Podcast appearances and mentions of jim gordon

Episode 146 of the Truth About Vintage Amps: Troubled drummers, bulk Gatorade, more typewriter and Rockford Files talk, and a bunch of amp questions. Reminder: Amplified Parts now has amp kits! Thanks, as always, for being a part of the world's finest call-in tube amp repair show. Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too.  Some of the topics discussed this week:  :43 The Ampeg book (Amazon link), George Barnes and 'Guitars Galore' 3:43 A 1982 black panel Fender Champ 4:43 A Super Reverb that sounds like a dying motorcycle 6:09 Jason goes to Peru, vicuñas, alpacas   10:23 Some TAVA announcements: Sam Plecker has a new album ('So True'); congrats to John Vanderslice; RIP to Michael Hurley; thanks to Tin Can Valley Letterpress printing (link) 14:37 Ep. 150 idea: Skip's amp guru on the podcast?; servicing a hybrid Standel 18:24 Our sponsors: Save $20 off Amplified Parts' new MOD vintage amp kits with the discount code TAVA20! (expires April 30, 2025); Grez Guitars; and Emerald City Guitars  25:40 Recommended pedal: The Catalinbread Topanga reverb pedal (note: Skip said "Tropicana," but it's the Topanga) 27:45 Replies to last week's Rockford Files Baffler; Jim Gordon, 'Drums & Demons' (Amazon link); Hal Blaine's 'Buh-doom!' comedy album (it's on Spotify) and other Hollywood gossip; more Rockford Files (and letterpress!) 35:46 Accidentally injecting positive feedback into a Precision single-ended amp; tools for measuring plate current 40:23 Cleaning motor oil off of tubes and a vintage microphone; Gatorade and Tang; running a Traynor off of a gas generator 47:37 A smoking 1980s Fender Super Champ and fried resistors 52:51 A 6-watt Princeton Reverb / Vibro-Champ clone in a custom beetle-kill pine tree cabinet 59:02 An amp cabinet with sympathetic strings (Reverb link), explained! Vulture Amplification video one and two; Treehaus field coil speakers (link) 1:05:08 Hooking something up: Experimenting with a speaker outside of a cabinet  1:06:29 Servicing an all-original Vibrolux Reverb to sell  1:09:58 Giving the gift of an El Pato Tone practice amp (order yours here); Typewriter Revolution; typewriter ribbons from Baco Ribbon & Supply Co. 1:18:52 Reverse audio taper potentiometers 1:22:37 Come get a free SVT speaker 1:23:13 Sacramento's Delta Breeze record store, redux; not all capacitors are created equal; always use a test speaker; Amplified Parts' Hammond enclosure for short reverb tanks 1:27:22 Recommended reading: Hampton Sides' 'The Wide Wide Sea' (Amazon link)  1:28:51 Homework: Check out the Maestro GA-2RT schematic Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Don't forget, we have a Patreon page. Support the show, get behind-the-scenes updates and get to the front of the line with your questions. 

This Week on Earth Station DCU! Drew Leiter and Cletus Jacobs focus on the DC Trinity! Following the Events of Absolute Power, The newly formed Justice League Unlimited must face off against Darkseid who has combined himself with the Spectre in DC All In Special #1. Superman finds himself an unwilling combatant in a war of a thousand worlds! Either he completes the challenges, or we lose the cities of Paris, Chicago, and Kandor in Action Comics #1069. Batman investigates a new mystery involving a series of murders targeting young criminals, while also grappling with his aging body and the invention of a new serum that can make him younger in Detective Comics #1090 & 1091. Batman investigates the murder of Mayor Nakano which leads him back to Jim Gordon. The Court of Owls has a new leader, while the Riddler has seems to gone straight with a new tech company in Batman #153 & 154. When an unexpected fire breaks in the sub-basement of the Sacred Heart Medical Center during a fundraiser, Bruce and Damien soon figure out it wasn't an accident in Batman and Robin #14 & 15. Superman and Superwoman fight against Doomsday, while a mysterious being known as the Time Trapper asks for Superman's help in Superman #19 & 20. The Sovereign strikes back against Wonder Woman the only way he can...her heart in Wonder Woman #14. While Diana babysits, The Wonder Girls strike the Sovereign where it hurts...his piggybank in Wonder Woman #15. All this plus, DC News, Shout Outs, and much, much more! ------------------------ Table of Contents 0:00:00 Show Open 0:01:02 DC News 0:04:27 DC All In Special #1 0:09:52 Action Comics #1069 0:12:58 Detective Comics #1089 0:14:50 Detective Comics #1090 & 1091 0:17:55 Batman #153 & 154 0:24:32 Batman and Robin #14 & 15 0:26:58 Superman #19 & 20 0:30:18 Wonder Woman #14 0:35:42 Wonder woman #15 0:38:32 Show Close   Links DC All In Special #1 Action Comics #1069 Detective Comics #1089 Detective Comics #1090 Detective Comics #1091 Batman #153 Batman #154 Batman and Robin #14 Batman and Robin #15 Superman #19 Superman #20 Wonder Woman #14 Wonder woman #15 Booster Gold #1 (Cletus's Read More Comics Pick) Wonder Woman #1 (Drew's Read More Comics Pick) Earth Station DCU Website The ESO Network If you would like to leave feedback, comment on the show, or would like us to give you a shout out, please call the ESDCU feedback line at (317) 455-8411 or feel free to email us @ earthstationdcu@gmail.com

Jim Gordon sits down to discuss his 26 years of community impact through the Community Foundation and the Community Foundation Awards, which honor those who give their time, talent, and treasure.• Jim Gordon, co-founder of GMCF and title sponsor of the CFAs, shares how the awards began• The CFAs focus on celebrating volunteers who contribute time and talent alongside those who give financially• Starting with four title sponsors (Kansas State Bank, Steel, and Pipe Supply, Trust Company of Manhattan, and Sink Gordon), the event now attracts 500-600 attendees• The awards spotlight lesser-known community programs, introducing new volunteer opportunities to attendees• Jim Gordon advises finding a charity you're passionate about and turning that passion into action• His philosophy: "You can't wait to make a difference" – take opportunities as they come to serve the communityGMCFCFAs

On this episode of Ruff Talk VR we are joined by Ryan Payton the studio head at Camouflaj! The studio behind Iron Man VR and most recently Batman: Arkham Shadow. Listen as we get to know Ryan, his background in gaming including previous games he worked on prior to Camouflaj, how the deals with Marvel came to be, and more!Ruff Talk VR Gaming Showcase Application: https://forms.gle/aYHzAK1a1gdAxuY1ABig thank you to all of our Patreon supporters! Become a supporter of the show today at  https://www.patreon.com/rufftalkvrDiscord: https://discord.gg/9JTdCccucSIf you enjoy the podcast be sure to rate us 5 stars and subscribe! Join our official subreddit at https://www.reddit.com/r/RuffTalkVRStore Link: https://www.meta.com/experiences/batman-arkham-shadow/3551691271620960/Store Description: Batman: Arkham Shadow is included with the purchase of Meta Quest 3 and Meta Quest 3S.Become The Knight in this groundbreaking entry into the famed Arkham series.It's the Fourth of July, and Gotham City is under attack by a new threat: the mysterious Rat King and his cultish devotees. As widespread rioting engulfs the city, Batman races to prevent this so-called “Day of Wrath” before it all goes wrong.Experience the World of Batman Like Never BeforeImmerse yourself in all the grit of Gotham City with the power of VR, and take down its most notorious criminals.Hard-Hitting Arkham CombatMade exclusively for VR—choose from fan favorite gadgets and bold fighting styles.Friends, Foes and Other Familiar FacesMeet Dr. Quinzel and Dr. Crane before they became Harley Quinn and The Scarecrow, as well as other iconic characters including Harvey Dent, Ratcatcher, and Jim Gordon.Send us a text to the Ruff Talk VR fan mail line!Support the show

The Superhero Show Show #572Your Friendly Neighborhood Spider-Man Season 1 FinaleThe Superhero Show Show: Breaking Down the Your Friendly Neighborhood Spider-Man Season 1 FinaleOn this week's episode of The Superhero Show Show, the gang swings into action to break down the Your Friendly Neighborhood Spider-Man Season 1 Finale, covering Episodes 109 and 110, “Hero or Menace” and “If This Be My Destiny…” After a season full of jaw-dropping twists, emotional struggles, and high-flying web-slinging action, Peter Parker's journey reaches a pivotal moment. Is he truly the hero New York needs, or will the public—and his own personal demons—turn against him? With stakes higher than ever, the hosts analyze how this two-part finale cements the show's place as one of the best modern adaptations of Spider-Man's story.Your Friendly Neighborhood Spider-Man Season 1 Finale: The Hero New York Deserves?The finale kicks off with “Hero or Menace,” an episode that forces Peter to reckon with how the world perceives him. As Spider-Man's reputation takes a hit thanks to J. Jonah Jameson's relentless smear campaign, Peter struggles with whether the mask is worth wearing. The Superhero Show Show hosts break down the episode's emotional weight, from Peter's growing isolation to his unwavering sense of duty.Then comes “If This Be My Destiny…,” a powerhouse of an episode that raises the stakes even further. With classic comic book nods and some of the most intense action sequences of the season, this finale delivers on every front. The crew discusses how Peter's relationships—with Aunt May, MJ, and even his enemies—shape his destiny and set up what's next. Is this the definitive Spider-Man origin story? And where does the series go from here? The hosts break it all down, from shocking moments to Easter eggs that longtime fans will love.More Superhero TV DiscussionsAfter wrapping up their Your Friendly Neighborhood Spider-Man discussion, the hosts dive into some of the other major superhero TV moments from the week.Harley Quinn - You're a Damn Good Cop, Jim GordonThe team shifts gears to Gotham City to discuss Harley Quinn Season 5, Episode 6, “You're a Damn Good Cop, Jim Gordon.” This episode puts Jim Gordon in the spotlight, highlighting his chaotic, often questionable approach to law enforcement. The Superhero Show Show hosts analyze how the series continues to evolve Jim's character—turning him from a washed-up, alcohol-fueled disaster into someone actually attempting to be a real cop (for better or worse). Is Gotham really ready for a competent Jim Gordon? And is he truly good at his job, or just lucky? The crew debates all the comedic and surprisingly heartfelt moments from this episode.Invincible - This Was Supposed to Be EasyNext, the hosts take on Invincible Season 3, Episode 5, “This Was Supposed to Be Easy.” As usual, Invincible throws Mark Grayson into a situation that is anything but simple. With increasing pressure from his father's legacy, his own moral compass, and the threats around him, Mark finds himself at yet another breaking point. The Superhero Show Show hosts discuss how this episode highlights the brutal reality of being a young superhero, blending intense action with deeply personal struggles. They also speculate on what's coming next in this explosive third season.Wrapping Up: The Future of Your Friendly Neighborhood Spider-ManAs the episode comes to a close, the Superhero Show Show team reflects on the Your Friendly Neighborhood Spider-Man Season 1 Finale and its impact on the series as a whole. Has this

Mörderische Damen, Spione, widerwillige Partner und ein Antagonist aus der frühen Vergangenheit des Protagonisten, dazu ein Flugzeugabsturz und eine (mindestens!) halbstündige Schießerei - Steven T. Seagle packt alle 80er Jahre Actionfilm-Klischees aus. Das MUSS Thorsten und Björn doch gefallen!? Bonus: Grifter verkleidet sich als Jim Gordon. Gelesen wurden der von Image in den USA publizierte One-Shot Grifter: One Shot, wie üblich ohne deutschsprachige Entsprechung. Explosive Bilder auf Instagram Spannende Neuigkeiten auf Bluesky Atemberaubendes auf Thorstens Blog Actiongeladene Intromusik von Markus Schneider

Season 2 Episode 755 The Bat-Man First Knight part 3 of 2: Sean and Jim are wrap up a two part look at The Bat-Man First Knight, the Black Label series by Dan Jurgens and Mike Perkins. Shout out to Eli Ganias We are on Threads! https://www.threads.net/@ragingbulletspodcast Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: Marvel Super-Heroes Secret Wars Future Topics : Batman Lonely Place of Dying, Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Apamaverse Story, Turtles of Grayskull and much much more because we are in constant planning. Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   4:20 Bat-man First Knight 1:17:10 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

As Harley Quinn masterminds strategies to get the attention of the Legion of Doom, Commissioner Jim Gordon of the Gotham City Police Department shows signs of mental exhaustion.  To help the people and animals displaced by the wildfires in California, please donate to the American Red Cross and Pasadena Humane by joining our Patreon or by purchasing merchandise from our Tee Public store. All proceeds between the publishing of this podcast and the end of February 2025 will go directly to those organizations.

(TIME STAMPS BELOW)A review of The Damned, reactions to Squid Game Season 2, and some thoughts from Psalm 90 to help us set goals and make life changes with the perspective God wants us to have.AND MUCH MORE!00:00:30 Intro00:08:08 The Damned Review00:18:03 CGC & Christian Geek News00:23:08 Life Change Done Right (Psalm 90)00:45:13 Listener/Viewer Feedback, Questions & Comments (What is living "in the flesh" vs "in the Spirit"?, Do I have to forgive EVERYONE?)Paeter's Geek Week01:14:50 COMICS: Batgirl (Cassandra Cain 2000's Series)01:20:28 MOVIES & SHOWS: Wonder Woman 1984, Rifftrax, Twilight, Squid Game Season 2, Superman & Lois Pilot, Wicked, Unbreakable, Split,02:12:08 VIDEO GAMES- Parasite Eve, Shin Megami Tensei V: Vengeance, Path Of Exile 2, Gotham Knights, I Am Setsuna, Conan Exiles02:50:47 On The Next Episode...02:53:35 Essential Issues Weekly: DC Comics Reactions (We've got three weeks of comics to catch up on, including the DCU MMA fight of the century, the moral fall of Jim Gordon, why heaven sucks if you leave out God, and so much more!)Support this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions Subscribe in a readerOpen In i-tunes- itms://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2i-tunes Page Link- https://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2Get fun, exclusive rewards for your support! Visit: https://www.patreon.com/spiritbladeproductionsOrBecome a Patron!All episodes are archived and available for download at www.spiritblade.com , Resources used to prepare CGC Bible Study/Devotional content include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive ConcordanceBlueletterbible.org, The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2025, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan

In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group's white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock's most recognizable guitar riffs, while drummer Jim Gordon contributed God's great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 6, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jace and Rocky chat about the DC titles for the week of December 4, 2024. it's a big week with the Lady Shiva/Batgirl relationship continuing to be explored. Meanwhile, in Birds of Prey Cass has an entirely different challenge to overcome and her teammates may not be able to help. Speaking of teams, the JSA are divided and under attack by the Injustice Society with things looking bleak, can they turn it around? Batman Silent Knight Returns and the Batman Smells Anthology both celebrate the holiday season. The main Batman title has the caped crusader discovering why Jim Gordon may be involved in Mayor Nakano's death, but whether he can convince others remains to be seen. Lil Batman prepares to ramp up the action next issue while Absolute Superman #2 is action-packed from start to finish with nearly the entire issue being narrated by Lois Lane. Join us to hear more about these titles plus a whole lot more. 

La primera biografia destacada

Programa 5x46, amb Pau Vallv

País Estados Unidos Dirección Tim Burton Guion Sam Hamm, Warren Skaaren. Personajes: Bob Kane Reparto Jack Nicholson Michael Keaton Kim Basinger Robert Wuhl Pat Hingle Música Danny Elfman. Canciones: Prince Fotografía Roger Pratt Sinopsis Cinta basada en el cómic homónimo. La oscura y peligrosa ciudad de Gotham tan sólo se halla protegida por su corrupto cuerpo de policía. A pesar de los esfuerzos del fiscal del distrito Harvey Dent y el comisionado de policía Jim Gordon, la ciudad es cada vez más insegura hasta que aparece Batman, el Señor de la Noche. La reputada periodista Vicky Vale intentará descubrir el secreto que se oculta tras el hombre murciélago.

Find the Batman Begins Review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2024-09-21T22_34_57-07_00 Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this conversation, Maverick and Andrew review the film 'The Dark Knight' and discuss its themes and characters. They highlight the philosophical nature of the film and the thought-provoking questions it raises about the nature of man. They also discuss the character development of Batman and how he is contrasted with other characters in the film. The conversation delves into the role of Rachel Dawes and her impact on the story. The main focus of the discussion is on the character of the Joker, portrayed by Heath Ledger, and his role as the embodiment of chaos and the antithesis of good. They analyze the Joker's dialogue and his motives, as well as his interactions with Batman and Harvey Dent. Overall, they praise Ledger's performance and the depth of the character. The conversation explores the themes of chaos, morality, and the impact of individuals on society in the film The Dark Knight. The Joker is portrayed as an agent of chaos who challenges the established order, while Batman represents the struggle to bring order out of chaos. Harvey Dent's character represents the everyday man who is driven by the belief in the legal system, but is ultimately broken by the Joker's manipulation. Jim Gordon's character grapples with the responsibility of leadership and the consequences of his actions. The film raises questions about the nature of good and evil, the limits of power, and the importance of moral integrity.----------Highlights:0:00 'The Dark Knight' Introduction4:40 Opening Scene11:34 Batman's Struggles18:11 Rachel Dawes and Her Impact23:47 The Joker as the Antithesis of Good30:25 Heath Ledger's Joker41:35 The Joker: Agent of Chaos45:51 Harvey Dent, 'The White Knight'57:13 Jim Gordon and Integrity1:03:33 Themes and Ideas of this film1:10:38 Lucius Fox and Spying1:14:25 Lasting Impact of The Dark Knight#thedarkknight #heathledger #thedarkknighttrilogy #twoface #harveydent #christophernolan #batmanbegins #thejoker #christianbale #dccomics #dc #dcu #inspiration #transformational #impact #themes #jimgordon #jamesgordon #commissionergordon #film #filmthoughts #batman #alostplot #luciusfox #alfred #jonathannolan #superheroes #chaos #order #morality #integrity #characteranalysis #characterarc 

Welcome once more my friendly listeners. Join us as we discuss Sinister, a film we all agreed to watch. Hear us speak about Harry Potter, Jeffery Wright's The Jim Gordon, Rushmore & Bottlerocket, and more. Also joining us is our good friend Zach Engen. Find us on X Find us on Facebook Find us on Substack Check out Fats and Harry as well.

HILARIOUS & AWESOME!! The Lego Batman Movie Full Reaction Watch Along:  https://www.patreon.com/thereelrejects Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en    The Lego Batman Movie Reaction, Commentary, & Spoiler Review! After The Lego Movie Reaction, but before The Lego Movie 2, it's time for one of the best Batman movies ever! The cast features Will Arnett as Batman, Zach Galifianakis as The Joker, Michael Cera as Robin, Rosario Dawson as Batgirl, Ralph Fiennes as Alfred Pennyworth, Jenny Slate as Harley Quinn, Héctor Elizondo as Jim Gordon, Channing Tatum as Superman, Jonah Hill as Green Lantern, Mariah Carey as Mayor McCaskill, Siri as 'Puter, Billy Dee Williams as Two-Face, Zoë Kravitz as Catwoman, Kate Micucci as Clayface, Riki Lindhome as Poison Ivy, Conan O'Brien as The Riddler, Doug Benson as Bane, Jason Mantzoukas as Scarecrow, and Jemaine Clement as Sauron. Batman has been played by Adam West, Ben Affleck, Christian Bale, Michael Keaton, George Clooney, and now Robert Pattinson. DCU will soon be kicking off with Creature Commandoes & Superman! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

We start the show off talking about all things geek, like every week – comics, books, wrestling, action figures and more... And throughout… we kind of get off topic. This week, Josh has willed more McFarlane DC figures into existence! (It's been like 2 years now without an error???) (00:00:00) The Geek Matrix reviews DC's Weekly Comics Releases This week, that's: (01:04:13) #AbsolutePowerSuperSon 1 (01:20:27) #WonderWoman 13 (01:29:35) #Superman 18 (01:48:20) #Catwoman 68 (02:05:00) New McFarlane Figures! (02:14:30) #BatmanSupermanWorldsFinest 31 Plus our Honorable Mentions covered each week by Josh! Here's the run down – Jenny Sparks #2 - I can't say anything else about this book except I hate it. Like, with a passion. And that's because King turned Captain Atom into an arrogant evil wannabe Dr Manhattan, quite literally he just wants to be a god… this is beyond stupid. Can barely even consider the art. King shits ALL OVER the characters he writes. He sucks and he knows it and great art can't save it. Nothing redeemable. 3/10. John Constantine, Hellblazer: Dead in America #9 - This is the grimiest magic-based noir that I've ever read and it's absolutely great. A while lot goes sideways, and Constantine is getting a bit closer… and… the art fits the book so well. And also? This is weird, but Arron Campbell drew a dress on Clarice that may be the prettiest piece of clothing that I have ever seen on a comic book character. 8.25/10 Dark Knights of Steel: Allwinter #3 - I didn't expect to go into this liking it more than the original. I'm not there quite yet, but I am getting damn close. And the occasional explosive use of color in this book makes it all even more gorgeous. 8/10 Batman - The Long Halloween - The Last Halloween #1 - Catwoman, Gilda, Two-Face. Calendar Man, Jim Gordon, Batman and Robin all pick up where the last installment left off. This was a really fun read for me. I thought it odd at first that the Long Halloween was being expanded upon, but now? Give me the next 9 issues. 7.75/10 Multiversus - Collision Detection #1 - The only thing that I knew to expect from this one is that it's a video game tie-in. What I didn't expect was it to be so fun for my 8-year-old to read. He loved it and gives it a 4/5 (he won't judge on 1-10 no matter how many times I ask). Joker The World - With an all star cast of writers, artists, colorists, and letterers, going in, you have to know that at least some of this has got to be good, right? Well, it's a whole bunch of non-connected Joker stories. Some art is great. Some is fantastic, some I'm not a fan of but it fits the story so very well. I don't quite understand it, normally, I wouldn't like this kind of thing. But Joker The World was really good. And there's a Joker the World Free Batman Day Special Edition that might still be at your Local Comic Shop if you'd like a preview to all of them. For the book? It gets 7.5/10 Batman Day 2024: Batman / Elmer Fudd Special #1 - This was a way better story than it deserved to be. Way better. I really enjoyed it. We didn't need the backup at all in this book, but it wasa fun quick read as well. I am very pleasantly surprised. 8/10 Batman - Elmer Fudd Special Noir Edition #1 - See above, but in black and white. There's also a whole bunch of facsimile editions - Crisis on infinite earths, Detective 27, variants and foils, etc. so go check those out as well. #DCAllIn #ComicsAreForEveryone #ComicsAreGreat #MakeComicsGreatAgain #AbsolutePower #DCComics #comics #comicbooks #GeekMatrix #TheGeekMatrix #TGM #GeekMatrixPod --- Support this podcast: https://podcasters.spotify.com/pod/show/thegeekmatrixcomics/support

Welcome once more my friendly listeners. Join us as we discuss Sinister, a film we all agreed to watch. Hear us speak about Harry Potter, Jeffery Wright's The Jim Gordon, Rushmore & Bottlerocket, and more. Also joining us is our good friend Zach Engen. Find us on X: Find us on Facebook Find us on Substack Find us on Minne Movies Check out Fats and Harry as well.

Today's guest should probably do his own podcast. Welcome John Ford Coley to the show. He's a great storyteller with a lifetime of stories to share. He grew up outside of Dallas where he was classically trained on piano as a kid. He grew up on opera, show tunes, and church music. But rock and roll wormed its way into his soul and he struck a deal with his piano teacher to show him how to play popular songs. While John is most well known for his band England Dan and John Ford Coley and what is now known as yacht rock. But his early bands were a bit heavier. At one point, he even opened for Vanilla Fudge and Led Zeppelin. But that's when John and Dan started creating their softer music.  John talks about how he met his musical partner, Dan Seals, and how they got their monikers, England Dan and John Ford Coley. He reveals the greatest mistake he's ever made, the coincidence that got him in the studio to watch a Joni Mitchell session, and working with former podcast subject, Jim Gordon. After hits like I'd Really Love To See You Tonight, Sad To Belong, & We'll Never Have To Say Goodbye Again, the duo had run its course. John played in some other musical projects before getting into acting. His Godfather connections helped out there. He eventually left music all together. But he couldn't stay away forever. The emergence of yacht rock revitalized his career (except in The Philippeans, where he's basically royalty). He tours, playing his hits and telling stories. I've seen him live and it's a treat. Check him out on Facebook at John F, Coley. His music is streaming and also on his website johnfordcoley.com where you can stay up to date with him. You can follow us @PerformanceAnx on socials. Merch is at performanceanx.threadless.com. We accept coffee money at ko-fi.com/performanceanxiety. Now let's party like it's 1979 with John Ford Coley on Performance Anxiety, part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest should probably do his own podcast. Welcome John Ford Coley to the show. He's a great storyteller with a lifetime of stories to share. He grew up outside of Dallas where he was classically trained on piano as a kid. He grew up on opera, show tunes, and church music. But rock and roll wormed its way into his soul and he struck a deal with his piano teacher to show him how to play popular songs. While John is most well known for his band England Dan and John Ford Coley and what is now known as yacht rock. But his early bands were a bit heavier. At one point, he even opened for Vanilla Fudge and Led Zeppelin. But that's when John and Dan started creating their softer music.  John talks about how he met his musical partner, Dan Seals, and how they got their monikers, England Dan and John Ford Coley. He reveals the greatest mistake he's ever made, the coincidence that got him in the studio to watch a Joni Mitchell session, and working with former podcast subject, Jim Gordon. After hits like I'd Really Love To See You Tonight, Sad To Belong, & We'll Never Have To Say Goodbye Again, the duo had run its course. John played in some other musical projects before getting into acting. His Godfather connections helped out there. He eventually left music all together. But he couldn't stay away forever. The emergence of yacht rock revitalized his career (except in The Philippeans, where he's basically royalty). He tours, playing his hits and telling stories. I've seen him live and it's a treat. Check him out on Facebook at John F, Coley. His music is streaming and also on his website johnfordcoley.com where you can stay up to date with him. You can follow us @PerformanceAnx on socials. Merch is at performanceanx.threadless.com. We accept coffee money at ko-fi.com/performanceanxiety. Now let's party like it's 1979 with John Ford Coley on Performance Anxiety, part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Us as we discuss the new Batman: Caped Crusader!

Hey Heroes!In today's episode, we're reviewing Batman: Caped Crusader! We discuss our expectations going in, recap of all 10 episodes, give our pros and cons and finish by rating it 1 out of 10. Did y'all like this show? Let us know! We've launched a membership called Hero's HQ where you can receive exclusive access to premium episodes for a low monthly subscription. We appreciate your support a ton! See link below for more details. We have a new segment at the end our Week in a Flash episodes, called Hero's Q&A! Shoot us a question with the link below, in our DMs or email us and we'll answer them at the end of our weekly episodes!Heroes in the Moment covers the universes of Marvel, DC, Star Wars, Harry Potter, Dune and more! We review movies and shows, breakdown trailers, bring you weekly news and more! Episodes drop weekly! Available wherever you listen to podcasts.Subscription page: https://www.buzzsprout.com/1310095/subscribeYouTube: http://www.youtube.com/@heroesinthemomentInstagram: @heroesinthemomentWebsite: https://heroesinthemoment.buzzsprout.comBusiness email: heroesinthemoment@gmail.comSend us a Text Message.Support the Show.We love you all! Thanks for listening!-Michael and Nathan

The Good Brothers return to review episode 4 of Batman Caped Crusader as the Elseworlds review continue for the month of August. This week the hosts look at "Night of The Hunters" which has an in depth look at the GCPD, Jim Gordon's place as commissioner and his fight against the corrupt Flass & Bullock. Cal & Liam once again discuss the complaint about the series' detractors who insist there's a lack of Batman compared to Batman: The Animated Series, a look at the design for Firebug with insight from series producer James Tucker on whom his look was based, a score that invokes terror at the pinnacle of the episode's action and a ton of world building easter eggs and character cameos you may have missed. All of this and a preview of next week's special Elseworld's Bonus Episode await on this week's all new DCAU Review! --- Support this podcast: https://podcasters.spotify.com/pod/show/dcaureview/support

Have you heard there's a new Batman cartoon and it's about crime, and also Jim Gordon's old beat is heavily featured? This will make a lot more sense after you listen to this episode of Marvelvision, where we talk about two more episodes of Batman: The Caped Crusader, specifically Kiss of the Catwoman and Night of the Hunters. Spoiler: we like 'em A LOT. Before that, it's time to see what came out of D23. Is it weird that there's still no date announced for Ironheart? What did we think of the Agatha All Along trailer? All this and more revealed. If you don't care about that news, skip to 40:12. Meanwhile, looks like our next episode of Watch Men will be The Rocketeer. Join our Patreon at the $5 or above level to get access to our episode talking about this underrated early modern superhero movie - does it hold up? Next week: two more Batman: The Caped Crusader episodes. See you then!

Batman: Caped Crusader is spoiled!Discover more great podcasts on the That Shelf Podcast Network! Learn more about TDF Everything on Facebook and Twitter!Hosts:Daniel Grant (Twitter & Instagram)Ben Sit (Twitter & Instagram)Show:@TDFSpoiled on Twitter, Instagram & Threads

Jim Gordon was one of rock & roll's most legendary drummers, but when he began hearing voices the high-paying gigs started drying up fast. It was his mother's voice in particular that nagged him incessantly, all day long. Slowly driven crazy, he packed a clawhammer and knife in a canvas bag and on June 8th, 1983, committed one of the most shocking crimes in music history.  See omnystudio.com/listener for privacy information.

Today, we chatted with Jim Gordon, the recipient of the Vision Cornerstone Award at the Community Foundation Awards. This award recognizes those who saw the potential of what a community foundation could do for Manhattan. During our discussion, we uncovered his love for photography, early experiences at K-State University, getting hired and making partner at Sink Gordon Accountants & Advisors, and how an invitation to join 4-H ended up cultivating his deep-rooted commitment to philanthropy and community engagement.GMCFCFAs

Hosted by Sal Cataldi.Guest: Joel Selvin From 1972 – 2009, Selvin was the very influential rock music columnist for the San Francisco Chronicle. He is also the author of more than a dozen of the best books on rock music and culture. His works have covered artists like Sly Stone, The Grateful Dead, Ricky Nelson, and Sammy Hagar and events like the Summer of Love, the birth of the Peppermint Twist, and The Rolling Stones' ill-fated concert at Altamont. In this interview, Selvin will discuss his latest, Drums & Demons: The Tragic Journey of Jim Gordon, a bio of one of the most recorded and influential drummers in rock history who spent his final three decades in jail for the murder of his mother."Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

The Richard Syrett Show, July 10th, 2024 KEEPING AN EYE ON YOUR MONEY Strike shows it's time to end the LCBO monopoly! https://www.taxpayer.com/newsroom/strike-shows-it%E2%80%99s-time-to-end-the-lcbo-monopoly  Jay Goldberg, Ontario Director of The Canadian Taxpayers Federation Hundreds of People Charged with Murder While on Bail https://torontosun.com/opinion/columnists/hundreds-of-people-charged-with-murder-while-on-bail Liberals Thinking of Buying Hotels to House Asylum Seekers https://www.youtube.com/watch?v=AzDaaGs6unE Brian Lilley –Columnist with Post Media THE CULT OF CLIMATE CHANGE In 1989, the UN said we only had until the year 2000 to save the planet from global warming. The deadline has been pushed back, and now the planet won't be destroyed until 2050 Tony Heller – Geologist, Weather Historian, Founder of Real Climate Science dot com Jewish families are urged to leave for Israel after election sees 'anti-Semitic' hard-left storm to victory in disaster for Macron - but lame duck president REFUSES his PM's resignation 'to stabilise the country'  https://www.dailymail.co.uk/news/article-13611731/Jewish-families-urged-leave-Israel-election-sees-anti-Semitic-hard-left-storm-victory-disaster-Macron-lame-duck-president-REFUSES-PMs-resignation-stabilise-country.html  Dr. Carole Lieberman, M.D. – America's Psychiatrist – Host of The Terrorist Therapist Show, on Renegade Talk Radio.  RNC Releases ‘2024 GOP Platform to Make America Great Again' Inspired by Trump's Vision for America https://www.thegatewaypundit.com/2024/07/rnc-releases-2024-gop-platform-make-america-great/  Jim Hoft – Editor and Founder of The Gateway Pundit OPEN LINES THIS DAY IN ROCK HISTORY 1966 - Bruce Springsteen Johnny Tilotson, The Jive Five, The Tymes, The Shangra-Las and local band The Castiles (with Bruce Springsteen on vocals) all appeared at the Surf 'n See Club in Seabright New Jersey. 1979 - Chuck Berry Chuck Berry was sentenced to five months in jail after being found guilty of tax evasion. Berry was well known for demanding cash from concert promoters before he'd go on stage and this became cause for the Internal Revenue Service to be skeptical of Berry's tax returns, accusing him officially of income tax evasion. 1984 - Derek and the Dominos Session drummer and former member of Derek and the Dominos, Jim Gordon, was sentenced to 16 years to life in prison after being found guilty of murdering his mother. It was after he was arrested that he was properly diagnosed with schizophrenia and, although at the trial the court accepted that Gordon had acute schizophrenia, he was not allowed to use an insanity defense because of changes to California law. 2012 - Slash The Hollywood Chamber of Commerce honoured Guns N' Roses guitarist Slash with a star on the Hollywood Walk of Fame. Master of ceremonies at the event actor Charlie Sheen commented, "It seems quite fitting that Slash is getting a star on the very street Axl Rose will one day be sleeping on."  Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” Podcast. CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Dive into Batman: Arkham ShadowA VR return to Arkham's dark beginningsThis segment of Notorious Mass Effect delves into the shadows of Gotham City with Batman: Arkham Shadow, the latest installment in the Arkhamverse designed exclusively for Meta Quest 3.Building on Legacy:Arkham Shadow aims to recapture the essence of Rocksteady's iconic trilogy, particularly the atmosphere and psychological horror of Arkham Asylum. Developed by Camouflaj, the studio behind Iron Man VR, the game leverages the expertise of Rocksteady veterans for an authentic Arkham experience.A Younger Dark Knight:Set between Arkham Origins and Arkham Asylum, Shadow features a less experienced, more arrogant Batman. Witness the origins of iconic villains like Scarecrow, Harley Quinn, Two-Face, Ratcatcher, and a young Jim Gordon. The primary antagonist is Ratcatcher, leading a fanatical cult that throws Gotham into chaos.VR Immersion:Prepare for an intense first-person VR experience. Engage in classic Batman activities like gliding, detective work, and brutal combat, all heightened by VR's immersive nature. The game promises exploration, boss battles, investigations, and cinematics, reminiscent of Arkham Asylum's structure. Expect an open-world environment with focused areas for exploration and hidden secrets.Respecting the Legacy:Camouflaj understands the weight of the Arkhamverse. Ryan Payton, the studio head, emphasizes the challenge and privilege of working within the established lore while having the freedom to explore narrative gaps. The team is dedicated to maintaining the series' high standards and interconnectedness.What to Expect Next:A full gameplay reveal is anticipated at Gamescom this August. The recent Summer Game Fest trailer confirmed the return of Roger Craig Smith as Batman and showcased key villains like Scarecrow and Dr. Harleen Quinzel (soon-to-be Harley Quinn).Mark Your Calendars:Batman: Arkham Shadow is slated for a Fall 2024 release, exclusively on Meta Quest 3.A Descent into Darkness:The game is described as having a nightmarish, apocalyptic atmosphere. VR's first-person perspective and horror-focused elements have the potential to make this the scariest Arkham game yet.The Verdict:Batman: Arkham Shadow offers a thrilling return to the series' roots with a fresh VR perspective. Exploring Batman's formative years and the origins of iconic villains, the game boasts a strong development team and a commitment to the franchise's legacy. Gear up for an immersive and potentially terrifying experience in the dark heart of Gotham.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dennis Holt is one of Nashville's most gifted musicians, whose drumming abilities cross nearly every genre from Americana to Country to Rock, Jazz, Ambient and R & B. He was born in Hawaii and raised in Jacksonville, FL. He has performed with: Taylor Swift, Vince Gill, Emmylou Harris, K. T. Oslin, Loretta Lynn, Felix Cavalier And The Rascals, Chris Stapleton, Ricky Skaggs, Shawn Mullins, Hank Williams Jr., Trisha Yearwood and many others.    Some Things That Came Up:  -1:30 The Trader Joes experience -3:30 Dennis is left handed and plays on a right handed kit (cross over and open handed) -11:30 Growing up in Hawaii -16:30 The influence of Dave Brubeck's “Take Five” -19:00 Those Ringo fills are truly left handed -22:40 Quit junior college to take a playing gig in LA in 1976 -23:30 Jim Keltner, Jim Gordon, Paul Leim, Mike Baird. Keltner inspired Dennis to be a session musician -25:30 Playing clubs, 4 sets a night, 6 nights a week -27:00 Turned down the Lynyrd Skynyrd gig -35:00 Denny the Surfer -40:00 Getting highly connected in the Nashville scene in the late 70's -46:00 SYNDRUMS!!! -47:15 10-12 sessions per week in the 80's -47:45 The offer to be a band member in Restless Heart -49:30 Playing in the band Kansas 83-85' -50:00 Playing with John Elefante  -52:00 The fine art of replacing… -52:15 Took a break to live in Colorado. Moved back to Nashville in 2000 -53:00 The perks of working with bassist Spady Brannen  -57:40 Biking accident -1:09:0- Go-To Snare Drums -1:10:40 “The Big Yellow” DW Kit -1:17:40 Spectrasonics Audio  -1:19:30 “The Cajon Stack” -1:24:50 “The Fave 5” -1:33:00 Refine your craft, be early, be kind and always say yes unless it compromises your ethics.    Follow:  Email: dennydrums@comcast.net IG: @dennydrums FB: @dennisholt   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!     Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Welcome to the LEGENDS: Podcast by All Day Vinyl. In this episode, our host Scott Dudelson sits down with the Grammy-winning producer, guitarist, and bandleader Pete Anderson. We  dive deep into some of Anderson's most impactful productions including his work with Dwight Yoakam, Roy Orbison, Meat Puppets and an incredible story of playing in a band with legendary session drummer Jim Gordon weeks before Gordon tragically killed his mother in 1983. Pete candidly shares tales from his Detroit upbringing where he first discovered his passion for Jazz, Motown R&B, and blues. He talks with enthusiasm about tour experiences, collaborations, and his path from a young Elvis fan to a Grammys winning producer. Pete and go in depth about his career and life with a particular focus on Anderson's early days, playing with Jim Gordon in the Blue Monkey's, meeting Dwight Yoakam and recording iconic albums with Dwight, producing KD Lang, Roy Orbison, Meat Puppets, Buck Owens, Thelonious Monster and others.  Anderson shares incredible stories leading up the current day where he shares info about a new record by George Ducas he just produced, as well as a new book that reveals his producing technique with specific tips. If you like this episode please rate, follow and subscribe.    

Batman: Legends of the Dark Knight #19 (1991)Batman has finally kicked the horse meat and is ready to take on the Professor and the General in Santa Prisca! It's going to be wild though because juiced-up men in jumpsuits (Nailz?) are under hypnosis to murder the island inhabitants, pop their heads and disintegrate their necks. Batman and Alfred seek to intervene Alfred get abducted, dangled from a helicopter and strung up for shark bait. It is up to Batman to get partially nude, sacrifice some innocent civilians and save his butler. Can he do it? I'd like to think so.*** PROPER COMIC BOOK DISCUSSION STARTS AT 00:26:53 ***All this plus we discuss a recent trip to Mile High Comics here in Denver, ironic deaths and Ben Affleck getting rough with an Action Comics #1 Promo: MIKE'S COMIC SHOP ROADSHOW (https://podcasts.apple.com/us/podcast/mikes-comic-shop-roadshow/id1662011650) Continue the conversation with Shawn and Jen on Twitter (X) @angryheroshawn and @JenStansfield and email the show at worstcollectionever@gmail.comAlso, get hip to all of our episodes on YouTube in its own playlist! https://bit.ly/WorstCollectionEverYTDownload the podcast on Spotify, Apple Podcasts and wherever you get your favorite shows. Please rate, review, subscribe and tell a friend! Please rate, review, subscribe and tell a friend!

Author Joel Selvin, a San Francisco Chronicle pop music critic for thirty-six years, is author of more than twenty books about pop music, including the definitive account of the Rolling Stones free concert at Altamont and the biography of songwriter Bert Berns that paved his way into the Rock and Roll Hall of Fame, as well as the No. 1 New York Times best-seller, Red: My Uncensored Life in Rock with Sammy Hagar. Ladies and gentlemen, the subject of Joel Selvin's latest book was raised in the San Fernando Valley of Los Angeles and got his start as a professional drummer touring with the Everly Brothers in the mid-1960s. Jim Gordon's penchant for creative and astonishingly accurate musicianship earned him regular session work, joining the community retroactively referred to as The Wrecking Crew. His supernatural intuition and perfect sense of time can be heard on more than 30 Top 10 singles including several #1 hits, such as the Beach Boys' “Good Vibrations,” Carly Simon's “You're So Vain” and “I Got You Babe” by Sonny & Cher (he also supplied the literal beat for “The Beat Goes On” by the latter). He has been immortalized on albums by George Harrison, John Lennon and the Byrds, among dozens of other household name music acts. Gordon was notably the drummer for Derek and the Dominos and provided the piano coda for their evergreen anthem “Layla.” Joel Selvin details how Gordon didn't merely keep time, but he was also instrumental in shaping compositions; whether it was his Latin-influenced rhythms on “Rikki Don't Lose That Number” by Steely Dan or his monumental drum break on the Incredible Bongo Band's “Apache” (a staple of hip-hop from the genre's inception, having been sampled on over 750 other records), he wasn't just a player on hits, he made them hits. If you love music history, then Drums & Demons: The Tragic Journey of Jim Gordon is a must read. Joel Selvin's power of the pen makes live every page of Jim Gordon's life and you learn in the midst of brilliant musicianship, the darkness of mental health issues like paranoid schizophrenia.  #mentalhealth #mentalillness #schizophrenia #drummer #rockmusic #popmusic #ericclapton #georgeharrison #lindaronstadt #carlysimon #sonnyandcher #cher #beachboys #jamesbrown #jacksonbrowne #boneshowe #mikepost #musicrecording #popmusic 

Author Joel Selvin, a San Francisco Chronicle pop music critic for thirty-six years, is author of more than twenty books about pop music, including the definitive account of the Rolling Stones free concert at Altamont and the biography of songwriter Bert Berns that paved his way into the Rock and Roll Hall of Fame, as well as the No. 1 New York Times best-seller, Red: My Uncensored Life in Rock with Sammy Hagar. Ladies and gentlemen, the subject of Joel Selvin's latest book was raised in the San Fernando Valley of Los Angeles and got his start as a professional drummer touring with the Everly Brothers in the mid-1960s. Jim Gordon's penchant for creative and astonishingly accurate musicianship earned him regular session work, joining the community retroactively referred to as The Wrecking Crew. His supernatural intuition and perfect sense of time can be heard on more than 30 Top 10 singles including several #1 hits, such as the Beach Boys' “Good Vibrations,” Carly Simon's “You're So Vain” and “I Got You Babe” by Sonny & Cher (he also supplied the literal beat for “The Beat Goes On” by the latter). He has been immortalized on albums by George Harrison, John Lennon and the Byrds, among dozens of other household name music acts. Gordon was notably the drummer for Derek and the Dominos and provided the piano coda for their evergreen anthem “Layla.” Joel Selvin details how Gordon didn't merely keep time, but he was also instrumental in shaping compositions; whether it was his Latin-influenced rhythms on “Rikki Don't Lose That Number” by Steely Dan or his monumental drum break on the Incredible Bongo Band's “Apache” (a staple of hip-hop from the genre's inception, having been sampled on over 750 other records), he wasn't just a player on hits, he made them hits. If you love music history, then Drums & Demons: The Tragic Journey of Jim Gordon is a must read. Joel Selvin's power of the pen makes live every page of Jim Gordon's life and you learn in the midst of brilliant musicianship, the darkness of mental health issues like paranoid schizophrenia.  #mentalhealth #mentalillness #schizophrenia #drummer #rockmusic #popmusic #ericclapton #georgeharrison #lindaronstadt #carlysimon #sonnyandcher #cher #beachboys #jamesbrown #jacksonbrowne #boneshowe #mikepost #musicrecording #popmusic 

In this episode, Sachin interviews Dr. Penney Stringer on her journey from working as a family practice physician to achieving her purpose of bringing healing to groups of people through a mindful functional medicine practice. Listen for insight on following your heart in the flow of abundance as you help clients heal.   Key Takeaways: [1:01] Sachin introduces Dr. Penney Stringer, a trailblazer and mother of two children. Sachin welcomes Penney to Perfect Practice. [2:22] Dr. Penney Stringer started as a medical doctor and moved into functional medicine. After her residency, she worked in a community healthcare center outside Seattle, Washington, working with people on the margins. The clinic also had an acupuncturist and naturopaths.   [2:54] Dr. Stringer was a family medicine doctor. She referred everyone to the people she knew could help them: a nutritionist, a naturopath, an acupuncturist, and a counselor. There was also a dispensary. At the same time, she did hospital work associated with the clinic.   [3:36] All she had to do was write prescriptions. One day, she felt sick writing a prescription for a medicine she knew was harmful. A young patient with ankylosing spondylitis and bad back pain had been to a naturopath and had been given antibiotics and fish oil for a gut infection.   [4:08] The patient came back to Dr. Stringer and was all better. He didn't need the prescription for pain medication. After being treated for his gut infection, his autoimmune disease got better. Dr. Stringer questioned how that happened.   [4:26] About that time, she was invited by a naturopathic student to a Jeffrey Bland lecture in 2000, in Seattle. Jeffrey Bland is the “grandfather” of functional medicine. She started going to the free lectures Jeffrey Bland was giving.   [4:57] The first lecture was all about the microbiome and the biochemical pathways. It was what Dr. Stringer had thought she would learn in medical school. She went to her first training not too long after that. She says the rest is history.   [5:28] Dr. Stringer moved to a new town in the early 2000s. A doctor was practicing functional medicine there with a patient waitlist of five years. A nearby hospital funded the functional medicine wellness clinic and Dr. Stringer's salary at the clinic.   [6:43] Right out of her Institute for Functional Medicine AFMCP course in Boston, Dr. Stringer had a mentor, all the testing, all the supplements, all the patients lined up to see her, and a salary that she didn't have to worry about. She felt like it was what she was supposed to do.   [8:21] Dr. Stringer says it was a blessed situation in every way. It was all insurance-based so patients could get the best care with two dedicated physicians. The doctors were free to do what they believed in. It was not regular Western medicine. It was functional medicine from the start.   [8:47] The town is a nuclear toxic cleanup site. A lot of the jobs are in the cleanup. She helps with people's detox and hormone renewal analysis. Her first patient was full of heavy metals, just as she had learned in class. She feels like things are put in our path to see if we're awake.   [10:45] Dr. Stringer thinks that the key is paying attention. If you want to learn about something, request it from whoever is listening and see how long it takes to show up at your doorstep.   [11:52] Dr. Stringer talks about her sense of presence. She says her dad was a keen observer of nature. He was a biologist and environmental scientist with a doctorate in parasitology from Johns Hopkins. He viewed the world with a beginner's mind and asked profound questions. [12:25] Dr. Stringer tells how her father researched the chrysalis of the monarch butterfly, and presented papers on it around the world, all because he wanted to know what happened in the chrysalis. He asked the question and got a grant to find out. He's now in a documentary.   [13:35] One of Dr. Stringer's earliest memories with her dad is going in the woods. He would stoop down and turn over a rock and show his children the universe under the rock. He instilled in Penney some of that sense of presence.    [14:01] Dr Stringer spent her junior college year in Spain, studying Spanish literature and she saw daily siestas. When she came back, she learned transcendental meditation. After meditating, when she went outside, she could see every shade of green she had never seen.   [15:05] Dr. Stringer teams up with a master cranial sacral therapist to do a double hands-on with patients. They sit in silence with a patient for an hour.   [15:50] That has given Dr. Stringer so much insight and awareness about the process of healing and being present with another human being and holding the space for transformation, being there with their joy, pain, or release. It's not always comfortable.   [16:18] Dr. Stringer has to do cranial sacral herself to release what she observes in others. There's a lot of pain and suffering. Some of us are very in tune with that pain and suffering. It's important to do your own work to release what you observe so it doesn't get stuck in your body.   [17:28] If you are not dissipating the energy that's building up, you feel burned out or don't care as much. You feel tired. Dr. Stringer notices that her nervous system gets shaky. You could get headaches, upset stomach, or not sleep well, or more, from holding onto other people's energy.   [20:13] Dr. Stringer worked at the functional medicine office for about five years and then they went their separate ways. She had children. She went back and worked at the community health center so she didn't have to run a business when her babies were little.   [20:30] Then Dr. Stringer started her own practice. For 18-and-a-half years, she had done functional medicine in the insurance system. With Sachin's mentorship, she took the leap and jumped out of the insurance system, partially spurred by how the recent pandemic was handled.   [22:00] Sachin has been Dr. Stringer's only business growth mentor. She has done everything by her heart. She doesn't do or choose anything based on finances. Dr. Stringer thinks that when you have the right intention, things work out for you and abundance flows.   [22:46] Dr. Stringer says that Sachin has been a very helpful mentor for her, for thinking heart-centered but business savvy. Beyond finances, for Dr. Stringer, the bigger part of abundance is being in nature every day as part of her ability to do her work.   [23:32] Dr. Stringer had another important mentor in medical school at Georgetown, Dr. Jim Gordon, who runs the Center for Mind Body Medicine. He's a Harvard-trained psychiatrist and an acupuncturist. Dr. Gordon informed me so much about the way Dr. Stringer thinks about healing.   [24:09] Dr. Stringer's purpose is healing in community. The reason she joined the mentorship was to solidify doing groups and making the community the hallmark of her dynamic and system. Dr. Gordon's training in mind-body medicine is the basis of all of Dr. Stringer's groups.   [24:45] Dr. Stringer says Sachin is a great mentor. She feels that learning business and healing are not that different and that they can all be together.    [25:12] Dr. Stringer recommends learning to facilitate mind-body skills groups as an eloquent and beautiful model for being a facilitator but also a participant in the group. It's mindfulness-based training.   [25:35] Dr. Stringer had another pivotal shift when she went to ECO Conference. It helped her reframe the way she thinks about barriers to healing and how to address toxins and stealth bugs.   [26:17] Dr. Stringer speaks of a book that was pivotal to her, The Nature Fix, by Florence Williams which documents a positive biochemical effect in the brain that PTSD sufferers receive from being in nature for three days. Sachin relates it to the wellness modality of forest bathing.   [29:02] Nature is a powerful teacher and powerful medicine for our sanity. Sachin suggests prescribing forest bathing to your patients and clients. It could be a missing link for a lot of people's healing journeys.   [29:23] Dr. Stringer notes a recent NYTimes article on the recommendations of nature for health benefits. They recommend spending 20 minutes in nature, three days a week, plus five hours a month of longer hiking, plus going off-grid for three days a year.   [30:19] Sachin is going on a three-day snowshoeing hike with his brother and a guide in Algonquin Park where the lake freezes over. They'll have a sauna tent and bathe in a hole in the ice in the water. He's super stoked about it.   [30:55] Being in nature is such an important thing we should all be doing. He hopes what you learn from this conversation is to spend some more time in nature.   [31:41] Dr. Stringer brings up the benefits of fasting. She is on the second day of a three-day ProLon mimicking fast and she feels an amazing shift. It's amazing to get into a fasting state. It's phenomenal. Sachin notes that It's an easy modality to integrate into your practice.   [33:44] Dr. Stringer recommends bodywork; worrying with the subtle energy of the body, as another modality. She sticks to the elemental, basic things.   [39:43] Dr. Stringer thinks medical physicians and professionals pairing up with health coaches is a no-brainer.   [40:12] If you are interested in setting up a group-based program, Dr. Stringer says to follow what interests you and lights you up in terms of the kinds of patients you want to work with, and the setting. She believes that word of mouth is always the best way to grow a practice.   [40:35] If you want to do groups, start doing them. Don't wait for the perfect system; no one really has the perfect system. Just start doing groups of five, six, or 10 people. It's an efficient way to teach and to be compensated. Sometimes you have to start with individual people.   [41:23] Dr. Stringer doesn't have a referral system. That will be the next phase of what she does to reach more people. So far, it's 90% word of mouth.   [41:36] Offerings of teachings and master classes are a good way for people to know that you know what you're talking about, that you care, and that your heart's in it. Dr. Stringer has done master classes for the past three years and it has been great.   [41:58] Now she is doing more in-person things, which are the most fulfilling for her. Getting in front of people and being generous with your offerings to share your knowledge will come back to benefit you. Generosity is reciprocal.   [43:04] Dr. Penney Stringer says this is her year for saying, “yes” to everything. For the next four weekends, she is traveling to visit friends and family and to a breathwork conference with James Nestor.   [44:34] Dr. Penney Stringer learned of the James Nestor breathwork conference from Sachin, who says going to that event was one of the highlights of his life.   [44:45] Dr. Penney Stringer is also planning to go with a functional medicine friend to a nature-based three-day retreat for women in menopause.   [45:09] Sachin thanks Dr. Stringer for spending time with him and his audience today and sharing her wisdom. There are great takeaways of things we can do in nature, with self-care, keeping things simple in our practice, and following our hearts, with the highest integrity.   [46:02] To learn more about Dr. Stringer's practice, go to PenneyStringerMD.com.   [46:32] Penny's last words: “Follow your heart and trust that you are in the abundance flow.”   Mentioned in this episode Perfect Practice Live Dr. Penney Stringer Jeffrey Bland The Nature Fix: Why Nature Makes us Happier, Healthier, and More Creative, by Florence Williams ProLon   More about your host Sachin Patel How to speak with Sachin Go one step further and Become The Living Proof Perfect Practice Live sachin@becomeproof.com To set up a practice clarity call and opportunity audit   Books by Sachin Patel: Perfect Practice: How to Build a Successful Functional Medical Business, Attract Your Ideal Patients, Serve Your Community, and Get Paid What You're Worth The Motivation Molecule: The Biological Secrets To Eliminate Procrastination, Skyrocket Productivity, and Get Sh!t Done   Tweetables:   “I feel like things are put in our path to see if we're awake and see if we're paying attention and I think that can happen with your patients and with your process as a healer and as a business owner.” — Dr. Penney Stringer   “If you want to learn about something, request it from whoever is listening and see how long it takes to show up at your doorstep.” — Dr. Penney Stringer    “I did all this training so I can teach people how to eat and breathe, and touch nature? How is that possible? … That's what gets people better!” — Dr. Penney Stringer   “I would say if you want to do groups, start doing them. Don't wait for the perfect system; no one has the perfect system. Just start doing groups of five, six, or 10 people.” — Dr. Penney Stringer    “Generosity is reciprocal.” — Dr. Penney Stringer    Dr. Penney StringerIFM  

Josh is joined by the Lovely Dan from Casting Views to rank character portrayals in comic book-inspired movies, along with some other news from the week.  Nintendo Announces Next Gen System Announcement Window (2:14) David Corenswet Superman costume reveal (6:31) I Hate It. Let's Watch It promo (11:43) Comic Book Character Portrayal Tier List (12:28) The Rules of the Game (12:54)  Aaron Taylor Johnson as Quicksilver (13:41) Adam West as Batman (15:18) Alan Cumming as Kurt Wagner/Nightcrawler (15:46) Alfred Molina as Dr. Otto Octavious/Doc Ock (16:47) Alicia Silverstone as Barbara Wilson/Batgirl (17:46) Amy Adams as Lois Lane (19:05) Andrew Garfield as The Amazing Spider-Man (19:55) Anthony Mackie as Sam Wilson/The Falcon/Captain America (20:59) Arnold Schwarzenegger as Mr Freeze (21:45) Ben Afleck as Bruce Wayne/Batman (23:26) Benedict Cumberbatch as Doctor Strange (25:42) Brie Larson as Carol Danvers/Captain Marvel (26:56) Chadwick Boseman as T'Challa/Black Panther (28:33) Chris Evans as Steve Rogers/Captain America (28:47) Chris Evans as Johnny Storm/The Human Torch (29:03) Chris O'Donnel as Dick Grayson/Robin (30:21) Chris Pratt as Peter Quill/Star-Lord (30:55) Christian Bale as Bruce Wayne/Batman (33:04) Christopher Reeve as Clark Kent/Superman (34:21) Cillian Murphy as Dr Johnathan Crane/Scarecrow (35:00) Cobie Smulders as Maria Hill (35:19) Colin Farrell as Bullseye (36:24) Dane DeHaan as Harry Osborn (37:26) Danny DeVito as Oswald Cobblepot/The Penguin (38:09) Lightning Round (41:15) Michael Clarke Duncan as Wilson Fisk/The Kingpin (41:25) Heath Ledger as The Joker & Gary Oldman as Com. Jim Gordon (42:27) Scarlett Johansson as Natasha Romanoff/Black Widow (42:50) Jennifer Garner as Elektra (43:38) Grant Gustin as Barry Alan/The Flash (44:37) James McAvoy as Charles Xavier/Professor X (46:01) Margot Robbie as Harley Quinn (47:53) F-Tier Performances + Other Notables on the list (50:12) Dan plugs Casting Views (54:09) Enter to win a Steam copy of Marvel's Midnight Suns (55:18) Please remember to check out the I Hate It. Let's Watch It podcast, join our Discord and check out our merch store!  Email your Talking SMACdowns suggestions to TSMACpod@gmail.com or either @ us @TalkingSMACpod or use the hashtag: #TalkingSMACdowns for social media submissions to enter for a chance to win a Steam edition of Marvel's Midnight Suns.

Send us a Text Message.My guest is Los Angeles session and touring drummer, Jody Cortez. In this episode Jody talks about moving from Miami to Los Angeles at age 10. Meeting Jeff Porcaro and the Porcaro family, how Jeff got him his first major tour with Boz Scaggs at age 21, working with Christopher Cross including the songs "Uncharted Hearts" and "Wishing Well," touring with Crosby, Stills & Nash, and much more! Jody is also the author of a series of children's books, available through Amazon and Barnes and Noble books. For more info, visit: www.Thelovewaggle.com. So come along for the ride and please subscribe! Live From My Drum Room T-shirts are available now! Made of soft 60%cotton/40% polyester. Available in sizes XS-3XL. $25 including shipping in the contiguous US!  Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email me for more info: livefrommydrumroom@gmail.com.  Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Music journalist and author Joel Selvin joins Staci on today's "Rock & Roll Nightmares" podcast. He wrote the incredible recent release, "Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day." ...But today, they're going to talk about his brand new book, a deep dive into session drummer Jim Gordon, whose storied career ended with him behind bars for the murder of his mother. The book is called "Drums & Demons." Joel's aim is to restore the man's reputation in terms of his contribution to music—from his work with The Beach Boys, Eric Clapton, Carly Simon, and so many more. On this show, he discusses not only Jim's music, but music history, session musicians' unique contributions, as well as the mental health crisis in Jim's day--and now. It's a fascinating episode that covers a lot of ground!

Cal & Liam wrap up the month of April with a visit to an Elseworld not visited since April 27th, 2019! After the Good Brothers recap where we stand in the series, they discuss a plot that introduces a lesser known recurring villainess in Magpie, and the classic plot device of the police not yet trusting Batman. The hosts also discuss Kurtwood Smith's turn as Jim Gordon, the surprisingly adult-oriented character design of our main baddie, and music that fits the procedural theme of the episode. All of this and more plus the reveal of next week's episode kicking off a month-long celebration of the Man of Steel's 86th birthday and more on this week's all new DCAU Review! Please Consider Supporting the Podcast: Subscribe to the DCAU Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and please consider leaving us a 5-star review Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Podtower on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and like the videos Buy the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠a coffee or grab some ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Scores: Plot: Cal: 6/10 – Liam: 6/10 Visuals/Animation: Cal: 7/10 – Liam: 7/10 Music: Cal: 7/10 – Liam: 6/10 Voice Acting: Cal: 7/10 – Liam: 7/10 Bonus Point: None Final Tally: Cal: 27/40 – Liam: 26/40 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dcaureview/message Support this podcast: https://podcasters.spotify.com/pod/show/dcaureview/support

The man who wrote Layla with Eric Clapton and was a founding member of Derek and the Dominos lived a life touched by mental illness and marked by murder. Author Joel Selvin reveals the results of his years of research on the inside story of Jim Gordon, one of the most prolific drummers of all time. Joel's new book, Drums and Demons, raises the larger questions of how we miss the signs that someone – even a great talent - is in trouble.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Post is probably the most successful composer of the last half century. He literally wrote the themes to hundreds of TV shows from the early 70s until now. In fact, there's a good chance that during the heyday, almost every person on earth heard his work at least once a week. That's astounding. You could argue that shows like NYPD Blue, Law & Order, Magnum P.I., Rockford Files, White Shadow, Hill Street Blues, L.A. Law and tons more wouldn't be what they are without him. He recently took a big risk and composed an original piece called Message of the Mountains & Echoes of the Delta that he's really proud of. It merges Americana and Classical in a way that's never been done before. We discuss all of this as well growing up with Jim Gordon, being a part of the Wrecking Crew, and producing the ill-fated Van Halen 3 album. He's "the luckiest guy you'll ever meet". Enjoy!  www.mike-post.com www.patreon.com/thehustlepod

Joel Selvin is the author of "Drums and Demons-The Tragic Journey of Jim Gordon." Jim is considered one of the greatest drummers in music history and he faced a lifetime of mental illness, ultimately landing him in prison for the death of his mother. Joel Selvin has done meticulous work in investigating this story of a music icon who led a tragic life.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Jim Gordon went from being the first call drummer of his generation who played on hundreds of hit records, to becoming a victim of the chemicals in his brain that caused him to murder his mother in a schizophrenic episode. Joel Selvin describes his Jim Gordon's life and his book perfectly with this description: "The blazing rock opera of the greatest drummer of all-time, Jim Gordon, from the legendary Wrecking Crew to redefining rock on the Seventies' biggest hits and outrageous tours, and ultimately to the most shocking crime in rock history—a story of musical genius, uncontrollable madness, and the big fill" You can purchase Joel's great book here: https://amzn.to/49wuh0Y Here is Joel's website: https://www.joelselvin.com/ ENjoy this episode!

Author Joel Selvin returns to the show to discuss his new book on one of the greatest and most complicated drummers in rock history, Jim Gordon. The list of songs made better by Jim's talent is endless - "Good Vibrations", "Rikki Don't Lose That Number", "Wichita Lineman", "Apache" and hundreds of others. He was also the drummer in Derek and the Dominoes and co-wrote "Layla". Unfortunately, Jim was overwhelmed by demons from schizophrenia most of his life and murdered his mother in 1983 confining him to prison for the rest of his life (he died in 2023). Joel paints a sympathetic portrait of a man overcome by voices that ultimately did him in. It's one of the best music books you'll ever read.  www.joelselvin.com www.patreon.com/thehustlepod

This is a trailer for episode which will air on 2-27-24 with author and music critic Joel Selvin. Joel is the author of the new book "Drums and Demons-The Tragic Journey of Jim Gordon." Jim was considered by many to be the greatest drummer of all time and he suffered a lifetime of addiction and mental health issues.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Pete Abbott is an American drummer, percussionist, songwriter, producer, born in Los Angeles, CA, raised in Denver, CO, began playing drums at age 10. After High School, Abbott attended University of Miami's “Studio Music and Jazz” program. Pete has performed with The Average White Band, Blood, Sweat and Tears, Larry Carlton, Keb Mo, Bette Midler, Ashley Monroe and many others. Pete has called Nashville home for the last 15 years.    Some Things That Came Up:  -4:15 The Press Roll  -7:30 Finishing Degree at The University of Miami  -14:00 University of Miami stylistic small groups  -14:30 The challenges of ECM music. Jon Christensen and his ride cymbals -16:30 Long phrases. Jack DeJohnette -19:30 The seriousness of clave -22:00 Jim Keltner on Ry Cooder's “Bop Till' You Drop” -25:00 Pete's Shuffle  -34:00 Hearing Issues  -38:15 Swedish drummer Per Lindval -40:00 Learning a new language  -44:00 Average White Band and Blood, Sweat and Tears  -49:00 AWB was the BEST musical experience -52:40 20% playing and 80% hang  -53:15 Segue 61 educational institute  -56:40 Let the brain picking begin  -1:02:20 Church Training  -1:11:00 Favorite drummers: James Gadson, Steve Gadd, Greg Morrow, Jim Gordon. -1:18:40 Pilots License!    Follow:  FB: https://www.facebook.com/pete.abbott.14/ The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode on "My World Fell Down" by Sagittarius. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in this chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, For future parts of this multi-episode story I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript When we left the Byrds at the end of the episode on "Eight Miles High", they had just released that single, which combined folk-rock with their new influences from John Coltrane and Ravi Shankar, and which was a group composition but mostly written by the group's lead singer, Gene Clark. And also, as we mentioned right at the end of the episode, Clark had left the group. There had been many, many factors leading to Clark's departure. Clark was writing *far* more material than the other band members, of whom only Roger McGuinn had been a writer when the group started, and as a result was making far more money than them, especially with songs like "She Don't Care About Time", which had been the B-side to their number one single "Turn! Turn! Turn!" [Excerpt: The Byrds, "She Don't Care About Time"] Clark's extra income was making the rest of the group jealous, and they also didn't think his songs were particularly good, though many of his songs on the early Byrds albums are now considered classics. Jim Dickson, the group's co-manager, said "Gene would write fifteen to twenty songs a week and you had to find a good one whenever it came along because there were lots of them that you couldn't make head or tail of.  They didn't mean anything. We all knew that. Gene would write a good one at a rate of just about one per girlfriend." Chris Hillman meanwhile later said more simply "Gene didn't really add that much." That is, frankly, hard to square with the facts. There are ten original songs on the group's first two albums, plus one original non-album B-side. Of those eleven songs, Clark wrote seven on his own and co-wrote two with McGuinn. But as the other band members were starting to realise that they had the possibility of extra royalties -- and at least to some extent were starting to get artistic ambitions as far as writing goes -- they were starting to disparage Clark's work as a result, calling it immature. Clark had, of course, been the principal writer for "Eight Miles High", the group's most experimental record to date: [Excerpt: The Byrds, "Eight Miles High"] But there he'd shared co-writing credit with David Crosby and Roger McGuinn, in part because that was the only way he could be sure they would agree to release it as a single. There were also internal rivalries within the band unrelated to songwriting -- as we've touched on, Crosby had already essentially bullied Clark off the guitar and into just playing tambourine (and McGuinn would be dismissive even of Clark's tambourine abilities). Crosby's inability to get on with any other member of any band he was in would later become legendary, but at this point Clark was the major victim of his bullying. According to Dickson "David understood when Gene left that ninety-five percent of why Gene left could be brought back to him." The other five percent, though, came from Clark's fear of flying. Clark had apparently witnessed a plane crash in his youth and been traumatised by it, and he had a general terror of flying and planes -- something McGuinn would mock him for a little, as McGuinn was an aviation buff. Eventually, Clark had a near-breakdown boarding a plane from California to New York for a promotional appearance with Murray the K, and ended up getting off the plane. McGuinn and Michael Clarke almost did the same, but in the end they decided to stay on, and the other four Byrds did the press conference without Gene. When asked where Gene was, they said he'd "broken a wing". He was also increasingly having mental health and substance abuse problems, which were exacerbated by his fear, and in the end he decided he just couldn't be a Byrd any more. Oddly, of all the band members, it was David Crosby who was most concerned about Clark's departure, and who did the most to try to persuade him to stay, but he still didn't do much, and the group decided to carry on as a four-piece and not even make a proper announcement of Clark's departure -- they just started putting out photos with four people instead of five. The main change as far as the group were concerned was that Hillman was now covering Clark's old vocal parts, and so Crosby moved to Clark's old centre mic while Hillman moved from his position at the back of the stage with Michael Clarke to take over Crosby's mic. The group now had three singer-instrumentalists in front, two of whom, Crosby and McGuinn, now thought of themselves as songwriters. So despite the loss of their singer/songwriter/frontman, they moved on to their new single, the guaranteed hit follow-up to "Eight Miles High": [Excerpt: The Byrds, "5D (Fifth Dimension)"] "5D" was written by McGuinn, inspired by a book of cartoons called 1-2-3-4 More More More More by Don Landis, which I haven't been able to track down a copy of, but which seems to have been an attempt to explain the mathematical concept of higher dimensions in cartoon form. McGuinn was inspired by this and by Einstein's theory of relativity -- or at least by his understanding of relativity, which does not seem to have been the most informed take on the topic. McGuinn has said in the past that the single should really have come with a copy of Landis' booklet, so people could understand it. Sadly, without the benefit of the booklet we only have the lyrics plus McGuinn's interviews to go on to try to figure out what he means. As far as I'm able to understand, McGuinn believed -- completely erroneously -- that Einstein had proved that along with the four dimensions of spacetime there is also a fifth dimension which McGuinn refers to as a "mesh", and that "the reason for the speed of light being what it is is because of that mesh." McGuinn then went on to identify this mesh with his own conception of God, influenced by his belief in Subud, and with a Bergsonian idea of a life force. He would talk about how most people are stuck in a materialist scientific paradigm which only admits to  the existence of three dimensions, and how there are people out there advocating for a five-dimensional view of the world. To go along with this mystic view of the universe, McGuinn wanted some music inspired by the greatest composer of sacred music, and he asked Van Dyke Parks, who was brought in to add keyboards on the session, to play something influenced by Bach -- and Parks obliged, having been thinking along the same lines himself: [Excerpt: The Byrds, "5D (Fifth Dimension)"] Unfortunately for the group, McGuinn's lyrical intention wasn't clear enough and the song was assumed to be about drugs, and was banned by many radio stations. That plus the track's basically uncommercial nature meant that it reached no higher than number forty-four in the charts. Jim Dickson, the group's co-manager, pointed to a simpler factor in the record's failure, saying that if the organ outro to the track had instead been the intro, to set a mood for the track rather than starting with a cold vocal open, it would have had more success. The single was followed by an album, called Fifth Dimension, which was not particularly successful. Of the album's eleven songs, two were traditional folk songs, one was an instrumental -- a jam called "Captain Soul" which was a version of Lee Dorsey's "Get Out My Life Woman" credited to the four remaining Byrds, though Gene Clark is very audible on it playing harmonica -- and one more was a jam whose only lyrics were "gonna ride a Lear jet, baby", repeated over and over. There was also "Eight Miles High" and the group's inept and slightly-too-late take on "Hey Joe". It also included a third single, a country track titled "Mr. Spaceman": [Excerpt: The Byrds, "Mr. Spaceman"] McGuinn and, particularly, Hillman, had some country music background, and both were starting to think about incorporating country sounds into the group's style, as after Clark's departure from the group they were moving away from the style that had characterised their first two albums. But the interest in "Mr. Spaceman" was less about the musical style than about the lyrics. McGuinn had written the song in the hopes of contacting extraterrestrial life -- sending them a message in his lyrics so that any aliens listening to Earth radio would come and visit, though he was later disappointed to realise that the inverse-square law means that the signals would be too faint to make out after a relatively short distance: [Excerpt: The Byrds, "Mr. Spaceman"] "Mr. Spaceman" did better on the charts than its predecessor, scraping the lower reaches of the top forty, but it hardly set the world alight, and neither did the album -- a typical review was the one by Jon Landau, which said in part "This album then cannot be considered up to the standards set by the Byrds' first two and basically demonstrates that they should be thinking in terms of replacing Gene Clark, instead of just carrying on without him." Fifth Dimension would be the only album that Allen Stanton would produce for the Byrds, and his replacement had actually just produced an album that was a Byrds record by any other name: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] We've looked at Gary Usher before, but not for some time, and not in much detail. Usher was one of several people who were involved in the scene loosely centred on the Beach Boys and Jan and Dean, though he never had much time for Jan Berry and he had got his own start in the music business slightly before the Beach Boys. As a songwriter, his first big successes had come with his collaborations with Brian Wilson -- he had co-written "409" for the Beach Boys, and had also collaborated with Wilson on some of his earliest more introspective songs, like "The Lonely Sea" and "In My Room", for which Usher had written the lyrics: [Excerpt: The Beach Boys, "In My Room"] Usher had built a career as a producer and writer for hire, often in collaboration with Roger Christian, who also wrote with Brian Wilson and Jan Berry. Usher, usually with Christian, and very occasionally Wilson wrote the songs for several of American International Pictures' Beach Party films: [Excerpt: Donna Loren, "Muscle Bustle"] And Usher and Christian had also had bit parts in some of the films, like Bikini Beach, and Usher had produced records for Annette Funicello, the star of the films, often with the Honeys (a group consisting of Brian Wilson's future wife Marilyn plus her sister and cousin) on backing vocals. He had also produced records for the Surfaris, as well as a whole host of studio-only groups like the Four Speeds, the Super Stocks, and Mr. Gasser and the Weirdoes, most of whom were Usher and the same small group of vocalist friends along with various selections of Wrecking Crew musicians making quick themed albums. One of these studio groups, the Hondells, went on to be a real group of sorts, after Usher and the Beach Boys worked together on a film, The Girls on the Beach. Usher liked a song that Wilson and Mike Love had written for the Beach Boys to perform in the film, "Little Honda", and after discovering that the Beach Boys weren't going to release their version as a single, he put together a group to record a soundalike version: [Excerpt: The Hondells, "Little Honda"] "Little Honda" made the top ten, and Usher produced two albums for the Hondells, who had one other minor hit with a cover version of the Lovin' Spoonful's "Younger Girl". Oddly, Usher's friend Terry Melcher, who would shortly produce the Byrds' first few hits, had also latched on to "Little Honda", and produced his own version of the track, sung by Pat Boone of all people, with future Beach Boy Bruce Johnston on backing vocals: [Excerpt: Pat Boone, "Little Honda"] But when Usher had got his version out first, Boone's was relegated to a B-side. When the Byrds had hit, and folk-rock had started to take over from surf rock, Usher had gone with the flow and produced records like the Surfaris' album It Ain't Me Babe, with Usher and his usual gang of backing vocalists augmenting the Surfaris as they covered hits by Dylan, the Turtles, the Beach Boys and the Byrds: [Excerpt: The Surfaris, "All I Really Want to Do"] Usher was also responsible for the Surfaris being the first group to release a version of "Hey Joe" on a major label, as we heard in the episode on that song: [Excerpt: The Surfaris, "Hey Joe"] After moving between Capitol, Mercury, and Decca Records, Usher had left Decca after a round of corporate restructuring and been recommended for a job at Columbia by his friend Melcher, who at that point was producing Paul Revere and the Raiders and the Rip Chords and had just finished his time as the Byrds' producer. Usher's first work at Columbia was actually to prepare new stereo mixes of some Byrds tracks that had up to that point only been issued in mono, but his first interaction with the Byrds themselves came via Gene Clark: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] On leaving the Byrds, Clark had briefly tried to make a success of himself as a songwriter-for-hire in much the same mould as Usher, attempting to write and produce a single for two Byrds fans using the group name The Cookie Fairies, while spending much of his time romancing Michelle Phillips, as we talked about in the episode on "San Francisco". When the Cookie Fairies single didn't get picked up by a label, Clark had put together a group with Bill Rinehart from the Leaves, Chip Douglas of the Modern Folk Quartet, and Joel Larson of the Grass Roots. Just called Gene Clark & The Group, they'd played around the clubs in LA and cut about half an album's worth of demos produced by Jim Dickson and Ed Tickner, the Byrds' management team, before Clark had fired first Douglas and then the rest of the group. Clark's association with Douglas did go on to benefit him though -- Douglas went on, as we've seen in other episodes, to produce hits for the Turtles and the Monkees, and he later remembered an old song by Clark and McGuinn that the Byrds had demoed but never released, "You Showed Me", and produced a top ten hit version of it for the Turtles: [Excerpt: The Turtles, "You Showed Me"] Clark had instead started working with two country singers, Vern and Rex Gosdin, who had previously been with Chris Hillman in the country band The Hillmen. When that band had split up, the Gosdin Brothers had started to perform together as a duo, and in 1967 they would have a major country hit with "Hangin' On": [Excerpt: The Gosdin Brothers, "Hangin' On"] At this point though, they were just Gene Clark's backing vocalists, on an album that had been started with producer Larry Marks, who left Columbia half way through the sessions, at which point Usher took over. The album, titled Gene Clark with the Gosdin Brothers, featured a mix of musicians from different backgrounds. There were Larson and Rinehart from Gene Clark and the Group, there were country musicians -- a guitarist named Clarence White and the banjo player Doug Dillard. Hillman and Michael Clarke, the Byrds' rhythm section, played on much of the album as a way of keeping a united front, Glen Campbell, Jerry Cole, Leon Russell and Jim Gordon of the Wrecking Crew contributed, and Van Dyke Parks played most of the keyboards. The lead-off single for Gene Clark with the Gosdin Brothers, "Echoes", is one of the tracks produced by Marks, but in truth the real producer of that track is Leon Russell, who wrote the orchestral arrangement that turned Clark's rough demo into a baroque pop masterpiece: [Excerpt: Gene Clark, "Echoes"] Despite Clark having quit the band, relations between him and the rest were still good enough that in September 1966 he temporarily rejoined the band after Crosby lost his voice, though he was gone again as soon as Crosby was well. But that didn't stop the next Byrds album, which Usher went on to produce straight after finishing work on Clark's record, coming out almost simultaneously with Clark's and, according to Clark, killing its commercial potential. Upon starting to work with the group, Usher quickly came to the conclusion that Chris Hillman was in many ways the most important member of the band. According to Usher "There was also quite a divisive element within the band at that stage which often prevented them working well together. Sometimes everything would go smoothly, but other times it was a hard road. McGuinn and Hillman were often more together on musical ideas. This left Crosby to fend for himself, which I might add he did very well." Usher also said "I quickly came to understand that Hillman was a good stabilising force within the Byrds (when he wanted to be). It was around the time that I began working with them that Chris also became more involved in the songwriting. I think part of that was the fact that he realised how much more money was involved if you actually wrote the songs yourself. And he was a good songwriter." The first single to be released from the new sessions was one that was largely Hillman's work. Hillman and Crosby had been invited by the great South African jazz trumpeter Hugh Masekela to play on some demos for another South African jazzer, singer Letta Mbulu. Details are sparse, but one presumes this was for what became her 1967 album Letta Mbulu Sings, produced by David Axelrod: [Excerpt: Letta Mbulu, "Zola (MRA)"] According to Hillman, that session was an epiphany for him, and he went home and started writing his own songs for the first time. He took one of the riffs he came up with to McGuinn, who came up with a bridge inspired by a song by yet another South African musician, Miriam Makeba, who at the time was married to Masekela, and the two wrote a lyric inspired by what they saw as the cynical manipulation of the music industry in creating manufactured bands like the Monkees -- though they have both been very eager to say that they were criticising the industry, not the Monkees themselves, with whom they were friendly. As Hillman says in his autobiography, "Some people interpreted it as a jab at The Monkees. In reality, we had immense respect for all of them as singers and musicians. We weren't skewering the members of the Monkees, but we were taking a shot at the cynical nature of the entertainment business that will try to manufacture a group like The Monkees as a marketing strategy. For us, it was all about the music, and we were commenting on the pitfalls of the industry rather than on any of our fellow musicians." [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track continued the experimentation with sound effects that they had started with the Lear jet song on the previous album. That had featured recordings of a Lear jet, and "So You Want to be a Rock 'n' Roll Star?" featured recordings of audience screams. Those screams were, according to most sources, recorded by Derek Taylor at a Byrds gig in Bournemouth in 1965, but given reports of the tepid response the group got on that tour, that doesn't seem to make sense. Other sources say they're recordings of a *Beatles* audience in Bournemouth in *1963*, the shows that had been shown in the first US broadcast of Beatles footage, and the author of a book on links between the Beatles and Bournemouth says on his blog "In the course of researching Yeah Yeah Yeah: The Beatles & Bournemouth I spoke to two people who saw The Byrds at the Gaumont that August and neither recalled any screaming at all, let alone the wall of noise that can be heard on So You Want To Be A Rock 'n' Roll Star." So it seems likely that screaming isn't for the Byrds, but of course Taylor had also worked for the Beatles. According to Usher "The crowd sound effects were from a live concert that Derek Taylor had taped with a little tape recorder in London. It was some outrageous crowd, something like 20,000 to 30,000 people. He brought the tape in, ran it off onto a big tape, re- EQ'd it, echoed it, cleaned it up and looped it." So my guess is that the audience screams in the Byrds song about the Monkees are for the Beatles, but we'll probably never know for sure: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track also featured an appearance by Hugh Masekela, the jazz trumpeter whose invitation to take part in a session had inspired the song: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] While Hillman was starting to lean more towards folk and country music -- he had always been the member of the band least interested in rock music -- and McGuinn was most interested in exploring electronic sounds, Crosby was still pushing the band more in the direction of the jazz experimentation they'd tried on "Eight Miles High", and one of the tracks they started working on soon after "So You Want to be a Rock 'n' Roll Star?" was inspired by another jazz trumpet great. Miles Davis had been partly responsible for getting the Byrds signed to Columbia, as we talked about in the episode on "Mr. Tambourine Man", and so the group wanted to pay him tribute, and they started working on a version of his classic instrumental "Milestones": [Excerpt: Miles Davis, "Milestones"] Sadly, while the group worked on their version for several days -- spurred on primarily by Crosby -- they eventually chose to drop the track, and it has never seen release or even been bootlegged, though there is a tiny clip of it that was used in a contemporaneous documentary, with a commentator talking over it: [Excerpt: The Byrds, "Milestones (TV)"] It was apparently Crosby who decided to stop work on the track, just as working on it was also apparently his idea. Indeed, while the biggest change on the album that would become Younger Than Yesterday was that for the first time Chris Hillman was writing songs and taking lead vocals, Crosby was also writing more than before. Hillman wrote four of the songs on the album, plus his co-write with McGuinn on "So You Want to be a Rock 'n' Roll Star?", but Crosby also supplied two new solo compositions, plus a cowrite with McGuinn, and Crosby and McGuinn's "Why?", the B-side to "Eight Miles High", was also dug up and rerecorded for the album. Indeed, Gary Usher would later say "The album was probably 60% Crosby. McGuinn was not that involved, nor was Chris; at least as far as performing was concerned." McGuinn's only composition on the album other than the co-writes with Crosby and Hillman was another song about contacting aliens, "CTA-102", a song about a quasar which at the time some people were speculating might have been evidence of alien life. That song sounds to my ears like it's had some influence from Joe Meek's similar records, though I've never seen McGuinn mention Meek as an influence: [Excerpt: The Byrds, "CTA-102"] Crosby's growing dominance in the studio was starting to rankle with the other members. In particular two tracks were the cause of conflict. One was Crosby's song "Mind Gardens", an example of his increasing experimentation, a freeform song that ignores conventional song structure, and which he insisted on including on the album despite the rest of the group's objections: [Excerpt: The Byrds, "Mind Gardens"] The other was the track that directly followed "Mind Gardens" on the album. "My Back Pages" was a song from Dylan's album Another Side of Bob Dylan, a song many have seen as Dylan announcing his break with the folk-song and protest movements he'd been associated with up to that point, and his intention to move on in a new direction: [Excerpt: Bob Dylan, "My Back Pages"] Jim Dickson, the Byrds' co-manager, was no longer on speaking terms with the band and wasn't involved in their day-to-day recording as he had been, but he'd encountered McGuinn on the street and rolled down his car window and suggested that the group do the song. Crosby was aghast. They'd already recorded several songs from Another Side of Bob Dylan, and Fifth Dimension had been their first album not to include any Dylan covers. Doing a jangly cover of a Dylan song with a McGuinn lead vocal was something they'd moved on from, and he didn't want to go back to 1964 at the end of 1966. He was overruled, and the group recorded their version, a track that signified something very different for the Byrds than the original had for Dylan: [Excerpt: The Byrds, "My Back Pages"] It was released as the second single from the album, and made number thirty. It was the last Byrds single to make the top forty. While he was working with the Byrds, Usher continued his work in the pop field, though as chart pop moved on so did Usher, who was now making records in a psychedelic sunshine pop style with acts like the Peanut Butter Conspiracy: [Excerpt: The Peanut Butter Conspiracy, "It's a Happening Thing"] and he produced Chad and Jeremy's massive concept album Of Cabbages and Kings, which included a five-song "Progress Suite" illustrating history from the start of creation until the end of the world: [Excerpt: Chad and Jeremy, "Editorial"] But one of the oddest projects he was involved in was indirectly inspired by Roger McGuinn. According to Usher "McGuinn and I had a lot in common. Roger would always say that he was "out of his head," which he thought was good, because he felt you had to go out of your head before you could really find your head! That sums up McGuinn perfectly! He was also one of the first people to introduce me to metaphysics, and from that point on I started reading everything I could get my hands on. His viewpoints on metaphysics were interesting, and, at the time, useful. He was also into Marshall McLuhan; very much into the effects of electronics and the electronic transformation. He was into certain metaphysical concepts before I was, but I was able to turn him onto some abstract concepts as well" These metaphysical discussions led to Usher producing an album titled The Astrology Album, with discussions of the meaning of different star signs over musical backing: [Excerpt: Gary Usher, "Leo"] And with interviews with various of the artists he was working with talking about astrology. He apparently interviewed Art Garfunkel -- Usher was doing some uncredited production work on Simon and Garfunkel's Bookends album at the time -- but Garfunkel declined permission for the interview to be used. But he did get both Chad and Jeremy to talk, along with John Merrill of the Peanut Butter Conspiracy -- and David Crosby: [Excerpt: Gary Usher, "Leo"] One of the tracks from that album, "Libra", became the B-side of a single by a group of studio musicians Usher put together, with Glen Campbell on lead vocals and featuring Bruce Johnston of the Beach Boys prominently on backing vocals. "My World Fell Down" was credited to Sagittarius, again a sign of Usher's current interest in astrology, and featured some experimental sound effects that are very similar to the things that McGuinn had been doing on recent Byrds albums: [Excerpt: Sagittarius, "My World Fell Down"] While Usher was continuing with his studio experimentation, the Byrds were back playing live -- and they were not going down well at all. They did a UK tour where they refused to play most of their old hits and went down as poorly as on their previous tour, and they were no longer the kings of LA. In large part this was down to David Crosby, whose ego was by this point known to *everybody*, and who was becoming hugely unpopular on the LA scene even as he was starting to dominate the band. Crosby was now the de facto lead vocalist on stage, with McGuinn being relegated to one or two songs per set, and he was the one who would insist that they not play their older hit singles live. He was dominating the stage, leading to sarcastic comments from the normally placid Hillman like "Ladies and gentlemen, the David Crosby show!", and he was known to do things like start playing a song then stop part way through a verse to spend five minutes tuning up before restarting. After a residency at the Whisky A-Go-Go where the group were blown off the stage by their support act, the Doors, their publicist Derek Taylor quit, and he was soon followed by the group's co-managers Jim Dickson and Eddie Tickner, who were replaced by Crosby's friend Larry Spector, who had no experience in rock management but did represent Peter Fonda and Dennis Hopper, two young film stars Crosby was hanging round with. The group were particularly annoyed by Crosby when they played the Monterey Pop Festival. Crosby took most lead vocals in that set, and the group didn't go down well, though instrumentally the worst performer was Michael Clarke, who unlike the rest of the band had never become particularly proficient on his instrument: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star (live at Monterey)"] But Crosby also insisted on making announcements from the stage advocating LSD use and describing conspiracy theories about the Kennedy assassination: [Excerpt: David Crosby on the Warren Commission, from the end of "Hey Joe" Monterey] But even though Crosby was trying to be the Byrds' leader on stage, he was also starting to think that they maybe didn't deserve to have him as their leader. He'd recently been spending a lot of time hanging out with Stephen Stills of the Buffalo Springfield, and McGuinn talks about one occasion where Crosby and Stills were jamming together, Stills played a blues lick and said to McGuinn "Can you play that?" and when McGuinn, who was not a blues musician, said he couldn't, Stills looked at him with contempt. McGuinn was sure that Stills was trying to poach Crosby, and Crosby apparently wanted to be poached. The group had rehearsed intensely for Monterey, aware that they'd been performing poorly and not wanting to show themselves up in front of the new San Francisco bands, but Crosby had told them during rehearsals that they weren't good enough to play with him. McGuinn's suspicions about Stills wanting to poach Crosby seemed to be confirmed during Monterey when Crosby joined Buffalo Springfield on stage, filling in for Neil Young during the period when Young had temporarily quit the group, and performing a song he'd helped Stills write about Grace Slick: [Excerpt: Buffalo Springfield, "Rock 'n' Roll Woman (live at Monterey)"] Crosby was getting tired not only of the Byrds but of the LA scene in general. He saw the new San Francisco bands as being infinitely cooler than the Hollywood plastic scene that was LA -- even though Crosby was possibly the single most Hollywood person on that scene, being the son of an Oscar-winning cinematographer and someone who hung out with film stars. At Monterey, the group had debuted their next single, the first one with an A-side written by Crosby, "Lady Friend": [Excerpt: The Byrds, "Lady Friend"] Crosby had thought of that as a masterpiece, but when it was released as a single, it flopped badly, and the rest of the group weren't even keen on the track being included on the next album. To add insult to injury as far as Crosby was concerned, at the same time as the single was released, a new album came out -- the Byrds' Greatest Hits, full of all those singles he was refusing to play live, and it made the top ten, becoming far and away the group's most successful album. But despite all this, the biggest conflict between band members when they came to start sessions for their next album wasn't over Crosby, but over Michael Clarke. Clarke had never been a particularly good drummer, and while that had been OK at the start of the Byrds' career, when none of them had been very proficient on their instruments, he was barely any better at a time when both McGuinn and Hillman were being regarded as unique stylists, while Crosby was writing metrically and harmonically interesting material. Many Byrds fans appreciate Clarke's drumming nonetheless, saying he was an inventive and distinctive player in much the same way as the similarly unskilled Micky Dolenz, but on any measure of technical ability he was far behind his bandmates. Clarke didn't like the new material and wasn't capable of playing it the way his bandmates wanted. He was popular with the rest of the band as a person, but simply wasn't playing well, and it led to a massive row in the first session: [Excerpt: The Byrds, "Universal Mind Decoder (alternate backing track)"] At one point they joke that they'll bring in Hal Blaine instead -- a reference to the recording of "Mr. Tambourine Man", when Clarke and Hillman had been replaced by Blaine and Larry Knechtel -- and Clarke says "Do it. I don't mind, I really don't." And so that ended up happening. Clarke was still a member of the band -- and he would end up playing on half the album's tracks -- but for the next few sessions the group brought in session drummers Hal Blaine and Jim Gordon to play the parts they actually wanted. But that wasn't going to stop the bigger problem in the group, and that problem was David Crosby's relationship with the rest of the band. Crosby was still at this point thinking of himself as having a future in the group, even as he was increasingly convinced that the group themselves were bad, and embarrassed by their live sound. He even, in a show of unity, decided to ask McGuinn and Hillman to collaborate on a couple of songs with him so they would share the royalties equally. But there were two flash-points in the studio. The first was Crosby's song "Triad", a song about what we would now call polyamory, partly inspired by Robert Heinlein's counterculture science fiction novel Stranger in a Strange Land. The song was meant to portray a progressive, utopian, view of free love, but has dated very badly -- the idea that the *only* reason a woman might be unhappy with her partner sleeping with another woman is because of her mother's disapproval possibly reveals more about the mindset of hippie idealists than was intended. The group recorded Crosby's song, but refused to allow it to be released, and Crosby instead gave it to his friends Jefferson Airplane, whose version, by having Grace Slick sing it, at least reverses the dynamics of the relationship: [Excerpt: Jefferson Airplane, "Triad"] The other was a song that Gary Usher had brought to the group and suggested they record, a Goffin and King song released the previous year by Dusty Springfield: [Excerpt: Dusty Springfield, "Goin' Back"] Crosby was incandescent. The group wanted to do this Brill Building pap?! Hell, Gary Usher had originally thought that *Chad and Jeremy* should do it, before deciding to get the Byrds to do it instead. Did they really want to be doing Chad and Jeremy cast-offs when they could be doing his brilliant science-fiction inspired songs about alternative relationship structures? *Really*? They did, and after a first session, where Crosby reluctantly joined in, when they came to recut the track Crosby flat-out refused to take part, leading to a furious row with McGuinn. Since they were already replacing Michael Clarke with session drummers, that meant the only Byrds on "Goin' Back", the group's next single, were McGuinn and Hillman: [Excerpt: The Byrds, "Goin' Back"] That came out in late October 1967, and shortly before it came out, McGuinn and Hillman had driven to Crosby's home. They told him they'd had enough. He was out of the band. They were buying him out of his contract. Despite everything, Crosby was astonished. They were a *group*. They fought, but only the way brothers fight. But McGuinn and Hillman were adamant. Crosby ended up begging them, saying "We could make great music together." Their response was just "And we can make great music without you." We'll find out whether they could or not in two weeks' time.

In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group's white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock's most recognizable guitar riffs, while drummer Jim Gordon contributed God's great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother. To see the full list of contributors see the show notes at www.disgracelandpod.com. Learn more about your ad choices. Visit megaphone.fm/adchoices