Podcast appearances and mentions of Bob Dylan

For the ego, as Bob Dylan sang, everything is broken at every fractal level. We are here to heal what is broken by releasing seemingly inescapable patterns of suffering that have become frozen in time. Because the ego is only the lowest level of a four-tiered consciousness that has become short-circuited, it is possible to heal. Shunya offers an empirical experiment to shift one's paradigm to be free, to see within one's own consciousness the ego's unreality, and to keep the soul awakened by not entertaining egoic thoughts and instead remaining turned towards the inner light. It will require recognizing that suffering is a blessing of motivation to return home, to remain vulnerable long enough to receive the grace necessary to alchemically transform one's pain into wisdom. This emptying out and surrender are the only true fulfillment in life and our divine right to leap beyond the ego's event horizon to the Absolute Self.

In this double-feature episode of the podcast, veteran journalist Jason Zengerle joins to unpack his new book 'Hated by All the Right People: Tucker Carlson and the Unraveling of the Conservative Mind.' We dive deep into Tucker's early days as a sharp, contrarian writer at The Weekly Standard, his pivot at the Daily Caller for traffic over facts, the lessons from Breitbart, his rise at Fox News, and how he mastered anti-liberal outrage to influence policy and the right's direction.Then, author Daniel Flynn discusses 'The Man Who Invented Conservatism: The Unlikely Life of Frank S. Meyer' – the former Communist turned fusionism pioneer whose ideas united traditionalists and libertarians, powering Goldwater, Reagan, and the post-war right. From MI5 files to living next to Bob Dylan, Meyer's wild life shaped conservatism in ways few remember.Buy the books:Hated by All the Right People by Jason Zengerle: https://www.amazon.com/Hated-All-Right-People-conservative-ebook/dp/B0CYHTV6H9The Man Who Invented Conservatism by Daniel J. Flynn: https://www.amazon.com/Man-Who-Invented-Conservatism-Unlikely/dp/1641774495Subscribe to Matt Lewis on Substack: https://mattklewis.substack.com/Support Matt Lewis at Patreon: https://www.patreon.com/mattlewisFacebook: https://www.facebook.com/MattLewisDCTwitter: https://twitter.com/mattklewisInstagram: https://www.instagram.com/mattlewisreels/YouTube: https://www.youtube.com/channel/UCVhSMpjOzydlnxm5TDcYn0A– Who is Matt Lewis? –Matt K. Lewis is a political commentator and the author of Filthy Rich Politicians.Buy Matt's books: FILTHY RICH POLITICIANS: https://www.amazon.com/Filthy-Rich-Politicians-Creatures-Ruling-Class/dp/1546004416TOO DUMB TO FAIL: https://www.amazon.com/Too-Dumb-Fail-Revolution-Conservative/dp/0316383937#tuckercarlson #Conservatism #FrankMeyer #JasonZengerle #DanielFlynn #NeverTrump #PoliticalPodcast #ConservativeHistoryCopyright © 2026, BBL & BWL, LLC

Understanding "Streets of Minneapolis"With Springsteen's latest single reaching #1 in 19 countries, we're witnessing a significant cultural moment. I'm proposing an exploration of the controversial, "Streets of Minneapolis"—examining it within a powerful American musical tradition that stretches back over eight decades.A Tradition of Musical CommentaryThis story begins in 1944, when Woody Guthrie (not Arlo—Woody was his father) wrote "This Land Is Your Land" as a response to Irving Berlin's "God Bless America." What seemed like competing patriotic songs represented something deeper: different visions of what it means to love your country. Berlin offered celebration; Guthrie offered reflection—including verses about inequality and hardship that rarely get sung today.Guthrie embraced a form of patriotism rooted in the Declaration of Independence—one that believes loving your country includes acknowledging where it falls short of its ideals. Writing during World War II and the aftermath of the Depression, Guthrie demonstrated how music could both honor and challenge the nation simultaneously.How Music Reaches Us DifferentlyThat approach influenced Pete Seeger, Joan Baez, and Bob Dylan—artists who discovered that songs could communicate social commentary to audiences who might not engage with traditional political discourse. A three-minute song on the radio could spark reflection in ways other media couldn't.Consider "Born in the U.S.A." How many of us have heard it as a celebration when Springsteen wrote it, in Guthrie's tradition, as a pointed critique of how America treats its veterans? Forty years later, it's still frequently misunderstood—even used at political rallies in ways that contradict its message. This pattern raises important questions about how we engage with art.When Music Captures a MomentIn 1970, after the Ohio National Guard killed four students at Kent State University, Neil Young wrote "Ohio" almost immediately. Released by Crosby, Stills, Nash & Young within weeks, the radio-friendly song brought that tragedy into millions of homes, forcing a national conversation.What "Streets of Minneapolis" Asks of Us"Streets of Minneapolis" follows in this tradition—echoing "Ohio" across five decades. Like those earlier songs, it's not primarily about comfort; it's about bearing witness and prompting reflection.The question worth considering: Will we engage with what the song is actually saying, or will it become another anthem whose meaning gets lost over time?An Invitation to Listen Thoughtfully. An opportunity to make your own decisions. This isn't about taking political sides. It's about recognizing a form of patriotism that asks something of us—the kind that believes loving your country includes honest examination of difficult moments.Hosts: Rick Galusha & Mike OlsonKate Smith / God Bless America (1939)Woody Guthrie / This Land is Your Land (1940) Carter Family / The World's On Fire (1925) Bruce Springsteen / Born in the USA (1984) [Nebraska] Neil Young / Ohio (1970) Bruce Springsteen / Streets of Minneapolis (2026) Norah Jones / American Anthem 

The Dylan Whisperer Rob Stoner and I have been in the same city, on the same street, in the same club where I was promoting and he was playing, at the same time, over and over, and somehow we never met. Until tonight. He was worth waiting for. What a fun edutainment! We talked about his heroes, Chuck Berry to Jerry Lee Lewis, Rob's famous photographer father, who, like Rob's later boss, Bob Dylan, used art to change our thinking, to his own early days playing with Pete Seeger and Tim Hardin. From high school bands playing keyboards, guitar, and then bass, great story there as to why he picked it up, to his first session with Pete Seeger, another important mind-shaper, to Tim Hardin, and Don Mclean, with his first ill-fated named first album, Tapestry, to his second album and the session which bore his first #1 hit, American Pie. Rob tells the tale, from soup to platinum single. The session with Robert Gordon and Link Wray, recording a not-yet-wildly famous Bruce Springsteen's first recording of his soon-to-be monster hit, Fire. Where a young Rob Stoner came up with the iconic bass line that Bruce would soon “borrow.” Rob had his own record deal in '73, meeting Dylan a year later, Bob telling Rob he'd come to call, and how Rob's band became the backup band for Dylan's album Desire when he finally did call about a decade later. Rolling Thunder, Rob, the musical director, for Dylan's long-held dream to put together a traveling carnival show. How it worked, all the moving parts, and the one erratic member. Dylan. Rob told us about their relationship, never knowing if this gig would be his last, and how, thanks to Robert Gordon (and Link Wray), whom Rob would play with for over 40 years, helped Rob to end it on his terms. We talked the pandemic and how Zoom changed the game for Rob (and me, and many of us), who grew his teaching practice and extended his reach globally. His daily Facebook videos, doing what he loves, playing music that he loves, which receive millions of views. A massive Dylan fan since the 60s and enthusiast of most of the artists Rob has played with, it was a thrill to get his take on the Complete Unknown, what it was like for Baez to play with Dylan, why Robert Gordon and Link Wray eventually split up… and so much more. Rob's been there, done that, and charmingly shares the tales. Loved every moment! Rob Stoner Live on Game Changers with Vicki Abelson Wednesday, 1/28/26, ***6 PM PT/ 9 PM ET*** Streamed Live on my FB, YouTube & LinkedIn

Doc's $hit list. What is "scromiting"? We just sit around and shoot the bull. Ern professes his lust for Jason Mamoa. Our memories of Bob Dylan. Music genres most likely to cheat. What the hell is a "Mud cricket".

SERIES 4, EPISODE 1. Welcome back to a new series. Emmett Grogan was one of the defining figures of American counterculture in the 1960s. Though his name is almost completely unknown in Ireland, the author of Ringolevio: A Life Played for Keeps is a man for whom Bob Dylan dedicated an album, and who was described by Abbie Hoffman (who he distrusted greatly) as "the hippie warrior par excellence." Yet before the Summer of Love took San Francisco, Grogan was in Dublin in the early 1960s. His accounts of the city are fascinating, from Neary's to Guinness, but how much of it is true? You can read his account here: https://stealthiswiki.com/library/emmett-grogan-ringolevio

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Pull up a chair as we head to "America's Farm to Fork Capital," Sacramento, for a special in-person episode with James Rasmussen, VP of Arena Programming at Golden 1 Center. Our hosts sit down with James in the Sacramento Kings podcast studio and dig into what makes the city special and things to look forward to for those coming to the Event & Venue Marketing Conference in June. Fresh off a venue tour before recording, we talk about the many features of the arena that make it stand out – including being 100% solar powered and the importance of the solar panels on the roof, giant window walls that can open to cool the venue with the delta breeze, sourcing 90% of their food and beverage from within 150 miles, LEED Platinum Certification, and so much more. We talk through the building's evolution as it approaches its 10th anniversary and their emphasis on designing for the future. We chat through James' career history from working as a security guard at Bob Dylan's house while in college at Pepperdine University to his entry into live events with Arena Network, and many shows and tours he worked on along the way. There's nothing like recording these in-person and you're sure to enjoy this special episode live from halls of Golden 1 Center.James Rasmussen: LinkedIn | EmailGolden 1 Center: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

"This is the best book about how it used to be," writes the influential music critic and record industry analysts Bob Lefsetz, in praise of Paul Rappaport's wild ride of a memoir, Gliders Over Hollywood: Airships, Airplay and the Art of Rock Promotion. "[It's] the only book I can remember that truly details what it was like inside the star factory." After a career spanning more than three decades in rock promotion at Columbia Records, "Rap" knows as much as anyone what it takes to launch a new act, pump up a new record, or beat the drums on behalf of a world tour. Before capping his career at the label as a senior vice president, he had played a pivotal role in shaping and re-shaping the careers of some of the biggest stars in the business, including artists such as Bruce Springsteen, Billy Joel, Elvis Costello, and the Boomtown Rats. "I'm a storyteller," he explains, of the many ways he tried to frame the stories of the musicians on his roster. "We were making it up as we went along, and the characters were everywhere—not just the artists, but the behind-the-scenes people, the managers. No one had captured anything… I started thinking if I don't write this down now, I don't know how long I'll have these memories. But I have them now, so that's why a book, and why now." Upon leaving Columbia, Rap formed his own production company, Tres Hombres, and for many years wrote the "Backstage Access" block for Classics du Jour. He was the lead guitarist in the pioneering Los Angeles punk band Mogan David & His Winos. Join us for a frenzied and free-wheeling look back at the glory days of rock 'n roll, as Rap reflects on the writing of his first book, and a culture-stamping career that gifted him the chance to eat latkes with Lou Reed, receive a backstage guitar lesson from Keith Richards, talk Bob Dylan down from writer's block, and trade licks onstage with David Gilmour in a once-in-a-lifetime turn as a featured guest of Pink Floyd. Learn more about Paul Rappaport: Website Facebook Instagram Please support the sponsors who support our show: Gotham Ghostwriters' Gathering of the Ghosts Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Hey Dude, I'm coming to terms with the fact that I'm attracted to women with beautiful voices. My maddest crush is on Brandi Carlile who is also my favorite contemporary artist. QUOTE: "She's GenX adjacent..."  CAST: Brandi Carlile, Howard Stern, Phil and Tim Hanseroth, Hank Williams, Willie Nelson, Bob Dylan, Kermit The Frog LOCATIONS: The 5 Freeway PROPS: SNL, GenX, CBS Sunday Morning MUSIC: "Right on Time", rock and roll, folk, country, gospel, jazz, standards, classical, popular music, Grammys  SOUNDS: gravel, footsteps,  Laguna Sawdust Cowbell Chimes  (more cowbell), fast car, birds, planes PHOTO: "Right on Brandi (and The Twins)" via YouTube shot with my iPhone XS RECORDED: January 24, 2026  in "The Cafe"  under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 12.21 FILE SIZE: ~ 12MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

"In 1960s New York City lived a blind, often homeless man with a long, flowing beard, who dressed as a Viking and stood sentinel at the corner of West 54th Street and Sixth Avenue in midtown Manhattan. He sold his poetry and performed on custom-built percussion.  His recordings are considered legendary pieces of original sound emanating from a unique artist who continues to be misunderstood and under appreciated.""Nico was used to being treated as a physical spectacle. At the Dom, Leonard Cohen was a regular guest, and he began writing songs in hopes of seducing her. Her improbable bone structure, and her role in “La Dolce Vita,” intrigued prominent rock managers like Albert Grossman, who worked with Bob Dylan. But her songs were less appealing, and the Dom's clientele often laughed through her set. She was eventually accompanied on guitar by Tim Buckley, and then by Jackson Browne, who had just arrived in New York. Browne became enamored with Nico, and before they fell out—she accused him of harassing her with obscene phone calls—he gave her two songs: “The Fairest of the Seasons” and “These Days,” both of which appeared on her 1967 début, “Chelsea Girl.”-

What's money? A man is a success if he gets up in the morning and goes to bed at night and in between does what he wants to do. - Bob Dylan Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Veteran comedy writer Matt Neuman, whose story starts all the way back in the early 70s, joins us today to share his SNL story. He talks about the creation of his own sketch comedy show, The Chicken Little Show (where Father Guido Sarducci made his television debut 6 years before appearing on Saturday Night Live), working with a pre-SNL Al Franken & Tom Davis, and putting together a TV pilot with Rob Reiner. All this led him to work on the Emmy-nominated Lily Tomlin special where he would meet a young Canadian-born producer named Lorne Michaels. Matt shares why he turned down the offer to write for Saturday Night Live in Season 1, eventually joined the show for Season 5, and then returned once more after the firing of Jean Doumanian in Season 6.  In addition to his time working on SNL, Matt talks about visiting the show during its first season, contributing sketches during its second, and helping write the Bob & Ray, Jane, Laraine, & Gilda special during Season 4.As the one established writer to join the staff at the start of Season 5, Matt has a unique perspective on how the final season of the original era unfolded.  He takes us from the pre-season “retreat” that was held in upstate New York all the way through the final send-off of the season finale – on which he is featured in the monologue (which he helped write).Along the way we are treated to a firsthand account of one of the most infamously bad sketches in show history (by the man who wrote it), getting a private concert by Bob Dylan, and what impact– if any – the first competition to Saturday Night Live's dominance would have.---------------------------------Subscribe & Follow today! And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

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Laura Boland is a daughter, a sister, a significant other, a musician, and an old-school soul. She's also my guest for Episode No. 198.When wearing her musician cap, Laura goes by the moniker, Elska, and you can find her stuff at elskamusic.me, and you can follow her on Instagram at @elskalullabies.Laura was kind enough to stop by and visit with me about growing up, life moves and changes, writing, recording, mixing, incorporating Alex Alexander into the Elska fold, and a number of other things, including a few of her favorite albums. Those were these:Heaven or Las Vegas (1990), Cocteau TwinsInterpol's Turn on the Bright Lights (2002)Fur and Gold (2006), Bat for LashesChelsea Wolfe's Pain Is Beauty (2013)Many thanks to Laura for her generous donation of time and good energy, and thank you to all of you that support the podcast.copyright disclaimer: I do not own the rights to the audio samples contained within this clip. They are snippets from a Bob Dylan tune called, "Man in the Long Black Coat," which you can find on his 1989 release, Oh Mercy. It has featured in this episode and is available to us all c/o Sony Music Entertainment Inc.

This encore episode of “613 Books” podcast is PART TWO of producer Heather Dean's interview with Rabbi Nachman Seltzer. He is the bestselling author of well over fifty books, many of which are biographies, novels, collections of inspirational stories, and books about Jewish history. Rabbi Seltzer's most recently-published books is called “Miracles, Missiles and Mesiras Nefesh,” which explores the war that began on October 7th, on what should have been one of the most joyous days of the year, Simchas Torah – which that year also fell on Shabbat. Through riveting stories and unforgettable behind-the-scenes reports, Rabbi Seltzer's book has it all: tragedy, hope, heroism, and military miracles. THIS EPISODE focuses on: The rise and fall of the notorious “Butcher of Khan Yunis” Yahiya Sinwar, y-sh"u, Rabbi Seltzer's reflections being a young writer, How long it takes to write each book, Ideas for creative writing –song lyrics included - come from Hashem, The Jewish spark of Paul Simon, Bob Dylan, and Ben & Jerry His opinions about Artificial Intelligence (A.I.) as a writer's tool and more! SUBSCRIBE to 613 Books Podcast and never miss an episode! = = = = = Show notes: Featured Guest: Rabbi Nachman Seltzer Featured Book: Missiles, Miracles and Mesiras Nefesh. Link to purchase on Artscroll's website https://www.artscroll.com/Books/9781422643204.html Link to purchase on Amazon: https://www.amazon.com/Miracles-.The-Heartbreak-Miraculous-Operations/dp/1422643204 Contact Rabbi Nachman Seltzer: NachmanSeltzer@gmail.com = = = = = Show Announcer for 613 Books Podcast: Michael Doniger Michael's contact info, voice-over samples, and demo: https://michaeldoniger.net/en/home/ SUBSCRIBE to “613 Books” Podcast and never miss an episode!

This week we are discussing that time Snoop Dogg decided to start calling himself Snoop Lion and released the "reggae" album Reincarnated on April 23, 2013. You may not remember since he abandoned the whole thing about a year later, but we remember. In this episode we discuss aging poorly, Tim accuses CERN of disrupting our timeline again, who is the Commissioner of Rap, why you shouldn't mock Bob Dylan to his face, what to do when meeting someone with the same nickname, Operation Iraqi Freedom, a Snoop Dogg economy, delicious fruit juice, crying with friends, and so much more! Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com  Episode Outline: Top of the show "Do you hate it?" Personal History History of Artist  General Thoughts  Song by Song - What do they mean!?! How Did it Do Reviews Post Episode "Do you hate it?"

MC Taylor from Hiss Golden Messenger is here to discuss life in Durham, North Carolina and the time he spent in San Francisco, California, the Grateful Dead and Dead Kennedys, why he was so fascinated by the American South, he decided to move there 20 years ago, his love for the Band and the motifs in their music, if his academic background in American studies, folklore, and history offers him much perspective on the current state and future path of his country, his decision to work with Chrysalis Records and what may have inspired any new songs he may have written and recorded for a new Hiss album, how travel and touring can inspire him as an artist, his Winterruption 2026 dates in Edmonton and Winnipeg, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1025: Esther RoseEp. #1013: Carson McHoneEp. #1011: Saul WilliamsEp. #1009: SuperchunkEp. #986: John CongletonEp. #982: Jake Xerxes FussellEp. #980: Alan SparhawkEp. #963: DestroyerEp. #932: Tim HeideckerEp. #896: The Folk ImplosionEp. #878: Ted LeoEp. #875: Ann PowersEp. #847: RosaliEp. #799: Allison RussellEp. #752: Yo La TengoEp. #746: H.C. McEntireEp. #630: Nathan SalsburgEp. #507: Robbie RobertsonEp. #217: Do You Compute – The Story of Drive Like JehuEp. #109: Jello BiafraSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Nashville-based Australian singer-songwriter Emma Swift returns to our program to peel back the layers on her most recent album, The Resurrection Game, a collection of moody and gorgeous original compositions released late last year on the independent Tiny Ghost Records label she co-founded and manages with her partner, Robyn Hitchcock. You may recall Swift last joined us to talk about Blonde On The Tracks, her collection of Bob Dylan covers, and in our conversation she drops news of yet another tribute album, this time featuring the songs of Lou Reed, to be released later in the year.    The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Didn't find everything on your RSD lists? Maybe you'll still find it on RSDMRKT.com.    Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Send us a textIn this episode, Deb, Pete, and Jess wrap up their journey through Garth Brooks' “Melting Pot” disc from his Blame It All On My Roots box set. We share our thoughts on Garth's covers of “Operator,” “You Ain't Going Nowhere,” and “Don't Let Me Be Lonely Tonight,” reflecting on the lyrics, emotional impact, and Garth's unique interpretations. While some songs resonated more than others, we celebrate Garth's ability to honor his musical influences.Which is YOUR favorite cover on the "Melting Pot" CD? Let us know on any of our social media accounts!Support the showFind us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: Garthology.comEmail us at: garthologycast@gmail.com

Have you ever wondered what it’s like to walk in the shoes of a legendary musician? Join host Buzz Knight on this exciting replay episode of takin' a walk as he welcomes Peter Wolf, the iconic frontman of the J. Geils Band, for an unforgettable conversation about his new memoir, Waiting on the Moon. Peter opens up about his remarkable journey through the vibrant music scene of New York City, sharing personal stories that span his illustrious career, his marriage to actress Faye Dunaway, and his experiences as a musician and DJ. As they stroll through the rich tapestry of music history, Knight and Peter Wolf explore the profound influences that shaped his artistic path. From his childhood encounters with legendary artists like Bob Dylan and Sly Stone to the invaluable mentorship from his father, Peter's reflections offer deep insights into the essence of songwriting stories and the highs and lows of fame. The conversation touches on the impact of iconic venues such as the Apollo Theater and how these experiences fueled his passion for rock music history. Listeners will be captivated by Peter’s unique writing process as he shares anecdotes that reveal the heart of his creative journey. With Buzz Knight’s signature style, this episode of takin' a walk unfolds like a classic music story, blending personal reflection with the exploration of legendary musicians and their contributions to american music. Whether you’re a fan of classic rock, jazz music, or indie music journeys, this episode is filled with compelling tales that resonate with anyone who appreciates the power of artistic expression. Join Buzz Knight as he dives deep into the world of Peter Wolf, offering listeners a front-row seat to the stories behind albums, the emotional healing through music, and the cultural impact of music history. Don’t miss this chance to hear from one of the most influential figures in classic rock history—it’s a conversation that will inspire and entertain, making you see the music you love in a whole new light. Tune into takin' a walk for an episode that promises to enrich your understanding of the music journey and the lives of those who create it. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

In this episode, Henry joins Steven Rings, author of "What Did You Hear? The Music Of Bob Dylan," in his home studio to break down the music in the Time Out Of Mind masterpiece, "Tryin' To Get To Heaven."Listen to the album version, and when you hear us start talking about the "2000 version" found on both Fragments and Tell Tale Signs, listen here.Tryin' To Get To Heaven Written By Bob Dylan:The air is getting hotterThere's a rumbling in the skiesI've been wading through the high muddy waterWith the heat rising in my eyesEvery day your memory grows dimmerIt doesn't haunt me like it did beforeI've been walking through the middle of nowhereTrying to get to heaven before they close the doorWhen I was in MissouriThey would not let me beI had to leave there in a hurryI only saw what they let me seeYou broke a heart that loved youNow you can seal up the book and not write anymoreI've been walking that lonesome valleyTrying to get to heaven before they close the doorPeople on the platformsWaiting for the trainsI can hear their hearts a-beatin'Like pendulums swinging on chainsI tried to give you everythingThat your heart was longing forI'm just going down the road feeling badTrying to get to heaven before they close the doorI'm going down the riverDown to New OrleansThey tell me everything is gonna be all rightBut I don't know what “all right” even meansI was riding in a buggy with Miss Mary-JaneMiss Mary-Jane got a house in BaltimoreI been all around the world, boysNow I'm trying to get to heaven before they close the doorGonna sleep down in the parlorAnd relive my dreamsI'll close my eyes and I wonderIf everything is as hollow as it seemsWhen you think that you've lost everythingYou find out you can always lose a little moreI been to Sugar Town, I shook the sugar downNow I'm trying to get to heaven before they close the doorCopyright © 1997 by Special Rider Music Follow @songsofbob, @henrybernstein.bsky.socialIf you would like to support hosting my podcasts, please check out my Patreon where for $5 I will give you a shout out on the podcast of your choice. Thank you to, Rob Kelly, Roberta Rakove, Matt Simonson, and Christopher Vanni. For $10, in addition to the shout-out I'll send you a surprise piece of Bob Dylan merch! Thank you to Kaitie Cerovec who is already enjoying her merch! I have a merch shop! Check out all sorts of fun Bob Dylan (and more) items! Thank you to Mark Godfrey, Linda Maultsby and Peter White over on Substack.Email us at songsofbobdylan@gmail.comSubscribe: YouTube, Apple Podcasts, Spotify, Substack.

Meg and Jessica school each other on wintry New York ghosts that haunt The Palace Theatre and The Ear Inn, plus fun facts about the bird population of Central Park, Bob Dylan's Greenwich Village, and the very first murder in New York.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

In this compelling Takin’ A Walk replay, host Buzz Knight sits down with blues rock guitar virtuoso Kenny Wayne Shepherd for an intimate conversation about his remarkable musical journey. From picking up the guitar at age seven to becoming one of the most celebrated blues guitarists of his generation, Kenny shares the stories behind his legendary career in this music history podcast. Kenny Wayne Shepherd discusses his early influences, including discovering Stevie Ray Vaughan’s music and how that pivotal moment shaped his destiny as a blues guitarist. He opens up about releasing his debut album “Ledbetter Heights” at just 18 years old, the pressure of early success, and how he’s evolved as both a guitarist and songwriter over three decades in the music industry. The conversation explores Kenny’s creative process, his approach to honoring blues traditions while pushing the genre forward, and memorable moments from his extensive touring career. He reflects on collaborating with blues legends, the importance of authenticity in music, and what drives him to continue creating and performing at the highest level. If you are a fan of Bob Dylan, you will Kenny Wayne Shepherd's extraordinary inside music story of what it was like to tour with Dylan and how he supported Kenny's career. Truly a priceless rock legend story. Kenny also shares insights into his guitar collection, recording techniques, and the balance between technical mastery and emotional expression that defines great blues rock guitar playing. Whether you’re a blues enthusiast, aspiring rock music guitarist, or music history buff, this episode offers rare insights from one of the genre’s most respected artists. Takin A Walk-Music History on foot is hosted by BuzzKnight and is part of Iheart PodcastsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The Jokermen chat with Ryley Walker about becoming a laptop guy, David Sylvian, Bob Dylan, XTC, compact discs, Van Morrison, Van Morrison's dick and balls, Westerman, Cameron Winter and Geese, the new wave of weird, fun, fresh indie rock, expanding his audience beyond record collectors, and more. CATCH RYLEY ON THE WEST COAST THIS WEEK FOLLOW RYLEY ON INSTAGRAM

In this episode I talk with Miles Woodroffe, CTO of Mindful Chef. We discuss his music career touring with The Specials and working with Bob Dylan and Ray Charles, how he transitioned into tech, building great teams, and finding people who enjoy working together.Links:mileswoodroffe.comMindful ChefNonsense Monthly

FULL SERIES AVAILABLE ON WWW.PATREON.COM/SOMEDARECALLITCONSPIRACY RIGHT NOW FOR MEMBERS OF OUR £5 AND £10 TIERS.Initiates, strap yourselves in because we are going down one hell of a rabbit hole.. we are finally diving into the "Satanic Illuminati Music Industry" conspiracy theory. Over the course of 13 episodes we will explore the full gamut of the Faustian Bargain-type mythos that your favourite musicians have allegedly entered with The Prince Of Darkness. Our springboard for this series is an interview on Ickonic entitled "Music Industry Rituals, MKULTRA & 27 Club Secrets" in which God's grandson, Gareth Icke interviews Coco Sianne Ryder - the daughter of Happy Monday's front man Shaun Ryder and Granddaughter of Folk legend Donovan. As per usual, these people provide no evidence or details of their claims.. so we figured we'd use this opportunity to examine and explore this subject from our unique perspectives as former conspiracy theorists and lay it all out for you.Topics include: Gareth Icke, Coco Ryder, The Happy Mondays, Donovan, Rick Rubin, System of a Down, The 27 club, The death of Kurt Cobain, The death of Brian Jones, Van Gogh, John Todd, Jack Chick, William Guy Carr, Fritz Springmeier, Robert Johnson, Faust and selling your soul, Tartini, Paganini, Jelly Roll Morton, Peetie Wheatstraw, John Lennon, Bob Dylan, Led Zeppelin, Aleister Crowely, Kenneth Anger, the curse of Led Zeppelin, The Illuminati in the music industry by Mark Dice, The 1991 meeting, Madonna, Britney Spears, Katy Perry, Ye, Drake, Jay Z, Beyonce, Lil Wayne, Professor Griff, Tupac, Talib Kweli, Prodigy, Malachi Z. York, Noreaga, Inspectah Deck, Rihanna, Nicki Minaj, Lady Gaga, Cathy O'Brien, Brice Taylor, Azaelia Banks, Kesha, The eye of providence, Satan and Heavy metal, Black Sabbath, Venom, Coven, Black Metal, Deicide, Shane Lynch, Ouija boards, The Rolling Stones, Mind control in pop music, The Beatles, Tavistock, Theodore Adorno, Foo Fighters, Ecstasy, John Potash, Dave McGowan, Courtney Love, The New York Dolls, The Heartbreakers, Laurel Canyon, Lookout Mountain film studio, Back Masking, Bono, Freemasons, The Krays, Cliff Richards, Elm House & Tony Blair.Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/some-dare-call-it-conspiracy--5932731/support.

This next guest has certainly been around the block when it comes to the music scene (especially the Philadelphia music scene). He has been playing the drums with "The Hooters" since the band's start in the early 80s, but also has his passion project of In The Pocket, which celebrates Philadelphia's rich musical heritage with a rotating all-star lineup of the city's finest musicians including Richard Bush of The A's, Tommy Conwell of the Young Rumblers, Kenny Aaronson formerly of Bob Dylan and Joan Jett, Steve Butler, Wally Smith of Smash Place, Greg Davis of Beru Revue and many more. Let's welcome David Uosikkinen!The Hooters: https://www.hootersmusic.com/In The Pocket: https://songsinthepocket.org/Beat Up Guitar (Doc) In The Pocket: https://www.youtube.com/watch?v=nFLeUkPOTMQ&t=811sLive Aid Runnaway: https://www.liveaidrunaways.com/Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky: @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube:  youtube.com/crazytrainradio

Being a Bob Dylan fan is a spectrum –whether you identify as a casual enjoyer if his music or a die-hard Bobcat, the umbrella is large and leaves room for multitudes. Over the past year, many Definitely Dylan episodes have circled around the relationship between artist and audience, how Bob Dylan presents himself and how he is perceived. In the final conversation of 2025 (which you're hearing in early 2026), we're approaching this topic from a new angle.My guest is Elizabeth Cantalamessa, an honest to god philosopher and one of the most fun people you can run into at a Bob Dylan show. We talk about Bob Dylan as the villain and trickster, selling out, and art as spiritual labour.You can download the C. Thi Nguyen essay “Trust and Sincerity in Art” here.Tiny correction:The “Is there anything more American than America” wasn't a Cadillac but a Chrysler commercial (watch it here). And btw, I'm burying this in the show notes because I'm not sure, but since we're mentioning Lucy Sante at some point in this episode, I wanted to add that in her preface to Six Sermons for Bob Dylan (the book of sermons she wrote for the Trouble No More film), she mentions that she wrote a “Buick commercial” for him. As far as I'm aware, Dylan has never done a Buick commercial, unless you count the song “From a Buick 6”, so I'm wondering if she was maybe referring to this Chrysler commercial.Bob Dylan and Santana - Toy Guns clipBob Dylan and Neil Young - “More of the same”Get your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Theme music by Robert Chaney

Have you ever heard a song and thought it was by a completely different artist? Christopher thought that a Beatles song was actually Bob Dylan, Tom thought “Long Cool Woman In A Black Dress” was by CCR, and both thought that some of the early America songs were actually Neil Young. Speaking of America, we’ll feature some clips from them from their ‘70s heyday this week. And we’ll also talk about how one of their best songs contains some of their worst lyrics. But before we get to that, we have some incredible interview moments with the legendary Carole King as she reflects on her early career – when she was a teen mom crafting some of the most memorable songs of the early sixties – and then to her breakout as a solo artist in the ‘70s. And speaking of legends, we have some amazing clips of Buddy Holly in conversation with a couple of important broadcasters. These clips are so wonderful and yet so tragic in hindsight. And we’ll close out that segment with Buddy Holly Cool song facts. And we end the show with a guy with one of the most successful Canadians ever, who does not lack for self confidence. It’s Paul Anka from about 20 years ago looking back at his career. Included in that is his love for his home country, who he doesn’t believe always treated him well. It’s an epic interview with a classic Canadian artist. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

The first episode of the new year! On the fifty- fifth episode of All the Film Things, Emmy- winning photojournalist Cole Echevarria returns to look back and discuss 2025 in film! This episode is spoiler- filled. The 2025 films spoiled are Bridget Jones: Mad About the Boy, Bugonia, Caught Stealing, Hamnet, Jay Kelly, and Sinners..While 2023 continues to set a high bar for the 2020s decade, 2025, in my opinion, was a pretty solid year filled with a fantastic variety of unique, original films and stories. Cole and I disagreed greatly in regard to 2024 in film, but when it comes to 2025… we still disagree. Early in the year, Michael B. Jordan reunited with Ryan Coogler for Sinners, proving that they are one of the best actor- director collaborators of our time while Robert Pattinson's long- awaited sci- fi film directed by Bong Joon- Ho, Mickey 17, finally hit theaters. While several prominent actresses, Scarlett Johansson, Kate Winslet, and Kristen Stewart each made their directorial debuts, Celine Song followed up her directorial debut, Past Lives, with another beautiful film that has endured as a favorite amongst audiences. And the Oscar season officially began with the return of two of the greats, Leonardo DiCaprio and Paul Thomas Anderson, for an epic, hilarious, and action- packed masterpiece beloved by film aficionados and general audiences in One Battle After Another. From then on, several brilliant films such as Sentimental Value, Hamnet, and Jay Kelly instantly became beloved by audiences and Oscar contenders. On previous year in review episodes, the concern of physical media's future was discussed and now, due to recent events, the future of movie theaters has become more grim than ever before. This episode not only marks the 101st (!!) episode of All the Film Things, but also Cole's 20th appearance on the show! He is far and away the most frequent guest and I'm very grateful for his friendship, banter and all, as well as, of course, being a part of ATFT since the early days in 2022. This is the fourth year in review episode on All the Film Things and I always look forward to these reflective episodes, not only because I get to chat with friends, but also because these episodes will act as sort- of time capsules someday. This episode was originally 130 minutes so much had to be cut, which especially affected the tribute segment, but it was recorded on December 23, 2025. In this episode, Cole and I share our top five favorite films of the year and, much to our surprise since we never agree, we have the same number one pick . Weirdly enough, we have a few of the same films in our top five lists, though my fourth favorite of the year immediately made Cole laugh. We go on to discuss the favorite films of past ATFT guests from K- Pop Demon Hunters to Bugonia, ponder which other movie stars could have played the titular character of Jay Kelly, and pay tribute to the giant stars we lost in 2025 as well as two previous ATFT guests. You also won't want to miss Cole's Bob Dylan impression... because you won't be able to unhear it. All this and much more on the brand new episode of All the Film Things! Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

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Robyn Hitchcock turned 14 in 1967, the year that blew his musical mind open. This English boarding school student and future singer-songwriter-musician already looked to Bob Dylan for the meaning of life when along came the psychedelic train powered by the Beatles, the Syd Barrett-led Pink Floyd, the Jimi Hendrix Experience, the Kinks, the Incredible String Band and much more. Hitchcock reflects on his awakening with a vivid memoir, 1967: How I Got There and Why I Never Left, and a mostly acoustic, mostly covers album, 1967: Vacations in the Past. Here we bat around perhaps the most creatively explosive year in the rock era, and he applies his whirligig mind to such questions as whether the music of 1967 would have had such an outsized impact on his own music if not for where, how and at what age he experienced it. He also discusses the newly remixed, remastered version of his 1988 album Globe of Frogs.

Prometimos una segunda entrega en el mes de enero dedicada a la serie Hits del Billboard en donde recordamos singles que alcanzaron su puesto más alto en las listas pop de EEUU de hace 60 años. Enero de 1966 fue un mes muy interesante y con muchas nuevas entradas en el Billboard Hot 100 y en el anterior episodio nos dejamos los temas más moviditos y animados para esta segunda remesa.(Foto del podcast; Mitch Ryder and the Detroit Wheels)Playlist;(sintonía) ANDRE WILLIAMS and HIS ORCHESTRA “Rib tip’s (part 1)” (top 94)THE BEACH BOYS “Barbara Ann” (top 2)PAUL REVERE and THE RAIDERS “Just like me” (top 11)THE KNICKERBOCKERS “Lies” (top 20)THE BEATLES “Day tripper” (top 5)THE ANIMALS “It’s my life” (top 23)MITCH RYDER and THE DETROIT WHEELS “Jenny take a ride” (top 10)JACKIE LEE “The duck” (top 14)DINO DESI and BILLY “Please don’t fight it” (top 60)ROY HEAD “Get back” (top 88)BOB DYLAN “Can you please crawl out your window?” (top 58)JOHNNY RIVERS “Under your spell again” (top 35)JACK JONES “Love bug” (top 71)THE C.O.D.’S “Michael” (top 41)SHARPEES “Tired of being lonely” (top 79)GARY LEWIS and THE PLAYBOYS “She’s just my style” (top 3)HEDGEHOPPERS ANONYMOUS “It’s good news week” (top 48)TOM JONES “Thunderball” (top 25)THE VISCOUNTS “Harlem nocturne” (top 39)Escuchar audio

Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Mommy & Daddy are tag-teaming it with the great and powerful Luke Mones & Raanan Hershberg with some of the most wild stories imaginable like, oh I dunno, Raanan b*nging a homeless person & Luke stepping in human filth on the subway multiple times. Plus, Raanan shares the story about the time he met Bob Dylan. Sub to the Patreon for early episode access and bonus Patreon only episodes/content: https://www.patreon.com/BeinIanpod IAN FIDANCE | WILD HAPPY & FREE | FULL STAND UP SPECIAL: https://youtube.com/watch?v=-30PenMy1O8 JORDAN JENSEN | DEATH CHUNK: https://youtube.com/watch?v=ytsilX-QL3s&t=2s Podcast Merch Here!: https://www.coldcutsmerch.com/collections/bein-ian-with-jordan-podcast -Get 10 free meals + a free Zwilling knife at http://HelloFresh.com/SKA10FM Follow Jordan Jensen: @jordanjensenlolstop https://instagram.com/jordanjensenlolstop See Jordan Live! - https://punchup.live/jordanjensen Follow Ian on Twitter, Twitch, and Instagram: @ianimal69 https://instagram.com/ianimal69/ See Ian Live! - https://punchup.live/ianfidance Follow Luke! https://instagram.com/lukemones See Luke LIVE! https://punchup.live/lukemones Follow Raanan! https://instagram.com/raanancomedy See Raanan LIVE! https://punchup.live/raanan Please RATE, REVIEW, and SUBSCRIBE to Bein Ian with Jordan on all platforms! Produced by: James Webb https://instagram.com/thechicagopro/ Intro song: “Bein Ian with Jordan” by Wesley Schultz and Ian Fidance Outro song: Title Holder “It Doesn't Matter” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we get to visit again with legendary folk songwriters and musicians John McCutcheon and Tom Paxton about their second album together from their standing weekly songwriting collaboration. Together Again is available January 9, 2026 wherever you get your music and features a slew of delicious tunes and fantastic stories that will make you laugh and some that may even make you shed a tear. Have no fear though, our conversation is nothing but great times, good laughs, and amazing memories from these two friends who have helped shaped the fabric of great music for many decades. We touch on some familiar friends including Pete Seeger and get the scoop on some of the backstories of a few of the tracks on the latest album. It's always a delight talking to these two and to hear their music. If you leave with nothing else, you will realize the importance of having a standing date with a good friend and collaborator that nothing can interrupt at least one day per week is the true key to happiness and success! Follow Rock 'n' Roll Grad School on Social:FacebookInstagramYouTube

Dave cooks a deceivingly simple dish that he had years ago, as served by Chef Mark Ladner. Dave relays that this sugar snap pea dish really impacted himself and his future. He also talks seasonality of ingredients, maturing beyond knowing what you can do into deciding what you should do, and modern art. Listen to our podcast episode with Mark Ladner: https://www.theringer.com/podcasts/the-dave-chang-show/2025/10/02/innovation-in-tradition-and-a-pre-reopening-diaries-with-mark-ladnerLearn more about Babbo: https://babbonyc.com/Learn more about Craft: https://www.craftrestaurant.com/Watch DamNation: https://www.imdb.com/title/tt3345206/Learn more about Momofuku Noodle Bar: https://www.momofukunoodlebar.com/Listen to ‘Kid A' by Radiohead: https://open.spotify.com/album/6GjwtEZcfenmOf6l18N7T7?si=L2ELnIaUQ1ydMAeKPMkCkQListen to ‘Blonde on Blonde' by Bob Dylan: https://open.spotify.com/album/4NP1rhnsPdYpnyJP0p0k0L?si=6jz9XRsoT72plusIf7tXPA Host: Dave Chang Majordomo Media Producer: David Meyer Majordomo Media Coordinator: Molly O'Keeffe  Spotify Producer: Felipe Guilhermino Additional Crew: Jake Loskutoff Editor: Stefano Sanchez Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ed Ward and Nate Wilcox continue their discussion of Ed's book "⁠The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock⁠" with a look at the bloating of the music biz in the early 70s and the feeling that everyone was waiting on something to happen, Bob Dylan vs David Geffen, the New York Dolls at the Mercer Arts Center and the collapse of Stax Records. ⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Part One | Part Two January 6th was terrifying for many Americans. After all, they saw it on television. But what did they really see? Did they know what actually unfolded that day? Did they even ask? Trump is the Jan. 6 President, proclaims the New York Times' Editorial Board.And the text:What I learned, living through these events as a former Democrat, is that the New York Times Editorial Board is lying through its teeth. Or maybe they aren't lying. Maybe they really do believe it. They exist inside the Doomsday Cult of the Left, after all, along with all of those high-minded “journalists” at the New Yorker and the Atlantic.But to make the bold proclamation that any protest, or even riot, against oppressive forces, whether you believe them to be oppressive or not, is un-American proves they don't know this country or its history very well.There were two sides to this story. If I'd never left the Left, I would have believed their version of the event. I would have been just as horrified. I would have thought it was an attack on democracy. But protests are the voices of the unheard and a healthy sign of any democracy, and for a grassroots movement, and millions of Americans who had been disenfranchised by the four years Trump was in power? This was the best way for them to be heard. The only way for them to be heard.They just didn't know they were walking into an ambush by forces far greater than them, and more powerful than any political party in American history and what they wanted to do was use that protest - a moment of desperation for desperate Americans abandoned by the government, the culture and most institutions - and demonize them further by calling them extremists, terrorists, Nazis, insurrectionists. January 6th was played on a loop by the Democrats and their propaganda machine, once known as the legacy media. And why wouldn't it be? It was everything they needed at just the right time. See, there's a Confederate flag. See, there's a hangman's rope. See, there's some guy in horns howling inside the Capitol. Zip ties, hanging Mike Pence, Trump watching the mob, and hoping they wouldn't stop. It all painted a picture in our minds of an angry president amidst a violent coup. In our age of algorithm-driven mass hysteria, we're no different from the Puritans in Salem who believed in “spectral evidence,” what you can't see but can only imagine. January 6th finally provided them with the proof they needed of their campaign against MAGA.It's just that none of it was true. Why would Trump have wanted a riot? He'd gone to great effort to convince Senators Josh Hawley and Ted Cruz to debate the election in the Senate. All the riot did was hand absolute power to the Democrats, Reichstag Fire style. Not only did the media sell that lie, but you'd be severely punished if you asked any questions, especially about the 2020 election. Yes, we lived through that and more. Just because the Democrats have memory-holed everything they've done in the last ten years to cling to power doesn't mean it didn't happen or that we shouldn't talk about it. There was nothing wrong with talking about an election that was anything but free and fair. I naively went into it as a major Biden advocate, believing he could win the old-fashioned way. I didn't know they'd hide him and Kamala Harris in the basement and let the legacy media do all of the heavy lifting. I didn't know they'd planned it—everything that happened throughout 2020 to ensure Trump was taken out of power, like they were meddling in some third-world country's elections. It's all written down in TIME Magazine. They planned on saving an election that was not theirs to save. Who gave them that right? The American people decide, and if one political party believes itself to be above the people, then that is an insurrection, not against the government but against all of us and a fair process we depend on. They justified everything they did by the lies they told themselves about who Trump really was and how dangerous he was supposed to be. They rigged the election by manipulating the media, changing any law that got in their way, using COVID as an excuse to push ballot harvesting, funded by a $400 million cash infusion, and all the while pretending they were “saving democracy.”By all accounts, I should have been cheering them on. Yes, get Trump! Anything and everything should be allowed as long as we were saving the country from Hitler! I believed that at first. Why wouldn't I? I was straight out of Central Casting as a Resistance Lib. This was the back of my car in 2012.This is who I was.Before that, I was just a lowly Oscar blogger spending my time writing about superficial things, but suddenly, in 2015, everything changed. I was in a panic about the Greenhouse Effect and the sea level rise. I threw myself into politics to help the Democrats win. Overnight, I became someone who mattered online, with a growing following, adoration, and kindness from strangers. The warm embrace of the elite Left felt intoxicating: invitations to exclusive parties, friendships with high-status blue-checks on Twitter like Steve Schmidt, Rick Wilson, and Oprah, so much love and support online - after all, I was helping to save democracy and the planet! I was even invited to an early fundraiser for Joe Biden in May of 2019. It was necessary. I was important. I mattered.You can imagine, then, how surreal it would have been for anyone who knew me that way to see me starting to question the official narratives. For me, it began with what I believed was mass hysteria that had overtaken my side. Just as the Southerners had whipped themselves up into a frenzy, believing that if the slaves were freed, there would be chaos and violence, so too did we believe that if Trump won, that was the end of everything. But, looking back, all it really was was a populist revolt against a ruling class that just decided what America would be now. Class no longer mattered, only skin color and gender identity did.Little by little, I began to pull away as things got weird. The more I tried to speak out, the worse it got for me. They went after me hard on social media for years. But none of that would have driven me away from the Democrats. As with so many others, 2020 was the turning point for me. I suddenly could see the strings, and I wondered who was pulling them. Trotting out experts to say “systemic racism” was more important than a global pandemic, and trotting them out again to discourage Trump from sending in the National Guard. And again, to say the Hunter Biden laptop was Russian disinformation. How stupid did they think we were?We lurched from COVID to racism back to COVID to lockdowns, and all the while, as I would come to realize, the aim was only to GET TRUMP. Imagine completely taking over an election to take out a one-term president with a strong economy. Why?I asked the same question then as I wonder today. Why did it have to be an existential crisis? Why drive half the country to the brink of insanity? Why cosplay Trump as Hitler and pretend this was World War II? Couldn't they win the old-fashioned way with better candidates and better policies? Russiagate, spying on his campaign, two impeachments, four indictments, convicting him of a felony, taking his mug shot, two assassination attempts, trying to throw him off the ballots, and needing the Supreme Court to shut it down, and the American people still chose Trump. Shouldn't that have been the wakeup call? Shouldn't that have been the moment their stupid, futile, destructive war ended?No. It wasn't about politics for the Left. It was deeper than that. It was as deep as preserving the South before, during, and after the Civil War. January 6th allowed them a way out of what they'd become, not what MAGA had become. They were the violent ones and had been going all the way back to 2015, when a mob descended upon Trump supporters.They rioted at Trump's inaugural. They believed themselves justified in attacking Trump supporters because they were convinced they were “fascists.” But their words meant nothing because they distorted them beyond comprehension. What does it mean to call someone Hitler, a fascist, a dictator, a rapist, a pedophile, a racist, a white supremacist? These words mean nothing now. And then came 2020, the point of no return. For me, it was the recognition that my side didn't care about democracy or the truth. They only cared about defeating an imaginary enemy they invented but never existed. And were prepared to bring this country to its knees to achieve that goal.When I saw this video of Sue's 100-year-old mattress store, I posted it on social media, and the response was, “How can you care more about property than people”? By then, they had already called me a racist many times, and they were pushing me out of utopia and farther and farther away. Was I a racist because I cared about Sue and the older man who defended her with a fire extinguisher? Trump's speech at Mt. Rushmore was the first time I'd heard anyone in public life talk about what we could all see but almost no one would say out loud. The media called it dark and divisive because, of course, they did. Are you getting it yet? This only goes one way. That was for me yet another layer of the onion being pulled back to reveal what the legacy media had become. They were not reporting the news. They were telling us what to think, and they still are. After I started watching Trump's rallies for myself, I kept waiting for the version of Trump we were sold to emerge. He never did. Instead, a guy who would stand in the pouring rain to speak to his supporters showed me what MAGA was really about. It was a love story. Trump had their backs, and they had his.Just listen to them as he visits East Palestine, Ohio after the train derailed and spilled toxic waste in their tiny forgotten town.That's why they showed up in DC on January 6th. Not to storm the Capitol. Not to hang Mike Pence. Not to overthrow the United States government, as if. If you know them, you know there are no people in this country who love it more. You know they would never damage the Capitol. They are the side that prides itself on not being violent like the Left. The narrative after January 6th was and remains a lie.Why is it that the Left was given full and free rein to rampage anywhere they pleased all throughout that Summer, and the Trump supporters were treated like terrorists who flew planes into the World Trade Center, and the Japanese who bombed Pearl Harbor? Because the Left had, and still has, most of the power to shape the media narrative and thus, reality.I had to ask these questions of myself, someone who had gone along with so much of it, not because I was a conformist but because I genuinely believed it. The more questions I asked, the worse it got for me. That was when I knew there was no talking to them, no shaking them out of it, no hoping for sanity to return. And there was no saving the Left. They were no longer the party I once knew.What Democrats want is their utopia, or Woketopia, back. They have always believed Trump was an insect who needed to be crushed, and his place in American life was temporary, and once he's gone, “things will go back to normal.”To them, it's all Trump. One last cancel. He's the only person they couldn't destroy and the only thing standing in their way.Whatever he is for, they are against. They are even rooting against America, rooting for America to falter before the eyes of the world. Imagine being that petty. If we entered World War III, does anyone doubt they'd all be out there trying to ensure Trump fails? The irony of the Madouro capture is that it exposes the Left as liars yet again. Here is what it is like to be under the rule of a dictator. Everything the Left has been LARPing (Live Action RolePlay) for the last ten years is what Madouro actually was. The juxtaposition between the Venezuelans celebrating and the liberals complaining is illuminating.John Brown Two WaysJohn Brown was an abolitionist who was executed for treason by the federal government for a slave insurrection before the Civil War. He was hailed as a hero by the North and became an inspiration for those willing to fight and die for a cause.If the American Revolution was about liberating the colonies from the British and the Civil War was about liberating the slaves from bondage, what is our Virtual Civil War really about? Who is to be liberated at the end of it? More importantly, what are the causes worth fighting and dying for?In the film One Battle After Another, sure to win Best Picture this year at the Oscars, the film's ANTIFA-like revolutionary Perfidia Beverly Hills lays it out:Our Virtual Civil War already has a body count. Charlie Kirk's assassination by a transgender-supporting terrorist, Luigi Mangione's assassination of a healthcare CEO, the attempted assassinations of Trump, and the ongoing attacks on ICE agents seem to lock in what the Left is fighting for.Are they fighting for a border-free America because borders themselves are oppressive white supremacy? It sure looks that way. Are they prepared to fight and die to preserve Woketopia? Some of them are. Maybe more of them will be.Does our future look like 1984, where geography takes a backseat to ideology, and we'll be aligned with Germany, the UK, Canada, and France, with migrants flowing freely into our countries, and where you will be okay as long as you agree that 2+2=5 and you love Big Brother?Abraham Lincoln, like Winston Churchill, was what Neil Howe and William H. Strauss called a Gray Champion of the Fourth Turning. When I look at what Trump is doing now, the bold moves, the attacks he's survived, there is no doubt he is our Fourth Turning's Gray Champion. When I see videos like this, I am reminded of why. Who else but Trump would do this? He shows them every day that he is not afraid of them, not even a little bit, even after being shot in the head, impeached, and convicted.Will Tyler Robinson, Matthew David Crooks and whatever that surfer dude out in Florida's name was be seen by the Left as the John Browns of their time? Martyrs willing to fight and die to save “democracy,” or to avenge transgender people, or immigrants? Do those on the Right see the Jan 6ers as the John Browns of their fight, beating corruption and the deep state?Lincoln sought, above all, to preserve the Union and saw the war as a test of “whether that nation, or any nation so conceived, and so dedicated, can long endure.” Once you fracture the Union, then there is no America at all, and it might as well be 1984.As for me, it's like Bob Dylan once said, How does it feel? To be on your own? With no direction home? Like a complete unknown? How does it feel? It feels like freedom. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

FULL SERIES AVAILABLE ON WWW.PATREON.COM/SOMEDARECALLITCONSPIRACY RIGHT NOW FOR MEMBERS OF OUR £5 AND £10 TIERS. Initiates, strap yourselves in because we are going down one hell of a rabbit hole.. we are finally diving into the "Satanic Illuminati Music Industry" conspiracy theory. Over the course of 13 episodes we will explore the full gamut of the Faustian Bargain-type mythos that your favourite musicians have allegedly entered with The Prince Of Darkness. Our springboard for this series is an interview on Ickonic entitled "Music Industry Rituals, MKULTRA & 27 Club Secrets" in which God's grandson, Gareth Icke interviews Coco Sianne Ryder - the daughter of Happy Monday's front man Shaun Ryder and Granddaughter of Folk legend Donovan. As per usual, these people provide no evidence or details of their claims.. so we figured we'd use this opportunity to examine and explore this subject from our unique perspectives as former conspiracy theorists and lay it all out for you. Topics include: Gareth Icke, Coco Ryder, The Happy Mondays, Donovan, Rick Rubin, System of a Down, The 27 club, The death of Kurt Cobain, The death of Brian Jones, Van Gogh, John Todd, Jack Chick, William Guy Carr, Fritz Springmeier, Robert Johnson, Faust and selling your soul, Tartini, Paganini, Jelly Roll Morton, Peetie Wheatstraw, John Lennon, Bob Dylan, Led Zeppelin, Aleister Crowely, Kenneth Anger, the curse of Led Zeppelin, The Illuminati in the music industry by Mark Dice, The 1991 meeting, Madonna, Britney Spears, Katy Perry, Ye, Drake, Jay Z, Beyonce, Lil Wayne, Professor Griff, Tupac, Talib Kweli, Prodigy, Malachi Z. York, Noreaga, Inspectah Deck, Rihanna, Nicki Minaj, Lady Gaga, Cathy O'Brien, Brice Taylor, Azaelia Banks, Kesha, The eye of providence, Satan and Heavy metal, Black Sabbath, Venom, Coven, Black Metal, Deicide, Shane Lynch, Ouija boards, The Rolling Stones, Mind control in pop music, The Beatles, Tavistock, Theodore Adorno, Foo Fighters, Ecstasy, John Potash, Dave McGowan, Courtney Love, The New York Dolls, The Heartbreakers, Laurel Canyon, Lookout Mountain film studio, Back Masking, Bono, Freemasons, The Krays, Cliff Richards, Elm House & Tony Blair. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/some-dare-call-it-conspiracy--5932731/support.

Episode 370 of RevolutionZ mainly continues our sequence of excerpts from the forthcoming The Wind Cries Freedom's Oral History of the Next American Revolution.  However, before doing so, it takes up various reactions I encountered to an article I wrote titled "Chomsky Reassessed." The followup discussion here raises some more general concerns and further ideas bearing on issues of "cancellation." Internal movement differences, arguments, and even accusations can force a movement to constructively self examine and grow, or can fracture it. What damage is done when outrage outruns evidence, when cancel culture and circular firing squads turn activism into spectacle and drive away the very allies we need? What dynamics play out? When do they arise? How do they gain life and spread? How do they involve us and what might we do to address them? After that rather substantial introductory section, this episode continues into a new oral history excerpt about how to build movement power and cohesion in which Bertrand Jagger and Lydia Lawrence further chart their respective journeys from atomized  into  systemic thinking. They describe their attraction to self-management as proportionate say, to equity as pay for effort and sacrifice, and to an economy redesigned to eliminate not only rule by owners but rule by the often-ignored coordinator class.Bert takes us inside the illusion of choice that we often feel, where markets script our consumption and work options and productivity gains vanish into someone else's ledger. He traces the subtle hierarchies that reappear in movement meetings, media, and campaigns when movement roles unintentionally subvert movement aspirations. He explains why balanced jobs, transparent information, and participatory planning weren't rhetorical add-ons to RPS but at the core of its approaches. Lydia widens the frame to kinship and culture. She shows how hierarchies in patriarchal families, schooling, and media bleed into the workplace—and vice versa--how class hierarchies in turn contour kinship and culture. She shows why to change one domain of activity without changing the others reroutes power rather than dissolves it.Along the way, we revisit a cautionary note from Bob Dylan—what happens when movements punish nuance and reward heat—and we ask how to create spaces where disagreement refines strategy instead of ending careers and silencing conversation. So this episode is mostly about how two people were attracted to and navigated movement design, class analysis that extends  beyond owners and workers, and turning diverse values into effective daily practice all in the new movement they became part of, the movement for a revolutionary participatory society. Can their remembrances provide use insights in our time and our place about attaining a clear, rigorous path forward? Listen, and perhaps share with a friend who's organizing something big or small. Then I hope you will leave a comment saying what strikes you as useful and revealing, and what doesn't.Support the show

For our first episode of 2026, we talked the New York Dolls and their eponymous 1973 debut with special guest Jerid O'Connell. As a Connecticut teen sneaking into New York City to see the Dolls play places like Club 82 and Max's Kansas City, Jerid - who eventually played drums in NYC band Rousers - was instantly smitten by their raw, high energy sound/delivery and never let go. Turn this episode up!! Songs discussed in this episode: Personality Crisis (New York Dolls cover) - Teenage Fanclub & Donna Matthews; Product Of The USA - Rousers; ABC - The Jackson 5; Personality Crisis (Live in Paris, 1974) - New York Dolls; Aladdin Sane (Live 1974) - David Bowie; The Times They Are A-Changin' - Bob Dylan; Out In The Streets - Blondie; Be My Girl, Party Boy, Ramrod, Bumble Bee Rock - Rousers; Personality Crisis - New York Dolls; Give Him A Great Big Kiss - The Shangri-Las; Looking For A Kiss, Vietnamese Baby - New York Dolls; Pretty Vacant - Sex Pistols; You Can't Put Your Arms Around A Memory - Johnny Thunders; Lonely Planet Boy, Frankenstein (Orig.), Trash, Bad Girl, Subway Train - New York Dolls; Pills - Bo Diddley; Pills, Private World, Jet Boy - New York Dolls; Bumble Bee Rock - Rousers

Yes, January 1, 2026, marks the official start of Derringer Discoveries' 6th year as a music adventure podcast! The Three Dylans: Discovering the Talent of Peter Himmelman In the music world, the name Dylan usually points to the legendary Bob Dylan. For others, it might evoke Bob's son Jakob, the successful leader of The Wallflowers, which is essentially Jakob's alter ego. However, there is a third artist in the family circle who deserves your attention. Peter Himmelman, Bob Dylan's son-in-law, is a singer-songwriter and performer whose talent rivals the family icons. With a voice and delivery that are exceptionally easy on the ears, he is the artist you have likely been missing. THE SETTING In this episode, Team Derringer (Laura, Alton, and Paul) will introduce you to The Unknown Dylan. To help with this daunting task, the team drafted long-time listener -- and newly minted "Honorary Derringer" -- Rob Paine, from Northern Virginia. Rob drove to Charlottesville, the corporate headquarters for Derringer Discoveries, to join Laura, Alton, and Paul in person and to save the day when Peter Himmelman was unable to join Team Derringer.  While in town, Rob and Team Derringer soaked up some local music history at Miller's on the Downtown Mall -- where the world-famous band leader, Dave Matthews, previously worked as a bartender. The night continued at Coran Capshaw's The Southern Café & Music Hall, where they caught an incredible live set by UK up-and-comers, The Heavy Heavy, with Nashville-based opener Laney Jones and the Spirits. You might be interested to know that Rob is the fan who originally suggested this deep dive into Peter Himmelman's work, and his insights provide the backbone for this episode. (Do you have an idea for an episode? Let us know!) THE HIGHLIGHTS The Family Tree: Rob explains how Peter became Bob Dylan's son-in-law. (Team Derringer featured Bob Dylan in Episode 80.) The discussion further expands to Peter's brother-in-law Jakob Dylan, leader of The Wallflowers.  The Scale: Team Derringer requests for Rob to rank the Dylans -- Bob, Jakob, and Peter (Dylan in-law) on a one to 10 scale. Listen in to hear how Peter stacks up against the competition. Interstellar Recommendations: Rob also tackles a bizarre question from Paul in this episode. If a life form from another planet approached him to learn about the Dylans, what would he do? Discover Rob's reaction and the specific songs he would play for an alien audience. Once you hear his recommendations, tell Derringer Discoveries if you would choose the same ones. The Supergroup: The team dives into Bob's time with the Traveling Wilburys and their lasting musical impact. WHY PETER HIMMELMAN? Team Derringer acknowledges that Peter's last name is not Dylan, but his artistic pedigree and connection to the family make him a vital part of the story. By the end of this episode, we believe you will embrace his music with the same enthusiasm as our guest co-host, Rob Paine. WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/094 Spotify Playlist: The Unknown Dylan Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

Dave Nesmith and Drew Ringo from Sleepytime Trio are here to discuss Memory Minus Plus Minus, their current music community involvement, the Guelph house show they played and the ice cream tricycle Drew rode around on that day, the significance of bands like Hoover, Shotmaker, Fugazi, Slint, and Drive Like Jehu, making hip-hop music and getting into shoegaze, why kids can't be blamed for the technology at their disposal, the odds of Sleepytime Trio recording new songs, upcoming shows, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #966: Regulator WattsEp. #927: Papa MEp. #914: American FootballEp. #900: Fugazi and Jem CohenEp. #879: Dead BestEp. #835: J. RobbinsEp. #732: SoulsideEp. #682: Steven LambkeEp. #217: Do You Compute – The Story of Drive Like JehuEp. #112: Britt Walford of Slint and WatterEp. #99: Brian McMahan of SlintMETZ (2010, 2012)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

What pivotal moments in music history have shaped the sounds we know and love today? Join hosts Buzz Knight and Harry Jacobs on this episode of takin' a walk as they journey through significant events in music from December 29th to January 4th. From Elvis Presley’s groundbreaking achievement in 1956 of having 10 simultaneous songs in the Billboard Top 100—a record that would later be matched by icons like Taylor Swift and Drake—to Adele's "21," which became the best-selling album by a solo artist in the UK, this episode is packed with music history insights that will resonate with every music lover. As the conversation unfolds, Buzz Knight and Harry Jacobs explore the creative genius behind Paul McCartney's work on "Penny Lane" in 1966, and the electrifying atmosphere of Led Zeppelin's concert in Portland. They take a nostalgic look back at Bob Dylan’s unforgettable performance at the Troubadour in 1962 and the legendary recordings of Bo Diddley that have left an indelible mark on rock music history. This week in music history is not just about the past; it’s a reflection of the ongoing evolution and influence of legendary musicians who have shaped our cultural landscape. Throughout the episode, the hosts delve into the legacies of Neil Young and the Beatles, while also highlighting the profound impact of Dick Clark on music television. They discuss Elvis’s draft notice, underscoring the challenges faced by musicians during turbulent times. The discussions are rich with stories behind albums and songwriting stories that reveal the emotional journeys of artists navigating their careers. Whether you're a fan of classic rock, jazz, or indie music, this episode of takin' a walk offers a treasure trove of music history lessons that will deepen your appreciation for the art form. Buzz Knight and Harry Jacobs invite you to walk alongside them as they explore the music roots and influences that have shaped our lives. Tune in for an engaging conversation filled with inspiring music stories and insights that will leave you wanting more! Don’t miss this captivating episode of the Buzz Knight podcast, where every walk is a step into the rich tapestry of music history. Join us on this music journey and discover the stories behind the songs that have defined generations!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Bill Gurley (@bgurley) is a general partner at Benchmark, a leading venture capital firm in Silicon Valley. His new book is Runnin' Down a Dream: How to Thrive in a Career You Actually Love.This episode is brought to you by:Momentous high-quality creatine for cognitive and muscular supportOur Place's Titanium Always Pan® Pro using nonstick technology that's coating-free and made without PFAS, otherwise known as “Forever Chemicals”Shopify global commerce platform, providing tools to start, grow, market, and manage a retail businessCoyote the card game​, which I co-created with Exploding Kittens*Timestamps:[00:00:00] Start.[00:01:43] The book that gave Jerry Seinfeld permission to pursue comedy and inspired Runnin' Down a Dream.[00:03:59] AI bubble or not?[00:06:33] Circular deals and SPV chaos.[00:12:01] Angel investing in the AI era.[00:14:32] Why you should be the most AI-enabled version of yourself, regardless of field.[00:20:47] China deep dive: Ten days, six cities, high-speed trains, and a Xiaomi SU7 factory tour.[00:22:43] Communism misconceptions.[00:25:40] Lei Jun: The Steve Jobs of China.[00:29:17] Jack Ma, ByteDance's invisible CEO, and the risks of prominence in China.[00:32:11] America vs. China (Lawyers vs. engineers).[00:41:01] Keys for US competitiveness.[00:43:47] Bill is bullish on these countries.[00:47:30] Matthew McConaughey's “Don't half ass it” moment.[00:49:45] Runnin' Down a Dream thesis: Helping people pursue X instead of A, B, or C.[00:51:03] The 80,000-hour question.[00:52:47] The self-learning test.[00:56:58] Bob Dylan as music expeditionary.[01:00:27] Go to the epicenter where the action is.[01:10:56] Danny Meyer's pivot.[01:13:30] Working for free.[01:19:37] Never too late: Tito Beveridge started Tito's Vodka at 40.[01:21:51] AI sanity checks.[01:25:59] AI-proof bets.[01:29:13] Sam Hinkie's Moneyball moment.[01:32:37] Competitive strategy, avoiding false failures, and regret minimalization.[01:43:46] Purpose, Progress, and Prosperity — the P3 Policy Institute.[01:47:18] Regulatory capture explained.[01:51:55] Why the IPO market is broken.[02:01:52] Stablecoins putting Visa and Mastercard on notice.[02:03:40] Hopes for Runnin' Down a Dream and parting thoughts.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ron Perlman (Hellboy, Sons of Anarchy) joins us for an unfiltered and captivating conversation about authenticity, creative rebellion, and the madness of Hollywood. Ron opens up about calling out powerful figures, feuding with politicians, and why he once sullied himself before shaking Harvey Weinstein's. He talks about the genius of Bob Dylan and Marlon Brando, the magic of true artistry, and how therapy and age freed him from caring what others think. Thank you to our sponsors: ❤️ This episode is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/inside and get on your way to being your best self __________________________________________________