Podcasts about Poetry

Don and John speak with author John Timpane (in a dual role) about his new book, Poetry For Dummies. John also talks with poets Mark Danowsky, Lynn Levin and Ernest Hilbert about their contributions to the book and about the current state of poetry.

Today, we're opening a different kind of book as we explore two timeless, public-domain poems that have inspired readers for generations. Together, we'll discover the beauty of classic poetry, imagine soaring high on a swing, and take a quiet walk through nature as we learn how poets use words to paint pictures in our minds.Whether you're listening at home, in the classroom, during a homeschool lesson, or on a family road trip, this episode is a wonderful introduction to classic children's literature and the joy of reading poetry aloud.Featured in today's episode:"The Swing" by Robert Louis Stevenson"Stopping by Woods on a Snowy Evening" by Robert FrostBetween each poem, we'll pause to reflect, ask thoughtful questions, and discover what makes these classic works so memorable.

What happens when a poet who survived prison sits down with the world's oldest war story--and reads it in three sleepless, wandering days? In this second episode of the EconTalk Book Club on the Iliad, Dwayne Betts and EconTalk host Russ Roberts trade their impressions of the Iliad, discovering it's less about war than about fathers, friendship, and the stubborn dignity people find inside fates they can't escape. Betts connects Achilles's rage and grief to his own experience of incarceration and depression, while Roberts marvels at Homer's cinematic style and the strange tenderness between enemies. Together they unpack the shield of Achilles, the ransom of Hector's body, and how an ancient poem about war still cracks readers open today. It's a conversation about reading as communion--and how a 2,800-year-old story became, unexpectedly, a way of connecting to each other.

Join us for Week 2 of This Is the New Testament! Raechel and Amanda are joined by Ian Simkins to discuss Romans through Ephesians together. Listen in as they discuss the gift of weakness and our freedom in Christ.Open your Bibles with us this week! This episode corresponds to Week 2 of She Reads Truth's This Is the New Testament reading plan. You can read with the She Reads Truth community on our site, in our app, or with our This Is the New Testament printed or digital Daily Reading Guide.In this episode:Use code FAITH15 for 15% off the Faith in Practice collection at ShopSheReadsTruth.com."Poetry" by Taylor LeonhardtShe Reads Truth on Instagram & FacebookRaechel Myers on InstagramAmanda Bible Williams on InstagramIan Simkins on Instagram*If you purchase something through our links, She Reads Truth may earn an affiliate commission.This podcast uses the following third-party services for analysis: Magellan AI - https://docsend.com/view/5vdvbdx7cr4tikmyPodscribe - https://podscribe.com/privacy

Episode: 3388 Let us see how much Omar Khayyam accomplished, beyond his having inspired poet Edward FitzGerald.  Today, Omar Khayyam.

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Larry Levis--one of our favorite straight guys!Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Larry Patrick Levis (September 30, 1946 – May 8, 1996) was an American poet and teacher who published five books of poetry during his lifetime. Two more volumes of previously unpublished poems appeared posthumously. A collected volume called Swirl & Vortex (Graywolf, 2026, edited by David St. John) makes all of Levis's poetry available in one volume, including the five books published in Levis's lifetime, a brilliant reconfiguration of Levis's posthumous books, and unpublished late poems, with an afterword by St. John. Watch this 1984 reading Levis gave with Phil Levine (~67 min; Levis reads first).Watch the book launch for Swirl & Vortex here (~2 hours).Watch Analicia Sotelo read Levis's "My Story in a Late Style of Fire" (with a brief commentary; ~6 min).Read "Winter Stars" here.Poems Read include:"The Smell of the Sea""Unfinished Poem" "The Blue Hat Band""My Story in a Late Style of Fire"Read how to seduce a Libra here. If you've never seen Romy and Michele's High School Reunion, here's the trailer. 

For episode 219, I talk to Chanda Prescod-Weinstein about her latest book "The Edge of Space-Time: Particles, Poetry and the Cosmic Dream Boogie." Science is political. Reality is queer af. Also: race, imperialism, Star Trek (of course), Supergirl and post/colonialism.Support: You can support my work with ⁠a one-off or monthly donation⁠⁠⁠⁠⁠ on Ko-fiMasterclass on Modern Lebanon: Registration still possible for August 2026⁠⁠⁠⁠⁠Newsletter: Subscribe to⁠ ⁠⁠⁠⁠Hauntologies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social Media: I am on ⁠Bluesky⁠⁠⁠⁠⁠ and Instagram⁠⁠⁠⁠⁠Contact: Reach out on ⁠⁠⁠⁠⁠ayoub@thefirethesetimes.com⁠⁠⁠⁠⁠ or on Signal @ Ayoub.02The Fire These TimesSocial Media: TFTT is on⁠⁠⁠⁠ Bluesky⁠⁠⁠⁠ and⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Transcription: You can help Antidote Zine⁠⁠⁠⁠⁠ transcribe TFTT episodes ⁠⁠here⁠⁠⁠⁠Website: All episodes are archived ⁠⁠⁠⁠on the website⁠⁠⁠⁠From The PeripheryTFTT is a proud member of ⁠⁠⁠⁠⁠From The Periphery Media Collective⁠⁠⁠⁠⁠⁠, which you can support ⁠⁠on Patreon⁠⁠⁠⁠ and follow on ⁠⁠Bluesky⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ and ⁠⁠Instagram⁠⁠⁠⁠.Check out other project wherever you get your podcasts:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Politically Depressed⁠⁠⁠⁠⁠⁠⁠⁠⁠Syria: The Inconvenient Revolution⁠⁠⁠⁠ ⁠⁠⁠⁠From The Periphery Podcast⁠⁠⁠⁠ ⁠⁠⁠⁠The Mutual Aid Podcast⁠⁠⁠⁠⁠Elia's recent piecesShadoMag: The Belfast pogrom was predictable972Mag: Lebanon walks into Israel's trapAlso, for HauntologiesReport from Belfast. Day 1.How I Know Ann Widdecombe's Murderer is WhiteRecent Podcast interviewsIt Could Happen Here: The Media Context for the Belfast PogromCreditsElia Ayoub (host, producer, episode design), israa' (Sound Editor), ⁠Rap and Revenge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Music), ⁠⁠⁠Wenyi Geng⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (TFTT theme design),⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Hisham Rifai⁠⁠⁠⁠⁠⁠⁠⁠⁠ (FTP theme design),⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Molly Crabapple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (FTP team profile pics) and ⁠⁠⁠Antidote Zine⁠⁠⁠⁠⁠⁠ (Transcriptions).

Poetry can speak volumes through imagery and an economy of words, it truly is a beautiful art form. Right off the bat we are told that this psalm was written by David when he was in the desert, or wilderness. Whichever word you choose, this is a place of loneliness, of danger, thirst, and difficulty. It is a desperate place and a place of vulnerability to many types of threats. One of David's conclusions in this psalm is that God's love is better than life. It is the one thing that cannot be shaken, it is the one thing that is secure, steadfast, and unfailing. The desert places cannot touch the love of God no matter how it feels at the time. Like Paul, David seems convinced of this truth – we cannot be separated from the love of God in Christ Jesus our Lord. (Romans 8) When we find ourselves in wilderness seasons – when all seems hopeless and the land of our souls is dry, weary, and without refreshment – let us remember God is here. God is with us. God loves us. He has not forsaken us. His love will not fail us. He will see us through and none of this will last forever. We will one day be satisfied in His presence and know His love face to face. In the meantime, let us cling to the One who is strong enough to save us and tenderly holds us close –Jesus—our Shepherd, our Comfort, our Living Water.  ------------To help us keep God's word planted deep into our hearts we encourage you to memorize a Psalm over the Summer. (The children in Grace Airways will be memorizing all of Psalm 23. We are confident that by hiding God's word in your heart in this way will bear fruit that will last all throughout your life.------------Prepare for this week's teaching by reading Psalm 63.

The Consummation of Praise Ryan Griffith Download I don't know about you, but I have always struggled with poetry. And by struggle I mean that I haven't particularly liked it. Most of the stuff I was introduced to in high school was the open-verse kind – no meter, no rhyme scheme. I'm sure if I was smarter or worked on it longer, I might find Whitman or Dickenson or Hughes illuminating. Perhaps I'm too simple, but for my lights good poetry is not mainly a puzzle to unlock. Let's try a relevant example for our sesquicentennial year. Maybe you know it.Listen my children, and you shall hear, of the midnight ride of Paul Revere. On the eighteenth of April in seventy-five hardly a man is now alive who remembers that famous day and year.Poetry is designed to be memorable and meaningful and to produce a certain kind of response.I love the ending:And so through the night went his cry of alarmTo every Middlesex village and farm,—A cry of defiance, and not of fear,A voice in the darkness, a knock at the door,And a word that shall echo forevermore!For, borne on the night-wind of the Past,Through all our history, to the last,In the hour of darkness and peril and need,The people will waken and listen to hearThe hurrying hoof-beats of that steed,And the midnight message of Paul Revere.In April of 1860, Longfellow wrote Paul Revere's Ride as our nation stood on the precipice of Civil War. He wanted to remind a very divided country of an important story of courage and sacrifice from America's founding generation. And he longed to impact their affections — encouraging fellow abolitionists to take heart and to act with urgency and end the injustice of chattel slavery. That's what great poetry does: it captures a narrative in a memorable way — a way that communicates truth beautifully and awakens the reader's affections and actions. This is how Psalm 104 works. It is different than Psalm 8 (“you have set your glory above the heavens”) or Psalm 19 (“the heavens declare the glory of God and the sky above proclaims his handiwork), because not only is Psalm 104 a poem with vivid, worship-evoking imagery, it is a poetic retelling of an important story: Genesis 1-3. It's literally a song—the Psalmist's cover of Moses's narrative account. And like Paul Revere's Ride, the retelling of God's work in Creation (vv2-30) communicates truth beautifully and awakens our affections and actions. It calls us (v1) to bless the Lord and (v31-35) fuels the consummation of that praise. Let's take this poem in those three steps. The call to praise (v1)The cause for praise (vv2-30)The consummation of praise (vv31-35)1. The Call to PraiseWhile the Hebrew text doesn't ascribe this Psalm to David, both the Greek translation of the Old Testament and the Dead Sea scrolls label this a Davidic Psalm. Especially because the Psalmist begins, as David did in 103, by calling on his soul: “Bless the Lord, O my soul.”David is telling himself, “slow down, shut off the music, put away the phone, and look – I mean really look.” This isn't just a looking with the eyes. As we heard, vv2-30 are full of vivid imagery – things that David certainly would have seen: lightning, storm clouds, the sea, the mountains; streams, birds, donkeys, and so on. But David is doing more than observing – he is lovingly turning over in his mind what he sees; pondering it; examining it in light of the story of creation. In verse 34 David calls this way of looking “meditation.”Verse 34, May my meditation be pleasing to him, for I rejoice in the Lord.We'll come back to this, but for the moment notice that the call to bless the Lord is grounded not only in what David sees but in who he sees by it. His meditation on God's work in Genesis 1-3 produces a delight that bubbles up at the beginning, in the middle, and at the end of the Psalm. 2. The CauseLet's turn to examine the cause for this delight. David goes back to Genesis 1 and 2 to give six reasons creation is a cause for blessing the Lord.Reason #1: God is great in the heavens (1b-4).Look at verses 1-4. Can you hear Genesis 1? In the beginning, God created the heavens and the earth. The earth was formless and void and darkness was over the face of the deep. And the Spirit of God of was hovering over the waters. And God said “let there be light.” And there was light (Gen 1.1-3).And so David proclaims, God is clothed with splendor and majesty, robed in light. He hangs the stars and the planets. He establishes the atmosphere. He stores up the rain and builds his throne above the earth. He is swift and mighty as the wind and he bridles the great thunderclouds. The greatest forces of the universe are under his sovereign control: “he lays, he makes, he rides.” Reason #1 for praise, God is great in the heavens.But not only is God great in the heavens, he is also…Reason #2 supreme over the earth (5-9).Look at vv. 5-9 while I read Genesis 1. Can you hear the creation account? And God said, “Let the waters under the heavens be gathered together into one place, and let the dry land appear.” And it was so. God called the dry land Earth, and the waters that were gathered together he called Seas. And God saw that it was good.We tend to call the world around us “nature” as though it is self-existing. But David attributes supremacy over the planet to God alone. It is a supernatural creation. You covered the earth with the waters. You spoke and they fled. The mountains and valleys took the places you assigned. You drew a line for the waters and said: “they shall not pass.” Reason #2, God is supreme over the earth.God is also…Reason #3, the giver of life-sustaining waters (10-18).Here David's song does variation on a theme. In an arid land like Israel, water was scarce. But God took care of that. You make the water appear out of nowhere. Springs to sustain your birds and animals. Even the mountaintops you provide for – bringing rain to water them. You cause the grass to grow. You made good plants for man to cultivate – grain for bread, grapes for wine. You provide for the animals and you gladden the heart of man. Just as Genesis 2 says, God is the giver of life-sustaining waters.Reason #4 God is maker of time (19-23).“Night and day,” David says, “they were your idea” On the fourth day, you made the sun and the moon to govern them. You even appointed that the beasts stalk their prey (which you provide) at night so that man can labor by day. What didn't you think of? You are the maker of time.David can't even get through his meditation on creation without erupting into praise. Look at verse 24:“O Lord, how manifold are your works! In wisdom have you made them all; the earth is full of your creatures.”The poet Gerard Manly Hopkins wrote, “the world is charged with the grandeur of God. It will flame out like shining from shook foil.” Everywhere David looks, he sees God's beauty and excellence. It is as though he is saying, “Look at that! Isn't he amazing? Look at that! Isn't he majestic? Look at that! Isn't he wise! So David like a good songwriter, even puts in verse 24 as a bridge — pointing back at God's works in vv1-23 and pointing forward to God's creatures in vv25-30!Because…Reason #5 God is maker of the sea and its creatures (25-26).Even the Leviathan, which makes Job shiver in his boots, you made on Day Five so it could play in the sea. Since the waters are under your sovereign control, what once was a barrier is now a route for travel and trade. Isn't he something? God is the maker of the sea and its creatures.The whole account crescendos in the final reason David gives…Reason #6, God is creator and sustainer of all creatures (27-30).All these — the beasts and the birds, the plants and the trees, the whales and the wombat — they all look to you. You, God, are at the center of it all. When you give, when you open, when you hide, when you take away…all creation waits on you. You care for them. None escape your notice. Because you are the creator and sustainer of all things.So, David with Genesis in mind and the Spirit's poetic inspiration gives us six reasons creation should cause us to bless the Lord. God is great in the heavens, he is supreme over the earth, he is the giver of life-sustaining waters, he made and governs time, he oversees the oceans and its amazing creatures, and he is the creator and sustainer of all things. Creation displays his handiwork. All of it testifies to his power and divine nature. If we have eyes to see it, every blade of grass, every multi-colored sunset, every microscopic organism, every mighty beast, every mathematical equation shouts the glory of God. We inhabit a world “set on fire with praise.”No wonder David begins in v 1 by exclaiming: O YHWH, my God you are very great! In fact, the Hebrew might be better rendered – “you have become magnificent. You have clothed yourself with splendor and majesty.” Your works redound to your glory! Everything in the created order is a mirror reflecting back to God the wisdom and beauty and goodness that he is, himself. Lord, give us the eyes to see!So we've seen the call to praise (v1), David's six-fold cause for praise (vv1-30); now, thirdly, (vv31-35) the consummation of praise.3. The Consummation of Praise (31-35)All that David has considered now fuels his final refrain in verses 31-35:“May the glory of the Lord endure forever; may the Lord rejoice in his works, who looks on the earth and it trembles, who touches the mountains and they smoke!” (vv31-32)Notice two striking things about this verse. First, it is a plea. “May the glory of the Lord endure forever. May the Lord rejoice in his works.” David feels God's greatness so deeply that his prayers line up with God's design. “Yes, God. You are glorious, and so may your glory be seen! May your people delight in you and all that you are.”But notice that second prayer in verse 31. “May the Lord rejoice in his works.” Not “May your people, rejoice in your works,” but “may the Lord rejoice.” God delights in his works. We know this, because that's God's refrain in Genesis: “And God saw that it was good.” The earth and seas. Good! The plants and the trees. Good! The moon, sun, and stars. Good! The creepy crawlies and the fish and the birds and the sea creatures and the great beasts and the livestock. Yes, Good! Man and woman, in my own image. Very good! God rejoices in his work because it reflects him. It shows off his manifold excellencies. All of creation simultaneously every moment of every day since God spoke the universe into existence declares what is true — that God is the most admirable, beautiful, wise, good, generous, glorious being in the universe. And we were created to share in his joy.This God-centeredness of God might throw us off balance. Is it off-putting that God, through David in Psalm 104, commands his own praise? C.S. Lewis at first thought that it seemed no different than a vain woman craving compliments. But listen to what he concluded: “…the most obvious fact about praise – whether of God or anything – [had] strangely escaped me. I thought of it in terms of compliment, approval, or the giving of honor. I had never noticed that all enjoyment spontaneously overflows into praise…The world rings with praise – lovers praising their mistresses, readers their favorite poet, walkers praising the countryside, players praising their favorite game – praise of weather, wines, dishes, actors [and so on]….I had not noticed…that just as men spontaneously praise whatever they value, so they spontaneously urge us to join them in praising it: ‘isn't she lovely? Wasn't it glorious? Don't you think that magnificent?' The Psalmists in telling everyone to praise God are doing what all men do when they speak of what they care about. My whole more general difficulty about the praise of God depended on my absurdly denying to us as regards the supremely valuable what we delight to do – what indeed we can't help doing – about everything else we value.”David praises what is supremely valuable. He does what we are made and delight to do. He rejoices in God being God. And sings about it!“I will sing to the Lord as long as I live; I will sing praise to my God while I have being. May my meditation be pleasing to him, for I rejoice in the Lord.” (vv33-34) But the singing must not stop with him. Look how he ends his song. “Bless the Lord O my soul. Praise the Lord!” (35b)David moves beyond calling his soul to bless the Lord to summoning all people to do the same. “Praise the Lord” is the first use of “hallelujah” in the Psalter. It is a you-plural not a you-singular. Northern English speakers don't have a category for this, but my eastern Kentucky relatives would say it right, “Praise the Lord, y'all. All y'all.” And that's because, as Lewis continues, calling others to praise God “doesn't merely express the enjoyment, it is its appointed consummation” — it brings praise to its fullest completion. David's joy is made complete by calling us to praise the Lord by us joining in that praise. That is what this Psalm is for. Like Longfellow's Paul Revere's Ride, Psalm 104 captures an important story in a memorable way. It reminds us of something that really matters. But ultimately, it does something to us.Don Paterson says that when a poet writes a poem he's creating a little machine that when operated by a reader, recreates in them the experience the poem is trying to preserve. When we operate Psalm 104, it evokes our joy in God. It summons us to express that joy in praise and blessing. And it calls us to consummate that joy by sharing it with others. But neither David nor us can know this joy without addressing the most serious problem.Let sinners be consumed from the earth and let the wicked be no more! (v 35a)At first, I found this an odd thing for David to say in his great crescendo of praise. But he is reminding us that Genesis 3 comes after Genesis 1 and 2. Human beings were made to receive creation as a gift and enjoy and rejoice in what it tells us about the one for whom we were made. But we turned the gold into idols halfway to Canaan. We worship created things rather than the Creator. While creation shouts that we were made for joy in God, so often we say “that's nice” and go back to scrolling on our devices. David longs for a day when this outrage will finally be addressed. That sin that he sees traces of in verse 29. Paul tells us that even creation has been subjected to futility because of our rebellion. Things are not the way that they should be. The Lord's SupperAnd that is what brings us to the table. Because in the fullness of time, God himself came to address that rebellion. He entered into his own creation to free us from enslavement to inferior joys. To save us from the penalty our idolatry justly deserves. In mercy and kindness, to restore to us the fullness of his joy; His life for ours; our sin for his righteousness that we might be to praise of his glory. That is what we celebrate here. Maybe in this moment you can't bless the Lord because you haven't given up your idols; you haven't put all your hope in Jesus for the forgiveness of sin. Friend there is no better time than now. Jesus says to you, I am the bread of life, whoever comes to me shall not hunger and whoever believes in me shall never thirst (Jn 6.35). Go to him.

This episode covers a new anthology from Wayne State University Press. Titled Black Summers: Growing Up in the Urban Outdoors, this vibrant collection invites readers to breathe deeply and return to that "carefree" season from an urban perspective. These emerging and award-winning creators of all ages recount the struggles and triumph of staking their claim to public spaces. Ranging from poetry to essay, creative nonfiction to comics, this collection blends nostalgia with struggle and resilience. DESIREE COOPERDesiree Cooper, the book's editor, was born in Japan as a military dependent and spent her adulthood in Detroit. She now lives in coastal Virginia where she is raising her grandchildren. She is a Pulitzer Prize-nominated journalist, and among her accolades are a 2017 Midland Authors Award Winner in Adult Fiction, a 2017 Michigan Notable Book, a 2016 Midwest Book Award Finalist, and inclusion in the Poets and Writers 5 Over 50.NANDI COMER Our next author is Nandi Comer, an award-winning poet and essayist. She served as the 2nd Poet Laureate of the state of Michigan 2023-2025, during which time she spearheaded Michigan Words and the video series Michigan in Verse. She is the author of the chapbook American Family: A Syndrome. Her debut poetry collection, Tapping Out, won the 2020 Society of Midland Authors Award and the 2020 Julie Suk Award. Her poems and essays have appeared in American Poets, Callaloo, Crab Orchard Review, and others. She currently serves as the 2025-2026 Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin's Institute for Creative Writing and co-director of Detroit Lit. ROCHELLE WILSON-ELLISNext we have, Rochelle Wilson-Ellis. She is a U.S. Navy veteran whose journey has been shaped by service, resilience, and care for others. Having served aboard the USS Ross and USS George Washington, Rochelle has carried that same spirit of dedication into every chapter of her life. A loving mother of two and a certified baker and pastry chef, she has also spent years working in healthcare. In 2021, Rochelle was trained as a citizen journalist through the Sarah E. Ray Project, helping preserve the oral histories of those who attended Detroit's legendary Action House in the 1970s and '80s. LILLEN WALLEROur final reader is Detroit native Lillien Waller, a poet and essayist. Her poems have been nominated for the Pushcart Prize and Best New Poets, and, in 2015, she received a Kresge Artist Fellowship in Poetry. In 2023, Lillien was awarded an Arts Writers Grant from the Andy Warhol Foundation for the Visual Arts. Her essay “Listen Children, All Is Not Lost” appears in the anthology Black Summers: Growing Up in the Urban Outdoors. For more information on the book and the authors, please see the Wayne State University Press website. 

Irish writer Doireann Ní Ghríofa on turning archival fragments into living narrative, writing across the borders of genre, and giving voice to the forgotten lives of women committed to a Victorian asylum. You'll learn Why the greatest gatekeeper between a writer and the page is often the writer themselves. How a single word buried in clinical notes can become a bridge to a silenced voice. What poetry can teach prose writers about immediacy and the shock of a strong opening. The case for pointing at the gaps in the record rather than papering over them. When a fleeting curiosity is worth following, and what happens once you treat it as real. How third person can give a writer just enough distance to keep going. A sense of fidelity to the reader you imagine standing at your shoulder. How the drowsy space between sleep and waking can become an engine for ideas. The ethics of using real names, and the difference between the dead and the long dead. How the act of leaving things out turns even “fact” into a story. Resources & Links Said the Dead by Doireann Ní Ghríofa A Ghost in the Throat by Doireann Ní Ghríofa About Doireann Ní Ghríofa Doireann Ní Ghríofa is an Irish writer devoted to exploring how the past makes itself felt within the present. 'A Ghost in the Throat' finds an 18th century poet haunting a young mother, leading her through visions of blood, milk, lust, and murder. Written on the roof of a multi-storey car park in Ireland, it went on to be described as "powerful" (New York Times), "captivatingly original" (The Observer), and a "masterpiece" (Sunday Business Post). 'A Ghost in the Throat' won the James Tait Black Prize and was voted overall Book of the Year at the Irish Book Awards, while the US edition was a finalist for the National Book Critics Circle Award and a New York Times Notable Book of the Year. It was translated into 20 further languages worldwide. Doireann is also the author of seven critically-acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship (USA), the Ostana Prize (Italy), a Seamus Heaney Fellowship, and the Rooney Prize for Irish Literature, among others. Her new book, Said the Dead, distils hundreds of hours of archival research into a polyphonic portrayal of a single institution — a derelict Victorian asylum in Cork, and the women once committed within its walls. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

 687. Part 2 of our interview with Joel Sharpton. Joel talks to us about Louisiana politics in 2026. Joel is a Ruston-based audio professional and progressive grassroots organizer who seamlessly blends media production with political advocacy. As the founder of Pro Podcasting Services and an expert in mobile workflows, Sharpton brings over a decade of podcasting experience to his community-focused media projects. He utilizes this production expertise to host and produce "We Are Louisiana Indivisible," a political podcast dedicated to amplifying the voices of regional activists and interviewing progressive candidates for state and local office. Working alongside organizations like Indivisible North Louisiana, Sharpton is actively engaged in grassroots organizing, voter mobilization, and hosting local civic rallies to push for democratic change across the state. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Sidonie de la Houssaye. “Alix de Morainville.”     But one day — God knows how it happened — a child of the village all at once entered the chamber where I was and knew me.     “Madame Alix!” he cried, took to his heels and went down the terrace pell-mell (quatre à quatre) to give the alarm. Ten minutes later Matthieu came at a full run and covered with sweat, to tell us that all the village was in commotion and that those people to whom I had always been so good were about to come and arrest me, to deliver me to the executioners. I ran to Joseph, beside myself with affright.     “Save me, Joseph! save me!”     “I will use all my efforts for that, Mme. la Viscomtesse.” At that moment Jerome appeared. He came to say that a representative of the people was at hand and that I was lost beyond a doubt.     “Not yet,” responded Joseph. “I have foreseen this and have prepared everything to save you, Mme. la Viscomtesse, if you will but let me make myself well understood.”     “Oh, all, all! Do thou understand, Joseph, I will do everything thou desirest.”     “Then,” he said, regarding me fixedly and halting at each word — “then it is necessary that you consent to take Joseph Carpentier for your spouse.”     I thought I had [been] misunderstood and drew back haughtily.     “My son!” cried mother Catharine.     “Oh, you see,” replied Joseph, “my mother herself accuses me, and you — you, madame, have no greater confidence in me. But that is nothing; I must save you at any price. We will go from here together; we will descend to the village; we will present ourselves at the mayoralty — ”     In spite of myself I made a gesture.     “Let me speak, madame,” he said. “We have not a moment to lose. Yes, we will present ourselves at the mayoralty, and there I will espouse you, not as Claudine Leroy, but as Alix de Morainville. Once my wife you have nothing to fear. Having become one of the people, the people will protect you. After the ceremony, madame, I will hand you the certificate of our marriage, and you will tear it up the moment we shall have touched the soil of England. Keep it precious till then; it is your only safeguard. Nothing prevents me from going to England to find employment, and necessarily my wife will go with me. Are you ready, madame?”     For my only response I put my hand in his; I was too deeply moved to speak. Mother Catharine threw both her arms about her son's neck and cried, “My noble child!” and we issued from the cottage guarded by Guillaume and his three other sons, armed to the teeth.     When the mayor heard the names and surnames of the wedding pair he turned to Joseph, saying:     “You are not lowering yourself, my boy.”     At the door of the mayoralty we found ourselves face to face with an immense crowd. I trembled violently and pressed against Joseph. He, never losing his presence of mind (sans perdre la carte), turned, saying:     “Allow me, my friends, to present to you my wife. The Viscomtesse de Morainville no longer exists; hurrah for the Citoyenne Carpentier.” And the hurrahs and cries of triumph were enough to deafen one. Those who the moment before were ready to tear me into pieces now wanted to carry me in triumph. Arrived at the house, Joseph handed me our act of marriage. This week in Louisiana history. June 17, 1795. First bishop of New Orleans, Don Luis Cardenas, arrives in Louisiana. This week in New Orleans history. July 17, 1905: The last major yellow fever epidemic in the United States began in New Orleans, leading to a massive citywide campaign to eradicate mosquitoes. This week in Louisiana. Marshland Festival July 24'25 Lake Charles Event Center, 900 Lakeshore Dr. Lake Charles, LA 70601 Website: visitlakecharles.org The Marshland Festival returns to the Lake Charles Event Center for a two‑day celebration of Southwest Louisiana music, food, and culture. Founded over 30 years ago in Hackberry, the festival has grown into a major regional event featuring local artists, national touring acts, and a full indoor, air‑conditioned vendor hall: Live Music: A lineup of Southwest Louisiana performers alongside select national acts, continuing the festival's long tradition of supporting local musicians. Food Booths: Dozens of vendors serving regional favorites, from seafood dishes to festival classics. Arts & Crafts: Shopping from local artisans and makers throughout the Event Center. Indoor Venue: The entire festival takes place inside the Lake Charles Event Center, offering a comfortable, climate‑controlled experience. Postcards from Louisiana. The Rock Block Band at Felix's Restaurant and Oyster Bar. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

It may be the best book subtitle we’ve encountered in the Planetary Society book club: “Particles, Poetry and the Cosmic Dream Boogie.” Theoretical physicist and black feminist science theorist Chanda Prescod-Weinstein has followed her acclaimed first book, “The Disordered Cosmos,” with this new, equally celebrated, deeply personal romp across the Universe, “The Edge of Space-Time”. Swinging from quantum mechanics to hip-hop, and from galaxies to Alice in Wonderland, she guides us through the looking glass to what we know and would love to know about the Universe. It all but guaranteed a mind-bending conversation with host Mat Kaplan that begins with Chanda’s concern for the state of scientific research in the United States, and ends among the stars. Discover more at: https://www.planetary.org/planetary-radio/book-club-chandra-prescod-weinsteinSee omnystudio.com/listener for privacy information.

People are mad at George Lucas! Is it 1999 again?! We'll discuss the Star Wars creator's recent controversial comments about AI in filmmaking and studios listening too much to fans. But the question is, should anyone be surprised? That will be our main discussion tonight. Plus Mando & Grogu hits digital on July 21, we have a fun round of One With the Force, and your live Star Wars questions! If you like having a great time talking Star Wars, you've found your home, because if you're listening or watching this broadcast, you are part of The Resistance! Thank you for supporting our Star Wars podcast!

On this episode, it's summer school! We talk about the summer slide with University of Iowa expert Leah Zimmermann. The University of Iowa launched a literacy hub to help caregivers develop literacy skills whether at home or on the move. We also hear from Kathleen Locher, an elementary teacher librarian in Iowa City. She shares how a book that hadn't been checked out in a decade has had a profound impact on her students. We hear poems read by rising fourth-grade Poetry Invaders Lina Ahmed, Sadie Linder, Kate Fina and Etta Schons. Then, Iowa State's University Museums announced its new director, David Schmitz. We talk with him about how he found a passion for supporting other artists and plans for the future at University Museums.

We celebrate July being National Picnic Month, as we turn it into National Poetry at the Picnic Month and have two picnics, one with traditional foods and one a Dollar Tree picnic. It's hard to explain. Just listen. We kept eating, so it's longer than usual.

On July 18th and 19th, poets and poetry lovers can visit Governor's Island for a weekend of writing, performance, and collaboration, at the 15th annual New York City Poetry Festival, organized by the Poetry Society of New York. Jackie Braje, managing director of the festival, discusses its origins and mission, and what visitors can see and do there. Poster courtesy of the festival Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

RU411: MYRIAM SAUER, "EMPTINESS IS THE CURE FOR PSYCHOANALYSIS" – THE QUEERNESS OF PSYCHOANALYSIS: https://renderingunconscious.substack.com/p/ru411-myriam-sauer-emptiness-is-the Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com Welcome to a very special episode of Rendering Unconscious podcast! As TODAY is the one year anniversary of the inaugural event of RU Center for Psychoanalysis, I have turned the very first RU Center event into an episode of RU POD. Rendering Unconscious episode 411. This episode is the very first event for Rendering Unconscious Center for Psychoanalysis, which celebrates the book The Queerness of Psychoanalysis (2025) and the launch of RU Center. To begin, I outline some of the goals of RU Center for Psychoanalysis, highlighting upcoming courses and events, including my Introduction to Psychoanalysis class. Myriam then presents her chapter, “Emptiness is the Cure for Psychoanalysis,” from The Queerness of Psychoanalysis (2025) in which she looks at the work of Swiss psychoanalyst Danielle Quinodoz, who wrote up an early trans* affirmative case study. Some themes of the discussion that follows include the alienation experienced by trans individuals in the field of psychoanalysis and the potential for transness to challenge rigid norms, gender and otherwise, emphasizing the need for a trans-affirmative psychoanalysis and the importance of questioning societal norms. I am posting this event for everyone as a celebration of the official opening of RU Center for Psychoanalysis! Check out the book: The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond (Routledge, 2025). https://amzn.to/44SnL49 News & events: Rendering Unconscious Center for Psychoanalysis is celebrating 1 year! Join us THIS SATURDAY, July 18th for a LIVE Rendering Unconscious Podcast event to celebrate the one year anniversary of RU Center with special guests Mary Wild, Emmalea Russo, and Mikita Brottman and Carter Carter. More TBA! All paid subscribers at RU Podcast and RU Center Substacks will receive the ZOOM LINK to attend live. https://renderingunconscious.substack.com https://rucenterforpsychoanalysis.substack.com See you there! Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ As always, huge thanks to Carl Abrahamsson for providing the intro and outro music for Rendering Unconscious Podcast. https://linktr.ee/CarlAbrahamsson https://thefenriswolf.substack.com https://anartapart.substack.com Links to everything can be found at: https://linktr.ee/renderingunconscious You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes Enjoy! Thank You. Image: Artwork by trans icon Val Denham.

In this episode, James is joined by Adam Gordon, founder of Poetry and one of the recruitment industry's leading technology entrepreneurs. Together they explore the rise of recruiter enablement, why AI is changing the way recruitment teams operate, and what the recruiter of the future might look like.In this episode, we discuss:What recruiter enablement is and why it's becoming a major focus for talent acquisition teams.Why recruitment has more to learn from sales enablement than most people realise.How AI should improve consistency, governance and quality, not just productivity.The hidden tasks that consume recruiters' time and how technology can remove them.Why influence, communication and consultancy will become even more valuable skills.The balance between automation and the human side of recruitment.How recruitment technology is evolving beyond point solutions into complete workflows.What recruitment leaders should be thinking about as AI continues to reshape the industry.Key takeaways:AI is most valuable when it supports recruiters, not replaces them.Recruiters create the greatest value through influence and relationships, not administration.Consistency and governance are becoming just as important as speed.The future belongs to recruiters who combine technology with human expertise.Recruiter enablement could become one of the defining trends in recruitment over the next few years.Whether you're running a recruitment agency, leading an in-house talent team or simply trying to understand where AI is taking our industry, this episode is packed with practical insights and plenty of food for thought.The Marketing Rules Podcast is sponsored by Smart Sifty⁠⁠⁠⁠⁠smartsifty.com⁠⁠⁠⁠⁠#MarketingRules#TheVoiceOfRecruitmentMarketing⁠To connect with Theo:⁠https://www.linkedin.com/in/adamwgordon/Learn more about James and ThinkinCircles:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thinkincircles.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.themarketingrules.com/⁠⁠⁠⁠⁠⁠⁠

On today's show, an entire hour of poetry about rest, grief and intimacy from the voices of Black women. Hear a live recording of our moving event “When We Exhale,” which is inspired by the anthology of the same name. Featuring poets: Alie Jones, Nia Pearl, Lyn Patterson, Ayodele Nzinga, Adrienne Oliver, Kelechi Ubozoh, and Host Jeneé Darden.

Can poetry become a bridge between cultures, faiths, and generations?On this episode of This Week in America with Ric Bratton, acclaimed poet, translator, literary scholar, and Professor Emeritus Martin Bidney discusses three extraordinary books that explore the beauty, wisdom, and spiritual richness of Islamic tradition through poetry and intercultural dialogue.Featured works include:Beauty in Islam: Poems of Wholeness, Light, and ConcordGod the All-Imaginer: Wisdom of Sufi Master Ibn Arabi in 99 Modern SonnetsWest-East Divan: The Poems, with "Notes and Essays": Goethe's Intercultural DialoguesMartin Bidney has pioneered a unique literary form he calls Verse Translation with Interview (VTI), creating poetic conversations with some of history's greatest writers and spiritual thinkers, including Goethe, Shakespeare, Rumi, Hafiz, Virgil, and the renowned Sufi philosopher Ibn Arabi. Through these remarkable works, he demonstrates how poetry can transcend time, language, and culture while encouraging understanding between people of different traditions.Drawing on more than six decades of scholarship, over 60 published books, and a lifetime devoted to literature, Bidney shares why poetry remains one of humanity's most powerful tools for discovering beauty, wisdom, and common ground.In this episode you'll discover:• How poetry can foster dialogue across cultures and religions• Why Goethe was inspired by Islamic and Persian literature• The enduring wisdom of Sufi philosopher Ibn Arabi• How Verse Translation with Interview creates conversations across centuries• Why literature continues to inspire empathy, imagination, and spiritual reflectionThis Week in America with Ric Bratton is one of America's premier syndicated radio shows and podcasts, featuring engaging conversations with bestselling authors, business leaders, health experts, historians, innovators, and thought leaders. Heard on more than 100 radio stations and podcast platforms worldwide, each episode delivers practical advice, inspiring stories, expert insights, and thought-provoking discussions designed to inform, inspire, and entertain. Discover new episodes every week covering business, personal development, health, wellness, technology, history, education, literature, and the issues that matter most.Whether you're interested in world literature, poetry, Islamic studies, Sufism, Goethe, Rumi, comparative religion, intercultural dialogue, philosophy, or spiritual exploration, Ric Bratton's conversation with Martin Bidney offers a fascinating journey into the timeless power of poetry to connect cultures and deepen our understanding of the human experience. Don't miss this enlightening episode of This Week in America.Keywords: Martin Bidney, Beauty in Islam, God the All-Imaginer, West-East Divan, Goethe, Johann Wolfgang von Goethe, Ibn Arabi, Sufism, Sufi philosophy, Rumi, Hafiz, Islamic poetry, Islamic literature, comparative literature, world literature, poetry translation, Verse Translation with Interview, VTI, intercultural dialogue, spiritual poetry, philosophy, religion, comparative religion, English literature, poetry podcast, author interview, literary criticism, poetry translation, This Week in America, Ric Bratton, podcast interview, literary podcast, Islamic tradition, Persian poetry

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Sandra Griffiths is a retired nurse turned poet and she's putting herself out there with her first book, Becoming Me. In it, she opens her heart with a powerful collection of poems that trace her journey as a mother, daughter and woman finding her voice through life's storms. Becoming Me is a tender, soulful reminder that even through pain and change, we are always becoming - stronger, softer and more ourselves. We talk about finding and sharing our voice, putting the personal up front, and how it's never too late to go for your dreams (especially when you have your kids behind you helping and cheering you on). Special thanks to Sarah Cleaver for connecting us with Sandra. _______________ SLIDESHOW: IN COLOR! now playing in London. It's the live storytelling show the Los Angeles Times declares, "Downright magical, uncomfortable and shockingly honest!" and Theatreland Adventures London cheers, "FOUR STARS - This is unlike anything I've seen before, a warm, engaging, and memorable evening!" Tickets & Info: https://events.humanitix.com/slideshow-in-color/tickets NOW AVAILABLE: CUPID'S CURSE - the fourth book in Steve's series THE DOG WALKING DETECTIVES MYSTERIES and catch up on the rest: https://www.barnesandnoble.com/search?q=Dog%20walking%20detectives%20Steven%20j%20Silverman

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TheWanderingPaddy Poetry - The Book of Truths. Out Now on Amazon. Hosted on Acast. See acast.com/privacy for more information.

 In this episode of 3CR's Spoken Word show which aired on Thursday 16th July 2026, you will a recording of a live broadcast featuring Es Foong talking about the Sonic Poetry Festival. You'll also hear Es and host, Indrani Perera, swapping poems in a poetic conversation or a poetry exchange of words and ideas.Sonic Poetry Collective, a coalition of poets concerned with building community sustainably, will host Sonic Poetry Festival on 24 October 2026. This all-day festival wil lbe hosted at Balam Balam Place and festival attendees can anticipate poetry wortshops, third place interactions, play, communal curiousity, and opportunities to serve as artist, audience, and both at once. EVENT DETAILSSonic Poetry FestivalSaturday 24th August 2026Ballam Ballam Place, Brunswick, Victoriawww.sonicpoetryfestival.com Poems read in this episode:Dear Letter P by Miriam HechtmanAt the Council Meeting by Kevin BrophyThe Change Room by Andy JacksonBless Grace Jones by Warsan ShireKaleidoscope by Ali Cobby EckermannAt the Lip of the Well by Lakshmi R KanchiTo Be Kissed by Quinn EadesListen by Jazz Money A Map of Mothers by Nadia NiazThe Other Side of History by Jeanine LeaneI wonder about that time in history by Linh Tran CreditsProduced by Brendan Bonsack.Thank you to Es Foong for joining us and to you for listening!  NoteSpoken word and poetry come from the heart and touch on all the topics peculiar to the human condition. As such there may be content in this show that could cause distress. Please practice self-care when listening and seek help if you need it.

In this episode of Season 2 of The Language Question ~ Ceist na Teangan, host Finghin Mac Cárthaigh (Flor McCarthy) sits down with Nuala Ní Dhomhnaill, one of the most celebrated poets writing in the Irish language and a former Ireland Professor of Poetry.Together, they explore how learning Irish (Gaeilge) can go far beyond grammar and vocabulary, opening powerful pathways into identity, heritage, and belonging.Thanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resourcesThanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resources.Throughout the conversation, they reflect on the emotional power of Irish — from family connections and memory to the deep cultural meanings embedded within words.This episode reminds us that Irish is not simply something to learn — it is something to experience, feel, and live.A Note on TimingThis episode was recorded on 29 March 2026. During the conversation, Finghin refers to an interview with Gabriel Rosenstock that had appeared in the Sunday Independent the week before, as well as to a documentary that was due to air the following Sunday, which was Easter Sunday.Since the recording of this episode, Gabriel Rosenstock has sadly passed away. Beannachtaí Dé airThis Episode Celebrates:* The role of storytelling in learning Irish* The power of etymology and folklore to unlock meaning* The emotional connection between language, identity, and heritage* The importance of accessibility and community in language revivalIf you've ever felt disconnected from Irish — or unsure where to begin — this episode will inspire you to start again.Thanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resources. Podcast NotesGrowing Up Between LanguagesNuala Ní Dhomhnaill reflects on her childhood between England and Ireland and her early immersion in Irish upon returning to the Gaeltacht in West Kerry. Her experience highlights how language shapes identity and belonging from an early age.The Gaeltacht and the Power of StorytellingInfluenced by the rich oral traditions of the Gaeltacht, Ní Dhomhnaill developed a deep appreciation for folklore and storytelling. These formative experiences would later inspire her distinctive poetic voice.Thanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resources. Mythology, Folklore, and the Creative ImaginationDrawing from Irish mythology and the National Folklore Collection, her work explores themes of transformation, memory, and the subconscious. Her iconic mermaid (merrow) poems exemplify her ability to bridge ancient tradition with contemporary thought.Writing in Irish: A Lifelong CommitmentNí Dhomhnaill discusses her decision to write primarily in Irish, describing it as a language of discovery, creativity, and authenticity. Her work has brought Irish-language poetry to international audiences through translation and has played a pivotal role in the modern literary revival.Free Irish Learning ResourcesIf you enjoyed this episode of The Language Question ~ Ceist na Teangan and want to continue your Irish language journey:Access free Irish learning resources, stay updated on upcoming episodes, and receive exclusive content.Sign up here:Free ResourcesThe Language Question ~ Ceist na Teangan Free ResourcesYou can also follow my writing on Substack:Thanks for your interest in The Language Question ~ Ceist na Teangan! Subscribe for free to receive priority notification on future episodes and to access valuable Irish language learning resources. A newsletter and community for anyone learning the Irish language as an adultSlán tamall,Finghin Mac CárthaighHost – The Language Question ~ Ceist na TeanganMore on Nuala Ní DhomhnaillNuala Ní Dhomhnaill is one of the most celebrated poets writing in the Irish language and a former Ireland Professor of Poetry. Renowned for her lyrical and myth-infused work, she explores themes of identity, folklore, femininity, and cultural memory through the medium of Gaeilge.Born in Lancashire, England, in 1952 to Irish physicians, she was sent at age 5 to live with relatives in the Kerry Gaeltacht. This experience profoundly shaped her linguistic and cultural identity. She later studied English and Irish at University College Cork in 1969, where she became a central figure in the influential Innti school of poets. Ní Dhomhnaill spent seven years living abroad in Holland and Turkey with her husband, Doğan Leflef, before returning to County Kerry in 1980. Her first poetry collection, An Dealg Droighin, was published in 1981.Writing exclusively in Irish, Ní Dhomhnaill uses language as a powerful tool to give voice to the marginalised and to challenge traditional narratives within Irish society. Her work often reimagines mythology and folklore through a feminist lens, presenting women as complex, empowered, and multidimensional figures. Through her poetry, she seeks to transcend the fragmentation of Ireland's colonial past and to affirm the vitality and relevance of Irish cultural identity.Her work has reached global audiences through translations by some of Ireland's most distinguished poets, including Seamus Heaney, Paul Muldoon, Medbh McGuckian, Michael Hartnett, and Eiléan Ní Chuilleanáin. Ní Dhomhnaill advocates for creative freedom in translation, believing that English versions should capture the energy, beauty, and spirit of the original Irish.Widely acclaimed both nationally and internationally, her poetry continues to play a vital role in the modern revival of Irish-language literature and in shaping contemporary discussions on language, culture, and identity.Learn more:Poetry Foundation This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit finghinmac.substack.com

The trials, tribulations and beauty of possessing a body, featuring poems by Jane Ellen Glasser, Susan Okie, Don Thompson, Joyce LaMers, and Larnell Custis Butler.Support the show

Today, Mike and Tim unpack the transformative experience the Erre's had at Hope Heals Camp, where faith, community, and a commitment to dignity intersect to create a sanctuary for families and individuals experiencing disabilities. Join us as we unpack the theology behind embodied hope, mutuality, and the sacredness of every person.The origin and purpose of Hope Heals Camp, inspired by Katherine and Jay Wolf's storyThe camp's four postures: incarnation, mutuality, disability, and image bearersHow Jesus' incarnation exemplifies dignity in limitationsThe social model of disability and creating welcoming environmentsThe significance of sacred spaces of belonging and hopeThe theological reasoning behind disability as a reflection of the divine imageThe importance of community, proximity, and shared limitations as spiritual practicesThe challenge to societal structures that dehumanize or excludeThe impact of this model on church and culture, emphasizing inclusivity over exclusivityCHAPTERS:00:00 - Welcome and introduction to Seth and Mike's camp experiences01:25 - Reflections on camp activities and community spirit03:36 - The profound personal impact of Hope Heals05:39 - Framework of the camp's origins and purpose09:02 - Volunteer roles and the structure of camp days11:45 - The parade and joyful welcomes for families13:11 - The emotional power of the entrance moment15:38 - Programming for campers and families, including special events20:25 - The significance of the talent show and stories of remarkable individuals22:15 - Poetry readings capturing the hope and embodied life24:33 - Celebrating Christmas in July and the Luke 14 banquet27:40 - The symbolism of the meal and oil blessing31:22 - The theological postures: Jesus' embodiment and dignity36:32 - The theological foundations: from incarnation to imagery of God41:53 - Disabout mutuality, respect, and person-first language in community44:16 - The divine worth of every person as image bearers48:09 - The societal realities of disability and exclusion50:22 - Reflection on hope, culture, and the kingdom of God54:19 - The contrast between exclusive and inclusive communities57:17 - The concept of thin places and sacred spaces of proximity60:34 - Worship and community as embodied, participatory acts61:10 - Final reflections: embodying God's love through dignity and kinshipHope Heals WebsiteGrace's PoetryAs always, we encourage and would love discussion as we pursue. Feel free to email in questions to hello@voxpodcast.com, and to engage the conversation on Facebook and Instagram.We're on YouTube (if you're into that kinda thing): VOXOLOGY TV.Our Merch Store! EtsyLearn more about the Voxology PodcastSubscribe on iTunes or SpotifySupport the Voxology Podcast on PatreonThe Voxology Spotify channel can be found here: Voxology RadioFollow us on Instagram: @voxologypodcast and "like" us on FacebookFollow Mike on Twitter: www.twitter.com/mikeerreMusic in this episode by Timothy John StaffordInstagram & Twitter: @GoneTimothy

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Tommye Blount.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Tommye Blount was born and raised in Detroit. He holds an MFA from Warren Wilson College and is the author of Fantasia for the Man in Blue (Four Way Books, 2020), a finalist for the National Book Award, and the chapbook What Are We Not For (Bull City Press, 2016). Blount is the recipient of scholarships and fellowships from Kresge Arts in Detroit and the Bread Loaf Writers' Conference. In 2023, he received a Whiting Award in Poetry. A Cave Canem Fellow, Blount lives in Novi, Michigan.Visit Tommye's website: https://www.tommyeblount.com/homeBuy the book Fantasia for the Man in Blue from Four Way Books.Poems we mention include:"Fantasia for the Man in Blue" (one of four title poems in the book). Watch Tommye read this poem here. "Leroy Auditions for the Fame School""Ku Klux Klan Robe and Hood, Circa 1925" in Massachusetts Review "Palmer Park""Karl Lagerfeld's Line of Beauty"Read two poems by Tommye in Four Way Review here.See Tommye read his poem "Grand Dragon" at the Whiting Awards here (~1 min)Watch Leroy Johnson's audition in Fame here!Read this interview with Tommye in Adroit Journal

In the sixth episode of their series, Sarah and Sandeep look at poems that explore the complexities of money and its metaphorical power: Frederick Seidel's ‘In Late December' starts with an image of degradation in the symbolic heart of global capitalism but ends with an ambiguous vision of the undead in an apparent appeal to common humanity; in Ella Frears's Goodlord, an email from an estate agent triggers a stream-of-consciousness tour through a series of barely-habitable rental properties and a reflection on a financial system that traps people in dehumanising accommodation; and Danez Smith's ‘C.R.E.A.M.' provides a satirical exploration of the relationship between race, poverty and systemic exploitation, describing a compressed history of the evolution of oppression from slavery to sharecropping to the modern exploitations of capitalism. Read Frederick Seidel's 'In Late December' in the LRB: https://www.lrb.co.uk/the-paper/v38/n24/frederick-seidel/in-late-december Get 25% off a 12-month subscription to Close Readings with the code 'POETRY25' at checkout here: ⁠https://lrb.me/crpoetry Learn more about your ad choices. Visit megaphone.fm/adchoices

Join these two bestselling authors as they discuss their their books, their essays and their shared love poetry.   They talk about how to survive in the traumas of our current time, how poetry comes from your ancestors, and what it means to be a good artist. ​ And don't be surprised, but they feel F-Bombs are appropriate when the world is on fire.

Watch the full video here: https://renderingunconscious.substack.com/p/ru410-bryan-batista-thomas-on-readings Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com RU410: BRYAN BATISTA-THOMAS ON READINGS OF JEAN LAPLANCHE IN PROCESS Rendering Unconscious welcomes Bryan Batista-Thomas to the podcast! He's here to talk about his new book Readings of Jean Laplanche in Process: Conversations Amplifying Differences (Routledge, 2026). https://amzn.to/4yek9XD Rendering Unconscious episode 410. Bryan Batista-Thomas spearheaded the premier, now annual, Laplanche in the Clinic event in the United States, modeled after the Journées internationales Jean Laplanche. He is the author of Readings of Jean Laplanche in Process: Conversations Amplifying Differences (Routledge, 2026), is coediting the translation of Vocabulaire de Laplanche (PUF, 2024) / The Language of Jean Laplanche (Routledge, 2027) into English, and preparing a manuscript provisionally entitled A Laplanchean Style: Technique, Temporality and Method. Batista-Thomas works full-time in private practice providing psychoanalysis, psychoanalytic psychotherapy, supervision, and teaching. https://www.bryanbatistathomas.com You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes News & events: Rendering Unconscious Center for Psychoanalysis is celebrating 1 year! Join us THIS SATURDAY, July 18th for a LIVE Rendering Unconscious Podcast event to celebrate the one year anniversary of RU Center with special guests Mary Wild, Emmalea Russo, and Mikita Brottman and Carter Carter. More TBA! All paid subscribers at RU Podcast and RU Center Substacks will receive the ZOOM LINK to attend live. https://renderingunconscious.substack.com https://rucenterforpsychoanalysis.substack.com See you there! Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ As always, huge thanks to Carl Abrahamsson for providing the intro and outro music for Rendering Unconscious Podcast. https://linktr.ee/CarlAbrahamsson https://thefenriswolf.substack.com https://anartapart.substack.com The song at the end of this episode is "Ready for Business" from the album of the same name by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/ready-for-business-17 Check out our newest album "Sisters of the Apocalypse" just released on the summer solstice: https://petemurphy.bandcamp.com/album/sisters-of-the-apocalypse-22 Visit Pete's Bandcamp and support indie artists: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY Links to everything can be found at: https://linktr.ee/renderingunconscious Enjoy! Thank You.

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ 5月16日で《ピアノ万葉集》は完結しました ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■《ピアノ万葉集》プロジェクトは2026年5月16日に完結しました。でもここは大事な場所なので、前に創った《ピアノ万葉集》の曲をお届けします。ただ、すみませんが、前に流した曲ですので重複しています。=================================================feeling good..

Encore registration - "Piano Ten Thousand Leaves" was completed on May 16, 2026. And as a post-completion activity, I hope to deliver it to people 1000 years from now. And so, I have begun "Piano Ten Thousand Leaves - beyond completion -- The Millennium Forest --". I will not be creating any new songs, but I will select one song from the 4536 songs I previously created and re-register it here. ===================================================== 《ピアノ万葉集》は2026年5月16日に完結しました。 そして完結後の活動として、1000年後の皆様に届けたいと考えています。 そして、《ピアノ万葉集》完結世界 -- 深森千年紀 -- を始めています。 そして新しい曲は創りませんが、前に創っている4536曲の中から１曲を選んでここで再登録させて頂きます。 =========================== The Complete Works of Piano Ten Thousand Leaves Vol.3-2 =========================== #spotify: https://open.spotify.com/intl-ja/album/3Vm796tVBoyWIEp1mLOpD6?si=XAl79oycSLew593UEF2VkQ #AppleMusic: https://music.apple.com/us/album/the-complete-works-of-piano-ten-thousand-leaves-vol-3-2/6787596397 #amazonmusic https://amazon.co.jp/music/player/albums/B0H7PGFDNP?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_TvnOaWB0wpvmYJqquVwEz0Do6 ＃YoutubeMusic: https://music.youtube.com/playlist?list=OLAK5uy_nwzdnA7O232R4vuv1c1duYeQAx9i9Rtak&si=5ojmgsW5cxlv0h_h #LineMusic https://lin.ee/5SED98v #AWA https://s.awa.fm/album/17c47b59557f20fb0620?t=1783245626 --- All Music Streaming Services: 全曲視聴可能なのが嬉しいですね… https://linkco.re/rqBErhU1 =========================== The Complete Works of Piano Ten Thousand Leaves Vol.3-1 =========================== VOLUME3-1 just released! Gentleness, carried on 4,536 leaves of sound. #spotify: https://open.spotify.com/intl-ja/album/5aSDLOUFLgmoK0Nu5uYvxK?si=FxFC1shbTNmcVsbGuZzufw #AppleMusic:  #amazonmusic https://amazon.co.jp/music/player/albums/B0H6VDD1KC?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_Ke44Vvf27v9Scn17Q3GlghCkH ＃YoutubeMusic: https://music.youtube.com/playlist?list=OLAK5uy_keXkSwBS2JvaxE-tEwAuXmIOe4CzSijgY&si=tJYfAwa-8cQ8sUyh #LineMusic https://lin.ee/pOzyULD #AWA https://s.awa.fm/album/95f94c20e913e538ed09?t=1782684025 --- All Music Streaming Services: 全曲視聴可能なのが嬉しいですね… https://linkco.re/AAZ0NrcQ

686. Part 1 of our interview with Joel Sharpton. Joel talks to us about Louisiana politics in 2026. Joel is a Ruston-based audio professional and progressive grassroots organizer who seamlessly blends media production with political advocacy. As the founder of Pro Podcasting Services and an expert in mobile workflows, Sharpton brings over a decade of podcasting experience to his community-focused media projects. He utilizes this production expertise to host and produce "We Are Louisiana Indivisible," a political podcast dedicated to amplifying the voices of regional activists and interviewing progressive candidates for state and local office. Working alongside organizations like Indivisible North Louisiana, Sharpton is actively engaged in grassroots organizing, voter mobilization, and hosting local civic rallies to push for democratic change across the state. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. "The Elephant and the Whale." Alcee Fortier.     Compair Lapin went to get a very long and strong rope, then he got his drum and hid it in the grass. He took one end of the rope, and went to the elephant: “Mister, you who are so good and so strong. I wish you would render me a service; you would relieve me of a great trouble and prevent me from losing my money.”     The elephant was glad to hear such a fine compliment, and he said: “Compair, I shall do for you everything you want. I am always ready to help my friends.”     “Well,” said Lapin, “I have a cow which is stuck in the mud on the coast; you know that I am not strong enough to pull her out; I come for you to help me. Take this rope in your trunk. I shall tie it to the cow, and when you hear me beat the drum, pull hard on the rope. I tell you that because the cow is stuck deep in the mud.”     “That is all right,” said the elephant. “I guarantee you I shall pull the cow out, or the rope will break.”     Compair Lapin took the other end of the rope and ran towards the sea. He paid a pretty compliment to the whale, and asked her to render him the same service about the cow, which was stuck in a bayou in the woods. Compair Lapin's mouth was so honeyed that no one could refuse him anything. The whale took hold of the rope and said: “When I shall hear the drum beat I shall pull.”     “Yes,” said Lapin, “begin pulling gently, and then more and more.”     “You need not be afraid,” said the whale; “I shall pull out the cow, even if djabe were holding her.”     “That is good,” said Lapin; “we are going to laugh.” And he beat his drum.     The elephant began to pull so hard that the rope was like a bar of iron. The whale, on her side, was pulling and pulling, and yet she was coming nearer to the land, as she was not so well situated to pull as the elephant. When she saw that she was mounting on land, she beat her tail furiously and plunged headlong into the sea. The shock was so great that the elephant was dragged to the sea. “What, said he, what is the matter? that cow must be wonderfully strong to drag me so. Let me kneel with my front feet in the mud.” Then he twisted the rope round his trunk in such a manner that he pulled the whale again to the shore. He was very much astonished to see his friend the whale. “What is the matter,” said he. “I thought it was Compair Lapin's cow I was pulling.”     “Lapin told me the same thing. I believe he is making fun of us.”     “He must pay for that,” said the elephant. “I forbid him to eat a blade of grass on land because he laughed at us.”     “And I will not allow him to drink a drop of water in the sea. We must watch for him, and the first one that sees him must not miss him.”     Compair Lapin said to Bouki: “It is growing hot for us; it is time to leave.”     “You see,” said Bouki, “you are always bringing us into trouble.” This week in Louisiana history. July 10, 1941. Legendary jazz pianist and composer Jelly Roll Morton (born in New Orleans) died in Los Angeles. His musical innovations accelerated the development of jazz. This week in New Orleans history. July 10, 1927: Tom Benson, the future owner of the Saints and Pelicans, was born in New Orleans, later becoming one of the city's most prominent philanthropists This week in Louisiana. very Island ' Jungle Gardens & TABASCO' Factory Tour Daily Tours (year‑round) Avery Island, LA 70513 Websites: tabasco.com, junglegardens.org Avery Island offers two of Louisiana's most iconic attractions: the TABASCO' Brand Factory Tour, where McIlhenny Company has made its world‑famous pepper sauce for over 150 years, and Jungle Gardens, a 170‑acre botanical preserve filled with ancient oaks, wildlife, and historic structures. A single ticket grants access to both experiences: TABASCO Factory Tour: A self‑guided walk through the museum, pepper greenhouse, barrel warehouse, salt‑mine diorama, and the bottling line, with admission priced at $15.50 for adults, $12.50 for children, and 10% off for seniors/veterans. Jungle Gardens: A scenic drive‑through and walk‑through garden featuring live oaks, bamboo groves, wildlife viewing, and the historic Buddha statue. Joint admission with the TABASCO' tour is $15.50 for adults and $12.50 for children. Visitor Experience: The combined ticket includes access to the museum, greenhouse, conservation exhibits, Country Store, Restaurant 1868, and the full 170‑acre garden system. Postcards from Louisiana. Doreen.  Listen on Apple Podcasts.  Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Diverse Voices Book Review contributor Amran Gowani interviewed Kathleen Rooney, bestselling author of the contemporary novel MAN OVERBOARD!. They discussed what's ailing modern men, the “death cult” of capitalism, her unfashionable fascination with clowns, the nourishing power of literature, and why men should read more fiction. Kathleen Rooney is the nationally bestselling author of LILLIAN BOXFISH TAKES A WALK, as well as CHER AMI AND MAJOR WHITTLESEY and FROM DUST TO STARDUST. She has won the Ruth Lilly Poetry Prize from Poetry magazine and the Adam Morgan Literary Citizen Award from the Chicago Review of Books. Kathleen's criticism can be found in The New York Times, Chicago Magazine, the Los Angeles Review of Books, and beyond. She lives in Chicago and teaches English and creative writing at DePaul University.Follow Kathlen Rooney on Social Media Instagram: @poemswhileyouwaitBluesky: @kathleenmrooney.bsky.social Folllow Amran Gowani  on Social Media:Instagram: @amrangowaniLinkedIn: @amrangowaniBluesky: @amrangowani.comFollow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks

“It had to involve more than just a slim volume of verse,” says Kimberly Campanello about MOTHERBABYHOME, her ongoing visual poetry project which centers the 796 infants and children who died at the St. Mary's Mother and Baby Home in Tuam, in the west of Ireland, between 1926 and 1961. So it consists of 796 sheets of vellum with text from archival and contemporary sources that she's shaped into a work that blends documentation and lamentation, reportage and rite. In this Zoom conversation between Kimberly and Pádraig Ó Tuama  — part two of two — recorded in 2025, Kimberly reads an excerpt from MOTHERBABYHOME, and then she and Pádraig discuss whether all poets want to be priests and how poetry is the ultimate DIY activity. Or, as Kimberly puts it, “You don't have to learn an instrument to be a poet.”    We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Kimberly Campanello is a poet, translator, and performance artist. Her most recent projects are the poetry collection An Interesting Detail, the novel Use the Words You Have, and MOTHERBABYHOME. She is Professor of Poetry at the University of Leeds. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Actor, author, and woodworker Nick Offerman hosts "A Wonder Is What It Is," an audio series from All Of It with Alison Stewart celebrating poetry and inspired by Nick's love for writer, farmer and activist Wendell Berry. In each episode, Nick reads a poem and shares his reflections. Today's poem is "The Sycamore" by Wendell Berry. Produced by Simon Close Mixing by Amber D Bruce Music composed by Mark Greenberg at The Mayfair Workshop Art by Greg Ruth Series co-created by Nick Offerman, Simon Close and Carla Parisi Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Wongaibon woman, Gayle Kennedy tells the story of her childhood, punctuated by years of treatment for polio. A bright child, she blitzed school and was drawn to comic book writing, which led to an award-winning career as an author.Gayle was two when she contracted polio. The family was living in a camp outside Condobolin when little Gayle collapsed at her aunt's house.Gayle's mother was in hospital at the time, where she had given birth to Gayle's younger brother. She ran from the hospital to her sickly toddler, and brought Gayle in for treatment.Gayle was sent to Sydney and spent six months in an iron lung, a mechanical respirator that covered her whole body, leaving her head exposed.For years she would return to Sydney for follow up therapy. Gayle was a bright student who overcame racism at school and after she graduated she worked with the Royal Commission into Aboriginal Deaths in Custody, then set up the Ivanhoe Land Council.During this time, Gayle was introduced to Streetwize Comics, which inspired to give writing a go and got a job as a comic book writer.Years later, Gayle became unwell again, and she was diagnosed with post-polio syndrome.She was miserable and suffering, and when she joined the NDIS her life changed for the better.She started writing stories that were published in the Sydney Morning Herald and went on to win the David Unaipon Award for her book Me, Antman and Fleabag.Further informationThis episode was produced by Rebecca McLaren. The Executive Producer of Conversations is Nicola Harrison.This episode contains reference to father's love, mother's love, polio, post-polio syndrome, Abbotsford station, Ivanhoe, Wangaaypuwan, Royal Flying Doctor Service, rehabilitation, children's hospital, kind nurses, long drop toilet, racism, Catholic school, Royal Commission into Aboriginal Deaths in Custody, cousins, nepotism, Balmain, NDIS, scooter, how to drink in the park, Redfern, blackfellas, saying yes, giving things a go.To binge even more great episodes of the 'Conversations podcast' with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, singers, psychologists, musicians, and celebrities.

To celebrate Clerihew Day, we have AI create some poems about us

On this week's Totally Extra: Our Feeld agent returns with an ode to her backside read at a wedding, we're whispering things into our partners' phones for some targeted ad revenge, we've got the PlayStation ick, a bellend midwife at birth, a call for sugar free antibiotics to be outlawed for kids and the toilet brush vs poo stick debate.It's time to get TOTALLY EXTRA. Extra chat, extra rants, extra bants, extra stories, nonsense and more.LuAnna: The Podcast is a Global production, available every Monday and Thursday on Global Player, YouTube or wherever you get your shows. Make sure you subscribe so you never miss an episode.Remember, if you want to get in touch you can:Email us at luanna@everythingluanna.com OR drop us a WhatsApp on our NEW NUMBER: 07521564640Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Watch the full video here: https://renderingunconscious.substack.com/p/ru409-david-renton-on-revolutionary Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com RU409: DR DAVID RENTON ON REVOLUTIONARY FORGIVENESS: BEYOND MORALISM, TOWARDS LIBERATION Rendering Unconscious welcomes Dr. David Renton back to the podcast! He's here to talk about his new book Revolutionary Forgiveness: Beyond Moralism, Towards Liberation. https://amzn.to/3Tq6qNa Rendering Unconscious episode 409. D. K. Renton is a barrister and historian. His work has appeared in The London Review of Books, The Guardian, Jacobin, Spectre, and Tempest. Renton is a member of rs21. His books include The New Authoritarians: Convergence on the Right and Fascism: History and Theory. He is based in London. Follow him at Substack: https://davidrenton590934.substack.com And on social media: https://www.facebook.com/profile.php?id=100014210191305 https://www.instagram.com/david.renton1/ https://bsky.app/profile/davidkr.bsky.social Be sure to check out these related/mentioned episodes: RU165: BARRISTER DAVID RENTON ON NO FREE SPEECH FOR FASCISTS: EXPLORING ‘NO PLATFORM' IN HISTORY, LAW AND POLITICS RU403: ANTHEA LAWSON ON HOW NOT TO SAVE THE WORLD RU394: LARA SHEEHI & CARTER CARTER – FROM THE CLINIC TO THE STREETS: PSYCHOANALYSIS FOR REVOLUTIONARY FUTURES You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes News & events: Rendering Unconscious Center for Psychoanalysis is celebrating 1 year! Join us THIS SATURDAY, July 11th for the next installment of my Introduction to Psychoanalysis course. we'll be going over the life and work of French psychoanalyst, Jacques Lacan, reviewing some of his main concepts. Following the lecture, we're going to have a party! We'll turn off the recording, hang out and celebrate. To join us, simply become a paid subscriber at RU Center for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com Then Saturday, July 18th, I will be hosting a LIVE Rendering Unconscious Podcast event to celebrate the one year anniversary of RU Center with special guests Mary Wild, Emmalea Russo, and Mikita Brottman. More TBA! All paid subscribers at RU Podcast and RU Center Substacks will receive the ZOOM LINK to attend live. https://renderingunconscious.substack.com See you there! Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ The song at the end of this episode is "Butterfly effect" from the album "All p0ets are p0rn0graphers" by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/all-poets-are-pornographers-13 Check out our newest album "Sisters of the Apocalypse" just released on the summer solstice: https://petemurphy.bandcamp.com/album/sisters-of-the-apocalypse-22 Visit Pete's Bandcamp and support indie artists: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY Links to everything can be found at: https://linktr.ee/renderingunconscious Enjoy! Thank You.

For twenty years, Christian Wiman has lived with a rare, incurable cancer. In the fall of 2022, during a stretch when the illness was especially bad, he wrote to his friend and Yale colleague Miroslav Volf: “I don't know what faith means anymore. I'm a 56-year-old with a pile of books behind me and an experimental bone marrow transplant ahead of me, and I don't know what faith means.” That letter became the seed of an extended correspondence between the poet and the theologian, now published as Glimmerings: Letters on Faith between a Poet and a Theologian. In this special collaboration with Arc Magazine, editor Mark Oppenheimer sits down with Volf and Wiman to unpack the letters that grew out of their long friendship and years of walking together through New Haven. They discuss what it means to love God, why doubt and absence might be constitutive elements of faith and presence rather than its opposite, and how a terminal diagnosis changed what each of them was willing to say and how freely they said it. They also trace the thinkers who shaped their thinking along the way, from Simone Weil's account of attention to Etty Hillesum's wartime writing, to Abraham Joshua Heschel's theology of the prophets, and they wrestle openly with where their understandings of Jesus Christ converge and diverge. Along the way, Wiman reflects on writing from a hospital room at Massachusetts General, on discovering that his fear was never death itself but the fear of dying without God, and on why grief, not fear, is what remains even after that fear falls away. Episode Highlights I don't know what faith means anymore. I'm a 56-year-old with a pile of books behind me and an experimental bone marrow transplant ahead of me, and I don't know what faith means. I sometimes find it hard to think what it means to love God. I don't know how to love God. Faith is what matters. Belief seems to me a matter of the institution and ascending to creeds and things like that. I think most of my theological thinking is existentially motivated. It's motivated by the kind of inner logic of the trust in which I'm involved. Most of the books that I wrote, I've written for myself. I'm one of those writers who doesn't have an audience. There is grace in my life if I can just keep my eyes open enough to see it. His mistake in some ways lets him see that the world is right, that there's a rightness to the world. What becomes clear is one's longing for God. Everything is stripped away and very little else seems to matter. What I want most in my life is the presence of God. And I fear dying without that. Just being alone at the moment of death. I was worried that he won't have God in that situation of need because attention might be lacking. About Miroslav Volf and Christian Wiman Miroslav Volf is the Henry B. Wright Professor of Theology at Yale Divinity School and founding director of the Yale Center for Faith & Culture. He is the author of Exclusion and Embrace, the NYT bestseller Life Worth Living (with Ryan McAnnally-Linz and Matt Croasmun), The Cost of Ambition, and more than twenty other books. Christian Wiman is the Clement-Muehl Professor of Communication Arts at Yale Divinity School. He has written and edited numerous volumes of poetry. He has lived with a rare blood cancer, Waldenström macroglobulinemia, for more than twenty years, an experience he wrote about in his memoirs My Bright Abyss and Zero at the Bone. Helpful Links and Resources Glimmerings: Letters on Faith between a Poet and a Theologian, the book discussed in this episode: https://bookshop.org/p/books/glimmerings-letters-on-faith-between-a-poet-and-a-theologian-christian-wiman/1a13ad79a59080d1 Miroslav Volf, faculty bio at the Yale Center for Faith and Culture: https://faith.yale.edu/people/miroslav-volf Christian Wiman, faculty bio at the Yale Center for Faith and Culture: https://faith.yale.edu/people/christian-wiman Arc: Religion, Politics, Et Cetera, the magazine that co-produced this episode: https://arcmag.org/ John C. Danforth Center on Religion and Politics at Washington University in St. Louis: https://rap.wustl.edu/ My Bright Abyss, Christian Wiman's earlier memoir on faith and his cancer diagnosis: https://us.macmillan.com/books/9780374534370/mybrightabyss/ Miroslav Volf: Disagreeing With You Feels Like Disagreeing With Myself, a Christianity Today profile of the two friends (by Andrew Hendrixson): https://www.christianitytoday.com/2026/01/miroslav-volf-disagreeing-with-you-like-disagreeing-with-myself-christian-wiman/ Show Notes Summer break announcement, past-episode recap Special crossover episode with Arc Magazine Mark Oppenheimer, Arc's editor, hosts this conversation Origin story: a brief email exchange in fall 2022 Wiman's diagnosis, Waldenström macroglobulinemia, and a bone marrow transplant Twenty years of friendship, marked by weekly walks in New Haven The letter that started it: not knowing what faith means anymore What does it mean to love God? Faith versus belief: creeds compared to a personal relationship Doubt as a constitutive element of trust, not its opposite Absence and presence, sorrow and joy, held together Theology as existentially motivated rather than academic exercise Writing for an audience of one, and how that shapes honesty Whether a book contract changes how freely you write Simone Weil's idea that attention is what makes God present Disagreement over how central Jesus Christ is to each man's sense of God Volf's Pentecostal upbringing, Wiman's Southern Baptist roots Volf's sense of God as behind and underneath, not face to face Wiman's youthful epiphany and a memory of his grandmother's death A misread wildflower, a Richard Wilbur poem, grace found in error Shai Held's blurb and why Jewish thinkers rarely appear in Christian theology Etty Hillesum, her wartime diaries, her postcard thrown from the train Abraham Joshua Heschel's influence through Sabbath and The Prophets Heschel's idea that faith is fidelity to the moments you once had it A letter written from a hospital room at Massachusetts General Miroslav's fear that his letters carried condescension toward a friend in crisis Whether a cancer diagnosis changes the fear of death itself Grief, not fear, as what remains once the fear of dying is gone How the two friends met: through Volf's wife's poetry class Letter-writing as a lifelong practice for both men beyond this book #Glimmerings #MiroslavVolf #ChristianWiman #Faith #Doubt #Theology #YaleDivinitySchool #ArcMagazine Production Notes This podcast featured Christian Wiman and Miroslav Volf with Mark Oppenheimer Special thanks to David Sugarman and Arc Magazine Edited and Produced by Evan Rosa Hosted by Evan Rosa Production Assistance by Noah Senthil A Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/about Support For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

If you’ve spent much time in the worlds of poetry, faith, or the imagination, you’ve almost certainly encountered the work of Malcolm Guite. He’s one of those rare figures who moves comfortably between the academy, the church, and the arts. Guite is an Anglican priest, acclaimed poet, singer-songwriter, and Life Fellow of Girton College, where he served as chaplain for seventeen years.” Over the years, he has become one of today’s most influential voices exploring the intersection of literature, beauty, and Christian faith through books such as Faith, Hope and Poetry, Lifting the Veil, Mariner, and his beloved collections of sonnets inspired by the church year. His newest work is Galahad and the Holy Grail, a fresh retelling of one of the greatest stories in the Arthurian tradition. Rather than simply retelling an old legend, Guite invites readers into a richly imagined spiritual journey that explores courage, purity, sacrifice, and the deep human longing for God. Written in narrative verse, the book combines the musicality of poetry with the momentum of an epic adventure, making an ancient story feel remarkably fresh and relevant for modern readers. One of the delights of this project is that Galahad and the Holy Grail isn’t confined to the printed page. Guite has also taken the work on the road, performing it before live audiences in churches, theaters, and literary festivals. Those performances blend storytelling, dramatic reading, and music in a way that recalls the medieval tradition of poems being heard as well as read. Audience response has been enthusiastic, with many listeners discovering that the oral performance brings new depth and emotion to the story. Today we’ll talk with Malcolm Guite about the enduring power of the Grail legend, why ancient stories still matter, how poetry helps us recover wonder, and what Galahad’s quest can teach us about our own search for truth, beauty, and grace. I think you’ll enjoy this conversation. The producer for today's program is Jeff McIntosh. I'm your host, Warren Smith. Until next time, may God bless you.

Pulitzer Prize-winning poet Mary Oliver inspired millions with her celebrations of nature, attention, and the examined life — yet she remained one of American literature's most intensely private figures. Filmmaker Sasha Waters spent years building an intimate portrait of Oliver from the inside out: sifting through thirty to forty boxes of correspondence, notebooks, and personal photographs before they entered the Library of Congress, and tracking down a long-lost video recording that captures Oliver speaking publicly for the first time about surviving childhood abuse.Mike talks with Waters about the making of Mary Oliver: Saved by the Beauty of the World (2026) — her path into documentary filmmaking through the school of Barbara Kopple, the subjects that have chosen her over the years, the creative problem-solving demanded by a subject who rarely allowed herself to be filmed, and what it felt like to introduce the film to a sold-out crowd of 1,100 at the Missouri Theatre during its world premiere at True/False. Waters also reflects on her parallel career as an experimental filmmaker and educator at VCU School of the Arts, and the pleasures of a good pie shake.Mary Oliver: Saved by the Beauty of the World opens theatrically July 3, 2026, and airs on PBS American Masters on August 25, 2026. Find Sasha Waters online at pieshake.com and on Instagram @pieshakepictures.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In episode 545 I chat with Duke Al. Duke is a spoken word artist and OCD advocate. In this episode Duke reads some of his poems about OCD and explains the meanings behind them, including a new one partially inspired by a bit of my own story, he talks the power of poetry, and how he used poetry as a self-therapy, and much more. Hope it helps. Poems read: Poetry and rhyme  A Letter to myself about letters  Dear Chris I wish  Little Duke Numbers, prayers, checks  A couple brand new poems currently untitled Show notes: https://theocdstories.com/episode/duke-545 The podcast is made possible by NOCD. NOCD offers effective, convenient therapy available in the US and outside the US. To find out more about NOCD, their therapy plans and if they currently take your insurance head over to https://go.treatmyocd.com/theocdstories Join many other listeners getting our weekly emails. Never miss a podcast episode or update: https://theocdstories.com/newsletter 

More To The Story: Growing up in Los Angeles in the 1980s and '90s, a daughter and granddaughter of social justice activists, Chanda Prescod-Weinstein fell in love with math and the physical sciences and developed a profound curiosity about the cosmos (though the smoggy night sky of her childhood blocked her view of the stars). She soon developed a detailed plan for her life that led to a career writing and teaching about physics and gender studies at the University of New Hampshire. Today, Prescod-Weinstein's work stands out for the ways she weaves her identity as queer, Black, and Jewish into her work. In her latest book, The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie, Prescod-Weinstein brings a Black feminist lens to cosmology, quantum physics, poetry, and popular culture to help unlock the mysteries of the physical universe. On this week's More To The Story, Prescod-Weinstein talks about the need for diversity and inclusivity in the sciences and puts science fiction's various hypotheses for space travel to the test with host Al Letson.Read: The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie (Pantheon)Read: Has America Lived Up to Its Founding Promise? (Reveal)Watch: How We Could Solve the Dark Matter Mystery (TED Talks)Read: The Disordered Cosmos: A Journey Into Dark Matter, Spacetime, and Dreams Deferred (Bold Type Books)Learn more: Chanda Prescod-Weinstein's personal website Donate today at Revealnews.org/more Subscribe to our weekly newsletter at Revealnews.org/weekly Follow us on Instagram and Bluesky Learn about your ad choices: dovetail.prx.org/ad-choices