnes DeMille & The Women That Invented Broadway”. It's a fascinating episode and I encourage you to check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from  Pippin (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Discussion Opening April 11th and running through April 18th at the Pumphouse in Calgary, Misfit Theatre presents Guys & Dolls directed by Jeremy Walker. Kyle sits down with Jeremy, Nimue Nova the choreographer and Donna Pearson, producer, to talk about the struggle in bringing this larger than life 1950s Broadway Musical to life. Tickets: https://www.morpheustheatre.ca/?page_id=7805 About the Show: A co-production between MisFit Theatre YYC and Morpheus Theatre It's time to roll and beat those dice as the beloved musical takes a bow! A screwball romantic comedy, Guys and Dolls takes us into the heart of 1950s New York, as imagined by Damon Runyon and scored by Frank Loesser and includes toe-tapping musical theatre classics including "Sit Down, You're Rockin' The Boat" and "Luck Be a Lady". The story brings together a collection of colorful characters. First, there's Sarah Brown, the upright but uptight 'mission doll' out to reform the evil-doers of Times Square. Next up is Sky Masterson, the slick, high-rolling gambler who woos her on a bet and ends up falling in love. Adelaide is a chronically ill nightclub performer whose condition is brought on by the fact she's been engaged to the same man for fourteen long years. And last but not least there's her devoted fiance Nathan Detroit, desperate as ever to find a spot for his world-renowned floating crap game! Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, Cuba, and even into the sewers of New York City, but eventually everyone ends up right where they belong.

The Disney Dummies thought they were done with their time at Pride Rock but the great Circle of Life compelled us back so we could talk about The Lion King Broadway Musical. Join us as we go deep on the history, production, costumes, and new music of the third-longest running show on Broadway! The post Disney Stageies AKA Disney Theaties Presents: The Lion King Broadway Musical appeared first on PodCavern.

Went to my first Broadway Musical in NYC! So was it enjoyable? Here are my thoughts on Boop!www.enigmakidd.com

Bongani Bingwa chats with Stuart Brown, the talented actor behind the title character in the hit musical 'Dear Evan Hansen'. They discuss the show's thought-provoking themes and heartwarming story, currently captivating audiences at Johannesburg's Montecasino's Teatro.See omnystudio.com/listener for privacy information.

Zeniba is an award winner writer, musical storyteller, performer and vocalist. She is currently working on the musical Take the Lead at Papermill Playhouse where is she co-wrote the music and lyrics. Zeniba is also a member of Maestra Music and will be performing at their AMPLIFY2025 gala on Monday, March 31st at Sony Hall! We speak with Zeniba about how one gets involved in creating a new musical, how one writes something based on something else, her involvement with Maestra Music and how Maestra has helped her in her career.Make sure to get your tickets for AMPLIFY2025!

On this edition of The Catered Quiz, comedy writer Julie Greiner joins the show to answer questions about the movie National Treasure and Broadway Musicals Since 2000. “Weird Al” Yankovic, From Justin to Kelly and bottled water are also discussed on this episode of The Catered Quiz. Julie wrote for the Audible exclusive A Total Switch Show which can be heard here. Follow Julie on Instagram or Twitter. The Catered Quiz will be taking a one-week break next week. Use that time to tell your friends about the show so they can catch up on the new season. The Catered Quiz will return on April 1st.    

Send us a textThis week on Broadway Besties, Amy and Mark dive into the exciting world of Broadway musicals making their way to the big (and small) screen! Of course, we can't talk about stage-to-screen adaptations without mentioning Wicked: Part Two—because, let's be real, we need to know how they'll handle As Long As You're Mine and No Good Deed! But that's just the beginning.They also discuss Little Shop of Horrors and what we can expect from the upcoming adaptation of the cult classic. Plus, what other shows are making the leap to Hollywood? Listen in as they break it all down and, of course, throw in their own wishlist of musicals that absolutely need to get the cinematic treatment (looking at you, Ragtime).Tune in for all the Broadway-to-Hollywood buzz, hot takes, and a few dream castings along the way!

I'm finally here—New York City!

Listen to more Musica Amente songs on Spotify

Are you ready to look up to the western sky as the hosts gets ready to defy gravity and bring you an unlimited review of one the biggest movies from last year, the award winning musical fantasy, Wicked, staring Cynthia Erivo, Ariana Grande and directed by Jon M. Chu. Based on the stage musical by Stephen Schwartz and Winnie Holzman, which was loosely based on Gregory Maguire's novel, a reimagining of the Oz books and the 1939 film The Wizard of Oz. The film is already the highest-grossing movie based on a Broadway play. The hosts pair the film with the Ozmopolitan Cocktail. It's time to trust your instincts, close your eyes and leap with the hosts as they celebrate one of the greatest adaptation Broadway musicals of all time.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

Plastic beads remain a staple at most big Carnival parades, but there's a growing number of New Orleans krewes that want to ban them due to environmental concerns. Producer Matt Bloom went to the Krewe of Freret's parade, where leaders made plastic beads off limits for the first time – and found some eco-friendly alternatives. “Back to the Future: The Musical”, Alicia Keys' “Hell's Kitchen” and “The Great Gatsby” headline the 2025-26 Broadway season in New Orleans. David Skinner, general manager at the Saenger Theatre, tells us all about the musicals on deck for the upcoming season.  Horses are a staple of Mardi Gras parades, but sometimes those horses don't have a place to go after the parades are over. But the Humane Society of Louisiana has a program to help these horses get adopted, complete with a Facebook page with pictures of the horses looking for homes. HSLA board member Rena Sweeney tells us more about the Mardi Gras Horse Adoption program and volunteer opportunities.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR app, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Today, we're putting the "AOAOAOA" in BROADWAOAOAOAY! The cast and creatives of the brand new musical "HOOKED" join us in studio to talk about how they created such a special origin musical about an often-misunderstood villain. Is it easy to make a musical? What goes into creating a villain? Are the songs good? Spoiler: the answer to all those questions is ARRRGH.Our guest is the endlessly talented GABE GIBBS! Go check out his podcast MOM SAID and watch his show PICK A LINE live at Dynasty Typewriter on February 26th! Our Get Huel today with this exclusive offer for New Customers of 15% OFF + a FREE Gift with code ARTISTSX4 at https://huel.com/artistsx4 (With Minimum $75 purchase).This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com . To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves,  subscribe to our Patreon! You won't be disappointed with what you find. patreon.com/aoaoaoapodArtists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Music by Gabriel Ponton.  Edited by Conner McCabe. Thumbnail art by Grant Moore. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Jenna and Willie Geist share a few words of wisdom in another edition of social dilemmas. Also, Megan Hilty stops by to discuss her new role in the Broadway musical, “Death Becomes Her.” And Ally love shares some of the best fitness tech to level up your workout routine.

Episode #548! Our Top Five of '24! This week your hosts Scott Sackett and DLNelson are back with their annual Best Of episode. Books, comics, magazines, music, an interactive experience and even a musical is discussed. Also some honorable mentions are mentioned. Check it out!   

The progressive and disruptive social movements of the 1960s and 70s had a huge impact on the Broadway Musical and were reflected back into the culture by them. These include the Civil Rights movement, Women's Liberation, Black Power, and the Gay Liberation Movement. The Stonewall Rebellion in 1969 brought gay issues into the mainstream and during the 1970s LGBTQ+ people would become “out, loud, and proud” in significant numbers. Of course, it makes sense that this new visibility and feeling of liberation would be felt on Broadway where there had always been a large representation of queer people throughout the industry, including in positions of leadership. As a result queer characters and stories began appearing on Broadway -- especially in plays -- but also in a few musicals as well. In this episode I explore the growing visibility of openly queer content on Broadway in musicals such as Hair, Coco, Applause, Seesaw, A Chorus Line, La Cage Aux Folles, and the works of William Finn. I also recount the devastating effect that the AIDS Crisis had on Broadway during the 1980s and 90s when a whole generation of creative talent was eliminated or sidelined by the disease.  AIDS claimed the lives of hundreds of actors, singers, musicians, stage managers, production assistants, and designers -- as well as scores of dancers that had been trained by Bennett, Fosse, Champion, and Tune and might have one day become influential directors and choreographers themselves. The devastation of AIDS opened the door to the “British Invasion” that would soon dominate Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we check out the Stephanie Hsu led romantic comedy/murder thriller series Laid, where she plays Ruby, your typical millennial with a very messy dating history, who finds out that all of her exes and past partners are dying in the order of her "sex timeline." We love a wild premise, but will Laid make the grade as good pop?What's Popping? - Broadway Musicals, Severance Season 2, Sister SnakeFollow our hosts:Marvin Yueh - @marvinyuehJess Ju - @jessjutweetsHanh Nguyen - @hanhonymousFollow the show and engage with us at @goodpopclubPart of the Potluck Podcast CollectiveProduced by HappyEcstatic MediaMentioned in this episode:Listen to Inheriting from LAist & NPR"Inheriting" is a show about Asian American and Pacific Islander families, which explores how one event in history can ripple through generations. In doing so, the show seeks to break apart the AAPI monolith and tell a fuller story of these communities. In each episode, NPR's Emily Kwong sits down with one family and facilitates deeply emotional conversations between their loved ones, exploring how their most personal, private moments are an integral part of history. Through these stories, we show how the past is personal and how to live with the legacies we're constantly inheriting. New episodes premiere every Thursday. Subscribe to “Inheriting” on your app of choiceListen to Inheriting now!

Singendes Aschenputtel vor Alpenkulisse: Maria Augusta von Trapp, geboren am 26. Januar 1905 in Wien. Der Musicalfilm über ihr Leben prägt das Österreich-Image weltweit. Von Daniela Wakonigg.

Margo is joined by Brooke Schultz, a multi-passionate creator and advocate for embracing creativity in all aspects of life, especially within motherhood. Brooke shares her inspiring journey of weaving artistry into everyday life and discusses how creativity can be a powerful tool for transformation and connection. Her photos have been featured in Oprah, Martha Stewart, and Parents. Whether she's writing a musical about motherhood, leading retreats like her upcoming program Resurgence, or photographing families, Brooke is deeply passionate about using creativity to transform life's challenges into meaningful art.   Topics Discussed: The beauty and significance of small, unseen creative acts How motherhood can ignite and shape creative pursuits Balancing creativity with the demands of family life, including parenting a child with special needs The concept of intentional creativity and finding inspiration in everyday tasks Brooke's approach to translating passion into business, including her retreats and podcast, Wildly Creative Life The story behind Brooke's musical about motherhood and her journey pitching it to Broadway Practical strategies for fostering creativity amidst a busy lifestyle The value of creating art that comes from the heart, whether or not it gains recognition   Brooke's wisdom and relatable approach remind us that living a creatively fulfilling life doesn't require fame or perfection—it's about finding joy and purpose in the art of everyday moments.   Connect with Brooke: Website: https://brookebschultz.com Website: https://brookeschultzphotography.com Instagram: @brookebschultz Wildly Creative Life Podcast   Connect with Margo: Website: www.windowsillchats.com Instagram: @windowsillchats Patreon: www.patreon.com/inthewindowsill The Foundry: https://www.yourtantaustudio.com/thefoundry  

Learn more at TheCityLife.org

Let's defy gravity by answering 10 trivia questions on Broadway musicals! If you'd like to choose a specific topic or dedicate an episode to a friend send a donation of your choice on Venmo to @NoChitChatTrivia and write the topic you'd like in the comments: https://account.venmo.com/NoChitChatTrivia Our official store is live!  Support the show by grabbing a NCCT shirt, hat, puzzle, or more: https://www.thetop10things.com/store Visit our sister site thetop10things.com for travel and entertainment information! Thank you to everyone who listens!  Say hello or let's collaborate: nochitchattrivia@gmail.com

HADESTOWN Book, Music, & Lyrics by Anaïs Mitchell | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :Hadestown (Original Libretto) by Anaïs MitchellWorking on A Song: The Lyrics of Hadestown by Anaïs MitchellMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"All I've Ever Known" from  Hadestown (Original Broadway Cast Recording)  | Music & Lyrics by Anaïs Mitchell | Performed by Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

rWotD Episode 2789: A Broadway Musical Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Sunday, 22 December 2024 is A Broadway Musical.A Broadway Musical is a musical with a book by William F. Brown, lyrics by Lee Adams, and music by Charles Strouse. The Broadway production closed after 14 previews and only one performance on December 21, 1978.The plot about a sleazy white theatre producer's attempt to adapt an African-American writer's serious play as a commercial stage musical was inspired by Adams and Strouse's real-life experiences with their 1964 Broadway production of Golden Boy. The star of the musical-within-the-musical (Sneakers, about a basketball star) closely resembles Golden Boy star Sammy Davis Jr. When the star opts to leave the show, the playwright – who from the start had resisted turning his work into a musical – steps in and takes on the lead role in order to save the production.This recording reflects the Wikipedia text as of 01:12 UTC on Sunday, 22 December 2024.For the full current version of the article, see A Broadway Musical on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Olivia.

Daily Dad Jokes (14 Dec 2024)The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view!Email Newsletter: Looking for more dad joke humour to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe!Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app.Interested in Business and Finance news? Then listen to our sister show: The Daily Business and Finance Show. Check out the website here or search "Daily Business and Finance Show" in your podcast app.Jokes sourced and curated from reddit.com/r/dadjokes.Joke credits: GiborDesign, genxfrom66, andersonfmly, iShitSkittles, Admirable_Yard5581, Mediocre_Profile5576, Bossk759, Significant-Ad-8684, Lateralus50310, Joel_Boyens, mcampo84, Sunstoned1, , m0dern_x, Caramel_Forest, The_real_PavlovA_YT, hacksawjim89, Same_Office7466, k_woz1978, Dry_Interview8720, Left-Distribution-13Subscribe to this podcast via:iHeartMediaSpotifyiTunesGoogle PodcastsYouTube ChannelSocial media:InstagramFacebookTwitterTikTokDiscordInterested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.comProduced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/)See omnystudio.com/listener for privacy information.

This week's categories include: Apex Predators, Toiletries, Gems, Broadway Musicals, and Soccer!…ALL FOR KIDS!!! Check out our YouTube Channel for our live trivia rounds: https://www.youtube.com/channel/UCeuDif_2Uw1Ovqmh3tvNn-g?sub_confirmation=1 Patreon: https://www.patreon.com/triviaforkids610 ADVERTISE ON OUR SHOW!! Email us at triviaforkidspodcast@gmail.com or beacons.ai/triviaforkids Welcome to another exciting episode of Trivia for Kids!

Creator and star of “Suffs” Shaina Taub talks about bringing history to life with her Tony-Award-winning musical about the American Suffrage Movement. Shaina shares her journey to bring “Suffs” to the stage, how she ended up starring as Alice Paul, and her work with Sir Elton John on “The Devil Wears Prada” musical.See omnystudio.com/listener for privacy information.

In the Season 2 finale, I'm mixing things up with a super fun and unpredictable episode! I'm letting my phone take the wheel, putting iTunes on shuffle, and letting it decide which songs I'll talk about. My playlist is all over the map—so who knows what's going to pop up? From bops to ballads, guilty pleasures to all-time favorites, I'll be diving into the first eleven songs that show up. I'll spill the tea on why they're on my playlist, share some fun facts about each track, and maybe even uncover some surprises along the way. It's going to be a musical adventure, and hopefully, it'll give you a peek into my world through the songs that make up my life's soundtrack. Let's hit shuffle and see where it takes us! SONGS MENTIONED…No More from the 2022 Broadway cast recording of Into The WoodsFinale B from the 2005 Rent movie soundtrack Let it Snow (10th Anniversary) by Michael BubleTechnicolor by Laura OsnesSoft Place to Land (Live from the Hollywood Bowl) by Sara BareillesPure Imagination from Willy Wonka and the Chocolate Factory soundtrackOne Jump Ahead (Reprise) from Aladdin – The Live Action movie from 2019 sung by Mena MassoudNot My Fault from the 2024 Mean Girls movie sung by Renee Rapp and Megan Thee StallionTotal Eclipse of the Heart sung by the Glee Cast (Season 1 episode 17)Just a Kiss by Lady Antebellum (Lady A) from the 2012 Grammy Nominees AlbumBallad of a homeschooled girl by Olivia Rodrigo from her 2023 album Guts PREVIOUS EPISODES TO LISTEN TO:The Wickedly Talented Cynthia Erivo & Ariana Grande Take on Oz Ep 64Broadway's Mean Girls: Songs, Characters, and More Ep 44Exploring Broadway's Villain Songs  Ep 37Melodies to Celebrate the 2024 Eclipse Ep 35A Magic Carpet Ride through Aladdin Ep 23The Soundtrack to Grammys 2024 Ep 25What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Musicals aren't Roses thing, so in preparation for her to watch the movie, Court recaps Wicked (The Play) to her. But musicals aren't musicals without music...

David and Kaitlyn Phipps discuss the movie musical adaptation of the Broadway Musical, "Wicked," and unpack its most profound themes.

Join sibling co-hosts and Philadelphia natives James and Mary as they discuss the best films and tv shows of our time! This episode features “Wicked” the film adaptation of the Broadway Musical and novel starring Ariana Grande & Cynthia Erivo. Join us as we discuss this exciting film! Spoiler Alert* This review and commentary moves through the film from beginning to end. You can follow the show on Instagram @Watchthatjawn and listen to the show on Spotify, Apple Podcast, RSS, Amazon Music, & YouTube.

With Gypsy on Broadway, Wicked on movie screens nationwide and Mama I'm A Big Girl Now off-Broadway, this seemed to be the perfect time to revisit this episode from the first season of Broadway Nation. This was the first of three episodes highlighting the principal themes of the Broadway Musical.  Here I look at the single most ubiquitous and pervasive theme: “Transgressive Women”. For more than 100 years an overwhelming majority of musicals have featured transgressive female characters who break the rules, and refuse to follow the path that society has set out for them. And more often than not they are the protagonist, or co-protagonist, of the story. However, for some reason musicals are not generally perceived in this way. Most people would not identify this as one of the Broadway Musicals principal attributes. I believe that is part of their subversive power. In fact I would contend that the musicals themselves, as well as the characters, are transgressive. From “Laurey” in Oklahoma! to “Elphaba” in Wicked. From “Annie Oakley” to “Tracy Turnblad”. From “Maria” in The Sound Of Music to “Effie” in Dreamgirls. Dynamic women have always been at the center of America's signature Art Form. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome listeners to SEASON 4 - Episode 42 of The Yonkō Table! Featuring your host Yonkō The GrandMasterHoop, and Supernovas Dr. Mondo, Miss. Mad, & HooperTV!Wicked, the film adaptation of the broadway musical loosely based on the book of same name inspired by L. Frank Baum's world of Oz directed by John M. Chu has soared into cinema for what we may say is nothing short of the greatest film of 2024 and then some.Did leads Cynthia Erivo & Ariana Grande deliver as the iconic Elphaba & Glinda? How did the world of Shiz U & a modern Oz transition to film? Were the numbers and choreography every theater kids dream? WAS GRAVITY DEFIED?!?! This and so much more, so quit swabbing the deck, come have a seat, and get fed with this week's episode of The Yonkō Table!Discord: https://tinyurl.com/44bpr4hnSpotify: https://tinyurl.com/u2tcbdvxYoutube: https://tinyurl.com/2mudtdwmBe sure to follow us on:Twitter: https://tinyurl.com/nxhw66teFacebook: facebook.com/yonkotableInstagram: instagram.com/theyonkotablePatreon: https://tinyurl.com/yzv488vr

November 18, 2024 - Inside a one-room apartment on the outskirts of Seoul, Oliver lives a happily quiet life, listening to jazz records and caring for his favorite plant. But what else is there to do when you're a Helperbot 3, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger, what starts as an awkward encounter leads to a unique friendship, a surprising adventure, and maybe even…love? Winner of the Richard Rodgers Award, MAYBE HAPPY ENDING, starring Darren Criss and Helen J. Shen, is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by the visionary director and Tony Award winner Michael Arden (Parade, Once on This Island), with dazzling scenic design by Dane Laffrey (A Christmas Carol) and book, music, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park, MAYBE HAPPY ENDING is a fresh, original musical about the small things that make any life worth living. Join us for a conversation with the cast members Helen J. Shen and Marcus Choi of this enchanting new Broadway musical. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1881-maybe-happy-ending-a-new-broadway-musical

Nate welcomes Kaitlyn Jackson to the studio to talk about her career in professional theater. She has traveled the country to practice her craft as an actor, singer, dancer, choreographer and more. Kaitlyn just finished a stint in Utah at Tuacahn Amphitheater where she played the lead role of Elsa in Disney's Frozen, the Broadway Musical. She also looks back at her time on American Idol and sheds light on the reality of pursuing a career in acting and music. 

Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In this episode, we're diving into the fierce, foot-stomping world of Suffs, the musical that brings the women's suffrage movement to life! Join me as we break down some of the show's most powerful anthems, meet unforgettable characters, and explore how this show mixes history with a modern beat. If you're ready to get inspired, feel empowered, and maybe even grab a sign and start marching, then you're in the right place. Let's keep the spirit of these revolutionary women alive, one song at a time!SONGS MENTIONED...Let Mother VoteFinish the FightFind a WayWait My TurnThe March (We Demand Equality)Great American BitchWorth ItI Was HereFinish the Fight (Reprise)Keep MarchingSongs that Inspire the Fight for Rights and Freedom (Episode 46)What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

The original production of Westside Story ran for 732 performances, spawned a movie that won 11 Academy Awards, and is still a go to on every list of the greatest Broadway Musicals ever written.  The collaboration between Leonard Bernstein, Stephen Sondheim, and Jerome Robbins was a revolution on par with the collaborations of Stravinsky, Diaghilev, and Nijinsky on the Rite of Spring.  No Broadway show had ever been so gritty, so tragic, and so raw.  The first performances of Westside Story were done against the backdrop of a rise in gang violence in New York City.  The socio-economic aspects of the show were evident to everyone who watched it, and I always like to remind people that the location where Bernstein, Arthur Laurents, who adapted Shakespeare's Romeo and Juliet for this show, and Sondheim imagined the story taking place is where Lincoln Center now sits, a seat of opulence and extravagance. Simply put, this was a musical, a comedy, a tragedy, a political statement, and most importantly, a stunningly revolutionary work of art by these collaborators.  Today, I want to tell you about the music, and more specifically, the Symphonic Dances from Westside Story, an arrangement that Bernstein made with his colleague Sid Ramin 3 years after the show's premiere.  The Symphonic Dances brought Bernstein's electric music from the theatre to the concert stage, and it's stayed there ever since.  So today, we'll go through each number, talking about just what makes this music so great, and also about the show itself - its background, its production, and the issues that Bernstein, Laurents, Sondheim, and Robbins were trying to tackle, all through the eyes of a tale of woe about Juliet and her Romeo, or of course, Maria and Tony. Join us!

Today's episode is the second half of my conversation with Trevor Boffone regarding his fascinating new book: TikTok Broadway — Musical Theatre Fandom in the Digital Age. If you missed part one of our discussion, you may want to catch up with that before listening to this one. Trevor Boffone is a Houston-based content creator and social media manager. His previous books include Renegades: Digital Dance Cultures from Dubsmash to TikTok and Latinx Teens: US Popular Culture on the Page, Stage, and Screen. He is also the editor of TikTok Cultures in the United States and the co-editor of five collections on Latinx popular culture and performance. Today, Trevor and I explore several massively popular viral TikTok trends relating the Broadway and West End musicals SIX, Heathers, Wicked, and Mamma Mia! And he also shares with us his observations of the many ways that TikTok has become a performance space of its own for fans of Broadway musicals. We also delve into the phenomenon of musicals that have been created on TikTok such as Ratatouille — The Musical and Bridgerton — The Musical. This all brings up some big questions relating to the very nature of theater itself, and of course, the future of TikTok. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Moran| EP 326 Exploring Comedy, Hollywood Tales & Behind-the-Scenes Stories with Rob Moran Join us for an entertaining and insightful journey with actor and comedian Rob Moran as he delves into his diverse career in Hollywood. From discussing the burgeoning film industry in Atlanta and the perks of its tax credit, to sharing personal stories about working with legends like Norm MacDonald, Woody Harrelson, and the Farrelly brothers, Rob offers viewers a unique glimpse behind the scenes of iconic films like 'Dumb and Dumber,' 'There's Something About Mary,' and 'Kingpin.' Hear about his memorable experiences on 'Police Story' and 'Navy SEALS,' his fascinating encounters with celebrities, and humorous anecdotes from film sets. Learn about his transformation from being diagnosed with Asperger's Syndrome to becoming a stand-up comedian, his views on modern filmmaking, and his ongoing creative projects, including a Broadway musical adaptation. This episode is filled with heartwarming, humorous tales and exclusive insights that movie enthusiasts won't want to miss.  Chapters 00:00 Celebrating Milestones and Memories 03:02 The Evolution of the Show 06:11 Rob Moran: A Scene Stealer's Journey 09:05 Friendship with Norm Macdonald 11:57 The Impact of Comedy on Life 14:51 Memorable Roles and Experiences 18:04 Persistence in the Industry 20:54 The Power of Connections 24:06 Behind the Scenes of Days of Our Lives 27:03 Exploring Horror and Comedy in Film 31:17 First Experience in Horror Film 34:10 Working with Jim Carrey 35:38 The Changing Landscape of Comedy 37:09 Memorable Moments from Dumb and Dumber 41:30 Ad-libbing in Comedy 43:53 Chemistry with Co-stars 49:00 Tattoos and Personal Stories 52:22 Reflections on Career and Advice 59:56 Breaking News: Broadway Musical Adaptation   Takeaways

One Direction Bandmates Mourn Liam PayneJay Cutler arrested for DUI and gun possession in Tennessee (Page Six)Morgan Wallen Announces His Own Festival, Created with AEG Presents and Stagecoach Producer Stacy Vee (Variety)Tell Me Lies boss addresses dramatic finale (Radio Times)'Dirty Dancing' Broadway Musical in the Works for 2025 (Variety)Queenie and Weenie of The WeekThe Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

My guest this week is Trevor Boffone whose new book is titled TikTok Broadway — Musical Theatre Fandom in the Digital Age. I suspect that many of you, like me, are not on TikTok and may not immediately think this book will be of great interest to you. However, I encourage you to give it a listen because I think you will find what Boffone has to say in his book and in this discussion to be a fascinating and important aspect of recent Broadway history. I was quite captivated by it. On this episode, we look at the history of Social Media and its relationships with the Broadway musical and how from the very beginning of TikTok in America, Broadway musicals became a key aspect of even it most mainstream content. Trevor Boffone is a Houston-based content creator and social media manager. He is the author of Renegades: Digital Dance Cultures from Dubsmash to TikTok and the co-author of Latinx Teens: US Popular Culture on the Page, Stage, and Screen. He is the editor of TikTok Cultures in the United States and the co-editor of five collections on Latinx popular culture and performance. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices