Podcasts about New Wave

Horror films have been a consistent draw for movie theaters, even in a post-pandemic, streaming world. And one of the most well-known production studios in horror is Blumhouse. The production house came on the scene in 2009 with Paranormal Activity, a low-budget found-footage film that became a smash hit spawning a franchise. Blumhouse would repeat this formula with The Purge and Insidious franchise. Now, Blumhouse is known for its more crowd pleasing scary movies like M3GAN and Five Nights at Freddy’s (with the highly anticipated sequel releasing this week), but the studio has also taken risks on up and coming directors like Jordan Peele and Damien Chazelle. So, how does a horror production house continue to survive and turn a profit in today’s film industry? And why does horror seem to be a safe bet for box office returns. Joining us to discuss the current horror movie landscape is Abhijay Prakash, president of Blumhouse. You can read all about Blumhouse’s rise in their new book Horror’s New Wave: 15 Years of Blumhouse.

Today's podcast is a field trip to the Chase Bank South Shore Community Center at 6650 S. Stony Island Ave. The branch was established to be a place for all neighbors to gather nearly five years ago. Today we attend a forum on fraud prevention, and see how neighbors are buying into the community center, and learning important tips to avoid scammers this holiday season. Host - Jon HansenGuests - Jared Evans, Chase Community Manager; CPD Detective John MaddenMore on Chase's Community Banking HereBlock Club's Coverage of the branch opening in 2021 Want to donate to our non-profit newsroom? CLICK HEREWho we areBlock Club Chicago is a 501(c)(3) nonprofit news organization dedicated to delivering reliable, relevant and nonpartisan coverage of Chicago's diverse neighborhoods. We believe all neighborhoods deserve to be covered in a meaningful way.We amplify positive stories, cover development and local school council meetings and serve as watchdogs in neighborhoods often ostracized by traditional news media.Ground-level coverageOur neighborhood-based reporters don't parachute in once to cover a story. They are in the neighborhoods they cover every day building relationships over time with neighbors. We believe this ground-level approach not only builds community but leads to a more accurate portrayal of a neighborhood.Stories that matter to you — every daySince our launch seven years ago, we've published more than 30,000 stories from the neighborhoods, covered hundreds of community meetings and send daily and neighborhood newsletters to more than 150,000 Chicagoans. We've built this loyalty by proving to folks we are not only covering their neighborhoods, we are a part of them. Some of us have internalized the national media's narrative of a broken Chicago. We aim to change that by celebrating our neighborhoods and chronicling the resilience of the people who fight every day to make Chicago a better place for all.

David Bowie wasn't just a rock star...he was a cultural architect who reinvented music, fashion, and identity. In part 2 of "Why Bowie Still Matters", we explore Bowie's groundbreaking mid-70s to early-80s era: from the cocaine-fueled chaos of Station to Station and the birth of the Thin White Duke, his "Berlin Trilogy" with Brian Eno that shaped post-punk and electronic music. And we'll explore how albums like Low, Heroes, and Lodger influenced everyone from Joy Division to Duran Duran, Depeche Mode, Radiohead and others. Meanwhile, Bowie's constant creativity sparked movements like New Wave and the New Romantics. And then we reach Bowie's bold reinvention...again... in the 90s with Tin Machine and Trent Reznor. Learn more about your ad choices. Visit megaphone.fm/adchoices

ALLE INFOS ZU FLACONI FINDEST DU HIER:Deutschland: Einfach und entspannt Beauty und Parfum auf www.flaconi.de shoppen: Mit dem Code “ANIMUS10” sparst du bis zum 31.12.2025 10 % *Österreich: Einfach und entspannt Beauty und Parfum auf www.flaconi.at shoppen: Mit dem Code “ANIMUS10” sparst du bis zum 31.12.2025 10 % *Schweiz: Einfach und entspannt Beauty und Parfum auf www.flaconi.ch shoppen: Mit dem Code “ANIMUS10” sparst du bis zum 31.12.2025 10 % **Der Rabatt gilt nicht auf ausgeschlossene Marken und Produkte und ist nicht mit anderen Aktionen kombinierbar.*Ausgeschlossene Marken & Produkte: Amouage, CHANEL, CREED, dyson, Jo Malone London, Kilian Paris, Maison Francis Kurkdjian, Nø, L'Oréal Professionnel Paris Steampod 3.0 & 4.0.------------------------------------------------------------Den Podcast auf Youtube findest du hier:https://www.youtube.com/@animus_offiziellDen Podcast als Video ohne Werbung findest du auf Patreon:https://www.patreon.com/DerAnimusPodcastKooperationen/Anfragen: deranimuspodcast@gmail.com Animus auf SocialMedia:Instagramhttps://www.instagram.com/animus Hosted on Acast. See acast.com/privacy for more information.

Hörmann, Andi www.deutschlandfunk.de, Corso

S67E13 - Den här veckan med ny Svensk synth från Mythologen, Clark Nova och Vanguard. Internationella akter som Tension Control, Qual, Ruhr, Blocco Schengen, Mellow Code och Thorofon.n.

NEUROPA – The BlitzKISSING THE PINK – Cruise Ship SoldiersCKAABAL – Unfollow MeSIAMESE YOUTH – CocoSOPHIE GREY – Video Killed The Radio Star (The Buggles cover)PAN ARCADIA – In VainGELLI HAHA – SpitIDLE EYES – Tokyo Rose (Blue Collar Bros mix)CHAN FUZE – Funny MoneyWINGTIPS – Escape PlanBRONSKI BEAT with THE KNOCKS and PERFUME GENIUS – Smalltown BoyVANDAL MOON with JOHNNY DYNAMITE AND THE BLOODSUCKER – Too High to CryPALE HONEY – FriendsAWOL NATION with ELOHIM – Flagpole Sitta (Harvey Danger cover)SWEAT BOYS with VALERIE ABBEY – AdrenalinePIXEL GRIP – Bet You Do.

In Episode 444 of the Immigration Lawyer's Toolbox Podcast, Ruby Powers returns with a powerhouse conversation on the future of immigration practice, legal tech, and law firm leadership. Fresh from high-level legal tech conferences, Ruby breaks down the trends shaping the profession—from AI tools and automation to alternative business structures, MSOs, and the rapid shift toward value-based billing. Together, we dive into office management, hiring challenges, practice innovation, workflow redesign, and how to future-proof your firm as tech evolves faster than ever. This episode is packed with real lessons, honest reflections, and actionable takeaways for any immigration lawyer looking to sharpen their operations and stay competitive in 2025 and beyond. Spotify | iTunes | YouTube Music | YouTube Timestamps: 00:00 – Opening 00:33 – Intro 01:52 – Catching Up With Ruby 02:08 – Inside the Legal Tech Fund Summit 07:57 – Flat Fees vs. Hourly Billing: Lessons From Experimenting 11:36 – Arizona's Legal Sandbox & Alternative Business Models 15:16 – Streamlining Your Firm for 2025: Tech + Ops Upgrades 23:30 – Mid-Episode Break 24:17 – Reading the Data: Who's Hiring Us? + Pulling Back on Video Content 27:42 – Practicing Immigration Law Under the Trump Administration 28:42 – Why Systems Matter: Evolving Your Immigration Practice 31:08 – Using Social Media Bots for Client Responses 33:46 – The Authenticity Problem: How AI Shapes Audience Perception 39:21 – The New Wave of Lawyering: Tech-Driven Legal Practice 41:46 – E-Books vs. Hardcovers: How Lawyers Learn Best 43:41 – Using NotebookLM for Training, Study, and Course Design 47:00 – Clearbrief: AI Tools for Litigation and Drafting 48:59 – Using AI as Your Advanced Legal Assistant 51:06 – Power Up Your Practice: Final Takeaways 51:38 – Closing Remarks Live Consular Processing training for lawyers Dec 18, 10:00–11:45 a.m. PT - NVC packets & DS-260 - Interview prep & follow-up - Timelines, fees, and real-world workflows Register here! Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox  

On this week's show, we crawl out of our post-Thanksgiving food coma to give thanks for superlative new records by Snocaps, The Mountain Goats and Madi Diaz, spin fresh tracks from Lucinda Williams, David Byrne & Howl Owl Howl. and kick it with the always awesome Jesse Welles. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Welcome to Episode 121 of Tablesetters — and today we're joined by one of the most essential voices in global baseball storytelling. Jim Allen, longtime NPB writer, analyst, historian, and the force behind jballallen.com and its weekly newsletter, sits down with us for a deep, far-reaching conversation about the heartbeat of Japanese baseball and its growing impact on MLB. For decades, Jim's reporting has been the bridge that helps English-speaking fans understand not just NPB players, but the culture, structures, and histories that shape them. From the posting system to player development pathways, from extra-inning philosophy to editorial norms, and from national identity to modern pitch-design trends, Jim brings context you simply can't find anywhere else. And with Tatsuya Imai, Munetaka Murakami, Kona Takahashi, and others drawing MLB attention — all while Ohtani, Yamamoto, and Sasaki redefine the top of the sport — this is the perfect moment to have him on. In our conversation, Jim takes us inside how the posting system actually works: the incentives that guide both leagues, how timing and leverage shape negotiations, and why the 2013 reforms solved some issues while pushing others into new territory. We break down Imai's rise into a front-line starter, why his growth feels so intentional, and what parts of his profile give him the best chance to translate quickly to MLB. Jim also helps untangle the narrative around Murakami's 56-homer “Japanese-born record,” how it's framed against Balentien's 60, and what American fans need to understand about how that story was built and why it stuck. We dig into the philosophical gap between MLB's open-ended extra innings and NPB's 12-inning limit, what that says about pace, workload, and cultural logic, and how that contrast resurfaced when Yamamoto appeared in the World Series on almost no rest. From there, we look at Japan's relationship with the WBC — Ohtani's commitment, the national pride attached to the tournament, and how fans weigh those responsibilities against MLB club preferences. Jim also breaks down why narrow milestones and highly specific statistical labels catch fire so quickly in Japanese media, and what American audiences often miss about that editorial tradition. We explore how public sentiment in Japan has shifted regarding stars leaving for MLB, from the tension-filled Matsuzaka era to today's more normalized wave of early departures. And we close with a look ahead: the next generation of NPB names to know, plus Jim's thoughts on Anthony Kay's breakout season and Trevor Bauer's polarizing stint in Japan. It's one of our most wide-ranging episodes yet — part baseball, part culture, part analytics, part history — and Jim guides all of it with clarity, nuance, and generosity.

Pour tous ceux qui ont connu le début des années 80, le nom de Simple Minds occupe sûrement une place particulière. Évidemment, on n'était pas des milliers en mars 82 et 84 à l'Ancienne Belgique, alors le temple de la New Wave avec le Beursschouwburg. Mais l'ambiance y était. Par contre, on était des dizaines de milliers en 83 à Torhout et Werchter. Les examens étaient finis et les vacances commençaient avec U2, l'après-midi, et Simple Minds qui concluaient la soirée, juste avant la tête d'affiche, Peter Gabriel. Les Minds n'avaient alors jamais joué devant un public aussi nombreux, et c'était chez nous. Jim Kerr ne portait pas encore les pantalons comme des oreilles d'éléphant qu'il allait arborer deux ans plus tard sur la scène du Live Aid, le plus grand festival de tous les temps. Il était alors la plus crédible incarnation du nouveau David Bowie, celui que toute la New Wave imitait de Depeche Mode à Duran Duran, en passant par Gary Numan. Mais Jim Kerr n'imitait pas Bowie. Il adoptait une attitude particulière sur scène, tous les yeux étaient focalisés sur lui, un charisme dingue, on n'avait plus vu ça … ben, depuis David Bowie.Et il faut bien ça. Car autant U2 est un groupe dont on identifie très bien depuis le début, ses quatre membres, autant on s'y perd avec Simple Minds. Ils changent de personnel quasiment à chaque album, voire single. Et comme ils ont sorti sept 33 Tours en l'espace de six ans, ça fait du mouvement. Non, vraiment, de Simple Minds on ne retient que Jim Kerr, et puis le guitariste Charlie Burchill, le seul à être aussi présent depuis le début. Mais bon, ça le fait d'avoir un poster de Simple Minds dans sa chambre ou son kot, au début des années 80. Ce nom étrange et ces images insolites qui servent de pochette à leurs 30 cm, ça vous pose un max devant les copains et les copains des copains. C'est branché, Simple Minds ! Alors comme à l'époque, il n'y a pas internet, y a des gars qui prétendent que ça veut dire les “simples d'esprits”. Sauf qu'en anglais on place l'adjectif avant le nom, et donc, ça fait “esprits simples”.OK, ça reste pas beaucoup plus valorisant. Sauf que, et on y revient, ça vient d'une chanson de David Bowie. Oui, dans Jean Genie, époque Ziggy Stardust … et dans le contexte, ça correspond tellement bien à la mentalité des Ecossais qu'ils sont. C'est vrai, quand vous entrez dans un pub en Ecosse, vous ne restez pas seuls, on vit ensemble, et on chante à tue-tête le vendredi soir avec le gars qui vient jouer avec sa guitare pour mettre l'ambiance. Sept ans après avoir choisi ce nom, les Simple Minds sont bien loin de l'arrière-salle de leur pub de Glasgow, ils sont sur le toit du monde parmi les groupes britanniques qui vendent le plus de disques, avec Dire Straits, Queen et Duran Duran …

C'est l'époque qui voulait ça, dans les années 80, énormément de mythes circulaient à propos des groupes, chanteurs et chanteuses. On n'avait rien sous la main pour vérifier ce que des gars disaient à propos d'untel ou untel, les articles étaient rares dans la presse et les journalistes des magazines spécialisés étaient souvent logés à la même enseigne que leurs lecteurs. En clair, on ne savait rien des mecs qu'on écoutait en boucle, à part ce qui était écrit sur les pochettes de leurs disques. Alors, un groupe comme Simple Minds, vous pensez si on en a entendu au milieu des années 80. Tenez, à propos de leur énorme tube de l'été 85, Don't you forget about me … ben la chanson n'est pas d'eux. Ah bon ? Vérification faite sur le disque, ben ouais. Merde, c'est Keith Forsey. En résumé, c'est un transfuge, un british venu du monde crypto rock allemand des années 70 qui devient le batteur de Donna Summer mais produit aussi Billy Idol, puis écrit des musiques sur la BO de Flashdance et Ghostbusters. Et justement il est approché par une jeune cinéaste américain pour un projet nommé The Breakfast Club. Ça raconte le samedi de quelques ados en retenue dans leur école. Et comme ce cinéaste est fan de New Wave british, il veut Simple Minds.Les gars écoutent la chanson, mais non. On veut bien en faire une mais on l'écrit nous-mêmes. Mais leur manager étant convaincu que le générique d'un film américain, c'est bien pour percer le marché, il insiste et leur fait voir une copie du film … A la sortie, ça reste non. Qu'est-ce qu'on en a à foutre des problèmes d'étudiants amerloques. C'est quoi ces heures de retenue ? Ça n'existe pas chez nous, en Écosse. Bon, OK, on se rend. Keith Forsey et John Hugues approchent Billy Idol mais c'est non aussi, il fait un alors un carton monstre, et puis Bryan Ferry mais là encore, pas de bol, il sort disque sur disque solo et ne tient pas à embrouiller les cartes. Alors qui ?Et là, il se trouve quelqu'un à qui la chanson a plu. C'est Chrissie Hynde, la chanteuse des Pretenders. Et qui est depuis peu la femme de Jim Kerr. Et ce que femme veut … Bref, les Simple Minds se retrouvent avec Keith Forsey. Fais voir un peu ta chanson … ouais pas mal. Écoute, on va la faire mais je vais changer les paroles au début et à la fin OK ? A-t-il manqué de temps ? En tout cas, le jour de l'enregistrement, Jim Kerr envoie un hey Hey Hey au début et des Lalalalala à la fin. Je vais combler après, dit-il, je reviendrai. Jim ne reviendra pas, la chanson sortira comme ça et bingo. C'est les gimmicks que tout le monde a retenu, et aussi le premier et dernier numéro 1 de Simple Minds aux États-Unis. Alors, on va l'ajouter sur le nouvel album finalement, qui sort fin de l'année 1985.

In 1973, a band formed that would be an integral part of new emerging music genres. That band is Devo, and the new genres are New Wave and Punk. Rock n Roll had apparently ruled the airways for long enough. In the early 1970s, the splitting asunder of the megalithic, guitar-driven Rock genre began to (more...)

(00:00-23:19) Look Doug, it's Jeremy Rutherford. How were things in the tri-state area? Jackson's parents are doing maintenance on the stable at their place in the Hamptons. JR's date with Joey Vitale. JR has issues with Martin's reporting. Was JR the first JeffCo to go to Manhattan? JR's thoughts on the Binnington rumors. Could the Blues be in selling mode sooner rather than later? Thanksgiving is the NHL version of Flag Day. Who is in line to be the next captain?(23:27-32:59) Matt Adams gonna be joining us coming up and Gary Pinkel in the 10:00 hour. According to Pat Forde, the BOC meeting at Mizzou is the beginning of things, not the end. College Football Rivalry Week Picks.(33:09-46:24) Big City Matt Adams hanging out with us in studio looking like he could still play. Does he still hop in the cage and take some swings? Still considers St. Louis home. St. Louis is the Paris of eastern Missouri. Enjoyed his time coaching in the Padres organization. Matt gives his thoughts on what went down with Mike Shildt in San Diego. Do players care about a manager's resume? The importance of culture in a clubouse. The homerun off Kershaw in the playoffs was the biggest of his career.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Frontière Rock chaque mardi soir de 22h à minuit, plongez dans l'univers sombre et alternatif de la musique Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze... Ré écoutez l'émission Frontière Rock du mardi 25 Novembre2025 qui monte en cliquant sur le lien ci dessus. Animée par Dark Jérôme, il vous fera découvrir des nouveautés récentes des meilleurs groupes et artistes de la scène underground, ainsi que les classiques du genre. Ce soir La Frontière reçoit en entretien cold le groupe Corpus Delicti pour la sortie de leur nouvel Album "Luminal" annoncé le 28 novembre. Découvrez la rubrique de Dark Jérôme intitulée "Sous les projecteurs de la frontière". Il mettra en avant un coup de cœur sur le travail musical passé ou récent d'un groupe de la scène Dark pas toujours assez médiatisé. Ne manquez pas l'agenda des concerts de la semaine, on vous dévoilera les dates et les lieux où vous pourrez assister aux performances live des groupes que vous aimez. Et pour continuer en beauté, écoutez la chronique Ma Discothèque Vinyle indispensable, où Jean-Marc vous présentera un album culte ou rare qu'il a déniché dans sa collection personnelle de vinyle. Frontière Rock 22h midnight every Tuesday evening from 22h to midnight, dive into the dark and alternative world of Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze music... Listen again to the Frontière Rock show from Tuesday, November 25, 2025, which is coming up by clicking on the link above. Hosted by Dark Jérôme, he will introduce you to recent releases from the best bands and artists of the underground scene, as well as classics of the genre. This evening, La Frontière welcomes the band Corpus Delicti for a cold interview for the release of their new LP "Luminal". Discover Dark Jérôme's section entitled "Under the Spotlight of the Border." He will highlight a favorite piece on the past or recent musical work of a band from the Dark Rock scene that doesn't always get enough media coverage. Don't miss the week's concert schedule; we'll reveal the dates and venues where you can catch live performances by the bands you love. And to continue in style, listen to the column "My Essential Vinyl Library," where Jean-Marc will introduce you to a cult or rare album he unearthed in his personal vinyl collection. Facebook : https://www.facebook.com/cdelicti Site Web : https://corpusdelicti0.wixsite.com/band insta : https://www.instagram.com/corpusdelictimusic/ Bandcamp : https://corpus-delicti.bandcamp.com/album/liminal Station: ATTITUDE Date: 25/11/2025 Slot: 22h Hour Performer Title Tuesday 22:00:00 Tuesday 22:03:18 Decorate. Decorate. Something To Hide Tuesday 22:07:42 Reptyle Never Complain Tuesday 22:12:10 inca babies Candy Mountain (Reincarnation 25) Tuesday 22:15:35 Garden Dynamics Parasite Tuesday 22:20:04 Cold in Berlin 12 Crosses Tuesday 22:36:38 Corpus Delicti ROOM 36 Tuesday 22:56:23 Corpus Delicti FATE Station: ATTITUDE Date: 25/11/2025 Slot: 23h Hour Performer Title Tuesday 23:00:00 Tuesday 23:04:53 Nine Inch Nails Sin Tuesday 23:09:32 FEVR Cold Nights Tuesday 23:13:08 The Foreign Resort Endurance Tuesday 23:18:23 Social Youth Cult Venus Tuesday 23:22:32 Isabel Shrine Always - Extinction Version Tuesday 23:28:01 Corpse d'Alsace Hounds Tuesday 23:32:27 EarthaEye Communion Tuesday 23:37:12 NIGHTSISTER Spirit Tuesday 23:41:08 Peak Flow (Always)Running to you Tuesday 23:44:20 The Sweet Kill Dead of the Night Tuesday 23:47:40 IC2 Haunted Echoes Tuesday 23:50:52 Echoberyl The Nightmare Queen Tuesday 23:55:46 White Ritual Crosses Frontière Rock 100% Underground

Il y a quarante ans exactement, beaucoup d'entre nous se faisaient une fête d'aller chez le disquaire acheter le nouvel album de Simple Minds, ou l'un de ses cinq singles qui ont tous fait un tube … Ah oui, album de platine en Belgique quand même. Là, on a largement débordé du cadre des fans de New Wave pure et dure qui suivaient le mouvement depuis maintenant six ans. En Grande-Bretagne, c'est carrément trois fois platine, 900.000 albums pour un pays alors de moins de 60 millions d'habitants et aux États-Unis, ça démarre vraiment pour eux avec un demi-million.Évidemment, le générique final d'un certain film y est pour quelque chose … et bien sûr les têtes d'affiche du Festival Torhout Werchter aussi, avec leurs demi-frères de U2. C'est bien simple, U2 et Simple Minds sont alors les deux noms que tout le monde cite quand on parle de New Wave. Il est déjà loin le temps où les Simple Minds étaient un groupe punk rock de Glasgow qui se faisaient appeler Johnny and the self abusers, très loin cette voix cavernale, quasiment d'outre tombe de Jim Kerr qui annonaient des paroles avec toute la joie d'une homélie funèbre. D'ailleurs combien d'entre vous n'ont pas entendu des copains ou copines dire à l'époque : Simple Minds, je les préférais avant, quand ils faisaient de la New Wave. Maintenant, c'est du commercial, ils ont vendu leur âme au dieu dollar.Ah ben oui, c'était ça, aussi, les années 80. Si vous étiez vraiment rock, vous ne mettiez pas un pied à Champs Élysées ou chez Jacques Martin. Un certain Philippe Manoeuvre dans les Enfants du rock le samedi, tard le soir, était là pour blâmer tout ce qui était formaté pour le grand public. Et c'est vrai qu'on a tous été étonnés quand en 1981, on a entendu le nouveau 45 Tours de Simple Minds sur les longues ondes des radios périphériques françaises, c'était juste improbable … Mais voilà, les temps changent, les années 80 sont les années 45 Tours et vidéoclips. Genesis et Queen sont devenus les rois du single, alors pourquoi pas Simple Minds. Car il faut leur laisser ça, aux Minds, quand on écoute leurs disques, on ne peut pas dire qu'ils ont troqué leurs instruments pour plaire aux fans de variétés françaises, ça envoie toujours. Ça envoie même plus qu'avant. Il faut dire que le producteur de leur nouveau disque est un gars qui a fait ses armes sur les premiers albums de Bruce Springsteen, produit le premier tube mondial de Patti Smith … ainsi que, l'année précédente, l'album live de U2, qui a révélé le groupe au public rock américain via MTV … Et franchement, ce titre, depuis quarante ans, on ne s'en est jamais lassé …

Georgia Tech Women's Basketball fans, hide your eyes and close your ears, as we look at some of the players that transferred from the Yellow Jackets after Nell Fortner retired, and how they are impacting their new teams, a look at the USA Women's Basketball Training Camp roster, and more with Brittany Carper and Brian “BMac” Mackay. HerHoopStats.com: Unlock better insight about the women's game.The Her Hoop Stats Newsletter: https://herhoopstats.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Les années 80, ça nous plaît, hein. La bonne musique funky, la pop électro, les synthés, la liberté de ton, la grosse éclate permanente. Franchement, on a vécu pire comme décennie, et probablement pas mieux. En 1985, on était au beau milieu du parcours et franchement, si on nous avait dit que cela n'allait pas durer ainsi, on se serait tous mis à freiner des quatre fers pour y rester le plus longtemps possible. Et donc aujourd'hui, un tas de gens nous disent tout le bien qu'ils pensent de ces années 80 même s'ils n'étaient pas nés ou étaient haut comme trois pommes, et encore, seulement à la fin. Et donc, je peux vous dire que les vivre, c'était quelque chose. Tenez 1985, on nous bassine toujours, et à raison, le même Live Aid mais grands dieux, il ne s'est pas passé que ça. 1985, c'est l'année du triomphe sans précédent de Dire Straits, quatre hits phénoménaux sur le même album … l'année où le Thriller de Michael Jackson atteint les 42 millions ‘exemplaires … du retour phénoménal de Kate Bush … et où Phil Collins règne sans partage sur le métier du disque … 1985, c'est bien l'album Positif de Jean-Jacques Goldman … du premier album de Jeanne Mas … Serge Gainsbourg remplit le Casino de Paris, Luc Besson débarque avec son ovni Subway, et puisqu'on parle cinéma, on court voir par millions Trois hommes et un couffin, Rambo II, Retour vers le futur, Out of Africa et un film pour ados, avec des ados, intitulé The breakfast Club.Pour nous, en Europe, et surtout en Belgique, le mec qui chante le générique final, on le connaissait déjà depuis des années, c'est Jim Kerr de Simple Minds. Mais pour la plupart des Américains, c'est une découverte qui vaut au groupe leader de la New Wave de faire une improbable percée dans ce pays où le son de cette musique ne s'est pas encore vraiment imposé. Le succès énorme et surprise du single vaut à Simple Minds d'être du bon côté de l'Atlantique le jour du Live Aid, à Philadelphie. Ah ben oui, quand U2 fait ce qui est pour nous, sa légendaire prestation sur la scène de Wembley vers 17.15, il est 9.15 à Los Angeles. Pas évident d'être devant sa télé. Tandis que pour Simple Minds, il est 14.00, un jour de week-end. Tout est dit. Alors justement, l'album que le groupe doit sortir à l'automne, pas question de le rater ; il est d'autant plus attendu que la prestation de Jim Kerr a été remarquée au Live Aid. Ah, il sort du lot, le gars, il a une attitude particulière, bien rodée par des années de succès à travers l'Europe. Et de fait, ce septième album de Simple Minds, qui s'intitule Once Upon A Time, je ne dois pas vous traduire, c'est le Purple Rain de Simple Minds : non seulement celui qui se vendra le plus, grâce au marché américain, mais aussi le meilleur d'un groupe qui nous en avait pourtant déjà sorti de solides. Quarante ans plus tard, avec ses cinq tubes devenus des classiques, il marque d'une pierre blanche le milieu d'une décennie d'exception. Car parmi tant d'autres chefs d'œuvres inoxydables parus cette année-là, il est le révélateur du fait que jamais la musique pop n'a atteint un tel niveau de qualité et de production. Et quand on mettait l'album sur la platine, il commençait comme ceci …

Travel with Jim back to the psychedelic, genre-bending 1960s—the decade that transformed speculative fiction forever. In this episode, we're counting down the best fantasy and science-fiction villains from every single year of the '60s, pairing one fantasy foe and one sci-fi threat for each year from 1960 to 1969.From the unknowable mind of Solaris… to the terror of the Huntsmen of Annuvin… to HAL 9000's chilling calm… this decade gave us some of the most iconic villains ever written. Join us for a journey through New Wave sci-fi, mythic British fantasy, cosmic dread, dystopian nightmares, and legendary paperback classics.Tell us YOUR favorite villain from the era! So many to choose from…If you enjoy these deep-dives, don't forget to like, subscribe, and ring the bell so you never miss an episode. And if you want to help support the channel and get bonus perks, behind-the-scenes access, and more, check out our Patreon!:

Dave Clarke's Saga Series Episode 142

ARTIST TRACK LENGTH ALBUM YEAR Natalie Holt TVA Title Card 0:29 Loki: Vol. 1 (Episodes 1-3) (Original Soundtrack) 2021 Break 1 2:05 The Church Reptile 4:48 Starfish 1988 The Cure In Between Days (2006 Remaster) 2:54 The Head on the Door 1985 Joy Division Love Will Tear Us Apart (2020 Remaster) 3:18 Love Will Tear Us Apart (2020 Digital Remaster) 1980 The Smiths How Soon Is Now? (2008 Remaster) 6:37 The Sound of the Smiths (2008 Remaster) 2008 New Order Age of Consent (2015 Remaster) 5:11 Power Corruption and Lies 1983 Break 2 0:48 The Jam That’s Entertainment (Remastered) 3:25 Sound Affects (Deluxe Edition) 2010 XTC Generals And Majors (2001 Remaster) 3:58 Black Sea 2001 Pretenders Message of Love (2018 Remaster) 3:22 Pretenders II (Deluxe Edition) 1980 The Psychedelic Furs Pretty in Pink 3:56 Talk Talk Talk 1986 The Cult She Sells Sanctuary (Remastered) 4:08 Love [Explicit] (Expanded Edition) 2009 Break 3 1:03 The Icicle Works Whisper to a Scream (Birds Fly) (Single Version) 3:40 Dance Vault Mixes – Whisper To A Scream (Birds Fly) 2006 Siouxsie And The Banshees Spellbound 3:14 The Best Of… 2002 David Bowie Fashion (2017 Remaster) 4:45 Scary Monsters (And Super Creeps) [2017 Remaster] 2017 The B-52’s Channel Z (2019 Remaster) 4:45 Cosmic Thing (30th Anniversary Expanded Edition) 1989 Missing Persons Walking In L.A. (2002 Digital Remaster; 24 Bit Mastering) 3:55 Classic Masters 2002 Simple Minds All The Things She Said (Remastered 2005 / Edit) 3:54 Once Upon A Time (Super Deluxe) 1985 Break 4 1:24 Depeche Mode Stripped 4:17 Black Celebration (Deluxe) 1986 Camouflage The Great Commandment (7′ Version / Remastered 2014) 3:04 The Singles 2014 Visage Fade To Grey 3:41 Fade To Grey 2015 Bronski Beat Smalltown Boy (Remaster) 4:56 The Age Of Consent (Remastered & Expanded) 2018 Erasure Stop! (2009 Remaster) 2:45 Pop Deluxe Box 1992 Break 5 1:20 New Order Bizarre Love Triangle (2024 Digital Master) 4:17 Brotherhood (Definitive Edition) 2024 Real Life Catch Me I’m Falling 3:54 Heartland 1983 Ultravox Reap the Wild Wind (2009 Remaster) 3:42 Quartet (2009 Remaster) 1982 Echo And The Bunnymen Bring on the Dancing Horses 3:51 Songs to Learn & Sing 1998 Thomas Dolby Europa And The Pirate Twins (2009 Remastered Version) 3:12 The Golden Age Of Wireless (Extended) 1982 Break 6 1:03 OMD Enola Gay (Remastered 2003) 3:25 Organisation 2003 Tears For Fears Mothers Talk 4:59 Songs From The Big Chair (Super Deluxe) 2014 Frankie Goes To Hollywood Relax (Come Fighting) 3:52 Welcome To The Pleasuredome (Deluxe) 1984 Love And Rockets So Alive 4:04 Love and Rockets 1989 Break 7 1:55 Devo That’s Good (2023 Remaster) 3:23 50 Years of De-Evolution 1973–2023 2023 Pseudo Echo Listening (Remastered) 2:56 Ultimate 2022 Peter Schilling The Different Story (World of Lust and Crime) 3:49 The Different Story (World of Lust and Crime) 1989 The Buggles I Love You (Miss Robot) 4:46 The Age Of Plastic 1979 Modern English Someone’s Calling 3:55 After the Snow 1982 Break 8 1:22 The Vapors Waiting For The Weekend 3:02 Turning Japanese – Best Of The Vapors 1996 Nena Just a Dream 3:23 NENA (Remastered & Selected Works) 2024 After the Fire One Rule For You (Album Version) 3:10 Der Kommissar 1982 Dexys Midnight Runners and Kevin Rowland Jackie Wilson Said (I’m In Heaven When You Smile) 3:04 Too Rye Ay [Explicit] 1982 Madness It Must Be Love 3:18 Total Madness… The Very Best Of Madness 1997 Matthew Wilder Love Above The Ground Floor 4:05 I Don’t Speak The Language 2010 Break 9 1:47

LC Picks 3 is a ⁠⁠⁠⁠⁠⁠Cobras & Fire⁠⁠⁠⁠⁠⁠ sidecast. Hosted by LC and a special guest, this sidecast's mission is to focus on 1 band per episode, an overall discussion of their career, and 3 "gateway drug" tracks. Great minds think alike! Before or after listening to this ep, check our Bakko's interview with Haunt frontman/founder Trevor William Church. Just scroll back a few eps. Inspired by Haunt's latest album IGNITE, on this ep, we are discussing Haunt's recent 4 albums with co-host Kevin Williams of the ⁠Inobscuria⁠ ⁠⁠⁠⁠ ⁠podcast. ⁠ Haunt song snippets: Burst into Flames (Intro) Pick 1: Extraordinary Life Pick 2: Dreamers Pick 3: Hit and Run Father Time (Outro) Send Me An Angel (RAD discussion) Buy Music! Support DIY Rock Bands! ⁠⁠Haunt Bandcamp⁠⁠ ⁠⁠Haunt Tour Dates⁠⁠ Haunt, originally created as a solo project by ⁠Trevor William Church⁠, is a key band in the resurgence of traditional heavy metal, often categorized as part of the New Wave of Traditional Heavy Metal (NWOTHM). Their music is heavily influenced by NWOBHM bands like Iron Maiden and Judas Priest. Reach out to Cobras & Fire! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spreaker: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find it all here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

¿Fue realmente el mejor evento de jiu jitsu no-gi del mundo? En este episodio de Grips And Mics analizamos Craig Jones Invitational 2 sin filtros: las polémicas, las reglas confusas de la final, la estrategia de los atletas, lo mejor y lo peor del formato Quintet, y qué debería cambiar CJI para seguir siendo el evento número uno del grappling. Hablamos de: ✔️ El caos en la final entre New Wave y B-Team ✔️ La controversia de las reglas y decisiones ✔️ La falta de finalizaciones y el bonus de $50,000 ✔️ El problema del formato y los empates eternos ✔️ La exclusividad de atletas y cómo afecta al nivel del evento ✔️ UFC BJJ, WNO, ADCC y la “guerra” por el talento ✔️ El espectáculo, la producción y lo que CJI hace mejor que nadie ✔️ Qué cambiaríamos para CJI 3 Si te gusta el grappling, este análisis te interesa!! ------------- ▶️ Suscríbete a nuestro canal: https://youtube.com/@brazilianjiujitsucanarias ☑️ *Redes:* * Facebook: https://www.facebook.com/brazilianjiujitsucanarias/ * Instagram: https://www.instagram.com/bjjcanarias ☑️ *Podcast:* 🎧 iTunes: https://podcasts.apple.com/podcast/grips-mics/id1469949945 🎧 Stitcher: https://www.stitcher.com/podcast/gripsmics 🎧 Spotify: https://open.spotify.com/show/3eP4LOW2TeGMOBfhm2zC2t 🎧 iVoox: https://www.ivoox.com/podcast-grips-mics_sq_f1705324_1.html ------------- ⏱️ *Marcas de tiempo:* 00:00 – Introducción rápida al episodio 00:44 – ¿Por qué desaparecimos 3 meses? 01:17 – Explicando por qué este episodio no va de resultados 01:51 – Gary Tonon y sus críticas al CJI 02:12 – Qué quería analizar realmente la gente del evento 02:49 – La polémica del formato Quintet en la final 03:38 – Cómo funciona el formato y por qué generó confusión 04:52 – ¿Decisión por última lucha o por desempeño global? 06:01 – ¿Cómo evitar estrategias “anti-finalización”? 06:34 – El caso Víctor Hugo y el bonus por sumisiones 07:37 – Cuando el “performance” debería contar más que el empate 08:37 – ¿Se debería cambiar el formato? Propuestas de solución 09:58 – Comparación con otros sistemas (EJJ, ADCC, JN1) 10:58 – CJI1 vs CJI2: ¿fue realmente menos entretenido? 11:54 – UFC BJJ, ONE, Polaris… el ecosistema del grappling 12:41 – La Superfight del evento (y la novela detrás) 13:49 – Craig Jones: marketing, show y proyectos sociales 14:46 – El tema que casi pasa desapercibido: Buba y la campaña solidaria 15:39 – Ana Mayordomo, su ascenso y la posible entrevista 16:09 – La ruptura del B-Team: qué pasó con cada uno 17:00 – Merchandising, Simple Man y el nuevo rumbo del equipo 17:59 – Lo que este evento cambió en la escena del grappling 18:26 – ¿Qué esperar del CJI3? 19:30 – El debate de los formatos: equipos vs individuales 21:06 – UFC BJJ: ¿más rentable que CJI? 22:21 – ¿Regresará Gordon Ryan? ¿Qué pasa con New Wave y Kingsway? 23:22 – ADCC y los Trials como generadores de nuevos talentos 24:15 – El torneo femenino del CJI2: análisis rápido 25:00 – ¿Cuál es el formato ideal para que no se “rompa” el espectáculo? 26:13 – Conclusión: ¿cómo mejorar sin perder la esencia del grappling? 27:01 – Despedida y redes sociales del podcast ✍️ *Notas:* https://youtu.be/IpKV69zs0No?si=ociNluX1Jdknr3K2 https://youtu.be/WWKlVADdaMQ?si=SAMSdgs5rYJlnr4F

⬥EPISODE NOTES⬥Understanding Beg Bounties and Their Growing ImpactThis episode examines an issue that many organizations have begun to notice, yet often do not know how to interpret. Sean Martin is joined by Casey Ellis, Founder of Bugcrowd and Co-Founder of disclose.io, to break down what a “beg bounty” is, why it is increasing, and how security leaders should think about it in the context of responsible vulnerability handling.Bug Bounty vs. Beg BountyCasey explains the core principles of a traditional bug bounty program. At its core, a bug bounty is a structured engagement in which an organization invites security researchers to identify vulnerabilities and pays rewards based on severity and impact. It is scoped, governed, and linked to an established policy. The process is predictable, defensible, and aligned with responsible disclosure norms.A beg bounty is something entirely different. It occurs when an unsolicited researcher claims to have found a vulnerability and immediately asks whether the organization offers incentives or rewards. In many cases, the claim is vague or unsupported and is often based on automated scanner output rather than meaningful research. Casey notes that these interactions can feel like unsolicited street windshield washing, where the person provides an unrequested service and then asks for payment.Why It Matters for CISOs and Security TeamsSecurity leaders face a difficult challenge. These messages appear serious on the surface, yet most offer no actionable details. Responding to each one triggers incident response workflows, consumes time, and raises unnecessary internal concern. Casey warns that these interactions can create confusion about legality, expectations, and even the risk of extortion.At the same time, ignoring every inbound message is not a realistic long-term strategy. Some communications may contain legitimate findings from well-intentioned researchers who lack guidance. Casey emphasizes the importance of process, clarity, and policy.How Organizations Can PrepareAccording to Casey, the most effective approach is to establish a clear vulnerability disclosure policy. This becomes a lightning rod for inbound security information. By directing researchers to a defined path, organizations reduce noise, set boundaries, and reinforce safe communication practices.The episode highlights the need for community norms, internal readiness, and a shared understanding between researchers and defenders. Casey stresses that good-faith researchers should never introduce payment into the first contact. Organizations should likewise be prepared to distinguish between noise and meaningful security input.This conversation offers valuable context for CISOs, security leaders, and business owners navigating the growing wave of unsolicited bug claims and seeking practical ways to address them.⬥GUEST⬥Casey Ellis, Founder and Advisor at Bugcrowd | On LinkedIn: https://www.linkedin.com/in/caseyjohnellis/⬥HOST⬥Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast | On LinkedIn: https://www.linkedin.com/in/imsmartin/ | Website: https://www.seanmartin.com⬥RESOURCES⬥Inspiring Post: https://www.linkedin.com/posts/caseyjohnellis_im-thinking-we-should-start-charging-bug-activity-7383974061464453120-caEWDisclose.io: https://disclose.io/⬥ADDITIONAL INFORMATION⬥✨ More Redefining CyberSecurity Podcast: 

⬥EPISODE NOTES⬥Understanding Beg Bounties and Their Growing ImpactThis episode examines an issue that many organizations have begun to notice, yet often do not know how to interpret. Sean Martin is joined by Casey Ellis, Founder of Bugcrowd and Co-Founder of disclose.io, to break down what a “beg bounty” is, why it is increasing, and how security leaders should think about it in the context of responsible vulnerability handling.Bug Bounty vs. Beg BountyCasey explains the core principles of a traditional bug bounty program. At its core, a bug bounty is a structured engagement in which an organization invites security researchers to identify vulnerabilities and pays rewards based on severity and impact. It is scoped, governed, and linked to an established policy. The process is predictable, defensible, and aligned with responsible disclosure norms.A beg bounty is something entirely different. It occurs when an unsolicited researcher claims to have found a vulnerability and immediately asks whether the organization offers incentives or rewards. In many cases, the claim is vague or unsupported and is often based on automated scanner output rather than meaningful research. Casey notes that these interactions can feel like unsolicited street windshield washing, where the person provides an unrequested service and then asks for payment.Why It Matters for CISOs and Security TeamsSecurity leaders face a difficult challenge. These messages appear serious on the surface, yet most offer no actionable details. Responding to each one triggers incident response workflows, consumes time, and raises unnecessary internal concern. Casey warns that these interactions can create confusion about legality, expectations, and even the risk of extortion.At the same time, ignoring every inbound message is not a realistic long-term strategy. Some communications may contain legitimate findings from well-intentioned researchers who lack guidance. Casey emphasizes the importance of process, clarity, and policy.How Organizations Can PrepareAccording to Casey, the most effective approach is to establish a clear vulnerability disclosure policy. This becomes a lightning rod for inbound security information. By directing researchers to a defined path, organizations reduce noise, set boundaries, and reinforce safe communication practices.The episode highlights the need for community norms, internal readiness, and a shared understanding between researchers and defenders. Casey stresses that good-faith researchers should never introduce payment into the first contact. Organizations should likewise be prepared to distinguish between noise and meaningful security input.This conversation offers valuable context for CISOs, security leaders, and business owners navigating the growing wave of unsolicited bug claims and seeking practical ways to address them.⬥GUEST⬥Casey Ellis, Founder and Advisor at Bugcrowd | On LinkedIn: https://www.linkedin.com/in/caseyjohnellis/⬥HOST⬥Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast | On LinkedIn: https://www.linkedin.com/in/imsmartin/ | Website: https://www.seanmartin.com⬥RESOURCES⬥Inspiring Post: https://www.linkedin.com/posts/caseyjohnellis_im-thinking-we-should-start-charging-bug-activity-7383974061464453120-caEWDisclose.io: https://disclose.io/⬥ADDITIONAL INFORMATION⬥✨ More Redefining CyberSecurity Podcast: 

Migrating from legacy PBX systems to cloud communications is no easy feat—especially when vital system knowledge is buried, lost, or scattered across disparate platforms. That's exactly the challenge Nuwave set out to solve with Teleport, a powerful (and free) migration tool integrated into their iPilot platform. In this episode, Rob Scott from UC Today speaks with Mark Bunnell, COO of Nuwave, and Joel Keene, Director of Products and Innovation from Continuant, to uncover how Teleport is simplifying migrations, accelerating timelines, and transforming the UCaaS sales cycle for partners and customers alike.Here's what you'll learn in this insightful discussion:The "why" behind Teleport: Mark Bunnell shares how customer feedback drove New Wave to build a tool that demystifies complex UC migrations—without requiring an engineering degree.Real-world partner impact: Joel Keene explains how Continuant is using Teleport to streamline migrations, eliminate technical blockers, and reduce onboarding costs.From audit to automation: Discover how Teleport automates discovery, flags critical issues early, and accelerates decision-making for enterprise clients.The big picture: Learn how Teleport and iPilot together deliver an end-to-end lifecycle solution—from initial system mapping to post-migration visibility and control.Whether you're an MSP, VAR, or UCaaS service provider, this episode is a must-watch if you're still struggling with fragmented tools and manual migrations. The best part? Teleport is fast, free, and fully integrated with iPilot.Next Steps:Ready to simplify your UC migrations?Visit newwave.com to explore Teleport, request a demo, and see how it fits into your strategy.

Kirk talks with Bill Janovitz about the band The Cars. New York Times bestselling author Bill Janovitz delivers "the definitive story of The Cars" (Rolling Stone), one of the most popular, beloved, and influential bands to emerge from New Wave—with a foreword by Cars keyboardist Greg Hawkes. Get a copy of "The Cars: Let The Stories Be Told" here: https://www.amazon.com/Cars-Let-Stories-Be-Told/dp/0306835061You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

Frontière Rock chaque mardi soir de 22h à minuit, plongez dans l'univers sombre et alternatif de la musique Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze... Ré écoutez l'émission Frontière Rock du mardi 18 Novembre2025 qui monte en cliquant sur le lien ci dessus. Animée par Dark Jérôme, il vous fera découvrir des nouveautés récentes des meilleurs groupes et artistes de la scène underground, ainsi que les classiques du genre. Ce soir La Frontière reçoit en entretien cold le groupe Les Visiteurs Du Soir pour la sortie de leur nouvel Album "1984" sur les Labels Meidosem Records et Infrastition. Découvrez la rubrique de Dark Jérôme intitulée "Sous les projecteurs de la frontière". Il mettra en avant un coup de cœur sur le travail musical passé ou récent d'un groupe de la scène Dark pas toujours assez médiatisé. Ne manquez pas l'agenda des concerts de la semaine, on vous dévoilera les dates et les lieux où vous pourrez assister aux performances live des groupes que vous aimez. Et pour continuer en beauté, écoutez la chronique Ma Discothèque Vinyle indispensable, où Jean-Marc vous présentera un album culte ou rare qu'il a déniché dans sa collection personnelle de vinyle. Frontière Rock 22h midnight every Tuesday evening from 22h to midnight, dive into the dark and alternative world of Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze music... Listen again to the Frontière Rock show from Tuesday, November 18, 2025, which is coming up by clicking on the link above. Hosted by Dark Jérôme, he will introduce you to recent releases from the best bands and artists of the underground scene, as well as classics of the genre. This evening, La Frontière welcomes the band Les Visiteurs Du Soir for a cold interview for the release of their new LP "1984". Discover Dark Jérôme's section entitled "Under the Spotlight of the Border." He will highlight a favorite piece on the past or recent musical work of a band from the Dark Rock scene that doesn't always get enough media coverage. Don't miss the week's concert schedule; we'll reveal the dates and venues where you can catch live performances by the bands you love. And to continue in style, listen to the column "My Essential Vinyl Library," where Jean-Marc will introduce you to a cult or rare album he unearthed in his personal vinyl collection. Facebook : https://www.facebook.com/profile.php?id=61577628290802 Bancamp : https://meidosemrecords.bandcamp.com/album/1984 Station: ATTITUDE Date: 18/11/2025 Slot: 22h Hour Performer Title Tuesday 22:00:00 Tuesday 22:02:35 Azam Ali Synesthesia Tuesday 22:06:33 The Medicines The Chase Tuesday 22:09:45 The Occasion Too Close For Comfort Tuesday 22:13:37 Your Inland Empire Grinding Tuesday 22:18:01 Industry War On The Poor Tuesday 22:21:01 Schimmel über Berlin Taifun Tuesday 22:23:37 Attic Frost An Outcry Tuesday 22:25:59 CØLDSTAR Astronaut's Lament Tuesday 22:30:01 Digital Drvgs, COLD KISS She's a Killa Tuesday 22:33:28 trait d'union hélas Tuesday 22:38:22 Cauda Pavonis Dusk 'Til Dawn Tuesday 22:58:15 Les Visiteurs du Soir Le vent, le vent Station: ATTITUDE Date: 18/11/2025 Slot: 23h Hour Performer Title Tuesday 23:00:00 Tuesday 23:05:25 Nick Cave and the Bad Seeds From her to eternity Tuesday 23:11:35 Golden Apes_The Highest Point 24 Bit Tuesday 23:16:11 White Ritual Ritual Lust Tuesday 23:20:02 DRKNSS Find My Soul (Order in Chaos Remix) Tuesday 23:24:32 VENIN CARMIN All I See (Revenge) Tuesday 23:26:54 My Funeral Dance We Fade Away Tuesday 23:30:08 Sirenglas Between The Moments Tuesday 23:34:24 The Final Sound Cold Tuesday 23:38:45 Mephisto Walz Inqusitioners Tuesday 23:43:30 Frenchy and the Punk Not Under Your Spell Tuesday 23:47:25 post-punk'er Last day Tuesday 23:52:31 This Eternal Decay Kiss Me I'm Dying Tuesday 23:57:46 Scarlet's Sinister Sister I'll be yours Frontière Rock 100% Underground

In Part 3 of this multi-part docu-series, award winning host Kelly Jennings brings you inside of the horrific late night graveyard attack of two teens in 1993 in Zachary Louisiana where an astute police officer halted a murder in progress of the teens while on patrol in the area, later identified as Derrick Todd Lee. Derrick Todd Lee (DTL) terrorized the Baton Rouge and Lafayette Louisiana. A Serial Killer who took the lives of at least (7) women in the late 1990's and early 2000's, Lee's reign of terror finally ended in late May of 2003 when he was captured in Atlanta, GA after being linked by DNA to several of the murders.This is DTL  Hosted by Kelly Jennings and produced by the experts at Envision Podcast Productions.For Media or Advertising Inquiries Envisionpodcaststudios@gmail.comTimestamps02:02 The Encounter on Eagle Drive06:46 A New Wave of Violence07:26 Officer Eubanks11:02 The Graveyard Attack17:14 Derrick Todd Lee Returns19:10 Looking Ahead#DTL #podcast #DerrickToddLee #BatonRouge #SerialKiller #unspeakable #Serial #MicheleChapman #zachary #louisiana  

It's week two of Neo-Psych November! Following last week's introduction, Oliver looks at some of the history of the genre, from 60s psych through to New Wave and 80s alt-rock scenes. Then we take a deep dive into one of the genre's pioneering bands, The Brian Jonestown Massacre. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

In this episode of The Consumer Finance Podcast, Chris Willis is joined by colleagues Jason Manning, Angelo Stio, and Rob Jenkin to unpack the surge of litigations arising from the use of tracking technologies (e.g., cookies, pixels, and session tools) on websites. This episode explains how plaintiff firms are repurposing federal and state wiretap and “trap-and-trace” laws, as well as the Video Privacy Protection Act (VPPA), to assert claims associated with a business's use of tracking technologies without consent.The Troutman attorneys tackle the state law statutes and the federal Electronic Communications Privacy Act (ECPA) that plaintiffs typically rely on, the statutory damages that may be available, and the defenses and mitigation options to prevent and combat the claims being pursued, including the use of consent banners, transparent disclosures, the supervision of vendors, and regular audits of the tracking technologies being deployed and the information being shared. Tune in for a concise, actionable guide to reducing litigation risk while maintaining marketing and analytics capabilities. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Frontière Rock chaque mardi soir de 22h à minuit, plongez dans l'univers sombre et alternatif de la musique Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze... Ré écoutez l'émission Frontière Rock du mardi 28 octobre 2025 qui monte en cliquant sur le lien ci dessus. Animée par Dark Jérôme, il vous fera découvrir des nouveautés récentes des meilleurs groupes et artistes de la scène underground, ainsi que les classiques du genre. Ce soir La Frontière reçoit en entretien cold le groupe Elegant Blitz pour la sortie de leur nouvel EP Absolute. Découvrez la rubrique de Dark Jérôme intitulée "Sous les projecteurs de la frontière". Il mettra en avant un coup de cœur sur le travail musical passé ou récent d'un groupe de la scène Dark pas toujours assez médiatisé. Ne manquez pas l'agenda des concerts de la semaine, on vous dévoilera les dates et les lieux où vous pourrez assister aux performances live des groupes que vous aimez. Et pour continuer en beauté, écoutez la chronique Ma Discothèque Vinyle indispensable, où Jean-Marc vous présentera un album culte ou rare qu'il a déniché dans sa collection personnelle de vinyle. Frontière Rock 22h midnight every Tuesday evening from 22h to midnight, dive into the dark and alternative world of Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze music... Listen again to the Frontière Rock show from Tuesday, October 28, 2025, which is coming up by clicking on the link above. Hosted by Dark Jérôme, he will introduce you to recent releases from the best bands and artists of the underground scene, as well as classics of the genre. This evening, La Frontière welcomes the band Elegant Blitz for a cold interview for the release of their new EP Absolute. Discover Dark Jérôme's section entitled "Under the Spotlight of the Border." He will highlight a favorite piece on the past or recent musical work of a band from the Dark Rock scene that doesn't always get enough media coverage. Don't miss the week's concert schedule; we'll reveal the dates and venues where you can catch live performances by the bands you love. And to continue in style, listen to the column "My Essential Vinyl Library," where Jean-Marc will introduce you to a cult or rare album he unearthed in his personal vinyl collection. Facebook : https://www.facebook.com/profile.php?id=61568408137849 Bancamp : https://elegantblitz.bandcamp.com/album/absolute Insta : https://www.instagram.com/elegantblitz2 Youtube : https://www.youtube.com/@elegantblitzofficial Station: ATTITUDE Date: 11/11/2025 Slot: 22h Hour Performer Title Tuesday 22:00:00 Tuesday 22:02:51 Dunkelwald These Black Lies Tuesday 22:05:32 HighSchool Sony Ericsson Tuesday 22:09:06 Dageist LOCKED IN YOUR PAST by DAGEIST Tuesday 22:16:32 The Skepsis Treasure Tuesday 22:21:52 SEX IN THE GRAVE Quarto Iskuru Tuesday 22:24:26 hinfort no way out Tuesday 22:26:56 The Black Veils Buster Keaton Tuesday 22:30:30 My Funeral Dance Beyond The Flowers and The Tears Tuesday 22:34:14 Prison Planet By Way of Deception Tuesday 22:37:04 Remember Minsk Never Again Until Tomorrow Tuesday 22:56:05 ELEGANT BLITZ SIMPLE LIES Station: ATTITUDE Date: 11/11/2025 Slot: 23h Hour Performer Title Tuesday 23:00:00 Tuesday 23:05:06 New Order Blue Monday (12' Version) Tuesday 23:13:06 Ariel Maniki and the Black Halos Witches Tuesday 23:17:21 LustTone No Fun Tuesday 23:21:52 Chateau Noir Dead Roses Tuesday 23:27:34 Viridian These hired hands Tuesday 23:30:38 moonvampire revenge Tuesday 23:34:24 COAST NOIR RED WAVES Tuesday 23:37:42 Pale Not In Love Tuesday 23:41:27 Mouth Ulcers Western Horror Story Tuesday 23:43:57 HALFSLEEPER Cast Away Tuesday 23:53:15 Morwan Не чекай Frontière Rock 100% Underground

I recently sat down with Israeli Ambassador to the United Nations Danny Danon at the Republican Jewish Coalition (RJC) Summit, where leaders gathered to reaffirm their commitment to Israel and confront the disturbing rise of anti-Israel and antisemitic sentiment creeping into parts of the conservative right. In this powerful interview, Ambassador Danon shares his insights on Israel's fight against Hamas in Gaza, the challenges at the UN, and the battle against growing Jew-hating antisemitism.Join Our Whatsapp Channel: https://chat.whatsapp.com/GkavRznXy731nxxRyptCMvFollow us on Twitter: https://x.com/AviAbelowJoin our Telegram Channel: https://t.me/aviabelowpulseFollow us on Instagram: https://www.instagram.com/pulse_of_israel/?hl=enPulse of Israel on Facebook: https://www.facebook.com/IsraelVideoNetworkVisit Our Website - https://pulseofisrael.com/Donate to Pulse of Israel: https://pulseofisrael.com/boost-this-video/

Here's your guide to the ups and downs of the mod world. Doing the pogo is fun, fast and anyone can do it, even you! Boing boing!As always find a complete track list, a bonus third set of songs, and all the important links to all the important stuff over on the modcast homepage at http://www.mistersuave.com/2025/11/modcast-591-pogo-au-gogo.html.And keep up with me between modcasts:Subscribe - iTunesX (formerly Twitter) - @mistersuaveBluesky - @mistersuaveFacebook - facebook.com/modmodworldInstagram - instagram.com/mrrobsuaveTune in - iHeart RadioAnd listen on Mod Radio UKWhat is Mod? Mr. Suave's Mod, Mod World is one of the web's original modcasts celebrating mod-influenced music from past eras including #mod #powerpop #punkrock #garagerock #northernsoul #britpop #acidjazz #lounge #exotica #ska #modrevival & more. Featuring over 500 mod friendly music mixes since 2006.

In this special launch episode of the 'Fulfillionaire' podcast, host JP is joined by entrepreneur and social innovator Miki Agrawal. This episode marks a significant milestone, reflecting on the culmination of JP's work with Thrive and personal development. The discussion revolves around building conscious wealth, encompassing high intent, integrity, and purpose. Miki Agrawal shares insights from her journey as a nine-figure entrepreneur, discussing the concept of 'Four Dimensional Wealth' which includes purpose, health, community, and time wealth. She delves into the inspiration behind her ventures like Hiro Diapers, which aims to solve environmental problems using fungi, and how community-building and prioritizing fulfillment can lead to sustainable success. Tune in for a conversation that explores financial literacy, impactful entrepreneurship, and living a purpose-driven life.   00:00 Introduction and Podcast Launch 02:07 The Concept of Four Dimensional Wealth 04:37 Personal Stories and Inspirations 06:20 Miki's Entrepreneurial Journey 09:30 The Birth of Hiro Diapers 33:47 Building and Nurturing Communities 39:45 Managing Time and Staying Grounded 42:30 Ideal Work Schedule and Creative Flow 43:37 Balancing Work and Family Life 44:32 Amazing Race Story: The Antarctica Trip 47:41 Health, Wellness, and Vitality 49:58 Navigating Divorce with Love and Respect 54:48 Fulfillionaire: A New Paradigm 57:39 Q&A: Balancing Life and Work

Recording date: 4th November 2025The gold mining sector demonstrated extraordinary financial performance in Q3 2025, with gold stabilizing near $4,000 per ounce and silver between $47-49 after a recent $300 pullback. Major producers generated unprecedented free cash flow despite market volatility, positioning the sector for sustained growth.Agnico Eagle Mines produced exceptional results with $3 billion in revenue and 66% gross margins, generating $1.2 billion in free cash flow at all-in sustaining costs of $1,400 per ounce. At current gold prices, this translates to approximately $17-18 million in daily free cash flow. Newmont Corporation similarly posted strong performance with $8 billion in revenue and $1.6 billion in free cash flow from 1.4 million ounces produced.Despite Federal Reserve rate cuts temporarily reducing global liquidity flows, the fundamental investment case for precious metals remains robust. Market weakness may extend through November, but recovery is anticipated approaching December's Fed meeting as monetary debasement trends continue supporting sector strength.M&A activity accelerated significantly with Fresnillo acquiring Probe Gold for $780 million cash, marking the world's largest primary silver producer's expansion into Canadian gold assets. This departure from Mexican operations may signal jurisdiction concerns given limited recent permitting activity. Coeur Mining's acquisition of New Gold demonstrated valuation arbitrage opportunities, with the U.S.-domiciled company leveraging its 50% premium to double operational scale while achieving 40% net accretion.Strategic investments are flowing downstream from major producers to developers and explorers. Gold Fields invested $50 million in Founders Metals targeting Suriname projects, while B2Gold deployed $10 million into Prospector Metals for Yukon exploration. These investments represent modest commitments relative to daily free cash flow generation Agnico's $180 million Perpetua investment equals just ten days of current free cash flow.The preference for cash transactions injects capital directly into specialist mining funds likely to redeploy within the sector, creating a multiplier effect. Development-stage assets trading at 0.4 times net asset value versus full NAV multiples for producers enable immediate accretion through strategic acquisitions.This capital migration down the market capitalization structure from major producers to mid-tier companies, developers, and explorers represents an early-stage phenomenon with substantial additional activity expected as producer profitability compounds at sustained gold prices.Sign up for Crux Investor: https://cruxinvestor.com

Dave Clarke's Saga Series Episode 141

Frontière Rock chaque mardi soir de 22h à minuit, plongez dans l'univers sombre et alternatif de la musique Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze... Ré écoutez l'émission Frontière Rock du mardi 4 Novembre 2025 qui monte en cliquant sur le lien ci dessus. Animée par Dark Jérôme, il vous fera découvrir des nouveautés récentes des meilleurs groupes et artistes de la scène underground, ainsi que les classiques du genre. Ce soir La Frontière reçoit en entretien cold le festival SETMANA SANTA avec Laurent Konstroy son organisateur pour nous parler de cette édition 2025 avec en écoute la programmation ! Découvrez la rubrique de Dark Jérôme intitulée "Sous les projecteurs de la frontière". Il mettra en avant un coup de cœur sur le travail musical passé ou récent d'un groupe de la scène Dark pas toujours assez médiatisé. Ne manquez pas l'agenda des concerts de la semaine, on vous dévoilera les dates et les lieux où vous pourrez assister aux performances live des groupes que vous aimez. Et pour continuer en beauté, écoutez la chronique Ma Discothèque Vinyle indispensable, où Jean-Marc vous présentera un album culte ou rare qu'il a déniché dans sa collection personnelle de vinyle. Frontière Rock 22h midnight every Tuesday evening from 22h to midnight, dive into the dark and alternative world of Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze music... Listen again to the Frontière Rock show from Tuesday, October 28, 2025, which is coming up by clicking on the link above. Hosted by Dark Jérôme, he will introduce you to recent releases from the best bands and artists of the underground scene, as well as classics of the genre. Tonight La Frontière welcomes the SETMANA SANTA festival organizer Laurent Konstroy for a cold interview to talk about the 2025 edition, with the program available to listen to! Discover Dark Jérôme's section entitled "Under the Spotlight of the Border." He will highlight a favorite piece on the past or recent musical work of a band from the Dark Rock scene that doesn't always get enough media coverage. Don't miss the week's concert schedule; we'll reveal the dates and venues where you can catch live performances by the bands you love. And to continue in style, listen to the column "My Essential Vinyl Library," where Jean-Marc will introduce you to a cult or rare album he unearthed in his personal vinyl collection. Facebook : https://www.facebook.com/lasetmanasanta Site Web : https://setmanasanta.fr/ Station: ATTITUDE Date: 04/11/2025 Slot: 22h Hour Performer Title Tuesday 22:00:00 Tuesday 22:07:21 Sad Madona Soldier Tuesday 22:10:28 Alice Kean Half dead Tuesday 22:15:36 Echoberyl MORGANA Tuesday 22:18:59 Elegant Blitz TROUBLES Tuesday 22:27:55 Darkrad Untold Tuesday 22:31:49 UNDERSTANDING The_Human_Fabric_Is_Not_A_Pie Tuesday 22:41:52 TWIN NOIR schwarze katze Tuesday 22:45:05 Fred Raja MERCURY Tuesday 22:52:58 Selofan Love's Secret Game Tuesday 22:57:05 William Bleak Haunt me Station: ATTITUDE Date: 04/11/2025 Slot: 23h Hour Performer Title Tuesday 23:00:00 Tuesday 23:01:59 This Eternal Decay A Matter Of Lies Tuesday 23:06:27 Night In Athens Words Unspoken (Bien) Tuesday 23:17:52 Clan Of Xymox Blood Of Christ (Bien) Tuesday 23:23:42 Darkways Hollow Tuesday 23:28:52 Pixies Heaven (Lady In The Radiator Song) (Live) Tuesday 23:36:09 New Order Dreams Never End Tuesday 23:40:08 Leroy Se Meurt Pas Ma Croix Tuesday 23:43:25 Vikowski Warsaw Tuesday 23:46:16 Wax Jaw Secret Of The Night Tuesday 23:49:39 Cemetery Dolls How To Catch A Falling Star Tuesday 23:53:04 Gargula Valzer My Own Aberration Tuesday 23:57:44 Alinlee We don't want to die Frontière Rock 100% Underground

Dare 2 Be Different - A New Wave Promo Mix by Level Vibes

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The frightening final episode of SCREAM Drafts VIII finds Hall of Famer Dave Schilling (Horror's New Wave: 15 Years of Blumhouse) and rookie Danielle Radford (Tights and Fights) ranking the 7 best films directed by "The Italian Hitchcock," DARIO ARGENTO! Become a BOOSter! Go to www.patreon.com/screendrafts to find out how!

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Wave 80s & 90s Mix - Boom at Noon Mix by DJ MDW (Power 78.7 Radio) Download our radio station freestyle and dance app www.power787radio.com 

On this week's show, we take a deep dive into the Nebraska '82 Expanded Edition box set, and explore the legacy, lore and enduring impact of Bruce Springsteen's Nebraska. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

1 - Why is there a contingency plan for youth transgender athletes if Jack Ciattarelli is in New Jersey? 110 - Is Mamdani backwards with his thinking? Your calls. 130 - We have another escaped criminal in Chester County, but we don't think there will be a manhunt. Back to the transgender issue and its impact in Jersey. 135 - TPUSA Rutgers President and Treasurer Ava Kwan and Megyn Kelly join us today after they exposed a university professor who is involved and has written books about Antifa. What has this professor, “Dr. Antifa,” done that makes him so dangerous? Why are students asking that Ava resign? Is Antifa at Rutgers? Why join TPUSA at Rutgers? Should conservative students be fearful at Rutgers? 150 - We love our listeners! We have an update from the school board in Haverford Township regarding their gender policy. Your calls.

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now, his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs.. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of Millennial and Zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices