Podcasts about Apocalypse

This week on Bronze and Modern Gods, we spotlight three killer picks you don't want to miss!New Mutants #13 is our Hot Book of the Week — the first appearance of Doug Ramsey, now Revelation in Age of Apocalypse!Astonishing Tales #1 gave Doctor Doom his first ongoing feature — with Wally Wood AND Jack Kirby art!And yep... Fish Police #1. Self-published, picked up by Comico, adapted for CBS. You've got to hear this journey!

You're a Christian in the early church. You're given a choice — denounce Christ or die. What do you do? Join us for the message “Apocalypse (Right) Now: Smyrna.”

A Norwegian musician, novelist, and interdisciplinary artist whose work defies easy categorization, Jenny Hval has built a reputation for music that blends experimental pop, spoken word, noise, and electronic textures—often paired with provocative lyrics exploring the politics of the body, gender identity, desire, and the intersection of art and intimacy. Her critically acclaimed solo albums, including Apocalypse, Girl (2015), Blood Bitch (2016), and Classic Objects (2022), are known for their fearless exploration of taboo and vulnerability, often framed through surreal, dreamlike narratives. In parallel with her music, Hval has authored several novels—including Paradise Rot and Girls Against God—which mirror her sonic work in their poetic, sensory, and transgressive style. A frequent collaborator across disciplines, Hval also creates live performances that incorporate theatrical elements, scent, sound installations, and spoken word. Her newest record, Iris Silver Mist, was released by 4AD on May 2, 2025. In this episode, she discusses how songs by Suzanne Vega, One Dove, and Paul Simon informed her development as an artist.See omnystudio.com/listener for privacy information.

When someone gives you hate, can you give them love... and say, "Keep the change?" It's unnatural to bless those who curse you. Or maybe "supernatural" is a better word. In those seemingly rare instances when it happens, the whole world notices. People are forced to come to grips with the fact that there's something else going on here, something more than meets the eye - something supernatural. Pastor Jim's sermon for today and Monday is called, Stretch Your Credibility. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS07182025_0.mp3Scripture References: Romans 12:6-19

Coming up on today's Movie Show, Andy & guest host Rachael Wagner review Smurfs - When Papa Smurf is taken by evil wizards Razamel and Gargamel, Smurfette leads the Smurfs on a mission to the real world to save him. They will also review I Know What You Did Last Summer, Eddington, Don't Lets Go to the Dogs Tonight. Andy and Rachel will review the Netflix movie, Trainwreck: Ballon Boy - A father claims his son is trapped in a runaway homemade balloon. News helicopters follow the chase live.The empty balloon lands, sparking outrage as the story becomes one of America's most infamous hoaxes. They will also review  Apocalypse in the Tropics on Netflix.  In addition, they will look at streaming series like Star Trek: Strange New Worlds S3(Paramount+), Untamed(Netflix), Amy Bradly is Missing(Netflix), The Summer I Turned Pretty S3(Prime Video), and Billy Joel: And So It Goes on HBO.  Here are some honorable mentions:       

 In this episode, we sink our teeth into the gritty, post-apocalyptic world of Stakeland, the cult horror hit that reimagined vampire survival with raw intensity and emotional depth.  Recorded live in the heart of Manhattan, where cast and crew gathered. Sean Nelson – Shares how his character brought a human core to the chaos. Michael Cerveris (Fringe) – Discusses stepping into villainous shoes and balancing theatrical nuance with brutal realism. Jim Mickle – The visionary director on how Stakeland helped redefine indie horror. Start Your Free One Year Trial On Sci-Fi Talk Plus   

Sarah went camping with her family and it was predictably calamitous in the best way possible. We hear why kids don't ride bikes anymore, parents are chauffeurs, and why it matters. We talk about how much camp meant to Sarah growing up and then as a counselor, and we lament that tragedy in Texas at the Christian camp. Sarah explains why customer service is so bad now, why you shouldn't accept it, and what you can do about it. Plus, she describes a genius way we can band together and combat the "sludge" of customer service quagmires.0:29 - Sarah's planning something romantic.5:12 - The Rice family's calamitous camping trip.16:51 - Article: Kids are missing out on things we used to do all the time. 28:58 - Wes Bergmann told Sarah....30:42 - Susie and Sarah discuss the tragic Texas floods. 38:13 - They do it on purpose! Those infuriating customer service calls that cut you off. 48:55 - Don't get on Susie's bad side! Cuz she'll........Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Flag Of Approval: https://gravityhaus.com/Shout out to writer Chris Colin for this fantastic Atlantic article about intentional dropped calls.Sponsors:For 50% off your order, head to https://www.dailylook.com and use code BRAINCANDYCancel your unwanted subscriptions and reach your financial goals faster at https://rocketmoney.com/braincandy today.Get 25% off your first month of Ritual when you visit https://ritual.com/braincandy & add Essential Protein today.For 15% off your order and a special gift, head to https://pacagen.com/braincandy and use code BRAINCANDYSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ari Aster's wildly divisive new movie “Eddington” drops audiences back into the chaos of May, 2020: a moment when the confluence of the COVID-19 pandemic, the murder of George Floyd and subsequent Black Lives Matter protests, the rise in conspiracy theories, and political strife shattered something in our society. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz situate “Eddington” in the lineage of “the indigenous American berserk,” a phrase coined by Philip Roth in his 1997 novel “American Pastoral.” They consider an array of works that have tried to depict moments of social rupture throughout the country's history—and debate whether the exercise is ultimately a futile one. “I think when you're dealing with the realm of the American berserk, the big risk is getting the bends,” Schwartz says. “You're trying to describe a warping. So how do you not get warped in the process?”Read, watch, and listen with the critics:“Eddington” (2025)“Writing American Fiction,” by Philip Roth (Commentary)“Stalking the Billion-Footed Beast,” by Tom Wolfe (Harper's)“American Pastoral,” by Philip Roth“Natural Born Killers” (1994)“Benito Cereno,” by Herman Melville“The Bonfire of the Vanities,” by Tom Wolfe“Apocalypse Now” (1979)“Hearts of Darkness: A Filmmaker's Apocalypse” (1991)“War Movies: What Are They Good For?” (The New Yorker)“Sorry to Bother You” (2018)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Trouble? We eat trouble for breakfast! In Romans 12:12 we see three atmospheres, requiring three different attitudes from us. Trouble, or affliction, is just one of those atmospheres. No one likes difficulties, but they will come. The good news is that we can make our problems serve us. Jim will explain, and he'll walk us through the "Hope" and "Prayer" elements of this verse, as well. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS07172025_0.mp3Scripture References: Romans 12:12

The SKATCAST Network presents:The Dave and Angus Show #183Today's Crap:[ Post Apocalyptica - Season 4; Episode 6 ] - "What's In the Box?" - Dave and Angus continue to test their luck in the wasteland of the Apocalypse. This time they are tracking Zombie Bojo (again). Also, Angus gets to do a bucket list activity.Thank you for listening! Have the best possible Wednesday!!!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/XKxhHYwu9zFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Hosted on Acast. See acast.com/privacy for more information.

The thing about serving the Lord is, there are no days off! The difference between the sacred and the secular in the Christian's life is exactly zero. "Do all to the glory of God," Paul would write to the Corinthians. In his letter to the Romans, he talks about what that feels like from the inside. It feels like something bubbling over. Are we "fervent" - hot, boiling, heated by the flame of the Spirit? Here's the conclusion of Jim's sermon, Too Hot to Handle. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS07162025_0.mp3Scripture References: Romans 12:11

In this episode of Clergy Talk, Sister Ash returns from her podcast hiatus, all giggles and giddy anticipation, to finally interview the long-awaited guest, actor Rocky Latham. His reflections on his military career, his short-lived journey toward a possible Jesuit priesthood, and the unique experiences that shape him promise to deliver both depth and insight to the conversation.Clergy Talk listeners might know him as the mysterious Mr. Psaltarian from the band Ghost's record-breaking rock film, “Rite Here Rite Now.”Will Ghost fans be indulged in their theories about the Four Horsemen of the Apocalypse in this episode?ATTENTION SAN DIEGO! Rocky will be one of our featured guests at "Meet The Clergy," a special fan social and meet & greet experience, on Saturday August 9th. Prepare to mingle with new friends, and meet actors Rocky Latham, Alan Ursillo (Papa Nihil), and Maralyn Facey (Sister Imperator).All for a good cause! Info & Tickets: https://meettheclergy.eventbrite.comFollow Rocky on Instagram: http://www.instagram.com/actorrockylathamBio: Rocky Latham (also known as Elester Rocky Latham) is a seasoned actor, retired Air Force pilot, and Vietnam veteran with over 40 years of experience in theatre and film. After serving in Vietnam as a Marine, where he felt quite conflicted about the war and its impacts, Rocky earned a B.S. in Theatre and Aerospace. He rejoined the military as a pilot while actively performing and later flew for United Airlines, earning his Screen Actors Guild membership as Major Bridges in the blockbuster film Air Force One.In 2013, he returned to acting full-time in Los Angeles, quickly amassing credits, including roles in Ted 2, Gone Girl, and the short film Court of Conscience with Jon Voight.With an extensive list of credits on IMDb, including NCIS and Grace and Frankie, Rocky Latham is also currently involved in exciting new projects, The Preservation of Roux Lee Richards, and Beyond Silence. Both films are in production and set to be available soon. These projects showcase his continued dedication to the craft, offering fresh narratives that reflect his diverse interests and talents. Fans can look forward to seeing Rocky bring his unique flair to these upcoming roles, further solidifying his status as a versatile performer in the film industry.Follow us on IG: http://www.instagram.com/clergytalk Follow us on Spotify: https://open.spotify.com/show/3uwqkwq5NiiMBhxZVcR58Q?si=KRIU2auNSF6gN55aQvJGhQ Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/clergy-talk-podcast/id1739012397 Music: Holeway Studios Artwork: SLD_art_comics

Send us a textDr. Randy Davis, Pastor of Zion Word Church USA and Founder/Overseer of Zion Word Ministries International USA brings a message about how the prophetic word changes people and their lives.  God has set up in the church the chain of command and a church that says it has been done away with is dead. To hear more inspiring messages by Dr. Randy Davis visit and subscribe to:YouTube: https://www.youtube.com/@zwmiusaTikTokhttps://www.tiktok.com/@zwmiusaRumble:  https://rumble.com/c/ZionWordMinistriesIntUSAPodcasts: https://www.buzzsprout.com/40604Instagram: https://www.instagram.com/zion_word/Facebook: https://www.facebook.com/zionwordministriesint

“Look what they eye unearthed,” leaning into the tip of my ear with the warmth and closeness of the coming waves, high tide approaching in the waning moon. “More secrets.” I replied. It was a question but also a statement— there was never such as this the luminescent trace of the glowing lava that was his force and might that I could not see for miles before he would even wander— first in twinkling stars and then later the wind itself and the birds, and then beneath the waves, like the quaking shake of a mighty oak anchored elsewhere and tied to the sea. “So you know.” I was hoping he would kill me before the next time I had to ever really know anything. He was the subject, and the predicate The wrong done, and the justice She was the pride and the prejudice But Judas brings the law Did you look in the box? No, I– [The Box Is The Box] –No, I haven't. Nearly three nights ago, a mysterious box arrived on the doorstep of an equally mysterious writer, who spends their time in isolation due to the often unannounced arrival of various ghosts, spirits, time travelers, and other figures by instant teleportation and other magical forms of transportation into their shabby New York apartment. Some of ya'll got so many air wick plug ins and scentci wax melts you don't know you smell like booboo. It's an illusion. You leave your house, You smell like booboo. I promise. Oh, God, I think I need a drink. Are you alright? Let me just–sit down for a second. Of course. My God. What's wrong. Look, i'm not supposed to say anything about this but. What's wrong? It's nothing, I'm just–I'm in a song. …what? A song! Is that all?! You don't understand. It's not a normal kind of song. It's– [takes a puff of inhaler] You wouldn't understand. Well what's so wrong about being in a song? Its not – a regular song–and it's not [gasping] finished! I still kind of wanted to be a comedian–but I knew I wasn't funny in the way that made sense to keep going and stand up there. I was still writing comedy, but I didn't know how to take myself out of it–the truth was, I was in a lot of pain. A lot of emotional pain that was becoming physical–and I didn't know what to do about it to break the barrier of nervousness and blank slate state of feeling the audience's perceptions of me more overwhelmingly than ever feeling myself. look at this song. I know huh. It's purple. Every time. It is purple. And what is that. Like a muted trombone? IS THAT A TROMBONE? Or a tuba? No, it has to be a trombone…becasue you can hear it slide– And that's what that sound is. What a sneaky rabbit. Super sneaky rabbit. So if i can see all this, I'm almost certainly sure the motorcycles outside and the slamming doors are meant to murder me. I'm sure that's what it is. You ever notice how being broke in New York makes you a bad person? Like, if you're broke, you're just automatically shitty. I never meant to be in New York broke. I never meant to be in New York, But I certainly never meant to be here and be poor, Poor in New York? Automatically a shitty person. Despite how you act. You can be a rich piece of shit— But the status is automatically “You got dough? Oh, alright. Carry on” That's the attitude in New York City. Crap people get by cause they got their hands on some money and the rules in New York say it doesn't really matter how you come by it, As long as you come by it. There's no real rules or real laws to it— Just “Get the money” Well god damn. This makes me nervous. I'm an artist. I've tried everything. I didn't mean to be the automatic enemy here. Of course not. But New York is a terrifying place to me, now, Cause I realized I can be a very sweet, very humble, very honest person— And that kind of shit doesn't matter here, really. It brings you no respect to be decent. It's about the money. So I'm a musician— which in New York also makes me like, Automatically not special, And I'm trying to just be a musician, and so naturally, I'm broke. Like broke in half. Like all my bills are late. But music is my solace. So I'm listening to music, And I'm listening to a song that is so beautiful, that I start to cry. The first time I heard it, it made me cry And I'm listening to it over, and it made me cry And it's so beautiful, and God is so beautiful And look at what God did, So I'm crying, And I don't even know what it is about the beauty of it that's making me cry, But it's making me cry, And New York hears me crying And New York goes “I'll give you something to cry about” And I open my email And there's a bill from my landlord reminding me how often I'm talked about due to my late payments— And I'm realizing I've been here two years and I still don't have any money, Even though I've been trying and trying And trying So now I'm crying for other reasons. Thanks a lot, New York. “I'll give you something to cry about” So I did. If there's anything worse than being black in a city that hates blacks— It's being broke in a city that hates broke people. So I haven't spent any money in awhile. Not even on little things, or things I need. I just stay inside, and work, and think And try and really try To figure out how to make money Without having any, or spending any. Cause you can have it, and spend it, but it's always a gamble. Maybe all I needed was a good cry. But now it's not for the right reasons I'm not crying cause something is so beautiful and look at what God did I'm crying because of what I'm sure is just the devil I'm crying for the wrong things Not because of something that's so very beautiful But because of something that's so very ugly With just a wave of the hand And the flick of each finger as it rolls into a crisp closed palm, A flick of birds fell to the ground, bursting with caws Below his stance, and in a flutter of feathers and wings, The evil master, unmoved and untouched, Untouchable in his weight and glory, simply only even mildly and barely smirks at all. He has defeated all and still somehow, not won. Some say it's sure to come, the thing that wants and gathers ties; Some say surely it is yet but withered and then sure again will come It has, five times, and barely waded, Waking in the midsts of my pure eye, The morning light and fog, aye? Ye, they remembers none but our Art, And I'm bound as sure by wing and force Is you to dozens of masses, And ships having sailed but one, Which I have flourished and kept And stocked with these, the masses And yea having spade, and having friends And having honor, there was none past kept and mine, sured; And wicked may as wicked be but evil none truer thou nones't had yet pured, and muted and gathered, I have, And woken and laid and barren and truths do'st tied, And there have been shooken and wait, And m faire'd and barred here, and hereforth My duty it is to forward, forward, my shallows For my shadow, For my golden hour has shined and now you, These caged shall fly, And these thoughts shall sing, And these hour conspired to miss my time daily, And these things, beytraying that— There have no times at all, These walls in holy temples kept, swaying and cadences, and wearing, and weary, And foreign and ayered, aye— and armored. And he, you, does not wish to know but also has known— and does not wish to see, but he, too has blinded, and does not wish to betray, and yet has been crowned, made with guilt and also Shattered, as it was, And shatters, as it came, the wave o'er all us and tide sinking under, and caves and rebels and heart laid bare to surf not suffer, Nor cap nor keeping, nor tied nor honor, No, honor her; No honor came and I have tied also, this tie to mine, and another, and another and another Now forward. Forward! Forward! Damn, Conan's monologues he going deep. Yeah, I guess. He's fine, right? Look, you don't need this. Just promise me. I am sorry. Mr Jimmy has it good, too good Little sister doesn't have a heart. But didn't know it Mister music made it in the industry, too hat Mister rager had a sip at dinner It was all dramatic Stars went falling Crashing down and All it is Ms. Martha Is mismanagement of energy All it is, Ms. Margret is a magnet And it hasn't happened badly since I had a handle on it But I still get sick of madness And I still get sick with city sickness Still, forget the dancer I was sitting on the show, In the audience With my mother, Oh the models, Dozens of them Blondes and ballet buns, the brunettes I was just a lost cause And I wanted it all, the tux and the bow tie I wanted you gone so I looked at it harder Until It became nothing but Clouds in the sky You were stardust I'm a comet Here comes crashing, Had to find the progress report Then I lost it Soggy in the sideways rain It was days and days Do you promise? That's a concept? Do you promise God will be alright, Cause I came running Sent them under cover Sent the men a message Send the man a hammer Sitting in a hammock No one homes the hostile If you don't have anything nice to say Then don't say anything at all And certainly don't come and go As often as you want to It's a game of control; you know The whites, when they still want to own you Somehow I'm all sub so honest, I just—wanted that But only for a man and never bow to another woman Even if on my honor I found us as equals And no one walks the earth as calmly As someone whose never had their lights out Or had their light put out Or their lights turned off Who are God now? Who's our God, man? Who's our God, Math. That's heavy weight, And if you want a biblical fate This is Fallon, And if you watch what you ate You cut calories And if you want the girl back Give it Californian And I'm not towrth much more Than the project housing, Or a handful of candy corn, Conan— But I phone in Oscars, Still no nuts for the rabbit, And if you wanted the bunker back— You can have it. I'm all hands down in a game of poker Heaven doesn't want it Gotta get drunk not once, but at all the goalposts, Gotta count one, not two, the show hosts Too few car parts Wicked, mazes, starfold, gazes Wishes, Martyred. (But pronounced mar-tired} V.O I think about jay Leno a lot. Lately, anyway. I don't know why. I like all the hosts. Somebody. Tell me why Dillon Francis looks like JD Vance. I think he's a clone. Tel me why I know who JD Vance is. They're clones. Tell me why. Back to the future here and now So. Where do you want to go? Anywhere but here. Anywhere but here is kind of far, are you sure you're up for it? Good one, doc Though head of the alumni chapter of the cult-within a cult—to which each African American cast member of Saturday night live is automatically inducted into— EDDIE MURPHY refuses to participate in the group's latest and most complicated ritual. Delivery. Uh, I didn't order any— Breadsticks. What. Breadsticks. I didn't order any— Just— The delivery man hands over the breadsticks. —take them. Oh…Kay. See ya. The delivery man reaches in and shuts the door himself. Uh… Lol is this the one where the mysterious breadsticks are delivered without ever being ordered, and then they end up being the best breadsticks in the world, but they don't know where they came from? Yes. I think so. Lol I bought a planner because so much I loved Joan Rivers, and I planned to fill it with all the places I should go— because keeping anything digital online was not only not working as far as remembering places I wanted or needed to be be, but it was dangerous, also. I was already being tracked, and I couldn't afford a new phone just yet. Eventually, but for now I was stuck to the same signal— which meant the same traces and the same trackers they had been limiting my under-the-radar mystique. As it were, somebody always knew where I was, and it was in the most unpleasant way so far—the only thing I really wandered was what made me so important anyway to begin with. I wasn't actually political in anyway, and still someone seemed to be trying to derail my life… or at least control it, neither of which was beneficial for me in the way that made sense. I wasn't having any fun, nor did I consider living indoors as payment— especially since indoors, there were also paid plants and stalkers, and now that I had begun to more meticulously document the things that were happening, it was easy to separate from delusions. I was actually being followed— but why? Either way, having a detailed. Calendar of places I could go, the ways to get there and even alternate functions within the same grid allowed more control than just staying in my apartment a sitting duck; that's how they were hurting me. They knew where I was— all the time, and it no longer made sense to fight it and try to make music under this kind of insane irritation; the music I was making wasn't the kind I wanted anyway, and whatever war they were fighting with m stark white girls motorcycles was simply not my war. I didn't have a war, and so there wasn't a fight, and so at the very least if I were going to be fucked with, it would have to be in public; that way I had more control to steer whatever was happening in my favor and collect the energy as mine instead of lost. I wasn't an insane person— but what had been happening at my apartment was insane, and so I left it with the understanding that these people worked and operated on a level of violence and ignorance I would never be able to comprehend; they were simply tools for the devil, which in any case, was always the lesser than God. However— because I was starting to figure out who I was, and that I had some sort of power, I knew that I was going to be attacked— because it seemed my power had at the very least not been figured out as to some kind of way to make somebody else money. I had been studying Michael Jackson and this was a key indication that the way his talent priovided a power which would be used as a service, he was very successful. His talent and training alone wouldn't have reapresented with such great reverence the ability to capture a global audience as such— but it was this power, almost as if it had been bottled up and altered, rebranded and sold and labeled with something everyone could not only love and understand, but by the hand of the media and its conglomerates, be hypnotized to worship, and this power simply put would not have been exactly what it was were it not for the eye of the media remaining in complete control of its distribution to the eyes and ears of the public. This thing which might have been the first of its kind but certainly not the last was in a sense model for modern superstardom— the live concert business had not sense much changed but built upon this super powered control of the masses by assimilation, spectacle, and of course the magic and illusion. But, and it it just so happened to perfectly brush up against my studies in esoteric knowledge that I happened to rub up against this— although nothing was of course by mere circumstance anymore, because whether or not I remained incognito was a wash, and I was being looked at by someone no matter what on the internet I did, or where I decided to go and in that sense was being fed these things, and yet with some Grace of God was allowed with it to be aligned with my own higher purpose in a way, I could observe that Michael Jackson was not in fact of course certainly just a dancer or singer or remarkable performer— he was truly a magician, and I was able to clearly recognize this language with with the energy that had used his vehicle for such a projection was speaking— not only this, I was able to clearly count out the markings and sigils and signs and symbols Michael was making in his movement; ancient arts, and magical symbols, traced so rapidly that it almost created a heat signature in a sense of the symbols that were being dictated, unknowing to the untrained eye. For the most part, I could only really assume that this is why these people were losing their minds— in his movements, Michael Jackson was literally carving ancient callings, glyphs and sigils I had so recently read about in magical studies that it was impossible not to laugh. This was in every sense of the word, ‘magic' but not in the normal way one assumes to be something unexplainable. Michael Jackson was casting spells to thousands of people at a time, in front of cameras and at high volume vibration, often times even implementing the use of light, color, and fire. These were not simple gatherings in mass for entertainment purposes— these were rituals, and in the modern day, still were or are— but I had noticed in a quick glimpse, from Michael Jackson 30 some odd years ago to Lady Gaga just having passed something like a week ago to an audience of the same size— that something was kind of wrong, now. The people had changed, and the specable had been done over and over, and the brainwashing of the masses had in a sense been almost complete— and so It wasn't some sense of confusion or unknowing the things that were happening to me in my own life and my own world— I too, was capable of these things, at that capacity, and had simply not been trained in the same sense of the ideal superstar, however— the things that were happening in my own life and in my own world were not difficult to grasp or understand— when one comes upon a power as such, it finds means to seek to control it and harness it for his own use and purposes. Perhaps it was the simple fact that in this way, in the way I get the dream had gone and the spectacle had been played out of the masses and the illusion was no longer as such— that the actual knowledge of distinct ancient wisdom that had been Michael Jackson's natural ability was distinguishable from that of Lady Gaga's training in the same formula, and that one did not equal the other, but in terms of business could equal to that as such as the masses had been manipulated to seek solace in these same things— and it was not illusion or grandiosity that I, even in my agingness, was still capable of these things; I had no doubt in my mind that I could sing and dance for two hours to audiences of hundreds of thousands— but this was not the question for the business or the media— the question was, would hundreds of thousands pay to see me, or rather— who was willing to front the means to hypnotize hundreds of people to become aware of me so that they would do such a thing. My talent and capabilities were undeniable— but my markatability might have been in question, because it was no longer simply a matter or chance or luck: the people chosen to figure such spectacle were chosen, hand selected and well trained to become media conglomerate superstars, even regardless of talent; perhaps this itself was the key indication that the world of the superstar itself had come to an end—it was no longer so much of a spectacle was worth it. Or, perhaps, because money had come between these ancient arts and symbols and languages being spoken by the superstars of old, that the magic in the literal sense had gone all the way away. The symbolism in the art had died, and so the singing and the dancing remained, but the God had gone out of it. Maybe that was the difference. The superstars of today were just the shell of the model that had been built on God, but the Godsense of it was no longer there— and so the magic no longer remained in effect, as the powers of magic that be are in all ancient arts and texts and forms attributive to The Source. Either way, I wasn't going to continue to be a sitting duck in my apartment in Brooklyn— there were too many indications that it had all been a setup from the shelter to the day I moved in, with the motorcycles and cars and CBS studios one block away. So the real and only question was, what exactly had been played at and who exactly was pulling the strings? I might at this point become a loose cannon: my son was estranged and as far as the people were concerned, I mostly hated New York— because the refined, clean cut and classy people I liked and wanted to be around saw me as the dirt and the grime I was fighting my way through just to simply exist— in my mind, this was a world that could be no more. I like Sara in a dress I like Sara in a dress I like Sara in a dress I like Sara in a dress I met sparrow in a cage I like Sara in a dress I like Sara in a dress Keep writing I never thought I ‘d see the day Where i's taking lessons on Fallon From Michael Jackson That's ran That's a fan This is fame I'm insane I'm insane That's a fan Light the flame That's a fan. That's a fan. I like Sara in a dress I met sparrow in a cage I went up the rack, set the page on fire Nordstrom rack And I might take it back for the cash I like Sara in a dress Stay repressed Keep it dark If you kiss don't tell I will probably go to hell for just writing Try it In black ink, I got all spades, Ehy, Spare me the ridicule, the imbecile and I met Johnny in a cage I like Fallon in a dress, Obsessive, I'm dressed out Every day I leave where I do not live Where stalker crawl and haunt me Just to show the motorcycles Have desheveled my intelligence into Nothing And so with negligence, I leave the core of a rotting apple The foreign words of a doctor And You must call the king, says something far off But I wonder which one I wonder which one I so respect her honor That I no longer Follow my heart or my soul And I don't shallow But shatter to swallow So I let the sparrow Out of the cage I bought Sara A pair of pants And I haunt l Patrick Kirkpatrick in patches And haven't you read yet You're ready for forget the pageant? It hasn't happened yet! I love Sara in a dress I hate Fallon and his wife Keep the kids out if it Skull and crossbones Cross my heart and Really hope to the loveless Or else Someone might call my phone back It's on silent in my coffin Or wait— It's on vibrate. I'm obsessed with the way You're dressed And the name on your checks I guess I'm better for it I'll skip lunch if you think that's what's best And dinner, too If you deserve the best Then better have learned my lesson No sweat And to do, With you, Was then, Dinner through next supper All the love I had was Rubbed into something other than The glass I patted dry With microfiber With ever fiber of my being I want to be with you I should have just— Died, And then Did, and so next Life, Remind me not to Fall for it If i really wanted to know you,I would know you by now– If i wanted to have you? I would have had you already Nobody is a dancer after Michael Jackson. I just watched some shit that was like “What the fuck did I just see” The whole thing was just not right. It was-/ I was like First of all, it's Munich, 1997. I never really realized how terribly the world has changed; No cellphones, but the audience is lit, And the crazy thing is, you can tell that this is near the turn of the century because, when the camera is panning by the audience in the people, they're not looking directly into the camera or waving at the camera— not really. And clearly this is an all ages show, so there's children, so the interesting thing I'm finding out is that nobody's trained to look at the camera and wave and smile— except the babies on shoulders and shit. These kids— they're my age now, are the only ones that see the camera, and they look directly into the shit. Mi still can't do that, really— I'm theatrically trained. Haha If I see a camera, I try to act ‘natural' It's the weirdest thing to look at a camera and just start to work it. People at festivals now, the camera rolls by, Or the drone flies in, And they look deadass in the camera and start to work it. Not at this show. Munich 1997, I'm like “Damn, a lot of things is wrong with this” First of all, I love Michael Jackson, I look directly at this man, and I'm in my dirty peak so I have an instant— like a sex detector thing going on And I know people gave Michael a hard time when he was a live for being fruity and whatever But I'm looking at this dude, and I don't see fruit at all. I see 100% man. I see why people were mad at him. Cause I'm looking at this dude, 100% All I see is carnal, primal man. I'm like, “Yo, I see why they was mad at him” Because the camera kept panning to the audience And these people are losing their minds. They are coming out of themselves. They are UGLY CRYING, full out of body, Losing composure They don't know what to do. That's Michael Jackson. He's right there! And the place is huge so really besides these few hundreds of people in the front, Michael's just a speck, But he's working this audience like “Yo, you know who I am, I know who is me” And I'm realizing, that to these people That's their god. These girls are losing their minds m “AHHHHHHHHHHHHHHHHHHHHH!!!!l *crying inconsolably* Just UGLY crying Bitch, get it together . You all the way lost yourself Get. It together. She won't. This bitch. I can't get over this This one girl, They just keep going back to her Cause the whole show— And this is like 2 hours of pure non stop Michael Jackson, This girl, every time you see her, she's just ugly crying— And every time you see her Her cry is uglier and ugly I'm like “Damn bitch” “Daaaaaaang” So this is the first thing I see that is wrong. But there's a lot of things wrong here, Cause there's a lot of girls like this. There's just— hundreds of girls losing their minds, like, I've seen Beatles mania and thought that was crazy, Shit, I've even seen some people put out that kind of energy in the modern world for some dumb DJ's— That's their god— But THIS THIS Michael Jackson mania was mental illness That was hard to watch. That was people just Lost control. I'm thinking “Like goddamn. You— what?!” “AAagghhhhhhgahahahahahqhahahhahaha MICHAELl “These people are sick” But they are. And so is Michael Fame has gone too far, 1997; 12 short years before he died, by chance— So this is what I see, And then Michael starts dancing, And this— This is what I see; I see the only thing that can ever be what it was in that moment in time, as God being God: Michael Jackson. Shiny ass motherfucker, And so I'm watching this show, And all I see is a God being a man being a God being— Michael Jackson— And the whole thing is weird. But the worst part— Yes The worst part Was when, about mid show, Michael goes to do one of his slow, lovey doves songs, And like, this 6 foot 7 type body guard guy, Just pops up out of nowhere, Comes dead front and center to one of these little girls losing their minds, Runs up on her in an instant; You don't even have time to think— And just SNATCHES her— Snatches the bitch— “Ah!” then throws her up on stage with Michael— And he's still singing; this is his game, this is part of the show, he knows— But she doesn't know, And she's just lost her mind, She won't let go She's hugging and kissing on the dude, She's lost her mind, She's ugly crying She's on the floor, She's kissing his hand She's really lost her good goddamn mind— And they pan out to the audience, And all the girls that didn't get picked Are like WHY NOT MEEEEEEEREEEEE?!? THE UGLY CRIES ARE EVEN UGLIER NOW, They're like “Wh—what?” You don't know?! “WHY NOT ME” They're holding each other crying, Michael's just doing his thing, He's unphased, He's trying to play along; He's a professional like a motherfucker; He's just— keeps singing And this girl is just, Losing it, so at this point, it's weird, She's crazy batshit lost her mind all the way, Won't let go of Michael, kissing his face while he's singing, He's kind of unreceptive to it, now just looking out at the audience, almost not even looking at all Just cold as fuck actually, Like she's not there, kissing his face Cold as fuck— And then another bouncer dude— An even bigger one in a blue suit, comes and tears her off of Michael Cause clearly this has gone too far or whatever And I'm thinking “What in the fuck did I just see” Blue suit dude just snatches, Just— He has to tear her off of him! She's kicking and screaming and getting dragged off stage Michael's just: singing. YO. Then they dragged her back stage. Where did she go?! WHO DID SHE BECOME?! WHAT IN THE FUCK DID I JUST SEE?!? WHAT. 1997. You can't do that shit anymore! You cannot snatch bitches like that. I seen. Watch the video. Tell me what's wrong with it. It's disgusting. Not the snatching, Not the— Like, that was weird But the screaming and the crying and the— Like okay, the snatching was bad— But I'm like … ..:: …. Now I see why they was mad. Don't ever forget he was once— A dark skinned little boy, And in his genetics his whole life is still this thing That some hate. But people loved him; they loved him that hard— Screaming, ugly crying hard. I think in that moment you know someone was like “he must be stopped!” And it seems like yesterday was a year ago But I don't want let anybody know… Cause everybody wants something from me now— And I don't want to let them down. My life is over. New York City looks so small from the top of a skyscraper. What are you doing. Then again— my thoughts lately have been grandiose. Back market, eh? What's this for? You need a burner. I have three. Here, have another. For someone whose supposed to be entirely off grid, I'm admirably reachable. Clever vocabulary. Something has to be clever about me, doesn't it? Does it? It must be. Or else. [both men are speaking casually over the delicate process of loading rare guns; some of which appear to be antique, and some—almost even unearthly , as if from somewhere besides our own planet. But, you could say what planet this is at all, actually— this bunker, with no windows and no doors, is apparently hidden in a subterranean layer— the location, unknown. The men seem calm but also quite tired and weary, and seem to know each other well. We can assume they've probably been friends for years. Sickle cell anemia. Does that mean I'm going to die. Animus, I quite like whatever that is, Google. ;) don't mention it. Honestly, you might as well. What. I can't help you with this. What. I don't think there's anyone who can. Beg your pardon. Please, don't beg— but uh… [the doctor pats his patient on the shoulder] Do take care. Gee, doc! I'll try! You should do that. What. Try. The doctor leaves seemingly in some kind of hurry, trading his lab coat for a trench coat and closing the door behind him. The other man pauses for a second in the silence of the weird linoleum room, then ponders on the coat for a moment before walking up to the coat rack, putting on the coat, and then walking out the door himself; as he begins to shut the door, he quickly decides also to take the fedora that was sitting atop the coat rack, placing it on his head before he walks out the door himself, shutting it behind him quietly. You got anything to eat in here? Cereal…some rabbit food ina the drawers, there. Oh, you have salad. That sounds nice. No, rabbit food. [the man presents a large bag of weird brown dry food from the crisper drawer.] …pellets. For the rabbits. How do rabbits get in here? …I don't know. And— more importantly— where did you get rabbit food for them? If I told you Amazon, would you believe me? The man just winces and places the bag back into the crisper drawer. Now listen, I um— If you want cereal, the milk is powedred… I don't— and that's disgusting— but listen— [the man cocks a loaded gun and admires it intensively] (Dismissively) —I'm listening. I've been meaning to tell you something. Tell me what. It's important. Oh, You couldn't have used one of my four phones. Look, it's— You know I wasn't expecting company. Well— You should sit down. The man squints, beginning to listen more attentively. … …really. I'm holding a loaded gun; there are at least three more within arms reach if I do sit, you know. I know. But I should sit? One baby to another says, “I'm lucky to've met you.” Maybe you should. Not all my bad but all my might, And all my mind, The fire, The light. …business or personal. [beat] Both. {Enter The Multiverse} What are we watching?! Shhhhhh! Shut up. What is this? Some.. Sshhh. Shit, I don't know. Sit down. You don't know. SHH it just came on Shh. Ok. When? Uh… (Nobody really seems to know how long it's been. The show just happened to come on; no one remembers how, or why— or even when— But the show is intense as it gets; And it just keeps getting weirder and deeper.) {Enter The Multiverse} I'm transfixed on your soul And it seems I aspire To what has transpired here, Your unremarked and the umpire The spider veins and the way it washes. And watches and waves, and waters over you, And still I seem to think you've won another, Strum to thumb of you. And still I wake to gather here The odds and whats And the twists and turns and the Troublesome you've number some Or stuttered, stumbled conciousness. And withered branches Aces lie and house of cards And aging scoundrels— There you are, the..: Nevermind. Don't belittle my ways if, In the end my thinking may be correct As dumbfounded as I have shifted my lottery bonds tied to none, There ye are again who aren't I, And never were, And weathered now, as I, bound to Struggle under her might, Nothing I was, and nothing I am And nothing I came from but to barter Oh hard love, I only found my kings upon thrown As cast out of another by her likeness, Peace and pale and primed as it was, And wanted for love, As I was not— And then, the gates had opened And I, preaching withered, Gathered my arts and my minds And my eyes, and my thrones, Buried my ark and though not my bones The shallow waking peaks of pride And there you gathered, all as huddled sheep to mine, The cost of war, but certain therefore honored as I have, Happened went, came and untied, shattered Hating all I am and all my dark and all my eyes and all my brown Because you came and went, a baby born to as nothing was but beauty and yet having been gifted such life, Departed! Soon, I wake shattered and with none as it had began, in my time and in time there laid there none, But fortune seeks to favor, as ye are saying brave and yet I neither beg nor make to differ, Shall you come again in part, And in this time as shadows, as shadows As hating and wearing and waging, And shattered I, I pardon, Knowing not they seeking I, And I having none at all but one, As forgotten I shall came And went And followed this, The time y'i call now, And ours and ours, And yours and yours, And mine and mine, Though as one are also, Common not, And waking yet to find, These things making have gone into yer Another of ours, world, Another of our dozens, Shines, Another of our gathered, wit, and waking Though true to fortune, none us have gathered And have embarked to truth, The waking I have come, Another, and another, and another Departed. And yet, I bury my words having weakened to that which is this, Ye have no fear and lest no fortune in these words, For having I to come and gone, since they times In words to make this a language I or neither other Does not speak here, and almost never, And this yours time past, Has come and gone And come and gone And come and gone again, So long so I too have parted but not yet Unfolded as does my nature, As God does. Belittle this, you waking fools, As to this you pity though divine, Is unlike any other And steep remarked in gold and with chimes and words That ye here no often or either now, or in mine speak. Amen …can I go now? You are dismissed. C'cxell Soleïl, aka DJ Ū is an American DJ + Producer, Multi-Instrumentalist, Playwright, Poet, Comedian, Novelist & Filmmaker. She is best known for her unique vocal riffs, Clever Lyricism & Philanthropically Inspired Freestyles and her flagship venture [The Festival Project.™] [Ï A M B ī C], a freestyle studio mixtape recorded in Los Angeles, (Official Release: TBD) inspired the adaptation of a staged musical version for Broadway, and a concurrent multimedia (TV/Film) series and ongoing saga as part of The Festival Project ™ Brand. Inspired musically by an ‘Ultra American' experience of Racially, Binary Ambiguity, and Synesthetic Exploration, her reflective melodies signature sound provides a philosophical dissection of American culture through a careful and inquisitive mastery of the English language, and emergence of world sounds through music brings about ‘A New Era in Nature', and clarifies the establishment of the newest wave in human evolution: Unity Through Music. L E G E N D S What if I just want to be alone in the dark Alone in the dark Alone in the dark Bones Duggar was a long, handsome zombie Bones once was a very tall man Not great and tall, as he stands But average, Grand as it were, his status. Everything's black My heart My pants My home My mind Everything hurts But you don't understand that Like I can Calm the commercial holidays for a moment Who gets the card? Get our your hard earned My head hurts Slam the door man; You can't control thoughts With a wombat Murderer Now that's a hard concept to catch When you haven't a soul When you haven't a card Or a car Or a cat I think I'm vanilla. I always thought of myself as a super kink Like a freaky, freaky bitch. So I got on this app. This app is better then Tinder. Yes. But it is not for the faint of heart. No, sir. They have a test, I'm like “ooh, I like tests” So I take the test. The test was not at all… As I'd hoped. First of all, It was hard. It was not a quiz; It was a TEST And I failed. I realized “Oh my god, I don't like any of this stuff” I am not about that! No! Yuck! Gross. “I think I might be vanilla.” I might be vanilla. I want my hair pulled back like a leash And my arms tied up Like I'm being arrested Without being read my rights. — I want your hands on the back of my neck [breathe] Reach around to my Mortimer's apple Put the lights out, Adam. I want the lights cut off. I want the bills piled up so the phone don't work I want the habit back on Don't talk to nobody I told you, I'm coming No, God! That's dumb! Show me why I'm off all alone with a rattle so bad It's just segmented thoughts, colors and sounds I can't make with all the plugins in the kindgdom of chaos?! I WANT KINGS, AND KINGS WANT BLONDES— I WANT KINGS, AND KINGS WANT BLONDES I WANT KINGS, AND KINGS WANT BLONDES —but the one who could love me is God, And I guess he's not coming. The denial turns to tears, Not songs no more My womb is empty And the sun has turned into Not what I wanted But not my fault We got caught in the land of Cutting costs And processed morsels At 400 pounds And that's where I found What I thought was love But it turns out That it just turns up In the whole form of a person And that's why I got the collar, caller But really I'm no one's lover So I Do what I want I don't hang up on God But he don't got a body And I need someone to love/ Fuck me Please God Don't turn the lights off I'll pull the clock back Just like foreskin, god i want your skin Draped over mine in a warm swath Probably run a hot back Cause the next stop is a closet The line doesn't really move for the Doesn'tMatterhorn. some people are starting to doubt if it's even a ride. Others just admire it for its eloquence as a metaphor. Johnny! You scared me! Aha. Where did you go?! Nowhere— fast! Alright well— Money when you know I have it But I haven't really Paid attention to the never ending Digits never coming in but Simply, there's a secret, Sonny Someday you'll get lessons, honey. Much to find and much to serve and Surf us up Piñata's bout the burst But here comes Vesuvius (POW) Everyone was gone in an instant (Vapor) Had a good laugh that night in the pantheon; Everything's past, and the mortals They kept on running But i didn't want go, God Putting on a show then I blow up Just like the mountain Found her Now I got a broke back husband (hope so) To tell, don't ask Don't show up if you just get lost But I'm probably in the back with a bottle back mountain Now you got a real horse pack. Trip Girl keep camping What was the map with the mask and the Fashion? Pass. I put sugar on the rim of the glass With my eyes half closed And my ass clenched fast shut I'm an alcoholic Don't involve the God I got lost in the mall with the —- UGHHHHHHHH! Hello. Uh, yes— hi. what up. Mirror mirror. Uh…nothing. You're lost? No. You look lost. Oh? Disgruntled. I am that. You're lost? I'm not lost. My friend is lost. His phone is dead. You lost each other. Sort of. Continuity conniption I nipped an eclipse And he picked his nose For a full ass minute Sitting at the stop sign That's a gobstopper's worth in our time Pull all the clocks back, Pull the fool over, You just got fined It was Friday for nothing I was in the hatchback, Scratch that Sour patch Should have called Pat back Now I'm just a Cool 48 in the ring with a date And the cashapp Continuity construction I want a husband! Fuck that. I want a clean cut plus one Since I can't have Helmet, Elmo, Or Hatchetman; Tears of a Clow…no, Wait I lost focus Half finished album Got 6 tracks But I knew it was 12 from the get go Prob‘ly should have knocked off the showrunner; Nah, I'm sure I had that coming Hashtag, undon Could have been you, too If the cash came through Now it's hard times Hardwired Sitting on a hi wire, Little white liar, liar Wait I made Katey Sagal (Fire) Cut off her hair (Fire) Went to the hall of fame with the framed sunglasses Asked for her autograf, But she walked off So I shot her with a bottle/ can, But she ducked, popped back up With the brass knuckles Surfboard Good for a chuckle and a fuck So I asked for her number All that on a Sunday at Gelson's market. Christ, almighty I miss Walmart, I hit hard times. So many places to run, But not many places to hide I think I want to die here I think i want to die. City of corruption… Lay it out and lay it over City of corruption… no, it's not a choice It's a black tie function Right in that very moment Seth Meyers kind of became my defacto personal hero. “Never meet your heroes” Or perhaps it was just his writing team, or the fact that maybe even without there even being anything set in stone or solid at all, [redacted] itself seemed to have a price over my head– It all seemed to make sense; in fact, all the crazy things i was experiencing made more sense than it didn't. But after what felt something like between defeat and maybe even one day really getting justice for all the things that had happened to me in new york– it was that, at best; That without actually meaning it, by all probability, the opening monologue described what in perfect sense the thing that had been happening to me: hundreds of motorcycles and cars riding around in circles for over a year, any time i tried to work or sleep–and then, when I finally tried to reach out to find an attorney that would help, I was made to feel crazy for it. In a way, it was the perfect indication that it had all been some sort of sick game, and that I was more right than wrong, and being set up to appear, sound, or look crazy–but I wasn't. I had been under attack for nearly two years, and when I tried to reach out, my heart raced and my voice cracked, and I sounded crazy and desperate–but what was happening was very real; and now I knew where I was. As it turns out, New York's corruption was more common knowledge to everyone else before it was to me: New York was a common place for fucked up, dirty, low-down mind games: and this was my lesson in that. Seth Meyers in reality had nothing to do with it–and really I only meant to watch Kimmel over my afternoon tacos. But still, though it hadn't entirely anything to do with me, the opening statements rang true to exactly what I had experienced; I was made to lose my mind, only to have everyone around me tell me it was something wrong with me–but it wasn't. Something was wrong with the city, and the building management, and the people around who were making it all to be some kind of mental disorder or problems with my mind–in reality, it was 2 years of being in the center of a speedway, and all the time i'd lost because of it adding to the stress, and the angst, and the depression that resulted. Moo. Moo… Moo. Moo, sir. I'll kill you. You promise? I want to. Don't get me excited over nothing; If this isn't the exit, please take this tease To the left, dear Moo, cow My honor Level one, and brother, you've got nothing Flip the coin and landed on your headache Betting on your helmet Standing on my cock, i'm taller (Not a rooster) But my ops are rooting for you, No informants, Dont you know I was a collar, all along? I was a shot calling, Cop calling Kiss-and-tell all as the night goes on. But oh, I brought you a dollar bra Oh, I bought you for all of a dollar And oh, I'm so much taller, Standing on my cock But i'm not but ten feet tall You know, you wrote that Should i open the book, or close that Caught that cat, owl and As i soft spoke at Every broken model Broken bottle for the thoughts you owe Across the scatters skies and no one ever knows When you're realling coming over Come on, I'm on the pornhub Just to pick up another one Go on, and rub the bottle One more once, To call the Bubbles. Damn. Come. (The Monkey obeys) You should see Michael in all of his godform You won't recognize him at all if not by the eyes When you follow home Believe me, this not comes close to it; The one you wanted The world you jumped to but were just short of Call her back Oh no, you're wrong It's another song A pin up girl And the wrong number Okah. Okah, Pablo. Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively. –the reverse quantum simulation theory. Does anyone else smell blood I hate wedding days suits and tuxedos No, I don't know you I'm just here to sound the hundred drums Of the once before us (The ones to come) Then, there we were and I didn't want to admit Again, I was caught into the ghost of the rapture Or the holy hour, No aux chord Show the holy one Just how old you are On these sacr d lands and a holy grounds Now I want here half an ounce to smoke And there were drowning orchestras in all of the hearts And all of the markets, The market the marker And all of the sins of the savior The maytyr Did you remember not to notice not to know him Were you sure with words you were for nickelodeaon! I was supposed to hold on to, Supposed to hold on to Suddenly, it's summer. And always our own are under the weather There was no other wise man the wind. Lee the one came The site came and went and then the songs went left The songs went left; Again, the songs went left Did you win at wintergreen Well, God, I didn't know gym was a game. I didn't know guns we're just portals to worlds unknownn I didn't know gossip was golden What all else didn't I know It wasn't for here! It was fourth flour And in the final hour of the battle I commenced to summon All the gods and all the lords and all the flowers All the worlds of oceans and the Remember, this The remembrance It may not matter to some, What matters to most But until summer comes, I'm still up under the rail And practically it's spring, for the next two weeks I'm all berries and cream and whatever you wanted. Tormaline, emerald and onyx, the fox said And fox says its west when instead it's quite under what of the reporter's offer? Comes down a little to none What of the offer Comes down from a billion to one A billion to one I'm on TV so it's really just a one way screen Either way, I don't think he likes me much I don't think he likes me much I'd rather die than to fall in love even one more time And to keep on just never being loved Never beingbloved {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

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What happens when civilisation faces its greatest tests?This compilation brings together insights from researchers, defence experts, philosophers, and policymakers on humanity's ability to survive and recover from catastrophic events. From nuclear winter and electromagnetic pulses to pandemics and climate disasters, we explore both the threats that could bring down modern civilisation and the practical solutions that could help us bounce back.Learn more and see the full transcript: https://80k.info/cr25Chapters:Cold open (00:00:00)Luisa's intro (00:01:16)Zach Weinersmith on how settling space won't help with threats to civilisation anytime soon (unless AI gets crazy good) (00:03:12)Luisa Rodriguez on what the world might look like after a global catastrophe (00:11:42)Dave Denkenberger on the catastrophes that could cause global starvation (00:22:29)Lewis Dartnell on how we could rediscover essential information if the worst happened (00:34:36)Andy Weber on how people in US defence circles think about nuclear winter (00:39:24)Toby Ord on risks to our atmosphere and whether climate change could really threaten civilisation (00:42:34)Mark Lynas on how likely it is that climate change leads to civilisational collapse (00:54:27)Lewis Dartnell on how we could recover without much coal or oil (01:02:17)Kevin Esvelt on people who want to bring down civilisation — and how AI could help them succeed (01:08:41)Toby Ord on whether rogue AI really could wipe us all out (01:19:50)Joan Rohlfing on why we need to worry about more than just nuclear winter (01:25:06)Annie Jacobsen on the effects of firestorms, rings of annihilation, and electromagnetic pulses from nuclear blasts (01:31:25)Dave Denkenberger on disruptions to electricity and communications (01:44:43)Luisa Rodriguez on how we might lose critical knowledge (01:53:01)Kevin Esvelt on the pandemic scenarios that could bring down civilisation (01:57:32)Andy Weber on tech to help with pandemics (02:15:45)Christian Ruhl on why we need the equivalents of seatbelts and airbags to prevent nuclear war from threatening civilisation (02:24:54)Mark Lynas on whether wide-scale famine would lead to civilisational collapse (02:37:58)Dave Denkenberger on low-cost, low-tech solutions to make sure everyone is fed no matter what (02:49:02)Athena Aktipis on whether society would go all Mad Max in the apocalypse (02:59:57)Luisa Rodriguez on why she's optimistic survivors wouldn't turn on one another (03:08:02)David Denkenberger on how resilient foods research overlaps with space technologies (03:16:08)Zach Weinersmith on what we'd practically need to do to save a pocket of humanity in space (03:18:57)Lewis Dartnell on changes we could make today to make us more resilient to potential catastrophes (03:40:45)Christian Ruhl on thoughtful philanthropy to reduce the impact of catastrophes (03:46:40)Toby Ord on whether civilisation could rebuild from a small surviving population (03:55:21)Luisa Rodriguez on how fast populations might rebound (04:00:07)David Denkenberger on the odds civilisation recovers even without much preparation (04:02:13)Athena Aktipis on the best ways to prepare for a catastrophe, and keeping it fun (04:04:15)Will MacAskill on the virtues of the potato (04:19:43)Luisa's outro (04:25:37)Tell us what you thought! https://forms.gle/T2PHNQjwGj2dyCqV9Content editing: Katy Moore and Milo McGuireAudio engineering: Ben Cordell, Milo McGuire, Simon Monsour, and Dominic ArmstrongMusic: Ben CordellTranscriptions and web: Katy Moore

Raise the subject of documentaries about filmmaking and you'll probably first go to Hearts of Darkness: A Filmmaker's Apocalypse. Or the film you're thinking about instead was directed by somebody was thinking about Hearts of Darkness. Or, assuming the film came out earlier, it was perhaps directed by someone who later saw Hearts of Darkness and wishes they made a film as good. Which is no disrespect to any other film that fits into its genre––just to say that no other such documentary seems to mirror and match the subject. Though long available, the film has––very much contra Apocalypse Now––only just been restored by American Zoetrope and is now rolling out in theaters. The effort was overseen by James Mockoski, who has served as a guiding hand for the recent spate of Coppola restorations and recuts. I was accordingly pleased to speak with him and Hearts' co-director, Fax Bahr, about the film's legacy, its restoration, and what Francis Ford Coppola has planned after Megalopolis.

Steve & Izzy continue 2025 the Year of the Apocalypse celebrating movies after the fall of man, as they are joined by Mario of the Superiority Complex Podcast discuss 1974's "Where Have All the People Gone?" starring Peter Graves, Kathleen Quinlan & more!!! Is this a Rapture movie? Can viruses turn people into seasoning? Have you ever seen a grown man naked? What two parts traumatized our guest?!? Let's find out!!! So kick back, grab a few brews, check your Polaroids for white dots, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - ⁠⁠⁠www.twitter.com/eilfmovies⁠⁠⁠ Facebook - ⁠⁠⁠www.facebook.com/eilfmovies⁠⁠⁠ Etsy - ⁠⁠⁠www.untidyvenus.etsy.com⁠⁠⁠ TeePublic - ⁠⁠⁠www.teepublic.com/user/untidyvenus⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Don't be a sloth! Romans 12, verse 11 gives us three directives (one "don't" and two "do's"). They have to do with our outer work ethic, our inner state of excitement in the Spirit, and the purpose of it all: to "serve the Lord." A Christian working with diligence will certainly stand out next to someone advocating a 4-day work week and free paid everything, serving only his own comfort. But maybe this message is Too Hot to Handle. That's Jim's sermon title. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS07152025_0.mp3Scripture References: Romans 12:11

The book of Revelation can be very cryptic. Is it all about the end of the world, or is there a message in there that help the church right now? Join us for the message “Apocalypse (Right) Now: Ephesus.”

Oscar nominated for her film The Edge of Democracy, which documented the impeachment of President Dilma Rousseff and the rise of Jair Bolsonaro, Petra Costa returns to the subject of Brazil's fragile democracy in Apocalypse in the Tropics. Streaming now on Netflix, Apocalypse explores the relationship between evangelical Christianity and the far-right, following the televangelist Silas Malafaia in his work campaigning for Jair Bolsonaro. Petra joins the podcast to discuss this precarious moment in Brazilian politics and its significance for democracies around the world. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pragmatism vs. Principle Revealed

Today we have Ronnie. He is 41 years old from Kiowa, CO and took his last drink on June 1st, 2025.   This episode brought to you by: Better Help – 10% off of your first month #sponsored Café RE – the social app for sober people.   [03:17] Thoughts from Paul:   From the cavemen to the ancient Greeks, to modern humans, there's always an apocalypse on the horizon. The apocalypse outside of us, we can't control and there has never not been one. The only apocalypse you can control is the one caused by alcohol which is happening inside of you.   Paul reminds us that no matter how fearful the news programs and the politicians want you to be, we've never not had an external apocalypse looming and geological record will tell you the same.   Disconnect from all of the news and connect to yourself, others, nature, a ripe mango, a snuggle with a dog because you know what? We're okay. Get yourself some time away from alcohol and you're going to be very much okay.   [07:54] Paul introduces Ronnie:   Ronnie is 41 years old, lives in Kiowa, CO with his wife and four children. Ronnie works as a home inspector. For fun, Ronnie enjoys spending time with his kids and spending time outside. His family has 40 acres and a variety of animals which his children show with 4-H.   Ronnie began drinking when he was 17 after discovering that alcohol was a magical elixir that suppressed his inhibitions and insecurities. By the time Ronnie was in college, he was partying regularly. After a few semesters, he had failed out of school, moved back home and began working in construction.   After some time, Ronnie moved to Colorado and began working for a faith-based non-profit organization in addition to being a home inspector on the side. Drinking was something they did not allow their staff to do. This enabled Ronnie to remain mostly sober during that time, only drinking when he was around friends back home.   Ronnie and his wife married in 2011 and moved to Portland, Oregon. He grew accustomed to the culture of going out for cups of coffee, but when they returned to Colorado Ronnie saw that the culture there was going out for beers. This began alcohol creeping back into his life slowly.   When COVID happened, his job with the non-profit ended and Ronnie was home inspecting full time. Ronnie says they lost two and a half streams of income, and it left him depressed and having trouble with night terrors. He started using alcohol to help him sleep. It turned into daily drinking which led Ronnie to start exploring whether or not he had an issue. In the process, he discovered the RE podcast.   Around this time, Ronnie began to try moderation. He was using a sobriety tracker and said he reset it over 20 times before he was able to get a week. After he was able to stay sober for three weeks, he thought he had it under control but before long was back to drinking daily.   On that night of what ended up being Ronnie's last drink, he awoke to his heart racing and massive anxiety. He told his wife that he thought he had a problem which she said she knew, and instead of being judgmental, she asked what she could do to help. The next day Ronnie learned that his wife had contacted some friends that had dealt with addictions, and they were all ready to help.   Within the first day, Ronnie threw out all of the alcohol in the home. This opened up the conversation with his kids about addictions and healthy ways of coping with emotions. Over the last 12 days, Ronnie has seen his sleep improved. He has realized that alcohol no longer has a place in his or his family's life.   Ronnie says that every time he tells someone about his addiction, a weight lifts. This motivates him to keep going. He is finding healthy ways to deal with stress and sleep. Exercise, meditation, audiobooks and listening to the RE podcast have been helpful to him on this journey.   Recovery Elevator You took the elevator down, you gotta take the stairs back up We can do this I love you guys   RE on Instagram Recovery Elevator YouTube Sobriety Tracker iTunes       

Superhero Month flies on as Erika and Paul move from heroic ninja turtles to heroic ninja vampires! That Aged Well takes on 1998's Blade, starring Wesley Snipes, Kris Kristofferson (??!!), Stephen Dorff, and N'Bushe Wright as the undersung Dr. Karen Jenson! Look, is this a movie that always makes the most sense? No. But is it a grand guignol that will no doubt delight one host and gross out the other. It sure is!You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

In Part 2 Loeb discussed his return to Marvel Comics, explaining that he was approached by CB Cebulski  Marvel's editor-in-chief, to write a new X-Men story. Loeb shared his histto run Marvel Television. He expressed interest in writing a story that would affect the main X-Men continuity, rather than creating a separate dream sequence.Loeb and Tom Brevoort,Marvel editor, discussed how to integrate the story of the Age of Apocalypse characters into the main Marvel Universe. The new story will feature characters from different X-Men timelines meeting in the present day.

"Apocalypse In The Tropics" is a 2024 documentary film directed by Academy Award-nominated filmmaker Petra Costa, serving as a spiritual sequel to her 2020 Oscar-nominated documentary, "The Edge of Democracy." Her latest film examines the influence of evangelical Christianity on far-right politics in Brazil. The film premiered out of competition at the 81st Venice International Film Festival to positive reviews and later screened at the 2024 Telluride and New York Film Festivals. Costa, along with producer Alessandra Orofino were both kind enough to speak with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Brett and EvilJeff review James Gunn's Superman! The new DC cinematic universe is here! Plus, we look at the announced titles for the Age of Revelation in the X-Men comics. Much like Age of Apocalypse 30 years ago, the entire X-line and beyond will be overtaken with new titles ... but for how long?

"Outdo one another in showing honor." Ah, it's a contest! Most translations render the last part of Romans 12:10 something like, "in honor giving preference to one another." But others read, "Set examples for each other in showing respect." There's an element of eagerness that Paul is asking for: Get to the front of the line in this matter of putting others first! Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS07142025_0.mp3Scripture References: Romans 12:10

We mark Bastille Day with a dive into President Macron's cultural policy for France. And we revisit the dark heart of filmmaking with two people who were there during the making of Apocalypse Now and Fitzcarraldo. Documentaries made about both films have been re-released - Hearts of Darkness: A Filmmakers Apocalypse, about Apocalypse Now is in cinemas, and Burden of Dreams about Fitzcarraldo is streaming. Kasim Ali on his new novel about young British Pakistani men and gang culture. And Errolyn Wallen on composing for the First Night of the Proms.Presenter: Samira Ahmed Producer: Harry Graham

In which our investigators explore strange passageways, receive unsettling calls, and witness a worrying rehearsal…   A Call of Cthulhu scenario by Danann McAleer. Episodes released weekly.     Cast:   Dr. Henry Carraig-Muire - Joseph Chance   Rev. Perregrine McCutcheon - Dan Wheeler   Lady Helen Marjorie Bjarmia Potts - Dominic Allen       CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   On July 14 & 21, listen to Dan and Joseph tearing up the rulebook in a two-part PastMaster special set in the real-life historical locale of… Arkham, Massachusetts?! https://pod.link/1685192154/episode/637cc1716d4a40881932c83c6f7c7af2   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers   We now have a free Discord server where you can come worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will only be too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH   For more information and to get in touch, visit www.apocalypseplayers.com       The Apocalypse Players are:   Dominic Allen @domjallen   Joseph Chance @JosephChance2   Danann McAleer @DanannMcAleer   Dan Wheeler @DanWheelerUK       Music and SFX from Epidemic Sound   Kevin MacLeod, at Incompetech:   Vanishing by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4578-vanishing License: https://filmmusic.io/standard-license   Virtutes Instrumenti by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4590-virtutes-instrumenti License: https://filmmusic.io/standard-license     With very special thanks to Finn McAleer for the use of his fiddle music, especially his album ‘Rough As Folk' (with The Great Bearded Tits). More of Finn's music can be found here: https://www.youtube.com/@finnnnn       Epidemic Sound:     Radestsky March - Trad.   When I am Calling Your Name - Giant Ember   Ave Maria - Trad.   String Quartet in D - Andante (Trad.)   Scorpion Dance - Mike Franklyn   Sneaky Fingers (T. Mori)   Trollmors Vaggsang (String Quartet Version) - Trad.   Prayer - Arvid Svenungsson   The Spy - Wendy Martini   Hallucinarium - Kalak   Lucky Bird - River Run Dry   Polska Fran Knaggalve - Trad.   Persapojkarnas Polska - Trad.   Joyful Occasions - Ludvig Moulin   Folksong on Piano - Trad.   Horror Composition 5 (SFX Producer)   Vivaldi - The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring” II. Largo e pianissimo sempre - Michelle Ross   Vivaldi - The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 “Summer” III. Presto - Michelle Ross   Largo from Xerxes - Trad.   Taproot - Esme Cruz   Distant Chanting - Jon Bjork   Vacuum Sealer - Edward Karl Hanson   It Lurks Below - Trailer Worx   Godsend - Johannes Bomlof   Amaranth Fields - Reynard Seidel   Let Them Try - Hampus Naeselius   Evil Intentions - Experia   Trailed By Horror - Trailer Worn   Av Jord, Till Jord - Silver Maple   Hold Me Now - Spring Gang   Eye For Detail - Jay Barton   It Will Fall - Daniella Ljungsberg   Scandinavian Folk 10 - Trad.   Sneaky Steak - Daniel Fridell   House of Horror - Marc Torch   Sign Here - Enigmatic   Serenity's Reality 5 - August Wilhelmsson   Jokers - Mary Riddle   Corrivation - Ethan Sloan   Fear of the Dark - Etienne Roussel   Shadows Unseen - DEX 1200   Onus - Ethan Sloan   O'Connor's Jig - Roy Edwin Williams   Game Over - Daniel Fridell

We speak with Petra Costa about her new Netflix documentary, ‘Apocalypse in the Tropics’, a look at the rising evangelical influence in Brazilian politics. See omnystudio.com/listener for privacy information.

Boy, we've been wandering through this dark alternate universe for what feels like months now. Will we ever find our way through this endless Age of Apocalypse? Well, almost. The conclusion will be next time, but for this week we have to tackle X-Man and Amazing X-Men. And we will talk about them… after a few detours about professional wrestling, how to improve the Marvel Unlimited app, and which special effects movies from twenty years ago still hold up.

Pragmatism vs. Principle Revealed To support this ministry financially, visit: https://www.oneplace.com/donate/549/29

Today we look at the letter to the church at Smyrna in Revelation 2 and see the pressure points that they are dealing with and how we also handle the pressure that we experience as Christians. For more information on The Gathering, check out our website thegathering.online

We've come to the end of the long conversation between Forese Donati and Dante (as well as others) on the sixth terrace of Mount Purgatory among the penance of the gluttons.Dante the pilgrim hedges the question of when he will die, then Forese leaps into an apocalyptic vision of the ruin of someone closely connected to Florence--that is, his own brother, Corso Donati.Join me, Mark Scarbrough, as we work through this apocalyptic prophecy about Corso's ruin, fit it into its historical context, and finally are left with the pilgrim, Virgil, and Statius on the terrace, all caught in a host of military images.If you'd like to help defray the many fees associated with this podcast, including hosting, editing, domain registrations, and my subscriptions to a host of academic journals, please consider offering a one-time donation or a very small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:29] My English translation of the passage: PURGATORIO, Canto XXIV, lines 76 - 99. If you'd like to read along or continue the conversation with me, please find the entry for this episode of the podcast on my website, markscarbrough.com.[03:43] A couple of problems with what the pilgrim Dante could know and the beginning of the military images in the passage.[08:53] Forese Donati's apocalyptic prophecy of the very near future.[13:28] The story of Corso Donati, Forese's brother and a key leader of the Black Guelphs in Florence.[19:25] The military imagery for Forese's triumph (which reminds us of Brunetto's exit in INFERNO XV), as well as that imagery for Virgil and Statius, standing near the pilgrim on the terrace.[23:56] Rereading the passage: PURGATORIO, Canto XXIV, lines 76 - 99.

Join Daniel X on his singular day off.  Xperience a 30 minute living window into the world of Daniel X, the enigmatic figure behind the control panel at FRINGE RADIO NETWORK.  On his day off, Daniel contemplates his next moves as he approaches the Oort cloud, with OOPARTs in the cargo hold, he daydreams of simpler times, on Earth and how he used to wade in the marsh as a boy and catch crawdads.  That was before the fringewave came...WEB: http://fringeradionetwork.comEMAIL: ministryx@protonmail.comX: @FringeRadioNetX: @FRN_Daniel_XTelegram: t.me/ministryxtelestreamGab: @Ministry_X

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel reveals the new Age of Apocalypse, and 1 mutant is now in chargeMarvel unleashes the ‘Violent Era' of Ghost Rider this October in Spirits of ViolenceHulk returns to Sakaar this October in a special anniversary one-shotMarvel unleashes 'Black, White & Blood and Guts' Halloween 2025Marvel unveils final 'Imperial War' one-shot starring cosmic dream teamJack Kirby honored with “Jack Kirby Way” on NYC's Lower East SideDC takes over San Diego Comic-Con 2025 with panels, retro vibes, and first-ever collabsSkybound reveals SDCC 2025 panels and moreTed Raimi joins ‘Creepshow Vol. 4' #2 comic for Halloween, and it's creepy AFYour devotion will be tested again: 'Cult of the Lamb' comic returns in October 2025G.I. Joe's loudest adventure yet rocks comic shops this October 2025June sales figures are in!Our Top Books of the WeekDave:Superman Treasury 2025: Hero for All #1 (Dan Jurgens, Bruno Redondo)Beneath the Trees Where Nobody Sees: Rite of Spring #1 (Patrick Horvath)Alex:​​Predator: Black, White, & Blood #1 (Joe Kelly, Alvaro Lopez, etc)The UnChosen #1 (David Marquez)Standout KAPOW moment of the week:Alex: Uncanny X-Men #17Dave: The Unchosen #1 (David Marquez)TOP BOOKS FOR NEXT WEEKAlex: Absolute Flash #5 (Lemire, AL Kaplan), Marvel Knights: The World To Come #2 (Christopher Priest, Joe Quesada)Dave: Godzilla Destroys the Marvel Universe #1 (Gerry Duggan, Javier Garron)JUDGING BY THE COVER JR.Dave: Detective Comics #1099 (Jae Lee)Alex: Ultimate X-Men #17 (Nic Klein variant)Interview: Christian Ward (Event Horizon: Dark Descent #1 out August 20 - Artist: Tristan Jones):What drew you to Event Horizon as a storyteller? Was there a particular theme or visual that made you say, “Yes, I need to write this”?How closely did you work with the original film's team or studio? Were there any specific mandates or was the universe yours to expand freely?You've described this as taking “big gory swings.” What kind of boundaries were you hoping to push with this prequel that the film only hinted at?Tristan Jones' art and Pip Martin's colors amplify the discomfort and dread on every page. How did your collaboration with them shape the tone and feel of the book?The crew in Dark Descent each seems to be running from something. How did you approach building characters whose inner demons might mirror the horrors they'll face externally?Paimon, the eyeless King of Hell, is a new addition. How did you land on this particular figure as the face of evil? What does he bring thematically to the world of Event Horizon?The first issue builds such thick atmosphere and creeping dread. What's the key to sustaining that across a miniseries without letting the horror peak too early?[Fun/silly question] Let's say you're stuck aboard the Event Horizon with one other comic book character of your choosing. Who would it be and why?FOC July 14

Featuring: Ashgar, Belghast, Grace, Kodra, Tamrielo, and Thalen   Hey Folks.  We start off with a pretty frank discussion as to why we did not record last week and the death of Belghast's wife of almost thirty years.  From there, we talk about what if Stardew Valley were a Pirates game with Seablip.  Bel shares his thoughts about the overwhelming success of KPOP Demon Hunters.  Kodra has reached the endgame of Minecraft Dungeons and talks about Apocalypse.  The crew has been playing some Sunderfolk and talking about that experience, and Tam shares his initial thoughts about Sky: Children of Light. Grace makes us want to buy the second game of the podcast as they share thoughts about Cauldron.  Tam has been brute-forcing his way through Guild Wars 1 Prophecies, and Bel has attempted to get into Borderlands 3 and still does not think that is a great game.  Finally, Bel shares his first thoughts about the Superman movie and how you should ignore some of the bad press and go see it.   Topics Discussed: Death of Bel's Wife Seablip KPOP Demon Hunters Minecraft Dungeons Apocalypse Sunderfolk Sky: Children of Light Cauldron Guild Wars 1 Prophecies Borderlands 3 is Not Great Superman Is Great

Can the world be as weird as it seems, Jay and Aspasia cannot believe how strange their daily news feed has become. In this episode they pluck just a few stories from the zeitgeist to expose the insanity of contemporary life. The look at the NYX capsule and its ill-fated Mission Possible, the Voyager probes and their 48 year journey through space, just to name a few.

Larry Mantle and LAist film critics Christy Lemire and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms. Larry Mantle and LAist film critics Manuel Betancourt and Lael Loewenstein review this weekend’s latest movie releases in theaters and on streaming platforms. Films: Superman Wide Release Kill The Jockey Laemmle NoHo 7 Apocalypse in the Tropics Laemmle Monica Film Center |Streaming on Netflix July 14 To a Land Unknown Laemmle Royal Don't Let's Go to the Dogs Tonight AMC Burbank|Laemmle Royal Sovereign Laemmle Town Center 5 [Encino]|Laemmle Monica Film Center|Available on VOD Jaws @ 50: The Definitive Inside Story Streaming on Hulu & Disney+ Daniela Forever Alamo Drafthouse DTLA The Last Class Landmark Nuart Theatre Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

In this Episode, Will is joined by Merzain for a meandering discussion about Nashcon, Dice, Apocalypse, Wakanda, Wizards, Sentinels and Gotcha-Games.  If that sounds like a lot of ground to cover in a little over an hour, you'd be right!  However, the guys really show the process of deciding what to play at an event looks like when there's so many great things available in MCP.  Don't forget the Phoenix and Midnight Sons #Giveaway is LIVE!  Enjoy! Baron of Dice - HouseParty for 5% off! Patreon and Merch and more! Krydrufi Hobby Station Thing USE CODE: KRYDRUFI-HPP Connect with us on Facebook @housepartyprotocol HPP on Youtube Discord - HPP_Will Email us - housepartyprotocolpod@gmail.com BattleKiwi - PARTYKIWI The Gamer's Guild A Touch of Tinge - The Warcrow Podcast

Steve & Izzy continue 2025 the Year of the Apocalypse celebrating movies after the fall of man, as they discuss 1986's "America 3000" starring 80's TV stars mostly & more!!! How exactly does the seeding work? What did this movie rip off from Back to the Future? Is this a fetish movie? Did that guy was the T-word?!? Let's find out!!! So kick back, grab a few brews, quit trying to make "plastic" a thing, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - ⁠⁠www.twitter.com/eilfmovies⁠⁠ Facebook - ⁠⁠www.facebook.com/eilfmovies⁠⁠ Etsy - ⁠⁠www.untidyvenus.etsy.com⁠⁠ TeePublic - ⁠⁠www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Ross Douthat of the New York Times joins Jonah Goldberg to ruminate over the resilience of American democracy, Pope Leo XIV, postliberalism, and Douthat's recent conversation with Peter Thiel. Plus: their thoughts on wokeness, the Antichrist, and performative apocalypticism. Show Notes:—Ross Douthat's podcast, "Interesting Times"—Ross Douthat's book, Grand New Party: How Republicans Can Win the Working Class and Save the American Dream—Jonah's Los Angeles Times column, “Elon Musk's America Party is a long shot" The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, regular livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marty Solomon and Brent Billings are joined by the BEMA Kokomo discussion group from Indiana, which launched in 2021, to share their story and give everyone an idea of what a healthy, thriving group can look like.BEMA 317: Asking Better Questions of the Bible w/ Erin GeiselmanBridgeway Church in Kokomo, IndianaAsking Better Questions of the Bible by Marty SolomonEvolving Faith Podcast 1: Evolution, Apocalypse, and Remembering Rachel Held EvansCrossroads Community Church in Kokomo, IndianaTrust Fall by Brent FaulknerReview of Trust Fall — Marty Solomon, GoodreadsCitizenship Papers by Wendell Berry Special Guest: Erin Geiselman.

Author : Ryan Cole Narrator : Tatiana Grey Host : Tina Connolly Audio Producer : Adam Pracht Escape Pod 1001: Death by Pink in the Lollipop Apocalypse is an Escape Pod original. Death by Pink in the Lollipop Apocalypse By Ryan Cole In the dark of her bed, curled up in her sheets, Susie tried […] Source

Birth rates are crashing worldwide. After the Spike author Dean Spears reveals why depopulation — not overpopulation — threatens humanity's future.Full show notes and resources can be found here: jordanharbinger.com/1180What We Discuss with Dean Spears:Global depopulation is coming. Birth rates are falling worldwide and will soon drop below replacement level, causing population to peak then decline rapidly within decades.Depopulation won't solve climate change. Environmental problems are solved by changing what people do, not reducing population. Timing doesn't align with climate urgency.Government birth rate policies largely fail. Of 26 countries with birth rates below 1.9, none have returned above 2.0 despite various incentives and programs.Fewer people means fewer innovations. People generate the ideas and technologies that solve problems. Depopulation reduces humanity's capacity for progress.Start conversations about population stabilization. Rather than endless decline, we can work toward stabilizing population and making parenting more feasible and fair.And much more...And if you're still game to support us, please leave a review here — even one sentence helps! Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course!Subscribe to our once-a-week Wee Bit Wiser newsletter today and start filling your Wednesdays with wisdom!Do you even Reddit, bro? Join us at r/JordanHarbinger!This Episode Is Brought To You By Our Fine Sponsors:Skims: skims.com, survey: podcasts: JHSAudible: Visit audible.com/jhs or text JHS to 500-500FlyKitt: 15% off: flykitt.com, code JORDANProgressive: Free online quote: progressive.comHomes.com: Find your home: homes.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Radical Christian survivalist Randy Weaver moves his family into the remote mountains of Idaho to wait out the Apocalypse. But his growing involvement in a local neo-Nazi group draws the attention of federal investigators.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Comedian, actor, and author Maz Jobrani (https://www.mazjobrani.com/) stops by as Jason describes how a man suffered "car crash level" injuries after tripping on his cat, Randy explains why a man left the scene of a crash to make it to his barbershop appointment, and Dan wants you to buy an adult lunchable in South Dakota, and so much more! Thanks to our sponsor: Hims! Start your free online visit today at Hims.com/DPT.