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*This is my personal account of Bill Hamilton from my own personal memory. I'm sure that I have some of the details and facts wrong. I apologize for any errorsOn December 15th, 2024, Bill Hamilton, the Founder of TechSmith died from a heart attack at the age of 77. Bill Hamilton was the greatest entrepreneur of the Lansing area in this century. Arguably more. He was a husband, a father, a veteran, a computer programmer, a Spartan, an amateur ham radio enthusiast, a competitive shooter, an avid reader, a history expert, a philanthropist, and to me personally - he was my second father, a mentor and one of the greatest people I've ever known. Bill Hamilton is the reason I finished college, the reason I love to read, the reason I'm an entrepreneur, the reason I love software & tech, the reason I am skeptical, the reason I got on my first airplane, and so much more. I can't begin to imagine the hole that has been left in the heart of his family, especially his loving wife Susan and his daughter Wendy, whom I have come to know best. My love and support go out to them and his entire family.Bill co-founded TechSmith all the way back in 1987. It was a software consulting company, and one of the products they developed to serve their clients was, I believe, the first-ever “screen capture” tool.At the time, TechSmith was mainly doing consulting work for clients, but Bill had ambitions to become a software product company. They had the brilliant idea to give away Snagit for free on a “shareware” site that allowed users to download free applications. Remember, this was pretty revolutionary at the time. At this time, mostly the way you would buy software was to walk into a brick and mortar retail store and buy packaged software off a shelf like a book. Downloads of Snagit exploded so they decided to start offering customers the option to donate money to the company. And they did! All the sudden, TechSmith was a software company. The company built visual communication software. Snagit for taking pictures of the Screen. Then Camtasia Studio for recording videos of the screen. Camtasia was the product that I helped grow under the leadership of Troy Stein. Bill was built different and he built TechSmith unlike any other company that I had ever seen. When I joined TechSmith in 2003, I believe there were about 50 employees. TechSmith was like paradise to me. There was an employee lounge with free pop, snacks, and every Friday the company catered meals for “Free food friday” where they would select the best restaurants from around the area and even sometimes - the best ice cream. But it wasn't the perk of getting to eat for free - Bill did it because he wanted his employees to sit together and get to know one another. It was all to build trust and community amongst his employees. This was something I directly emulated (Ahem, Stole) at Liquid Web. Everything Bill did in the company was to build a culture where the employee was supported, mentored, taught, and grown into a better person. Bill encouraged dissent. He encouraged people to always have one thing in mind: What is best for the customer? When I joined the company I was 22 years old. I was a young punk kid that knew nothing about software, the internet, business, - or anything - really. At the time I was applying for the job, I was nearly bankrupt after starting a company that failed and taking a loan out from my generous parents that I was at risk of not being able to repay. I was bitter from my previous experience at Millenium Digital Media and felt that I had been treated unfairly, so I had a big chip on my shoulder. I came into TechSmith with the attitude of literally - “Fuc& it. I'm going to speak my mind, they are going to fire me anyway.”Bill had another incredible gift. He believed in complete transparency and honesty. Almost anyone in the company could run sales reports and see detailed financial information about the products and the company itself. In most companies, only the elite top of the company has the privilege of seeing this “sensitive” information. But Bill believed that the best ideas can come from anywhere within the organization and that we should all work from the same set of facts. He also encouraged people to sit in on meetings, even on topics that they were not the expert. I want to take a minute to go back to a post that I wrote just 4 short months ago. I am SO glad that I wrote this and took the time to honor the man I admired: “Bill Hamilton at TechSmith will always be like a second father to me.I didn't really know what software was when I was hired, and I certainly had no idea what it meant to invent a software application, do the coding to develop it, market it to customers, to become a multimillion-dollar product. TechSmith was one of the most beautiful companies I've ever worked for, comprised of some of the smartest people I've ever met in the world.Being around those people made me smarter, no question—from Brooks Andrus who taught me all things “product”, to Betsy Weber on marketing, Michael Malinak, Paul Middlin, and Dean Craven on software development, Jim Hidlay on Sales, the Gardener twins, (Marty and Murphy) on insanely fast development, Daniel Park, Tony Lambert, Matt Ayo, Paul Wright, Jeff Kohler, Renee Badra, Amy Walsh, Carla Wardin, Tony Dunkle, and my all time favorite: Troy Stein: Troy taught me almost everything. (I know I missed many!!! SORRY!)But the reason this all happened and the thing that brought us all together was Bill Hamilton.Bill and his wife Susan created a culture where anyone could have any idea, and the status of the individual presenting the idea did not matter at all. The only thing that mattered was the correctness of the idea and how convincingly you could persuade others to your way of thinking.I remember being a young punk kid, maybe 21 or 22, essentially doing customer service for sales calls. Even with my low level position, at TechSmith I was encouraged to sit in on some of the development and product marketing meetings for a software application that I knew nothing about. I had no expertise that qualified me to participate in those meetings. Yet, there I was.I remember one meeting specifically a week or two into my employment that was about the Camtasia Studio's non-destructive video editor. There were probably 10 brilliant people in the meeting — and me.As the discussion went around the room and they discussed the product, I had a realization: I knew a little bit about the application because of my experience working at NBC Channel 10. I knew a little -- but not much —just enough to be dangerous.I also had a chip on my shoulder from being fired from my previous job and after some prodding from Bill Hamilton, I got the courage to speak up.“Do you guys realize this doesn't function like any of the other video editing software on the market?” There was an audible gasp in the room as the youngest stupidest person at the table essentially disagreed with every decision that they had previously made.The person who had hired me into TechSmith tried to get me to stop, but luckily Bill Hamilton was in the room. He embraced me, leaned in, and argued with me passionately. I argued back. I was certain I was going to be fired, but to my surprise, Bill Hamilton took me into the hallway afterward and continued the conversation.He told me that he appreciated the feedback and welcomed it, and that I should continue to do it and sit in on more meetings. It was truly amazing.Honestly, I don't even know if I was right about what I was saying. Looking back, I'm sure I probably wasn't, but that taught me the most important lesson of my life.Surround yourself with smart people who want to hear your opinion regardless of your status, and people who judge you solely based on the content of your character and the quality of your thinking.TechSmith taught me many things, but the main things it taught me were how to think, how to build companies, how to be skeptical of my own brain, it taught me strategies to disregard status in the search for truth, and taught me the importance of building high-quality teams of the smartest people in the world.I am incredibly lucky that Bill Hamilton chose to keep TechSmith Corporation in the Lansing, Michigan, area. If it wasn't for that, I truly don't believe I would be the person I am today. That is not to say I am a perfect person. Far from it. But I'd certainly be a much shittier person if it wasn't for Techsmith!And this is precisely my point: because of my time at TechSmith, I know that perfection isn't an end state; it is a constant pursuit. The only way you can ever possibly get close to achieving it, which of course is never possible, is by surrounding yourself with smart people and continuing to push and challenge yourself every single day.So, this concludes another love letter to Bill Hamilton, the founder of TechSmith Corporation.”As I sit here crying and missing my friend and mentor, I regret a lot. I regret that I never recorded the podcast with him that I had planned to do. I regret that I didn't join TechSmith after we sold Liquid Web like Bill had hoped I would. On Monday when my friend Joe Dearman called to give me the news of Bill's passing I was running at the MAC. Literally the very next thing on my To-Do list was to call Bill and invite him to Lunch with Brooks and Joe the following day. When Joe told me of the passing of Bill, he mentioned that Bill was just in the office on Wednesday and he was sharp as ever. He also mentioned that on his way out of the meeting Bill said, “Tell Travis I said Hi”. I cannot believe he is gone. He was healthy and sharp. About 1/5 of you reading this will die of a heart attack. Of that, about 50% of you will be seemingly healthy and have no prior warning or signs. As most of you know, Matt Hill founder of Liquid Web, my best friend since 2 year old - also died of a heart attack. This again is my plea to please spend the ~$200 to get a CT Calcium Score of your heart. It is quick, painless, doesn't require any dye or injections. Just a quick trip to see if you have a ticking time bomb in your chest. (I am not a doctor.)Bill was my mentor. He was like a second father to me. The man I am today, for better or for worse, has been influenced mostly by my incredible parents and just after that… Bill Hamilton. Bill and I would try to get lunch or breakfast about once a quarter. When I was walking out of a meeting we had around the time of Matt's death I remember turning to him and saying: “I love you”. I think it startled him and I felt really weird when he didn't say it back — but sitting here, I know he loved me and I am so fu$&ing thankful I delivered him that message while he was still here with us. I love you Bill. Thank you. Year Of The Opposite - Travis Stoliker's Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Year Of The Opposite - Travis Stoliker's Substack at www.yearoftheopposite.com/subscribe

Todd Hansen is one of those rare breed of musicians that is just plain nice.Almost too nice.Known, loved and respected for bashing the skins with bands like Headkase, The Berzerker, F.U.C and King Parrot, it is his contributions to things outside of and closely related to music that makes him not only a great skinsman but also a champion bloke.In his spare time Todd also teaches drums, lends his chops as a session drummer, travels the world doing what he loves, produces an entertaining podcast called Drumwell and generally spreads and shares his passion with all those who come within earshot of him. No ego. No judgement. No stress.But it is his work with charity organisations that is perhaps closest to his heart. Most recently Todd ran the gruelling Bridge To Brisbane race to raise money and awareness, but now is he about to lay himself bare - literally - like never before as he prepares to go under the blade to raise money for Support Act in a selfless show of faith that possibly rivals even that of the great Samson.Yep, on Saturday, August 17, Todd Hansen is saying goodbye to his safety blanket of the past 24 years as he gets his infamous dreadlocks removed from his body in an act of defiance that shall forever be referred to as Toddy's Dreadlock Chop. But don't take it from us, let Todd tell you in his own words."After 24 years, it's time to lighten my head and chop off the dreads," he said. "And what better reason to raise some funds for the great work Support Act do for the people working within the Australian music industry? I'll be losing the locks at 2.00pm AEST on Saturday 17th August, live-streaming at www.facebook.com/toddhansenofficial.I would like to raise $2424, to represent 24 years of my dreadlocks being cut off in 2024. All donations are greatly appreciated, and will help Support Act continue to provide their services to music industry workers in crisis."Check out the full interview for all of the gruesome details.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersIt makes sense that someone who is already in a band would also want to dip their toes into promotion and putting on shows themselves, but it's not as easy of a process as you would think.Dealing with bands and booking for bands is another stress level of its own, and often the two - although seemingly perfect bedfellows - are too difficult to negotiate.It takes a special kind of person with an honest and genuine love of music to successfully blend the two into a functioning unit, and even then the constant source of emails and phone calls can become too much of a burden.One such person who has managed to combine both passions without completely losing his sanity (yet) is Brisbane guitarist for Dirty Brew and head of Brewhouse Productions, Mick Brew. Mick is a well-known and highly respected member of the local music scene and has been juggling his time and energy between both band and promotions for a number of years now. He has put on a consistently large number of successful shows and played at some of those and other big-name festivals, but his sights presently are firmly set on Brewhouse Production's annual end-of-year celebration of music to be held at The Back Room, Annerley on December 30.Featuring Counterfeit Limp Bizkit Show, F.U.C., Krave, Snake Mountain, We The Hollow, Dirty Brew and others, the annual bash will house 20 bands over two stages in one afternoon/night of entertainment that celebrates everything that is good about Australian music.HEAVY managed to track Mick down recently to chat about the event and the constant demands of the music industry."It's gonna be a big day," he smiled. "Doors are at 12 with the first band starting around one o'clock. I just need to finalise those set times this week. It should be good. There's already a fair few tickets sold and if it's anything like last year, we sold nearly 400 tickets, so hopefully we can do that again."While many people call the annual event a New Years Eve Party, this year it will be held the night before New Years Eve on Saturday, December 30. It seems like a good idea to us, but we ask Mick why he isn't keeping it to the actual date of New Years Eve so people can remember more easily."To be honest, New Years Eve was on a Sunday and everyone has the Monday off or whatever, but last year when it was on the Saturday and the Monday was a holiday it just gives you those extra couple of days," he explained. "It's not so much a New Years Eve party anymore, it's more of an end-of-year party for everyone to tell the whole year to get fucked and start again."In the full interview, Mick runs through a few of the bands playing and why he put them on the bill, where to get cheaper tickets from, how to help out bands by buying direct from them, the venue and why it is the perfect place for live music, the range of sponsors on the night, future plans and more.

THEME: I'm Fuc@!n Ragin'! – Videos For Songs About Rage In this week's episode, hosts Ben Knight and Anthony Lewis watch and review “Fuckin' Hostile (Live From Donnington)” – By Pantera, “Watch The World Burn” – By Falling In Reverse, and “Duality” – By Slipknot!!! You can send in your […]

Bonjour à tous, Je suis très heureux de vous présenter notre nouvel épisode avec Aujourd'hui, Rémi Guyot, co-auteur de la méthode "Discovery Discipline" et ancien Chief Product Officer de BlaBlaCar entre autre. Dans cet épisode, Rémi nous raconte comment plus de 15 années d'expérience dans le Produit et le Design l'on amené avec Tristan Charvillat à développer, synthétiser la méthode "Discovery Discipline". On discute ensemble de comment cette approche permet d'apporter un cadre aux projets d'innovation, aide à faire des choix difficiles et offre plus de simplicité. Je suis très fier de cet épisode car je suis sûr que vous allez attraper des conseils précieux et je suis impatient de recevoir vos retours. Maintenant place à notre échange avec Rémi Guyot, bonne écoute ! Timeline : 1min :Présentation 3min : Sa définition d'une startup 7min : Discovery et Delivery 9min : Cycle en V versus itération 15min : C'est pour qui cette méthode 18min : “Kill your Darling”, tuer les bonnes idées 24min : What the FUC* ? (*First Use Case) 28min : Entreprendre par intuition, c'est possible ? 33min : Construire une logique d'ensemble 38min : Les 7 étapes, F.OCUSED 42min : J'ai pas temps = “La montagne Discovery” 44min : Les notions d'impact, les IA et le futur 52min : La simplification c'est comme le BDSM 57min : Anecdotes sur la rédaction du livre 1h02 : Des regrets à partager 1h04 : Innovation disruptive VS incrémentale 1h08 : Les recommandations 1h13 : Ne pas confondre l'important et le superflu Ressources citées : Site web : discovery-discipline.com Linkedin Rémi : linkedin.com/in/remiguyot Interview Gad Elmaleh dans le podcast GDIY sur la construction de son spectacle par itération Vidéo La Product Conf 2016 A provocative question to identify the features that matter The Great Simplification, Nate Hagens Scrum Guide, Ken Schwaber & Jeff Sutherland Plein de livres : Les différents livres de 37 Signals : Getting Real, Rework, Remote, It Doesn't Have to Be Crazy at Work Insanly Simple : The Obsession That Drives Apple's Success - Ken Segall Deep Work - Cal Newport Essentialism: The Disciplined Pursuit of Less - Greg Mckeown Retrouvez tous les livres recommandés par les invités du podcast dans la bibliothèque Open Startup : https://bit.ly/livresOSP Si vous avez aimé cet épisode alors je vous recommande les suivants : épisode #47 - ⁠Victor Douek, Sellsy : Les coulisses du pilotage d'une Scale-Up⁠ épisode #21 - ⁠Franck Louesdon, Steazzi : co-création et slowpreneurship⁠ Envie de proposer un invité ? Direction ce formulaire → https://bit.ly/3gSqwKx Avant de partir Cela me ferait plaisir aussi d'avoir de vos nouvelles, vous pouvez me contacter sur Linkedin ou Twitter ou Instagram. Si cet épisode vous a été utile, pensez à vous abonner sur votre app' de podcast préférée comme Apple Podcasts ou Spotify. D'ailleurs si le podcast vous plaît et que vous souhaitez me le dire, le meilleur moyen c'est de laisser un avis 5 étoiles sur Apple Podcasts. Allez-y ça ne coûte rien et m'aide beaucoup!

På lördag är det dags för FUC 289 vilket är... en relativt ljummen pay-per-view-gala? Käftsmällspodden Malmös Sebastian och Ali gör deras bästa för att hålla intresset upp för UFC 289 och pratar om titelmatchen samt Charles Oliveiras återkomst, men även om mexikanska UFC-fighters, PFL, det mongoliska språket och mycket mer!

BTTY gets BTTY with three ways to take it in. Watch, read, or listen. I hope you find something helpful here. Take care. BTTY turns ten this year, but it's the last year that has taught me the most.The concept of BTTY hatched on my office floor in 2013. It was a Sunday, and I'd been on the job for 39 days. My boss and dear friend, for almost 25 years at this point, told me, “don't do anything for 90 days.”Yet, there I was, with 67 major projects or changes that I KNEW needed to occur. There was no one in that office with me on that beautiful Sunday. Just me, a whiteboard, and my imagination.I sat on the floor and felt my heart rate increase while a wave of pressure washed over me. My skin warmed as the adrenaline pushed blood into my extremities. I realized there was no way we could do all of this.I moved to the chair and swiveled back and forth, trying to calm down. I glanced up at the light blue scribble that was tormenting me. Sixty-seven kept rattling around in my mind. 67.I said out loud, “Do what you can every day. Little steps every day, and it will get better. If we get 1% better each day, we will be over 365% better in a year.”The BTTY BlogI've been writing inconsistently for ten years, with gaps between some posts of more than a year. I've written more in the last year than the preceding nine combined.My first mention of BTTY was in a post dated August 16, 2013. Here's a screenshot: If I'm being honest, fear kept me away—the fear of judgment, failure, and all the other voices that parlayed my hopes. Last year I resolved to change that and committed to posting weekly for a year. This is #52.As my friend recently shared about his newsletter, it grows slowly. I wanted to honor his vulnerability with my own. This is slow, and this is hard. The best things in life usually take longer than we expect and are harder.Here's A Secret (or two)Fear, uncertainty, criticism, and doubt have been bumming a ride with me for as long as I can remember. They are riding with most of us, but society doesn't make it okay to admit that.Sometimes it's very dark in here, but it's okay because I know I'm not alone - you hear those voices too. They exist to make sure you stay safe and alive. But if you let them control you, you will never live your life.There are enough obstacles in the world that will beat you down, don't be one yourself. Unless you can get those voices under control, you're FUC'd.Here's another secret: No one knows what they're doing. They're just making it up too. Once you realize that, you are free to do you. Creating is what I've done and want to do - teams, ideas, cultures, and networks. The last one is of the paramilitary type, not the business card exchanging type FWIW.My career has been up and to the right, mostly. Sunshine and butterflies weren't always present, but anything bad was, at most, a passing squall.I've been lucky like that. I deeply appreciate the privilege I was born with and the friends life has afforded me. They have selflessly dragged me along, or up, without asking for anything back. Those friends live and breathe ‘give more than you take.'We Are A Work In ProgressI've tucked their lessons in my kit bag and brought them with me. Where I'm blind, those same friends remind me to pull them out. Sometimes I listen, sometimes I don't.“You will get better. Do the reps,” I growl silently in the best imitation of a former team sergeant who would leg press a Prius during our time in Baghdad.“Just don't quit,” I hear my brothers in the Q course say as we trudge through another cold, wet night.“Self-awareness, self-control,” says a walking saint I'm blessed to call a friend.“The process is what matters, not the objective,” I tell myself.A warrior once looked me in the eye and said, “It's gonna suck. Embrace the suck. You will be stronger for it.”Roger that, we continue mission. There are no rules to what's happening here - save one. Ship something each week.Here, We Focus On What We Can ControlIt's easy to get wrapped up in what's happening. To notice the slights, real or perceived, and wish things were different. It's easy to time travel into woulda's, coulda's, and shoulda's.While I don't consider myself a pessimist, I'm not an optimist. Maybe a realistic optimist? The voices in my head work their you know what's off to tell me what's wrong, what won't work, and remind me of that one deep fear I have. I'm not ready to share that fear, but maybe one day.I face those voices and embrace some as friends. Slowing down helps me recognize they are just my thoughts. Every thought allowed to germinate makes the garden of my life - constant weeding and watering are required.I'm not sure where I'll be in another ten years, but whatever happens, I'm sure it won't be what I thought. The future usually surprises us that way. I know if I do nothing today, nothing will be different tomorrow.Four and half decades in, I can peacefully sit with the understanding that progress and process are what matters. I've done enough laps around the sun to see the results of showing up and quieting the voices that want instant gratification.Do the work. It works.The Enemy Is WithinWhile I don't know him, Steven Pressfield has served as a counselor, sage, and inspiration. His most important work, to me, is the War of Art. He makes the case that,“Resistance is not a peripheral opponent. Resistance arises from within. It is self-generated and self-perpetuated. Resistance is the enemy within.”He goes on,“Rule of thumb: The more important a call or action is to our soul's evolution, the more Resistance we will feel toward pursuing it.”Resistance shows up for me, hard. These posts are punctuated with fear as my cursor hovers over the publish key. A quick check-in with my ever-present friend, self-doubt, keeps the narrative going. “Who am I? This is garbage. There is nothing original here. Site traffic is down. No one cares.” These are all things I tell myself.Resistance dances with my fingers as I delete the things that are too personal or provocative. After all, I have a reputation to protect. Right? Society and nature have a nasty way of collaborating your dreams away. Don't let them.I feel there is more. More to create, more to share, more to explore, and most importantly, more to learn. The good news is courage is MY collaborator, and for 52 weeks, I've not fully succumbed to the desires of self-doubt. I've shipped consistently, and here is why.Help, Not HurtHelping is why I do this.While there is no replacement for walking through the crucible yourself, maybe others can find something helpful here. A lesson, a thought, or a nudge at the right time. Finding what works should be shared. This isn't altruistic. I'm talking to myself, too, and iterating as a human, husband, father, friend, teammate, and creator.Maybe, my boys will read it one day. I hope the timing will be right for them, and they see a man trying to do the best he can and be everything they need. All this while wrestling with his demons and healing his wounds.Maybe I'll be here, and maybe I won't. Hopefully, they will say I was there when it mattered and helped them find peace, joy, and purpose.If You Are Willing To Look Foolish, You Will WinThis is a minute-by-minute, hour-by-hour, and day-by-day improvement plan. The humility to look foolish is where better starts.I'm honored to have friends who inspire me with their consistency and humility - they beat back the voices and make it better today than yesterday, every day. Here are a few.To the mom who started a gender-neutral kid's clothing brand, keep stitching it together.To the designer sharing his journey each week and helping others along the way, keep pushing those pixels.To the technologist/marketer/lots of other wonderful things shaping the heart of our homes, keep grinding.To that hotelier making a difference in where the tigers roam, keep helping - those kids need you.To Princess Buttercup, who quit her job to help solve our mental health crisis, keep leading.To the leaders working as intrapreneurs inside their families or large organizations - work your craft, lead your teams, love your teams, and keep pushing them. They need your confidence and support to become the humans they don't realize they can be. We all need that.We tend to highlight the bold moves and the overnight successes. The bold were consistent long before the universe whispered “now.” They spent years getting ready for that moment when it all came together. They weren't bold. They were just still there.May courage and consistency be your collaborators, friends. Let's go get better.Onward, This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit kellyvohs.substack.com

Cosy cottages, town houses, country homes, farmhouses, and historic houses – They are all very different, but one thing thy have in common is the sense of Irish homeliness.Today we are joined by Helena Healy, CEO at B & B Ireland to talk about Irish homeliness and how to experience Ireland from a B&B.For more information on the trips on offer visit: bandbireland.com This episode's Irish words:A couple of wordsCúpla focal - Pronounced: Coop-la Fuc-ull---Cheers! (To your health)Sláinte - Pronounced:  S + lawn + Ch(urch)

Hoy voy a contarte 3 cosas que seguramente no sepas sobre la dislexia porque se han descubierto en investigaciones muy recientes. 1️⃣ SUSCRÍBETE A LA LISTA DE CORREO: https://juanjosemillan.es/landingpage/newsletter 2️⃣ SÍGUEME EN INSTAGRAM EN: https://www.instagram.com/webjjmiles ▶︎ AUDIOCURSOS GRATUITOS: https://www.juanjosemillan.es ▶︎ Si quieres saber más sobre quién soy, no dejes de ver mi CV en mi Web personal: http://blog.juanjosemillan.es/curriculum-juan-jose-millan

In der ersten Folge von Fuc*s & Secrets haben Hanna und Fiona schon etwas aus dem "Fetisch-Kästchen" geplaudert. Allerdings geht da noch einiges und deshalb gibt es jetzt eine special Folge einzig und allein über sexuelle Vorlieben. Und obwohl die beiden cam-girls schon viel gesehen haben, können sie die jeweils andere dennoch mit dem einen oder anderen Fetisch überraschen. Hört rein und lernt worauf die Leute wirklich stehen! Viel Spaß beim Hören.

How often do you have a great idea but hesitate to put it out to the world because "it's not ready, perfect, or complete?"   Sometimes you need to build the plane as you're flying it!Do you remember a time when you've just put the idea out to the world and the pressure lifted, the fear disappeared, and the world didn't stop spinning?I know that a lot of us, including myself, oftentimes hold ourselves back from stepping into the lives we want to live, the businesses we want to create, and the dreams that we have.In this episode of the All Things Private Practice Podcast, I talk with TJ Walsh, owner of Bold Creatives Collective.We talk aboutPutting an idea out to the world before it's built or finishedWorking through fear and insecurity to pursue dreams, goals, and aspirationsHow taking risks pays off in the long run, even though the short-term is Fuc*ing scary!How imperfect and visible are better than perfect and non-existent TJ's incredible coaching program that supports artists "get over their shit and get UNSTUCK!"How nothing will ever be perfect=======You can always revise, edit, and improve"Imperfect Action is Better Than Perfect Inaction" - Harry Truman----------------------------------------More About TJ:(LPC & Clini-Coach® / Artist and Creativity Coach / Executive Clinical Director for TJ Walsh Counseling)TJ Walsh is an internationally exhibited artist who has nurtured creativity in heARTs and minds for decades. He received his BFA in graphic design and an MA in clinical counseling psychology. He regularly writes and speaks about art, culture, faith, & mental health and is an expert in human relationships, human creativity, the creative process, fear, and procrastination. He owns a group private practice and is on faculty at Eastern University,  where he provides supervision for doctoral candidates. Over the past 20 years, TJ has worked at the colorful intersection of creativity, art, therapy, and education. He is an innovative, out-of-the-box, creative clinician turned coach (Clini-Coach®) and Licensed Professional Counselor who helps others nurture their creative life so that they can be wholeheARTed life healers. He currently lives in Philadelphia, PA, with his partner and two sons, where together they share 55 houseplants and a very robust and growing collection of artwork from emerging Philadelphia-based artists.----------------------------------------

Taking the leap from community mental health and into private practice is Fuc*ing Scary!! As a therapist, group practice owner, and private practice coach and strategist, I was full of self-doubt, insecurity, and overwhelming anxiety.Who the hell was I to be successful, and why would someone hire me? We hold ourselves back for so long and prevent our own journeys into small business ownership with a laundry list of excuses, but we don't know what we don't know.This podcast will take you on a journey with a discussion about Failures, Fears, Impostor Syndrome, and Self Doubts. Normalizing failure and celebrating triumph is the goal.I'll be interviewing experts in the industry to talk about how normal it is to struggle in small business ownership and the process of becoming an entrepreneur. We'll also talk about how stepping into and embracing fear leads to overwhelming success, however the hell you want to define that.Subscribe wherever you listen to podcasts, and share this with anyone who's dreaming big but thinking "why me?"

Todd Hansen is best known as the hard hitting, loveable drummer from King Parrot and F.U.C, but, like many people in the music industry, is also a champion bloke who has given as much to music and related industries as it has to him.Next week, on November 7, Todd will be trading in his drum sticks for running shoes as he lines up at the base of the massive Gateway Bridge in Brisbane to take part in the 25th Anniversary run of the Bridge To Brisbane.Already I can hear many of you asking why? - as did I - but the Bridge To Brisbane is held every year for charity, with each competitor able to choose their own charity for which to raise funds.Befitting his passion and first love, Todd has chosen Support Act - a group which provides care and support across the music industry.We caught up with Todd for a chat before he laces on the runners to find out just what motivates the great man to punish his body in a race that covers ten kilometers."The first time I did it was 2012 or 2013," he explained, "and I did it because it was a charity event and I wanted to - I'd lost my Mum a few years earlier to ovarian cancer - and I wanted to raise money for a charity that I was supporting at the time and I figured rather than always trying to put on a gig or hassle bands to raise money, I'll just do stuff myself. At the time I was still a smoker, and I was quite overweight, but I went and ran 10 k's in just over an hour, I hadn't run in years, and raised quite a bit of money for my particular charity. From then, I got more onto a health kick and changed my outlook a little bit and started eating healthier and exercising more, and I've done the Bridge To Brisbane quite a few times now. It was cancelled last year obviously, so this year I thought I would enter again. For the last eleven years since Mum passed away everything I've done has been towards mainly ovarian cancer fundraising but also any kind of cancer. I thought I've raised so much for that now, and the last eighteen months our music industry has been decimated and a lot of friends of mine and a lot of people I know and worked with haven't got an income and are really doing it tough. There's a particular organisation called Support Act who helps the music industry out, so I thought that was a worthy cause to support, especially in this time of the whole Covid thing."In the full interview, Todd talks more about why he chose Support Act as his nominated charity, how far he is running, how competitive it is, dirty tactics, what motivates him in things like this, and he also gives us some updated information on what is happening with King Parrot and new music from F.U.C.Get behind and sponsor Todd here https://bridgetobrisbane.gofundraise.com.au/page/ToddHansen

Flogoween edition Topics crammed into the 15 minutes include:We return to Fiona's Irish Horurra roots.No trivia on IMBD means Fiona & I have to have a conversation. How a bed-based business meeting gave Fiona a new incentive to improve. I stand with Fiona against the haters who continue to label her work dogshit.  Ben's back defending himself against more accusations labeled at himself by himself. Background fan noise means I miss the first 5 minutes; Fiona's not happy.   Have you ever been sold a house by a ghost? Do the Irish get the horurra craic? A hotchpotch of languages means Fiona's not the only one I can't understand in this. Is talking about your dead wife's lover the way to go at a wake? There's quick-fire Happy Halloween's & Move on Fuc* ers!Ben breaks the rules…Again.Mass confusion surrounds The Amityville Horror & the identity of the killer.Someone gets called a fu*k face.To celebrate the spookiest day of the year, we devised the great idea (it wasn't) of attempting to release 31 horror-themed films for every day in October! We are excited to partner up with Head in The Game to keep us going through this bonanza month of film watching and recording!To help support this fantastic cause, FilmFoggers are donating £2.00 per episode released during October. But we also need your help!We are trying to reach the dizzy heights of getting 1000 downloads during October to add extra sprinkles on top of the pumpkin pie. If we achieve 1000 downloads, Filmfloggers will top up our donation to £100. So even if you have no interest in listening, please think about downloading one or all of our 31 Flogoween films, so we have an excuse to donate more money towards this fantastic cause! Please visit https://headinthegame.co.uk and click on the About Us tab, where you'll find more information on the main aims and objectives of HITG. Head In The Game Website - https://headinthegame.co.ukFilmFloggers Episodes - https://t.co/uHw3yuylDr?amp=1GameFloggers Twitch - https://tinyurl.com/sabrbumtHelp Flog the Podcast by Rate and Reviewing! Apple iTunes - https://tinyurl.com/268ccs6cPodchaser - https://www.podchaser.com/users/filmfloggersGoodpods - https://goodpods.app.link/gEvDLhAJYibSocial Mediahttps://linktr.ee/FilmFloggershttps://www.facebook.com/filmfloggershttps://www.instagram.com/filmfloggers/https://twitter.com/FilmFloggersWebsitehttps://filmfloggers.buzzsprout.comEmail FilmFlog suggestions to hosts@filmfloggers.comArtwork by @deanbeattieSupport the show (https://www.buymeacoffee.com/FilmFloggers)

I remember when the relationship & life I have today felt like a lovely but impossible pipe dream. It just felt SO far away from the reality I was living back then. Ever feel like that? If so, you NEED to listen to today's podcast episode. Especially if you're:

Who is going to hire your child and they only received failed grades. How is your child being assed the reality is there is no value in a certificated of completion reality we are getting FUC@ as we are not brought to the table as we have no organized effort to talk about the lack of manintaice for our children what the hell is learning loss! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/darlene-anderson/message

I'm Fuc*in' Seven Years OldPrivacy Policy and California Privacy Notice.

SE VIENEN COSITAS. Concretamente 2 horas y 40 minutos de episodio para culminar la primera temporada del Clip Rosa. Café para cafeteros. Pero no vamos a hablar de Juan Valdés, no sufráis. El último capitulo de la temporada queríamos abrir un melón (Bollo, siempre Bollo) y explayarnos con un tema que todes hemos vivido en nuestras carnes o lo hemos ejercido desde nuestros cuerpos. Foucalt (se pronuncia Fucó, fea) estaría orgulloso de nosotras, seguramente no, pero hablamos del poder, como nos relacionamos con él (con el poder, no con Foucalt, que está muerto) como lo vivimos, y que generan esas relaciones de poder que tanto sabemos señalar en la actualidad.

Fuc

The boys are back and ready to start making some serious cash. Producer Pete lays out his plans to start a grow operation, Alan pitches a new podcast idea "Toys we Fuc***", as well as not one, but two, movies to Harvey Weinstein, Josh pitches his own The Office podcast, and they close it out strong with an acoustic plea for Harvey to fund their movies.

Hello out there welcome to roll wit uz radiover live from Denver Colorado live intospeakers.Take sometime and think about something great about yourself we all go it in us.We just think about we have to care about ourselfsboost your mind with the good and say Fuc the bad.Dont drown over the bad shit stay floating with thegood vibes were only human we all fuc up what matters is what we do after it.

Claudio Venancio, 72 anos, casado, pai de dois filhos e publicitário. Nascido em uma família de classe média baixa, com 15 anos começou a trabalhar para ajudar a família e pagar seus estudos. Teve o seu primeiro contato com a propaganda na antiga empresa Moinho Santista, onde entrou sem saber nada sobre propaganda. Mas foi lá que chegou até o departamento de mídia. Trabalhou com o plano de mídia dos concorrentes, na Lintas, agência própria da Unilever, que na época era a Lever Brothers. Trabalhou também nas grandes agências como: Standard, Ogilvy Mather, Denison e Fischer América. Hoje, Claudio é diretor da JMCOM e foi responsável pela realização do Festival Universitário de Comunicação – FUC, no qual reuniu diversos estudantes de publicidade. “Trabalhar em comunicação engradece muito o espírito em todos nós, porque é um desafio diário, não é uma coisa cotidiana. Você não é um apertador de parafusos. Todos os dias você tem um desafio diferente.”

Fuc you coons go geta clue not the 1 that keeps you comfortable on massas plantation --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/Tha1ChiefGOD/support

Today I am speaking with Louisa Deasey. Louisa is a twice-published bestselling memoirist, editor and non-fiction writing coach. Over the past twenty years, Louisa has worked as a magazine editor and features journalist, ghostwriter, newspaper columnist, digital copywriter, online editor and media and publicity consultant to major brands, personalities and experts in the health, travel, lifestyle, design, medicine and psychology space.     This podcast series is hosted by Patricia Kathleen and Wilde Agency Media. This series is a platform for women, female-identified, & non-binary individuals to share their professional stories and personal narrative as it relates to their story. This podcast is designed to hold a space for all individuals to learn from their counterparts regardless of age, status, or industry.    TRANSCRIPTION *Please note, this is an automated transcription please excuse any typos or errors   [00:00:00] In this episode, I speak with Best-Selling, memoirist, editor and nonfiction writing coach Louisa Deasey key points addressed where Louisa's incredible journey throughout writing her first memoir titled Love and Other U Turns. We also looked at these self-taught and honed education and subsequent skill set that Louisa developed in order to write her following and Best-Selling memoir titled A Letter from Paris. We also examine how Louisa used her education and self-taught knowledge in order to develop her online memoir, a nonfiction publishing programs that she now offers online. Stay tuned for my enthralling interview with Louisa Deasey.   [00:00:44] Hi, my name is Patricia Kathleen, and this podcast series contains interviews I conduct with women. Female identified and non binary individuals regarding their professional stories and personal narrative. This podcast is designed to hold a space for all individuals to learn from their counterparts regardless of age status. For industry, we aim to contribute to the evolving global dialog surrounding underrepresented figures in all industries across the USA and abroad. If you're enjoying this podcast, be sure to check out our subsequent series that dove deep into specific areas such as Vegan life, fasting and roundtable topics. They can be found via our Web site. Patricia Kathleen .COM, where you can also join our newsletter. You can also subscribe to all of our series on iTunes, Spotify, Stitcher, Pod Bean and YouTube. Thanks for listening. Now let's start the conversation.   [00:01:42] Hi, everyone, and welcome back. I'm your host, Patricia. And today I am elated to be sitting down with Louisa. Deasey Louisa is a Best-Selling memoirist, editor and nonfiction writing coach. You can find more about all of her work as well as the services she offers on her web. W w w dot. Louisa Deasey. Dot com. That is l o u i. S a d. A s. E y. Dot com. Welcome, Louisa.   [00:02:09] Hello. Thanks for having me.   [00:02:10] Absolutely. I'm excited to climb through everything that you're doing. We were talking off the air and I told you that we've had a lot of audience and listeners right in over the years and talk about writing coaches and people who can advise about writing rules a great deal in our past. I know that everything that you share with us today is going to be received in the highest regard. Oh, that's good to know. Absolutely. For everyone listening who is new to the podcast, I'll offer up a quick roadmap of the direction of my inquiry's will head. And then I will read a bio on the so that everyone can garner a brief sense of her background before I start peppering her with questions. So the roadmap for today's podcast will first look at Louise's academic and professional background, leading her up to the services that we will then unpack. Then I will turn towards, of course, unpacking Louise's suite of online memoir, a nonfiction publishing programs, where I know a few of those are currently being used up and changed a bit. Then we'll look at unpacking the goals that Louisa has for the next one to three years, professionally and personally. Those have changed a lot for a lot of people in regards to the current climate of the Kovik 19 pandemic. And then we'll wrap the entire Adva podcast up with advice that Louisa may have for those of you who are looking to get involved with some of her services or perhaps emulate some of her career success. A quick bio, as promised on Louisa. Before I start peppering her with questions, Louisa Deaseyis a twice published bestselling memoir list editor and nonfiction writing coach. Over the past 20 years, Louisa has worked as a magazine editor and features journalist, ghost writer, newspaper columnist, digital copywriter, online editor and media and publicity consultant to major brands, personalities and experts in the health, travel, lifestyle, design, medicine and psychology space. More recently, Louisa has created a suite of online memoir and nonfiction publishing programs for writers at every stage of the publishing journey. Her work has been featured in Vogue Body and Soul, The Guardian, Cosmopolitan, The Age, The Sydney Morning Herald and Hundreds More Publications. She is currently at work on her third memoir. So, Louise, I cannot wait to unpack a lot of that with you. I'm excited. I haven't had anyone who actually self identifies as a memoirist on and I cannot wait to climb into that with you. I find it such a valid and noble profession. But before we get to that, I'm hoping that you can describe for all of our audience members listening and those watching on a vodcast a little bit about your academic and professional background leading up to where you are now.   [00:04:51] Sure. So. Well, I went to high school, which is pretty normal here in Australia. Then I took a year off and just worked. I lived in a share house and I worked and I did a few little short courses in acting and drama. And then I started an arts degree, which I think it's the same in the US liberal arts. I thought I wanted to do drama and acting. I can't believe I've never even noticed how much I loved writing. But it wasn't until I was in my third year of my arts degree that I realized I actually loved writing about the place that I was studying rather than being in them because I didn't really like people looking at me. So I had a bit of a switch and I ended up doing a double degree in literature because I'd accidentally taken on too many drama subjects before I realized that I didn't really want to do that. And then because I realize sort of it took three years of writing essays for me to realize that I actually love that part of studying. I applied for a really well at that time. It was really prestigious writing postgrad writing degree in Melbourne. And I thought I didn't get in because I looked in the newspaper on the wrong day. So I applied to work on a cruise ship because I thought, well, look, I will just travel the world and write about that, you know, Harry instead. And I literally made it through to the third round of interviews for this job. Crystal Cruises or whatever it was. When my aunt called me and said, congratulations, I just saw your name in the paper for the riding college. So I had actually got in. So I had to cancel that at the last minute. And I started this writing postgraduates. To you, to you, that's called Tife. I'm not sure what that is in the US, but it's more hands on than university. And the whole reason that that's cause it was RMIT, which is Royal Melbourne Institute of Technology, professional writing and editing. And I think the reason that it was so highly regarded was because the teachers in the. It wasn't academic. It wasn't philosophical. It was actual hands on how to get published, which, you know, I don't know. That was just sort of the Holy Grail when I was at university, nor one, you know, they talk about writing and publishing, but no one could actually tell you how to get published. Yeah, it did. I started that course. And I loved it. But I ended up being quite disappointed because it wasn't all that it was sold to me to be. And I sort of thought, wow, well, look, this is one of the best publishing courses in Australia, even though it's not very good. And I got a lot of sort of the wrong advice in that course.   [00:07:45] And I ended up sort of staking out a lot of stuff on my own. And remember, this is before the Internet was, you know, the Internet existed, but it wasn't big. It's 2001. And part of the costs was a topic called industry overview. And we needed to do a few hours. So I think it was two weeks on site at a publishing company. So other a newspaper or a book or magazine publishing company and all that that caused told me to contact with these tiny little publisher in Melbourne and see if I could get a couple of weeks unpaid work there. And I didn't want to work at that tiny little publisher. That just sounded miserable. And I didn't want to work that. I wanted to work for magazines at that time. That was my passion. And all the magazines, all the women's magazines, offices were in Sydney. So I bought a copy of the reader's marketplace, which was like this like fifty five dollars an hour. Remember, saving up my waitressing money and buying it and just going through the list of phone numbers and calling every single women's magazine until I could get someone that would take me on for a couple of weeks work. And then I went back to RMIT and I said, OK, I've got two weeks at Elle magazine, I've got two weeks at Bay magazine. And they were like, what are you talking about? They don't take interns. And that's it.   [00:09:01] Yeah, they do. I just tend to call fifty so fifty seven times.   [00:09:06] And then so I flew up to Sydney and did that and that was I guess you'd say I was off to the races because I got my first byline in that work and I'm sort of simplifying it now. But that really taught me that, you know, I just there's only so much that you can learn at university and and time. You know, you really have to do it yourself in a lot of ways. And the other thing is the people that are teaching you often, there's a reason that they are teaching, you know, that they've obviously had their career or they're having a break or so. I just found a real gap between what I was being taught and what I really wanted to do. And I learned so much as soon as I actually started working in, like I think it was the following year, I got my first job at a newspaper back in Melbourne and I learned more about writing for publication in a week. They have had it five years at university. Yeah, it was just really interesting to me. The gap between academic learning and actual actually being inside a newspaper or magazine office.   [00:10:14] Yeah. In the States, we call that on the job training. Oh, T.J.. Yeah.   [00:10:20] Yeah. And I think it's so true, though.   [00:10:23] I mean, I can't say it enough and I'm a big I'm really big on internships or any type of apprenticeship, things of that nature. There are so many fields that I think do this as well. Computer I'm married to an original Silicon Valley computer nerd. A lot of people asking to me know that. And the most hysterical thing for me, and I think it might be changing right now, but it's not nearly quickly enough.   [00:10:48] Computer programing, as studied in university, has absolutely nothing to do with the code that is written that affects you die and changes the range. They are very likely ayari. And that's the same thing with writing. I think you're right in literature and all of my university degrees. And what I love about university is that you do study philosophy and theory, but there's absolutely no practicality. There's no applicability in that knowledge. And I think that writing is a crucial one. And I think your story also brings up a really interesting point, which I've always described. There's a certain amount of entrepreneurship, even to the writers of old to going Artley, Walden, you know, all of those things. That is a very kind of like gusto, greedy. And I think that people leave that out when they talk about writers, you know, and what it's really necessary to be a writer and successful. You running off to city, you calling fifty seven times.   [00:11:44] I would have been more than that, but yeah, it's so interesting that you say that I have all of this. I have all three of Steven Pressfield books. Have you read the war of arson, Tony? And I love I love these books and hate. I love. I think it's in the war about. He says, find you. You know, there's nothing braver and more entrepreneurial than sitting at a blank screen and, you know, trying to put your heart out there and in a way that's palatable for the world to rageous story. He says, find yourself an entrepreneur to chat to for some motivation. I know why that is so true, because it's very similar. You're putting yourself out there. You trying something that's never been done before? Yeah. Yeah. I totally agree with you there.   [00:12:30] And you have to have a certain amount. It's it's a crazy tightrope for.   [00:12:34] Right. For authors. I find you have to care deeply about your audience, but you also have to have this kind of devil may care genessee quar about like I'm just going to put it out there. I don't care what anyone says, like, here it is. Here's me, you know, because if you worry too much, you don't release it. You don't put it out. And if you if you don't worry enough that you're not capturing your audience in the way that you ought to. You know, this is kind of given take is so difficult. I'm wondering, how did your career after you kind of launched into doing all of these, you got your first byline from this, you know, very greedy, like something tiny. Yeah. So how did that kind of launch into did you start to pepper into taste as to know which areas of writing you were most suited towards? How did you find, like, your memoir this moment?   [00:13:20] Well, it's so funny because I didn't actually know that I loved memoir until a few years ago. But I say that, you know, I've simplified it a lot. But I you know, I went to Sydney. That was actually a six month process when I was working, interning, trying to get a job, a paid job, because I was working like 40 hours a week at a restaurant in Corkle by Sydney while I was doing days unpaid at these offices. And my Driton, the thing was back then, because it wasn't there was no you know, the Internet wasn't as big as it is now. You had to actually be working on staff to say the stop job ads in Pacific publications and all of those places. And nothing came up in the times that I was there. And I made some contacts and I was like, can you please let me know if something comes up? And I ended up running out of money and just being exhausted because I was working so much because Sydney is so expensive. I came back to Melbourne and got a waitressing job here in Melbourne and then just started sending out because again, no Internet sending out kulla photocopied packs of my tiny little byline. So I think by then I had had a review of a film, an essay, a first person essay, which is Memoir in Runner's World. So I used to run quite a lot. And maybe one other thing and. Oh yeah, quiz. I had a quiz published in Playboy magazine and I would send out these color coordinated packs and that must've cost me so much money because it was all my past. And eventually I got a job. I think it was eight or nine months later at the Herald Sun, which is our major daily newspaper. And I actually had a hiring freeze on at the time, which I didn't know. But now I'm glad I didn't come after got the job there. And that was fantastic. That was a baptism of fire. And I got mobile ones there. And what I found that I really enjoyed writing about was health and wellbeing and psychology, because I think I knew the health editor from school and she'd said, if you want to write a couple of columns, you can do that. And just a bit like you. I loved interviewing people. So I think one of my first articles was on iron deficiency or something, and I had to find a medical expert to interview on why women have less often than men typically. Well, something like that. And I just love the whole process of putting together a story and formulating the argument, getting experts to give you information. That's something. And I'd seen in my time at the magazine offices that freelancers, you know, that you could freelance the health magazines or women's magazines on health topics and get paid quite well. I think in feature articles, this is still when we have print. But, you know, people read print, so you'd get maybe a thousand dollars for a health feature. So I made it my goal to to make a living writing health features and psychology features. There's a magazine in Australia called Good Medicine, and I pitched to them. I just pitched lots of articles and I'm still waitressing. And then I eventually quit the Herald Sun because I didn't want to do news journalism. I found it quite. I really couldn't. I just couldn't handle it. I was there when the Bali bombings happened, which was a major news story here in Australia because Bali is so close to Australia. And yet I just I couldn't take it. I'm not I'm not cut out for news journalism. So I'm trying to fast forward, so after that, I started freelancing, I loved writing about health and psychology. I loved interviewing people at sort of the same as, you know, it just it felt feels like such a privilege when people opened up their lives to you. And, yeah, it's very mutually inspiring. And I, I find the whole process of interviewing very interesting. I think I was working for an architecture magazine and I interviewed this architect and I could see him actually transforming in front of my eyes when I was interviewing him because he was he was considering something he'd never considered before just because of the way I'd framed the question. And I've always found that really interesting. So then miraculously and I'm making it sound quick. But this took a few years. I've gathered enough work to actually just be living off my freelancing. So I no longer needed to waitress. And I met this comedian who he lived out of his car and he excellente basically just performed in outback rough pubs around Australia. And I fell in love with him really quickly and basically moved him to his car because I was like, well, I can write from anywhere. And at that point, I was making enough money and it was just a huge adventure. And so I went traveling with him for about a year. And that was sort of when my career took off in terms of freelancing. So it was quite strange. I got all these weekly columns, fashion columns. Would you believe in a in another newspaper called The Age? And I was traveling with him through these really, really rough redneck sort of places and having to write sometimes from the front seat of the car or lack of a room at the back of the pub. And eventually I came back to Melbourne because, yeah, I couldn't I could only leave out of the car for so long. I missed Melbourne. And I'd always thought, like, I sort of thought, well, wait, I'm always looking for the next thing. And I sort of thought, well, the only thing that is left for me now is to write a book, because I had been freelancing at that point for two or three years, I think, which I loved. But I just wanted to do something bigger. And I always wanted to write a book. And I think I was getting close to 30 years old and I didn't. It's those those significant voices that make you sort of think, oh, yeah, I've got to do that thing that I always said I'd do. So I started writing a book about traveling around Australia with GM, which was a memoir travel memoir, because I always loved reading travel memoirs as well. Mm hmm. And long story short, and I sort of talk about this a lot in a lot of my memoir, blogs and trainings and things. But, you know, it took I didn't know how to write a book. Crooner's knows how to read a book when they stop. And I had a really, really. So I had a few really fortuitous connections. A woman on the street introduced me to her literary agent, like who was one of the top literary agents in Australia. That was a very amazing fluke. But I also had the most brutal rejection that you could actually imagine. One of the top publishers in Australia, a great arrange to meet with me. She contacted my agent. She said she'd been reading my manuscript. She agreed to meet with me at a cafe and she flying down to Melbourne from Sydney. And I thought, wow, she's going to offer me a book deal. And I told my family, my friends, and after an hour of her telling me how bad my writing was, why I'd never be published, I had to actually say, well, I might go now.   [00:20:48] Yeah, what a malicious moment.   [00:20:51] It was pretty awful. It was really awful. It took me six months to get over that. I couldn't even look at the manuscript. I was just humiliated, absolutely humiliated.   [00:21:00] Well, at that point, I wonder, looking back now that you have success under your belt, what was the point of her make going to such effort?   [00:21:08] Well, this is a thing I didn't know at the time. You know, I was so naive, which I sort of think you have to be to get anything done. It took another year when I did actually sign the book deal for that book. And I met with my new publisher and she gave me the background to that particular person and said, you know, she's she's been put on on leave for bullying. She's got a mental disorder and various other things. And I was like, oh, my God, because I never I thought I would go to the grave without knowing why she had flown down to basically put me down for an hour in a cafe.   [00:21:50] The power hierarchy in publishing is ridiculous. I mean, it's all right up there with my mother, most antiquated, you know, DHT and subject kind of. Ships that happen. And I is I am excited about it being overturned and we can get into this later.   [00:22:04] I've spoken to a lot of authors that self publish because that did this system, it was abusive at its finest.   [00:22:11] So abusive. I'm wondering, are you describing the beginnings of love in other U turns? Yes. Yeah. Oh, my God. That book was published. Yeah. So after I got over the brutal rejection and everything.   [00:22:25] I actually rewrote the book and then pitched it on a cold pitch Friday. And it was like she called the publisher, called me on the cheese day and offered me a book deal and I just cried. And it was published, I think, six months after that, which is pretty quick in publishing, really fast.   [00:22:42] What caused you to, like, finally kind of regroup after six months from your lashing and think. No, no, this is good. I know so many people that would abandon a piece of work with that kind of abusive moment in their life. You know, it doesn't. I would have abandoned it.   [00:22:56] And yet, my friend Dave. He's no longer alive. I ran into him just on the straight and. Hey, hey. I'd gone to school together and he was there. And the other student who studied literature in our country, high school, and he was a good four A's, like a sole friend. You know, I hadn't seen him for about five years. And I ran into him on the street and just said I said I wrote a book. But it got no love lost or something. And, you know, I just vaguely told him the story, but I was still crushed. And he said, you wrote a book, you write, you actually finished it.   [00:23:28] You got to pick it up.   [00:23:29] And he was determined. He took it on like it was on him. But I get that book back to a publisher. And if it hadn't been for him so passionate about getting me. And he looked at it and gave me feedback and he was like, you need to stop the story here. And he was so passionate. And he was actually dying of liver cancer at the time. And he passed away before that book was published. He was only thirty two, but if it hadn't been for him, I wouldn't picked it up. But he was just so determined like you wrote it and you finished it. You can't just chuck it out. And I think about that now. And I think that's how I want to be for other people, because it is I think it's just it's a tragedy when people get so crushed by rejection that they just put it away. And I've seen that happen. And it's.   [00:24:18] It takes a long time to finish a book. It really does. Just labor.   [00:24:23] And bless Dave for knowing that, you know. Yes. You, too. I think you're right. I think voices of encouragement are so necessary. People don't realize, I think, how important that they can be, you know, from outside. So after you had your initial success, did you immediately catapult you into a letter from Paris or did you take some time? How did that play out, the aftermath of success?   [00:24:50] No, sir. This is sort of a complicated I mean. Yeah. So the book so I love another U-turn came out.   [00:24:59] It was a very odd time in my life because my mom died at the same time.   [00:25:06] And also publishing had switched completely online. So everything that I used to do for money, which was pitch FHA radicals, I went down from first the word count stopped. So we went from a nineteen hundred word FHA to 700 words. So that means if you getting paid by the word, you're now getting three hundred and fifty dollars where you used to get twelve hundred. So it just became less and less. It was harder and harder to live off freelancing. And I knew that I had to retrain in the digital world, but I had no idea where to start because, you know, and a lot of people that I had worked at the Herald Sun with or had who'd been freelance journalist or had been journalists, it was a really hard time. Everyone was like, you know, they just suddenly lost their jobs. I know a woman who started a funeral home after losing her 20 year job, you know, in this type of some editing, because she was like, well, that's never going to you know, there's always gonna be a need for a funeral home. Yeah, but I sort of and I saw some of the bloggers coming up, and I think Sarah Wilson had just started blogging in Australia. She's the I quit sugar lady. And I could say that some of these people were really taking on the digital world and harnessing that. But I have no idea where to start. Like, I'm such an on tech savvy person, like, you know, and I didn't know anyone who did it. And I ended up taking this. And the thing was, my book came out and I talk about this a bit later, but I had no idea what I should have done when that book came out to really make it a success. So a lot of people don't know when a book comes out. You know, you basically get three months, if you're lucky of time, chop shop shelf space. Yeah. And you've got to do with many interviews, as much publicity as you possibly can. I had like a website that was stuck in the 1970s. I had to ask people to actually update it for me because it was all hyped, humoral card. I didn't even know I couldn't even update my website, wasn't even a word press or anything was on some something that I don't even know. Yeah. So, yeah, I was really shocked. The book came out and it sold a few copies and then by October that year it was like I'd never done anything and I was starting from scratch again. And so I was really crushed, actually. It was quite depressing because I sort of thought, well, I spent so low on this book and, you know, these are these things that people don't tell you about publishing, but you need to be stuck thinking a year ahead. You need to be doing your publicity count down. And then this is the full podcasts really were a thing as well. And I do do a lot of radio interviews, but. But because I did I had this weakness in the tech sphere.   [00:28:05] I didn't have a good website. I didn't know how to how to set up a blog. I yeah, I didn't know how to do any of that. I basically went back and got a corporate job at an accounting company because they would take they taught me how to do web editing. And I had to use like six different content management systems.   [00:28:25] And I learned a lot. But it was the most boring job I've ever had.   [00:28:31] Yeah.   [00:28:32] Yeah. But, you know, I just I needed to get a job and I needed to learn how to use the Internet, you know, digital publishing. And so I was sending out seven weekly tax newsletters at these incredibly boring job. I don't think I really lasted like three months. That got I learned a lot. And then I went to Byron Bay because, as I said, my mum had died not long. You know, maybe a year and a half earlier. And I still very, very wounded from that. So I sort of packed up all of my things and moved to Byron Bay and just sort of lived in this shed that overlooks the forest, which didn't cost very much money and started writing digital copywriting. So I, I transferred the skills that I've been doing as a journalist to that and got quite a lot of stuff published. The only difference is your byline isn't on it when it's copyrighting. And at that point, I started writing a fiction novel. Sorry, this is such a long winded way now.   [00:29:33] Love. Yeah.   [00:29:36] So I started writing a fiction novel because I thought that was the other thing. So publishing a memoir. It was actually also quite a bizarre psychological process when Love another U-turn came out, because, as I said, my mum had just died and I was doing all these interviews based on the person that I was when I wrote Love of a U-turn. So it's all these free wheeling and it's a quite a funny book. Quick. It's it's all about the wackiness of outback towns and how I liked not having many possessions and just living out a car. Banks are free in Australia, but after my mum died, I, I really changed. My character changed. I think everyone loses a parent without changing a lot. And so it was quite hard doing those interviews and trying to be all cheery and promote that book when I had changed so dramatically. So I thought, well, gee, I don't think I can write in another memoir because it's just so personal and, you know, people are asking me about my relationship with Jim when really. And saying, you know, your mom must be your parents must be so proud of you. And I hadn't even properly grieved. And it was all just was really hard. It's it's very hard for me writing a memoir because it is so personal and you need to have a lot of. Not protective, but you need to know what you're doing. And I didn't know what I was doing. I hadn't. I didn't really know anyone else who published a book. I though the lady on the street who'd interviewed, introduced me to the literary agent had sent me some great advice. But aside from that, you know, I there were no writing coaches at that point. There were. Yes. So I moved to Byron Bay and I started working on a fiction novel, which was sort of a thinly veiled fiction. It was about trauma and grief and processing, sort of what I was processing. And the only way I could write it was to make it a fiction, even though it really wasn't. It was all just a metaphor. And then I sort of did what I needed to do in Byron Bay. And I came back to Melbourne about a year later. And, yeah, just just went back to work. And I was pitching that fiction novel around. I ended up going to the US, going to this incredible writer's retreat because I wanted to get it to a publisher in the US because I thought, well, the reason my book Eleven of a U-turn wasn't a success is because it was only published in Australia. That's such a small market here. But that didn't really eventuate. And then that book was sort of messy. And I think I really didn't. I'm not supposed to write fiction. It's not. I didn't have the genre right. I didn't even know if it was a thriller or a romance or what or like a supernatural. It was just it was a bit of everything. That book was kind of my therapy writing that.   [00:32:32] Well, yeah, it sounds cathartic. Maybe maybe not being published in any way.   [00:32:40] And so I came back to Melbourne and I just got lots of different jobs editing and ended up working in media, sort of media training and marketing for Melbourne University, which is really big. But it's I think it's one of our biggest universities. And I loved that job. And, you know, I really just threw myself into my work and thought, you know, like a cat published a book. But I'm probably never gonna do that again, even though I wanted to. I sort of stuffed that down because I'd been so disappointed with what happened with love. Another U turns anyway. Long story short. I had just finished a year working at Melbourne Uni and I'd quit because of something really awful that happened there. We've with this boss and I received this email from a woman in Paris about my father. And so my dad died when I was very young. And she said our grandmother died yesterday. And in her apartment, we found a stack of letters written in nineteen forty nine about a man named Dennis in Deasey Are you any relation? Is he your grandfather? And that was my dad. And I said, well, I wrote because this was on Facebook Messenger. She contacted me and I said, nineteen forty nine. That's right. So she was telling me he'd been in London. I didn't know any of this stuff about my dad. I didn't know that he'd been in London when he'd he'd been to France. I knew that he'd had a French wife, but I didn't really know when or how or how that had connected. And basically, as soon as she started e-mailing me and she sent me all of these translations of the French letters that her grandmother had written and she said, you know, grandmother was talking about your father until the day she died. And they actually sent me a recording of her in the hospital talking about my death. And this had been 36 years since he died. And I just couldn't. It was all a bit crazy. And I remember thinking in the pit of my stomach, if I'm going to have to write another book.   [00:34:54] I just I was like, man, but I've done it.   [00:34:57] And it was so hard. Yeah.   [00:35:00] And I think this is sort of where why and where the whole memoir coaching and the courses that I do now, where it will come from. Because at that time as well, a good friend of mine, she'd won a competition, a writing competition for a piece of memoir she'd written about running away from. So she her dad was a Vietnam vet and had very serious PTSD. And so she and her siblings and her mom had had to run away from home because he was very violent. And she'd want to competition for this pace. And long story short, that led to her publishing contract for that book. But she'd never published a book before either. And I saw her going through everything that I'd gone through with Love, another U-turn. So she didn't know that she would have to organize the launch event and do as much public. She felt the publisher was going to do everything. You know, she she really didn't know anything about the promotion. She was really upset and kind of stressed and. Yeah, that sort of thing. And so, like, I sort of took it on myself to try and educate her for what she should be doing up to the launch and that sort of thing. And then. Yeah, we just talked a lot through through the launch of her book and everything. And that was when. I was working on a letter from Paris, but I was determined that I would not write the book the same way that I did love another U-turn. So I didn't want to write the whole manuscript and then stop pitching it. I was like, I need a deadline. I need an FUC advance. I need you to pull this stuff. So I was really, really strategic, which I'd never been before. And I pitched, I wrote, I got things published. I used that to leverage publishers interest, which then led to a documentary. There's a show in Australia called Australian Story, which is documentaries of I don't know if you've ever seen it. I have. OK. Well, one of the producers of from Australian Story contacted me about this story about my dad, which I've been how to make. Leveraged into the contract for a letter from Paris. Because I really want to. Yeah, yeah. And I'm shortening it. There are a lot of very stressful phone calls and emails. But I was determined that I would have a deadline and a contract before I sat down to write that book. So I worked on a letter from Paris. And it was it was a bestseller when it came out in Australia two years ago and it's still been up and down a bestseller here, and it's come out in the UK and the US and Canada as well. But the reason that I'm sharing that isn't too advanced. It's because I was very, very specific and determined and strategic in everything that I did with Boris. How I pitched the book, how I avoid it to how it was published. How I went to the editor, what I did pray, publicity, all of that sort of thing, because I had had such a bruising experience with love and other unions. And the thing is, most people don't get a second chance to write a memoir or publish a memoir. So I was very lucky. But this is what led me to create these courses. And so the coaching that I do with authors is because what I saw I saw what happened with my friend Bruce. I know what happened with me. And so many people think the story's over when you sign that book to Sharon. And I know what you're saying about self publishing as well. If you actually if you want a lucrative publishing contract, self publishing is the way to go. And if you've already got a platform and you've already got an audience, you might be better off self publishing. But for a lot of people, like it was to me, you want to be traditionally published because that's, you know, this it's pretty amazing to have the backing of a traditional publisher. And it's you know, it's one of those dreams you want to be published by a publisher. And, you know, they do things that. I mean, just the quality of working with the editors on a letter from Paris taught me so much that I would have learned if I'd, you know, I would never of self publish that book anyway, because it's too important to me that it be produced in a really quality, beautiful. I just really wanted it to be traditionally published, but I understand that a lot of people. If if the purpose is to make money, then I would say sure. So publish or even spade, if you want to be speedy.   [00:39:55] No. And I also think there's a great deal more to be learned. I think both processes have education.   [00:40:00] But certainly the old still old school, there was, you know, a valid moment in that two to be had. And I think that there is there's a great mystique. It's just like academia. It's just like any race. You know, there is still a great deal of pride that one should take out of executing those systems. And it sounds like, you know, your qualifications. What I love about the difficulty in this journey that you've just unraveled for us is that you couldn't come from a more qualified source, you know, to have love another U. Turns and then a letter from Paris and and being on this bestseller, you know, international list is amazing. And I love. I don't really trust teachers that haven't had some kind of a struggle.   [00:40:46] Well, that was the thing.   [00:40:47] That was the thing with me and I, you know, and that was what made me so angry, actually, when I was at uni was none of those teachers had been published. And I was like, what do you know, except for, you know, bizarre academic journals. But I was like, but I want to see your book in a shop.   [00:41:03] Yes.   [00:41:04] And I want to hear the story. The difficulties are, you know. Yes. This horrible moment of someone flying from Sydney to kind of train crash you until this friend uplifted you and all of that back and forth.   [00:41:15] And yet I'm wondering. So we're getting to your Web site and kind of crawling through the suite of online services that you have. Can you kind of crawl? Anyone who hasn't visited your Web site yet or knows anything about it? What are the different services that you offer your clients?   [00:41:34] So it's it's funny that we're doing this podcast now because I'm actually raised configuring a few things because what I've realized. So I always wanted to offer memoir coaching and courses to show someone step by step how to write a memoir, because I know how overwhelming, how overwhelmed I felt at the beginning of a letter from Paris. I was like, how do I even put the sample chapters together for a publisher? How do I know? Because it's such a personal thing. You write, it's so overwhelming to go well, how do I, you know, jump into my entire life story and pick out the most relevant or interesting peso's to this story. And so I sort of came up with a process and a method for that finding the quote which know most storytelling. You would find the same with documentaries. You finding a hook, you finding where the story actually begins like that is more crucial than anything. You're finding the universal themes, finding the they really unique personal aspects to the universal themes. So I'm always sort of obsessed with finding like creating a mathematical or strategic formula to something to make it less overwhelming. So I originally started I created a course called Memory Academy, which was a six month step by step course for writing your memoir and getting it ready for a publisher. And I've had a few people take that course and I realized that it sort of needs to be three courses because it's very layers. There's three layers to writing and publishing a memoir is the actual writing of it, which anyone can can do. I love writing and craft is really fun to study. Yeah. Great to sit in your room and write a memoir. And this is something that I noticed with my students who took the program last year, which I'm really doing is if I hadn't got over their visibility issues, if I hadn't won, one of my students didn't even have a website that had her name on it. She was too scared to use her real name for any of her published paces. And I realize visibility is one of the biggest aspects of writing and publishing a memoir. So I sort of have to put that into a separate program, which is all. And I didn't realize that I'd done all of this with you. So all those years that I spent pitching articles and following up and writing freelance articles. That was me getting comfortable, being visible, pitching and following up. So I created a another smaller program, which is all about getting getting published and getting visible because that is actually going to lead to your book deal anyway. So, you know, if you want to be traditionally published and if you want to self publish, you really need to get visible, too, because you'll sell more books. So I separated that. And then this is the new program that I'm working on, which I'm really excited about, because it's everything that I was just sort of. Describing to you about my friend Bruce and then what I went through with love, another U-turn, which is people who signed the book deal, right? That's amazing. That is a huge accomplishment. But there's actually a six to 12 month process that they need to go through to ensure that that book sells for longer than two months, because that might be the book. The only book that they ever publish and you want to give it the best chance of success. And self care is a huge part of that process because otherwise, how are you going to go on TV or radio or podcasts and talk about your incredibly personal, sometimes traumatic story? Because a lot of memoirs are about very traumatic experiences or Newtons. You know, sometimes if it's a travel memoir like Love, another U-turn, that is a happy that is a really happy story that I wrote. But, you know, for example, with a letter, letter from Paris, I did a lot of talks, library talks. I did some events in Sydney at the Ambulance Française, because my dad was connected with the aliens from sides. And I had complete strangers coming up to me afterwards and asking incredibly personal questions about my family. And if I hadn't been prepared for that and if I hadn't done it all before, I would have just fallen apart. And I still was extremely exhausted after promoting that book, but. I had all these methods in place and I knew what I was getting into. And I think there's a real gap there. People think as soon as I've signed the book deal, that that's that's a fantastic I'll just hire a public system. I can take care of the rest. Yes. Or you actually have to do a lot, particularly with memoir, because you you are the story. It's not like I didn't invent with a really well-known historical fictional son. Attach a list of documents. You've heard of her. She's hit the bestsellers in the in the US with her latest book, The Paracel Orphan. And we didn't have into the library. And, you know, she had always it was the same library that I'd done an event at two or three months earlier. And she had members in the audience asking her questions and she looked so relaxed and so happy. And I realized, oh, my God, it's because she didn't because hers is a fiction. And I was like, oh, man, you have to be so different.   [00:47:16] And she wasn't, like, absolutely ruined after the event and, you know, just meeting. And I never thought about that. She's just discussing the story. She told you she's not discussing her history.   [00:47:29] I would feel personally, I would feel sorry personally, sort of pried open after every media appearance or event, which is fine, you know? And they will. And I did certain things to strengthen myself before that. And there were questions that I wouldn't know, that I wouldn't answer them, but I'd sort of come up with because I've worked as a journalist. Sort of come up with deflecting ways to turn them back. But, you know, it's all this stuff that people don't know. And I really want to educate people because. Yeah. A bit like the legacy project thing. If this memoir if this book is the only book that you ever have published, you want to give it the best chance of success. And you you owe it to yourself as well to to really look after yourself and really promote it to the best of your ability, your ability, and make it a really joyous, glamorous, wonderful thing because. Yeah. I mean, a lot of memoir groups on Facebook, which is sort of showing me how. How damaging that whole launch process can be if people aren't prepared properly. So that's that's the new program that I'm working on. How long is it? How long does it last? At least six months. I haven't. Yeah. Yeah, I haven't completely fine tuned the the material yet, but it has to be at least six months. I'm thinking of possibly extending it to 12 because most most publishers give you at least 12 months lead time before the book comes out. Yeah.   [00:49:08] And it's it's more to cover not just the marketing and the publicity, but self care. And you know what you want what you want to say. Media training from that perspective of, you know, if this is the only book that you publish. If if this is what your children and your grandchildren are going to hear about your story, what would you like them to take away? So, you know, I like politicians. Get trained to. Sure. Your press conferences. Authors may need that sort of training as well.   [00:49:42] Absolutely. Well, given that you're revamping a couple of things right now and kind of extending into its proper time, length and category, sectioning with the three different courses, and what are their goals and plans do you have for yourself moving forward?   [00:49:56] Are you looking at any new works yourself or are you kind of honing in on this some coaching role, this advisory role that you have for the next few years? What do you see for yourself?   [00:50:06] So I'm always I'm always thinking of the next project. At the moment, I'm actually working on a proposal for my third memoir, which is actually a Joel memoir with my dad. So as I as I worked through a letter from Paris, I found his manuscript in the library. I found a memoir that he'd written. And this is part of the reason I'm so passionate about memoir. And even though he died when I was six through writing his memoir, I feel like I've got a relationship with him. I know my dad again. So I really am so passionate about the value of memoir in terms of writing. You know, if he if he hadn't left his memoirs, I wouldn't know so much amazing stuff that happened to him that, you know, even things about this character that I've just really, really been important to learn. So I'm working on a proposal for that to be published as a follow up to a letter from Paris. I've been transcribing all the material because it's suddenly pipe up at the library. So over the last year, I've been transcribing it and into digital files and now I'm just polishing it because it's sort of from the 1940s and 50s. So, yeah, it's pretty, pretty fun to work on that. And also working on. Yeah. I'm really excited working on these memoir programs. I have one of my programs that I'm not revamping. That's just there. Evergreen for anyone is for beginners and that's a memoir journaling program. So that's a 30 day program because I couldn't have written any of my memoirs without my journals. And it sort of teaches you how to write in sort of how to ask yourself those questions that are going to get you writing in a way that you can then use for for a future published book if you want to turn things.   [00:52:02] Yeah. Yeah, I love that. I love the call and response that you're having with your with your father as well.   [00:52:07] You know, I'm I'm a big believer in closed doors and death being maybe one of the most astute ones that we're faced with in this sphere, not closing conversations in relationships. You know, I think it it's it's very finite. To view it that way. And I love the idea that you're having this newfound conversation in relationship with your father all these years later. It's amazing.   [00:52:30] It's set a work of love. It is. So I mean, I was working on it yesterday and I I published a couple of the chapters from his first trip to Paris in 1940. I was just like, Ma going out. This is this is incredible. It's like a Paris that is from a made up story buttons because it was in his diary. I knew that it was true. And I just.   [00:52:53] Yeah. Yeah. The Paris. I want to go to everybody from Paris. I want to be there. I can't.   [00:53:00] You know, I can go and read some of the stories. I want to go back to Simone de Beauvoir as Paris like I want.   [00:53:05] Yeah. That this is like. Have you seen Big Night in Paris, the Woody Allen film? Yeah. This is like that. It's like, you know, he's just walking into a cafe and people are like, oh, god, my car coming. I will, I will take you somewhere better. And just hopping in the car with people and.   [00:53:21] Yeah. Yeah.   [00:53:22] Absolutely brilliant. Well I cannot wait for it to come out at all. And Louisa, I am sorry to say that we are wrapping it up on time because we could I could sit here for our days with you.   [00:53:36] I probabley talked way too much.   [00:53:37] No, not at all. I'm not editing any of this out. Am I going to let my team do it either. I want to know. I this is my final question. I wrap everything up for those of you listening the same question. It's my favorite. She's never going away. I'll never stop asking it. If you were in a park or a garden somewhere in beautiful Melbourne tomorrow to socially safe distance given the pandemic and a young woman or female identified or non binary individual walked up to you. So anyone other than a straight, white, cis gendered male and said, listen, I you know, I went to university, I would do this writing program. I think people have it wrong. I don't think there's enough application applied there in a mean I'm going to launch out on my own. I'm going to write my memoirs, and then I'm going to get them published and I'm going to do all of this and I'm going to use the grit and determination that doesn't hasn't been taught to me before. What are the top three pieces of advice you would give that individual knowing what you know now?   [00:54:34] It's so funny because I did actually run into a. A girl who sounded very similar to that at a bookstore a few months ago, and she was so sweet and asking me questions because she wanted to be a writer. The first thing I would say is. Persevere. It's like it's like what what Dave said to me. You have to persevere.   [00:54:57] You probably get rejected the first 10 or 20 times. So perseverance is more important than having a quick win.   [00:55:07] The second thing is to always be learning. So I take everything as a learning opportunity. Even the most brutal rejections or feedback try to take the good and drop the bad because you can't take it personally or you'll just be wounded. So I try and just treat everything as a learning experience. And lastly, only speak to people who've been published in terms of advice, if that's what you want to do. Just get your advice from people who've been published. Don't be listening to, Someone whose Aunt Jenny, maybe Wrote a letter once 50 years ago. That was maybe put in a newspaper. Yes. Find some people that you can model or and even if you can't talk to them, read on their blogs, listen to their podcasts. We're sort of lucky in the Internet era, we can find mentors and not even make them. And learn all their best stuff. So, yeah. I my three pieces of advice persevere. Take the good. Drop the bad. When you learn and find someone that you can model what you want to do. Find someone actually published that you can model.   [00:56:28] I love this. Three pieces, especially the last one. Only speak with people who published about publishing like I love them.   [00:56:33] I shouldn't have this now. I believe it is last or. I know. I agree.   [00:56:40] Thank you so much for speaking with us today, Louisa. I appreciate it so much. And I know that everyone listening will as well.   [00:56:47] Thank you, Patricia. It was really good.   [00:56:49] Yeah, absolutely. And for everyone listening. Thank you so much for giving us your time. I have been speaking today.   [00:56:55] I've had the brilliant opportunity to speak with Louisa, Deasey and you can find her at w w w dot. I'm going to spell it out. L o u i s a dea s e y dot com for all of her services, as well as information regarding all of her bestselling books and works. And thank you again for giving me your time today.   [00:57:15] And until we speak again next time, remember to stay well, stay safe and always bet on yourself. Slainte.  

Fuc yall stop hitting snooze & just WTF --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/Tha1ChiefGOD/support

En este 7º encuentro, hablamos con la Universidad Austral, Matias Cortiñas, Gerente de Innovación Educativa, nos cuenta como llevaron adelante las clases en el marco del aislamiento social; Tendremos la palabra de un estudiante que rindió el examen final y presencial en la Facultad de Ciencias Medicas de Rosario; En Córdoba, la Federación Universitaria reclamo por que se garanticen exámenes finales, y la presidenta de la FUC nos contara los detalles. Ademas, vamos a hablar con el presidente de la Federación del Deporte Universitario Argentino (FeDUA), por la iniciativa que impulsan denominada "Doble Carrera", y nos pondremos en contacto con el Sec General de la Federación de Docentes de la Universidades (FEDUN), Daniel Ricci, para conocer la realidad de los docentes, y como desde este sector presentaron varias propuestas para el retorno a las aulas. (Programa emitido el fin de semana del 05/07)

THE SINISTER SILENT WHITE MAJORITY LIES IN WAIT Another Narrative the left wants to force on us .. >> The worst thing about woke white shame self haters is how Fuc%ing boring you are at parties.. >>New Rule: White Shame | Real Time with Bill Maher a must see you tube from last year the truth about pathetic woke whites Amid Wave of Cultural Change, >>Trump Tries to Stir a Backlash ,Trump tweets “THE SILENT MAJORITY IS STRONGER THAN EVER BEFORE,” >>>More Info on the yesterdays topic of the couple that recorded pulling weapons on protesters outside their St. Louis home Sunday night's demonstration was sparked by mayor releasing names and addresses of "defund police" advocates. >>World's most fertile woman with 44 children she's raising alone stopped from having more. Facebook has me restricted hit me up at RadioAddiction@mail.com Listen Like and share if you dare .. ERJ

My Dearly Beloved, Nobody ever made a song called, Fuc the firefighter Be better than your enemies... music: Ask me um, you can find me here... https://linktr.ee/wakandas_1st_heero Thanks I am Just a Hero for Fun --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the-identity-booth/message Support this podcast: https://anchor.fm/the-identity-booth/support

Pablo Arellano es fotógrafo, director de cine y socio de la productora audiovisual Material Films. Se graduó de la FUC en Buenos Aires y ha trabajado en producciones como El Chapo, Distrito Salvaje y La Reina Del Sur de Netflix. Pero lo más importante y relevante a esta conversación es que Pablo es un cinéfilo y ¿seriéfilo? empedernido.En este episodio hablamos, críticamos y nos reímos de Scorcese, Coppola, los El Padrino(s), Breaking Bad, Tarantino, Game Of Thrones etc.

Love can have a different meaning to everyone. We talk about how we have maneuvered through life picking up on what we believe the meaning of love us & what we believe love looks like through our eyes.

The FUC crew are joined by Super Fan Sarah for a viewing of the recent Bachelor episode filmed in Cleveland

Fuc. K

Fuc. K

Jason "the green eyed chef" joins the crew to talk about the F-boy/F-girl epidemic plaguing the dating scene.  Please like and subscribe to our channel! Follow us on Instagram @thecommonwomanpodcast and on Twitter @commonwomanpodCall us and leave a voicemail or text message: 929-260-0268Email us at thecommonwomanpodcast@gmail.comPodcast also available on Apple, iHeart Radio, Spotify, Google Play Music, and Stitcher.Host: Cortnie ValleCo-Host: Melissa TorresSound Engineer & Videographer: Christian Valle aka "Babe"Audio & Video Editing: Cortnie ValleProducer: Cortnie ValleContent Creators: Cortnie Valle & Melissa TorresMusic produced by Cortnie Valle using GarageBand software© 2019 Cortnie Valle.

Para la presidenta de la FUC la agenda joven tiene cuatro ejes: género y diversidad, medio ambiente y desafíos tecnológicos.

The FUC boys try to figure out who’s stabbing who and who’s jumping out the window. Also, candy theif...that is all.

New episode of FUC. Ladies throwin bricks. Lots of chuckles, and low ticket alert for the comedy night.

A full show of short stories we stumbled upon. Some real idiots in this one, and the stories are good too

This was a tough one even for the FUC boys. For the record we are not anti cop, however we are very anti cops that pee on minors. Let’s drop-trou on a story about the biggest piece of human garbage we’ve ever talked about. Super F****d Up Cleveland

Welcome to the fast food episode I guess!! The FUC boys get down on the greasy details of some local beef at rally’s...ya gotta eat

The FUC boys dig into another round of our favorite game; Cle or Fla

What happens when a f****d up meth head twirls an iguana above his head and chucks it at the manager of a local eatery? The FUC Crew digs in to find out.

Welcome to F****d Up Cleveland. Andy and Ron fumble through their very first episode exploring a recent story of some wallet thieving a-holes.

Gentleman, how awkward are urinals? When someones pee sprays you, doesn’t that just piss you off… oh wait, that just happens to Kevin.   A wild episode starts from the top of the episode and never lets off the gas, even when we discover which Disney Character best represents us. Don’t worry though, our Trivia question leaves you wondering and our Medieval Time Would You Rather gets you thinking... Enjoy!   ***The Cup to Cup Rundown***   7 Minutes in Heaven @ 12 minutes US Women Soccer & QB Sit, Start, Cut   She's Always Right @ 21 minutes Which Disney Character are you?   Marvel Bracket @ 28 minutes (Click for the updated Bracket) Thor vs Dr. Strange | Rocket vs Iron Man   Would You Rather @ 43 minutes Live with 50k or be a lord in medieval times   This is Where You Fuc*ed Up @ 50 minutes    Fill in the Blank @ 55 minutes Best Criminal from the Podcast Strangest Injury What movie Fuc*ked you up mentally?   Trivia @ 81 minutes Toilet Injuries   Chase Rant @ 84 minutes Backing into a parking spot    Dad Tip of the Week @ 97  minutes Print it Out!   Please subscribe, give us a review, share to a friend and thank you for the support! And as always, check out CupToCupLife.com for updated brackets, dad tips, info on Podcast guests and some other dope content, like our Blog. Follow us @cuptocupshow to get involved with future episodes! And If you’d like to be on the podcast, email CuptoCupShow@gmail.com Cheers!  

:Hour 2 Couple a years ago the Local station here in Winston Salem North Carolina WTOB 96.3 FM and the big 980 AM ask me to help out, I did the Morning show for six months or so and a Saturday Noon to 3 shift . This is one of the shows I recorded before the G.M started being a DICK....he eventually took my show away for playing music that was not approved,or beer in the cooler I was not getting paid I was just helping out. still dont understand must have been some kind of jealousy thing I was the best talent and most experienced on the air by far O well Fuc_em.. Low Power lame amateurs ......But it was fun .

Couple a years ago the Local station here in Winston Salem North Carolina WTOB 96.3 FM and the big 980 AM ask me to help out, I did the Morning show for six months or so and a Saturday Noon to 3 shift . This is one of the shows I recorded before the G.M started being a DICK....he eventually took my show away for playing music that was not approved,or beer in the cooler I was not getting paid I was just helping out. still dont understand must have been some kind of jealousy thing I was the best talent and most experienced on the air by far O well Fuc_em.. Low Power lame amateurs ......But it was fun .

1.rapsody ft.buddy-phylicia2.rassport rav ft. Napoleon Da Legend-Malcolm on Twitter3.bun b ft. Meth & grath-still trill4.rim ft.villin p-side bloccs5.chris crack ft.your old droog-todo rosado6.jakprogresso & aloeight-morifying7.supreme cerebral & nowaah the flood-hoffa8.shaz Ill York-down these mean streets9.mimx ft.planet Asia & knucles-you will die10.pheonix-Sparta11.nolan the ninja-morals12.agallah ft.teakwon-rugby marathon13.slim one ft.termanology tek & reks-decisions14.west philly freck-6 deep15.ill ghee-pull up16.sheek louch-alone17.wu-tang-on that sht again18.styles p-really us19.comet ft.sadat x & Fuc that-social mediaInterview: comet1.  KL- Comet2.  Sunness- Comet, Blaq Poet, G.O.D3.  Lonely At The Top- Adad and Tensei4.  Devils and Angels- Freeway5.  I Can't Lose- Diamond D, Elzhi, Blake MosesTALK BREAK WITH COMET6.  Drones- Comet, Coroner7.  Echoes- Comet, Blaq Poet, Life Long8.  Social Media- Comet, Sadat X, F.T9.  Pinhead- Comet, Tragedy10.Infamous Ties- Comet, Ty Nitty11.Malcolm On Twitter- Passport Rav, Napoleon Da Legend12.Mxnpxly Mobb- Rockwelz, John Jigg$, Prodigy13.King Ish- Pep Love14.Zion- Erick Sermon, Xzibit, David Banner, Shaquille O' Neal15.He's Alright- Billy Danze16.What They Need- Toni Steelz17.Still Dope- MF Doom, Stahhr18.Death Angels- Marquee, G Stats19. On Our Way- Little Brother

Para la misma semana en que estaban agendados los conciertos de lanzamiento de los álbumes "Orgánico" de Habitual y "Noches Frías" de Fucó Banda, tuvimos la compañía de sus protagonistas para entrar en los detalles de sus nuevas y brillantes propuestas. "Habitual" presenta y aporta uno de los discos de contenido más urgente para la sociedad actual con el integral y conceptual "Organico", compartiéndonos interesantes reflexiones que se desprenden de su proceso creativo desde la inmensidad del desierto. Mientras que, representando a la Fuco Banda, Matias Foucault nos introduce en lo orígenes y desafíos para llegar a la complicidad que alcanza la mescolanza de influencias que caracteriza al nutrido proyecto que se abre al mundo con su placa debut. Los ritmos de fondo y del cypher final los auspicia Polilla Beat's, a quien envíamos un saludo y disculpas por la confusión de su presentación durante el programa.

MLC day. Fuck the lack of media culpability. Dialed in on my shit. The time I let my brother's awful Parakeet (or whateva da FUC-) out the window, for constantly whistling the Andy Griffith Show theme. Also the time I fought with my brother and he threw my COPS action figure out into the wintry Buffalo night, never to be found again. The Snapcase show in OC. The Fog. The dead possum. The taxing affair at the tax office. Arnold Schwarzenegger at the gym. (Catch me on Banks Heist podcast, if this episode wasn't enough punishment...)

Feel the doubt and fear, then FUC$ that and move anyway! Join me daily on Power of 3 on FB & www.psychicmediumjessica.com

Ezequiel Gurovich, de YouTube.com/Pilo nos cuenta todo sobre el mundo de los YouTubers y de cómo las ganas de trabajar en lo que le apasionaba, lo impulsó a abrir un canal en YouTube. Una charla diferente que te cambiará la visión de lo que se viene en el mundo audiovisual. Notas del programa –            (00:39)Buenos días; ¿qué tal, Eze? ¿cómo estás? Gracias por estar acá con nosotros. –            Buenos días, Moses. –            (00:43) Ezequiel Gurovich, productor de contenido audiovisual. Y actualmente dedicado más a la plataforma de You Tube. ¿Sos un youtuber? –            Ahora soy youtuber. Si mañana sale otra plataforma que me conviene más, soy otra cosa. La verdad es que vine de la televisión, pasé por varias redes sociales y ahora, en este momento, donde más bola le estoy dando es en You Tube. Entonces en este momento, sí lo soy. –            (01:10) Perfecto. Contanos para empezar: quién sos y a qué te dedicás. –            Yo estudié producción de televisión y cine. Trabajé en Televisión acá en Argentina y también en USA, y hace un par de años, cuando fracasé tratando de conseguir un trabajo en los medios tradicionales en mi país, empecé a desarrollar ciertos proyectos online. Empecé con unos videítos que me hacían divertir, tipo sketch, o unas canciones medio de humor político que levantó Lanata en su momento, después pasé por unas páginas de Facebook. Había una que se llamó “Así no me vas a Coger”, en donde las chicas mandaban chamuyos que no habían funcionado… (Risas) Hay algunos archivos subidos en la web “Asinomevasacoger.com”; pero está medio muerto eso ya. Y después pasé a hacer un canal de Youtube que se llama Jodas Argentas, JATV, que es de cámaras ocultas, que creció un montón, pero que finalmente a principio de este año lo dejé y estoy con un proyecto nuevo. Ese proyecto sigue existiendo, pero lo siguen otras personas. Y desde el principio de año, le estoy dedicando el 50% de mi tiempo a lo que es PILO que es un canal de reacciones, de pruebas de productos, tiene cierta cosa periodística, y tiene una identidad de mirar las cosas con curiosidad y humor al estilo BuzzFeed o REACT u otros canales grandes americanos. Estamos con ese formato que nunca lo habíamos visto en países de habla hispana y venimos creciendo bastante rápido. –            (03:19) Está bueno eso. Tenés más de 200 mil seguidores en YouTube. No es un número chico. –            Sí, con Jodas Argentas en este momento, creo, estamos en  600 mil. –            (03:32) ¿Estaban….? –            Fue un proyecto grande. Y ahora con este nuevo estamos creo que en 260 mil ya. Y venimos creciendo de manera muy rápida. Tenemos más de 3 millones de reproducciones mensuales de los videos. Tiene mucho movimiento. –            (04:00) Y si te encontrás en la calle con alguien que no veías hace mucho tiempo, ¿qué le decís sobre lo que hacés en este momento entonces? –            Depende de quién es. –            (04:10) Si lo ves en el ascensor: “Hola, qué tal, tanto tiempo…”. En 15 segundos resumime quién sos. –            La verdad es que me la complicás mucho. Es algo que me pasa constantemente a mí esta duda. –            (04:00) Nos pasa a todos, no te pasa a vos nada más. –            Ah, ¿sí? Mejor. No soy el único. Me considero productor audiovisual, y manejo el Canal de You Tube y al mismo tiempo hago otras cosas, junto a mi papá, con un negocio inmobiliario. Y además soy músico. Estuve en Nueva York y grabé un pequeño LP. Hago un poco de todo. Pero con lo que más me identifico es como Productor Audiovisual. –            (05:06) ¿Por qué empezaste el canal en You Tube? –            You Tube fue en un principio una herramienta que yo tenía para guardar videos. Porque yo siempre hice videos. O sea, desde el colegio que había que hacer un proyecto, y había que hacer un power point, yo siempre pensaba en un video. Entonces me juntaba con  el más traga, que traía toda la información, y yo le agregaba humor y sketch, qué sé yo,  y hacía unos videos. Llegué a hacer algunos con una duración de 40 minutos. Los alumnos me amaban porque se comía toda la clase. Entonces abrí un canal de You Tube y subí esas cosas. Y era para no perderlos. Antes los formatos eran hechos por una camarita que te grababa en un DVD miniatura. Y empecé a guardarlo en esa plataforma. Pero nunca le di mucha importancia como se la doy ahora. Ahora los chicos de 15-16 están esperando semanalmente que el youtuber suba un video. O ese canal que tanto les gusta. Porque lo siguen como si fuese un programa de televisión. Finalmente, en la época que subía estas canciones que grabé años después, sobre política, humor me llegó un mail de una productora de Canal 13 que decía: “Lanata vio tu canción, le gustó y la quiere pasar en tu programa”. Y esto ocurrió cuando Lanata recién empezaba y era el programa más visto en la Argentina. (07:40) ¿Con Periodismos Para Todos? Claro, en ese momento que explotaba. Era un programa político que salió a pegarle al gobierno de turno en ese momento y era algo que llamaba la atención en la televisión abierta. Y el Prime Time era el domingo a la noche. En ese momento mostraban casos impresionantes y tenía 26, 27 puntos de rating. (08:19) ¿Y qué videos les interesó? Uno que se llamó “La chica K”; era una canción muy inspirada en un momento real que me sucedió. Me enamoré de una Chica K que no me daba bola. Pasó eso él y explotó. Fue Trending Topic, en Twitter. Toda la gente me llamaba. Me empezaron a contactar profesores que no me habían visto hace años. Llegó hasta tal punto que el gobierno mismo mandó a tener una respuesta. ¡UUUUUH! Y hay una chica K que me responde de una organización. Años atrás me enteré por un chico que trabajaba en el gobierno que me dijo que había sido una orden directa del Departamento de Comunicación, creo. Lanatta me siguió y me mostró dos o tres más que luego yo aproveché el momento para realizar un par de videos más. Al mismo tiempo venía haciendo unos videos de 6 segundos en una plataforma que ya no existe; que se llamaba Vine. (09:39) Sí, me acuerdo, yo la utilicé. Y estos videos se compartían mucho en Facebook. Y en una página que se llamaba Vines Argentos empezaron a subir todos mis videos. Y ahí empecé a subir una especie de FANDOM, que se me sumaba a mi Twitter y a mi instagram en ese momento; y a las otras redes sociales. Después me contacté con un chico que inventó el hashtag #asinomevasacoger y empecé a crecer como en diferentes lados, hasta que un día me di cuenta que siempre me había gustado lo audiovisual y que no lo había podido hacer porque mandaba curriculums a todos lados, sobre todo a TELEFE que era donde yo había laburado anteriormente. Hacía agua en todos lados. Y me puse a trabajar en otras cosas para ganar plata, pero aprovecho la plataforma de You Tube que me da la posibilidad de subir el contenido que yo quiera. Y finalmente llegué a una página de Facebook que se llamaba Catástrofes Cotidianas, que es de un amigo mío que se llama Kevin Stabholz que escribía unos blogs largos de la perspectiva masculina de salidas con chicas. Y le dije: “Voy a agarrar uno de estos textos que escribiste para convertirlo en un guión. Le voy a agregar chistes, le voy agregar cosas más visuales y hacemos un video, ¿te parece bien?”. Hicimos uno, y la re pegó, tuvo entre 150 mil y 200 mil visualizaciones. Hicimos 3 capítulos y este último ya tenía no sé cuántas visualizaciones más. Ponele que el primero tuvo 250 mil, el segundo 100 mil, el tercero 40 mil. Entonces nos dimos cuenta que eso iba bajando, y no nos dábamos cuenta que esos números eran una locura para ese momento porque todavía no había explotado You Tube como tal. (12:03) ¿En qué año es esto? Esto debe ser hace 3-4 años. Yo era el único que quería seguir porque a mí más que los números me divierte hacer. Por eso también estuve en el proyecto de Jodas Argentas que era más grande y si bien me costó mucho, dije que no. Más allá de que sabía que debía comenzar nuevamente de cero. Pero me encanta hacer videos cortos. Me entretengo con eso. Esa fue mi primera experiencia en You Tube como con seguimiento. Se viene otro capítulo. Y después siguiendo con lo de Vine, conocí a un grupo que hacía esos videos de Vine y nos juntamos un día para hacer algo más grande. Había un contacto con una chica que trabajaba en la plataforma IDEAME, ¿no sé si la ubicás? (13:16) No. IDEAME es una plataforma tipo CLICK STARTER, donde la gente pone dinero para ayudarte a armar tu proyecto. Entonces nosotros aprovechando la llegada que teníamos en ese momento, que nos parecía mucha, pero en realidad en relación de lo que podemos lograr ahora, era poquita. Armamos un proyecto en IDEAME donde decíamos “Somos estos Viners, hacemos esto, pero queremos hacer un canal de cámaras ocultas en You Tube y necesitamos plata para micrófonos, plata para una cámara más copada”. Grabamos un primer video para mostrar nuestras aptitudes donde aceptábamos donaciones, pero no entraba un peso. Y salió un arreglo de Movistar que por cada CLICK que te daba un usuario, te regalaban 10 pesos. La persona no tenía que hacer nada. Con eso llegamos a juntar como 20 mil pesos en esa primera ronda de inversores. Compramos disfraces, micrófonos, cámaras, todo lo necesario para hacer los videos. Y empezamos a hacer un video semanal. Abrimos un canal nuevo, dedicado exclusivamente a estas “Jodas”. En ese momento nadie lo hacía en Argentina, en You Tube, luego se puso de moda y hubo una especie de saturación de canales de cámaras ocultas. Yo al ser un poco más grande que el grupo de los chicos… (15:26) ¿Qué edad tenés ahora, Eze? Yo tengo 27 años. (15:29) Está bien. ¿Y los otros chicos? Y la mayoría de los youtuber tienen 19-20 años… (15:36) ¿Y este grupo tuyo? Este grupo también, 21 como mucho. Ahora mi socio actual de PILO es más parecido nuestra forma de pensar. A veces yo pensaba que  cierto material no había que exhibir porque había que cuidar al público. Y después uno va aprendiendo que, a la larga también en este negocio,  las marcas quieren trabajar con vos y eso es importante. Mantener cierto nivel de lo que uno ofrece. (16:16) Sí, una línea. Claro. Porque después viene una marca que dice “No quiero quedar pegado a esto que me hace quedar mal”. E hicimos como dos años ese proyecto, que fue muy divertido. Era algo que a mí me gustaba desde las épocas de Videomatch. Hasta yo era fanático de un programa inglés que se llamaba Trigger Happy. Que es muy recomendable. Pero yo aparecía poco, era el productor y grababa. (16:58) Estabas detrás de cámara. Exacto. Y tenía unos actores que se animaban a cualquier cosa. Entonces los guionaba para que digan tal cosa. En algunos capítulos aparecía. El que más se viralizó de ese canal, que de hecho tiene 4 millones y medio de visita, que se llamaba “Diez maneras de pedir una hamburguesa” (Una manera era como jugador de futbol, otra como stripper, otra era como rapeando)… Y en este último caso, fue donde entré yo como rapeando el pedido, y eso explotó. De vez en cuando me animaba a ir a la cancha a aportar algo. (17:50) O sea que todo este trayecto que venís haciendo, se fueron dando las cosas por tu camino, por los videos y por la repercusión de la gente. Sí, es una cosa rara. Yo tuve la suerte, gracias a contactos, de que mi primer pasantía sea en el programa de Susana Giménez. Yo me fui a estudiar afuera y esos tres meses de verano no quería pasarlos sin hacer nada, entonces tuve la pasantía ahí. Era “El Ché Pibe”, tenía que armar los instrumentos de la banda. Me hacían llenar el telepronter del monólogo de Susana. Después seguí mi estudio y trabajé en un late night show, en la CBS, en la productora de David Letterman. (18:54) ¡Me encantó! ¡Yo era fan de David Letterman! Bueno, yo estaba en el programa que venía después del de Letterman, que era sobre un escocés medio bizarro, y era una mega productora. Yo soy fan del stand up, la comedia y todo ese mundo. (19:14)  ¿Es la productora “2 Pants”? Exacto. “Worldwide Pants”. Entonces yo estaba en mi salsa. Y cuando terminé eso, yo tenía la posibilidad de quedarme un año más en USA o volver a Buenos Aires. Habían pasado 4 años, tenía estas dos cosas en mi curriculum, y decidí volver a Buenos Aires porque creía que la iba a romper. “Voy a conseguir el laburo que quiera”, pensaba. ¡Volví y nada! (Risas) ¡Nadie conocía “Worldwide Pants”! En ese momento te conocí a vos. (19:54) Sí, que te arreglé la Mac en ese momento. Exacto. ¡No conseguía nada! Y fue como que una vez que empecé a hacer mis cosas, después de un mes me llaman para trabajar en un programa de MTV.   Y tuve que decirles que no podía porque debía ocuparme de mi emprendimiento de Youtube, que le dedico un montón, que ahora se empieza a sostener económicamente también. Primero te tenés que hacer de un nombre y después te llaman a vos. Hasta que la gente no me vio, no me reconoció por ciertos proyectos que había hecho acá, nadie quería saber nada. Por suerte ahora no lo necesito. Y empezamos a trabajar con marcas. Una etapa nueva. (21:02) Entonces ahora, ¿estás viviendo del Canal de Youtube? ¿Tenés una entrada considerable? Tengo una entrada. No te voy a mentir a decirte que vivo de eso, porque es un proceso lento. Nosotros también alquilamos una oficina. Entonces tenemos un gasto. Pero hace un par de meses que esto se puede sostener solo. Eso ya es un logro importante. Entonces estamos trabajando con marcas como Tinder, páginas como la de una web americana que es para ver televisión de USA, nos contactaron unos juegos de mesa, una fábrica de pasta de dientes. Empezaron a contratarnos marcas. (21:59)¿Cómo se llama esa plataforma de USA que sirve para ver TV? Se llama US TV NOW. Ese video no salió. El de Tinder está por salir. Son cosas recientes que estuvimos produciendo en estos meses para ver si sale. Hoy sale la de US TV NOW. (22:21) Y el de la pasta dentífrica, me imagino. Es una pasta que es como de carbón, que blanquea los dientes. (22:32) ¿Cómo se llama? La marca es Cocolit. Después hicimos una con ONE FUTBOL que es una aplicación para fanáticos que tiran la data, las métricas y los goles. Ponen toda la información. Tuvimos un problema: Cuando yo estaba haciendo “Jodas Argentas” me preguntaba qué difícil meter una marca en este canal. Había un cierto rechazo más que nada por los otros creadores del mismo género que nos hacían quedar mal, haciendo cosas fuera de lugar. Y también era una especie de dificultad meterlo. Entonces dije: “Yo tengo que hacer algo que también puede ser amigable para marcas”. Y ahí fue que hice ese formato de REACCIÓN. (23:30)¿De PILO? Hay miles de canales en inglés, que nunca había visto. Decidimos empezar este canal con mi amigo Nicolás Dalli que era el que me había ayudado, en su momento, hacer esos sketches de Catástrofes Cotidianas con la parte técnica porque él estudió en la FUC y labura de director de fotografía en cine y publicidad. Yo sé más de la parte creativa, lo que es guión. Entonces era una especie de simbiosis perfecta. Y empezamos este canal con la idea de meter marcas orgánicamente en los videos. Si la marca es una aplicación de futbol, el video es de penales o goles, y nosotros teníamos que pausar la imagen antes que entre la pelota al arco o no, y nosotros tenemos que decir si fue gol o si no fue gol. O lo de COCOLIT, lo podemos hacer con gente probando la pasta de diente. Después lo de Tinder va a ser un experto de seducción. (24:47) Está buenísimo. Tenemos como mucha libertad. (24:50) O sea que ustedes adaptan cada video al sponsor. Exactamente. No significa que todos los videos sean esponsoreados. La mayoría de ellos, no lo son. (25:02) ¿Cada cuántas visitas al video te pagan tantos dólares? No hay un mínimo, sólo tenés que probarle a Youtube que te pueda pagar a través de su plataforma. Y lo podés hacer a través de ellos o de unas empresas que se dedican a facilitarte ese trámite. También te apoyan con sugerencias para que tu video tenga más llegada, con servicio técnico. Hay muchas que se llama Networks de YouTube. (25:35) Pero vos no vas por ahí, vos vas más por los sponsors que te paguen. Es que la realidad es que Argentina tiene lo que es un CPM bajísimo. (25:46) Explica lo que es un CPM para la gente que no sabe. Son los clicks a la publicidad que te figuran en los videos que uno puede omitir o no. Hay como diferentes valores en la publicidad. El video que no se puede omitir es el más caro. Después el que se puede omitir después de los 5 segundos. Después aparecen los banners. Son todos diferentes tipos de publicidad que se puede poner en Youtube. Cada uno tiene su precio. Y dependiendo quién lo ve, y en qué país está, hasta qué zona de Buenos Aires estés, tiene un valor diferente. Entonces Argentina no es un lugar. Al menos que tenga millones y millones, y hasta ahí me parece complicado que puedas sacar algo interesante de ahí. Entonces en general “Los youtubers” no viven de eso, sino que viven de los eventos, de la venta de merchandising, de los videos esponsoreados. Entonces yo siempre tuve la idea de hacer estos videos que le sirvan a la marca para que pueda llegar al público, pero que también el espectador no se lo tenga que fumar como una publicidad, sino que también lo disfrute en cierta manera. Entonces esa es medio la idea de PILO. (27:10) Contame por qué se llama así. Yo quería algo que sea cortito, fácil de acordarse y fácil de escribir. Me pasaba con “Jodas Argentas” que era muy argentino ese nombre. Después lo terminamos cambiando por “JATV”. Y pensaba en algo que no signifique nada pero me transmita diversión y que sea fácil de (decir) (27:37) Me gustó. Está bueno el logo también. Llevanos al momento que vos dijiste al principio de la entrevista sobre la experiencia de tener un fracaso. ¿Qué pasó exactamente? Fue esto de no conseguir un trabajo en los medios tradicionales como me hubiese gustado a mí. Al principio quería algo interesante y después estaba dispuesto a ser “El Ché Pibe”. Yo quería que me paguen. Laburé gratis en los dos trabajos que comenté anteriormente. Después estuve trabajando en una empresa de marketing. O manejaba las redes sociales de una empresa con toda la experiencia que había logrado. Todavía no había hecho lo de Youtube, pero había hecho lo de facebook y mi manejo en Twitter que tenía un público interesante. Laburé para una empresa de Marketing haciendo estrategias de redes sociales. Pero no era mi sueño, que era crear contenido que a mí me gustasen en un programa de humor. Y fue un tema de mandarme a mí mismo y aprovechar todas las herramientas de las redes sociales que te permiten subir el contenido que vos quieras. Yo no consumís ni consumo mucho de Youtube porque no está pensado para un público de mi edad. Y me parece que ahora empiezan a haber canales interesantes a nivel de producción. Hay un canal cordobés que se llama ECATOMBE de scketches cómicos, que es espectacular. Está a nivel de canales americanos. Y nosotros tratamos de agregarle eso también. (29:45) ¿Te pusiste en contacto con ellos? Nosotros estamos en contacto con la mayoría de los youtubers. Inclusive trabajo mucho con Influencers nuestro canal. Eso nos ayudó también a darle un impacto al canal porque traía a gente de diferentes cuentas que eran fanáticos de los youtubers y los veían reaccionando a cosas que les hacíamos mirar nosotros. (30:11) ¿Cómo medías en ese momento cuando empezaste tus logros y cómo lo hacés ahora? ¿Crees que contactándote con los youtubers tengan una métrica que les sirva para ver si están creciendo? Aparte de la gente que se suscribe, digo. Que es un número aleatorio. Porque no todos los que se suscriben ven todos los videos todo el tiempo. ¿Cómo te medís como youtuber o como dueño de canal? Yo creo que es algo muy personal y que cada uno tiene sus diferentes metas e ideas. Hay personas que tienen cierto público de nicho, y cierto humor, y dicen “Este es mi humor. Mi humor es muy bizarro”. Hay un canal que se llama Marito Barakus,  que tiene mucha movida en Instagram también; que es histórico en Argentina porque está desde los primeros canales. Porque tiene un humor muy particular, muy de nicho y muy bizarro. El tipo es un crack en lo que hace. Y dice “A mí no me importa. Yo subo lo que se me canta. Y si se suscriben, se suscriben, pero no me importa”. Y después hay otros que buscan estar en las tendencias. De ver en lo que se está hablando en tal momento. Hay diferentes estrategias. Pero yo personalmente lo considero más que en número de suscriptores, en la interacción y la visualización que tienen los videos. Y cuando se viraliza, me doy cuenta que está yendo bien. También yo, porque mi cabeza es más grande, veo en los medios tradicionales o en las redes sociales. Cuando tiene un impacto más allá de la plataforma de Youtube. Entonces nos pasó que el año pasado vinieron los Rolling Stones en febrero, y yo tenía una idea para un video que era: un rollinga te enseña a bailar como Mick Jagger. Lo guioné. Busco en Alternativa Teatral, una página web para hacer castings, un rollinga y me contesta una sola persona. Me manda un video perfecto de la persona que estaba buscando. Hago ese video y la pegó mal en Facebook. Nosotros también subimos los videos directos a Facebook. Facebook.com/pilo La cuestión es que la rompió en Facebook, tiene más de 1 millón de reproducciones, se viralizó por Brasil, no sé cómo; pero había muchos comentarios de brasileños que les había encantado ese video.  Salió por TELEFE, por CRÓNICA. Los medios decían: “Un Rollinga llamado PILO enseña a bailar”… Era cualquiera. Cuando veo que algo llega más allá de mi control… (porque no le pago a los medios para que lo pasen)….   es cuando considero que es un éxito. Obviamente lo monetario es importante porque es bastante trabajo, y tenés que poder sostenerlo. Hay chicos que empiezan como Youtubers que todavía son jóvenes y viven con los padres. Y yo lo que veo de colegas es que algunos pueden mudarse desde otras provincias para Buenos Aires y están en obras en la Calle Corrientes. Y eso es un parámetro de éxito. De convocar gente al teatro y en otras áreas. (34:17) ¿Cuál es el mejor consejo que recibiste de negocios o del ámbito de Youtube y de quién fue? Hay una frase de Steve Martin que a mí me gusta: No importa el talento, sino la perseverancia. Como que hay que seguir insistiendo. Eso por un lado. No es un consejo que me dieron personalmente, pero lo tomo. Y de hecho lo veo en otros youtubers que antes hacían un contenido que era bastante malo y que ahora encontraron la veta por dónde ir.  Algunos empiezan haciendo sketches y no les va bien, pero tal vez hacen un blog sobre tecnología y ese era su nicho. Perfecto. Pero hay que seguir y seguir intentando. Y también hay que estar al tanto de las tendencias. Hay que mantenerse joven. Se lo decía a Nico (el socio) cuando veíamos que estábamos “viejos” para Youtube, ya con 27. (35:43) Es increíble “Estás viejo para Youtube”. ¿Qué hábitos diarios practicás a los cuales podés atribuir parte de tu éxito o parte de tu perseverancia; que para vos es éxito? Primero es ponerse una especie de agenda, de calendario. De decir: “Esta semana se sube tal cosa”. Marcarse horarios. Yo también hago música y le dedico tiempo a eso. (36:18) ¿Qué tocás? Más que nada la guitarra. Canto. En Instagram subo bastantes covers, y ahora tuve la suerte de poder grabar unas cosas que van a salir en los próximos meses. Pero de 12 a 18 horas, estoy con PILO. Cómo que me pongo esos horarios mínimos. A veces me quedo hasta más tarde. Ayer nos quedamos hasta las 21 horas grabando unos videos cortitos para las redes sociales. Hay otros días que puedo trabajar desde casa y no tengo que ir a la oficina. Pero todos los días tengo que dedicarle cierto tiempo a ese proyecto para que no muera. Y mantenerlo fresco, vivo y estar presente en todas las redes sociales. Porque no es sólo Youtube. Tengo Youtube como el lugar más grande, de más llegada, pero después tenés una base de fans que está interesada en saber quiénes son los que están detrás de cámara, qué están haciendo, qué va a salir, con quién se va a hacer. Nosotros tenemos merchandising de PILO actualmente. Tenemos remeras. Hace poco hicimos una juntada con nuestros fans y vino unos chicos que se habían visto todos nuestros videos y sabían absolutamente de todo. Hice una especie de trivia y un chico sabía más que yo. (37:49) ¿En serio? ¿Mirá…? Impresionante. (37:50) ¿Cuánta gente fue al encuentro? Mucha gente no vino. Era ese proyecto que yo había estado el año pasado con Jodas Argentas. Logramos crear eso, una especie de comunidad. Los públicos son totalmente diferentes en una red social que en otra. De repente la gente un poco más grande no tiene tiempo para ver un video de 10 minutos en Youtube. No le interesa. Miran los instagramas los videos de 1 minuto. Y te conocen a otros personajes que vienen más del stand up. Entonces yo pongo esos instagramas en un video de Youtube y en esta red social no los conocen. Es muy loco. Y después los chicos que miran en Instagram un video con youtubers y no tienen idea quién es. Porque son otros públicos, otras edades, otros consumidores. (39:22) Me parece que amerita un programa especial para que nos des un pantallazo de todas las redes sociales. Se ve que sabés muchísimo. Y me gustaría que agendemos eso para un futuro no tan lejano.   Es algo que me gusta y te diría que es clave para entender. Y no lo pude lograr en la televisión. Pero me terminó beneficiando porque la televisión es algo medio del pasado. (39:57) Y sí, yo ya di de baja a mi cable. Claro, ahora el momento es online, es digital. Sea Netflix, sea Youtube, sea lo que fuere. (40:05) Mis hijos están todo el día con Youtube. Ven los dibujitos que envuelven los juguetes… Yo tengo hijos de 7 y 4 años. Entonces se vuelven locos. Y los que hacen videos de masa, ¿viste? ¡Les encanta! Me imagino. (40:29) ¿Qué aplicaciones utilizás en tu PC o en tu MAC y en tu celular para trabajar todos los días? El Final Cut Pro es clave. Photoshop uso mucho para hacer las miniaturas de los videos. Lo que es la fotito que aparece en Youtube. Mucho el Tuitdeck para Twitter  que me da una especie de pantallazo grande en muchas cosas de las redes sociales y después en el celular. Instagram, Facebook, en Youtube hay varias aplicaciones diferentes para creadores. Tiene un Youtube normal y otro que se llama Studio que te da todos los analitics de los videos. Estoy mucho tiempo mirando eso. Más que nada eso, te diría. (41:21) Y en tu celu seguís todas las redes sociales ¿Tenés Iphone o Android? Iphone. Después tengo Spotify para escuchar música, y es donde voy a subir mis canciones.  Soy el número 1 de mis contactos en WAZE. (Risas) (41:41) ¿Qué quiere decir eso? Que tenés más puntos. Ahhhh….   No sirve para nada. Pero hay un accidente y marco que hay un accidente. (41:56) Imaginate que despertás mañana en un mundo nuevo, idéntico a La Tierra pero no conocés a nadie, poseés toda la experiencia y el conocimiento que tenés actualmente. Tu alimentación y vivienda están resueltos. Todo lo que tenés es una laptop, un Smartphone, 500 USD, y por supuesto: acceso a Internet. ¿Cómo empezarías tu canal nuevamente? Bueno, primero que nada haría lo que es el diseño gráfico del logo y la portada. Trato de pagar lo menos posible a los diseñadores, porque con 500 dólares no se puede hacer mucho. Perdón. Y después me mando a hacer contenido de una. Salgo con mi Smartphone a mostrar rarezas que me encuentre por la calle. Y empezaría sin perder tiempo. (42:58) ¿Leíste algún libro de tu rubro que te haya inspirado a hacer algo y querés recomendar? En este momento estoy leyendo uno sobre la serie Seinfeld, que se llama “(Seinfeldia)” y te cuenta los detrás de escena de los guionistas. Ya sé que no es de los nuevos medios de las redes sociales, pero yo me identifico mucho con los guionistas y con la búsqueda constante de ideas. Y sacar cosas nuevas. (43:32) Sí, fue un capo Seinfeld porque hablaba de “Nada”. El capo en realidad es Larry David (43:37) Sí, se hacía todo. El pelado, ¿no? Exacto. Él agarraba cosas de la vida real y las transforma en guión, en ficción. Me gusta mucho de entender algo que acá falta: tirar ideas en grupo. Los proyectos no son individuales. Se necesita trabajar en grupo. Se necesitan otras miradas. Me encantaría que acá se valore al guionista como si fuese un rol esencial. Y así mismo para You Tube. (44:17) ¿Ustedes se encuentran seguido con tus colegas Youtubers, los que viven en Buenos Aires? ¿Tienen algún tipo de networking? Sí, nos juntamos una vez por mes. Y en general se hace en las oficinas de PILO, pero más que nada para hablar de negocios y de los precios, y de cómo están pagando las marcas. Porque también hay un tema de que las marcas se aprovechan mucho de la edad de los chicos, o que piensan que por una milanesa te agarran gratis el canje. Ahora, con mi socio y un youtuber muy capo que se llama Mariano Bondar, estamos por empezar a hacer nuevas cosas. Estamos juntándonos una vez por semana para tirar ideas y hacer proyectos que nos beneficien de los dos lados. Él tiene más de un millón y medio de suscriptores. Tiene 900 mil seguidores en Instagram.  Tiene una capacidad que a nosotros nos ayuda con la exposición. Nosotros podemos tirar ideas y él también tira muy buenas ideas. Entonces estamos armando un equipo con él. (45:32) Eso está bueno, sí. Eso sirve mucho en mi caso con la gente que hace podcast. Tener como gente del mismo palo, o del mismo rubro que se puedan como hacer “brain storming”. Claro, exacto, es importantísimo. Es algo que me sorprendió. Es algo que de haber laburado acá en televisión o afuera. Que acá un programa grande, como el que trabajé, los guionistas ni siquiera estaban en el equipo. Y los sketches venían de guionistas que mandaban de afuera, que los contrataban específicamente para un trabajo versus el equipo que tenían en USA, con un grupo de 14 guionistas, para hacer un monólogo diario. Que no tenía un Sketch, nada. Pero es un tema de presupuesto,  de diferentes maneras de encarar las cosas. Para mí es lo más importante y lo que más bola hay que darle. (46:33)¿Cuál es la mejor forma de contactarse con vos? Por Twitter: @elzepet Instragram: @elzepet Mail: zepetbiz@gmail.com Ahí es donde me manejo más que nada con la gente que quiere hacer alguna propuesta. O quiere hacer algo en PILO. Y PILO también tiene su mail: produccionpilo@gmail.com (47:14) Te quiero agradecer muchísimo Zepet. Podés saludar a la audiencia. Gracias por escucharme y bancarme hasta este punto de la entrevista. (47:29) Ya me voy a contactar con vos, porque me encantaría hacer un programa específico  o muy puntual con lo que es los emprendedores y cómo pueden usar las redes sociales. Me parece bien. Un abrazo grande. Un abrazo, Moses. Chau. (Separador) Espero que les haya gustado la entrevista que tuvimos con Zepet de YouTube.com/pilo Se pueden comunicar con él a través de Instagram y Twitter: @elzepet Y se pueden comunicar si le escriben: zepetbiz@gmail.com o produccionpilo@gmail.com https://www.youtube.com/pilo https://www.facebook.com/VideosPilo/ Libro favorito: Seinfeldia Canales YouTube y Sitios Web mencionados en el programa: Jodas Argentas JATV Catástrofes Cotidianas Hecatombe Producciones Mario Baracus Mariano Bondar Idea.me   Apps que Zepet utiliza a diario Final cut pro Photoshop Tweetdeck Instagram Facebook Youtube Studio Spotify Waze Si te gustó el programa: Suscribite al Podcast en iTunes o Spotify para enterarte cuando publico nuevos episodios. Podés calificar el programa en iTunes escribiendo una breve reseña desde acá. Seguime en: Instagram Facebook Twitter Gracias por escuchar! Hasta la próxima semana! Moses Levy  

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Here is a great way to here us every where! http://stitcher.com/s/player.php?fid=28445&refid=st Written by Jason Roeseke The countdown has begun. A new breed of Podcast has emerged, and we hope that the Independent music community is rocked to it's core. A change in the system was needed, and we at Jarcodes Productions are happy to provide it. Show your support. Show your love for head banging Metal. Rock, Alternative, and Punk. Show some appreciation to musicians not cranking out crap for a dollar or two. The revolution is here. You are a part of it. Offer your feedback, and lend us your ear. It was four score and seven years ago that the commercialization of the music industry was completed, and this moment, this show, this action is what those fat cats feared. From now on you have the right to think for your self. The time is now to find that your opinion is valid. Listen to our show. Or don't, but whatever you do Understand that you don't have to accept genaric when it comes to your music. Awaken the torment By:gujukal Https://soundcloud.com/gujukal/reason-to-regret-awaken-the-torment-original First Wave By:Dead Instruments http://deadinstrument.blogspot.co.uk/ Cassandra Jupiter By:girlsNames Https://soundcloud.com/girlsnames/Cassie-jupiter Holes By:The Third Grade Http://thethirdgrade.bandcamp.com/track/holes Jugular By:Anglespit Http://www.reverbnation.com/angelspit Kill me Fuc k you Rotten Teeth Https://soundcloud.com/rotten-teeth/kill-me-fuc-k-you Project for a new American Tyrrany By:Derek Cornett Https://soundcloud.com/Derek-cornett/project-for-a-new-american Underrated By:Savilampi https://soundcloud.com/savilampi/savilampi-underrated There's Something By:When Words Fail Https://soundcloud.com/whenwordsfailuk/theres-something The Merry Maidens of Boleigh By:An Norvys Http://an-norvys.bandcamp.com/album/sins-and-stones Watch the podcast railer before you listen to the countdown http://youtu.be/pR34-uJU5QE Here my friends is "The Unsigned Countdown" Full length Podcast episode http://jarcodespodcast.podbean.com/