Podcast appearances and mentions of william goldenberg

(00:00:00) Defending Your Job(00:25:29) Totally Presbo(00:51:12) Brad Inglesby(01:16:42) Simple Advice(01:51:24) Bizarre File(01:59:29) William Goldenberg in studio(02:30:46) Dating a Much Older Person(02:58:59) Bizarre File(03:07:23) Hollywood Trash & Annoying Greetings

Travis Hopson talks with UNSTOPPABLE director William Goldenberg on the challenges of shooting amateur wrestling, making Anthony Robles' story his feature debut, and working with star Jharrel Jerome.UNSTOPPABLE is available now on Prime Video.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#Unstoppable #WilliamGoldenberg #wrestlingchampion

"Unstoppable" had its world premiere at the 2024 Toronto International Film Festival, where it received positive reviews for its performances from Emmy Award-winner Jharrel Jerome and Jennifer Lopez. The film marks the feature directorial debut of Oscar-winning editor William Goldenberg as it tells the true story of Anthony Robles, an underdog mat wrestler who went on to defy the odds and become a NCAA Division I wrestling champion. Jerome and Goldenberg were both kind enough to spend some time speaking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Amazon Prime Video and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Movie Podcast, Daniel is joined by Academy Award-winning editor William Goldenberg, who makes his directorial debut with UNSTOPPABLE, the inspiring true story of Anthony Robles. Known for his incredible work on films like Heat, William won the Oscar for Best Film Editing for Argo (2012) and earned nominations for The Insider (1999), Seabiscuit (2003), Zero Dark Thirty (2012), and The Imitation Game (2014). In Unstoppable, Anthony, born with one leg, embodies an indomitable spirit and unbreakable resolve that drive him to defy the odds and chase his dreams. Battling through adversity, he earns a spot on the Arizona State wrestling team, where he faces the ultimate test of his physical and mental limits. With unwavering determination, Anthony sets his sights on achieving the pinnacle of success: becoming an NCAA Champion. The film stars Jharrel Jerome, Bobby Cannavale, Michael Peña, Anthony Robles with Don Cheadle and Jennifer Lopez. Unstoppable launches on Prime Video on January 16, 2025. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Academy Award-winning editor William Goldenberg stops by the podcast to talk with IndieWire features writer Jim Hemphill about his directorial debut “Unstoppable.” “Unstoppable”tells the true story of Anthony Robles, a wrestler who was born without a leg yet went on to become an NCAA champion. Goldenberg talks about his process casting, shooting, and cutting the film, which is now streaming on Amazon Prime Video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Renowned editor William Goldenberg (Argo, Transformers, Air, Zero Dark Thirty, The Imitation Game) joins us talk making his directorial debut, the Jennifer Lopez starring Unstoppable! William chats with Dom Lenoir about working with Matt Damon and Ben Affleck, creating long term relationships in the film industry. Editing and working with Michael Mann on Heat. Talks the process of cutting, mood and tone of his film. Directing ad working with Jennifer Lopez. and making a real life true story sports movie Unstoppable. Dom then chats with fellow filmmaker Giles Alderson about the editor director relationship, what it means to them and how editing helped them become better filmmakers. Plus our film term of the week! Unstoppable stars Jharrel Jerome as championship wrestler Anthony Robles, the film's cast includes Jennifer Lopez, Bobby Cannavale, Michael Peña, Don Cheadle and Anthony Robles himself, and is directed by William Goldenberg in his directorial debut. Unstoppable is RELEASED on Friday 16th Jan on Amazon Prime. WORLD PREMIERE of Food For Thought – Giles' documentary. Tickets for 24th Jan in London here https://tinyurl.com/3ssnpj94 WATCH OUT YOUTUBE CHANNEL our interview with Skeleton Crew showrunners Jon Watts and Christopher Ford here https://www.youtube.com/watch?v=iHKr20viJYM&t=33s PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

UNSTOPPABLE director Billy Goldenberg and editor Brett Reed have had a working relationship for over twenty years, going back to their time together on COYOTE UGLY (2000).  Since that film, they've logged a lot of hours as "editor and assistant" or "editor and additional editor", but their new film brings about a whole new dynamic, "director and editor". UNSTOPPABLE is the inspiring true story of Anthony Robles (Jharrel Jerome) who was born with one leg but whose indomitable spirit and unbreakable resolve empowered him to defy the odds and pursue his dreams. With the unwavering love and support of his devoted mother Judy (Jennifer Lopez) and the encouragement of his coaches, Anthony fights through adversity to earn a spot on the Arizona State Wrestling team. But it will demand everything he has, physically and mentally, to achieve his ultimate quest to become an NCAA Champion. WILLIAM GOLDENBERG, ACE While UNSTOPPABLE is Billy's first shot at directing, he is one of the most well-respected and sought-after film editors working today. He won an Academy Award, BAFTA Award, and the American Cinema Editors' (ACE) Eddie Award for his outstanding work on the 2013 Best Picture winner, Argo, directed by Ben Affleck. His recent editing credits include Air, 22 July, Unbroken, and Concussion. Goldenberg received dual Oscar nominations in 2013, also being nominated, along with editor Dylan Tichenor, for his work on Kathryn Bigelow's Zero Dark Thirty.  In 2015, Billy was again nominated for an Oscar, a BAFTA Award, and an Eddie Award for the historical thriller The Imitation Game, starring Benedict Cumberbatch and Keira Knightley.  He was previously Oscar-nominated for his editing work on Seabiscuit, and on Michael Mann's controversial film The Insider (with Paul Rubell and David Rosenbloom). Goldenberg was also part of the editing team on Mann's Heat, Ali, and Miami Vice BRETT M. REED Prior to cutting UNSTOPPABLE for Billy, Brett also collaborated with Artists Equity on Doug Liman's film THE INSTIGATORS, starring Matt Damon, Casey Affleck and Hong Chau. Additionally, he edited OLD, directed by M. Night Shyamalan for Universal Pictures, as well as several episodes of Shyamalan's television show THE SERVANT for Apple TV+.  Previously Reed cut CLOUDS directed by Justin Baldoni for Disney+; Christoph Waltz' GEORGETOWN; Automatik's DREAMLAND directed by Miles Joris-Peyrafitte and starring Margot Robbie; and Nick Hamm's bio-thriller DRIVEN, starring Erin Moriarty and Lee Pace. Brett's earlier work with Billy Goldenberg included supporting him as an Additional Editor on TRANSFORMERS: RISE OF THE BEASTS, LIVE BY NIGHT, CONCUSSION, UNBROKEN and ARGO. Reed was also a First Assistant Editor on THE AMAZING SPIDER-MAN 2, ZERO DARK THIRTY, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, NATIONAL TREASURE, amongst others. Directing and editing UNSTOPPABLE In our discussion with Billy and Brett, we talk about: Editors as first-time directors Cutting for a director who's an Oscar-winning editor Seeing double on the wrestling mat Obsessing and finessing an L-cut Making the most of a montage The Credits Visit Extreme Music for all your production audio needs Listen to Billy talk about cutting AIR and NEWS OF THE WORLD Check out the latest features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Angelina Jolie thought her acting days were probably behind her...until Pablo Larraín offered her Maria. Those two sit down with Awardist host Gerrad Hall to discuss the Maria Callas film — plus, Unstoppable star Jharrel Jerome and director William Goldenberg chat with Gerrad about that inspiring sports and family drama. And EW's Sr. Writer Maureen Lee Lenker joins Gerrad to chat about the Golden Globe nominations and National Board of Review winners. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we review the Amy Adams-fronted, Marielle Heller-directed NIGHTBITCH (07:03), and William Goldenberg's UNSTOPPABLE (23:13), which tells the story of disabled champion wrestler Anthony Robles. Then Clarisse speaks to the creators of STAR WARS: SKELETON CREW, Jon Watts and Christopher Ford (39:08), and in our HOT TAKE (52:06) we dive into some SKELETON CREW spoilers as we ask, yea Neel? Or No Neel?  If you would like to donate directly towards humanitarian aid in Gaza please visit https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by ⁠The Last Skeptik⁠ If you like the show do subscribe, leave a review and rate us too!

Today on Art of the Cut, we discuss editing the Apple Plus feature film The Instigators with three editors, including Oscar-winning editor William Goldenberg, ACE, Oscar-nominee Tatiana Riegel, ACE, and Oscar-nominee Saar Klein. Billy's been on Art of the Cut six times before for his work on Live By Night, Detroit, 22 July, The Outfit, News of the World, and Air. Billy won an Oscar, a BAFTA, and an ACE Eddie for Argo, and was nominated for an Oscar, a BAFTA and an Eddie for The Imitation Game. He was also nominated for an Oscar for Zero Dark Thirty, but lost to … himself. He was also nominated for Oscars for Seabiscuit and The Insider. Tatiana has been on Art of the Cut to discuss The Girl in the Spider's Web, Cruella, and I, Tonya.  Tatiana has been winning ACE Eddies since back in 2008! She was nominated for an Oscar and won an ACE Eddie AND an Independent Spirit Award for I, Tonya, was nominated for an Emmy for Pam & Tommy, and was nominated for an ACE Eddie for Cruella. Saar was nominated for an Oscar and an ACE Eddie for The Thin Red Line, and he was nominated for an Oscar and won an ACE Eddie for Almost Famous. His other work includes, Jumper, The Bourne Identity, and the TV series, Masters of the Air.  A three-person panel of editors with 8 Oscar nominations between them discusses the emotional impact of structural changes, the advantages of objectivity, and Stockholm Syndrome as it applies to directors!

In this very special bonus episode of ONE HEAT MINUTE, Academy Award-winning editor of Heat (1995), The Insider (1999), Ali (2001), Miami Vice (2006), Argo (2012), and Zero Dark Thirty (2012) - William Goldenberg, and Academy Award-winning writer, director and producer, known for The Imitation Game (2014) and The Outfit (2022) - Graham Moore join me to reminisce about Mr Goldenberg's experience on HEAT and collaborating with Michael Mann across his titanic body of work.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://kategabrielle.threadless.com/collections/miami-nice/PATREON: https://www.patreon.com/OneHeatMinuteABOUT WILLIAM GOLDENBERG (EDITOR OF HEAT)William Goldenberg is an Academy Award-winning editor and director, known for Argo (2012), Zero Dark Thirty (2012) and Miami Vice (2006).ABOUT GRAHAM MOOREGraham Moore is an Academy Award-winning writer, director and producer, known for The Imitation Game (2014) and The Outfit (2022).Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery.In this special bonus episode, I catch up with the Academy-Award-winning screenwriter of THE IMITATION GAME, Graham Moore about lobbying to write the film at a party, watch director Morten Tyldum create the effortless flow of the movie, and the 'film school' experience of watching legendary editor William Goldenberg work.GRAHAM MOOREGraham is a New York Times-bestselling novelist and Academy Award-winning filmmaker.His novels — THE HOLDOUT (2020), THE LAST DAYS OF NIGHT (2016), and THE SHERLOCKIAN (2010) — have been published in 24 countries and translated into 19 languages. All three books were New York Times bestsellers. THE LAST DAYS OF NIGHT was named one of the best books of the year by the Washington Post and the Philadelphia Inquirer, while THE SHERLOCKIAN was nominated for an Anthony Award for best first novel.His screenplay for THE IMITATION GAME (2014) won the Academy Award, WGA Award, and PEN Award, and was nominated for a BAFTA and a Golden Globe. His film directorial debut THE OUTFIT (2022) premiered at the Berlin Film Festival, was nominated for a British Independent Film Award and was named one of the 10 best films of the year by the Houston Chronicle.His latest novel, THE WEALTH OF SHADOWS, will be published by Random House in May 2024.Graham lives in Los Angeles with his wife and sons.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Air" had its world premiere at the 2023 SXSW Film Festival, where it received solid reviews for its writing, ensemble cast, and Affleck's smooth direction, making the true story about the development of a sports shoe entertaining. The film has earned three Critics Choice Nominations for Best Ensemble, Editing for Academy Award William Goldenberg (who won an Oscar for editing Ben Affleck's Best Picture-winning "Argo"), and Original Screenplay for Alex Convery. Goldenberg and Convery were kind enough to spend some time talking with us about their work on the film, which can be listened to below. Please be sure to check out the film, which is now streaming on Amazon Prime Video and is up for your consideration in all eligible categories at the 96th Academy Awards, including Best Picture, Best Original Screenplay, and Best Film Editing. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Editor William Goldenberg has cut all but one of director Ben Affleck's features, and Affleck says their partnership was the key to making “Air” fly. On today's episode Affleck and Goldenberg talk about evoking period through editing, fine-tuning performances, and much, much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, I spoke to Oscar-winning editor William Goldenberg, ACE where we talk about his work on Air. Goldenberg has also been nominated for four more Oscars (The Imitation Game, Zero Dark Thirty, Seabiscuit and The Insider). He won for his work on Ben Affleck's Argo.  Other accolades include: -5x ACE Eddie nominee (1x winner for Argo) -3x BAFTA nominee (1x winner for Argo) -2x Critics Choice nominee (1x winner for Zero Dark Thirty)  -2x Primetime Emmy Award nominee

This week on the VinnyRoc Podcast, I am excited to welcome my cast mate and friend  Alex Barone, known for his role in FX's acclaimed 'Mayans MC' in its fifth and final season. Alex has also been featured in Netflix's thriller 'Luckiest Girl Alive' alongside Mila Kunis. His talent continues to shine in upcoming projects like John Ridley's 'Shirley' with Regina King and William Goldenberg's 'Unstoppable,' produced by the notable duo Matt Damon and Ben Affleck. Remarkably resilient, Alex has overcome 43 surgeries early in his life. He fervently advocates for performers with differences in the entertainment industry, demonstrating his commitment through his active involvement with 'Camp No Limits.' There, he mentors children with limb differences, empowering them through his experiences and guidance. Originally from Baltimore, Maryland, Alex's journey is not just about his professional achievements but also his inspiring personal story. Connect with Alex on Instagram: @alexjbarone Learn more about his work with 'Camp No Limits' at @campnolimits or their website: www.nolimitsfoundation.org. We sincerely thank our sponsors for their unwavering support of the VinnyRoc Podcast. Their commitment enables us to deliver content that informs, educates, and engages consistently.   Core Medical Group: Striving to pioneer in wellness solutions and help you achieve optimal well-being. Visit https://www.coremedicalgrp.com to discover more. GMR Gold: Offering premium gold and silver investment options to elevate your wealth. Explore more at https://www.gmrgold.com. Everest: The ultimate marketplace for the great outdoors. Embark on your adventure today at https://www.everest.com. Modern Gun School: Dedicated to enriching your firearms knowledge with a comprehensive curriculum. Find out more at https://mgs.edu.   We value the contribution of each sponsor and appreciate their dedication to our shared goals.   For those who haven't yet, we invite you to watch our latest episode on YouTube, subscribe to our channel, and follow us on social media to stay updated on upcoming content. If you find our discussions valuable, please share them within your networks.   Thank you for your continued support of the VinnyRoc Podcast.   #VinnyRocPodcast #ThankYouSponsors    

On this week's show, Oscar winning editor William Goldenberg (Argo, Miami Vice, Zero Dark Thirty) joins Gordon to talk about their collaborations with Ben Affleck and their recent work on Air.

In this double interview episode, Andrew chats with two of the creative minds behind Ben Affleck's latest film, Air. Air tells the story of how sports marketing executive Sonny Vaccaro (Matt Damon) pursued Michael Jordan and changed history for Nike and basketball with the creation of the iconic Air Jordan shoe.First up is Academy Award winning editor William Goldenberg who reunites with Affleck for the fourth time, having won the Best Editing Oscar for Argo. Bill talks about the short hand that he and Ben have built up over the years, how he creates emotion within an edit, and more.Following this interview is costume designer Charlese Antoinette Jones. Charlese talks about her work creating era-specific clothing for the actors, the difficulty of sourcing material from the 80s, and how she helps the actors create their characters with their costumes.Air is currently available to watch on Amazon Prime. Read Nadine's review of Air here. Hosted on Acast. See acast.com/privacy for more information.

In this double interview episode, Andrew chats with two of the creative minds behind Ben Affleck's latest film, Air. Air tells the story of how sports marketing executive Sonny Vaccaro (Matt Damon) pursued Michael Jordan and changed history for Nike and basketball with the creation of the iconic Air Jordan shoe.First up is Academy Award winning editor William Goldenberg who reunites with Affleck for the fourth time, having won the Best Editing Oscar for Argo. Bill talks about the short hand that he and Ben have built up over the years, how he creates emotion within an edit, and more.Following this interview is costume designer Charlese Antoinette Jones. Charlese talks about her work creating era-specific clothing for the actors, the difficulty of sourcing material from the 80s, and how she helps the actors create their characters with their costumes.Air is currently available to watch on Amazon Prime. Read Nadine's review of Air here. Hosted on Acast. See acast.com/privacy for more information.

Thank you for listening to this episode of the FOLLOWING FILMS podcast. A movie podcast that takes you on a weekly journey into the world of cinema and the minds of the talented individuals who shape it. I'm your host, Chris Maynard, and today I'm joined by William Goldenberg William has edited more than twenty film and television projects since 1992. He won the Academy Award for Best Film Editing for the film ARGO, and has been nominated for THE INSIDER, SEABISCUIT, ZERO DARK THIRTY and THE IMITATION GAME. He has also received nominations for nine other editing-related awards. Recent credits include AIR, DETROIT and TRANSFORMERS: RISE OF THE BEASTS. But before we dive into our conversation with William, I'd like to take a moment to thank our sponsor, Bookmans. Bookmans is your go-to independent bookstore, where you can find an extensive selection of books, movies, music, and more. They truly believe in the power of storytelling and the magic of the cinematic arts. So, if you're looking to expand your film, music, or book collection, be sure to visit your nearest Bookmans, there is always something truly wonderful to discover. Have you followed the Following Films Podcast on Spotify? If you have, thank you! If you haven't head on over to Spotify, search for Following Films, and give us a follow. It really does help the show. AIR is currently streaming on Amazon Prime. Enjoy the show. --- Support this podcast: https://podcasters.spotify.com/pod/show/followingfilms/support

This episode features conversation with Editors William Goldenberg & Joel Negron who collaborated on Transformers: Rise of the BeastsReturning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a '90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers - the Maximals - to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback.Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc.          

Hey everyone, here we go again... the latest Transformers film - Transformers: Rise of the Beasts - has now hit theaters in my local market and to say I was skeptical would be an understatement. I've grown up owning a LARGE amount of Transformers toys and enjoying some of the early material but these movies really burned me by Age of Extinction and The Last Knight. I'm a fan of Steven Caple Jr's work from Creed II so I was really pulling for him to make the first great MAINLINE Transformers movie (I REALLY liked Bumblebee). So, is Transformers: Rise of the Beasts another bad entry in this long-running franchise or have they finally figured out how to make this iconic toy line work on the big screen? Find out in this SPOILER-FREE review. Transformers: Rise of the Beasts: Directed by: Steven Caple Jr. Screenplay by: Joby Harold and Darnell Metayer & Josh Peters and Erich Hoeber & Jon Hoeber Story by: Joby Harold Produced by: Michael Bay, Tom DeSanto, Lorenzo di Bonaventura, Duncan Henderson, Don Murphy, Mark Vahradian Music by: Jongnic Bontemps Cinematography by: Enrique Chediak Edited by: William Goldenberg, Joel Negron Production Design by: Sean Haworth Casting by: Wittney Horton Cast: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Dean Scott Vazquez, Tobe Nwigwe, Peter Cullen, Ron Perlman, Peter Dinklage, Michelle Yeoh, Liza Koshy, John DiMaggio, David Sobolov, Pete Davidson Synopsis: A '90s globetrotting adventure that introduces the Maximals, Predacons, and Terrorcons to the existing battle on earth between Autobots and Decepticons.

Today we're speaking with Oscar-winning editor, William Goldenberg, ACE about his work on the feature film Air, directed by his long-time collaborator, Ben Affleck and starring Affleck, Matt Damon, Viola Davis and Jason Bateman.  Goldenberg has been a guest on Art of the Cut numerous times for films including The Outfit, News of the World, 22 July, Detroit, and Live by Night.  He was nominated for an ACE Eddie and an Oscar for The Insider, another Oscar and Eddie nomination for Seabiscuit. Then BAFTA, Eddie and Oscar nominations for Zero Dark Thirty, which is the same year he won the Oscar for editing Argo. And another set of BAFTA, Eddie and Oscar nominations for The Imitation Game. 

Air is a 2023 American biographical sports drama film directed by Ben Affleck and written by Alex Convery. The film is based on true events about the origin of Air Jordan, a basketball shoeline, of which a Nike employee seeks to strike a business deal with rookie player Michael Jordan. It stars Matt Damon, Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, and Viola Davis. The project was announced in April 2022, with Affleck set to direct, as well as star and produce alongside Damon through their newly-formed production company Artists Equity. Filming took place that summer, with Affleck reuniting with his frequent collaborators, cinematographer Robert Richardson and editor William Goldenberg. While Michael Jordan was not involved with the production, he did meet with Affleck and offered several suggestions, including the casting of Davis as his mother. Originally set to premiere on the streaming service Amazon Prime Video, distributor Amazon Studios opted to release the film theatrically first after positive test screenings, making it the first Amazon title since Late Night (2019) to be released in theaters without simultaneously premiering on Prime Video. Air had its premiere at South by Southwest on March 18, 2023, and was theatrically released in the United States on April 5, by Amazon Studios. The film received critical acclaim, particularly for Affleck's direction, Convery's screenplay, and the performances of the cast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

This week on the show John, Dave, and Jeff talk about Air (2023), the new Matt Damon-starring & Ben Affleck-directed film which kicks off their new company Artists Equity, a venture designed to share ownership of films with more artists in more departments. This movie rocks, the reviews are high, the story is compelling, and the performances are incredible. We drink beer and discuss!  Find all of our Socials at: https://linktr.ee/theloveofcinema 0:00 Intro/Actors Equity/Air Set-Up. 15:39 Movie Review.   30:13 Spoilers. 1:06:48 What You Been Watching.  
Cast/Crew: Matt Damon, Ben Affleck, Viola Davis, Chris Tucker, Jason Bateman, Alex Convery, Matthew Maher, Jay Mohr, Chris Messina, Marlon Wayans, Al Madrigal, Damian Delano Young, Robert Richardson, William Goldenberg.  Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Tags: Mario, Jason Bateman, Dolby Digital, IMAX, AMC Times Square, Philippines, The Philippines, Manila, OBS Ninja, SAG Awards, Academy Awards, Oscars, Drugs, Drug Money, Gazebos, DC, Air, Nike, Michael Jordan, The Last Dance, ESPN, Skydance Sports, Artists Equity, Converse, Adidas, Steve Prefontaine, Oregon, Portland, The Mandalorian, The Last of Us, HBO, HBOMAX, James Gunn, Drive To Survive, F1, Formula One, Australian Grand Prix.

Kevin is joined by Academy Award-winning film editor, William Goldenberg. William Goldenberg, EditorWilliam (Billy) Goldenberg is an award-winning editor who has worked on over 20 films and television shows. His numerous awards include the BAFTA and the Academy Award for Best Film Editing for Argo. Goldenberg also received Oscar nominations for his editing work on Seabiscuit, The Insider, Zero Dark Thirty, and The Imitation Game. He has worked closely with award-winning directors Michael Mann, Ben Affleck, and Kathryn Bigelow.And the Oscar goes to… (2:25)Billy talks about what it was like being nominated for the Academy Award for Editing for two films in the same year, Zero Dark Thirty and Argo. Goldenberg recounts how it was the most nerve-wracking thing that has ever happened to him. He talks about winning for Argo and his acceptance speech, focusing on the microphone to blur out the stars in the front row and how he has not been able to re-watch the speech.Learning to take criticism (8:19)Kevin asks Billy to talk about his mentor, Michael Kahn. Billy tells the story about how he took over for Kahn on the film Alive and the process of editing and re-editing on film. Kahn taught Billy a valuable lesson on how to take criticism and react positively.Working with directors (16:16)Billy and Kevin discuss what it takes to be a successful editor in Hollywood, and they delve into the process of what it is like to be in the editing room with such award-winning directors as Michael Mann and Ben Affleck. Goldenberg relates a story about going back and forth with Michael Mann while working on the film Ali.Length vs. Pace (19:30)Kevin brings up a vital concept in film editing, pace. The pair discuss the difference between the length of a film and the pace of the film and how it relates to how the audience reacts to a movie. Billy talks about being in the editing room with Ben Affleck for Gone Baby Gone and working on the pace and length of the film.Film school and early work (31:22)Billy talks about switching from medical school to film school and how he wanted to be an editor from early on. He talks about his first job as a PA and one of his first jobs as an assistant editor on Steven Spielberg's film Always. How Bradley Cooper changed Argo (40:10)Kevin asks Billy to talk about his most memorable audience testing experience. Billy recounts multiple test screenings for Argo and how feedback from Bradley Cooper led to a significant change in the film that resulted in fantastic testing results.Host: Kevin GoetzGuest: William GoldenbergProducer:  Kari CampanoFor more information about William Goldenberg:IMDB: https://www.imdb.com/name/nm0325549/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

26 de mayo | Nueva YorkHola, maricoper. 1 año, 9 minutos y 29 segundos.El podcast de La Wikly también está disponible en iTunes, Spotify y iVoox.Añade el podcast a tu plataforma favorita haciendo click en el botón “Listen in podcast app” que aparece justo debajo del reproductor.Tenemos NUEVA suscripción premium. A partir de ahora, La Wikly pasará a tener cinco entregas a la semana:Lunes (gratuita): tres titulares rápidos del fin de semana.Martes (premium): una minicolumna de actualidad y dos titulares rápidos.Miércoles (premium): una minicolumna de actualidad y dos titulares rápidos.Jueves (premium): una minicolumna de actualidad y dos titulares rápidos.Viernes (gratuita): La Wikly que ya conoces y que estás leyendo ahora mismo.Para celebrar el lanzamiento, ofrecemos la suscripción anual de La Wikly a un precio reducido de 35 euros para el primer año. La oferta solo estará disponible a lo largo de la próxima semana:Leer esta newsletter te llevará 11 minutos y 18 segundos.No va a volver, bro. Bienvenido a La Wikly.Lo importante: El 25 de mayo de 2020, hace un año, George Floyd fue a comprar un paquete de cigarrillos. Horas después, era declarado muerto mientras un vídeo en el que se veía a un policía ahogándole con su rodilla se hacía viral en redes sociales.En los días posteriores, millones de personas salieron a las calles de cientos de otras ciudades estadounidenses como Nueva York, Los Ángeles, Minneapolis o Norfolk, una ciudad de apenas 24.000 personas en Nebraska.A gritos de ‘No puedo respirar’ y ‘Sin justicia, no hay paz’, el país demandaba un cambio ante la discriminación racial policial.¿Pero qué ha cambiado?A un año vista, hemos creído adecuado pegar un vistazo a los cambios que se han puesto en marcha o que siguen en la sala de espera conforme la administración de Biden deja el foco en las crisis pandémica y económica.¿Qué medidas, pues?En EE.UU., la mayoría de los departamentos policiales dependen de localidades y estados, con lo que las medidas que se pueden tomar a nivel federal suelen estar ligadas a incentivos presupuestarios y programas públicos.Por ejemplo, una de las promesas incumplidas de Biden tiene que ver con una comisión de supervisión policial nacional que su administración aparcó en abril.Según la Casa Blanca, querían centrar sus esfuerzos en las más ambiciosas iniciativas legislativas del Capitolio.Una de ellas es la Ley de Justicia en la Policía de 2020 (Justice in Policing Act of 2020), que preveía medidas para combatir la mala conducta policial, el uso excesivo de la fuerza y los prejuicios raciales en la actividad policial.También incluía una serie de disposiciones para mejorar la supervisión, la rendición de cuentas, la capacitación y la documentación e imponer restricciones a técnicas como el estrangulamiento y el uso de fuerza letal.El proyecto fue aprobado en la Cámara de Representantes, pero fue bloqueado en el Senado, entonces controlado por los republicanos.Otra es una versión apenas modificada de la anterior propuesta bajo el nombre de Ley George Floyd para la Justicia en la Policía de 2021 (George Floyd Justice in Policing Act of 2021). Se aprobó en la Cámara de Representantes el pasado marzo.En un discurso de la sesión conjunta del Congreso en abril, Biden marcó la fecha del aniversario de la muerte de George Floyd como límite para que una nueva legislación de reforma policial llegara a su escritorio.Pero senadores como el demócrata Cory Booker y el republicano Tim Scott siguen ultimando detalles para una versión bastante más moderada de la ley que pueda recibir 60 votos en el Senado.El último proyecto que se ha presentado a nivel federal es el de la Ley para el Fin de la Inmunidad Calificada (Ending Qualified Immunity Act) que tiene como objetivo terminar con la inmunidad cualificada en los cuerpos de policía.¿La qué? La inmunidad cualificada es una doctrina que protege a los agentes de policía y otros funcionarios gubernamentales de ser considerados personalmente responsables por acciones discrecionales realizadas dentro de sus funciones incluso si esas acciones violan los derechos civiles de los afectados. La excepción: que las acciones vulneren una ley federal "claramente establecida".Ese precedente exige necesariamente el cumplimiento de dos requisitos: 1) que esas acciones violan la ley escrita; y 2) que exista un precedente judicial que establece que tales acciones son ilegales.De momento, este proyecto no ha sido votado por el Congreso porque incluso algunos demócratas moderados están en contra de terminar con la inmunidad cualificada.Por otro lado, Donald Trump firmó en junio de 2020 la Orden ejecutiva sobre vigilancia policial segura para comunidades seguras (Executive Order on Safe Policing for Safe Communities).Esa orden ejecutiva estableció una serie de estándares que los departamentos policiales debían cumplir para recibir financiación federal. Para que un departamento fuera certificado debía cumplir dos requisitos:Que las políticas de uso de fuerza del departamento prohibieran los estrangulamientos, excepto en situaciones en las que la ley permita el uso de fuerza letal;Que las políticas de uso de la fuerza del departamento se adhirieran a todas las leyes federales, estatales y locales aplicables.A nivel estatal y local también se han aprobado e implementado, con mayor éxito, distintas medidas dirigidas a regular el uso de la fuerza por parte de la policía y a aumentar los mecanismos de revisión y control de sus actuaciones.A nivel estatal:Massachusetts, New Mexico y otros dos estados han sacado adelante reformas para limitar la inmunidad de los agentes.Kentucky, Maryland y otros tres estados han restringido las órdenes de registro sin aviso que permiten a los agentes entrar en una propiedad sin notificar a los residentes.Virginia, Colorado y otros ocho estados han aprobado mandatos para obligar y/o financiar el uso policial de cámaras corporales.California, Minnesota y otros 14 estados han restringido el uso de ciertas técnicas de estrangulamiento.A nivel local:Austin y Seattle han reducido los presupuestos de sus departamentos policiales locales.Los Ángeles y Baltimore han redirigido dinero de la policía a otros programas públicos que atajen las raíces del crimen.Reformas más ambiciosas como mejorar el entrenamiento de los agentes de policía están yendo más lentas con motivo del estancamiento político en D.C.El pueblo opinaLas numerosas protestas por la muerte de George Floyd pusieron en el centro del escrutinio público el desempeño de los cuerpos policiales y cómo el racismo sistémico subyace en muchos casos de abuso policial.Emilio explicó la correlación entre algunos de los datos estadísticos más complejos con respecto a la desigualdad racial del trato policial en este video.Una encuesta reciente de Axios-Ipsos encontró que casi siete de cada diez afroamericanos dicen que el trato policial ha empeorado en el último año. Y aproximadamente el mismo porcentaje cree que los tiroteos policiales contra jóvenes de color han empeorado en ese tiempo.El 42 por ciento de los encuestados hispanos y el 37 por ciento de los asiáticos coincidieron en que el tratamiento policial de los afroamericanos ha empeorado.Lejos de ver el papel de la policía como el de proteger y servir, la mayoría de los afroamericanos dice que llamar al 911 a menudo hace más daño que bien.Esa desconfianza está respaldada por la experiencia personal. Al ser detenidos por la policía:El 14 por ciento de los encuestados negros y el 9 por ciento de los hispanos dijeron que un oficial sacó una pistola o arma de electrochoque de su funda.Entre blancos, solo un 4 por ciento dicen lo mismo.La mayoría de los estadounidenses todavía tiene una visión positiva de la policía y las fuerzas del orden, pero todavía no es una realidad entre los afroamericanos:Solo cuatro de cada 10 afroamericanos encuestados dijo tener opiniones favorables sobre los cuerpos policiales, contrastando con el apoyo del 75 por ciento de los encuestados blancos.¿Entonces?A este problema estructural se suman los recientes repuntes de violencia condicionados por la ansiedad social producto de la pandemia y la escalada en las tensiones de índole partidaria. Ahí, las fuerzas del orden juegan un papel incuestionable:En 2020, EE.UU. registró un récord en las solicitudes de antecedentes para adquirir armas de fuego.Y en numerosos estados, sobre todo aquellos con mayoría republicana en sus legislaturas, se han estado impulsando proyectos de ley que buscan quitar restricciones a la libre portación de armas.Este año, como contamos hace poco en esta entrega de La Wikly, la violencia social sigue en escalada y las cifras disparadas de crímenes violentos no hacen más que aumentar la necesidad de la presencia policial.En ese contexto, se hace difícil justificar reformas policiales ambiciosas a nivel local, mientras que en Washington D.C. seguimos ante el mismo estancamiento político del que Emilio habló aquí.¿Desea saber más? The New York Times publicó en abril un fantástico vistazo a las reformas policiales que se han llevado a cabo a nivel estatal. Y Axios cuenta con un repaso de las reformas locales en multitud de ciudades, aunque el artículo es de octubre del año pasado.🎬 Una recomendaciónCon la colaboración de FilminDetroit es una película estadounidense de 2017 dirigida por Kathryn Bigelow. Está ambientada en los disturbios de la ciudad de Detroit durante “el largo y cálido verano de 1967”. Aquel año, durante la presidencia de Lyndon B. Johnson, se produjeron protestas raciales a gran escala en todo Estados Unidos.El filme recrea el conocido como incidente del Motel Algiers en el que la policía mató a tres adolescentes negros.Uso la palabra recrea porque Detroit es una recreación intensísima de aquel trascendental momento histórico. Y todo gracias a la exactitud del guion de Mark Boal, periodista y ya curtido en labores de documentación desafiantes como la que supuso Zero Dark Thirty, sobre la caza de Osama Bin Laden.Netflix lo fichó en enero para escribir el guion sobre el boom en bolsa de la compañía de videojuegos Gamestop.La película merece la pena solo por la dirección de Bigelow, que ya demostró en The Hurt Locker y especialmente en Zero Dark Thirty un increíble virtuosismo técnico en los espacios pequeños. El montaje de William Goldenberg y Harry Yoon ayuda.La guinda la ponen John Boyega, Will Poulter y sobre todo Algee Smith, que tiene ya una buena filmografía por detrás.Sin duda, el pero es el foco tan marcado en el incidente del Motel Algiers porque dificulta ver las implicaciones de lo que aconteció en Detroit y el resto de EE.UU. en ese verano sangriento, pero la decisión es al mismo tiempo valiente.Al centrar esfuerzos en la concreción de la brutalidad policial, Boal y Bigelow exponen la versión más descarnada y violenta de un sistema que siempre ha jugado en contra de los negros.Detroit está disponible en Filmin.🌟 Un vídeo para conocer a una nueva estrellaOlivia Rodrigo es el fenómeno pop del 2021 en Estados Unidos gracias al estreno de su primer single el pasado enero y de su primer álbum de estudio este mes de mayo. Las críticas son estupendas y los videoclips, megatop.¿Pero de dónde sale esta chica? Rodrigo es una chica Disney que empezó a hacer sus pinillos en la cadena de cable de la compañía allá por 2016 con la serie Bizaardvark en la que interpretaba a una guitarrista.Cabe recordar que estrellas del nivel de Ariana Grande, Selena Gomez, Miley Cyrus, Justin Timberlake o Britney Spears empezaron en series o programas de Disney Channel.No one cares about Demi Lovato, guys.HSM. Pero es con su papel como Nini Salazar-Roberts en la serie High School Musical: The Musical: The Series de Disney+ donde Rodrigo de verdad ha pegado el petardazo.Por si no lo sabes, la serie sigue a unos estudiantes de instituto que hacen un musical sobre la película-musical High School Musical que Disney estrenó con rotundo éxito en tres entregas.Rodrigo interpreta a Nini que en el musical de la serie hace el papel de Gabriella Montez, en su momento encarnada por Vanessa Hudgens.Rodrigo ha escrito canciones originales para la serie de HSM —y se ha llevado aplausos por ellas—. Y ese éxito la llevó a firmar en 2020 con Interscope Records y Geffen Records para su primer intento al salto a la fama global.Y joder si lo ha conseguido. Su single debut ‘driver’s license’ estuvo ocho semanas en lo más alto de la Billboard y generó TikToks tan molones como este.El álbum se llama ‘SOUR’ y tiene retazos del pop de Taylor Swift y del punk de Paramore. Sus letras hablan de rupturas, identidad y de encontrarse a uno mismo. Jon Caramanica lo explica bien en su crítica para The New York Times:“La propia Rodrigo está equilibrando varias vidas al mismo tiempo —nueva celebrity, nueva superestrella, vestigio de actriz infantil y más. Y ‘SOUR’ es el primer paso en el camino a insistir que la mirada que importa es la que uno se devuelve en el espejo, sin importar quién más esté mirando”.Mis canciones favoritas tras cuatro escuchas: ‘traitor’, ‘deja vu’, ‘enough for you’ y ‘jealousy jealousy’.Aunque los temazos del disco son ‘driver’s license’ y ‘good 4 u’.😆 Quitándole la graciaA Apu se le caen los tendies es un meme que se popularizó en 4chan el pasado marzo cuando un usuario publicó la imagen que encabeza este párrafo. Antes de seguir, un vistazo a los conceptos mitológicos clave de esta imagen:4chan es uno de los vertederos de internet donde nacen la mayoría de los memes que después disfrutamos los normies como tú y como yo.Apu Apustaja es una versión mal dibujada de Pepe the Frog y es también conocido como Helper, Pepo o Peppo. Según Pepe Wiki:“Apu es un pepe ambigable que destaca por su tendencia a ayudar a los demás. A Apu le gusta hacer amiguis (frens, en inglés), es muchas veces inmaduro, pero inocente y amigabluchi (frenly, en inglés). Y se le puede ver regularmente haciendo todo tipo de tareas”.Tendies son tenders de pollo, aunque el concepto como tal refiere a las llamadas historietas tendies, relatos de veinteañeros que siguen viviendo con sus padres y que consiguen tendies de su madre a cambio de puntos de buen chico que ganan haciendo tareas del hogar o logrando algo en la vida.Ahora entenderás mejor quién es Apu y por qué es tan dramático que un matón representado por la sombra del dibujo lo haya tirado al suelo y haya echado a perder sus tendies. Algunos de los matones cabrones que han hecho pupa a Pepo:Y para terminar, un buen uso de titular en una noticia sobre distritos congresuales:Hasta la semana que viene, This is a public episode. Get access to private episodes at www.lawikly.com/subscribe

In our latest Film Roundtable we’re joined by Cinematographer Dariusz Wolski, ASC and editor William Goldenberg, who both recently collaborated on Paul Greengrass’ News of the World.  William has led an incredibly prolific career editing films for directors such as Michael Bay, Kathryn Bigelow, Angelina Jolie, and Ben Affleck. He’s been nominated 5 times for the academy award and won for Argo. Dariusz Wolski is one of the world’s leading cinematographers and has helmed projects alongside Ridley Scott, Rob Marshall, Tim Burton to name a few. He has shot notable franchises such as Pirates of the Caribbean, and films such as the Martian and Prometheus. In this conversation, moderated by cinematographer Nico Aguilar, we dive deep into their roles as editor and cinematographer, the risks they’ve taken and innovations they’ve accomplished.  Recommended watching: News of the World

On todays episode of the Art of the Cut Podcast, Steve talks with Oscar winning editor William Goldenberg, ACE about “News of the World.” You likely know William from his Oscar winning work on “Argo.” Additionally, William cut films such as “Zero Dark Thirty”, “The Insider”, “The Imitation Game”, “Nation Treasure” and many more! Enjoy the episode. Todays episode of the Art of the Cut Podcast is brought to you by Filmtools.com, Hollywoods trusted one-stop shop for all things production and post. Today, Filmtools is offering Art of the Cut listeners 10% off thousands of products when shopping on Filmtools.com with code AOTC10 at checkout. The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.

In this episode of the "Sight, Sound & Story" Podcast we will go Inside the Cutting Room with author and film historian Bobbie Osteen for a panel highlighting the career of Oscar-winning feature film editor William Goldenberg, ACE. William has edited dramas like Seabiscuit," "The Imitation Game" and "The Insider," along with thrillers like "Argo" and "Zero Dark Thirty." And since those last two movies were released in the same year, that makes him one of the only editors to ever compete against himself for an Oscar! He started cutting on film and even though he cuts on digital now, that old school experience makes him a really thoughtful editor who doesn't make a cut without thinking about it first. This is from our Post Production Summit on June 13th, 2015 in New York City. Moderator: Bobbie O'Steen "Cut to the Chase," "The Invisible Cut" Speaker: William Goldenberg, ACE" ("Argo," "Heat," "The Insider," "Zero Dark Thirty,""The Imitation Game") William Goldenberg, ACE, has more than twenty film and television credits since 1992. He won the Academy Award for Film Editing for the film "Argo," and has been nominated for "The Insider," "Seabiscuit," "Zero Dark Thirty," and "The Imitation Game." He has also received nominations for nine other editing-related awards. Goldenberg has had an extended, notable collaboration with the director Michael Mann including "Heat," "The Insider," "Ali," and "Miami Vice." Some of his other work includes "Unbroken," "Alive," "Pleasantville," "National Treasure," and "National Treasure: Book of Secrets," "Transformers: Dark of the Moon" and "Transformers: Age of Extinction," and "Gone Baby Gone." About Bobbie O’Steen: Bobbie is a writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy-nominated editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen; and "The Invisible Cut," which deconstructs classic movie scenes through a cut-by-cut analysis. She is a frequent moderator for American Cinema Editors’ EditFest panels and host of her own “Inside the Cutting Room” event series. She has also taught at the American Film Institute, graduate film workshops at NYU’s Tisch School of the Arts and has created an ongoing course, “Making the Cut,” based on her interviews with over sixty editors. O’Steen’s next project is a media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation. To find out more information on her speaking events go to http://:www.bobbieosteen.com. Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling. For more information go to https://:www.SightSoundandStory.com.

Tonight, we have an in-depth conversation with Oscar-winning editor William Goldenberg (“Argo,”), a look at new trends and technology in visual effects, and an update on how the Writer’s Guild managed to make everyone in Hollywood angry this week. Join host Larry Jordan as he talks with Jonathan Handel, Ross Shain, Joseph Nilo, William Goldenberg and James DeRuvo. Guild Update: WGA Angers Everybody State-of-the-Art Trends in Effects Create Compelling Software Demos Editing - The Invisible Art The Weekly doddleNEWS Update The post Digital Production Buzz – March 7, 2019 appeared first on Digital Production Buzz.

As we race towards the largest media, entertainment and technology convergence in the world, the 2019 NAB Show, discover all that’s in store in the future-focused Future of Cinema Conference! Also, host Lori H. Schwartz sits down with academy award winning editor William Goldenberg to discuss his craft and his career.

On this weeks episode, Carolyn talks with William Goldenberg, the Oscar-winning Editor on '22 July', a film that dives into the story of the terrorist attacks that took place in Norway in 2011. William talks about his time in Norway during production as well as how he was able to sculpt this dramatic drama into a movie that not only tells a true story but also delivers a message. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst

"You don't throw a whole life away just ‘cause he's banged up a little." When Seabiscuit raced in the 30s, he drew more news than Roosevelt or Hitler. His match race against War Admiral was heard by 40 million people, statistically about as many Americans who tune in to watch the Superbowl every year. But he wasn't just winning races – he was a hero for the little guy who lost everything in the Great Depression and was fighting for a second chance. Join us – Pete Wright and Andy Nelson – as we wrap up our “This Is Real Life, Jack!” series with Gary Ross' 2003 film Seabiscuit.  We talk about how the movie works overall, and the interesting addition Ross added of documentary-style narration provided by one of America's great voices, David McCullough. We debate about how well Ross does with the opening act of his film – is it a sloppy mess that takes too long to get us to the horse or is it a brilliantly cut-together example of how well Ross does to move us through time and connect us to these characters? We look at the performances of Jeff Bridges, Chris Cooper, Tobey Maguire, Elizabeth Banks and William H. Macy, among others, and relish in the great work they all do here, even if Banks really is given nothing more than the ‘thankless wife' role. We discuss some of the key team members – John Schwartzman's cinematography, William Goldenberg's editing, Randy Newman's music – and what they all bring to the table. And we ponder the cost of the Equicizer and how effective it is in allowing the filmmakers to cut in closeups of actors talking while in the midst of their incredibly choreographed and photographed races.  It's a beautiful, powerful film that may wear its heart on its sleeve, but one that does so proudly, not ashamed of what it is. We have a great conversation about it, even if we don't see eye to eye on everything in it. So check out the movie then tune in! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Seabiscuit: An American Legend by Laura Hillenbrand Flickchart Letterboxd Trailers of the Week Andy's Trailer: Patriots Day — "As horrific the act of terrorism during the Boston Marathon was, it also showed how brilliantly our law enforcement, FBI and military came together to solve the crime and catch the perpetrators. I worked on the TV movie version of this and I'm very excited to see how Berg and Wahlberg come together in their version.” Pete's Trailer: Army of One — "Nicholas Cage starts making so much sense now. He hears the voice of God — Russell Brand, natch — and decides to go to Pakistan to apprehend Osama bin Laden. If it didn't lead with based on a true story, I would have passed. With that, I'm very, very curious."

"You don’t throw a whole life away just ‘cause he’s banged up a little." When Seabiscuit raced in the 30s, he drew more news than Roosevelt or Hitler. His match race against War Admiral was heard by 40 million people, statistically about as many Americans who tune in to watch the Superbowl every year. But he wasn’t just winning races – he was a hero for the little guy who lost everything in the Great Depression and was fighting for a second chance. Join us – Pete Wright and Andy Nelson – as we wrap up our “This Is Real Life, Jack!” series with Gary Ross’ 2003 film Seabiscuit.  We talk about how the movie works overall, and the interesting addition Ross added of documentary-style narration provided by one of America’s great voices, David McCullough. We debate about how well Ross does with the opening act of his film – is it a sloppy mess that takes too long to get us to the horse or is it a brilliantly cut-together example of how well Ross does to move us through time and connect us to these characters? We look at the performances of Jeff Bridges, Chris Cooper, Tobey Maguire, Elizabeth Banks and William H. Macy, among others, and relish in the great work they all do here, even if Banks really is given nothing more than the ‘thankless wife’ role. We discuss some of the key team members – John Schwartzman’s cinematography, William Goldenberg’s editing, Randy Newman’s music – and what they all bring to the table. And we ponder the cost of the Equicizer and how effective it is in allowing the filmmakers to cut in closeups of actors talking while in the midst of their incredibly choreographed and photographed races.  It’s a beautiful, powerful film that may wear its heart on its sleeve, but one that does so proudly, not ashamed of what it is. We have a great conversation about it, even if we don’t see eye to eye on everything in it. So check out the movie then tune in! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Seabiscuit: An American Legend by Laura Hillenbrand Flickchart Letterboxd Trailers of the Week Andy's Trailer: Patriots Day — "As horrific the act of terrorism during the Boston Marathon was, it also showed how brilliantly our law enforcement, FBI and military came together to solve the crime and catch the perpetrators. I worked on the TV movie version of this and I’m very excited to see how Berg and Wahlberg come together in their version.” Pete's Trailer: Army of One — "Nicholas Cage starts making so much sense now. He hears the voice of God — Russell Brand, natch — and decides to go to Pakistan to apprehend Osama bin Laden. If it didn’t lead with based on a true story, I would have passed. With that, I'm very, very curious."

Craig is in a great mood today and ready to recap the Oscars! The voice of the Oscars, Cedering Fox, calls in to announce our long time friend and Oscar winner William Goldenberg! Ted on a stool, Argo, Zero Dark Thirty, ride the popular wave. Samuel L Jackson calls in a curses up a storm with a South African throw down. Tom Amandes is in the studio to talk about microphones, Ireland, Greece, college hazing, rhythm method, Catholics, 11 kids, mud rooms, mittens out of foam, Utah, birth class, home births, Dr. T and the Women, size 13 shoe, Saving Lincoln, Wilks Booth, assassination, Spielberg, descendants, Eisenhower, Dixie-crats, Lincoln's house, tri-cornered hats, Gettysburg Address, Daniel Day Lewis, green screens.