Podcast appearances and mentions of George Lucas

Dan and I discuss the importance of getting the coffee order right, working with a team, creating new tech for F1, Life of Pi, George Lucas in Love, and so much more. Dan's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert

Send us a textFor today's episode, Mike & Bogie look to provide a #trailer #reaction video for the recently released 1st official #Maul: #ShadowLord teaser trailer.  On top of that, they also react to a fan film created that shows extended, or "cut scenes", of Jek #Porkins.  Come join as they watch the trailer for the first [and 2nd] time and listen to what their thoughts and opinions are as the trailer is new and fresh in their minds.  *Apologies for the audio quality issues with Mike's mic.#StarWars #Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #scifi  #playstation #xbox #pcgaming #LEGO #legobuild #build #CloneWars #Rebels #Animation Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500 subs = Theory Sabers light saber giveaway!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

The Maul Shadow Lord trailer is here and it looks dark gritty and very different from recent Star Wars. With stunning animation Crimson Dawn vibes and echoes of George Lucas original sequel trilogy ideas this new animated series could redefine Darth Maul and the future of Star Wars leading into May the Fourth.

n this episode I spoke with author Paul Fischer about his book "EP 397 The Last Kings of Hollywood: Coppola * Lucas * Spielberg and the Battle for the Soul of American Cinema".  The untold, intimate story of how three young visionaries Francis Ford Coppola, George Lucas, and Steven Spielberg revolutionized American cinema, creating the most iconic films in history while risking everything, redefining friendship, and shaping Hollywood as we know it.On sale February 10, 2026.  Pre-order your copy today.

"Extra Extra! Read all about it!" The Movie, could be the actual title of Sky Captain and the World of Tomorrow. The Transatlantic nostalgic vibes for the 30s are STRONG in this movie. Starring Jude Law and Gwyneth Paltrow, giant robots invade the world, and it's up to Sky Captain Jude Law to stop them! Along with Gwyneth Paltrow's character, who is written like you'd expect someone from the 30s would think about women. This movie is FULL of green screen. Enough to make George Lucas weep.Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Last week Lucasfilm announced that Kathleen Kennedy is stepping down from her role as studio president, a position she has held since Disney's 2012 acquisition. Succeeding her are George Lucas' protégé and Ahsoka creator Dave Filoni, who will oversee the franchise's creative direction as co-president alongside former Lucasfilm General Manager Lynwen Brennan handling the business side of things. Kennedy still has an active hand as an executive producer of both Star War's next theatrical offerings: May's The Mandalorian & Grogu as well as 2027's Starfighter and will continue to produce other projects independently. Kennedy's tenure saw its fair share of highs and lows, especially contending with an often fickle fandom, but with multibillion dollar films under her belt her exit marks the end of an era.It was a surprisingly noteworthy MLK weekend box office– outside of Avatar: Fire & Ash's continuing reign, Marty Supreme became A24's top-performing film of all time with 80 million dollars domestically, surpassing Everything Everywhere All at Once, while Zootopia 2 became the highest-grossing animated film of all time globally with over 1.7 billion dollars, passing Inside Out 2. Meanwhile, Nia DaCosta's 28 Years Later: The Bone Temple opened below expectations with just 15 million dollars over the four-day weekend, falling well short of the 30-million-dollar debut of its predecessor and behind tracking projections of 20 million dollars. Despite the horror sequel's muted debut, it's been an unusually robust box office this January.Netflix has revised its $83 billion dollar deal for Warner Bros. Discovery to an all-cash transaction valued at $27.75 dollars per share, simplifying the structure to provide greater certainty of value for shareholders and accelerate the path to a shareholder vote by April. The amended deal, unanimously approved by both boards, maintains the same per-share valuation while WBD stockholders will still receive additional value from shares of Discovery Global following its spinoff, with Netflix financing the deal through cash on hand, credit facilities and committed financing. This update comes on the heels of Netflix co-CEO Ted Sarandos' renewed promise to keep WB studio films in theaters for at least 45 days before hitting streaming.Prime Video has released a first look photo of Sophie Turner as Lara Croft in the upcoming Tomb Raider series, which has begun production.Hans Zimmer, who has scored more than 500 movies and TV projects, will officially score the upcoming Harry Potter series for HBO Max in partnership with Bleeding Fingers Music, a composer collective that he co-founded.Sons of Anarchy star Ryan Hurst has been cast as main character Kratos in Amazon's upcoming God of War series, which is currently confirmed for two seasons and has begun pre-production. Teresa Palmer was also cast last week and will play Sif, Thor's wife and the goddess of family.Cate Blanchett has signed a deal to reprise her role as Viking warrior Valka in Universal Pictures' live-action How to Train Your Dragon 2.Warner Bros. has set Jorge R. Gutiérrez to direct an animated feature centering on the classic Looney Tunes character Speedy Gonzales, The Hollywood Reporter has exclusively learned.

Every reign comes to an end. After months of speculation, Lucasfilm has announced that Kathleen Kennedy will step down as President. Kathy has been President of Lucasfilm since the Disney acquisition of the company in 2012. Despite a fandom that at many times were hostile towards her, Kathy led Lucasfilm into a bright new era of Star Wars which saw so many animated shows, comics, books, live action series, and films which has expanded the mythos and helped the Galaxy reach a plethora of new fans.In her "Exit Interview" with Deadline, Kathy discusses her storied career and discuss what has happened with many cancelled projects like Steve Soderbergh and Adam Driver's The Hunt For Ben Solo, James Mangold and Beau Willimon's Dawn of The Jedi and beyond.As Kathy returns to producing (including the upcoming The Mandalorian And Grogu, and Starfighter), we salute her incredible career and wish her all the best in her future projects.While one reign ends, another begins. Kathy steps down and (as rumored) Dave Filoni and Lynwen Brennan rise. Dave will serve as President and Chief Creative Officer and Lynwen will serve as Co-President. Everyone knows about Dave's role within Lucasfilm as apprentice to George Lucas, but Lynwen's role within Lucasfilm has been equally as impressive. Lynwen has been at Lucasfilm since 1999, beginning her tenure at Industrial Light & Magic where she become its leader in 2009. She was General Manager of Lucasfilm in 2015 and President & General Manager of Lucasfilm Business in 2024. Her leadership has been recognized with a Lifetime Achievement Award from the Visual Effects Society and the honor of Commander of the Most Excellent Order of the British Empire.With this new leadership, questions and concerns arise about what we can expect from what we've called colloquially "Phase 3" of Star Wars. Join us as we celebrate Kathy's career, toast to Dave and Lynwen's new roles, and speculate about what might be in store for Star Wars future!• • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/triadoftheforce.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/triadoftheforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TriadoftheForce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like us, get some merch and help the channel:TeePublic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/triad-of-the-force⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Grushkov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

In this inaugural bonus tie-in podcast for the year 2026, which also happens to be the year of the 1980's for us on the show, we are tying into our January debates on 80's fantasy trend with our take on the 1988 Willow. Over the course of our conversation you will hear us retrace the oral history of how this movie came together and how it all led back to George Lucas and Star Wars. We talk about Ron Howard as a directorial presence stylistically aligned to Lucas and Spielberg, the many struggles of building a universe from the ground up and that fundamental archetypes seem to work best for audiences. We also discuss Warwick Davis as a lead (and the fact he wasn't the top billing in the credits), Val Kilmer as a lovable rogue and we also try to map the entire movie onto the framework of Star Wars. We touch on the film's villain problem, its groundbreaking special effects and much more!Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

MUSICJohn Mellencamp, at 74, advocates for his children to pursue happiness over traditional careers, claiming he has never encouraged them to seek jobs. https://nypost.com/2026/01/18/entertainment/john-mellencamp-shares-his-unusal-work-advice-for-his-children/ Eddie Vedder's documentary Matter of Time will debut on Netflix on February 9th. https://deadline.com/2026/01/eddie-vedder-matter-of-time-documentary-netflix-premiere-1236684750/ Noel Gallagher suggests that Oasis is returning to music production soon, indicating “back at work” remarks following the success of their 2025 reunion tour, which grossed over $400 million and spanned 41 dates worldwide. https://www.nme.com/news/music/noel-gallagher-reflects-on-oasis-live-25-reveals-hes-back-at-work-this-week-fuelling-rumours-of-new-music-3924164 FASHIONRIP: Valentino Garavani, Fashion Titan Who Dressed Pop, Hollywood, and Royal Stars, Dead at 93 https://www.rollingstone.com/culture/culture-news/valentino-garavani-dead-1235501500/ TVKelly Clarkson is expected to call it quits on her daytime talk show after the current, seventh season. https://pagesix.com/2026/01/19/entertainment/kelly-clarksons-talk-show-is-expected-to-end-after-this-season/ Stephen Graham won the Golden Globe for Best Actor in a TV Mini-Series for his role in the Netflix series "Adolescence." https://www.the-independent.com/arts-entertainment/tv/news/stephen-graham-golden-globes-lost-b2903242.html Dos Equis is bringing back its popular commercial character, "The Most Interesting Man in the World." https://parade.com/food/dos-equis-most-interesting-man-in-the-world-is-back AND FINALLY There's a list online of movie facts that people commonly get wrong. Here are some highlights:1. Robert Downey Jr. did not improvise the line "I am Iron Man". It's in the "Iron Man" script.2. There isn't a DEAD munchkin hanging in the background "The Wizard of Oz". It's a bird, and you can see it move like a bird.3. In "Titanic", Jack could physically fit on the door, but it wouldn't have supported him and Rose. The main point of the scene was Jack's sacrifice, not carpentry.4. John Travolta's briefcase in "Pulp Fiction" does not have a secret meaning. Quentin Tarantino has said the glow is just for storytelling.5. George Lucas did not plan "Star Wars" from the beginning. Darth Vader was not intended to be Luke's father when he made the first film.6. Harrison Ford did not accidentally "shoot" the swordsman in "Raiders of the Lost Ark". It was planned. They wanted to simplify the scene by just having Indy end it with a quick bullet. Follow The Rizzuto Show → https://linktr.ee/rizzshow Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when someone who grew up in the Lucasfilm Games golden era decides that today's AI tools are failing creatives? Mike Levine has spent more than 30 years building at the intersection of games, XR, VFX, and interactive storytelling—and his verdict is clear: the current AI stack is a fragmented, overcomplicated mess that turns directors into prompt engineers.Mike started as a tester at Lucasfilm Games (later LucasArts), working his way into the art department on titles like Sam & Max and The Dig before helping ship live-action Star Wars games such as Rebel Assault and Jedi Knight II. He later built rotoscoping tools used across the VFX industry, collaborated with ILM and Pixar, experimented with mobile AR games for Hasbro and HoloLens, and dipped into crypto gaming—before finally co-founding MovieFlow (now FilmSpark), an AI-native production platform designed so that filmmakers, agencies, and showrunners can move from script to screen without needing a computer science degree.The AI XR news you should know: Apple taps Google Gemini to power Siri, acknowledging that building world-class LLMs in-house makes little financial sense. Meta cuts 10% of Reality Labs, right-sizing its VR bets while pivoting toward wearables. Xreal raises another $100M amid questions about Chinese state influence and data flows. Higgs Field lands $80M at a $1.3B valuation for AI cinematography tools that many filmmakers still find unreliable. Wikipedia signs licensing deals with major AI companies after years of being scraped for free. OpenAI invests $252M in Sam Altman–backed Merge Labs, raising fresh conflict-of-interest questions.Key Moments Timestamps:[00:23:02] From Boston journalist-to-be to accidental hire at Lucasfilm Games[00:26:24] The “test pit” culture at Lucas and how Nintendo experience got Mike in the door[00:28:45] Moving into the art department, learning Photoshop from early legends, and shipping Sam & Max[00:31:15] Live-action Star Wars games: Rebel Assault, Jedi Knight II, and convincing George Lucas[00:34:38] Visiting Pixar with new VFX tools and recognizing the same creative “magic” as LucasArts[00:36:24] Doug Trumbull's influence on Mike's sense of cinematic possibility and immersion[00:43:27] The urinal meeting at Magic Leap and what early spatial computing got right (and wrong)[00:49:00] Why most AI tools are “dark ages” for filmmakers: node graphs, 10+ subscriptions, no story view[00:51:00] Building MovieFlow/FilmSpark: story-first, timeline-based AI production for long-form and vertical shows[00:53:00] The Neighborhood Podcast: a 90-second vertical murder mystery as proof-of-concept for AI-native seriesWhen humans can generate shots, scenes, and even entire episodes in minutes, the bottleneck shifts from production to vision. Mike argues that the winning AI tools will be the ones that let directors see their whole story, maintain continuity, and iterate fast—without ever feeling like they left the edit bay for a dev console. His vertical drama collaboration with Charlie, The Neighborhood Podcast, is an early look at what happens when narrative craft meets AI-native pipelines instead of fighting them.This episode is brought to you by Zapar creators of Mattercraft—the leading visual development environment for building immersive 3D web experiences. Build smarter at mattercraft.io.Watch the full episode on YouTube and subscribe to the AI XR Podcast for weekly conversations with the people building the future of AI, XR, and interactive media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kathleen Kennedy finally steps away from Star Wars. She damaged the brand more than anyone could have imagined. In this final video (i hope) I deep dive through her latest interview where she actually discusses the Star Wars community and fandom and reveals just how out of touch she is. I hope this video brings my perspective to the table on how Kathleen Kennedy has treated George Lucas' story, or rather, mistreated. THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/... Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/... HATS and MERCH - https://www.theorysabers.com/products... Facebook: https://www.facebook.com/profile.php?... SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5... Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Learn more about your ad choices. Visit megaphone.fm/adchoices

This month's Out Now with Aaron and Abe commentary track wants you to get that hot rod ready for the real race. The Brandon Peters Show's Brandon Peters, The Milky Way Blues' Yancy Berns, and Movies, Films & Flix's Mark Hofmeyer join Aaron to discuss American Graffiti, the coming-of-age hit from director George Lucas. This is the first entry in Out Now's “Teenage Wasteland” series of commentaries. Listen in as the group discusses this nostalgic classic that hits all the right beats, with plenty of style and tunes. Plus, there are many stories about the making of the film, the hosts' connection to the movie, various tangents, and so much more. So now, if you've got an hour to kill… Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD, @YancyJack Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod, The Milky Way Blues Watch the trailer for American Graffiti Next Month: The Breakfast Club (1985)

Send us a textIt's all but officially here.  Changes at Lucasfilm are taking place.  #KathleenKennedy stepping down.  #DaveFiloni and Lynwen Brennan Stepping up.  What does that mean for the Star Wars franchice?  Come listen to what the Crew has to say.On top of that, the OT is making a push to your favorite Star Wars park out there... That's right.  Galaxy's Edge.  #DartVader, OT #Stormtrooper (s), #LukeSkywalker, #HanSolo, #PrincessLeia, and more are coming to the Star Wars theme park.  What once use to only host ST characters walking around the park, they are now giving in to bring in the characters that made the franchise.To round out, Ben and Mike play a little game of blind rankings, where they're forced to rank certain characters without knowing who the next ones will be on the list.#StarWars #Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #scifi  #playstation #xbox #pcgaming #animeSocial Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)My Star Wars Life - FB Group (Join Now!)

BREAKING NEWS: Kathleen Kennedy's control of Lucasfilm and Star Wars has come to an end. We review some telling highlights from Kathy's exit interview and discuss her Star Wars legacy. With Dave Filoni taking charge of Lucasfilm, does this mean George Lucas will return to the fold? We share our thoughts. Disney revealed a facelift is coming to Star Wars: Galaxy's Edge at Disneyland as Original Trilogy characters and situations will be incorporated into the theme park this April. We review all the information about the changes and offer our opinions. Star Wars: Starfighter will feature lightsaber duels and none other than Tom Cruise stopped by the set to jump behind the camera to shoot a sequence. We look at a fresh interview with director Shawn Levy and speculate which characters will be involved in the duel and why. Mark Hamill recently discussed The Force Awakens and the lack of a reunion between Han, Luke and Leia. Find out why such a get together never materialized. Plus, we got interview highlights from Mia Goth, Oscar Isaac and more!

In front of an audience at the SAG-AFTRA Foundation, the Australian actor/writer/director reflects on how he wound up in George Lucas' second 'Star Wars' trilogy, his memorable turns in art house standouts like 'Warrior' and Loving,' and the challenges and rewards of giving a largely dialogue-free performance in Clint Bentley's adaptation of Denis Johnson's 2011 novella about a laborer in the early 20th-century American West. Learn more about your ad choices. Visit megaphone.fm/adchoices

A long time ago, in a galaxy that still feels oddly close to home, The Commentary Booth kicked off its 50th anniversary Star Wars rewatch exactly the way George Lucas intended, in release order. Jamie Apps and Corrina Mabey return to where it all began, revisiting Star Wars: Episode IV – A New Hope ahead of the film's upcoming 50th anniversary cinema run of the original cut.This episode is part love letter, part gentle rant, and part deep dive into how a scrappy 1977 space opera reshaped blockbuster cinema forever. Jamie and Corrina unpack the misfit cast who went on to define pop culture, the genius business gamble that turned merchandising into a goldmine, and why practical effects still hit harder than modern CGI. There's nostalgia, frustration (yes, the special editions come up), and genuine awe at how much of modern sci-fi traces back to this single film.Along the way, they debate whether A New Hope is really Luke's story at all, argue the spiritual versus scientific take on the Force, and reflect on the personal memories that make Star Wars more than just a franchise.Highlights Breakdown:

Send us a textThe DetBlock Crew brings you all of their insight and opinions about episodes 5 - 9 of the #StarWars #Visions volume 2 found on #Disney  +.  There will be #SPOILERS within the episode, so you've been warned!  The views and thoughts expressed are very fresh as they watched the episode right before coming on to talk to all of you!Furthermore, the Crew talk about the recent leaked unofficial news about Dave Filoni and Lynwen Brennan taking over Star Wars for Kathleen Kennedy.  How do they feel about this...?  I think you know.  But come have a listen!Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)My Star Wars Life - FB Group (Join Now!)

George Lucas explains that Order 66 wasn't a plot twist — it was destiny. In this George Lucas Answers video, we explore how the Jedi built their own downfall, how Anakin's fear completed the perfect trap, and why the clones' obedience mirrors the Jedi Order's blindness. Supported by The Making of Revenge of the Sith and Matthew Stover's novelization for some backup points and quotes. Enjoy! THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Facebook: https://www.facebook.com/profile.php?id=61577224659532 SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5OgOsi7o18Zo7Jn6 Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Twitter - https://twitter.com/realswtheory Instagram - https://www.instagram.com/star.wars.theory/ TikTok - https://www.tiktok.com/@starwarstheory66 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week from a galaxy far, far away with Jon Justice.- Is KK finally leaving with George Lucas protege Dave Feloni taking over. - New Starfighter detailsSUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

This ai Star Wars stuff is getting too real now...it's insane how fast these creators and artists are learning to use this new technology to give us fans entertaining content. I hope Disney hires them and lets them create official content with George Lucas vision in mind. I wish this technology existed when I started my channel, my fan fictions would have been very entertaining to watch. Technology sure is an interesting thing. Video by starwarstalesuntold THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Facebook: https://www.facebook.com/profile.php?id=61577224659532 SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5OgOsi7o18Zo7Jn6 Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Twitter - https://twitter.com/realswtheory Instagram - https://www.instagram.com/star.wars.theory/ TikTok - https://www.tiktok.com/@starwarstheory66 Learn more about your ad choices. Visit megaphone.fm/adchoices

Throw some invisible food and get ready to never grow up as we fly into 1991's Hook. Why was the media of the 80s and 90s so full of daddy issues? Was Robin Williams going for restrained in this role, or phoning it in? How much of the Millennial generation considers Rufio their first crush? Was there any scenery left unchewed after Dustin Hoffman was done with it? We'll tell you once we find our marbles, 

In 1975 a man named George Lucas began preparing to make an audacious film that would come to be known as Star Wars. The movie, released in 1977 would go on to blow the minds and capture the hearts of countless people all over the world. The movie showed them things they'd never imagined they'd see, space battles, laser swords, a battle-station the size of a moon destroying a planet, and a guy in a suit with asthma.  The problem was, back in 75 no company existed to create the effects George needed to see his dream become reality...so he created one. Industrial Light & Magic was born. The crew that initially created the visual effects were a rag tag team of nerds, outcasts, and people with hobbies other's saw as ridiculous. Together they literally made magic happen, and it didn't end there. For the last 50 years ILM has been making the impossible possible by creating some of the most memorable moments in cinematic history. ILM has put you on the edge of your seat, they've put your jaw on the floor, and they've taken your breath away more times than you know. It's time to tell their story, the Historically High way. Punch it Chewie. Support the show

Welcome to the rebellion...and "It's a Favorite Series, Dude (of Star Wars)" our brand-new and impeccably-named bonus series where we invite guests to gush about their favorite episodes of Star Wars television (and maybe other media down the road). And to help us kick off this new series, we're joined by none other than Patrick Cotnoir, Executive Producer for the ⁠George Lucas Talk Show⁠! We gushed about this episode with Patrick, discussed how it beautifully bridges two eras of Star Wars, and of course, got a little silly and crowned our first Glup Shitto Watch awardee. Plus, we caught up with Patrick about the I'm "George Lucas": A Connor Ratliff Story Blu-Ray and the upcoming Moof-milkers: An All Star Live Reading of Star Wars Episode 7 - The Force Awakens!- More from Patrick - 1/10 - Moof-milkers: An All Star Live Reading of Star Wars Episode 7 - The Force Awakens1/13 - George Lucas Talk Show Live at Dynasty Typewriter1/16 - George Lucas Talk Show Live at SF SketchfestBuy your copy of I'm "George Lucas": A Connor Ratliff Story at Kino LorberSubscribe to Hey That's Me: A Commentary Podcast- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した (intro) and Revelations (outro) by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

DAVID BOWIE AS THE GOBLIN KING!!! Labyrinth Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Gift Someone (Or Yourself) An RR Tee! ⁠https://shorturl.at/hekk2⁠ Coy & Roxy embark on a CLASSIC '80s Fantasy as they give their Labyrinth Full Movie Reaction, Breakdown, Analysis, Commentary & Spoiler Review! Roxy Striar & Coy Jandreau react to Labyrinth (1986), the beloved fantasy cult classic directed by Jim Henson and produced by George Lucas, a film that blends fairy-tale adventure, surreal imagination, and iconic musical moments into one of the most enduring fantasy experiences of the 1980s. The story follows Sarah Williams (Jennifer Connelly – The Rocketeer, Requiem for a Dream), a headstrong teenager who accidentally wishes her baby brother away and must journey through a magical, ever-shifting labyrinth to rescue him before time runs out. Ruling over this strange world is Jareth the Goblin King, played by David Bowie (The Man Who Fell to Earth, The Prestige), whose charismatic menace, elaborate costumes, and musical numbers have made him one of fantasy cinema's most unforgettable villains. As Sarah navigates riddles, traps, and bizarre creatures, she encounters loyal allies like Hoggle (Brian Henson – Return to Oz), Ludo (Ron Mueck – creature performance legend), and the chivalrous fox knight Sir Didymus (David Shaughnessy – Star Trek: Voyager). Iconic moments include Bowie's electrifying opening number “Magic Dance,” the Escher-inspired staircase illusion, the Fireys' anarchic dance sequence, the haunting “As the World Falls Down” ballroom fantasy, and Sarah's final declaration of independence that redefines the film's fairy-tale moral. With Jim Henson's groundbreaking puppetry, Brian Froud's creature designs, and a timeless coming-of-age message, Labyrinth remains a cherished fantasy touchstone that continues to captivate new generations. Follow Coy Jandreau:  Tik Tok:⁠ https://www.tiktok.com/@coyjandreau?l...⁠ Instagram:⁠ https://www.instagram.com/coyjandreau/?hl=en⁠ Twitter:  ⁠https://twitter.com/CoyJandreau⁠ YouTube: ⁠https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w⁠ Follow Roxy Striar YouTube:⁠https://www.youtube.com/@TheWhirlGirls⁠ Instagram:⁠ ⁠⁠https://www.instagram.com/roxystriar/?hl=en⁠ Twitter:  ⁠https://twitter.com/roxystriar⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Best of WIO: Stephen Colbert (Recorded January 2025)This week the legendary Stephen Colbert returns to the podcast. Mike and Stephen discuss the behind-the-scenes of Stephen's Late Night job as well as his Chicago improv days. Stephen talks wisdom passed down to him by David Letterman, Del Close, and Mike Nichols, and shares what makes him cry most easily. Plus, Stephen's thoughts on meeting George Lucas and the Pope.Please consider donating to Radio Lollipop Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Today on Too Opinionated, we sit down with Director Anthony Lucero to talk about his new film, Paper Bag Plan! Synopsis: After being diagnosed with cancer, Oscar (Lance Kinsey) realizes his overprotectiveness may be holding his son Billy (Cole Massie) back from gaining independence. Determined to secure Billy's future, Oscar helps him build the skills needed for a job as a grocery store bagger. Their heartfelt journey highlights the challenges and triumphs of fostering self-reliance, revealing the deep love between father and son—and the courage it takes to let go. Anthony Lucero's directorial debut feature film, East Side Sushi, was picked up by HBO after screening at the Miami International Film Festival where it was also nominated for Best Screenplay. Written by Lucero, this drama/comedy indie favorite garnered 15 film festival awards nationwide, 8 Diosa de Plata award nominations including Best Picture and Best Director, has a 94% Rotten Tomatoes score and has the distinction of being listed as one of the "Top 10 Films of 2015" by SF Weekly and one of "The Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and screened East Side Sushi at six U.S. Embassies and Consulates throughout Japan. Born and raised in Oakland, Lucero draws on his Chicano roots to create stories that are multicultural and socially relevant. After receiving his B.A. in Film from San Francisco State University, Lucero spent over a decade working in visual effects at George Lucas' Industrial Light and Magic, working on such films as Star Wars Episode I & II, Ironman, Pirates of the Caribbean and The Avengers.   Want to Watch: YouTube Meisterkhan Pod (Please Subscribe)

Kicking off 2026 with a truly epic edition of MVM - a special look at how Star Wars, the movie that saved Marvel Comics! We bring you the incredible Hollywood story of how George Lucas and his team poured blood, sweat, and tears into making the first sci-fi blockbuster, and how it changed cinema forever! Then we'll take you behind-the-page to look at the close relationship between George Lucas and comic books, the financial quicksand Marvel Comics was drowning in in the Seventies, how Marvel became the very first people to ever tell the Star Wars story, and how Star Wars saved the company! Then we'll deep-dive the movie itself, pull it apart scene by scene to bring you all our reactions, plus tons of wild trivia, and compare the Star Wars movie to the Marvel Star Wars Comics! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Kicking off 2026 with a truly epic edition of MVM - a special look at how Star Wars, the movie that saved Marvel Comics! We bring you the incredible Hollywood story of how George Lucas and his team poured blood, sweat, and tears into making the first sci-fi blockbuster, and how it changed cinema forever! Then we'll take you behind-the-page to look at the close relationship between George Lucas and comic books, the financial quicksand Marvel Comics was drowning in in the Seventies, how Marvel became the very first people to ever tell the Star Wars story, and how Star Wars saved the company! Then we'll deep-dive the movie itself, pull it apart scene by scene to bring you all our reactions, plus tons of wild trivia, and compare the Star Wars movie to the Marvel Star Wars Comics! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

DAVID BOWIE AS THE GOBLIN KING!!! Labyrinth Full Movie Reaction Watch Along:   / thereelrejects   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Coy & Roxy embark on a CLASSIC '80s Fantasy as they give their Labyrinth Full Movie Reaction, Breakdown, Analysis, Commentary & Spoiler Review! Roxy Striar & Coy Jandreau react to Labyrinth (1986), the beloved fantasy cult classic directed by Jim Henson and produced by George Lucas, a film that blends fairy-tale adventure, surreal imagination, and iconic musical moments into one of the most enduring fantasy experiences of the 1980s. The story follows Sarah Williams (Jennifer Connelly – The Rocketeer, Requiem for a Dream), a headstrong teenager who accidentally wishes her baby brother away and must journey through a magical, ever-shifting labyrinth to rescue him before time runs out. Ruling over this strange world is Jareth the Goblin King, played by David Bowie (The Man Who Fell to Earth, The Prestige), whose charismatic menace, elaborate costumes, and musical numbers have made him one of fantasy cinema's most unforgettable villains. As Sarah navigates riddles, traps, and bizarre creatures, she encounters loyal allies like Hoggle (Brian Henson – Return to Oz), Ludo (Ron Mueck – creature performance legend), and the chivalrous fox knight Sir Didymus (David Shaughnessy – Star Trek: Voyager). Iconic moments include Bowie's electrifying opening number “Magic Dance,” the Escher-inspired staircase illusion, the Fireys' anarchic dance sequence, the haunting “As the World Falls Down” ballroom fantasy, and Sarah's final declaration of independence that redefines the film's fairy-tale moral. With Jim Henson's groundbreaking puppetry, Brian Froud's creature designs, and a timeless coming-of-age message, Labyrinth remains a cherished fantasy touchstone that continues to captivate new generations. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Learn more about your ad choices. Visit megaphone.fm/adchoices

George Lucas explains how Mace Windu's original death was supposed to happen and why he later changed it to Anakin Skywalker making the choice. Last chance for 25% OFF THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

George Lucas explains that Palpatine doesn't conquer the galaxy through lies, but through truth twisted by fear. In today's George Explains video, we explore George Lucas' vision of the dark side, the psychology of manipulation, and why the Emperor represents control disguised as compassion. THEORY SABERS - https://theorysabers.com/ HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Title: "I Need My Pain" - The Caves of Androzani Review & The Fifth Doctor's Regeneration THE CAVES OF ANDROZANI (March 8-16, 1984) Writer: Robert Holmes (returning!) Director: Graeme Harper (debut - directing from studio floor, not control room) PRODUCTION NOTES: The Fake Title: JNT put "The Doctor's Wife" on the production board deliberately to catch office leaks (ironic foreshadowing of Matt Smith's episode!) Graeme Harper's Innovation: Highly innovative direction with unrestricted camera movement - energetic, personal style directing from the floor instead of control room. Peter Davison said if there had been more directors like Harper and writers like Holmes, he'd have stayed for a fourth season. The Strike: Recording interrupted, cutting two sequences including the Doctor explaining his blown glass bottle collection from different planets (why they're visiting Androzani Minor for sand) Nicola Bryant's Frostbite: Developed mild frostbite on first day filming because her lower legs were bare in actually cold conditions The Dream Casting That Never Was: Sharaz Jek was offered to Tim Curry, David Bowie, and Mick Jagger! Christopher Gable was Harper's first choice, Bowie his second. Only Bowie had a reason for declining (Serious Moonlight tour). STORY BREAKDOWN: The TARDIS lands on Androzani Minor where the Doctor and Peri investigate caves and step in raw Spectrox - the most valuable substance in the universe. They're caught between multiple factions fighting over Spectrox: business magnate Morgus, General Chellak's forces, gun-runner Stotz, and the mysterious masked Sharaz Jek controlling an android army. Both contract Spectrox toxemia - the only cure is bat's milk from the lower caves where a magma beast hunts. THE FACTIONS DEBATE: Jim struggles with the convoluted plot involving approximately four factions. John helps clarify: Morgus controls everything from Androzani Major, supplying guns to Jek through Stotz while also backing the military against Jek. Nobody to root for - they're all "nasty, nasty people." STANDOUT MOMENTS: Peri & The Doctor's Chemistry: Their banter is finally warm and funny! John notes Peri complains differently than Tegan - more innocent, not sharp-edged or world-weary. The Star Trek Connection: The military forces sport Star Trek colors (blue, red, gold) matching departments, and uniform design echoes later TNG/DS9 style! First "Droid" Usage: Doctor Who uses the term "droid" for the first time (George Lucas trademarked it, but the term originated with Mary Wolfe in 1952's "Robots of the World, Arise!") Direction Showing Off: The vid-screen conversations where Morgus walks behind the hologram and creative camera angles - "Someone's really showing off here, but in a good way" Morgus's Aside: John Normington misunderstood stage directions and spoke his inner thoughts directly to camera. Everyone loved it, so they kept it! Could've been the Deadpool of Doctor Who if used throughout. CHARACTER ANALYSIS: Sharaz Jek - A Cut Above: The most twisted, dark villain in Doctor Who history. Could give Davros a run for his money in maniacal madness. Shakespearean dialogue, obsessed with Peri's beauty in deeply cringy ways. The mask reveal? A letdown - "not worthy of the build-up at all." Morgus - Standard Bureaucrat Behaving Badly: Rat bastard who murders the President by pushing him down an empty lift shaft. His defeat is Jim's "moment of joy" - well-deserved! The Magma Beast: As awful as the Myrka from Warriors of the Deep, maybe worse. THE VIOLENCE: Brutal for Doctor Who - no comic book foundation anymore. The gun-runner scuffle was "nasty, nasty, nasty stuff." THE REGENERATION: Most Extensive Ever: The Doctor says "feels different this time" (David Tennant would echo this line in his bi-regeneration). All companion cameos newly filmed: Matthew Waterhouse (Adric) - the Doctor reacts most strongly Sarah Sutton (Nyssa) - had chicken pox! Janet Fielding (Tegan) - "Brave heart, Tegan" Mark Strickson (Turlough) Anthony Ainley (The Master) - "Die, Doctor!" The Psychology: John theorizes the hallucinations represent the Doctor's psyche - companions urging him to live vs. the Master (part of himself) wanting to die. Colin Baker's Entrance: Nervous during setup, but in command once cameras rolled. Dressed in Davison's outfit (as it should be!). Two takes - said "egotistical" in final cut, "egocentric" in first. End credits gave Colin Baker top billing immediately. JIM'S CONFLICTED FEELINGS: HOPE FOR THE FUTURE: Jim admits Colin Baker's brief scene gave him hope: "He's very different from Davison... the polar opposite. He immediately insults Peri and he's large and in charge. I can almost put up with a real jerk if there's just some real agency going on in the character." The Agency Theory: Jim yearns for the days of Enemy of the World when the Doctor had real agency, was right in the middle of everything. He identifies with Pertwee's sarcasm and hopes Baker will deliver. ROBERT HOLMES APPRECIATION: Both hosts wish Holmes had been brought in sooner to establish Davison's character. His dialogue elevates everything - Jek's "I have to live among androids because they do not see like we see." FINAL THOUGHTS: Jim: "I'm somewhat encouraged by that tiny little scene with Colin Baker. It gave me some hope... I can almost put up with a real jerk if there's just some real agency." John: "I think that's fair to say there will be agency." The marshmallow Doctor era ends. The loud, arrogant era begins. One more story to round out Season 21... NEXT TIME: The Twin Dilemma - Colin Baker's full premiere! Jim handles narration for the four-parter. What could possibly go wrong with starting a new Doctor's era? Subscribe on all platforms. Email thedoctorsbeardpodcast@gmail.com. Support at patreon.com/thedoctorsbeardpodcast for $3/month. Hashtags: #DoctorWho #CavesOfAndrozani #FifthDoctor #PeterDavison #Regeneration #ColinBaker #SixthDoctor #Peri #NicolaBryant #RobertHolmes #GrahamHarper #SharazJek #Morgus #Spectrox #AndrozaniMinor #ClassicWho #Season21 #BestDoctorWhoStory #Controversy #GreatestOfAllTime #CompanionCameos #Adric #Nyssa #Tegan #Turlough #TheMaster #MagmaBeast #Androids #1984 #Regenerations #DoctorWhoPodcast #TheDoctorsBeardPodcast #INeedMyPain #TablesTurned #JohnsSadness #JimsVictory #MarshmallowDoctor #TheEndOfAnEra #Whovian #PodcastCommunity #FeelsDifferentThisTime

It is time to return to Mid-World in this final Kingcast episode of 2025 as indie horror star Graham Skipper (Re-Animator: The Musical, Almost Human, Beyond the Gates) joins Breznican and Vespe to discuss the fourth book in Stephen King's Dark Tower series: Wizard and Glass.  We break down the plot, underline how it weirdly mirrors the plot that George Lucas would later use for The Phantom Menace, and take a deep dive into how this book really plays to King's strength at mixing intricate character work and unbelievable world-building. 

Maul Shadow Lord got some NEWS today about the premise. I hope this goes into (as much as it can now) what George Lucas planned for his sequel trilogy which had Darth Maul training Darth Talon. THEORY SABERS - https://theorysabers.com/ Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

Es diciembre, lo que significa que toca nuestro tradicional especial de Star Wars Stories, con anécdotas y secretos detrás de escena de la saga creada por George Lucas. En este episodio, un dato curioso sobre los stormtroopers de la trilogía original; la historia de como Yoda aprendió a pelear; Leigh Brackett - la primera guionista de Empire Strikes Back; y la vez que la CIA usó Star Wars para comunicarse con sus espías en territorio enemigo. Además, una RE: seña un poco particular del volumen tres de Star Wars: Visions. Con música de Snow Patrol, Scorpions, y Towa Tei. Próximo programa: Vivo de fin de año.

Send us a textIn our first episode of 2026, we have a fun conversation with Mark Marshall. Mark has written a book about working on sets with George Lucas, Steven Spielberg, and Richard Donner. Mark shares samples of his stories about these great directors. He also has stories about meeting Mel Gibson, Paul Newman, the kids from The Goonies, and many more. Mark also has directed a feature documentary called Remember the Sultana. This is a rich documentary about the Civil War ship that sank killing hundreds of men. The film is available on Amazon Prime currently. https://www.amazon.com/Goonies-Droids-Killer-Whales-Observations/dp/B0DPLNFVQChttps://www.rememberthesultana.com/Thanks for listening!

A guest episode from Famous & Gravy. On each episode, host Michael Osborne and guests look at the life of a famous dead celebrity and ask themselves if it's a life they would've wanted. The show gets into all sorts of things you will not in that person's official obituary or biography. I'm a fan. Here's how they describe today's episode:This person died 2011, age of 56. He dropped out of Reed College in 1972 and once said that taking LSD was among the most important things he ever did. In the early years of his career, his obsession with detail drove colleagues crazy, but later he inspired extraordinary loyalty. In the 1990s he bought a small computer graphics spinoff from George Lucas and built it into Pixar. He told the world he would step down as Apple's CEO if he could no longer meet expectations — and then he did. Today's dead celebrity is Steve Jobs.Subscribe to Famous & Gravy in all your favorite podcast apps and at famousandgravy.com---And if you please…Subscribe to the CRAFTED. newsletter: crafted.fmShare with a friend! Word of mouth is by far the most powerful way for podcasts to growSponsor the show? I'm actively speaking to potential sponsors for 2026 episodes. Drop me a line and let's talk.Get psyched!… There are some big updates to this show coming in January

In the first draft of Revenge of the Sith, Anakin Skywalker didn't become Darth Vader after killing Mace Windu. He turned later, inside the Jedi Temple, manipulated into believing the Jedi had betrayed the Republic. In today's video let's explore George Lucas's early version of the fall, why it made Anakin too passive, and how rewriting it as a conscious choice turned Revenge of the Sith into tragedy instead of accident. Enjoy! 25% OFF sale happening still on the site, get your sabers and merch now https://theorysabers.com/ Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

Christmas Special, Part IIWelcome back to The Cinedicate. On today's episode, we're unwrapping one of the most notorious pieces of Star Wars history: the infamous Star Wars Holiday Special.Joining me are Alex and Al as we relive the highs, the lows, and the truly bizarre moments that make this relic so unforgettable. From Wookiee family drama and musical cameos to the debut of Boba Fett, we discuss what worked, what didn't, and why this oddball variety show still haunts the galaxy far, far away.Whether you're a die-hard fan or just wondering how Chewbacca's grandpa ended up watching adult films in the living room, this episode explores what the Holiday Special says about the franchise—and how it could be revived today.So grab your Life Day orbs and get ready to spend less time scrolling and more time watching, as we celebrate the weirdest day in the Star Wars universe, here on The Cinedicate.What to expect from the episode:A hilarious and brutally honest breakdown of the infamous Star Wars Holiday Special—including its most bizarre moments, failed segments, and the lone standout Boba Fett cartoonCreative pitches and lively discussion on how a modern Star Wars holiday special could be improved, featuring dream casting for musical numbers, celebrity cameos, and debates over live-action versus animation formatsInsightful reflection on Star Wars' place in pop culture today: Is a new holiday special even viable? And why does Disney keep missing opportunities for festive Star Wars content despite decades of fan demand?Episode Chapters00:00:00 - Introduction00:01:40 - First Impressions of the Star Wars Holiday Special00:02:34 - Comparing the Holiday Special to Modern Star Wars & Andor00:03:15 - Bizarre & Notable Moments00:05:41 - How to Fix the Holiday Special00:09:45 - Structuring & Formatting a Modern Holiday Special00:11:59 - Reframing the Special: Interdimensional Cable, Life Day Parade & Canonical In-Universe TV00:13:10 - Animation vs. Live Action for a New Special00:17:06 - Comparing Star Wars Parodies: Family Guy and Robot Chicken00:22:33 - Star Wars' Cultural Relevance, Timing, and Modern Fandom00:27:13 - Speculating Frameworks & When a Special Would Be Most Impactful00:31:12 - The Absence of a Proper Holiday Special in the Disney Era00:32:41 - George Lucas, the Holiday Special's Legacy & Canon00:35:04 - So Bad It's Good?00:37:12 - Studio Control and Creative Freedom00:40:32 - Will There Ever Be a New Special?00:44:57 - Looking to Other Franchises' Holiday Practices00:48:11 - Disney's Reluctance & Possibilities for Life Day00:50:11 - Other Christmas Specials, Longing for Star Wars Holiday Traditions & Thematic Possibilities00:54:40 - Final Thoughts, Parting Words & Episode Sign-Off Hosted on Acast. See acast.com/privacy for more information.

This special edition of KyberCast is basically a love letter to creativity—with Star Wars as the spark that lit the fuse. Joe Becker is joined by longtime friend and creative co-conspirator Chris Eichenseer for a deep, free-flowing conversation about how a galaxy far, far away shaped who they became as artists, designers, and storytellers. From drawing TIE fighters in school notebooks and obsessing over movie posters and typography, to discovering how George Lucas didn't just make a movie—he invented entirely new tools to tell a story—this episode digs into that formative moment when imagination takes over and never really lets go. It's about friendship, fandom, and that magical stretch of time when Star Wars didn't just entertain you… it rewired how you saw the world. But this isn't nostalgia for nostalgia's sake. Joe and Chris connect those early creative awakenings to big, timely questions about human creativity today—AI, analog vs. digital, imperfection, energy, learning, and the courage to keep “walking into the woods” even after decades of experience. They talk Joseph Campbell, the hero's journey, theater-going as a communal experience, and why “good enough” might be the real villain of modern creativity. If you've ever felt Star Wars nudged you toward drawing, music, filmmaking, design, or simply thinking bigger—or if you're wondering how to stay creatively alive in a hyper-digital world—this episode is for you. Plug in, geek out, and rediscover why making things as a human still matters. ✨ https://someoddpilot.com/ https://someoddpilotrecords.com/ https://someoddpilotstudios.com/ https://publicworksgallery.com/

In our final episode for the year we are joined by Official IndyCast correspondent Mitch Hallock, Ron Phelps has a lost Delta update and chats with Willie Scott, Chris A is back with IJ in the UK looking at the Temple of Peril and lots more!

George Lucas reveals that Luke's duel with Vader wasn't about victory — it was about compassion. In this video, we explore how the throne room fight mirrors Anakin's duel with Dooku, why Luke's refusal completes the prophecy, and how love, not control, brings balance to the Force as George Lucas COMPARES Anakin Skywalker and Luke Skywalker in Star Wars. 25% OFF - get your sabers now THEORY SABERS - https://theorysabers.com/ Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

The holiday you know wasn't born under twinkle lights. It was assembled—piece by piece—out of Star Wars, Sol Invictus and Saturnalia, immigrant folklore and Protestant pushback, department store spectacle and the irresistible pull of a good story. We follow that winding path from Rome's calendar to America's shopping aisles, showing how gift giving shifted from communal ritual to commercial engine and why the myth of a “pure” Christmas never really existed here.We dig into the colonial bans and 19th-century legalization that set the stage for a retail renaissance, when newspapers sold Santa, window displays became cathedrals of commerce, and cards and ornaments scaled through industrial craft. Santa's look didn't start with Coca-Cola; it coalesced from poems and prints that mass marketing spread nationwide. Then we jump to 1977, where George Lucas's bet on merchandising collided with demand: Kenner couldn't make Star Wars figures by Christmas, so it sold promises—the Early Bird Certificate Package. An empty box with stickers and a pledge should have flopped. Instead, scarcity and story turned IOUs into the season's hottest gift and birthed the modern collector boom.The throughline is startling and useful: American Christmas has always blended wonder with salesmanship, moral tales with marketing, generosity with buying. That doesn't cheapen the meaning we make; it puts the power back in our hands. Understand the machinery, keep what matters, and let the rest go. If this history reshaped how you see the season—or made you smile at the audacity of that Star Wars “empty box”—tap follow, share with a friend who loves holiday lore, and drop a review to help more curious listeners find us.

PGA Tour veteran Jay Delsing is a nationally syndicated host of Golf with Jay Delsing, a member of the Missouri Sports Hall of Fame, and author of You Wouldn't Believe Me If I Told You: An Unforgettable Memoir of Golf, Grit, and a Blue-Collar Kid on the PGA Tour. From a modest, sports-obsessed upbringing in St. Louis to earning his PGA Tour card and building a hospitality business around pro-ams, Jay brings rare behind-the-scenes stories and practical wisdom on relationships, mindset, and money.​ On this episode we talk about: How a blue-collar kid from St. Louis earned a scholarship to UCLA and eventually a PGA Tour card Why caddying as a teenager became Jay's masterclass in soft skills, networking, and dealing with high achievers Wild stories from the course with Sean Connery, George Lucas, Steven Spielberg, Arnold Palmer, and Jack Nicklaus How Jay turned pro-am rounds into a multi-decade hospitality and entertainment business using simple follow-up tactics The mindset, gratitude practices, and “soft skills” he believes will separate winners in the next generation of business Top 3 Takeaways Deep competence in anything (golf, guitar, business, whatever) combined with soft skills and respect will open doors you can't predict. Small, “old school” touches like handwritten notes, genuine gratitude, and being great at the bottom rung of the ladder still massively differentiate you. You get more of whatever you focus on—shifting from excuses and victimhood to ownership and opportunity is a non‑negotiable money and life skill. Notable Quotes “You get what you think the most about.” “Write handwritten notes to people. Nobody does that now—and that's exactly why it works.” “You don't have to be good at golf, just don't be an ass. People do business with people they enjoy being around.” Connect with Jay Delsing: LinkedIn: https://www.linkedin.com/in/jay-delsing-83142914​ Twitter/X: https://x.com/JayDelsing​ Instagram: https://www.instagram.com/jaydelsinggolf​ Other: https://jaydelsinggolf.com​ ✖️✖️✖️✖️

durée : 00:02:42 - Le Masque et la Plume - par : Jérôme Garcin - Le Masque et la Plume fête ses 70 ans ! On se plonge dans les archives avec ce matin le point de vue du critique Jean-Louis Bory sur "Opération Tonerre", un James Bond avec Sean Connery (1965) et "La Guerre des étoiles" de George Lucas (1977). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Send us a textAs this is likely DetBlock's last episode... No, no, no...!  Of 2025!  Don't worry, they aren't going anywhere. :)  With the holidays coming up and schedules tight with family and friends time, the Crew look to wrap up 2025 and their fifth season of their #channel / #podcast.  What did Star Wars and #Disney bring for the franchise in 2025?  What were the highlights and lowlights?  On top of that, what do the fellas look forward to in 2026 for not only Star Wars but with their channel and podcast as well?  Come listen in as Mike and Bogie talk through these questions.#StarWars #Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #scifi  #playstation #xbox #pcgaming #newyear #holidays #christmas #hanukkah Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

JC and Mad dog have a full Wide Open Wednesday with the Nana's Porch Chat Box hopping with any number of topics for discussion from football to transfers, Drinkwitz to George Lucas it's a full boat. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Square Roots Game of the Year Extravaganza Square Roots - Episode 492 We ignore the idea that 2016 is ten years ago as we get to the end of 2025 and talk about the game of the year from the games we played for the podcast this year (from the main show) as well as our own 2025 game of the year choice! * Good Queen Vanessascles  * Huey Lewis and Other Hot Impressions and References * Hot Guests Like Miss Piggy, George Lucas, Florence and the Machine and MORE! * RACHEL SLURS IS NOT INVITED This Week: Listen to our amazing Game of the Year episode! Next Week: Finish Chapter 5 and all Rogueport Nonsense! Our Patreon: http://patreon.com/squarerootspodcast Thanks to Steven Morris for his awesome theme! You can find him at: https://bsky.app/profile/stevenmorrismusic.bsky.social and https://www.youtube.com/user/morrissteven Contact Square Roots! Twitter: @squarerootspod Facebook: https://www.facebook.com/groups/486022898258197/ Email: squarerootspodcast (at) gmail (dort) com

Long ago, in a galaxy not so far away, George Lucas allowed the Star Wars Holiday Special to be made. What happened on the night of November 17, 1978 can never be fully explained, but we make our best effort in our annual special edition of SYSK. May the force be with us all.See omnystudio.com/listener for privacy information.