Podcasts about best r b song

Man! This was a tough choice, but Que and I decided to change both our picks. I didn't think I would take Coco off, and I didn't think he would talk SZA off. Who's trippin'? #predictions #nomination #Grammy2025 Email questions to lexcsolo@gmail.com CashApp: $LexCATL PayPal: lexcsolo@gmail.com Venmo: @lexcatl Zelle: 404-552-5514 Please support me by becoming a Patron on my Patreon at https://www.patreon.com/lexcatl. As a Patron, you'll get to see all my content AS SOON AS I POST, not when I schedule stuff to post, which is only once each week right now. If you want to see your requested videos IMMEDIATELY, sign up to become a Patron for just $5 each month! WORK WITH LEXC https://www.lexcatl.com/shop/work-with-lexc LexC eBook: http://bit.ly/lexcebook MUSIC Amazon - http://bit.ly/lexconamazon Apple Music - http://bit.ly/lexconapple CD Baby - http://bit.ly/lexconcdbaby Spotify - http://bit.ly/lexconspotify Tidal - http://bit.ly/lexcontidal _________________________________________________________________ Follow me: https://www.lexcatl.com/ https://www.instagram.com/lexcatl/ https://twitter.com/lexcatl https://www.facebook.com/lexcatl https://anchor.fm/lexcatl https://www.patreon.com/lexcatl

When Reid and Edmonds relocated to Atlanta in 1989, to form their own company, LaFace Records. The duo was joined by Simmons and together they discovered, signed and produced their own artists such as Toni Braxton, TLC, Usher, Damian Dame and OutKast. In 1991, Simmons co-wrote and co-produced Boyz II Men's most successful song to date, “End of the Road”, from the Eddie Murphy movie, Boomerang. The song garnered a Grammy Award in 1992 for “Best R&B Song”. “End of the Road” topped the charts from August 15 through November 7, 1992, setting a record for most weeks at number one with 13 weeks, beating Elvis Presley's 11-week hold with "Hound Dog" and "Don't Be Cruel". Presley's record had stood 36 years.  Simmons, Edmonds and Reid collaborated again with Whitney Houston on The Bodyguard soundtrack (since 1990's album "I'm Your Baby Tonight"), which went on to sell more than 45 million albums worldwide. The trio also worked with Michael Jackson on his Dangerous album. Although the trio's songs didn't make it into the album's final cut, Simmons enjoyed working with Jackson and deems it an “amazing experience”.

Part 2 When Thriller was released in November 1982, it didn't seem to have a single direction. Instead, it arguably sounded like many singles. But it became apparent that this was precisely what Michael intended Thriller to be: a brilliant collection of songs meant as hits, each designed for a particular audience in mind. Michael put out "Billie Jean" for the dancers and "Beat It" for the rockers and then followed each jam with amazing videos to enhance his allure and his inaccessibility. These songs had a life of their own. Thriller was almost called “Star Light”. The lyric "thriller" in the track of the same name was originally "star light". The decision to change it was down to marketing appeal.    This wonderful article from Rolling Stone says: "Wanna Be Startin' Somethin'" had the sense of a vitalizing nightmare in its best lines ("You're stuck in the middle/And the pain is thunder. … Still they hate you, you're a vegetable. … They eat off you, you're a vegetable"). "Billie Jean," in the meantime, exposed how the interaction between the artist's fame and the outside world might invoke soul-killing dishonor ("People always told me, be careful of what you do. … 'Cause the lie becomes the truth," Jackson sings, possibly thinking of a paternity charge from a while back). And "Beat It" was pure anger – a rousing depiction of violence as a male stance, a social inheritance that might be overcome. It also almost caught the studio on fire. When Eddie Van Halen recorded his solo, the sound of his guitar caused one of the studio speakers to catch fire. The video for “Beat It” was set in Los Angeles' Skid Row and featured up to 80 real-life gang members from the notorious street gangs the Crips and the Bloods. It cost $100,000 to make.   Thriller's parts added up to the most improbable kind of art – a work of personal revelation that was also a mass-market masterpiece. It's an achievement that will likely never be topped. It was the best-selling album worldwide in 1983 and became the best-selling album of all time in the U.S. and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles. Thriller is still the highest-selling album of all time. Want to know what the top 25 are? Subscribe to our Patreon for our video bonus on the top-selling albums ever! Billie Jean was the first video by an African-American artist to air on MTV. The video revealed Jackson's new look of a leather suit, pink shirt, red bow tie and his signature single white glove. It was a style copied by kids throughout the United States. It caused one school, New Jersey's Bound Brook High, to ban students from coming to class wearing white gloves.   Toto members Keyboardist Steve Porcaro co-wrote Human Nature, and Steve Lukather contributed rhythm guitar on Beat It.   On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million and featured the Jacksons and other Motown stars. Jackson had just performed a medley of greatest hits with his brothers. It was exciting stuff, but for Michael, it wasn't enough. As his brothers said their goodbyes and left the stage, Michael remained. He seemed shy for a moment, trying to find words to say. "Yeah," he almost whispered, "those were good old days. … I like those songs a lot. But especially—" and then he placed the microphone into the stand with a commanding look and said, "I like the new songs."  Then, wearing a white glove decorated with rhinestones, he swooped down, picked up a fedora, put it on his head with confidence, and vaulted into "Billie Jean." He also debuted his moonwalk dance (which became his signature dance). This was one of Michael's first public acts as a star outside and beyond the Jacksons, and it was startlingly clear that he was not only one of the most breathtaking live performers in pop music but that he could mesmerize the audience, something not seen since the likes of Elvis Presley. Michael had initially turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder and Icon Berry Gordy, he performed in exchange for an opportunity to do a solo performance. And he killed it.    "Almost 50 million people saw that show," Michael wrote in his book Moonwalk. "After that, many things changed." At this time, Michael Jackson was obviously an immensely talented young man – he seemed shy but ambitious and undoubtedly enigmatic. Nobody knew much about his beliefs or sex life; he rarely gave interviews, but he also didn't land himself in scandals. He did, however, describe himself as a lonely person – especially around the time he made Off the Wall. Former Los Angeles Times music critic Robert Hilburn recently wrote of meeting Jackson in 1981, when the singer was 23, that Jackson struck him as "one of the most fragile and lonely people I've ever met … almost abandoned. When I asked why he didn't live on his own like his brothers, instead of remaining at his parents' house, he said, 'Oh, no, I think I'd die on my own. I'd be so lonely. Even at home, I'm lonely. I sit in my room and sometimes cry. It is so hard to make friends, and there are some things you can't talk to your parents or family about. I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home.'"   Jackson's social uneasiness was probably formed by the wounds in his history; the children were insulated from others their age, and Jackson's status as a lifelong star may have left him feeling not just cut off from most people but also alienated from them – as if his experience or his vocation made him extraordinary. "I hate to admit it," he once said, "but I feel strange around everyday people." Not exactly an unusual sentiment for some highly celebrated celebrities, especially former child stars. At the same time, it's a statement full of signals: Michael didn't enjoy the sort of company that might guide him in positive ways. He probably never did throughout his life. Maybe the most troubling passage in his autobiography Moonwalk is when he talks about children in the entertainment world who eventually fell prey to drugs: "I can understand … considering the enormous stresses put upon them at a young age. It's a difficult life."   Thriller placed seven singles in Billboard's Top 10 (presently around 50 million copies). At the 1984 Grammy Awards, Michael finally claimed his due, capturing eight awards, a record he holds with the band Santana, including Album of the Year, Record of the Year, Best Male Pop Vocal Performance, Best Rock Vocal Performance for "Beat It," Best R&B Song, and Best R&B Vocal Performance for "Billie Jean," and he won an award for the E.T. the Extra-Terrestrial storybook. In addition, the album won Producer of the year (Quincy Jones).    At the 11th Annual American Music Awards, Michael won another eight awards and became the youngest artist to win the Award of Merit. He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video, and Favorite Pop/Rock Single. In addition, the album won Favorite Soul/R&B Album and Favorite Pop/Rock Album. Thriller's sales doubled after releasing an extended music video, Michael Jackson's Thriller, seeing Michael dancing with a group of incredibly designed zombies and was directed by John Landis.   Michael had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $5 in 2021). The same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). At this time, The New York Times wrote, "in the world of pop music, there is Michael Jackson, and there is everybody else."   Oddly enough, On May 14, 1984, then-President Ronald Reagan gave Michael an award recognizing his support of alcohol and drug abuse charities.   In November 1983, Michael and his brothers partnered with PepsiCo in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $13,603,408 in 2021).  On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial. Pyrotechnics accidentally set Jackson's hair on fire during a simulated concert before a whole house of fans, causing second-degree burns to his scalp. Michael underwent treatment to hide the scars and had his third rhinoplasty shortly after. Pepsi settled out of court, and Jackson donated the $1.5 million settlement to the Brotman Medical Center in Culver City, California; its now-closed Michael Jackson Burn Center was named in his honor. Michael signed a second agreement with Pepsi in the late 1980s for $10 million. The second campaign covered 20 countries and provided financial support for Jackson's Bad album and the 1987–88 world tour.  He was making SO much money and was the most significant music star globally.   Then, months later, it was announced that Michael would be setting out on a nationwide tour with the Jacksons. He didn't want to do it but felt obligated. Clearly, Michael was bigger, better, and "badder" than his family's limitations on him. He should have been taking the stage alone at this point in his career.   Jackson's aversion to the Victory Tour was apparent when he sat looking miserable at press conferences.   The Victory Tour of 1984 headlined the Jacksons and showcased Michael's new solo material to more than two million Americans. Following the controversy over the concert's ticket sales, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity. What controversy, you ask?    Don King (yeah, boxing promoter Don King), Chuck Sullivan, and Papa Joe Jackson came up with a way to generate extra money from ticket sales. Those wanting to attend would have to send a postal money order for $120 ($310 in current dollars) along with a particular form to a lottery to buy blocks of four tickets at $30 apiece (US$78 in 2021 dollars), allegedly to stop scalpers. Upon receipt, the money was to be deposited into a standard money market account earning 7% annual interest; it would take six to eight weeks for the lottery to be held and money to be refunded to those that didn't win. Since only one in ten purchasers would win the lottery and receive tickets, there would be more money in the bank for that period than there were tickets to sell, and they expected to earn $10–12 million in interest. Obviously, the Jacksons were all for the idea, but Michael wasn't, and he warned them that it would be a public relations disaster. The $30 ticket price was already higher than most touring acts (like Prince and Bruce Springsteen) were charging at the time and was even worse by the requirement to buy four. This put tickets out of reach of many of Michael's African-American fans who were not financially secure. At this time, Michael was already being blasted about his physical look and music separating him from his race.  That community was joined by many commentators in the media in criticizing the Jackson's over the plan. Nevertheless, it worked, and people were lining up to get their newspapers to sign up for the lottery. On July 5, 1984, after receiving a letter from eleven-year-old fan Ladonna Jones, who accused the Jacksons and their promoters of being "selfish and just out for money," Michael held a press conference to announce changes in the tour's organization and also to announce that his share of the proceeds from the tour would be donated to charity. Jones later received VIP treatment at the Dallas concert. The following is Michael's speech at the press conference: "A lot of people are having trouble getting tickets. The other day I got a letter from a fan in Texas named Ladonna Jones. She'd been saving her money from odd jobs to buy a ticket, but with the turned tour system, she'd have to buy four tickets and she couldn't afford that. So, we asked our promoter to work out a new way of distributing tickets, a way that no longer requires a money order. There has also been a lot of talk about the promoter holding money for tickets that didn't sell. I've asked our promoter to end the mail order ticket system as soon as possible so that no one will pay money unless they get a ticket. Finally, and most importantly, there's something else I am going to announce today. I want you to know that I decided to donate all my money I make from our performance to charity. There will be further press statements released in the next two weeks."   Some procedures were modified; however, the ticket price remained unchanged, and at a press conference, Don King justified the $30 fee as appropriate and that he did not blame the promoters for charging that price, adding that "you must understand, you get what you pay for." During the last concert of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split from The Jacksons during "Shake Your Body".   His charitable work continued with the release of "We Are the World" (1985), co-written with future Icon Lionel Richie, which raised money for the poor in the U.S. and Africa. It earned $63 million (equivalent to $158,728,032 in 2021) and became one of the best-selling singles, with 20 million copies sold. It won four Grammy Awards in 1985, including Song of the Year for Michael and Lionel as its writers.    Michael collaborated with Sir Paul McCartney in the early 1980s and learned that Paul was making $40 million a year from owning the rights to other artists' songs. By 1983, Michael had begun buying publishing rights to others' songs, but he was careful with his purchases, only bidding on a few of the dozens offered to him. Michael's early buys included Sly and the Family Stone's "Everyday People" (1968), Len Barry's "1–2–3" (1965), Dion DiMucci's "The Wanderer" (1961), and "Runaround Sue" (1961).   In 1984, it was announced that the publishing rights to nearly 4000 songs from ATV Music, including most of the Beatles' material, were coming up for sale. In 1981, Paul McCartney was offered the catalog for £20 million ($40 million). Michael submitted a bid of $46 million on November 20, 1984. When Michael and Paul were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own. At first, Michael's team couldn't figure it out and walked away, but then they heard someone else was looking to buy them. Michael's increased bid of $47.5 million (equivalent to $119,675,897 in 2021) was accepted because he could close the deal faster. His purchase of ATV Music was finalized on August 10, 1985.   So, at this time, why was Michael being questioned about his look and his music? As a child, Michael had a sweet, dark-skinned appearance; many early Jackson 5 fans regarded him as the cutest of the brothers. J. Randy Taraborrelli, author of Michael Jackson: The Magic and the Madness, has written, "[Michael] believed his skin… 'messed up my whole personality.' He no longer looked at people as he talked to them. His playful personality changed, and he became quieter and more serious. He thought he was ugly – his skin was too dark, he decided, and his nose too wide. It was no help that his insensitive father and brothers called him 'Big Nose.'" Also, as Jackson became an adolescent, he was horribly self-conscious about acne. Hilburn recalled going through a stack of photos with Jackson one night and coming across a picture of him as a teenager: "'Ohh, that's horrible,' [Jackson] said, recoiling from the picture."   The face Jackson displayed on the cover of Thriller had changed; the skin tone seemed lighter and his nose thinner and straighter. In his book, Moonwalk, Michael claimed that much of the physical overhaul was due to a change in his diet; he admitted to altering his nose and chin, but he denied he'd done anything to his skin. Still, the changes didn't end there. Over the years, Michael's skin grew lighter and lighter, his nose tapered more and more, and his cheekbones became more defined. This all became fair game for mockery to some; to others, it seemed like mutilation – not just because it might have been an act of conceit, aimed to keep him looking child-like, but worse because some believed Michael wanted to transform himself into a white person. Or an androgyne – somebody with both male and female traits.  Michael's art was still his best way of making a case for himself at that time. Then, in 1987, he released Bad, his highly-anticipated successor to Thriller. It may not have been as eventful and ingenious as Off the Wall and Thriller, but Bad was awesome.    It became the first album to produce five U.S. number-one singles: "I Just Can't Stop Loving You," "Bad," "The Way You Make Me Feel," "Man in the Mirror," and "Dirty Diana.", which you can hear our version at the end of this episode. Another song, "Smooth Criminal," peaked at number seven. Bad won the 1988 Grammy for Best Engineered Recording – Non-Classical and the 1990 Grammy Award for Best Music Video, Short Form for "Leave Me Alone". Michael won an Award of Achievement at the American Music Awards in 1989 after Bad generated five number-one singles, became the first album to top the charts in 25 countries, and the best-selling album worldwide in 1987 and 1988. By 2012, it had sold between 30 and 45 million copies worldwide. Oh, and it was considered a "flop." Oh, and The title track for the Bad album was supposed to be a duet with Prince. But the latter walked away from it due to the opening line "Your butt is mine". "Now, who is going to sing that to whom? Cause [he] sure ain't singing that to me, and I sure ain't singing it to [him]," Prince said in a TV interview with American comedian Chris Rock.   Later that year, Michael staged his first solo tour, The Bad World Tour. It ran from September 12, 1987, to January 14, 1989. The tour had 14 sellouts in Japan and drew 570,000 people, nearly tripling the previous record for a single tour. In addition, the 504,000 people who attended seven sold-out shows at Wembley Stadium set a new Guinness World Record.   In 1988, Michael released the autobiography, as mentioned earlier, Moonwalk. It sold 200,000 copies and reached the top of the New York Times bestsellers list. In October, Michael released a film, Moonwalker, which featured live footage and short films starring himself and Goodfella star Joe Pesci. In the U.S., it was released direct-to-video and became the best-selling videocassette. The RIAA certified it as eight-time platinum. In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez, California, to build a new home, Neverland Ranch, at $17 million (equivalent to $38,950,760 in 2021).   In 1991, Michael renewed his contract with Sony for $65 million (equivalent to $129,317,127 in 2021), a record-breaking deal. Also, in 1991, he released his eighth album, Dangerous, co-produced with Mr. Rumpshaker himself, Teddy Riley. It was certified eight times platinum in the U.S., and by 2018 had sold 32 million copies worldwide. In the U.S., the first single, "Black or White," was the album's highest-charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved similar chart performances worldwide, and the video featured a very young Macauley Culkin.  The second single, "Remember the Time," peaked at number three on the Billboard Hot 100 singles chart, and that video featured Eddie Murphy. At the end of 1992, Dangerous was the best-selling album worldwide and "Black or White" the best-selling single of the year worldwide at the BillboardMusic Awards.   Obviously, Michael wanted to tour in promotion of his latest album, and The Dangerous World Tour ran between June 1992 and November 1993 and grossed $100 million (equivalent to $187,583,506 in 2021); Jackson performed for 3.5 million people in 70 concerts, all of which were outside the U.S. A part of the proceeds went to the Heal the World Foundation. In addition, Michael sold the broadcast rights of the tour to HBO for $20 million, a record-breaking deal that still hasn't been broken.   Also, in 1993, Michael performed at the Super Bowl 27 halftime show in Pasadena, California. The NFL wanted a prominent musical artist to keep ratings high during halftime. It was the first Super Bowl where the halftime performance drew higher audience figures than the game. Jackson played "Jam," "Billie Jean," "Black or White," and "Heal the World." Dangerous rose 90 places in the album chart after the performance   In January 1993, Michael won three American Music Awards for Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time"), and he was the first to win the International Artist Award of Excellence. In addition, he won the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles in February. He attended the award ceremony with Brooke Shields. In addition, "Dangerous" was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance for "Jam," and Best R&B Song for "Jam."   In June 1995, Michael released the double album HIStory: Past, Present, and Future, Book I. The album debuted at number one on the charts and certified for eight million sold in the U.S. It is the best-selling multi-disc album of all time, with 20 million copies (40 million units) sold worldwide. In addition, HIStory received a Grammy nomination for Album of the Year. The first single from HIStory was "Scream/Childhood." "Scream" was a duet with Michael's youngest sister Janet, or "Miss Jackson if you're nasty." The single reached number five on the Billboard Hot 100 and received a Grammy nomination for "Best Pop Collaboration with Vocals." Also, at the time, in 1995, it was the most expensive music video ever produced. It had a budget of 7 million dollars. FOR ONE VIDEO!!  His second single, "You Are Not Alone," holds the Guinness world record for the first song to debut at number one on the Billboard Hot 100 chart. In addition, it received a Grammy nomination for "Best Pop Vocal Performance" in 1995.   In November of the same year, Michael merged his ATV Music catalog with Sony's music publishing division, creating Sony/ATV Music Publishing. He kept ownership of half the company, earning $95 million upfront (equivalent to $168,941,909 in 2021) and the rights to a ton more songs.   Michael promoted HIStory with the obviously named HIStory World Tour, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries, and 58 cities to over 4.5 million fans, making it his most attended tour. It grossed $165 million, or $302,346,462 today.   In 1997, Michael released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of singles from HIStory and five new songs. Worldwide sales stand at 6 million copies, making it the best-selling remix album ever. It reached number one in the U.K., as did the title track. In the U.S., the album reached number 24 and was certified platinum. Yeah, a remix album going platinum.   From October 1997 to September 2001, Michael worked on his tenth solo album, Invincible, which cost $30 million to record! Invincible was released on October 30, 2001. It was his first full-length album in six years and the last album of original material he would release in his lifetime. It debuted at number one in 13 countries, sold eight million copies worldwide, and went double platinum.   In September 2001, Michael performed in two "30th Anniversary concerts" with his brothers for the first time since 1984. The show also featured Mýa, Usher, Whitney Houston, Destiny's Child, Monica, Liza Minnelli, and Slash.    On January 9, 2002, Michael won his 22nd American Music Award for Artist of the Century.   On November 18, 2003, Sony released Number Ones, a greatest hits compilation. It was certified five-times platinum by the RIAA, and nine times platinum in the UK, for shipments of at least 2.7 million units.   During this time, allegations of child sexual abuse, and the trials that followed, were all over the news. If you're unfamiliar, you can research it for yourself.  Unfortunately, Michael's finances were also coming undone; he had been spending ludicrous sums, and he'd mismanaged his money – which took some doing since he had made such a vast fortune. As a result, the biggest star in the world had fallen from the tallest height. He left the country and moved to Bahrain, where it was announced that Jackson had signed a contract with a Bahrain-based startup, Two Seas Records; nothing came of the deal, and Two Seas CEO Guy Holmes, later said it was never finalized. That October, Fox News reported that Michael had been recording at a studio in County Westmeath, Ireland. It was unknown what he was working on or who had paid for the sessions; his publicist stated that he had left Two Seas by then. After that, Michael was only occasionally seen or heard from. Nobody knew whether he could recover his name or preserve his undeniable music legacy until he announced an incredibly ambitious series of 50 concerts – which he described as the "final curtain call."    The "This Is It" shows were his first significant concerts since the HIStory World Tour in 1997. Michael suggested he would retire after the shows. The initial plan was for 10 concerts in London, followed by shows in Paris, New York City, and Mumbai. Randy Phillips, president, and chief executive of AEG Live, predicted the first 10 dates would earn Jackson £50 million, or close to 63 Million US dollars. After record-breaking ticket sales, the London shows were increased to 50 dates; over one million tickets were sold in less than two hours. The concerts were to run from July 13, 2009, to March 6, 2010. Michael moved back to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of choreographer Kenny Ortega, whom he had worked with during his previous tours. Most rehearsals took place at the Staples Center, which was owned by AEG.   It's hard to believe that Jackson, who was so proud of his public performances and so peerless at delivering them, would have committed himself to a project he might fail so tremendously. At the same time, it is not inconceivable that Michael Jackson could have been a man half-hungry and broken in the past few years. All that is certain is that on June 25, in Los Angeles, Michael Jackson met the only sure redemption he might know in the most famous unexpected, and mysterious death in current history. That redemption didn't come because he died, but because his death forced us to reconsider what his life added up to. Less than three weeks before the first This Is It show was due to kick off in London, with all concerts sold out, I repeat; sold out, Michael Jackson died from cardiac arrest caused by a propofol and benzodiazepine overdose. Conrad Murray, his personal physician, had given Michael different medications to help him sleep at his rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:22 pm Pacific time and arrived three minutes later. He wasn't breathing, and the medics performed CPR. Resuscitation efforts continued en route to Ronald Reagan UCLA Medical Center and for more than an hour after Michael's arrival, but were unsuccessful, and Michael Jackson, the king of pop, was pronounced dead at 2:26 pm.   News of his death spread quickly online, causing websites to slow down, crash from user overload, and put unprecedented strain on services and websites, including Google, AOL Instant Messenger, Twitter, and Wikipedia. Overall, web traffic rose by between 11% and 20%. MTV and BET aired marathons of Michael's music videos, and specials aired on television stations worldwide. MTV briefly returned to its original music video format, which is messed up that it took an Icon to die for MTV to actually be MUSIC TELEVISION, and they aired hours of Michael's music videos, with live news specials featuring reactions and interviews from MTV personalities and other celebrities.   His memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets. The memorial service was one of the most-watched events in streaming history, with an estimated US audience of 31.1 million and an estimated 2.5 to 3 billion worldwide. Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and others performed at the memorial, and Smokey Robinson and Queen Latifah gave eulogies. Reverend Al Sharpton received a standing ovation with cheers when he told Michael's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Michael's 11-year-old daughter Paris Katherine, wept as she addressed the crowd. Michael's body was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.   Oh, but wait. There's more. But of course there is. It's Michael Jackson!   His doctor was initially charged with involuntary manslaughter and was found guilty. So he was sentenced to four years. Yep... four friggin years.    After his death, Michael was still winning awards. He won 4 awards at 2009's AMA's, bringing his total AMA wins to 26, something no one else has touched.    The documentary "Michael Jackson's This Is It" came out shortly after, and I have seen it and loved it, as sad as it was knowing that he'd never get to perform those concerts. Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with more than $260 million worldwide earnings.

Marc Blatte is an accomplished composer, commercial song writer and author. He is a Grammy Nominee for Writer of Best R+B Song, “When She Was My Girl,” the #1 record by The Four Tops.Blatte is also a winner of The ASCAP Award for Most Performed Country Music Song for “Read My Lips,” the #3 record by Marie Osmond. In addition, he was the recipient of The Ralph Peer Music Publishing Company's Lifetime Achievement Award for writing the iconic “Hands Across America” in 1988, which raised $18,000,000 to feed the hungry, as a follow up to “We Are The World.”Marc's music and lyrics have appeared in numerous commercials including: The Pride is Back” for Chrysler, “Above and Beyond” for Prudential, “This is Not Your Father's Oldsmobile”, “I'm Going to Disneyland”, “Goodyear Take Me Home”, Texaco's “Star of the American Road”, the one-time ubiquitous Goldfish song “Gone Goldfishin” for Goldfish snacks, and the pitch that won Young and Rubicam the 100 million dollar annually US Army account with the song “Freedom Isn't Free”.Blatte is a multiple Clio Award winner as well as the recipient of AdAge Magazine's Best Music in Advertising Award. Marc also wrote his first novel, “Humpty Dumpty Was Pushed,” to critical acclaim.Blatte played baseball against Frank Pace (the Mook) in the Kensico Little League and was first chair first clarinet to Frank's 3rd Chair 3rd Clarinet in the Valhalla High School band in New York…so they go way back. Be sure to join Mick & Mook on May 25th for what should be a fun episode.

Jon returns this week to recap on the 64th Annual GRAMMY Awards results. We also touch on U.K. Hip-Hop albums that should have been considered for a GRAMMY. (00:00) Intro; Spotlight Series #76: Amindi (05:35) UK Albums that deserve the Grammy nomination New releases: (14:17) Kehlani: Up at Night (ft. Justin Bieber) (17:50) Joyner Lucas: Ye Not Crazy (22:10) Vince Staples: ROSE STREET (25:39) Freddie Gibbs: Ice Cream (ft. Rick Ross) (27:44) Ella Mai: leave You Alone (29:46) City Girls: Top Notch (ft. Fivio Foreign) (30:36) Lupe Fiasco: 100 Chicagos (31:51) Dreamville: D-Day - The Mixtape Main discussion starts here: (36:36) GRAMMY's intro (39:02) Record of the Year (44:13) Album of the Year (47:54) Best New Artist (51:53) Best Rap Album (56:20) Best Rap Performance (58:10) Best Rap Song (01:02:48) Best Melodic Rap Performance (01:05:05) Best R&B Performance (01:16:01) Best Traditional R&B Performance (01:19:52) Best R&B Song (01:21:47) Best Progressive R&B Album (01:26:17) Best R&B Album (01:30:49) Summary (01:32:55) Closing, Now and Then playlist

Artist/Producer/Multi-instrumentalist Jairus Mozee embodies natural born talent never once forgoing the importance of nurturing his exceptional gift. Born in Indianapolis, Indiana to two musical parents, Jairus grew up in church and experienced his father's guitar-playing skills throughout his life--inspiring his love for the instrument. This young teenager would share the stage with Prince, a testament to his captivating love affair with the guitar. After an unbelievable five-month journey playing under the Purple One's magic and guidance, Jairus toured and wrote songs for artists including Anderson Paak, Kendrick Lamar, Janet Jackson, Lil Wayne, Nicki Minaj, Anthony Hamilton, Cee Lo, Fantasia, Robin Thicke, and Boney James name a few. Further demonstrating his respect throughout the industry, he earned a Grammy nomination for Best R&B Song as co-writer of Best of Me with Anthony Hamilton And Won 2 Grammy's For His Work With Anderson Paak on "Ventura". Thanks to his entrepreneurial spirit, Jairus also founded Swag Sample–an innovative company that provides royalty-free live music samples allowing producers to affordably create big sounds.https://www.jairusmozee.com/https://www.swagsample.com/ Dante' Harmony Podcast is produced, edited, created, & directed by: Danté L. Harmon Sr.Theme Music "Dagape" performed by: Danté L. Harmon Sr. @Dante Harmon#dantesharmonypodcast #dantesharmony #sacredsteelnation #jairusmozeeSponsor: Be.Apparel Use the Discount Code: Harmon2110% off Purchasehttps://beapparelbrand.com/discount/HARMON21Follow Us:https://linktr.ee/dantethemusicianPatreon:  https://www.patreon.com/Danteharmon   (Exclusive Video Podcast Content)

Club Nouveau is an American R&B group formed by record producer/performer Jay King in 1986 in Sacramento, California following the breakup of the Timex Social Club.   The group was signed by Warner Bros. Records, on which Club Nouveau released its first three albums. Club Nouveau's go-go version of Bill Withers' song "Lean on Me" won a Grammy award for Best R&B Song in 1987  

Song title: John LegendSong and music by: Gail Nobles © 2021Photo credit: By Sachyn Mital - Own work, Usage: CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=32529468John LegendA legend before his time with a legendary style. He'll never go away. He's alive this present day. Legend sings a song titled Ordinary People. When I first heard him, his music was not a lot. Just a grand piano and singing voice singing what we know and can relate to. John's last name is Legend. He's a traditional story already and popular I think. Very well known. I know him by his song Ordinary People singing about you and I or two people in love. One misbehaves and one make mistakes. I love the part when he said:I hang up you callWe rise and we fallAnd we feel like just walking away. As we love advances, we take second chancesThough it's not a fantasyI still wan you to stay ____ John LegendLegend makes people listen to themselves with his voice and music. Ordianry people was released on his debut album lifted in 2004 as second single and later certified gold by the RIAA. At the 48th Annual Grammy Awards, Ordinary People received three nomintions for Song of the Year, Best R&B Song, and Best male R&B Vocal Performance, ultimately winning the latter.You're listening to Sound Flave (Radiae Applis) Entertainment Studio Hall. I'm your host, Gail Nobles.

Jarreau Williams checks in with us immediately after completing a recording studio session and just days after being awarded not one, not two, but three Washington Area Music Awards (or Wammies) for Best Pop Song, Best R&B Song, and Best Soul Artist/Group. Jarreau and Andy discuss filming a music video with a convertible at 30°F, the responsibility of representing the Washington DC metropolitan music, and the joy of uplifting one another while all in the pursuit of the same things. Featured Song: "Shoulda Known Better (Masbeats Remix)" by Jarreau Williams Hosted by Andy Reed Produced by Daniel Warren Hill Edited, Mixed, and Mastered by Daniel Warren Hill For more about Alchemicast, visit www.alchemicalrecord.com/alchemicast For more about Alchemical Records, visit www.alchemicalrecords.com Intro/Outro Music: "Dreaming" by YellowTieGuy (Hill/Schmitt. Endurance Match. ASCAP. 2016) © 2021 Alchemical Records LLC. All rights reserved. Any/All media used with the express permission of the respective rights holder.

PART ONEScott and Paul chat about the holidays and Paul's latest Christmas cut by Hamilton star Leslie Odom Jr.PART TWOThe guys catch up with Eagles songwriter and past Songcraft guest Jack Tempchin ("Already Gone," "Peaceful Easy Feeling") about his brand new holiday song and children's book. PART THREEOur in-depth conversation with thirteen-time Grammy nominee and two-time winner Walter Afanasieff who co-wrote and co-produced Mariah Carey hits such as the number one singles “Can’t Let Go,” “My All,” “Hero,” “One Sweet Day,” and the perennial holiday classic "All I Want for Christmas is You." Additionally, he produced some of the biggest movie soundtrack songs of all time, including “Beauty and the Beast,” “A Whole New World,” and “My Heart Will Go On" from Titanic. ABOUT WALTER AFANSIEFFThirteen-time Grammy nominee and two-time winner Walter Afanasieff is best known for his collaborative songwriting and production partnership with Mariah Carey that yielded hit singles such as “Can’t Let Go,” “Dreamlover,” “Hero,” “Without You,” “Anytime You Need a Friend,” “Butterfly,” “My All,” and “One Sweet Day,” a duet with Boyz II Men that was named ASCAP Song of the Year. It hit #1 in December of 1995 and stayed there for sixteen weeks—a record that remained unbroken for more than two decades. Their “All I Want for Christmas is You” was released in 1994 and has since become a holiday standard. It hit #1 on Billboard’s pop chart for the first time in 2019, giving Walter and Mariah the world record for the longest period of time between a song’s original release and its arrival at the top of the chart.  In addition to his success with Carey, Afanasieff carved out a formidable reputation as a go-to producer of hit movie songs. After co-writing and co-producing the Gladys Knight single “Licence to Kill” from the James Bond film of the same name, he went on to produce “Beauty and the Beast,” “A Whole New World” from Aladdin, “Even If My Heart Would Break” from The Bodyguard, and “My Heart Will Go On” from Titanic, which became the best-selling single in the world for 1998. Additionally he produced “Some Day” from The Hunchback of Notre Dame and the Academy Award nominated “Go the Distance” from Hercules.Other hits from the Walter Afanasieff songbook include “Can You Stop the Rain,” a #1 R&B single for Peabo Bryson that earned a Grammy nomination for Best R&B Song, “Missing You Now,” a #1 Adult Contemporary hit for Michael Bolton, “If You Go Away,” a Top 20 single for New Kids on the Block, Savage Garden’s #1 pop single “I Knew I Loved You,” and Ricky Martin’s massive global hit “She Bangs.”The long list of additional artists Walter has written and produced music for includes Michael Jackson, Lionel Richie, Luther Vandross, Destiny's Child, Kenny G, Andrea Bocelli, Johnny Mathis, Kenny Loggins, Barbra Streisand, Christina Aguilera, Marc Anthony, Babyface, and Josh Groban.   

Topics: Biggie death, Erykah Badu, Eve's Bayou, Miss Evers' Boys (Bonus Artist: Luck Pacheco)   Notes 1997   1.    President: Bill Clinton   2.    Feb -A Santa Monica jury finds former football legend O.J. Simpson is liable for the deaths of Nicole Brown and Ron Goldman.   3.    Feb - North Hollywood shootout: Two heavily armed bank robbers conflict with officers from the Los Angeles Police Department in a mass shootout.   4.    Feb - Miss Evers' Boys airs on HBO. It is a made-for-TV adaptation of David Feldshuh's eponymous 1992 stage play, and was nominated for eleven Emmy Awards and won four, Outstanding Made for Television Movie / Lead Actress in a Miniseries or a Movie – Alfre Woodard / Editing / Cinematography   5.    Mar - Brooklyn rapper The Notorious B.I.G. is killed in a drive-by shooting in Los Angeles at age 24 before the release of his second album Life After Death. The album was released on March 25.   6.    Mar - In San Diego, California, 39 members of  Heaven's Gate, a UFO religious cult, commit mass suicide.   7.    Apr - The Ellen episode, "The Puppy Episode" is broadcast on ABC, showing for the first time the revelation of a main character as a homosexual.   8.    May - U.S. President Bill Clinton issues a formal apology to the surviving victims of the Tuskegee Study of Untreated Syphilis in the Negro Male and their families.   9.    Jun - During the Evander Holyfield vs. Mike Tyson II boxing match in Las Vegas, Mike Tyson bites off part of Evander Holyfield's ear.   10.    Jun - The base version of the standard WiFi was released   11.    Aug - Diana, Princess of Wales died in hospital after being injured in a motor vehicle accident in a road tunnel in Paris.   12.    Sep - www.google.com is registered by Google.   13.    Nov - Mary Kay Letourneau is sentenced to six months imprisonment in Washington after pleading guilty to two counts of second-degree child rape. Letourneau gave birth to her victims' child and the leniency of her sentence was widely criticized.[3]   14.    Nov - The Emergency Broadcast System is replaced by the Emergency Alert System and it continues to this day. - "This is a test. This station is conducting a test of the Emergency Broadcast System. This is only a test."   15.    Open Comments:   16.    Top 3 Pop Songs   17.    #1-"Something About the Way You Look Tonight" / "Candle in the Wind 1997", Elton John   18.    #2-"Foolish Games" / "You Were Meant for Me", Jewel   19.    #3-"I'll Be Missing You", Puff Daddy featuring Faith Evans and 112   20.    Record Of The Year, Sunny Came Home - Shawn Colvin   21.    Album Of The Year, Time Out Of Mind - Bob Dylan   22.    Song Of The Year, Sunny Came Home - Shawn Colvin Colvin)   23.    Best New Artist, Paula Cole   24.    Best Female R&B, On & On - Erykah Badu   25.    Best Male R&B, I Believe I Can Fly - R. Kelly   26.    Best R&B Duo Or Group, No Diggity - Blackstreet   27.    Best R&B Song, I Believe I Can Fly - R. Kelly   28.    Best R&B Album, Baduizm - Erykah Badu   29.    Best Rap Solo, Men In Black - Will Smith   30.    Best Rap Duo Or Group, I'll Be Missing You - Puff Daddy & Faith Evans Featuring 112   31.    Best Rap Album, No Way Out - Puff Daddy & The Family   32.    Top 3 Movies   33.    #1-Titanic   34.    #2-The Lost World: Jurassic Park   35.    #3-Men in Black   36.    Notables: Rhyme & Reason, Gridlock'd, Rosewood, Good Burger, Def Jam's How to Be a Player, Hoodlum, Kiss the Girls, Gang Related, Boogie Nights, The Devil's Advocate, Good Will Hunting, Jackie Brown, Love Jones, B*A*P*S, Austin Powers: International Man of Mystery, Booty Call, Donnie Brasco, Soul Food, Gang Related,   37.    Open Comments:   38.    Top TV Shows   39.    #1-Seinfeld   40.    #2-ER   41.    #3-Veronica's Closet   42.    Debuts, The Chris Rock Show   43.    Open Comments:   44.    Economic Snapshots   45.    Income = 37.5 (Previously 36.3K)   46.    House = 124k (118.2)   47.    Car = 17k (16.3)   48.    Rent = 576 (554)   49.    Harvard = 28.9 (27.5)   50.    Movie = 4.59 (4.42)   51.    Gas = 1.22 (-)   52.    Stamp = .32 (-)   53.    Social Scene: Death of Christopher George Latore Wallace, aka ‘Biggie Smalls,’ ‘The Notorious B.I.G,’ or ‘Biggie,’   54.    Childhood & Early Life: Born on May 21, 1972 in Brooklyn, New York, to Voletta Wallace and Selwyn George Latore. His mother was a Jamaican preschool teacher and his father was a politician and welder. His father left the family when he was two years old. He attended the ‘Queen of All Saints Middle School’ where he excelled in English, won many awards,  and was given the nickname ‘Big.’ because of his weight, around the age of 10 (1982).  He started dealing drugs as early as 12 while his mother went out for work, and she says he adapted a ‘smart-ass’ attitude, while attending high school, but he was still a good student. He dropped out of school at 17 (1989) and gradually got involved in criminal activities. Shortly after dropping out, he was arrested on weapon charges and was sentenced for probation of five years. He was again arrested in 1990 for violating his probation and again a year later for drug dealing in North Carolina. He stayed in jail for nine months.   55.    Career: As a teen, he began exploring music and performed with local groups, such as ‘Techniques’ and ‘Old Gold Brothers.’ He made a casual demo tape titled ‘Microphone Murder’ under the name ‘Biggie Smalls.’ The name was inspired from his own stature as well as from a character of a 1975 film ‘Let’s Do it Again.’ The tape was promoted by Mister Cee, a New York based DJ and was heard by the editor of ‘The Source.’ In March 1992 (@19), he was featured in the ‘Unsigned Hype’ column of ‘The Source,’ magazine. Shortly thereafter, he was signed by ‘Uptown Records’. In 1993, when Sean 'Puffy' Combs, a producer/A&R with ‘Uptown Records’ was fired, Biggie Smalls signed with Combs’ ‘Bad Boy Records.’ In August, 1993 (@21), he had his first child T’yanna.  To financially support his daughter, he continued to deal drugs. Also in 1993, he worked on the remix of Mary J. Blige’s ‘Real Love.’ While working for ‘Real Love,’ he used the pseudonym ‘The Notorious B.I.G.,’ the name he used for the rest of his career. He followed up with another remix of Blige's ‘What’s the 411’. He debuted as a solo artist in the 1993 film ‘Who’s the Man?’ with the single ‘Party and Bullshit.’   56.    As a solo artist he hit the pop chart in August 1994 (@22) with ‘Juicy/Unbelievable.’ His debut album ‘Ready to Die’ was released in September, 1994, peaked at number 15 on the Billboard 200 and was subject to critical acclaim and soon a commercial success. Three singles were released from the album: "Juicy", "Big Poppa", "One More Chance". "Big Poppa" was a hit on multiple charts, peaking at number six on the Billboard Hot 100 and also being nominated for a Grammy Award for Best Rap Solo Performance at the 1996 Grammy Awards.  At a time when West Coast hip hop was dominating the mainstream, this album became a huge success, making him a prominent figure in the East Coast hip hop scene. [Side Note: 2 months later in November, Tupac was shot five times in a NYC recording studio].  In July 1995 (@23), the cover of ‘The Source’ magazine featured him along with the caption ‘The King of New York Takes Over.’   57.    Recording of his second album, ‘Life After Death,’  began in September 1995 but was interrupted due to injuries, hip hop disputes, and legal squabbles (much like his friend Tupac). He was in a car accident which hospitalized him for three months. He had to complete rehabilitation and was confined to a wheelchair for a period. The car accident had shattered his left leg and made him dependent on a cane. He was arrested outside a nightclub in Manhattan in March, 1996 (24), for manhandling and threatening to kill two of his fans who were seeking autographs, and again in the middle of the year, he was arrested from his home at Teaneck, New Jersey, for possessing weapons and drugs. On September 7, 1996, Tupac Shakur was shot in Las Vegas, Nevada, and he died six days later. Rumors of Biggie Smalls’ involvement in Shakur’s murder were doing the rounds and were reported immediately. In January 1997, he faced an order to pay 41k for a dispute that occurred in May 1995 where a concert promoter’s friend accused him and his entourage of beating him up.   58.    Death: In February 1997, he went to Los Angeles to promote his upcoming album ‘Life After Death’ which was scheduled for March 25th release. On March 7, 1997, he attended the 1997 ‘Soul Train Music Awards’ and presented an award to Toni Braxton. On March 8, he attended the after party at ‘Peterson Automotive Museum,’ hosted by ‘Quest Records’ and ‘Vibe’ magazine. While leaving the party, his truck stopped at a red light, and a black Chevy Impala pulled up alongside it. The Impala's driver, an unidentified African-American man dressed in a blue suit and bow tie, rolled down his window, drew a 9 mm blue-steel pistol, and fired at Wallace's car. Four bullets hit Wallace, and his entourage subsequently rushed him to Cedars-Sinai Medical Center, where doctors performed emergency procedures, but he was pronounced dead at 1:15 a.m. He was 24 years old.   59.    16 days after his murder, his double disc album ‘Life After Death’ was released. The album peaked at No. 1 spot on the U.S. charts, ultimately went 11× Platinum, was nominated for Best Rap Album, Best Rap Solo Performance for its first single "Hypnotize", and Best Rap Performance by a Duo or Group for its second single "Mo Money Mo Problems" at the 1998 Grammy Awards. In 2012, the album was ranked at No. 476 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time. Biggie has been described as ‘the savior of East Coast hip hop’ by some and ‘greatest rapper of all time’ by others.   60.    Tupac and Biggie Best Frenemies: Biggie's first single, “Party and Bulls**t” came out in 1993. By that year, Tupac was already a platinum-selling artist, so Biggie asked a drug dealer to introduce him to Tupac at a Los Angeles party, according to the book 'Original Gangstas...' by Ben Westhoff. An intern who worked with Biggie recalled the meeting. “'Pac walks into the kitchen and starts cooking for us. He's in the kitchen cooking some steaks,”.  “We were drinking and smoking and all of a sudden ‘Pac was like, ‘Yo, come get it.’ And we go into the kitchen and he had steaks, and French fries, and bread, and Kool Aid and we just sittin’ there eating and drinking and laughing...that's truly where Big and ‘Pac’s friendship started.” There was mutual respect between the two and Biggie would crash on Tupac’s couch when he was in California and Tupac would always stop by Biggie’s neighborhood when he was in New York. In essence, they were like any other pair of friends and both of them respected the other's talent. At the 1993 Budweiser Superfest at New York City’s Madison Square Garden, they freestyled together. Biggie often turned to Tupac for advice in the business, and even asked him to manage his career. But Tupac advised him to, "stay with Puff. He will make you a star.”   61.    The first big fallout happened when they were scheduled to work on a project together for another rapper, Little Shawn. Tupac arrived at Times Square’s Quad Recording Studios on November 30, 1994, and was getting ready to head upstairs to where Biggie and Combs were. But instead, Tupac was gunned down in the lobby and shot five times. Tupac reportedly believed that Biggie had prior knowledge of the attack and that he also knew who was behind it. "He really thought when he got shot the first time, not that Big set it up or anything, just Big didn't tell him who did it," Tupac's friend and Naughty by Nature frontman Treach told MTV News in June 2010. "In his heart, he was like, 'The homie knows who did it.' Biggie might have wanted to just stay out of it, like, 'I don't know nothing.' [Tupac] was like, 'Yo, man, just put your ear to the street. Let me know who hit me up.'" Despite Tupac's claims, Biggie remained adamant that he had been loyal to his friend. "Honestly, I didn't have no problem with [Tupac]," Biggie previously said. "I saw situations and how sh*t was going, and I tried to school [Tupac]. I was there when he bought his first Rolex, but I wasn't in the position to be rolling like that. I think Tupac felt more comfortable with the dudes he was hanging with because they had just as much money as him."   62.    Still, Tupac's suspicions were only heightened when Biggie released "Who Shot Ya?" a month after Tupac's attack. Biggie claimed that he wrote the song "way before Tupac got shot," but the rapper took it as Biggie's confession. "Even if that song ain't about it, you should be, like, 'I'm not putting it out, 'cause he might think it's about him,'" Tupac said in an interview with Vibe while incarcerated for an unrelated charge.   63.    When Tupac joined Death Row Records, the East Coast-West Coast rivalry was cemented. While Tupac was incarcerated for another incident, he came to believe Biggie knew about the attack ahead of time. The west coast rapper reached out to Suge Knight, who offered him a place on his Death Row Records roster. Tupac accepted, cementing the rivalry between Knight's label and Combs’ Bad Boy Records. “Any artist out there that wanna be an artist, stay a star, and won’t have to worry about the executive producer trying to be all in the videos, all on the records, dancing—come to Death Row!” Knight proclaimed at that 1995 Source awards show.   64.    There was never proof that Biggie or Combs knew about the incident. But a couple of months later, Biggie’s B-side single was a track called “Who Shot Ya?” which led to Tupac’s response with the song, “Hit ‘Em Up.” In it, Tupac claimed he slept with Biggie’s wife, Faith Evans. According to Vibe, Evans denied the claim, saying, “That ain’t how I do business.”   65.    Open Comments:   66.    Question: What Notable deaths hit you pretty hard? [Aaliyh/Al Jarreau/Andre Harrell/Areatha Franklin/Bernie Mack/Bill Withers/Bob Marley/Chadwick Boseman/Diahann Carroll/Donny Hathaway/Eazy-E/Florence Ballard/Florence Griffith Joyner/Fred “Curly” Neal/Heavy D/Jam Master Jay/Jimi Hendrix/John Lewis/John Singleton/John Thompson/Kobe Bryant/Left Eye/Little Richard/Malcolm X/Martin Luther King, Jr./Micgael Jackson/Muhammad Ali/Mya Angelou/Ol' Dirty Bastard/Otis Redding/Prince/Sam Cooke/The Notorious B.I.G./Toni Morrrison/Tupac/Walter Payton/Whitney Houston]   67.    Music Scene: Black Songs from the top 40   68.    #3-"I'll Be Missing You", Puff Daddy featuring Faith Evans and 112   69.    #4-"Un-Break My Heart", Toni Braxton   70.    #5- "Can't Nobody Hold Me Down", Puff Daddy featuring Mase   71.    #6-"I Believe I Can Fly", R. Kelly   72.    #7-"Don't Let Go (Love)", En Vogue   73.    #8-"Return of the Mack", Mark Morrison   74.    #13- "For You I Will", Monica   75.    #14-"You Make Me Wanna...", Usher   76.    #16-"Nobody", Keith Sweat featuring Athena Cage   77.    #20- "Mo Money Mo Problems", The Notorious B.I.G. featuring Puff Daddy and Mase   78.    #23-"No Diggity", Blackstreet featuring Dr. Dre   79.    #24-"I Belong to You (Every Time I See Your Face)", Rome   80.    #25-"Hypnotize", The Notorious B.I.G.   81.    #26-"Every Time I Close My Eyes", Babyface   82.    #27-"In My Bed", Dru Hill   83.    #30-"4 Seasons of Loneliness", Boyz II Men   84.    #31-"G.H.E.T.T.O.U.T.", Changing Faces   85.    #32-"Honey", Mariah Carey   86.    #33-"I Believe in You and Me", Whitney Houston   87.    #34-"Da' Dip", Freak Nasty   88.    #37-"Cupid", 112   89.    Vote:   90.    Top RnB Albums   91.    Jan - The Don Killuminati: The 7 Day Theory, Makaveli   92.    Mar - Baduizm, Erykah Badu   93.    Mar - The Untouchable, Scarface   94.    Apr - Life After Death, The Notorious B.I.G.   95.    May - Share My World, Mary J. Blige   96.    Jun - God's Property from Kirk Franklin's Nu Nation   97.    Jun - Wu-Tang Forever, Wu-Tang Clan   98.    Aug - Supa Dupa Fly, Missy "Misdemeanor" Elliott   99.    Aug - No Way Out, Puff Daddy and the Family   100.    Aug - The Art of War, Bone Thugs-n-Harmony   101.    Sep - Ghetto D, Master P   102.    Oct - When Disaster Strikes, Busta Rhymes   103.    Oct - Evolution, Boyz II Men   104.    Nov - The Firm: The Album, The Firm feat. Nas, Foxy Brown, Nature and AZ   105.    Nov - Harlem World, Mase   106.    Nov - The 18th Letter, Rakim   107.    Nov - Unpredictable, Mystikal   108.    Dec - Live, Erykah Badu   109.    Dec - R U Still Down? (Remember Me), 2Pac   110.    Vote:   111.    Music Scene: Erykah Badu, Queen of Neo-Soul   112.    Childhood & Early Years: Born as Erica Abi Wright on February 26, 1971 in Dallas, TX. Her father spent a considerable period in jail, vanished altogether in 1975, and only returned twenty years later. Her mother, a much respected actress in the local theatre, raised the children with the help  of her own mother and her mother-in-law. Erica spent a lot of time with these ladies while her mother was busy on the stage. Erica was born the eldest of 3. Although they were comparatively poor Erica never realized that because everything was neat and clean. Despite the absence of her father, she had a very happy childhood, surrounded by uncles, aunts, grandmothers and cousins. Her mother imbibed in her daughters a love for music, playing the songs of Chaka Khan, Marvin Gaye and Stevie Wonder to them. Erica inherited her mother’s artistic traits and a desire to perform. She would often sing in front of the mirror pretending that she was a background singer for Chaka Khan. She would also make her grandmother sit up and watch her while she sang, danced and acted. In 1975, Erica first appeared on stage, performing with her mother at Dallas Theatre Centre and by seven, she started learning to play the piano. Her favorite song was ‘The Greatest Love of All’. Another important aspect of her character was that from her childhood she loved to be in control of the situation around her. Therefore, when it was time for elementary schooling, she refused to continue her education there, mainly because she found that in school she was no longer in control. She began her formal education at a grade school, where her talent was quickly recognized. In her First Grade, she appeared in ‘Annie’, skipping and singing the song ‘Somebody Snitched On Me.’ During the summer vacations, she sang at the choir of the First Baptist Church, honing her choral skills.Along with acting and singing, little Erica also began to expand her cultural horizon, attending different festivals, especially Harambee Festival in South Dallas, slowly developing an interest in African culture and dress. The tall headgear she would wear one day originated from these visits.   113.    In 1980, she was enrolled in a dancing troupe. Later she also learned formal ballet. By 1982, she had also started rapping. When it was time to attend high school, she chose Dallas' Booker T. Washington High School, an arts-oriented magnet school. While studying there she rejected what she considered to be a slave name, changing the spelling of Erica to Erykah and replacing Wright with Badu. After graduating from high school, she enrolled at the Grambling State University, a historically black institution in Grambling, Louisiana, studying theatre until 1993. Thereafter, she returned to Dallas without completing her degree, mainly to concentrate on music.   114.    Career: In 1993, Erykah Badu started her career as a music teacher in Dallas. For a time, she also taught drama and dance at South Dallas Cultural Centre. To augment her income, she also served as waitress. She also formed a hip-hop duo with her cousin Robert Free Bradford, calling it ‘Erykah Free’. Very soon, they started going on musical tours and earning local opening slots. Her big chance came when in 1994 (@23), Erykah opened a show for D’Angelo. Through him, she caught the attention of Kedar Massenburg, an American record producer and founder of Kedar Entertainment. Impressed, he set her up to record a duet, ‘Your Precious Love' with D'Angelo. In 1995, she signed a contract with Kedar Entertainment and moved to Brooklyn. In January 1996, she made her debut with ‘On & On’, which remained at the number-one position on the U.S. Billboard Hot R&B/Hip-Hop Songs for two weeks. In 1996, Erykah also recorded her debut album, ‘Baduizm’. Released on February 11, 1997 by Kedar Records, The Grammy award-winning album received universal acclaim from critics, who not only praised the musical style of the album, but also her ‘artistic vision’, establishing her position as the torchbearer of soul music. Her next album, ‘Live’ was a live album released on November 18, 1997, barely a month after the release of its lead single, ‘Tyrone’. It was also a huge hit and reached number four on the US Billboard 200 and number one on the US Billboard Top R&B/Hip-Hop Albums. While ‘Live’ was being recorded Badu was pregnant with her first child. After its release, she took some time off to raise her child, not returning until 1999.   115.    Open Comments:   116.    Question: What is neo-soul and why don’t I like it?   117.    Movie Scene:Eve’s Bayou, Written and directed by Kasi Lemmons; produced by Caldecot Chubb and Samuel L. Jackson - Starring: Samuel L. Jackson (Louis Batiste), Jurnee Smollett (Eve Batiste), Lynn Whitfield (Roz Batiste), Debbi Morgan (Mozelle Batiste Delacroix), Vondie Curtis Hall (Julian Grayraven), Meagan Good (Cisely Batiste) and Diahann Carroll (Elzora).   118.    Review #1: “...As these images unfold, we are drawn into the same process Eve has gone through: We, too, are trying to understand what happened in that summer of 1962, when Eve's handsome, dashing father--a doctor and womanizer--took one chance too many. And we want to understand what happened late one night between the father and Eve's older sister, in a moment that was over before it began.   119.    We want to know because the film makes it perfectly possible that there is more than one explanation; "Eve's Bayou" studies the way that dangerous emotions can build up until something happens that no one is responsible for and that can never be taken back.   120.    All of these moments unfold in a film of astonishing maturity and confidence; "Eve's Bayou," one of the very best films of the year, is the debut of its writer and director, Kasi Lemmons. She sets her story in Southern Gothic country, in the bayous and old Louisiana traditions that Tennessee Williams might have been familiar with, but in tone and style she earns comparison with the family dramas of Ingmar Bergman. That Lemmons can make a film this good on the first try is like a rebuke to established filmmakers..."Eve's Bayou" resonates in the memory. It called me back for a second and third viewing. If it is not nominated for Academy Awards, then the academy is not paying attention. For the viewer, it is a reminder that sometimes films can venture into the realms of poetry and dreams. - Roger Ebert, Chicago Sun-Times   121.    Review #2: Kasi Lemmons’ fluid, feminine, African-American, Southern-gothic narrative covers a tremendous amount of emotional territory with the most graceful of steps. Young Jurnee Smollett plays 10-year-old Eve, struggling to understand the womanizing of her adored daddy (Samuel L. Jackson in easy, sexy command) and the passions of her big sister; Debbi Morgan, in a blazing performance, plays Eve’s vibrant aunt, infused with good-witch spiritual powers. The film’s dream-state visual elegance is matched by a great soundtrack. Grade, A-. -  Lisa Schwarzbaum, Entertainment Weekly   122.    Review #3: First and best, it's got a rip-roaring story. It sweeps you along, borne effortlessly by believable if flawed characters, as it flows toward the inevitable tragedy. But it's also got a heart: It watches as a child harsh of judgment learns that judgment is too easy a posture for the world, and it's best to love with compassion. - Stephen Hunter, Washington Post   123.    Review #4: “You don't have to believe in magic to be gripped by the psychic forces that the characters' sorcery unleashes. Sibling rivalry, sexual jealousy and anxiety are all feelings that, when heated to the boiling point, have incendiary, semi magical powers. And as the psychosexual forces that bind but also threaten the Batiste family heat up, you can feel the lid about to blow. Every element of the film -- from the turbulent, stormy performances to the rich cinematography (which includes black-and-white computer-enhanced dream sequences) to the setting itself, in which the thick layers of hanging moss over muddy water seem to drip with sexual intrigue and secrecy -- merges to create an atmosphere of extraordinary erotic tension and anxiety.   124.    At the center of it all, exuding a dangerous magnetism, is Jackson's Louis, a swashbuckling, flashing-eyed, slightly oily lightning rod of a charmer whose charisma conveys a warning electric buzz. Jackson has never played a character quite this avid. And in a performance that requires him to infuse the role of perfect father and dream lover with a demonic charge, Jackson makes Louis at once irresistibly lovable and slightly terrifying. - Stephen Holden, New York Times   125.    Open Comments:   126.    Question: Are our family dynamics still suffering, internally, from the legacy of slavery or we closer to moving past it.   127.    TV Scene: “Miss Evers’ Boys”: Powerful, haunting and artfully mounted, “Miss Evers’ Boys” is a docudrama of uncommon quality and clarity. The acting is exceptional, the characters vivid, the presentation balanced. Original films for television rarely aim so high as does this HBO NYC production...And cinematographically, it is a revelation, with director of photography Donald M. Morgan lending the production a strikingly dingy, washed-out look that blends perfectly with the piece’s bleak sensibility. The story as told here centers on nurse Eunice Evers (a dynamic, layered performance from Alfre Woodard). Evers went to work at Alabama’s Tuskegee Hospital in 1932 to assist a certain Dr. Brodus (brilliant work from Joe Morton) in caring for poor black men (sharecroppers mostly) who have been stricken with syphilis. Enter Dr. Douglas (Craig Sheffer), a white doctor who brings with him a fully funded program to treat syphilis at the hospital, offering free treatment to any man who tests positive for the disease. A few months pass before Brodus travels to Washington to meet with Douglas and a government panel of doctors who tell him the funding for treatment has dried up. However, money is available for a study of the syphilitic African-American men. The catch: They can receive no medical treatment initially as a way to establish whether syphilis affects blacks and whites differently. Brodus initially is outraged, but acquiesces in the belief the study will disprove the racist notion of physiological inferiority in blacks. Evers also reluctantly follows along, lying to the men while giving them only vitamins, tonics and liniment rubs. But as the months turn into years, it becomes clear that the afflicted men will never receive treatment. Only with their deaths is the study of how the disease runs its course made complete and viable….[the movie] switches gears during its second hour to become an examination of Evers’ gut-wrenching moral ambiguity in sticking around to help perpetrate this ghastly fraud over 40 years. Woodard movingly conveys the conflict weighing down Evers’ guilt-riddled soul, giving a profound resonance to the disturbing ethical questions raised by her dedication in the name of lending the men comfort and a form of loving (if deliberately ineffectual) care….the overall tone and tenor of “Miss Evers’ Boys” is one of subtle brilliance, bolstered by an exquisitely detailed period sheen that screams excellence. After it’s over, you sit disbelieving that such an inhumane, insidious experiment designed to reduce black men to the level of laboratory animals could ever have been conducted in the United States of America — much less gone undetected until 25 years ago. It went far beyond mere institutional racism. It was pure evil. — Ray Richmond Vanity Fair   128.    Open Comments:   129.    Vote: Best/most important/favorite pop culture item from 1997?

PART ONECo-hosts Scott and Paul pay tribute to the legacies of Eddie Van Halen and Johnny Bush, two songwriters from very different genres who recently passed. PART TWOOur in-depth interview with the amazing Ledisi where she reveals her wide-ranging influences; gives us the inside track on working with Rex Rideout, Raphael Saadiq, and Jimmy Jam & Terry Lewis; talks about the hand Prince played in shaping her career, and explains why she geeked out when she saw Bruce Springsteen at the Grammy Awards. ABOUT LEDISILedisi is a singer, songwriter, and actress with a dozen Grammy nominations in categories including Best New Artist, Best R&B Album, Best R&B Performance, and Best R&B Song. After several years on her own independent label she signed with Verve Forecast Records for her album Lost & Found, which hit the Top 10 on Billboard’s R&B Albums chart. She went on to release a string of albums for the label, all of which hit the Top 5 on the US charts. In addition, she landed more than a dozen hits on Billboard’s R&B singles charts, including “Alright,” “Goin’ Thru Changes,” “Pieces of Me,” “Stay Together,” “I Blame You,” “High,” “All the Way,” and others. In addition to her twelve Grammy nominations, Ledisi has won two Soul Train Music Awards, been nominated for Best Female Artist three times at the NAACP Awards, and is an NAACP Spirit Award honoree. She performed at the White House seven times at the request of Barack and Michelle Obama, and has maintained consistently high critical acclaim—from her first album to her most recent release, The Wild Card on her own Listen Back Entertainment in partnership with BMG. 

Topics: Tupac death, Fugees, Set It Off, Moesha (Bonus Artist: hidingtobefound) http://afropopremix.com 1996 Snapshots 1.    President: Bill Clinton 2.    Jan - Whitewater scandal: U.S. First Lady Hillary Clinton testifies before a grand jury. 3.    Feb - Daniel Green is convicted of the murder of James Jordan, the father of basketball star Michael Jordan. 4.    Mar - Lyle and Erik Menendez are found guilty of first-degree murder for the shotgun killing of their parents. 5.    Apr - Chicago Bulls set a new NBA record for the most wins in a season, 70. 6.    May -? 7.    Jun - The Colorado Avalanche wins their first Stanley Cup in their first season based out of Denver and The Chicago Bulls win their fourth NBA Championship by defeating the Seattle Supersonics. 8.    July - The Centennial Olympic Park bombing at the 1996 Summer Olympics kills 2 and injures 111. 9.    Aug - Tiger Woods makes his professional PGA Tour debut. 10.    Sep - Tupac Shakur dies. 11.    Oct - The Fox News Channel is launched. 12.    Nov - Bill Clinton defeats Republican challenger Bob Dole to win his second term. 13.    Dec - Death of JonBenét Ramsey: A six-year-old beauty queen is beaten and strangled in the basement of her family's home in Boulder, Colorado; her body is found the following day. 14.    Open Comments: 15.    Music Snapshots 16.    #1 Macarena (Bayside Boys Mix), Los del Río 17.    #2 One Sweet Day, Mariah Carey and Boyz II Men 18.    #3 Because You Loved Me, Celine Dion 19.    Record of the Year: Change the World – Eric Clapton 20.    Album of the Year: Falling Into You – Celine Dion 21.    Song of the Year: Change the World 22.    Best New Artist: LeAnn Rimes 23.    Best Female R&B Vocal Performance: You're Makin' Me High – Toni Braxton 24.    Best Male R&B Vocal Performance: Your Secret Love – Luther Vandross 25.    Best R&B Performance by a Duo or Group with Vocal: Killing Me Softly – Fugees 26.    Best R&B Song: Exhale (Shoop Shoop), Babyface, songwriter (Whitney Houston) 27.    Best R&B Album: Words – The Tony Rich Project 28.    Best Rap Solo Performance: Hey Lover – LL Cool J 29.    Best Rap Performance by a Duo or Group: Tha Crossroads – Bone Thugs-N-Harmony 30.    Best Rap Album: The Score – Fugees 31.    Movie Snapshots 32.    #1 Independence Day 33.    #2 Twister 34.    #3 Mission: Impossible 35.    Notables: Don't Be a Menace to South Central While Drinking Your Juice in the Hood, The Birdcage, Fargo, A Thin Line Between Love and Hate, The Nutty Professor, Kazaam, Set It Off, Space Jam, Jerry Maguire. 36.    TV Snapshots 37.    #1 - ER 38.    #2 - Seinfeld 39.    #3 - Suddenly Susan 40.    Debuts: Moesha, The Daily Show, Kenan & Kel, The Steve Harvey Show, In The House, Malcolm & Eddie, Homeboys in Outer Space, The Jamie Foxx Show 41.    Economic Snapshots 42.    Income = 36.3k (Previously 36K) 43.    House = 118.2K (113) 44.    Car = 16.3k (15.5) 45.    Rent = 554(550) 46.    Harvard = 27.5k (26k) 47.    Movie = 4.42 (4.35) 48.    Gas = 1.22 (1.12) 49.    Stamp = .32 (-) 50.    Social Scene: Tupac Killed 51.    Childhood: Tupac Shakur, born Parish Crooks, was born on June 16, 1971, to Black Panther activist parents in New York City. Thirteen days later, his mother, Alice Faye Walker (Afeni Shakur), changed his name. The parents wanted to avoid him being targeted by Black Panther-affiliated enemies. His mother was imprisoned while she was pregnant with him. Tupac's father, Billy Garland, was also a Panther but lost contact with Afeni when Tupac was five years old. The rapper would not see his father again until he was 23 - I thought my father was dead all my life. 52.    Early Life: He had a difficult childhood, as he grew up in the company of criminals, militant activist, violence, and a drugged addicted mother with a transient lifestyle. Art became a constructive and safe escape. His first acting stint was in 1983 (@12 yrs. old) with the Harlem’s 127th StreetRepertory Ensemble when he performed in a play ‘A Raisin in the Sun’ at the Apollo Theater. In 1984, Tupac's family moved from New York City to Baltimore, Maryland.There he studied poetry, jazz, acting, and ballet at the Baltimore School for the Arts and befriended Jada Pinkett. The family later moved to Marin City, California, across the bay from Oakland, in 1988 (@17 yrs. old). They went to the home of a woman Afeni had been close to during her Black Panther days and lived in a poor housing complex, referred to as ‘the Jungle.’ 53.    Early Career: While attending high school he participated in a poetry workshop known as The Microphone Sessions, organized by Leila Steinberg, who would eventually become his first manager. She introduced 19-year-old Tupac to Atron Gregory, a manager for the World Class Wrekin Cru’ and tour manager for NWA, who had just returned to the Bay Area, started TNT Records, and quickly gained attention by signing Digital Underground.  Gregory matched Tupac with Digital Underground as a roadie and backup dancer. Tupac’s talent was soon recognized by the group, and he began rapping in some of their songs. He debuted on ‘Same Song,’ which was featured in the 1991 film Nothing But Trouble. (@20 yrs. old) 54.    Solo Career: He released his debut solo album ‘2Pacalypse Now’ in 1991. (Big hit - 'Brenda's Got a Baby') Also in 1991, Shakur filed a $10-million lawsuit against the Oakland Police Department for allegedly brutalizing him over jaywalking. The case was settled for about $43,000. (1992 - Juice, first starring role) His second album, ‘Strictly 4 My N.I.G.G.A.Z’ came out in 1993. It was more successful than its predecessor and contained the hits ‘Keep Ya Head Up’ and ‘I Get Around’. (1993 - Poetic Justice, co-starred with Janet Jackson) In 1994, he formed a group Thug Life and they released one album ‘Thug Life: Volume 1. (1994 - Above the Rim, Co-starred with Duane Martin) During this period he had several brushes with the law (he was associated with the shooting of a 6 yr. old Qa'id Walker-Teal in Marin City / shooting two policemen / various physical assaults) and was shot in an armed robbery case. After recovering from the shooting, he was sent to prison on a sexual assault charge. He released the album ‘Me Against the World’ in 1995 (@24) while serving his prison term. The album was an immediate hit and debuted at number one on the Billboard 200. 55.    Final Album: During 1995, while imprisoned, impoverished, and with his mother about to lose her house, Tupac had his wife get word to Marion Suge Knight, in Los Angeles, boss of the Death Row Records, at the time a verry successful company, and asked for a meeting. Tupac's mother received $15k, Suge paid Tupac's $1.4m bail, signed the rapper, and went to work on the album ‘All Eyez on Me’. The album was recorded in two weeks! In a matter of two weeks, Tupac recorded and completed the double-disc album, completing two out of three albums he owed Death Row. (The third release would end up being the posthumously released The Don Killuminati: The 7 Day Theory) Released in February of 1996, the album featured five singles and went multi-Platinum in just a few months after its release. 56.    Death: Seven months later, in September 1996, Tupac was killed in a drive-by shooting. He was 25 years old. 57.    Open Comments: 58.    Question: Confused young man or someone to be taken seriously? (What did he represent?) 59.    Music Scene: 60.    Black Songs in the Top 40 61.    #1 Macarena (Bayside Boys Mix), Los del Río 62.    #2 One Sweet Day, Mariah Carey and Boyz II Men 63.    #4 Nobody Knows, The Tony Rich Project 64.    #5 Always Be My Baby, Mariah Carey 65.    #6 Give Me One Reason, Tracy Chapman 66.    #7 Tha Crossroads, Bone Thugs-n-Harmony 67.    #9 You're Makin' Me High / Let It Flow, Toni Braxton 68.    #10 Twisted, Keith Sweat 69.    #11 C'mon N' Ride It (The Train), Quad City DJ's 70.    #14 Exhale (Shoop Shoop), Whitney Houston 71.    #16 Sittin' Up in My Room, Brandy 72.    #17 How Do U Want It / California Love, 2Pac featuring K-Ci and JoJo 73.    #20 Hey Lover, LL Cool J 74.    #21 Loungin, LL Cool J 75.    #23 Be My Lover, La Bouche 76.    #27 I Can't Sleep Baby (If I), R. Kelly 77.    #32 Not Gon' Cry, Mary J. Blige 78.    #33 Gangsta's Paradise, Coolio featuring L.V. 79.    #34 Only You, 112 featuring The Notorious B.I.G. and Mase 80.    #35 Down Low (Nobody Has to Know), R. Kelly featuring The Isley Brothers 81.    #36 You're the One, SWV 82.    #37 Sweet Dreams, La Bouche 83.    #38 Before You Walk Out of My Life / Like This and Like That, Monica 84.    #40 1, 2, 3, 4 (Sumpin' New), Coolio 85.    #42 No Diggity, Blackstreet featuring Dr. Dre 86.    Vote: 87.    Top RnB Albums 88.    Jan - Waiting to Exhale, Soundtrack / Various artists 89.    Feb - Str8 off tha Streetz of Muthaphukkin Compton, Eazy-E 90.    Mar - All Eyez on Me, 2Pac 91.    Mar - The Score, Fugees 92.    Apr - The Coming, Busta Rhymes 93.    Apr - The Resurrection, Geto Boys 94.    Jun - Gettin' It (Album Number Ten), Too Short 95.    Jun - Legal Drug Money, Lost Boyz 96.    Jun - The Nutty Professor, Soundtrack / Various artists 97.    Jul - Secrets, Toni Braxton 98.    Jul - Keith Sweat, Keith Sweat 99.    Jul - It Was Written, Nas 100.    Aug - Beats, Rhymes and Life, A Tribe Called Quest 101.    Sep - ATLiens, Outkast 102.    Sep - Home Again, New Edition 103.    Oct - Another Level, Blackstreet 104.    Nov - Bow Down, Westside Connection 105.    Nov - Ironman, Ghostface Killah 106.    Nov - The Don Killuminati: The 7 Day Theory, Makaveli 107.    Nov - Tha Doggfather, Snoop Dogg 108.    Dec - Hell on Earth, Mobb Deep 109.    Dec - Muddy Waters, Redman 110.    Vote: 111.    Featured Artist: The Fugees 112.    Lauryn Hill (@21 yrs. old in 1996) was born in 1975 to a high school teacher and computer expert in New Jersey. Her mother played piano and her father sang in nightclubs. Young Lauryn sang in church choirs, gospel groups and showed a strong voice. She loved '60s and '70s soul and by age thirteen, she was playing the amateur night showtime at the Apollo, doing a cover of Smokey Robinson's "Who's Loving You". Hill nabbed minor roles on television's As the World Turns and in the film Sister Act II: Back in the Habit. Her work with the Fugees began in 1987 in high school with friend Prakazrel Samuel Michel. 113.    "Pras" (@23 in 1996) was born in Brooklyn in 1972 and raised in New Jersey. He showed an early interest in music and attended Rutgers University and Yale University, pursuing a double major in Philosophy and Psychology. 114.    Wyclef Jean (@27 yrs. old) was born in 1969 in Haiti, the son of a minister. When he was nine, he moved to the projects of Brooklyn, and later New Jersey, where he took up guitar and the study of music. 115.    The trio formed in the late '80s, named themselves the Tranzlator Crew and used Hill's soap opera acting proceeds to pay for equipment. They toured the tri-state area and were signed to major label Ruffhouse/Columbia in 1993. Hill was still a minor. Shortly thereafter, they renamed themselves Fugees, a derisive slang term for refugees, and released a debut 12-inch Fugees (Tranzlator Crew) "Boof Baf" to no notable sales. 116.    Their 1994 debut LP Blunted on Reality, stylized in a fashion like A Tribe Called Quest, Poor Righteous Teachers, and Digable Planets, did better. However, it was the remixed versions of "Nappy Head (Mona Lisa)" and "Vocab" that earned the group another budget for a follow-up album. (Also, notable, in later interviews Pras would say that a married Wyclef and the underage Hill were having a clandestine relationship at the time) 117.    Combining a mix of conscious hip hp, soul, and reggae, with a homemade basement studio, sampled melodies, live guitars, bass, keys, "The Score" arrived in 1996, filling the void between gangsta and glitter. It became an instant classic, ultimately selling over 18 million copies. 118.    Open Comments: 119.    Internal "Affairs": In the summer of 1996, on the Smoking Grooves Tour, Hill met Rohan Marley, (one of Bob Marley's kids) and even though the former University of Miami football player was initially rebuffed, because Hill was still seeing Jean, , no one knew who the child really belonged to. 120.    In the summer of 1996 Hill had met Rohan Marley, a son of Bob Marley and a former University of Miami football player. Hill subsequently began a relationship with him, while still also involved with the married Wyclef. She soon became visibly pregnant. Marley and Hill's first child was born the following summer. 121.    Soon after Zion was born, she learned that Marley already had a wife and two children from another marriage. 122.    Amid newfound international fame and baby Daddy drama, Wyclef did not support Hill's solo desires (she had made appearances on Wyclef's solo project), thus leading to the group splitting up. 123.    Hill started work on The Miseducation of Lauryn Hill; blocking out Wyclef Jean from any type of production help after he had snubbed her. Her old-school takes on "Doo Wop (That Thing)" helped it rule the charts in 1998 and win five Grammy Awards, including Album of the Year, Best New Artist, Best Female R&B Vocal Performance, Best R&B Song, and Best R&B Album -- the most ever for a woman. 124.    Meanwhile, Hill was having more of Marley's children and becoming close with Brother Anthony, a spiritual adviser who studied the Bible with her several times per week. In 2001, she recorded an MTV Unplugged session where she broke down in tears and admitted to being deranged and emotionally unstable. Rolling Stone called the session "a public breakdown", though it debuted at number three on the Billboard 200 and went platinum. 125.    She has been a sporadic and reluctant public figure ever since. 126.    Question: Have you ever had an affair with a co-worker? How did it turn out? 127.    Movie Scene: Set It Off. [Directed by F. Gary Gray Action, Crime, Drama, Romance, Thriller. Starring Queen Latifah, Jada Pinkett, and Vivica A. Fox] 128.    Rotten Tomatoes, Critics Consensus: It may not boast an original plot, but Set It Off is a satisfying, socially conscious heist film thanks largely to fine performances from its leads. 129.    Emanuel Levy, Variety 11-1996: Influenced by "Thelma & Louise" and "Waiting to Exhale," F. Gary Gray's "Set It Off" is a well-crafted girls-n-the-hood actioner, with an acute social conscience and plenty of soul. A tale of female bonding and empowerment, this relevant film boasts a terrific cast, headed by Jada Pinkett and Queen Latifah in career-making performances. 130.    Stephen Holden, New York Times 11-1996: Just Trying to Get Even While They Get Rich. On the long list of Hollywood heist movies that make you root for its criminals to steal a million dollars and live happily ever after, F. Gary Gray's film ''Set It Off'' is one of the most poignantly impassioned. If this messy roller coaster of a film often seems to be going in several directions at once, it never for a second loses empathy for its quartet of black female bank robbers who grew up together in a Los Angeles housing project and earn meager wages working for a janitorial service... A pop psychologist might translate the story into a fable called ''Women Who Rob Banks and the Society That Hates Them.' 131.    Roger Ebert 11-1996: “Set It Off” is advertised as a thriller about four black women who rob banks. But it's a lot more than that. It creates a portrait of the lives of these women that's so observant and informed; it's like “Waiting to Exhale” with a strong jolt of reality. The movie surprised and moved me: I expected a routine action picture and was amazed how much I started to care about the characters. 132.    Kent, Entertainment Weekly 09-2019: Why Set It Off is an era-defining film that shouldn't be remade. We are clearly in the age of reboots and remakes, but the '90s heist film is irreplaceable. 133.    Question 1: Remake or Sequel? 134.    Question 2: Do we really want more black female action heroines/stories? (i.e., women of Black Panther, "Breaking In" movie, Berry, Valkyrie, Guardians...etc.) 135.    TV Scene: Moesha 136.    Screen Rant: No show lasts for six seasons without making a cultural impact; Moesha was nominated for 32 awards and won three: two NAACP Image Awards and one SHINE Award. The series was syndicated, and still airs around the world. Netflix picked up streaming rights to the series in 2020, which became available to US subscribers on August 1, 2020. As new viewers will discover, however, despite how influential the show was, it ends abruptly after a significant cliffhanger for the main character in the season 6 finale. Despite the recognition, the show steadily declined in ratings, leading to its cancelation. 137.    Moesha Mitchell went through quite the journey on Moesha. At the beginning of the series, Moesha was still dealing with her mother's death a few years prior and learning to come to terms with her new stepmother, Deirdre "Dee" Mitchel (Sheryl Lee Ralph) — who just happened to be the vice principal at Moesha's school. The final season sees Brandy experiencing the trials and tribulations of being a young adult, complete with an engagement to long-time on-again, off-again boyfriend Quinton "Q" Brooks (Fredro Starr) and attending college. The final episode ends with the reveal of a positive pregnancy test in Moesha's dorm — who it belongs to, however, is a mystery. Since the show never got another season, the storyline was never resolved. 138.    According to EW, at the time, UPN's plan was to address the pregnancy cliffhanger in the spin-off series The Parkers, which premiered on the network in 1999. The Parkers followed Moesha's "boy-crazy" friend Kimberly Ann "Kim" Parker as she navigated attending college with her mother, who has decided to enlist at the same time as her daughter. For unknown reasons, however, the planned resolution never took place, despite The Parkers running until 2005. With there being reports of a possible reboot series in the works, perhaps this Moesha storyline — as well as the question of what happened to Moesha's brother Myles, who disappeared in the finale — can finally be laid to rest." 139.    Question: Is it reboot worthy? / Is any classic black TV show reboot worthy? 140.    Vote: Best/most important/favorite pop culture item from 1996?

Daryl Simmons attended North Central High School in Indianapolis, Indiana together with future Pop and R&B producer-songwriter-singer Kenneth "Babyface" Edmonds. The duo would write songs at each other's homes on a consistent basis. With the success of “Two Occasions”, the trio began working with outside artists such as Pebbles, Sheena Easton, The Whispers, Paula Abdul, Karyn White, Johnny Gill and Bobby Brown.Reid and Edmonds relocated to Atlanta in 1989, to form their own company, LaFace Records. The duo was joined by Simmons and together they discovered, signed and produced their own artists such as Toni Braxton, TLC, Usher, Damian Dame and OutKast. In 1991, Simmons co-wrote and co-produced Boyz II Men's most successful song to date, “End of the Road”, from the Eddie Murphy movie, Boomerang. The song garnered a Grammy Award in 1992 for “Best R&B Song”. “End of the Road” topped the charts from August 15 through November 7, 1992, setting a record for most weeks at number one with 13 weeks, beating Elvis Presley's 11-week hold with "Hound Dog" and "Don't Be Cruel". Presley's record had stood 36 years.Simmons, Edmonds and Reid collaborated again with Whitney Houston on The Bodyguard soundtrack (since 1990's album "I'm Your Baby Tonight"), which went on to sell more than 45 million albums worldwide. The trio also worked with Michael Jackson on his Dangerous album. Although the trio's songs didn't make it into the album's final cut, Simmons enjoyed working with Jackson and deems it an “amazing experience”.In 1994, Edmonds released the solo album, “For the Cool in You”. Simmons was a major contributor to this triple platinum album. Edmonds collaborated with Simmons on Aretha Franklin's, "Willing to Forgive" which reached no. 5 on the R&B charts, and Mariah Carey's “Never Forget You” which peaked at number 7. Simmons and Edmonds also penned Tevin Campbell's smash hit, “Can We Talk”.In the mid ‘90s as the trio's collaborative efforts began to slow, Simmons formed his own company, “Silent Partner Productions”. Simmons built a state-of-the-art recording studio and began working on solo projects. He wrote and produced a Top 10 Pop hit for Monica with “Why I Love You So Much” (#3 R&B). Simmons also produced and co-wrote Dru Hill's “In My Bed”. "In My Bed" was a number-one platinum-selling R&B single by R&B group Dru Hill. It is the second single from their eponymous debut album. The single spent three weeks at number-one on the US R&B chart and peaked at number four on the US pop chart. Simmons followed this hit with a ballad from the same Dru Hill album, “Never Make a Promise”. The single spent four weeks at number one on the US R&B chart and peaked at number seven on the US pop chart.Other notable productions include songs and production for Elton John, Destiny's Child, BeBe & CeCe Winans, Mýa, Diana Ross, Aretha Franklin, Lionel Richie, Dru Hill, Kevon Edmonds and 98 Degrees, amidst many, many more!Website: http://www.darylsimmons.com/Instagram: https://www.instagram.com/daryllsimmons/Facebook: https://www.facebook.com/DarylSimmonsMusic

Daryl Simmons is a Grammy Award Winning songwriter & producer. He has worked with Whitney Houston, Michael Jackson, Toni Braxton & TLC along with so many legendary artists. He co-wrote and co-produced Boyz II Men's most successful song to date, “End of the Road” that won a Grammy Award for “Best R&B Song” in 1992. We had such a great conversation talking about his journey about how he met and worked with LaFace Records production duo L.A. Reid & Kenneth "Babyface" Edmonds. We also cover songwriting, working with Whitney and Michael & so many more great stories. Check out this interview!

Es el momento de disfrutar, Se trata de hacer nuevas las cosas antiguas.Está bien mirar hacia atrás por un momentoPor ello te invitamos a este Show con Grover Washington JrSu gran oportunidad llegó cuando el saxo Hank Crawford no se presentó para grabar con Kudu Records, la casa discográfica de Creed Taylor.2 La sesión de grabación le brindó la oportunidad de grabar su primer disco, Inner City Blues, consolidándose como músico profesional.Aunque conocido entre los músicos de jazz, no fue hasta su cuarto álbum, Mister Magic (1974), que tuvo un reconocimiento comercial. El álbum llegó al puesto número 10 en Billboard Top 40 y la canción del mismo título alcanzó el puesto 16 en las listas R&B y el puesto 54 en las listas de pop Su siguiente álbum, Feels So Good (1975), también llegó al puesto número 10. Su álbum Winelight (1980), que incluye una colaboración con Bill Withers, "Just The Two of Us", fue clasificado disco platino en 1981, y consiguió dos Premios Grammy en 1982 (Best R&B Song por "Just the Two of Us" y Best Jazz Fusion Performance por "Winelight").1Ayudó a promocionar a una nueva generación de músicos como Kenny G. Murió el 17 de diciembre de 1999 tras sufrir un infarto de miocardio en los estudios CBS en Nueva York,Fourplay and Bob James:•Piano y teclados: Bob James•Bajo: Nathan East•Batería: Harvey Mason•Guitarra: Chuck Loeb, Larry Carlton, Lee RitenourSaxo Kirk WhalumDavid Grusin & Lee RitenourContribuyó a fundar GRP Records, que se convirtió en una de las mejores compañías de jazz contemporáneo y fusión, con grabaciones de artistas como The Rippingtons, Spyro Gyra, David Benoit, Lee Ritenour y Tom Scott. Grusin continuó grabando en los '80s y '90s, en numerosos proyectos, desde la fusión y el pop a trabajar con orquestas sinfónicas. También dirigió la GRP Big Band, en bandas sonoras como "The Fabulous Baker Boys", y grabando sesiones a dúo con su hermano, Don, y Lee Ritenour.Joseph Leslie "Joe" Sample:Sample fue un pianista influido por Horace Silver y McCoy Tyner, con conceptos melódicos muy establecidos y reminiscencias de la música religiosa negra, que adoptó su estilo a las exigencias de la trayectoria musical del grupo The Crusaders. Sin embargo, cuando actuaba como acompañante de músicos de jazz, revelaba una poderosa energía de verdadero "bopper"El grupo "The Jazz Crusaders" fue formado por el trombonista Wayne Henderson, el saxofonista Wilton Felder, el teclista Joe Sample y el baterista Stix Hooper, a los que se unieron el guitarrista Roy Gaines y el contrabajista Jimmy BondJoe Mcbride:Joe ha grabado 9 álbumes como líder y ha grabado e interpretado con quién es quién del jazz, incluidos Philip Bailey, Dave Koz, Grover Washington Jr., Peter White, Rick Braun, Kirk Whalum, Jonthan Butler y la lista sigue y sigue. Ha sido uno de los favoritos en Ciudad del Cabo, Sudáfrica, donde su nueva versión de "Sunny" de Bobby Hebb con Stanley Turrentine se convirtió en un clásico del Cabo entre los fanáticos del jazz. Su último lanzamiento discográfico es "Looking For A Change" y hace que Joe vuelva a visitar las clásicas canciones y arreglos de R&B y Pop en un estilo de trío de jazz más tradicional.Para terminar con el gran productor y bajista J. Cirt Gill extraido de su único álbum Smooth for you

Daryl Simmons attended North Central High School in Indianapolis, Indiana together with future Pop and R&B producer-songwriter-singer Kenneth "Babyface" Edmonds. The duo would write songs at each other's homes on a consistent basis. With the success of “Two Occasions”, the trio began working with outside artists such as Pebbles, Sheena Easton, The Whispers, Paula Abdul, Karyn White, Johnny Gill and Bobby Brown. Reid and Edmonds relocated to Atlanta in 1989, to form their own company, LaFace Records. The duo was joined by Simmons and together they discovered, signed and produced their own artists such as Toni Braxton, TLC, Usher, Damian Dame and OutKast. In 1991, Simmons co-wrote and co-produced Boyz II Men's most successful song to date, “End of the Road”, from the Eddie Murphy movie, Boomerang. The song garnered a Grammy Award in 1992 for “Best R&B Song”. “End of the Road” topped the charts from August 15 through November 7, 1992, setting a record for most weeks at number one with 13 weeks, beating Elvis Presley's 11-week hold with "Hound Dog" and "Don't Be Cruel". Presley's record had stood 36 years. Simmons, Edmonds and Reid collaborated again with Whitney Houston on The Bodyguard soundtrack (since 1990's album "I'm Your Baby Tonight"), which went on to sell more than 45 million albums worldwide. The trio also worked with Michael Jackson on his Dangerous album. Although the trio's songs didn't make it into the album's final cut, Simmons enjoyed working with Jackson and deems it an “amazing experience”. In 1994, Edmonds released the solo album, “For the Cool in You”. Simmons was a major contributor to this triple platinum album. Edmonds collaborated with Simmons on Aretha Franklin's, "Willing to Forgive" which reached no. 5 on the R&B charts, and Mariah Carey's “Never Forget You” which peaked at number 7. Simmons and Edmonds also penned Tevin Campbell's smash hit, “Can We Talk”. In the mid ‘90s as the trio's collaborative efforts began to slow, Simmons formed his own company, “Silent Partner Productions”. Simmons built a state-of-the-art recording studio and began working on solo projects. He wrote and produced a Top 10 Pop hit for Monica with “Why I Love You So Much” (#3 R&B). Simmons also produced and co-wrote Dru Hill's “In My Bed”. "In My Bed" was a number-one platinum-selling R&B single by R&B group Dru Hill. It is the second single from their eponymous debut album. The single spent three weeks at number-one on the US R&B chart and peaked at number four on the US pop chart. Simmons followed this hit with a ballad from the same Dru Hill album, “Never Make a Promise”. The single spent four weeks at number one on the US R&B chart and peaked at number seven on the US pop chart. Other notable productions include songs and production for Elton John, Destiny's Child, BeBe & CeCe Winans, Mýa, Diana Ross, Aretha Franklin, Lionel Richie, Dru Hill, Kevon Edmonds and 98 Degrees, amidst many, many more!http://www.darylsimmons.com/@thecareermusician@nomadsplace

Welcome to this live broadcast from the 33rd Annual GRAMMY AWARDS, hosted by Arsenio Hall! Audience: (pumping fists in a medium-tight circular motion near their heads) Hoo hoo hoo hoo hoo hoo! Arsenio Hall: Guys, that's enough, even I'm sick of that bit, kind of like David Bowie and Tin Machine, amiright?! Audience: (pumping fists in a medium-tight circular motion near their heads): Boo boo boo boo boo boo! Arsenio Hall: Or what's the deal with Bob Dylan's shattered love life, flatlining album sales, flagging cultural relevance, and obvious but functional alcoholism?  What a card, AMIRIGHT!?!? Audience: (pumping fists in a medium-tight circular motion near their heads whilst softly crying): Boo hoo boo hoo boo hoo. Arsenio Hall: Let's get right to it, with some awards, and in the interest of time and frankly, my sanity, there's one winner for the following 18 awards: Best Rap Album, Best R+B Album, Best Rap Song, Best R+B Song, Best Music Video Long Form, Best Hammer Pants, Best Dope Haircut, Best Life, Best Tour That Had To Be Cancelled But Whose Fault Is That Really Anyway The Fans That's Who For Not Supporting MC Hammer Scratch That It's Just Hammer Now Quiet Down Critics Still A Tour As Lavish As His Lifestyle: You're not gonna believe this, but ALL of those awards go to... MICHAEL BOLTON!!!! Steel bars, wrapped all around us, on this 1991 edition of Bowie vs. Dylan.

On This Episode of The Beautiful Butterfly Radio Show We Welcome Singer, Songwriter & Producer Elijah Bland, as He Shares with us some of his latest music Such as " The One"  , " For The Record",  "Wash The Mirror ( Love Yourself) ". Also tune in to discover the Powerful messages he strives to deliver in his music, and His Upcoming Projects for 2018.   Meet Our Guest: ELIJAH BLAND is not your average man, and certainly not your average artist.  The multi-talented actor, singer, songwriter, producer, musician and entrepreneur embodies a presence and style matched by few in his generation.  His musical sensibility reflects a range of inspiration, from the sensual musicality of Prince, to the funky twang of Bill Withers, to the spiritual soul of Al Green, to the bold essence of Isaac Hayes.  With his latest single, entitled "The One", Bland delivers an uplifting ballad that many listeners are calling an "instant wedding classic." ?Born and raised in Hackensack, New Jersey, USA, Bland is a self-taught musician who has been tuning his uncanny ear for music since he started playing piano at the tender age of five.  As a standout student-athlete, he generally kept his artistic abilities under the radar and earned a full scholarship to play NCAA Division II college basketball.  While excelling on the court and earning a bachelor’s degree in Computer Science and Musi The independent release of his full-length album, Soulcentric, garnered immediate international acclaim with the singles “Talk To Me”, which debuted on the nationally-syndicated Michael Baisden Show, and “Necessary”, nominated for Best R&B Song in the 9th Annual Independent Music Awards.    

Tonight, on It's Real Talk Radio, we'll be recapping the 2018 Grammys which marks the 60th ceremony of the Grammys. From star studded performances to edge of your seat award announcements, the 2018 Grammys will be one to remember. Grammy Nomination categories include: Best Pop Solo Performance, Best Pop Vocal Album, Best Dance Recording, Best Contemporary Instrumental Album, Best Rock Song, Best Rock Album, Best Alternative Music Album, Best R&B Performance, Best Traditional R&B Performance, Best R&B Song, Best Urban Contemporary Album, Best R&B Album, Best Rap Performance, Best Rap Sung Performance, Best Rap Song, Best Rap Album, Best Music Video, Best Music Film, Song Of The Year, Record Of The Year, Album Of The Year, and the list goes on and on. So what did you think of the 2018 Grammys? Did you enjoy the performances? Did you agree with the nominations? Did you agree with the winners? Do you think anyone was robbed? If so, who, in what category and why? We'll be sharing our thoughts on some the performances, nominations and winners, so don't miss out! Let's see how much we agree and disagree on. For anyone who agrees or disagrees wholeheartedly, feel free to express yourself. You can Facebook Inbox us or email us (info listed below) to share your views. 1 thing's for sure and 2 things for certain, it's about to get real! #ItJustGotReal Call In # 347-838-9540 Email: ItsRealTalkRadio@gmail.com Facebook: https://www.facebook.com/ItsRealTalkRadio Facebook Fan Page: https://www.facebook.com/ItsRealTalkRadioFamily Twitter: https://twitter.com/ItsRealRadioMD

Some things in life and business are to be expected. In this weeks news, there was a little bit of both involved - good and not so good. This "expectation" is in order for congratulations. Singer and reality TV regular Ray J is set to become a first-time father. Ray J and Princess Love wed in August, 2016. An additional congrats, goes to rapper Rick Ross as he has scored a high-profile deal with luxury rap watchmaker Hublot to named the official brand ambassador the company, which was established in 1976. Meek Mill and his legal issues seemed to be gaining some positive progress with names such as Jay-Z and Rev. Al Sharpton lending time to his probation violation case via their platforms. Unexpectedly, he hit yet another roadblock to freedom after a legal motion aimed at hopefully gaining freedom was denied. Keep hope alive for Meek! Donald Trump’s actions will forever keep him in a sunken place. Native Americans have confirmed that he uses the word Pocahontas as an offensive term used towards Senator Elizabeth Warren. “You were here long before any of us were here, although we have a representative in Congress who they say was here a long time ago. They call her Pocahontas,” he joked. This guy has a lot of nerve! Prince Harry is engaged to Meghan Markle. We’re only reporting on this for cultural purposes because the actress is a Black woman, lol. Congrats to them though! The 60th Annual Grammy nominations are in and we have to admit they are pretty lit. Cardi B has been nominated for two Grammys in the categories of Best Rap Performance and Best Rap Song and SZA has racked up a total of five nominations making her the most nominated woman for next year’s awards. The “Ctrl” singer is up for Best New Artist, Best Rap/Sung Performance, Best R&B Song, Best Urban Contemporary Album, and Best R&B Performance. We hope this dream will come true for them both at the 2018 award show taking place January 28...fingers crossed! How Does Your Upbringing Influence Your Behavior In Your Relationships? The crew had something interesting things to say on this one, lol. Get caught up with this and more next Wednesday, 9-10pm!

Butler began his singing career at age 7, releasing his first album in 1973 and winning the Best New Artist Grammy in South Africa at age 12. He made history by being the first black artist played on white South African radio while earning three gold records. His songs “Please Stay” went double gold and “I Love How You Love Me” went gold in 1975 as he became a teenager.More than a decade later, Butler moved to London, England after signing with Jive Records and released his first album internationally. The self-titled set went gold in 1987 in the United Kingdom and in the USA. He received Grammy nominations for Best R&B Song for his R&B-pop vocal hit “Lies” and for Best Jazz Song for his instrumental “Going Home”. His genre busting material received abundant airplay in multiple radio formats: pop, urban, contemporary jazz, adult contemporary and gospel. Butler’s 2004 album “Surrender” went gold in South Africa where he remains a superstar. In concert, Butler remains a captivating and powerful performer, pouring his heart into selections from his immense catalogue. In additions to being a popular draw at headline dates, festival shows and music cruises, Butler thrives on interacting with his fans. For the past 4 years, he has led a group of 35 guests each fall on the Jonathan Butler Safari, during which he shares his South Africa by visiting important landmarks in his life, as well as historic locales such as the prison on Robben Island where Nelson Mandela was jailed. During an extraordinary musical life that has unfolded in the public eye, Butler has seen and endured a lot. He’s watched his country turn itself inside out for the better – much like he has done with his own life. Living and witnessing the brutalities and injustice of oppression as a celebrated child star while at the same time not permitted to enjoy basic human rights, indulgence naturally became his coping device. If not for a spiritual intervention, his light would have been extinguished long ago on the dark path of abuse and self-destruction. His music has purpose, providing comfort and genuine inspiration. When he sings, he testifies to the glory and healing power of love. When he plays guitar, his fingers innately find notes of passion and divinity. Jonathan Butler’s recording career has carried him far, far beyond his wildest dreams. He’s living his dream and that is a blessing for us all.

The Loretta McNary Live Radio Show is the go to radio talk show for celebrity interviews and the BEST inspirational guests who are experts in various industries from all over the world! Our guest for this episode is Jonathan Butler an award winning Artist/Producer. The youngest of 13 children, Butler grew up in Cape Town, South Africa, ruled by Apartheid and segregation. “I was born poor, but richly blessed with talent and the gift to make music,” he says. “I can’t dismiss where I’ve been or where I’ve come from. I’m a proud South African and I came from nothing.” Butler began his singing career at age 7, releasing his first album in 1973 and winning the Best New Artist Grammy in South Africa the following year at age 12. He made history by being the first black artist played on white South African radio while earning three gold records (“Please Stay” went double gold and “I Love How You Love Me” went gold) in 1975 as he became a teenager.  More than a decade later, Butler moved to London, England after signing with Jive Records and released his first album internationally. The self-titled set went gold in 1987 in the United Kingdom and in the USA. He received Grammy nominations for Best R&B Song for his R&B-pop vocal hit “Lies” and for Best Jazz Song for the instrumental “Going Home.” His genre-busting material earned songwriter’s awards and received abundant airplay in multiple radio formats: pop, urban, contemporary jazz, adult contemporary and gospel. Butler’s 2004 album, Surrender, went gold in South Africa where he remains a superstar. Butler, a multi-talented musician, produces, arranges, and plays guitar, bass and keyboards. He has released several best-selling Gospel CDs, most notably "Gospel Goes Classical” and “Brand New Day.”  

Tawana Lael is considered a triple threat in the entertainment industry and she is quickly claiming her place on the world's entertainment radar. Her song, "Plan B" from her debut album 'Journey To Love" was recognized as one of the top songs in Billboard's 17th Annual World Song Contest. Tawana Lael's first single "Journey To Love" released in 2010 debuted at No. 7 on Mediaguide/Radiowave Urban Satellite Radio; making Tawana the first Independent female artist to do so at that time. To date "Journey To Love" has received well over 4000 spins on Internet, Satellite, and Terrestrial radio stations. Tawana Lael's video's, which can be viewed at youtube.com/tawanalael have received over 75,000 views. Tawana is currently working on her Sophomore Album, which is scheduled to be released in the Summer of 2014. Most recently, Tawana was nominated "Best Female R&B Artist" and "Best R&B Song" in the 1st Annual Lipstick Radio Indie Awards. Her song, "In This Love" was nominated "Best R&B/Soul Song" in the 13th Annual Independent Music Awards. This gifted vocalist has performed at various clubs around New York City such as Sweet Waters, The Waldoff Astoria and Reins. Tawana has also appeared at the world famous Apollo Theatre, where she won first place five consecutive times. 

LOTL The Comfort Zone Presents Betty Wright. Debuts her new album.LIVING , LOVE, LIES Born singing gospel with the family group, the Echoes of Joy, Wright began experimenting with R&B music in 1965 when she was only 11. In 1968, she released her first album, My First Time Around, by the age of 14, and scored her first national hit, "Girls Can't Do What Guys Can Do". But it was not until the end of 1971 that Wright's most successful phase of her career began to take place. The song, "Clean Up Woman", became a Top 5 pop and #2 R&B hit, and would later influence a remix of Mary J. Blige's "Real Love" single with the sample of its guitar riffs; R&B girl group trio SWV's "I'm So Into You" also featured a sample from "Clean Up Woman," as did Afrika Bambaataa's song "Zulu War Chant", and Sublime's "Get Out!" remix. In 1974, Wright scored big with the songs "Tonight is the Night" (about a real-life love affair that happened with Wright when she was a teenager) and "Where is the Love" (which won her a GRAMMY for Best R&B Song).

Seattle has been so good to The Neo Soul Show! Let's see. Ife Thomas...Rachel Lynn Sebastian...and now, Tess Henley! Her credentials include 2011 Independent Music Award for Best R&B Song, won the 2011 International Song Competition for SoulTracks.com (the largest soul site in America), was awarded top 3 honors in the prestigious John Lennon 2011 International Songwriting Competition and was featured on the soundtrack for 2012's Hello I Must Be Going starring Blythe Danner. She's performed for Jill Scott and Anthony Hamilton. To say the least, Tess is talented! In May she released her latest project  High Heels and Sneakers. Join the Q-man and T. Mitch as we welcome an amazing singer/songwriter to the show. Might even get a Q-man Big Intro.

This week Rodney Perry Live welcomes R&B songstress, Tamia. Rodney and Tamia will discuss her amazing journey and her nomination for Best R&B Album and Best R&B Song for the 2013 Grammy's. Tune in on Monday, January 21st, 2013 at 2PM EST.   For more information on Tamia: www.tamiaworld.com or follow Tamia on Twitter: www.twitter.com/realtamiaworld   Rodney Perry Live is a show consisting of all arts and entertainment. Everything from comedy and politics to music and acting. Rodney covers it all with a comedic slant. Tune in each and every Monday at 2pm EST www.blogtalkradio.com/rodneyperrylive to check out "Rodney Perry Live" on internet radio: Call in number: (718) 305-6383.

Today, we welcome our new co-host SUITE FRANCHON, host of hit live show PEACE, LOVE, and POETRY and Special guest Grammy Considered songwriter, author, playwright, and poet CHARRON MONAYE! CALL IN (646) 716-7994.  OPEN MIC CYPHER: sign up 10 min b4 show in chat room.  Charron's poetry has evolved into two books, "My Side of the Story" and "Living, Laughing, and Loving My Way Through" as well as soulful lyrics including ML the Truth's "I Apologize" and "Commitment." Her song "Commitment" which is on the album entitled “The Truth,” by ML The Truth was considered for the 54th Annual Grammy Awards, under Category 19 "Best R & B Song."  Spoken word is hot and beginning to grab a spotlight in the entertainment industry. From performance, events, publishing, recording, TV, to licensing, SPOKEN WORD POETRY: The Art The Industry The Viability formerly INDUSTRY MONDAYS: The Business of Spoken Word, challenges our audience to join the process: explore, create, and collaborate how to monetize spoken word, create residual income and opportunities while still keeping the integrity of the art form.  PLZ, FOLLOW US on Google+

 Brown. Bubbly, and effervescent. A blast from the past straight to the present. Singer, songwriter,producer extraordinare. The realest of the real og's. Jits beware.   Betty Wright is a soul and R&B singer with deep gospel roots. She influenced a generation of female singer-songwriters and continues to influence the world of hip hop, who sample some of her more famous material. Born singing gospel with the family group, the Echoes of Joy, Wright began experimenting with R&B music in 1965 when she was only 11. In 1968, she released her first album, My First Time Around, by the age of 14, and scored her first national hit, "Girls Can't Do What Guys Can Do". But it was not until the end of 1971 that Wright's most successful phase of her career began to take place. The song, "Clean Up Woman", became a Top 5 pop and #2 R&B hit, and would later influence a remix of Mary J. Blige's "Real Love" single with the sample of its guitar riffs; R&B girl group trio SWV's "I'm So Into You" also featured a sample from "Clean Up Woman," as did Afrika Bambaataa's song "Zulu War Chant", and Sublime's "Get Out!" remix. In 1974, Wright scored big with the songs "Tonight is the Night" (about a real-life love affair that happened with Wright when she was a teenager) and "Where is the Love" (which won her a GRAMMY for Best R&B Song).

Brown. Bubbly, and effervescent. A blast from the past straight to the present. Singer, songwriter,producer extraordinare. The realest of the real og's. Jits beware.   Betty Wright is a soul and R&B singer with deep gospel roots. She influenced a generation of female singer-songwriters and continues to influence the world of hip hop, who sample some of her more famous material. Born singing gospel with the family group, the Echoes of Joy, Wright began experimenting with R&B music in 1965 when she was only 11. In 1968, she released her first album, My First Time Around, by the age of 14, and scored her first national hit, "Girls Can't Do What Guys Can Do". But it was not until the end of 1971 that Wright's most successful phase of her career began to take place. The song, "Clean Up Woman", became a Top 5 pop and #2 R&B hit, and would later influence a remix of Mary J. Blige's "Real Love" single with the sample of its guitar riffs; R&B girl group trio SWV's "I'm So Into You" also featured a sample from "Clean Up Woman," as did Afrika Bambaataa's song "Zulu War Chant", and Sublime's "Get Out!" remix. In 1974, Wright scored big with the songs "Tonight is the Night" (about a real-life love affair that happened with Wright when she was a teenager) and "Where is the Love" (which won her a GRAMMY for Best R&B Song).