Podcasts about Aretha Franklin

Aretha Franklin.

durée : 00:53:34 - Very Good Trip - par : Michka Assayas - Toute cette semaine Michka Assayas a une pensée émue et vous le fait savoir dans cet hommage rendu à la grande, à l'inoubliable Aretha Franklin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This is an Encore Presentation of my May 2022 interview with Chuck Rainey, one of the greatest electric bassists of all time and studio musician extraordinaire. He's played on over a thousand recording sessions resulting in so many hit records. He's revered for his legendary work in the ‘60s and ‘70s with artists like Aretha Franklin, Steely Dan, The Jackson 5, Roberta Flack and Quincy Jones. He talks about all of these artists as well as Donnie Hathaway, Carly Simon, Motown, Gabor Szabo and others.My featured song in this episode is “Catch You Later” from the Spring Dance album by my band Project Grand Slam. Spotify link HERE.--------------------------------------------   The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHUCK:www.chuckrainey.com___________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album featuring 10 of his recent singles. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Originally released in 2021, this episode is a masterclass in what it really takes to make it on Broadway and beyond. Jake Goldbas was at the time, the drummer for Dear Evan Hansen. He shares his incredible journey from growing up in Connecticut to playing for some of the biggest names in music, including Aretha Franklin, Patti Austin, and The O'Jays.In this conversation, we talk about:* How a subway bucket drummer sparked Jake's passion for rhythm* The power of preparation when subbing on Broadway* Why being early (not just on time) sets you apart in the business* Valuable lessons from legends like Bernard Purdie* The reality of building trust as a sub and making the right impressionIf you've ever wondered how to break into the Broadway scene, this episode gives you a front-row seat to the mindset, hustle, and professionalism required.Sign up at BroadwayBoundBook.com for updates on Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 82: Narada Michael Walden. He went from being the drummer of Mahavishnu Orchestra and landing the cover of Modern Drummer Magazine, to producing Whitney Houston's biggest hits and winning the GRAMMY for Producer of the Year. This interview is the epic journey of Narada Michael Walden. I loved this conversation so much. Narada's positive, creative energy jumps out at you immediately. We go deep into his drumming career, how he got the gig with his favorite band, Mahavishnu Orchestra, following the great Billy Cobham. How he landed a record deal as a solo artist, almost got dropped, then shifted his focus to disco and scored a hit that saved his career. Then came the call from Clive Davis that launched his producing career and brought him Aretha Franklin, Whitney Houston, Mariah Carey, and so many more. His story is incredibly inspiring. From super drummer, to successful solo artist to hit producer. We went so deep on Mahavishnu in this convo that we had to do this interview in two parts! I'm happy now to bring you Part 1 with the brilliant and fun Narada Michael Walden. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Narada: https://www.instagram.com/officialnarada/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Learn more about your ad choices. Visit megaphone.fm/adchoices

En octubre próximo empezarán a llegar las primeras familias en los apartamentos de los edificios construidos para los Juegos Olímpicos de 2024, en Saint-Ouen, ciudad de la periferia parisina. Un proyecto ambicioso que, a pesar de no convencer a todos, infunde optimismo en la zona. Una larga decena de edificios, de colores luminosos y estilo neo industrial, sobresalen entre antiguas tabernas y las casas bajas del viejo Saint-Ouen. Estas calles fueron protagonistas, hace un año, del ajetreo de 14.000 atletas que llenaban de maletas el departamento más pobre de la región parisina. Según el Instituto Nacional de Estadística de Francia, aquí el paro es cerca del doble que en París capital y más de la mitad de la población recibe prestaciones sociales para pagar el alquiler. “Gentifricación planificada” Ahora, el nuevo barrio -que ocupa un terreno equivalente a 70 campos de fútbol- se prepara para acoger las familias que vivirán en 2.800 pisos de nueva construcción. Los baños de las minúsculas habitaciones de los atletas dan paso a amplias cocinas de viviendas familiares. En las calles vacías, los carteles anuncian la recta final de la “phase héritage” (fase herencia) de la Villa de los Atletas mientras se observan unas pocas parejas de obreros que ultiman los acabados desde terrazas de lujo. Algunas de ellas tienen unas espectaculares vistas al Sena y al distrito de la Defensa, el centro corporativo de París. Los emblemas de la capital se ven lejanos desde la periferia. Pero, a pesar de la distancia con el centro de la capital, los precios de las nuevas viviendas salieron a la venta alrededor de 7.000 euros el metro cuadrado, por debajo de los 9.500 euros de media en París capital, y cerca del doble del conjunto del departamento norte de Seine-Saint-Denis, según datos de la Cámara notarial de París. Durante los juegos, el proyecto levantó algunas críticas de colectivos como Saccage 2024, que argumenta que han subido los precios de la vivienda en el área y tachan el proyecto de gentrificación planificada. Leer tambiénVilla Olímpica de París 2024, un laboratorio XXL de los barrios del futuro “Proyecto de desarrollo del espacio público” Henri Specht, director de operaciones de la empresa publica SOLIDEO, argumenta que el proceso se ha realizado siempre en consultación con la comunidad local, mediante múltiples reuniones públicas, y que busca cohesionar socialmente la comunidad. “Es más que un proyecto inmobiliario. Se trata de un proyecto de desarrollo del espacio público. Organizamos dos grupos escolares que acogerán niños de dentro y fuera del perímetro de la Villa olímpica”; asegura Specht. De las 2.800 nuevas viviendas, 1.500 han sido compradas directamente por CDC Habitat, una sociedad pública de gestión de vivienda, que los alquilara en diferentes regímenes. El compromiso es que el 25% del total sea de alquiler social. Los vecinos con quien hablamos en los alrededores de Saint-Ouen se muestran optimistas. “Es un barrio hermoso, edificios bonitos. Sobre todo, nos permitió obtener nuevas infraestructuras, la construcción de la nueva escuela Aretha Franklin y la reconstrucción del estadio Pablo Neruda”, nos explicó Zhor en un centro deportivo. “Si son familias con niños, van a poner un poco de ambiente”, dice Montse, de origen ecuatoriano. El proyecto implica mejoras en equipamientos públicos. La nueva macroestación de metro Saint-Denis Pleyel -inaugurada poco antes de los Juegos- ya opera con normalidad atravesando el centro de París. Progresivamente, y hasta 2030, el Gran París Express estrenará cuatro nuevas líneas de metro y 68 estaciones con el objetivo de establecer una red de conexión que permita moverse entre las banlieues (periferias). El resultado de esta transformación metropolitana se empezará a ver a partir de octubre, cuando los primeros habitantes de la Villa Olímpica dejen atrás el sonido de la obra.

Who's Your Daddy? Have you ever wondered what kind of breed your dog is? We wondered what breed "Pixel" the Animal Radio Studio Stunt Dog, is. Vet Geneticist Dr. Jenna Dockweiller explains how Doggy DNA tests work, and why some litters have multiple dads. And with her help, we're doing an Embark DNA Breed and Health Test to learn more about Pixel's heritage and health flags. Animal Radio is giving away a free Embark DNA Breed Test. Just email yourvoice@animalradio.com and tell us why you should win the free test, valued at $199. Listen Now Dogtripping Tune in for mystery author David Rosenfelt's hilarious account of a cross-country move from California to Maine with twenty-five dogs. It turned out to be a bigger ordeal than he anticipated, despite the 3 RVs, the extra kibble, volunteers (including a few readers), and camping equipment. Listen Now Dancing with Raccoons Mark "Coonrippy" Brown's YouTube videos have gone viral. He gained fame for a video that featured him and his pet raccoon, Gunshow, dancing to Aretha Franklin. But the increased scrutiny on his lifestyle caused the Tennessee Wildlife Resources Agency to step in and confiscate his newest pet 'coon, Rebekah. Listen Now Cat Burglar Is A Cat The owners of an actual cat burglar are trying to bring an end to their feline companion's "life of petty crime." Richard Windsor and his wife Sophie say their two-year-old tabby Norris has been building quite the collection of stolen goods from their neighbors' homes. Norris supposedly started small by nabbing the occasional dishcloth, but now he's begun swiping bras. Listen Now Kangaroo Censorship An act of Kangaroo censorship has left some people hopping mad. The Mirror says Tourism Australia posted a photo of a Kangaroo named Big Baz on their Facebook page. But since Big Baz was sprawled out on his back in the pic, they chose to keep it PG by pixelating the animal's private parts. The folks at Tourism Australia explained that they were only having a bit of fun, but not everyone thought it was very funny. Listen Now Read more about this week's show.

Shaun Alexander brings you a Thursday night playlist, showcasing the Aretha Franklin and her lesser-known sisters.

**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul From Kirk Whalum, Michael Wycoff, Elusion, Leon Bryant, Earth Wind & Fire, Richard Stepp, Aretha Franklin, Chuch Chissel, The Whispers & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

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Bacharach, para la mayoría el nombre de un bar, con suerte, pero ¿quien no ha tarareado “Anyone Who had a Heart" o “The Look of Love”?. Carole King, algo más popular por su faceta como cantante ("Tapestry “, 25 millones.de copias..,) y Goffin-King, el sello en el que se miraban los Beatles.“Will you Still Love Me Tomorrow?”, "The Locomotion” o “"A Natural Woman” entre decenas. Por su parte, Bacharach junto a Hal David cantado por Dionne Warwick, Tom Jones, los Beatles o Aretha Franklin. ¿Las canciones? Grandes y reconocibles . Ese particular “savoir faire” que hace que 50 años después suceda lo que con las del presente no sucede. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Bacharach, para la mayoría el nombre de un bar, con suerte, pero ¿quien no ha tarareado “Anyone Who had a Heart" o “The Look of Love”?. Carole King, algo más popular por su faceta como cantante y Goffin-King, el sello en el que se miraban los Beatles.“Will you Still Love Me Tomorrow?”, "The Locomotion”, “A Natural Woman” o “You´ ve got a Friend” en solitario. entre decenas..Por su parte, Bacharach junto a Hal David, cantado por Dionne Warwick, Tom Jones o Aretha Franklin. ¿Las canciones? Unicas, grandes y reconocibles. Esa particular “cualidad” que hace que 50 años después suceda lo que con las del presente no sucede. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

On this edition of The Other Side of Midnight, Lionel explores his fascination with groups and "cults," drawing on personal experiences with movements like Amway and the AME church. A significant segment highlights the music industry, particularly Jerry Wexler's legacy, his coining of "Rhythm and Blues," and work with Aretha Franklin and the Rolling Stones. Lionel voices profound concern about Artificial General Intelligence (AGI), deeming it an "existential threat" and discussing "nullifyingapps". He encourages questioning official narratives, citing inconsistencies in Anthony Bourdain's death and linking it to other suspicious "suicides". The show explores the nature of addiction as brain chemistry, with insights on painkiller and gambling recovery. Diverse discussions include experiences with door-to-door sales (Fuller Brush, Mary Kay), the unique origins of Detroit-style pizza, and the value of old media like 8-track tapes. Lionel's "logophile" love for words and his past stuttering are also discussed. Learn more about your ad choices. Visit megaphone.fm/adchoices

La Playlist: Sting – Shape of my heart Shaggy / Big Yard Crew – Gangster Mos def / Aretha Franklin – Blend Superstar riddim mix Yami bolo – Mystic Babylon Stone Love Label mix Massive B – Cuss Cuss Riddim Damian Marley & Wayne Marshall – Rude Bwoy Retrouve le podcast juste ici: L'article Strickly Good Sound – émission #48 est apparu en premier sur Radio Campus Tours - 99.5 FM.

Paulo and Dori come to you from a secret German bunker — The Hoff is down here, and so are Nena and Alphaville.But after this show, we don't think we'll be so big in Berlin.We right some wrongs from last week's show, which includes more sexy sax music than we remember — and dead gnomes.How many '80s movies were made on cocaine? The easier question is: how many weren't?We find out how Bill Murray made Hunter S. Thompson look silly, why Paulo hates City of Angels, and what happens when you slow down Kylie Minogue.Finally, we're voting for our favourite '80s ballad, and Paulo is tempted to give it to an animated cat.Jump To: St. Elmo's Fire Soundtrack & Saxophone Debate (00:03:07): https://youtu.be/rgYkL_V1pmE?si=XcyHJyKjjs0BEQOLDawie Die Kabouter and Gnome Deaths (00:09:58): https://www.reddit.com/r/todayilearned/comments/54d5zo/til_that_the_last_episode_of_the_80s_kids_cartoon/Timelessness of Back to the Future (00:14:20): https://www.theguardian.com/film/2025/jul/03/back-to-the-future-at-40Movies Fuelled by Cocaine (00:16:29): https://www.cracked.com/article_47203_23-movies-brought-to-you-mostly-by-cocaine.htmlWings of Desire: Plot and Differences from City of Angels (00:30:13): https://www.youtube.com/watch?v=liAOEb5rnbAPaulo's Movie Review: Where the Buffalo Roam (00:37:52): https://youtu.be/_ZT6fziaIIw?si=p2mPbBCafjoICDd4Rick Astley's Song Choices and an 80s Conspiracy (00:44:04): https://www.theguardian.com/music/2025/jul/06/rick-astley-honest-playlist-kylie-donna-summer-biffy-clyro-abbahttps://youtu.be/N40qlumASq4?si=mJiTjWtvxWjoZsVRBBC 80s Duet Countdown (00:48:09): https://www.bbc.com/mediacentre/2025/bbc-radio-2-ultimate-80s-duet#1980s pop culture, #St. Elmo's Fire, #saxophone music, #Berlin Wall, #David Hasselhoff, #German culture, #corrections, #podcast, #nostalgia, #Back to the Future, #Bob Gale, #Game of Thrones, #The White Lotus, #incest in media, #cultural norms, #Wings of Desire, #Wim Wenders, #City of Angels, #black and white film, #Nick Cave, #Hunter S. Thompson, #Where the Buffalo Roam, #Bill Murray, #Fear and Loathing in Las Vegas, #Rick Astley, #1980s duets, #music recommendations, #ABBA, #Marvin Gaye, #conspiracy theories, #BBC countdown, #ultimate 1980s duets, #Al Green, #Aretha Franklin, #Barbra Streisand, #Bryan Adams, #Elton John, #Freddie Mercury, #Lionel Richie, #pop music, #film soundtracks, #1980s movies, #cultural impact, #generational appeal, #drug use in films, #chaotic productions, #animated shows, #nostalgia, #humor, #film analysis, #cinematic portrayals.

Aretha dykkede voldsomt i popularitet i slut 70'erne, men blev genfødt efter at skifte pladeselskab til Arista. Her får du 5 numre fra de to første plader på Arista, der til fulde beviser hvordan hun lavede så flot et comeback.

 | Express (Disco Mix)  | B.T. Express  | 1974 | Give Up The Funk (Let's Dance)  | B.T. Express  | 1980 | Get It Right (Long Version)  | Aretha Franklin  | 1983 | I Don't Need No Music  | T.J.M.  | 1979 | Honey To A Bee (Vocal/Extended Version)  | Tina B  | 1984 | My Heart's Divided  | Shannon  | 1984 | I'll Cry For You  | Kumano  | 1980 | Say It, Say It (Extended Version)  | E.G. Daily  | 1985 | Cheaters Never Win (Walter Gibbons Disco Mix)  | Love Committee  | 1977 | Speak Well (Tom Moulton Mix)  | Philly U.S.A.  | 1977 | Plane Love (Larry Levan Specially Remixed Version)  | Jeffrey Osborne  | 1983 | I'm Caught Up (In A One Night Love Affair) (John Morales Mix)  | Inner Life  | 1979 | Midnight Motion  | Kenny G  | 1986 | Sade  | Kenny G  | 1986 | Jasmin  | Smokey Robinson  | 1990 | She Ain't U - He Ain't U  | Lynn Marie, Dre' Delano  | 2012 | 3 Words  | Galactic Mutherland  | 2004 | Babe, We're Gonna Love Tonight (A Mike Maurro Remix)  | Lime  | 2025/1982

Continued conversation with American musician and rock star Peter Wolf, best known for being the lead vocalist of The J. Geils Band. Wolf has lived quite an adventurous and exciting life starting at an early age. As a rock star, Wolf had the privilege of crossing paths and rubbing elbows with legendary figures in the world of entertainment and culture. Notably, some of the icons he met include Andy Warhol, Muddy Waters, Van Morrison, Fred Astaire, Aretha Franklin and so many more! To share his incredible stories with the world, Peter Wolf authored a book called, Waiting for the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Now you can leave feedback as you listen to WBZ NewsRadio on the FREE iHeart Radio app! Just click on the microphone icon in the app, and be sure to set WBZ NewsRadio as your #1 preset!

American musician and rock star Peter Wolf is best known for being the lead vocalist of The J. Geils Band. Wolf has lived quite an adventurous and exciting life starting at an early age. As a rock star, Wolf had the privilege of crossing paths and rubbing elbows with legendary figures in the world of entertainment and culture. Notably, some of the icons he met include Andy Warhol, Muddy Waters, Van Morrison, Fred Astaire, Aretha Franklin and so many more! To share his incredible stories with the world, Peter Wolf authored a book called, Waiting for the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. He joined Bradley Jay to share some of those stories!Now you can leave feedback as you listen to WBZ NewsRadio on the FREE iHeart Radio app! Just click on the microphone icon in the app, and be sure to set WBZ NewsRadio as your #1 preset!

durée : 00:59:37 - Doux sourires - par : Nathalie Piolé -

We're sitting down with one of the greats! Organist Larry Goldings is in the house to spin the B3 tracks that shaped him – from Jimmy Smith's revolutionary runs to Billy Preston's blending brilliance behind Aretha Franklin. Along the way, Larry breaks down the nuts and bolts (err… drawbars and percs) behind his favorite players, offering expert insights into Larry Young's pedal-less playing and Ray Charles' “dry-as-dust” sound. And somewhere in the midst of Larry's fave five, we get into how to find your own voice (and why it might involve throwing all these great records out the window). Whether you're chasing that perfect drawbar sound or just here for Hans Groiner's alter ego, this one will change how you hear the Hammond forever.In this episode, You'll Hear:Jimmy Smith's masterful expression pedal comping and turnaroundsHow to build your organ sound through a track like Wild Bill DavisWhy Larry listens to singers and horn players (it's all in the breath).The power of the organ + guitar comboWhat Larry's listening to these daysStart your FREE TRIAL to Larry's new course: Jazz Organ Essentials | Open StudioWatch Adam's organ lesson with Larry: Jazz Pianist Has To Learn Organ In 14 Minutes

Hocus Focus Mix met Clean Bandit, Jess Glynne, Kelis, Aretha Franklin, Adele - Rolling In The Deep, Donna Summer & Mr. Belt & Wezol

The Industry Relations Podcast is now available on your favorite podcast player! Overview In this special episode of Industry Relations, Rob and Greg take a break from real estate to talk about one of their shared passions: music. They explore the most transformative artists and bands across genres from the 70s through today. Their conversation dives deep into the cultural impact of acts like Nirvana, Depeche Mode, NWA, and Metallica, and whether artists like Kanye West, Jay-Z, or Eminem changed the landscape or simply excelled within it. Key Takeaways What Makes an Artist Transformative – Rob and Greg define “transformative” as artists who changed culture or shifted their genre's direction. Rock, Pop, and Hair Metal – From The Police and Joy Division to Motley Crue and Metallica, they debate which bands truly left a mark. New Wave and Synth Pop – A back-and-forth on whether bands like Depeche Mode, Erasure, and Eurythmics defined the New Wave era. The Rise of Hip-Hop – Analysis of Public Enemy, NWA, and Biggie's role in changing rap's tone—from political to gangsta to materialistic. Female Singers and Torch Artists – Greg shares his appreciation for female vocalists, from Tori Amos and Natalie Merchant to Billie Holiday and Aretha Franklin. Jazz, EDM, and Modern Music – A look at how genres like jazz and electronica evolved—and why Rob thinks music hasn't really changed since the 2000s. Cultural Identity and Music in High School – Reflections on how music once defined high school social groups and why today's digital world may be missing that connection.   Connect with Rob and Greg Rob's Website  Greg's Website    Watch us on YouTube   Our Sponsors: Cotality  Notorious VIP The Giant Steps Job Board    Production and Editing Services by Sunbound Studios  

In this inspiring episode of Best in Fest, host Leslie speaks with first-time filmmaker Tamar Springer about her powerful documentary More Than Santa Baby — a heartfelt tribute to her father, legendary composer Philip Springer. Known worldwide for penning the holiday classic "Santa Baby," Philip's influence goes far beyond that single hit, with songs recorded by Frank Sinatra, Elvis Presley, Aretha Franklin, and many more.Tamar shares how her background in social work evolved into an unexpected filmmaking journey, sparked by a pandemic-era epiphany and fueled by a deep love for her father's astonishing legacy. From rare archival footage to interviews with UK music icons like Cliff Richard and Mike Read, this conversation dives into the making of a three-act documentary, the magic of the Brill Building era, and the enduring power of passion projects — no matter your age.

Jim and Jimmy reflect on some of the iconic music from the summer of 1980, exploring how these cultural touchstones shaped friendships and created lasting memories during a transformative time.• The summer of 1980 wasn't just hot—it was transformative. As we celebrate the 45th anniversary of The Blues Brothers film, we dive deep into why this musical comedy masterpiece continues to captivate audiences decades later. From the extraordinary lineup of musical legends (James Brown, Aretha Franklin, Ray Charles, and Cab Calloway) to the spectacular car chases through Chicago's streets, this film represents a perfect convergence of comedy, music, and cultural history.• Paul McCartney's "Coming Up" hitting #1 on Billboard Hot 100 in June 1980, sparking new friendships through shared musical experiences• The Clash's "London Calling" making an impact on American radio with its apocalyptic sound and provocative lyrics• Rolling Stones' "Emotional Rescue" album release combining rock with disco influences• REM's "Fables of the Reconstruction" and Talking Heads' "Little Creatures" marking significant 1985 album releases• Listener feedback on past episodes discussing favorite cover songs and musical memories• And yes—Jimmy finally watched The Goonies! His verdict? "A great movie with fantastic acting from those kids." Sometimes peer pressure works for good!Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Introducing, Music Industry Legend, Scot McCracken! A&R (Artist & Repertoire aka artist development) legend, Record Label/Incubator/Artist Developer Scot has over 30 years of experience managing and developing such world-class artists as Rihanna, The Black Eyed Peas, Joan Osborne, 98 Degrees,and The Fugees! We discuss his philosophies on artist development and music promotion including his 'new concepts' for developing and breaking artists in the Streaming/Social Media Age. Scot brings us his latest future rock star band Backhand Blue and their first single "Potassium"! Website: https://backhandblue.com Instagram: @backhandblueofficial His father, session musician Hugh McCracken, was the only session cat to play with all four Beatles, was the first member of Paul McCartney's Wings and played/recorded with everyone from Aretha Franklin and Billy Joel to Paul Simon and Steely Dan and frequently brought his son Scot to sessions astarting at a young age! What was it like as a small child experiencing life in the studio and interacting with music LEGENDS? How did that impact his career and passion for music? All this and 9 hot new tracks for your Summer parties! TRACK LIST: "OMG!" - Tiesto, Sexy Redd "Hand That Feeds" - Halsey & Amy Lee "Turn Around" - Jermaine Dupri, T.I., Young Dro, 2 Chainz "Palace" - Thirteendegrees, BNYX "Potassium" - Backhand Blue "LIKE WOAH!" - Gabe McNeal "Cielo Drive" - Picture Parlour "Tell Me Where U Go (Beat Thrillerz Remix)" - Clean Bandit, Tiesto, and Leony "REWIND" - Nikita, the Wicked, and Darby "Get Gutsy" - Airbourne Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 100 takes a deep dive into the curious case of songs that peaked at exactly No. 100 on the Billboard Hot 100. Ray and Marc unpack how this rare chart milestone has evolved, shaped by changes in how Billboard measures music consumption. Discover which artist claims the crown for the most songs to reach the bottom of the chart. Then, explore a new way to enjoy music by uncovering overlooked gems from 1955 to 2025 that feature artists like Jay-Z, Drake, Mariah Carey, Doja Cat, Tom Petty, Lil Wayne, Seal, Aretha Franklin, Brook Benton, Mary Wells, and many more. You might just find your next favorite song—right where the chart ends.

Upstairs at Seattle’s Museum of Pop Culture, MoPop, right now you can take a trip through the musical genres and artists that trace the arc of Black history in America, from gospel foremothers like Rosetta Tharpe and Mahalia Jackson, to the soul songs of Aretha Franklin and Stevie Wonder. The exhibit is called Never Turn Back: Echoes of African American Music. Soundside host Libby Denkmann caught up with curator Adeerya Johnson for a tour of the exhibit. GUEST: Adeerya Johnson, Associate Curator at MoPop RELATED LINK: Never Turn Back: Echoes of African American Music | Museum of Pop Culture Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

In this FYF episode, Lesley Logan highlights community member victories, reflects on inspiring quotes from iconic women, and shares her personal joy in retraining their dog, Bayon. Each story is a reminder that even everyday moments can be deeply empowering. Let this episode encourage you to notice, honor, and celebrate your own wins.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:What community support looks like in action.How nighttime routines can be game-changers. Why Bayon, their 9-year old dog needed retraining.What it means to feel proud of the small wins that go unnoticed.Episode References/Links:Inspirational Quotes - https://www.instagram.com/p/DG43gNRI9c5Katie Donnelly's Website - https://thepilatesdoula.comBeyond the Myth Documentary - https://beitpod.com/beyondthemyth If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/ Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/ Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Lesley Logan 0:00  It's Fuck Yeah Friday. Fuck Yeah. Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Hello, Be It babe. Happy June 13th. Oh my God, it's Friday the 13th. That's so exciting. I just discovered that in this moment. So you guys, I am just so excited to be doing this podcast. I've been doing the FYFs more than a year now. This podcast is growing in a beautiful way, and I've just had some amazing guests. I hope you are listening to those interviews, because they're the best. And if you like the recaps before you listen to the interviews, that's fine too. I like a little sneak peek too. I guess I should also say this is a win. But like I did, watch the White Lotus Season Three without googling what happens at the end, because I was behind. So I could have and I was like, Lesley, you will just watch it, because typically, like when I watch any shows, if I get a little anxious or nervous, I will just do that. But that's not my win. I'll have another win, but first I have to celebrate things that are inspiring me. So these Friday episodes, I share things that inspired me. I share your wins. I share a win of mine. I give you a mantra. And these could also be mantras, but we're gonna do them as wins. Like this is an inspiring thing, so I have a bunch of quotes for you from different amazing women, and then I hope that you save them for yourself. So, Madeleine Albright said once, there's a special place in hell for women who don't help other women. Yeah, there is a special place. Nora Ephron said, above all, be the heroine of your life, not the victim. Maya Angelou, each time a woman stands up for herself without knowing it possibly, without claiming it, she stands up for all women. Oh, that feels good. Joan Baez, you don't get to choose how you're going to die or win. You can only decide how you're going to live now. Michelle Obama, when they go low, we go high. Malala, we realize the importance of our voices only when we are silenced. Laurel Thatcher Ulrich, well-behaved women seldom make history. That is true. There's a great book about, because she caused a riot, and I just it's all about like non-well-behaved women. Ruth Bader Ginsburg, women belong in all places where decisions are being made. Unknown, here's to strong women. May we know them? May we be them? May we raise them? Aretha Franklin, be your own artist, and always be confident what you're doing. If you're not going to be confident, you might as well not be doing it. I love this series of amazing, just inspiring quotes, and like the well-behaved women seldom make history, really, truly does inspire the heck out of me. I like see it in a neon sign, and I want it in my office. And that's just because, don't you think sometimes we need reminders? I mean, I think that's probably why I like do this podcast is like, so that you can have a reminder in your ears on your commute, something that, oh, I didn't realize that's a win. That's a win. I have wins in my life. Or oh, wow, I didn't realize that that thing that they said is a Be It Action Item is actually I do that already. I think sometimes we need that outside person to say, you are doing amazing, right? I hope that this podcast can be that for you. And so I hope that those different phrases, like save one and put it on a wall and put it somewhere, stitch it, I don't know, knit it on a pillow. Obviously on how to do things, but like, just whatever one like, really helps you show up for you. Because when you show up for you, as we know from past guests, you influence the bubble that's around you. You do. All right, let's talk about how you can influence each other. We got some wins to share with you. Okay, I got a few from Katie Donnelly, so she's gonna be our win for the day. Katie Donnelly, she's an Agency member. She's gonna be eLevate next year. She's someone I've known since her baby was born. So now I every time her baby is a different age, I'm like, oh my God, that's how long I've known you. And she put, bought my Google workspace for my new website and email address, katie@thepilatesdoula.com baby steps. I'm sharing that with you guys, because if you need a doula, here you go. Katie Donnelly. All right, also, Katie Donnelly posted about a new prenatal reformer class in a local moms group and all of these other wonderful perinatal professionals hyped me up. You guys. I don't have the image, but she did post it, and it was just like several different women talking about how amazing Katie is. And these are like, perinatal professionals. So these are other professionals who are recognizing the, this and Katie and that had to just feel like the win in its own. But also then other women were like, oh my god, I won't be pregnant by that time. Like it just was, like, just so fun. So I really, really appreciate it. And this is like a shout out to the podcast, LL's wins on the pod this week, of loving her new nighttime routine reminded me of a win I should be celebrating. This is a nighttime routine journal my friend published. I've been doing it consistently, not perfectly, for almost nine months. It's so helpful for winding down and practicing gratitude every day. Morning routines are still a challenge for me, but at least I've got one bookend in place, and she has like, a nighttime routine journal. And there's a lot of different journals that are out there, you guys, and I'll see if we can find the one that her friend does and put it in the show notes. But if you are not a morning person, don't let that stop you from starting a nighttime routine. And I love that my win of committing to a nighttime routine reminded her that she has a win she can celebrate. That's why we do this. That's why this entire episode exists every week. Is to remind you that you probably have wins happening in your day, that you're just not celebrating, and we have to celebrate them so that we have something to combat the crap that is coming at us every day, because everything happens like you have a good thing and you have a bad thing, and sometimes we only do the bad things. But just remember there are good things happening, and they might not seem huge, but having a bookend in place to have a nighttime routine meaning you have the best night's sleep, this means that your morning is gonna be better, even if there isn't a routine to your morning like it's just gonna be better because you're great night sleep. So Katie, thank you for sharing that so you can inspire the newest listener who didn't hear my win about nighttime routines being a win. So I just love that. We can just keep that going like a domino effect going. I love it. I'm obsessed. Okay, so now, you guys, a win of mine. So here's the deal, we have the world's sweetest dog. The world's sweetest dog I am obsessed with, Bayon. He is nine years old, and he we got him as a puppy, and he's just so sweet, right? But you know our dog, August, who never followed any rules, caused Bayon to stop following rules, and when you have a pocket pity, he can never be bad, because people make judgments. It's kind of like the expectation you have as a woman, you mess up, you mess up for all women, somehow, that's like, the pressure. No, just me. That's like, a pity, right? Because if you ever want to, like, watch a documentary about how amazing pities are and how they are not as bad as the media likes to proclaim, watch a documentary called Beyond the Myth. It's really, really informative. Because a lot of people think they have long jaws. They don't. I think they have the toughest jaws. They don't. So anyways, Bayon has, like, never caused an issue, never caused a problem, but he stopped listening to us on walks, and so I would have to really make him not pull on my leash. Or when a dog was barking up, he would want to bark at the back of the dog, and it's like, no, that's unbecoming. Yes, that other dog was the asshole first, but you're the one who's gonna be judged. So, you know, bring it together. So anyways, we have been really working with him on this, and found a little tool, we can click, get him treats. And you guys, it's so amazing. He's so cute. He just wants to be right by our side, because it's way more fun to be by our side than it is to pull in front. And so I just want to say you can teach an old dog new tricks, and actually, we're just reminding him tricks he knows. But because of our other dog, we weren't taking him to parties and things like that. So he used to go to public places all the time. And then in the last five years, I guess I blame COVID. We stopped taking him to places. And another win is because of all his training, he went to a birthday party, a huge birthday party who knew no one at. It was loud. There was children. There was kids coming out of there, like touching his head. And Brad had to teach them all how to like this is how you meet a dog you don't know. You got to put your hand like this, calm down, so that you can always pull your fingers back if they react differently. No, don't put your hand on top of their head. No, don't grab their head. And he was just so good. He licked every stranger. He was just so great. My win is we got our dog to be the trained dog that he was already, and we got to celebrate that with him. And it's really fun, because now we can take him everywhere. We literally take him, everywhere. He goes into Costco, where those people, he went to dispensaries the other day, like he's just having the best time. And it's kind of fun to still have a dog you can literally take everywhere. You know how people take little dogs, but like, he's not a little dog, he's a 50 pound dog. And as we come up closer to our summer tour, I'm just even more excited, because he's always been so behaved in people's studios, but I know now that he listens to his naming called again. It's just gonna be a lot more fun as we go on tour and just have a lot more ease. So that's my win. We trained our dog again. Do you see how wins can be simple? They don't have to be this, like goal they've been working on for seven years. I gotta wait seven years to have a goal. No, no, that's not true. All right, let me get your mantra and get you on your weekend. I release the fears that do not serve me, hmm? I release the fears that do not serve me. I release the fears that do not serve me. Babe, do you do that? I hope you do. I really, really hope you do. It's just going to help you out so much better. It's going to make your life so much easier. Release the fears that don't serve you. Be afraid of falling off a cliff when you're at the edge of a cliff, but don't be afraid of falling off a cliff that doesn't exist in your life right now, right? Because it's just wasting your brain space, your beautiful brain space. It could be doing another amazing things. Thank you all so much for listening. Please share our podcast with a friend who needs to hear it, and until next time, Be It Till You See It.That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 10:41  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 10:45  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 10:50  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 10:57  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 11:00  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Transcribed by https://otter.aiSupport this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Another mind bending podcast.  In this we begin by talking about our recent appearance at Contact in the Desert. I did a guided meditation with a law enforcement person who reached out to me today to talk about something that occurred to him. He knew someone in the midst of the conflagration in downtown LA, and based on something we discussed at the convention, he did a meditation where he "asked his higher self to ask the higher selves of some of the rioters" to leave the scene.  He was surprised to later hear that they had mysteriously shifted direction and wondered if it was possible to affect change with that kind of intent.  Jennifer talked about the power of prayer, and I talked a bit about the effectiveness of meditation. Then we asked our moderator Luana Anders if anyone wanted to stop by; and Prince stopped by.  We said happy birthday to him, and I asked if he was stopping by because of a recent musician who had left the planet. He said "no."  I asked Luana if she was aware of who I was talking about even if Jennifer was not. She said she was. I started to say I had "heard this person's voice" in my kitchen yesterday saying "I'd be honored to be on your podcast." It was such a weird thing to hear, and since I've had a bad cold, I got emotional repeating the story. Apologies for getting choked up.  Then Jennifer realized who this "Brian" was.  Having been a music reviewer at Variety for some years I talked about a concert I'd reviewed, and am familiar with the documentaries (Frank Marshall's) about his life, and "Love and Mercy" with my Chicago pal John Cusack. I had many questions for Brian, including his mental issues, and he said they were related to the idea that he was "born without musical filters" and like some others we've interviewed, said "He was also hearing music since he was a child."  (See the book TUNING INTO THE AFTERLIFE) I asked him if he had a message for our mutual friend Van Dyke Parks (whom I last saw at Sally Kellerman's funeral) and when I asked him who he was surprised to see on the flipside, it was a name we've heard many times in our group; Aretha. I asked Aretha about a story I heard Cynthia Erivo tell yesterday on the BBC about Aretha coming backstage to sing to her.  It was interesting to hear Aretha downplay the event, since it was so meaningful to Cynthia.  Also Brian said he had met many others, or was in the process of meeting people, including John Lennon (He'd met the Beatles, but said he and John weren't close) but pointed out that he'd just gotten home and there were a lot of people to see. I apologized for peppering him with questions, then tried to tell him about being in a grocery store yesterday in Santa Monica, told the staff he had passed (they all reacted) I shouted to the manager "Can you put on some Beach Boys in honor of Brian?" and he did. And everyone in the store began to sing. It make me think of getting a pick up truck with massive Marshall speakers and drive around the National Guard playing the Beach Boys which they would appreciate and love as well.  The music makes people happy.  Just another mind bending half hour at the office.  Thank you Jennifer for your talents!

No conversation about the all-time great women's shoe designers is complete without a very long segue into Stuart Weitzman. Born into a shoemaking family who manufactured for decades in longtime US shoemaking hub Haverhill, Massachusetts, Weitzman quickly established himself as the rare shoemaker to both the stars AND literally any woman who just wanted a fantastic pair of shoes. For this chat, we covered why comfort matters so much and how to make it happen, why Stuart ended up in Spain after US manufacturing went kaput, that time Aretha Franklin pulled her shoes off at the AMAs to thank him, his various muses through the decades, his incredible donations to an in-the-works Historic New England shoe museum project, and plenty more. HUGE thanks to Stuart and Historic New England for all the support in making this episode. https://www.historicnewengland.org/Production: Aiden McDonald x Visual Sound Productions https://www.visualsoundprod.com/ Support the Shoecast, get full bonus episode access, and join the most interesting shoe-and-boot-loving community on the internet with a Stitchdown Premium membershiphttps://www.stitchdown.com/join-stitchdown-premium/Check out our site!https://www.stitchdown.com/2025 dates and location for Stitchdown's Boot Camp 3—the world's fair of shoes and boots and leather and more—coming soon.https://www.stitchdownbootcamp.com/

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Peter Wolf is bringing rock ‘n' roll to You Are What You Read this week with his all-new memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Peter Wolf is best known as the lead vocalist of The J. Geils Band. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock's most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.” Peter began his career as a solo artist in 1984 with his album, Lights Out. He collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers' and will be releasing his ninth solo album in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠⁠here⁠⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠⁠online⁠⁠⁠⁠, on⁠⁠⁠⁠ Facebook⁠⁠⁠⁠, ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, or ⁠⁠⁠⁠YouTube.⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠here⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠online⁠⁠⁠, on⁠⁠⁠ Facebook⁠⁠⁠, ⁠⁠⁠Twitter⁠⁠⁠, or ⁠⁠⁠YouTube.⁠⁠⁠ or drops us an email at ⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠McCusker's Tavern⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠Pantheon Media⁠⁠⁠. We're sponsored by⁠⁠⁠ Boldfoot Socks⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transes envoûtantes de l'African Electro au R'n'B façon 60's. Nos premiers invités sont Koko Jean & The Tonics pour la sortie de Love Child.Love Child estun hommage puissant aux racines de la soul, du blues et du rock, où Koko-Jean & The Tonics mêlent énergie brute et émotion sincère.Avec Love Child,Koko-Jean & The Tonics rendent hommage aux racines de la musique afro-américaine en y insufflant une énergie nouvelle et une liberté d'interprétation unique. Cet album capture la profondeur du gospel, la puissance du blues et l'énergie du rock'n'roll. Plus intime que leur premier album, Love Child puise dans l'héritage de figures emblématiques comme Marvin Gaye, Etta James, Aretha Franklin, et Ike & Tina Turner. L'album célèbre aussi l'impact des labels légendaires Motown etStax. Koko-Jean Davis s'est d'abord fait connaître en tant que chanteuse et leader du groupe Koko-Jean & The Excitements,une formation explosive de soul et rhythm & blues née à Barcelone. Avec son énergie débordante et sa présence scénique inimitable, Koko-Jean a rapidement conquis le public en insufflant une intensité brute et un groove imparable à chaque performance. Aux côtés des Excitements, elle a contribué à raviver l'essence du R&B des années 60, s'inspirant d'icônes comme Tina Turner, Etta James et James Brown. Ensemble, ils ont sillonné les scènes européennes et sorti plusieurs albums acclamés, marqués par un son puissant et authentique.Titres interprétés au grand studio- Down On My Knees, Live RFI- The Spin, extrait de l'album- Love Child Live RFI. Line Up :  Koko-Jean (chant), Victor Puertas (piano et chant), Arnaud Fradin (guitare)Son : Camille Roch, Benoît Letirant► Album Love Child (Buenritmo Records/Daydream 2024)Bandcamp - Facebook - YouTube.Puis, nous recevons le trio marseillais Zar Electrik pour la sortie de KoyoQuand les transes gnaouies rencontrent les boucles de la musique subsaharienne et se mêlent à l'électro la plus ensorcelante, la célébration se fait forcément explosive. Sur les pistes de cet African techno, Anass Zine et Arthur Péneau, chanteurs-instrumentistes au gumbri, à l'oud et à la kora électrique, embarquent Did Miosine aux machines pour un trip envoûtant aux confins du Maghreb. Derrière les voix enchanteresses ou rugissantes, l'appel à la danse se fait par les rythmes et les soubresauts ternaires baignés d'électro. Ça tourne jusqu'à s'étourdir, ça bouillonne et tourbillonne dans des transes infinies aux échos d'Orient et aux grooves apatrides.L'histoire : Anass Zine et Arthur Peneau se rencontrent en 2019 à Marseille ; ils commencent à travailler un premier répertoire en duo sous le nom de Zar Electrik. Durant le confinement de 2020, ils rencontrent Didier Simione et l'intègre au projet comme beatmaker. Grâce à quelques concerts et des vidéos postés sur internet en 2021, ils rencontrent Lamastrock, la structure de production et d'accompagnement d'artistes, qui leur propose une collaboration.Avec près de 60 concerts en 2022 et des dates importantes, le trio obtient fin 2022 le Prix des Musiques d'ici.Une tournée en Algérie a été réalisée début 2023 et la rencontre avec les publics algériens a été exceptionnelle. Des dates en Italie, Belgique, Canada et France pour une année 2023 qui compte également une soixantaine de concerts, dont de belles dates parisiennes (Pan Piper, Cabaret Sauvage, Maison des Métallos, Le Point Fort… ). L'année 2023 voit également la sortie de leur premier EP Hawa, chez le label français Jarring Effects. Fin 2023, la participation de Zar Electrik au Mundial Montréal s'est soldée par un très beau succès et les portes du marché nord-américain se sont ouvertes. De nouvelles collaborations sont actées avec une agence américaine, AliaProd pour Usa-Canada, Crossover-frequencies pour la Suède, la Norvège, le Danemark et Musicastrada pour l'Italie. Le groupe a été invité en janvier 2025 pour un Tiny Desk NPR. L'année 2025 devrait compter plus de 60 concerts en France et à l'international avec notamment des tournées aux USA, Canada et une présence accrue sur les gros festivals européens comme Le Paléo en Suisse, Colors of Ostrava en République Tchèque, le FMM Sines au Portugal, Simo festival en Belgique, LesSuds en France. L'album Koyo est sorti en avril 2025.Titres interprétés au grand studio- Berma Soudan Live RFI - Koyo,extrait de l'album- Babord Live RFI. ► Session Live filmée par RFI VidéosLine Up : Anass ZINE (guitare, oud, gumbri, percussions, chant), Arthur Péneau (kora, percussions, chant), Didier SImione (machines, synthés)Son : Mayhias Taylor, Benoît Letirant► Album Koyo (Jarring Effects 2025)YouTube - Bandcamp - Facebook Réalisation : Hadrien Touraud & Donatien Cahu

Transes envoûtantes de l'African Electro au R'n'B façon 60's. Nos premiers invités sont Koko Jean & The Tonics pour la sortie de Love Child.Love Child estun hommage puissant aux racines de la soul, du blues et du rock, où Koko-Jean & The Tonics mêlent énergie brute et émotion sincère.Avec Love Child,Koko-Jean & The Tonics rendent hommage aux racines de la musique afro-américaine en y insufflant une énergie nouvelle et une liberté d'interprétation unique. Cet album capture la profondeur du gospel, la puissance du blues et l'énergie du rock'n'roll. Plus intime que leur premier album, Love Child puise dans l'héritage de figures emblématiques comme Marvin Gaye, Etta James, Aretha Franklin, et Ike & Tina Turner. L'album célèbre aussi l'impact des labels légendaires Motown etStax. Koko-Jean Davis s'est d'abord fait connaître en tant que chanteuse et leader du groupe Koko-Jean & The Excitements,une formation explosive de soul et rhythm & blues née à Barcelone. Avec son énergie débordante et sa présence scénique inimitable, Koko-Jean a rapidement conquis le public en insufflant une intensité brute et un groove imparable à chaque performance. Aux côtés des Excitements, elle a contribué à raviver l'essence du R&B des années 60, s'inspirant d'icônes comme Tina Turner, Etta James et James Brown. Ensemble, ils ont sillonné les scènes européennes et sorti plusieurs albums acclamés, marqués par un son puissant et authentique.Titres interprétés au grand studio- Down On My Knees, Live RFI- The Spin, extrait de l'album- Love Child Live RFI. Line Up :  Koko-Jean (chant), Victor Puertas (piano et chant), Arnaud Fradin (guitare)Son : Camille Roch, Benoît Letirant► Album Love Child (Buenritmo Records/Daydream 2024)Bandcamp - Facebook - YouTube.Puis, nous recevons le trio marseillais Zar Electrik pour la sortie de KoyoQuand les transes gnaouies rencontrent les boucles de la musique subsaharienne et se mêlent à l'électro la plus ensorcelante, la célébration se fait forcément explosive. Sur les pistes de cet African techno, Anass Zine et Arthur Péneau, chanteurs-instrumentistes au gumbri, à l'oud et à la kora électrique, embarquent Did Miosine aux machines pour un trip envoûtant aux confins du Maghreb. Derrière les voix enchanteresses ou rugissantes, l'appel à la danse se fait par les rythmes et les soubresauts ternaires baignés d'électro. Ça tourne jusqu'à s'étourdir, ça bouillonne et tourbillonne dans des transes infinies aux échos d'Orient et aux grooves apatrides.L'histoire : Anass Zine et Arthur Peneau se rencontrent en 2019 à Marseille ; ils commencent à travailler un premier répertoire en duo sous le nom de Zar Electrik. Durant le confinement de 2020, ils rencontrent Didier Simione et l'intègre au projet comme beatmaker. Grâce à quelques concerts et des vidéos postés sur internet en 2021, ils rencontrent Lamastrock, la structure de production et d'accompagnement d'artistes, qui leur propose une collaboration.Avec près de 60 concerts en 2022 et des dates importantes, le trio obtient fin 2022 le Prix des Musiques d'ici.Une tournée en Algérie a été réalisée début 2023 et la rencontre avec les publics algériens a été exceptionnelle. Des dates en Italie, Belgique, Canada et France pour une année 2023 qui compte également une soixantaine de concerts, dont de belles dates parisiennes (Pan Piper, Cabaret Sauvage, Maison des Métallos, Le Point Fort… ). L'année 2023 voit également la sortie de leur premier EP Hawa, chez le label français Jarring Effects. Fin 2023, la participation de Zar Electrik au Mundial Montréal s'est soldée par un très beau succès et les portes du marché nord-américain se sont ouvertes. De nouvelles collaborations sont actées avec une agence américaine, AliaProd pour Usa-Canada, Crossover-frequencies pour la Suède, la Norvège, le Danemark et Musicastrada pour l'Italie. Le groupe a été invité en janvier 2025 pour un Tiny Desk NPR. L'année 2025 devrait compter plus de 60 concerts en France et à l'international avec notamment des tournées aux USA, Canada et une présence accrue sur les gros festivals européens comme Le Paléo en Suisse, Colors of Ostrava en République Tchèque, le FMM Sines au Portugal, Simo festival en Belgique, LesSuds en France. L'album Koyo est sorti en avril 2025.Titres interprétés au grand studio- Berma Soudan Live RFI - Koyo,extrait de l'album- Babord Live RFI. ► Session Live filmée par RFI VidéosLine Up : Anass ZINE (guitare, oud, gumbri, percussions, chant), Arthur Péneau (kora, percussions, chant), Didier SImione (machines, synthés)Son : Mayhias Taylor, Benoît Letirant► Album Koyo (Jarring Effects 2025)YouTube - Bandcamp - Facebook Réalisation : Hadrien Touraud & Donatien Cahu

Our people love us some Aretha Franklin. We've been two-stepping to her greatest hits for generations. She was our beloved "Queen of Soul." So why the hell was the FBI surveilling her for years? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this exclusive interview, we sit down with the legendary Tawatha Agee — the powerhouse vocalist best known as the lead singer of the iconic hit “Juicy Fruit” with Mtume. With a career that spans decades, Tawatha has worked with music royalty including Luther Vandross, Aretha Franklin, Michael Jackson, Ringo Starr, and Sting. She shares her journey from being trained by Cissy Houston to becoming one of the most respected background vocalists in the industry. We explore her rise, the stories behind the music, and how she helped shape the soundtracks of multiple generations. This is more than an interview — it's a tribute to a pioneer whose voice continues to echo through the heart of R&B, soul, and hip-hop. ⸻ Hashtags: #TawathaAgee #JuicyFruit #Mtume #MusicLegend #FromDaGroundUp #FDGUP #LadiMiz #MusicPioneer #RNBHistory #BlackMusicExcellence #VocalPowerhouse #BehindTheMusic #IconicVoices #raythesilentassassin

Sean Imboden is an American saxophonist and composer. Sean has released three albums as a leader, the most recent being Communal Heart by the Sean Imboden Large Ensemble. His music pioneers forward-thinking, original compositions, and presents cutting-edge live performances. Sean has performed and recorded with GRAMMY-winning artists and jazz luminaries, including Slide Hampton, Taylor Eigsti, Mike Rodriguez, Sean Jones, Emmet Cohen, Steve Allee, Kenny Phelps, John Raymond, and Valery Ponomarev (of Art Blakey's Jazz Messengers). A long-time member of Indianapolis-based quartet Tucker Brothers, Sean plays on the band's four critically-acclaimed albums. An active sideman, Sean has appeared on The Tonight Show Starring Jimmy Fallon and with the Radio City Music Hall Orchestra, the Indianapolis Symphony Orchestra, the Buselli-Wallarab Jazz Orchestra, Aretha Franklin, The Temptations, Barry Manilow, Johnny Mathis, and Idina Menzel. Sean toured internationally for many years with various Broadway productions, and as a featured soloist with Blast II. Sean has taught at the Jacobs School of Music at Indiana University, and is currently on faculty at Butler University and Ball State University. Sean is a Conn-Selmer artist, and works with students around the world through his online Virtual Studio.

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

André Benjamin, popularly known as André 3000, is a rapper, singer, songwriter, producer, and actor best known as one half of the Southern hip hop duo Outkast. Described by Rolling Stone as “one of the genre's most gifted lyricists,” André helped redefine Southern rap with classic albums like ATLiens, Aquemini, Stankonia, and the Grammy-winning Speakerboxxx/The Love Below, producing hits such as “Ms. Jackson” and “Hey Ya!” Beyond Outkast, he has contributed to music as a producer and collaborator with artists including Aretha Franklin, John Legend, and Frank Ocean, while also acting in films including Four Brothers and portraying Jimi Hendrix in Jimi: All Is by My Side. In 2023, André released his ambient flute album New Blue Sun, earning three Grammy nominations for Album of the Year, Best Alternative Jazz Album, and Best Instrumental Composition. This year, André released his album 7 Piano Sketches, a short, intimate collection of mostly improvised piano pieces that showcases the artist's continued exploration of instrumental music beyond his hip hop roots. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

When I say, “Aretha Franklin,” what's the first thing you want to belt out?  If it's R-E-S-P-E-C-T, that's you and me both, my friend. And, don't worry, I won't hold it against you if it wasn't. As one of my Internal Family Systems consultants, Robert Falconer, reminded me, respect is the opposite of shame and the minimum of love. The second of those ideas, he said, came from the work of Pia Melody, renowned author on recovery from addictions.  Shame is such an inherent part of the bingeing experience that it's built right into the clinical criteria for binge eating disorder. But regarding yourself with respect and care changes the game completely. Listen in to find out more! Get full show notes and more information here: https://www.holdingthespace.co/81. If you're ready to invest in one-on-one support to help heal binge eating, go to https://holdingthespace.as.me/free30 and get on my calendar for a complementary consult today. I pinky-swear—NO icky salesy vibes, just compassion and understanding.

This week’s hometowns include finding money on the ground and attending a celebration for Aretha Franklin. Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3UFCn1g.See omnystudio.com/listener for privacy information.