Podcasts about Poetry

Rachel Eliza Griffiths is a poet, multimedia artist, memoirist and novelist. Her literary and visual work has been widely published in magazines, journals, and anthologies, including The New Yorker, The Paris Review, Poets and Writers, and Best American Poetry, among others. Some of her poetry collections include Miracle Arrhythmia, Mule and Pear, Seeing the Body, and Lighting the Shadow. Griffiths' hybrid collection of poetry and photography, Seeing the Body was selected as the winner of the 2021 Hurston/Wright Foundation Legacy Award in Poetry, the winner of the 2021 Paterson Poetry Prize, and a finalist the 2020 NAACP Image award. Her debut novel, Promise was a Kirkus Reviews and Chicago Public Library Best Book of the Year. Her memoir is called The Flower Bearers.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Tim Dlugos.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes: Tim Dlugos was born in Springfield, Massachusetts and grew up in Arlington, Virginia. From 1968 to 1970, he was a Christian Brother at LaSalle College in Philadelphia. He left LaSalle and moved to Washington, DC, but later lived in New York City where he was a contributing editor to Christopher Street magazine and on the Poetry Project staff.Dlugos's books of poetry include High There (1973), Je Suis Ein Americano (1979), Incredible Risks (1980), Entre Nous (1981), A Fast Life (1982), Strong Place (1992), Powerless: Selected Poems 1973–1990 (1995), and the posthumous A Fast Life: Poems of Tim Dlugos (2011), edited by David Trinidad. Marked by witty observation, narratives that recount life's daily minutia, and heavily enjambed lines, Dlugos's poetry shares its immediate, offhand style with the work of Frank O'Hara and James Schuyler. Dlugos's work is also noteworthy for its firsthand depiction of the AIDS pandemic.Read this essay about Dlugos and Danez Smith.Poems we read include:"G9""An Undelivered Class Presentation on the Subject of Gay Consciousness""Incredible Risks" (scroll down)"Healing the World from Battery Park," which you can read in the 1993 Best American Poetry, available here on the Internet Archive.Watch Ry Dunn read "G-9" here (~15 min). And watch Tim Dlugos read a swath of poems here (~30 min).

The following conversation unpacks Melissa's work, while touching on what a future feature film from Melissa will look like. Melissa's work is available to view on her website MelissaAnastasi.com, and I encourage you to dive into the available shorts prior to listening to this interview. I also encourage you to check out her commissioned work too which features music videos with artists like Jane Tyrrell from Elefant Traks and commissioned shorts about mental health.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit our subscription page where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Follow us on Instagram, Facebook, and Bluesky.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Christians have inherited a strange habit of treating the Old Testament as optional. Dr. Gary Edward Schnittjer argues that Jesus and the apostles would not have understood the question. There was a gospel, a Messiah, and a church before there was a New Testament, and none of it was possible without the Scriptures Israel already had. Even the word "gospel" comes to Mark by way of Isaiah. In this episode, Dr. James Spencer talks with Dr. Schnittjer about his new book, Connected: How Scripture Guides the Study of Scripture. The premise is that the Bible already teaches us how to read it. Story teaches us to read story in Deuteronomy 6. Prophecy teaches us to read prophecy in Zechariah 1. Poetry and wisdom teach us to read poetry and wisdom in Psalm 1. Jesus models the whole thing in the synagogue at Nazareth in Luke 4. Along the way they work through continuity and discontinuity between the testaments, the burden of holiness carried by the priests and what Hebrews does with it, Daniel's need for help understanding Jeremiah, and the strange counterpoint in Jeremiah 44 where survivors of Jerusalem's fall blame Josiah's reforms for the disaster. They close on Deuteronomy as a book that builds an entire culture of Scripture study, from the king who writes his own copy of the law to the whole covenant community gathered every seven years to hear it read. Dr. Gary Edward Schnittjer is distinguished professor of Old Testament for Cairn Theological Seminary at Cairn University. He writes at Carpenter's Student. This is part one of a two-part conversation. In the next episode, Dr. Spencer and Dr. Schnittjer turn to Ezra-Nehemiah. Get Connected: How Scripture Guides the Study of Scripture at Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Games can be anything, but do they really need to be anything more than Snake??Today we're talking about Game Poems — Issue #1: First Moves by so many people!!! A game about learning what a game poem is and playing Snake.Read/play Game Poems — Issue #1: First Moves on itch.io or the Game Poems website!!! Follow Game Poems on their website!Discussed in the episode:Game Poems Magazine - ResourcesSupport us on Ko-fi!Visit our website!Follow us on YouTube!Follow the show on Bluesky!Check out The Worst Garbage Online!---Art by Tara CrawfordTheme music by _amaranthineAdditional sounds by BoqehProduced and edited by AJ Fillari---Timecodes:(00:00) - Modern Major Child (03:23) - Game Poems Issue #1: First Moves (05:26) - The philosophy of game poems (15:55) - It's over when... (18:49) - Find the game in the show notes!! (19:57) - Stand outs (20:12) - Like I Never Moved at All by Adam Pype and Victor Kraus (23:33) - SNAKISMS 2: Snakes We Live By, Volume 1: A-M by Pippin Barr (28:25) - [começar coisas terminadas] by Isaques Sanchez (33:59) - Asunder by Ash Rezvani, Brittany Westlund, Kate Lloyd (37:26) - Firsts by Geoffrey Mugford (43:12) - Gambit by Caitlin DeRosa (44:58) - On Second Thought by Tereza Kotěšovcová (47:01) - A look of glass stops you. by Brendan Allen (50:33) - Big Takeaways (51:00) - Kim's Big Takeaway (52:41) - AJ's Big Takeaway (54:33) - Chase's Big Takeaway (57:26) - Closing the magazine (01:00:24) - Kim tells a story ★ Support this podcast ★

From our series titled The Poetry of Wholeness, in which we allow the Psalms to be our guide in the journey toward wholeness. Scripture reading: Psalm 25 Referenced poetry: The Peace of Wild Things, Wendell BerryMy Heart Leaps Up when I Behold, William WordsworthI've Known Rivers, Langston HughesSorrow, Edna St. Vincent MillayLearn more about Redeemer Church at ⁠⁠⁠⁠⁠⁠⁠⁠redeemerclt.org⁠⁠⁠⁠⁠⁠⁠⁠.

One World in a New World with Maxwell Gail Jr.Most people know Max Gail as the beloved Detective Stan "Wojo" Wojciehowicz from Barney Miller. Few know the remarkable inner journey that has shaped his life.In this heartfelt episode of One World in a New World, longtime friends Zen Benefiel and Max Gail reconnect after years apart to explore the experiences that shaped Max far beyond television. Together they discuss childhood mystical experiences, out-of-body awareness, Native American teachings, acting, creativity, politics, spirituality, consciousness, Carl Jung, community, and the search for deeper meaning.Max reflects on his journey from science student to actor, from Hollywood success to humanitarian work with Indigenous communities, sharing stories filled with humility, wisdom, humor, and compassion. Along the way, he offers beautiful original poetry—including two deeply moving pieces that capture the essence of living authentically and preparing for life's final chapter with peace rather than fear.Topics include:• Barney Miller behind the scenes• Childhood spiritual experiences• Consciousness and intuition• Carl Jung and inner knowing• Native American wisdom• Community Technology Centers• Politics beyond polarization• Living in relationship• Aging with purpose• Poetry and the human spiritWhether you know Max from television or are meeting him for the first time, this conversation offers a rare glimpse into the heart of a man who has quietly dedicated his life to connection, service, and truth.Max's website: https://maxgail.comJoin this channel to get access to perks:https://www.youtube.com/channel/UCuZl_29zHxehqeL89KSCWFA/join__________Coherence Engine - https://AIUniversalEngine.comA different view of reality: https://youtu.be/uhhWJhwEtX8

Can AI help poets write better, or is it taking the soul out of poetry?In Episode 4 of Rekhta Room, young poet and IT professional Yasir Khan Inam joins Faisal Fehmi to discuss his journey from Bulandshahr to Delhi, the influence of Sahir Ludhianvi, and why behr remains central to Urdu poetry.He also shares his perspective on ChatGPT, social media reels, self-editing and the future of shayari. The episode ends with a rapid-fire round and a special ghazal recitation, including “Yeh Aansu Toh Tumhare Baad Aaye.”

Latest up from Spoken Label features making her debut, the wonderful Anna Maria StępieńAnna was born in Tarnobrzeg (Poland, present Podkarpackie Region). An economist and an English philologist. In 2020, she graduated from the Jagiellonian University in Kraków, where she studied specialized translation, for her post graduation. For over seventeen years, a teacher of English and also a translator; she loves her profession. Once, an accountant working for an international company. Now, an editor and an editorial secretary in World Taifas Literary Magazine (Romania), and also one of the coordinators of the Teerandaz International Festival of Poetry and Fiction (Dhaka, Bangladesh). Anna Maria writes poems, short stories, memoirs and anecdotes, both in Polish and in English. Acclaimed worldwide in artistic circles; her poems have been translated into other languages.

Who is J.T. Welsch? J. T. Welsch is a writer and academic born in the US andbased in the UK, where he teaches at the University of York. He is the author of several books of and about poetry, including Orchids (2010), The Hell Creek Anthology (2015) and The Selling and Self-Regulation of Contemporary Poetry (2020). He also edited the anthology of migrant poetry Wretched Strangers (2018) with Ágnes Lehóczky. His writing has appeared in Poetry Review, Boston Review and the Guardian. In this episode hear about his new book on The Poetry of Suicide: Lessons in grief from the lives and deaths of poets. In the episode introduction, you heard from: Joshua Hurtado Hurtado, PhD, University of Helsinki and Jason Glynos, Professor at the Department of Government, University of Essex about their new article, "Thanabots, fantasy, and theethics of mourning", published in AI & Society. You can find ithere: https://link.springer.com/article/10.1007/s00146-026-03200-9  And then Dr. Mórna O'Connor on her and Dr Dorthe Refslund Christensen's new collection, Creative and Aesthetic Ways of Grief: "All Things Reimagined".How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Welsch, J.T. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 August 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.33129308What next?Check out more ⁠episodes⁠ or find out more about the ⁠hosts! ⁠Gota question? ⁠Get in touch⁠.

The Poetry Nights He Kept Me Out OfBecome a supporter of this podcast: https://www.spreaker.com/podcast/cheating-all-the-time-cheat-stories--5689182/support.

RevisionThe surah* Al-Baqarah means the cow.* 286 ayat — the longest surah in the Quran.* Nicknamed the peak of the Quran (Sanam al-Quran).* Surah Al-Baqarah and Surah Ali Imran are twin surahs. If you read them, study them, memorise them and act on their lessons, they will come on the Day of Judgement as clouds — shade on a day when there is no shade except the shade of Allah.* The surah has nine parts. We are in Part 1: Types of People.Ayah 1 — Alif Lam MimWhat does it mean? There is a meaning, but we do not know it. Our answer is: Wallahu a'lam — Allah knows best.We may not know the meaning, but we can learn the wisdom behind it.1. It is a surprise call.The Prophet ﷺ was unlettered — he did not read or write. A person who does not read or write does not recite alphabets. So the fact that he recited letters was a surprise in itself.There is a second surprise. Listen to Arabs speaking their own language — they do not speak in tajweed. But the Prophet ﷺ recited Alif Lam Mim with full tajweed rules. A strange combination of letters, recited in a way no one spoke. It caught the audience's attention immediately.2. It is a challenge.Poetry was the highest art form of the Arabs at that time. When the Quran came, they refused to accept it was from God — they said Muhammad ﷺ made it up, or learned it from somewhere.So Allah opens with letters: Alif Lam Mim. Alif Lam Ra. Qaf. Ha Mim. Ya Sin. The same alphabet you have. Go and produce something like it.3. It is a gate of humility.There are things our minds can fully understand, and there are things beyond our minds. Before we can receive guidance, we have to accept that limit.Example: Why is Fajr two rak'ah, but Dhuhr and Asr are four? Fajr is at a quiet time when you have space; Dhuhr falls in a rushed 20-minute lunch break at school. Why not make them equal? Wallahu a'lam. We obey.Does “wallahu a'lam” mean we obey blindly? No. We arrive at obedience through reason:* The universe cannot exist without a creator.* That creator cannot himself be created — there must be an uncreated Creator.* A Creator who made a universe this complex and this beautiful must be wise.* When someone infinitely wiser than you tells you to do something — you do it.We accept Allah through revelation and through reason. Once that foundation is in place, obedience follows. That is the gate of humility.And we are still allowed to look for the wisdom. Two rak'ah at Fajr — you are fresh, you do not need much. Four at Dhuhr — you are hungry, tired, and about to become “hangry,” so you stop and reset. Four at Asr — before you carry your work stress home to your family, you offload it onto Allah first. Iyyaka na'budu wa iyyaka nasta'in — You alone we worship, and You alone we ask for help.Who are we asking? The Creator of everything. Next to Allah, how big is our problem? This is why a person of prayer can walk back to their problem and face it — you are not facing it alone.Ayah 2ذَٰلِكَ الْكِتَابُ لَا رَيْبَ ۛ فِيهِ ۛ هُدًى لِّلْمُتَّقِينَ“That is the Book, no doubt in it, guidance for the people of taqwa.”* Dhalika — that* al-Kitab — the Book* la rayba fihi — no doubt in it* hudan lil-muttaqin — guidance for the people of taqwaThe link to Al-Fatihah. In Al-Fatihah we made the du'a: Ihdinas-siratal mustaqim — guide us to the straight path. We asked for guidance. Allah answers immediately: the guidance is in this Book.Guidance for everyone, or only for some? In ayah 185 of this same surah, Allah says the Quran was sent down as guidance for all mankind. Here in ayah 2, it says guidance for the people of taqwa.The offer is open to everyone. The people of taqwa are the ones who take the offer up.New Material: What Is Taqwa?The literal meaningTaqwa comes from the root waw – qaf – ya, which carries the meaning of protection.Because taqwa also contains an element of fear, the literal meaning is: protective fear.Protective fear vs paralysing fear* Fire in the building. Protective fear: you get out. Paralysing fear: you freeze — or you film it for TikTok.* Exam next week. Protective fear: you start studying. Paralysing fear: “que sera sera” — you give up.* The difference. Protective fear moves you to act. Paralysing fear stops you from acting.Note on the snake example from class: standing still is the correct response to an Australian snake, because they are not hunting us — they bite out of fear when they feel threatened. That is a considered decision, not a freeze.Fear on its own is not enough. If you find out at 9pm that there is a test tomorrow morning and you decide there is no point trying, you are still afraid — but the fear has paralysed you.This is why taqwa needs the two wings we studied earlier: fear and love/hope. Without hope you will not move. Taqwa is not just fear — it is fear balanced by love.What are we protecting ourselves from?When Allah uses the word taqwa in the Quran, it means: protect yourself from Allah's anger and His punishment, and move towards His mercy and forgiveness.In practice: what Allah told you not to do — don't do it. What Allah told you to do — do it.Story time: Umar and Ubayy ibn Ka'bWho is Ubayy ibn Ka'b? One of the Companions the Prophet ﷺ named as the best reciters of the Quran — if you want to hear the Quran as Jibril brought it, listen to these people. When Umar ibn al-Khattab established Taraweeh in congregation, he appointed Ubayy as the first Taraweeh imam. Ubayy recited so long that the Companions would lean on the walls and pillars of the masjid, and the prayer would end just in time for a small meal before Fajr.The conversation:Umar ibn al-Khattab asked him, “What is taqwa?”Ubayy answered with a question: “Have you ever walked through a path full of thorns?”Umar said, “Yes.”“How did you do it?”Umar said, “I would lift my garment and walk carefully.”Ubayy said: “That is taqwa.”Arab dress is long and flowing. On a thorny path you gather it in, and you watch every step — so your clothes are not snagged and your feet are not cut.That is life. Every step, you are aware: Is this bringing me closer to Allah, or further away? Would Allah be pleased with this, or angry?The technical meaningLiteral meaning = the dictionary meaning.Technical meaning = the meaning in context.Example: the word site. Literally, a place. Say it to a builder and he means a construction site. Say it to a web developer and she means a website. Same word, different technical meaning depending on context.So for taqwa:* Literal: protective fear* Technical: mindfulness of AllahBeing constantly aware of whether something is beloved to Allah or disliked by Him, and whether a decision takes you towards Him or away from Him.A person of taqwa will be guided by the Quran, because that is where you find what Allah loves, what He dislikes, what He made obligatory and what He made forbidden.Ayah 3 — The Signs of TaqwaTaqwa is in the heart. The Prophet ﷺ said, “At-taqwa ha huna” — taqwa is here — pointing to the chest. You cannot display it. But it produces signs, and the signs can be seen.الَّذِينَ يُؤْمِنُونَ بِالْغَيْبِ وَيُقِيمُونَ الصَّلَاةَ وَمِمَّا رَزَقْنَاهُمْ يُنفِقُونَ“Those who believe in the unseen, establish the prayer, and spend out of what We have provided for them.”1. They believe in the unseen (yu'minuna bil-ghayb)Every pillar of iman involves something unseen:* Allah — we cannot see Him.* Angels — we cannot see them.* Books — we can hold a mushaf, but we did not see Jibril bring it down. That process is what makes it different from every other book.* Prophets — the Companions could see Muhammad ﷺ the man. What they could not see was him receiving revelation, and that is what made him a prophet.* Day of Judgement — not yet seen.* Divine decree (qadar) — never seen.Remember the three dimensions of the religion — the what, the why, and the how. Iman is the why: the root system. You do what you do because you believe Allah commanded it.2. They establish the prayer (yuqimunas-salah)Belief is invisible. Prayer is what that invisible belief looks like when it comes out.3. They spend from what Allah has given them (wa mimma razaqnahum yunfiqun)Not “what they earned” — what We have provided them. The wealth was never theirs to begin with.Next WeekWe continue with the details of ayah 3, and aim to reach ayah 5 — unless our guest speaker joins us, in which case Islamic Studies runs instead.Key Terms* Wallahu a'lam — Allah knows best* Taqwa — literally: protective fear. Technically: mindfulness of Allah* Muttaqin — the people of taqwa* Ghayb — the unseen* Sanam al-Quran — the peak of the QuranQuestions to Test Yourself* What does Al-Baqarah mean, and how many ayat does it have?* Give the three wisdoms behind Alif Lam Mim.* Translate ayah 2 into English.* What is the difference between protective fear and paralysing fear? Give one example of each.* What did Ubayy ibn Ka'b compare taqwa to?* What is the difference between a literal meaning and a technical meaning?* Name the three traits of the people of taqwa mentioned in ayah 3.* Why is belief in the Quran still “belief in the unseen” when you can hold a copy in your hands? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.grounded.day/subscribe

689. We talk to Amanda Skenadore about her novel on the Carville Leprosy Colony, The Second Life of Mirielle West. Amanda Skenandore is a registered nurse turned historical fiction author whose medical background deeply shapes her storytelling. In her novel The Second Life of Mirielle West, she takes listeners into 1920s America to follow a Hollywood socialite whose life is upended when a diagnosis of leprosy forces her into exile at Carville, Louisiana — the nation's only leprosarium at the time. Blending rigorous medical history with emotional depth, the story explores one woman's fight against systemic isolation and social stigma as she seeks purpose, belonging, and redemption in the most unexpected place.  Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Gaspar Cusachs. "Lafitte: The Louisiana Pirate and Patriot." Here in Barataria, amid the innumerable branches of bayous, passes, and inextricable cypress swamps, persons may lie concealed from the strictest scrutiny. In 1811, Lafitte fortified the eastern and western points of this island, and established a regular depot. Here the prizes were brought and sold to the inhabitants of the adjoining districts, who resorted to these places for the purpose of obtaining bargains in matters of trade and without being at all solicitous to conceal the object of their journey. No effective measures having been taken to expel the pirates they continued their depredations upon the Spanish commerce and sometimes ventured to attack vessels of other nations. They were generally regarded as pirates, but it is probable that most, if not all of them, were commissioned by the Carthagenian government. This week in Louisiana history. July 31 1976. U.S. Rep. F.E. Hebert of N.O. completes longest term in office, 35 yrs, 6 m, and 28 days. This week in New Orleans history. July 31, 1919: Iconic jazz saxophonist Earl Bostic was born, later influencing the New Orleans R&B sound with his unique technical style. This week in Louisiana. Satchmo SummerFest August 1'2 New Orleans Jazz Museum at the Old U.S. Mint, 400 Esplanade Avenue New Orleans, LA 70116 Website: frenchquarterfest.org Satchmo SummerFest is New Orleans' annual celebration of Louis 'Satchmo' Armstrong, held each year on the first weekend of August to honor his August 4 birthday. The festival is free, thanks to support from New Orleans & Company, and takes place on the grounds of the New Orleans Jazz Museum at the Old U.S. Mint. The weekend features live music, lectures, food vendors, and a Sunday second‑line salute: Live Music: Outdoor stages featuring traditional jazz, brass bands, swing, and local legends, all presented by French Quarter Festivals, Inc. Satchmo Legacy Stage: Indoor talks and presentations exploring Armstrong's life, recordings, and cultural impact, led by scholars and musicians. Food Vendors: New Orleans cuisine served on‑site, curated by the same team behind French Quarter Fest. Jazz Mass & Second‑Line: A Sunday morning tradition honoring Armstrong with a church service followed by a second‑line parade to the festival grounds. Postcards from Louisiana. The Rock Block Band at Felix's Restaurant and Oyster Bar. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Chess Poetry: CheckMatey! In this episode we discuss the upcoming 2027 ROMP exhibit and art and poetry contests on the theme of chess. We also discuss the heat and the necessity for children to write poetry. A few jokes, some sweat, and pawns purveying poetry . . . it's all here!

Mighty Mila's new 'Poetry Pe rfume ' forces everyone in Pflugerville to speak in rhymes, and the heroes must find a way to break the curse before the Annual Spelling Bee becomes a lyrical disaster.

This is a Vintage episode from 2010.Why This Episode MattersDiscover how wine can encourage creativity, conversation and more mindful experiences.Learn why comparative tasting helps develop your palate faster.Understand how fear of being wrong prevents people from describing what they taste.Hear why making time for memorable experiences may change how we perceive our lives.The ConversationThe Restaurant Guys, Mark Pascal and Francis Schott, welcome author and organizational consultant Michael Gelb to discuss Wine Drinking for Inspired Thinking: Uncork Your Creative Juices.Michael connects wine and creativity to the ancient Greek symposium, where philosophy, poetry and conversation flowed alongside the wine. He explains how thoughtful drinking can loosen inhibitions, encourage expression and make wine feel less intimidating.The conversation covers memorable food-and-wine pairings, Château d'Yquem and the value of tasting similar wines side by side. Michael and The Guys explore how comparison sharpens sensory memory, why beginners sometimes notice what experts miss and the difference between professional analysis and personal enjoyment.After the interview, Mark and Francis reflect on memory, routine and why meaningful experiences may make life feel fuller and time move a little more slowly.Guest BioMichael J. Gelb is a bestselling author and organizational consultant known for How to Think Like Leonardo da Vinci. In Wine Drinking for Inspired Thinking, he uses comparative tasting, conversation and creative exercises to help people experience wine with greater curiosity and enjoyment.Timestamps00:00 Michael Gelb and Wine Drinking for Inspired Thinking04:45 Food-and-wine pairings to experience at least once08:15 Creating memorable tastings for friends10:00 Why side-by-side tasting improves sensory memory11:20 Fear of embarrassment and the adult learning block13:20 Advantages of beginners and professionals16:45 Knowing everything about wine—and missing its beauty20:45 Making room for joy in everyday life22:15 The advice from Francis's father that may improve your lifeInfoMichael's bookWine Drinking for Inspired Thinking: Uncork Your Creative JuicesMichael's site https://michaelgelb.com/Subscribe: Restaurant Guys' Regularhttps://restaurantguysregulars.buzzsprout.com/Magyar Bankhttps://www.magbank.com/Stage Left Wine Shophttps://www.stageleftwineshop.com/Our PlacesStage Left Steakhttps://www.stageleft.com/Catherine Lombardi Restauranthttps://www.catherinelombardi.com/Stage Left Wineshophttps://www.stageleftwineshop.com/Reach Out to The Guys!TheGuys@restaurantguyspodcast.com

LeDerick Horne is a spoken word poet, advocate, and speaker known for his work in special education and disability advocacy. He serves as the board chair of All In for Inclusive Education and is co-author of “Empowering Students with Hidden Disabilities: A Path to Pride and Success.” LeDerick has performed his poetry at high-profile venues, including the White House, and is the co-host of the “Black and Dyslexic Podcast.” His work primarily revolves around exploring his dual identity as a Black man with a learning disability, utilizing poetry to advocate for inclusive education practices.In this insightful episode of Think Inclusive, Tim Villegas is joined by LeDerick Horne, a distinguished advocate for inclusive education and a spoken word poet. The conversation delves into the implications of labeling in education and the transformative power of truly inclusive environments. As someone who has navigated the challenges of a learning disability, Horne shares his journey and the significance of acknowledging disability as a political identity.The dialogue explores how educators can effectively support students with hidden disabilities such as dyslexia. With an emphasis on collaboration among teachers and acknowledging gaps in knowledge, Horne asserts that integration within classrooms should not merely be about co-location but about genuine collaboration and support. Furthermore, the episode includes a compelling discussion on the intersectionality of race and disability, urging educators to demystify neurodiversity and challenge systemic segregation in schools.Complete show notes and transcript: https://mcie.org/think-inclusive/navigating-identity-poetry-disability-and-inclusion-advocacy-with-lederick-horne-1339/

Nothing is more calming, more quieting, more hopeful to the troubled mind than rehearsing how deep and wide the love of God really is. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

"I am Detroit. My people still live here... and I'll be buried in Detroit soil." That declaration sets the tone for one of the most heartfelt conversations ever shared on Detroit is Different as Marsha Carter reflects on the Eastside neighborhoods, family roots, and church upbringing that shaped her life long before audiences knew her as a celebrated spoken word artist. Growing up between Seven Mile and Hull, attending and graduating from the legendary Pershing HS 'I'm a Dough Girl for Life.' Finding purpose in church, Marsha explains how faith became her first foundation. "I was a church girl in the hood," she says, reminding us that Black Detroit has always been filled with layered stories that refuse simple stereotypes. From there, the conversation blossoms into the remarkable evolution of a woman who transformed poetry into purpose. Marsha shares how spoken word became more than performance—it became confidence, business, healing, and community. She opens up about using creativity to discover her authentic voice, create opportunities for herself and others, and build spaces where culture and connection thrive. This episode is a testimony to the power of believing in your gifts, honoring where you come from, and understanding that when one person finds their voice, they inspire an entire community to imagine a stronger future together. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

Hey everyone I'm going to be focusing my upcoming regular episodes on the Poetic Edda and will be presenting at the Harvard Divinity School this September! Listen for more info.

What is poetry? Does poetry have a place anymore? Join us on WKXL Artful Living as we present our thoughts on poetry!

Watch the full video here: https://renderingunconscious.substack.com/p/ru411-ann-pellegrini-avgi-saketopoulou Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com RU413: ON THE SPANISH TRANSLATION OF GENDER WITHOUT IDENTITY BY PARADISO EDITORES Rendering Unconscious welcomes Alejandro Cerda Rueda, Ann Pellegrini and Avgi Saketopoulou to the podcast! They're here to discuss the Spanish translation of Gender Without Identity – Género sin identidad – published by Paradiso Editores as part of their Estancias collection. https://www.paradiso-editores.com/shop/p/s4tdrabx6xap8b5-rck7p-ef7nw-yteg3-prwpd-3kzpc-9ahr3-6b53b-hdj8j-j5yg7-jszdt-5a4hp-wj3lj-lfgne-4zyye-88kmp Rendering Unconscious episode 413. On this episode, Avgi, Ann and Alejandro discuss the Spanish translation of Gender Without Identity, as Género sin identidad published by Paradiso Editores. They share the backstory of how the translation project came about, highlighting the involvement of various colleagues and translators. The discussion also touches upon the influence of Jean Laplanche in Mexico and the broader impact of his work in different regions. Furthermore, Alejandro shares his journey in founding publishing company, Paradiso Editores with his father, and its role in promoting psychoanalytic literature in the Spanish-speaking world. Special thanks to translators Carolina Besoain, Tomás Ojeda Güemes, Andrea Rihm Bianchi. Follow Paradiso Editores on Instagram: https://www.instagram.com/paradisoeditores/ Check out previous episode(s): RU247: ANN PELLEGRINI & AVGI SAKETOPOULOU ON GENDER WITHOUT IDENTITY: https://renderingunconscious.substack.com/p/ru247-ann-pellegrini-and-avgi-saketopoulou You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes RU Center news & updates: See you Wednesday, August 5th as Dr. Mikita Brottman presents Two Renegade Sexologists: On Psychopathia Sexualis & The Sexual Criminal: A Psychoanalytic Study. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2312172 Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ As always, huge thanks to Carl Abrahamsson for providing the intro and outro music for Rendering Unconscious Podcast. https://linktr.ee/CarlAbrahamsson https://thefenriswolf.substack.com https://anartapart.substack.com The song at the end of this episode is "This is the Subconscious (Your Own Adventure)" from the album "Conceive Ourselves" by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/conceive-ourselves-2-2 Visit Pete's Bandcamp and support indie artists: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY Links to everything can be found at: https://linktr.ee/renderingunconscious Enjoy! Thank You.

Ian McMillan and poets Vona Groake, Jardel Rodrigues, Mira Rosenthal and Malgorzata Lebda bring poetry that helps us navigate storms, rivers and seas - real and metaphorical, and sound artist and musician SHHE (Su Shaw) immerses us in surprising sounds of the sea. Vona Groake's latest collection Infinity Pool was shortlisted for the TS Eliot Prize this year. She's writer in residence at St John's College Cambridge and the Ireland Professor of Poetry at Trinity College in Dublin. Vona chooses a 'neon line' to explore and reads her own work.Su Shaw, who works as SHHE, is a sound artist and composer, whose music has been shortlisted for the Scottish Album of the Year. Su is based in Dundee – and has always been intimate with that city's river - the River Tay. Her new album ‘THALASSA' was produced sustainably, in keeping with her ecologically minded projects - and is is a six-part ambient work giving voice to the Mediterranean Sea.Jardel Rodrigues is from Old Trafford in Manchester – he's won the BBC Words First Spoken Word Poetry Competition, and he's a titan of Manchester's shining spoken word institution 'Young Identity'. He brings us a new commission on the theme 'How to get through'.We hear the voice and the work of Malgorzata Lebda, a Polish poet who writes poems that reveal what flows between people and landscape. Malgorzata ran the length of the longest river in Poland, the Vischula – driven by her sense of how threatened our rivers are, a kind of poetry activism. Malgorzata's translator, Mira Rosenthal joins us to explain how she managed to convey Malgorzata's innovative way of writing about the body in her collection 'Mer de Glace' (Fitzcarraldo). Mira is a poet, and a Professor of Creative Writing based in California.Produced by Faith Lawrence

I originally began Publishing Talks as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I continue to enjoy my conversations with people in the book industry about the evolution of publishing in the context of technology, culture, and […] The post Publishing Talks: Brooke Warner of She Writes Press 2026 first appeared on WritersCast.

Welcome back to Words That Burn, the poetry podcast taking a closer look at poetry. In this episode, host Benjamin Collopy offers a close reading of Kaveh Akbar's "Famous Americans and Why They Were Wrong", from his 2021 collection Pilgrim Bell.The poem runs to seven couplets and moves from a ribbon tied around an oak tree to a wish that somebody forgets you today. Benjamin situates Akbar as a poet formed by prayer and by place, tracing the poet's biography from a boy reciting Arabic he could not translate to a writer preoccupied with what empire does to language.In This Episode, I Explore:The Ribbon and the Hostage Crisis: Why the opening image reads so strangely to a non American audience, and how the yellow ribbon curdled from a welcome into a warning after 1979. We follow the poem discussion through the oak's roots sinking into the dirt and the heart that sinks alongside them, and ask what exactly is seeping into whom.Akbar's Ghazal: A look at the form, its couplets, its refrains, and the strict rules Akbar declines to follow. The ghazal is famous for what Agha Shahid Ali called its formal disunity, and that disunity turns out to be the literary technique doing the heaviest lifting here. We break down how enjambment carries meaning across couplets that seem unrelated on the page, one of several literary devices worth slowing down for.Data at the Centre of a Heart: The sinking library, the architect who forgot the weight of the books, and Akbar's argument that empire uses abstraction to cudgel us into idleness. We look at what the word "data" is doing in a poem that also treats untranslated prayer as a kind of data, and why only one of those is sacred.The Mercy of Being Forgotten: Why a poem about erasure ends by wishing for it. Visibility inside an empire is rarely a gift, and Akbar's closing hope is offered in the grammar of prayer, which is to say with no guarantee anyone is listening.Accessible enough for poetry for beginners and no prior reading required. As always, this poetry interpretation belongs to Benjamin and is very much up for debate. Full script with citations and references on Substack, linked below.Follow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on TiktokFollow the podcast on BlueskyThe Music In This Week's Episode:'Hydra' by Huda - released under CC-BY 4.0.Time Stamps:00:00 Poetry Reading00:51 Poetry as Prayer01:43 Kaveh Akbar's Background03:39 The Iranian Hostage Crisis05:04 Iranian Identity in America06:43 Understanding the Title08:28 Ribbons and Patriotic Symbols09:50 The Ghazal Form13:00 Weaponisation of Language15:25 Data and Dehumanisation18:52 The Final Couplet20:58 Empire and Prayer21:39 Closing Thoughts Hosted on Acast. See acast.com/privacy for more information.

Host Natalie Grueninger welcomes Catherine Williams to the podcast to discuss Tudor poetry. Follow Catherine Williams on Instagram https://www.instagram.com/catherinevwill/   TAKEAWAY https://www.poetryfoundation.org/ LEARN MORE ABOUT OUR SPONSOR, SIMPLY TUDOR TOURS https://simplytudortours.com/booking-anne-elizabeth-mother-daughter-traitors-queens/ JOIN 365 DAYS IN ELIZABETHAN ENGLAND https://www.nataliegrueninger.com/2026/05/17/365-days-in-elizabethan-england/ Learn more about your host: https://www.nataliegrueninger.com Support Talking Tudors on Patreon!

Originally aired March 11, 2025 "Every child has the capacity to heal and grow, but it starts with meeting them where they are—with respect, curiosity, and an understanding of their unique needs." – Hannah Young In this episode, Lisa sits down with Hannah Young, an accredited play therapist, clinical supervisor, and child-parent relationship practitioner, for a deeply moving conversation about the role of poetry in play therapy. Hannah shares how poetry can serve as a bridge between a child's inner world and therapeutic processing—offering a powerful way to witness, contain, and reflect their experiences.  With her unique blend of clinical expertise and personal storytelling, Hannah invites us to reimagine the role of language in the playroom—not just as a form of communication, but as a gift of presence, attunement, and deep connection. Together, Lisa and Hannah explore: ✨ Poetry as a therapeutic tool – How writing and reflecting through poetry can deepen attunement and support self-regulation for both therapists and children. ✨ Capturing the unsaid – Using poetry to put words to children's experiences, especially in moments of struggle, transition, or emotional overwhelm. ✨ Bringing case notes to life – How therapists can transform their clinical reflections into mindful, compassionate narratives. ✨ Offering poetry back to the child – Ethical considerations, creative approaches, and the profound impact of witnessing a child's experience through poetry. ✨ The rhythm of healing – Understanding how poetry mirrors the tempo and flow of the therapeutic relationship. And this episode takes an unexpected turn as Lisa is brought to tears for the first time on the podcast, moved by the depth and beauty of Hannah's words. In a moment of profound resonance, Lisa experiences firsthand the power of poetry to touch the heart, validate emotions, and create space for healing. Join Lisa and Hannah for this heartfelt and illuminating episode, and discover how to integrate poetry into your practice in a way that is accessible, meaningful, and transformative. ✨

Jeffrey Bean joins Timothy Green on The Rattlecast for a conversation about poetry, invented poetic forms, music, and his latest collection, Everywhere, Everywhere, winner of the 2024 Vern Rutsala Book Prize. A poet and professor of English at Central Michigan University, Jeffrey appears in the Invented Forms section of Rattle's Summer 2026 issue with “Bach's Bones,” part of a new series of poems inspired by Johann Sebastian Bach. In this episode, we discuss the quatrain ghazal and the possibilities of combining traditional poetic forms, Bach and music as influences on poetry, rhyme and formal poetry, the poems of Everywhere, Everywhere, and the craft of writing poems that make the ordinary strange and new. We'll also open the lines for this week's prompt-based poetry reading. This Week's Prompt: Think of something you didn't expect to open up but did. Make it risky! Next Week's Prompt: Write a contemporary epic poem. Submit your poem through Submittable by midnight Sunday for a chance to be invited on the show: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online Find more about Jeffrey Bean here: https://www.jeffreybeanpoet.com/ The Rattlecast livestreams every Monday on YouTube, Facebook, and X, then becomes available as an audio podcast on Apple Podcasts, Spotify, and wherever you listen.

Bone Symphony—Poetry as Spiritual Practice: A Conversation with Michelle Phương Hồ Daniel and Yulee welcome Michelle Phương Hồ—a Vietnamese American poet based in New Haven and one of Daniel's former students at Fuller — for a conversation about her debut poetry collection, Bone Symphony (releasing October 13th, endorsed by Ocean Vuong). The conversation explores: How the book's title emerged from a single cacophonous poem weaving together her grandfather's experience in postwar Vietnamese reeducation camps, asylum testimony, and questions of public memory—and its resonance with Ezekiel's Valley of Dry Bones Why revision, for Michelle, is a spiritual practice—including the story of a poem addressed to "the enemy" that only became true once she recognized her own desire to win, rather than to love Her unconventional path into poetry: from a college Asian American writing collective, to narrative breaking down into fragments, to a formative writing class with poet Solmaz Sharif Why she believes she's writing to preserve a kind of remembering—drawing on a story about Vietnamese language surviving Chinese colonization through "a critical mass of rememberers" The necessity of leaving gaps in language—and why trying to fully explain grief or wonder can betray the experience itself Her unexpected, dramatic conversion story at a college church service in New Haven, after a season of spiritual searching that included a Buddhist meditation practice Navigating faith within a predominantly white Vineyard community—finding theological resonance in the integration of word and spirit, while wrestling with not fully belonging The poem "After Salvation" and the disorientation of being "rescued"—both as a refugee and as a Christian—without a clear roadmap for what comes next Writing prompts to borrow for your own journaling: Alexander Chee's "What don't you want to know?" and Bhanu Kapil's "Who is responsible for the suffering of your mother?" A reflective, generous conversation about poetry as a spiritual practice—and an invitation to anyone (poet or not) to bring more curiosity and surrender to their own writing and prayer life. Pre-order her book: https://boaeditions.org/book/bone-symphony/ Sign up to receive more updates from the AAC: https://aac.fuller.edu/newsletter/ If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac.

On today's show, we talk about the power and potential of language and how the state uses it against us, our opportunities to utilize it in liberatory struggle and the importance of speaking truth to power with Camonghne Felix. Camonghne Felix is a poet, essayist and former political communications strategist, is the author of Dyscalculia and Build Yourself a Boat, which was longlisted for the 2019 National Book Award in Poetry. Her latest book is the author of Let the Poets Govern: A Declaration of Freedom. —- Subscribe to our podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post The Revolutionary Power of Language appeared first on KPFA.

Kevin Powers' books, including The Yellow Birds, A Line in the Sand, A Shout in the Ruins and poetry collection Letter Composed During a Lull in the Fighting, have been translated into more than a dozen languages. He has been a finalist for the National Book Award and a recipient of the PEN/Hemingway Award, the Guardian First Book Award, the Prix littéraire du Monde prix étranger, and the Grand Prix de Littérature Américaine, among other recognitions. He was a James A. Michener Fellow in Poetry at the University of Texas at Austin from 2009-2012 and later held a Guggenheim Fellowship in Fiction. Powers is a U.S. Army veteran of the war in Iraq. His new novel is Children of the Wild. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Melvin Dixon.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Scholar, novelist, and poet Melvin Dixon was born in Stamford, Connecticut. He earned a BA from Wesleyan University and an MA and a PhD from Brown University. His poetry collections include: Change of Territory (1983) and Love's Instruments (1995, published posthumously. He's the author of two novels, Trouble the Water (1989) and Vanishing Rooms (1991). Read Dixon's most-anthologized poem "Heartbeats" Watch Danez Smith read the poem here. CM Burroughs is joined by Adrian Metejka on this panel celebrating Melvin Dixon's work. Watch here (~30 min). CM Burroughs reads her essay published in Poetry Magazine, the text of which is here: "Poetic Kin: Meeting Melvin Dixon"Read "Looking Back: The AIDS Epidemic" for a bit more about the AIDS pandemic.Poems we read include:"Turning 40 in the Nineties""Change of Territory" "The 80s Miracle Diet""One by One""I'll Be Somewhere Listening for My Name"

What does it mean to inherit a story? How do memory, family, race, and identity shape the poems we write—and how do poems, in turn, reshape the stories we tell ourselves?In this episode of The Hive Poetry Collective, host Julie Murphy welcomes award-winning poet Lisa Low to discuss her remarkable new collection, Replica (University of Wisconsin Press, 2026). The conversation begins with Tiana Clark's exuberant "Broken Ode for the Epigraph," opening a rich discussion about literary lineage, artistic permission, revision, and the transformative power of poetry.Together they explore the craft behind several poems from Replica, including "Replica," "People Who Look Like You," "Palinode," and "On Effort," examining how ordinary objects, sharp observation, humor, and self-interrogation become vehicles for profound emotional and philosophical inquiry.Lisa Low is the author of Replica and the chapbook Crown for the Girl Inside. A recipient of the 2023 Pushcart Prize and the 2020 Gulf Coast Nonfiction Prize, her poems have appeared in American Poetry Review, Ecotone, The Massachusetts Review, Poetry, The Southern Review, and elsewhere. Originally from Maryland, she lives in Chicago.

Lords: Tyriq https://store.steampowered.com/app/3276700/Scrubbin_Trubble/ Linker https://linker.itch.io/ Topics: Favourite piece(s) of Greek mythology/history related media The accordion children of BART Esper says: "When I lived in Washington there was a guy with one who would ask for money outside the grocery store quite a bit. He'd have a full setup, accordion, speakers, sheet music, the whole deal. I saw him out there for probably two years before someone pointed out there's no such thing as an electric accordion; he was just playing CDs through the speaker and pretending to perform the whole time. Genius grift." Adult Arnold Palmer Batman's Aff His Nut by Robert Florence https://www.reddit.com/r/Poetry/comments/10hy8nv/poem_batmans_aff_his_nut_by_robert_florence/ https://sco.wikipedia.org/wiki/Frog Do animals have pareidolia particular to their own instincts? Childhood obsessions that we circled back to in adulthood Microtopics: Mym's Sword What does a dog need with a sword? Elephantasy but it's a roguelike. Whether PiCoSteveMo counts as a conference. Waiting until you've forgotten what happens to reread a book. Refusing to reconsume any media. Rereading a book now that you are a different person. Works that you can't scrute. Katabasis: the state of being katabasal. Reading a novel about Greek mythology and recognizing that boss you fought in Hades. PEBCAKing it because you forgot to PEMDAS it. Jason and the Argonauts, with those fun stop motion skeletons. The wine-dark sea. Plinth fans. Neoclassical: it's too new. Inventing columns and getting really excited about it. Making a log cabin out of Greek columns. Buskers bringing a boom box on a train and proceeding to pop and lock. A real kid-looking kid holding an accordion, ready to bust some notes. Evan the accordion-master. According squeezing patterns. Hunting and pecking on the piano. Hand and limb separation. The lute as a shitty guitar. Playing piano vs. playing around on a piano. Having a piano-shaped set of notes in your head and trying to localize it onto a guitar. Too Sparse for Buskers. Performance vs. Rigamarole. Seeing a new genre of busker. Thumbing a hundred bucks to save the clock tower. Situations where you're socially obligated to drink a glass of lemon juice. Sour Screams and other flavor sounds. Being a grownup and having to wear a suit and tie and drink horrible drinks and drive a 6000 pound death machine. The kid the DMV pays to run out in front of you when you're taking your driving test, and whether you're supposed to tip him. Learning to drive and realizing that driving is fun, and then realizing that this is terrible because nobody should do this incredibly unsafe activity for fun. Using your fidget spinner to help you focus better while driving. Do you ever look at the world and feel like it? Scots Wikipedia. Frogs biding with their long shanks. Having a good Scottish accent because you have a theater degree and watched Shrek over and over. Predators who like to go for the neck seeing necks everywhere, like humans see faces everywhere. The Hello Crow. Birds that like to make chainsaw noises. Hunters hunting things that look like the thing they they hunt. Bees that think you are an enormous flower. Wasps that can't tell you're made of meat because your shirt is covering up your meat. Re-enjoying your childhood Legos. Making the Lego/Legos distinction on purpose. Lego vs. Legoids. Growing up a K'nex kid and making the K'nex Rollercoaster. Overconsuming root beer. One of the tamed microbes. Building things with Legos with your child. Making sense out of the random pieces. You say Lego, I say let go of me, let's call the whole thing off.

Lamar "Black Ice" Manson helped bring spoken-word poetry into the mainstream as the first poet signed to Def Jam Records and a standout performer on HBO's "Def Poetry Jam." The Philadelphia native died at 54, leaving an enduring impact on poetry, hip-hop and generations of artists he inspired. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Micah 4:1–13 || The Poetry of Judgment and Salvation || Josh King by Meridian Church

4 of 5 in a series of Selected Psalms

688. Joining us today are Johnette Downing and Scott Billington. Combining Johnette's celebrated career as a children's author and musician with Scott's background producing over 100 roots, blues, and Louisiana heritage albums, this powerhouse couple celebrates regional music through their children's duo program, Swamp Romp, and their broader archival and biographical projects. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. "Life on the Mississippi." Mark Twain. The Mississippi is well worth reading about. It is not a commonplace river, but on the contrary is in all ways remarkable. Considering the Missouri its main branch, it is the longest river in the world—four thousand three hundred miles. It seems safe to say that it is also the crookedest river in the world, since in one part of its journey it uses up one thousand three hundred miles to cover the same ground that the crow would fly over in six hundred and seventy-five. It discharges three times as much water as the St. Lawrence, twenty-five times as much as the Rhine, and three hundred and thirty-eight times as much as the Thames. No other river has so vast a drainage-basin: it draws its water supply from twenty-eight States and Territories; from Delaware, on the Atlantic seaboard, and from all the country between that and Idaho on the Pacific slope—a spread of forty-five degrees of longitude. The Mississippi receives and carries to the Gulf water from fifty-four subordinate rivers that are navigable by steamboats, and from some hundreds that are navigable by flats and keels. The area of its drainage-basin is as great as the combined areas of England, Wales, Scotland, Ireland, France, Spain, Portugal, Germany, Austria, Italy, and Turkey; and almost all this wide region is fertile; the Mississippi valley, proper, is exceptionally so. This week in Louisiana history. July 24, 1769. Alejandro "Bloody" O'Reilly reclaimed New Orleans for Spain. This week in New Orleans history. July 24, 1947: The first streetcar on the St. Charles line was fitted with air conditioning, a welcome relief during the peak of the New Orleans summer. This week in Louisiana. COOLinary New Orleans ' Month‑Long Restaurant Specials August 1'31 Citywide New Orleans, LA Website: neworleans.com/coolinary New Orleans restaurants launch their annual COOLinary promotion on August 1, offering a full month of discounted prix‑fixe menus designed to bring locals out during the summer slowdown. More than a hundred restaurants across the city participate, from fine‑dining institutions to neighborhood favorites: Two‑course lunches: $28 or less. Three‑course dinners and brunches: $58 or less. Citywide participation: Restaurants in the French Quarter, Uptown, Mid‑City, the Marigny, and beyond. COOLinary has become one of New Orleans' most beloved summer traditions, giving locals a chance to try new spots ' or revisit classics ' at special seasonal prices. Postcards from Louisiana. Molly Ringwalds play at the Italian Heritage Festival. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

In this episode, Michael, Sarah and Berenice are joined by poet Kate Smith — known on Instagram as Millie the Poet and writing under the name Kathryn Millington — to talk about her poetry pamphlet Imprint (Fawn Press), which explores childlessness, IVF and grief. Kate reads three poems live on the episode and talks candidly about her own fertility journey, the process of writing about deeply personal experience, and what it's meant to bring that work into the world. Meet our Guest Kathryn ‘Millie 'Millington is a poet, performer and activist based in Sheffield. She ran the poetry charity ‘Nine Lives Poetry', creating a stage for emerging local poets. Millie's poetry tells us a story of grief as a result of involuntary childlessness. It takes us on a journey “…into a world that feels niche, but is anything but…” (Wendy Pratt), to a place of acceptance of a future without children and ultimately a creative and fulfilling life. “You will know someone like me. We are everywhere: at your workplace, within your family, and your friendship groups. It's such a lonely place. I want to inhabit that place and be that voice, to show that we can create.” Millie has shared the stage with Helen Mort, Michael Pedersen, Toria Garbutt and Leyla Josephine. Her poem ‘Imprint' was shortlisted for the Bridport Prize. Her debut Pamphlet ‘Imprint' received praise from Benjamin Zephaniah "I have no words, because you've used them all". Millie is published by Fawn Press and her poetry is available to buy online. You can also buy direct from her, pop her a message via Instagram @‌milliethepoet or email‍ ‍ Recommended Books About Poetry/becoming a creative person The Ode Less Travelled' by Stephen Fry How to Grow your Own Poem' by Kate Clanchy The Artists Way' by Julia Cameron Workshops Poets Laurie Bolger has a website and is on Instagram Laurie Bolger Marjorie Lotfi: Marjorie's Table is a morning writing workshop which really helps me generate ideas Marjorie's Table | Substack Verve  Poetry Press run regular online workshops with poets. VERVE Poetry Autumn Workshop Series 2026 The Arvon Foundation run amazing residential courses which are expensive but transformative. They also run online workshops and short courses. Creative Writing Courses at Arvon Wendy Pratt is a childless poet. Her book ‘When I think of My Body as a Horse' is incredible. You can follow her on Substack and Instagram. Notes From the Margin with Wendy Pratt | Substack and @‌wendyprattauthor Ada Limón ‘The Carrying' is a beautiful and emotional collection about infertility. You can follow her on Instagram @‌adalimonwriter Hollie McNish is a great poet; she writes about contemporary often female issues (but also about being a mum so you may wish to avoid). @‌Holliepoetry

“Poetry means paying attention in a different way to the world and seeing what wisdom you're given back in return for that attention,” says Richard Scott in this conversation with Pádraig Ó Tuama, recorded during the 2025 Collective Trauma Summit. Richard's second collection, That Broke Into Shining Crystals, features sequences that focus on two hypnotically compelling subjects: still-life paintings and crystals. From them, he's created poems that thrum with music, memory, harm, and healing. Richard reads from his book, and he and Pádraig discuss the “surprising life” to be found in still lifes, the difference between the speaker vs. the poet, and how crystals — the beautiful result of “unimaginable” pressure and breakage — can offer us a way to think about trauma.    We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Richard Scott was born in London in 1981, and his debut collection, Soho, which came out in 2018, was a Gay's The Word Book of the Year, and it was shortlisted for the T.S. Eliot Prize and The Forward Prize for Best First Collection, and the Costa Poetry Award as well. His second poetry collection, That Broke into Shining Crystals, was published this year by Faber & Faber also. He's a lecturer in creative writing at Goldsmiths at the University of London, and he runs a poetry writing group there, and he also teaches poetry at the Faber Academy.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Timothy Green and Katie Dozier go head-to-head in a Poetry Duel between The Arkansas Review and Fourteen Hills, each armed with randomly-picked poems they think can take the other magazine down. They read, debate, and question each other's taste, as always! Together, they decide which literary journal wins bragging rights—all while talking contemporary poetry, editing, and what actually makes a poem memorable.At the Table: Katie Dozier & Timothy Green.

Mission drift, the wrong measure, the trade-in trap—and a little fresh-squeezed freedom. Plus, Malcolm Guite on writing poetry one walk at a time, Daniel Suhr on election integrity, and the Thursday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Ambassadors Impact Network. Christian entrepreneurs scaling their companies often struggle to find capital sources that respect, and even celebrate, their redemptive mission. Ambassadors Impact Network connects these founders with angel investors seeking both financial outcomes and spiritual fruit. If you're an investor wanting to steward your capital toward gospel-advancing companies, learn about membership at ambassadorsimpact.comFrom Cedarville University. Located in southwest Ohio, Cedarville University is committed to biblical faithfulness and academic excellence, preparing students to serve Christ with conviction in every profession. Every one of its 175+ undergraduate and graduate programs are grounded in a biblical worldview, equipping graduates with the knowledge, skill, and conviction to serve wherever God leads. New online undergraduate degrees through Cedarville Online offer flexible, affordable education rooted in biblical truth and designed for today's learners. Learn more at cedarville.edu, and explore online programs at cedarville.edu/online.And from Equip by Unbound. Launching high schoolers through coaching, skills training, and interest-led projects. More at BeUnbound.us/world

Most people spend their lives trying not to feel broken, but poet and spiritual philosopher Mark Nepo believes that breaking is actually where life begins. In this deeply moving conversation from Making Space, the New York Times bestselling author of The Book of Awakening sits down with Hoda Kotb to pull back the curtain on how we can stay open, even when we are hurting, overwhelmed, or just trying to get through the day. Mark reflects on the wisdom he gained from his own life threatening cancer diagnosis and a debilitating back surgery, sharing how he learned to ground himself in the present when fear threatened to take over. He and Hoda explore his newest book, The Language of the Soul, discussing why the words we choose matter in a world that often feels divided. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this new episode of One Vision Podcast, Paolo Sironi joins Theodora Lau to unveil his new book, Quantum Sapiens, a philosophical literary thriller on artificial intelligence, quantum gravity, and the origins of human consciousness. A burning question: Why now?We talk about the "I love you" problem and what happens when we attribute meaning to words that machines give us. Paolo invites us to think about the journey ahead of us before we walk through Alice's mirror. What do we need to carry with us? What do we leave behind? An exhilarating conversation about the present and future of technology that you won't want to miss. No PhD required.

Watch the full video here: https://renderingunconscious.substack.com/p/ru412-celebrating-1-year-of-ru-center Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com RU412: CELEBRATING 1 YEAR OF RU CENTER FOR PSYCHOANALYSIS Welcome to a very special episode of Rendering Unconscious podcast celebrating the 1st anniversary of RU Center for Psychoanalysis! Rendering Unconscious episode 412. This was a very special meeting and such a wonderful and multi-faceted discussion. Something I've only really seen here at RU Center. I'm so grateful to bring together such a diverse and creative group of thinkers, artists, and clinicians. HUGE THANKS to each and every one of you for making RU Center such a unique, vibrant community and for being here this inaugural year! https://rucenterforpsychoanalysis.substack.com You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes RU Center news & updates: See you Wednesday, August 5th as Dr. Mikita Brottman presents Two Renegade Sexologists: On Psychopathia Sexualis & The Sexual Criminal: A Psychoanalytic Study. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2312172 Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ As always, huge thanks to Carl Abrahamsson for providing the intro and outro music for Rendering Unconscious Podcast. https://linktr.ee/CarlAbrahamsson https://thefenriswolf.substack.com https://anartapart.substack.com The song at the end of this episode is "Pack your bags" from the album "Magic City" by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/magic-city-16 Visit Pete's Bandcamp and support indie artists: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY Links to everything can be found at: https://linktr.ee/renderingunconscious Enjoy! Thank You.

Adam Roa is a poet, speaker, coach, and author of the new book Crazy Love. In this conversation we discuss his creative journey, how going viral changed his life overnight, his writing process, and how he turned his passion into a career.Follow Adam on Instagram: https://www.instagram.com/adam.roaOrder his new book, Crazy Love: https://www.adamroa.com/crazyloveFollow James on Substack | Join the Sunflower Club virtual community

What happens when a poet who survived prison sits down with the world's oldest war story--and reads it in three sleepless, wandering days? In this second episode of the EconTalk Book Club on the Iliad, Dwayne Betts and EconTalk host Russ Roberts trade their impressions of the Iliad, discovering it's less about war than about fathers, friendship, and the stubborn dignity people find inside fates they can't escape. Betts connects Achilles's rage and grief to his own experience of incarceration and depression, while Roberts marvels at Homer's cinematic style and the strange tenderness between enemies. Together they unpack the shield of Achilles, the ransom of Hector's body, and how an ancient poem about war still cracks readers open today. It's a conversation about reading as communion--and how a 2,800-year-old story became, unexpectedly, a way of connecting to each other.

Join us for Week 2 of This Is the New Testament! Raechel and Amanda are joined by Ian Simkins to discuss Romans through Ephesians together. Listen in as they discuss the gift of weakness and our freedom in Christ.Open your Bibles with us this week! This episode corresponds to Week 2 of She Reads Truth's This Is the New Testament reading plan. You can read with the She Reads Truth community on our site, in our app, or with our This Is the New Testament printed or digital Daily Reading Guide.In this episode:Use code FAITH15 for 15% off the Faith in Practice collection at ShopSheReadsTruth.com."Poetry" by Taylor LeonhardtShe Reads Truth on Instagram & FacebookRaechel Myers on InstagramAmanda Bible Williams on InstagramIan Simkins on Instagram*If you purchase something through our links, She Reads Truth may earn an affiliate commission.This podcast uses the following third-party services for analysis: Magellan AI - https://docsend.com/view/5vdvbdx7cr4tikmyPodscribe - https://podscribe.com/privacy

Episode: 3388 Let us see how much Omar Khayyam accomplished, beyond his having inspired poet Edward FitzGerald.  Today, Omar Khayyam.

It may be the best book subtitle we’ve encountered in the Planetary Society book club: “Particles, Poetry and the Cosmic Dream Boogie.” Theoretical physicist and black feminist science theorist Chanda Prescod-Weinstein has followed her acclaimed first book, “The Disordered Cosmos,” with this new, equally celebrated, deeply personal romp across the Universe, “The Edge of Space-Time”. Swinging from quantum mechanics to hip-hop, and from galaxies to Alice in Wonderland, she guides us through the looking glass to what we know and would love to know about the Universe. It all but guaranteed a mind-bending conversation with host Mat Kaplan that begins with Chanda’s concern for the state of scientific research in the United States, and ends among the stars. Discover more at: https://www.planetary.org/planetary-radio/book-club-chandra-prescod-weinsteinSee omnystudio.com/listener for privacy information.