POPULARITY
2 episodes with joel p
2 episodes with joel p
2 episodes with joel p
2 episodes with joel p
2 episodes with joel p
3 episodes with joel p
2 episodes with joel p
Moms that Lead - Unlocking the Leadership Power of Healthy, Purpose-Driven Moms
What if leadership wasn't about having the right answers, but about asking better questions? In this episode, Dr. Joel Pérez shares how cultural humility—not just cultural competency—can transform how we lead, build inclusive teams, and create lasting organizational change. We explore why humility is a leadership strength, how to move beyond perfectionism, and what it takes to lead with curiosity in today's complex world. Resources:Download the first chapter of Dear White Leader: How to Achieve Organizational Excellence through Cultural HumilityConnect with Dr. Joel on LinkedInLooking for a community of leaders where you can tackle real challenges, share wins, and grow together—without office politics getting in the way? Join Leadership Thought Partners, a coach-led, group-directed space launching in July—early bird pricing ends May 31, 2025 at strongleadersserve.com/ltp! Connect on LinkedIn: https://www.linkedin.com/in/teri-m-schmidt/Get 1-on-1 leadership support from Teri here: https://www.strongleadersserve.com/coachingSet up an intro call with Teri: https://calendly.com/terischmidt/discoverycall
Maestros a la Mesa vuelve con un capítulo que sacude creencias y reconecta con el verdadero valor del arte y del artista.En este segundo episodio, nos sentamos con grandes mentes del mundo cultural para hablar de:✨ Cómo romper con la idea de “carencia” y conectar con tu valor✨ El arte como puente para hacer presencia real y construir comunidad✨ El poder de comunicar el "detrás de cámaras"✨ La importancia del egoísmo sano: autovalidarte no es soberbia, es reconocer tu talento✨ Cómo crear un plan y ejecutarlo desde el corazón y la disciplina
She is known for her custodial skills keeping classrooms clean and everything in working order at Joel P. Jensen Middle School. But in her free time, Allison Kunz is passionate about cleaning up and beating the competition in the sport of speed puzzling. On this episode of the Supercast, we find out what speed puzzling ...continue reading "Episode 296: Joel P. Jensen Custodian is Competitive Jigsaw Puzzler"
What can I say but: wow. I had a wonderful conversation with four fabulous authors last week on LinkedIn—and I'm sharing that conversation with you. Join authors Hady Méndez, Dr. Luissa Kiprono, Joel Pérez, and Kevin Hutchinson as they share about how their books are creating an impact in the world.This is a powerful listen for anyone who has ever considered writing a book. We focus on the why behind their books, and how they are making an impact through authorhood. You'll get to hear from real authors about how they showed up, put in the work, and dug deeply to achieve their dream of authorhood, and are now creating positive change in the world.Going it alone is hard—and often leads to countless beautiful books in digital drawers, waiting to see the sunlight. These authors organized both support and community around them to make their dream happen.Show notes:Learn more about my Idea-to-Draft Accelerator and Author Mentorship program here.Learn about Hady MéndezLearn about Dr. Luissa Kiprono Learn about Joel PérezLearn about Kevin HutchinsonFollow me on:Instagram @stacyennisFacebook @stacyenniscreativeLinkedInYouTube @stacyennisauthorTo submit a question, email hello@stacyennis.com or visit http://stacyennis.com/contact and fill out the form on the page.
Joel Pérez: Dear White Leader Joel Pérez is an executive and leadership coach, speaker, and consultant who is passionate about helping leaders and organizations achieve their goals and develop a posture of cultural humility. He has over twenty years of experience in higher education, serving in various key leadership roles. He is the author of Dear White Leader: How to Achieve Organizational Excellence through Cultural Humility*. We could all get a bit better at bringing a dose of humility into our work. Inside organizations, cultural humility starts with how leaders show up each day. In this episode, Joel and I examine three shifts that will help us better empower others. Key Points While humility starts with an individual, it must move beyond them to improve the organization. Maintain high standards while avoiding perfectionism by discussing how mistakes get handled in advance. To prevent a sense of urgency from rushing a bad decision, consider who's missing from the conversation. Listen, ask curious questions, and say thank you when receiving criticism. Criticism doesn't need to be addressed in the moment. Consider reflection, other data points, and responding more in a future interaction. Resources Mentioned Dear White Leader: How to Achieve Organizational Excellence through Cultural Humility* by Joel Pérez Dear White Leader website Interview Notes Download my interview notes in PDF format (free membership required). Related Episodes The Starting Point for Inclusive Leadership, with Susan MacKenty Brady (episode 584) How to Use Power Responsibly, with Vanessa Bohns (episode 551) How to Discover What People Want, with Tiziana Casciaro (episode 565) Discover More Activate your free membership for full access to the entire library of interviews since 2011, searchable by topic. To accelerate your learning, uncover more inside Coaching for Leaders Plus.
What if stories have a life of their own? What happens when we think of narratives as external agents? And why is Homer good to think with?
Sue hosts Dr. Joel Pérez, an executive and leadership coach, speaker, and consultant passionate about helping leaders and organizations achieve their goals and develop a posture of cultural humility so they can have the impact and create the culture they desire.Joel is the owner of Apoyo Coaching and Consulting, LLC, and a Professional Certified Coach with the International Coach Federation (ICF). He specializes in identity-conscious leadership coaching and coaching professionals who want to develop their cultural humility. He has a certification in the MBTI, is a Qualified Administrator for the Intercultural Development Inventory (IDI), is a Gallup Strengths Certified Coach, and is a certified coach through the Academy of Creative Coaching. He has over 20 years of experience in higher education, serving in various key leadership roles.Joel earned his doctorate in higher education administration at Claremont Graduate University. He has been married for over 26 years and has four children. He enjoys cheering on the Los Angeles Dodgers and watching films.Sue and Joel discuss his new book Dear White Leader: How to Achieve Organizational Excellence through Cultural Humility. The book focuses on helping leaders develop their cultural humility for individual, organizational, and community change.
In this episode we have Dr. Joel Pérez taking us through his new book "Dear White Leader". Don't let the title make you cringe or maybe let it so you can hear what this one time work is all about. Sneak peek, it has something to do with something call "Cultural Humility".
If you've been following my work for any length of time, you know social equity is deeply important to me. So when I met Joel Pérez and learned about his work, I instantly knew I'd love to support his work as a book coach. In our vulnerable conversation about how cultural humility can improve leadership, we talk through how to intentionally build a life that is more diverse and open, and why cultural humility is the foundation of connectedness in our workplaces and communities. And we get specific about how to create a more inclusive everyday by surrounding yourself with people who are different from you. Joel also shares some behind-the-scenes on his author journey, what it was like writing a book, and advice for others who want to become authors too. Dr. Joel Pérez is an executive and leadership coach, speaker, and consultant, passionate about helping leaders and organizations achieve their goals and develop a posture of cultural humility, so they can have the impact and create the culture they desire. Joel is owner of Apoyo Coaching and Consulting, LLC, and a Professional Certified Coach with the International Coach Federation (ICF). His first book, Dear White Leader, came out earlier this week! Learn more about Joel: Website LinkedIn Instagram @apoyocoaching01 Facebook Dear White Leader: How to Achieve Organizational Excellence through Cultural Humility Follow me on: Instagram @stacyennis Facebook @stacyenniscreative LinkedIn Youtube @stacyennisauthor To submit a question, email hello@stacyennis.com or visit www.stacyennis.com/contact and fill out the form on the page.
It was an evening of fun traveling back in time to 1984 when Joel P. Jensen Middle School first opened its doors. Joel P. Jensen recently threw a big birthday bash to commemorate four decades of being a part of the community. On this episode of the Supercast, we take you inside the 80's style ...continue reading "Episode 233: Joel P. Jensen Middle School Celebrates 40 Year Birthday with Big Bash"
What can recent archaeological discoveries tell us about the historicity of the Bible? The miraculous destruction of Sodom and Gomorrah and the equally miraculous fall of Jericho seem far-fetched to modern-day skeptics and Bible critics. But is it reasonable to discount what's written in the Bible when excavation findings have consistently corroborated events recorded in the Old Testament? In this fascinating podcast episode, Frank invites best-selling author and archaeologist, Joel P. Kramer, to unpack some of the greatest archaeological evidence for the validity of both history and prophecy recorded in the Bible. On his popular YouTube channel, Expedition Bible, Joel documents many of the sites referenced in Scripture, giving viewers the opportunity to see the Bible come to life! Throughout their talk, Frank and Joel will cover topics like: What is Joel's greatest personal find? Is there anything special about Ancient Babylon today? How has the secularization of archaeology affected the field? Why should biblical chronology be considered more reliable than pottery chronology? How was the Moabite Stone discovered and why is it considered one of the greatest archaeological finds of all time? As you'll hear during this episode, archaeology and the Bible work together like a jigsaw puzzle. As experts in the field continue to uncover ancient artifacts, the Bible gives context to many of those unique finds. To learn more about the exciting advances in biblical archaeology, be sure to check out Joel's YouTube channel and purchase his best-selling book, 'Where God Came Down.' To view the entire VIDEO PODCAST be sure to join our CrossExamined private community. It's the perfect place to jump into some great discussions with like-minded Christians while simultaneously providing financial support for our ministry. You can also SUPPORT THE PODCAST HERE. Expedition Bible on YouTube: https://www.youtube.com/@ExpeditionBible Joel's book: https://a.co/d/77yRIyJ
Partage de rétablissement de notre invité de cette semaine: Joel P.
Partage de rétablissement de notre invité de cette semaine: Joel P.
Después de casi un año de ausencia, hoy se estrena la temporada 2 de Club de Cine, oficialmente, y que mejor manera de hacerlo que con una gran Banda Sonora Aniversario. Mis más grandes amigos son los entrevistadores: Luis Ortega, Ericka Quintana e Ilka Pacheco. No se lo pierdan, amigos del Cineclub. --- Send in a voice message: https://anchor.fm/joel-perez-morales/message
In this week's episode, Dr. Joel Pérez discusses how to move from cultural competency to a deeper cultural humility. Connect with Joel: Website: https://apoyocoaching.com Courses: https://apoyocoaching.com/courses Coupon Code: Deepdive50 (until 9/30/22) Linkedin: https://www.linkedin.com/in/joelperezphd/ Resource Recommended by Joel: Mai Moua, Culturally Intelligent Leadership https://amzn.to/3JZhVT5 Brian Russell's Books Centering Prayer: Sitting Quietly in God's Presence Can Change Your Life https://amzn.to/2S0AcIZ (Re)Aligning with God: Reading Scripture for Church and World (Cascade Books) https://amzn.to/30tP4S9 Invitation: A Bible Study to Begin With (Seedbed) https://my.seedbed.com/product/onebook-invitation-by-brian-russell/ Brian's Recommended Resources on Centering Prayer: https://www.brianrussellphd.com/post/my-top-ten-favorite-resources-on-centering-prayer Information on Brian's Signature Deep Dive Spirituality Coaching for Pastors and Spiritually Minded Leaders: www.deepdivespirituality.com Connecting with Brian: Website: www.brianrussellphd.com Twitter: @briandrussell Instagram: @yourprofessorforlife Interested in coaching or inviting Brian to speak or teach for your community of faith or group? Email: deepdivespirituality@gmail.com Links to Amazon are Affiliate links. If you purchase items through these links, Amazon returns a small percentage of the sale to Brian Russell. This supports the podcast and does not increase the price of the items you may choose to buy. Thank you for your support.
Vladimir Guerrero que residía cerca del mirador sur fue dado por desaparecido en septiembre del 2014. Joven, clase media menos de 30 años. En la navidad del 2015, Argenis Céspedes salió de su casa en Cristo Rey para juntarse con amigos en El Caliche y nunca regresó{ Anderson Núñez Cruz fue reportado como desaparecidos en marzo del 2017. La ultima vez que alguien lo vio con vida estaba en el kilómetro 9 de la autopista Duarte esperando un transporte. Luis Cocco Hernández desapareció meses después en noviembre del mismo 2017. Su cadáver apareció 17 días después en el mar caribe. La familia pudo identificarlo por una cicatriz y los zapatos de color que llevaba. En el mismo 2017 desapareció Ronny Reyes Cid, de 25 años. Al salir de su casa en Herrera dijo que compraría un celular y luego iría a su trabajo en una tienda de zapatos. Nunca llegó. Richard Faustino Trinidad de 26 años desapareció el 9 de enero del 2020 tras salir de su casa en el barrio 30 de mayo. Erick Daniel Cordero Guzmán, fue reportado desaparecido el 17 de agosto del 2021, el día 19 fue localizado su vehículo totalmente quemado en San Cristóbal y más adelante el día 27, al parecer las autoridades les informaron a su madre tenían importantes pistas de su paradero. Nada pasó. El joven Ariel Torres Sánchez de 21 años dsapareció el 15 de diciembre del año pasado año, luego que salió de su casa en el sector Nordesa 2da. Miramar, en el Distrito Nacional, con rumbo al Ensanche Quisqueya a llevar el carro al taller, a las 7: 00 de la mañana. No hubo más noticias. El mes pasado fue encontrado el cuerpo de Joel Pérez Contreras de 27 años. La familia de Joel lo había denunciado como desaparecido una semana antes. Su cuerpo descompuesto apenas pudo ser identificado. Ninguno de esos casos ha provocado una movilización en las redes sociales como ocurrió en el caso de Anaury Castillo o Alexander Sang. Pero cayeron en un limbo en el que parecer sus vidas no importan más allá del dolor de sus propias familias. Este listado no es exhaustivo, lo preparó un colaborador de Sin Maquillaje preocupado por una situación que entiende no es accidental y que no es investigada por nadie. Más allá de cada caso individual. El perfil tan parecido de las victimas debía llamar la atención de alguna instancia en la sociedad dominicana. Joven en un rango cualquiera de la clase media, sale y desaparece. En la mayoría de los casos sus cuerpos aparecen días o semanas después. La sociedad dominicana está obligada a dar respuestas a estas familias. Los casos sonoros son investigados. Quienes no logran montarse en la ola de la presión de las redes solo lloran.
Para Joel Pérez Olguín, está claro que comenzar desde cero puede ser la mejor decisión de tu vida. Licenciado en administración financiera, no encontró en los números la realización plena: aquella que sentía en el deporte. Por eso, decidió dejarlo todo y reinventarse para alcanzar su sueño. Joel Pérez, un guerrero que tiene claro que está Prohibido Rendirse.
This week Darilyn welcomes award winning writer and performer Joel Pérez. Joel tells Darilyn about his journey from an evangelical childhood in rural Massachusetts to a Broadway career, and gives some pointed advice for changing broadway. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Amigos, fin de ciclo, fin de año, y para ello, quiero cerrar a lo grande, mis amigos y mi persona les traemos un programa musical, obviando un poco el tema del cine. No sé lo pierdan. --- Send in a voice message: https://anchor.fm/joel-perez-morales/message
Legends of S.H.I.E.L.D.: An Unofficial Marvel Agents Of S.H.I.E.L.D. Fan Podcast
The Legends Of S.H.I.E.L.D. Producer of the show Agent Lauren, Agent Michelle, and Director SP invite Consultant Chris to the show to be a full time Agents. Then they discuss the Disney+ Hawkeye penultimate episode “Ronin.” The Team debriefs you on National Hard Candy Day, super powered reindeer, the EPIC Kingpin MCU-Netflix Defenders crossover, Yelena's blip moment, the impact of the Marvel Cinematic universe and Disney+ cross-overs, the episode's triple reveals for Maya, Yelena, and Kate, the girls night with hot sauced macaroni and cheese, what is Kazi's potential relationship with Kingpin, who is playing who with Jack's arrest, SP's Hallmark Holiday movie standards checklist, Grills' and Clint's growing relationship, Hawkeye finale predictions involving Laura Bishop, and the Agents dish on their thoughts about Fanny meeting Lucky The Pizza Dog. The Agents also discuss the top Marvel news stories of the week including Tom Holland, Kevin Feige and Amy Pascal weighing in on Spider-Man's Future in the MCU, Disney+ UK gives their answer to whether Iron Man 3 is a Christmas Movie, and Bert & Bertie dish on that epic episode 4 car chase scene. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio. THIS TIME ON LEGENDS OF S.H.I.E.L.D.: Hawkeye S1E5 “Ronin” Weekly Marvel News Tom Holland, Kevin Feige and Amy Pascal weigh in on Spider-Man's Future in the MCU Disney+ UK gives their answer to whether Iron Man 3 is a Christmas Movie Bert & Bertie dish on that epic episode 4 car chase scene HAWKEYE “RONIN” [5:15 ] Hawkeye “Ronin” premiered on Disney+ on Wednesday December 15th, 2021. S1E5 “Ronin” Directed By: Bert & Bertie Bert: https://www.imdb.com/name/nm2134432/?ref_=ttfc_fc_dr1 8 directing credits starting in 2006 Bertie: https://www.imdb.com/name/nm1232262/?ref_=ttfc_fc_dr2 8 directing credits starting in 2006 Writers: Jenna Noel Frazier https://www.imdb.com/name/nm4766691/?ref_=tt_cl_wr_1#writer 2 writing credits since 2018 8 x The Romanoffs 1 x Hawkeye Writer: Jonathan Igla https://www.imdb.com/name/nm4131127/?ref_=ttfc_fc_wr1 7 writing credits starting in 2015 33 x Mad Men 1 x Masters of Sex 6 x Hawkeye Showrunner: Jonathan Igla Hawkeye Main Cast Jeremy Renner ... Clint Barton / Hawkeye 28 Weeks Later The Hurt Locker Mission: Impossible - Ghost Protocol The Bourne Legacy Mission: Impossible - Rogue Nation Arrival Mayor of Kingstown (TV Series) Hailee Steinfeld ... Kate Bishop Pitch Perfect 2 Pitch Perfect 3 Spider-Man: Into the Spider-Verse Charlie's Angels (2019) Arcane (TV Series) Dickinson (TV Series) Spider-Man: Into the Spider-Verse 2 (filming) Vera Farmiga ... Eleanor Bishop The Manchurian Candidate Source Code Bates Motel (TV Series) Godzilla: King of the Monsters Tony Dalton ... Jack Duquesne Sense8 (TV Series) Better Call Saul (TV Series) Alaqua Cox ... Maya Lopez First IMDB credit … seriously. first credit Fra Fee ... Kazi Cinderella (2021) Vincent D'Onofrio ... Kingpin Aleks Paunovic ... Ivan Boxing Stuntman on Battlestar Galactica 5 x Battlestar Galactica (TV Series) 1 episode roles: Flash Gordon: A Modern Space Opera (TV Series) Bionic Woman (TV Series) Stargate: Atlantis (TV Series) Sanctuary (TV Series) Human Target (TV Series) Caprica (TV Series) Smallville (TV Series) - 2 episodes Once Upon a Time (TV Series) Psych (TV Series) - 3 episodes The 100 (TV Series) - 4 episodes Arrow (TV Series) - 2 episodes Riverworld (TV Movie) Mortal Kombat: Legacy (TV Series short) 6 x Continuum (TV Series) Kindergarten Cop 2 War for the Planet of the Apes 9 x Snowpiercer (TV Series) Piotr Adamczyk ... Tomas Popular Polish actor with 87 credits starting in 1996 Will also be in season 3 of the Apple TV+ hit For All Mankind Linda Cardellini ... Laura Barton Boy Meets World (TV Series) in 1998/1999 Freaks and Geeks (TV Series) in 1999/2000 Legally Blonde Scooby-Doo 2: Monsters Unleashed Brokeback Mountain 126 x ER (TV Series) 1 x Person of Interest (TV Series) 9 x Mad Men (TV Series) Gravity Falls (TV Series) 5 x Robot Chicken (TV Series short) Ava Russo ... Lila Barton Only acting credit is Lila in Avengers Endgame/Hawkeye Ben Sakamoto ... Cooper Barton Only acting credits as Cooper in Age Of Ultron/Endgame/Hawkeye Cade Woodward ... Nathaniel Barton A Quiet Place Avengers: Endgame/Hawkeye Simon Callow … Armand III Amadeus 1 x Scarecrow and Mrs. King (TV Series) Four Weddings and a Funeral 2 x Doctor Who (TV Series)' 5 x Outlander (TV Series)' 8 x The Witcher (TV Series) Clayton English ... Grills 1 x Brooklyn Nine-Nine (TV Series) Carlos Navarro ... Enrique 1 x Prison Break (TV Series) 1 x Charlie's Angels (TV Series) 2011 9 x The Walking Dead (TV Series) Ivan Mbakop ... Detective Caudle Nothing SP is familiar with Tinashe Kajese ... Dee The Suicide Squad Adetinpo Thomas ... Wendy 8 x Black Lightning (TV Series) Robert Walker Branchaud ... Orville (as Robert Walker-Branchaud) American Horror Story (TV Series) 4 x Stranger Things (TV Series) Deepwater Horizon 2 x The Walking Dead (TV Series) 2 x Black Lightning (TV Series) Adelle Drahos ... Missy 2 x MacGyver (TV Series) Ashley Ames ... Eleanor's Assistant Nothing SP is familiar with Monisha Shiva ... Mother Nothing SP is familiar with Rhys Bhatia ... Child Nothing SP is familiar with Candy McLellan ... Samurai Nothing SP is familiar with Jolt the Golden Retriever… Lucky the Pizza Dog Zahn McClarnon ... William Lopez 9 x Fargo 29 x Longmire 6 x Westworld 4 x Reservation Dogs Franco Castan ... Rivera Yssa Mei Panganiban ... Sonya Annie Hamilton ... Ana Michael Silberblatt ... Man with Ana Gabriella Lahoz Thomas ... 4 year Old with Ana Keon Rahzeem Mitchell ... Uber Driver NEWS [41:44] UPCOMING MARVEL SLATE OF PROJECTS Eternals premiered domestically in the theaters on November 5th, 2021. Eternals is scheduled to release on Disney+ on Wednesday January 12th, 2022 Hawkeye is scheduled to premiere on November 24th, 2021. There will be 6 episodes The first release date will have two episodes. Spider-Man: No Way Home is premiered on December 17th, 2021. Doctor Strange in the Multiverse of Madness (May 6, 2022) Ms Marvel is supposed to premiere late in 2021 on Disney+ but no date has been announced. The series was confirmed on Disney+ Day 12 Nov 2021 (Summer 2022) Series synopsis: https://www.cbr.com/ms-marvel-captain-marvel-shadow-synopsis/ Ms. Marvel introduces Kamala Khan--a 16-year-old Pakistani American from Jersey City. An aspiring artist, an avid gamer and a voracious fan-fiction scribe, she is a huge fan of the Avengers—and one in particular, Captain Marvel. But Kamala has always struggled to find her place in the world—that is, until she gets super powers like the heroes she's always looked up to Thor: Love and Thunder (July 8, 2022) Moon Knight is supposed to premiere late in 2022 on Disney+ 2022 Confirmed During Disney+ Day 12 Nov 2021 Series Synopsis Released: https://www.cbr.com/moon-knight-marvel-synopsis-multiple-personalities/ Spider-Man Across The Spider-Verse Part One (Oct 7, 2022) Black Panther: Wakanda Forever (Nov. 11, 2022) https://comicbook.com/marvel/amp/news/black-panther-riri-williams-ironheart-mcu-debut-dominique-thorne/ She-Hulk is supposed to premiere late in 2022 on Disney+ It was confirmed the series was coming in 2022 on Disney+ Day 12 Nov 2021. Secret Invasion is in development for release on Disney+ No date has been announced. Series confirmed during Disney+ Day 12 Nov 21 Ironheart is in development for release on Disney+ No date has been announced. Series confirmed on Disney+ Day 12 Nov 21 Armor Wars is in development for release on Disney+ but no date has been announced. Echo is in development for release on Disney+ Confirmed on Disney+ Day 12 Nov 21 but no release/premiere date given Agatha: House of Harkness Announced/Confirmed on Disney+ Day 12 Nov 2021 An untitled Wakanda series is in development for release on Disney+ but no date has been announced. X-Men ‘97 (2023) Written by Executive Producer Beau DeMayo. Announced Disney+ Day (12 Nov 2021) The Marvels (Feb. 17, 2023) Marvel Zombies Animated series announced on Disney+ Day 12 Nov 21 No date given Also, we know there will be a Loki season two at some point. What If…? Season 2 Confirmed during Disney+ Day 12 Nov 21 No premiere date indicated Ant-Man and the Wasp: Quantumania (July 28, 2023) Guardians of the Galaxy Vol. 3 (May 5th, 2023) Fantastic Four (???) I Am Groot is in development for release on Disney+ No date has been announced. Previous mentioned as a holiday special Series confirmed during Disney+ Day 12 Nov 21 as a series of shorts watching Groot grow up Guardians Of The Galaxy Holiday Special Confirmed during Disney+ Day 12 Nov 21 Different from I Am Groot Spider-Man: Freshman Year Announced during Disney+ Day 12 Nov 2021 No premiere date given Untitled (February 16th, 2024) Untitled (May 3rd, 2024) Untitled (July 26th, 2024) Untitled (November 8th, 2024) List of MCU films in production without premiere dates Fantastic Four Deadpool 3 Blade Avengers-Level Team up to end the phase (not confirmed in development) Could be linked to Russo Brothers story from last week Captain America Sequel Possible X-Men Projects that have NOT been announced yet Young Avengers MCU – MARVEL STUDIOS Destin Daniel Cretton on the Success of ‘Shang-Chi and the Legend of the Ten Rings' and Where He's At With the Sequel https://collider.com/shang-chi-2-comments-director-destin-daniel-cretton/ He also talks about his multi-year deal with Marvel TV and his love of Blu-ray/DVD extras. With a highly successful theatrical run, its availability to stream on Disney+ and its release on 4K Ultra HD, Blu-Ray and DVD, Shang-Chi and the Legend of the Ten Rings has also been confirmed to be continuing its story with a sequel, at some point in the future. Through its superhero origin story of a parking valet named Shaun (Simu Liu), who was hiding out in San Francisco with his best friend Katy (Awkwafina) until his past catches up with him and he must embrace his power as Shang-Chi, director Destin Daniel Cretton and Marvel Studios introduced audiences to a new aspect of the MCU and a new group of characters that clearly has endless possibilities. During this 1-on-1 interview with Collider, Cretton talked about how proud he is of what the entire creative team was able to do with Shang-Chi, how terrified he was on the first day of shooting, starting to work on ideas for the sequel and being at the point where everything is a possibility, how excited he is to dig deeper into this world, creating a TV series with Marvel that came from an idea he had while shooting the film, how he views success, and his love of Blu-ray/DVD extras. Collider: When you first met with Marvel about Shang-Chi, you weren't initially thinking you'd direct it, but here we are. And even after you actually signed on as the director, the film took a journey before coming out, having been planned so far in advance, and then shooting it, and then getting delayed by COVID. What's it like to have it out in the world, to see how people have reacted, to feel the love for it, and to even see people dress up like some of the characters? DESTIN DANIEL CRETTON: It's a huge relief. There were so many landmines with this movie, early on. Even within the Asian community, there were so many people who were like, “Why are you doing this movie?” We really saw the potential to create something, a character, that would be not only beneficial to the Asian American community, but something that I think I could be proud of and would be a character that I wish I had when I was a kid growing up. I do feel very proud of our team for being sensitive and being open and listening to the voices of people from different cultures on our production to create something that I think anybody can relate to and that people outside of our culture can learn some things, but also can see these characters as people that they can identify with. So, I feel very, very proud of the team for making this movie. What do you remember about your first day of shooting? CRETTON: My first day of shooting, I was terrified. When I stepped onto the set, it was like I was stepping into a city of people, and there was all of this giant equipment and cranes and lights, and things that I just was not used to seeing so much of everything. And on top of that, I was directing Tony Leung, on day one, so I was really scared. But what I found, over the course of day one, was how great of a team that I really had, how supportive everyone was, and how incredible Tony Leung is, not only as a performer, but just as a person and now a friend. He's such a gracious man. All of our performers on this movie were the same. I'm always really scared when I start a project, but as we start going and as the creative juices start flowing and the team really comes together, it really is one of the most fulfilling experiences that I have in life. When you do tackle something this big and you do so successfully, does it make you feel any different as a filmmaker? Are you more confident now than you were before at all? CRETTON: Confidence is definitely not a straight line. There actually was a weird moment when, in the middle of this production, when I was making hundreds of decisions a day and things were moving so quickly and I was dealing with all of these department heads, that I turned to my wife at night and said, “It's really weird to say this, but I feel really comfortable right now, in the midst of all of this, and it's really fun.” I'm not sure if I'd call that confidence, but it was a surprise to me that I was having such a good time in the midst of the chaos, even though there were tons of giant problems to solve. I credit all of that to being surrounded by a group of really good people. How long have you known that Disney wanted a sequel for this? Was it something that was always talked about as a possibility or did it become definite, more recently? CRETTON: It's always a hopeful thing, I suppose, when you're making the movie. While we were shooting, we were throwing around joke ideas of what a sequel could be. But with Marvel, it really is gauging to see how people react to the movie and also gauging what the experience of making the movie was. We had such a good time on it that it would've been a shame not to have a sequel, so I'm very excited to. Where are you at in the writing process? Have you done any real concrete writing on it or is it just ideas that you're throwing around? CRETTON: I've done [zero]. It's a fun place to be right now. Everything is a possibility. We're just tossing very loose ideas around and we'll start to hone in on something, hopefully. Were there ideas that you started having when you did the first film that you knew you wanted to have in the sequel? CRETTON: There are a lot of ideas that we had in the opener, and some of those ideas are planted as questions, by the end of our movie. There are things that we potentially want to explore in the future. Everything changes so much, so it's hard to say how many of those ideas will actually make it to the finish line, but there are many of them there. Did you ever have a point where, after the challenges you went through making the film, you thought maybe you should let someone else do the sequel, or did you always know that you wanted to return to keep telling the story? CRETTON: I just really love this group of people, to be honest. I love these characters and we have simply introduced them to the world in our movie. So, to be able to start from there and explore them even more is very exciting to me. It was also announced that you have this multi-year deal with Marvel TV and that you'll be doing other projects. Did you pitch them on any ideas, or did they come to you? How does that work? CRETTON: It's a little of both? Kevin [Feige] and the team there definitely have a clear idea of where they're taking the MCU, but they're also open to pitches and things that we're passionate about. One of the shows that we're creating was initially an idea that I was bouncing around with our producer while we were shooting Shang-Chi and it just happened to fit in with the trajectory of where they're going with the franchise. So, it's a little back and forth. When you work with a company like Marvel, that is planning four or five years ahead, is it weird to be thinking about stuff that might not happen until that far down the road? CRETTON: It's very weird. We're talking about release dates and things, and I'm just like, “Am I gonna be alive, at that point?” It's very strange. What is it like to get to be in on the secrets, or at least some of them? Does it feel like you're a part of this special club with the cool kids, when it comes to the MCU? CRETTON: The thing that is very cool is that, when you're on the inside, and I hope this doesn't shatter anybody's fantasy, but you realize how normal everybody is. It doesn't feel like you're with the cool kids. It feels like you're just with a bunch of nerds like yourself. It's just a bunch of passionate people trying to tell stories and solve problems. It's very fun, but it doesn't feel exclusive, on the inside. It just feels creative, like anything else. When you wrapped filming on Shang-Chi, at that moment, what were your hopes for the film? We've seen what's happened with it and you know there will be a sequel now, but you couldn't have fully known that at the time. So, what were you think success for the film would look like? CRETTON: I have a very low tolerance for anxiety and hype. And so, when a movie is coming out, it's probably the worst time for me. I've had to really redefine what my version of success is. I define my success by the time that we finish the movie completely. When all of the creative is done, if I feel like I have been fulfilled by that process, personally, and if I feel like our team has worked together really well and done everything we possibly could to make the best version of this story possible, then I feel like we've succeeded. I feel like we really did do that on this movie, and everything else has been a very pleasant surprise. When you put out a Blu-ray and you include fun things, like a gag reel and deleted scenes, and obviously fans love that kind of stuff, is there anything that you personally most enjoy? Is there a moment on the gag reel or one of the scenes that you're most excited about for fans of the movie? CRETTON: I love extra features. When DVDs started having extra features, back when DVDs were first coming out, I love being able to see a bit of the behind the scenes process, to get a glimpse of the actors when they're not in performance, and to see some of that rapport between characters. I watched the deleted scenes and the gag reel and it just warms my heart because you get to see Awkwafina when she's not playing the role. You get to see her and Simu [Liu] laughing together, which is really what we experienced, every day. You get to see Michelle Yeoh being super silly and weird, and most people do not know that is a big part of her personality. And the deleted scenes are cool because they show you a glimpse into the process of the evolution of the story. It'll give you a glimpse into the things that we tried, but then went a different direction. ‘Shang-Chi' Team on Their Emotional Journey and Continuing the Story https://www.hollywoodreporter.com/movies/movie-features/shang-chi-and-the-legend-of-the-ten-rings-simu-liu-kevin-feige-journey-sequel-1235060744/ Filmmaker Destin Daniel Cretton, star Simu Liu and Marvel boss Kevin Feige reflect on some of their most challenging — and exhilarating — moments from the groundbreaking film and weigh in on the possibility of awards season recognition. Simu Liu is normally a gregarious presence on set. So it stood out when the actor fell silent in between takes on the Australian set of Shang-Chi and the Legend of the Ten Rings. Liu was about to shoot one of his most challenging moments, in which his titular character confesses to his best friend, Katy (Awkwafina), that he killed a man at the behest of his father, and now was prepared to end his father's life. “We knew a lot of the movie hinged on that moment,” says Liu, who marked the day on his calendar and workshopped it countless times with writer-director Destin Daniel Cretton. When the day came, Cretton got the wide shot he needed and then asked Liu to go off by himself. The filmmaker cleared the crew from a corner of the set depicting the mythical realm of Ta Lo and left his leading man to be alone with his thoughts. “Nobody bothered me during that time. Everything was very quiet,” says Liu. “When the time came, one of the ADs came up and quietly said, ‘Hey, we are ready for you.' I remember putting my head down. Not making eye contact with anyone.” Whatever Liu did during that time, worked, notes Cretton. “Whatever he was thinking about, using that silence to prep for it, the performance shift between the wide shot and the closeups were pretty dramatic,” says Cretton, who gave Liu a big hug afterward. “A scene like that, it's always such a gratifying thing to experience as a director, particularly when you are shooting on a huge action movie like this.” Three months after Shang-Chi opened in theaters, it stands as the highest-grossing domestic release of the year ($224.5 million in North America) and has both a sequel and a Disney+ series in development from Cretton. The film, Marvel's first to star an Asian lead, turned a little-known comic book character into a cultural icon and turned Liu into a star. Up next, it hopes to emerge as an awards contender. Films inspired by comic books have historically had an uphill battle at the Academy Awards, dating back to Christopher Nolan's The Dark Knight (2008) being snubbed for a best picture nomination. But three years ago, Ryan Coogler's Black Panther broke ground as the first superhero movie to earn a best picture nomination and went on to win in three categories. Looking back at Black Panther‘s accolades, Marvel Studios boss Kevin Feige notes that Oscar wins for composer Ludwig Göransson, costume designer Ruth E. Carter and production designers Hannah Beachler and Jay Hart meant a lot to the Marvel team. Yet he acknowledges such Academy recognition can be a challenge. “I think we are always at a deficit because of the Marvel logo and because of a genre bias that certainly exists. I just loved that for a shining moment there with Black Panther that was put aside and the work was recognized for the achievement that it was,” says Feige, who would like to see Shang-Chi recognized as well, pointing to the work of team members such as screenwriter Dave Callaham, production designer Sue Chan, composer Joel P. West, costume designer Kym Barrett and cinematographer William Pope, among others. “There are a lot of comic fans that didn't know who Shang-Chi was. And yet the work that Destin did and Dave did and Sue did and Joel did, created something new that connected with audiences,” says Feige. “We recognized it, the audience recognized it, and I sure would love the hard work of all of these people who are telling their story to get recognized.” Before Marvel hired Cretton in 2019, the director acknowledges he struggled to imagine the kind of pitch that might win him the job. Since nothing was clicking with him, he instead decided to pitch the type of story he wished he'd seen as a kid. “I didn't think it necessarily was going to be something that Marvel wanted,” says Cretton. “It was a very intimate pitch about a relationship between a father and a son and a family learning how to come together again with their pain.” As it turns out, Marvel very much was interested in that kind of story. Cretton also longed to see Asian American people hanging out, doing ordinary things in a film. He brought in imagery from Good Will Hunting because he couldn't find a representative scene that featured Asian Americans in film. “It said, ‘Like this! But with Asian people,'” Feige recalls of Cretton's presentation use of Good Will Hunting. Shang-Chi ultimately included two bookend scenes with Shang, Katy and two friends at a restaurant, fulfilling Cretton's dream. Liu, meanwhile, was best known as the star of the Canadian sitcom Kim's Convenience. Much has been made about a December 2018 tweet in which the actor put it into the universe that he wanted to play Shang-Chi, but he never really believed he'd get it. “I would literally go through IMDb and see all these other actors who were taller, who were more handsome, who I thought were better martial artists,” Liu recalls. “I was just like, ‘There's no way. Why would it be me?'” Liu sent off a tape anyway, thinking nothing would come of it. Then he met with Cretton, who was interested in casting an actor to play a human being rather than a superhero. “At no point did he bring up the martial arts. At no point did he bring up the need to be anything other than human,” recalls Liu. “He was looking for somebody who really exemplified the uncomfortable, insecure, anxiety of what it means to be a human being.” Suddenly, Liu had hope. “I came out of the casting office literally feeling like I was going to throw up because I never thought that I had a chance before that moment,” recalls Liu. “After meeting him, I was, ‘Oh, I think I nailed this thing.'” As part of their process, Liu and Cretton stripped away the trappings and mannerisms that might come with being a superhero. “I remember specifically going through scenes with him, really feeling this sense of looseness and wanting to play the most natural version of every scene, not doing the superhero version of it,” says Liu. “Not puffing your chest out.” When it came to the superhero suits worn by Liu and his onscreen sister, Xialing (Meng'er Zhang), Cretton saw them as a tangible way to connect his actors to the film's family theme, as their late on-screen mother, Ying Li (Fala Chen), gifted the suits to them. “There's a piece of her literally touching their body,” says Cretton. “That in itself gave so much to the performances of the actors, to remember that even though they are in a battle and they are having these larger-than-life Marvel moments, all of this is still watching these characters deal with the loss of this very important person in their lives.” Screen legend Tony Leung boarded to play Shang-Chi's father, Wenwu, and proved to be a grounding force for Liu, who was learning how to be a movie star on the fly. “I was so desperate and eager to prove myself, showing people I could do things,” says Liu. “There is such a stillness and a comfort and ease with the way Tony conducts himself. I felt like that was the perfect complement to all of the anxiety that I was bringing in.” Liu counts Shang-Chi's final scene with Wenwu as his favorite moment, even over the much-praised bus fight early in the film. As Wenwu's final act, he sacrifices himself for his son. Part of the sequence includes flashbacks to Shang as a boy and then a baby. “We literally cut to that baby three times over the course of the movie, and every time it's an emotional hit in a wonderful way,” says Feige, who says the team debated how much of the storytelling should be told in flashbacks. Cretton notes the flashbacks weren't initially part of the plan in that scene at all. “We weren't totally getting into Wenwu's head like we wanted to,” recalls Cretton. “The idea of those flashbacks came late in the game. When we put it in and showed it to Kevin and the team and did a test with it — finally people were feeling the emotions that we wanted them to feel.” During awards season two years ago, Parasite Oscar winner Bong Joon Ho famously encouraged audiences to get over a fear of subtitles, referring to the new worlds international films could offer. In a new move for a big-budget American movie, Shang-Chi includes subtitled sections in Mandarin, including an eight-minute opening. When it came time to test screen the film, the team was curious how audiences would react to the opening, in particular. “Frankly, we were always ready to see if the audience would reject it in our test screenings and to see, ‘OK, are we going to have to pull a ripcord here in any way?' Which was not our first instinct,” says Feige. “Destin very much believed in the fact that audiences would go with it, and sure enough they did. It wasn't even a question. It wasn't even a concern. On the contrary, I think it added to the authenticity in the way the movie started.” On Dec. 6, Disney announced that Cretton would return to direct a Shang-Chi sequel and develop a related series for Disney+. The post-credits scene for the film teases more to come from the Ten Rings, the organization now run by Xialing. When presented with the notion that Xialing's Ten Rings sounds like an intriguing Disney+ show, Feige responds with a laugh, “I can't wait for people to discover what it really is that we are working on for Disney+ with Destin.” Though it's never a foregone conclusion a filmmaker will return to Marvel, Cretton had a sense while making Shang-Chi there was more work for him to do. Says the filmmaker: “While we were on set, we were already throwing ideas around of what other things we could do in another movie.” Liu, who has a long journey ahead of him as Shang-Chi, was not surprised his filmmaker is back for more. “It confirms what I already believed, which was that he was very emotionally invested in this character and this world,” says Liu, who hopes many people from the team will return for the sequel. “Also, I was very relieved, because we need him.” For Cretton, who came up via the festival circuit with Short Term 12 before graduating to The Glass Castle and Just Mercy, Shang-Chi was particularly fulfilling, as he got to work with artists with similar backgrounds to him. That includes production designer Chan, whom he notes is the daughter of parents who owned a Chinese restaurant on the East Coast. “It was such a poignant and moving experience for the first time in my career to be surrounded by people who have a similar upbringing as me,” says Cretton, who is half Japanese, half white and grew up in Hawaii. “To share stories and share experiences with other artists like that, it was really emotional for me and very fulfilling.” Tom Holland Reportedly Signed for Fourth Spider-Man Film, Already In Development https://www.cbr.com/report-tom-holland-fourth-spider-man-film-in-development/ No Way Home star Tom Holland might already preparing for another Spider-Man movie. According to Puck, multiple sources have reported that Marvel has quietly started developing a fourth movie with Holland in a leading role. It was also reported that Spider-Man: No Way Home, Holland's third Spider-Man movie and fifth appearance overall in the Marvel Cinematic Universe, is not only on track to open to $150 million when it premieres in theaters, but might be the first film to gross $1 billion since the coronavirus (COVID-19) pandemic began. In a previous interview, Holland was asked about reports that he would reprise his role as Peter Parker/Spider-Man in another upcoming film from Marvel Studios independent of Sony Entertainment. The two companies announced in 2019 that they would be extending their partnership, which in turn allows Spider-Man to appear in Marvel Studios' films. "Yeah, that's not accurate at all," Holland said. "The new deal that was struck up was this understanding between the two studios that should Marvel want me to appear in one of their movies, then it would be an open conversation." He continued, "I don't think it's as black and white as 'I have a three-picture deal with Marvel and a three-picture deal with Sony.' It's just this open conversation and open dialogue between Mr. Iger and Mr. Rothman." Holland has also previously spoken about his future in the MCU, hinting that his time as Spider-Man might be coming to a close. "Maybe it is time for me to move on. Maybe what's best for Spider-Man is that they do a Miles Morales film," he said at the time. "I have to take Peter Parker into account as well, because he is an important part of my life ... If I'm playing Spider-Man after I'm 30, I've done something wrong." However, the actor later clarified those comments, saying that they had been misinterpreted. "I don't know what the future of Spider-Man looks like. I don't know whether I'm going to be a part of it," Holland said. "Spider-Man will always live on in me, and I know that [producer Amy Pascal] and the studio are keen to figure out what the next chapter of Spider-Man looks like." In terms of the next chapter of Spider-Man, No Way Home producer Amy Pascal has hinted at the Web-Slinger's future, stating that the character will likely appear in future projects for both Sony and Marvel. When asked about the potential to see Holland in a film not connected to the MCU, Pascal said, "We all want to keep making movies together. How's that for an answer?" For now, Holland is starring as Peter Parker/Spider-Man once again in Spider-Man: No Way Home, which swings into theaters on Dec. 17. The Hollywood Reporter HEAT VISION E-Mail (Letita Wright set to rejoin Black Panther 2 Filming In January) https://view.email.hollywoodreporter.com/?qs=addba4fe3d9a1a019e86f69923229c5600bf8cb950f6a494e40a22c37d6e3a08ab2530e218c90e2b4a55510675e693b449dc0f6045cbc3bf75cc53d7e79a4cabfb18dcbc1a5068e5 https://www.cbr.com/black-panther-2-letitia-wright-not-leaving-mcu/ And while we're here ... Letitia Wright and Black Panther 2 started trending Thursday with some rumors coming in from the lowlands. We did some digging and sources close to the production say Panther 2 is indeed on track to resume production in late January in Atlanta. With Wright. Marvel and Sony Are Planning a Crossover Movie for Tom Holland's Spider-Man https://comicbook.com/marvel/news/spider-man-marvel-sony-future-tom-holland-another-mcu-movie/ Tom Holland has become one of the biggest actors in Hollywood, and his work as Spider-Man helped solidify his talent as an A-list star. Right now, the actor is living large in light of Spider-Man: No Way Home's upcoming premiere. Many have worried the film would be Holland's last as the Marvel superhero, but reports have suggested there is more to come. And when ComicBook.com's Brandon Davis got to speak with Sony Pictures chair Tom Rothman recently, we learned the company is working with Marvel Studios on another crossover pitch. "It's reciprocal. So we lend one, and they lend one, and that's how Benedict [Cumberbatch] is in this movie," Rothman explained. "So we have one more 'lend back' that's committed. But the thing that I can say, and this actually the accurate scoop on this, which is that the two companies have a terrific working relationship. I think it's a mutual hope that that would continue. But there really isn't anything definitive at this moment, because the truth of the matter is, we gotta ride [Spider-Man: No Way Home] and see what happens." At the beginning of the month, Spider-Man producer Amy Pascal mentioned in an interview that Marvel and Sony were already working together on a third trilogy with Holland in the lead role. Insider reports then indicated that nothing official had been reached in regards to this new trilogy, but that Sony and Marvel remained close in their working relationship and hope to keep that going into the future. Rothman's comments on Monday night back up those reports. He specifically stated that nothing official had been decided upon just yet, mainly because the two companies have been focusing their efforts on releasing No Way Home. There may not be news on a new Spider-Man movie for quite a while. What we do know, however, is that Holland will be returning to the MCU in another upcoming MCU title. Perhaps he reprises his role in next year's Doctor Strange in the Multiverse of Madness, continuing his story with Cumberbatch's sorcerer supreme. It's also worth nothing that the Doctor Strange sequel's director is Sam Raimi, who directed the first three live-action Spider-Man films for Sony. Scarlett Johansson on What Inspired Her to Produce for Marvel: "Nothing's Ever off the Table" https://collider.com/scarlett-johansson-new-marvel-project-producer/ Johansson also highlights lessons learned that'll influence her own work as a producer. Perhaps anything can happen in the Marvel Cinematic Universe, but it feels rather safe to say that Scarlett Johansson's run as Black Widow has come to an end. But, that doesn't mean her contribution to the franchise has to stop there. Johansson is heavily leaning into the producing side of things now. Not only is she credited as a producer on the upcoming Tower of Terror movie over at Disney and the A24 sci-fi drama Bride, but she's also continuing to work on the MCU in a producorial capacity. Just last month, Kevin Feige revealed that Johansson is producing a “non-Black Widow-related top-secret Marvel Studio project.” With the December 22nd release of Sing 2 right around the corner, I got the chance to catch up with Johansson and opted to ask her about her producing ambitions. Here's what she said when asked what's motivating her to contribute to more films in that position: “I have worked for 30 years, which is insane when I say it out loud, but I think I just understand the efficiency of how productions run and how you thin the fat on a production and make things well oiled. I've learned that the fish rots from the head, which is very very true I think in any creative space, but particularly a production involves many hundreds of people and so yeah, just working with people that want to be there and all want to creatively contribute to the same kind of idea and building that kind of creative family I think is something I'm really excited about as I produce more and more things for other people.” Johansson also took a moment to address producing for Marvel specifically: “As far as Marvel goes, it's like working with family there. Marvel has some of the best IP ever and you can really dream big there and nothing's ever off the table and you kind of throw all these blue sky ideas around and see what sticks. It's like a creative playground that's just like a dream. Again, I have that shorthand with my fellow creatives there that comes from being in the world for 10 years with those guys.” Disney and Sony Are 'Actively' Developing Spider-Man's MCU Future https://www.cbr.com/disney-sony-developing-mcu-spider-man-future/ https://www.nytimes.com/2021/12/17/movies/kevin-feige-amy-pascal-spider-man-no-way-home.html Kevin Feige and Amy Pascal confirm Marvel and Sony are "actively" developing Spider-Man's post-No Way Home story for the Marvel Cinematic Universe. With Spider-Man: No Way Home now in theaters, the film's producers are "actively" developing Spidey's future in the Marvel Cinematic Universe. In the lead-up to No Way Home's release, the million dollar question was if the film would be actor Tom Holland's final outing as Peter Parker/Spider-Man in the MCU. However, late last month, Spider-Man franchise producer Amy Pascal revealed that not only was a fourth MCU Spider-Man film with Holland in the works, but that it would be intended as the start of an all-new trilogy. That said, subsequent reports threw cold water on the idea of such a trilogy currently being in development. Pascal was asked to clarify her comments during a recent interview with The New York Times. "We're producers, so we always believe everything will work out," she said. "I love working with [Marvel Studios President/Marvel Entertainment Chief Creative Officer Kevin Feige]. We have a great partnership, along with Tom Rothman, who runs Sony and has been instrumental, a great leader with great ideas. I hope it lasts forever." Feige himself chimed in, adding, "Amy and I and Disney and Sony are talking about -- yes, we're actively beginning to develop where the story heads next, which I only say outright because I don't want fans to go through any separation trauma like what happened after Far From Home. That will not be occurring this time." The "separation trauma" Feige refers to is the incident that saw The Walt Disney Company (owner of Marvel Studios) and Sony (owner of the Spider-Man movie rights) briefly end their partnership following the release of Spider-Man: Far From Home -- the second MCU Spider-Man film -- in 2019, leaving the future of the franchise uncertain. Fences were ultimately mended. Hence, the existence of No Way Home. Several years ago, Disney and Marvel Studios struck a deal with Sony -- which has owned the license to Spider-Man since 1999 -- to bring the fan-favorite character into the MCU. Holland's version of Spidey made his MCU debut in 2016's Captain America: Civil War, subsequently spinning out into the 2017 solo film Spider-Man: Homecoming. Holland later reprised the role in 2018's Avengers: Infinity War and 2019's Avengers: Endgame before getting a second solo outing in the form of Far From Home. Thanks to Disney and Sony mending their working relationship, Holland was able to round out his solo trilogy with No Way Home. While a fourth Spider-Man film set in the MCU has yet to be officially announced, it definitively looks as though all parties concerned are working towards making such a film a reality. Spider-Man: No Way Home is in theaters now. Is Iron Man 3 a Christmas Movie? Disney+ Gives Surprising Answer https://thedirect.com/article/iron-man-3-christmas-movie-disney-plus The holiday season is in full swing before 2021 comes to an end, particularly for Marvel Cinematic Universe fans who are taking in the final episodes of Hawkeye on Disney+. While the internet-breaking reveals such as one for a long-rumored Netflix villain entering the fray are most present, the series also fully embraces the holiday spirit with Clint Barton and Kate Bishop working to complete their mission in time to get Clint home for Christmas. This series comes as the second sub-franchise within the greater MCU to take on the Christmas season, which first officially came in through 2013's Iron Man 3. While the decision to set a summer blockbuster in the month of December is still a mystery more than eight years after the fact, director Shane Black used his signature style of storytelling in a unique way with Marvel Studios' leading hero. Although this movie took place in and around Christmastime with Black's influence, one big question still lingers - is Iron Man 3 officially regarded as a Christmas movie? That answer may be surprising if one version of Disney+ is to be believed. Is Iron Man 3 Christmas Movie? The United Kingdom's Disney+ server curated a "Merry Christmas" collection in celebration of the holiday season featuring over 40 titles across the streaming service. In the animated section, movies like Tim Burton's The Nightmare Before Christmas and multiple Mickey Mouse specials make the cut, as do the Frozen films/spinoffs and Beauty and the Beast: The Enchanted Christmas. Live-action movies in the collection include all four Home Alone titles, the first two Die Hard films, and even Edward Scissorhands. The MCU finds its place in the list thanks to 2021's Hawkeye, whose final Christmastime episode will debut on December 22, 2021. However, 2013's Iron Man 3 didn't end up on the list as an official Disney+ Christmas movie. Here are some of the most popular movies & shows in the collection: Originals Home Sweet Home Alone LEGO Star Wars Holiday Special Hawkeye Once Upon a Snowman Godmother High School Musical The Musical The Holiday Special Noelle Arendale Castle Yule Log Live-Action Christmas Movies and Specials Home Alone The Muppets Christmas Carol Die Hard Die Hard 2 The Santa Clause A Muppets Christmas Letters To Santa Home Alone 2 Home Alone 3 Home Alone 4 Santa Clause 2 Santa Clause 3: The Escape Clause The Nutcracker And The Four Realms Animated Christmas Movies and Specials The Nightmare Before Christmas Mickey's Christmas Carol A Christmas Carol Beauty And The Beast: The Enchanted Christmas Mickey's Once Upon A Time Mickey's Upon Twice A Christmas Winnie The Pooh: A Very Merry Pooh Year Christmas Shorts Olaf's Frozen Adventure Ice Age: A Mammoth Christmas Pluto's Christmas Tree Winter Favorites Olaf Presents Frozen Ice Age Togo Frozen II Narnia: The Lion The Witch and The Wardrobe Edward Scissorhands Frozen Fever Cool Runnings LEGO Frozen Northern Lights Home Alone Home Alone Home Alone 2 Home Alone 3 Home Alone 4 Home Alone The Holiday Heist Home Sweet Home Alone Iron Man 3 - To Christmas or Not to Christmas? The MCU's first Phase 2 movie fully takes place around or at Christmas from start to finish as fans see Tony Stark deal with his post-The Avengers demons. From buying Pepper Potts arguably the biggest stuffed bunny in history as a present to playing a funky version of "Jingle Bells" while summoning his Mark XLII suit for the first time, Iron Man 3 makes no effort to tone down the holiday spirit. This listing comes as somewhat of a surprise, especially considering how many amongst the fan base view Iron Man 3 as the MCU's first true Christmas movie. The ties back to the holidays are at least as noticeable and present as those from other entries on the list like Die Hard or Home Alone, bringing into question what actually does qualify a movie as a Christmas movie. Although Disney+ made its own distinction, Marvel Studios president Kevin Feige firmly believes Iron Man 3 is a Christmas movie, and the film is described as such on Marvel's official website as of two years ago. There are certainly arguments for both sides, but it appears that the argument for it being in this category has some big-name support. Whether Iron Man 3 is officially a part of this catalog or not, it likely won't deter many fans from taking in the MCU's seventh movie in their holiday must-watch list. Filled with trees, wreaths, presents, and holiday songs throughout, there's no mistaking the influence that Christmas has on this outing, which should mean it will continue to be an unofficial go-to movie at this time of year. Tom Holland Talks His Future as Spider-Man, Reveals He Wants to 'Focus on Starting a Family' Next https://people.com/movies/tom-holland-talks-plans-after-spider-man-family/ Tom Holland opens up about his experience as Spider-Man and his plans for the future Tom Holland is looking forward to the future. The Spider-Man: No Way Home actor, 25, opens up about what the superhero franchise means to him — and what he hopes to do next — in the new issue of PEOPLE. No Way Home is the third (and perhaps final) Spider-Man movie Holland stars in, and he finds that bittersweet. "I've loved every minute of it. I've been so grateful to Marvel and Sony for giving us the opportunity and keeping us on and allowing our characters to progress. It's been amazing," Holland says. "And that's why for me, I don't want to say goodbye to Spider-Man — but I feel like we might be ready to say goodbye to Spider-Man." Holland has held the role of Peter Parker and his web-slinging alter-ego since he was cast for Spider-Man: Homecoming in 2015. Now, he says, may be the time to pass the torch. "I don't want to be responsible for holding back the next young person that comes in who deserves it just as much so," Holland says. And after he, Andrew Garfield and Tobey Maguire have all played the superhero, Holland thinks it's time for a change. "I would love to see a future of Spider-Man that's more diverse — maybe you have a Spider-Gwen or a Spider-Woman," he adds. "We've had three Spider-Mans in a row; we've all been the same. It'd be nice to see something different." While his future in the Marvel Cinematic Universe seems up in the air, Holland — who is dating his costar Zendaya — has a burgeoning career. His action-adventure film Uncharted, with Mark Wahlberg, is due in 2022, and he'll soon star in a Fred Astaire biopic. But the London native also hopes to turn his attention to his personal life. "I've spent the last six years being so focused on my career," Holland says. "I want to take a break and focus on starting a family and figuring out what I want to do outside of this world." Indeed, the star says he looks forward to becoming a father one day — which is why Holland says if he weren't acting, he'd be a schoolteacher. "I love kids. I can't wait to be a dad — I can wait and I will, but I can't wait!" he says. "If I'm at a wedding or a party, I'm always at the kids' table hanging out. My dad's been such a great role model for me. I think I've got that from him. So I think I'd be a primary school teacher or something like that." Spider-Man: No Way Home opens in theaters Friday. CHADWICK BOSEMAN: HE'D WANT T'CHALLA ROLE RECAST ...According to Chadwick's Bro https://www.tmz.com/2021/12/14/chadwick-boseman-tchalla-recast-black-panther-brother/ 'Black Panther' fans have spoken, saying Chadwick Boseman's beloved character should be recast going forward, and believe it or not ... the man's own brother concurs. CB's bro, Derrick Boseman, tells TMZ ... yes, he does think T'Challa needs to live on in the 'Black Panther' franchise, and if that means tapping another actor to portray the king of Wakanda -- the role Chadwick made famous and legendary, then so be it. Here's the thing ... Derrick tells us he believes his sibling would've wanted with this too -- explaining Chadwick thought T'Challa was bigger than just himself as one guy. Frankly, Derrick says Chadwick knew the power of the character, and the positive influence it carries. Derrick says there's so much power in seeing a Black king -- especially in a superhero capacity, like in the Marvel flick -- which has a HUGE impact on African-American youth. DB tells us with Marvel killing off that character so quickly in the wake of Chadwick's death, they're kinda depriving black kids of a role model. As you know, there's a major push among fans to #RecastTChalla amid all the speculated drama with Letitia Wright. Derrick says there aren't a whole lot of positive influences for young black children these days -- he thinks hip-hop glorifies certain social ills, and Marvel has a chance to counteract that by bringing back T'Challa -- who he sees as a symbol of Black people's potential. The guy speaks from experience, telling us his own nephew has told the family he wants to be a scientist and cites 'Black Panther' as his inspiration. He does note ... Chadwick never explicitly expressed his wishes, before his death, about what should happen with the character -- but Derrick's sure his bro would agree T'Challa should live on in the MCU. ‘Doctor Strange' Sequel Undergoing “Significant” Reshoots https://www.hollywoodreporter.com/movies/movie-news/doctor-strange-multiverse-madness-reshoots-1235045328/ This doctor is on call till Christmas as the actors and crew shoot six days a week until the end of the year. In what sources describe as a “significant” production, the new shoot, taking place in Los Angeles, comprises both “additional photography” and “reshoots.” How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are on the call sheet. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year's Oscar Isaac series Moon Knight. One source downplayed the severity of the shoot: “Even while in the middle of production, Marvel is scheduling you for more shooting,” this person says, adding that the size and complexity of Marvel movies often necessitates additional photography. “We've had bigger reshoots on other MCU movies,” another insider says. However, other sources raised their eyebrows at the six-week time frame. “They're here until the end of the year. That's like a whole other movie,” says one. Several factors appear to be driving the return to production. One insider says about two weeks are dedicated to principal photography that wasn't completed during the initial, U.K.-based shoot due to what is described as actor availability issues. The insider also dismissed concerns that the reshoots were related to retooling the story. Another reason for the shoot concerns compensating for COVID-related production slowdowns that affected the U.K. production. It was those slowdowns that reared their head Oct. 18, when Marvel and Disney unexpectedly announced the pushing-back of Multiverse of Madness from March 25, 2022, to May 6, 2022. Thor: Love and Thunder, Black Panther: Wakanda Forever, The Marvels and Ant-Man and the Wasp: Quantumania hopscotched backward into new dates as well. First announced at Comic-Con in 2019, Multiverse of Madness is an ambitious project for Marvel, with one aspect dealing with alternate versions of fan-favorite superheroes, much in the way that recent Disney+ series What if …? has reimagined Marvel mainstays. The movie has had its fair share of challenges. Doctor Strange director Scott Derrickson had co-written a script and was due to direct when creative differences led to a parting of ways in January 2020. Raimi and Waldron were then brought on to, as one source says, create a whole new movie, on an accelerated timetable to boot. Multiverse of Madness started production in the U.K. in November 2020 but paused in January 2021 due to the worsening pandemic. It then restarted — and ostensibly wrapped — in the spring. Still, despite story concerns apparently playing a minimal part in the new shoot, it is evident that working in the multiverse requires Reed Richards-level thinking. Half the time, a Marvel movie has to tie to past movies while setting up future movies, and increasingly, TV series. Despite the major shoot underway, the mood with cast and crew is not downbeat. “There is a pervasive enthusiasm,” one source described. On Thursday, Cumberbatch spoke about the reshoots on Jimmy Kimmel Live!, where he was asked if he knew what the reshoots were going to be. “Like everything with Marvel, it comes in fresh, pretty much, most mornings,” Cumberbatch said with a laugh when questioned. “It's really exciting, and the film is shaping up to be something special.” DISNEY+ ‘Hawkeye' Directors Break Down That Dazzling Car Chase, and the Debut of [SPOILER] in Episode 4 https://variety.com/2021/tv/news/hawkeye-yelena-black-widow-car-chase-1235129461/ How Hawkeye's Alaqua Cox Echoes Echo's Superpowers https://www.cbr.com/hawkeye-directors-alaqua-cox-echo-superpowers/ The car chase sequence in Episode 3 is so much fun. Was that something that you know you wanted to do from the start? Bertie: It was the thing that we read that we were most excited about, opening the script for [Episode] 3 and going, “Wait, there's an action sequence that's basically half of this episode.” One of the standout moments people are talking about is that opening shot of the 360-revolving camera. That's something very early on we decided we wanted to do, because we wanted to stay with Kate and Clint in the car on this journey as the Tracksuit Mafia are chasing them. Then it was just like the journey of how we achieve that and pre-vizing that and the camera team figuring out the rig. From start to end, that was just joyful. Was there ever a time where you were thinking you'd do the entire sequence in a oner? Bert: Yes, there was! You go in with these huge ambitions, but we very quickly realized that the essence of the oner is that we stay with our characters. The action is kind of happening around them, but we wanted to stay with them. So the moment Kate gets out the car, if you're following that rule, then the camera goes out of the car with her. And so that's what happened. We just had to figure out how to get it out of the car. There were so many trick arrows in that sequence. Was there a brainstorming session where you tried to come up with all the different kinds of trick arrows that you could think of? Bertie: Constant brainstorming. That's what's amazing about the Marvel process. They're all about plussing. “How can we plus this?” From “What other arrows can we put in the car chase,” came “What would be the arrow that could be used to stop Kazi in his truck and the Christmas tree lot.” So the situations led to new arrows. The smoke arrow [appeared] earlier on in the chase, and it was too much there. It didn't really serve a purpose. Then it came back later, when Kate was trying to get Maya's car to to crash on the bridge. How early was the Pym arrow introduced into the mix? Bert: Way, way earlier. That was that was one of the things that was in the script very early on. Then the challenge was figuring out how we were going to do it so it was believable, because the tone of the show is so real that something like that [giant arrow] really stood out for us. We needed to ground it with the emotion of the guys inside of the truck. Bertie: And here's something we haven't spoken about yet. When we first were going to do the Pym arrow, the [giant] arrow was going to go straight at Kazi's truck and split it down the middle. That sounded great on paper, but we pre-viz'd it, and you couldn't quite figure out what was happening. Once we decided to do the up-and-down apex [of the arrow], you could see the whole thing. It was just staking this huge arrow on Manhattan Bridge, and it meant that the truck literally broke in half. That was fun to make that change. You also introduced Echo in Episode 3 and showed the audience her experience as person who is deaf and an amputee. What were the conversations like about how you wanted to approach that character? Bert: It was a huge learning curve for us; Alaqua brought so much to this. We just went in asking to be taught how to do this because we want to represent her wholly and correctly on screen. So there were a lot of discussions ahead of actually filming, but then every day on set was learning with he, and she was very gracious. Bertie: Maya's story, for obvious reasons, mirrors Alaqua's story in many ways. I think for us, and with Alaqua, it was about looking at these things that people might term as disabilities in Alaqua, and actually using those as her superpowers. So the fact that she's a non-hearing person means that her sense of observation — a heightened awareness as she walks into a room and observes things — is a superpower. Her prosthetic leg, we see that Clint tries to hockey stick [it] out the way, and then she swings that metal leg at him, and it takes his hearing aid out. Using what could be considered her weaknesses as her strengths was a huge part of that character formation. Finally, you also directed a major moment in Episode 4, when Florence Pugh's Yelena finally appears on her mission to take out Clint. What did you want to accomplish in bringing in a character that most of the audience already has a relationship with, but your other characters don't? Bertie: So much of “Hawkeye” is seeing the world through the characters' point of view of it. So if we look at the end of [Episode 4], we are with Kate Bishop as she's seeing this person, who she has no concept of who she is, actually, and how she's going to fit into the story. But there's this connection, and you can see and feel the presence of this new character. It's actually a balance between what the audience feels about this character and what Kate's feeling that makes that ending so special. Bert: When you're directing actresses like Florence and Hailee, they bring so much to it. There was this immediate natural chemistry between them, which — I can't say anything else. But you know, when they give you that, it's this gift, and all you want to do is take care of it and unwrap it slowly. Hawkeye directors break down that epic chase sequence and working with Lucky the Pizza Dog (It was originally at night) https://ew.com/tv/hawkeye-directors-bert-bertie-episode-3-chase-scene/ Bert and Bertie talk to EW about recent highlights from the Disney+ superhero series. Hawkeye may not be as high-concept as its predecessors WandaVision or Loki, but the Christmas-set superhero series has proved just how good it is at delivering fun action scenes. Taking a page from the popular Hawkeye comic series by Matt Fraction and David Aja, episode 3 of Hawkeye sent Clint Barton (Jeremy Renner) and Kate Bishop (Hailee Steinfeld) on a wild car chase through Brooklyn, busting out all the trick arrows in Clint's quiver to shake the Tracksuit Mafia off their trail. The scene was remarkable for how clear and easy-to-follow it was, in an age where so many blockbuster action setpieces feel shrouded in shadow. When EW caught up with episode directors Amber Templemore-Finlayson and Katie Ellwood, a.k.a Bert and Bertie, they admitted that the scene was actually originally planned to shoot at night before a last-minute change courtesy of Marvel Cinematic Universe mastermind Kevin Feige. "It was only after we'd started shooting the show that Kevin was like, 'there's too much at night. We need to put some sequences in the day,'" Ellwood tells EW. "But we'd planned it all at night! And of course we had been like hey, you can hide things in the shadows. But then suddenly it was daylight. So we just reconvened with our amazing team and decided to embrace it. We'd already decided to do as much practically as possible, but it drove us to do even more practically. The result was amazing." "It has a grit and it has a danger from being in the daytime when you can see more," Templemore-Finlayson says. The duo cited the iconic car chases from '60s-'70s films like Bullitt and The French Connection as inspirations. They decided to orient the scene around Kate's perspective in order to make the action easy to follow. "Our cameras are determined by what the character needs and the central part to this chase sequence is the banter and the relationship between Clint and Kate," Templemore-Finlayson says. "So we were thinking, how do you stay in the car? We've all seen a million car chases, there are huge franchises that do them so well on epic scales. So we were like, well, it's about the characters. So what we wanted to do was keep the camera in the car. Then we thought, how fun would it be that if as that camera is turning, all the action was happening around them? And then when Kate goes out the window, of course our camera goes with her because it's led by character." Speaking of characters, recent Hawkeye episodes also featured some wonderful moments with another beloved creation from Fraction and Aja's comic: Lucky the Pizza Dog. "Every opportunity we could get Lucky in a scene, we would," Ellwood says. "Lucky was great, and not only on screen. Off-screen Lucky was great too because you know, there are situations where we're running out of time or it's all a little bit tense and it's just like, stare at the dog! Stare at the dog! So it was joyful." Hawkeye Finale Promo Features New Kingpin Footage https://www.cbr.com/hawkeye-kingpin-finale-promo/ https://www.youtube.com/watch?v=mgp1OEVDxDM A new prom
Full transcript HERE.Joel P. Dock, AICP Bio: Joel is a Planning Coordinator for Louisville Metro Planning and Design Services. He graduated from the University of Louisville's Department of Geographic and Environmental Sciences in 2013 where he concentrated in Urban and Regional Analysis. He was the recipient of the Lou Seig Award in Geography, as well as the Best Senior Thesis Award in 2013. Applying geographic methods to city planning, along with a knowledge of regulatory practices attained through his professional career has enabled Joel to develop a comprehensive understanding of how historic land use regulations have shaped modern city landscapes. Joel has recently taken on the role of coordinator for the Land Development Code reform. More information available here: www.louisvilleky.gov/ldcreform.Links to information and organizations referenced during this episode:Link to the StoryMap created by Joel and his team.Link to Louisville's Comprehensive Plan, Plan 2040.More information about StoryMaps.The Color of Law: A Forgotten History of How Our Government Segregated America, by Richard RothsteinFresh Air Archive: Interviews with Richard RothsteinOpticos Design, Inc.A past episode about work in Louisville, Kentucky: Making the Impossible Possible for Single Parents - with Cathe Dykstra
Dynamic results-oriented Strategic Implementation Consultant, Trainer and Executive Coach, Joel P. Martin, Ph.D., (she, her) is the Founder and President of Positively Powerful-Triad West, Inc. Dr. Martin has a demonstrated ability to create visionary transformational leaders; diverse, inclusive, and high performing teams; empowered women, people of color, new managers and other professionals who, after working with Dr. Martin, are less-stressed more creative, inspired, happier, and Positively Powerful™ in their lives and careers. For more than 20 years, Dr. Martin has trained, coached, consulted, and spoken before hundreds of thousands of individuals around the world. With her insightful expertise, unconditionally committed, heartfelt New York City style (her hometown), she provides clients with services that address their business development and DEI needs and provides innovative solutions that close the gap from where they are now and where they want to be. She is dedicated to changing lives and businesses for the better globally. Dr. Martin practices life-long learning and giving back to communities. She's earned numerous awards as well as a MA in Psychology, PhD in Communications and admission into the Society of Fellows, Wharton Business School. Previously she owned and operated a full-service New York City advertising agency. What You Will Learn: How Dr. Martin's career path led to becoming a globally respected speaker, thriving entrepreneur and business leader Why Dr. Martin chose to go back to school later in life and pursue her Ph.D., and why she believes strongly in lifelong learning Why a diverse and inclusive work environment inspired Dr. Martin to begin speaking and making a difference in people's lives Why sharing your truthful and personal story can be a powerful way to create authentic, deep connections with others What steps you can take to improve your Diversity, Equity and Inclusion (DEI) skills, and why these skills are valuable business assets Why optics matter even more as more activities move to a digital space, and how to evaluate your company's DEI optics Why you should consider becoming a member of your local Chamber of Commerce, and what benefits you can receive from that partnership Why stereotypes can lead to undervaluing and disrespecting people and can even impact your ability to hire the best people Resources: 30-Minute Complimentary Consultation: https://calendly.com/jpmartin Website: www.positivelypowerful.com LinkedIn: www.linkedin.com/in/drjpmartin/ Facebook: https://business.facebook.com/COLeadership/ Twitter: @Drjpmartin Additional Resources: Elite Business Health Assessment: https://growwithelite.com/health Email: info@GrowWithElite.com Website: https://growwithelite.com/
About this Episode On this episode Heather dives into the conversation with Mr. Joel Pérez who is a multi-hyphenated professional with an immigrant background and a passion for helping others create success. Joel shares his personal history growing up including a couple pivotal moments that helped him find direction and set big goals. They discuss growing up watching as neighborhood demographics shift, how cultural competency isn't enough and how to ensure you are fully aligned with your company and/or when it's time to move on. Connect with Us: Website: https://diversityonfire.com/ Facebook Group: https://www.facebook.com/groups/diversityonfire Instagram: https://www.instagram.com/diversityonfire/ Twitter: https://twitter.com/diversityonfire Facebook: https://www.facebook.com/Diversityfire Heather: https://www.instagram.com/hppivots/ Guest/Episode Links: https://www.linkedin.com/in/joelperezphd/ https://apoyocoaching.com/ Podcast: Subscribe: https://anchor.fm/diversityonfire - All Platforms Voicenote: https://anchor.fm/diversityonfire/message --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/diversityonfire/message
Episode 146: Shang-Chi and the Legend of the Ten Rings (2021) w/ James BarnesFind us around the web and subscribe on your favorite podcast player! Careful4SpoilersDirected by: Destin Daniel CrettonWritten by: Destin Daniel Cretton, Dave Callaham & Andrew Lanham Score by: Joel P. WestCast:Simu Liu as Xu Shang-Chi/ShaunAwkwafina as KatyMeng'er Zhang as Xu XialingFala Chen as Jiang LiFlorian Munteanu as Razor FistBenedict Wong as WongMichelle Yeoh as Jiang NanTony Leung as Xu Wenwu/The MandarinBen Kingsley as Trevor SlatteryRonny Chieng as Jon JonTalking Points:James, what is your experience with Kung Fu films?What are your overall non-spoiler thoughts on this viewing?Spoiler-Talk: What are some standout moments?In your opinion, how does Shang-Chi and the Legend of the Ten Rings stack up against other MCU movies? Final thoughts. Next EP: The Legend of Drunken Master (1994)
Joel P. Bruckenstein, CFP®, is an internationally recognized expert on applied technology for financial professionals and Publisher of Technology Tools for Today (T3) — formerly Virtual Office News, now dubbed the T3 Tech Hub. He is the co-author of three books: Virtual Office Tools for a High Margin Practice, Tools and Techniques of Practice Management, and Technology Tools for Today's High Margin Practice. Bruckenstein's monthly technology columns appeared in Financial Advisor magazine and Financial Planning magazine for many years. --- Send in a voice message: https://anchor.fm/rush-tech-support/message
När Joel vaknar så har han bara hårdrock i huvudet. Det är då han skriver alla sina låtar till bandet Vampire som nu är nominerade till Årets Rock/Metal för andra året i rad. Joel Pälvärinne slår hål på våra myter om hårdrockare som mörka själar som skriker "perkele" och tipsar istället Popula om finska rockband. När Joel inte lirar med bandet så släktforskar han på andra sidan Östersjön. Han kämpar mot klockan då allt fler finska släktingar går ur tiden. Natalie och Sanna funderar på sina egna släkthistorier, bortglömda efternamn som funnits i familjen och om överraskande gynekologbesök. Sanna Laakso & Natalie Minnevik popula@sverigesradio.se
Que puedas disfrutar del gozo de cielo nuevo y tierra nueva. Dios te bendiga hoy y siempre.
In honor of the state's 200th birthday, Our Missouri will feature a series throughout 2021 entitled "Bicentennial Book Club," which highlights influential books related to Missouri and examines how scholars, historians, and authors dissect major topics in the state's history. So, join the "Book Club" to hear about award-winning publications that detail the state's diverse history, as well as the stories behind the stories featured within their pages. In this episode, Joel P. Rhodes discusses his book, "A Missouri Railroad Pioneer," and offers a historiographical perspective on Louis Houck's writings on early Missouri. About the Guest: Joel P. Rhodes holds a PhD in History from the University of Missouri-Kansas City. Presently, he serves as a professor of history at Southeast Missouri State University. He is the author of "The Sixties in the Lives of American Children: Growing Up in a Land Called Honalee," "The Voice of Violence: Performative Violence as Protest in the Vietnam Era," and "A Missouri Railroad Pioneer: the Life of Louis Houck."
Aquí compartimos este tiempo de Esperanza. Que pueda ser de bendición para tu vida.
Transcript available here: https://www.cornellpress.cornell.edu/transcript-of-1869-episode-101-with-joel-christensen-author-of-the-many-minded-man/ This episode, we speak with Joel Christensen, author of The Many-Minded Man: The "Odyssey," Psychology, and the Therapy of Epic - https://www.cornellpress.cornell.edu/book/9781501752346/the-many-minded-man/ Joel P. Christensen is Associate Professor and Chair of Classical Studies at Brandeis University. He is coauthor of A Beginner's Guide to Homer and Homer's Thebes. Follow him on Twitter @sentantiq. We spoke to Joel about how the Greek epic tradition was not based on the written word, but on large-scale performances in which ancient audiences experienced the stories as a way to think about their own lives, how the Odyssey in particular offered audience a form of folk psychology, and what modern cognitive psychology can learn from Homer. If you’d like to purchase his new book, use the promo code 09POD to save 30 percent on our website which is cornellpress.cornell.edu. If you live in the UK use the discount code CSANNOUNCE and visit the website combinedacademic.co.uk.
In this week's episode, Dr. Joel Pérez discusses the critically important topic of cultural humility with me. Joel brings his life experiences as a Christian, a former administrator in Higher Ed, and his skills as a business coach to help us think through issues of racial reconciliation and cultural humility in the Church and beyond. For full bio and list of resources: http://missionalhermeneutics.blogspot.com/2020/09/episode-26-dr-joel-perez-cultural.html
As shops, offices and other venues begin to reopen, helping ensure the safety of the places we’re returning to is top of mind for building owners, managers, workers and visitors. Our latest podcast brings in two facility services experts to talk about which technologies are proven, which are emerging, and which might turn out to be COVID-19 quackery. Join Michael Creamer (https://www.linkedin.com/in/michael-creamer-3471773/) , Chairman EMEA for our Global Occupier Services group, as he leads a discussion with Joel P. Wheatley (https://www.linkedin.com/in/joelpwheatley/) , ME, FMP, Sr. Director, Engineering & Maintenance, and Angel Doyle (https://www.linkedin.com/in/angel-doyle-403b0438/) , Senior Director of Operations, of C&W Services. They’ll help sort the wheat from the chaff when it comes to cleaning and maintenance. Topics include UV light sterilization, nanotechnology, electrostatic spray systems, well building practices for indoor air quality including MERV and HEPPA filters, Ionization systems, and more. Acronyms used in podcast ASHRAE – American Society of Heating, Refrigerating and Air-Conditioning Engineers | https://www.ashrae.org/ REHVA - The Federation of European Heating, Ventilation and Air Conditioning associations | https://www.rehva.eu/ CIBSE – Chartered Institution of Building Services Engineers | https://www.cibse.org/ ASPE - American Society of Plumbing Engineers | https://www.aspe.org/ IAQ – Indoor Air Quality UV-C – Ultraviolet Light (C-Band, 200 – 280 nanometers (nm)) EPA – United States Environmental Protection Agency (List – N found here: https://www.epa.gov/pesticide-registration/list-n-disinfectants-use-against-sars-cov-2 ) CDC – Center for Disease Control | http://cdc.gov/ Want more information? Download (https://info.cushmanwakefield.com/e/263412/59-Return-to-the-Workplace-pdf/2mplqv/1463246751?h=-BhQXbRPffVe5epI0-Y4NI0ohiatc3ssVqGKbKbsiZU) our Return to the Workplace guide for Cleaning, Maintenance and Mailroom services, a synopsis of the detailed operations manual and protocols used by C&W Services teams to support clients. Listen to senior members in a related webcast panel discussion (https://info.cushmanwakefield.com/e/263412/watch-AcGsdD5EFutXbBRshDDVCm/2mplqs/1463246675?h=ibIbjFbLI-p9Cq3lT0yRXwdXbzcPaA8eesLyNGPEfRI) about how we’re partnering with our client teams in the current COVID-19 environment.
Link: https://slatestarcodex.com/2019/12/10/acc-is-infant-circumcision-ethical/ [This is an entry to the 2019 Adversarial Collaboration Contest by Joel P and Missingno] “They practise circumcision for cleanliness’ sake; for they would rather be clean than more becoming.” – Herodotus, The Histories – 2.37 The debate over circumcision in the Western world today is surprisingly similar to the conflict that Greeks and Egyptians faced 2500 years ago. Supporters tend to emphasize its hygiene and health benefits; opponents tend to call it cruel or to emphasize its deviation from the natural human form. In this adversarial collaboration we address medical aspects, sensitivity and pleasure, and ethical aspects of infant circumcision. Effect on penile cancer Circumcision greatly reduces the relative rate of penile cancer, a relatively uncommon malignancy in developed nations which kills a little over 400 American men each year. Denmark, while it has one of the lowest rates of penile cancer for a non-circumcising country, nevertheless has 10x the rate of penile cancer as Israel – where almost all men are circumcised. Likewise, a Kaiser Permanente study of patients with penile cancer found that 16% of patients with carcinoma in situ had been circumcised; only 2% of patients with invasive penile cancer had been circumcised. Since the circumcision rate of Kaiser patients of the appropriate age was ~50%, this is in line with the 90% reduction.
Link: https://slatestarcodex.com/2019/12/09/2019-adversarial-collaboration-entries/ Thanks to everyone who sent in entries for the 2019 adversarial collaboration contest. Remember, an adversarial collaboration is where two people with opposite views on a controversial issue work together to present a unified summary of the evidence and its implications. In theory it’s a good way to make sure you hear the strongest arguments and counterarguments for both sides – like hearing a debate between experts, except all the debate and rhetoric and disagreement have already been done by the time you start reading, so you’re just left with the end result. See the 2018 entries for examples. Six teams submitted collaborations for this year’s contest. I’ll list them here for now, and the names will turn into links as I post them over the next two weeks. They are: 1. “Is infant circumcision ethical?” by Joel P and Missingno 2. “Is eating meat a net harm?” by David G and Froolow 3. “Does calorie restriction slow aging?” by Adrian L and Calvin R 4. “Should we colonize space to mitigate x-risk?” by Nick D and Rob S 5. “Should gene editing technologies be used in humans” by Nita J and Patrick N 6. “Will automation lead to economic crisis?” by Doug S and Erusian (if any of you are unhappy with how I named you or titled your piece, let me know) At the end of the two weeks, I’ll ask readers to vote for their favorite collaboration, so try to remember which ones impress you. I think we’re all winners by getting to read these – but the actual winners get that plus $2500 in prize money. Thanks again to everyone who donates to the Patreon for making that possible. Please put any comments about the contest itself here, not on the individual entries.
Connect with Joel: https://www.facebook.com/workwithjoeldirks Joel is a family man before anything. Him & his wife Katie are 2 of the most honest & humble people out there. He's a great marketer & a great friend. He always puts the thoughts of other people in front of his own. I hope you enjoyed the interview.
Joel is a family man before anything. Him & his wife Katie are 2 of the most honest & humble people out there. He's a great marketer & a great friend. He always puts the thoughts of other people in front of his own. I hope you enjoyed the interview. To get the shownotes for all the interviews go to http://alexbenderonline.com/podcast
¡Muy buenas, amantes del SEO!¿Cómo ha ido esta semana? :) En la entrevista de hoy vamos a hablar del tráfico web como factor de rankings, linkbuilding y micronichos (como, por ejemplo, conocer cuáles son los más rentables o casos de estudio curiosos).Para ello contamos con Joel Pérez, experto en SEO en Barcelona que ha pasado por agencias como Webpositer, además de haber dado conferencias en eventos como SEOPlus. Actualmente dedica su tiempo a vivir de Internet con sus propias webs y a ayudar a varios clientes. También podéis encontrarlo en seobarcelona.org y seguirlo en su Twitter (¡no te vas a arrepentir!).Hechas las presentaciones... ¡Os dejo con el podcast y todo lo que Joel tiene que contarnos! :)
¡Muy buenas, amantes del SEO!¿Cómo ha ido esta semana? :) En la entrevista de hoy vamos a hablar del tráfico web como factor de rankings, linkbuilding y micronichos (como, por ejemplo, conocer cuáles son los más rentables o casos de estudio curiosos).Para ello contamos con Joel Pérez, experto en SEO en Barcelona que ha pasado por agencias como Webpositer, además de haber dado conferencias en eventos como SEOPlus. Actualmente dedica su tiempo a vivir de Internet con sus propias webs y a ayudar a varios clientes. También podéis encontrarlo en seobarcelona.org y seguirlo en su Twitter (¡no te vas a arrepentir!).Hechas las presentaciones... ¡Os dejo con el podcast y todo lo que Joel tiene que contarnos! :)
Església Evangèlica Unida de Terrassa. (Podcast) - www.unida.es
Sèrie: "Viu l'estiu 2018 amb els salms"
Hablamos con Alberto Corbi y Joel Pérez sobre el Falcon Heavy, la última locura de Elon Musk que ha puesto en órbita un deportivo rojo, de los últimos descubrimientos en el espacio, de las imágenes 3D que han revelado la estructura de las ciudades mayas bajo los bosques, y todos los temas espaciales que os apasionan... además de Ciencia para Escépticos con San Manuel...
Església Evangèlica Unida de Terrassa. (Podcast) - www.unida.es
Serie: "Vive el verano 2017 con los salmos"
En este episodio #67 tengo el placer nuevamente de conversar con la directora del 8vo Festival de Cine Europeo de P.R. Camille Vandenbunder y con varios de los participantes de la competencia de cortos del Festival entre ellos Francisco Cabrera Productor del corto Monserrat y Kemel Jamis Director y Ángel Rivera Productor del corto Nebula. Queremos felicitar a todos los escogidos este año Joel Pérez Irrizary, Kemel Jamis, Michael Justiniano, Raisa Bonnet, Ray Figueroa y Sergio Torres. puedes ver más información del Festival en el siguiente enlace. http://new.festivaldecineeuropeo.com/ y también adjunto el link del corto que mencione en el intro http://www.undergroundroom.org/amazonfestival/festival/. Espero que se disfruten esta conversación. Este episodio es auspiciado por OFXoffice, Inc. los mejores en muebles de oficina visita su showroom en la calle Eleonor Roosevelt 213 en Hato Rey o entra a su pagina web www.ofxpr.com #festivaldecineeuropeopuertorico #alianzafrancesapuertorico #cine #peliculas #hablandoa24frames #puertorico #gabrielnieves
Joel P. Trachtman is Professor of International Law at The Fletcher School of Law and Diplomacy. Recent books include "The Future of International Law: Global Government" (Cambridge 2013), "The Tools of Argument" (Createspace 2013)," The International Law of Economic Migration: Toward the Fourth Freedom" (Upjohn Institute 2009); "Ruling the World: Constitutionalism, International Law, and Global Governance" (Cambridge 2009); "Developing Countries in the WTO Legal System" (Oxford 2009); and "The Economic Structure of International Law" (Harvard 2008). Prof. Trachtman has served as a member of the Boards of the American Journal of International law, the European Journal of International Law, the Journal of International Economic Law, the Cambridge Review of International Affairs, and the Singapore Yearbook of International Law. He has consulted for a number of governments and international organizations, including the United Nations, the World Bank, and the OECD. From 1998 to 2001, he was Academic Dean of The Fletcher School, and during 2000 and 2001, he served as Dean ad interim. He has been a visiting professor at Basel, Hamburg, Harvard, and Hong Kong. He graduated in 1980 from Harvard Law School, where he served as editor in chief of the Harvard International Law Journal, and practiced in New York and Hong Kong for 9 years before entering academia. Key Takeaways: [3:25] If it's possible to actually internalize all the different argument types [6:00] Arguing the definition of words, and how it's sometimes needed [11:50] How the burden of proof arguments work in the real world, outside of the legal context [15:20] Using the argument tactics on social media and online [19:00] How you can use the tactics to reply as a business owner if negative things are said about your business Website: His new book: Tools of Argument www.twitter.com/jptrachtman
Església Evangèlica Unida de Terrassa. (Podcast) - www.unida.es
Serie: "Vive el verano 2016 con los salmos"
Notes * I first came the story of Ross, North Dakota, while reading Muslims in America: A Short History, by Edward E. Curtis. * The full WPA interview with Mary Juma (and another member of the Ross community) can be found in Curtis’ The Columbia Sourcebook of Muslims in the United States. * A contemporary account of the Ross community can be found here. Music *The first bit is a loop from the opening of a song called I. Permafrost by a long-defunct band called Jerseyturnpike made up of a husband/wife duo from San Francisco. Years ago, I went to their wedding in New Jersey. There was a bounce house. It was beautiful. * The piece finishes up with the on-the-nose, This is Home, from Joel P. West’s soundtrack to the terrific film, Short Term 12.
Joel forutsa at Gud skulle gi Den hellige ånd til alle som tror (som Peter siterer på pinsedag i Apg 2), og at hver den som påkaller Herrens navn skal bli frelst (som Paulus siterer i Rom 10,13). Men han hadde også et viktig budskap til sin egen generasjon. Skriftlig versjon på nettsida, ikon fra […]
Exceptional women surround themselves with other powerful and high-achieving women. This is POWER NETWORKING. “I believe all people have the capacity to be positively powerful,” says our guest, Dr. Joel P. Martin, author and renowned international trainer, speaker and coach. She believes women servant leaders are making significant impacts on the lives of others and has created an awards program to honor them. "My goal is to empower all people to go for their highest aspirations because of the examples set by amazing role models.” Dr. Martin is the founder and creator of the annual Positively Powerful Woman Awards program. Dr. Martin’s personal mission, and the mission of her company,Triad West, Inc., is to transform lives and businesses for the better. She is also the Director of Training and Education for George Fraser’s annual PowerNetworking Conference. According to George Fraser, CEO, she is “a class act, a phenomenal woman who knows how to lift up the best and brightest in our community.” She serves as a commissioner on the Human Relations Commission, City of Scottsdale, as a board member of ABHOW (American Baptist Homes of the West) and member of the Leading Age Leadership Circle, a national think-tank on homes and services for the aging. Dr. Martin has appeared on the Today Show, in the NY Times, Essence, Black Enterprise, and Fortune magazine.
September 9, 2011 International Law in Crisis - International Economic Law in Crisis or Merely in Times of Crisis? (Panel 1B) Frederick K. Cox International Law Center Case Western Reserve University School of Law Moderator/Speaker: Prof. Juscelino Colares (Case Western) Prof. Raj Bhala (Kansas) Prof. Jide Okechuku Nzelibe (Northwestern) Prof. Joel P. Trachtman (Fletcher)
Listen and learn about Estate Planning in Minnesota with Attorney Joel P. Mullen. Joel's Estate Planning Law Practice services the Minneapolis / St. Paul area. Call Joel's office for an estate planning consultation at (612) 756-7272. Visit: http://www.MullenGuttman.com
The Model for End-Stage Liver Disease (MELD) score uses the international normalized ratio, creatinine, and total bilirubin to predict 3-month mortality risk, making it a relatively easy and objective measurement for organ allocation, however concerns about equitable distribution remain.
The Model for End-Stage Liver Disease (MELD) score uses the international normalized ratio, creatinine, and total bilirubin to predict 3-month mortality risk, making it a relatively easy and objective measurement for organ allocation, however concerns about equitable distribution remain.
Part of the 2008 Chromosome 22q11.2 Deletion Syndrome Family Conference. Recorded Sun, 27 Apr 2008 14:00:00 PST.
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