Podcasts about Indian Americans

Listen to premium episodes on our Patreon: patreon.com/postingthroughit~~~What do Christopher Rufo and Jonathan "Lomez" Keeperman have in common? The New York Times has glazed both of them, and they both peddle pseudo-intellectual racist gibberish. On this Creamium episode, Jared and Mike dig into the wave of anti-Indian racism metastasizing across the online right, culminating in a podcast by Rufo and Keeperman titled "The Indian Question."It's gotten ugly out there for Indians in general within MAGA, and the racist obsession coincides with Indian Americans — from JD Vance's family to Harmeet Dhillon to Vivek Ramaswamy — gaining increased visibility in the movement. Nick Fuentes, one of the biggest ringleaders of anti-Indian racism, has also challenged people with Indian families to embrace who they are and stop hiding. It's the kind of situation you only find yourself in when you're trying to sell white nationalism to an electorate that maybe isn't all that white.This episode offers an illuminating lesson on who liberal elites have determined to be interesting voices in a mainstream hate movement. And we learn that Mike, a Resident Evil enjoyer, has issued his first media fatwa. Tune in to find out who it's about.

How do we break the silence around youth mental health in South Asian and Indian American communities? Why do so many high-achieving youth suffer from internal burnout, and how can parents identify subtle warning signs before a situation becomes a crisis?In this vital episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Dr. Apurva Bhatt, a child, adolescent, and adult psychiatrist at Stanford Medicine. Dr. Bhatt specializes in early identification of psychosis, suicide prevention strategies, school mental health integration, and culturally responsive care for South Asian diaspora families.Dr. Bhatt breaks down the "model minority myth," unpacks the intergenerational trauma and communication gaps between immigrant parents and second/third-generation youth, challenges the pervasive fear of "what will people say?" (Log Kya Kahenge), and shares practical tools for families—including digital media wellness plans, gamifying mental hygiene, and building community-based support systems.If this conversation helps you or someone you love, please LIKE, SHARE, and SUBSCRIBE to support mental health awareness across our global community!--------------------------CHAPTERS / TIMESTAMPS:00:00 - Welcome & Introducing Dr. Apurva Bhatt (Stanford Medicine)03:21 - Growing Up Indian-American: Navigating Identity & Complexity06:19 - Subtle Red Flags vs. Labeling Kids "Lazy" or "Spoiled"09:11 - Why Families Wait Until Crisis & Intergenerational Trauma11:24 - High-Achieving Youth, Bay Area Pressure & Internal Burnout14:43 - Actionable Steps for Parents: Modeling Breaks & Checking In17:55 - Sponsor Break: Travelopod  & Lotus Lane Coffee18:20 - Immigrant Parents & Diaspora Youth: Bridging the Cultural Gap25:24 - Deconstructing the Model Minority Myth & Digital Isolation28:16 - Digital Wellness Plans, Sports,  & Gamifying Mental Hygiene31:36 - Sponsor Break: Timberdog Ruffrest32:06 - Overcoming Stigma & "What Will People Say?"35:20 - Community Action, Storytelling (RCOZ) & Culturally Responsive Care39:50 - Key Takeaways: "Mental Health IS Health" & Hope for Recovery42:50 - Building Trust with Families & Empowering Youth Advocacy46:58 - Outro, Crisis Resources (988) & Community Shoutouts--------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• Mental Health IS Health: Why shifting our foundational belief from viewing mental illness as a flaw to treating it like physical health changes everything.• Recognizing Early Red Flags: Moving beyond labels like "lazy" or "burnt out" to spot subtle behavioral, mood, and sleep changes early.• Deconstructing the Model Minority Myth: Why high achievement does not protect youth from internal anxiety, depression, or loneliness.• Actionable Prevention: Utilizing the AAP Family Digital Plan, encouraging real-world movement (sports, Garba, Bhangra, dance), and creating open check-in routines at home.CRISIS & MENTAL HEALTH RESOURCES:If you or someone you know is in distress or experiencing a mental health crisis, please reach out for immediate support:

As Ohioans cast their ballots for who will become the next governor, the final result will make history, no matter who wins. If it's Republican Vivek Ramaswamy, he'll become Ohio's first Indian American and billionaire governor, as well as the first Hindu governor in the United States. If Democrat Dr. Amy Acton gets the most votes, she'll become the first elected woman and Jewish governor of Ohio. And if Libertarian Don Kissick upsets the two major party candidates, he'll become the first Libertarian governor of Ohio. "Sound of Ideas" host Stephanie Haney talked with each of the candidates in one-on-one prerecorded interviews lasting roughly 20 minutes each, and we're sharing those conversations with you today. The questions came from research on the candidates, as well as conversations we had this summer with voters at libraries across Northeast Ohio as part of our Listen, Engage, Vote initiative. We also asked for input from "Sound of Ideas" audience members on social media. First, we'll hear from Republican Vivek Ramaswamy, then Democrat Dr. Amy Acton, and then Libertarian Don Kissick. Guests: -Vivek Ramaswamy, Republican Candidate for Ohio Governor -Amy Acton, M.D., Democratic Candidate for Ohio Governor -Don Kissick, Libertarian Candidate for Ohio Governor

Welcome, I'm Reenita Hora, and on this episode of The True Fiction Project, I sit down with actor, writer, and producer Rashmi Rustagi to talk about her award-winning feature film, Designed by Preeti. Rashmi takes us behind the scenes of a story inspired by the real experiences of three Indian women and follows Preeti's journey from an abusive marriage toward independence and empowerment. We talk about the cultural expectations that can keep women in unhappy relationships, the importance of talking openly about mental health, interracial relationships, and why Rashmi believes even serious stories need a little laughter along the way. And yes, we get into the story behind the movie's infamous tofu joke! Plus, stay through the end for the Designed by Preeti trailer.Watch her film, Designed by Preeti, on Prime Video, and leave a review. Send me an Instagram DM @reenita_storyteller with a screenshot of the review and I'll send you her cookbook, Designed by Preeti, as a special gift! Just in time for the festive season. Only a limited quantity is available so act fast!What You'll Learn in This Episode: ✅ How Rashmi's experiences growing up in Lucknow, India, and her early work in radio and theater eventually led her to acting and filmmaking in the U.S.✅ How real-life stories inspired Designed by Preeti, and why Rashmi wanted to tell an ultimately hopeful story about a woman finding her independence.✅ Why cultural expectations, stigma, mental health, and even interracial relationships can complicate the lives of Indian-American women.Subscribe to Reenita's Storytelling Den on Substack for free at https://substack.com/@reenitahora and to her YouTube channel to watch the video version of this episode! https://www.youtube.com/@reenymalCheck out her website to stay up-to-date on events, book releases and more! https://reenita.com/TIMESTAMPS:  01:02 Reenita introduces Rashmi and Designed by Preeti04:17 How Rashmi's mother encouraged her creative ambitions and helped launch her early career05:20 Bienvenidos a Los Angeles and Rashmi's experience being part of an Oscar-shortlisted film06:54 The real-life women who inspired Designed by Preeti08:39 Domestic abuse, cultural expectations, and why women may stay in difficult marriages11:03 The story behind the movie's very unexpected tofu/dildo joke13:02 Why Rashmi ultimately removed the punchline from the film14:41 Mental health, therapy, and changing attitudes across generations18:18 What's next for Rashmi? A thriller road trip featuring three women19:24 A special Designed by Preeti cookbook giveaway21:46 Designed by Preeti trailerKEY TAKEAWAYS: 

Indian-Americans find themselves in the crosshairs; the Trump White House kicks out news outlets, and the UK assesses rejoining the EU. Ashley Frawley and Geoff Shullenberger join Matthew Schmitz. Compact Magazine is reader-supported. Become a member and gain unlimited access here.

Gentle listeners, we know you've had a hard week, and we want to bring you a pick-me-up. Today's episode has a little something for everyone: a riveting cult story, nudity, sports gambling, racist-bigot bashing, fanatic Texans, AI-pocalypse, an epic history of progressivism, and, most tantalizing of all, a detailed discussion of the myth of left and right. Tune in to hear Jonah Goldberg ruminate about being a grown-up, the long-forgotten BDX Cult, originalism, AI torts and liability, the social question, Bo French, bourgeois morals, Indian Americans, racism, the AP stylebook, and the left-right spectrum.  Show Notes: —9/11 G-File —Jonah's “Canines of 9/11” piece in National Review —AO pod wherein David French defends George Bush —The Sweeney G-File  —Jonah yapping about AI —Jonah's first book, Liberal Fascism —Tim Carney: The Big Ripoff —DisPod on AI —Erick Erickson's newsletter —NR editorial on Indian bigotry —Lewis brothers: The Myth of Left and Right —Jonah dunks on Macklemore The Remnant is a production of ⁠The Dispatch⁠, a digital media company covering politics, policy, and culture from a nonpartisan perspective. To access all of The Dispatch's offerings—including the Saturday Ruminant, audio versions of all our articles and newsletters, and Jonah's twice-weekly G-File—⁠click here⁠. Instructions on how to set up your members-only feed can be found here, and if you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member ⁠by clicking here⁠.  Learn more about your ad choices. Visit megaphone.fm/adchoices

"When you're creating, you can be fearless. But fear is what makes your pieces more interesting." — Abhay SehgalHow do you go from studying fine art at the School of the Art Institute of Chicago to building a global surreal art brand, launching the streetwear label Code BRWN, and capturing modern Indian identity through memory and chaos?In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with contemporary surreal artist, SAIC alumnus, and Code BRWN founder Abhay Sehgal. Abhay shares his journey from experimenting with darker art and Salvador Dalí-inspired surrealism to returning to Delhi, where he weaves memory, psychology, and Indian culture into a globally recognized aesthetic. Abhay chats about his philosophy on why emotional tension and fear give art its depth, how disruption and travel spark his best conceptual work, why he prefers keeping his personal identity separate from his art, and the idea of fine art accessible to a new generation across India and the diaspora. We touched also on the challenges of this past year through allegations of plagiarism, mimicry, and AI art, and how he has grown tremendously as an artistIf you enjoy deep conversations on art, culture, identity, creative risk, and South Asian storytelling, please LIKE, SHARE, and SUBSCRIBE!--------------------------CHAPTERS / TIMESTAMPS:00:00 - Teaser: "Fear is what makes your pieces more interesting"01:05 - Sponsor Break: Travelopod01:24 - Welcome & Introducing Contemporary Surrealist Abhay Sehgal02:49 - The Meaning of "Abhay": Fearlessness in Creative Expression04:22 - Dark Art, Mental Health & Balancing Cheerfulness with Tension06:21 - Personality vs. Art: Why Keeping Identity Secondary Matters10:16 - From SAIC Chicago to Delhi: Falling in Love with Surrealism12:23 - Nostalgia, Heritage & Memory as Creative Anchors16:12 - Sponsor Break: TRAVELOPOD and Lotus Lane Coffee16:37 - Routine vs. Disruption: Why Chaos Multiplies Creativity19:36 - Bridging Two Worlds: Why Diaspora Audiences Connect with Surreal Art24:35 - Code BRWN & Streetwear: Making Fine Art Accessible27:19 - Sponsor Break: Timberdog Ruffrest27:48 - Redefining Trust, Inspiration & Growth After a Year of Creative Challenges33:09 - Fine Art, Public Spaces & The Power of Community Art36:20 - Redefining Success, Social Media & Staying Authentic41:01 - "Walk Ten Miles in My Shoes": Triggering Nostalgia in Viewers42:37 - Outro & Community Shoutouts--------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• Fear as Tension: Why true creativity requires fearlessness in execution, but emotional tension to make visual art compelling.• Nostalgia & Identity: How living in Chicago and Delhi shaped Abhay's surrealist lens on modern Indian identity and heritage.• Navigating Chaos: Why breaking away from mundane routines and embracing disruption sparks new artistic breakthroughs.GUEST & HOST RESOURCES:

GZP'S WORLD CUP SPECIAL! Wyatt and Luke are joined by LA Galaxy left back (and longtime family friend) Riley Dalgado to talk what it's like for a rookie in the MLS, talk craziest locker room stories, and give a World Cup preview... WATCH NOW

The phrase "unprecedented times” was repeated over and over again during the pandemic … and Malavika Kannan's debut novel, Unprecedented Times, dives into university life during that period. The story follows Rishi, an Indian American student who's ready to start fresh at Stanford after her strict Florida upbringing. She has big plans to shed her old skin and finally meet people just like her, but that journey is cut short by the arrival of COVID-19. As Rishi and her peers struggle with disillusionment, political unrest and good old university drama, she starts to think more closely about her story and the shared experience that's shaping her generation. Liked this conversation? Keep listening:Here's what you have wrong about teen moms Would a tradwife influencer survive in 1855?Check us out on Instagram @cbcbooks and TikTok @cbcbooks

Miranda Wilkins makes a shingles “proof of life” appearance before Meghan McCain dives into a packed show with Anang Mittal and Elisha Krauss. First, Meghan and Anang react to the racist backlash over Indian-American students celebrating a University of Texas football win and ask what the growing rhetoric on the right could mean for Republicans, JD Vance and Usha Vance. Then they tackle the AI panic: are the robots actually coming for us, or do Silicon Valley companies have their own reasons for warning that their technology is becoming dangerously powerful? Elisha Krauss joins to break down the Republican midterm convention, which Meghan compares to a “fake Gucci bag,” the “48” chants for JD Vance, Trump's $5,000 check proposal and whether Republicans are trying to crown their 2028 nominee years before voters have their say. Plus, the vandalized Charlie Kirk statue, Republicans' problems in Arizona, Harry and Meghan's new life back in the UK, and the one thing everyone can agree on: ‘Widow's Bay' deserves some Emmy love. Editor's Note: This episode was recorded Monday, September 14 at approximately noon ET, before the Emmy Awards and before Sen. Mitch McConnell returned to public view and the U.S. Senate later that day after a three-month absence. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hasan Minhaj is best known for his political comedy on ‘The Daily Show' and ‘Patriot Act with Hasan Minhaj,' but his latest project hits closer to home. Minhaj sat down with Newsweek's H. Alan Scott to discuss Netflix's ‘Best of the Best,' which he produced, co-wrote and co-stars in. The film follows two Indian American best friends who compete in college Bollywood dance competitions, inspired by real circuits like Best of the Best, Legends and the Desi Dance Network. Directed by Lena Khan and starring Priyanka Kedia and Maitreyi Ramakrishnan, the movie centers on friendship and whether that bond can survive competition. "It's really, really about sisterhood and their friendship," Minhaj tells Newsweek. "And will that bond last." Minhaj also opens up about balancing this new creative direction with the political commentary he's known for, including his podcast ‘Hasan Minhaj Doesn't Know.' See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"If my child is going to break the mold and not be a statistic, the number one quality that I had to embed in him was a belief system in himself. If you can take ownership of what makes you different, then you are unstoppable." — Shireen HafeezHow do you go from receiving a late hearing loss diagnosis for your child and fighting insurance companies to founding an international movement that empowers tens of thousands of deaf youth through computer science?In this SPOTLIGHT episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Shireen Hafeez, Founder of Deaf Kids Code. Shireen shares her powerful journey from parent advocate lobbying state legislatures for hearing aid coverage to building a zero-barrier, completely free global program that transforms visual-spatial talent into high-demand STEM, coding, and design thinking skills.Shireen helps us confront the shocking statistic that 75% of people with disabilities remain out of the job market, tackles the cultural taboos around disability within South Asian communities, discusses embedding AI literacy into special education, and explains why true accessibility means building WITH the community, not FOR them.If you believe in bridging equity gaps, empowering marginalized youth, and expanding human potential, please LIKE, SHARE, and SUBSCRIBE!--------------------------CHAPTERS / TIMESTAMPS:00:00 - Introduction03:46 - The Diagnosis & Fighting Insurance "Cosmetic Device" Labels07:42 - Legislative Advocacy & The 75% Disability Unemployment Statistic12:06 - Founding Deaf Kids Code: Defiance, Scale & Zero-Barrier Access14:29 - Sponsor Break: TRAVELOPOD, Lotus Lane Coffee,  & Timberdog Ruffrest15:24 - Overcoming Apathy, Human Arrogance & Building Belief Systems20:06 - Micro-Impacts, Deaf Role Models & Evangelizing Greatness24:35 - South Asian Cultural Stigma, Unlearning Silence & True Allyship29:20 - AI Literacy, Accessibility Coalitions & "Build WITH the Community"32:24 - A Message for Parents & Educators: Unlocking Human Potential36:20 - Conclusions, Deaf Awareness Month & Community Shoutouts--------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• Defying the 75% Statistic: How Deaf Kids Code is actively countering workforce exclusion by preparing deaf and hard-of-hearing youth for modern STEM careers.• Zero-Barrier Access: Why Deaf Kids Code provides its coding, robotics, and hardware workshops entirely free to schools, educators, and families.• Overcoming Cultural Stigma: Breaking down the shame, silence, and "otherness" surrounding disability within South Asian and global communities.• AI & Accessibility: Why disabled leaders must sit at the forefront of AI development to prevent algorithmic bias and unleash accessible innovation.GUEST & HOST RESOURCES:

How do you raise children to think beyond limits and create meaningful change? Visionary entrepreneur Naveen Jain joins Darius on The Greatness Machine for a fascinating conversation on leadership, innovation, and the power of exponential thinking. He shares how a simple promise led to a $5 billion stock surge, the importance of resilience in entrepreneurship, and why curiosity is the key to solving the world's biggest challenges. Naveen also reveals his unique approach to parenting—raising children to be problem-solvers rather than rule-followers—and how this mindset has shaped his own success. In this episode, Darius and Naveen will discuss: (00:00) Introduction to Purposeful Living (02:59) Naveen Jain's Journey and Philosophy (06:13) Personalized Health and Nutrition Insights (09:08) Parenting and Raising Entrepreneurial Children (12:00) The Role of Exposure in Child Development (15:00) Fostering Curiosity and Critical Thinking (18:09) Redefining Success and Self-Worth (20:50) The Nature vs. Nurture Debate in Success (33:07) Wealth and Parenting: The Balance of Privilege (35:59) Teaching Kids the Value of Money and Contribution (38:51) Instilling a Sense of Purpose and Service (41:57) Fostering Intellectual Curiosity and Creativity (44:07) The Role of Unconditional Love in Parenting (49:02) Navigating Work-Life Integration as a Parent (51:59) Lessons on Partnerships and Decision-Making (55:04) Final Thoughts: The Importance of Intellectual Curiosity Naveen Jain is an Indian-American entrepreneur and business executive known for founding InfoSpace, which was once one of the largest internet companies in the American Northwest. Following the dot-com bubble crash, he shifted his focus to groundbreaking ventures in space exploration and health technology. He co-founded Moon Express in 2010, where he serves as Executive Chairman, and later founded Viome in 2016, where he is currently the CEO. Listen to the first episode here:  https://podcasts.apple.com/au/podcast/304-naveen-jain-part-1-moonshots-and-mindset-why-big/id1555334180?i=1000672328585  Connect with Naveen: Website: https://naveenjain.com/ Website: https://www.viome.com/  LinkedIn: https://www.linkedin.com/in/naveenjainintelius Instagram: https://www.instagram.com/naveenjainceo/ Twitter: https://twitter.com/Naveen_Jain_CEO  Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine  Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness. 

This is the All Local afternoon update for September 7, 2026.

Today on The Gist, guest host Charlie introduces Mike Pesca's conversation with comedian and writer Nimesh Patel, the first Indian American writer in Saturday Night Live history. Patel charts his transition from NYU finance major to stand-up comic, breaking down his shifting philosophy on joke construction, why he has moved away from didactic, argument-driven bits, and how he uses subtext and contrarian premises to catch audiences off guard. He also revisits his specials Thank You, China and Lucky Lefty, dissects the humor and frustrations of the American healthcare system, and reflects on the infamous 2018 Columbia University set where organizers cut his microphone midway through his performance.Stop online threats before they become real-world attacks. Visit ironwall.com/GIST and request a free Risk Assessment to see exactly how exposed your executives are.Produced by Corey WaraDo you have questions or comments, or just want to say hello? Email us at ⁠⁠⁠⁠thegist@mikepesca.comFor full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠For ad-free content or to become a Pesca Plus subscriber, check out ⁠⁠⁠⁠https://subscribe.mikepesca.com/For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/Follow us on Social Media:⁠⁠⁠⁠YouTube https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠Instagram https://www.instagram.com/pescagist/X https://x.com/pescamiTikTok https://www.tiktok.com/@pescagistTo advertise on the show, contact ⁠⁠⁠⁠sales@amplitudemediapartners.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How do you go from anchoring primetime news on NDTV to leaving mainstream television, co-founding India's first short-form digital news platform, and bringing old-school editorial rigor to Gen Z — all while fighting algorithms and online polarization?In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with award-winning independent journalist, former NDTV primetime anchor, and PEEK TV Co-Founder Priyanshi Sharma. Priyanshi shares her journey from mainstream television newsrooms to corporate business school at ISB, and her decision to build a new media model focused on unbiased, unsensational, fact-based reporting for global digital audiences.Priyanshi also breaks down her philosophy on why "every generation deserves old-school journalism," how the definition of the "informed Indian youth" shifted from apolitical to deeply engaged, why the boundaries between journalism, activism, and social media influencers must remain distinct, and how PEEK TV is detoxing online discourse to keep the global Indian diaspora connected to true ground realities.If you enjoy deep conversations on journalism, digital media, Indian democracy, technology, and identity across the global South Asian community, please LIKE, SHARE, and SUBSCRIBE!--------------------------CHAPTERS / TIMESTAMPS:00:00 - Introductions and welcoming Priyanshi03:43 - The Journalist's Detox & Managing 24/7 News FOMO09:54 - The Informed Indian Youth: From Apolitical to Deeply Engaged15:15 - Delusion vs. Hope: How Youth Protests Re-Energized Indian Citizenship18:28 - Sponsor Break: TRAVELOPOD20:28 - Journalism vs. Activism & Influencers: Why Credibility Matters24:31 - Building PEEK TV: Short-Form Digital News Beyond Mainstream TV28:13 - Sponsor Break: Lotus Lane Coffee & Timberdog Ruffrest29:28 - Storytelling, Misinformation & "Detoxing the Discourse"37:52 - Algorithmic Polarization & Unlearning the "TV Anchor Tone"45:03 - Connecting the Global Indian Diaspora to Ground Realities48:01 - Hope, Dissent, and the Future of Independent Indian Media52:29 - Outro & Diaspora Community Shoutouts--------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• Old-School Journalism in Short-Form: How PEEK TV brings rigorous editorial standards and fact-based reporting to short-form digital video platforms.• Journalism vs. Activism: Why maintaining strict independence and objectivity is vital for stories to retain public credibility.• Detoxing the Discourse: Overcoming algorithmic polarization, echo chambers, and sensationalism to deliver balanced perspectives.• The Diaspora Connection: How independent digital media bridges the gap for global Indians seeking reliable, unvarnished news from the ground.GUEST & HOST RESOURCES:

How do you go from seeing the Google website load for the first time on a campus computer screen in Mumbai to building and exiting three tech ventures, writing The Golden Tap, and buying back your company from VCs — all while navigating the rapid rise of AI?In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with serial entrepreneur, investor, author, and HyperTrack Founder & CEO Kashyap Deorah. Kashyap shares his journey across changing tech cycles, from falling in love with the internet at IIT Bombay to building and exiting three tech ventures, capturing the Indian tech ecosystem in his bestselling book The Golden Tap, and making the bold decision to buy back HyperTrack from venture capital investors to become a management-owned company.  Kashyap also breaks down his philosophy on why "technology accelerates human behavior rather than equalizing opportunity," how startup scaling accelerated from 0-to-1M in 18 months to 0-to-100M in 18 months, why high school dropouts building AI-native tools are outperforming legacy pivots, and why deep emotional connection and empathy remain the core operating system for tech leaders.  If you enjoy deep conversations on entrepreneurship, venture capital, technology, and identity across the global South Asian community, please LIKE, SHARE, and SUBSCRIBE! --------------------------⏱️ CHAPTERS / TIMESTAMPS00:00 - Teaser: Why Technology Accelerates Human Behavior01:46 - IIT Bombay, Google & Falling in Love with Entrepreneurship06:32 - The Accelerated Startup Pace: AI-Native Founders vs. Legacy Pivots09:53 - Building HyperTrack: Gig Workforce Logistics & Field Automation15:54 - Sponsor Break: TRAVELOPOD and Lotus Lane Coffee16:52 - Capital Concentration & Shifting Venture Capital Dynamics19:53 - Why We Bought Back Our Startup From VCs24:35 - Hard Truths for Founders: M&A Realities, Valuations & Misalignment28:58 - Sponsor Break: Timberdog Ruffrest29:25 - Tech Polarization, Vipassana Meditation & Consciousness36:00 - Reconnecting Feeling with Thinking in Tech Leadership43:32 - Outro & Diaspora Community Shoutouts  --------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• The Core Operating System: Why human relationship building, empathy, and active listening remain constant anchors despite hyper-accelerating tech cycles.• Buying Back Your Startup: How HyperTrack realigned with investors to buy back VCs/PEs and transition to a profitable, management-owned business.• Tech Accelerates Human Behavior: Why technology doesn't automatically equalize opportunity, but rather accelerates existing human tendencies and polarization.• Leading with Feeling: How Vipassana meditation and connecting at an emotional level help founders make better decisions in an AI-driven world.GUEST & HOST RESOURCES:

Karan and Roshan's real-life romance inspired their film A Nice Indian Boy, and the success of the Hollywood/Bollywood romcom has healed many family rifts on the way.Karan Soni is an Indian actor famous for playing supporting roles in films like Deadpool & Wolverine. He had moved to the US for college before becoming an actor, but, despite coming out in his teens, felt he had to keep his sexuality a secret to make it in Hollywood. Roshan Sethi is a Canadian oncologist and scriptwriter from an Indian family, who didn't come out till the age of 30. But when the pair met through an online dating app, things began to change. They ended up making a Hollywood/Bollywood-inspired romcom that closely resembled their own story – about a gay Indian-American doctor finding love. Karan is in the lead role, alongside musical theatre star Jonathan Groff, and Roshan is directing. Making this film, and sharing it with their families, has helped to address some of the issues both Karan and Roshan experienced as gay men from South Asian communities.This story was first on BBC World Service radio last year - when the Lives Less Ordinary team decided to create the Love Stories season, we knew we had to include it!Presenter: Sophia Smith Galer Producer: Helen FitzhenryLives Less Ordinary is a podcast from the BBC World Service that brings you the most incredible true stories from around the world. Each episode a guest shares their most dramatic, moving, personal story. Listen for unbelievable twists, mysteries uncovered, and inspiring journeys - spanning the entire human experience. Step into someone else's life and expect the unexpected. Got a story to tell? Send an email to liveslessordinary@bbc.co.uk or message us via WhatsApp: 0044 330 678 2784 You can read our privacy notice here: https://www.bbc.co.uk/programmes/articles/5YD3hBqmw26B8WMHt6GkQxG/lives-less-ordinary-privacy-notice

For many South Asian families, we talk openly about education, success, and responsibility—but conversations about anxiety, depression, and mental health often remain unspoken. In this episode, we explore the mental health of South Asian youth and the power of youth activism with Sarah Shelke, a UC Berkeley student and founder of Mind4Youth, one of the world's largest youth-led mental health nonprofits. When young people speak up, challenge stigma, and createspace for honest conversations, change becomes possible. 

Popular science writer Mary Roach dives into lab-grown organs, historical nose jobs, and unlikely hair transplants, as covered in her latest book Replaceable You: Adventures in Human Anatomy; stand-up comedian Janesh Rahlan riffs on learning Spanish as an Indian American growing up in Texas; and singer-songwriter Amy Millan (of the indie group Stars) recites her teenage monologue from Degrassi Junior High, before performing a track from her new solo album I Went to Find You.

How do you carry the monumental weight of one of Indian classical music's most revered lineages while fearlessly forging your own contemporary artistic voice? In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Grammy-nominated Sarod master, composer, and performer Alam Khan. As the son of legendary maestro Ustad Ali Akbar Khan, Alam inherited the keys to the iconic Maihar Gharana tradition. In this deep and intimate conversation, Alam reflects on performance rituals and perfectionism, taking the Sarod into modern landscapes, navigating the "Jedi-like" responsibility of preserving legacy, and why true music must always serve as the "sound of unconditional love."If you enjoy deep dives into culture, identity, and artistic excellence within the South Asian diaspora, please LIKE, SHARE, and SUBSCRIBE to join our growing community!--------------------------CHAPTERS:00:00 - Introduction03:02 - Overcoming Stage Fright & Performance Anxiety05:44 - Breaking Free from Perfectionism: "Perfectly Imperfect"08:48 - Maintaining a Growth Mindset in High-Stakes Artistry11:22 - Evolving Relationship with the Sarod: Classical vs. Contemporary15:01 - Meaningful Collaboration vs. "Confusion" Music16:07 - Classical Music as a Spiritual "Lighthouse"18:28 - Sponsor Break: Travelopod and Lotus Lane Coffee19:28 - Preserving Ali Akbar Khan's Legacy & Finding Space22:55 - The Anatomy of Musical Storytelling & Emotion25:15 - Listening to Ali Akbar Khan's Music Over Time28:44 - Teaching at the Ali Akbar College of Music32:17 - The "Jedi Order" Responsibility & Personal Legacy35:27 - Creating from a "World Between Worlds"38:35 - Connecting Audiences to Peace, Power, and Solace40:33 - Episode Outro & Community Shoutouts--------------------------EPISODE HIGHLIGHTS & KEY TAKEAWAYS:• Embracing the "Perfectly Imperfect": How to quiet physiological anxiety on stage and get out of your own way.• The Classical Lighthouse: Why classical foundation provides the creative anchor when exploring contemporary genres.• True Collaboration: Avoiding superficial fusion by ensuring projects resonate deeply and create timeless art.• Spreading the Sonic Gospel: Interpreting teachings for new generations at the Ali Akbar College of Music.--------------------------GUEST & HOST RESOURCES:

***Producer's note:  Reposting an episode Nick recorded with Return to Bandung*** In this episode, I'm joined by returning guest Nick Estes—associate professor of American Indian Studies at the University of Minnesota, cofounder of The Red Nation, and author of Our History Is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance(Verso Books, 2019)—to discuss last winter's federal occupation of Minnesota during the Trump Administration's 'Operation Metro Surge.' In this wide-ranging conversation, we attempt to complicate the artificial distinction between the 'domestic' and 'foreign' spheres, instead situating the fascist violence of Metro Surge within a larger context of both settler-colonial violence in the United States and escalating global aggression by the decaying American empire. About the show: Return to Bandung is hosted by Pranay Somayajula, an Indian-American writer, researcher, and organizer based in Minneapolis, Minnesota. His work explores themes of diaspora, (inter)nationalism, anticolonial politics, and the many lives and afterlives of empire. You can learn more about Pranay and read his writing on his website, as well as on his Substack blog, culture shock. Support Return to Bandung: If you enjoyed this episode, be sure to leave a review or rating, and subscribe to the show on Spotify or Apple Podcasts! If you're able, please also consider supporting my work—which encompasses both my writing and this podcast, as well as various other political education projects by signing up as a paid subscriber to my Substack or making a one-off contribution: Become a paid Substack subscriber Buy Me a Coffee Sources and helpful links: Nick Estes — ⁠Our History Is the Future:Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance⁠ (Verso Books, 2019) Pranay Somayajula — Fighting for the future in occupied Minneapolis (The Drift newsletter, January 2026) Minnesota 15 Anti-Repression Committee website Return to Bandung episode with Nick Estes on Indigenous resistance in North America (February 2025) Adam Serwer — Minnesota Proved MAGA Wrong (The Atlantic, January 2026) The Red Nation Podcast episode with Nick Estes and Jimmy Patiño on Red, Black, and Brown Power in the Twin Cities (August 2024) Benjamin Prostine — "'Communal Sensibility': the Minneapolis Mass Strikes of 1934 and Today" (Labor and Working-Class History Association, March 2026) Nick Estes — Transcript of remarks at January 23 'ICE Out of Minnesota' rally (January 2026) Amelia Schafer — Former Native American concentration camp lies beneath current immigration detention center (ICT News, January 2026) Nick Estes — US Imperialism is an Indian War (Middle East Critique, October 2025) Return to Bandung episode with Guillaume Long on Trump's revival of the Monroe Doctrine (January 2026) Return to Bandung episode with Julian Go on the imperial boomerang (February 2025) The Red Nation Podcast episode with Charisse Burden-Stelly on the imperial slingshot (February 2026) Ken Klippenstein — ICE Unloads (Substack post, January 2026) George Jackson — Blood in My Eye (Black Classic Press, 1990) Social links: Return to Bandung: Twitter: ⁠twitter.com/returntobandung⁠ Instagram: instagram.com/returntobandung/⁠ Pranay Somayajula: Twitter: ⁠twitter.com/p_somayajula⁠ Instagram: ⁠instagram.com/pranay.somayajula/⁠ Website: pranaysomayajula.com/⁠ Substack: ⁠culture-shock.xyz/⁠ Nick Estes: Twitter: twitter.com/nickwestes Substack: nickestes.substack.com/ The Red Nation Website: www.therednation.org/ Twitter: twitter.com/The_Red_Nation Instagram: www.instagram.com/therednationmovement YouTube: www.youtube.com/c/TheRedNation

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. For this episode of “Obbligato,” a show dedicated to AAPI classical musicians, composers, and scholars, host Isabel Li interviews Indian American composer Reena Esmail, who blends Hindustani musical themes with western classical compositional styles. Music in this episode: – This Love Between Us “Prayers for Unity”: II. [Sikhism] – Lacrimosa (from Malhaar: a Requiem for Water) – Terra infirma: IV. roaming the ghost forest Transcript Isabel Li: I'm Isabel Li, here for a new edition of “Obbligato,” which explores the AAPI community in the classical music world. Today, we're featuring the Indian American composer Reena Esmail and her unique compositions that blend Hindustani music with Western classical styles and how she writes music about religion, spirituality, and even environmentalism. Welcome, Reena, to Apex Express. Reena Esmail: Hey! It's so great to be here. IL: My first question for you is one that's probably a little bit loaded, but how do you identify and what's your story? RE: I don't know, it's interesting because I work in many different situations, and I think I always identify as the thing that isn't whatever the dominant situation is that I work in. Right? So it's like when I'm in America, I identify as an Indian American. When I'm in India, I identify as an American. When I'm working in Western classical music, I'm the person who knows stuff about Hindustani music. When I'm working in Hindustani music, I'm the person who knows stuff about Western music. So really. Actually, I think of identity not as a fixed thing, but as how you, um, delineate yourself, how you're unique in the situation you're in. You know, it's interesting because especially in the case of Asian Americans, Asia is such a broad thing, right? There are so many more East Asians in Western classical music than there are South Asians. Certainly in my generation. You know, I was surrounded by Chinese, Korean, some Japanese people who were always, you know, playing the piano when I was playing the piano. And, um, there really was not many other Indian people. And, you know, I'll, I'll actually say that even within India, um, you know, if you look at me in America, I'm just Indian. If you look at me in India, I have a very unusual lineage, which is that my dad is from the region of Gujarat and his family is Muslim. My mom is from the region of Goa and her family is Catholic. And so because of that, when I was expressing interest in music, My mom was the one who had more of kind of a musical knowledge in her family, even though there's no professional musicians in her family. So because Goa was colonized by Portugal, there is this element of Western classical music in Goan culture. And so because of that, my mom was like, oh, let's give her guitar lessons, let's give her piano lessons. And so that's how I landed up in Western classical music as opposed to doing Indian classical music. Um, so yeah, I kind of went through the Western classical scene. I was very interested in being a pianist. And, you know, I'm glad that I'm glad I'm a failed pianist in all honesty, because I see what my colleagues who are real, you know, professional pianists have to go through. And I just don't think I have what it takes to do that. It's really an intense job. Um, but when I was in high school, um, one of my theory teachers kind of said, hey, you know, you might be a composer. It seems like you think like a composer thinks, why don't you try composing and why don't you try writing things down? and one thing led to another. And basically a year and a half to two years after studying, I got one of a very few spots in the undergrad program in composition at Juilliard. And that was a point where my parents kind of said, okay, you know, we don't know a lot about the music world, but it seems like if she got into Juilliard, she's probably like somewhat good at this. Maybe we should kind of see how this goes. And, you know, from there on, I pursued composition. IL: And when and why did you start to study Indian classical music, which is a big element in your compositions now? RE: Yeah, absolutely. So I think it's interesting because in every generation, I've seen so much change in how the diaspora views itself. And certainly when I was growing up, you know, I know this is hard to believe, but there were not if you were an Indian going to school, you were kind of the only one. If you were an Indian music, you were kind of the only one. So there was this element where when I went to Juilliard, um, there were I to my knowledge, two Indians in the entire school, me and an actress who had actually come from Calcutta. And so people were trying to, you know, make conversation with me and they'd be like, well, you know, do you do stuff with Indian classical music? And I would just be like, no, I'm trying so hard to even write music for orchestra and, you know, string quartet and all the things that my peers are trying to do. Like, is that not enough? Because I'm Indian, I also have to be doing all this other stuff. And so I resisted it for a long time because I was just trying so hard to do one thing well. But then, you know, I think what, what made me kind of unique is that, you know, I stood out, I was Indian and then, you know, when I was young, that felt really cool. The older I got, the more I thought, well, you know, I know I'm from this culture that has incredible music and I know it when I hear it, I know nothing about it, and maybe I should actually pursue it. And so I really separately kind of started meeting Indian musicians who lived in New York, and I would just ask them questions, and I got to know them. And I realized that while we didn't share a type of music, we did share a culture and we did share a love of music because it is interesting that the culture of Indian classical music is actually quite similar to the culture of Western classical music. You know, you study with a teacher over a really long period of time. You're practicing for hours a day. The kind of personality that would love Western classical music would also love Indian classical music. And so I just made friends with some of these Indian classical musicians. And of course, being a composer, I thought, why don't I put them in my music? You know, how do I do that? And so it was really just curiosity that led me down that path. And for many years, that path was very separate. Because again, I know it's very hard to believe now, but there was a time where people really did not want these cultures to be combined, and people just really looked down on cultures that were not, you know, the dominant Western European classical culture. And so I kept them really separate. And even when I started combining them, people were like, oh, that's sweet. She does stuff with Indian music, you know? And it was really not taken seriously. It's only really in the last decade that people have been embracing other musical cultures. And I mean, how glad I am that that's happening. But it was very, very hard fought and very separate at first. IL: And on that note, how do you navigate the unique challenges of composing with both these cultures in mind, but also being situated in the United States, where people come from all different backgrounds? And how do you as a composer approach that in this context? RE: I mean, I think it's interesting because first of all, I am musically bilingual now, so I can. I went to India, I studied Indian classical music. Seriously. I still work with Indian classical musicians very closely. And so, you know, I can be working on a piece that has Indian classical musicians in it, and I can turn to them and immediately speak in their language and their musical language. And then I can turn to the Western musicians and speak in their musical language. So every single piece I write, especially the ones that involve Indian classical musicians. There is a way through those pieces, both through the Western lens and through the Indian lens. And so I think I'm working in a position where I actually do know how to speak both those languages. And when you do speak both those languages, you know, just the way that if you speak any two, you know, verbal languages, you would know that there are sounds that are cognates. And so you're like, oh, I say the sound. So maybe and it means one thing in one culture and one thing in another culture. But you know that that sound is the same. And so with musical language, you can actually use those musical cognates to connect across cultures by saying, just listen for this thing. And when you listen for this thing, interpret it through the lens of your own culture. So that's certainly how I work. But, you know, I mean, again, I want to say that's not the only way to work. I don't think that you have to be, you know, I mean, again, there's probably most people who are listening to this probably have one musical culture and then maybe they know much less about the other musical culture. That is also fine. You know, you don't need to be an expert in order to want to explore and, and love a thing that's just, you know, where I am because it's the, the center of my musical practice. IL: Well, let's hear a selection from Reena Esmail's oratorio, “This Love Between Us.” This is the second movement titled Sikhism. David Hill conducts Juilliard415 with the Yale Schola Cantorum. [MUSIC: This Love Between Us “Prayers for Unity”: II. Sikhism] IL: That was Sikhism, the second movement from the oratorio This Love Between Us by Reena Esmail, who is here in conversation with me today on KPFA for APEX Express. Something that I really found interesting in especially your work — and I'm sure this has been asked many times, but This Love Between Us: Prayers for Unity. This oratorio that you wrote, beautiful work where you use words from the seven major religions of India. And each movement of the choral work is also named after a different religion. In what ways did you adhere to or challenge norms of spiritual music? Because religion is so religion and music are so deeply tied together. How did you challenge those norms or how did you express those norms when you wrote this work? RE: You know, I think it's interesting because my own spiritual background is very kind of multi spiritual multi-faith. But like I said, my, my father is, is my father's side of the family is Muslim. My mom's side of the family is Catholic. My husband is Hindu. All of them grew up in a very singular practice in each of their religions. But for me, I grew up, you know, around my mom and my dad and then, you know, my husband later. And just there's a part of me that takes in the essence of each of these spiritual traditions. And, you know, I'm trying to kind of find what feels true to me in each of those places. And so to me, you know, this love between us is, is a place where I'm trying to essentially say, yes, we express things differently through whatever cultural, uh, history, that language or that that religion emerged through. And yet we're all trying to get at that same numinous thing. And, you know, I mean, I'm not saying, oh, all religions are the same. Definitely not. You know, there's, there's many different ways to practice things. And, you know, your unique way into your spirituality is your own. And that's, that's amazing. But also, we all kind of our cultures form religions for a certain reason, and it's because we want to try to understand things that are beyond ourselves. And so that's essentially what the piece is saying. So I know I'm sure there are purists who are like, you shouldn't be combining these things, but, you know, there's always going to be purists who do that and there's a role for that. But that's not really my role. So, I mean, I picked the pieces and I picked the religion specifically because of the numbers of people who practice that religion currently within India. And so it is like the largest, um, populations, you know, like Hinduism, Islam, Buddhism, all, all of those things. And then there's one little tiny religion, Zoroastrianism. And while they are not, there's not many of them within India. They are the ones who are practicing Western classical music in India. So people like Zubin Mehta and all, they are Parsis that are Zoroastrians. So I thought, you know, it's important to include them too, because it's a piece that involves a lot of Western classical musicians. IL: I'm wondering now, as a composer who's working with music of different languages and religions and origins and also evoking a lot of these spiritual truths that are pretty universal in nature. What is your view on the function of music? There's the platitude that music is a universal language. Do you how to what extent do you agree with that? RE: You know, yeah, it's hard to, to, um, to think of music as a universal language. But I think sometimes we, how can I say this? It's such a broad question. When we are working in a form that isn't completely narrative, it gives us a little more chance to get at things that don't have to follow logically after one another. They're just feelings that we're able to feel. And I like working even when there are words, you know, there are certainly words in all of these, these, uh, pieces in this love between us. But I feel like sometimes we just feel something within us. And, you know, I experience this a lot when I have a piece performed, people will come up to me and say like, oh, this made me feel like this. And then the next person will come up to me and say, oh, this made me feel exactly the opposite thing. And I, I really love that we can have those experiences. And, you know, recently it's been really interesting because people have been asking these questions like interviewers, you know, before performances will be like, well, what do you want the audience to feel? And I'm like, oh, I don't want to answer that question. I want you to feel whatever you feel. There's nothing right to feel. And often, I mean, I'm not the one to ask. I'm so close to the music because when I'm listening, I'm thinking like, okay, was that C sharp in tune? Okay, you know, that's what I'm feeling. And I certainly don't want them to feel that. So I don't know. I think it's, it's just exciting to see how when we get out of these, what we should do this and this is the right thing to do. And this is the only way to do it. Um, how do we behave? And there are so few spaces left where if we don't say exactly the right words at the right time to the right people, you know, if we don't have exactly the right opinions that everyone around us has, We are so condemned and music might be one of the last places that we're allowed to feel whatever's inside of us. IL: Mhm. That's really interesting to think about. I think art in general is very beautiful because it allows people to interpret it in many different ways. I think for your music, you really draw on cultural specificity in terms of Hindustani music. What advice would you give to other young composers or also maybe artists of different mediums in creating that balance between specificity and universality? RE: Yeah, I think the thing is that the way into a deep practice is specificity. You know, I know people have asked me like, oh, you've done stuff with Indian music. Are you going to do stuff with other music? And I'm like, gosh, there's still so much to explore. I could have like three lifetimes and still not explore everything I want to explore just in the relationship between Indian and Western classical music. I mean, goodness knows I have four degrees in Western classical music, and I still am barely scratching the surface of it. Right. So I kind of feel like specificity is important because it allows you to access depth. And yet, you know, when you are specific about a certain thing, um, like for instance, like a scholar who only speaks Italian, I mean, they're going to know more than someone who maybe speaks five words of each language, right? So they can transfer over at a higher level and make more sophisticated points and understand the world with a more universal lens if they've gone really deep on one thing. So I would say, you know, to young composers, to young musicians, pick one practice and know it really, really well and deeply become go as far as you possibly can and then, you know, try to see if you can find relations between your primary practice and a different practice. Um, and I mean, some people, you know, I know in this generation that's coming up, that's like in their teens and twenties, there are South Asian, uh, kids who are here whose parents have come from India that are learning Indian and Western classical music side by side. And I think that's great. I mean, that's awesome. But I would also say make sure you don't just learn halfway. Both of those things, you know, if you're going to learn them, if at least with one thing, try to go as absolutely far as you can. IL: Let's hear another example of Reena Esmail's bilingual musicality with her work, Malhaar: A Requiem for Water, which was recorded fairly recently. The vocalist is Graycen Gardner with the choir conducted by Amy Fogerson. [MUSIC: Lacrimosa (from Malhaar: a Requiem for Water)] IL: Composer Reena Esmail used Indian classical instruments in that work, titled Malhaar: A Requiem for water. The vocalist was Graycen Gardner, with the choir conducted by Amy Fogerson. Percussionist was Rohit Panchakshari. I'm Isabel Li in conversation with composer Reena Esmail on this edition of Apex Express here on KPFA 94.1 FM. So when you integrate Hindustani classical Hindustani music, Indian classical music and those instruments into your scores, did you happen to did you have to develop a way to translate the notation of those notes in Western classical music notation, or vice versa? RE: Yeah, it it begs the greater question of what is notation for? Right? Because notation is essentially a way for Western musicians who read notation to look at a thing and be able to associate sounds with that thing. And so when I'm notating for Western classical musicians, I'm saying, okay, what is a cellist typically seeing and what are they doing based on what they're seeing? And then how can I take that language that they know really well that they play in Bach suites, that they play in Elgar, Cello Concerto, whatever it is, how can I take that language and just move it, you know, a couple degrees outward so that they're able to express different things, right? And so it's very much a psychological thing. You know, it's not a science the way that we think of it as and we learn it as this, oh, you know, eighths and sixteenths, and they divide this way. There's a lot you can do just to make someone feel a certain way with notation. On the other hand, if I'm writing for a sitar or tabla, the question is what? What is the role of the notation? Because the role of the notation for tabla player who has only Hindustani training and doesn't read music. It's certainly not for the tabla player that I'm doing the notation. Usually what I'll do is sit down with the tabla player in a, you know, more Hindustani style and say, hey, this is what I want. I want you to have like six overtones of teental. It should be at this tempo, blah, blah, blah. And they're like, oh, got it. I see what you want me to do. Right? And so all you need to figure out is the alignment points with the Western classical musicians. And so then the notation I put in the score is not really for them. It's for a conductor, for the Western musicians to be able to understand what they are doing and to be able to cue them in and help them kind of be in dialogue to one another. So it's interesting because, I mean, these days now I'm finding that there are tabla players who are both Indian and Western classical trained, and they want a part, but parts are not a thing. When I first wrote This Love Between Us, there were no parts for the tabla and sitar player. I actually had a cue sheet that I would actually point to as they were going, so that they knew, you know, what the different cues were because a part, you know, counting rests and stuff is not going to help them at all. So I think it's mostly trying to understand how is someone perceiving something and how can you give them the information they need in the most seamless way possible so that you can express what you want to express? IL: I love how technical that entire rundown was. I also wanted to talk a bit about your work, Terra Infirma, which is pretty recent. I had the honor of attending the premiere of Terra Infirma, a harp concerto that you composed based on your experiences with the Los Angeles fires in January of 2025. Um, it was such a wonderful work. I personally really loved hearing how you musically depicted the progression of a wildfire from despair to hope. It's also not the first environment based piece that you've written. YYou've written, for example, Earth Speaks in 2015. How do you approach composing works that are so rooted in environmentalism? And of course, have, have the undertones of speaking to the larger climate crisis at hand? RE: The thing that is interesting is, you know, someone was asking me about that piece, you know, you, you're, they're asking like, how do you kind of deal with activism in your work? And I was saying like, you know, I don't really think of myself as an activist because I think these issues are so fundamental to all of us, right? It's like you turn on your tap and you're just afraid that there's only going to be so long before water stops coming up. That's not, um, it doesn't feel like activism. It just feels like, you know, fear and it feels like we're tapping into these human emotions where people are so worried about what's going to happen. We don't really know what to do. And I think, you know, with anything, most people who have fear about things, you're going to just clam up if you feel that it's too, um, too much to deal with. And it is I mean, the environmental crisis is so huge that I think most people are just clamming up. And I guess, you know, what is our role as musicians? I think it's maybe to have some moments where we're not just like on our phones, seeing pictures of things burn down and freaking out where we can actually take some time to just reflect and be with one another. Because if we're going to solve this, it's going to be together and we need to come to some kind of like calm understanding of what is happening. And so a lot of my pieces are not accusatory. They're not, you know, pointing a finger. They're not supposed to rile people up. They're supposed to actually depict that experience of what it feels like to really sit with a hard thing for a long time and come to terms with it and then figure out how to move forward. And that's certainly the case with Terra Infirma and certainly the case with my Requiem. Certainly the case with curiosity, like you were saying, it's from Earth Speaks, which is many years ago. And that piece actually talks about the, the Pasadena institution's. It was actually for an organization called Pasadena Master Chorale. They commissioned the work many years ago. And what's so funny is I now live in Pasadena. I live in Altadena, up in the hills. So it's I wasn't living here at the time, but it is, you know, a place where many scientific institutions like the U.S. Geological Survey, you know, JPL, Caltech, all these places that are really exploring the environment in important ways are based. And so the piece kind of honors that and honors how we can interact positively with our environment. We can get data, we can find ways to do things that are, I mean, beyond my understanding, you'd have to ask a scientist, but but I just love that that we're in this place that sees the environment as something to understand more deeply instead of something that's just going to turn on us at a certain point. IL: Certainly. And I'm really curious, because Terra Infirma is also a work that was paired with multimedia animation and performance. Was there anything in your compositional process that differed when you're collaborating across these different mediums? RE: Yeah. So it's interesting because so the, there was, there were projections that were happening. And also in addition to that, it was a harp concerto, but a harp concerto where the harpist was also playing percussion. And so there were some elements that were so different than what would be typically like if harpist was like, I want a concerto. You would just be like, okay, you know, she sits there, she plays these notes. They're in that one position. That's all fine. Um, there was so much more, you're right with this piece than with, um, with my normal pieces. Um, and to me it's both, how can I say this? There's, there's such a different way I have to think about it, but I think that way starts with collaboration. So Yolanda Kondonassis, the incredible harp player, and Camilla Tassi, who was the production designer. These are people I know well and I've had multiyear relationships with. And so when you're thinking about how to build something, you're totally aware of what their work is like. I knew kind of the not even what Camilla's projections were going to look like, but the way that they interact with things. We've done projects together before. And so I pretty much had the sense of how she was going to respond. And I knew what she needed to know in order for her to do her work and make things kind of match up with one another. And then also with Yolanda, a lot of the stuff I put in that was like harp and percussion together. It wasn't something that I was making her do, right? It were things that we came up with together. We've spent so long workshopping things in percussion studios in, um, you know, we've met in all these different cities and we're basically like banging things against a harp and doing, you know, just so much experimentation. So for every technique you see in the concerto, you, um, you basically there's like ten things that we didn't do that didn't put in. So you're really only seeing the best of all the kind of crazy stuff that we tried. So I do think the thing is that when you're trying to invent something new and you're trying to invent new styles and new techniques, I mean, you can think of anything, but you're trying to find the things that A practically work and B allow the performers and the artists to really express themselves. So I found that I was actually choreographing the piece before I was composing it, um, that I had to figure out, okay, where are these percussion setups going to be? What are the instruments that I want? Okay. Are these chimes going to be like over her head? Or is she going to have to reach really far to get them? Are they going to be near the low end of the harp? Things like that that seem so practical. But the difference between having to reach out far and slowly versus having to like, quickly swat something near your ear, right? It makes a different choreography. And so I thought that way first. And then I kind of put the notes and rhythms and melodies and stuff in. IL: Let's now hear a selection from Reena Esmail's Terra Infirma. This is the fourth movement titled “Roaming the Ghost Forest.” Yolanda Kondonassis is the harpist with the Interlochen Center for the Arts Orchestra. [MUSIC: Terra infirma: IV. roaming the ghost forest] IL: The harpist was Yolanda Kondonassis with the Interlochen Center for the Arts Orchestra, playing the fourth movement of Terra Infirma by composer Reena Esmail. I'm Isabel Leigh, and in this episode of Apex Express, I'm joined by Reena Esmail, the composer, in conversation about her music and her approach to making art. Something else that I really was fascinated with on your on your Instagram account. You actually made a post a while back that I found to be very powerful. It's pinned as the letter to the young artists' immigrant parents. It's such an empathetic message that I also really relate to as a daughter of immigrants in the arts. And you kind of argue that these children's pursuit of the arts is a tribute to their parents immigrant struggles. Um, what motivated you to write this letter? RE: You know, I'm so glad you asked about that because so much has changed since I wrote that letter in a really good way. You know, first of all, I will say that when I wrote that letter, if you weren't a child of, you know, like Asian immigrant parents, you. And actually, I think this is true for most immigrant parents who, you know, have kind of given up everything to move to America so that their kids can explore all these opportunities they wouldn't get in their country of origin. When I first wrote this letter, it was really just, I felt like I was saying something really new. And now I think what's really interesting is that we have both parents who understand this and, um, kind of almost this parody way of seeing what Asian parents are like. Right. For me, one thing that I, that just makes my heart sing is the comedy of Zarna Garg. I don't know if you know who she is, but she is like an Indian American comic and she plays this role of being like this very typical Indian parent. And I will say, my parents weren't really like this because again, they were two different religions and married one another. So they were already quite open minded. But like 99% of Indian parents and even my parents, sometimes they have this thing of like, well, ‘why are you going into this?' Like you should make money, you should do this stuff. And I feel like, um, since Zarna's comedy came into the world, it's such an easy way to just point a finger at that and say, hey, this is what we're really dealing with as Indian immigrants. And, you know, we all just laugh at it. And I find that, you know, sometimes my friends who are just, you know, white Americans who have been in this family has been in this country for many generations. They don't get it. But like anyone who's a child of immigrant is like, oh yes, I completely understand what she's saying. So we have that. And I think that's really healthy and awesome. And she's very talented. Um, and on the other hand, I found that when I was first going into music and I mean, I, you know, when I was 18 and I was going to go to Juilliard, my parents were certainly supportive and curious and wanted me to do whatever they thought I might be good at enough to make a living and didn't want to optimize for, oh, you need to earn the most money or you need to, etc. but most other Indians around us were like, oh my God, she's so smart. Why is she like wasting her life doing music? You know, that was kind of the dominant narrative. And so I had to become very good at explaining why. And imagine my complete disbelief when I would go to conservatory and meet people whose parents had encouraged them to do music. I was like, what is happening? Like, we're like, there'd be four siblings and all of them would be in the arts. And I was like, oh wait, you're not the black sheep of your family. Like, I mean, half of my family, I don't think really knows what I do still even. Right? And so to me, it was so important to provide some kind of context. And like you said, it's like to, to come to this country and be an immigrant and to come with a lot of skills, but to have to just work in silence for so many years with no congratulation, with no one just constantly propping you up. That is what being an artist is. And you know, it's only maybe the past 10 years of my career that I've even been visible to people. Before that, it was just me doing my thing and like, no one cared about it. It was not not glamorous at all. And for me, that's what built the kind of strength in me to be able to sustain the career that I have now. And so I think if it had been a little too easy, I don't know that I would be able to handle, um, the, what I have now. So I think what's great though is that the Indian parents of kids who are teenagers and in their twenties nowadays are not coming to me being like, oh my God, what do I do with this kid who wants to be a musician? I've failed as a parent. Which again, for those of you who are not Asian, this is totally a true thing out there. They will come to me and say, hey, look, my, my child doesn't wants to be a musician. I want to help them. I can't tell like, are they good at this? Where should they be? Can you help me understand things? And that is really what my parents did. And I will, you know, kind of go further to say — PBS did a special on me a number of years ago, and I insisted on putting my parents in this special because I wanted people to see what it looked like to have really encouraging Indian parents who, again, they weren't going in blind. They were. They would go to my teachers and be like, well, I mean, is she good? Can she do this? We don't know what these answers are. Can you help us understand? And they really relied on the right people to be able to help me get to places that they couldn't get, but they also weren't just immediately dismissive of it. And that's what allowed me to kind of have a massive advantage, because I didn't have to also go back to school and do a medical degree. Or like most of my my peers of my age actually did. So I wanted to put them on that special to actually show that that is possible. And I'm seeing more and more that it is. There are many more parents like that now. And oh my goodness, I love every one of them. IL: That's wonderful. When you look back at your compositional career and how everything has changed since then, how do you think your work has evolved? RE: Oh, so you mean like since I began being a composer? IL: Yeah. Or maybe in the past ten years, even. RE: Yeah. It's interesting because I think one of the big inflection points in my work was when I did my Fulbright in India. So before that, I really didn't know very much about Indian classical music. And then the year before that, I really started to get deeper and started to integrate my Indian and Western classical world with one another. And then, you know, I from 2011 to 2012, I went to India and what was so different was actually seeing the music in its culture and actually getting to participate as an Indian in India, studying Indian classical music. Right. Because there's no filter. You're not going through a Western filter. You're just there in this culture. And I know that many of my Indian teachers, they kind of had this attitude of like, look, we don't know what kind of music you were doing before, but we're so glad you're here and studying your own music. And this is great. And so there wasn't this sense of having to go through another culture to get to their, their music. And to me, that really changed things because I don't see myself as writing music. That's one through the conduit of the other. I just see it as two streams that are equally incredible and equally independent, and they just meet each other in these interesting places. IL: And looking ahead into the future, is there an ensemble or an artist who you haven't worked with before that you'd love to work with? Ooh. It's interesting because, like, almost everyone who comes to mind is not a musician. Um, I've worked with so many. I mean, truly, I've been so lucky to work with musicians like Gil and Orli Shaham. Yolanda Kondonassis. I'm writing a piece for Hilary Hahn and Matthias Goerne right now. It's I mean, just like literally anyone who I could ever ask to work with, I have. I don't know. I mean, to me, it's like, gosh, someone like Misty Copeland would be amazing. Like, you know, there are so many actors like the world of Indian/South Asians in comedy and in drama and stuff like that is just incredible. People like Mindy Kaling who have done incredible things to me, people like that are just going outside of just music would be fascinating to me. IL: Absolutely. And I will put a link to your website, as well as the links to the music that will also be aired on this in this episode on KPFA.org, so our listeners can learn more about you and your wonderful work. Well, Reena, thank you so much for your time and thank you for talking to me today. RE: Absolutely. The post APEX Express – 8.06.26 – Obbligato – In Conversation with Composer Reena Esmail appeared first on KPFA.

How do you transform high-stress event planning into a joyful, seamless experience? Vishal Joshi joins the podcast to explore wedding and event orchestration, scaling Joy from an initial demo project into a platform serving over 50 million people across 150 countries.In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Joy co-founder and CEO Vishal Joshi to discuss the intersection of design, software engineering, and human emotion. Vishal shares his journey from a modest background in India to building Microsoft Azure, before leaving corporate life to solve the chaotic experience of planning life's biggest celebrations. Instead of treating event tech as a cold utility, Vishal describes Joy's mission using "Amy's wedding" as the compass — leveraging technology to reduce friction while preserving deep human connection.We talk about rising from modest roots, turning chaotic friction into clean software, building for deep human emotion, and how AI is changing the startup playbook—from customer feedback to product strategy. Whether you're an aspiring entrepreneur, product strategist, student, or tech enthusiast, this conversation is packed with grounded wisdom and actionable takeaways.--------------------------CHAPTERS:00:00 - Introductions 01:46 - Welcome Vishal Joshi, Co-Founder & CEO of Joy03:38 - Guest list diplomacy & solving wedding drama with tech04:59 - The founding ethos of Joy: Planning for "Amy's Wedding"07:37 - Cultural dynamics & handling 10x event complexity12:34 - Modest beginnings, hard work, and unlearning corporate norms14:03 - Sponsor Break: Travelopod & Lotus Lane Coffee18:21 - AI vs. human emotion in event planning20:15 - Introducing the world's first AI event planner23:29 - Expanding beyond weddings: Birthdays, corporate retreats & dissertations26:08 - Seismic shifts in wedding trends: Digital save-the-dates & cash registries31:46 - Cultivating empathy & lessons in long-term relationships35:36 - Outro & where to find Joy--------------------------

In this episode of The True Fiction Project, actor Rishi Jaiswal walks us through his unlikely leap from aerospace engineering to a national Broadway tour, his lead role in The Revolution's Wife, and the deeply personal story behind his new short film, The Last Waltz. This movie is about a South Asian family confronting their trans daughter's identity and the silence that follows. We also talk about dance, Sundance, and the strange coincidences that shaped this casting. Tune in to hear the trailer of The Last Waltz, highlighting the moment a father finally faces the daughter he can barely name.What You'll Learn in This Episode: ✅ How Rishi Jaiswal traded aerospace engineering for a career on stage and screen, starting with So You Think You Can Dance and a national tour of Life of Pi on Broadway.✅ Why he sent a freedom fighter poem about Gaza to land his role in Revolution's Wife, and how that bold risk paid off during the casting process.✅ How growing up around a family dance studio and Bollywood culture shaped the way Rishi approaches every character he plays on screen and stage.✅ Why The Last Waltz speaks directly to the South Asian community about learning to accept a trans child, even without fully understanding her journey first.Subscribe to Reenita's Storytelling Den on Substack for free at https://substack.com/@reenitahora and to her YouTube channel to watch the video version of this episode! https://www.youtube.com/@reenymalCheck out her website to stay up-to-date on events, book releases and more! https://reenita.com/TIMESTAMPS:  00:00 Rishi Jaiswal shares how he became involved in Revolution's Wife03:25 How a Gaza freedom fighter poem helped Rishi land his role in Reenita's script05:14 Discussion of the Revolution's Wife script07:56 The Sundance Film Festival encounter that unexpectedly brought Nosheen into the cast as Padma11:35 From aerospace engineering to a family dance studio, tracing Rishi's winding path into the arts15:10 Rishi introduces The Last Waltz, his own short film about a trans daughter and her parents22:38 Watch the exclusive trailer for The Last Waltz ahead of its debut at the LA Shorts FestivalKEY TAKEAWAYS: 

My guest on the show today is Tuhin Chakrabarty, an assistant professor of computer science at Stony Brook University and the culprit behind my first ever trigger warning on eminent Americans.Here we go: if a big part of your identity is vested in being a writer, and you are already experiencing existential dread about the prospect of AI getting better than you at writing, you may want to not listen to this podcast, or at least you may need to take a Xanax or a gummy before listening. Because Tuhin's work, training AI to produce super high quality samples of high literary writing, is existentially threatening. It goes right at the heart of what we wordsmiths do. Just to give a sense, here's a passage from a New Yorker article by Vauhini Vara that explores what Tuhin has found:I asked Chakrabarty to run an informal version of his experiment on my writing, with a twist: I would pit his model directly against me. To start, he fine-tuned a model on my published writing, much as he'd done in the formal experiment. Then I sent him four short excerpts from a novel that I'm currently writing. No one else had read these excerpts; they had never been published or circulated. There was no way that a large language model could have seen them before.The narrator of my novel in progress is an Indian American ex-journalist. She runs a nonprofit that publishes stories from immigrant and refugee women, but it's strapped for funding, so she courts an Indian American venture capitalist as a potential donor. Chakrabarty used an L.L.M. to create content summaries of the excerpts I'd sent him. (One representative sentence, from a summary about the narrator's journaling habit, explains, “A pivotal memory is introduced: in ninth grade, the narrator's mother read this journal, an act seen as a profound betrayal.”) Finally, he gave the summaries to his fine-tuned model, and he asked it to compose passages “in the style of Vauhini Vara.”Going into all this, I was self-assured, even smug. I'd always felt that my style was original and, more important, that my books were totally distinct from one another. I figured that, even if the A.I. model could imitate my past books, it couldn't predict the style of the novel in progress. So, when Chakrabarty sent me the A.I.-generated imitations, I was genuinely confused. Like Díaz and Nunez, I found lots of stylistic details—rhythm, verbiage—annoying. But the text produced by the model was eerily close to mine. Reading some of its lines next to my own, I couldn't remember which was which. Unlike Díaz or Nunez, I even preferred some of the doppelgänger's versions. My style seemed to be more consistent across projects than I'd realized.I sent four passages to some readers who'd liked my previous books, explaining that half were mine and half were the model's. I wanted them to guess which were which. … The first of my readers to respond was Dana Mauriello, my best friend from college and an accomplished tech entrepreneur. “Truth: this was terrifying!” she wrote. “I was so nervous that I would say that AI wrote something that you wrote, and you would be insulted!!!” Her anxiety, it turned out, was justified. She didn't get any of them right.Dana blamed this partly on her not being a writer. But, of my seven readers, none correctly identified more than half the passages. One of the last people I heard from was the novelist Karan Mahajan, a professor of literary arts at Brown University. He and I learned to write together in college, along with Tony Tulathimutte, and have been sharing drafts with each other ever since. He's among the most perceptive writers and readers I've met. “Oof, this was really confusing and mindmelting,” Karan wrote. Then he, too, misidentified all four excerpts.To be clear, Tuhin isn't claiming that AI, except under the very specific, rather contrived circumstances of his experiments, can already match the best human writers. And he doesn't know if they ever will be able to match or surpass us. I don't know how much consolation that affords, though; what he has done is threatening enough. Moreover, in this episode we're doing what is sometimes the most anxiety producing thing of all when it comes to fraught questions: We're sitting in the uncertainty, and poking at it. How does his method work? What does and doesn't it prove? Why did he think to do it in the first place? What are its implications? What technical challenges would need to be solved for it to move from short samples, where detailed plot points and themes are provided by a human, to actually generating a full book with just a short prompt or a broad outline? And what are we human writers owed if it's our work, used as training data, that creates the conditions for being superseded by AI? Etc.I wrote a long essay, not too long ago, about my intuition that most of the fiercest responses to AI out there, both from the hardcore boosters and the hardcore haters, are flip sides of the same coin. They're dysfunctional manifestations of the anxiety that so many of us have right now in the face of what may be an extinction level event not so much in the Skynet takes over the world sense but of a more existential sort. We may soon be deprived of some of the core ways we've understood what it means to be distinctively human, how we've constructed our unique purpose as humans.Because of this fear, Tuhin has gotten a bit of hate for what he's done and shown, but from my perspective he's dealing with the existential threat we face in exactly the right way, the psychologically functional way. He's looking directly at it. He's rejecting both utopian boosterism and head in the sand denialism as strategies of evasion. He's being creative with the thing itself. And he's thinking in super pragmatic ways about how to best serve human interests in the long run. And not just thinking about that but doing something concrete and positive about it, collaborating with legal scholars on how to think about and craft policies that protect and compensate authors.So I'm sorry to stoke your anxieties, dear listeners, if that's what we do, but I'm not sorry I had Tuhin on the show. He's a fascinating and flexible thinker, a hard core computer scientist and a true lover of literature.Also: Eminent Americans, my sweet baby, is now produced in collaboration with the John C. Danforth Center on Religion and Politics at Washington University in St. Louis, and is distributed through its publication, Arc Magazine. You can find all of Arc's podcasts and much more online at arcmag.org.Hope you enjoy the show, and that the radiant beams of humanity and thoughtfulness that Tuhin and I generate between us don't just soothe your anxiety but ultimately help you to process it.Peace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit danieloppenheimer.substack.com/subscribe

What does it take to improve healthcare for millions while staying true to your values? In this episode of Indianness, Sanjay Puri speaks with Dr. Meena Seshamani, physician, healthcare leader, and public servant, about her journey from the daughter of Indian immigrants to shaping healthcare policy at the highest levels. She reflects on leadership, public service, her Indian heritage, and the importance of empathy in creating meaningful change. A thoughtful conversation on purpose, resilience, and making a lasting impact.

How do we move beyond shallow representation to capture the deep, fluid, and beautifully complex realities of the global South Asian diaspora? Snigdha Sur, Founder & CEO of The Juggernaut, joins us again to share how her media tech company operates as a "smart best friend" providing essential context, investigative reporting, and nuanced storytelling for a dynamic global community.If you want to catch more deep dives into the global Indian and South Asian diaspora experience, hit the Subscribe button to join our community!In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Snigdha to catch up on the cultural zeitgeist of 2026. From her personal obsession with the National Spelling Bee to her background and experiences as a founder , Snigdha challenges us to demand deeper specificity in journalism and the stories offered by The Juggernaut. She also opens up about the rigorous realities of investigative journalism and leading a media company, why she chose to learn video editing to out-innovate aggregators, navigating social media shadowbans, and her hard-earned Y Combinator lesson on filtering out internet noise to focus exclusively on serving paying subscribers.In this episode, we cover:• Nuanced Subcontinental Identity: Why geographical specificity matters over broad-brush labels.• Smart Context vs. Representation: Moving past surface-level media tropes to deliver real depth.• The Barbell Effect of AI in Media: Why deep-dive human creation will become increasingly priceless.• Founder Wisdom & Burnout: Learning whose feedback to value and when to mute the noise.Chapters:00:00 Introducing Snigdha Sur & The Fluidity of the Diaspora03:19 The National Spelling Bee: Passion, Tropes, and Community Anchors06:55 Identity, Borders, and Subcontinental History in 202610:47 The Juggernaut Strategy: Serving Smart Context Over Shallow Representation15:16 Sponsor Break - TRAVELOPOD and LOTUS LANE COFFEE16:16 Investigative Journalism: Pushing Boundaries, Data Truths, and Backlash23:37 The Barbell Effect of AI, Founder Burnout, and Protecting Your Creative Well33:04 Y Combinator Lessons: Filtering Negative Commentary to Focus on Subscribers35:28 Democratizing Media Spaces & Designing Radically Inclusive Communities36:56 Conclusions and Shout OutsConnect with Snigdha Sur & The Juggernaut:• Website: https://thejuggernaut.com/• Newsletter: https://thejuggernaut.com/newsletterShout outs this week:• Sheela Bhat, Preety Kalra, Aarti Kohli, Latika Malkani, and Dharini Rasiah (Editors of Our Feet Walk the Sky: Women of South Asian Diaspora )• World Cup ¡Shabbas! to España• Hydrogen Trains & the teams behind Vikram One• Astronaut Anil Menon • Desi Me Dating and the PopShift team#TheJuggernaut #SnigdhaSur #SouthAsianMedia #DiasporaStories #TrustMeIKnowWhatImDoing #StartupFounderTrust Me I Know What I'm Doing | Dr. Abhay DandekarA mirror and window for global Indians and South Asians through conversation.Every week, we share chats with artists, leaders, musicians, chefs, experts, change makers, and innovators from the home and diaspora — sharing their journeys and motivations.Support our sponsors: Personalized travel journey to destinations like Africa, India, Japan, Antarctica, or the Northern Lights regions with Travelopod at:https://vacation.travelopod.com/Lotus Lane Coffee — Rooted in India, Roasted in Columbus.https://lotuslanecoffee.com/For enquiries

This week on Half Past Chai… we're pulling back the curtain on what it actually takes to build a home out of two cultures.When an American girl and an Indian guy fall in love, "home" becomes a beautiful negotiation - and over the years we've figured out the little (and big) things that make our house feel like both of us. From the mandir and Bible upstairs, to chai every single morning, to the very Indian rule that shoes come off at the door, we're giving you the realistic list of how we've blended our worlds under one roof.Some of it came easy. Some of it we had to figure out the hard way. All of it made us who we are.Now settle in, get cozy, and grab your chai.

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest on this week’s fatal shooting by ICE in Houston, described by Mexico’s president as part of a broader pattern of mistreatment of Mexican migrants. We’ll talk with reporters in Houston and in Mexico City. Frisco has become one of the nation's fastest-growing hubs for Indian American families, businesses and culture. But the North […] The post Questions remain after fatal ICE shooting in Houston appeared first on KUT & KUTX Studios -- Podcasts.

"In the modern media, Mother Teresa is more reviled than revered. Are her critics anti-religious zealots and click-happy YouTubers? Or is there more to the story?"  –KenCorrection:  Donal MacIntyre is an Irish investigative journalist, not a British one. ► Script Sources and Notes: https://shorturl.at/tASCdLink to piece on Indian-Americans & convenience stores:     • The secret of Indian store owners  FOLLOW KEN:

What happens to elite sports analytics, player development, and leadership when the data-driven games of the NBA and NCAA are purposed for human relationship building?  In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with Queens University of Charlotte Assistant Men's Basketball Coach and Game Plan Strategy Coordinator, Amit Tailor. As a prominent South Asian coach pioneering the integration of data analytics, video film, and AI workflows in hoops, Amit has spent years developing world-class talent at every level, including milestone coaching stints with the Houston Rockets, Denver Nuggets, USA Basketball, and Clemson University.  Amit opens up on high-stakes scouting, detailing how modern tools use AI to manage recruitment pipelines and why his guiding operational principle is "if everything is important, then nothing is important".  Representing a new wave of Indian Americans in professional sports, Amit challenges traditional cultural archetypes within the South Asian diaspora and outlines a powerful blueprint for true resilience, sports leadership, and South Asian representation.Amit shares insights on:• The Schemes vs. People Paradigm: Why elite coaches compete with basketball schemes but ultimately win games with authentic human connections.  • The Data & Video Marriage: How pairing performance metrics with positive visual reinforcement accelerates split-second adjustments behind the bench.  • Overcoming 17 Rejections:  Why long-term perseverance and optimism are vital• The South Asian Sports Box: Why families need to unlearn strict career boxes tied to traditional earning potential and empower their kids to dream bigger.  •  Be Seen, Not Heard: Crucial professional positioning advice received from Oklahoma City Thunder Head Coach Mark Daigneault while working under legend Billy Donovan.  Whether you're a coach seeking to optimize your team's tactical strategy, a professional navigating a highly competitive industry, or someone looking for the mental armor to overcome career rejections, Amit's sports career journey is key listening.If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with someone looking to scale their own vision!--------------------------Chapters00:00 Introduction & The Data-Driven Game01:35 Welcoming Queens University Coach Amit Tailor02:57 Game Planning the Unexpected Blowouts of New Parenting04:04 The Culture Shift: Tech, Data, and AI in Relationship Building06:36 Translating Game Plans & Identifying Player Superpowers08:58 Real-Time Video Analysis & Giving Feedback Behind the Bench12:29 What Casual Basketball Fans Miss: Spacing & Floor Balance15:24 Sponsor Break - Travelopod, Lotus Lane Coffee, Timberdog16:54 Leading India Rising: Managing Egos, Drama, and Adversity19:03 Core Philosophy: If Everything Is Important, Nothing Is Important21:16 Modern Athlete Reinforcement: Positive Clips vs. 1988 Michael Jordan23:50 Overcoming Stereotypes & Navigating 17 Job Rejections25:28 Unboxing Diaspora Families: Earning Potential vs. Dreaming Bigger31:46 Quick Hitters: Chicago Bulls Heyday, MJ, and Coaching Idols34:12 Final Advice for Future Coaches: Opportunity Is Not a Lengthy Visitor-------------------------#AmitTailor #BasketballAnalytics #CoachingStrategy #BrownBallers #NCAABasketball #TrustMeIKnowWhatImDoingShoutouts:

What happens to tradition, personal identity, and creative freedom when an artist decides to completely rewrite the rules of the musical game in real time?  In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with the phenomenal award-winning Indian singer and musician, Rashmeet Kaur. Known widely for her boundary-pushing fluid artistry, Rashmeet has carved out a completely unique sonic footprint by effortlessly bridging centuries-old traditional Punjabi root music with contemporary house, techno, hip-hop, and Afro beats.  Rashmeet pulls back the curtain on her creative philosophy and what keeps her deeply in love with the limitless nature of music. She explains why she actively practices spiritual detachment from her studio work to protect her creative sanity, and why chasing safe commercial "hit records" is a dangerous trap that completely kills artistic experimentation.  We also dive deep into what the modern music industry must urgently unlearn to create safe and empowering spaces for independent creators, the divine raga-driven origin story behind her debut hit "Kahaan," and how she is fiercely connecting with her live audiences to genuinely live in the moment.  Rashmeet shares insights on:• The Power of Detachment: The harsh realities of Bollywood playback singing and why learning to let go of creative attachments anchors her independent career.  • The "Hit Song" Trap: Why she refuses requests for sequels to hits like "Ishq Nachaawe" or "Bajre Da Sitta" in order to keep her artistic intimacy fresh.  • The Divine Roots of "Kahaan": How she channelizes Sarang Raag to build an emotional environment that transforms a deeply personal journey into a live pop community.  • Vocal Cord Preservation: Bouncing between high-energy stage extroversion and entering a strict, isolated "mute mode" to protect her instrument.  • Unlearning the Hustle Trap: Why industry gatekeepers need to stop replicating past hardships and instead build safe, accessible community spaces for the next generation.  Whether you're an aspiring artist trying to navigate the modern digital music landscape, a fan of cutting-edge global fusion, or someone looking to practice deep mindfulness in a hyper-connected world, Rashmeet's masterclass in creative conviction provides an invaluable blueprint.  If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with someone looking to scale their own vision!  --------------------------Chapters00:00 Introduction and Welcome02:35 Backstage Rituals and Introversion/Extroversion05:29 The Early Training: Learning from the Gurus and Finding Endless Limits07:55 Unlearning Playback Attachments & Finding Independence in Songwriting10:17 What the Music Industry Must Unlearn to Provide Free, Safe Spaces12:11 Escaping the "Hit Song" Trap: Embracing Imperfection and Experimentation15:02 Sponsor Break: Lotus Lane Coffee and Travelopod16:01 Preserving Musical  Intimacy 21:12 Storytelling, On-Stage Comedy, and the Heavy-Light Balance22:46 The "What's Next" Mindset & Reimagining the Kaura Live Sessions23:32 Singing for Her Pets: The Eager Listeners and Longest Companions24:52 Allowing Your Audience to Live in the Moment26:51 Conclusions and Shout Outs

What happens when a former high school principal and White House fellow steps into the political arena to challenge the status quo?In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with educator, leader, and congressional candidate for Florida's 22nd district, Pia Dandiya. From founding a high school in Harlem with an 86% poverty rate and sending 100% of its students to college, to running a tight political operation in a competitive toss-up seat, Pia brings a refreshing, execution-focused perspective to modern governance.Pia breaks down her core framework for societal growth—detailing why we must legislate for stability first before we can unlock true opportunity for the next generation. She opens up about the realities of modern political fundraising, the necessity of building a high-functioning policy shop on day one, and how her background as a South Asian woman raised in Florida shapes her deep appreciation for American democracy.We also dive into the future of education in the age of AI, the power of real-time community listening, and the personal unlearning it takes to shift from a pure focus on execution to leading with authenticity and a strong heart.Pia shares insights on:• Stability First, Opportunity Second: Why tackling immediate cost-of-living and housing supply challenges is the essential first step before implementing long-term workforce development programs.• The 80% Rule of Bipartisanship: How focusing on the vast common ground shared across political party lines can cut through performative politics to deliver true progress.• AI and Personalized Education: Why AI will never replace classroom teachers, but how it can empower them to become individualized facilitators of critical thinking.• Competence vs. Authenticity: The powerful leadership lesson of shifting from standard execution metrics to embracing vulnerability and human connection.• The Spark of Public Service: A moving look back at a life-changing summer teaching in India that defined her calling to fight for human dignity.If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with your friends and family!--------------------------Chapters:00:00 Introduction & Vision for the Future03:19 Navigating Florida's New 22nd District04:42 Problem Solving Lessons From a Harlem Principal07:44 Rebuilding Voter Trust & Overcoming Frustration11:19 Stability First: Tackling Housing & Cost of Living13:44 Job Skills & Workforce Training in the AI Era17:33 Bipartisan Leadership & The 80% Rule19:38 Sponsor Break: Travelopod20:13 Competence vs. Authenticity in Leadership22:05 What American Patriotism Means in 202624:29 A South Asian Perspective on US Democracy25:53 Finding My Purpose: A Summer Journey to India28:57 Balancing Short-Term Needs With Long-Term Policy32:20 The Reality of Political Fundraising & Authenticity34:55 Turning Individual Power Into Civic Action37:43 Episode Wrap-up & How to Get InvolvedGet to know Pia Dandiyahttps://piaforcongress.com/#PiaDandiya #BipartisanLeadership #EducationReform #FloridaPolitics #TrustMeIKnowWhatImDoing--------------------------Trust Me I Know What I'm Doing | Dr. Abhay DandekarA mirror and window for global Indians and South Asians through conversation.Every week, we share chats with artists, leaders, musicians, chefs, experts, change makers, and innovators from the home and diaspora - sharing their journeys and motivations.Support our sponsors: Start your journey with personalized travel support at https://vacation.travelopod.com/For enquiries

What happens to career strategy, leadership, and professional growth when the traditional rules of the corporate game are rewritten in real time?  In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with executive search expert, leadership advisor, and host of the Corporate Confessions podcast, Deepali Vyas. Known widely as the "Elite Recruiter," Deepali has spent 25 years advising Fortune 500 companies, hedge funds, and high-growth AI organizations on executive hiring and leadership strategy.  Deepali pulls back the curtain on the "unwritten rules" of hierarchical organizations and explains why the traditional chronological resume is completely dead in today's attention-deficit economy. She introduces a modern framework for career positioning, detailing how professionals can build "The Signal"—a powerful one-page personal narrative—and why tying your outcomes directly to the dollar is essential for survival.  We also dive deep into the rising era of the "Company of One," the crucial differences between mentorship and true sponsorship, and how human skills like storytelling and judgment become your ultimate agency in the age of Agentic AI.  Deepali shares insights on:• The Death of the Traditional Resume: Why a chronological autobiography fails to get noticed, and how to capture an employer's attention in six seconds using "The Signal".  • The "So What" Filter: A simple, high-impact framework to flip your resume bullet points from passive tasks into quantifiable business value.  • Advisor vs. Mentor vs. Sponsor: Delineating these three fluid yet distinct roles, and why assuming your manager is your mentor by default is a common career trap.  • The "Company of One" Era: How new graduates and professionals can use portfolio careers and skill-stacking to build independent influence and security.  • Overcoming the Intelligence Paradox: Why highly accomplished individuals frequently fall into analysis paralysis, and how executive judgment thrives under ambiguity.  Whether you're a recent graduate navigating an unstable market, an executive looking to pivot, or someone trying to protect your human agency in an automated world, Deepali's masterclass in career literacy provides an invaluable blueprint.  If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with someone looking to scale their own vision!   --------------------------Chapters-00:00 Introduction01:32 Deciphering Success in a Disrupted World04:05 The Unwritten Rules of Corporate Culture07:35 Post-Pandemic Workforce and Changing Rules09:23 Why the Traditional Resume Is Dead12:11 Tying Your Value to the Dollar: Modern Resume Metrics14:14 Falling into Recruiting: Cowardly Resignations & Indian Parents15:49 Navigating Wall Street & Standing Out at Goldman Sachs17:30 Sponsor Break: Travelopod19:18 Advisor vs. Mentor vs. Sponsor: Delineating the Roles23:47 Learning from Mentorship Mistakes and taking action28:49 Sponsor Break: Timberdog29:19 Overcoming the "Intelligence Paradox" & The "So What" Filter32:53 Identity, Seasons of Career, and Merit36:55 Portfolio Careers & The Era of the "Company of One"40:50 Cultivating Trust & Why AI Will Never Replace Human Connection42:44 Wrap-up & Shoutouts

This week on Half Past Chai…We're joined by Kaitlin & Sourabh - partners in both life and businessThey're the duo behind their social media where they cook, make chai, and travel, and today, they're opening up about the reality of building a brand while building a life togetherWe're diving into the inspiration that sparked their journey, the hurdles of the Indian-American business experience, and exactly what it takes to brew a successful startup from the ground upNow settle in, get cozy, and grab your chai.

What happens when a venture capitalist steps out into the front office of a major sports franchise?   In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with entrepreneur, VC, and the new co-owner and alternate governor of the Portland Trail Blazers, Sheel Tyle. We break down the massive shifts happening at the intersection of global technology, venture capital, and professional sports.  Sheel pulls back the curtain on why an NBA franchise is less like a legacy asset and more like a fast-scaling tech startup. He opens up about the reality of being a local team owner, the "external rate of return" that matters more than profit maximizing, and how a new generation of tech-forward owners are preparing for an AI revolution in basketball.  We also dive deep into what it means to be a first-generation Indian-American sports owner, challenging the traditional immigrant path toward stable careers to take massive risks that can shape a community.  Sheel shares insights on:• The Reality of Local Ownership: Navigating the public eye in Portland alongside his wife, Oregon's Secretary of Health.  • The True ROI of Sports: Why building a civic anchor matters far more than just looking at profit margins.  • The Tech Revolution in the NBA: Lessons learned from fellow owners like Steve Ballmer and Mark Lore on how AI will reshape player analytics and fan experiences.  • Redefining Risk for First-Gen South Asians: Honoring our immigrant parents' hard work by having the courage to make bold, unconventional bets.  • The Mindset of a Champion: Why contentment does not mean stasis, and lessons on the grind from Damian Lillard's 6:30 AM gym sessions.  Whether you're a sports fanatic, an aspiring entrepreneur, or someone navigating your own "quantum leaps" in life, Sheel's framework for mission-driven leadership offers a compelling blueprint.  If you enjoyed this deep dive, please hit that subscribe button, leave a comment, and share this video with someone looking to scale their own vision!   Chapters:00:00 Introduction03:28 Local Ownership in the Portland Community05:22 The True ROI: Purpose Over Profit Maximization07:41 Is the NBA a Startup? Global Expansion & Asia Markets12:53 The Tech-Forward Owner15:09 Solving Massive Challenges: Lessons from CelTel & NALA20:46 Sponsor Break: Travelopod22:24 Data vs. Emotion: Navigating the Noise of Fans and DMs25:19 Embracing Risk as a First-Gen Indian-American Leader32:54 Leadership, Parenting, and Damian Lillard's Work Ethic37:09 Why Contentment Does Not Mean Stasis#SheelTyle #PortlandTrailBlazers #VentureCapital#SouthAsianExcellence #TrustMeIKnowWhatImDoing #NBAShoutouts from this episode: - to the Spurs, the Knicks, and their fans for holding the space until my Lakers are ready to play June basketball again! - to Vaibhav Sooryavanshi for stepping up in the T20. - to Nithya Raman for closing the gap as those votes are still being counted.Support the Show: If you enjoyed this episode, please subscribe and leave a review on Apple or Spotify or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.com

This episode features a conversation with Prachi and Ram, organizers with Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans and partners standing together in the fight against the rise of the transnational far right. After laying out Hindu supremacy as an ideology, we considered the different phases of consolidation of the Hindu right in the United States from its late 20th century orientation around homeland politics to its 21st century effort to forge a Hindu American identity, first through an alignment with U.S. civil rights organizations and then through a realignment with white supremacist forces. We delved more deeply into the role of caste within this formation, in particular the longstanding efforts of the Hindu right in both India and the U.S. to forge Hindu unity by opposing anticaste politics. This took us to a discussion of the Hindu right's embrace of the pro-Israel lobby's tactics, especially its weaponization of Hinduphobia as an echo of the weaponization of antisemitism, to battle criticisms of the Modi government in India, and the need to distinguish this from the real rise in both anti-Hindu and antisemitic sentiment. We ended with Savera's efforts to forge a broad-based antiracist, left majority as a counterweight to the multiracial far right. Read the transcript Guests Prachi Patankar is a writer and activist based in New York. Her speaking and organizing is grounded in feminist, anti-caste, and solidarity commitments. Her writing has appeared in outlets including The Guardian, Indian Express, Al Jazeera, Women's Studies Quarterly, and Jacobin. She has been interviewed in media including Democracy Now, Jewish Currents, and National Public Radio. Ram Vishwanathan is an organizer with the Savera coalition based in New York City. References Savera, “The Global VHP's Trail of Violence,” January 2024. Savera, “Cut From the Same Cloth: the VHP-A's Ties To Its Indian Counterpart,” April 2024. Savera and Political Research Associates, “HAF Way to Supremacy: How the Hindu American Foundation Rebrands Bigotry As Minority Rights,” October 2024. Jyotiba Phule: an anti-caste social reformer and writer from Maharashtra. Satyashodhak Sangh: a social reform society founded by Jyotiba Phule in Pune, Maharashtra in 1873 that addressed caste and gender injustices. Golwalkar: M.S. Golwalkar was the second supreme leader of the Rashtriya Swayamsevak Sangh (RSS), a right-wing paramilitary organization that advanced the ideology of Hindu supremacy and mobilized around the transformation of India into a Hindu nation. Pracharak: refers to a full-time organizer of the RSS. Houston 2019: “Howdy Modi” was an event organized by the Texas India Forum to welcome Narendra Modi to Houston and featured a joint address by Modi and Donald Trump. Ahmedabad 2020: designed as a reciprocal counterpart to Howdy Modi, “Namaste Trump” was an event organized to celebrate Donald Trump's official state visit to India and hosted by Narendra Modi in Ahmedabad, Gujarat. Article 370: article of the Indian Constitution that granted a special autonomous status to the state of Jammu and Kashmir. This status was abrogated by the Modi government in 2019. CAA/NRC: the Citizenship Amendment Act (CAA) and the National Register of Citizens (NRC) are policies introduced by the Modi government. The 2019 CAA fast-tracks the naturalization of populations identified as victims of persecution by Afghanistan, Bangladesh, and Pakistan and explicitly excludes the eligibility of Muslims. The 2019 NRC aims to create an official record of legal citizens of India. Critics and human rights organizations argue that the policies together discriminate against Muslims. If a nationwide NRC is implemented, individuals who lack the required documentation to prove their citizenship could be excluded from the final registry. Because the CAA allows non-Muslims to claim citizenship if they fall through the cracks, Muslims left off the NRC list would face disproportionate risks of statelessness, detention, or deportation. Edward Blum: a conservative legal strategist and the president of the American Alliance for Equal Rights and Students for Fair Admissions (SFFA), an organization that fought to overturn affirmative action on the grounds that it constitutes "reverse discrimination" against white and Asian applicants. Dan HoSang: professor of American Studies at Yale University. “Violent Majorities: Indian and Israeli Ethnonationalism,” Recall this Book/New Books Network, Episodes 118, 119, 120, 143, 144, 145. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode features a conversation with Prachi and Ram, organizers with Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans and partners standing together in the fight against the rise of the transnational far right. After laying out Hindu supremacy as an ideology, we considered the different phases of consolidation of the Hindu right in the United States from its late 20th century orientation around homeland politics to its 21st century effort to forge a Hindu American identity, first through an alignment with U.S. civil rights organizations and then through a realignment with white supremacist forces. We delved more deeply into the role of caste within this formation, in particular the longstanding efforts of the Hindu right in both India and the U.S. to forge Hindu unity by opposing anticaste politics. This took us to a discussion of the Hindu right's embrace of the pro-Israel lobby's tactics, especially its weaponization of Hinduphobia as an echo of the weaponization of antisemitism, to battle criticisms of the Modi government in India, and the need to distinguish this from the real rise in both anti-Hindu and antisemitic sentiment. We ended with Savera's efforts to forge a broad-based antiracist, left majority as a counterweight to the multiracial far right. Read the transcript Guests Prachi Patankar is a writer and activist based in New York. Her speaking and organizing is grounded in feminist, anti-caste, and solidarity commitments. Her writing has appeared in outlets including The Guardian, Indian Express, Al Jazeera, Women's Studies Quarterly, and Jacobin. She has been interviewed in media including Democracy Now, Jewish Currents, and National Public Radio. Ram Vishwanathan is an organizer with the Savera coalition based in New York City. References Savera, “The Global VHP's Trail of Violence,” January 2024. Savera, “Cut From the Same Cloth: the VHP-A's Ties To Its Indian Counterpart,” April 2024. Savera and Political Research Associates, “HAF Way to Supremacy: How the Hindu American Foundation Rebrands Bigotry As Minority Rights,” October 2024. Jyotiba Phule: an anti-caste social reformer and writer from Maharashtra. Satyashodhak Sangh: a social reform society founded by Jyotiba Phule in Pune, Maharashtra in 1873 that addressed caste and gender injustices. Golwalkar: M.S. Golwalkar was the second supreme leader of the Rashtriya Swayamsevak Sangh (RSS), a right-wing paramilitary organization that advanced the ideology of Hindu supremacy and mobilized around the transformation of India into a Hindu nation. Pracharak: refers to a full-time organizer of the RSS. Houston 2019: “Howdy Modi” was an event organized by the Texas India Forum to welcome Narendra Modi to Houston and featured a joint address by Modi and Donald Trump. Ahmedabad 2020: designed as a reciprocal counterpart to Howdy Modi, “Namaste Trump” was an event organized to celebrate Donald Trump's official state visit to India and hosted by Narendra Modi in Ahmedabad, Gujarat. Article 370: article of the Indian Constitution that granted a special autonomous status to the state of Jammu and Kashmir. This status was abrogated by the Modi government in 2019. CAA/NRC: the Citizenship Amendment Act (CAA) and the National Register of Citizens (NRC) are policies introduced by the Modi government. The 2019 CAA fast-tracks the naturalization of populations identified as victims of persecution by Afghanistan, Bangladesh, and Pakistan and explicitly excludes the eligibility of Muslims. The 2019 NRC aims to create an official record of legal citizens of India. Critics and human rights organizations argue that the policies together discriminate against Muslims. If a nationwide NRC is implemented, individuals who lack the required documentation to prove their citizenship could be excluded from the final registry. Because the CAA allows non-Muslims to claim citizenship if they fall through the cracks, Muslims left off the NRC list would face disproportionate risks of statelessness, detention, or deportation. Edward Blum: a conservative legal strategist and the president of the American Alliance for Equal Rights and Students for Fair Admissions (SFFA), an organization that fought to overturn affirmative action on the grounds that it constitutes "reverse discrimination" against white and Asian applicants. Dan HoSang: professor of American Studies at Yale University. “Violent Majorities: Indian and Israeli Ethnonationalism,” Recall this Book/New Books Network, Episodes 118, 119, 120, 143, 144, 145. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

This episode features a conversation with Prachi and Ram, organizers with Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans and partners standing together in the fight against the rise of the transnational far right. After laying out Hindu supremacy as an ideology, we considered the different phases of consolidation of the Hindu right in the United States from its late 20th century orientation around homeland politics to its 21st century effort to forge a Hindu American identity, first through an alignment with U.S. civil rights organizations and then through a realignment with white supremacist forces. We delved more deeply into the role of caste within this formation, in particular the longstanding efforts of the Hindu right in both India and the U.S. to forge Hindu unity by opposing anticaste politics. This took us to a discussion of the Hindu right's embrace of the pro-Israel lobby's tactics, especially its weaponization of Hinduphobia as an echo of the weaponization of antisemitism, to battle criticisms of the Modi government in India, and the need to distinguish this from the real rise in both anti-Hindu and antisemitic sentiment. We ended with Savera's efforts to forge a broad-based antiracist, left majority as a counterweight to the multiracial far right. Read the transcript Guests Prachi Patankar is a writer and activist based in New York. Her speaking and organizing is grounded in feminist, anti-caste, and solidarity commitments. Her writing has appeared in outlets including The Guardian, Indian Express, Al Jazeera, Women's Studies Quarterly, and Jacobin. She has been interviewed in media including Democracy Now, Jewish Currents, and National Public Radio. Ram Vishwanathan is an organizer with the Savera coalition based in New York City. References Savera, “The Global VHP's Trail of Violence,” January 2024. Savera, “Cut From the Same Cloth: the VHP-A's Ties To Its Indian Counterpart,” April 2024. Savera and Political Research Associates, “HAF Way to Supremacy: How the Hindu American Foundation Rebrands Bigotry As Minority Rights,” October 2024. Jyotiba Phule: an anti-caste social reformer and writer from Maharashtra. Satyashodhak Sangh: a social reform society founded by Jyotiba Phule in Pune, Maharashtra in 1873 that addressed caste and gender injustices. Golwalkar: M.S. Golwalkar was the second supreme leader of the Rashtriya Swayamsevak Sangh (RSS), a right-wing paramilitary organization that advanced the ideology of Hindu supremacy and mobilized around the transformation of India into a Hindu nation. Pracharak: refers to a full-time organizer of the RSS. Houston 2019: “Howdy Modi” was an event organized by the Texas India Forum to welcome Narendra Modi to Houston and featured a joint address by Modi and Donald Trump. Ahmedabad 2020: designed as a reciprocal counterpart to Howdy Modi, “Namaste Trump” was an event organized to celebrate Donald Trump's official state visit to India and hosted by Narendra Modi in Ahmedabad, Gujarat. Article 370: article of the Indian Constitution that granted a special autonomous status to the state of Jammu and Kashmir. This status was abrogated by the Modi government in 2019. CAA/NRC: the Citizenship Amendment Act (CAA) and the National Register of Citizens (NRC) are policies introduced by the Modi government. The 2019 CAA fast-tracks the naturalization of populations identified as victims of persecution by Afghanistan, Bangladesh, and Pakistan and explicitly excludes the eligibility of Muslims. The 2019 NRC aims to create an official record of legal citizens of India. Critics and human rights organizations argue that the policies together discriminate against Muslims. If a nationwide NRC is implemented, individuals who lack the required documentation to prove their citizenship could be excluded from the final registry. Because the CAA allows non-Muslims to claim citizenship if they fall through the cracks, Muslims left off the NRC list would face disproportionate risks of statelessness, detention, or deportation. Edward Blum: a conservative legal strategist and the president of the American Alliance for Equal Rights and Students for Fair Admissions (SFFA), an organization that fought to overturn affirmative action on the grounds that it constitutes "reverse discrimination" against white and Asian applicants. Dan HoSang: professor of American Studies at Yale University. “Violent Majorities: Indian and Israeli Ethnonationalism,” Recall this Book/New Books Network, Episodes 118, 119, 120, 143, 144, 145. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Meghan McCain and Miranda Wilkins kick off June with a wild mix of politics, pop culture, and campaign chaos. The conversation dives into the growing controversy surrounding Maine Senate candidate Graham Platner, the future of the Republican Party after John Cornyn's stunning Texas loss, and why both parties may be facing a major identity crisis heading into the midterms. Plus: Kevin Walling weighs in on Nancy Mace, Texas politics, and the latest campaign controversies Anang Mittal breaks down the growing influence of Indian American voters and why online political discourse is becoming increasingly toxic The America 250 celebration goes sideways as "Freedom 250" turns it into a political circus. Major performers drop out and Vanilla Ice becomes an unlikely headliner Meghan and Miranda debate the 'Euphoria' finale, roller coaster disasters, Pride Month, and modern parenting Learn more about your ad choices. Visit megaphone.fm/adchoices

How do we move the needle from simple charity to true, lasting systems change?  Megha Desai, President of the Desai Foundation, joins the podcast to share how they have impacted over 12 million lives by treating dignity as a measurable currency. If you want to catch more deep dives into the global desi and diaspora experience, hit the Subscribe button to join our community!In this episode of TRUST ME I KNOW WHAT I'M DOING, host Dr. Abhay Dandekar sits down with Megha to explore the powerful intersection of big data and human-centered storytelling. From scaling a modest family ethos of abundance into a globally recognized public non-profit, Megha reveals what it takes to operate an impact organization like an entrepreneurial startup. We also dive deep into the global movement for menstrual equity, shifting the narrative from control to care, and what it truly means to build a sustainable infrastructure of dignity across rural India.In this episode, we cover:• Generational Shepherding: Scaling a family ethos of abundance.• The Startup Mindset: Approaching global philanthropy like a venture pitch• The Currency of Dignity: Bridging corporate investors and rural villages• Data vs. Storytelling: Why the story is the arrow tip but data is what pierces through• Menstrual Equity: Confronting global stigmas to drive health, literacy, and GDP-------------------------Chapters:00:00 Introductions and Identities04:00 Generational Shepherding: Scaling a Family Ethos of Abundance05:55 Moving from a Family Foundation to an Entrepreneurial Startup Model09:45 The Currency of Dignity: Bridging Corporate Donors and Rural Villages13:03 Active Listening in Boardrooms and Villages 17:49 Staying Loyal to Beneficiaries 21:26 Sponsor Break: Travelopod23:55 Collaborative Ecosystems and Sharing Information for Greater Impact  25:58 Menstrual Equity: Confronting Global Stigmas 29:46 Unlearning Assumptions, Cultivating Growth, Sustaining Empowerment35:08 Creating True Systemic Change and Finding Personal ConnectionConnect with Megha Desai & The Desai Foundation:• Website: https://thedesaifoundation.org/• Personal: https://meghadesai.com/Shout outs this week:• Spelling Bee Champ Shrey Parikh• Air conditioners everywhere• Primary voters across the US and especially in California#TheDesaiFoundation #MeghaDesai #MenstrualEquity #SystemicChange #WomenEmpowerment #TrustMeIKnowWhatImDoing #SouthAsianVoices #DiasporaStories #SocialImpact --------------------------Trust Me I Know What I'm Doing | Dr. Abhay DandekarA mirror and window for global Indians and South Asians through conversation.Every week, we share chats with artists, leaders, musicians, chefs, experts, change makers, and innovators from the home and diaspora - sharing their journeys and motivations.Support our sponsors: Start your journey with personalized travel support at https://vacation.travelopod.com/For enquiries

Indian advocacy groups are reporting a surge in hate incidents against Indian Americans. Enforcing H1-B is also racist. New evidence shows that transgenderism was just a social fad. Something we knew all along. Tony Gonzalez is out. Brandon Herrera is in. So the attack ads and hit pieces are just getting started. Tucker Carlson claims Trump's demand for unconditional surrender is like threatening the rape of Iranians. We'll explain why he's wrong. GUEST: Josh Firestine Link to today's sources: https://www.louderwithcrowder.com/march-9-2026 Let my sponsor American Financing help you regain control of your finances. Go to https://americanfinancing.net/crowder or call 800-974-6500. NMLS 182334, http://nmlsconsumeraccess.org. Download Rumble Wallet now—now with USA₮—and step away from the big banks --- for good! https://rumblewallet.onelink.me/bJsX/crowder Tucker Carlson's Iran episode: https://www.youtube.com/watch?v=Dl78cDjOIRM&t=10s Foundation Daily is made up of premium ingredients to reduce inflammation and stress and promote clean energy and mental clarity. Subscribe now and receive 40% off for life. https://foundationdaily.com/ DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-apps Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/Premium Get your favorite LWC gear: https://crowdershop.com/ Bite-Sized Content: https://rumble.com/c/CrowderBits Subscribe to my podcast: https://feeds.libsyn.com/576250/rss FOLLOW ME: Website: https://louderwithcrowder.com/ X: https://x.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficial Music by @Pogo