Podcast appearances and mentions of Herbie Hancock

Des racines africaines au Bayou : une odyssée afro-américaine pour Alune Wade #SessionLive #playlist. Tous les mois, le critique musical Sophian Fanen propose 5 nouveautés : Playlist Sophian Fanen - Alune Wade, Gris-gris Gumbo Ya Ya, tiré de l'album New African Orleans (Enja Yellowbird, 2025) - Lady Wray, Best for Us, tiré du EP Time (Big Crown Records, 2025) - Gabriel da Rosa, Sabor Humanidade, tiré de l'album Cacofonia (Stone Throw Records, 2025) - Képa, Korafola, single (Heavenly Sweetness, 2025) - Adriana Lizcano et Los Champetos del Jùjú, La Muralla, single (Edson Velandia, 2025).   Puis la #SessionLive reçoit Alune Wade et ses 6 musiciens pour la sortie de New African Orleans Le Sénégalais Alune Wade est parti enregistrer en Afrique de l'Ouest le fruit de ses recherches sur les racines du jazz, poussant le périple jusqu'en Louisiane où a éclos ce genre musical. En trois étapes de voyages réalisés au Nigeria, au Sénégal et à la Nouvelle-Orléans, Alune raconte la transmission des traditions musicales du continent africain au continent américain, et l'influence des brass bands, des cuivres et du jazz sur la musique africaine actuelle. Une histoire d'héritages, de synergies et de différences, d'une terre à l'autre. New African Orleans fait défiler un casting international de 30 musiciens ! Ce projet est à la fois un album, New African Orleans, et un documentaire, Tukki, des Racines au Bayou. Un récit exaltant joué par des musiciens et exposé par des historiens, qui met en lumière le folklore africain avec majesté, en racontant sa traversée en Amérique. A Great Black Music. Titres interprétés au grand studio - Boogie & Juju Live RFI - Medley Cd : Water No Get Enemy (Féla), Watermelon Man (Herbie Hancock), Voodoo Child (Jimi Hendrix) et Night Tripper (Dr John) - Same Fufu Live RFI. Line-up : Alune Wade, chant, basse - Camille Passeri, trompette - Harry Ahonlonsou, saxophone - Cédric Duchemann, claviers - Alix Goffic, batterie - Baptiste Andreani : sousaphone - Axel Foucan : trombone. Son : Benoît Letirant, Camille Roch ► Album New African Orleans (Enja 2025).   Site - Spotify  #alunewade #africanjazz #afrojazz #afrobeat #bassguitar

This is an Encore Presentation of my December 2024 interview with Musical Superstar Christian McBride. He's a renowned Bassist, Composer, Arranger and 8x Grammy Winner. His playing covers Jazz, R&B, Pop, Hip Hop and Classical. He's performed or recorded with just about everyone including Freddie Hubbard, McCoy Tyner, Herbie Hancock, Pat Metheny, Chick Corea, Paul McCartney and James Brown. He leads several bands and he's the Artistic Director of the Newport Jazz Festival.My featured song is my single “The Rich Ones”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRISTIAN:www.christianmcbride.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Sie ist eine der prägendsten Figuren des zeitgenössischen Jazz: Die Schlagzeugerin Terri Lyne Carrington hat als Wunderkind begonnen, wird später als erste Frau überhaupt mit einem Grammy für das beste instrumentale Jazzalbum geehrt. Und setzt sich als Dozentin für eine gendergerechte Musikszene ein Mit fünf trommelt Terri Lyne zum ersten Mal auf einer Profibühne, mit elf bekommt sie ein Stipendium für das renommierte Berklee College of Music. Mit knapp zwanzig gehört sie zu den gefragtesten Jazz-Drummern weltweit, spielt jahrelang mit Legenden wie Wayne Shorter und Herbie Hancock. Später tut sie sich mit der Innovatorin Esperanza Spalding zusammen und gründet mit «The Mosaic Project» eine weibliche Supergroup. Als Dozentin setzt sich Carrington für einen Jazz ohne Patriarchat ein. Am Berklee College gründet sie das «Institute of Jazz and Gender Justice» und gibt dort unter anderem ein neues Realbook heraus, diesmal exklusiv mit Kompositionen von Frauen. Etwa die Hälfte der Studierenden an Carringtons Institut sind Männer. Denn für einen «Jazz ohne Patriarchat» braucht es eine gerechtere Zukunft für alle Geschlechter. In der Jazz Collection diskutiert Annina Salis mit Eva Klesse. Die Leipziger Schlagzeugerin hat gerade den Deutschen Jazzpreis als «Künstlerin des Jahres» erhalten und war im Bereich Jazz die erste weibliche Instrumentalprofessorin Deutschlands überhaupt. Die gespielten Titel: Interpret:in: Titel (Album/Label) - Herbie Hancock: Cotton Tail (Gershwin's World / Verve 1998) - Terri Lyne Carrington: St. Thomas (TLC & Friends / Candid Records 2023, rec. 1981) - Terri Lyne Carrington: Blackbird (Real Life Story / Verve Forecast 1989) - Terri Lyne Carrington: Echo (Mosaic Project / GrooveJazz Media 2010) - Terri Lyne Carrington: Grass Roots (Money Jungle. Provocative in Blue / Concord Jazz 2013) - Terri Lyne Carrington & Social Science: Pray the Gay Away (Waiting Game / Motéma) - Terri Lyne Carrington: Throw It Away (New Standards Vol. 1 / Candid Productions 2022) - Terri Lyne Carrington & Christie Dashiell: Freedom Day (Part 1) (We Insist 2025! / Candid Productions 2025)

In the '70s, Joni Mitchell looked to jazz to inform her creative style. She would collaborate with many of the genre's leaders, but as we'll discover, jazz also was key in her formation right from the start.This episode was presented by bass player and ABC Jazz host, Eric Ajaye, and written and produced by ABC Jazz producer Henry Rasmussen. It was created by ABC Jazz and originally broadcast on 5 Mar 2024. Find out more information on Joni Mitchell, here.  ABC Jazz features a Jazz Legend each month on the radio, with historic moments, significant albums and a full-length feature to immerse into the important history of this music and culture.  Hear more Jazz Legends episodes here, including significant artists such as Ella Fitzgerald, Quincy Jones, Joni Mitchell, Keith Jarret, Mary Lou Williams and Herbie Hancock.

 | The Medicine Song  | Stephanie Mills  | 1984 | Que Tal America  | Two Man Sound  | 1979 | Capital Tropical (Disco Mix)  | Two Man Sound  | 1981 | Sinderella (A Jonathan Fearing Mix)  | Betty Wright  | 1985 | Don't Waste Your Time (Remix)  | Yarbrough & Peoples  | 1984 | Theme From The Men (Instrumental)  | Isaac Hayes  | 1972 | Look Me Up (Remix)  | Blue Magic  | 1974 | Ready Or Not  | Herbie Hancock  | 1979 | Elusive (Phil Smooth Edit V2)  | Babe Ruth  | 1975 | Somethin' That You Do To Me (Keeps Turning Me On)  | T Life  | 1981 | I'm Doin' Fine Now (Tom Moulton Remix)  | New York City  | 1973 | (Feel The) Rhythm Of The Night (Vocal Long Version)  | Fat Back  | 1987 | Movin' In All Directions  | People's Choice  | 1976 | San Francisco Hustle  | Silver Convention  | 1976 | Frightened Girl  | Silent Majority  | 1969 | I've Been Lonely For So Long  | Frederick Knight  | 1973 | Bless My Soul  | Skip Mahoaney & The Casuals  | 1976 | 6 O'Clock (Remix Vocal without Rap)  | George Duke  | 1992 | Had It Not Been For You  | Whispers  | 1983 | Are You Going My Way  | The Whispers  | 1984

Amigas, amigos del funk, de la música disco de finales de los años 70 principios de los 80 y otros sentires, he aquí una selección muy evidente pero que conviene que descubran las nuevas generaciones. Imposible no menear caderas, coderas, orejas y meninges. Prueba y bailarás. Feliz fin de semana. Dedicado a Cristina y Alex Ankli.DISCO 1 HERBIE HANCOCK Tell Everybody Disco Version DISCO 2 THE B.B. & Q. BAND On The Beat DISCO 3 WOMACK & WOMACK Teardrops DISCO 4 AL JARREAU Imagination DISCO 5 DONNA SUMMER Bad Girls DISCO 6 DIANA ROSS Upside Down DISCO 7 DAFF PUNK & PHARRELL WILLIAMS & NILE RODGERS Get Lucky DISCO 8 THE WHISPERS And The Beat Goes On DISCO 9 SISTER SLEDGE He’s The Greatest Dancer DISCO 10 MADONNA Like A Virgin DISCO 11 STARPOINT Emotions DISCO 12 TEENA MARIE I Need Your Loving Escuchar audio

Kto dzisiaj słucha jazzu? Czy jazz ma szansę przetrwać konkurencję z inną muzyką? I jak to jest być animatorem życia jazzowego? Mariusz Adamiak to człowiek legenda, bez niego trudno sobie wyobrazić życie muzyczne w naszym kraju. Zorganizował ponad 6 tys. koncertów, w tym takich gigantów muzyki jazzowej jak Pat Metheny, Bill Laswell, John Zorn, Herbie Hancock, Brandford Marsalis, Chick Corea czy Jan Garbarek. Tworzył pierwsze polskie radio nadające jazz przez 24 godziny na dobę. Rozwinął działalność kultowego klubu Akwarium słynącego z nocnych jam session. Założył też znany na całą Europę festiwal Warsaw Summer Jazz Days, na którego kolejnej edycji (3–6 lipca) wystąpi m.in. Kurt Elling, uznawany za najlepszego na świecie wokalistę, z zespołem Yellowjackets, wykonującym repertuar „Weather Report”. Z Mariuszem Adamiakiem rozmawia Janusz Wróblewski. Chcesz więcej treści od „Polityki”? Wydarzenia kulturalne, zjawiska i komentarze ekspertów: wszystko, co musisz wiedzieć, w jednym miejscu. Skorzystaj z oferty specjalnej, kup subskrypcję z 30% zniżką na roczną subskrypcję. Aktywuj kod KULTURA30 na stronie www.polityka.pl/kod/kultura30.

This is the second installment in our series of video rewind episodes, with an interview featuring jazz legend Kamasi Washington. Watch the full episode on our Substack: ⁠https://designbetterpodcast.com/p/video-rewind-kamasi-washington-a⁠ Jazz is a constantly evolving art form, offering some of the richest lessons in creative collaboration. A melody and chord progression provide the foundation, but as each musician brings their unique improvisational perspective, the music takes on unexpected, transformative shapes. Design Better is brought to you by ⁠Wix Studio⁠, the most powerful web design platform for entrepreneurs, agencies, and creative thinkers. ⁠Learn more →⁠ If you ask any fan of the genre who's pushing jazz into new territory, Kamasi Washington's name will come up—likely at the very top. His 2015 album The Epic won the American Music Prize and stands, in our opinion, as one of the greatest jazz records of the 21st century. Kamasi contributed to Kendrick Lamar's Grammy-winning To Pimp a Butterfly, scored Michelle Obama's Netflix documentary Becoming, and has collaborated with musical legends like Herbie Hancock, Wayne Shorter, Lauryn Hill, Nas, Snoop Dogg, Chaka Khan, and many more. In this episode, we spent an evening with Kamasi, exploring his creative process, what he's learned from his collaborators, his philosophy on collaboration, and his latest album, ⁠Fearless Movement⁠. ⁠Zero Gravity, Wayne Shorter documentary on Amazon Prime⁠ ⁠Kamasi's newest record, ⁠⁠Fearless Movement⁠ ⁠The Epic⁠ ⁠Kamasi Washington's website⁠ Kamasi Washington, born in Los Angeles in 1981, grew up surrounded by music, with a saxophonist father and a flutist mother who nurtured his musical talent from a young age. Kamasi's journey began with drums and piano in his early years, progressing to the clarinet at age seven and finally to the tenor saxophone at twelve, mirroring his father's path. His high school years at Hamilton High School Music Academy were pivotal; there, he joined the renowned Multi School Jazz Band and learned from jazz icons like Herbie Hancock and Wayne Shorter. Kamasi's talent was quickly recognized when he won the John Coltrane Saxophone Competition, and he co-founded "The Young Jazz Giants," which marked his early step into professional music. Kamasi's musical evolution continued at UCLA, where he studied ethnomusicology and expanded his understanding of global music traditions. This foundation supported his wide-ranging collaborations beyond jazz, where he worked with artists like Snoop Dogg, Raphael Saadiq, and Kendrick Lamar. Yet, despite his diverse influences, Kamasi remained firmly rooted in jazz, ultimately channeling these experiences into his innovative sound. His 2015 debut album, The Epic, was a monumental release—a three-disc exploration of jazz that introduced a unique blend of spiritual depth and musical complexity. The album garnered critical acclaim, broadening Kamasi's reach and establishing him as a leader in modern jazz. *** This ad-supported episode is available to everyone. If you'd like to hear it ad-free, ⁠upgrade to our premium subscription⁠, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary ⁠Design Disruptors⁠ and our ⁠growing library of books⁠, as well as ⁠our monthly AMAs with former guests⁠, ad-free episodes, ⁠discounts and early access to workshops⁠, and our monthly newsletter ⁠The Brief⁠ that compiles salient insights, quotes, readings, and creative processes uncovered in the show. ⁠Upgrade to paid⁠

durée : 00:59:36 - Lean In - par : Nathalie Piolé -

With over 70 years of playing jazz under his belt, Sonny Rollins has seen a thing or two. He was present at so many turning points in the music: from bebop to modal jazz, post bop to fusion... and beyond.Now days at the age of 93, Sonny Rollins is one of the last of his generation and a true elder statesman. His contribution to music in both the 20th and 21st centuries is immense, and to this day, many aspiring tenor saxophonists still look to Sonny as a source on inspiration.Discover Sonny's life and music across this episode, with archival highlights from the ABC's vault, as well as excerpts from pianist Ben Sidran's Talking Jazz series on CD.This episode was presented by bass player and ABC Jazz host, Eric Ajaye, and written and produced by ABC Jazz producer Henry Rasmussen.  It was created by ABC Jazz and originally broadcast on 3 July 2024.  Find out more information on Sonny Rollins, who was the Jazz Legend on ABC Jazz in July 2024 here.  ABC Jazz features a Jazz Legend each month on the radio, with historic moments, significant albums and a full-length feature to immerse into the important history of this music and culture.  Hear more Jazz Legends episodes here, including significant artists such as Ella Fitzgerald, Quincy Jones, Joni Mitchell, Keith Jarret, Mary Lou Williams and Herbie Hancock.

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Please note: this will be a live broadcast.  This show was rescheduled after a previously scheduled broadcast was postponed.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

El segundo gran quinteto de Miles Davis es una leyenda del jazz moderno. Allí se encontraron, a mediados de la década de los sesenta del pasado siglo, el pianista Herbie Hancock y el saxofonista Wayne Shorter que, durante apenas cuatro años, fueron los arquitectos de un nuevo estilo basado en una evolución abstracta e innovadora del jazz modal. En aquel conjunto nació entre ellos una profunda afinidad artística que, con el paso de los años, dio paso a la amistad y a la comunión espiritual y religiosa, pues ambos abrazaron el budismo como religión y filosofía vital, como forma de entender la existencia, de encarar sus desafíos y aceptar sus contrariedades. Tras la disolución de la banda de Davis, cada uno de ellos siguió su propio camino profesional, obteniendo grandes éxitos en sus respectivas iniciativas musicales, aunque no perdieron la oportunidad de reencontrarse, a lo largo de las últimas cinco décadas, en diversos proyectos, tanto en estudios de grabación como en escenarios del mundo entero. Cada uno de ellos es una celebración de la mejor música que revive aquella magia que en su día crearon para Davis, enriquecida con los frutos de su propia evolución artística y personal. En Radio Jazznoend hemos rebuscado en nuestra discoteca para ofreceros algunos momentos estelares de aquellos encuentros históricos entre Hancock y Shorter, desde los entornos jazzísticos más ortodoxos, algunos de ellos junto a los miembros del legendario quinteto davisiano, hasta las deslumbrantes colaboraciones con artistas como Milton Nascimento o la cantante canadiense Joni Mitchell, que será glosado éste último, por nuestro amigo y socio Enrique de Ramón.

Joined on the airwaves by Philip Kelly i tēnei rā! Flicking through an array of genres... from Djrum, Herbie Hancock, and Bobbi Humphrey, to Broadcast, Young Marble Giants, and a Brian Eno - David Byrne collab.  Ngā mihi nui The Tuning Fork

Joined on the airwaves by Philip Kelly i tēnei rā! Flicking through an array of genres... from Djrum, Herbie Hancock, and Bobbi Humphrey, to Broadcast, Young Marble Giants, and a Brian Eno - David Byrne collab.  Ngā mihi nui The Tuning Fork

This week I'm joined by Samora Pinderhughes, a composer, pianist, vocalist, filmmaker, and multidisciplinary artist known for striking intimacy and carefully crafted, radically honest lyrics alongside high-level musicianship. The New York Times describes Samora as “one of the most affecting singer-songwriters today, in any genre” that “turn(s) the experience of living in community inside-out, revealing all its personal detail and tension, and giving voice to registers of pain that are commonly shared but not often articulated.”Samora has collaborated with artists across boundaries and scenes including Common, Herbie Hancock, Glenn Ligon, Sara Bareilles, Robert Glasper, Simone Leigh, Daveed Diggs, Kyle Abraham, Titus Kaphar, and Lalah Hathaway, to name a few. He has been mentored by Anna Deavere Smith, Vijay Iyer, Jason Moran, and others.Samora is also the creator and executive & artistic director of The Healing Project, a growing arts organization that orients around the question: What if we built our world around healing?Follow Samora on Instagram at @samorapinderhughesFollow The Healing Project on Instagram at @healingprojectsoundClick here to listen to Am I Human? and to get involved with the #EndTheException campaign. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE – Anspiel diesmal ist : „Stardust“ – 1927 komponiert von Hoagy Carmichael. Folgende Titel sind zu hören: 1. Take the A-Train – Duke Ellington & His Famous Orchestra 2:55 2. I'm beginning to see the Light – Natalie Cole 3:28 3. Stardust – Clifford Brown 3:24 4. Brasil – Eliane Elias 4:41 5. Ice Cream – Chris Barber's Jazz Band 3:26 6. My funny Valentine – Sting feat. Herbie Hancock 4:54 7. Mas que nada – Ella Fitzgerald 3:52 8. House Party – Nils Landgren Funk Unit 5:05 9. Mack the Knife – Louis Armstrong 3:22 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

In the 54th episode of the ECM podcast we're joined by the great reedsman and composer Bennie Maupin, whose iconic leader-debut "The Jewel In The Lotus" was just reissued as part of ECM's Luminessence vinyl series. Bennie talks about spirituality, arts, Miles Davis and much more.

My guest... Award winner International seasoned performer/vocalist Berklee Conservatory School of Music,  own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchelle Jackson has performed at prominent concert events for the World Cup , Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee School of Music,  on Campus (standing ovation), Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada, and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with an interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound."  She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode.Produced, directed, edited and hosted by Stephen E Davis 

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Please note: this will be a live broadcast.  This show was rescheduled after a previously scheduled broadcast was postponed.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

**Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org. This Week Dave Gave Us Boogie/ 70's & 80's/ Jazz Funk Grooves From Imagination, Candi Staton, Rockers Revenge, Incognito, Jean Carne, Herbie Hancock, Narada Michael Walden, Michael Jackson, Glenn Jones, Fatback Band & More. #originalpirates #soulmusic #funk #disco #boogie #70smusic #80smusic #jazzfunk Dave Francis & The Jazz Funk & Soul Show Replay On traxfm.org Every Sunday From 5PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Terri Lyne Carrington has spent her life behind the drums—and out in front. In this wide-ranging conversation, the Grammy-winning musician, educator, and activist reflects on her remarkable journey from child prodigy to visionary bandleader, and from mentee to mentor. She shares stories from her early gigs with jazz legends like Clark Terry and Buddy Rich, her formative years with Herbie Hancock and Wayne Shorter, and her ongoing work shaping the next generation through the Berklee Institute of Jazz and Gender Justice. We spoke on the occasion of We Insist 2025!, Carrington's powerful new reimagining of Max Roach's classic 1960 protest suite. But the conversation goes far beyond the music—it's about legacy, leadership, gender equity, and the responsibility of artists to help create a more just and expansive world. As Carrington puts it, “Only an open hand receives.” www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

Forbes, NYT, The Huffington Post, CNN, MSNBC have featured Renown Nutritionist & Fitness Expert. Best-selling author, Jonny Bowden, PhD, CNS.His first Love is MUSIC, but started out as a professional musician & played all over New York CIty, playing jazz, pop, Broadway, nightclub acts, Jonny studied with the great Herbie Hancock & was as a pianist at the Alvin Ailey Dance Studios. He has a Master's degree in psychology BUT after learning the lifestyle & physical effects that the professional music & entertainment scene can bring, He was able to beat his addiction to smoking, drugs & alcohol.Jonny got a PhD in holistic nutrition and earned board certification and the CNS (Certified Nutrition Specialist) designation from the College's Certifying Board of Nutrition Specialists.He is a frequent guest on television and radio, he has appeared on Fox News, ABC, NBC, and CBS as an expert on nutrition, weight loss, and longevity. the author of thirteen books on health, healing, food and longevity including several best-sellers, “The 150 Healthiest Foods on Earth” and “Living Low Carb” & "The Most Effective Ways To Live Longer".Dr. Jonny has contributed to articles for dozens of national publications (print and online) including The New York Times, The Wall Street Journal, Forbes, The Daily Beast, The Huffington Post, Vanity Fair Online, Time, Oxygen, Marie Claire, Diabetes Focus, GQ, US Weekly, Cosmopolitan, Self, Fitness, Family Circle, Allure, Men's Heath, Prevention, In Style, Natural Health, and many other publications. He appears regularly as an expert on ABC-TV Los Angeles. ~ JonnyBowden.com2025 Building Abundant Success!!All Rights Reserved © 2025  Building Abundant Success!!Join Me on ~ iHeart Media@ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBAS  

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

La Venganza Será Terrible: todo el año festejando los 40 años Chacarerean Teatre, Palermo Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:38 • Los jugadores de Boca, empanadas, metáforas, etc0:06:02, 0:08:12 "El valor metáforico de, si una empanada está cara es porque el costo de la vida es caro es muy cercano, ¿me entiende? Cuando una metáfora es muy cercana es ineficaz. Si usted dice, "una estrella parece una estrella", que es lo más cercano que puede estar una metáfora, tan cercana que no hay distancia. Bueno: es la más ineficaz de las metáforas. Si vos decís, por ejemplo, "un estrella, parece un diamante, y es un mundo", no sólo hiciste una metáfora, sino que hiciste dos. Y además hay, no sólo una distancia sino una gracia en la expresión." Segmento Inicial • El peligro de los juegos tradicionales para niños sin experiencia0:12:11 Segmento Dispositivo • La reina Isabel I de Inglaterra: costumbres extravagantes y sus dientes podridos0:54:40 • "Sugar Sugar" ♫ (The Archies, Everything's Archie, 1969) Segmento Humorístico • Señales de que estás empezado a salir con un imbécil Sordo Gancé / Trío Sin Nombre • Presentación • "Drive My Car" ♫ (The Beatles) • "Milonga del Peón del Campo" ♫ (Atahualpa Yupanqui) • "Muchacha Ojos de Papel" ♫ (Almendra) • "" ♫ () • "Ropa Sucia" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Por La Vereda Del Sol (On the Sunny Side of the Street)" ♫ (Jimmy McHugh/Dorothy Fields) • "Walternelson Man" ♫ (Herbie Hancock)

durée : 02:28:55 - France Musique est à vous du samedi 31 mai 2025 - par : Gabrielle Oliveira-Guyon - La sonate de Requiem d'Olivier Greif, Rain Dance de Herbie Hancock, La nef sacrée de Cécile Chaminade, L'ode à la lune d'Antonín Dvořák : que d'images poétiques qui reflètent la diversité de vos coups de coeur musicaux ! - réalisé par : Delphine Keravec

This week Zachary Ezrin of Imperial Triumphant takes us through the inner workings of the band's latest album GOLDSTAR, the final sessions at Menegroth the Thousand Caves, Herbie Hancock, and all things the riff!IMPERIAL TRIUMPHANT - GOLDSTAR is OUT NOW via CENTURY MEDIA RECORDS: https://www.imperial-triumphant.com/Recommendations:⁠PSUDOKU - Psudoktrination⁠⁠New Skeletal Faces⁠Sly & The Family Stone⁠Blackbraid - Blackbraid III⁠⁠Kommodus / Celestial Sword - Constellations of Fatality and MetamorphosisFollow Imperial TriumphantFacebook: https://www.facebook.com/imperialtriumphantInstagram: https://www.instagram.com/imperialtriumphant/Twitter: https://x.com/imperialnycFollow Zachary EzrinInstagram: https://www.instagram.com/zacharyezrin/⁠For all updates on Riff Worship follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Riff Worship on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Review's from the Dylbozer's Din⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our official playlists:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (Spotify)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hits from the Crypt (Apple)

Text us about this show.There's no shortage of talent when it comes to jazz in NE Wisconsin and The Chalk Down Trio is proof of that. Guitarist Alec Riegsecker, bassist Andrew Wilson, and drummer Ryan Thomas are three very talented young men that have jelled together to make music that bridges the jazz and funk realms. What makes them the musicians they are is their willingness to be open to what older, more seasoned jazzers in the area have to say and learn from them. It doesn't hurt that they also pick up bits and pieces from the other bands they play in and let that inform The Chalk Down Trio's style. This is one jazz combo you'll want to pay attention to."All Of Me*," "People Make The World Go Round†," and "Ugetsu‡" arranged and performed by The Chalk Down Trio℗ 2024 The Chalk Down Trio. Used with permission of The Chalk Down Trio*written by Gerald Marks & Seymour Simons†written by Thom Bell & Linda Creed‡written by Cedar WaltonSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Whether you're a fan of ‘60s jazz, ‘70s funk, ‘80s electro, or things inspired by any of the above (or you just watched a lot of Sesame Street growing up), the music of Herbie Hancock has probably affected your life in some way. So Mike thought it was time to take us all on a good old fashioned head hunt. 1973's Head Hunters redefined the course of Hancock's career, was enormously influential on music as a whole, became the first jazz album to ever go platinum, and to this day remains a blast to listen to. If you're a rock fan who's long been intimidated by jazz, this warm, funky, colorful album just might be the one that captures your head.Cohosts: Mike DeFabio, John McFerrin, Dan WatkinsComplete show notes: https://discordpod.com/listen/161-herbie-hancock-head-hunters-1973Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Tonight's Jazz Feature is a fine album that never saw the light of day until the early 80's despite being recorded in August 1963. It was the first album by trumpeter Richard "Blue" Mitchell for Blue Note Records. It was given a catalogue number and advertised in the Blue Note brochure but never released. It's a fine date with Blue on trumpet, Joe Henderson on tenor saxophone. Joe also did most of the arrangements on this date as well. Leo Wright is here on alto saxophone, Herbie Hancock is on piano, Gene Taylor on bass and Roy Brooks is on drums. Two standards and four original tunes make up this fine date. It simply got lost in the shuffle but finally was issued after research into the Blue Note files.It's a fine and enjoyable date with some solid playing by all. Enjoy "Step Lightly" as tonight's Jazz Feature.

JAZZ! We have fun this week talking about Herbie Handcock's pivotal Jazz Fusion record, Head Hunters. We're joined by incredible musicians Chris and Hristo of Chicago Slut Rock band Naked Brunch. Eat it up y'all :) Check out Naked Brunch on Instagram (@nakedbrunchchicago)Listen to Naked Brunch on spotify!Thank you to Cameron Bopp for editing our show and writing our theme song!You can find Album ReBrews on Instagram here. (@albumrebrews)TW/CW: Explicit language, drug and alcohol referencesLike what you hear? Consider rating us on Spotify or leaving a review on Apple Podcasts!We've got a live show at the Lincoln Lodge Thursday, May 29th! Come see us LIVE and in cahoots, get your tickets here: https://www.eventbrite.com/e/album-rebrews-live-and-in-cahoots-tickets-1345575545679Support the show

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Segmento Dispositivo • La guerra de la Oreja0:02:04 • "Orgullo Criollo" ♫ (Horacio Salgan/Ubaldo De Lío) Julio De Caro/Pedro Laurenz Segmento Humorístico • Cómo diseñar un jardín en el baño Segmento Humorístico • Cosas a tener en cuenta a la hora de consultar a una vidente Segmento Humorístico • Ayude a su hijo a triunfar en la escuela Sordo Gancé / Trío Sin Nombre • Presentación • "La Rueda Mágica" ♫ (Fito Páez) • "Madame Yvonne" ♫ (Enrique Cadícamo/Eduardo Pereyra) • "Norwegian Wood" ♫ (The Beatles) • "La Vieja Serenata" ♫ (Sandalio Gómez/Teófilo Ibáñez) • "Todo Un Palo" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Insensatez" ♫ (Antônio Carlos Jobim/Vinícius de Moraes) • "Walternelson Man (Watermelon Man)" ♫ (Herbie Hancock) "...gracias porque, yo creo que entretenerse está bien; nos entretenemos los unos a los otros. Quizá nos entretenemos más nosotros que el público, y así como decía Macedonio Fernández, que los gauchos eran un entretenimiento de los caballos, a veces, el público es un entretenimiento del artista. Que viene, no solamente para hacer su número, y para cumplir con un pacto, sino para recibir al mismo tiempo, para sentir que el acto artístico se completa recién cuando hay alguien que lo escucha, lo disfruta, lo piensa y hasta lo recibe en beligerancia. Y muchas gracias por todo éso a ustedes."

Nos 1ers invités sont le duo formé par le saxophoniste Jacques Schwarz-Bart et le pianiste Grégory Privat pour la sortie de l'album 22. Grégory Privat, né le 22 décembre 1984 en Martinique, est un pianiste et compositeur de jazz. Il grandit à Saint-Joseph, en Martinique, dans une famille de musiciens. Son père, José Privat, est compositeur et pianiste du groupe martiniquais Malavoi. C'est lui qui l'encourage à apprendre le piano dès l'âge de six ans. Après dix ans de formation classique, Grégory se met à la composition et à l'improvisation, particulièrement dans le jazz.De 2004 à 2007, il mène une double vie, suivant l'enseignement d'une école d'ingénieur à Toulouse le jour, jouant dans des clubs de jazz la nuit. Il commence à écrire ses premières compositions et fait la première partie du Biguine Jazz Festival à Sainte-Marie en 2005. Il crée son propre groupe à Paris, et sort un premier album en 2011, Ki Koté. L'année suivante, âgé de 27 ans, il abandonne son emploi, pourtant confortable, pour devenir musicien professionnel et se consacrer entièrement à la musique. Bientôt, il joue avec des pointures caribéennes du jazz, comme le saxophoniste Jacques Schwarz-Bart, le trompettiste Franck Nicolas et le percussionniste Sonny Troupé, maître du Gwoka, qui devient un ami proche. Puis en 2014, paraît l'album concept Tales of Cyparis. Le nom de l'album est une référence à Cyparis, survivant de l'éruption de la Montagne Pelée en 1902. L'année suivante, il sort Luminescence avec Sonny Troupé : un album en duo reflétant un mélange de jazz et de sonorités Gwoka. Toujours en 2015, Grégory Privat est nommé aux Victoires du Jazz dans la catégorie «Révélation de l'année, prix Frank- Ténot». Son album Family Tree suit en 2016, il y présente son premier trio avec Linley Marthe et Tilo Bertholo sur le label ACT. En 2024, Grégory Privat sort Phoenix, nouvel album en trio qu'il considère comme une continuité de son album Soley et reçoit la même année le Prix Django Reinhardt de l'Académie du Jazz. En 2025 Jacques Schwarz-Bart…Artiste International, d'origine guadeloupéenne, Jacques Schwarz-Bart vit à New York depuis plus de 20 ans. Musicien, compositeur et arrangeur, il est le fils de Simone et d'André Schwarz-Bart, le célèbre couple d'écrivains.Jacques Schwarz-Bart abandonne rapidement une carrière diplomatique dans l'administration française pour se lancer dans la musique et choisit son instrument de prédilection : le saxophone ténor. Il étudie à Berklee school à Boston où il développe son identité musicale au carrefour du Jazz de la Soul et des musiques afro-caribéennes. Jacques collabore avec les plus grands de la scène Nu soul et jazz comme le trompettiste Roy Hargrove, Herbie Hancock, d'Angelo, Me'shell Ndegeocello, ErykahBadu, et d'autres.En 2004, il monte son Gwoka Project et enregistre deux albums pour UNIVERSAL, Soné Ka-La et Abyss, qui ont construit sa carrière actuelle en tant que leader reconnu au plan international.Titres interprétés dans le grand studio- The Crossing Live RFI- The Most Beautiful, extrait de l'album- Isaïah Live RFI.Line Up : Jacques Schwarz-Bart, saxophone, Grégory Privat, piano.Son : Mathias Taylor, Benoît LetirantRéalisation : Hadrien Touraud & Donatien Cahu.►  Album 22 (Buddham Jazz 2025).- Live Isaäh YouTube- Site Grégory Privat - Fb Jacques Schwarz-Bart.   Puis nous recevons JJH Potter pour la sortie de Ghosts Unveiled.Et c'est en famille que ce Strasbourgeois vient présenter son nouvel album.Auteur-compositeur-interprète né dans les années 70, basé à Strasbourg, compose des chansons aussi intimistes qu'authentiques. Ce guitariste-pianiste et chanteur se produit sous le nom de JJH Potter en hommage à sa grand-mère maternelle qui s'appelait Jeanne, Joséphine, Henriette Pottier. Il crée de la musique indie-folk intimiste depuis son adolescence et promène ses balades aux accents feutrés de café-concerts en rencontres musicales improvisées en s'inspirant des sentiments humains pour révéler des histoires sincères et touchantes. Influencé par la folk américaine et anglaise, il a pour icônes Bob Dylan, Neil Young, Nick Drake ou encore John Martyn. Et il chante avec ses filles Noan et Selma !Titres interprétés dans le grand studio- Sketches (avec Noan) Live RFI- Moth (avec Selma + piano) Live RFI- Contagious Live RFI.Line Up : Pierric L'Homme, alias JJH Potter (guitare, piano, voix), Noan L'Homme et Selma L'Homme (chœurs), Cédric Lemaire (batterie) et Sébastien Marcesche (basse).Son : Mathias Taylor, Benoît Letirant.► Album Ghosts Unveiled (Daydream 2025).- JJH Potter EPK - Bandcamp - Daydream Music. 

Nos 1ers invités sont le duo formé par le saxophoniste Jacques Schwarz-Bart et le pianiste Grégory Privat pour la sortie de l'album 22. Grégory Privat, né le 22 décembre 1984 en Martinique, est un pianiste et compositeur de jazz. Il grandit à Saint-Joseph, en Martinique, dans une famille de musiciens. Son père, José Privat, est compositeur et pianiste du groupe martiniquais Malavoi. C'est lui qui l'encourage à apprendre le piano dès l'âge de six ans. Après dix ans de formation classique, Grégory se met à la composition et à l'improvisation, particulièrement dans le jazz.De 2004 à 2007, il mène une double vie, suivant l'enseignement d'une école d'ingénieur à Toulouse le jour, jouant dans des clubs de jazz la nuit. Il commence à écrire ses premières compositions et fait la première partie du Biguine Jazz Festival à Sainte-Marie en 2005. Il crée son propre groupe à Paris, et sort un premier album en 2011, Ki Koté. L'année suivante, âgé de 27 ans, il abandonne son emploi, pourtant confortable, pour devenir musicien professionnel et se consacrer entièrement à la musique. Bientôt, il joue avec des pointures caribéennes du jazz, comme le saxophoniste Jacques Schwarz-Bart, le trompettiste Franck Nicolas et le percussionniste Sonny Troupé, maître du Gwoka, qui devient un ami proche. Puis en 2014, paraît l'album concept Tales of Cyparis. Le nom de l'album est une référence à Cyparis, survivant de l'éruption de la Montagne Pelée en 1902. L'année suivante, il sort Luminescence avec Sonny Troupé : un album en duo reflétant un mélange de jazz et de sonorités Gwoka. Toujours en 2015, Grégory Privat est nommé aux Victoires du Jazz dans la catégorie «Révélation de l'année, prix Frank- Ténot». Son album Family Tree suit en 2016, il y présente son premier trio avec Linley Marthe et Tilo Bertholo sur le label ACT. En 2024, Grégory Privat sort Phoenix, nouvel album en trio qu'il considère comme une continuité de son album Soley et reçoit la même année le Prix Django Reinhardt de l'Académie du Jazz. En 2025 Jacques Schwarz-Bart…Artiste International, d'origine guadeloupéenne, Jacques Schwarz-Bart vit à New York depuis plus de 20 ans. Musicien, compositeur et arrangeur, il est le fils de Simone et d'André Schwarz-Bart, le célèbre couple d'écrivains.Jacques Schwarz-Bart abandonne rapidement une carrière diplomatique dans l'administration française pour se lancer dans la musique et choisit son instrument de prédilection : le saxophone ténor. Il étudie à Berklee school à Boston où il développe son identité musicale au carrefour du Jazz de la Soul et des musiques afro-caribéennes. Jacques collabore avec les plus grands de la scène Nu soul et jazz comme le trompettiste Roy Hargrove, Herbie Hancock, d'Angelo, Me'shell Ndegeocello, ErykahBadu, et d'autres.En 2004, il monte son Gwoka Project et enregistre deux albums pour UNIVERSAL, Soné Ka-La et Abyss, qui ont construit sa carrière actuelle en tant que leader reconnu au plan international.Titres interprétés dans le grand studio- The Crossing Live RFI- The Most Beautiful, extrait de l'album- Isaïah Live RFI.Line Up : Jacques Schwarz-Bart, saxophone, Grégory Privat, piano.Son : Mathias Taylor, Benoît LetirantRéalisation : Hadrien Touraud & Donatien Cahu.►  Album 22 (Buddham Jazz 2025).- Live Isaäh YouTube- Site Grégory Privat - Fb Jacques Schwarz-Bart.   Puis nous recevons JJH Potter pour la sortie de Ghosts Unveiled.Et c'est en famille que ce Strasbourgeois vient présenter son nouvel album.Auteur-compositeur-interprète né dans les années 70, basé à Strasbourg, compose des chansons aussi intimistes qu'authentiques. Ce guitariste-pianiste et chanteur se produit sous le nom de JJH Potter en hommage à sa grand-mère maternelle qui s'appelait Jeanne, Joséphine, Henriette Pottier. Il crée de la musique indie-folk intimiste depuis son adolescence et promène ses balades aux accents feutrés de café-concerts en rencontres musicales improvisées en s'inspirant des sentiments humains pour révéler des histoires sincères et touchantes. Influencé par la folk américaine et anglaise, il a pour icônes Bob Dylan, Neil Young, Nick Drake ou encore John Martyn. Et il chante avec ses filles Noan et Selma !Titres interprétés dans le grand studio- Sketches (avec Noan) Live RFI- Moth (avec Selma + piano) Live RFI- Contagious Live RFI.Line Up : Pierric L'Homme, alias JJH Potter (guitare, piano, voix), Noan L'Homme et Selma L'Homme (chœurs), Cédric Lemaire (batterie) et Sébastien Marcesche (basse).Son : Mathias Taylor, Benoît Letirant.► Album Ghosts Unveiled (Daydream 2025).- JJH Potter EPK - Bandcamp - Daydream Music. 

From BITCHES BREW to "Feels So Good" and beyond, author Matthew Reed Baker delves into the funky, smooth, and transcendent records that resulted from the merging of jazz with R&B, pop, rock, and much much more in the 1970s. Miles Davis, Weather Report, Chuck Mangione, Herbie Hancock, Joni Mitchell, and Steely Dan are just some of the acts that are discussed in 1970s Jazz Fusion, a welcome new installment from 33 1/3's spin-off series on musical genres. Bookseller and writer Justin Remer hosts this discussion of both the book and the music.   Hosted and produced by Justin Remer. Recorded remotely via Zencastr.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Segmento Dispositivo • La guerra de la Oreja0:01:56 • "Orgullo Criollo" ♫ (Horacio Salgan/Ubaldo De Lío) Julio De Caro/Pedro Laurenz Segmento Humorístico • Cómo diseñar un jardín en el baño0:21:35 Segmento Humorístico • Cosas a tener en cuenta a la hora de consultar a una vidente Segmento Humorístico • Ayude a su hijo a triunfar en la escuela Sordo Gancé / Trío Sin Nombre • Presentación • "La Rueda Mágica" ♫ (Fito Páez) • "Madame Yvonne" ♫ (Enrique Cadícamo/Eduardo Pereyra) • "Norwegian Wood" ♫ (The Beatles) • "La Vieja Serenata" ♫ (Sandalio Gómez/Teófilo Ibáñez) • "Todo Un Palo" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Insensatez" ♫ (Antônio Carlos Jobim/Vinícius de Moraes) • "Walternelson Man (Watermelon Man)" ♫ (Herbie Hancock) "...gracias porque, yo creo que entretenerse está bien; nos entretenemos los unos a los otros. Quizá nos entretenemos más nosotros que el público, y así como decía Macedonio Fernández, que los gauchos eran un entretenimiento de los caballos, a veces, el público es un entretenimiento del artista. Que viene, no solamente para hacer su número, y para cumplir con un pacto, sino para recibir al mismo tiempo, para sentir que el acto artístico se completa recién cuando hay alguien que lo escucha, lo disfruta, lo piensa y hasta lo recibe en beligerancia. Y muchas gracias por todo éso a ustedes."

This is an Encore Presentation of my March 2024 interview with Eliane Elias, the extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Eliane:www.elianeelias.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note)  Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube  Spotify Playlist: YouTube 

This is an Encore Presentation of my May 2024 SAXOPHONE SUMMIT featuring four of the world's best saxophone players.John Helliwell, former member of Supertramp, one of the greatest bands of the rock era. They dominated the charts in the 1970s with their album “Breakfast In America” which sold over 20 million copies. Fred Lipsius, the saxophonist and an arranger for Blood Sweat & Tears, another one of the greatest bands of the modern era, which introduced the horn section into Rock ‘n Roll. Their self-titled second album won the Grammy for Record Of The Year in 1970. Fred arranged several of their biggest hits including “Spinning Wheel” and “Hi De Ho”. Bob Reynolds, the saxophonist for Snarky Puppy, one of the great bands of this era They are a Jazz Fusion band that's won 5 Grammys. And Ada Rovatti, an Italian born saxophonist who has performed with Aretha Franklin, Joe Bonamassa, Mike Stern, Herbie Hancock and The Brecker Brothers Reunion Band.My featured song is “Metro Shuffle”, featuring Mindi Abair, from the album The PGS Experience by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

durée : 01:02:45 - Club Jazzafip - A l'occasion de la Journée internationale du jazz, nous célébrons l'œuvre du pianiste et compositeur américain avec Donald Byrd, Wayne Shorter, Mark Murphy, Helen Merrill...

Damian Kulash of OK Go discusses his evolution from punk music fan, working with Dischord records, and creating boundary-pushing music, vinyl packaging and viral videos Topics Include: New album "And The Adjacent Possible" available for streaming now. Discussion about physical media's role in OK Go's output. OK Go primarily known for videos that "live in the ether." Damian was into physical record packaging during college years. First record was Herbie Hancock's "Rockit," bought at Tower Records. Young Damian damaged the record trying to scratch like DJ. Later played with Herbie Hancock at Obama's 50th birthday party. Musical journey from hip-hop through Prince, Beatles, Led Zeppelin. DC punk scene was influential, with bands playing in cafeterias. Started Level Records at age 15,with funding from Dischord Records. Ian MacKaye lent teenager Damian money to start label. Level Records produced 7-inches and compilation CDs for friends' bands. College made running a record label difficult for Damian. Studied art semiotics at Brown University. Worked as NPR radio engineer and Photoshop retoucher after college. Indifferent to Napster's rise during OK Go's early days. Band finances operated like "roadrunner off the cliff" cartoon. Discussion about gift economy model working for the band. Belief that making things you love matters most, not success. Music sometimes gets overshadowed by video's visual impact. Videos gave OK Go longevity beyond typical radio-hit bands. New album theme explores Stuart Kaufman's "adjacent possible" concept. OK Go doesn't have unified sound; band is "like a mixtape." Treadmill video was originally made for "nerdiest fans" only. Videos aim to create real events that connect with viewers. Physical pressings of OK Go albums are costly in secondary market. New vinyl features elaborate pop-up sphere in custom packaging. Hidden track on second album deliberately blocked copy-protection software. Record label "Paracadute" means parachute in Italian. Ten-year album gap wasn't intentional; life and pandemic happened. Directed "The Beanie Bubble" film with his wife for Apple. Film directing different from making music videos; less adrenaline-driven. Video production typically takes 3-6 months from concept to completion. Some video ideas abandoned when technology made them commonplace. Order the OK Go LP "And The Adjacent Possible" on vinyl here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Listen to an interview with Todd Rundgren, a pioneering musician, songwriter, and producer known for his eclectic style and innovative approach to technology in music. Rising to fame in the late 1960s with the band Nazz, Rundgren gained widespread acclaim with his 1972 solo album Something/Anything? which included the hit singles “Hello It's Me” and “I Saw the Light.” Rundgren is also a sought-after producer, working on landmark albums by the New York Dolls, Hall & Oates, XTC, Meatloaf, The Psychedelic Furs, and Patti Smith.  Rundgren has charted multiple Billboard hits and earned widespread critical acclaim. In 2021, he was inducted into the Rock and Roll Hall of Fame. Rundgren's genre-defying work spans rock, pop, soul, and experimental electronic music. He's been recognized as a visionary for his early adoption of music videos and interactive media. But his latest project looks into the past. Todd Rundgren will be performing music from the late songwriter Burt Bacharach in Indianapolis on April 18, as part of What The World Needs Now: The Burt Bacharach Songbook Live tour. Also hear an interview with Nnenna Freelon, a prolific jazz vocalist, whose career spans over three decades. She'll be performing at the Jazz Kitchen on April 18th. Freelon issued her debut LP on Columbia Records in 1992, marking the start of an accomplished recordings career. Freelon's music has attracted significant recognition, including seven Grammy nominations, and she's collaborated with numerous jazz luminaries, including Ray Charles, Ellis Marsalis, Kenny Baron, Pat Metheny, Christian McBride Al Jarreau, and Herbie Hancock. Hear music from Freelon's latest album, titled Beneath the Skin.

Does it get any better than that ARP bass line on “Chameleon”? That's right, it's Herbie time! Join Peter and Adam as we explore Herbie Hancock's explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie's funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop charts. You'll hear stem breakdowns of Paul Jackson's brilliant bass grooves, the magic of Mike Clark's “Oakland sound” drums, and, of course, much geeking out over Herbie's mind-bending synth and electric keyboard experiments (excuse our stank-faces). From Fat Albert Rotunda (1969) through the slept-on Sunlight (1978), we ask: is this Herbie at his greatest?

GDP Script/ Top Stories for April 12th Publish Date: April 12th PRE-ROLL: From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Saturday, April 12th and Happy Birthday to Herbie Hancock ***04.112.25 - BIRTHDAY – HERBIE HANCOCK*** I’m Peyton Spurlock and here are your top stories presented by Gwinnett KIA Mall of Georgia. African lion complex now open at Zoo Atlanta Snellville Resident Wins $30K in Georgia Lottery; Sugar Hill Resident Wins $10K Piedmont Eastside Receives Donation to NICU All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: 07.14.22 KIA MOG STORY 1: African lion complex now open at Zoo Atlanta Zoo Atlanta has unveiled its newly renovated African lion complex after a $3 million, six-month project. The updated habitat adds 1,500 square feet for lions Hondo, Hatari, and Azizi, with features like a new in-habitat pool and three visitor viewing areas, including an observation deck. The 11-year-old lion brothers, part of a coalition, are known for their impressive roars. The renovation is part of the Zoo’s ongoing transformation of its African Savanna zone, which also includes expanded habitats for elephants, giraffes, rhinos, and other species, enhancing both animal wellbeing and visitor experience. STORY 2: Snellville Resident Wins $30K in Georgia Lottery; Sugar Hill Resident Wins $10K Two Georgia Lottery players each won $141,559 in the April 3 Fantasy 5 drawing, with winning tickets sold in Columbus and Marietta. The winning numbers were 07-13-29-30-35. Additionally, several players won five-figure prizes through Georgia Lottery Diggi Games, including $30,000 in Snellville and $15,000 in Atlanta. Other winners hailed from Hinesville, Cordele, Sugar Hill, and Douglasville, claiming prizes between $10,000 and $12,500. Winners have 180 days to claim their prizes, with proceeds supporting education in Georgia. STORY 3: Piedmont Eastside Receives Donation to NICU Dynika Marshall’s routine pregnancy took a life-threatening turn when she was diagnosed with preeclampsia at Piedmont Eastside, leading to the premature delivery of her baby at 27 weeks. While her newborn fought for survival in the NICU, Marshall recovered from her own complications, supported by the compassionate care of the hospital’s team. After months of recovery, both mom and baby are healthy. Grateful for the care they received, Marshall donated to the NICU to help other families in need, calling Piedmont Eastside “more than a hospital” but a place that gave her family a second chance. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: MONSTER JAM STORY 4: Everett's Music Barn in Suwanee to host Spring Festival Saturday Everett’s Music Barn in Suwanee is hosting its Spring Music Festival this Saturday from noon to 10 p.m., featuring hourly bluegrass performances by bands like The Skillet Lickers, Georgia Bound, and The Silver Valley Boys. The free, alcohol-free event is a fundraiser to support exterior renovations, with donations accepted at the entrance. Guests can enjoy barbecue, hotdogs, desserts, and raffle drawings between shows. Proceeds will help fund siding replacement and painting for the venue. STORY 5: Lawrenceville's Jordan Middle School Hosts First International Night Jordan Middle School hosted its first International Night on March 27, celebrating the school’s cultural diversity with food, fashion, and fun activities. Families shared home-cooked dishes from countries like India, Cuba, Nigeria, and Romania, while a vibrant fashion show showcased traditional attire from around the world. Attendees enjoyed interactive games like Family Feud and Russian nesting dolls. Special thanks were given to Kemper’s Cafe Caribbean Cuisine and A Taste of Jazz Catering for their support. Principal Melissa Miller praised the event’s success and looks forward to making it an annual tradition to celebrate the school’s rich cultural community. Break 3: MONSTER JAM STORY 6: GET OUT THERE: 5 things to do this weekend in Gwinnett County — April 11-13 Looking for weekend plans? Here are five local events to check out: **The Lawrenceville Boogie**: A free block party in Downtown Lawrenceville on Saturday (4-10:30 p.m.) with live music, food, drinks, and a car show benefiting Beyond The Ribbon. **Everett's Music Barn Spring Festival**: A bluegrass fundraiser in Suwanee on Saturday (noon-10 p.m.) featuring hourly band performances and raffles. **Repticon**: A reptile expo at Gwinnett County Fairgrounds, Saturday and Sunday (10 a.m.-5 p.m.), with vendors, live animal seminars, and raffles. **Dino Fest**: Ongoing at Stone Mountain Park through April 20, featuring roaming dinosaurs, a parade, and a dinosaur-themed Drone & Light Show. **Trivia at Third Rail Distillery**: Every Sunday (2-4 p.m.) in Lawrenceville, with prizes for top teams. STORY 7: Buford Grad, NFL Prospect Isaiah Bond Surrenders on 'Patently False' Sexual Assault Charge NFL Draft prospect and Buford grad Isaiah Bond turned himself in to Frisco, Texas, police on a sexual assault warrant but denies the allegations. Released on bail, Bond stated on Instagram that he is cooperating with authorities and urged the public to withhold judgment until the investigation concludes. Details of the accusation remain unknown. Bond, who transferred to Texas in 2024 after two seasons at Alabama, had a standout college career with 1,428 receiving yards and 11 total touchdowns. He is projected as a second- or third-round draft pick. We’ll have closing comments after this Break 4: Ingles Markets 3 Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.kiamallofga.com www.monsterjam.com/en-us/ #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Thanks to your questions, Good Faith listeners are the guests of this episode that's meant to spark spiritual insights and challenge church norms.   From queries about navigating belief in a politically toxic climate to finding community after deconstruction, Curtis answers your questions with thoughtfulness, wisdom, and compassion. Whether you're wrestling with faith, curious about theology, or just want to know what's on Curtis' playlist, this episode delivers the answers that inquiring minds wanted to know.   Curtis addresses: How can someone who has deconstructed find meaningful, Christ-centered community? What role should the church play when professed followers of Jesus undermine the gospel? What does it mean that God "removes kings and sets up kings"? How can we love fellow church members who politically diverge from us? Is The After Party project truly nonpartisan—and how was it funded? Will artificial intelligence reshape sermon preparation? What will life be like in the new heavens and new earth? Plus: Curtis reveals his five favorite musical artists and the name of the song that opens every Good Faith episode. Send written questions or voice memos for “Ask Curtis” episodes to: askcurtis@redeemingbabel.org Send Campfire Stories to: info@redeemingbabel.org   Resources or references mentioned in this episode: Patrick Schreiner: Recovering the Forgotten Doctrine of Christ's Ascension N.T. Wright: the Ascension of Jesus and Heaven N.T. Wright's Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church The Thin Places of Fantasy The Nicene Creed The Lord's Prayer Philippians 3:18-21 (New Living Translation) Foreign Aid Is Retreating. The Church Must Not Judge: Musk and Trump's effort to disband USAID is likely unconstitutional Daniel 2:21 (English Standard Version) 33 Evil Kings of the Old Testament I Samuel 8 (Israel asks for a king) (New Living Translation) Explore The After Party with Russell Moore, David French, & Curtis Chang Answers to questions about The After Party Judah & the Lion's Beautiful Anyway (official music video) Judah & the Lion's website Wendell Kimborough's website Sandra McCraken's website Andrew Peterson's website Dave Brubeck's Time Out album (including Take Five) Dave Brubeck's Fight Against Racism Herbie Hancock's Watermelon Man Herbie Hancock's Rockit Good Faith conversations mentioned in this episode: David French: Has America's Role in the World Changed Forever? and Your Questions David French: Checks, Balances, and the New Trump Era Sandra McCracken: How Music Helps Us Make Sense of God's World  Advent with Friends: Andrew Peterson and The Way of Love Andy Crouch: How to Listen to Music Andy Crouch: Do We Need a Worship Music Reformation? Register for the Illuminate Arts & Faith Conference Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   Sign up:  Redeeming Babel Newsletter

Could Miles Davis' peak performance come alongside a bunch of kids who weren't even getting paid? In this episode, Peter and Adam dive into one of the greatest live albums ever captured, My Funny Valentine: Live at the Philharmonic (1964). We explore how Miles Davis, sideman George Coleman, and a young rhythm section (Herbie Hancock, Ron Carter, and teenage Tony Williams) made jazz history in real time with their one-of-a-kind (unpaid) voter registration benefit concert. Learn how the quintet remade Miles' go-to standards (“All of You”, “Stella”, “All Blues”...) with their conversational, free-flowing, spacious playing – and hear the evolution across Davis' career. Join us as we break down these incredible performances and prove why this underappreciated live album captures Miles' greatest playing ever (at least for Peter's ears).ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Hamas officials say more than four hundred people have been killed. Does this mean that the ceasefire between Israel and Hamas is over?Also on the programme: President Trump and President Putin are to have a phone call to discuss a potential ceasefire in Ukraine. We discuss the historical parallels of this occasion; and the legendary jazz musician Herbie Hancock is one of the winners of the Polar Prize, the nearest thing that music has to a Nobel prize. He talks about his life and his extraordinary career. (Picture: Palestinians inspect the aftermath of an Israeli strike Credit: Reuters / Abed)