Podcasts about chambery

Rugby: Japan to Face Uruguay in Test Match in Chambery, France, on Nov. 16

Life in the Peloton is proudly brought to you by MAAP Hey everyone, we're back this week with another Talking Luft Top Six Most Influential! This week I'm joined by one of the most recognisable and talented cycling commentators, Rob Hatch to talk all about our most influential World Championships. The World Road Race Championships is not only one of the most prestigious races of the year, but it's also unique in pro racing being the only race of the year where professionals race for their national teams, for that coveted rainbow jersey!  I was lucky enough to race a couple of worlds for Australia and I can tell you it is a pretty special experience to be able to represent your country in your sport. I loved racing for Australia and I pick out some of my experiences for this pod, including helping Micheal Matthews to the silver medal in 2015, and that rain in Yorkshire!  My guest Rob Hatch has been covering pro racing for well over a decade and has been following cycling for even longer. His voice has accompanied some of the most epic racing moments in recent years - and many of those non-epic hours that fill our TV screens too!  Rob has an incredible, and in-depth knowledge of cycling and he's as passionate as any anyone I know on the subject. We talked about some fantastic Worlds from Chambery to Harrogate via Richmond. The Worlds really does cover so many different places and characters that it was always going to be hard work to get things down to just (over a) handful of editions!  If, like myself and Rob, you can't wait for the worlds to roll round (now that the Vuelta is old news!) then have a listen to this one, and get in the mood for the big WC.  Cheers!  Mitch ----more---- The Dirty Docker is almost here! Dirty Docker is my multi-day event for all things cycling and running in the Macedon Ranges. For the last few weeks of winter, you can get an exclusive discount code by signing up to the Life in the Peloton Newsletter here.  The Life in the Peloton book is OUT NOW! Get your copy now exclusively at maap.cc! Can't wait for you to read it.

Ecoutez Christophe Hondelatte dévoiler la personnalité d'Adrien Bottollier. Cet étudiant en psychologie de 20 ans à de CHAMBERY avait le goût du sang. Il rêvait d'un destin à la Hannibal Lecter, le tueur en série du film « Le silence des agneaux ».Vous voulez écouter les autres épisodes de ce podcast ? >> Retrouvez-les sur notre site Europe1.fr ainsi que sur vos plateformes d'écoute habituelles.

Ecoutez Christophe Hondelatte dévoiler la personnalité d'Adrien Bottollier. Cet étudiant en psychologie de 20 ans à de CHAMBERY avait le goût du sang. Il rêvait d'un destin à la Hannibal Lecter, le tueur en série du film « Le silence des agneaux ».Vous voulez écouter les autres épisodes de ce podcast ? >> Retrouvez-les sur notre site Europe1.fr ainsi que sur vos plateformes d'écoute habituelles.

Ecoutez Christophe Hondelatte dévoiler la personnalité d'Adrien Bottollier. Cet étudiant en psychologie de 20 ans à de CHAMBERY avait le goût du sang. Il rêvait d'un destin à la Hannibal Lecter, le tueur en série du film « Le silence des agneaux ».Vous voulez écouter les autres épisodes de ce podcast ? >> Retrouvez-les sur notre site Europe1.fr ainsi que sur vos plateformes d'écoute habituelles.

Ecoutez Christophe Hondelatte dévoiler la personnalité d'Adrien Bottollier. Cet étudiant en psychologie de 20 ans à de CHAMBERY avait le goût du sang. Il rêvait d'un destin à la Hannibal Lecter, le tueur en série du film « Le silence des agneaux ».Vous voulez écouter les autres épisodes de ce podcast ? >> Retrouvez-les sur notre site Europe1.fr ainsi que sur vos plateformes d'écoute habituelles.

Stevan Briand, en charge du pôle immobilier chez Netinvestissement, était l'invité de Lorraine Goumot dans Tout pour investir, ce mercredi 24 janvier. Il a lancé un match immobilier entre Tourcoing et Chambéry en prenant en compte plus de 50 critères, à l'image de l'évolution des prix et la croissance démographique, sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Resort Spotlight: Les 7 Laux (Les Sept Laux) LOCATION Very close to the city of Grenoble, just up in the Belledonne mountain range in the Dauphiné Alps. Drive into the city of Grenoble in around 30-40 minutes traffic permitting and the airport is just over a one hour's drive away too. Chambery is also just 50 kms away, so another option for flying in and then driving from Calais would normally take about 8.5 hours. The train would be London-Paris-Lyon-Grenoble and then a taxi or a bus from there. Not too difficult because you get pretty close in Grenoble and whilst that might not be for everyone...could do a nice little stop over on the way too. THE SKI AREA  There's 120 km's of ski trails that link up three separate villages, there's about 22 ski lifts, mostly chairs and some drag lifts plus a gondola too, and 90% of the lifts are 10 years old or newer.  Within that 120 km's there's 45 individual ski trails that include green, blue, red and black, so genuinely something for every level of skier and snowboarder . It is mostly blues and reds, but there's 7 black runs so pretty significant and it has the largest freeride area in the region including the The Vallons du Pra trail which is basically a marked off-piste route.  The beginner's terrain is extensive and separate from the main ski area and then there's a nice progression onto green runs after that. The majority of runs are blue and red so we are talking about all this freeride terrain but at the end of the day it's beginners and intermediates that actually get the best deal here.  SKI SCHOOLS  There's the ESF, ESI: Pro 7 school that also offers freestyle and freeride lessons and a dedicated snowboard school called Slash  and another called Easy Riders. They all say they have English speaking instructors.SNOW RECORDVillage is 1350, and it goes up to 2400 metres, that's more than a 1,000 metre vertical and with its location they get good snowfalls through the winter and well into spring here.  A lot of the slopes are north westerly facing so they hold the snow well.THE VILLAGES  The main village is Prapoutel and it's where most of the accommodation and facilities are. It's mostly self-catered accommodation and there's a good choice of both value and higher end places to stay and it's easy to walk around – it's not tiny in any sense but it's not like a massive town either. It does have that sort of purpose built feel, but in a nice way and the views across the valley are fantastic.Why is it called Les 7 (seven) Laux?It was founded in the 1960's / 70's by a group formed of 7 communes in the area.Where do I go for a pint?O'Bar BUWhat about a bit of Tartiflette ?Le Rocher Blanc Prices for the actual holiday?A starting price of around £1500 for the whole apartment for a week and that includes a return Eurotunnel fare peakretreats.co.uk or call them on 023 9283 9310Peak Retreats is the French Alps specialist and they have been organising holidays in the French Alps for over 20 years. They have multiple awards pretty much on a yearly basis and they are ABTA bonded. In the meantime Happy Skiing :). Please do leave a review it's the only way other like minded skiers get to find us! And don't forget to check us out on the following channels inthesnow.comyoutube.com/inthesnowmagfacebook.com/inthesnowinstagram.com/inthesnowand contact us with your suggestions for further episodes at hello@InTheSnow.com

On se retrouve pour le quatrième épisode de la saison 3, Mehdi recevait Ugo alias Azgard, véritable expert du football allemand ! Originaire de Chambery, Ugo a 22 ans, il a arrêté ses études pour se consacrer à la création de contenus sur le football et sur Sorare. Son rêve ? Exercer un métier dans le football.  Il suit actuellement une formation d'analyste vidéo. Son idole ? Le journaliste Jean-Charles Sabattier, expert du football allemand. En plus d'aider le célèbre youtubeur Wiloo, il consacre également une partie de son temps à participer au média « Box to Box », un média sur les grands championnats. Vous pouvez le retrouver chaque lundi sur la chaine Twitch Box to Box entre 20H et 22H.  Chaque vendredi, il partage sur son compte Twitter les compositions probables de la Bundesliga. Sur Sorare, son plus grand kiff est de vivre des expériences réelles (gagner des places…etc). Dans ce podcast, il vous expliquera ses débuts sur le jeu, sa passion pour le football et la Bundesliga. Pour finir, il répondra au traditionnel questionnaire de l'invité et aux questionnaires des auditeurs. TIMELINE ÉPISODE 44 01:00 Profil de l'invité 17:30 Ses débuts sur Sorare 30:00 Ses objectifs : Vivre des expériences « réelles » grâce à Sorare 38:00 La Bundesliga 01:04:00 Questionnaires rapides 01:10:00 Question des internautes Si vous n'êtes pas encore inscrit sur Sorare, nous pouvons vous coacher, inscription via ce lien https://sorare.pxf.io/une-carte-offerte et contactez-nous par email contact@medi asorare.com ou sur twitter (@MediaSorare). Déjà inscrit et vous souhaitez être coacher par MagicMehdi ? C'est ici que ça se passe : https://www.mediasorare.com/coaching-et-optimisation-de-galerie-sorare/ On vous laisse plonger dans ce podcast passionnant ! Bonne écoute 

Chambery, son lac, son chateau, sa fabrique de mutants… Le 1er club d'escalade français accueillait récemment la Coupe d'Europe (et non les championnats d'Europe comme je le dis en intro). On en a profité pour parler à Hervé Di Domenico, co-président du club et co-auteur avec Kevin Arc de l'excellent livre ‘Escalade Training, 100 exercices spécifiques d'entrainement”. Au fil de la discussion, Hervé nous dévoile quelques secrets de la réussite de son club et l'importance d'un entraînement spécifique pour progresser. Nous suivre sur

[A France Bleu Isère, avec Vanessa Lambert, le 24 janvier 2023] Véronique Péquignat est une sorte de globe-trotter. Sa mission, celle qu'elle a accepté et qu'elle remplira encore jusqu'à la retraite, dans quelques mois (heureuse femme !) : attirer les entreprises pour qu'elles s'installent quelque part entre La Mure et Chambery

Welcome to the Dior Talks podcast series themed around the seventh edition of Dior Lady Art and hosted by Paris-based journalist Katya Foreman. For this year's event, 11 artists from around the world have participated in a game of metamorphosis by rendering the iconic Lady Dior handbag as a unique piece of art.   For this latest episode we plunge into the universe of Françoise Pétrovitch to learn about her artist journey and childhood influences growing up in Chambery, an alpine town in the south of France. “I always regarded fine arts as a kind of Holy Grail, something amazing. But I didn't have that training,” says the artist who since the 1990s has produced one of the most powerful bodies of work on the French art scene.   With Pétrovitch, it all starts with a drawing, with her universe also extending to ceramics, ink washes, glass, painting, print and video. Subjects range from the fragility of nature and the body to intimacy between people and the psychological reasons that may draw us together.   The artist for this project approached the Lady Dior as a sculpture, reinterpreting the bag's signature cannage motif in ink, and using the bird, a symbol of freedom and fragility, as a playful decorative accent, applied using a screen-printing technique on leather, for instance, or blown up on charms to add a fun, pop edge.    Colour plays out in gradient diffusions, like ink stains, as well as on metallic linings that invite a reflection on intimacy and interiority.   “I tried to find the same quality in leather and print that I have in my drawings. So there, we were really looking at colour juxtapositions. It was professional and at the same time very poetic, which I love,” says Pétrovitch.   Tune into the episode to learn more about her fascinating world. 

Massimo Miro"La faglia"Scritturapurahttps://www.scritturapura.it/index.phpTorino, maggio 1978. Il grigio non è solo il colore dei muri di periferia. Cinque ragazzi, cresciuti tra piccoli furti e scontri tra bande sulle strade che dividono i casermoni di cemento del loro quartiere, decidono di passare alla Storia: porteranno via Aldo Moro dal covo in cui le Brigate Rosse lo tengono prigioniero.Torino, luglio 2006. Gomez ne ha fatta di strada: è ingegnere, ha una moglie, una figlia e una villetta in Brianza. Eppure la sera della finale dei Mondiali, quando l'Italia sta per scendere in campo contro la Francia, anziché seduto sul divano davanti alla tv con una birra in mano, è di nuovo in Borgo Stura.Una storia dal ritmo serratissimo, una parabola vorticosa di giovani vite incompiute, in lotta disperata per la salvezza.Prefazione di Davide FerrarioMassimo Miro è nato a Milano nel 1967. Vive e lavora a Torino. Musicista e compositore, collabora con diverse case editrici. Una sua raccolta di racconti è uscita nel 2001 con il titolo di Sbàuz (Prospektiva Editrice).Con il romanzo Hanno sparato a John Lennon è stato finalista del Premio Italo Calvino nel 2001 e si è aggiudicato il riconoscimento francese assegnato dall'Universitè de Savoie di Chambery.Un suo racconto, Questa non è una canzone d'amore, è stato inserito in una raccolta di racconti edita da Miraggi Edizioni, dal titolo L'amore non c'entra, 2015.Nel 2021 pubblica il romanzo Suite berlinese, Scritturapura.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

The Rosary (or Chaplet) of the Holy Wounds of Jesus in Latin. On the Crucifix and first three beads: O Jesu, Redemptor Divinus, miserere nobis et totius mundi. (O JESUS, Divine Redeemer, be merciful to us and to the whole world. Amen.) Deus Omnipotens, Deus Sancte, Deus Immortale, miserere nobus et totius mundi. (STRONG God, holy God, immortal God, have mercy on us and on the whole world. Amen.) Gratia et misericordia, Domine Jesu, in periculis praesentibus; tegere nos cum pretioso Sanguine tuo. (GRACE and mercy, O my Jesus, during present dangers; cover us with Thy Precious Blood. Amen.)  Pater Aeterne, miserere nobis per Sanguinem Jesu Christi, solius Filii Tui; miserere nobis, te obsecramus. (ETERNAL Father, grant us mercy through the Blood of Jesus Christ, Thine only Son; grant us mercy, we beseech Thee. Amen.) The following prayers, composed by Our Lord, are to be said using the Rosary beads. On the large [middle] beads: Pater Aeterne, Tibi vulnera nostri Domini Jesu Christi offero ut vulnera animi nostri sanet. (Eternal Father, I offer Thee the Wounds of our Lord Jesus Christ, to heal the wounds of our souls.) On the small [decade] beads: Mi Jesu, venia et misericordia per merita Sancte Vulnerium Tuorum. (My Jesus, pardon and mercy, through the merits of Thy Holy Wounds.) HISTORY: This devotion to the Holy Wounds and the Promises (CLICK HERE) were revealed by Our Lord to Sr. Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. The cause for her beatification was introduced in 1937. To read more about Sr. Mary Martha  Click Here. Join me and others in praying the Holy Rosary every day; here are the Spotify quick links to the Rosary: Joyful Mysteries https://open.spotify.com/episode/1yhnGJNSl67psg94j3si3s?si=7IjqIg2wQQaZTJTiDm-Dhw Sorrowful Mysteries https://open.spotify.com/episode/3P0nIdaLuEjesHRMklwfoj?si=6qF7JBYpRiG0ylwuOohFwA Glorious Mysteries https://open.spotify.com/episode/3t7lCF7nFQDR3py1jjTAE1?si=hBb_5Ne5Rwu-993nUUqHqg Luminous Mysteries https://open.spotify.com/episode/6vlAjEGgWPCI79K7Eylh31?si=Hue9USzkTf-L3wrXrK79MQ 15 Decade Rosary https://open.spotify.com/episode/2q33PXMrinZi6fkaV6X7vn?si=Jy_d2xLlTVihD5qa4fSH9g The Latin Prayer Podcast Patreon is finally up and running - for those of you who are able to financially support the podcast please Click Here (https://www.patreon.com/thelatinprayerpodcast). A huge thank you to my patrons! To follow me on other platforms Click on my LinkTree below. linktr.ee/dylandrego If you have any prayers you'd like to request, or comments and/or suggestions - please email me at latinprayerpodcast@gmail.com. Know that if you are listening to this, I am praying for you. Please continue to pray with me and for me and my family. May everything you do be Ad Majorem Dei Gloriam. God Love You! Valete (Goodbye)  

This weeks episode is a recording of a keynote given by Benjamin Lang and Lars Peter Nissen at CartONGs GeOnG conference in Chambery on 24 October, 2022. The debate is moderated by Sandra Sudhoff, the technical director of CartONG.You can watch the entire opening ceremony on CartONGs YouTube Channel: https://www.youtube.com/watch?v=QteGAp8gD7Y

The Rosary (or Chaplet) of the Holy Wounds of Jesus in English. On the Crucifix and first three beads: O JESUS, Divine Redeemer, be merciful to us and to the whole world. Amen. STRONG God, holy God, immortal God, have mercy on us and on the whole world. Amen. GRACE and mercy, O my Jesus, during present dangers; cover us with Thy Precious Blood. Amen. ETERNAL Father, grant us mercy through the Blood of Jesus Christ, Thine only Son; grant us mercy, we beseech Thee. Amen. The following prayers, composed by Our Lord, are to be said using the Rosary beads. On the large [middle] beads: Eternal Father, I offer Thee the Wounds of our Lord Jesus Christ, to heal the wounds of our souls. On the small [decade] beads: My Jesus, pardon and mercy, through the merits of Thy Holy Wounds. HISTORY: This devotion to the Holy Wounds and the Promises (CLICK HERE) were revealed by Our Lord to Sr. Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. The cause for her beatification was introduced in 1937. To read more about Sr. Mary Martha  Click Here. Join me and others in praying the Holy Rosary every day; here are the Spotify quick links to the Rosary: Joyful Mysteries https://open.spotify.com/episode/1yhnGJNSl67psg94j3si3s?si=7IjqIg2wQQaZTJTiDm-Dhw Sorrowful Mysteries https://open.spotify.com/episode/3P0nIdaLuEjesHRMklwfoj?si=6qF7JBYpRiG0ylwuOohFwA Glorious Mysteries https://open.spotify.com/episode/3t7lCF7nFQDR3py1jjTAE1?si=hBb_5Ne5Rwu-993nUUqHqg Luminous Mysteries https://open.spotify.com/episode/6vlAjEGgWPCI79K7Eylh31?si=Hue9USzkTf-L3wrXrK79MQ 15 Decade Rosary https://open.spotify.com/episode/2q33PXMrinZi6fkaV6X7vn?si=Jy_d2xLlTVihD5qa4fSH9g The Latin Prayer Podcast Patreon is finally up and running - for those of you who are able to financially support the podcast please Click Here (https://www.patreon.com/thelatinprayerpodcast). A huge thank you to my patrons! To follow me on other platforms Click on my LinkTree below. linktr.ee/dylandrego If you have any prayers you'd like to request, or comments and/or suggestions - please email me at latinprayerpodcast@gmail.com. Know that if you are listening to this, I am praying for you. Please continue to pray with me and for me and my family. May everything you do be Ad Majorem Dei Gloriam. God Love You! Valete (Goodbye)  

Si è svolto l'8 ottobre, l' incontro annuale della “Fedelissima Civitella del Tronto,” organizzato per 35 anni di seguito, con coraggio e perseveranza, da Pucci Cipriani, che anche quest'anno è riuscito  a raccogliere tanti giovani e meno giovani, provenienti da tutte le parti di Italia nell'antica cittadella detta la “Fedelissima”, perché fu ultimo baluardo del regno borbonico contro l'invasione piemontese, nel 1861. Il convegno anche quest'anno è stato preceduto la sera prima da una suggestiva Via Crucis attorno alle mura della Fortezza.   L'incontro del 2022 era dedicato ai pensatori e letterati della Contro-Rivoluzione. Tra questi si è parlato del conte Joseph de Maistre, il grande pensatore savoiardo, nato a Chambery nel 1753 e morto a Torino nel 1821.

Der Besenwagen brennt. Die Scheiben sind eingeschlagen, die Ledersitze brutzeln in den Flammen. Der gelbe Lack wirft Blasen, nichts ist mehr zu retten. Im Ghetto von Chambery bleibt nur noch ein verkohltes Wrack der Karosserie übrig.
 Ein Gassenhauer schallt mit massig Dezibel durch das Dorf und holt uns aus unserem Alptraum. Wir sind nicht mehr in Frankreich, sondern im Schwarzwald. Nico Denz vom Team DSM ist zu Gast im Besenwagen und hat den DJ Posten auf dem Beifahrersitz eingenommen. Das Autoradio spielt SWR4 und die Boxen sind bis auf Anschlag hochgedreht. — Besenwagen - der Radsport Podcast wird unterstützt von Rapha https://www.rapha.cc/ — Das neue Besenwagen x RAPHA Kit ist da! https://shop.besenwagen.com/collections/rapha — Le Tour, la Vuelta, Worldwide - alle T-Shirts jetzt im Shop! https://shop.besenwagen.com/ — Schreib' uns eine E-Mail! kontakt@besenwagen.com — Hier kannst du unseren Newsletter abonnieren: https://www.besenwagen.com/newsletter — Niemanden erreicht? Hinterlasse uns eine Nachricht auf dem Anrufbeantworter: https://www.besenwagen.com/anrufbeantworter — Werbung: Enduco ist dein KI-gestützter Cycling Coach für die Hosentasche! Individuelles, high-end Leistungscoaching in einer App. Basierend auf deinen Leistungsdaten, deiner Trainingserfahrung, deiner Gesundheit und deinen Gewohnheiten erstellt dir der KI-Coach deinen individuellen Trainingsplan, um dich auf dein bestmögliches Leistungsniveau zu katapultieren. Wer also gezielt, individuell und modern trainieren will geht am besten direkt auf https://enduco.app/besenwagen oder in den App- bzw. Play Store eurer Wahl und sucht dort nach “enduco” (enduco = ENDUrance & COach). Für mehr Infos, News und Updates abonniert den Instagram-Kanal www.instagram.com/enduco.app/

In questo articolo parleremo di un momento molto importante per la storia d'Italia. Tutti sanno che oggi l'Italia è una repubblica, ma non è sempre stato così! Infatti, la Repubblica italiana è nata nel 1946, dopo un referendum popolare. Prima di questa data, l'Italia era una monarchia, cioè governata da un re, a quell'epoca Vittorio Emanuele II di Savoia. Quando l'Italia è diventata ufficialmente un Paese unito (il 17 marzo 1861), infatti, si chiamava Regno d'Italia. In questa lezione, parleremo proprio della famiglia reale italiana dei Savoia! I SAVOIA - La storia della famiglia reale italiana Origini della famiglia Innanzitutto, da dove deriva il nome Savoia? Il nome viene dalla regione geografica della “Savoia”, che si trova nel sud della Francia. Tuttavia, sull'origine della famiglia non si hanno notizie certe né documenti, persi a causa di guerre e incendi, ma sembrerebbe che la dinastia sabauda (questo è l'aggettivo che si riferisce ai Savoia) affondi le sue radici proprio in quella zona francese. Il capostipite della famiglia fu molto probabilmente Umberto I, che proprio nella regione francese della Savoia divenne conte, intorno all'anno 1000 d.C., pensate un po'! Dopo questa figura non si sa molto. E quello che si sa è stato probabilmente inventato dalla famiglia stessa, per ricollegare la propria immagine a quella di personaggi molto importanti. Circolavano, ad esempio, voci che Umberto I fosse nipote di Ottone II, imperatore del Sacro Romano Impero, perché i Savoia volevano far valere il proprio potere all'interno dell'impero di cui facevano parte, dimostrando di discendere da una dinastia imperiale. In ogni caso, Umberto ebbe due figli. Uno di questi, Oddone, sposò Adelaide di Susa, margravia di Torino. Fu proprio grazie a questo importante matrimonio che i Savoia ottennero i primi territori in Italia. I Savoia in Italia La famiglia reale italiana dei Savoia si trasferì solo nel XVI secolo, quando la sede centrale fu spostata da Chambery (in Savoia) a Torino: è stato il Duca Emanuele Filiberto a deciderlo. E così si apre la stagione moderna della casata, con Torino che diventa una metropoli europea e si abbellisce grazie alle opere di architetti urbanisti (Guarini, Juvarra). Il potere della famiglia reale era, però, ancora abbastanza ristretto. Il salto di qualità avvenne durante la guerra di successione al trono di Spagna (1701), quando Vittorio Amedeo II cambiò segretamente alleanza, passando dal fronte franco-spagnolo a quello austriaco. Questa mossa è stata un successo per lui, visto che poi lo stesso Re di Spagna, per riavvicinarlo, gli concesse il Regno di Sicilia. Questi non furono anni facili. I sovrani erano ovviamente lontani dalla Sicilia e in più non apprezzavano molto la cultura e le tradizioni dell'isola. E così i siciliani iniziarono a odiarli, fino a quando non scambiarono la Sicilia con un'altra isola italiana: la Sardegna. Andando avanti con la storia, arriviamo al XIX secolo, quello dell'unità d'Italia. In effetti è stato anche grazie ai Savoia se il processo di unificazione dell'Italia è diventato realtà. Prima del 1861 l'Italia era suddivisa in piccoli Stati. Successivamente Giuseppe Garibaldi, con il sostegno di Vittorio Emanuele II, riuscì a creare la magia, ufficializzata il 17 marzo 1861. La dinastia dei Savoia durò dal 1861 al 1946. Si susseguirono ben 4 sovrani: Vittorio Emanuele II (1861-1878), Umberto I (1878-1900), Vittorio Emanuele III (1900-1946) e Umberto II (maggio 1946-giugno 1946). In particolare, ricordiamo Vittorio Emanuele III, che ha governato l'Italia durante il periodo delle due guerre mondiali. Dopo la sconfitta di Mussolini e del fascismo, il re Vittorio Emanuele III decise di abdicare in favore di suo figlio Umberto II, nel tentativo di salvare la monarchia, e partì in esilio. Tuttavia poi un mese dopo, a giugno del 1946, ci fu il famoso referendum popolare.

We follow little count Amedeo VIII as he comes to power and manages to not only expand, consolidate and organise first his county and then duchy, but even has a go at being pope for a while!

We continue catching up with the house of Savoy picking up in 1255 and, after some zig-zagging succession, see the "colourful" green count Amedeo VI and then try to discover what really happened to his son, Amedeo VII the Red count, as the counts slowly continue to expand their lands and influence in France and north-west Italy.

(This devotion to the Holy Wounds and the following promises were revealed by Our Lord to Sr Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. The cause for her beatification was introduced in 1937.) PROMISES OF OUR LORD FOR THOSE WHO PRACTISE THIS DEVOTION: 1. At each word that you pronounce of the Chaplet of the Holy Wounds, I allow a drop of My Blood to fall upon the soul of a sinner. 2. Each time that you offer to My Father the merits of My Divine Wounds, you win an immense fortune. 3. Souls that will have contemplated and honoured My crown of thorns on earth, will be My crown of glory in Heaven. 4. I will grant all that is asked of Me through the invocation of My Holy Wounds. You. Will obtain everything, because it is through the merit of My Blood, which is of infinite price. With My Wounds and My Divine Heart, everything can be obtained. 5. From My Wounds proceed fruits of sanctity. As gold purified in the crucible becomes more beautiful, so you must put your soul and those of your companions into My sacred Wounds; there they will become perfected as gold in the furnace. You can always purify yourself in My Wounds. 6. My Wounds will repair yours. My Wounds will cover all your faults. Those who honour them will have a true knowledge of Jesus Christ. In meditation on them, you will always find a new love. My Wounds will cover all your sins. 7. Plunge your actions into My Wounds and they will be of value. All your actions, even the least, soaked in My Blood, will acquire by this alone an infinite merit and will please My Heart. 8. In offering My Wounds for the conversion of sinners, even though the sinners are not converted, you will have the same merit before God as if they were. 9. When you have some trouble, something to suffer, quickly place it in My Wounds, and the pain will be alleviated. 10. This aspiration must often be repeated near the sick: “My Jesus, pardon and mercy through the merits of Your Holy Wounds!” This prayer will solace soul and body. 11. A sinner who will say the following prayer will obtain conversion: “Eternal Father, I offer You the Wounds of our Lord Jesus Christ to heal those of our souls.” 12. There will be no death for the soul that expires in My Holy Wounds; they give true life. 13. This chaplet is a counterpoise to My justice; it restrains My vengeance. 14. Those who pray with humility and who meditate on My Passion, will one day participate in the glory of My Divine Wounds. 15. The more you will have contemplated My painful Wounds on this earth, the higher will be your contemplation of them glorious in Heaven. 16. The soul who during life has honoured the Wounds of our Lord Jesus Christ and has offered them to the Eternal Father for the souls in Purgatory, will be accompanied at the moment of death by the Holy Virgin and the angels; and Our Lord on the Cross, all brilliant in glory, will receive her and crown her. 17. The invocations of the Holy Wounds will obtain an incessant victory for the Church. PROMISE GIVEN TO ST GERTRUDE FOR THOSE WHO HONOUR OUR LORD'S HOLY WOUNDS: One day as St Gertrude was completing her prayers and salutations in honour of the Wounds of the Saviour, her compassion was rewarded by a vision of Our Lord, on whose Wounds rested golden roses. Our Lord said to her: “Behold, I will appear to you in this refulgent form at the hour of your death, and I will cover all your sins, and adorn you with a glory like that with which you have adorned My Wounds by your salutations. All who do so shall receive the like favour.” Support the show (https://paypal.me/akpantoja?locale.x=en_US)

In der neuen Folge Bleu, Blanc, Rugby dreht sich wie immer alles um den französischen Vereinsrugby! Ich fasse für euch den aktuellen Spieltag der Top 14 zusammen und rede über die Nachholspiele der PRO D2 und Nationale sowie die Nachholspiele in der ersten Liga der Frauen. Meister und Europapokalsieger Toulouse baut seine Negativserie in Nordkatalonien aus, Perpignan gewinnt überzeugend mit Offensivbonus! Allerdings kann auch Mitaufsteiger Biarritz sein kurioses Heimspiel gegen La Rochelle für sich entscheiden. Racing gewinnt haushoch gegen Brive, in Lyon stehen große Veränderungen an und Toulon ist auf dem letzten Tabellenplatz angekommen. Drei Teams im Abstiegskampf mussten in der zweiten Liga Nachholspielen ran und alle drei konnten gewinnen - Narbonne holt endlich den ersten Heimsieg, Agen überzeugt gegen das Team von Hilsenbeck und Marks, Bourg-en-Bresse setzt sich gegen Aurillac durch. In der Nationale schwächelt Chambery weiter, diesmal gegen Dax. Bei den Frauen konnte das Stade Bordelais einen Coup in Blagnac erzielen.

In der neuen Folge Bleu, Blanc, Rugby dreht sich wie immer alles um den französischen Vereinsrugby! Ich fasse für euch den aktuellen Spieltag der Top 14 zusammen und rede über die Nachholspiele der PRO D2 und Nationale sowie die Nachholspiele in der ersten Liga der Frauen. Meister und Europapokalsieger Toulouse baut seine Negativserie in Nordkatalonien aus, Perpignan gewinnt überzeugend mit Offensivbonus! Allerdings kann auch Mitaufsteiger Biarritz sein kurioses Heimspiel gegen La Rochelle für sich entscheiden. Racing gewinnt haushoch gegen Brive, in Lyon stehen große Veränderungen an und Toulon ist auf dem letzten Tabellenplatz angekommen. Drei Teams im Abstiegskampf mussten in der zweiten Liga Nachholspielen ran und alle drei konnten gewinnen - Narbonne holt endlich den ersten Heimsieg, Agen überzeugt gegen das Team von Hilsenbeck und Marks, Bourg-en-Bresse setzt sich gegen Aurillac durch. In der Nationale schwächelt Chambery weiter, diesmal gegen Dax. Bei den Frauen konnte das Stade Bordelais einen Coup in Blagnac erzielen.

In der neuen Folge Bleu, Blanc, Rugby dreht sich wie immer alles um den französischen Vereinsrugby! Ich fasse für euch den aktuellen Spieltag der Top 14 zusammen und rede über die Nachholspiele der PRO D2 und Nationale sowie die Nachholspiele in der ersten Liga der Frauen. Meister und Europapokalsieger Toulouse baut seine Negativserie in Nordkatalonien aus, Perpignan gewinnt überzeugend mit Offensivbonus! Allerdings kann auch Mitaufsteiger Biarritz sein kurioses Heimspiel gegen La Rochelle für sich entscheiden. Racing gewinnt haushoch gegen Brive, in Lyon stehen große Veränderungen an und Toulon ist auf dem letzten Tabellenplatz angekommen. Drei Teams im Abstiegskampf mussten in der zweiten Liga Nachholspielen ran und alle drei konnten gewinnen - Narbonne holt endlich den ersten Heimsieg, Agen überzeugt gegen das Team von Hilsenbeck und Marks, Bourg-en-Bresse setzt sich gegen Aurillac durch. In der Nationale schwächelt Chambery weiter, diesmal gegen Dax. Bei den Frauen konnte das Stade Bordelais einen Coup in Blagnac erzielen.

In der neuen Folge Bleu, Blanc, Rugby dreht sich wie immer alles um den französischen Vereinsrugby! Ich fasse für euch den aktuellen Spieltag der Top 14 zusammen und rede über die Nachholspiele der PRO D2 und Nationale sowie die Nachholspiele in der ersten Liga der Frauen. Meister und Europapokalsieger Toulouse baut seine Negativserie in Nordkatalonien aus, Perpignan gewinnt überzeugend mit Offensivbonus! Allerdings kann auch Mitaufsteiger Biarritz sein kurioses Heimspiel gegen La Rochelle für sich entscheiden. Racing gewinnt haushoch gegen Brive, in Lyon stehen große Veränderungen an und Toulon ist auf dem letzten Tabellenplatz angekommen. Drei Teams im Abstiegskampf mussten in der zweiten Liga Nachholspielen ran und alle drei konnten gewinnen - Narbonne holt endlich den ersten Heimsieg, Agen überzeugt gegen das Team von Hilsenbeck und Marks, Bourg-en-Bresse setzt sich gegen Aurillac durch. In der Nationale schwächelt Chambery weiter, diesmal gegen Dax. Bei den Frauen konnte das Stade Bordelais einen Coup in Blagnac erzielen.

Einmal von Chambery nach Hamburg und zurück, so könnte man die Karriere von Bertrand Gille kurz und knapp zusammenfassen. Damit wäre die sportliche Geschichte des Welthandballers von 2002 aber nicht im Ansatz erzählt. In seinen fast zwei Jahrzehnten als Profi gewann der ehemalige Kreisläufer mit Ausnahme der Champions League alle Titel, die man gewinnen kann. Mit "Les Experts" sammelte er die Gold-Medaillen wie andere Briefmarken. Dabei lief es nicht immer reibungslos, vor allem die ersten Monate in der Hansestadt machten ihm arg zu schaffen. Doch nach einer schweren Eingewöhnungsphase lief es quasi wie geschnitten Brot, Sorgen machten nur noch die Finanzen. Im exklusiven Interview spricht der dreifache Familienvater über den Aufschwung des französischen Handballs, über eigenwillige Charakterköpfe und über Niederlagen, die er am liebsten schon lange verdrängt hätte.

 This devotion to the Holy Wounds and the following promises were revealed by Our Lord to Sr Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. The cause for her beatification was introduced in 1937.  PROMISES OF OUR LORD FOR THOSE WHO PRACTISE THIS DEVOTION: 1. At each word that you pronounce of the Chaplet of the Holy Wounds, I allow a drop of My Blood to fall upon the soul of a sinner. 2. Each time that you offer to My Father the merits of My Divine Wounds, you win an immense fortune. 3. Souls that will have contemplated and honored My crown of thorns on earth, will be My crown of glory in Heaven.  4. I will grant all that is asked of Me through the invocation of My Holy Wounds. You will obtain everything, because it is through the merit of My Blood, which is of infinite price. With My Wounds and My Divine Heart, everything can be obtained.   5. From My Wounds proceed fruits of sanctity. As gold purified in the crucible becomes more beautiful, so you must put your soul and those of your companions into My sacred Wounds; there they will become perfected as gold in the furnace. You can always purify yourself in My Wounds.  6. My Wounds will repair yours. My Wounds will cover all your faults. Those who honor them will have a true knowledge of Jesus Christ. In meditation on them, you will always find a new love. My Wounds will cover all your sins.  7. Plunge your actions into My Wounds and they will be of value. All your actions, even the least, soaked in My Blood, will acquire by this alone an infinite merit and will please My Heart.  8. In offering My Wounds for the conversion of sinners, even though the sinners are not converted, you will have the same merit before God as if they were.  9. When you have some trouble, something to suffer, quickly place it in My Wounds, and the pain will be alleviated.  10. This aspiration must often be repeated near the sick: “My Jesus, pardon and mercy through the merits of Your Holy Wounds!” This prayer will solace soul and body.  11. A sinner who will say the following prayer will obtain conversion: “Eternal Father, I offer You the Wounds of our Lord Jesus Christ to heal those of our souls.”  12. There will be no death for the soul that expires in My Holy Wounds; they give true life.  13. This chaplet is a counterpoise to My justice; it restrains My vengeance.  14. Those who pray with humility and who meditate on My Passion, will one day participate in the glory of My Divine Wounds.  15. The more you will have contemplated My painful Wounds on this earth, the higher will be your contemplation of them glorious in Heaven.  16. The soul who during life has honored the Wounds of our Lord Jesus Christ and has offered them to the Eternal Father for the souls in Purgatory, will be accompanied at the moment of death by the Holy Virgin and the angels; and Our Lord on the Cross, all brilliant in glory, will receive her and crown her.  17. The invocations of the Holy Wounds will obtain an incessant victory for the Church.  PROMISE GIVEN TO ST GERTRUDE FOR THOSE WHO HONOUR OUR LORD'S HOLY WOUNDS:  One day as St Gertrude was completing her prayers and salutations in honor of the Wounds of the Savior, her compassion was rewarded by a vision of Our Lord, on whose Wounds rested golden roses. Our Lord said to her: “Behold, I will appear to you in this refulgent form at the hour of your death, and I will cover all your sins, and adorn you with a glory like that with which you have adorned My Wounds by your salutations. All who do so shall receive the like favor.” Support the show (https://paypal.me/akpantoja?locale.x=en_US)

Épisode 593 : Jouer la carte du local pour une marque c’est le moyen d’illustrer des valeurs fondamentales et bien françaises de partage de proximité et de simplicité et sur les réseaux c'est l'occasion de séduire de nouveaux publics.Dans l’épisode 414 du Super Daily, on parlait de marques patrimoniales fortes, aujourd’hui on va un peu plus loin avec des marques Françaises qui communiquent fort sur leur ancrage Local.Le futur sera localC’est en tout ce que semble penser les consommateurs.La tendance des consommateurs à privilégier des produits avec une origine territoriale s’est encore affirmée en 2020. Les confinements n’y sont pas pour rien.Selon une Etude Kantar, 69 % des Français déclarent préférer acheter des produits fabriqués dans leur région ou proche de chez eux.Alors que les grandes marques agro-alimentaires mondialisées doivent redoubler d’efforts pour rassurer on assiste à un changement de paradigme.Les marques locales donnent l’occasion de savoir, d'accéder à plus de transparence. Consommer local c’est aussi un moyen de savoir d’où vient mon produit et d’avoir des gages de qualité et de sécurité bien supérieurs. Consommer local c’est ausis pour de nombreux consommateurs un façon de répondre aussi à des enjeux environnementaux.Bref, ça bouge, et les marques de food françaises appuient plus que jamais sur leur ancrage local.Aujourd’hui on vous propose un Tour d’horizon de ces marques de food français qui se la jouent du coin ! source Etude Kantar Brasserie PietraSur Instagram > 12k abonnésLa Pietra, c’est cette bière bien Corse à la chataîgne qui fait du bien par où ça passe quand la chaleur se fait sentir :)C’est aussi la première Brasserie Corse montée en 1992 par ses créateurs sur le simple constat qu’il n’y avait pas de Bière Corse à l’époque !Sur Instagram, la marque met fortement en valeur son ancrage Corse avec notamment des #locaux très présents comme#soifdecorse (très bien trouvé)#cicampemu (bon moment en corse)Sous les posts, on retrouve bien sur tous les # indispensables. #corse #corsica mais aussi de nombreux mots tout simples traduits en Corse.#Muntanacorsa #bieracorsa #paradisuAu delà du travail sur les hashtags, la ligne éditoriale est très fortement ancrée dans la Corse et particulièrement avec de l’UGC. On dit souvent que l’UGC fait plus vrai, plus authentique et bien on voit aussi clairement qu’il renforce aussi le local.De jolies photos de bières postées dans de beaux paysages Corses, pour la brasserie, ces contenus sont une aubaine !Ces contenus sont aussi réunis sous le # et la Highlight #Soif de Corse Notamment une collaboration (ou une forte amitié) avec le compte (@la corseautrement](https://www.instagram.com/lacorseautrement/] qui emporte des bières un peu partout en corse. pour de magnifiques photosAlpina SavoieALPINA SAVOIE appartient au club très fermé des entreprises plus que centenaires : elle a vu le jour en 1844 !La marque fabrique des pâtes à partir de blé exclusivement français mais aussi des crozets , une spécialité locale.Comme son nom l’indique la marque est installée à Chambery, la Capitale de la Savoie.Difficile de faire plus local qu’Alpina Savoie.En 1844, Antoine Chiron donne naissance à la marque. A l’époque la Savoie n’était pas française. Elle appartenait au Royaume de Piemont Sardaigne.L’entrepreneur implante son moulin à Chambéry. Alpina Savoie a conservé son moulin de blé dur et le savoir-faire propre à cette production (il ne reste aujourd’hui plus que 5 moulins de ce type en France).—Sur Instagram > 3600 abonnésLes highlights stories sont utilisées pour rendre compte des processus de fabrication, de l’ancrage historique de la marque à Chambéry. On y parle aussi de filière agricole et même de packaging.Au milieu des très jolies photos de recettes et de produits, on trouve quelques carrousels Instagram bien pensés . « Chez nous on ne lésigne pas sur le savoir-faire et le goût »—Son ancrage local et le travail entrepris depuis des années autour des filières française aura vraiment été un atout pour la marque sur l’année 2020. Avec le confinement, son activité à presque doublée.Les matière premières (le blé, le riz et le Quinoa) sont françaises.Mêmes les packagings. Le fabricant de carton est en Savoie et celui de films plastiques en Rhône-Alpes.engagements pour nourrir demainLa Belle IloiseInstagramUn savoir-faire français.Le plaisir de bien manger depuis près de 90 ans.Des boîtes aux designs intemporels.La belle Iloise, c’est cette marque de conserves haut de gamme et colorées que l’on retrouve aujourd’hui dans toutes les grandes villes Françaises et sur tout le territoire Breton.La Conserverie la belle-iloise a été créée en 1932 dans le Morbihan à côté de Quiberon. Un accès direct à la mer et un gage de qualité pour travailler le poisson frais tout juste débarqué…Dans les années 60 l’histoire des grandes conserveries Françaises est chamboulée par l’arrivée de la grande distribution - automatisation des processus, réduction des coûts humains…En 67 Georges Hilliet son fondateur décide de s’affranchir de ce joug pour vendre ses conserves en direct au consommateur et ou 1re sa première boutique.Après plusieurs générations de Hilliet, la célèbre conserverie passe à des designs innovant et transforment les conserves en un produit haut de gamme ou en core un souvenir que l’on a envie de rapporter de vacances; Aujourd’hui toutes les côtes Françaises et les grandes villes possèdent leur magasin.Leur compte Instagram reflète bien tous ces aspects de la marque et son passé. On retrouve bien sûr des recettes et des belles photos de dégustation. Mais on entre aussi dans le quotidien des pêcheurs. Par exemple tout une série de posts nous ont emmené à Roscoff suivre le travail des pêcheurs d’Algues. On met aussi en avant les conserveries et les employés qui préparent ces belles conserves et évidemment de beaux paysages de bord de mer !Paté HenaffSur InstagramHénaff c’est une marque familiale fondée en 1907 par Jean Hénaff. La société Hénaff est située à Pouldreuzic, en Bretagne.Le raté Henaff c’est mythique. Avec sa petite boite bleu iconique on a l’impression u’elle a toujours été dans notre paysage.C’est tellement bien ce que fait Henaff sur les réseaux sociaux.Aller jeter un coup d’oeil à leur compte Instagram.L’ancrage local est bossé avec une vraie autenticité. On retrouve fréquemment des photos de plages Bretonnes et puis évidemment le siège social de la société. Chez Hénaff, la salle de réunion est une ancienne laiterie. Le Château d’Eau de la vielle de Pouldreuzic est aux couleurs de la marque.L’autre astuce d’Hénaff c’est d’utiliser leur mythique boite de conserve bleu et jaune comme un cheval de Troie.Tout est fait maison et Local même la musique de PubEt puis il y a cette webserie très cool et là ausis très ancrée : « Jirai dormir chez moi ».Le pitch : plutôt que courir au bout du monde, de joyeux surfeurs finistériens ont profité de la parenthèse entre les deux #confinement pour faire un surf trip... Chez eux.En une semaine et moins de 100 km, ils démontrent que le bonheur est souvent devant notre porte

Massimo Miro"Suite berlinese"Scritturapurahttp://www.scritturapura.it/Berlino Est anni '80. Un uomo scruta dall'altra parte della strada la Lada della Volkpolizei appostata sul marciapiede davanti al suo laboratorio fotografico. Immagina che gli agenti abbiano già fatto irruzione in casa, due stanze modeste proprio lì, al primo piano. E sa perché. In quegli istanti rivede tutta la sua vita: il trasferimento all'Ovest con la madre quando era ancora un bambino, il liceo, la brillante carriera da fotografo, la storia d'amore con Gala, quei maledetti “esperimenti”, fino alla decisione di tornare all'Est. Poi quel cliente misterioso che qualche settimana prima si era presentato con un rullino da sviluppare. Solo sette scatti, identici: una panchina in un parco di betulle. Tutto è collegato. E lo ha portato – forse – a commettere un omicidio.booktrailer: https://www.youtube.com/watch?v=M7i-7KeI17YMassimo Miro è stato finalista al Premio Italo Calvino 2001 con il romanzo Hanno sparato a John Lennon, per cui ha ricevuto anche il riconoscimento francese assegnato dall'Université de Savoie di Chambery. Nato a Milano nel 1967, vive e lavora a Torino. È musicista e compositore.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

 THE CHAPLET OF THE HOLY WOUNDS AND THE MANY PROMISES ATTACHED TO THE DEVOTION TO THE HOLY WOUNDS  (This devotion to the Holy Wounds and the following promises were revealed by Our Lord to Sr Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. PROMISES OF OUR LORD FOR THOSE WHO PRACTISE THIS DEVOTION:  1. At each word that you pronounce of the Chaplet of the Holy Wounds, I allow a drop of My Blood to fall upon the soul of a sinner.  2. Each time that you offer to My Father the merits of My Divine Wounds, you win an immense fortune.  3. Souls that will have contemplated and honored My crown of thorns on earth, will be My crown of glory in Heaven.  4. I will grant all that is asked of Me through the invocation of My Holy Wounds. You. Will obtain everything, because it is through the merit of My Blood, which is of infinite price. With My Wounds and My Divine Heart, everything can be obtained.  5. From My Wounds proceed fruits of sanctity. As gold purified in the crucible becomes more beautiful, so you must put your soul and those of your companions into My sacred Wounds; there they will become perfected as gold in the furnace. You can always purify yourself in My Wounds.  6. My Wounds will repair yours. My Wounds will cover all your faults. Those who honour them will have a true knowledge of Jesus Christ. In meditation on them, you will always find a new love. My Wounds will cover all your sins.  7. Plunge your actions into My Wounds and they will be of value. All your actions, even the least, soaked in My Blood, will acquire by this alone an infinite merit and will please My Heart.  8. In offering My Wounds for the conversion of sinners, even though the sinners are not converted, you will have the same merit before God as if they were.  9. When you have some trouble, something to suffer, quickly place it in My Wounds, and the pain will be alleviated.  10. This aspiration must often be repeated near the sick: “My Jesus, pardon and mercy through the merits of Your Holy Wounds!” This prayer will solace soul and body.  11. A sinner who will say the following prayer will obtain conversion: “Eternal Father, I offer You the Wounds of our Lord Jesus Christ to heal those of our souls.”  12. There will be no death for the soul that expires in My Holy Wounds; they give true life.  13. This chaplet is a counterpoise to My justice; it restrains My vengeance.  14. Those who pray with humility and who meditate on My Passion, will one day participate in the glory of My Divine Wounds.   15. The more you will have contemplated My painful Wounds on this earth, the higher will be your contemplation of them glorious in Heaven.  16. The soul who during life has honoured the Wounds of our Lord Jesus Christ and has offered them to the Eternal Father for the souls in Purgatory, will be accompanied at the moment of death by the Holy Virgin and the angels; and Our Lord on the Cross, all brilliant in glory, will receive her and crown her.  17. The invocations of the Holy Wounds will obtain an incessant victory for the Church.  One day as St Gertrude was completing her prayers in honour of the Wounds of the Saviour, her compassion was rewarded by a vision of Our Lord, on whose Wounds rested golden roses. Our Lord said to her: “Behold, I will appear to you in this refulgent form at the hour of your death, and I will cover all your sins, and adorn you with a glory like that with which you have adorned My Wounds by your salutations. All who do so shall receive the like favour.” Support the show (https://paypal.me/akpantoja?locale.x=en_US)

Ce mercredi 10 février, la cafétéria du Crous L'Hélice a rouvert ses salles aux étudiants pour déjeuner sur place. Un dispositif qui vient compléter celui entré en vigueur le 25 janvier dernier pour lutter contre la précarité estudiantine : le repas un euro pour tous les étudiants, boursiers ou non. La directrice générale du Crous, Bénédicte Corvaisier-Drouart, s'est rendue sur place pour constater la bonne mise en place des dispositifs sanitaires et du repas à un euro. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Alessandro Capponi"Gli effetti invisibili del nuoto"Hacca Edizionihttps://www.hacca.it/Undici racconti e un segreto che ruotano attorno al nuoto. Eleonora che di fronte alle difficoltà della vita si blocca ma per una volta prova a mantenere due stili diversi in un'unica vasca. Meo che non riesce a parlare e si ritrova all'improvviso nel mare aperto della gente. Bruno che riscopre l'amore dove meno se l'aspetta. Alfredo per cui la piscina fa parte di una routine da seguire con metodo. L'amicizia fra un uomo silenzioso e il suo istruttore. Beatrice che inizia a nuotare anche senza acqua, tra lo stupore degli altri. V.V. che ritrova un passato (quasi) dimenticato sulla porta della piscina. L'impresa di Tino, eroica nel suo piccolo. Il mistero di una donna che si reca ogni giorno in piscina senza dire una parola. Le ombre che minacciano le nuotate di Chiara. Il segreto di Olga. Una galleria di personaggi quotidiani che nell'acqua trovano memorie e speranze.Alessandro Capponi è nato nel 1970, vent'anni dopo ha cominciato a lavorare nell'informazione facendo un po' di tutto: dalla radio alla carta stampata. Per il Corriere della Sera ha scritto di terremoti, sommosse, funerali, omicidi e politica.Nel 2007 ha pubblicato con “L'amore dei nudi” (Salerno editore), giudicato il miglior esordio italiano dai lettori del festival “Premier roman” di Chambery, in Francia.Nel 2009 per Rizzoli ha scritto, grazie ai ricordi di Carla Verbano, “Sia folgorante la fine”, la storia di Valerio Verbano, giovane antifascista ucciso a Roma nel 1980 nel pieno della lotta politica. IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

 Dans ce nouvel épisode Bastien et moi avons la chance d'accueillir Jean Charles Boudie des Aigles de Chambery, qui est le cinquieme invité du podcast ! Dans cet épisode Jean Charles nous explique pourquoi ils ont décider de descendre d'une division et comment avoir une vision à long terme, notament en impliquant les parents des sections jeunes.  Ecrire à Jean Charles :  jeancharlesboudie@gmail.com  __________

The Seventeen Promises of Our Lord to Those Who Practice the Devotion of the Rosary of the Holy Wounds: HISTORY: This devotion to the Holy Wounds and the following promises were revealed by Our Lord to Sr. Mary Martha Chambon (1841-1907), of the Monastery of the Visitation of Chambery. The cause for her beatification was introduced in 1937. PROMISES OF OUR LORD FOR THOSE WHO PRACTICE THIS DEVOTION 1. At each word that you pronounce of the Chaplet of the Holy Wounds, I allow a drop of My Blood to fall upon the soul of a sinner. 2. Each time that you offer to My Father the merits of My Divine Wounds, you win an immense fortune. 3. Souls that will have contemplated and honored My crown of thorns on earth, will be My crown of glory in Heaven! 4. I will grant all that is asked of Me through the invocation of My Holy Wounds. You will obtain everything, because it is through the merit of My Blood, which is of infinite price. With My Wounds and My Divine Heart, everything can be obtained. 5. From My Wounds proceed fruits of sanctity. As gold purified in the crucible becomes more beautiful, so you must put your soul and those of your companions into My sacred Wounds; there they will become perfected as gold in the furnace. You can always purify yourself in My Wounds. 6. My Wounds will repair yours. My Wounds will cover all your faults. Those who honor them will have a true knowledge of Jesus Christ. In meditation on them, you will always find a new love. My Wounds will cover all your sins. 7. Plunge your actions into My Wounds and they will be of value. All your actions, even the least, soaked in My Blood, will acquire by this alone an infinite merit and will please My Heart. 8. In offering My Wounds for the conversion of sinners, even though the sinners are not converted, you will have the same merit before God as if they were. 9. When you have some trouble, something to suffer, quickly place it in My Wounds, and the pain will be alleviated. 10. This aspiration must often be repeated near the sick: "My Jesus, pardon and mercy through the merits of Thy Holy Wounds!" This prayer will solace soul and body. 11. A sinner who will say the following prayer will obtain conversion: "Eternal Father, I offer Thee the Wounds of our Lord Jesus Christ to heal those of our souls." 12. There will be no death for the soul that expires in My Holy Wounds; they give true life.13. This chaplet is a counterpoise to My justice; it restrains My vengeance. 14. Those who pray with humility and who meditate on My Passion, will one day participate in the glory of My Divine Wounds. 15. The more you will have contemplated My painful Wounds on this earth, the higher will be your contemplation of them glorious in Heaven. 16. The soul who during life has honored the Wounds of our Lord Jesus Christ and has offered them to the Eternal Father for the Souls in Purgatory, will be accompanied at the moment of death by the Holy Virgin and the Angels; and Our Lord on the Cross, all brilliant in glory, will receive her and crown her. 17. The invocations of the Holy Wounds will obtain an incessant victory for the Church. “The devotion to the Holy Wounds will be a lightning rod for the Christians who will have kept it,” which is to say, devotion to His holy wounds will be a shield from punishments like a 'lightning rod.' Support the show (https://paypal.me/akpantoja?locale.x=en_US)

Nous échangeons avec Arnaud Laurent, directeur général de WeSprint, pour aborder le lancement de We Sprint Alpes à Annecy et à Chambery mais aussi pour faire un point sur l’écosystème entrepreneurial en régions.

Anthelm was born in 1107 in a castle near Chambery, in Savoy, France. He was ordained a priest and visited the Carthusian Charterhouse at Portes, where he entered the Order at the age of thirty. Two years later, in 1139, he was appointed abbot of Le Grande Chartreuse, which had been damaged. Anthelm made the monastery a worthy motherhouse of the Carthusians, constructing a defensive wall and an aqueduct. As minister-general, Anthelm also united the various charterhouses of the Order. Rules were standardized, and women were given the opportunity to enter the Carthusians in their own charterhouses. After a few years as a hermit, starting in 1152, Anthelm returned to Le Grande Chartreuse and defended Pope Alexander III against the antipope Victor IV. In 1163, the pope appointed him as bishop of Belley, France. Anthelm reformed the clergy and regulated affairs, going as far as to excommunicate a local noble, Count Humbert of Maurienne, who had taken one priest captive and murdered another priest trying to free him. When Humbert appealed to Rome and won a reversal, Anthelm left Belley in protest. Pope Alexander then sent Anthelm to England to mediate the dispute between Henry II and St. Thomas Becket. Anthelm was unable to undertake that journey. He returned to Belley to care for the poor and for the local lepers. On his deathbed, Anthelm received a penitent Count Humbert. Anthelm died on June 26, 1178. His feast has been celebrated by the Carthusians since 1607. His relics were enshrined in Belley. In liturgical art, Anthelm is depicted with a lamp lit by a divine hand. Subscribe to Daily Mental Prayer by Email Support and Donate Shop my Catholic Art --- Send in a voice message: https://anchor.fm/shalonecason1/message

I met with Peter Trainor on March 19, 2020. We spoke about a variety of things from the hibie jebbies to that nudge or knowing to the intuition of being a teenager and following the wrong crowd. Peter's life experience and his way with looking at life as a parent and an educator brings with it an interesting perspective on how to live a divinely lead life just by taking that risk and doing it anyways. Bio Born in Moncton Taught 1 year in Grande Prairie, Alta and the rest in N.B. 11 at RJHS 11 at RHS the last 9 at Hillcrest as both VP and principal retiring in 2015.Also lived one year in Chambery, France and Rio de Janeiro, Brazil. Married to Jane with two grown kids, Luke and Meg. Interests, music , Gagetown cottage , camping , sports ️and motorcycling

How do we celebrate the last show of the decade? Let's enter the roaring Twenties with a toast, courtesy of Matt Barrios of the Dateology podcast. Matt tells us all about his favorite cocktail, and why it's special to him, and why it will be special to you in return. Drink responsibly, but also, drink with someone you love. We guarantee that Matt's story will get you right in the feels. Happy New Year!Follow us on twitter at https://twitter.com/like2likethings or on Instagram at https://www.instagram.com/like2likethings/Call the LikeLine at (661)279-0130You can support us like Morgan, Galindo, Mandy and Gerald via Patreon at https://www.patreon.com/IliketolikethingsThank you to https://www.bensound.com/ for our music bedFollow Matt on twitter at https://twitter.com/mt_barriosSPOILERS!Matt's recipe for a Perfect Manhattan:• 2 parts Rittenhouse Rye whisky• 1/2 part Carpano Antica Formula sweet red vermouth• 1/2 part Dolin Vermouth de Chambery dry white vermouth• dashes to taste Angostura bitters• garnish with lemon twist• ice  

Today,  I think it would be helpful to have an episode that takes a broad and wide view of The Shroud - that covers all of the basics, so that we're all on the same page. That's the focus of this episode - let's call it an overview of The Shroud of Turin, but the material we cover won't all be introductory level.  As I mentioned in the first episode, I first heard about The Shroud way back in the very early 80s from In Search of.   PLAY CLIP Hearing Mr. Spock - Leonard Nimoy - talking about The Shroud was fascinating to my young mind, and understanding that their might - just might - be a possible artifact from the time of Jesus - that Jesus actually touched - that could actually have a real picture of Jesus - inarguably the most famous person that ever lived - was mind-blowing. So, I read up on The Shroud as I grew older. Most of my Presbyterian church leaders didn't believe in The Shroud - dismissing it as a Catholic hoax, but I wasn't fully convinced. The fact is - once you see pictures of it, then you begin to take it at least a little bit seriously. If The Shroud is a fake - it is an amazing one, and the deeper you dig into it, the more remarkable it becomes.  Some Terms You Should Know:  Icon:  An icon is a religious work of art, usually a painting. Sometimes icons are statues or carvings, or other artistic renderings. Most of the time those pictured in icons are Jesus, Mary, or other saints in the Bible. Some Christians, including many Reformed Christians, consider paintings of Jesus to be violations of the second commandment of the Bible - "Thou shalt not make unto thee any graven image" The oldest surviving icon of Jesus - dating from the 500s - is copied below. Let's answer 4 big questions today in our overview:  What exactly is The Shroud? The Shroud of Turin is a linen cloth that is 14.5 feet long and 3 feet, 7 inches wide and has the somewhat faded negative image of a man on it.  Essentially think of the image like a photo-negative - the areas of dark and light are reversed. The darkest areas of the imprint of the man in The Shroud appear light, and vice-versa. The weave of The Shroud is a fine herringbone twill weave. I'm not an expert on textiles, but most experts that I've read seem to think that such a weave would have been possible and used in 1st century middle eastern areas. Like all things related to The Shroud, that is debatable.  The burial cloth of Jesus is indeed listed in the Scriptures, so we know that the body of Jesus was actually wrapped in a linen cloth. There is not enough of a description of that cloth to know whether or not The Shroud is similar. As many have pointed out, there is no Scripture whatsoever that seems to indicate some kind of miraculous imprint of Jesus was left on the burial cloths. To be fair, there is no Scripture to indicate that the disciples examined the cloths, only that they saw them. Considering that there is very little information in Scripture about what happened directly after the resurrection of Jesus, and that the Bible writers focused on The Great Commission there, I don't think it is a very strong argument from silence to say that because the Bible doesn't mention something miraculous regarding the burial cloths of Jesus, therefore it did not happen. John 19: 38 After this, Joseph of Arimathea, who was a disciple of Jesus—but secretly because of his fear of the Jews—asked Pilate that he might remove Jesus' body. Pilate gave him permission, so he came and took His body away. 39 Nicodemus (who had previously come to Him at night) also came, bringing a mixture of about 75 pounds of myrrh and aloes. 40 Then they took Jesus' body and wrapped it in linen cloths with the aromatic spices, according to the burial custom of the Jews. 41 There was a garden in the place where He was crucified. A new tomb was in the garden; no one had yet been placed in it. John 20: 20 On the first day of the week Mary Magdalene came to the tomb early, while it was still dark. She saw that the stone had been removed from the tomb. 2 So she ran to Simon Peter and to the other disciple, the one Jesus loved, and said to them, “They have taken the Lord out of the tomb, and we don't know where they have put Him!” 3 At that, Peter and the other disciple went out, heading for the tomb. 4 The two were running together, but the other disciple outran Peter and got to the tomb first. 5 Stooping down, he saw the linen cloths lying there, yet he did not go in. 6 Then, following him, Simon Peter came also. He entered the tomb and saw the linen cloths lying there. 7 The wrapping that had been on His head was not lying with the linen cloths but was folded up in a separate place by itself. 8 The other disciple, who had reached the tomb first, then entered the tomb, saw, and believed. 9 For they still did not understand the Scripture that He must rise from the dead.  The figure on The Shroud is interesting. He is tall - significantly taller than the average Jewish man of the first century, which was, according to different sources, somewhere between 5'2 and 5'5. The Shroud figure would be anything from around 5'8 to 6'2, with a figure around 5'11 seeming to be fairly likely. The man is well built and quite muscular, and has a beard, shoulder length hair, and a moustache. The Shroud is in excellent condition for its age, but not in mint condition. It has survived numerous fires and movings, and has some scars and singeing from fire. There were fourteen large patches and 16 or so smaller patches that were sewn onto The Shroud to repair it in the 1530s, all of those patches were removed in 2002 by a restoration team who sewed The Shroud onto a new cloth backing. What is the history of The Shroud? This question might have its own episode, because it is quite complex, and very, very disputed. Amongst the difficulties in determining the real history of The Shroud is the lack of photographic and artistic evidence, and the fact that there are more than one burial cloths that are claimed to be the burial cloth of Jesus. As you might know, the medieval period was quite focused on biblical relics, and many unscrupulous people profited greatly from displaying supposed pieces of the true cross, fingerbones of the apostles, grails used at The Last Supper, etc. Many who believe that The Shroud is genuine believe that the history of it can be traced all the way back to The Image of Edessa, which was supposedly given to King Abgar of Edessa by Thaddeus, one of the 70 disciples of Jesus mentioned in Luke 10 - possibly even the Judas Thaddeus that was one of the 12 apostles of Jesus. However, the connection to The Shroud and The Image of Edessa is fairly disputed and tenuous, and we won't discuss it yet. The Shroud of Turin can clearly trace its history to the 1300s. Geoffroi de Charny was a well known and well respected French knight, who was known as a great warrior and a man of honor. He wrote three books in chivalry, served King Jean II, was a founding member of The Order of The Star, and carried the Oriflamme into battle. The what, you say? The Oriflamme was the royal battle standard (or flag) of the French army, and it was a significant honor to be the knight who carried this banner into battle. De Charny was killed by five English knights in the 1356 Battle of Poitiers against the English, and his king was taken captive. Historian Jean Froissart describes De Charny's fall in that battle: “There Sir Geoffroi de Charny fought gallantly near the king (and his fourteen-year-old son). The whole press and cry of battle were upon him because he was carrying the king's sovereign banner [the Oriflamme]. He also had before him his own banner, red, with three white shields. So many English and Gascons came around him from all sides that they cracked open the king's battle formation and smashed it; there were so many English and Gascons that at least five of these men at arms attacked one [French] gentleman. Sir Geoffroi de Charny was killed with the banner of France in his hand, as other French banners fell to earth. So, real life Game of Thrones kind of material here. De Charny was obviously a pretty amazing person. There is some question about how he acquired The Shroud, which we will go into later, but one of the first undisputed images of The Shroud comes from a Pilgrimage of Lirey medal that dates to de Charny's time and area.  To give you a bit further of an idea into the character of Geoffroi de Charny, we can go to the record of the happenings before The Battle of Poitiers, to a meeting amongst the British and French leadership recorded by English Knight John Chandos (on the opposing side of de Charny): The King, to prolong the matter and to put off the battle, assembled and brought together all the barons of both sides. Of speech there he (the King) made no stint. There came the Count of Tancarville, and, as the list says, the Archbishop of Sens (Guillaume de Melun) was there, he of Taurus, of great discretion, Charny, Bouciquaut, and Clermont; all these went there for the council of the King of France. On the other side there came gladly the Earl of Warwick, the hoary-headed (white or grey headed) Earl of Suffolk was there, and Bartholomew de Burghersh, most privy to the Prince, and Audeley and Chandos, who at that time were of great repute. There they held their parliament, and each one spoke his mind. But their counsel I cannot relate, yet I know well, in very truth, as I hear in my record, that they could not be agreed, wherefore each one of them began to depart. Then said Geoffroi de Charny: 'Lords,' quoth he, 'since so it is that this treaty pleases you no more, I make offer that we fight you, a hundred against a hundred, choosing each one from his own side; and know well, whichever hundred be discomfited, all the others, know for sure, shall quit this field and let the quarrel be. I think that it will be best so, and that God will be gracious to us if the battle be avoided in which so many valiant men will be slain.” The Shroud stayed in the Di Charny family until 1453 when it was transferred to the House of Savoy, a royal family in northern Italy. In 1389, a Bishop Pierre D'arcis actually wrote about The Shroud, and said that it was a fake. I'll quote from his letter,  and then give some reasons that his conclusion is controversial: The case, Holy Father, stands thus. Some time since in this diocese of Troyes the Dean of a certain collegiate church, to wit, that of Lirey, falsely and deceitfully, being consumed with the passion of avarice, and not from any motive of devotion but only of gain, procured for his church a certain cloth cunningly painted, upon which by a clever sleight of hand was depicted the twofold image of one man, that is to say, the back and front, he falsely declaring and pretending that this was the actual shroud in which our Saviour Jesus Christ was enfolded in the tomb, and upon which the whole likeness of the Saviour had remained thus impressed together with the wounds which He bore. This story was put about not only in the kingdom of France, but, so to speak, throughout the world, so that from all parts people came together to view it. And further to attract the multitude so that money might cunningly be wrung from them, pretended miracles were worked, certain men being hired to represent themselves as healed at the moment of the exhibition of the shroud, which all believed to the shroud of our Lord. The Lord Henry of Poitiers, of pious memory, then Bishop of Troyes, becoming aware of this, and urged by many prudent persons to take action, as indeed was his duty in the exercise of his ordinary jurisdiction, set himself earnestly to work to fathom the truth of this matter. For many theologians and other wise persons declared that this could not be the real shroud of our Lord having the Saviour's likeness thus imprinted upon it, since the holy Gospel made no mention of any such imprint, while, if it had been true, it was quite unlikely that the holy Evangelists would have omitted to record it, or that the fact should have remained hidden until the present time. Eventually, after diligent inquiry and examination, he discovered the fraud and how the said cloth had been cunningly painted, the truth being attested by the artist who had painted it, to wit, that it was a work of human skill and not miraculously wrought or bestowed. Accordingly, after taking mature counsel with wise theologians and men of the law, seeing that he neither ought nor could allow the matter to pass, he began to institute formal proceedings against the said Dean and his accomplices in order to root out this false persuasion. They, seeing their wickedness discovered, hid away the said cloth so that the Ordinary could not find it, and they kept it hidden afterwards for thirty-four years or thereabouts down to the present year. I would consider this memorandum to be one of the stronger evidences against the authenticity of The Shroud. It fails to be completely convincing, however, for three primary reasons: D'Arcis' memo mentions that the Lirey Shroud was painted, and the painter confessed. The Turin Shroud shows no evidence or sign whatsoever of being painted, and it has been carefully and chemically analyzed for paint. There are several other documents of the same time period that dispute what is in this memorandum. For instance, D'Arcis claims that his predecessor had The Shroud removed because it was a fake, but other documents from the time assert that The Shroud was removed for protection because of war nearby. It is possible – though not proven – that D'Arcis memo was motivated by political issues, or perhaps by competing relic claims. D'Arcis was the Bishop of Troyes – was he disturbed/bothered by people flocking to nearby Lirey to see The Shroud? While his letter claims he is not writing for competitive purposes, it is easy to see why a Bishop of a nearby town – lacking a profound relic – might be opposed to The Shroud drawing crowds elsewhere.  That said, I certainly appreciate his anti-profit and anti-swindling the faithful stance, and wish more churchmen of the time held to it. This alone gives the memo an air of authority and authenticity.  3. The memo is unsigned, unsealed, and not found in any official Vatican records. This likely means it was unsent to the Antipope. Did D'Arcis reconsider the authenticity of The Shroud? What made him withhold the sending of the memo? In 1418, Geoffroi De Charny's granddaughter Margaret, married Humbert of Villersexel, the Count De La Roche, and a significant noble. One month later, the leaders of the Chapel at Lirey, where The Shroud was being kept, temporarily gave it to Count Humbert for safekeeping at his castle Montfort. Humbert dies in 1438, and Margaret hangs onto The Shroud, much to the annoyance of the canons at Lirey, and they sue her in church court to get it back. Margaret takes The Shroud with her on a tour of France, where it is seen by many frenchmen. Margaret dies in 1460, and in 1464, Duke Louis I of Savoy agrees to pay the church at Lirey a yearly stipend, seemingly in exchange for The Shroud. Thus ownership of The Shroud essentially passed into the hands of The Savoy family.  While The Savoy family had possession of The Shroud, they primarily had it kept in  Sainte-Chapelle in Chambery, which was the capital city of the Savoy region. It also toured around France and the parts of modern day Italy, being showcased in Turin in 1473 and a few other times. Unfortunately, in 1532, near-disaster strikes as Fire breaks out in the Sainte Chapelle, Chambéry. Almost everything in the chapel is damaged and destroyed, but The Shroud manages to survive. The case it is held in is seriously damaged by the fire, which causes a drop of molten silver to melt through The Shroud, and several obvious scorch marks are made. That said, the damage is not fatal to any important parts of the image, and the sisters of Poor Clare, tasked with caretaking of The Shroud, repair it in 1534, and sew it onto a new backing called The Holland cloth. In 1578 the Shroud was taken to Turin with great fanfare by The Savoy family. Upon arrival, it is greeted by rifle salute, and displayed to a crowd of 40,000 later in the year. With only a few exceptions, The Shroud has remained in Turin to this day. What have scientific tests shown so far? This is a most controversial question, because there have been dozens of scientific inquiries. I'll briefly focus on two scientific inquiries here - STURP's research in the late 70s and the radiocarbon dating from 1988. The radiocarbon dating is the one everybody knows about, so let's start there. In April, 1988, a very small portion of The Shroud was removed - approximately 3 inches long and a little over half an inch wide. That strip was cut in half, and The Vatican stored half it away for future testing. The remaining strip, approximately 1.5 inches long and a little over half an inch wide, was divided into 3 strips and send to three separate labs in Arizona, Oxford, England, and Switzerland. All three labs came back with results that were very similar, and the consensus was that The Shroud material dated from somewhere between the 1200s and the 1300s, which proved the relic to be a medieval hoax in most people's minds.  As with everything Shroud wise, there have been many criticisms of the original testing. Noted chemist Ray Rogers has written and published one of the more interesting challenges noting that the chemical vanillin was readily found in the samples of The Shroud used for radiocarbon dating, but completely absent from other parts of the main body of The Shroud.  Rogers claimed in the scientific journal Thermochimica Acta, "The fact that vanillin cannot be detected in the lignin on shroud fibers, Dead Sea scrolls linen, and other very old linens indicate that the shroud is quite old. A determination of the kinetics of vanillin loss suggest the shroud is between 1300 and 3000 years old. Even allowing for errors in the measurements and assumptions about storage conditions, the cloth is unlikely to be as young as 840 years" I do not understand textile chemistry nearly well enough to dispute or confirm Rogers' findings, but I am intrigued by then. More recently, research Tristan Casabianca's team found that the 1988 carbon dating was unreliable, as only pieces from the edges of the cloth were radiocarbon tested. Many scholars believe that The Shroud, particularly the edge parts, might have been compromised significantly by several of the fires that have impacted it, especially the 1532 fire. That fire, as well as centuries of display and handling could, in their view, radically alter results from radiocarbon dating.  Casabianca obtained a lot of insight into the 1988 radiocarbon testing via a freedom of information inquiry, and upon examining the original data and process of testing, concluded, “The tested samples are obviously heterogeneous from many different dates. There is no guarantee that all these samples, taken from one end of the shroud, are representative of the whole fabric. It is, therefore, impossible to conclude that the Shroud of Turin dates from the Middle Ages.” Shroud researcher Russ Breault, upon reviewing Casabianca's newly uncovered information, stated,  “this tells us there is something anomalous with the single sample used to date The Shroud. This is something we have long suspected because the corner chosen was absolutely the most handled area of the cloth, exactly where it was held up by hand for hundreds of public exhibitions over the centuries. If you were looking for the worst possible sample location, you would choose from one of the two outside corners — right where the sample was cut in 1988.” That said, it should be considered here that no scientist that specializes in radiocarbon testing has raised significant questions about the method of dating used in the 1988 testing. Summary of Sturp's 1978 findings:  No pigments, paints, dyes or stains have been found on the fibrils. X-ray, fluorescence and microchemistry on the fibrils preclude the possibility of paint being used as a method for creating the image. Ultra Violet and infrared evaluation confirm these studies. Computer image enhancement and analysis by a device known as a VP-8 image analyzer show that the image has unique, three-dimensional information encoded in it. Microchemical evaluation has indicated no evidence of any spices, oils, or any biochemicals known to be produced by the body in life or in death. It is clear that there has been a direct contact of the Shroud with a body, which explains certain features such as scourge marks, as well as the blood. However, while this type of contact might explain some of the features of the torso, it is totally incapable of explaining the image of the face with the high resolution that has been amply demonstrated by photography. The basic problem from a scientific point of view is that some explanations which might be tenable from a chemical point of view, are precluded by physics. Contrariwise, certain physical explanations which may be attractive are completely precluded by the chemistry. For an adequate explanation for the image of the Shroud, one must have an explanation which is scientifically sound, from a physical, chemical, biological and medical viewpoint. At the present, this type of solution does not appear to be obtainable by the best efforts of the members of the Shroud Team. Furthermore, experiments in physics and chemistry with old linen have failed to reproduce adequately the phenomenon presented by the Shroud of Turin. The scientific consensus is that the image was produced by something which resulted in oxidation, dehydration and conjugation of the polysaccharide structure of the microfibrils of the linen itself. Such changes can be duplicated in the laboratory by certain chemical and physical processes. A similar type of change in linen can be obtained by sulfuric acid or heat. However, there are no chemical or physical methods known which can account for the totality of the image, nor can any combination of physical, chemical, biological or medical circumstances explain the image adequately. Thus, the answer to the question of how the image was produced or what produced the image remains, now, as it has in the past, a mystery. We can conclude for now that the Shroud image is that of a real human form of a scourged, crucified man. It is not the product of an artist. The blood stains are composed of hemoglobin and also give a positive test for serum albumin. The image is an ongoing mystery and until further chemical studies are made, perhaps by this group of scientists, or perhaps by some scientists in the future, the problem remains unsolved. Why care? It doesn't prove anything one way or the other about Jesus, so in my mind, it is not a crucial artifact, and certainly shouldn't be used to prove or disprove somebody's faith. If the Shroud is ultimately proved to be a hoax, how big of a deal is that? I would say - religiously speaking - it is not a big deal at all. None of the Christian faith rests on The Shroud of Turin being genuine. While it is true that the burial cloth of Jesus is indeed mentioned a few times in the Bible, it is not given particular attention, and no central or tertiary claims of Christianity rest on the Shroud.  What if - somehow, someway, The Shroud was proven to be the genuine burial cloth of Jesus? I think that would be a HUGE deal...but not a religiously huge deal. Here's what I mean: If The Shroud could be authenticated, then what we would have is a cloth that was actually wrapped around the single most important and well-known person in all of history. Not only that, but we would have a near-photograph of Jesus, and we would know His size, and what He looked like. It would be incredible to know for sure whether or not The Shroud was genuine...but what would its genuineness prove? That Jesus existed? Sure, there are some people who doubt the existence of Jesus, but some people also doubt the moon-landing, and many other obvious facts of history but almost no serious scholar denies that Jesus existed. Would a genuine Shroud PROVE the resurrection of Jesus, which is the central claim of Christianity? Of course not! How could it? I believe beyond a shadow of a doubt that Jesus rose from the dead, but The Shroud could neither prove nor disprove that. In my understanding, The Shroud is an amazing historical artifact - especially if it is proved genuine - but it is not an amazing focus of faith.  To wit, in John 5, Jesus strongly challenged the people who were following him and said:  39 You search the Scriptures because you think that in them you have eternal life; and it is they that bear witness about me,40 yet you refuse to come to me that you may have life. A challenging verse that I think has application in this situation: The Shroud is not capable of saving people from their sins and should not be an object of religious veneration. All veneration and honor should go to Jesus. That said, The Shroud is still - if genuine - one of the most amazing pieces of history in the world. We should not worship it, but there is nothing wrong with being interested and fascinated by it. 

Today,  I think it would be helpful to have an episode that takes a broad and wide view of The Shroud - that covers all of the basics, so that we're all on the same page. That's the focus of this episode - let's call it an overview of The Shroud of Turin, but the material we cover won't all be introductory level.  As I mentioned in the first episode, I first heard about The Shroud way back in the very early 80s from In Search of.   PLAY CLIP Hearing Mr. Spock - Leonard Nimoy - talking about The Shroud was fascinating to my young mind, and understanding that their might - just might - be a possible artifact from the time of Jesus - that Jesus actually touched - that could actually have a real picture of Jesus - inarguably the most famous person that ever lived - was mind-blowing. So, I read up on The Shroud as I grew older. Most of my Presbyterian church leaders didn't believe in The Shroud - dismissing it as a Catholic hoax, but I wasn't fully convinced. The fact is - once you see pictures of it, then you begin to take it at least a little bit seriously. If The Shroud is a fake - it is an amazing one, and the deeper you dig into it, the more remarkable it becomes.  Some Terms You Should Know:  Icon:  An icon is a religious work of art, usually a painting. Sometimes icons are statues or carvings, or other artistic renderings. Most of the time those pictured in icons are Jesus, Mary, or other saints in the Bible. Some Christians, including many Reformed Christians, consider paintings of Jesus to be violations of the second commandment of the Bible - "Thou shalt not make unto thee any graven image" The oldest surviving icon of Jesus - dating from the 500s - is copied below. Let's answer 4 big questions today in our overview:  What exactly is The Shroud? The Shroud of Turin is a linen cloth that is 14.5 feet long and 3 feet, 7 inches wide and has the somewhat faded negative image of a man on it.  Essentially think of the image like a photo-negative - the areas of dark and light are reversed. The darkest areas of the imprint of the man in The Shroud appear light, and vice-versa. The weave of The Shroud is a fine herringbone twill weave. I'm not an expert on textiles, but most experts that I've read seem to think that such a weave would have been possible and used in 1st century middle eastern areas. Like all things related to The Shroud, that is debatable.  The burial cloth of Jesus is indeed listed in the Scriptures, so we know that the body of Jesus was actually wrapped in a linen cloth. There is not enough of a description of that cloth to know whether or not The Shroud is similar. As many have pointed out, there is no Scripture whatsoever that seems to indicate some kind of miraculous imprint of Jesus was left on the burial cloths. To be fair, there is no Scripture to indicate that the disciples examined the cloths, only that they saw them. Considering that there is very little information in Scripture about what happened directly after the resurrection of Jesus, and that the Bible writers focused on The Great Commission there, I don't think it is a very strong argument from silence to say that because the Bible doesn't mention something miraculous regarding the burial cloths of Jesus, therefore it did not happen. John 19: 38 After this, Joseph of Arimathea, who was a disciple of Jesus—but secretly because of his fear of the Jews—asked Pilate that he might remove Jesus' body. Pilate gave him permission, so he came and took His body away. 39 Nicodemus (who had previously come to Him at night) also came, bringing a mixture of about 75 pounds of myrrh and aloes. 40 Then they took Jesus' body and wrapped it in linen cloths with the aromatic spices, according to the burial custom of the Jews. 41 There was a garden in the place where He was crucified. A new tomb was in the garden; no one had yet been placed in it. John 20: 20 On the first day of the week Mary Magdalene came to the tomb early, while it was still dark. She saw that the stone had been removed from the tomb. 2 So she ran to Simon Peter and to the other disciple, the one Jesus loved, and said to them, “They have taken the Lord out of the tomb, and we don't know where they have put Him!” 3 At that, Peter and the other disciple went out, heading for the tomb. 4 The two were running together, but the other disciple outran Peter and got to the tomb first. 5 Stooping down, he saw the linen cloths lying there, yet he did not go in. 6 Then, following him, Simon Peter came also. He entered the tomb and saw the linen cloths lying there. 7 The wrapping that had been on His head was not lying with the linen cloths but was folded up in a separate place by itself. 8 The other disciple, who had reached the tomb first, then entered the tomb, saw, and believed. 9 For they still did not understand the Scripture that He must rise from the dead.  The figure on The Shroud is interesting. He is tall - significantly taller than the average Jewish man of the first century, which was, according to different sources, somewhere between 5'2 and 5'5. The Shroud figure would be anything from around 5'8 to 6'2, with a figure around 5'11 seeming to be fairly likely. The man is well built and quite muscular, and has a beard, shoulder length hair, and a moustache. The Shroud is in excellent condition for its age, but not in mint condition. It has survived numerous fires and movings, and has some scars and singeing from fire. There were fourteen large patches and 16 or so smaller patches that were sewn onto The Shroud to repair it in the 1530s, all of those patches were removed in 2002 by a restoration team who sewed The Shroud onto a new cloth backing. What is the history of The Shroud? This question might have its own episode, because it is quite complex, and very, very disputed. Amongst the difficulties in determining the real history of The Shroud is the lack of photographic and artistic evidence, and the fact that there are more than one burial cloths that are claimed to be the burial cloth of Jesus. As you might know, the medieval period was quite focused on biblical relics, and many unscrupulous people profited greatly from displaying supposed pieces of the true cross, fingerbones of the apostles, grails used at The Last Supper, etc. Many who believe that The Shroud is genuine believe that the history of it can be traced all the way back to The Image of Edessa, which was supposedly given to King Abgar of Edessa by Thaddeus, one of the 70 disciples of Jesus mentioned in Luke 10 - possibly even the Judas Thaddeus that was one of the 12 apostles of Jesus. However, the connection to The Shroud and The Image of Edessa is fairly disputed and tenuous, and we won't discuss it yet. The Shroud of Turin can clearly trace its history to the 1300s. Geoffroi de Charny was a well known and well respected French knight, who was known as a great warrior and a man of honor. He wrote three books in chivalry, served King Jean II, was a founding member of The Order of The Star, and carried the Oriflamme into battle. The what, you say? The Oriflamme was the royal battle standard (or flag) of the French army, and it was a significant honor to be the knight who carried this banner into battle. De Charny was killed by five English knights in the 1356 Battle of Poitiers against the English, and his king was taken captive. Historian Jean Froissart describes De Charny's fall in that battle: “There Sir Geoffroi de Charny fought gallantly near the king (and his fourteen-year-old son). The whole press and cry of battle were upon him because he was carrying the king's sovereign banner [the Oriflamme]. He also had before him his own banner, red, with three white shields. So many English and Gascons came around him from all sides that they cracked open the king's battle formation and smashed it; there were so many English and Gascons that at least five of these men at arms attacked one [French] gentleman. Sir Geoffroi de Charny was killed with the banner of France in his hand, as other French banners fell to earth. So, real life Game of Thrones kind of material here. De Charny was obviously a pretty amazing person. There is some question about how he acquired The Shroud, which we will go into later, but one of the first undisputed images of The Shroud comes from a Pilgrimage of Lirey medal that dates to de Charny's time and area.  To give you a bit further of an idea into the character of Geoffroi de Charny, we can go to the record of the happenings before The Battle of Poitiers, to a meeting amongst the British and French leadership recorded by English Knight John Chandos (on the opposing side of de Charny): The King, to prolong the matter and to put off the battle, assembled and brought together all the barons of both sides. Of speech there he (the King) made no stint. There came the Count of Tancarville, and, as the list says, the Archbishop of Sens (Guillaume de Melun) was there, he of Taurus, of great discretion, Charny, Bouciquaut, and Clermont; all these went there for the council of the King of France. On the other side there came gladly the Earl of Warwick, the hoary-headed (white or grey headed) Earl of Suffolk was there, and Bartholomew de Burghersh, most privy to the Prince, and Audeley and Chandos, who at that time were of great repute. There they held their parliament, and each one spoke his mind. But their counsel I cannot relate, yet I know well, in very truth, as I hear in my record, that they could not be agreed, wherefore each one of them began to depart. Then said Geoffroi de Charny: 'Lords,' quoth he, 'since so it is that this treaty pleases you no more, I make offer that we fight you, a hundred against a hundred, choosing each one from his own side; and know well, whichever hundred be discomfited, all the others, know for sure, shall quit this field and let the quarrel be. I think that it will be best so, and that God will be gracious to us if the battle be avoided in which so many valiant men will be slain.” The Shroud stayed in the Di Charny family until 1453 when it was transferred to the House of Savoy, a royal family in northern Italy. In 1389, a Bishop Pierre D'arcis actually wrote about The Shroud, and said that it was a fake. I'll quote from his letter,  and then give some reasons that his conclusion is controversial: The case, Holy Father, stands thus. Some time since in this diocese of Troyes the Dean of a certain collegiate church, to wit, that of Lirey, falsely and deceitfully, being consumed with the passion of avarice, and not from any motive of devotion but only of gain, procured for his church a certain cloth cunningly painted, upon which by a clever sleight of hand was depicted the twofold image of one man, that is to say, the back and front, he falsely declaring and pretending that this was the actual shroud in which our Saviour Jesus Christ was enfolded in the tomb, and upon which the whole likeness of the Saviour had remained thus impressed together with the wounds which He bore. This story was put about not only in the kingdom of France, but, so to speak, throughout the world, so that from all parts people came together to view it. And further to attract the multitude so that money might cunningly be wrung from them, pretended miracles were worked, certain men being hired to represent themselves as healed at the moment of the exhibition of the shroud, which all believed to the shroud of our Lord. The Lord Henry of Poitiers, of pious memory, then Bishop of Troyes, becoming aware of this, and urged by many prudent persons to take action, as indeed was his duty in the exercise of his ordinary jurisdiction, set himself earnestly to work to fathom the truth of this matter. For many theologians and other wise persons declared that this could not be the real shroud of our Lord having the Saviour's likeness thus imprinted upon it, since the holy Gospel made no mention of any such imprint, while, if it had been true, it was quite unlikely that the holy Evangelists would have omitted to record it, or that the fact should have remained hidden until the present time. Eventually, after diligent inquiry and examination, he discovered the fraud and how the said cloth had been cunningly painted, the truth being attested by the artist who had painted it, to wit, that it was a work of human skill and not miraculously wrought or bestowed. Accordingly, after taking mature counsel with wise theologians and men of the law, seeing that he neither ought nor could allow the matter to pass, he began to institute formal proceedings against the said Dean and his accomplices in order to root out this false persuasion. They, seeing their wickedness discovered, hid away the said cloth so that the Ordinary could not find it, and they kept it hidden afterwards for thirty-four years or thereabouts down to the present year. I would consider this memorandum to be one of the stronger evidences against the authenticity of The Shroud. It fails to be completely convincing, however, for three primary reasons: D'Arcis' memo mentions that the Lirey Shroud was painted, and the painter confessed. The Turin Shroud shows no evidence or sign whatsoever of being painted, and it has been carefully and chemically analyzed for paint. There are several other documents of the same time period that dispute what is in this memorandum. For instance, D'Arcis claims that his predecessor had The Shroud removed because it was a fake, but other documents from the time assert that The Shroud was removed for protection because of war nearby. It is possible – though not proven – that D'Arcis memo was motivated by political issues, or perhaps by competing relic claims. D'Arcis was the Bishop of Troyes – was he disturbed/bothered by people flocking to nearby Lirey to see The Shroud? While his letter claims he is not writing for competitive purposes, it is easy to see why a Bishop of a nearby town – lacking a profound relic – might be opposed to The Shroud drawing crowds elsewhere.  That said, I certainly appreciate his anti-profit and anti-swindling the faithful stance, and wish more churchmen of the time held to it. This alone gives the memo an air of authority and authenticity.  3. The memo is unsigned, unsealed, and not found in any official Vatican records. This likely means it was unsent to the Antipope. Did D'Arcis reconsider the authenticity of The Shroud? What made him withhold the sending of the memo? In 1418, Geoffroi De Charny's granddaughter Margaret, married Humbert of Villersexel, the Count De La Roche, and a significant noble. One month later, the leaders of the Chapel at Lirey, where The Shroud was being kept, temporarily gave it to Count Humbert for safekeeping at his castle Montfort. Humbert dies in 1438, and Margaret hangs onto The Shroud, much to the annoyance of the canons at Lirey, and they sue her in church court to get it back. Margaret takes The Shroud with her on a tour of France, where it is seen by many frenchmen. Margaret dies in 1460, and in 1464, Duke Louis I of Savoy agrees to pay the church at Lirey a yearly stipend, seemingly in exchange for The Shroud. Thus ownership of The Shroud essentially passed into the hands of The Savoy family.  While The Savoy family had possession of The Shroud, they primarily had it kept in  Sainte-Chapelle in Chambery, which was the capital city of the Savoy region. It also toured around France and the parts of modern day Italy, being showcased in Turin in 1473 and a few other times. Unfortunately, in 1532, near-disaster strikes as Fire breaks out in the Sainte Chapelle, Chambéry. Almost everything in the chapel is damaged and destroyed, but The Shroud manages to survive. The case it is held in is seriously damaged by the fire, which causes a drop of molten silver to melt through The Shroud, and several obvious scorch marks are made. That said, the damage is not fatal to any important parts of the image, and the sisters of Poor Clare, tasked with caretaking of The Shroud, repair it in 1534, and sew it onto a new backing called The Holland cloth. In 1578 the Shroud was taken to Turin with great fanfare by The Savoy family. Upon arrival, it is greeted by rifle salute, and displayed to a crowd of 40,000 later in the year. With only a few exceptions, The Shroud has remained in Turin to this day. What have scientific tests shown so far? This is a most controversial question, because there have been dozens of scientific inquiries. I'll briefly focus on two scientific inquiries here - STURP's research in the late 70s and the radiocarbon dating from 1988. The radiocarbon dating is the one everybody knows about, so let's start there. In April, 1988, a very small portion of The Shroud was removed - approximately 3 inches long and a little over half an inch wide. That strip was cut in half, and The Vatican stored half it away for future testing. The remaining strip, approximately 1.5 inches long and a little over half an inch wide, was divided into 3 strips and send to three separate labs in Arizona, Oxford, England, and Switzerland. All three labs came back with results that were very similar, and the consensus was that The Shroud material dated from somewhere between the 1200s and the 1300s, which proved the relic to be a medieval hoax in most people's minds.  As with everything Shroud wise, there have been many criticisms of the original testing. Noted chemist Ray Rogers has written and published one of the more interesting challenges noting that the chemical vanillin was readily found in the samples of The Shroud used for radiocarbon dating, but completely absent from other parts of the main body of The Shroud.  Rogers claimed in the scientific journal Thermochimica Acta, "The fact that vanillin cannot be detected in the lignin on shroud fibers, Dead Sea scrolls linen, and other very old linens indicate that the shroud is quite old. A determination of the kinetics of vanillin loss suggest the shroud is between 1300 and 3000 years old. Even allowing for errors in the measurements and assumptions about storage conditions, the cloth is unlikely to be as young as 840 years" I do not understand textile chemistry nearly well enough to dispute or confirm Rogers' findings, but I am intrigued by then. More recently, research Tristan Casabianca's team found that the 1988 carbon dating was unreliable, as only pieces from the edges of the cloth were radiocarbon tested. Many scholars believe that The Shroud, particularly the edge parts, might have been compromised significantly by several of the fires that have impacted it, especially the 1532 fire. That fire, as well as centuries of display and handling could, in their view, radically alter results from radiocarbon dating.  Casabianca obtained a lot of insight into the 1988 radiocarbon testing via a freedom of information inquiry, and upon examining the original data and process of testing, concluded, “The tested samples are obviously heterogeneous from many different dates. There is no guarantee that all these samples, taken from one end of the shroud, are representative of the whole fabric. It is, therefore, impossible to conclude that the Shroud of Turin dates from the Middle Ages.” Shroud researcher Russ Breault, upon reviewing Casabianca's newly uncovered information, stated,  “this tells us there is something anomalous with the single sample used to date The Shroud. This is something we have long suspected because the corner chosen was absolutely the most handled area of the cloth, exactly where it was held up by hand for hundreds of public exhibitions over the centuries. If you were looking for the worst possible sample location, you would choose from one of the two outside corners — right where the sample was cut in 1988.” That said, it should be considered here that no scientist that specializes in radiocarbon testing has raised significant questions about the method of dating used in the 1988 testing. Summary of Sturp's 1978 findings:  No pigments, paints, dyes or stains have been found on the fibrils. X-ray, fluorescence and microchemistry on the fibrils preclude the possibility of paint being used as a method for creating the image. Ultra Violet and infrared evaluation confirm these studies. Computer image enhancement and analysis by a device known as a VP-8 image analyzer show that the image has unique, three-dimensional information encoded in it. Microchemical evaluation has indicated no evidence of any spices, oils, or any biochemicals known to be produced by the body in life or in death. It is clear that there has been a direct contact of the Shroud with a body, which explains certain features such as scourge marks, as well as the blood. However, while this type of contact might explain some of the features of the torso, it is totally incapable of explaining the image of the face with the high resolution that has been amply demonstrated by photography. The basic problem from a scientific point of view is that some explanations which might be tenable from a chemical point of view, are precluded by physics. Contrariwise, certain physical explanations which may be attractive are completely precluded by the chemistry. For an adequate explanation for the image of the Shroud, one must have an explanation which is scientifically sound, from a physical, chemical, biological and medical viewpoint. At the present, this type of solution does not appear to be obtainable by the best efforts of the members of the Shroud Team. Furthermore, experiments in physics and chemistry with old linen have failed to reproduce adequately the phenomenon presented by the Shroud of Turin. The scientific consensus is that the image was produced by something which resulted in oxidation, dehydration and conjugation of the polysaccharide structure of the microfibrils of the linen itself. Such changes can be duplicated in the laboratory by certain chemical and physical processes. A similar type of change in linen can be obtained by sulfuric acid or heat. However, there are no chemical or physical methods known which can account for the totality of the image, nor can any combination of physical, chemical, biological or medical circumstances explain the image adequately. Thus, the answer to the question of how the image was produced or what produced the image remains, now, as it has in the past, a mystery. We can conclude for now that the Shroud image is that of a real human form of a scourged, crucified man. It is not the product of an artist. The blood stains are composed of hemoglobin and also give a positive test for serum albumin. The image is an ongoing mystery and until further chemical studies are made, perhaps by this group of scientists, or perhaps by some scientists in the future, the problem remains unsolved. Why care? It doesn't prove anything one way or the other about Jesus, so in my mind, it is not a crucial artifact, and certainly shouldn't be used to prove or disprove somebody's faith. If the Shroud is ultimately proved to be a hoax, how big of a deal is that? I would say - religiously speaking - it is not a big deal at all. None of the Christian faith rests on The Shroud of Turin being genuine. While it is true that the burial cloth of Jesus is indeed mentioned a few times in the Bible, it is not given particular attention, and no central or tertiary claims of Christianity rest on the Shroud.  What if - somehow, someway, The Shroud was proven to be the genuine burial cloth of Jesus? I think that would be a HUGE deal...but not a religiously huge deal. Here's what I mean: If The Shroud could be authenticated, then what we would have is a cloth that was actually wrapped around the single most important and well-known person in all of history. Not only that, but we would have a near-photograph of Jesus, and we would know His size, and what He looked like. It would be incredible to know for sure whether or not The Shroud was genuine...but what would its genuineness prove? That Jesus existed? Sure, there are some people who doubt the existence of Jesus, but some people also doubt the moon-landing, and many other obvious facts of history but almost no serious scholar denies that Jesus existed. Would a genuine Shroud PROVE the resurrection of Jesus, which is the central claim of Christianity? Of course not! How could it? I believe beyond a shadow of a doubt that Jesus rose from the dead, but The Shroud could neither prove nor disprove that. In my understanding, The Shroud is an amazing historical artifact - especially if it is proved genuine - but it is not an amazing focus of faith.  To wit, in John 5, Jesus strongly challenged the people who were following him and said:  39 You search the Scriptures because you think that in them you have eternal life; and it is they that bear witness about me,40 yet you refuse to come to me that you may have life. A challenging verse that I think has application in this situation: The Shroud is not capable of saving people from their sins and should not be an object of religious veneration. All veneration and honor should go to Jesus. That said, The Shroud is still - if genuine - one of the most amazing pieces of history in the world. We should not worship it, but there is nothing wrong with being interested and fascinated by it. 

Julien anime l'association Roue Libre à Chambery. Utilisateurs de vélo dans la region, contactez-le, il a plein d'idées.

Greg Chambery operates in a highly-regulated industry. He's the owner of The Maplewood, a nursing home in Webster, NY. And even though he has to meet the scrutiny of the government, insurers, and his customers, Greg has consistently implemented innovation after innovation, transforming The Maplewood into a nursing home that seems more like a luxury hotel. In this episode, Greg shares his secret to innovating in a complex and regulated business into a simple concept and what drives him to approach his industry so differently than his competitors.

Happy New Year. I hope its full of great things for you. I’m starting 2019with an epic trip. I Bartend at a private club and we are closed after New Years Eve for almost 6 weeks. So I am taking my time off and going to Europe for over a month! I am bringing my audio gear and hope to push out some podcasts from the road. I will be visiting some distilleries, and lots of bars and restaurants, so the plan is to have you follow along on the trip a bit. The shows might not always be completely Bartending focused, but should be interesting. I leave today, Jan 3, 2019 for Edinburgh Scotland. Then I go to Paris for 4 nights, I’ll take a train to a small town called Chambery, then ski in the French Alps for a few days. I’ll go to Geneva Switzerland, then on to Florence and Rome and last stop Ireland. Follow me on IG at BartenderJourney for some pictures and hopefully you are subscribed to the podcast so you get the shows as they come out.

Is there any need for a shot clock in handball? We break down why some people call for it and how it could be implemented. We also bring you the second half of our chat with Tom O'Brannagain, discussing what makes the great handball clubs so special. 00:00 - A shot clock in handball? 10:10 - Tom O'Brannagain on the world's great handball clubs 34:40 - Kiel flying, PSG vs Flensburg double-header, Chambery on top in France

Des nouvelles de Suisse, du festival Guitare en Scene et de Chambery

In case you missed it, we've created a podcast of Saint Mary's live radio broadcast in celebration of National #HospitalWeek! This program aired live on Monday, May 8, 2017 from the Main Lobby at Saint Mary's Hospital in Waterbury. The first hour of our broadcast is hosted by Larry Rifkin of WATR Radio 1320 AM who interviewed: Chad Wable, President of Saint Mary’s Hospital and Senior Vice President of Operations & Chief Transformation Officer for Trinity Health - New England; Sister Dolores Lahr, Director of Mission Integration and Spiritual Care and a Sister of Saint Joseph of Chambery; Mickey Wyse, M.D., Medical Director, Saint Mary's Urgent Care Centers and a physician in Saint Mary's Emergency Department; Ije Akunyili, MD, MPA, FACEP, Associate Medical Director, Emergency Services, Saint Mary's Hospital; Birgit Koellmer, RN, Epic Project Lead at Saint Mary's Hospital, and Gregory Bennett, Assistant Director of Enterprise Information Systems at Saint Francis Hospital and Medical Center.

Première partie de mon set lors de la soirée avec Reciiiprok au Brin de Zinc à Chambery !

Hi all Thanks for downloading the Plane Safety Podcast with Pilot Pip. In diary episode I talk about some of the events from my last 7 day trip including missed approaches at Paris, Chambery airport, getting soaking wet in Amsterdam and much much more. If you would like to donate to my marathon appeal then please visit my Marathon page......only a few weeks to go !! Pip's London Marathon appeal Questions, feedback & sqwauks can be sent to feedback@planesafetypodcast.com Enjoy !

TESTO DELL'ARTICOLO ➜ http://www.bastabugie.it/it/articoli.php?id=3727LA PROFEZIA DI SAN GIOVANNI BOSCO AI SAVOIA di Alberto TorresaniI Savoia, prima come conti, poi duchi e infine come re di Sardegna, sono stati presenti in Piemonte per quasi mille anni. Reggevano uno Stato cuscinetto per tenere distanti due grandi potenze: Francia e Impero tedesco. Hanno assolto tale funzione adottando l'alleanza col maggiore offerente, acquistando un territorio sempre più esteso ed armando sempre un esercito superiore alle loro finanze, da impiegare oculatamente, per intimorire l'avversario.La storia di quella famiglia conosce alcuni casi di santità, a preferenza tra le donne, perché venivano educate con rigore morale, mentre gli uomini dovevano essere rudi soldati, coi relativi usi e costumi.La rivoluzione francese rischiò di travolgere i Savoia. Furono sconfitti da Napoleone e il re trovò rifugio in Sardegna, difeso dalla flotta di Nelson. Il Piemonte corse il rischio di esser trasformato in un dipartimento francese: solamente la vittoria dell'ultima coalizione antifrancese riportò Vittorio Emanuele I a Torino. Qui giunto, allontanò da corte coloro che si erano compromessi col governo francese, ma le terre confiscate agli enti ecclesiastici rimasero ai nuovi proprietari.Purtroppo, nessun re di casa Savoia risultò una mente superiore e così andò sprecato un tesoro immenso, la fedeltà dei loro sudditi. Fra tutte le opzioni politiche allora discusse per unificare l'Italia, il modello federativo suggerito da Antonio Rosmini, che era il migliore, fu sciupato da Carlo Alberto. Nel 1847, il papa Pio IX inviò Mons. Corboli Bussi in missione a Firenze, Modena, Parma e Torino, proponendo l'Unione Doganale tra quegli Stati, a somiglianza di quanto era avvenuto per lo Zollverein tedesco, preludio dell'unificazione politica. La missione ricevette risposta positiva ovunque, meno che a Torino. Qui ormai prevalevano venti di guerra.UN ANTICLERICALISMO MONTANTEDurante la Prima guerra del Risorgimento i liberali si scoprirono antigesuiti, anticlericali, desiderosi di uscire da ogni tutela ecclesiastica. Fu decisa la cacciata dei Gesuiti (una ventina) e la chiusura delle loro scuole, comprese quelle dei "gesuitanti" come le Dame del Sacro Cuore. A Chambery, in Savoia, esse avevano una scuola superiore femminile, frequentata anche da alunne francesi e svizzere. I deputati della Savoia che lamentavano, in caso di chiusura, l'assenza completa di istituti analoghi in grado di sostituirla, si sentirono dire dal ministro: "Meglio nessuna scuola piuttosto di una scuola di gesuitanti".Don Bosco, nel 1848, notò tra i suoi ragazzi un crescente bellicismo con fioritura di esercizi militari, marce, odio al nemico e dovette prodigarsi perché quei sentimenti non distruggessero il suo lavoro. Per poco tempo don Bosco ritenne possibile favorire un qualche partito che si ponesse a difesa dei valori cattolici, ma quando percepì la disunione esistente tra i cittadini dichiarò di aderire al "partito del Papa" nel senso di obbedire a principi religiosi non legati a partiti. Avendo bisogno di tutti non poteva schierarsi per alcuno.LA PROFEZIA DI DON BOSCOLa Prima guerra del Risorgimento terminò col disastro di Novara nel febbraio 1849, l'abdicazione di Carlo Alberto e la successione di Vittorio Emanuele Il.Ben presto si fece luce il liberalismo del Cavour, dapprima come ministro di Commercio e Agricoltura, poi dal 1852 come primo ministro. Cavour decise di appiattire la politica piemontese su quella d'Oltralpe: perciò riforme liberali, investimenti in infrastrutture come strade, porti, ferrovie, telegrafo. Nel 1855 il Cavour prese a pretesto la necessità di ridurre la voce del bilancio statale riservata al culto. Perciò, unilateralmente, decise la confisca di metà del patrimonio ecclesiastico presente nel Regno, di venderlo e col ricavato costituire un fondo dal quale attingere per le future necessità del culto. Il re Vittorio Emanuele II pensava che fosse un buon affare. Don Bosco ebbe una delle sue premonizioni e fece sapere al re di aver sognato un valletto che annunciava tristemente: «Grandi funerali a corte» e supplicò perciò il Sovrano «che pensasse a regolarsi in modo da schivare i minacciati castighi, e di impedire a qualunque costo quella legge», e gli fece sapere che chi ruba alla Chiesa non arriva alla quarta generazione. Non fu ascoltato e, durante la discussione della legge, la famiglia del re fu colpita da quattro lutti: in poco tempo morirono la moglie del re col figlio di otto giorni, la madre e l'unico fratello.LO STATO È TUTTO, LA CHIESA È NIENTELa Seconda guerra d'indipendenza fu il capolavoro del Cavour che con l'intervento francese trovò l'unico modo per sconfiggere l'Austria. Furono acquisite la Lombardia, i Ducati padani, le legazioni di Romagna e il Granducato di Toscana. Seguì la conquista del resto d'Italia con Garibaldi in Sicilia e l'esercito piemontese che lo ferma a Napoli, rimandando a più tardi la presa di Roma.Il governo italiano diceva di praticare la nota politica di Cavour «libera Chiesa in libero Stato», ma nei fatti si riteneva erede degli Stati preunitari che avevano esercitato il diritto di placet e di veto per le nomine episcopali. Molte diocesi erano senza vescovo perché o defunto o scacciato. Bastava aver detto mezza parola o scritto una riga critica nei confronti della nuova realtà politica per venire esclusi dalla nomina a vescovo.Don Bosco fu inviato da Pio IX nelle diocesi sprovviste di vescovi per cercare candidati all'episcopato. Dopo aver effettuato l'inchiesta canonica, quei nominativi venivano portati al Ministro degli interni che effettuava la propria indagine e finalmente si poteva nominare il vescovo. Insomma, la Chiesa aveva la libertà del girarrosto che può solo presentare alla fiamma la parte non ancora ben rosolata. Il De Sanctis spiegava che in quel momento il motto di Cavour andava interpretato nel senso che «lo Stato è tutto e la Chiesa niente».LA PROFEZIA SI COMPIEIl papa Leone XIII volle edificare un tempio votivo nei pressi della stazione Termini, con la stessa funzione del Sacro Cuore di Parigi. I costruttori fecero il riccio della spesa e fermarono i lavori annunciando che i denari erano finiti. Il cardinal Nina suggerì al Papa di affidare il completamento dell'edificio a don Bosco, giudicato un imprenditore che non si faceva imbrogliare. Dovette compiere due viaggi a Parigi e uno a Barcellona per trovare il denaro necessario. La chiesa fu portata a termine e don Bosco poté celebrare una Messa di ringraziamento nel corso della quale molte volte si commosse fino al pianto, rievocando le tappe del cammino che la Provvidenza gli aveva riservato.Ancora adesso i Salesiani curano l'avviamento professionale di giovani sottratti alla strada per munirli di solide competenze lavorative e di un orientamento cristiano alla vita.I Savoia, invece, fecero le guerre coloniali, poi la Prima guerra mondiale a seguito di un colpo di Stato del sovrano; poi, con un secondo colpo di Stato, scelsero Mussolini come primo ministro che procurò loro l'Impero d'Etiopia e il regno di Albania e infine lo scacciarono. Vittorio Emanuele III non imitò il trisnonno Carlo Alberto e non si dimise nel 1943. Quando lo fece, nel 1946 era troppo tardi e il 2 giugno il referendum scelse la repubblica: Umberto II, il re di maggio, andò in esilio.Era la quarta generazione dei Savoia in Italia: la profezia di don Bosco così si adempiva del tutto.

support@upr.fr (François Asselineau) https://podcast.upr.fr/Passages%20media/2013-11-09%20Entretien%20TV%20NET%20citoyenne%20en%20marge%20d_une%20conference%20a%20chambery.mp3 Sat, 09 Nov 2013 00:00:00 +0100 UPR - François Asselineau no 30:09 https://podcast.upr.fr/Passages%20media/2013-11-09%20Entretien%20TV%20NET%20citoyenne%20en%20marge%20d_une%20conference%20a%20chambery.mp3