Podcasts about Aretha Franklin

The Industry Relations Podcast is now available on your favorite podcast player! Overview In this special episode of Industry Relations, Rob and Greg take a break from real estate to talk about one of their shared passions: music. They explore the most transformative artists and bands across genres from the 70s through today. Their conversation dives deep into the cultural impact of acts like Nirvana, Depeche Mode, NWA, and Metallica, and whether artists like Kanye West, Jay-Z, or Eminem changed the landscape or simply excelled within it. Key Takeaways What Makes an Artist Transformative – Rob and Greg define “transformative” as artists who changed culture or shifted their genre's direction. Rock, Pop, and Hair Metal – From The Police and Joy Division to Motley Crue and Metallica, they debate which bands truly left a mark. New Wave and Synth Pop – A back-and-forth on whether bands like Depeche Mode, Erasure, and Eurythmics defined the New Wave era. The Rise of Hip-Hop – Analysis of Public Enemy, NWA, and Biggie's role in changing rap's tone—from political to gangsta to materialistic. Female Singers and Torch Artists – Greg shares his appreciation for female vocalists, from Tori Amos and Natalie Merchant to Billie Holiday and Aretha Franklin. Jazz, EDM, and Modern Music – A look at how genres like jazz and electronica evolved—and why Rob thinks music hasn't really changed since the 2000s. Cultural Identity and Music in High School – Reflections on how music once defined high school social groups and why today's digital world may be missing that connection.   Connect with Rob and Greg Rob's Website  Greg's Website    Watch us on YouTube   Our Sponsors: Cotality  Notorious VIP The Giant Steps Job Board    Production and Editing Services by Sunbound Studios  

In this inspiring episode of Best in Fest, host Leslie speaks with first-time filmmaker Tamar Springer about her powerful documentary More Than Santa Baby — a heartfelt tribute to her father, legendary composer Philip Springer. Known worldwide for penning the holiday classic "Santa Baby," Philip's influence goes far beyond that single hit, with songs recorded by Frank Sinatra, Elvis Presley, Aretha Franklin, and many more.Tamar shares how her background in social work evolved into an unexpected filmmaking journey, sparked by a pandemic-era epiphany and fueled by a deep love for her father's astonishing legacy. From rare archival footage to interviews with UK music icons like Cliff Richard and Mike Read, this conversation dives into the making of a three-act documentary, the magic of the Brill Building era, and the enduring power of passion projects — no matter your age.

Jim and Jimmy reflect on some of the iconic music from the summer of 1980, exploring how these cultural touchstones shaped friendships and created lasting memories during a transformative time.• The summer of 1980 wasn't just hot—it was transformative. As we celebrate the 45th anniversary of The Blues Brothers film, we dive deep into why this musical comedy masterpiece continues to captivate audiences decades later. From the extraordinary lineup of musical legends (James Brown, Aretha Franklin, Ray Charles, and Cab Calloway) to the spectacular car chases through Chicago's streets, this film represents a perfect convergence of comedy, music, and cultural history.• Paul McCartney's "Coming Up" hitting #1 on Billboard Hot 100 in June 1980, sparking new friendships through shared musical experiences• The Clash's "London Calling" making an impact on American radio with its apocalyptic sound and provocative lyrics• Rolling Stones' "Emotional Rescue" album release combining rock with disco influences• REM's "Fables of the Reconstruction" and Talking Heads' "Little Creatures" marking significant 1985 album releases• Listener feedback on past episodes discussing favorite cover songs and musical memories• And yes—Jimmy finally watched The Goonies! His verdict? "A great movie with fantastic acting from those kids." Sometimes peer pressure works for good!Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Introducing, Music Industry Legend, Scot McCracken! A&R (Artist & Repertoire aka artist development) legend, Record Label/Incubator/Artist Developer Scot has over 30 years of experience managing and developing such world-class artists as Rihanna, The Black Eyed Peas, Joan Osborne, 98 Degrees,and The Fugees! We discuss his philosophies on artist development and music promotion including his 'new concepts' for developing and breaking artists in the Streaming/Social Media Age. Scot brings us his latest future rock star band Backhand Blue and their first single "Potassium"! Website: https://backhandblue.com Instagram: @backhandblueofficial His father, session musician Hugh McCracken, was the only session cat to play with all four Beatles, was the first member of Paul McCartney's Wings and played/recorded with everyone from Aretha Franklin and Billy Joel to Paul Simon and Steely Dan and frequently brought his son Scot to sessions astarting at a young age! What was it like as a small child experiencing life in the studio and interacting with music LEGENDS? How did that impact his career and passion for music? All this and 9 hot new tracks for your Summer parties! TRACK LIST: "OMG!" - Tiesto, Sexy Redd "Hand That Feeds" - Halsey & Amy Lee "Turn Around" - Jermaine Dupri, T.I., Young Dro, 2 Chainz "Palace" - Thirteendegrees, BNYX "Potassium" - Backhand Blue "LIKE WOAH!" - Gabe McNeal "Cielo Drive" - Picture Parlour "Tell Me Where U Go (Beat Thrillerz Remix)" - Clean Bandit, Tiesto, and Leony "REWIND" - Nikita, the Wicked, and Darby "Get Gutsy" - Airbourne Learn more about your ad choices. Visit megaphone.fm/adchoices

Upstairs at Seattle’s Museum of Pop Culture, MoPop, right now you can take a trip through the musical genres and artists that trace the arc of Black history in America, from gospel foremothers like Rosetta Tharpe and Mahalia Jackson, to the soul songs of Aretha Franklin and Stevie Wonder. The exhibit is called Never Turn Back: Echoes of African American Music. Soundside host Libby Denkmann caught up with curator Adeerya Johnson for a tour of the exhibit. GUEST: Adeerya Johnson, Associate Curator at MoPop RELATED LINK: Never Turn Back: Echoes of African American Music | Museum of Pop Culture Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

In this FYF episode, Lesley Logan highlights community member victories, reflects on inspiring quotes from iconic women, and shares her personal joy in retraining their dog, Bayon. Each story is a reminder that even everyday moments can be deeply empowering. Let this episode encourage you to notice, honor, and celebrate your own wins.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:What community support looks like in action.How nighttime routines can be game-changers. Why Bayon, their 9-year old dog needed retraining.What it means to feel proud of the small wins that go unnoticed.Episode References/Links:Inspirational Quotes - https://www.instagram.com/p/DG43gNRI9c5Katie Donnelly's Website - https://thepilatesdoula.comBeyond the Myth Documentary - https://beitpod.com/beyondthemyth If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/ Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/ Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Lesley Logan 0:00  It's Fuck Yeah Friday. Fuck Yeah. Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Hello, Be It babe. Happy June 13th. Oh my God, it's Friday the 13th. That's so exciting. I just discovered that in this moment. So you guys, I am just so excited to be doing this podcast. I've been doing the FYFs more than a year now. This podcast is growing in a beautiful way, and I've just had some amazing guests. I hope you are listening to those interviews, because they're the best. And if you like the recaps before you listen to the interviews, that's fine too. I like a little sneak peek too. I guess I should also say this is a win. But like I did, watch the White Lotus Season Three without googling what happens at the end, because I was behind. So I could have and I was like, Lesley, you will just watch it, because typically, like when I watch any shows, if I get a little anxious or nervous, I will just do that. But that's not my win. I'll have another win, but first I have to celebrate things that are inspiring me. So these Friday episodes, I share things that inspired me. I share your wins. I share a win of mine. I give you a mantra. And these could also be mantras, but we're gonna do them as wins. Like this is an inspiring thing, so I have a bunch of quotes for you from different amazing women, and then I hope that you save them for yourself. So, Madeleine Albright said once, there's a special place in hell for women who don't help other women. Yeah, there is a special place. Nora Ephron said, above all, be the heroine of your life, not the victim. Maya Angelou, each time a woman stands up for herself without knowing it possibly, without claiming it, she stands up for all women. Oh, that feels good. Joan Baez, you don't get to choose how you're going to die or win. You can only decide how you're going to live now. Michelle Obama, when they go low, we go high. Malala, we realize the importance of our voices only when we are silenced. Laurel Thatcher Ulrich, well-behaved women seldom make history. That is true. There's a great book about, because she caused a riot, and I just it's all about like non-well-behaved women. Ruth Bader Ginsburg, women belong in all places where decisions are being made. Unknown, here's to strong women. May we know them? May we be them? May we raise them? Aretha Franklin, be your own artist, and always be confident what you're doing. If you're not going to be confident, you might as well not be doing it. I love this series of amazing, just inspiring quotes, and like the well-behaved women seldom make history, really, truly does inspire the heck out of me. I like see it in a neon sign, and I want it in my office. And that's just because, don't you think sometimes we need reminders? I mean, I think that's probably why I like do this podcast is like, so that you can have a reminder in your ears on your commute, something that, oh, I didn't realize that's a win. That's a win. I have wins in my life. Or oh, wow, I didn't realize that that thing that they said is a Be It Action Item is actually I do that already. I think sometimes we need that outside person to say, you are doing amazing, right? I hope that this podcast can be that for you. And so I hope that those different phrases, like save one and put it on a wall and put it somewhere, stitch it, I don't know, knit it on a pillow. Obviously on how to do things, but like, just whatever one like, really helps you show up for you. Because when you show up for you, as we know from past guests, you influence the bubble that's around you. You do. All right, let's talk about how you can influence each other. We got some wins to share with you. Okay, I got a few from Katie Donnelly, so she's gonna be our win for the day. Katie Donnelly, she's an Agency member. She's gonna be eLevate next year. She's someone I've known since her baby was born. So now I every time her baby is a different age, I'm like, oh my God, that's how long I've known you. And she put, bought my Google workspace for my new website and email address, katie@thepilatesdoula.com baby steps. I'm sharing that with you guys, because if you need a doula, here you go. Katie Donnelly. All right, also, Katie Donnelly posted about a new prenatal reformer class in a local moms group and all of these other wonderful perinatal professionals hyped me up. You guys. I don't have the image, but she did post it, and it was just like several different women talking about how amazing Katie is. And these are like, perinatal professionals. So these are other professionals who are recognizing the, this and Katie and that had to just feel like the win in its own. But also then other women were like, oh my god, I won't be pregnant by that time. Like it just was, like, just so fun. So I really, really appreciate it. And this is like a shout out to the podcast, LL's wins on the pod this week, of loving her new nighttime routine reminded me of a win I should be celebrating. This is a nighttime routine journal my friend published. I've been doing it consistently, not perfectly, for almost nine months. It's so helpful for winding down and practicing gratitude every day. Morning routines are still a challenge for me, but at least I've got one bookend in place, and she has like, a nighttime routine journal. And there's a lot of different journals that are out there, you guys, and I'll see if we can find the one that her friend does and put it in the show notes. But if you are not a morning person, don't let that stop you from starting a nighttime routine. And I love that my win of committing to a nighttime routine reminded her that she has a win she can celebrate. That's why we do this. That's why this entire episode exists every week. Is to remind you that you probably have wins happening in your day, that you're just not celebrating, and we have to celebrate them so that we have something to combat the crap that is coming at us every day, because everything happens like you have a good thing and you have a bad thing, and sometimes we only do the bad things. But just remember there are good things happening, and they might not seem huge, but having a bookend in place to have a nighttime routine meaning you have the best night's sleep, this means that your morning is gonna be better, even if there isn't a routine to your morning like it's just gonna be better because you're great night sleep. So Katie, thank you for sharing that so you can inspire the newest listener who didn't hear my win about nighttime routines being a win. So I just love that. We can just keep that going like a domino effect going. I love it. I'm obsessed. Okay, so now, you guys, a win of mine. So here's the deal, we have the world's sweetest dog. The world's sweetest dog I am obsessed with, Bayon. He is nine years old, and he we got him as a puppy, and he's just so sweet, right? But you know our dog, August, who never followed any rules, caused Bayon to stop following rules, and when you have a pocket pity, he can never be bad, because people make judgments. It's kind of like the expectation you have as a woman, you mess up, you mess up for all women, somehow, that's like, the pressure. No, just me. That's like, a pity, right? Because if you ever want to, like, watch a documentary about how amazing pities are and how they are not as bad as the media likes to proclaim, watch a documentary called Beyond the Myth. It's really, really informative. Because a lot of people think they have long jaws. They don't. I think they have the toughest jaws. They don't. So anyways, Bayon has, like, never caused an issue, never caused a problem, but he stopped listening to us on walks, and so I would have to really make him not pull on my leash. Or when a dog was barking up, he would want to bark at the back of the dog, and it's like, no, that's unbecoming. Yes, that other dog was the asshole first, but you're the one who's gonna be judged. So, you know, bring it together. So anyways, we have been really working with him on this, and found a little tool, we can click, get him treats. And you guys, it's so amazing. He's so cute. He just wants to be right by our side, because it's way more fun to be by our side than it is to pull in front. And so I just want to say you can teach an old dog new tricks, and actually, we're just reminding him tricks he knows. But because of our other dog, we weren't taking him to parties and things like that. So he used to go to public places all the time. And then in the last five years, I guess I blame COVID. We stopped taking him to places. And another win is because of all his training, he went to a birthday party, a huge birthday party who knew no one at. It was loud. There was children. There was kids coming out of there, like touching his head. And Brad had to teach them all how to like this is how you meet a dog you don't know. You got to put your hand like this, calm down, so that you can always pull your fingers back if they react differently. No, don't put your hand on top of their head. No, don't grab their head. And he was just so good. He licked every stranger. He was just so great. My win is we got our dog to be the trained dog that he was already, and we got to celebrate that with him. And it's really fun, because now we can take him everywhere. We literally take him, everywhere. He goes into Costco, where those people, he went to dispensaries the other day, like he's just having the best time. And it's kind of fun to still have a dog you can literally take everywhere. You know how people take little dogs, but like, he's not a little dog, he's a 50 pound dog. And as we come up closer to our summer tour, I'm just even more excited, because he's always been so behaved in people's studios, but I know now that he listens to his naming called again. It's just gonna be a lot more fun as we go on tour and just have a lot more ease. So that's my win. We trained our dog again. Do you see how wins can be simple? They don't have to be this, like goal they've been working on for seven years. I gotta wait seven years to have a goal. No, no, that's not true. All right, let me get your mantra and get you on your weekend. I release the fears that do not serve me, hmm? I release the fears that do not serve me. I release the fears that do not serve me. Babe, do you do that? I hope you do. I really, really hope you do. It's just going to help you out so much better. It's going to make your life so much easier. Release the fears that don't serve you. Be afraid of falling off a cliff when you're at the edge of a cliff, but don't be afraid of falling off a cliff that doesn't exist in your life right now, right? Because it's just wasting your brain space, your beautiful brain space. It could be doing another amazing things. Thank you all so much for listening. Please share our podcast with a friend who needs to hear it, and until next time, Be It Till You See It.That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 10:41  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 10:45  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 10:50  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 10:57  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 11:00  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Transcribed by https://otter.aiSupport this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Another mind bending podcast.  In this we begin by talking about our recent appearance at Contact in the Desert. I did a guided meditation with a law enforcement person who reached out to me today to talk about something that occurred to him. He knew someone in the midst of the conflagration in downtown LA, and based on something we discussed at the convention, he did a meditation where he "asked his higher self to ask the higher selves of some of the rioters" to leave the scene.  He was surprised to later hear that they had mysteriously shifted direction and wondered if it was possible to affect change with that kind of intent.  Jennifer talked about the power of prayer, and I talked a bit about the effectiveness of meditation. Then we asked our moderator Luana Anders if anyone wanted to stop by; and Prince stopped by.  We said happy birthday to him, and I asked if he was stopping by because of a recent musician who had left the planet. He said "no."  I asked Luana if she was aware of who I was talking about even if Jennifer was not. She said she was. I started to say I had "heard this person's voice" in my kitchen yesterday saying "I'd be honored to be on your podcast." It was such a weird thing to hear, and since I've had a bad cold, I got emotional repeating the story. Apologies for getting choked up.  Then Jennifer realized who this "Brian" was.  Having been a music reviewer at Variety for some years I talked about a concert I'd reviewed, and am familiar with the documentaries (Frank Marshall's) about his life, and "Love and Mercy" with my Chicago pal John Cusack. I had many questions for Brian, including his mental issues, and he said they were related to the idea that he was "born without musical filters" and like some others we've interviewed, said "He was also hearing music since he was a child."  (See the book TUNING INTO THE AFTERLIFE) I asked him if he had a message for our mutual friend Van Dyke Parks (whom I last saw at Sally Kellerman's funeral) and when I asked him who he was surprised to see on the flipside, it was a name we've heard many times in our group; Aretha. I asked Aretha about a story I heard Cynthia Erivo tell yesterday on the BBC about Aretha coming backstage to sing to her.  It was interesting to hear Aretha downplay the event, since it was so meaningful to Cynthia.  Also Brian said he had met many others, or was in the process of meeting people, including John Lennon (He'd met the Beatles, but said he and John weren't close) but pointed out that he'd just gotten home and there were a lot of people to see. I apologized for peppering him with questions, then tried to tell him about being in a grocery store yesterday in Santa Monica, told the staff he had passed (they all reacted) I shouted to the manager "Can you put on some Beach Boys in honor of Brian?" and he did. And everyone in the store began to sing. It make me think of getting a pick up truck with massive Marshall speakers and drive around the National Guard playing the Beach Boys which they would appreciate and love as well.  The music makes people happy.  Just another mind bending half hour at the office.  Thank you Jennifer for your talents!

No conversation about the all-time great women's shoe designers is complete without a very long segue into Stuart Weitzman. Born into a shoemaking family who manufactured for decades in longtime US shoemaking hub Haverhill, Massachusetts, Weitzman quickly established himself as the rare shoemaker to both the stars AND literally any woman who just wanted a fantastic pair of shoes. For this chat, we covered why comfort matters so much and how to make it happen, why Stuart ended up in Spain after US manufacturing went kaput, that time Aretha Franklin pulled her shoes off at the AMAs to thank him, his various muses through the decades, his incredible donations to an in-the-works Historic New England shoe museum project, and plenty more. HUGE thanks to Stuart and Historic New England for all the support in making this episode. https://www.historicnewengland.org/Production: Aiden McDonald x Visual Sound Productions https://www.visualsoundprod.com/ Support the Shoecast, get full bonus episode access, and join the most interesting shoe-and-boot-loving community on the internet with a Stitchdown Premium membershiphttps://www.stitchdown.com/join-stitchdown-premium/Check out our site!https://www.stitchdown.com/2025 dates and location for Stitchdown's Boot Camp 3—the world's fair of shoes and boots and leather and more—coming soon.https://www.stitchdownbootcamp.com/

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Peter Wolf is bringing rock ‘n' roll to You Are What You Read this week with his all-new memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Peter Wolf is best known as the lead vocalist of The J. Geils Band. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock's most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.” Peter began his career as a solo artist in 1984 with his album, Lights Out. He collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers' and will be releasing his ninth solo album in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will we ever come together politically as a nation? James Twyman says only if we listen to Aretha Franklin and show "Respect"

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠⁠here⁠⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠⁠online⁠⁠⁠⁠, on⁠⁠⁠⁠ Facebook⁠⁠⁠⁠, ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, or ⁠⁠⁠⁠YouTube.⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠here⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠online⁠⁠⁠, on⁠⁠⁠ Facebook⁠⁠⁠, ⁠⁠⁠Twitter⁠⁠⁠, or ⁠⁠⁠YouTube.⁠⁠⁠ or drops us an email at ⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠McCusker's Tavern⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠Pantheon Media⁠⁠⁠. We're sponsored by⁠⁠⁠ Boldfoot Socks⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosetta Hightower, Ervinna, Gloria Jones, Spanky Wilson, Marsha Hunt, Sandy Shaw, Johnny Thunder, Suzi Quatro, Wilson Pickett, Solomon Burke, Kurtis Blow, Exuma, Boney M., Merry Clayton, Aretha Franklin, Pointer Sisters, Donny Hathaway, Ruth Copeland, Undisputed Truth, more. Covering Rolling Stones, Led Zeppelin, Kinks, Pink Floyd, Steely Dan, Tommy James and The Shondells, Bob Dylan, T.Rex, Van Morrison, Elton John, Neil Young, more.

Transes envoûtantes de l'African Electro au R'n'B façon 60's. Nos premiers invités sont Koko Jean & The Tonics pour la sortie de Love Child.Love Child estun hommage puissant aux racines de la soul, du blues et du rock, où Koko-Jean & The Tonics mêlent énergie brute et émotion sincère.Avec Love Child,Koko-Jean & The Tonics rendent hommage aux racines de la musique afro-américaine en y insufflant une énergie nouvelle et une liberté d'interprétation unique. Cet album capture la profondeur du gospel, la puissance du blues et l'énergie du rock'n'roll. Plus intime que leur premier album, Love Child puise dans l'héritage de figures emblématiques comme Marvin Gaye, Etta James, Aretha Franklin, et Ike & Tina Turner. L'album célèbre aussi l'impact des labels légendaires Motown etStax. Koko-Jean Davis s'est d'abord fait connaître en tant que chanteuse et leader du groupe Koko-Jean & The Excitements,une formation explosive de soul et rhythm & blues née à Barcelone. Avec son énergie débordante et sa présence scénique inimitable, Koko-Jean a rapidement conquis le public en insufflant une intensité brute et un groove imparable à chaque performance. Aux côtés des Excitements, elle a contribué à raviver l'essence du R&B des années 60, s'inspirant d'icônes comme Tina Turner, Etta James et James Brown. Ensemble, ils ont sillonné les scènes européennes et sorti plusieurs albums acclamés, marqués par un son puissant et authentique.Titres interprétés au grand studio- Down On My Knees, Live RFI- The Spin, extrait de l'album- Love Child Live RFI. Line Up :  Koko-Jean (chant), Victor Puertas (piano et chant), Arnaud Fradin (guitare)Son : Camille Roch, Benoît Letirant► Album Love Child (Buenritmo Records/Daydream 2024)Bandcamp - Facebook - YouTube.Puis, nous recevons le trio marseillais Zar Electrik pour la sortie de KoyoQuand les transes gnaouies rencontrent les boucles de la musique subsaharienne et se mêlent à l'électro la plus ensorcelante, la célébration se fait forcément explosive. Sur les pistes de cet African techno, Anass Zine et Arthur Péneau, chanteurs-instrumentistes au gumbri, à l'oud et à la kora électrique, embarquent Did Miosine aux machines pour un trip envoûtant aux confins du Maghreb. Derrière les voix enchanteresses ou rugissantes, l'appel à la danse se fait par les rythmes et les soubresauts ternaires baignés d'électro. Ça tourne jusqu'à s'étourdir, ça bouillonne et tourbillonne dans des transes infinies aux échos d'Orient et aux grooves apatrides.L'histoire : Anass Zine et Arthur Peneau se rencontrent en 2019 à Marseille ; ils commencent à travailler un premier répertoire en duo sous le nom de Zar Electrik. Durant le confinement de 2020, ils rencontrent Didier Simione et l'intègre au projet comme beatmaker. Grâce à quelques concerts et des vidéos postés sur internet en 2021, ils rencontrent Lamastrock, la structure de production et d'accompagnement d'artistes, qui leur propose une collaboration.Avec près de 60 concerts en 2022 et des dates importantes, le trio obtient fin 2022 le Prix des Musiques d'ici.Une tournée en Algérie a été réalisée début 2023 et la rencontre avec les publics algériens a été exceptionnelle. Des dates en Italie, Belgique, Canada et France pour une année 2023 qui compte également une soixantaine de concerts, dont de belles dates parisiennes (Pan Piper, Cabaret Sauvage, Maison des Métallos, Le Point Fort… ). L'année 2023 voit également la sortie de leur premier EP Hawa, chez le label français Jarring Effects. Fin 2023, la participation de Zar Electrik au Mundial Montréal s'est soldée par un très beau succès et les portes du marché nord-américain se sont ouvertes. De nouvelles collaborations sont actées avec une agence américaine, AliaProd pour Usa-Canada, Crossover-frequencies pour la Suède, la Norvège, le Danemark et Musicastrada pour l'Italie. Le groupe a été invité en janvier 2025 pour un Tiny Desk NPR. L'année 2025 devrait compter plus de 60 concerts en France et à l'international avec notamment des tournées aux USA, Canada et une présence accrue sur les gros festivals européens comme Le Paléo en Suisse, Colors of Ostrava en République Tchèque, le FMM Sines au Portugal, Simo festival en Belgique, LesSuds en France. L'album Koyo est sorti en avril 2025.Titres interprétés au grand studio- Berma Soudan Live RFI - Koyo,extrait de l'album- Babord Live RFI. ► Session Live filmée par RFI VidéosLine Up : Anass ZINE (guitare, oud, gumbri, percussions, chant), Arthur Péneau (kora, percussions, chant), Didier SImione (machines, synthés)Son : Mayhias Taylor, Benoît Letirant► Album Koyo (Jarring Effects 2025)YouTube - Bandcamp - Facebook Réalisation : Hadrien Touraud & Donatien Cahu

Transes envoûtantes de l'African Electro au R'n'B façon 60's. Nos premiers invités sont Koko Jean & The Tonics pour la sortie de Love Child.Love Child estun hommage puissant aux racines de la soul, du blues et du rock, où Koko-Jean & The Tonics mêlent énergie brute et émotion sincère.Avec Love Child,Koko-Jean & The Tonics rendent hommage aux racines de la musique afro-américaine en y insufflant une énergie nouvelle et une liberté d'interprétation unique. Cet album capture la profondeur du gospel, la puissance du blues et l'énergie du rock'n'roll. Plus intime que leur premier album, Love Child puise dans l'héritage de figures emblématiques comme Marvin Gaye, Etta James, Aretha Franklin, et Ike & Tina Turner. L'album célèbre aussi l'impact des labels légendaires Motown etStax. Koko-Jean Davis s'est d'abord fait connaître en tant que chanteuse et leader du groupe Koko-Jean & The Excitements,une formation explosive de soul et rhythm & blues née à Barcelone. Avec son énergie débordante et sa présence scénique inimitable, Koko-Jean a rapidement conquis le public en insufflant une intensité brute et un groove imparable à chaque performance. Aux côtés des Excitements, elle a contribué à raviver l'essence du R&B des années 60, s'inspirant d'icônes comme Tina Turner, Etta James et James Brown. Ensemble, ils ont sillonné les scènes européennes et sorti plusieurs albums acclamés, marqués par un son puissant et authentique.Titres interprétés au grand studio- Down On My Knees, Live RFI- The Spin, extrait de l'album- Love Child Live RFI. Line Up :  Koko-Jean (chant), Victor Puertas (piano et chant), Arnaud Fradin (guitare)Son : Camille Roch, Benoît Letirant► Album Love Child (Buenritmo Records/Daydream 2024)Bandcamp - Facebook - YouTube.Puis, nous recevons le trio marseillais Zar Electrik pour la sortie de KoyoQuand les transes gnaouies rencontrent les boucles de la musique subsaharienne et se mêlent à l'électro la plus ensorcelante, la célébration se fait forcément explosive. Sur les pistes de cet African techno, Anass Zine et Arthur Péneau, chanteurs-instrumentistes au gumbri, à l'oud et à la kora électrique, embarquent Did Miosine aux machines pour un trip envoûtant aux confins du Maghreb. Derrière les voix enchanteresses ou rugissantes, l'appel à la danse se fait par les rythmes et les soubresauts ternaires baignés d'électro. Ça tourne jusqu'à s'étourdir, ça bouillonne et tourbillonne dans des transes infinies aux échos d'Orient et aux grooves apatrides.L'histoire : Anass Zine et Arthur Peneau se rencontrent en 2019 à Marseille ; ils commencent à travailler un premier répertoire en duo sous le nom de Zar Electrik. Durant le confinement de 2020, ils rencontrent Didier Simione et l'intègre au projet comme beatmaker. Grâce à quelques concerts et des vidéos postés sur internet en 2021, ils rencontrent Lamastrock, la structure de production et d'accompagnement d'artistes, qui leur propose une collaboration.Avec près de 60 concerts en 2022 et des dates importantes, le trio obtient fin 2022 le Prix des Musiques d'ici.Une tournée en Algérie a été réalisée début 2023 et la rencontre avec les publics algériens a été exceptionnelle. Des dates en Italie, Belgique, Canada et France pour une année 2023 qui compte également une soixantaine de concerts, dont de belles dates parisiennes (Pan Piper, Cabaret Sauvage, Maison des Métallos, Le Point Fort… ). L'année 2023 voit également la sortie de leur premier EP Hawa, chez le label français Jarring Effects. Fin 2023, la participation de Zar Electrik au Mundial Montréal s'est soldée par un très beau succès et les portes du marché nord-américain se sont ouvertes. De nouvelles collaborations sont actées avec une agence américaine, AliaProd pour Usa-Canada, Crossover-frequencies pour la Suède, la Norvège, le Danemark et Musicastrada pour l'Italie. Le groupe a été invité en janvier 2025 pour un Tiny Desk NPR. L'année 2025 devrait compter plus de 60 concerts en France et à l'international avec notamment des tournées aux USA, Canada et une présence accrue sur les gros festivals européens comme Le Paléo en Suisse, Colors of Ostrava en République Tchèque, le FMM Sines au Portugal, Simo festival en Belgique, LesSuds en France. L'album Koyo est sorti en avril 2025.Titres interprétés au grand studio- Berma Soudan Live RFI - Koyo,extrait de l'album- Babord Live RFI. ► Session Live filmée par RFI VidéosLine Up : Anass ZINE (guitare, oud, gumbri, percussions, chant), Arthur Péneau (kora, percussions, chant), Didier SImione (machines, synthés)Son : Mayhias Taylor, Benoît Letirant► Album Koyo (Jarring Effects 2025)YouTube - Bandcamp - Facebook Réalisation : Hadrien Touraud & Donatien Cahu

Our people love us some Aretha Franklin. We've been two-stepping to her greatest hits for generations. She was our beloved "Queen of Soul." So why the hell was the FBI surveilling her for years? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this exclusive interview, we sit down with the legendary Tawatha Agee — the powerhouse vocalist best known as the lead singer of the iconic hit “Juicy Fruit” with Mtume. With a career that spans decades, Tawatha has worked with music royalty including Luther Vandross, Aretha Franklin, Michael Jackson, Ringo Starr, and Sting. She shares her journey from being trained by Cissy Houston to becoming one of the most respected background vocalists in the industry. We explore her rise, the stories behind the music, and how she helped shape the soundtracks of multiple generations. This is more than an interview — it's a tribute to a pioneer whose voice continues to echo through the heart of R&B, soul, and hip-hop. ⸻ Hashtags: #TawathaAgee #JuicyFruit #Mtume #MusicLegend #FromDaGroundUp #FDGUP #LadiMiz #MusicPioneer #RNBHistory #BlackMusicExcellence #VocalPowerhouse #BehindTheMusic #IconicVoices #raythesilentassassin

This month we've gone back further than ever before to 1967 a time when none of us existed yet and everything was psychedelic and groovy. There's proto prog, primeval punk, pop masterpieces, and whatever you'd categorise Zabadak as...We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - The Beach Boys, The Beatles, Tim Buckley, Calico Wall, Captain Beefheart & His Magic Band, Country Joe & The Fish, Dave Dee, Dozy, Beaky, Mick & Tich, The Electric Prunes, Aretha Franklin, Jimi Hendrix, The Hollies, Jefferson Airplane, The LEft Banke, Love, The Lovin' Spoonful, Pink Floyd, Louis Prima & Phil Harris, Otis Redding & Carla Thomas, Kenny Rogers & The First Edition, Sam & Dave, The Seeds, Nina Simone, Stone Poneys, The Third Bardo, Vanilla Fudge, The Velvet Underground, Scott Walker, The Who, The West Coast Pop Art Experimental BandFind all songs in alphabetical order here - https://open.spotify.com/playlist/5AZHbpp2zaOQoCQwI2QjDN?si=9838e165b6d94229Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Alexis vous embarque pour deux heures de rock bien senti, entre classiques et nouveautés. Skunk Anansie ouvre le bal avec "Lost and Found", extrait de leur prochain album "The Painful Truth". Côté indie britannique, Dinosaur Pile-Up dévoile "My Way", annonçant leur cinquième album "I've Felt Better". L'album de la semaine est signé Tune Yards, duo américain actuellement en tournée, dont on écoute le titre "Lime Light". Du côté des reprises, Aretha Franklin impressionne avec sa version de "Rolling in the Deep" d'Adele. Le choix de Francis Zégut met en lumière Air Drawn Dagger et leur morceau punk "Bellyaches". La deuxième heure se poursuit avec un live de Gojira enregistré pendant la cérémonie d'ouverture des JO 2024 à Paris, suivi de The Black Keys, Rachid Taha, Carole King, et Pixies avec "Velouria". La nouveauté Fresh Fresh Fresh du jour est signée Lady Wray avec "Be A Witness", une perle soul-R'n'B à découvrir en live le 1er juillet au New Morning. Et c'est "Won't Get Fooled Again" de The Who, long format légendaire qui conclut ce RTL2 Pop Rock Station. Skunk Anansie - Lost And Found Oasis - Wonderwall The Zombies - Time Of The Season Ian Dury - Sex & Drugs & Rock N Roll Dinosaur Pile Up - My Way Creedence Clearwater Revival - Born On The Bayou Aretha Franklin - Rolling In The Deep (The Aretha Version) Tune Yards - Limelight Beastie Boys - Fight For Your Right Air Drawn Dagger - Bellyaches David Bowie - Fame Fiona Apple - Pretrial (Let Her Go Home) Interpol - Lights The Black Keys - Gold On The Ceiling Blondshell - Event Of A Fire Carole King - Its Too Late Rachid Taha - Rock El Casbah Gojira - Mea Culpa (Ah! C¸A Ira!) (Live J.O. 2024) Thin Lizzy - Whiskey In The Jar Rammstein - Benzin Lady Wray - Be A Witness Blood, Sweat & Tears - Spinning Wheel Pixies - Velouria Audioslave - Be Yourself The Who - Won't Get Fooled Again Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La chronique de Cécile Poss Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Sean Imboden is an American saxophonist and composer. Sean has released three albums as a leader, the most recent being Communal Heart by the Sean Imboden Large Ensemble. His music pioneers forward-thinking, original compositions, and presents cutting-edge live performances. Sean has performed and recorded with GRAMMY-winning artists and jazz luminaries, including Slide Hampton, Taylor Eigsti, Mike Rodriguez, Sean Jones, Emmet Cohen, Steve Allee, Kenny Phelps, John Raymond, and Valery Ponomarev (of Art Blakey's Jazz Messengers). A long-time member of Indianapolis-based quartet Tucker Brothers, Sean plays on the band's four critically-acclaimed albums. An active sideman, Sean has appeared on The Tonight Show Starring Jimmy Fallon and with the Radio City Music Hall Orchestra, the Indianapolis Symphony Orchestra, the Buselli-Wallarab Jazz Orchestra, Aretha Franklin, The Temptations, Barry Manilow, Johnny Mathis, and Idina Menzel. Sean toured internationally for many years with various Broadway productions, and as a featured soloist with Blast II. Sean has taught at the Jacobs School of Music at Indiana University, and is currently on faculty at Butler University and Ball State University. Sean is a Conn-Selmer artist, and works with students around the world through his online Virtual Studio.

Wali Ali went on to become a member of the Original Funk Brothers until 1972 when Motown moved to L.A. While in Los Angeles he became the Lead Guitarist for the Temptations, Eddie Kendricks, Teena Marie, Rick James & Patrice Rushen among others. Wali Ali also toured as guitarist with Marvin Gaye, Aretha Franklin, and … Continue reading Soul Discovery Show – An Exclusive Interview with Wali Ali 16/05/2025 →

Middlesbrough Free / All Right Now  Bad Company / Burning Sky  Sunderland:  Eurythmics (Dave Stewart) / Sweet Dreams  Eurythmics w/Aretha Franklin & Tom Petty's Heartbreakers / Sisters Doing It for Themselves Washington: Bryan FerryRoxy Music / Love is the Drug Arriving in Newcastle (William the Conquer, 1066 a.d.)Along the Quayside  Dire Straits / Down to the Waterline (first song on first album) John Wesley  The Faces / Debris  Coal MiningSting / We Work the Black Seam Shipbuilding Mark Knopfler / Why Aye Man  Sting / Soul Cages  Duets  Mark Knopfler w/ James Taylor / Sailing to Philadephia  Sting and Shaggy / Don't Make Me Wait  Today's Music  Smoove & Turrell / Hard Work Smoove & Turrell / Slow Down  The Poor Boys / Moves Like Water [Ally Lee]  Sam Fender / 17 Going Under  Heading South Mark Knopfler / Deep River  Sting / Heading South on the Great North Road  Mark Knopfler / Fare Thee Well, Northumberland  Dire Straits / South Bound Again  Closing Humble Pie / 30 Days in the Hole Sandy Denny / Who Knows Where the Time Goes 

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Mathieu Jaton is the CEO and artistic director of the Montreux Jazz Festival, carrying forward the legacy of one of the world's most revered music festivals.Since stepping into this role in 2013, Mathieu has been on a mission to build upon the vision of the festival's legendary founder, Claude Nobs who founded the event series in 1967.The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. In its 50 years history, Montreux has hosted iconic performances by artists including Nina Simone, Miles Davis, Aretha Franklin, Marvin Gaye, Prince, Leonard Cohen, David Bowie, Elton John and Stevie Wonder.Under Mathieu's leadership, Montreux has continued to evolve. He launched Montreux Jazz Digital, an ambitious project to make iconic festival performances accessible worldwide. He has also established the Montreux Jazz Artists Foundation, a platform that supports emerging talent, offering young artists the same legendary stage that shaped so many careers. And expanding beyond Montreux, Mathieu has also brought the festival's spirit to global audiences, launching events in cities like Tokyo and São Paulo.His work has turned Montreux into a global cultural phenomenon, bridging audiences and artists around the world with the magic that defines this unique festival.---CHAPTERS(00:00) Introduction: Mathieu Jaton(01:41) DNA of Montreux Jazz Festival(03:58) Origins of Music Passion(15:53) Making People Happy(18:35) Claude Nobs(31:00) A Lesson in Hospitality(40:08) Starting at Montreux Film Festival(57:23) The End of an Era(01:17:25) The Future of the Festival---RESOURCES & LINKSMontreux Jazz Festival Website - www.mjaf.chClaude Nobs - wikipedia.org/wiki/Claude_NobsMathieu Jaton - www.mjaf.ch/en/artist/mathieu-jaton

André Benjamin, popularly known as André 3000, is a rapper, singer, songwriter, producer, and actor best known as one half of the Southern hip hop duo Outkast. Described by Rolling Stone as “one of the genre's most gifted lyricists,” André helped redefine Southern rap with classic albums like ATLiens, Aquemini, Stankonia, and the Grammy-winning Speakerboxxx/The Love Below, producing hits such as “Ms. Jackson” and “Hey Ya!” Beyond Outkast, he has contributed to music as a producer and collaborator with artists including Aretha Franklin, John Legend, and Frank Ocean, while also acting in films including Four Brothers and portraying Jimi Hendrix in Jimi: All Is by My Side. In 2023, André released his ambient flute album New Blue Sun, earning three Grammy nominations for Album of the Year, Best Alternative Jazz Album, and Best Instrumental Composition. This year, André released his album 7 Piano Sketches, a short, intimate collection of mostly improvised piano pieces that showcases the artist's continued exploration of instrumental music beyond his hip hop roots. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

When I say, “Aretha Franklin,” what's the first thing you want to belt out?  If it's R-E-S-P-E-C-T, that's you and me both, my friend. And, don't worry, I won't hold it against you if it wasn't. As one of my Internal Family Systems consultants, Robert Falconer, reminded me, respect is the opposite of shame and the minimum of love. The second of those ideas, he said, came from the work of Pia Melody, renowned author on recovery from addictions.  Shame is such an inherent part of the bingeing experience that it's built right into the clinical criteria for binge eating disorder. But regarding yourself with respect and care changes the game completely. Listen in to find out more! Get full show notes and more information here: https://www.holdingthespace.co/81. If you're ready to invest in one-on-one support to help heal binge eating, go to https://holdingthespace.as.me/free30 and get on my calendar for a complementary consult today. I pinky-swear—NO icky salesy vibes, just compassion and understanding.

Grammy-nominated singer-songwriter Sheléa joins Tavis in studio to share her new Aretha Franklin-inspired song, “Never Give Up On Love,” and reflect on her musical mentors, Stevie Wonder and the late Quincy Jones.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This is an Encore Presentation of my May 2024 SAXOPHONE SUMMIT featuring four of the world's best saxophone players.John Helliwell, former member of Supertramp, one of the greatest bands of the rock era. They dominated the charts in the 1970s with their album “Breakfast In America” which sold over 20 million copies. Fred Lipsius, the saxophonist and an arranger for Blood Sweat & Tears, another one of the greatest bands of the modern era, which introduced the horn section into Rock ‘n Roll. Their self-titled second album won the Grammy for Record Of The Year in 1970. Fred arranged several of their biggest hits including “Spinning Wheel” and “Hi De Ho”. Bob Reynolds, the saxophonist for Snarky Puppy, one of the great bands of this era They are a Jazz Fusion band that's won 5 Grammys. And Ada Rovatti, an Italian born saxophonist who has performed with Aretha Franklin, Joe Bonamassa, Mike Stern, Herbie Hancock and The Brecker Brothers Reunion Band.My featured song is “Metro Shuffle”, featuring Mindi Abair, from the album The PGS Experience by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Watch on YouTubeRalph Lofton shares his journey from playing at Sunday school to collaborating with renowned artists such as Aretha Franklin and BeBe & CeCe Winans. He offers insights on mastering the Hammond B3 organ, emphasizes the importance of dynamics, and provides advice to aspiring musicians. Ralph also discusses his upcoming projects and shares personal stories about his musical influences and career challenges. Tune in to hear Ralph's expert tips and experience his incredible talent firsthand.Ralph LoftonFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Today's show features music performed by Frank Hutchison, Aretha Franklin, and Otis Rush

Zac Wilkerson is a SOUL ROCKER from the COUNTRY. Powerful, soulful vocals and a driving guitar style combine with poignant songwriting to deliver a new take on Americana, Soul, Country, and Rock.Wilkerson cut his musical teeth in a country church where he started singing at 4. At a young age, he discovered his parents' country, soul, Motown, rock, and folk records, creating a musical foundation with as much variety as passion. By 12 he played several instruments, including piano and guitar, which led to songwriting that same year. The musical voice that has evolved since is a fresh take on Rock, Soul, Country and Americana evoking Aretha Franklin, Bill Withers, Bonnie Raitt, and Levon Helm.Catch Zac Wilkerson on Tour: https://www.zacwilkersonmusic.com/shows

Back on this day in 1967 Aretha Franklin's Respect reached No. 1 on the charts. The hit was off of Franklin's album "I Never Loved a Man the Way I Loved You" and won two Grammys.

SetlistMalou, Andhim, AMEME - Feel The LoveJamek Ortega, JUNO (DE) - Tu Amor Lilocox, Tina Ardor - Muthamaki Franky Wah - Feels That WayJamek Ortega, IRENEE S - Agafay Yamil, Da Mike  - FunnymanAretha Franklin - I Say A Little Prayer (Liva K & Atsou Edit)#ToProgressSend demos via Trackstack: https://tstack.app/nuans.fm Instagram www.instagram.com/nuans.fm TikTok https://www.tiktok.com/@nuans.fm Threads https://www.threads.net/@nuans.fm links: https://nuans.komi.io/Guest Mix Submissionshttps://nuansfm.com/sohguestmix#ToProgress

Our special guest this week is Michael "Ace" Baker, a Parnelli Award-nominated live sound engineer. What's that guy doing at the soundboard? Ace explains all, and shares his experiences as a Front of House mixer for such artists as Sammy Hagar, Dream Theater, and Aretha Franklin.

DREAMS COME TRUE. Milt (and especially) Dave experience a rock n roll fantasy come true as they (alongside special guest Cha-Chi LoPrete) talk with legendary J. Geils Band front man and best-selling author Peter Wolf. He's the author of 'Waiting on the Moon.' Mysteries are unraveled including the legend of Raputa the Beauta and Peter's favorite J Geils album. They also discuss memorable moments from Peter's career, including his stories about Muddy Waters, Alfred Hitchcock, and Aretha Franklin, and insight into his new book. The episode highlights Peter's knack for storytelling, his views on relationships in the music industry, and his experiences meeting other iconic figures. The conversation also covers Peter's approach to writing his book, his narration of the audiobook, and entertaining anecdotes from his illustrious career.   Topics 03:16 The Story Behind the Book 07:34 Writing Process and Inspirations 14:09 Peter Wolf's Literary Journey 22:37 Cha-Chi's Connection with Peter  26:31 Memories of George Harrison 26:53 Favorite Beatles Discussion 28:07 Peter's Magnetic Personality 29:42 Meeting Music Legends by Chance 37:38 The Challenge of Narrating an Audiobook 42:27 John Lee Hooker and the Blues

Rock & Roll Hall of Famer Tom Petty died in 2017, but his music continues to live on thanks to hits like "Refugee", "Here Comes My Girl", and "Runnin' Down a Dream." But recently Jason and Peter were stunned to learn that Petty didn’t write those songs alone. Really, no Really! Mike Campbell was an original member of Tom Petty and the Heartbreakers and co-wrote many of the band's legendary hits and was considered by Petty to be the Heartbreakers’ co-captain. Campbell himself, continues to have an impressive career, now fronting the band The Dirty Knobs and playing and writing music with legendary rockers like Bob Dylan, Johnny Cash, George Harrison and more. But that got the guys wondering, what it’s like being the “unrecognized talent” regularly standing just behind and co-writing with iconic names? While much of Mike’s career was alongside Petty, he notably gave Don Henley the music for his 1984 hit "The Boys of Summer" and he worked closely with Stevie Nicks, Aretha Franklin and too many others to name. Campbell just released his first book: Heartbreaker: A Memoir *** ON THIS EPISODE: Where Heartbreaker guitar lines came from. What gives guitarists their “sound”? Mike stores his guitars in a dry-cleaning rack? They say Bob Dylan is “enigmatic” – What does that mean? Tiny clubs vs. stadiums – Which is better to play? On-stage and having to pee. What do you do? How has the music business changed during Mike’s career? Jason has an insane pneumatic couch. ??? Googleheim: Dylan Fans… We gotchu! *** FOLLOW MIKE: Website (tour dates & tickets) - www.thedirtyknobs.com Book - Heartbreaker: A Memoir Instagram: @mikecampbellofficial YouTube - @mikecampbellofficial X - @MikeCampbellHQ Facebook – MikeCampbellOfficial *** FOLLOW ROBERT TILDEN: Spotify: Boyo *** FOLLOW REALLY NO REALLY: www.reallynoreally.com Instagram YouTube TikTok Facebook Threads XSee omnystudio.com/listener for privacy information.

What's almost as famous as Aretha Franklin? Her designer purses. Everywhere she went, her bag went with her. Leather, quilted, or sequined, big or small, she had them all. But her bags weren't just in demand. They were THE demand. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith and Len Webb. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Lilly Workneh serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week’s hometowns include finding money on the ground and attending a celebration for Aretha Franklin. Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3UFCn1g.See omnystudio.com/listener for privacy information.