Podcasts about self publishing

Send us Fan MailSix seasons. Over a hundred episodes. Three years of real talk about building a quilting business on the side — and Tori and Andi are not done yet.In this Season 6 finale, the co-hosts take a walk down memory lane through what turned out to be their longest season yet — 21 episodes packed with guests, trade show adventures, solo experiments, and more than a few lessons learned the hard way.They recap the full guest lineup from Season 6: a cross-promotion episode with Brandy Maslowski of Quilter on Fire, mindset and weight loss coaching with Dara Tomasson, a masterclass on summits and email marketing from Jamie Bright, a return visit with Theresa Benson (The AI Quilter) on navigating AI ethically in 2026, self-publishing powerhouse Kathryn LeBlanc, Monika and her Canadian subscription box business Quilt the North, mosaic appliqué artist Cindy of Patterns on the Prairie, and pattern designer Brooke Stambersky of Brooke's Bitchin' Stitches. They also revisit their h+h Americas thread — from booth planning and brochures to the show floor rapid fire episode to the full panel debrief — and reflect on the solo episode format they experimented with this season.Andi shares a sneak peek at her upcoming book, Quilting on Video, and the hosts close out with honest thoughts on a "Top 40 Quilting Podcasts" nod — and why they're taking it with a grain of salt. Need some more help starting a YouTube channel? Grab Andi's No-Fear Filming Checklist here.Season 7 is coming in August or September. Until then, there are over 100 episodes waiting for you.Chapters00:00 Celebrating Three Years of Quilting on the Side03:04 Highlights from Season Six Guests06:31 Exploring AI in Quilting with Teresa08:01 Kathryn LeBlanc: The Multi-Passionate Quilter09:47 Navigating the Canadian Quilting Business with Monica10:58 Building a Business Without Social Media: Joyce's Story12:33 Andi's Journey into YouTube and Book Writing13:19 Brooke's Bitchin' Stitches: Balancing Business and Life14:49 H and H Rapid Fire: Insights from the Trade Show17:37 Diverse Perspectives from the H and H Panel Discussion20:01 Recapping Season Six and Looking Ahead to Season SevenWant More Quilting Business Content?

What happens when a dream refuses to let go?In this inspiring episode of Conversations with Rich Bennett, Rich sits down with award-winning author Sam Polakoff, a retired business executive who spent decades building a successful company while quietly holding onto a lifelong dream of becoming a novelist.That dream eventually became reality.Sam shares the fascinating story behind his first novel, Hiatus, inspired by recurring dreams about his grandfather, and discusses how curiosity led him to write Shaman, a thought-provoking thriller exploring reincarnation, Akashic Records, and spiritual healing. The conversation also dives deep into his acclaimed historical fiction series, The Diary of Essie Lassiter, set during the American Revolution.In this episode, you'll learn:• How Sam pursued a dream after nearly 40 years • The challenges and rewards of self-publishing • Why research is critical when writing historical fiction • How business principles can help authors succeed • The importance of staying curious and embracing lifelong learningLearn more about Sam and his books: sampolakoff.com If you enjoy this episode, please subscribe, leave a review, and share it with fellow readers, writers, and dreamers.Send us Fan MailCelebrate the Magic of Words in Bel Air, Maryland!https://bookfairatbelair.org/WHFC 91.1 FMIt's all about community. WHFC 91.1 FM, Harford Community College Radio, is the college radio staDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showRate & Review on Apple Podcasts Follow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett Facebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett Instagram – @conversationswithrichbennettTikTok – CWRB (@conversationsrichbennett) | TikTokSponsors, Affiliates, and ways we pay the bills:Hosted on BuzzsproutSquadCastSubscribe by Email

Send us Fan MailThis week, Elizabeth Wilson sits down with her developmental editor, Allison Lau, to reflect on her self-publishing journey. These are often the steps you don't see every day from writers.  Elizabeth decided she wanted more control over the publishing process so she could get her memoir in the hands of readers faster. You'll hear about how Elizabeth decided on her ARC (Advanced Reader Copy) readers and getting over the hurdle of asking them to read her book.Elizabeth shares about taking on the role of project manager for her memoir as she decided to hire out the tasks that would've taken her a lot longer to complete. She decided it was better to do this than struggle a lot on her way to publishing her memoir. She sought the support she needed to get her book ready for readers by her launch date in June, and it was worth every bit of the investment. If you're curious about what it takes to get your book to print as a self-published author, this is an episode you don't want to miss. It's a candid, behind-the-scenes look at decisions Elizabeth made as she prepares to unbox the delivery from IngramSpark when she arrives at her new home.  Welcome to the Inspired Writer Collective podcast. If you've ever felt the pull to write your truth, to shape the chaos of real life into something meaningful and to share your journey with the world, you're in the right place. We're your hosts, Elizabeth and Stephanie, writers, coaches, and entrepreneurs who believe in you and know how important it is to find a writing community to guide you on your path to self-publishing. You're invited to connect with us by joining our Embodied Writing Experience where you'll get a writer's retreat directly to your inbox on Mondays, Tuesdays, and Thursdays each week. Whether you're working on a memoir, a novel, or journaling for yourself, this is an invitation to slow down, tune in, and write with embodied intention.   Join our Embodied Writing Experience where you'll get a writer's retreat directly to your inbox on Mondays, Tuesdays, and Thursdays each week. This is an invitation to slow down, tune in, and write with embodied intention.   Work 1:1 with Memoir Coach Elizabeth Wilson. Book a session here.Feel Good Marketing with Stephanie. Book a session here.If you prefer to watch our conversations, you can find all of them on our YouTube channel.You can find us on Instagram and Threads

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss how to successfully pivot from one nonfiction topic to another, including whether you need a new pen name and how to manage existing backlist titles. Other questions include: What are the most effective low-budget marketing strategies for a nonfiction book about technology and society What options exist when series covers are inconsistent and how important is it to obtain source files from designers Should an urban fantasy series be focused on a tabloid rather than a single protagonist, or is that a strategic mistake How should UK authors operating as limited companies complete KDP tax forms, particularly the limitation of benefits section How can authors troubleshoot A+ content on Amazon when it refuses to populate despite entering all required information And more! Show Notes Lessons Learned from Starting a New Pen Name (Sacha Black podcast) Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

On this episode of Self-Publishing with ALLi, Dan Holloway covers a week dominated by AI controversy: Spotify's expanded ElevenLabs partnership for seamless AI audiobook creation, Barnes & Noble CEO James Daunt's muddled attempt to clarify his store's AI book policy, and a Commonwealth Short Story Prize winner accused of using AI — and why Dan thinks the organizers got their response exactly right. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

AI tools are showing up across more self-publishing platforms, and authors need to know what is changing. In this Self-Publishing News update, we cover new AI tools from IngramSpark, Laterpress, and Spoken, along with audiobook updates from Audible and Voices by INAudio. We also look at Bookvault pricing changes, author events, and a quick mid-year survey from Written Word Media. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) ACX: Audible's New Royalty Model - https://help.acx.com/s/article/audible-s-new-royalty-model  IngramSpark Assist FAQs (Metadata Assistant) - https://help.ingramspark.com/hc/en-us/articles/41627826665997-IngramSpark-Assist-FAQs-Metadata-Assistant Bookvault - https://bookvault.app Use BVDALE to waive three upload fees Bookvault: Quote Tool - https://quote.bookvault.app/  Laterpress - https://Laterpress.com  Voices by INAudio - https://www.voicesbyinaudio.com/  Spoken: Spoken Studio V2 — Magic Mode & Turnkey Full-Cast Audiobook Creation - https://www.spoken.press/the-spoken-chronicle/spoken-studio-v2-magic-mode-amp-turnkey-full-cast-audiobook-creation Rapid-Fire Newsflash Apple Books for Authors - https://authors.apple.com  AppSumo: DepositPhotos Deal - https://DaleLinks.com/DepositPhotos (affiliate link) Cooling Tiger Media Podcast w/ W.A. Blinko - https://open.spotify.com/show/4HNUrH8YLI8VpMiof0c4zY?si=0c4dffce16e34f6e&nd=1&dlsi=ac35936844ea4d3d Contact Wayne at info@wayneblinko.com Self-Publishing Made Simple w/ April Cox: The 5 Biggest Mistakes First-Time Authors Make (And How to Avoid Them) - https://selfpubmadesimple.com/why-authors-dont-publish  Twin Flames Studios: Pitching Your Book for Film & TV - https://twinflamesstudios.com/pitching-book-film-tv?partnerid=r1249 (affiliate link) Written Word Media Podcast: How Authors Are Winning On YouTube Right Now - https://youtu.be/qJu6uK-Dy2A?si=mKsbjapgX9y0KJfe Written Word Media Mid-Year Survey - https://writtenwordmedia.typeform.com/to/CCvrkXxE   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

On the Self-Publishing with ALLi podcast, host Anna Featherstone speaks with indie author-illustrator Mike Barry about the production and distribution decisions behind his children's graphic novel trilogy Action Tank, from reverse-engineering Marvel's print specifications to building a loyal school and library audience. Barry reflects on Kickstarter, the realities of international distribution, and his publishing adventures. Whether you write for children or not, the conversation offers insight into finishing what you start, finding your market, and letting one opportunity lead to the next. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsor This podcast is proudly sponsored by Gatekeeper Press — your partner in premium independent publishing. Empowering authors with expert guidance, 100% rights, 100% royalties, and global distribution. From editing to marketing, their all-inclusive services help you publish professionally and confidently. Gatekeeper Press — Where Authors Are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Mike Barry is the writer, artist and singular creative force behind Action Tank, his graphic novel trilogy for kids about intergalactic adventure and spaghetti carbonara. He won a Comic Arts Award of Australia for Action Tank in 2021, when he was also nominated for the NSW Premier's Literary Awards, The Russell Prize for Humour Writing for Young People, and the Aurealis Awards. Action Tank was also included in the American Library Association's 2022 Best Graphic Novels for Children Reading List. He lives with his wife and sons near the beach in Sydney, Australia, which is even better than it sounds. You can find Mike Barry on Instagram.  

On this episode of Self-Publishing with ALLi, Dan Holloway opens with an urgent warning from Writer Beware's Victoria Strauss about two new AI-generated scams targeting authors — one involving fake radio show invitations, one involving fraudulent book fair representation — and explains the telltale signs that give them away. He then reports on Audible's StoryHouse, a pop-up audiobook store in New York's Bowery modeled on a vinyl record shop, and closes with an update on the Anthropic settlement fairness hearing, including concerns about the $3,000 per-title payout and the US copyright registration requirement that overseas authors say is unfair to them. Show Notes Book Festival Scams, Interview Fakes: Two New AI-Driven Impersonation Scams to Avoid Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Ein Buch schreiben, das steht ja bei vielen Coaches irgendwo auf der Wunschliste. Aber dann kommen die Zweifel: Wer wartet denn auf mein Buch? Es gibt doch schon so viele. Ich bin noch nicht weit genug.In dieser Folge spreche ich mit Julia Felicitas Allmann, Journalistin und Buchautorin, über genau diese Gedanken — und warum sie dich vielleicht länger aufhalten als nötig.Wir reden darüber, was ein eigenes Buch wirklich für dein Business und deine Positionierung bedeutet, warum der richtige Zeitpunkt selten der perfekte ist und was du realistisch einplanen musst an Zeit, Energie und Erwartungen.Das nimmst du mit:Wann (und wann nicht) ein Buch für dich als Coach Sinn ergibtWas Verlage, Self-Publishing und Independent-Verlage wirklich bedeutenWie ein Buch deine Sichtbarkeit und Reputation langfristig verändertWarum dein Buch noch niemand geschrieben hat — auch wenn das Thema nicht neu istWas du unterschätzt, wenn du sagst "ich fange einfach mal an"Julia begleitet Coachinnen in ihrem Mentoring love to write dabei ihr erstes Buch zu schreiben. Hier findest du sie übrigens bei Insta. Alle Infos zu Isabel und ihrer Arbeit findest du hier: Website | Instagram

Do readers judge a book by its cover? Absolutely. And if your book looks self-published, readers notice before they read a single word.This week on the podcast, book designer extraordinaire Victoria Wolf pulls back the curtain on what makes a book look polished, credible, and impossible to ignore.With more than 30 years in the industry and 500+ books designed, Victoria shares the design choices that separate books people buy from books people scroll past.We talk covers that instantly signal quality, interiors that keep readers engaged, and the subtle design mistakes that quietly kill credibility. You'll also hear why many nonfiction authors sabotage their authority with amateur visuals without even realizing it.If your book is supposed to open doors, your design can't afford to whisper.Key takeways from this week's episode; Why interior design matters far more than most authors think  The typography and layout choices that make books easier to read and harder to put down  The real job of a book cover and why most self-published covers miss the mark  When your author photo helps your brand and when it hurts it  The tiny design tweaks that instantly make a book feel professionally published  How strong design builds trust, authority, and sales before readers even open the book If you want your book to compete with traditionally published titles instead of looking like an afterthought, don't miss this conversation. Tune in now!Here's how to connect with Victoria:Website:  Wolf Design and Marketing,LinkedIn Personal: https://www.linkedin.com/in/victoriawolf/LinkedIn Business: https://www.linkedin.com/company/wolf-design-marketingFacebook: https://www.facebook.com/wolfdesignandmarketingYouTube: https://www.youtube.com/@WolfsOnBooks*************************************************************************When Visibility Feels Hard, Podcast Guesting Changes the GameIf you know your book deserves more reach but visibility feels like a struggle, podcast guesting can open the right doors.Podcast Connections gets you in front of the audiences who need your message and your expertise.Contact them at PodcastConnections.co*************************************************************************

On the Self-Publishing with ALLi podcast, host Howard Lovy talks to Michele DeFilippo, founder of 1106 Design, about the role genre conventions play in professional book cover design. Michele explains the visual signals that help readers recognize a book's category at a glance, from the authority expected in business books to the mood and atmosphere that drive fiction covers. She also discusses the thumbnail test, common amateur mistakes, the danger of cramming too much information onto a cover, and the importance of giving designers enough room to create a cover that serves both the author and the marketplace. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. About the Host Howard Lovy is an author, developmental editor, and writing coach with a long career in journalism and publishing. He works with writers at many stages of their careers, with a focus on helping them develop their ideas and strengthen their work while preserving their unique voices. He lives in Northern Michigan. About the Guest Michele DeFilippo has more than fifty years of experience in book publishing. Her company, 1106 Design, helps authors publish high-quality books, keep control of their work, and earn more from each copy sold. Michele is committed to helping authors ask the right questions, avoid scams, and make informed decisions when choosing publishing service providers. A PDF of her eighty-eight-page guide, "Publish Like the Pros: A Brief Guide to Quality Self-Publishing," can be downloaded for free.

Künstliche Intelligenz – kurz KI – ist seit ein paar Jahren in aller Munde. Für viele Auto:rinnen stellt sich die Frage, wie und ob sie KI-gestützte Werkzeuge, etwa ChatGPT von OpenAI, in ihrem Schreibprozess nutzen sollten. In der Selbstverlagsbranche erleben wir einen grundlegenden Wandel, der nicht nur Chancen eröffnet, sondern auch neue Herausforderungen und ethische Fragen aufwirft. Hier die wichtigsten Aspekte, die ich in dieser Folge anspreche: 1. KI ist allgegenwärtig und nicht mehr wegzudenken     Künstliche Intelligenz (KI) ist - unabhängig von Ablehnung oder Skepsis – bereits überall in unserem Alltag und in der Buchbranche präsent ist und auch bleiben wird.   2. Jede Nutzung fördert die Weiterentwicklung von KI     Jede Anfrage und Nutzung einer KI trägt zur Weiterentwicklung und zum Training der jeweiligen Software bei. Nutzende sollten sich der Verantwortung bewusst sein, welchem System sie ihre Daten und Anfragen anvertrauen.   3. Vorsicht bei Recherche: Überprüfen von KI-Ergebnissen notwendig     KI-Textmaschinen können auch Falschaussagen liefern. Deshalb ist ein Gegencheck bei anderen Quellen unerlässlich, um Fehler oder erfundene Informationen zu vermeiden.   4. KI arbeitet oft nach "Was will die Nutzer:in hören"     KI-basierte Textgeneratoren sind so programmiert, dass sie Aussagen oft so generieren, wie sie dem Nutzenden gefallen könnten – nicht zwingend die objektive Wahrheit.   5. OpenAI/ChatGPT hat sich zum profitorientierten Unternehmen gewandelt     ChatGPT startete als Open-Source-Projekt, ist nun aber klar gewinnorientiert, wobei Investoren wie Microsoft involviert sind, was zu anderem Geschäftsgebaren führt.   6. Datenschutz und moralische Bedenken bei US-Anbietern     Tom Oberbichler unterstreicht die Problematik der Datennutzung und -weitergabe bei US-basierten KI-Systemen. Die erhobenen Daten dienen vor allem der Gewinnmaximierung und gezielter Werbung.   7. KI wird auch militärisch verwendet     Ein wesentlicher Ablehnungsgrund für Tom Oberbichler: KI wird von Staaten wie Israel und den USA militärisch oder für Überwachungszwecke eingesetzt.   8. Chinesische KI-Alternativen als weniger kommerzielle Option     Tom Oberbichler nutzt bewusst chinesische Tools wie DeepSeek oder Ernie, da sie kostenfrei sind und nicht primär der Profitorientierung westlicher Firmen folgen.   9. Jede KI hat ihre Eigenheiten und Anwendungsbereiche     Die Wahl der passenden KI hängt von individuellen Anforderungen, ethischen Werten und gewünschten Ergebnissen ab. Nicht jede Maschine ist für jeden Zweck gleichermaßen geeignet; Experimente sind sinnvoll und notwendig für optimale Ergebnisse.   10. Gesetzliche Maßnahmen sind schwierig und langsam      Die Hoffnung, dass Gesetze die Verbreitung und Nutzung von KI eindämmen könnten, ist naiv. Vielmehr plädiere ich für realistische, gemeinsame Forderungen, wie z. B. eine Kopierabgabe für KI-Outputs. # KI im Selfpublishing: Chancen, Risiken und eigene Verantwortung  ## Wie Autoren und Autorinnen mit ChatGPT & Co. produktiv und reflektiert umgehen können   Künstliche Intelligenz – kurz KI – ist seit ein paar Jahren in aller Munde. Für viele Auto:rinnen stellt sich die Frage, wie und ob sie KI-gestützte Werkzeuge, etwa ChatGPT von OpenAI, in ihrem Schreibprozess nutzen sollten. In der Selbstverlagsbranche erleben wir einen grundlegenden Wandel, der nicht nur Chancen eröffnet, sondern auch neue Herausforderungen und ethische Fragen aufwirft.   ---   ## KI: Von der Science-Fiction zur Alltagsrealität   Was vor wenigen Jahren nach Zukunftsmusik klang, ist längst Gegenwart: Ob beim Schreiben in Word, der Nutzung von Suchmaschinen oder beim professionellen Layout von Büchern – künstliche Intelligenz ist überall. Fast unbemerkt haben große Anbieter wie Microsoft, Google, Adobe oder Amazon ihre Systeme „intelligent" gemacht. Wer einen Text am Rechner schreibt, arbeitet praktisch immer auch mit KI-basierten Algorithmen.   Nach meiner Ansicht ist es illusorisch, sich dem grundsätzlich zu entziehen. Der technische Fortschritt verschwindet nicht mehr aus unserem Alltag, sobald er profitabel ist. Die entscheidende Frage ist daher nicht mehr, ob wir KI in der Buchbranche erleben, sondern vielmehr: Welche KI-Tools nutzen wir? Und nach welchen Kriterien wählen wir diese aus?   ## ChatGPT, OpenAI und die neue KI-Landschaft   ChatGPT von OpenAI wurde in Rekordzeit zu einem der populärsten KI-Tools weltweit. Laut Berichten lag der Marktanteil zum Teil bei über 87 Prozent – eine beeindruckende Zahl, die jedoch in den letzten Monaten leicht rückläufig war, da immer mehr Menschen kritisch hinterfragen, mit welchem Anbieter sie arbeiten möchten.   Was unterscheidet die verschiedenen Lösungen? Zunächst die Qualität der Ergebnisse. Mindestens genauso wichtig ist jedoch die Frage der Werte und Interessen, die hinter einer Software stehen. So startete OpenAI ursprünglich als Non-Profit-Initiative, ehe Investoren wie Microsoft einstiegen und einen klaren Renditefokus einforderten. Immer wieder gibt es Berichte über Trägheit der Software oder spürbar schlechtere Ergebnisse vor der Einführung einer neuen, kostenpflichtigen Version – ein billiger „Schaustellertrick" zur Absatzförderung.   Schwerwiegender sind freilich die ethischen Implikationen: Die militärische Nutzung von KI – etwa zur Zielidentifikation im Krieg oder zur Massenüberwachung – ist längst Realität. Ich kann nur unterstreichen, dass sich jeder, der KI-Tools aktiv nutzt, immer auch fragen muss, ob und wie er oder sie Teil von Entwicklungen werden möchte, die diesen Einsatz indirekt unterstützen.   ## Wahrheit oder Wunsch? – KI-Tools als Recherchehilfen   KI ist kein Orakel und schon gar keine zuverlässliche Quelle. Als Tom ich z.B. ChatGPT nach mir selbst fragte, fand er zu seiner Überraschung heraus, dass die KI mir fälschlicherweise auch eine Karriere als erfolgreicher Fantasy-Autor zuschrieb (ich habe noch keine Zeile Fantasy geschrieben …). Das illustriert: KI ist darauf optimiert, plausible, aber nicht notwendigerweise wahre Antworten zu liefern. Wer KI für die Recherche nutzt, muss unbedingt kritisch gegenprüfen und darf sich nicht auf die Maschinen verlassen.   Nicht weniger problematisch ist die Datensammelwut großer US-amerikanischer Konzerne wie Google, Facebook oder Microsoft. Hier werden Informationen hauptsächlich gesammelt, um Werbung gezielt zu steuern und Gewinne zu maximieren. Für mich ist das mit ein Grund, nach alternativen KI-Angeboten zu suchen.   ## KI-Alternativen: Ein Blick nach China   Mit Anbietern wie „DeepSeek" und „Ernie" gibt es KI-Textmaschinen aus China, die in vielerlei Hinsicht mit den US-Produkten konkurrieren können – und das sogar kostenfrei. Ich schätze besonders DeepSeek für zuverlässige Texterstellung sowie eine klare Sitzungsstruktur: Am Ende jeder Sitzung sind die Konversationsregeln gelöscht – ein kleiner, aber feiner Beitrag zu mehr Datenschutz.   Faszinierend ist für ihn auch, wie simpel und direkt das Arbeiten mit diesen Tools oft ist. Die oft propagierten teuren Prompting-„Crash-Kurse" sind meist gar nicht nötig – die chinesischen Tools liefern intuitive Bedienbarkeit. Besonders bei Stilwünschen, etwa zum Thema Gendern, reagieren sie flexibel und anforderungsgerecht.   ## Ethische Verantwortung: Wo ziehe ich persönlich meine Grenze?   Die Frage nach Moral und persönlicher Verantwortung zieht sich durch das gesamte KI-Thema. Ich lege dir nahe, dir genau zu überlegen, wie und warum du eine bestimmte KI-Lösung nutzt. Denn spätestens, wenn KI-Tools für militärische Zwecke oder zur Diskriminierung eingesetzt werden, sollte jede:r für sich klären, wo die eigene rote Linie verläuft.   Auch politische Forderungen an Gesetzgeber und Interessenvertretungen müssen klar definierbar und umsetzbar sein. Vorschläge wie eine allgemeine "Kopierabgabe" für KI-Nutzung zur fairen Verteilung an Kreative werden diskutiert, sind aktuell aber noch nicht umgesetzt. ## Chancen für Selfpublisher: Mit KI wachsen – aber reflektiert!   Was können Autor:innen, Selfpublisher:innen und andere Kreative lernen? Wie schon in der englischsprachigen Buchszene geht es nicht nur um juristische Risiken, sondern vor allem darum, wie und in welcher Form du KI hilfreich für den persönlichen Bucherfolg nutzt. KI kann Bearbeitungen vereinfachen, den Schreibprozess inspirieren oder beim Plotten unterstützen. Indem du sie bewusst und kritisch anwendet, profitierst du von der Textmaschine deiner Wahl.   Doch: Die Verantwortung liegt beim Menschen. Niemand sollte blind folgen, sondern Informationsquellen prüfen, ethische Faktoren reflektieren und eigene Erfahrungen sammeln. Ohne dich gibt es kein gutes Buch!   ## Bewusst entscheiden, ausprobieren, austauschen   Die KI-Entwicklung lässt sich nicht aufhalten. Für Selfpublisher:innen ist jetzt der beste Zeitpunkt, sich aktiv mit dem Thema auseinanderzusetzen, verschiedene Tools zu testen und sich eine fundierte Meinung zu bilden. Ich lade dich dazu ein, deine eigenen Erfahrungen zu teilen, neue Lösungen kennenzulernen, aber immer auch kritisch zu bleiben.   Letztlich entscheidet jeder und jede für sich, mit welcher KI, für welche Zwecke und unter welchen Bedingungen er/sie schreibt. Reflexion, Austausch und klare Werte sind dabei der beste Kompass.   Du hast eigene Erfahrungen mit KI beim Schreiben gemacht? Teile sie gerne in den Kommentaren!  Hier die Links, die ich im Podcast anspreche, und weiterführende Informationen, Tipps und Erfahrungsberichte rund um Bücher, eBooks und deinen Erfolg: Hier kommst du zu dem Blogbeitrag über ChatGPT, den ich im Podcast erwähne: https://mission-bestseller.com/chatgpt-von-openai-als-ki-nutzen/ Hier findest du meinen ersten Artikel zu der Problematik von Amazon und der Politik: https://mission-bestseller.com/amazon-und-die-politik-ein-dilemma-fuer-unabhaengige-autorinnen-und-autoren/ Und wenn du trotz alledem wie ich weiterhin über Amazon KDP (Kindle Direct Publishing) veröffentlichst, dann brauchst du diesen Kurs, um deinem Buch mehr Sichtbarkeit zu verschaffen: https://mission-bestseller.com/keywords Hier kommst du zum Mission Bestseller Schreib-Bootcamp: https://mission-bestseller.com/bootcamp   Hier findest du alles rund ums Selfpublishing: https://mission-bestseller.com Einige der Links auf dieser Seite sind Affiliate-Links und ich erhalte eine Provision, wenn du über sie kaufst, die sich nicht auf deinen Kaufpreis auswirkt.

On this episode of Self-Publishing with ALLi, Orna Ross and Joanna Penn explore the concept of friction in the author business — the stuff that stops readers from buying and stops authors from acting. They examine reader friction including decision fatigue, pricing signals, platform fragmentation, and the challenge of buying direct; author friction including tech overload, identity resistance, and fear of judgment; and the counterintuitive idea that some friction — a signed limited edition, a serialized novel released chapter by chapter, a live human conversation — is actually worth keeping, because it creates connection, commitment, and differentiation in an age of one-click AI convenience. Show Notes Bones of the Deep. A Thriller: Kickstarter ALLi's Indie Author Bookstore About the Hosts Joanna Penn writes nonfiction for authors and is an award-nominated, New York Times and USA Today bestselling thriller author as J.F.Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. Orna Ross launched the Alliance of Independent Authors at the London Book Fair in 2012. Her work for ALLi has seen her named as one of The Bookseller's "100 top people in publishing". She also publishes poetry, fiction, and nonfiction and is greatly excited by the democratizing, empowering potential of author-publishing. For more information about Orna, visit her website.

On this episode of Self-Publishing with ALLi, Dan Holloway examines three interconnected stories about how books get discovered and sold. He reports on the launch of the UK's first BookTok bestseller list, powered by Nielsen BookScan, and what its romance- and romantasy-heavy lineup reveals about how viral book conversations actually work. He also looks at two striking examples of subscription boxes driving books to the top of the charts — including Goldsboro Books' GSFF box and the fantasy service Fairyloot — and closes with the question of whether the special edition and deluxe edition market may have reached its peak, drawing a sharp parallel with the vinyl singles collecting craze of the 1980s. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

BLADES, BOOKS, AND THE BANDIT is out in the world! I'm celebrating that and also looking back over the last ten years of being on the self-publishing endless hustle - and what it means to step off of that hamster wheel and let it get a little dusty.Goodreads Giveaway for AMONG THE THORNS goes May 4-25. Enter here. https://www.goodreads.com/giveaway/show/431710-among-the-thornsIndie Booksellers! You can buy my indie books direct from me at discount!! Submit a Request for an order hereNew Releases ~Love, Lies, and Ley LinesMAGIC REBORNNever The RosesPreorder ~Among The ThornsBlades, Books, and the BanditSocials ~ @jeffe_kennedy on all platforms :)Upcoming Events ~Tuscon Festival of Books is March 14th-15th this year! See you there! https://tucsonfestivalofbooks.orgFollow me on Amazon or BookBubThe posture correcting sports bra I love almost more than life itself can be found hereThank you for listening! You all take care. Support the show

A little story about how it took a long time self publishing to find a traditional publisher.Get "You're Going To Be Ok" here as a paperback or audiobookGet my book, "You're Going To Be Ok" & "DARBY, LOVE... (Alive things mum said before she died)", (published by Andrews McMeel):ME BOOKSMy books and prints:www.darbyhudson.comFind me:InstagramTikTokYouTube#art #writingtips #creativity #writingcommunity #writing #artist

Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. • Check it out at https://comiclabshop.com • Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) Brad and Dave tackle a listener question that gets to the heart of creative careers: Can you make a living telling shorter stories, or does success demand long-form work? As always, the answer is equal parts practical advice and creative philosophy — grounded in real-world experience and delivered with ComicLab's signature mix of humor and honesty. TODAY'S SHOW • Can you build a career on individual short stories? • Market expectations around story length (comics, film, TV) and perceived value • Creative problem-solving as a business tool — making unconventional formats work • Strategies for packaging short stories (genre consistency, shared setting, through-lines) • Examples of experimental storytelling formats (anthologies, vignette structures) • PROMO: Huion Kamvas 22 (Gen 3) — features, workflow integration, and discount code ComicLab5 at https://comiclabshop.com • Estate planning for cartoonists — what happens to your IP after death? • Debate: Should creative work become public domain sooner? • Should kids continue your comic… or make their own work? • The reality of legacy comics vs. modern independent publishing You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Chandler Bolt realized that much of what his sales managers did at Selfpublishing.com can be done better by good AI. Within a month, he built a first version with spiked sales. Now he's replacing all his managers. This is his guide to doing it well. Chandler Bolt is the founder and CEO of SelfPublishing.com, an education company that helps entrepreneurs and experts write, publish, and market books. Over the past decade, the company has helped publish more than 7,000 books and grown into an eight-figure business. Today, Chandler is focused on using AI tools like Lovable to build internal systems that improve sales, operations, and management at scale. Sponsored byZapier More interviews -> https://mixergy.com/moreint Rate this interview -> https://mixergy.com/rateint

Send us Fan MailIn this empowering episode of Living the Dream with Curveball, we are joined by the remarkable Sarah Freeman-Smith, a visually impaired author, motivational speaker, and advocate for the inclusion of individuals with disabilities. With over 25 years of experience in human resources, Sarah shares her inspiring journey of resilience, purpose, and transformation in the face of adversity.Sarah opens up about her extensive background in recruiting and her passion for helping others find their calling. After facing a life-altering diagnosis that threatened her career, she turned her challenges into opportunities, becoming a disability advocate and motivational speaker. Through her personal story, she encourages listeners to embrace their worth and pursue their passions, no matter the obstacles they face.In our conversation, Sarah discusses her book, "Turning Stones into Gems," which serves as a guide for individuals seeking to uncover their true potential. She shares insights on the importance of self-belief, the power of prayer, and the process of transforming challenges into opportunities for growth. With practical advice and heartfelt anecdotes, Sarah empowers listeners to take charge of their careers and lives.Join us for a thought-provoking discussion filled with motivation, insightful tips for career change, and the reminder that everyone has the potential to shine like a gem.What You'll Learn in This Episode:- The journey of transforming adversity into advocacy- Key insights from Sarah's book, "Turning Stones into Gems"- The significance of self-belief and positive self-talk in career transitions- Practical steps for pursuing a purposeful career change- The importance of community and mentorship in personal growthFor more information on Sarah Freeman-Smith and her work, visit www.urjems.com and explore her resources for personal and professional development.Support the show

On the Self-Publishing with ALLi podcast, Joe Solari draws a lesson from Jeff Bezos's early years at Amazon — when Wall Street was calling it amazon.bomb and Bezos kept building anyway — to make a case for why indie authors need to stop watching their competitors and start watching their readers. Using the philosopher René Girard's concept of mimetic desire, Joe explains how author communities, for all their value, can quietly install somebody else's North Star in your publishing business without you even noticing. He offers two practical tools to counter this: a one-page North Star document that anchors your publishing vision before you open any dashboard or social media group, and a one-week information audit that helps you identify how much of what you're consuming is signal and how much is just other people's noise. Sponsor The Publishing for Profit podcast is proudly sponsored by Tertulia for Authors. Build a beautiful author storefront in minutes, showcase your books, send newsletters, and sell direct. Get started at tertulia.com/alli. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. About the Host Joe Solari assists authors in developing successful businesses as the managing partner of Author Ventures LLC. In his role as a business manager, he supports his private clients, who collectively achieved gross royalties of twenty-two million in 2023, with an average pre-tax profit of 44%. This remarkable success results from implementing disciplined business strategies and maintaining an unwavering dedication to enhancing the customer experience.

Audible is rolling out a new ACX royalty model, and indie authors need to understand what's changing. We'll cover the new audiobook royalty rates, concerns around pooled payouts, Spotify for Authors distribution terms, IngramSpark metadata research, AI audiobook tools, and author scams. Stay informed before you make your next publishing move. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) Audible's New Royalty Model Screws Authors - https://open.substack.com/pub/selfpub/p/audiblegate2?r=1nx44v&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true ACX: Audible's New Royalty Model - https://help.acx.com/s/article/audible-s-new-royalty-model Spotify for Authors Opt-In Audiobook Distribution Terms - https://www.spotify.com/us/legal/spotify-for-authors-opt-in-distribution-terms/  IngramSpark: Study Finds Improved Metadata Could Boost Sales by Up to 9%* - https://www.ingramspark.com/blog/study-finds-improved-metadata-could-boost-sales-by-up-to-9-percent  Rapid-Fire Newsflash Apple Books for Authors - https://authors.apple.com Spoken - https://spoken.press Spoken: Become a Producer - https://www.spoken.press/producers GeniusLink - https://DaleLinks.com/Genius (affiliate link)  StoryVox (beta) - https://storyvox.app/ D2D's Self-Publishing Insiders: Scammers are Coming for You! - https://www.youtube.com/live/2EPOnKdNNDY?si=VLm5hPmpPA1httTl This Scam Could Cost Authors Real Money - https://youtu.be/pEbnC9PRGgw?si=RUNcHKkoekTMvgf-  Electric Lit: Author AI Scams Bingo - https://electricliterature.com/author-ai-scams-bingo/   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships  Join Me on Discord - https://DaleLinks.com/Discord  Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

It's AMA time! When is the best time to query an agent? When is the best time to go out on submission? How on earth does a writer choose comp titles? Literary agent, Kathleen Foxx, answers these questions and more on today's Hook Your Reader episode. If you want our feedback on your query letter and first 10 pages writing sample, visit storynerd.ca for details on how to submit. We look forward to reading your work! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

On this episode of Self-Publishing with ALLi, Dan Holloway breaks down Audible's decision to retire its legacy royalty model by the end of 2026, explaining what the new model means for audiobook authors and the separate decision about whether to enter the All You Can Listen pool. He also reports on the Academy of Motion Picture Arts and Sciences' new Oscar eligibility rules requiring human actors and writers, and examines a Book Industry Study Group survey showing that concern about AI-generated books in the marketplace has now entered the top four worries for publishing industry professionals. Show Notes Audible's New Royalty Model Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

How is the German market different to English speaking markets, and why might it be worth looking into translation? What are the best ways to translate, self-publish and market your books in German? With Skye MacKinnon. In the intro, thoughts on feeling empty after a book, and the benefits of SubStack for authors [Stark Reflections; Wish I'd Known Then]; AI-Assisted Artisan Author webinars 16 and 23 May. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Skye MacKinnon is the award-winning, USA Today bestselling author of over 70 books across romance and children's books under multiple pen names, most of which are also available in German, which is her bestselling market. Her latest book for authors is Self-Publishing in German: How to Translate, Publish and Market Your Books. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why the German-speaking market is much bigger than just Germany, and which genres sell best there Title protection laws, the Impressum, and translator copyright How to find and vet human translators, and what a quality translation actually costs The current state of AI translation for fiction, and why quality assurance passes are essential Distribution decisions: the Tolino Alliance, Skoobe, libraries, and why IngramSpark doesn't work in Germany Marketing in German: BookDeals, LovelyBooks, ads, BookTok, and why pre-orders matter even more You can find Skye SkyeMacKinnon.com and her children's books at IslaWynter.com. Transcript of the interview with Skye MacKinnon Jo: Skye MacKinnon is the award-winning, USA Today bestselling author of over 70 books across romance and children's books under multiple pen names, most of which are also available in German, which is her bestselling market. Her latest book for authors is Self-Publishing in German: How to Translate, Publish and Market Your Books. Welcome, Skye. Skye: Hi. Thank you so much for having me. Jo: This is such an interesting topic. But first up— Tell us a bit more about you and how you got into writing and publishing. Skye: I've always loved writing, but I was always told, “Well, you can't be an author. Get a proper job.” So I became a journalist and did that for a few years, but there was always that love of creative writing. At some point when I was getting more active on social media, I was following some other indie authors and realised they're just like me. They're not special people. I had always pictured authors as these mythical beings high up above the rest of us. That gave me the courage to put out my own book. I self-published from the start, never even looked into trad publishing, and that was in 2017. I was really lucky because my first series totally hit it off. I was able to quit my job a year later and I have been a full-time author ever since. I started with romance and then, by accident, got into children's books. Which has been great fun. I don't even have children myself, but it's just that palette cleanser in between. Writing about cute animals and unicorns and just bringing some fun into everything. Nowadays I have about five or six pen names, depending on how you count, across genres, although most of it is romance, and that's my bread and butter really. Jo: Yes, I'm certainly one of those people who wish I could write romance. It always just seems to be the most profitable market in any language, I guess. Let's get into the book. It's a fantastic book. I've been through it myself. It's really packed full of everything you need, so we can't cover everything. Let's start by considering the German language in general. Why is German a good language market to consider expanding into? And for anyone who might not realise, why is it more than Germany? Skye: Well, Germans love to read, and depending on the statistic that you look at, they're generally seen as the third largest book market in the world after English and Mandarin Chinese. So it's a huge market, even though you think of Germany as a small little country in Europe. As you said, it's much more than Germany. Yes, you've got about 83 million people in Germany, but then you've also got Austria, Switzerland, Liechtenstein, parts of Belgium, Luxembourg, and even Italy. So if you look at the whole footprint on the map, it is much bigger than just the one country. A lot of young people there still read and go to bookshops. There's a huge bookshop culture. You will find, if you go to a high street there, way more bookshops than you do here in the UK, for example. There's demand for quality and for really gorgeous books. They have been way ahead of the curve when it comes to special editions and sprayed edges, and they also like translations. I found one statistic where about two thirds of all newly released titles in German are actual translations. Readers are used to translations, but until a few years ago it was all trad-published translations. So this transition is coming now. It's coming very, very fast, especially with AI. They generally are very open to translations as long as the quality is there. Jo: So what about specific genres then? Obviously we mentioned romance there, and romance is not just one genre anymore. Whatever they're writing— How can somebody tell if it's worth expanding into German? How do we do this? It takes time and effort and money, potentially. Skye: It can take a lot of money, so it is worth doing research. There's one easy way, which is just looking at your current sales and looking at how many books you're selling in Germany, Austria, and Switzerland at the moment in English. That can give you an indication of which of your books might be already quite popular there. Sometimes it's quite surprising. A lot of my books sell very differently in German than they do in English. I've got one series that did okay in English, and I almost didn't translate it. The German version is, I think, my second bestselling series in German and has completely surprised me. So sometimes it's worth just experimenting a bit. Otherwise, obviously as you said, romance is doing really well. There are a few surprises though. I had a chat with Draft2Digital and they gave me lots of information from their statistics, and they said about 40% of all the western title sales on Draft2Digital are actually in Germany, which is just a huge percentage. Jo: In English? Skye: Across languages. Jo: Mm-hmm. Skye: Germans, to be fair, they love their westerns. My dad in Germany, he has been watching westerns for I don't know how many decades. It is one of those things that is just really popular there. Another thing is anything that is set in other countries and really has the location as almost like a character. There's lots of Cornwall, Scotland, different islands, but also mountains and cities. So if your book is set in, even in New York City, if it has a clear setting—if it's not just that it could be any city—then that's a good one to think about translating. In general, most genres can do well. There's a few where you have to be a bit careful. Second World War books, for example. If you have a book that portrays every single German as a Nazi and as evil, it might not do as well in Germany. So some common sense when it comes to historical books. Otherwise, just look at German retailers, look at what is selling there—and not just Amazon. Places like Thalia, which is part of the Tolino Alliance, and they have about 40% of the market. So it's really important to look at them too, and not just at Amazon. Jo: We'll come back to the distribution in a minute. There are some important differences between the German market and the US/UK market. Obviously we're talking about a different language, but of course there are a few things that are different that some people might not think about. So give us a few of those things that people definitely need to think about. Skye: Okay, so even before you start publishing, you need to be aware that title protection is a thing in Germany. Your book can't have the same title as an already published book. That is a law that is basically there to avoid readers being confused. So if you had five books with the same title, readers might not realise which book is by which author. You have to do your research and check if anyone else is using your title. There are some exceptions—if it's a completely different category, so if there's a children's book with that title but you write spicy romance, then the chance that the reader gets confused is much lower. Quite often you can then contact either the author or the publisher and ask, “Can I get written permission to use that title?” I did that for one of my series and it was totally fine. Just be sure to get it in writing, because if your book suddenly becomes a huge bestseller, they might reconsider. So title protection is an important one. You need to research that before you publish. One thing that people sometimes get confused about is reusing their English title. That's totally fine because it's your own title. So if your English title hasn't been used and you want to keep that same title, that works. It's just about other people's books where you can't use those titles. Another important legal bit is the Impressum. It's the copyright page. To be fair, websites that are targeting German readers or a German audience have to have that Impressum. It's usually on page two of the book, and it has things like your legal name, your address, and then the usual things like the translator's name, cover design, and other things you would usually put on a copyright page. The problem is that technically you need to put your legal name in there unless you have a limited company, in which case you can also put the business name there, and your address. A lot of people obviously don't want to do that for privacy reasons, especially romance authors where it's sometimes a bit sketchy when it comes to some readers who get a bit too obsessed. There are services where you can pay a monthly or yearly fee and then use their address. It's a bit of a legal grey zone, but a lot of German authors are doing it because—especially as indie authors—we don't always want to put our legal address out there. Jo: Just for people listening, I use my accountant's address. That's quite common. I mean, you have to share your address on your email for anti-spam laws and all that kind of thing. As you say, there are ways to use other addresses. That just needs to happen. What else then do we need to think about? Skye: There are things about the translator. A lot of things that people are sometimes scared about is when they hear that there is a copyright issue with translators and they think, “Oh, my translator has the copyright. I can't do anything.” Actually, the translator is seen as an author—almost like a co-author of the translation in German law—because, to be fair, it's not just putting one word into another. Translation is quite a creative job, especially when it's fiction. It is a very creative job where the translator has to put a lot of their own creativity into it. So in German law, they're recognised as the creator of that translation and therefore have certain rights. But you as the author, as soon as you have a contract with your translator—which is why you always, always, always have to have a contract—you get the usage rights. This means it's exactly the same as with your English books. You can do with them what you want. You can get audiobooks, you can do print books, you can do whatever you want in different formats. It just needs to be clear in a contract that the translator is giving you the usage rights of that translation. That's something that people sometimes find a bit scary, but actually it's really simple. Translations have been done for so long. It's a normal thing. It's just called slightly different. It has to be set out in a contract. Jo: Just on that, that's when the translator themselves is in Germany, because if they are based somewhere else, still doing a German translation, that's not necessary. So that's something else for people to consider. Skye: Yes, definitely. To be fair— I would always try to get a translator based in the country. I mean, I'm a native German speaker, but I've been in Scotland for so long now that I am not confident enough to translate my own books anymore because I'm not surrounded by German 24/7 and my grammar is slightly off and I don't have that up-to-date, modern lingo. So if it's a translator who's only just moved somewhere else or a few years, that's fine. But if it's someone who's been in the US or UK or somewhere else for 20 years, I would be a bit more hesitant. That's just a personal perspective on that. One other thing that's different is Sie and du. There are two different kinds of “you” when you talk to someone. There's the formal Sie, which you use basically amongst adults, in business contexts. But even my German grandma—she had a friend and they used the formal Sie for about 10 years as friends because in German etiquette, the older person has to offer the younger person the informal du, and they never did that for some reason. We found it hilarious as kids that they were still using the formal Sie as really good friends. So there's an entire culture there that people who haven't been to Germany or haven't lived there for a while just find a bit difficult, because there are so many different unwritten rules about when you use Sie and when you use the informal du. It's weakened a bit over the years and nowadays even strangers would sometimes use the informal du depending on the context. It really depends. A good translator will usually handle that themselves. They will find a scene where, for example, especially in romance, you meet as strangers in the beginning, so you use the formal Sie, and then at some point that formality turns to informality. The translator will usually choose that moment and add a little extra scene or a sentence where they either offer it to each other or they just naturally switch into it. But then there might be an internal little monologue of, “Oh, he just used the informal du—I guess we're at that stage,” or, “I really appreciate that.” Just to make it more natural, because that's something I quite often see with AI translation where that doesn't happen, and readers get confused. Why did they just switch from Sie to du without any kind of acknowledgement of that? Jo: This is the same in Spanish and other languages, I imagine. Skye: Yes, French as well. Italian too, I think. A lot of European languages have this. Jo: I think that's something that English speakers just don't get. It is a really interesting moment. I guess that might not happen so much in other genres—that really is a thing in romance. I was just thinking about some of my thrillers. They may never have time to get to du. Skye: But then sometimes using du can also be a rude thing. So if you have an antagonist who really doesn't like your protagonist, they might just use du as a rude sort of address. Again, that's something that English speakers just wouldn't understand or even think of because we just have the one “you.” Jo: We just have the one. Jo: It's the tone. Of course, it's the tone. Skye: Exactly, yes. Jo: Okay, well let's get into the actual translation of the books themselves. Over the years I've worked with lots of humans. I've also licensed my rights. I've used different AI tools. I mean, there are tons, but as we record this— What are the options that are available for translations? Give us some tips on working with humans and finding humans. Because it can be super pricey. And of course most of us will never know about the quality until we publish it. Skye: Oh, yes, definitely a note on that. I found that quite often you will already have German people on your newsletter list or on your social media, and most of them will be super happy to give you some feedback on your translation. That's something I've used a lot. Not for German, because I speak the language, but when I did French and Italian translations. My French is—well, it used to be quite okay. It is passable at best now. So I would never feel confident enough to rate a translation. So I asked my newsletter list, “Are there any French people here who would be happy to read the book? I'll send you a free copy at the end, and some swag.” There were a surprising number of people who got back to me. The same applies to German and other languages, because if you don't speak the language, you sometimes lack the confidence of knowing if this is any good. Getting some reader feedback is super helpful. For finding human translators, the easiest of course is word of mouth, and I'm a big fan of that because you get instant feedback on whether someone is good or not and whether it's easy to work with them. Then there are freelancer platforms. Reedsy is one where everyone is vetted, so that's pretty good. But there are tons of other ones like Upwork and Fiverr, though there you have to do all the vetting yourself, so that takes a lot more time and effort. There are also more and more agencies—translator agencies who specialise in doing indie book translations. There's Literary Queens, there's Valentine Translations, there are tons of them. Then there's also, which I think a lot of authors ignore or don't know about, translation databases. There are two databases for German translators, for example, where you can search and you can usually narrow it down to whether you want literary translators, what kind of fiction or nonfiction you want. An important thing is that a literary translator is very different from a standard translator who translates birth certificates or formal documents. You want someone who has experience with fiction if you write fiction. Someone who knows about adding drama through language. Sometimes, for example, when you have an action scene, you might have shorter sentences. If you have someone who doesn't know about stuff like that, they might just think, “Oh, in German it sounds really nice to have this really long sentence.” Those little nuances are where having an experienced literary translator is a big bonus. There are some platforms that do royalty-split translations that have been quite popular in the past. Most of them I wouldn't really recommend because you just don't get those professional translators there. You usually get people who speak the language but don't really have much experience. So you might end up with a pretty bad translation, or people might just be using AI translations without telling you. If you use a human translator, always, always get a sample, because yes, they might have amazing credentials, but until they've actually translated one of your books or a scene from your book, you don't really know how good they are. I like to always use, if I write romance, a slightly sexy scene, because sex seems to show you if someone can translate or not. It's just what I've found, because if it sounds absolutely awkward or more like mechanical rather than an emotional, spicy thing, then that's a clear point for me to say, “No, thank you. I'll look for someone else.” Action scenes, sexy scenes, really emotional ones, dialogue that has a bit of colloquial language or humour—those are good scenes to choose as a sample because that really shows you if a translator can do their job or not. Then, again, have some German people from your list give you feedback on that. Also, if you work with human translators, always try to make sure that they will be available for your entire series. And not even just a series—if you have lots of books, try to grab that translator, lock them in your basement, and never let them go, because you want their style for all your books. Just like you have a style as an author, translators have a style and that will always shine through, as much as they try to be as close to your original. A bit of their style will always come through. It helps to have the same translator for at least the same series, preferably for as many of your books as possible. You really want to tell them in the beginning, “This series has nine books. I want you to do all of these, even if we only do a few of them at the beginning. Are you available to do the rest later?” Because you don't want to end up having to find a new translator in the middle of the series. That gives you a whole lot of extra work with trying to have a world bible that explains which words get translated and which get left as the original, and stuff like that. When it comes to non-human translation, it's very different because of course you don't need to do all that vetting. Tools have different capabilities and abilities, but in the end, if you put your book into a translation tool, you will always get a slightly different output. So it's not quite the same where you need an entire vetting process. Jo: Just on the human translation, I think I'd be right in saying that every single author in the world would love to have the best human translator translating their book, whatever genre it is. That would just be amazing for all of us. But let's face it, that's extremely expensive. So if I've got, let's say, a 70,000-word thriller, how much money are we talking about? An approximate number, so people know what that might be. Skye: Usually it goes by the word, but by the target language word count. Although it depends on the translator, traditional translators usually go by the target language because that's what they actually produce as their output. The average at the moment is anything from about seven to nine euro cents per word as the medium price. You will find cheaper people. You can go up as high as you want really. I have definitely seen translators who charge 15 cents and above per word, but those will usually be the ones who have worked with a lot of trad publishers who are used to being paid like that. Although even in trad publishing, the rates are going down. With more and more authors wanting translations, I think in general rates are going down. Good for us, not so good for the translators. You're definitely looking at thousands, even if you translate novellas. Then it depends—some translators have editing included, sometimes they don't. A lot of them will have arrangements with other translators where they give the translation to another translator for them to edit it. Sometimes that's included in the price, sometimes it's extra. Always make sure it gets edited, because just like when we write a book, it will never be exactly perfect. I say that as someone who writes very clean because I have a journalism background, so I'm used to writing really fast and clean for deadlines, but there will always be a few typos that just wriggle their way in. Typos are evil like that. It's the same with translations. Jo: So we are probably looking at 2,000 to 10,000 pounds, dollars, euros. We are talking about quite a lot, and this is the main reason I think that now, with AI becoming a lot better, people are looking at this. Originally—and I don't even know, probably eight years now since I did my first, might even be a decade or more—I did at some point do a version in DeepL, which was an early AI translation tool. This was nonfiction, and then paid an editor, a German editor, to then edit that in German. Those books still get good reviews. But now people are looking at options like GlobeScribe and ScribeShadow, or even just using Claude or ChatGPT. I'm actually working at the moment on a Claude Code pipeline through lots of different QA passes. That's been really interesting for me, because I can say, “Okay, now you are a reader who likes these kinds of books. Read it for that.” And because we can now put really big books in, I can actually get a lot of really interesting feedback. So I feel like there's a lot of potential with AI—potential for good stuff, potential for bad stuff too. So talk a bit about that and what to watch out for with AI. Skye: Okay, so I'm very much pro-AI and I use AI in lots of different things in my business, just to preface that. However, with translations, I'm still a bit wary, just because I have seen a lot of bad AI translations. To be fair, I've experimented with it myself for one of my other pen names. It was readable. It was definitely readable. It had sometimes beautiful, gorgeous prose. Really. But there were, occasionally—quite often even—bits where I stumbled as a native speaker. It's readable and, if I just need a little quick book in between, I would be mostly happy with that. I would read it. It's the same as some of the early KU days where you found a lot of bad quality writing, but you just wanted to read it because the story was pretty good or because you were reading it in KU and so it didn't really matter that much. There is that spectrum of quality where you have the, “Yes, it's good enough to read,” but, “Is it good enough to be up to your standards?” That's a decision that everyone has to make for themselves. If they want the same quality that they put into their English book, or if they're fine with just offering that book to a new audience because maybe you wouldn't be able to do it otherwise. I totally see that. Translation is so expensive. I don't even know how much I have spent on translations over the past few years. I'm lucky that most of my books make it back within the first weeks or months. I've never had a book that didn't make its money back, but I have heard a lot of people where that's not the case. It is a lot of investment and I would never tell someone to go into debt or anything to do translations. Do it when you're at a time where you can afford it, or where you can also afford the loss if it doesn't work out. Now, AI has changed that slightly because it now opens it up to almost anyone. Some of the AI translation tools are a few hundred pounds, but if you do it in Claude or ChatGPT or something where you already have a subscription, it can actually be quite cheap. You can do it for a few dollars or pounds. I love, by the way, having someone in the UK. I'm so used to automatically saying everything in dollars, but actually I should be using pounds. I think if you know what you're doing—and you clearly do, with your several passes, you know what you're doing with AI—but if someone just puts their book into Claude or ChatGPT or some random tool, it might just not be good enough. Jo: Let's say it won't be good enough if you just do that. We know that. You have to have QA passes—quality assurance. You have to have rules per genre. There are ways of doing it. It's kind of like you have to get to know how translation works. It's a process. It's not just a translation, like you put something in Google Translate or a menu or something, because we do care. I think that's really important. Skye: Yes. I think if you don't know how AI works—that you need detailed prompts, that you need a style guide, that you need all that extra material and not just your book, all those rules—then please don't do it. If you value your German readers—and I think sometimes when I see people just churn out those translations without doing any quality control, using exactly the same cover or even just putting a German flag on it or something—I really feel bad for German readers because they're not being valued as having the same sort of value to us as authors as our English-speaking readers. Maybe I'm a bit biased there because I read in multiple languages. I want to be able to get the same sort of quality in all languages. I want the author to think of me as being special because I'm their reader and I'm their customer. I think we are on the way where AI translation can be almost autonomous. I would personally always have a human look over it. I know what I'm doing, and I'm almost happy with my translation system that I've built now in AI, but it still needs that human touch for a few things. It still needs me to tell the AI, for example, “This is where we switch from Sie to du.” This is where I need to keep certain words in. For example, I write a lot of Scottish books, and so words like “glen” or “loch”—they are words I want to stay the same in my German translation. I don't want to translate it to the German equivalent of “lake” because that just misses that Scottish context. Things like that need instruction. A human translator will usually know that and chat to you about which words you want to keep and which ones you want translated. AI just needs our guidance, our helping hand, and if we don't know enough about the target language, we just miss knowing that. Now, a lot of tools do it all for you basically, and they set up all these rules. I think many of them are at a very advanced stage now. But AI isn't perfect and it likes to hallucinate, it likes to add random things. So I will always still have a human touch at the end, even if it's just a quick edit. A lot of people think that they just need a proofread after an AI translation, but AI doesn't really make typos—or not to an extent that humans do. So proofreading isn't really what's needed for an AI translation. It is actual editing where you go for the style, the phrasing, and sometimes the context. There's one example I always like to give. I have an alien romance where they go on a honeymoon, and because he's an alien and she's human, he misunderstands and thinks she wants to go to an actual moon. So it's a little pun in the book. It doesn't work in German at all because the word “honeymoon” has nothing to do with moons or planets in German. An AI would probably just try to translate that in a way that's quite close to the original. But my German translator, she had to come up with several different ways of fixing that issue, because humour is hard. It's hard even for humans to get the humour translated in a way that is still funny but also culturally appropriate. If you have a book that is full of puns, it gets harder with AI. I am not saying it's impossible, but it needs a lot of handholding. Jo: Yes, I think humour is hard to translate in general, isn't it? Let's move on to the distribution, because again, having done quite a lot of different languages over the years, I do use Amazon KU for my books in German and Italian and Spanish and some French. So I haven't gone wide in terms of ebook and print or audio, in fact, because I have a lot of books and it is hard to go wide in English, let alone in other languages. But you mentioned earlier that Thalia has 40% of the market or something, and that special editions and print books are important. So what are the decisions we have to make around the actual publishing? Skye: In Germany they did a really cool thing, and I wish they'd done that in other countries. When the bookshops saw that Amazon was growing and posing a threat to them—not just with print books but also with ebooks—a lot of the German bookstores got together and they formed the Tolino Alliance. They have big book chains like Thalia, but also I think it was over 1,500 indie bookshops that all got together. They all support this ecosystem for ebooks, which means they all share the same e-readers. They share the same sort of backend for the shops, which made it really easy for them because they didn't all have to develop an ebook system. It saved them a lot of money. It made it really easy to tell readers, “This is the Tolino system. You can get your books at our bookshops, but you can read them on your Tolino e-reader no matter where you get the books from.” The Tolino e-readers are actually the same as Kobo e-readers, just rebranded. They've got that big advantage there—these independent bookshops and book chains all got together. Now it's hard to find numbers because Amazon doesn't really like to share their numbers, but it's about 40% of the German ebook market, which means it rivals Amazon. They have about the same. Then the rest is split by Apple Books, Google Play, and some of the smaller players. So it is a huge chunk of the market. I'm wide with pretty much all my English books. So for me, I looked into KU, but when I saw that I was going to miss out on 60% of the market—even if Amazon has 45%, that's still a big chunk—I decided to go wide. To be fair, I haven't regretted it, because Tolino are amazing to work with. I like to compare them to Kobo because they have a really lovely human team where you can just email them and tell them, “I've got a new release coming up,” and they will put you into different promos and it's all free. Jo: Do you publish direct to Tolino, or do you use Draft2Digital? Skye: Yes, you can publish direct to Tolino and that's actually the best way of doing it. You don't have access to their marketing opportunities if you use a distributor. The Tolino dashboard is annoyingly all in German, but by now every browser has a translating plugin built in. I know lots of authors who don't speak a single word of German who navigate Tolino very successfully. They started with only ebooks in the beginning, and then about two weeks after the first edition of my book on German translations was published, they introduced print books, which meant my book was immediately out of date. I was fuming. But this time they introduced audiobooks a few weeks before my Kickstarter launch for the second edition, so this time the audiobook part is included. I was very happy about that, because it was a pain to just tell everyone, “Well, this book is out now but it's actually missing a big part of how to do print books in Germany.” So Tolino does print, ebooks, and audiobooks. And just because you're in KU with your ebooks doesn't mean you can't publish your print books via Tolino. I highly recommend that, because IngramSpark—which most of us indies use for distribution for print books—doesn't get you into the German bookstores. They used to. Then German stores have fixed price laws where books have to be the same price in all stores, and IngramSpark kept going against that. They kept sending them the wrong prices. So German bookstores at some point just said, “Nope, we've had enough of this. We no longer take books from IngramSpark.” So now Tolino, in my opinion, is the best way of getting your books listed in German online bookstores, but they can also help you get into brick-and-mortar stores. One of my books was featured by them, I think two years ago, and it was in about 300 of their shops all across Germany. It had its own little pedestal and it was amazing. Tolino love working with their indie authors. They also love romance, which is always a bonus because some stores are more prudish than others. It's really easy to work with them. They speak perfect English, so you can do all your communication outside of the dashboard in English. Their audiobooks feature is very new. Until they did that, it was much harder for German audiobook distribution because places like Findaway Voices and other distributors wouldn't get you into the Tolino Alliance stores for audio. That's a big chunk that we were missing out on. I was always looking for ways to get my German audiobooks into those stores, but the German distributors that I found were really difficult to upload to, to be honest. I'm a very technical person, but it challenged even me. I did not like that experience at all. At some point I really just gave up and wanted to throw my computer out of the window. So when Tolino introduced that, I was celebrating internally. The only problem with their distribution at the moment for audio, because it's so new, is that you can't exclude any shops. So it's all or nothing. They will get you into all the different places, including Audible, Spotify—you name it, lots of different streaming services and retailers—but you can't exclude any. So while they don't actually want exclusivity, if you published it yourself at the same time through ACX or Findaway Voices or something else, you would have duplicates, and of course, we try to avoid those. Jo: Is it human narration only, or do they also accept AI narration? Skye: They accept AI narration. The thing with Tolino is that they want everything made very clear. If you publish any books with them that have an AI production aspect, you need to put that into your Impressum. For audiobooks, there's a box to tick to make it clear. Jo: Hmm. Skye: So they are open to it all. You just need to declare it. Jo: Which I think should be true everywhere, to be fair. Skye: Oh, definitely. And a lot of German distributors—while I was researching for this book, one thing I always looked at is, “Do they need you to declare your AI use?” More and more German distributors and retailers now want you to do that. I think that's the way it's going. It's not a judgement thing. I think it's just making it clear to readers. In Germany, it's all about transparency. That's why there are all those laws with GDPR—everyone will have heard about that one by now. But there are lots of other laws where it's all about consumer rights and transparency, and that's one of them. Jo: Is there anything else on the distribution side we need to think about? Skye: One thing I like to highlight is libraries, because that's quite a big thing in Germany too. They love books and bookstores and they love libraries. Some of the ways we get our English books into libraries—like a distributor like Draft2Digital for OverDrive—OverDrive is growing in Germany. There are other systems like Onleihe, just to name one. You can't get into those through, for example, Draft2Digital or PublishDrive or StreetLib. Tolino gets you into those. There are also subscription platforms that are growing. I think it's the same as in the English-speaking market. People love a subscription, and I love them. I just don't like exclusivity. So I very much support any subscription platform that doesn't require me to be exclusive to them. Skoobe is one of them. They used to be an independent platform, and then the Tolino Alliance bought them. So now they're integrated into the Tolino stores. That means it's really prominent. Basically, any time you go to an ebook on, for example, Thalia, it will have a banner there saying, “You can also get this in our subscription.” So it's taken a while to grow, but actually in December I now made more with their subscription programme than I made in book sales. I think three of my books were in their top 10 in December. To be fair, that was a pretty good month. But it definitely shows that it can take a while to grow these subscription platforms, but when you do, it can be really successful and very much worth it. So I highly suggest looking into those sorts of platforms too, not just the standard retailers and the platforms that you're already used to. Jo: Fantastic. So we've now got translations, they're on the various stores, and then just like in English, one of our next challenges is actually marketing the books. Now this becomes another challenge, because one of the reasons I am in KU for foreign languages is because you get the five free days and you can do Amazon ads. I mean, you can do Amazon ads for wide books too, but it's easier to know that there are some options for marketing at all. I don't do email marketing. I don't do social media, so I'm pretty bad at marketing in foreign languages. So what are your suggestions for those who want to do more active marketing in German especially? Or even if we don't speak German, it can't be all the personal stuff. But are there also advertising things like BookBub? What are our options basically? Skye: There are quite a few things. It's not quite as easy as in English, of course, but I think sometimes you have to remember that you already have most of the material for marketing when you've released a book. You will have made graphics in English, you will have written a newsletter, you will have done some social media posts. All that material is already there, so you don't have to reinvent the wheel. You can just translate that, and for that, AI translation is really good because it's very quick. You don't have to bother your translator. You can just get that done. That's what I had to remind myself, because in the beginning I did everything from scratch and it took me forever and I was hating it. Then I realised, well, I could just look at the newsletter I wrote three years ago when that book released in English and translate that. That's done within a minute and I can send that out. So remember that you have a lot of content already. There's no BookBub or nothing as big as BookBub. There is a site called BookDeals, which sends out newsletters for both reduced or free books and also for new releases. I use them for pretty much all my new releases, or at least always the first in series. They're nowhere near as big as BookBub, so don't expect miracles, but I generally always break even or a bit more. It's hard to tell, of course, especially if you do several things for a new release. But my instinctive look on this is that it's worth it. BookDeals is the big one. There are a few other promo sites, but to be honest, I've not really found any of them to give me a positive ROI. I experiment with them occasionally and I listed them all in my book just for completeness, but BookDeals is the big one. Then there is LovelyBooks, which is the German Goodreads. Some Germans also use Goodreads, so always make sure to have all your German books listed there. But LovelyBooks is the big one. I love that place because people are so much kinder than on Goodreads. I avoid Goodreads completely. If I need a review, I send my assistant there to look at reviews. I don't go there. It is scary. LovelyBooks—the name is kind of telling. It is a more lovely place. People are generally more friendly. They are probably a bit more critical when they write reviews than they are on retailers, but I have found it really nice to build a community there. You can do these book clubs where you give away a copy of your book, either as print books—or I always do ebooks because I don't want to send books to Germany. Then people discuss the book as a sort of book club and then they review it at the end. I have had great success with that. I've built up a community of readers who will now buy my books too, even if they don't get them for free. I found some beta readers through that. So I love LovelyBooks. The annoying thing again is it's in German. However, their support all speaks English and you can email them with questions. They're really good. Even if you don't plan to run any book clubs or anything like that because you don't speak the language, I would always advise just setting up an author profile there because it makes it easier for your books to be found. You can track reviews, you can track reads, and that just gives you an extra place to get more visibility for free. Ads—there's not much difference compared to what you do for your English-language books. The one thing is with Facebook ads, now because of EU data protection laws, it's much harder to target because people can opt out of ads and targeting. In general, cost-per-click ads are cheaper than in the US or the UK, so that's a bonus. BookTok is big and only growing there. I don't really do social media for my German books because I just don't have the bandwidth. I wish I could, and I know some people who outsource that. In an ideal world, I would have a social media account for every single language, but it's not an ideal world and I just have limited hours in the day. But even just creating an account so that people can tag you, so that people can find you, can already be a good start. One thing that's not maybe a marketing strategy as such, but something I like to highlight, is pre-orders. If you write in series, always, always make sure that the next books in your series are up for pre-order, because— German readers have been burned so many times by authors or even publishers who just translate book one in a series and then stop. They are quite hesitant sometimes to start a new series when they see it's book one of something and they don't see the next book up for pre-order. To be fair, it's similar in English. I always make sure to have a pre-order up for the next book. Because people would just not read the series until it's complete or until they know it will be complete at some point. So always set up a pre-order if you can. Don't set it up when you don't actually know when your translation is being done, or choose a date far in the future. Just make it very clear to your readers that you are intending to translate the entire series, that you're not going to disappoint them, that they're not just wasting their money on a book one only to never find out what happens next. Jo: Fantastic. Well, this is a big decision for people to make, I think, because there's no point in doing one book in German and then not doing anything else, in the same way as doing one book in English or any language. You have to think about investing in an audience. So lots for people to think about. The book is fantastic. It's called Self-Publishing in German. So where can people find you and your books online? Skye: For my author-facing things, just go to SkyeMacKinnon.com/authors, and there you find the book about German translations. You also find more information on what I do. You can book consultations with me. I love doing those one-to-ones, especially about translations, because you can really dive into someone's catalogue and look at what would be a good strategy for someone, rather than just in general. Otherwise, it's SkyeMacKinnon.com for all my romance. If you want adorable children's books, it's IslaWynter.com. That's Wynter with a Y. Jo: Brilliant. Well, thanks so much for your time, Skye. That was great. Skye: Thank you so much for having me.The post Self-Publishing in German: How to Translate, Distribute, and Market Your Books with Skye MacKinnon first appeared on The Creative Penn.

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether authors of memoir and creative nonfiction should invest in a legal review before publication. Other questions include: Should you agree to a publishing services contract that assigns your ISBN to the company? When is the right stage to add references in a nonfiction manuscript? Are Goodreads giveaways worth the cost compared to other marketing options? What is the simplest way to build a functional author website with email capture and reader magnets? Should you revise and republish a bestselling book with low reviews or focus on new work? What should you do if you are about to miss an Amazon pre-order deadline? And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

On this episode of Self-Publishing with ALLi, Dan Holloway reports on the return of BookCon to New York after a pandemic-era hiatus, where the Indie Alley proved a genuine hit with readers — a sign that the established book world is increasingly making room for independent authors. He also has an update on the Anthropic copyright settlement, where 91 percent of eligible titles were claimed before the deadline, putting the expected payout per title at around $2,931, with a reminder that traditionally published authors may receive less due to rights splits with their publishers. Show Notes BookCon Indie Alley application Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

This episode examines a Bluesky thread where cartoonists self-reported their financial realities. While the original question was thoughtful — seeking insight into full-time and part-time comic careers — the resulting discussion revealed a common problem: an echo chamber of discouragement. Brad and Dave emphasize that these threads often skew negative due to self-selection bias. Many successful creators don't participate—either because they're busy, uncomfortable sharing income, or wary of backlash. The result? A distorted picture where it appears that no one is succeeding, even though many are. TODAY'S SHOW Nobody makes a living in comics ComicLab LIVE at the NCS Conference and Reuben Awards, Aug. 6-8, Columbus, Ohio — nationalcartoonists.com Tattoos Baby Blues and Zits announce retirement Death of syndication   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

The FTC just hit Publishing.com and the Mikkelsen Twins with a $1.5 million settlement, and that is only part of this week's self-publishing news. I also cover impersonation scammers targeting authors, Spotify expanding deeper into audiobooks and print discovery with Bookshop.org, a helpful new KDP Select calculator from Kindlepreneur, and more rapid-fire updates authors need to know. If you care about self-publishing news, author scams, audiobook growth, and the latest publishing industry shifts, this one is worth your attention. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) Publishing.com to Pay $1.5 Million for Misleading Consumers about How Much Income They Could Earn Using the Company's Products and Services - https://www.ftc.gov/news-events/news/press-releases/2026/04/publishingcom-pay-15-million-misleading-consumers-about-how-much-income-they-could-earn-using Kindlepreneur: KENP Calculator: Know What a Kindle Unlimited Reader Is Actually Worth - https://kindlepreneur.com/kenp-calculator/?aff=18 Spotify Expands Audiobook Features, and Printed Book Sales Go Live in the US and UK - https://newsroom.spotify.com/2026-04-15/audiobook-charts-recaps-page-match-bookshop-update/  Spoken: What Did the "Your Story" Winner Webinar Reveal? - https://www.spoken.press/the-spoken-chronicle/your-story-grand-prize Rapid-Fire Newsflash ProWritingAid: Plot Analysis - https://prowritingaid.com/features/plot-analysis?afid=6615 Book Brush: Launch Smarter: Build Your Newsletter, Website, and ARC Team Before Your Book Hits - https://us02web.zoom.us/meeting/register/gr1FVJtBSzOwv4qYost18Q#/registration Twin Flames Studios: Great Books Aren't Written—They're Edited - https://twinflamesstudios.com/book-editing-authors/  The Self-Publishing with ALLi Podcast: Marketing Your Books Using Video, with Dale L. Roberts and Matty Dalrymple - https://selfpublishingadvice.org/podcast-marketing-your-books-using-video/ Indie Author Magazine: Email Marketing That Turns Readers Into Fans (and Buyers) - https://webinars.indieauthortraining.com/replays/   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Our final show before we go dark for the 3-Month Writing Challenge is an absolute banger! After over 400 interviews and six years of virtually never taking a Friday night off, we are officially putting the microphones on standby to write a novel in 90 days. To send us off in style, we are joined by the incredible sci-fi and fantasy authors Dominique Mondesir and Gabriel Rathweg, hosts of The Story Forge podcast.This episode goes deep into the gritty reality of being a working author today. Dom and Gabe pull no punches as we discuss the "dark side" of Amazon's algorithms, the harsh mathematical realities of traditional publishing advances versus indie royalties, and how to actually stand out in a ridiculously saturated market.Plus, we debut our brand new game, Blurb or Absurd, testing the guys on whether they can spot a real sci-fi/fantasy plot from a completely fake one (Spoiler: Kung Fu chickens and coffee-brewing Orcs are involved).If you are joining us for the writing challenge or just want an unfiltered look at the publishing industry, this is a must-listen.Support the show & join the 3-Month Challenge: ✍️ Write your novel with us in just 12 weeks: Join the Challenge on SubstackConnect with Dominique & Gabriel:Subscribe to The Story Forge on YouTube: https://www.youtube.com/@DGstoryforge/streamsDominique's Website & Books: https://dominiquemondesir.comGabriel's Books: Search "Gabriel Rathweg" on AmazonBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-writing-community-chat-show--5445493/support.Connect With The Community

On the Self-Publishing with ALLi podcast, host Anna Featherstone speaks with bestselling business author Andrew Griffiths about the production and distribution choices behind his books. They discuss the trade-offs between traditional publishing and self-publishing, and how design and print decisions shape perception, pricing, and reach. The conversation also covers bulk sales, corporate partnerships, and strategic gifting as alternatives to retail, with a focus on long-term visibility and opportunity. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsor This podcast is proudly sponsored by Gatekeeper Press — your partner in premium independent publishing. Empowering authors with expert guidance, 100% rights, 100% royalties, and global distribution. From editing to marketing, their all-inclusive services help you publish professionally and confidently. Gatekeeper Press — Where Authors Are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Andrew Griffiths is Australia's leading small business author, speaker, and longtime advocate for using books strategically. He has published seventeen books, both traditionally and independently, in more than sixty-five countries and delivered more than one thousand presentations worldwide. His recent titles include Someone Has to Be the Most Expensive—Why Not Make It You and The Business of Being an Author. You can find Griffiths on his website.

This is the first episode of our brand new HOOK YOUR READER series! In these episodes, literary editor Kathleen Foxx and I review query letters and first ten pages writing samples from you, our listeners! While we're getting this off the ground, and to give you time to prepare your work, we've devoted this week's show to answering your questions about AI, writing and publishing. It's a good one! And, to find out how you can send in your work for review, be sure to stick around to the end of the episode. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

On this episode of Self-Publishing with ALLi, Dan Holloway examines Draft2Digital's decision to introduce fees for the first time — a $20 account activation charge for new accounts and a $12 annual maintenance fee for low-activity accounts — and considers both the rationale and the concerns. He also reports on Bookshop.org's record $70 million in sales last year, a 55 percent increase, and explains why the two stories are closely connected. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Send us Fan MailAI is one of the most talked-about—and misunderstood—tools in publishing right now.In this episode of Talking Book Publishing, we sit down with Julie Trelstad to explore how authors can use AI as a creative partner, not a replacement. From writing workflows to marketing strategy and author rights, this conversation breaks down what's actually useful—and what to avoid.Julie shares how she uses AI in her own process, why strategy matters more than tools, and what's coming next as AI reshapes the publishing landscape.In this episode, we cover:How to use AI as a writing assistant without losing your voiceWhy most authors struggle with discovery—not writingThe difference between ethical and unethical AI useHow AI can streamline book marketing (if you know what you're doing)Why authors need a strategy before toolsA new system that could allow authors to protect and monetize their work in AIIf you're writing, publishing, or marketing a book right now, this episode will help you understand where AI actually fits—and how to use it to your advantage.Connect With UsHave a topic or guest suggestion?Email us at podcast@talkingbookpublishing.todayJoin the conversation on Instagram: @writerspubsnet

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On the Self-Publishing with ALLi podcast, host Howard Lovy talks to Allyson Longueira, associate director of publishing at the graduate program in creative writing at Western Colorado University, about what authors need to understand about book design, from typography and interior layout to covers and branding. They discuss how design choices signal genre, how authors can better communicate with designers, and where to draw the line between creative control and trusting the experts. Longueira also explains how thoughtful design supports readability and market positioning, giving authors practical ways to approach the visual side of publishing with more confidence. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. Show Notes Long Valley Press Western Colorado University MA in Creative Writing Allyson Longueira MA About the Host Howard Lovy is an author, developmental editor, and writing coach with a long career in journalism and publishing. He works with writers at many stages of their careers, with a focus on helping them develop their ideas and strengthen their work while preserving their unique voices. He lives in Northern Michigan. About the Guest An award-winning writer, editor, and designer, Allyson Longueira has worked in fiction and nonfiction across multiple media, including newspapers, magazines, and books, for more than twenty years. She now works as a developmental editor, line editor, copyeditor, proofreader, cover and interior designer, and publishing consultant for authors of fiction and nonfiction through her company, Long Alley Press. As associate director of the publishing concentration at Western Colorado University's graduate program in creative writing, she teaches and mentors the next generation of publishers, writers, editors, and designers. Longueira is a strong advocate for preserving author voice in the editing process and trains editors to approach their work with the same focus through craft talks, conference lectures, and graduate-level classes. She has designed hundreds of book covers and interiors and has a deep interest in typography, including a willingness to discuss favorite and least favorite fonts at length. To learn more about Western's publishing MA program, contact her at alongueira@western.edu. You can also find her on LinkedIn and Facebook.

Episode SummaryIn this episode of Million Dollar Flip Flops, Rodric sits down with Michele DeFilippo — owner of 1106 Design and a publishing expert who has helped more than 4,000 authors self-publish their books since 2001.Michele breaks down the confusion surrounding modern publishing, especially the traps authors fall into when they assume they need a “publisher” when what they really need is the right services. She explains the difference between true self-publishing and the growing wave of middleman publishing companies that charge authors upfront, then also take money from every sale on the back end.Rodric and Michele also talk about AI-generated book garbage flooding Amazon, the misuse of royalties in self-publishing deals, and how authors can protect both their work and their income. If you have a book in you — or one already in progress — this episode is a must-listen.In this episode, you'll hear:Michele's path to helping more than 4,000 authors self-publishThe difference between self-publishing and paying the wrong kind of publisherWhy authors often don't need a publisher — they need expert servicesHow some publishing companies charge authors twiceThe red flags every author should watch for before signing anythingMichele's take on AI-generated books and why they're harming publishingWhy “royalty” language can be a warning sign in self-publishing dealsThe common misconceptions authors have about book salesWhy a quality book still matters if you want to build a business with itThe simple questions authors should ask before hiring anyoneHighlights & Timestamps[00:00] The publishing industry's darker sideMichele opens with a warning about publishers who take authors' money and still fail to produce a quality book.[00:00] Meet Michele DeFilippoRodric introduces Michele, founder of 1106 Design, who has helped over 4,000 authors self-publish since 2001.[01:00] Rodric's own publishing lessonsRodric shares that after publishing two books, he learned a lot the hard way and wishes he'd had someone like Michele sooner.[01:00] AI-generated books and publishing garbageMichele explains her concerns about AI-created books flooding the market and why there is no substitute for an author's real voice.[02:00] Biggest misconceptions authors haveShe breaks down how authors often misunderstand what self-publishing really means.[02:00] What self-publishing originally meantMichele explains that self-publishing used to clearly mean the author was the publisher and kept control and profits.[03:00] The rise of middleman publishersShe explains how many companies now charge authors to publish their books and still take money from every sale.[04:00] Publisher vs. services: what authors actually needRodric asks Michele to clarify the difference between a publisher and simply hiring the right professionals to help.[04:00] How Michele's company helps authorsMichele explains how 1106 Design provides editing, design, distribution setup, and publishing support in the author's name.[06:00] The money authors leave on the tableShe explains how many authors are unknowingly earning far less per book because they signed bad publishing deals.[06:00] Rodric on unrealistic publishing expectationsRodric shares how people often misunderstand what success looks like when a book launches.[07:00] Michele on the “100 books sold” mythShe pushes back on the often-repeated statistic that most books sell under 100 copies and explains why that number can be misleading.[08:00] Why authors need protection from scamsMichele talks about the emotional investment authors make in their books and why scams in publishing are especially damaging.[09:00] Rodric's story about a poet friendRodric shares a story about a friend whose poetry book struggled to find support in traditional publishing.[10:00] Rodric's message about Million Dollar Flip FlopsRodric shares a quick message about his book and the foundation behind it.[10:00] Where to find MicheleMichele shares where authors can connect with her and download her free book, Publish Like the Pros.[11:00] Michele's question for the next guestShe asks a simple but powerful question: what is your why?[11:00] Michele's answer to the previous guest's questionShe shares the last physical book she read — The Body Keeps the Score — and what it taught her about hidden suffering and compassion.[13:00] Final advice for authorsMichele ends by sharing the specific warning signs and questions authors should use when evaluating publishing offers.Notable Quotes“Some of these publishers just take their money and don't put out a good book.” – Michele DeFilippo“Authors do not need a publisher. They need services.” – Michele DeFilippo“If they're offering you a free ISBN, that's a red flag.” – Michele DeFilippo“If they're offering to pay you in a royalty, that's a red flag.” – Michele DeFilippo“There's no substitute for an author writing down what's in their heart.” – Michele DeFilippo“When in doubt, be kind.” – Rodric LenhartConnect with Michele

Blending filmmaking and fiction: Neil Laird is a veteran documentary filmmaker and television executive who rediscovered a new creative spark in midlife through writing fiction. In this episode Neil shares his journey from a small steel town in Pennsylvania to directing documentaries for the Discovery Channel and National Geographic, and eventually finding the courage to self-publish his own novels at the age of 50.Inspired by the fearless reinvention of David Bowie, Neil discusses the transition from the 'tedious' corporate side of television back to the joy of making things up. He delves into his Prime Time Travelers series of novels, which blends his deep knowledge of ancient history with satirical takes on the chaos of TV production, and offers inspiring advice for adults looking to reignite their own passions: stop waiting for the stars to align, don't be afraid of the first 'rubbish' draft, and surround yourself with cheerleaders rather than naysayers.Finding Inspiration in the Unexpected: Neil recounts how a period of unemployment led him to the New York Public Library, where a chance encounter with a book on ancient history completely shifted his creative trajectory and led to his first documentary on the Great Sphinx.The Midlife Creative Shift: Turning 50 served as a catalyst for Neil to explore fiction. Inspired by the fearless innovation of David Bowie, he decided to move beyond the constraints of documentary filmmaking to imagine historical worlds with a fresh coat of paint.Blending Expertise with Satire: After struggling to find an agent for a traditional historical novel, Neil found his unique voice by blending his professional background with fiction in his Prime Time Travelers series – a satirical look at a film crew messing up history.The Power of Creative Independence: Neil discusses his decision to self-publish, allowing him to maintain creative control over his characters and storylines, including diverse and LGBTQ+ representation that might have been lost in traditional publishing.Advice for Aspiring Creatives: Neil emphasises the importance of starting now, surrounding yourself with cheerleaders rather than naysayers, and not being afraid of the inevitable first draft being a load of rubbish.I would love some financial support to help me to keep making this podcast. Visit buymeacoffee.com/creativityfoundSupport the showFollow @CreativityFoundPodcast on InstagramWant to be a guest on Creativity Found? Send me a message on PodMatch, herePodcast recorded with Riverside and hosted by Buzzsprout

My New Book - out April 21st, 2026!REAL WRITERS NEVER QUIT: What hundreds of authors reveal about not giving uphttps://mybook.to/realwritersneverquitThis week on The Write Place Podcast, I'm joined once again by author Nikki Moore, returning to the show on the eve of a major milestone.After years of traditional publishing with HarperCollins, Nikki has taken the leap into self-publishing with her brand new novel Magical Beginnings in Little Bowbrook, writing under a new pen name, Bella Brightside. We dig into what drove that decision, the realities of going indie, and what she's learned along the way.It's an honest, practical conversation about control, risk, patience, and backing yourself as a writer, whether you're just starting out or already established.We also talk about hybrid authorship, building a launch strategy, and why readers ultimately care far less about publishing routes than writers think.In This Episode, We Cover:Why Nikki turned down a traditional book dealThe decision to self-publish and become a hybrid authorThe steep learning curve of distribution, formatting, and productionBuilding a professional product as an indie authorLaunch strategy, timing, and pre-ordersThe myth of stigma around self-publishingWriting process: from pantser to structured plotterThe realities of juggling writing with a full-time jobPractical advice for writers considering the indie routeAbout Nikki MooreNikki Moore is a UK-based author of contemporary romance and women's fiction. She has been traditionally published by HarperCollins and is known for writing uplifting, emotionally resonant stories centred around love, community, and resilience.She also writes under the pen names Ella Allbright and, more recently, Bella Brightside, reflecting different sub-genres within her work. With the release of Magical Beginnings in Little Bowbrook, Nikki has now stepped into self-publishing, making her a hybrid author.Find Out More About NikkiWebsite: https://nickimooreauthor.wordpress.comInstagram: https://www.instagram.com/authorbythesea1207Links & Resources MentionedTea Leaves & Reads Bookshop (Andover): https://www.tealeavesandreads.co.ukVellum (formatting software): https://vellum.pubScrivener: https://www.literatureandlatte.com/scrivenerSupport the PodcastIf you enjoy the show, please consider leaving a rating or review on your podcast app of choice. It really helps more writers find the show.Final ThoughtNikki's experience highlights a simple truth that's easy to overlook. There isn't one “right” way to build a writing career. There's only the path that makes sense for you at that moment.The key is being willing to learn, adapt, and back your own judgement.

On this episode of Self-Publishing with ALLi, Dan Holloway reports on Amazon's decision to withdraw online support from Kindle devices released in 2012 and earlier, and what that means for readers who still use them—including a silver lining for indie authors distributing DRM-free books. He also sounds the alarm on a surge in sophisticated scam emails targeting authors, and reminds us of the enduring wisdom of Yog's Law: money flows to the author, not from the author. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Draft2Digital just rolled out new fees, Barnes & Noble Press tightened its print book rules, and more self-publishing platforms are making changes that authors need to watch closely. In this Self-Publishing News update, we cover the latest Draft2Digital changes, Barnes & Noble Press policy updates, Bookvault shipping increases, Apple Books updates, and more. If you are a self-published author, this is the kind of industry news that can affect your books, your publishing options, and your business. Stay informed so you can make smarter decisions as the market keeps shifting.  Dibbly Create - https://DaleLinks.com/DibblyCreate Draft2Digital: Understanding D2D's Activation and Maintenance Fees - https://draft2digital.com/blog/understanding-d2ds-activation-and-maintenance-fees/ Draft2Digital: Terms of Service - https://draft2digital.com/terms-of-service/ Barnes & Noble Press: Print Book Pricing and Printing Costs - https://help-press.barnesandnoble.com/hc/en-us/articles/5358788362907-Print-Book-Pricing-and-Printing-Costs  Bookvault - https://bookvault.app ALLi: When Amazon Closes Your Account: Member Q&A with Michael La Ronn and Sacha Black - https://selfpublishingadvice.org/podcast-when-amazon-closes-your-account/ The Alliance of Independent Authors (ALLi) - https://DaleLinks.com/ALLi (affiliate link) Get Authentic Book Reviews - https://GetAuthenticBookReviews.com  Rapid-Fire Newsflash Apple Books for Authors: New BISAC subject headings - https://www.bisg.org/complete-bisac-subject-headings-list Apple Books for Authors: Manage book rights and pricing - https://itunespartner.apple.com/books/support/30-manage-book-rights-pricing  Writer Beware: Anthropic Copyright Settlement: April Update - https://writerbeware.blog/2026/04/10/anthropic-copyright-settlement-april-update/ GetCovers - https://DaleLinks.com/GetCovers (affiliate link) GetCovers: 10 Tips for Designing a Business Book Cover That Sells - https://getcovers.com/blog/business-book-cover-design/ Bradley Charbonneau: How Fiction Authors Make Money on YouTube (Without Selling Books) with Lainey Davis - https://youtu.be/M72H0tZ62Lg?si=vS60HFvkZ_JkCJcv Email Marketing for Authors by Dale L. Roberts - https://DaleLinks.com/EmailBook 2026 American Legacy Book Awards - https://www.americanlegacyawards.com/2026awardannouncement.html Indie Author Training: Replays - https://webinars.indieauthortraining.com/replays/ Side note: The hosts shared my replay will be up by next week.   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. T Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

In this episode, Matt & Lauren share strategies for how to find, research, and hire the best possible freelancers to help you bring your book to life. Whether you need help with editing, formatting, designing, or marketing, these guidelines can help you assemble your dream team for long-term publishing success! We talk through steps like: Understanding different types of freelancers The three best places to start your search (and research)Narrowing your pool of applicants to a shortlist of top candidatesListen wherever you get your podcasts, or watch the video episode on YouTube!Dive Deeper

In this member-first Q&A on the Self-Publishing with ALLi podcast, ALLi video content adviser Dale L. Roberts answers questions on how authors can use video to market their books, connect with readers, and build visibility for their author brand. Topics include the best tools for creating video content, when to start using video in the publishing process, and how to measure the impact of video on book sales and reader engagement. Roberts also addresses how to drive traffic to videos, whether book trailers still matter, how Amazon A+ Content works, and practical ways to get comfortable on camera. Show Notes YouTube for Authors, by Dale L. Roberts Self-Publishing with Dale Daniel Batal Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally.

Romance author Annabelle Anders joins Samantha Tennant to talk about her unlikely path to publishing, the Regency series that almost never was, and why she finally wrote the curvy heroine she had long avoided — and what that choice taught her about herself.

 “What if a single book could become your most powerful capital-raising tool?” In this episode, Chandler Bolt reveals how he scaled his company from zero to over $65M by leveraging books as a “silent salesman” that drives leads, sales, and investor trust at scale. Chandler breaks down why a book is more than content—it's a strategic asset for authority, how niche positioning and clear messaging make writing easier, and why aligning your book with a specific outcome (like raising capital or generating leads) changes everything. He also shares frameworks like the “four P's” and the “more writing method,” explains how to combine AI with human insight to create a high-quality book, and outlines how books can be used to attract, nurture, and convert investors through every stage of the funnel. For investors and entrepreneurs looking to stand out, build authority, and scale their business, this episode delivers a powerful blueprint you can't afford to ignore.5 Key TakeawaysA book acts as a “silent salesman” that scales trust It generates leads, referrals, and investor interest without requiring constant effort. Niche positioning makes your book—and business—more powerful The more specific your audience and message, the easier it is to stand out and convert. Clarity of purpose determines success Defining the exact outcome of the book (leads, capital, authority) guides the entire strategy. AI should enhance—not replace—your voice Use AI for structure and speed, but rely on your experience and story for authenticity. Books can drive both lead generation and investor nurturing Giving away books and integrating them into funnels builds authority and warms up prospects at scale.About Tim MaiTim Mai is a real estate investor, fund manager, mentor, and founder of HERO Mastermind for REI coaches.He has helped many real estate investors and coaches become millionaires. Tim continues to help busy professionals earn income and build wealth through passive investing.He is also a creative marketer and promoter with incredible knowledge and experience, which he freely shares. He has lifted himself from the aftermath of war, achieving technical expertise in computers, followed by investment success in real estate, management skills, and a lofty position among real estate educators and internet marketers.Tim is an industry leader who has acquired and exited well over $50 million worth of real estate and is currently an investor in over 2700 units of multifamily apartments.Connect with TimWebsite: Capital Raising PartyFacebook: Tim Mai | Capital Raising Nation Instagram: @timmaicomTwitter: @timmaiLinkedIn: Tim MaiYouTube: Tim Mai  

He started writing at 16 during lockdown, finishing a massive first draft he'll never publish, but instead of stopping there, he kept going. That persistence turned into real momentum for Harrison Stockland, a rising crime-thriller author known for his “twisted originality” and willingness to embrace the gritty choices that traditional gatekeepers often want softened. His debut novel, Watch It Burn, sets the tone for the kind of dark, character-driven stories he's building his career on. In this episode, we talk candidly about protecting your voice as you grow as a writer—and why “the deal has to be right” if you ever sign with a publishing house. We also get practical about self-publishing and Amazon KDP: querying agents, turning down an offer, hiring an editor and cover designer, and even learning to format a book in Microsoft Word. Harrison shares how he approaches Amazon ads, explaining why his goal is often reach and breaking even rather than immediate profit, and how a short course plus consistent experimentation can outperform expensive monthly retainers with ad agencies.Marketing isn't just a buzzword here. We dig into what actually moved the needle: building genuine relationships, hosting local bookstore events and signings, growing an email list, and using an author website with email automations to nudge readers toward preorders and reviews.We also talk craft and research, how nonfiction like Mindhunter and conversations with detectives and legal professionals can elevate crime fiction, making it feel authentic without copying real cases.If you care about writing discipline, creative control, and modern publishing strategy, this episode is packed with insights.Subscribe to Read and Write with Natasha, share this with a writer friend, and don't forget to leave a review—it helps more book lovers discover the show.Send us Fan MailSupport the show

Michele DeFilippo is the founder and driving force behind 1106 Design, a full-service book publishing company based in Phoenix, Arizona. With more than 50 years of experience in the book publishing industry — spanning traditional publishing, the rise of indie publishing, and the self-publishing revolution catalyzed by Amazon — Michele is one of the most respected voices in author services today.She founded 1106 Design in 2001 after the publishing industry was disrupted by technology, with a singular mission: to help independent authors publish professionally, keep 100% of their rights and royalties, and produce books that compete on equal footing with traditionally published titles. Her company provides a complete "manuscript to market" solution, including editorial evaluations, copyediting, custom book cover design, interior typesetting, eBook conversion, audiobook production, author websites, and publishing support.Michele is also the author of Publish Like the Pros: A Brief Guide to Quality Self-Publishing, an 88-page guide available as a free download at 1106design.com. She has been featured across numerous podcasts, YouTube channels, and industry publications, and contributes regularly to IngramSpark's blog on self-publishing best practices.Schedule a call with Michele today >>WHO IS THIS FOR?Aspiring authors who want to publish without giving up their rights. Self-publishing authors who suspect they're leaving royalty money on the table. Business owners, coaches, and consultants who want a book as a credibility tool. Anyone pitched a "bestseller package" who wants to know if it's legitimate. Podcasters and content creators exploring long-form publishing as a brand extension.Episode SummaryIn this interview on the We Don't PLAY!™ podcast, Favour Obasi-ike, MBA, MS sits down with Michele DeFilippo to unpack one of the most misunderstood and financially consequential decisions an author can make: who to trust with your book. Over 22 minutes, Michele delivers a masterclass on the difference between traditional publishers, hybrid publishers, and true service providers — and why that distinction can mean the difference between earning $0.90 per book sold versus $6–$8.The conversation covers the full publishing landscape: how self-publishing emerged alongside Amazon, why so many "publishers" are actually double-dipping on author revenue, how to use KDP and IngramSpark to distribute without a middleman, what makes a book cover convert (and why it matters more than most authors realize), the truth about Amazon "bestseller" badges, the art of professional typesetting, and how to set realistic expectations before publishing.Michele closes with a transparent overview of how 1106 Design works, what authors should prepare before reaching out, and why the best way to make money with a book is often not through retail sales at all.TIMESTAMPS[00:00] — Intro: Michele DeFilippo, founder of 1106 Design, 50 years in publishing[03:20] — Publisher vs. service provider: the distinction that determines your royalties[06:12] — The hybrid publisher double-dip: earning $0.90/book instead of $6–$8[09:11] — KDP and IngramSpark: the two platforms every self-publishing author must know[10:01] — "Pump and dump" publishing: the automated book trap[11:00] — Book covers as the #1 conversion driver: the job interview analogy[12:48] — A/B testing covers the right way: "liking vs. buying"[14:34] — The Amazon bestseller badge: how it's manufactured in 45 minutes[17:08] — Professional typesetting vs. basic formatting: why it matters[20:49] — Using a book as a business development tool, not a retail productMEMORABLE QUOTES"If you have no investment in my book, what entitles you to any portion of my profits?" — Michele [06:45]"There's retail sales, and then there's making money with your book another way — and that other way is usually better." — Michele [20:49]"The question isn't which cover do you like. It's which cover would you spend money on." — Michele [12:48]"A book that earns $2,000 in royalties but generates $50,000 in consulting revenue is not a modest success. It's a high-ROI asset." — Favour [21:10]"Typesetting is working on every line, every word, every paragraph — it's not just formatting." — Michele [17:08]FAQsWhat is the difference between a publisher and a service provider?A publisher acquires your rights and pays a royalty. A service provider charges once and steps away — you keep 100% of all future revenue.What makes hybrid publishers problematic?They charge upfront fees and also take a cut of every book sold — reducing per-book earnings from $6–$8 down to $0.90 on a $19.99 title.Which platforms should every author use?KDP for Amazon and IngramSpark for bookstores and libraries. Both have royalty calculators so you know exactly what you'll earn.Are Amazon bestseller badges legitimate?Most are manufactured in 45 minutes by selecting a low-competition subcategory. A genuine Nielsen bestseller is an entirely different credential.How do authors actually make money with a book?Treat it as a business development tool. Speaking fees and consulting revenue typically far exceed retail royalty income.GLOSSARYService Provider — Charges a one-time fee; takes no ongoing royalties. The author retains 100% of rights and revenue.Hybrid Publisher — Charges upfront fees and also takes a percentage of sales. Double-dips on author revenue.KDP — Amazon's self-publishing platform for print-on-demand paperbacks and Kindle ebooks.IngramSpark — Distributes to independent bookstores, libraries, and international retailers.Typesetting — Professional design of a book's interior: fonts, spacing, margins, and chapter breaks.Print-on-Demand — Books printed individually as orders are placed. No inventory risk.Ready to Rank? Book Your SEO & Web Dev Services Today

Amazon KDP quietly rolled out a few new updates, and authors should take notice. I cover the new dashboard changes, the updated Rights and Pricing page, and the new ability to download your latest manuscript or cover file. Plus, I break down The New York Times expanding audio best-seller lists, a scam warning from Writer Beware, cautionary notes from Book Bounty, and a rapid-fire newsflash featuring ProWritingAid, Miblart, and Book Brush.  My Discord Community - https://DaleLinks.com/Discord  KDP - https://kdp.amazon.com New York Times: Announcing Updates to Our Best-Seller Lists - https://www.nytco.com/press/announcing-updates-to-our-best-seller-lists/  Writer Beware: Watch Out For This Scam Impersonating Editors at Major Publishing Houses - https://writerbeware.blog/2026/03/27/watch-out-for-this-scam-impersonating-editors-at-major-publishing-houses/ Book Bounty - https://DaleLinks.com/BookBounty (affiliate link) Rapid-Fire News Flash ProWritingAid - https://DaleLinks.com/PWADeal (affiliate link) - 25% off annual plans; offer good through April 13, 2026 ProWritingAid Story Credits - https://dalelinks.com/storycredits  (affiliate link) - Up to 73% off; offer good through April 13, 2026 Miblart Cover Design - https://DaleLinks.com/Miblart (affiliate link) - 20% off with EASTER20; offer good through April 9 Did you miss the deal? Then take 10% off with DALE10.  Book Brush: Automate the Boring: A Beginner's Guide to Author Automations with Chelle Honiker - https://us02web.zoom.us/meeting/register/ct5GIzSoTmqMcLZ7U6Bh2w#/registration   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

What if a microscopic alien lifeform was slowly eating our sun? Neil deGrasse Tyson and Chuck Nice sit down with Andy Weir, the bestselling author of Project Hail Mary, for a deep dive into designing aliens, science fiction, and science behind the book (and the movie.) NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:  https://startalkmedia.com/show/project-hail-mary-with-andy-weir/ Thanks to our Patrons RT, Matthew Wessel, Tyler Walker, nuclear_detergent, Ryan Buchanan, The Lord of the Ganja, Tyrone Morgan, Ciara Steinert, Fabian De Rossi, Travis Anders, Dee El Dee, Lazzarous, Moshe Sedero, Sebastian Heineberg, David, Casey Sizeland, Anna, Simon Franklin, Chris Carley, ohhdontdoit, hilde, Jim Niemann, Jesse Lee, Sri Harsha Chennavajjala, grbac6800, Mike, Aviad Pineles, salima makitina, Gero Finke, Nick Charles, David Shapiro, Diyako Kochar Taymur, David Kunz, Bob, Doug, Aviral Bhatnagar, Matthew Sims, Squibb Thompson, Theta544, D00gster x702, Kyle Sullivan, John Hermansen, April Stearns, Brian Eastwood, jassim tazi, Kassious, Gustavo Rincon, Reloadown, Tom Kavanaugh, Kay 1, George Grimes, Barbara Lewis, Davey Maclaren, Blake Muccini, Sydney, MISFIT, Mohammed Nadeem Amin, JB, rasma, Chris, Glenn Whelan, Elizabeth Grey, Eli Hadden, Elias Holguin, Darrell Thayer, Jason, Shayla Hamady, Bradley Martin, jamie jarrard, Robert Douglas Brown, Michael Johnston, Kristine Nixon, VirusJTG, Briana Bartlett, Tim Rea, Leo Carrasco, Christopher Friedline, belle g, Carver Nevling, Emily Winter, Draxontheyeen, Leslie, Bombed Blonde, Shadow, Brian, Sam Smith, Brianna Smith, Evan Q, Anzhr, Jolo, Austin Applegate, Bryan Smarkola, Steven Patterson, Femke Seynaeve, Bee, Jeffrey Macris, Stan Ginsel, Bob M, Eric, and Yet Another Patron for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, I sit down with Chandler Bolt, CEO of SelfPublishing.com, to discuss what it actually takes to build a 1% business in 2026.We chat:Why most people hide behind “learning” instead of actually building anything that makes moneyThe brutal truth about what it takes to hit 1% resultsWhy “work-life balance” sounds cute but will keep you averageManaging your time, energy and obsession like the 1%How to build real leverage in your businessThe hidden reason you feel “burnt out”The “soft life trad wife” conversation no one is having and what it actually costs to earn it

Need help mapping out your first book? Download your free 1-Page Book Launch Plan here: https://publish.selfpublishing.com/one-page-launch-plan/?last_touch_channel_new=Social&last_touch_medium=Youtube%20-%20Feed&final_touch_lead_source=One%20Page%20Book%20Launch%20PlanThousands of first-time authors have already turned their ideas into bestselling books with our guidance. You could be next. http://selfpublishing.com/work-with-usMost self-published authors are leaving thousands of dollars on the table every single month. There is a little known strategy that turns your book into a one-to-many revenue engine that builds your authority, grows your audience, and brings in paying customers. Coaches, consultants, and experts who have figured this out are landing speaking gigs, booking podcast interviews, and scaling their business faster than ever. If writing a book has always been on your list, this video will show you exactly why now is the time to make it happen.Popular Free Resources:Nonfiction Book Outline Template: https://publish.selfpublishing.com/nonfiction-outline-template/?utm_source=instagram&utm_medium=social&utm_campaign=default-linktree&last_touch_channel_new=Social&last_touch_medium=Form+EmbedFiction Book Outline Template:  https://publish.selfpublishing.com/fiction-outline-template/?utm_source=instagram&utm_medium=social&utm_campaign=default-linktree&last_touch_channel_new=Social&last_touch_medium=Form+EmbedNeed help mapping out your first book? Download your free 1-Page Book Launch Plan here: https://publish.selfpublishing.com/one-page-launch-plan/?last_touch_channel_new=Social&last_touch_medium=Youtube%20-%20Feed&final_touch_lead_source=One%20Page%20Book%20Launch%20PlanFollow selfpublishing.comYoutube https://www.youtube.com/@selfpublishingcomInstagram https://www.instagram.com/selfpublishingcom/TikTok https://www.tiktok.com/@selfpublishingdotcomFacebook https://www.facebook.com/selfpublishingcomFollow Chandler BoltInstagram https://www.instagram.com/realchandlerbolt/TikTok https://www.tiktok.com/@realchandlerboltLinkedin https://www.linkedin.com/in/chandlerbolt/Facebook https://www.facebook.com/chandler.bolt1Here are some links that might come in handy:Apply for a free book consultationRegister for our free on-demand trainingMust-watch episodes:SPS 044: Using A Free + Shipping Book Funnel with Anik SingalSPS 115: Using Atomic Habits To Write & Publish A Book with James ClearSPS 127: Traditional vs. Self Publishing: Which You Should Choose with Ruth Soukup SPS 095: The Five Love Languages: Selling 15 Million Copies with Gary ChapmanSPS 056: How I Sold 46M Copies of My Self Published Book with Robert Kiyosaki