Final tlatoani of the Aztec Empire in Tenochtitlán
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2 episodes with cuauhtemoc
2 episodes with cuauhtemoc
Ante la ola de deportaciones, arrestos y la revocación del TPS muchos inmigrantes indocumentados han caído en manos de falsos abogados de inmigración que son estafadores. Tenga cuidado con los engaños. En otras noticias: Una madre indocumentada enfrenta una multa de casi 2 millones de dólares por permanecer en los Estados Unidos después de recibir una orden de deportación.El gobierno de Donald Trump deportó a un grupo de migrantes a Sudán.En México fueron asesinados la secretaria privada y uno de los asesores de la jefa de gobierno de la Ciudad de México: Clara Brugada.El presidente Trump se reunió con congresistas republicanos para pedirles que voten a favor de su proyecto presupuestal. Los demócratas denuncian que el proyecto traerá recortes a fondos del Medicaid, Medicare y programas para el cuidado de niños.Familiares y amigos despidieron a los cadetes fallecidos durante el incidente del choque del buque escuela Cuauhtemoc con el puente de Brooklyn.
Explota taller de bisutería en la alcaldía Cuauhtémoc Detienen a un hombre con 203 kilos de metanfetamina en BC Helicóptero que se estrelló en NY no contaba con seguridad
Pedirán un nuevo juicio de desafuero contra #CuauhtémocBlanco, acudirán a la Fiscalía de #Morelos para presentar nuevamente las pruebas.See omnystudio.com/listener for privacy information.
Clausuran ducto a empresa minera en Sonora por falta de autorización No te pierdas la Jornada Vecinal en la alcaldía Cuauhtémoc Unión Europea da luz verde a propuesta de EU de un alto al fuego entre Rusia y Ucrania
The Soil Matters with Cuauhtemoc VillaSeason 3 Episode 48 Today's Guest: Cuauhtemoc Villa is a Taino, Aztec and Mayan living soil educator, regenerative farmer and father. He is a friend of the microbes, a student of their ancient wisdom and a teacher of their ways. For over 20 years, Cuauhtemoc has partnered with the microbes using bokashi, biochar and compost teas to grow resilient plants and bioremediate land and water. Cuauhtemoc is passionate about remembering andrestoring indigenous agricultural ways and tribal ecological knowledge to honor land, ancestors and future generations. Cuauhtemoc shares these practices with people of all ages and backgrounds, through school garden programs, online and hands-on workshops, conferences and consultations with farmers and growers across the world. https://www.suscolcouncil.org/https://www.instagram.com/groundculturepdxhttps://www.instagram.com/bokashi4u Your Host: Leighton Morrisonhttps://www.instagram.com/kingdomaqua... https://www.kingdomaquaponicsllc.com/ Executive ProducerKen Somerville https://www.instagram.com/kensomerville/ https://www.itsallaboutthebiology.ca Contact emailitsallaboutthebiology@gmail.com Reach out to Ken for a quick 15 mincall:https://calendly.com/kensomerville/connections Help to support the mission: patreon.com/user?u=104510089 Discount codes available at: https://www.itsallaboutthebiology.ca/discountcodes #flowers,#plants,#nature,#gardening,#garden,#growing,#koreannaturalfarming,#naturalfarming,#jadam,#naturalfertilizer,#naturalfarminginputs,#permaculture,#regenerative,#foodforest,#biodynamic,#bioactive,#organic,#notill,#knf,#organicgardening,#urbangardening,#containergardening,#homegardening, Music by The Invisible Gardener (Andy Lopez) https://soundcloud.com/invisiblegardenerFor Full: Disclaimer
En la alcaldía Cuauhtémoc de la CDMX se generó un fuerte incendio en un departamento, ¿qué es lo que se sabe?See omnystudio.com/listener for privacy information.
The Soil Matters with Cuauhtemoc Villa Season 2 Episode 48 Today's Guest: Cuauhtemoc Villa is a Taino, Aztec and Mayan living soil educator, regenerative farmer and father. He is a friend of the microbes, a student of their ancient wisdom and a teacher of their ways. For over 20 years, Cuauhtemoc has partnered with the microbes using bokashi, biochar and compost teas to grow resilient plants and bioremediate land and water. Cuauhtemoc is passionate about remembering and restoring indigenous agricultural ways and tribal ecological knowledge to honor land, ancestors and future generations. Cuauhtemoc shares these practices with people of all ages and backgrounds, through school garden programs, online and hands-on workshops, conferences and consultations with farmers and growers across the world. https://groundculturepdx.com/ https://www.instagram.com/groundculturepdx https://www.instagram.com/bokashi4u https://www.suscolcouncil.org/ Your Host: Leighton Morrison https://www.instagram.com/kingdomaqua... https://www.kingdomaquaponicsllc.com/ Executive Producer Ken Somerville https://www.instagram.com/kensomerville/ https://www.itsallaboutthebiology.ca Contact email itsallaboutthebiology@gmail.com Reach out to Ken for a quick 15 min call: https://calendly.com/kensomerville/connections Help to support the mission: patreon.com/user?u=104510089 Discount codes available at: https://www.itsallaboutthebiology.ca/discountcodes #flowers,#plants,#nature,#gardening,#garden,#growing,#koreannaturalfarming,#naturalfarming,#jadam,#naturalfertilizer,#naturalfarminginputs,#permaculture,#regenerative,#foodforest,#biodynamic,#bioactive,#organic,#notill,#knf,#organicgardening,#urbangardening,#containergardening,#homegardening, Music by The Invisible Gardener (Andy Lopez) https://soundcloud.com/invisiblegardener For Full: Disclaimer
El puerto de Nuevo Laredo, Tamaulipas, es el "más grande de América Latina: ANAMBazar Navideño en la alcaldía CuauhtémocDetienen a tres jóvenes por planear atentados en Francia Más información en nuestro Podcast
The Soil Matters with Cuauhtemoc Villa Today's Guest: Cuauhtemoc Villa is a Taino, Aztec and Mayan living soil educator, regenerative farmer and father. He is a friend of the microbes, a student of their ancient wisdom and a teacher of their ways. For over 20 years, Cuauhtemoc has partnered with the microbes using bokashi, biochar and compost teas to grow resilient plants and bioremediate land and water. Cuauhtemoc is passionate about remembering and restoring indigenous agricultural ways and tribal ecological knowledge to honor land, ancestors and future generations. Cuauhtemoc shares these practices with people of all ages and backgrounds, through school garden programs, online and hands-on workshops, conferences and consultations with farmers and growers across the world. https://groundculturepdx.com/ https://www.instagram.com/groundculturepdx https://www.instagram.com/bokashi4u https://www.suscolcouncil.org/ Your Host: Leighton Morrison https://www.instagram.com/kingdomaqua... https://www.kingdomaquaponicsllc.com/ Executive Producer Ken Somerville https://www.instagram.com/kensomerville/ https://www.itsallaboutthebiology.ca Contact email itsallaboutthebiology@gmail.com Reach out to Ken for a quick 15 min call: https://calendly.com/kensomerville/connections Help to support the mission: patreon.com/user?u=104510089 Discount codes available at: https://www.itsallaboutthebiology.ca/discountcodes #flowers,#plants,#nature,#gardening,#garden,#growing,#koreannaturalfarming,#naturalfarming,#jadam,#naturalfertilizer,#naturalfarminginputs,#permaculture,#regenerative,#foodforest,#biodynamic,#bioactive,#organic,#notill,#knf,#organicgardening,#urbangardening,#containergardening,#homegardening, Music by The Invisible Gardener (Andy Lopez) https://soundcloud.com/invisiblegardener https://www.youtube.com/@itsallaboutthebiology?sub_confirmation=1 For Full: Disclaimer
Cuauhtemoc Villa is an educator and pioneer in the regenerative community who not only teaches, but SHOWS people how to unlock the power of healthy, clean soils using Effective Microorganisms (EM), Bokashi and Bio-Char. Cuauhtemoc has nearly 20 years of experience preparing EM with an ability to help YOU UNDERSTAND why it is a miracle in regenerative agriculture.Topics Discussed:What is Effective Microorganisms (EM) and How Do You Make It?How can EM be used in bio-remediaton of soils and waterways?What is Bio-Char and Why Is It Important?How Do You Make Bio-Char?What Kind of Information does the Carbon in Bio-Char Hold and Transfer?Questions Asked:What rate of Sea Water is used to re-mineralize RO?How Do I Make EM at Home?Is RO Water considered "Clean Water" or lifeless water in your opinion?Do You Like to add anything additional to your bokashi after ferment?When worms get that purple sheen, is that the abundance of Purple Non-Sulphur Bacteria (PNSB)?Can you explain Super Ceramics powder?When you use molasses, should you put it in hot water before using it?How can I remove viroids in my soil?Is any wood OK for making biochar?What are the best woods to use for biochar?Could there be any benefits to making bio-char with driftwood as opposed to other woods?What is a DIY Terra Preta compost pit?How much bio-char would you suggest using in worm and insect bins like isopods?Support this FREE show by supporting these amazing small-businesses:http://www.okcalyxxshop.comhttp://www.rubberduckyisopods.comhttp://www.MIBeneficials.com
Se prepara la CFE ante posible contingencia por el impacto de huracán John Alerta Amarilla por lluvias y vientos fuertes en la CDMX Resguardan cacomixtle en la Cuauhtémoc Más detalles en nuestro Podcast
El día de hoy en Conexión Cuauhtémoc hablaremos sobre"15 años de presencia de la UACJ en Cuauhtémoc" con el Dr. Fernando Sandoval Gutiérrez, Jefe de la División Multidisciplinaria de la UACJ en Cuauhtémoc y la Mtra.Lara Cecilia Wiebe Quintana, Jefa de la Unidad Administrativa de la División Multidisciplinaria de la UACJ en Cuauhtémoc #UACJ #SOMOSUACJ #uacjradio #Cuauhtemoc #dmcuacj
80% de empacadoras de limón en michoacán están paralizadas por el crimen organizadoMorena sigue buscando anular la elección en la Cuauhtémoc, asegura Alessandra Rojo de la Vega Maduro vuelve a arremeter contra WhatsApp
CV ENTREVISTANDO 16 JULIO 2024, CON CUAUHTEMOC BALDERAS YAÑEZ ALCALDE DE AQUISMON
AWAKENING 2024 - Ps. Cuauhtemoc Lopez - Dios convierte lo ordinario en algo extraordinario - Plenaria 14
El día de hoy en Conexión Cuauhtémoc hablaremos sobre "El avance de los biomateriales desde la perspectiva nacional y particular" con el Dr. Javier Servando Castro Carmona, Profesor Investigador DMC #UACJ #SOMOSUACJ #biomateriales #Cuauhtemoc #uacjradio
El INAH te invita al Taller Bordado históricoPeriodistas exigen la localización de 2 compañeros secuestrados en Taxco Apuñalan a policía condenado por el asesitado de George Floyd
Tenochtitlan, once the glittering jewel at the heart of the mighty Aztec Empire, has fallen. Hernán Cortés stands triumphant, the master of this New Spain. Or so it seems. For the last Aztec emperor, Cuauhtemoc, is still alive and well. And in the jungles of Mexico and Honduras, a dark and bloody story is only just beginning … In the final episode of this astonishing journey, Dominic and Tom discuss the aftermath of the fall of Tenochtitlan, the fates of Cuauhtemoc, Cortés and Malinche, the experiences of the local population and the story of Mexico in the decades after the Spanish conquest. As this mighty epic draws to a close, they also explore the Black Legend of Spanish imperialism, and discuss the long-term repercussions of the conquest and its status in the context of world history and politics today. *Dominic's book The Fall of the Aztecs is available now from bookshops across the UK - the perfect Christmas present!* *The Rest Is History Live Tour 2023*: Tom and Dominic are back on tour this autumn! See them live in New Zealand and Australia! Buy your tickets here: restishistorypod.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
"Conquer or die indeed, Cortes thought… The hour of decision was at hand…" It is the spring of 1521 and the fate of Mexico hangs by a thread. Smallpox has ripped through the local population, while the ruthless Spanish commander, Hernán Cortés, has cut off the Aztec capital, Tenochtitlan, from its surrounding provinces. So begins one of the bloodiest and most dramatic struggles in all history - an extraordinary clash between the Old World and the New, as the Spanish tighten their grip on the island city of the Mexica. But can the new Aztec emperor, Cuauhtemoc, save his people? For he has a secret weapon - the terrifying Quetzal-Owl … In today's episode, Dominic and Tom tell the story of the Siege of Tenochtitlan - the last stand of the Aztec warriors, as the Spanish and their allies close in for the kill. *Dominic's book The Fall of the Aztecs is available now from bookshops across the UK - the perfect Christmas present!* *The Rest Is History Live Tour 2023*: Tom and Dominic are back on tour this autumn! See them live in New Zealand and Australia! Buy your tickets here: restishistorypod.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
La unción del Espíritu Santo - Ps. Cuauhtemoc Lopez - Revival - Domingo 29
Como acercarte a Jesus para un milagro - Ps. Cuauhtemoc Lopez - Revival - Sábado 28 OCT
La unción del Espíritu Santo PARTE 2 - Ps. Cuauhtemoc Lopez - Revival - Domingo 29 OCT
En el Programa Completo 5/10/23 hablamos de: Abandonan a Xóchitl, y ella planta a empresarios. Sandra Cuevas usa recursos de la Cuauhtemoc. Margarita Zavala se destapa por CDMX y le ruega al PRIAN. Ya hay fecha para la reforma de las 40 horas laborales.
In this week's episode, join Mike in an inspiring conversation with Cuauhtemoc Velazquez, a breathwork coach and videographer with a unique healing and personal growth journey. Cuau's transformative journey began when he moved to Canada and became the first employee at the Personal Development School; today, he shares his experiences and wisdom with our listeners.Cuau delves into his time working for PDS, shedding light on the challenges and opportunities he encountered during his tenure with the organization. Together, Mike and Cuau explore the paradox of personal development, a concept that many of us grapple with: accepting ourselves while striving to become better versions of ourselves. It's a dynamic and thought-provoking discussion that delves into the heart of what it means to embark on a journey of self-improvement.But it's not all about lofty ideals and complex philosophies. Cuau also brings a refreshing perspective to self-care. He reminds us that sometimes, the simplest acts, like washing your face, can be powerful self-care rituals. Join us for an episode filled with profound insights, practical takeaways, and the wisdom of a man who has not only transformed his own life but is dedicated to helping others do the same.Tune in to discover how embracing the parallels of personal development can lead to profound growth and how even the most mundane tasks can become acts of self-love and self-care.Heal Your Attachment Style & Dramatically Improve Your Relationships: Unlock Your FREE All-Access Pass to PDS Courses Today!https://bit.ly/7-days-free-podcastDiscover What Your Attachment Style is and How It Could Be Holding Your Relationships Back … Take Quiz Here
Vale la pena escuchar esta entrevista en la que el Dr. Sanchez nos cuenta la impresionante labor que en conjunto con otros especialistas ha cambiado la historia en la prevención de accidentes como también en otros ámbitos de la medicina.
Canalizadora, chamana, sanadora y portadora de una consciencia elevada. Pachita, la historia de una mujer que recibio a Cuauhtemoc el ultimo "Huey Tlatoani" para poder sanar a muchas personas en su ex tierra.
Tras la muerte de Moctezuma, la nobleza mexica eligió como nuevo huey tlatoani a su hermano Cuitláhuac, pero éste murió ochenta días más tarde. En septiembre de 1520 los mexicas eligieron como sucesor a Cuauhtémoc. Cuauhtemoc huía en una canoa de Tlatelolco, último bastión del imperio, sin embargo fue tomado como prisionero por un capitán español y llevado ante Cortés; ahí pidió que se le diera muerte; una muerte ritual. Sin embargo, preso Cuauhtémoc y otros nobles, fueron sometidos a interrogatorios por Cortés, quien deseaba saber el destino del oro que guardaban los mexicas.
2023 marca los 50 años de vida para luminosas figuras del deporte, Roberto Carlos, uno de los tiradores más temibles en la historia del futbol, encabeza la lista.
El Clásico del futbol mexicano es la reedición de un arquetipo, de una fórmula que fascina a los seres humanos. Cada Imperio gesta, sin pretenderlo, a su mayor enemigo. Este es el choque de dos colosos del futbol mexicano.
Codigo de honor escucha este audio de Carlos cuauhtemoc sanches y te ayudará mucho si te gusta comprate o manda mensaje martínvelascoespinoza@gmail.com
Stand up comedian and story teller Cuauhtemoc Silva recounts his tough beginnings as an impoverished person of color growing up in San Francisco. We discuss how his background shapes shapes his onstage material, the daily grind of being a working comedian as well as how racism manifests in the San Francisco comedy circuit. You can check out Cuauhtemoc's material here: @Silva_Cuauhtemoc and here: https://m.youtube.com/channel/UCnrtifKTmJVRsnmFzBXsvUw?fbclid=PAAaZk_sfuZ3-ZDb_oBDfT2V6iBPFVA66uynZqNRzdhSOJIw5SLRtp8o_F80s My contact info: benjaminrussack@gmail.com; 415.497.1908.
El Tabachines Classic representa la 2da etapa de Gira Mexicana con puntos ranking.Nos espera un fin de semana, con un gran field cargado de talento.Además la posibilidad de que el mejor mexicano se clasifique al Mexico Open at Vidanta.
La alcaldía Benito Juárez y la Cuauhtemoc han violado la ley de publicidad al colocar espectaculares en la azoteaDestaca la Cofepris que de 259 playas del país 258 son aptas para uso recreativoEste miércoles inicia el solsticio de invierno -Más información en nuestro Podcast
En este programa de la quinta temporada tuvimos la oprtinidad de platicar con Amerintha, quien nos cuenta sobre su experiencia en la atención ciudadana en la alcaldía Cuauhtemoc de la CDMX.
¡Hola Familia!Bienvenidos de nuevo. Este es el día 53 de nuestra Novena del Rosario de 54 días.Familia, mi corazón brilla por ustedes. Estoy orgullosa de su compromiso y dedicación a Nuestro Señor Jesucristo. Gracias por hacer de la oración su prioridad y elegir a Dios primero. Rezo para que nuestra Santísima Madre interceda por sus peticiones y os acerque a su Divino Hijo.Nuestra Novena está llegando a su fin, pero los animo a seguir orando por el resto del mes, ya que octubre es el mes del Rosario. Si Dios quiere, nuestra próxima Novena del Rosario de 54 días comenzará del 15 de Febrero al 9 de Abril, terminando el Domingo de Pascua de 2023. Vamos a publicar la Novena en Inglés y Español.Por favor, continúe enviando su petición de oración. Rezamos el Rosario diariamente, y quiero seguir orando por ustedes. Además, los invito a unirse a nuestras oraciones del rosario en vivo los sábados por la mañana a las 7 am. hora del Pacífico. la invitation la puede encontral en las notas del programa. Si ha encontrado que nuestro podcast es una bendición, compártalo con sus amigos y seres queridos. Todos los episodios permanecen publicados, y cualquiera puede comenzar con el Día 1 en cualquier momento. Si se siente llamado a apoyar nuestro ministerio, puede ayudarnos a pagarlo en nuestro sitio web 54daysofroses.com. Nuestra cuenta de PayPal es prayers@54daysofroses.com y nuestro Venmo es @Novena54daysofRoses.Familia, por favor continúen en contacto conmigo. Envíame un correo electrónico, comparte con nosotros tu historia del rosario o simplemente pasa a saludar. Día 53 : Misterios Dolorosos en AgradecimientoHoy, día 53, rezamos los Misterios Dolorosos en AgradecimientoMadre Santísima, Reina del Santísimo Rosario, te pedimos que intercedas por nuestras peticiones y nos acerques al Sagrado Corazón de Jesús.Rezamos por las intenciones de nuestra familia aquí en el podcast, por todas las intenciones recibidas por correo electrónico, Instagram y YouTube.Y rezamos por las intenciones de: El alma de Gilberto, Oramos por Concepcion, Cuauhtemoc, Isabel, Nayeli, Maye, Alejandro, Paulina, Carolina, Carlos, Diana, Marcelo, Daniel, Cristian, Michel, Jessica, Alejandra, Temo, Juan Jose, Alexis, Lorena, Juan Daniel, Antony, Briana, Ellie, Nathan, Mia, Maggy, Valentina, Juan Raul, Robyn, Victoria. Suzanna, Lezziet, Frances, David, James, Andrea, Lisa, Evie, Tony, Courtney, Christina, Jen, Gina, Evy, Jose, Maria, Melissa, Alberto, Lee, Victoria, Alanna, Lynn, Angehende, Tonya, Vicky, Kristin, Andie, Endah, Tammy, Christopher, Lindsey, Claudia, Heart, Lynn, Marisol, Anaise, Lara, Trent, Ivana, y Juwon.Con amor, Maritza MendezLinktr.eehttps://linktr.ee/54daysofrosesPágina webhttps://www.54daysofroses.com/Oración del Rosario, en vivo.https://calendly.com/54daysofroses/liverosary_8Oración del Rosario, con Maritzahttps://calendly.com/54daysofroses/rosaryprayerVenmohttps://account.venmo.com/u/Novena54DaysofRosesPayPalhttps://www.paypal.com/paypalme/54DaysOfRosesCreación de Contenido y Diseño Webhttps://lillywriteshere.com/Audiohttps://luisaperez238.wixsite.com/portafolioApoya eSupport the show
Hello family!Welcome back. This is day 53 of our 54-day Rosary Novena.Family, my heart is glowing for you. I am proud of your commitment and dedication to Our Lord Jesus Christ. Thank you for making prayer your priority and choosing God First. I pray that our Blessed Mother intercedes for your petitions and brings you closer to her Divine Son. Our Novena is coming to an end, but I encourage you to continue praying for the rest of the month, as October is the month of the Rosary. God willing, our next 54-Day Rosary Novena will start Feb 15-April 9, ending on Easter Sunday, 2023. We are going to publish the Novena in English and Spanish.Please continue to send your prayer request during our off-season. We pray the Rosary daily, and I want to continue praying for you. Also, I invite you to join our live rosary prayers Saturday mornings at 7 am. pacific time. If you have found our podcast to be a blessing, please share it with your friends and loved ones. All episodes remain published, and anyone can start with Day 1 anytime. If you feel called to support our ministry, you can help us pay it forward on our website 54daysofroses.com. Our PayPal account is prayers@54daysofroses.com, and our Venmo is @Novena54daysofRoses.Family, please continue to stay in touch with me. Send me an email, share with us your rosary story or just stop by to say hello. Day 53 : Sorrowful Mysteries in ThanksgivingWith that, let's get started. Today, day 53, we pray the Sorrowful Mysteries in Thanksgiving.Blessed Mother, Queen of the Most Holy Rosary, we ask that you intercede for our petitions and bring us closer to the Sacred Heart of Jesus.Blessed Mother, we pray for our family's intentions here on the podcast, for all the intentions received by email, Instagram, and YouTube.We pray for the soul of Gilberto, we pray for Concepcion, Cuauhtemoc, Isabel, Nayeli, Maye, Alejandro, Paulina, Carolina, Carlos, Diana, Marcelo, Daniel, Cristian, Michel, Jessica, Alejandra, Temo, Juan Jose, Alexis, Lorena, Juan Daniel, Antony, Briana, Ellie, Nathan, Mia, Maggy, Valentina, Juan Raul, Robyn, Victoria. Suzanna, Lezziet, Frances, David, James, Andrea, Lisa, Evie, Tony, Courtney, Christina, Jen, Gina, Evy, Jose, Maria, Melissa, Alberto, Lee, Victoria, Alanna, Lynn, Angehende, Tonya, Vicky, Kristin, Andie, Endah, Tammy, Christopher, Lindsey, Claudia, Heart, Lynn, Marisol, Anaise, Lara, Trent, Ivana, and Juwon.With love, Maritza Mendez.Linktr.eehttps://linktr.ee/54daysofrosesWebsite:https://www.54daysofroses.com/Live Rosary Prayerhttps://calendly.com/54daysofroses/liverosary_8?month=2022-09Book a Rosary prayer with Maritzahttps://calendly.com/54daysofroses/rosaryprayerDonate via Venmohttps://account.venmo.com/u/Novena54DaysofRosesDonate via PayPalhttps://www.paypal.com/paypalme/54DaysOfRosesSupport our Ministryhttps://www.54daysofroses.com/supportContent Creator & Web designhttps://lillywriteshere.com/Audio Engineerhttps://luisaperez238.wixsSupport the show
Polonia cayó ante Países Bajos y con esto sumó tres juegos consecutivos sin ganar ni anotar. México por su parte, jugará ante Perú un amistoso en Estados Unidos. Puebla recibe a Pumas en partido pendiente de la Liga MX en el Estadio Cuauhtémoc.
The politics of sex in Mexico contradict its modern metropolis. I speak with Sexologist, Dr. Selfa González Gomar Montesano and Sex Therapist Dr. Maria de Lourdes Martínez Staines about how traditional religious and patriarchal belief systems in Mexico continue to reinforce the prevalence of gender based violence, incest, abortion access, and LGBTQ hate crimes.Dr. Selfa González Gomar Montesano earned her Psychology Degree from Iberoamericana University in 2001. She completed her training in Gestalt Psychotherapy in 2006 and went on to complete her training in Bioenergetic Body Work in Buenos Aires Argentina. Selfa earned a Master's Degree in Sexuality and Gender Studies from Spain. She has experience working in mental health institutions and teaches in public and private universities throughout Mexico. Selfa also has a private psychotherapy practice working with individuals and couples.Dr. Maria de Lourdes Martínez Staines studied medicine at Anahuac's University in the state of Mexico. She is married to Jorge Jimenez, a Pediatrician and Neonatologist in Aguascalientes, Mexico. She has 3 children, Sofi 29 years, Jorge Eduardo 23 years, and Regina 19 years. Lourdes worked for 17 years as the Reproductive Health Chief at the Health Institute in Aguascalientes. She also completed 2 Masters Degrees; one in Thanatology (The study of Death and Dying ) and the other in Sexuality and Gender. She has Doctorate in Humanist Psychotherapy. Lourdes currently teaches at Cuauhtemoc's University.Guest Opinion Disclaimer: All opinions expressed by podcast guests / participants are solely their current opinions and do not reflect the opinions of GETSOME Inc. or affiliates or the companies with which the podcast guests / participants are affiliated, and may have been previously disseminated by them. The guests / participants opinions are based upon information they consider reliable, but neither GETSOME Inc. nor its affiliates, nor the companies with which such guests / participants are affiliated, warrant its completeness or accuracy, and it should not be relied upon as such.
We welcome YOU back to America's leading higher education podcast, The EdUp Experience! It's YOUR time to #EdUp In this episode, YOUR guest is Dr. Cuauhtemoc Godoy, Associate Dean, College of Engineering & Geomatic Sciences at Polytechnic University, San Juan, Puerto Rico, YOUR host is Dr. Joe Sallustio, & YOUR sponsor is Anthology Together 2022! This episode was recorded LIVE & in person at the Anthology Together Conference #AT22! Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - Elvin Freytes & Dr. Joe Sallustio ● Join YOUR EdUp community at The EdUp Experience! We make education YOUR business! --- Send in a voice message: https://anchor.fm/edup/message
EM, Bioceramics, & Regenerative Farming with Cuauhtemoc Villa Episode 164 of A Regenerative Future with Matt Powers Topaz Farm: https://topazfarm.com Cuauhtemoc on Instagram: https://www.instagram.com/bokashi4u/ The Regenerative Soil Microscopy & R-Soil Database Kickstarter: https://www.kickstarter.com/projects/mattpowers/regenerative-soil-microscopy-the-book-courses-and-database
Cuauhtemoc Lopez es un pastor con un testimonio increíble el cual ama el servicio y le motiva traer personas a cristo. Dios lo ha usado en México y otros pises a través de milagros y en este podcast tuvimos la oportunidad de platicar un poco con el así que esperemos y lo disfrutes y puedas compartirlo.
Biochar is an often overlooked soil amendment that can be a game changer for container gardening, hügelkultur and regenerating farmland. On this episode of Shaping Fire, host Shango Los talks with living soil educator Cuauhtemoc Villa about the vast and varied role biochar can play in cultivation, best practices for making it yourself and how to deploy it in your garden at any scale.
In Episode 9, Cortes returns to the Valley of Mexico, bringing with him nearly a thousand refreshed Spanish soldiers, and tens of thousands of Tlaxcalan warriors. A brutal siege would grind the Mexica down until their ability to resist was done. This would be the end of Mexica power and culture in the valley.Part 1 - The March to TexcocoCortes returns to the Valley of Mexico and is welcomed by a young prince.Part 2 - The Players Are SetWith Cortes camped in Texcoco, backed by his Tlaxcala and Acolhua allies, and Cuauhtemoc and the remainder of the Mexica in Tenochtitlan - the sides were set.Part 3 - Siege of TenochtitlanCortes tightens his grip around the island of Tenochtitlan, squeezing the life out of the Mexica inside.Part 4 - Mexica Abandon TenochtitlanWith their forces depleted, their food gone, the Tenochca Mexica abandon Moctezuma's Palace, the Sacred Precinct and the rest of Tenochtitlan and head north to shelter with their Mexica neighbors in Tlatelolco.Part 5 - Cortes Gets RoutedFeeling eager to close out the siege, Cortes' men charged into a fatal mess, nearly costing Cortes his life.Part 6 - AmaxacNow down to their final sliver of land, their final people, the Mexica huddle in a place called Amaxac.Part 7 - The End of the MexicaThe remaining women, children and elderly were allowed to leave while the leadership is taken into Spanish custody, marking the end of Mexica power.Part 8 - The Valley After the MexicaCortes immediately began work on a new colonial city, burying Tenochtitlan beneath.Part 9 - Mexico TodayA brief discussion on my personal views of what Mexica is today, the legacy of the Mexica andother Indigenous people, and the concept of mestizo.Episode 9 CreditsWritten, researched, performed and produced by Jeremy Lipps.~ Music ~Away by MeydänSurreal Forest by MeydänFourth Imaginary City by cryptic sceneryDaniel Birch, www.danielbirchmusic.comBreathe by Daniel BirchSustained Light by Daniel BirchFourth Imaginary City by cryptic sceneryFuego de Mateo by Down for the CountGuitar Percussion by BangcorruptTaiko drum sequence for looping the sacrifice by Infinita08Intro coda acoutsic guitar by Valentin Sosnitskiy~ Sound Effects ~All sounds procured at freesound.com - Thank you to the creators below for their contributions.splashing footsteps1 by soundmaryfoley natural water jump by nox soundhorses by arnaud coutanderwalk on dirt road by mikeypmeCanadian horse running by vero-marengerehorse galloping by max headroomhorse snort by bruno auzethorses whinnying by leandiviljoenarrow cutting through the air by bruno auzetancient old time battle combat horses snorting... by ylearkistoambient battle noise swords and shouting by phranzenthe rain falls against the parasol by stragetforest stream between mekhanizatorov settlement and akhtyrka vilage moscow region by halfoftheskywater-lapping by ceivh93rain by idomusicssoft wind by florianreicheltfire 2 by pushtobreakhorse whinny by inspectorjcoopers hawk by blimp66walking2-gravel by tec-studiolost dream intro by unknown userMexico City street vendor with street sounds by kdceduk8taikodrum-41-hz by tarane468panther by xhwzq6gvpain-schwester by repdac3walla Cuban men yell bball1 by kylesthree cannon shots by originalmajasailing boat bow wave close perspective by pfannkuchnwood chopping chopping hard wood with metal axe by guntherdorksentimber tree falling by matt beer
#SobreLaMesa Invitado: DrCuauhtemoc Yzabal, jefe de la Jurisdicción Sanitaria VI (Escuinapa y Rosario) --- Send in a voice message: https://anchor.fm/noticiasdigitalessinaloa/message
Conoce los RESULTADOS de CADA PARTIDO, las POSICIONES en la TABLA GENERAL, la TABLA DE GOLEO y los PROXIMOS PARTIDOS en la JORNADA 12 de la LIGA MX torneo CLAUSURA 2022 ... #LigaMX #Jornada11 #Clausura2022 MAZATLÁN FC PIERDE en CASA ante LEÓN 2-1 con GOLES de COLOMBATTO y ORMEÑO en el ÚLTIMO PARTIDO de la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 TIJUANA de GANA 1-0 a FC JUÁREZ con GOL de JOAQUIN MONTECINOS en el ÚLTIMO MINUTO en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 AMÉRICA POR FIN GANA en el AZTECA tras GOLEAR 3-0 al TOLUCA con GOLES de ROGER, VALDES y ZENDEJAS en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 En el ÚLTIMO MINUTO ATLAS EMPATA el CLÁSICO TAPATIO contra CHIVAS 1-1 con GOL de JULIÁN QUIÑONES en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 PACHUCA le GANA a CRUZ AZUL por la MINIMA 1-0 en el ESTADIO HIDALGO en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 TIGRES GANA el CLASICO REGIO en CASA 2-0 sobre MONTERREY con GOLES de GIGNAC y THAUVIN en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 NECAXA le GANA 3-1 a PUMAS en CU con DOBLETE de RODRIGO AGUIRRE en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 En un PARTIDAZO PUEBLA y SANTOS terminan EMPATADOS 2-2 en el CUAUHTEMOC en la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 QUERÉTARO derrota al ATLÉTICO SAN LUIS en el ESTADIO MORELOS 2-1 en el PRIMER PARTIDO de la JORNADA 11 en la LIGA MX torneo CLAUSURA 2022 --- Support this podcast: https://anchor.fm/debotepodcast/support
Esta semana se presentaron los detalles del nuevo programa de salud en el que el IMSS Bienestar federalizará los servicios médicos estatales y beneficiará a las más de 70 millones de personas que no cuenten con seguridad social. Pero, ¿podrá el IMSS con este paquete? José Yuste, economista y periodista de finanzas, nos da su punto de vista. En otros temas: Sandra Cuevas, alcadesa de Cuauhtemoc fue vinculada a proceso, por lo que permanecerá separada del cargo./La rusofobia.
La Fiscalía General dela CDMX obtuvo vinculación a proceso contra cuatro servidores públicos de la Alcaldía CuauhtémocIdentifican a dos personas involucradas en el asesinato del periodista Armando Linares LópezLa fiscalía de Querétaro dio a conocer que fueron detenidos 2 presuntos implicados en el partido Gallos-Atlas
Afirma Sheinbaum que caso de la alcaldesa de Cuauhtémoc será tomado por la Fiscalía Nashieli Ramírez, aseguró que no identificó violaciones a los en el caso de San BerbanéAfirma Ucrania que esta semana no determina un ataque ruso
059.- Espíritu, Poder Y Ser Testigos.- Ps. Cuauhtemoc Lopez.- Reunión día 7 de noviembre de 2021
Sinaloa solicitó la declaratoria de emergencia para los municipios afectados por el huracán PamelaEl gobernador Cuauhtémoc Blanco Bravo denunció que su cuenta de WhatsApp fue vulneradaGran Premio de México de la Fórmula 1 se disputará el próximo 7 de noviembre
Centros nocturnos, bares, cantinas, discotecas podrán operar en la CDMX Policías de la CDMX detuvieron a 15 personas por un enfrentamiento en la alcaldía CuauhtémocDetienen a José Juán “N” autor material de la emboscada a Policías de Coatepec Harinas
La noche del sábado 17 de agosto del 2019, las vidas de Adrián Misael de 18 años y José Luis de 19 años se cruzarían para un trágico desenlace, ambos se conocerían al interior del conocido bar El Relajo ubicado en la calzada Cuauhtemoc de la zona urbana de Mexicali, más de dos años han transcurrido desde entonces, hasta la fecha, nadie los ha vuelto a ver… --- Support this podcast: https://anchor.fm/el-crimen/support
A punta de tuits, a través de sus cuentas @Cuauhtemoc_1521 y @Tlahtoani_1521, Enrique Ortiz nos ha acercado a la historia mesoamericana. En esta entrega de Rompiendo El Internet, el escritor, conferencista y divulgador nos cuenta los secretos detrás de un proyecto exitoso de divulgación de la historia y los sacrificios que este implica.
The Sixth Sun is something I have been mentioning in previous episodes. This episode I will be finally introducing Cuauhtemoc's speech.
En este episodio de Nocturna RCN conversamos con el periodista estadounidense y consultor de seguridad nacional, Douglas Farah. El investigador reveló detalles inéditos de su más reciente informe en donde denunció los nexos de las FARC con el actual gobierno de El Salvador del presidente Nayib Bukele.Juan Camilo Mesa es el rector de la universidad Cuauhtemoc, Aguascalientes (México), y se ha convertido en vocero de la emoción como motor del conocimiento. "Estoy completamente seguro de que el conocimiento es el nuevo petróleo del mundo", aseguró.
No olviden que los esperamos este jueves en DIOSAS O CULTAS por FACEBOOK LIVE y YOUCUGS con el tema: LAS MUJERES DE LA UNIVERSIDAD CUGS, platicaremos con dos mujeres importantes de UCUGS donde nos hablaran de su experiencia y responsabilidad dentro de nuestra institución.
Cuauhtemoc Landeros has worked and lived in multiple area of California and Mexico. He is academically and physically engaged in the fields of sustainable landscaping, organic farming, permaculture, agro-ecology, soil food web biology, Korean natural farming, and Permaculture. He was part of a small group that started SymSoil which has developed products that increase the diversity and abundance of beneficial soil micro-organisms for healthy soil. He has studied regenerative methods directly with well-known experts in their field such as: Agroecology with Sepp Holzer, Soil biology with Dr. Elaine Ingham Mycology research with Paul Stamets at his facility in Washington Permaculture with Geoff Lawton He has worked with farms, compost facilities, and in production and product development with SymSoil. With SymSoil he has been involved in producing and applying teas/extracts, top dressings, soil mixes, and mother cultures. He has also managed tilth with cover crops/sheet mulching and boosting fertility with these multiple methods He has found it truly inspiring how healthy soil is a momentous pulse that builds upon itself and in short it gets better and better as you nurture and care for it. organicxxmatters@gmail.com linkedin.com/in/cuauhtemoc-landeros-4a8411108 https://symsoil.com/
There are well-over 100,000 Mennonites living and farming in Mexico. Their colonies or communities were established in Mexico in the early 1900s with Russian and Canadian heritage. They have found success and expansion in their ability to work hard and help progress agriculture in every area they have settled- from Northern Chihuahua down to Argentina. In this episode, El Vikingo and Lou dive into a conversation with Indio Frahn and Faro Peters. Indio is a Mennonite from Cuauhtemoc, Chihuahua who is now living in Seminole, TX- the owner of an auction business- Iron Bound Auctions. Faro is a Mennonite from Seminole, TX- The owner of First Choice Construction, a general contractor- with a focus on metal buildings. They are both fathers and progressive business men on a journey of self-discovery and betterment. Please join us in listening to their stories of their Mennonite childhood, issues with religious extremism, alcoholism, drug abuse, divorce, parenthood, growth, business, and most importantly their breakthroughs towards a more open-minded, forgiving, and loving life.
El día de hoy entrevistamos a Ashley Arana. Atleta que pelea en una de las categorías actualmente más fuertes de México y que tuvo un gran año 2019.Ashley fue medalla de bronce en el Campeonato Mundial Juvenil de 2014 en Taipei. En el 2019 ganó oro en los abiertos de Serbia, Sofía, Puerto Rico y México, plata en el de Canadá y bronce en el de República Dominicana.Ashley comenzó a practicar taekwondo gracias a una promoción de 3x2. Inscribieron a sus primos y también le dieron a ella la oportunidad de practicar.Ahora ella apoya a su hermana utilizando parte de su beca como atleta de alto rendimiento para fondear su preparatoria.Fue una niña multideportista que además destacaba en básquetbol y volibol.Sin embargo, decidió que quería dedicarse al taekwondo pues en los deportes de equipo había cosas que no controlaba y a veces sentía que sus compañeras no eran tan competitivas como ella.A Ashley le gusta mucho analizar combates, conoce como le gusta pelear a cada atleta del top 10 de su categoría y sabe como pelearles.En la entrevista nos comparte cómo ella estudia a sus rivales, cómo hizo para rehabilitarse después de una cirugía de rodilla, también nos comparte su gusto por la cocina y los videojuegos.Hacer combate contra grados mayores y hombres.Ashley comenzó a practicar con el profesor Juan Zuñiga Banda, que siempre la ha apoyado y el cual la ha acompañado a lo largo de su carrera.Al igual que en el caso de Sálvador Pérez, Cuando Ashley era pequeña y asistía a sus primeras competencias era habitual que no hubiera niñas de su estatura y grado.Por lo que le tocaba constantemente pelear contra niñas que tenían mayor grado y también a veces contra niños.Ashley nos comparte que a ella no le daba ningún miedo pelear con hombres, de hecho, durante la entrevista nos podemos dar cuenta de que aunque Ashley se puede poner nerviosa como cualquier persona, es alguien a quien le gusta la adrenalina del combate.Y prefería competir a ganar su medalla sin pelear.¿Cómo superar una situación de bullying?Ashley llegó a la Selección Nacional Juvenil luego de ganar medalla de oro en la Olimpiada Nacional.Comenta que incluso en la etapa nacional los entrenadores nacionales del equipo juvenil, Julio Álvarez y Alfonso Victoria estaban observando sus combates, pero ella no sabía quienes eran ellos.Dos meses después de que ganó el evento le llegó la invitación para concentrarse y en la cual se mencionaba que también podía buscar el boleto para ir al Mundial Juvenil y a los JJOO de la juventud.En la Selección Nacional las cosas no fueron nada fáciles. Llegó incluso a sufrir de bullying por su aspecto físico, algunos de sus compañeros se burlaban de su cabello y de su color de piel.Incluso fue agredida físicamente fuera del entrenamiento. Como hemos visto en otras entrevistas, en ocasiones el ambiente extremadamente competitivo puede tornarse en algo que va más allá de lo deportivo.Los jóvenes pueden tener problemas personales y agredir a otros compañeros al no saber cómo actuar.Para manejar estas situaciones es importante acercarse a un adulto de confianza que tenga la capacidad de orientar.Ashley siempre se mantuvo cerca del psicólogo que la ayudaba a manejar y superar ese tipo de situaciones.Medalla de bronce mundial juvenilEn el mundial juvenil venció a Corea 7-0, después le ganó a Canada y posteriormente a la local de China Taipei con el público en contra.En cualquier combate una pequeña acción puede tener gran trascendencia. El combate de la semifinal se fue a punto de oro y Ashley tuvo una caída que le costó el combate. No llegó a la final pero fue la única atleta de la delegación en obtener medalla.Y a pesar de ello sufría de burlas, la llamaban tonta por haberse caído. Nos comparte que se lamentaba constantemente esa acción pero que poco a poco la fue dejando atrás.Superar una lesión requiere una enorme capacidad de enfoque.En un entrenamiento, haciendo combate con María Espinoza, Ashley tuvo una lesión de rodilla que requirió cirugía inmediatamente.Sabemos que después de una lesión como ésta hay atletas que ya no vuelven.Ashley no quería que su carrera se terminara.Recuperarse de una cirugía de rodilla es una circunstancia especial, que requerirá de acciones especiales.Ashley tomó la difícil decisión de abandonar la escuela de manera temporal. Hay que destacar que Ashley tenía muy claro que era una decisión temporal.Para enfocarse completamente en su rehabilitación.Arriesgarse a dejar la escuela para siempre puede ser algo muy riesgoso. Pero (como hemos visto en otras entrevistas), hay ciertas cosas para las que la vida te puede esperar y para otras no.Estoy seguro de que Ashley dará mucho de que hablar en el futuro, como comentamos al principio está en constante competencia con dos atletas top del mundo, como María Espinosa y Briseida Acosta. Espero que disfruten la entrevista y nos comenten lo que aprendieron de Ashley Arana.
El lado político de #LadyArgentina, la mujer de esa nacionalidad que en la colonia Condesa llamó despectivamente "india" a quien grababa sus insultos, mientras egresados del Massachusetts Institute of Technology (MIT) donde Luis Videgaray, exsecretario de Hacienda da clases, pidieron su salida por presuntos actos de corrupción.
Indisciplinas en Selección Mexicana, #FueraPiojo, las exigencias en América, ¿cómo es Cuauhtémoc Blanco? y las grandes épocas de gloria en Francia 98 y conquistando el único torneo FIFA por México, La Copa Confederaciones de 1999. Alex de la Rosa y Aldo Farías le dan La Pelota Al Que Sabe, y vaya que sabe
This is a Mastermind Q&A session from Regenerative Entrepreneurs & Experts 2020 with Matt Powers - it's shared here because it's just too good to keep to ourselves! ENJOY!! Cuauhtemoc is one of my best friends as well as my EM, Bokashi, Biochar, and Natural Farming mentor. He's a member of The Advanced Permaculture Student Online teaching staff as well as the Sonoma Biochar Initiative team. Cuauhtemoc is a farmer, consultant, author, cannabis expert, and soil expert. He's also one of the best people I know! Follow along with his journey here: https://www.instagram.com/bokashi4u/ Grow Abundantly, Learn Daily, & Live Regeneratively, Matt Powers
The global COVID-19 pandemic is truly global. North America’s oldest city - and tied with New York for the largest - is Mexico City. Cuauhtemoc (“Cuau”) Pereda is the Managing Director at @FM (www.arroba.fm), a network of almost 50 stations throughout Mexico, and oversees a network of talent, operations, and engineering professionals. Cuau joins us to discuss how they’re doing social distancing, while working with both union and non-union employees. It’s a lively look into big-market radio in another country. Show Notes:@FM Radio NetworkRadio ResultadosvMix Live Production and Video Streaming Software (also used by the GFQ Network)OBS Studio Video Production and Streaming SoftwareAxia Radius AoIP Livewire+ AES67 audio consoleGuest:Cuauhtémoc Pereda - Managing Director of @FM, Mexico CityHost:Kirk Harnack, The Telos Alliance, Delta Radio, & South Seas BroadcastingFollow TWiRT on Twitter and on FacebookTWiRT is brought to you by:Broadcasters General Store, with outstanding service, saving, and support. Online at BGS.cc. Angry Audio - your source for StudioHub cables and adapters, plus audio Gadgets and Gizmos. Audio problems disappear when you get Angry at AngryAudio.com. Nautel - keeping you connected with your community, and offering informative webinars at Nautel.com/webinars. And MaxxKonnectWireless - Prioritized High Speed Internet Service designed for Transmitter Sites and Remote Broadcasts. Subscribe to Audio:iTunesRSSStitcherTuneInSubscribe to Video:iTunesRSSYouTube
Hola que tal ¿cómo se encuentran en esta ocacion? Esta semana les traigo un trago amargo para mi es difícil para mi opinar acerca de este episodio. En estos tiempos que se ve en nuestro país un aumento en los feminicidios es bueno hablar un poco más acerca del movimiento feminista para el apoyo de el mismo, y quitar del consciente colectivo a la masculinidad tóxica y comenzar a darle ese sentimiento y valor a la mujer por lo que realmente es. Es por ello que esta semana hablo de "Mientras respire" una novela de Carlos Cuauhtemoc Sanchez una novela un tanto conflictiva para mí. Escuchen la y compartanlo, espero sea de su agrado
Enrique Jimenez y Toño Gutierres de los Charros de Cuauhtemoc nos platican como es la preparación de un equipo AAA, el cuidado de tus sogas, el rellenar de tu montura y otros tips que no te puedes perder.
Concepto : ChallengeBBCuarentena Dj Paola Llano 8 y Media & Suono Productions
Jenna introduces Down-To-Earth (despite the geese) and chats with soil "chef," Cuauhtemoc Villa – Portland-based regenerative farmer, bokashi and biochar expert, cannabis and wine industry consultant, indigenous agriculture specialist, and mentor to a movement of young people determined to achieve food sovereignty.
Chivas enfretara a Tigres en Jornada 5, Puebla empato con Santos en el Cuauhtemoc mientras que Xolos y Toluca empataron en la Frontera, y mas...
On this episode of Macalester Big Questions, Cuauhtemoc Cruz Herrera, from the Class of 2018, sits down with President Brian Rosenberg. Their conversation explores immigration and opportunities, and answers the question: what would you say to people who are suspicious of immigration or want to put up walls between countries?Cuauhtemoc is the founder of Integración-Matemática, a mathematics teaching program in Mexico. Support the show (https://secure.macalester.edu/giving/)
En este episodio revivimos la compleja y controversial historia de la conquista de México, cuando el Viejo y el Nuevo Mundo se encontraron y definieron el rumbo de América y Europa durante siglos.Síganos en nuestras redes sociales para enterarse de toda nuestra actividad y futuros episodios. Por el mismo medio agradeceremos nos hagan llegar todos sus comentarios, sugerencias y preguntas:Facebook: https://www.facebook.com/amehmmx/Twitter: https://twitter.com/amehmmx
Podcast en vivo: Un amigo me hizo una entrevista muy personal para su proyecto y me gusto por eso te la comparto, Luis ibarra
This episode is the first part of a three-part series on “Homelands and histories.” In this episode, Dr. Dylan Miner—an artist, scholar and activist who teaches at Michigan State University—discusses his work in relation to land use, cultural heritage, and indigenous activism. Miner identifies as Wiisaakodewinini, or Métis, a person of mixed ancestry with ties to indigenous communities in the U.S. and Canada. Transcript: Jolie Sheffer: Welcome to the BG Ideas podcast, a collaboration between the Institute for the Study of Culture and Society and the School of Media and Communication at Bowling Green State University. I'm Jolie Scheffer, an associate professor of English and American culture studies and the director of ICS. This is the first episode of a three-part series entitled Homelands and Histories, in which we talked to people making big impacts on local communities through their work on land use and cultural heritage. Jolie Sheffer: The word homeland can evoke comfortable feelings of patriotism or cultural identity, but it is also used to justify expulsion or even genocide. Similarly, the word histories is meant to call attention to the many points of conflict, debate, erasure of violence, and silencing that accompany efforts to describe and interpret the past. Today, we are joined by Dr. Dillon A. T. Miner, an artist, scholar, and activist, who identifies as Wiisaakodewinini or Metis, a native person of mixed ancestry with ties to indigenous communities in the US and Canada. Jolie Sheffer: Dylan is an adjunct curator of indigenous art at the Michigan State University Museum as well as the founder of the Justseeds artists collective and a board member of the Michigan Indian Education Council. He recently commenced the Bootaagaani-minis Drummond Island Land Reclamation Project, a de-colonial initiative to acquire land and establish a cultural center for Metis, whose ancestors were forced to leave the island during the War of 1812. Dylan is also the director of American Indian and indigenous studies at Michigan State University and an associate professor of transcultural studies in the Residential College in the Arts and Humanities at Michigan State. Jolie Sheffer: He's the author of the book Creating Aztlan: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island, in which he shows that Chicano art needs to be understood in the context of indigenous history, anti-colonial struggle, and Native-American studies. I'm very pleased to welcome him to BGSU as a part of ICS's 2018 Spring Speaker Series. Thanks so much for being here. Dr. Dylan Miner: Thanks for having me. Jolie Sheffer: One of the things that we're interested in at ICS is discussing the relationship between different kinds of knowledge and different modes of activism, so scholarship, art, grassroots organizing. Can you start us out by telling us a bit about your particular path of negotiating those three? What set you out into trying to do all three? Dr. Dylan Miner: Sure. So I kind of come into the work I do. I grew up in punk rock circles and kind of crusty anarchist, Zeen-making circles. Much of the work I do kind of emerges from that space. I also, as you said, I'm a Wiisaakodewinini or a Metis person, and one of the Cree words for Metis is [foreign language 00:02:57]. That's a Cree word which means the people who own themselves are the people without bosses. Dr. Dylan Miner: So much of the work I do thinks about the ways of dismantling hierarchies in all of its forms. So I don't see a distinction necessarily between the scholarly work I do, the community-based work, the arts practice, or even kind of the familial and community work I do outside of or in spite of the institution or university. The more I get involved in various projects, the more I see all of them intermingling and intertwined into a holistic whole. So kind of what I'm doing, say with the Bootaagaani-minis Land Reclamation Project is not that much different as with what I'm doing say in the pedagogical practices in the classroom, working with the urban indigenous youth and the Native Kids Ride Bike Project, Anishnaabensag Biimskowebshkigewag. To me, they're all intertwined and all part of the same holistic way of thinking about building a better and more socially-just world. Jolie Sheffer: So how do you then decide kind of what the praxis is that goes with the project, right? Because your audience are going to differ depending on which mode you're working in. So when you're taking on a new project, how do you decide which path or paths to follow? Dr. Dylan Miner: Sure. Part of the reason I went to graduate school in art history was because I wanted to think about the ways... I had gone to art school for a year. I had gone to the College for Creative Studies in Detroit for a year and dropped out, partially because I felt that art school wasn't giving me some of the larger social or cultural worldviews to understand more engaged making of work. So I kind of went to graduate school in studying the history of art, particularly focusing on arts of the Americas, kind of indigenous, and Mestizo, or Metis practices throughout this hemisphere as a way to inform my own practice. Dr. Dylan Miner: The further I get away from needing to write academic and scholarly texts, the less I do. I felt there's a very colonial way of framing arguments that exist within academic writing. Part of the reason I've been writing more creative nonfiction, more poetically is because I think that engages with the themes I'm engaging within a much more nuanced and way that actually matches the work itself. Dr. Dylan Miner: So when I write now, much of what I try to write, I like to think about ways that the form of the writing can actually reproduce the ideas within it. I think that when I'm engaged in creative practices, whether it's something like The Elders Say We Don't Visit Anymore, which emerged in conversations with retired Ojibwe auto workers. So I started to employ that, what I started to call the methodology of visiting based on what they'd shared, in all aspects of what I do and what I've been doing. So I started thinking about, "What would it mean to slow down, to actually engage more intimately and more critically in all moments, in all practices that I'm engaged in?" Jolie Sheffer: You've worked with a wide variety of media in your art. You've done silk screening to building a decorating bicycles. You've talked about the pennant as a form. Can you talk about some of those examples, and how you selected that particular form, and how that helped convey the thematics that you were interested in? Dr. Dylan Miner: Sure. So I came up. I used to identify as a printmaker. I would make prints, and that's what I would do oftentimes relief prints, woodblock, and linoleum block prints. More recently, maybe the last decade or so, I've identified it as an artist who engages in projects. I think that in some ways, it comes from those conversations with elders where I'm at a place and I think that there's something liberatory about arts and creative practice. There was an interview or a small essay I read, I think it was in e-flux a number of years ago by the Mexican curator, Cuauhtemoc where he said that contemporary galleries were one of the last places for radical politics left. While I don't fully believe or agree with Medina on that point, I have some commitment to understanding and thinking about art as significant and important. Dr. Dylan Miner: So when I engage in projects now, I just have ideas and begin to call them artistic projects, call that a project. So for instance, my grandfather's grandmother was an herbalist. She was known for particular forms of herbal medicines. That's knowledge that didn't get to my generation, or my father's generation, or my grandfathers, or grandparents generation. So what I'm interested in doing is, "Okay, how can we frame that as a particular form of project and move forward with it in that way?" So many of the projects that come to begin there, "What is a knowledge form or practice I'd like to learn, and how can I, as an artist, as a Wiisaakodewinini person, how can I engage in that?" Dr. Dylan Miner: So sometimes it takes the form of print. Sometimes it takes the form of community collaborations. There's been lots of conversations in the last number of years about what people call social practice. There's lots of critiques of social practice. How does this all intertwine together? Sometimes it's particular forms. Sometimes it's conceptual. Jolie Sheffer: You talked about sort of the elders, but you've also done a lot of work with children and youth. Could you talk to us about some of those projects and why you think that's a particularly important audience to engage with? Dr. Dylan Miner: Sure. I do a lot of workshops with youth, primarily with indigenous youth, but also lots of urban youth, and rural youth, Latino youth, Chicano youth in the U.S., Canada, [Bit-Wasame 00:08:27] communities in Northern Scandinavia, [inaudible 00:08:29] indigenous communities in Australia, and to some extent in Latin America as well. As somebody who's interested in weird stuff, who's interested in certain kinds of punk, and hip hop, and certain artistic practices, and the creation of alternative social institutions, many of the collaborations with youth come from that space. So Anishnaabensag Biimskowebshkigewag, Native Kids Ride Bikes comes from wanting to interact with youth and have them interact with fluent speaking Ojibwe elders. Dr. Dylan Miner: So in Lansing, Michigan, we have some of the largest numbers of fluent Anishinaabeg speakers in the state of Michigan, but on the U.S. side of the border. But there was a disconnect between them and youth. So building bikes became an intentional time to gather people together around a particular thing of doing a doing and making. If in the end, people only learned how to make a bike, great. But it hopefully became something more than that. Jolie Sheffer: You're talking about the sort of colonial forms that so much of knowledge production in its institutionalized ways operates. So it's really interesting to hear you talk about these projects that are designed to sort of function outside of those frameworks. How do you in your own workshops and practice work to get outside of that habit of the kind of colonialist resource extraction of you go in or you're brought in, and it's like, "Now, you're going to be our native informant"? Then, everyone goes back to doing things the way they always did them. Dr. Dylan Miner: So my partner is Estrella Torrez who runs a project in Lansing called the Indigenous Youth Empowerment Program, IYEP, which is a native youth program. She co-directs with some friends of hers. She also coordinates a project with Latino youth called Nuestros Cuentos, which is Writes Stories with Youth. But one of those things is that she develops is this idea of kind of reverse resource extraction. What does it mean to be inside institutions within the university? In what ways can we extrapolate and build upon the resources and relationships we have in institutions to benefit communities, particularly communities we're a part of, but also communities we might not be a part of? How can we make those benefit communities, particularly communities of color, indigenous communities, and other communities, immigrant communities, et cetera? Dr. Dylan Miner: So I do a lot of work against resource extraction, anti-mining stuff, anti-pipeline stuff. So one question I've been asking in thinking through is, "What is the opposite of extraction? What would that look like? What is the opposite of actually mining and/or having pipelines for fossil fuels? What would that look like?" Just as a rhetorical question, "What would that look like for those of us in places who have access to particular resources? How can we kind of reverse those pipelines?" Jolie Sheffer: Your book is on Chicano art and movements, and you also work on indigenous Metis art. So can you provide an overview of some of those histories and convergences? Dr. Dylan Miner: Yeah. I'm really interested in the detribalized to histories that happen at both the intersections of both settler-colonial nation-state borders, whether it's the U.S.-Canada border or the U.S.-Mexico border. I grew up as a white-coated, indigenous person in the state of Michigan in a community that had a migrant farmworker community, a Chicano, and Mexican-American, and Mexican farmworker community and from an early age was seeing the linkages between the Metis histories of the Great Lakes, and the plains, and prairies of the U.S.-Canada border lands and some of the Chicano or Mexican-American forms of indigeneity that you see in Texas in New Mexico. Dr. Dylan Miner: My partner, her family, comes from Genizaro communities. Genizaros are folks in New Mexico and Texas that were basically taken detribalized indigenous folks that were then kind of put into servitude for Spanish settlers. So thinking about the ways that both colonial projects happen, whether it's the U.S. colonial project, the Canadian colonial project, the Mexican colonial project, and what they do to indigenous folks and to detribalized a non-recognized indigenous folks. So in that book, in particular, I look at Chicano or Mexican-American artistic practices after 1968 in relationship to a concept called Aztlan. Aztlan is the [Chica 00:12:54] or Nahua origin story that before the so-called Aztecs founded Tenochtitlan, or what is now Mexico City, they came from this cave on an Island. That place was called Aztlan. During the 1960s, during the Chicano power era, activists began to talk about the U.S. Southwest as that location. Dr. Dylan Miner: So one of the things I articulate in that book is thinking about Chicanos or Mexican-American folks as an indigenous nation and as a nation of movement, and what does it mean to slowly move across land? So using the metaphor of lowriding, whether it's lowriding in cars or lowriding in bikes that is, we all know lowriders. Some say they started in Espanola, New Mexico, some say they started in East Los Angeles. Either way, whatever the origin story is, it's an anti-capitalist form of movement. We think of muscle cars, we think of the automobile. I grew up in Michigan, kind of the birthplace of the automobile. That's about getting places quickly. Dr. Dylan Miner: But when you lowride through place, you intimately know the territory, begin to talk to the land, relate to the land, and it's a big F-you to capitalism where time is money, you're intentionally inverting that system. So for me, making these linkages are important as we both resist violent state practices. We're in a moment in time where the U.S. government is moving in certain ways. I've been advocating kind of for DACA and understanding of the linkages between U.S. immigration policies and what they do as a component of the same settler-colonial forms of appropriation, and appropriation, and violence that happened kind of as Anglo America pushed westward with manifest destiny. Jolie Sheffer: Well, and that sort of speaks to our theme of homelands and histories and the ways we think very differently about our own moment if we lengthen the window of time in which we're operating and to think about... I'm very interested. My own scholarship is on the history of immigration. So much of the rhetoric that circulates now is on legality and illegality. When, in the longer window of history, the laws changed around people. It's not that people are illegal or not. So what do the terms like a homeland and history connote to you? Dr. Dylan Miner: When I think of homeland, I think we all live in an era where we think of homeland security. I link it to certain kind of state practices, certain moves by the state towards a certain form of patriotism, a fascistic form of patriotism, that in its very creation creates borders that are solidified in certain ways. To link this back to the last question. One of the things I've been thinking about, and I think many, many scholars and activists, indigenous and Chicana activists have been thinking about this are the ways that communities, and indigenous sovereignties, and indigenous forms of governance and territoriality exist in relationship inside and outside of the forms of territoriality that Western nation-states have. That means that the U.S., Canada, Mexico have to have solidified borders. Those borders cannot be shared. A territory has to be one or the other. Dr. Dylan Miner: But when you look at longer-term histories of land use and land practice in Western spaces, but particularly in indigenous communities, there's always been conflicted spaces but also shared spaces. That the notion of territoriality that we see in this particular moment that arises from a form of polity that that happens and emerges in Western Europe at a particular moment of time is only one form of governmentality and territoriality that exists or that has to exist. If there's anything that I'd like my work to engage with as an activist, as a scholar, or as an artist is thinking about thinking otherwise, imagining other possibilities. The Zapatistas in the '90s, shared with us that, "[foreign language 00:16:50]. Another world as possible." When they think about, "What other worlds are possible, and do we have to be so constricted by the particularities of the worlds that we've been given?" Jolie Sheffer: I think that's something that the older I get, the more you realize that even in our own lifespan, that there were other ways of being. I remember what it was like not to have a cell phone, not to have social media. Or, thinking on the issue of borderlands, growing up in Michigan, you would just cross over into Canada. I was thinking about this very recently. I have a young son and I was like, "Oh, this summer, maybe we'll go to Canada." I realized, "I can't do that. I have to get him a passport." The way the state intrudes on those things. We take for granted that like, "Oh post-9/11 for many of our students, that's the only way of being they've experienced." Again, taking that longer view reminds you there have been other ways of being, and there could be yet again. Dr. Dylan Miner: I teach an undergraduate senior seminar, and one of the questions we ask is, "Is another world possible? Can we imagine a world beyond, or outside, or after, or in spite of capitalism?" Each time I've taught it, when we get to the end, it becomes nearly impossible for anyone in that class to think beyond, or outside, or in spite of capitalism, that as an economic and way of organizing social relationships, it has such a power on all of us that imagining something outside of it has been nearly impossible. Jolie Sheffer: We'd love to hear some of your questions. You ready? Alexis: I just want to say, first, thank you for coming and I appreciate this dialogue that we get to have with you. My name's Alexis [Ribertino 00:18:33]. We're apart of a class, all of us here. It is a studio seminar in the arts school, and we read the beginning of Creating Aztlan and other things regarding Native Kids Ride Bikes, specifically. That's kind of where our collaborative questions come from, just to give you a background on where we're coming from. Alexis: So you say in your book, Creating Aztlan, "Once you know the story, it is your collective responsibility to tell it." In thinking about this, I've noticed a trend in socially-engaged art to rely on the audience or participators in order to be the ones that enact with the change or artists put their trust in the participators in order to be provoked and then to think enough in order to pursue the change. This tactic then replaces the artist's direct involvement in policymaking or direct change. My question is, is this tactic enough or the best way of enacting social change and engagement? Or, is this possibility of inspiring in numbers more enticing than using more time and less minds to pull out the direct work? Dr. Dylan Miner: That's a good question and one that I'm not certain I have a full answer to. I will say that I'm of the perspective that unfortunately we live in a time when artists are brought in to fill in voids and other social services. So why is it that artists are engaging in certain kinds of projects when there's been a reduction in funding of social services that should do that exact same thing? I think that at a policy level and at an institutional level, I think that's a problem. Dr. Dylan Miner: Do I think that art is the best way to enact, or to initiate, or to be the change itself? As I said earlier, I do hold onto something that our art is liberatory in certain ways. I'm not certain what it is. I think that with the various avant-gardes you've seen throughout history, I think many of them have held onto that belief, whether rightly or wrongly, probably wrongly. But I do think there's something liberatory about it. There's a way... For instance, the majority of my work, I don't sell. I don't make work for the market. I've been criticized, and rightfully so, because I have I come from an institutional space of privilege where I teach at university and don't need to make work to pay my bills. Therefore, I can make work that's gifted or given away. I think that's significant about what I'm trying to do is make work outside or beyond the marketplace. Dr. Dylan Miner: So in terms of social practice or socially-engaged art, I think there's some very good examples and I think there's some very bad examples. I think that, at its best, community collaboration is just that. Like, when I engage in a project, it's that. I don't imagine that it's something beyond that. The Elders Say We Don't Visit Anymore, that's using my access to institutional spaces to create momentary spaces of visiting. Do I think it's going to fundamentally change those institutions, or indigenize them, or kind of transform them? No. I know that it's a momentary thing, and I know that the results will be fleeting. Dr. Dylan Miner: The same thing I'd say with Anishnaabensag Biimskowebshkigewag, Native Kids Ride Bikes. That's really about building social relationships, and making connections between existing community members, and one another. If it goes beyond that, that's wonderful. But I don't think it always will or always has. But I do think there's moments in time where we live in a moment when so many different institutions for public good have been dismantled, and so now we're turning to artists to do the work that something else should do. I think that's a fundamental larger problem. Nick: My name's Nick. Thank you for coming. For my question, in your interview with America Meredith that we read, you provide a quote from Ryan Red Corn stating, "We're Indian. We're political by default." I was struck by the idea that even in a not-overtly political project, the aesthetics become politicized. Do you see this as being an issue for indigenous artists or a distracting element if their work tends to be viewed through a specific lens? Do you find that your work strives to have a singular identity, or do you feel like is split serving two different purposes regarding an indigenous and a outside audience? Dr. Dylan Miner: Good question again. So the quote by what Ryan Red Corn, and Ryan Red Corn's a graphic designer and Osage guy. He's also in the comedy troupe 1491, so he was just visiting East Lansing and I had dinner with him a few weeks ago. So it's good to see you brought that quote up from the interview with America Meredith, who's a Cherokee painter, who is also the editor for First American Art Magazine. So if you're not familiar, put a plugin for that to really exciting and interesting article or magazine that she publishes. Dr. Dylan Miner: So I think this is a problematic both for contemporary indigenous artists, but for artists of color, for queer artists, for many other artists, who there's a certain kind of reading that when work becomes biographical, people only read it in that way. I think that happens to certain artists and not to all artists. Why is that? That said, my work is always political even when not politically. It's intentionally political, and I have some that is overly agitprop. It's fine to be read one-dimensional. Dr. Dylan Miner: In the class I was just meeting with, I showed them a Line 5 pipeline Risograph poster that I recently produced. My own politics, I'm vehemently against that pipeline, Line 5. Enbridge line 5, of course, was created in 1953. It's a approximately 700-mile pipeline that brings tar sands from Western Canada through Wisconsin and Michigan to be processed and refined in Sarnia, Ontario. Of course, Sarnia is right by a First Nations, an Anishinaabek First Nations community that has some of the largest cancer rates of any community because of the processing of so many chemicals and particularly oil refineries there. Dr. Dylan Miner: But with this image, it is a unidimensional reading of it. A poster kind of demarking, or discussing, or showing the 20 plus... I don't remember the exact number, the nearly 30 oil spills that have happened since that pipeline opened in 1953 and spilling 1.1 million gallons of oil. There's not a lot of readings that can be read into that poster. It's intentionally one advocating for the dismantling and shutting down of that pipeline. So I'm okay with a one-dimensional reading of that. Dr. Dylan Miner: Other works, particularly in museums and galleries, kind of text I write, they need to be more nuanced and understanding of them. I think that with indigenous, with artists of color, oftentimes the work becomes read as biographical. I think that's a hard dynamic, and hard dialectic, or hard tension that people who aren't part of that community have when engaging with that art. There's been scholars and critics who've looked at the ways that, particularly with indigenous art, when you come to it, you have to both understand the particularities of the knowledge system the artist is working with as well as the understanding of the discourses and structures of contemporary art. Dr. Dylan Miner: That's high expectations. It's a lot to expect of audiences, whether indigenous or not, whether a member of that individual artist's community or another indigenous nation. There's a lot of expectations there. So with that, I think there'll probably be a lot of misinterpretations. When you make something and put it in the world, you have to be open to understand and think through its possible multiple readings, whether they're ones you want or not. Jolie Sheffer: That seems like the focus of your work that is very process-oriented seems partly designed to break down that singular reading because you have to kind of engage with the work and help create it. That seems in itself kind of an anti-capitalist way of being that you can't just sort of, "Okay, now I'm going to absorb the art and the artist, and then get out." Dr. Dylan Miner: I think time, non-capitalist, nonlinear time is very significant in my work. If you come to my talk tonight, and I've said it a number of other times, but I'll talk a bit about this term [foreign language 00:26:59], which is a Anishinaabemowin term meaning one's ancestors but also one's descendant. So it's referencing in particularly one's great-grandparent or one's great-grandchild, but it's the same word for both. But it breaks down linear notions of history that past is behind us, kind of the future's in front of us, and actually creates a relationship with one's ancestors and one's descendants that is very intimate and very real. To do that, you have to engage in a long-term, nonlinear notions of time. Dr. Dylan Miner: So much of my work, whether studio or otherwise, I think I'm trying to evoke and employ this particular notion of temporality that isn't linear, that doesn't somehow put past behind us, future in front of us, and somehow we can get to this attainable future of some sort. Dr. Dylan Miner: When you were talking a moment ago, I was thinking of a project I do called Michif–Michin, The People The Medicine, which is a collaboration with plants where I actually have conversations, learn from and with medicinal plants, and then harvest them, and then make prints from them. I print them in inks I harvest. Inks I make from berries I harvest and then give them away. They're not sold. So there's a long-term relationship between me and the plant, but also between me and the people who share knowledge about the plant and then who receive these prints. So lots of ways of thinking through and around these questions. Maria: Hi, my name's Maria. I also wanted to say thanks for coming and spending time talking to us. My question is that you mentioned that one of the long-term outcomes of your lowriding project was both the inclusion of native tradition, culture, and history, but also a commentary on sustainability within transportation. How do you envision the lowriding project impacting within the relationship that exists between native and colonialist values? What type of conversations do you think that this will spark between the two groups, and do you foresee an impact or a change being made on colonialist viewpoints of sustainability and conversation from projects similar to this? Dr. Dylan Miner: Another good question. For me, it's hard to say, or hard to predict, or hard to judge kind of what impacts or relationships they have. As someone whose practices fundamentally about building relationships and engaging with other people, I think that I want to put that in play. I want that to happen. If you'd have asked me this two years ago, I think various conversations were happening about sustainability, and about climate change, and resistance to climate change, and understanding potential transformations that needed to happen at a dominant structural level. At this point in time, I'm a little less... I don't think those are happening at the upper echelons of state and capitalist institutions. So because of that, I'm concerned. Dr. Dylan Miner: This is a slight aside, but I think that what we see is that there's very powerful systems of violence and oppression, whether it's violence to the land, whether it's oppression of other individuals, whether it's the creation of patriarchal systems. Those are all intertwined. If you look at the scholarly text and the creative text as well, part of what I'd like to put in place is how all of these are intertwined together. You probably haven't heard it as much on U.S. news, but I've been kind of attentive to it is that in Western Canada, just last Friday, there was a court case that came through. This was a young Korean man who was in his 20s, Colton Boushie, who was shot three times in the head by a Saskatchewan farmer a number of months ago. That ruling came down on Friday. Stanley, the individual who shot him three times in the head, was acquitted for murder and or manslaughter. Dr. Dylan Miner: This is to say that there's institutional forms of violence and oppression that become reproduced within structures and systems, that whether or not we control them. So when I make things and when I'm engaged in practices, I put them out there in the world. How they operate within these existing systems, to some extent, is outside my control. Tyler: My name's Tyler. So my question is, as artists, we want to avoid cliche and heavy-handed work crafted without intention. Sometimes this want can lead to work made with intent by the artist, but that isn't understood by anyone who isn't familiar with the piece. So for socially-engaged art, how blatant do you find that art needs to be in order to actually be an effective piece of social engagement? How much of the artist needs to be present, and how much of the activist? In your own practice, how do you balance these two sides? Dr. Dylan Miner: Good. Julie and I were talking earlier about balance and the fact that balance doesn't exist. It's a process. But at any moment, we're going to fall off as we're trying to balance anything. I have no intention to balance. I come to my work as someone with particular political motivations. Some of the work, particularly the print-based work that exists in poster and print form, is freely downloadable off the internet. That has an agitprop positionality. That is intended to agitate and provoke, to make people think about particular issues, oftentimes indigenous issues, oftentimes environmental issues, oftentimes immigration issues, and how all of these are linked together. Dr. Dylan Miner: The other work, what could be called the socially-engaged work or the work I'm doing oftentimes in galleries or in museums, you're right, is less heavy-handed. Yet, the ways that those are read, I think, are going to differ greatly based on the baggage, and the knowledge, and the information people bring to them. The more I do things, the more I understand that and I'm open to that. With Anishnaabensag Biimskowebshkigewag, Native Kids Ride Bikes, I've done that a number of times with communities that I know and a number of times with communities I don't know. Some of them have been very successful, and some of them have been very awful based on existing relationships between me and people in those communities and people in those communities and the institution that brought me in. Dr. Dylan Miner: So I think a lot of times, it's not even necessarily on the actual social engagement but rather the relationships, the networks, the interactions that exist outside, and beyond, and around those particular engagements. As an artist, as much as I'd like to say I'm against hierarchies in all forms, which I am, as an artist, sometimes we bring our own ideas into things. I think that the more engagements I do, the less I have to have particular ideas of what I'd like them to be. So building bikes, those emerge out of collective conversations. Clearly, we're there to build a bike, but what will that be? Jolie Sheffer: Following up on that question. So you're an artist, you present your work in these different venues, but you're also a curator, right? So how do you think about your role in positioning? What are the kinds of decisions and conversations you have with yourself and with artists whose work your career curating in the museum context? Dr. Dylan Miner: Sure. So I have this adjunct curator title and position, and I don't do a lot of curatorial work in that museum. But I am curating a show at a university gallery in March, which is on land and water, thinking about what those topics, concepts mean. Again, sometimes it's bringing in activist projects into the museum context. I think Nato Thompson, the curator who was with Creative Time for some time, is probably most well-known for that kind of integrating activist projects into the art world and kind of reciprocally bringing art world projects into activists' world. Dr. Dylan Miner: So one of the works that's going to be in the show is some of the ephemera from Lee Spragge, who is a Anishinaabeg activist, and he's kind of most well-known for his knowledge on wild rice. He's a wild ricer. He's a former chief of one of the First Nation communities in Michigan. He was leading one of the canoe brigades at Standing Rock, and his canoes were stolen by the state and destroyed. But what we're going to have in the show is some of his ephemera paddles, and life jackets, and things like that. Clearly, he was, kind of some time ago, living in Berkeley and doing performance art and kind of identified as an artist in that point in time. But this is clearly taking some of that more ephemera from activists' projects, placing it in the context of an art gallery and museum. I think that you can create various interesting conversations and projects around that. Jolie Sheffer: What's next? What are you working on now, or what are some upcoming projects? Dr. Dylan Miner: So I'm working on a number of things, trying to do less and less academic writing. I have a number of shows coming up. One is a new project for the Grand Rapids Art Museum doing large-format cyanotypes. So the year the cyanotype was invented as a photographic process was actually the same as the last treaty was signed in the state of Michigan, the Treaty of La Pointe. So I'm doing a series of landscapes, and waterscapes, and skyscapes using this process to think about the relationship between the materiality and the form itself. I think this goes back to some of your earlier questions. I'm really interested in the relationship between materiality, and the form, and how those all are intertwined. Dr. Dylan Miner: I have another solo project building bikes. I might be doing lowrider canoes for a gallery at Western University in Ontario, and then I'm just trying to do some more writing, and do some more working, and just be a human being, and build a better world that in this moment in time, it seems that it's really hard to be a good human being. So if I can try to be a better human being, I'll go that route. Jolie Sheffer: Thank you all very much. Dr. Dylan Miner: [foreign language 00:37:02]. Thanks for having me on. It's been fun to listen and engage in conversation. Jolie Sheffer: Thank you all again so much. So today, our producer is Chris Cavera. Research assistance is by Lauren O'Connor and Elizabeth [Brownlow 00:37:16]. With special thanks to our co-sponsors, the School of Cultural and Critical Studies, the School of Art, and the department of English at BGSU. Thank you all. Dr. Dylan Miner: [foreign language 00:37:24].
Join us in this fascinating interview with bokashi expert Cuauhtemoc Villa.He is a friend of the microbes, student of their ancient wisdom, and teacher of their ways. He has years of experience working with Effective Microorganisms, and creating custom blends of bokashi specific to the needs of the plants he works with. He does work in bio-remediation of land and waterways, and teaches school kids these practices. In conjunction to this, he also teaches Indigenous Agricultural Practices.Cuauhtemoc shares a bit about he got involved with the microbes and shares with us some basics of how to brew EM and make bokashi.His passion for the microbes is amazing, and he's changing people's lives as he shares their wisdom; he gives a lot of hope to the kids that have forgotten who they are, the ones that other give up on.I hope you get inoculated with inspiration from this interview!Learning how to grow plants and microbes is therapy for your soul!Some things Cuauhtemoc is involved in:ThePermacultureStudent.comSonomabiocharinitiative.orgSoundNativePlants.comReach out to him here:Instagram: bokashi4uFacebook: Cuauhtemoc VillaSome recommendations from Cuauhtemoc:Video: Microbe PowerBiocarbonassociates.comScdProbiotics.comTerganix.comSonomaEcologyCenter.comBooks he recommends:Earth Saving RevolutionDr. Teruo HigaGrowing A RevolutionDavid R. MontgomeryIf you are keen to build soil health, and in turn, your own health, get yourself a Microbiometer!It's a way of testing and monitoring the microbial biomass in the soil, to see how much life you've got down there. Check out our affiliate microbiometer.com to purchase one, and in turn, support the podcast.When you go to the checkout, enter the promo code ‘probioticlife' for $10 dollars off your purchase.Feel free to shoot us an email with any questions, comments, or guest suggestions. Also, we're looking for inspiring original music to share on the podcast, so send us an email if you've want to share your creative energies. Thank you for being on this journey as we discover what it looks like to live a probiotic life!May the beneficial microbes be with you…Show Notes to come.
¿Quisieras tener más seguridad y confianza en ti? Escucha este episodio para conocer el poder de tu mente y así elegir si el miedo te detiene o lo utilizas para impulsarte y salir adelante. ¡Compártelo con tus conocidos!
En cuanto comenzamos el año teníamos muy claro que no podíamos dejar escapar la oportunidad de acudir a uno de los eventos de más renombre y más veteranos del mundillo. Estamos hablando de la antigua MadridSX, actual RetroMadrid en su edición 2018. Antes de continuar debemos de dar las gracias BMW San Pablo Motor, concesionario de BMW en Sevilla, por haber patrocinado este viaje junto a la cesión de un BMW Serie 2 Coupé con el que hemos disfrutado de la travesía de 1000 y pico Kms, los cuales sin duda se hicieron mucho más amenos. Mirar que preciosidad. Para esta ocasión además disfrutamos de la compañía de Abel Orellana, más conocido por su canal de Youtube y podcast de tecnología Comercial Geek el cual seguro conocéis muchos de vosotros, y que si no conocéis y os apasionan los gadgets, sin duda os encantará. Con todo ya preparado y encajados en Madrid, aparecimos por allí un buen rato antes de la apertura de puertas: el lugar escogido se encontraba en el Centro Cultural Daoíz y Velarde situado en la plaza que lleva el mismo nombre, dentro del distrito de Retiro. El edificio es un lugar precioso con un estilo que queda como un guante para este tipo de eventos que adoran lo añejo. Un pequeño inciso: en el camino nos dejamos algunos stands sin visitar, no pudimos pasarnos por todos aunque sea a ojear pese a que nos llevamos todo el sábado por el evento. Lo intentamos, pero aún no pueden clonar a hombres calvos. ¡Para la siguiente seguro que nos vemos! Nada más comenzar nos encontramos a los chic@s de Game Report, uno de los grandes referentes en lo que a la publicación de revistas físicas se refiere gracias a una ejecución impecable y una selección de artículos sobre temáticas concretas que son sin duda de obligatoria lectura para todos los amantes del videojuego, tal como ya contamos en nuestro artículo Las revistas que seguimos en The Past is Now. Como era de esperar, alguna revista cayó en nuestra visita al stand. Poco después con un gran stand se encontraba AUIC (Asociación de Usuarios de Informática Clásica), organizadores del evento y colaboradores de otros como RetroCoruña o incluso Madrid Games Week, con una pequeña selección de ordenadores añejos entre los que destacaban los ordenadores Sinclair y alguna que otra rareza. Pegado a el también podíamos adquirir juegos de nueva factura entre los que destacaban aquellos de MatraNet y otros de GreenwebSevilla. También se encontraban por allí libros de Star-T Magazine, algunos de ellos de corte ensayista más que interesantes para amantes de temáticas tan concretas como Cohetes Rosa sobre cielos Nintendo. Joyitas que merecen su espacio en nuestras estanterías y que no todos los días se los encuentra uno disponible para comprarlos mano a mano. Nos volvimos a encontrar un poco más adelante con los chicos de ZX-Uno, que tuvo su propio stand como ya vimos en otros eventos, mostrando las maravillas que hace el aparato y que no deja indiferente a ningún amante del viejo ordenador arcoiris. Entrando en terreno MSXero el primero en encontrarte es Kai Magazine Software, quienes desarrollan tanto nuevos como modificados títulos para el MSX2. En especial nos llamaron la atención Myths and Dragons, un juego-mod de The King of Dragons, o El Secreto de los Cuatro Vientos. Tampoco podemos dejar de comentar a Hikaru Games junto a su juego Children of the Night, un RPG para MSX que también pinta fenomenal. [youtube https://www.youtube.com/watch?v=au_4teH50D0&w=560&h=315] Pasando el rincón MSX podíamos ver una hilera de mesas con una muestra de la saga Virtua Fighter expuestas por Veb Xenon, con la que pudimos recordar como de viva se encontraba esa querida saga de SEGA, y como hace falta que vuelva pero con fuerza, pese a que los fighting games quizás no estén pasando por su mejor momento. Retroworks, quizás uno de los desarrolladores españoles para Spectrum más prolíficos en la actualidad, también tuvieron su espacio para promocionar juegos de la talla de Sword of Iana: un JUEGO mayúsculo. Y no olvidemos Los Amores de Brunilda, o el remake de Knight Lore o La Abadía del Crimen. Aunque también cerca suya pudimos ver una muestra del juego de Carambalan Studios llamado Burn Us, un juego creado para la MSXDev18 que pinta fenomenal. El bando enemigo acechaba: C64 4Ever, Commodore Mania, Commodore Plus o Explora Commodore tuvieron su espacio mostrando distintos juegos, entre los que destacaba Sam Journey's, un juego para Commodore64 sencillamente brutal. Tampoco podemos olvidar a CRAS (Creo Revolucionario de Arqueología Social), o el stand de Time Machine, la máquina de precioso aspecto para disfrutar de forma directa de juegos del pasado. Pasando esta zona, encontrábamos donde se realizaban los torneos: Space Invaders, Super Mario Kart, Tetris, Metal Slug, Frogger, Arkanoid y Street Fighter 2 Turbo fueron los elegidos para darse jarana entre colegas. En esta ocasión no participamos, pese a que a Cabesa Freeman le tentaron varias veces para que repartiera toñas con Ken. O que quizás le partieran la cara virtualmente. Siguiendo la misma ristra de mesas estaba la diversión pura y dura a los mandos: 13 televisiones de tubo philips con diversas maquinas, con FZero GX, Street Fighter Alpha3, Super Mario World, Super Mario Bros 3, o Sonic 2 dieron alegrías para grandes y pequeños como suele ser habitual en este tipo de eventos. Junto a estos también podías viciar en 2 expositores oficiales de Playstation 2 o en unas cuantas bartop de la asociación Undergamers, entre los que se encontraba uno de Maldita Castilla al cual no nos pudimos resistir. Pero no podíamos darle la espalda al resto de stands por el vicio, así que nos acercamos a los chicos de LUEGOLU3GO Studios, creadores del fantástico Nogalious. Allí nos encontramos con Raúl Nogales y Juanje del canal Juanje Juega, con los que tuvimos un rato de charla acerca del juego. Vamos a saltar de una esquina a otra de los expositores para hablar de 4Mhz, uno de los grupos más interesantes respecto al desarrollo de videojuegos se refiere, con juegos de la talla de Profanation 2 o El Tesoro Perdido de Cuauhtemoc, además del próximo Malasombra que pinta brutal. Tanto 4Mhz como el anteriormente mencionado LUEGOLU3GO Studios organizaron un debate para la tarde del sábado a la cual acudimos. Finalmente el debate nunca ocurrió y se convirtió en un comunicado conjunto para aclarar todo lo posible acerca del altercado entre estás dos casas. Desde aquí un abrazo a los dos equipos, ¡que los videojuegos siempre nos unan! En la zona indie nos encontramos con tres grandes juegos: -Crisis Serena de los chicos de Pixel Powa. Un juego beat em up con el clásico estilo punketa que a todos nos encanta, y que la verdad pinta genial. ¡Y además para 4 jugadores! Moons of Darsalon de Dr. Kucho!. Sin duda el más impresionante. Un juego en dos dimensiones con una estética impresionante, con una mezcla de mecánicas que harán que revientes el mando, y todo mezclado con un humor muy particular hace que sea un título que no vamos a perder de vista. Eso tenerlo claro. Y por último Brayhir, una aventura gráfica con una estética con toques LucasArtianos que están desarrollando desde Nanku Games. Destacar también que acudimos a una charla que dio Alberto Pérez-Bermejo para contarnos como funciona a nivel económico un juego de esta envergadura, con mucho trabajo concept-art por detrás y todo tipo de necesidades para poder llegar al máximo público posible con una obra de calidad. También pudimos ojear los stand de Retro Parla con curiosas máquinas como la Bobert1 o una réplica de un Altair8000. Sin duda muy interesantes junto a la de 8 Bits de Poder, un lugar donde encontrar un programa para poder desarrollar tu propio videojuego de la forma más sencilla posible Volviendo a la entrada estaban los chicos de Retr0Bits Podcast grabando en directo durante horas con un micrófono por delante para que se sentará quien así lo quisiera. Intentamos acercarnos en varias ocasiones, pero no tuvimos suerte. Al fondo del evento en una zona superior se encontraban los fabricantes de máquinas recreativas como Universo Arcade, BricoGame (quien pillará aquel mueble enorme con pantalla enorme, sonido increíble y todo enorme) junto a Mirecreativa o los chavales de Promo Pinball. ¡Ah! También podíamos jugar al shoot em up Beekyr, un juego que pinta fenomenal. Bajando a una planta inferior encontramos las salas de conferencias donde pudimos disfrutar de las charlas junto a unos expositores verticales repletos de microordenadores de sobras conocidos y otros no tanto, entre el que destacaba uno con las obras de Jon Ritman, ilustre programador que visitó el evento durante esa tarde y que además también ofreció una entrevista durante el domingo. Por desgracia no pudimos acudir. Para colofón final a todo un día de retrovideojuegos, el grupo The Chiptunes dio un CONCIERTAZO en el que tocaron piezas de Super Castlevania 4, Silent Hill 2, Last Ninja 2, Super Smash Bros for WiiU & 3DS, Donkey Kong Country, The Secret of Monkey Island, Metal Gear Solid, FZero, Xenoblade Chronicles, un pequeño homenaje a Jon Ritman tocando un tema de Head Over Heals, Tetris, Super Mario Bros, y Undertale como broche final con una ristra de varios temazos, finalizando con el tema Megalovania. Simplemente impresionante lo de estos 4 músicos. ¿Qué es lo que nos llevamos de RetroMadrid? Pues ganas de más. No podemos prometer que volvamos, más bien amenazamos con hacerlo, y es que pese al palizón del viaje ha merecido la pena. La sensación cuando te marchas y vuelves a tu ciudad al día siguiente es de nostalgia: añoras estar allí de nuevo entre tanto videojuego y tan buena gente que desea mostrar que es lo que tiene entre manos. ¿Volveremos entonces? ¡Creernos que lo intentaremos por todos los medios! Quieres saber más sobre el evento, escucha nuestro podcast ESPECIAL RetroMadrid
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Alumnos del CECyT 7 Cuauhtémoc están listos para medir sus conocimientos con los alumnos del CECyT 12 José María Morelos
Leeds klarte akkurat ikke å komme seg opp i Premier League, men vi tar en nærmere titt på hva de har gjort de siste åra. Diego Maradona har fått seg ny jobb, Cuahtemoc Blanco har blitt anklaget for å ha bestilt et mord og Bruno er blitt buret inne igjen. I tilegg byr den danske cupen på en obskøn kamp. De skal alltid ta ting et skritt lenger, de danskene. See acast.com/privacy for privacy and opt-out information.
Alumnos del CECYT 7 Cuauhtémoc y el CECyT 3 Estanislao Ramírez Ruiz están listos para superar los retos.
TADPOGlodytes! We must take up arms to defeat the profound evil that has invaded TADPOG Nation! Just like history's great warriors Cuauhtemoc, Miyamoto Musashi, and William Wallace, we compare and discuss Golden Axe and Golden Axe II for the Sega Genesis. During our epic journey through beat 'em up fantasy, we pause to replenish our health and invigorate our spirits by opening a package from listener Shane Davis. We cower in fear before a urethral plug and suffer defeat to a volley of voice mail complications. Enjoy! Continue reading → The post Ep. 386 – Golden Axe and Golden Axe II appeared first on TADPOG: Tyler and Dave Play Old Games.
En Jarras y Podcast hablaremos de podcasts, de podcasting pero sobre todo hablaremos con los podcasters sobre ellos y sobre como hacen sus programas Esta semana nos visito Zafarranchito y se trajo ni mas ni menos que a Esteban creador de Zafarrancho podcast, afortunadamente para nosotros Esteban es mucho más hablador que Zafarranchito y vino con ganas de hablar no solo acerca de su podcast, sino de el mismo y de sus proyectos y nosotros claro... estuvimos encantados de escucharle y de grabarlo para todos vosotros.
¡YA LLEGÓ! ¡YA ESTÁ AQUÍ! Llégale te presenta: El Podcast # 37 Hoy hablamos sobre: #NoMames : Cuauhtemoc Gutierrez dice que le hacen Bullying Fernanda Salinas analiza la Lista de Billboard Y en la sección musical, hacemos un pequeño tributo a Gustavo Adrián Cerati #GraciasTotales . Con: Noe Zavala, René D. García, Javier Gaxiola y Fernanda "La Quejumbrosa" Salinas.
El politólogo más acertado de la radio y Nino Canún analizan los sucesos más relevantes de la política en México en Y Usted...¿Que Opina?, con Nino Canún.
Conoce anecdotas e historias sobre la majestuosa civilización mexica. Escucharas sobre sus enemigos, sus tradiciones, su religión, su cultura y su vida cotidiana. México Tenochtitlan. Sígueme por twitter Cuauhtemoc_1521 Contacto: enriqueortizg@hotmail.com
Bienvenidos a nuestra primera emisión de "Fórmula Tentera", aquí esucharán los reportajes más interesantes que se han publicado en El Tentero. En esta ocasión, Piojito Godoy se dio a la tarea de buscar los edificios más bonitos de toda Molestonia. ¡Que lo disfruten! Podcast: Productor Ejecutivo: Edgar Fernando MartínezDirección: Alejandro BejaranoEdición de Audio: Juan Ramírez Voces: Locutor Nado: Arturo EstradaIvonnbo Cota: Cecilia GutierrezPiojito Godoy: Abraham de la RochaVoz institucional: Edgar Fernando Martínez fernando.mtz@alternativaescenica.com www.alternativaescenica.com ElTentero: Cuidado Editorial y Textos: Roberto C. Montero R. Diseño: Christopher Farango / Vanessa Ángel Ilustración: Yairo Aragón Vane.angel@eltentero.com.mx www.eltentero.com.mx “El Tentero” es una publicación mensual editada, impresa y disrtibuida por Christopher Enrique Farango Ruíz. Isabel la Católica núm. 45 Desp. 307 Col. Centro, Del. Cuauhtemoc, C.P. 06010, Tel. 56576344 / 55181894, www.eltentero.com.mx contacto@eltentero.com.mx
En este podcast hablamos con Celia Fehr via skype preguntandole sobre las cosas nuevas que estan pasando en la casa hogar, y como uno puede ayudar.
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