Podcasts about Nonfiction

D/Annie Liontas joins Let's Talk Memoir for a conversation about suffering 3 brain injuries in one year and how that changed their relationship to their body and to the world, post-concussive syndrome, how science is delayed around all things female body, gender and selfhood, being a reluctant nonfiction writer and how memoir was the last thing on their mind, understanding the external and internal forces that we have to reckon with to live, the narratives around women and queer people, interrogating our own patterns, knowing when we're sidestepping a thing, the cascading problem of vulnerability, considering how you protect the people you love in a memoir, what stories need to be told, and doing so on our own terms, the lonely condition of being inside the human body, how memoir has its own timeline, getting to the story beneath the story and their new memoir Sex with a Brain Injury: On Concussion and Recovery.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: - redacting text - knowing when we're hiding - finding comfort in the telling   Books mentioned in this episode - Fit Into Me by Molly Gaudry - Decade of the Brain by Janine Joseph - The Long Game: Notes on Writing Fiction by Elizabeth McCracken - The Writing Life by Annie Dillard - Bone Black by bell hooks - Wounds of Passion: A Writing Life by bell hooks - Mad Eden by Morgan Thomas - Clam Down by Anelise Chen   Essay: “Against Catharsis: Writing is Not Therapy” by Essay by T Kira Madden https://podcasts.apple.com/us/podcast/litfriends-podcast/id1717357361   D/ANNIE LIONTAS is the trans-genderqueer author of the crip-queer memoir Sex with a Brain Injury: On Concussion and Recovery, which won the ALA's 2025 Stonewall Award for Nonfiction and was shortlisted for The Athenaeum of Philadelphia's Literary Award. They are a recipient of the 2025 Lambda Literary Córdova prize, and their debut novel, Let Me Explain You, was selected as New York Times Editors Choice. They co-edited the anthology A Manner of Being: Writers on their Mentors, and their work has appeared in The Atlantic, The New York Times, BOMB, McSweeney's, The New Review, Oprah Daily, and elsewhere. An Associate Professor at George Washington University, LIONTAS helped secure a Mellon Foundation grant on Disability Justice to bring storytelling to communities in the criminal justice system. They write the Most Anticipated Queer Books list at Electric Literature and live in Philadelphia with their wife, dog, and Email the rabbit.    Connect With D/Annie Liontas:  https://www.instagram.com/aliontas/ https://www.annieliontas.com/ (currently being updated)   Purchase Book: https://www.simonandschuster.com/books/Sex-with-a-Brain-Injury/Annie-Liontas/9781668085561 https://www.theshipmanagency.com/annie-liontas Lit Friends Podcast https://podcasts.apple.com/us/podcast/litfriends-podcast/id1717357361

What if America's most famous uncaught serial killer was never one man at all? Eddie McNamara — former NYPD officer, 9/11 first responder, and author of Zodiactually: The Real Story of a Fake Serial Killer — joins Mike to argue the Zodiac wasn't a criminal mastermind but a myth stitched together from unrelated crimes, media hunger, and one compromised homicide detective. Drawing on police files, FBI records, court transcripts, and years of cold-calling witnesses, McNamara explains why Vallejo's own investigators never believed the first two murders were Zodiac's, digs into Dave Toschi's documented history of planting fan letters about himself in San Francisco papers, and reassesses Arthur Leigh Allen, the case's most famous suspect. He and Mike also cover the gulf between David Fincher's film and the real record, the glut of self-published theories clogging the true-crime shelf, and what it's like realizing you've stumbled onto an actual overlooked killer while debunking a fake one.Find more at https://feralhouse.com/zodiactually/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In this episode, Jacob Chastain sits down with Jennifer Serravallo to discuss Whole Book Comprehension and why knowledge building, sustained reading, and deep comprehension deserve a renewed place in today's classrooms. Together, they explore how literacy instruction has shifted over the past decade, why whole-book reading has become less common, and whether today's emphasis on knowledge-rich instruction is something new—or a return to what we've always known works. Jennifer also shares practical strategies for making whole-book teaching fit into real classrooms, how it connects with shorter texts and excerpts, and ways teachers and PLCs can begin strengthening comprehension instruction this school year. Whether you're a classroom teacher, coach, or school leader, this conversation will challenge the way you think about reading—and give you practical ideas you can use right away. Jennifer Serravallo is the author ofThe New York Times' bestselling The Reading Strategies Book 2.0 and The Writing Strategies Book. These and some of her other titles have been translated into Spanish, French, Italian, and Chinese. Her popular books and resources help teachers make goal-directed, responsive, explicit strategy instruction doable in every classroom. Her newest titles are The Reading Strategies Book 2.0; Teaching Writing in Small Groups; A Teacher's Guide to Reading Conferences, and the assessment and teaching resource Complete Comprehension for Fiction and Nonfiction.

What if America's most famous uncaught serial killer was never one man at all? Eddie McNamara — former NYPD officer, 9/11 first responder, and author of Zodiactually: The Real Story of a Fake Serial Killer — joins Mike to argue the Zodiac wasn't a criminal mastermind but a myth stitched together from unrelated crimes, media hunger, and one compromised homicide detective. Drawing on police files, FBI records, court transcripts, and years of cold-calling witnesses, McNamara explains why Vallejo's own investigators never believed the first two murders were Zodiac's, digs into Dave Toschi's documented history of planting fan letters about himself in San Francisco papers, and reassesses Arthur Leigh Allen, the case's most famous suspect. He and Mike also cover the gulf between David Fincher's film and the real record, the glut of self-published theories clogging the true-crime shelf, and what it's like realizing you've stumbled onto an actual overlooked killer while debunking a fake one.Find more at https://feralhouse.com/zodiactually/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

DescriptionWriting a nonfiction book is about much more than putting words on a page—it's about creating a reader experience that informs, inspires, and delivers lasting value.In this episode of Write Effing Now, Hilary Jastram takes a deep dive into the nonfiction editing process, guiding authors through the essential decisions that shape a successful book. From choosing the right structure and organizing an effective outline to crafting compelling stories and meaningful calls to action, Hilary explains how professional editing transforms an idea into a polished manuscript.She also discusses how nonfiction books can become powerful business tools, why your book should support a larger marketing strategy, and how thoughtful editing helps readers connect with both your message and your brand. Whether you're writing your first nonfiction book or refining your publishing process, this episode offers practical strategies that will help you write with purpose and publish with confidence. What You'll Learn: Why a nonfiction book should support your larger business or brand.How to choose the best structure for your nonfiction manuscript.The four most effective nonfiction book formats.Why storytelling is one of the most powerful teaching tools.How outlines evolve throughout the writing process.The importance of reader-focused writing and strategic calls to action.What belongs in your book's front matter, back matter, and author bio.Best practices for chapter length, organization, and preparing your manuscript for publication.Every successful nonfiction book begins with a clear purpose. Hilary explains that authors should think beyond book sales alone and instead view their book as a tool that builds credibility, supports higher-value products or services, and creates lasting relationships with readers. She emphasizes that great nonfiction doesn't simply share information—it guides readers toward meaningful transformation through clear structure, relatable stories, and actionable insights. Throughout the episode, Hilary introduces several proven nonfiction formats, including story-driven books, memoir hybrids, chronological narratives, and blockbuster openings that immediately capture a reader's attention. She also explains why flexibility during outlining is essential, how strong chapter objectives keep readers engaged, and why every call to action should naturally support the reader's next step. Hilary gives practical publishing advice on introductions, forewords, author bios, copyright, disclaimers, chapter length, and manuscript organization. Favorite Quote: "Think of your book as a lead magnet—not just a product." Other Topics Discussed: Nonfiction WritingDevelopmental EditingBook OutliningStorytellingReader-Centric WritingMarketing StrategyLead MagnetsCalls to ActionAuthor BrandingCopyrightDisclaimersBook StructureFront Matter & Back MatterChapter OrganizationTraditional PublishingSelf-PublishingBook MarketingConnect with Hilary JastramIf you're ready to write your book, improve your manuscript, or finally publish your story, subscribe to Write Effing Now so you never miss an episode packed with practical writing advice, publishing strategies, and conversations designed to help you move from idea to finished book.InstagramLinkedInTikTokFacebookAbout the PodcastWrite Effing Now is the podcast for writers who want to write smarter, publish confidently, and share stories that make an impact.Hilary Jastram, is an author, publisher, and editor who delivers practical instruction on writing, editing, publishing, storytelling, marketing, audiobooks, artificial intelligence, and the business of becoming a successful author.If you're a new author, or a literary veteran and are ready to align with a winning publishing team, it's time to get connected. Learn more at BookMarkPublishing

Learn why Cyber criminals hate Huntress, why we use them daily and why they help stop cyber crime in the SMB space. What if the people protecting small businesses had no idea they were already inside?Jeremy Young was employee #19 at Huntress Security. He watched MSPs go from ignoring cybersecurity to being the frontline defense against organized criminal groups running attacks like a business.Here is what stopped us cold: 70% of ransomware attacks now target small and mid-sized businesses. And most of them have no dedicated security team.Chapters00:00 Welcome Jeremy Young from Huntress Security 02:15 From Fortune 500 to Startup Employee Number 19 05:30 How HP Direct Taught the Wrong Way to Work the Channe 08:45 Why Jeremy Left Verizon and Joined the MSP World 12:00 Duo Security, Cisco Acquisition, and Meeting the Huntress Founders 16:20 Huntress Mission: Bringing Cybersecurity to the 99 Percent 18:45 Big Company Skills That Actually Transfer to Startups 22:00 Process Documentation and Building What Does Not Exist Yet 25:30 Two Types of People at Every Company: Fixers vs Bystanders 28:15 Ownership Mentality, Shareholder Value, and Going Beyond Your Title 31:00 Radical Candor, Difficult Conversations, and Remote Work Culture 44:30 Mentorship That Works: Homework, Follow Through, and Self Selection 48:00 How Jeremy Mentors the People Who Actually Do the Work 51:20 Lessons From Thailand Floods: Do Not Bow to a Title 54:45 Respecting Humans First and Hanging Up on Screaming CEOs 57:30 Leadership Lessons, Final Thoughts, and How to Follow Jeremy YoungQuestions? Text our Studio direct. We read these and when helpful we give a special shout out for those to contact us.True crime enters our homes and businesses daily. Learn from actual people who fight it daily and show you how in a thriller story. The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) Growth without Interruption. Get peace of mind. Stay Competitive-Get NetGain. Contact NetGain today at 844-777-6278 or reach out at DMauro@NetGainIT.com or find more at www.NETGAINIT.com   Support the showWant to Watch? Subscribe and stop reading about it after it happens: https://www.youtube.com/@CyberCrimeJunkies?sub_confirmation=1Hosted by David Dean Mauro. Former trial lawyer, AI Security Advisor, FBI InfraGard member, VP of Strategic Growth at NetGain Technologies, and author of the Moving Target Trilogy (#1 Amazon Hot New Release, 2026).MOVING TARGET TRILOGY. Nonfiction cybercrime thrillers.

Science Nonfiction: Behind the Scenes in University Research by Prof Darren Lipomi https://www.amazon.com/dp/B0GYGPWWPF Lipomigroup.org Every year, the United States spends roughly $60 billion—about 1 percent of the federal budget—on university research. Though this research has far-reaching effects and benefits the public at large, most people are unaware of the inner workings of academic research. Who bears the risk for new discoveries? What role do graduate students play in innovation? What are the shortcomings of academic research, and can the system be fixed? In Science Nonfiction: Behind the Scenes in University Research, Darren J. Lipomi, PhD, a scientist and educator, offers readers an insider's perspective of scientific discovery in academia. Drawing on two decades of experience in elite labs and universities, he reveals a system few outsiders ever see. By examining his own career trajectory—from humble beginnings to prestigious universities like Harvard and Stanford to academic leadership—Lipomi illustrates the impact that incentives, power, and politics have on knowledge production. Science Nonfiction captures both the ingenuity and absurdities of life in the lab. With this book, Lipomi hopes to shed light on the often-overlooked human side of scientific research, purporting that while the system is certainly imperfect, there is hope for a better future. Indeed, even with its immense flaws, academic research represents a significant societal investment in the future. As this investment faces greater scrutiny, limitations, and political interference, understanding the utility of academic research becomes more important than ever before. About the author Darren J. Lipomi, PhD, is chair and professor of chemical and sustainability engineering at University of Rochester. Lipomi earned his bachelor's degree in chemistry with a minor in physics as a Beckman Scholar at Boston University in 2005, and in 2010, he attained his PhD in chemistry at Harvard University, working alongside Professor George M. Whitesides. His research interests include molecular engineering of electronic and electroactive polymers, particularly the mechanical properties of semiconducting polymers for flexible solar cells, biomechanical sensors, and phenomena that occur at the intersection of materials chemistry with human perception and cognition. He is the recipient of the AFOSR Young Investigator award, the NIH Director's New Innovator Award, the Presidential Early Career Award for Scientists and Engineers (PECASE), and the NSF BRITE-Pivot award. He hosts a podcast, Molecular Podcasting with Darren Lipomi, which has an associated YouTube channel, Darren_Lipomi. These platforms serve as valuable resources to students, postdocs, and other early-career researchers.

The final installment of a five-part pilgrimage to the 2026 BIG EARS festival. At Big Ears, the Polish pianist and composer moved between two modes: the orchestral expansiveness of her piano concerto Non Fiction with the Knoxville Symphony Orchestra, and the arpeggiated synth patterns of her solo electronic alter ego Chilling Bambino—a love letter to her Prophet 8 and a chance to escape the rigor of classical composition for smaller, weirder rooms. She discusses why she created the alias ("people who don't know Hania Rani can just enter with curiosity"), the value of creating space to think in an overscheduled world, and the festival's ethos of genre refusal, where listening means staying with what you don't yet understand.Sound Propositions should be available wherever you get your podcasts, so please keep an eye out and subscribe (and rate and review, it helps others who might be interested find us). You can support Sound Propositions on Patreon if you are so inclined, or send a one-time donation via PayPal. The first two seasons are also available on Bandcamp. I'm very grateful for any support, which will help ensure future episodes.Interview recorded in Knoxville, 29 March 2026Produced and mixed in St Louis, July 2026Episode 41: THE PILGRIMAGE - Part 5: WAITING ROOM  - with Hania RaniLINKSHania RaniBandcampSheet MusicNon FictionSonic Liberation Front / Radio alHaraBig EarsTRACKLISTARTIST – “TITLE” (ALBUM, YEAR)Hania Rani,  “I.III Meno Mosso” (Non Fiction - Piano Concerto in Four Movements, 2025)SP INTROHania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Patrick Watson, “je te laisserai des mots (instrumental)” (2010)Hania Rani, “II.II Presto” (Non Fiction - Piano Concerto in Four Movements, 2025)Portico Quartet, “With, Beside, Against (Hania Rani Remix)” (Portico Quartet / Hania Rani, 2021)Hania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Hania Rani, “IV. Semplice” (Non Fiction - Piano Concerto in Four Movements, 2025)Hania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Hania Rani, “Struggle” (On Giacometti, 2023)Hania Rani, “There Will Be Hope” (Inner Symphonies, 2021)Hania Rani, “Waiting” (Music for Film and Theatre, 2021)—-Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

When Sarah Leavitt's mother was diagnosed with Alzheimer's disease, she began documenting everything she could through drawings and writing. Those records became Tangles, her acclaimed 2010 graphic memoir, which was the first graphic narrative to be named a finalist for the Writers' Trust Prize for Nonfiction. Now, more than 15 years later, Tangles has been adapted into a film starring Julia Louis-Dreyfus (Seinfeld, Veep), Bryan Cranston (Breaking Bad), Abbi Jacobson (Broad City) and Wanda Sykes (The New Adventures of Old Christine). Sarah co-wrote the screenplay, and the film premiered at this year's Cannes Film Festival, where it received a lengthy standing ovation. Q guest host Angeline Tetteh-Wayoe caught up with Sarah to talk about it.

Episode Summary: Summer is supposed to be the season of sunshine, vacations, and smiling social media photos—but for many people, it’s when depression quietly deepens. If you’ve ever felt more anxious, lonely, or emotionally exhausted during the summer months, you are not imagining it—and you are not alone. In this episode of Your Hope-Filled Perspective, we’re talking about summertime sadness, why depression and mental health struggles can actually spike during summer, and what brain science, psychology, and Scripture reveal about this misunderstood phenomenon. Whether you’re battling low mood, disrupted sleep, increased comparison, or the pressure to “feel happy,” this conversation will help you understand what’s happening in your mind and body—and how God meets you with hope even in the brightest seasons. Today, we’re going to talk about Summertime Sadness: Why Depression Can Spike in Summer and How to Find Hope. Quotables from the episode: Summer often comes with an unspoken expectation: you should be happy right now. Longer days, family gatherings, beach trips, and backyard barbecues can amplify joy—or they can magnify grief, loneliness, exhaustion, and depression. If summer feels heavier instead of lighter, this episode is for you. I want to say this clearly from the start: Struggling in summer does not mean you are broken. It does not mean your faith is weak. And it does not mean you’re failing at gratitude. And when we don’t talk about it, shame fills the silence. And when sleep suffers, mood regulation suffers. That is not a moral failure. That is your nervous system responding to environmental changes. God addresses emotional suffering with compassion, not condemnation. Biblical faith does not deny pain—it brings pain into the presence of God. Now let’s talk about hope—not as a feeling, but as a practice. First, restore rhythm before chasing relief. Recommended Resources: Free Stress-Response Personality Assessment Sacred Scars: Resting in God’s Promise That Your Past Is Not Wasted by Dr. Michelle Bengtson The Hem of His Garment: Reaching Out To God When Pain Overwhelms by Dr. Michelle Bengtson, winner AWSA 2024 Golden Scroll Christian Living Book of the Year and the 2024 Christian Literary Awards Reader’s Choice Award in the Christian Living and Non-Fiction categories YouVersion 5-Day Devotional Reaching Out To God When Pain Overwhelms Today is Going to be a Good Day: 90 Promises from God to Start Your Day Off Right by Dr. Michelle Bengtson, AWSA Member of the Year, winner of the AWSA 2023 Inspirational Gift Book of the Year Award, the 2024 Christian Literary Awards Reader’s Choice Award in the Devotional category, the 2023 Christian Literary Awards Reader’s Choice Award in four categories, and the Christian Literary Awards Henri Award for Devotionals YouVersion Devotional, Today is Going to be a Good Day version 1 YouVersion Devotional, Today is Going to be a Good Day version 2 Revive & Thrive Women’s Online Conference Revive & Thrive Summit 2 Trusting God through Cancer Summit 1 Trusting God through Cancer Summit 2 Breaking Anxiety’s Grip: How to Reclaim the Peace God Promises by Dr. Michelle Bengtson, winner of the AWSA 2020 Best Christian Living Book First Place, the first place winner for the Best Christian Living Book, the 2020 Carolina Christian Writer’s Conference Contest winner for nonfiction, and winner of the 2021 Christian Literary Award’s Reader’s Choice Award in all four categories for which it was nominated (Non-Fiction Victorious Living, Christian Living Day By Day, Inspirational Breaking Free and Testimonial Justified by Grace categories.) YouVersion Bible Reading Plan for Breaking Anxiety’s Grip Breaking Anxiety’s Grip Free Study Guide Free PDF Resource: How to Fight Fearful/Anxious Thoughts and Win Hope Prevails: Insights from a Doctor’s Personal Journey Through Depression by Dr. Michelle Bengtson, winner of the Christian Literary Award Henri and Reader’s Choice Award Hope Prevails Bible Study by Dr. Michelle Bengtson, winner of the Christian Literary Award Reader’s Choice Award Free Webinar: Help for When You’re Feeling Blue Social Media Links for Host: For more hope, stay connected with Dr. Bengtson at: Order Book Sacred Scars / Order Book The Hem of His Garment / Order Book Today is Going to be a Good Day / Order Book Breaking Anxiety’s Grip / Order Book Hope Prevails / Website / Blog / Facebook / Twitter (@DrMBengtson) / LinkedIn / Instagram / Pinterest / YouTube / Podcast on Apple Hosted By: Dr. Michelle Bengtson Audio Technical Support: Ashton Bengtson Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

[REBROADCAST FROM August 7, 2025]  As Beijing bureau chief for the Los Angeles Times, journalist Barbara Demick reported on the politics and impact of China's 'one-child' policy. Demick has written a new book that follows the story of how the policy affected one family, and a set of twins forcefully separated and put into the adoption system. Demick discusses her book, Daughters of the Bamboo Grove: From China to America, a True Story of Abduction, Adoption, and Separated Twins. Plus, listeners share their experience navigating the international adoption system. Cover art courtesy of the publisher Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

[REBROADCAST FROM April 7, 2026] In the latest work of investigative journalism from Patrick Radden Keefe, the author attempts to get to the bottom of the mysterious death of Zac Brettler, a British teenager who plunged to his death from a luxury building in 2019. After his death, it was revealed that Brettler had been living a secret life, one that involved shady characters in the London underworld. Keefe discusses his new book, London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth, out today.  Cover art courtesy of the publisher Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I originally began Publishing Talks as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I continue to enjoy my conversations with people in the book industry about the evolution of publishing in the context of technology, culture, and […] The post Publishing Talks: Brooke Warner of She Writes Press 2026 first appeared on WritersCast.

Marlon and Jake tackle the writers they have no interest in revisiting, asking when it's worth giving a beloved (or notorious) author another chance and when it's perfectly fine to walk away for good. Tune in as they debate literary canon, books that simply aren't for them, the difference between a difficult author and a difficult book, and why sometimes the most honest review is, "Nobody needs to go back to that" Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. The Executioner series by Don Pendleton Hotel by Arthur Hailey Airport by Arthur Hailey Wheels by Arthur Hailey The Moneychangers by Arthur Hailey Advise and Consent by Allen Drury Shōgun by James Clavell Tai-Pan by James Clavell King Rat by James Clavell Whirlwind by James Clavell Fear and Loathing in Las Vegas by Hunter S. Thompson The Rum Diary by Hunter S. Thompson Light in August by William Faulkner Absalom, Absalom! by William Faulkner The Sound and the Fury by William Faulkner As I Lay Dying by William Faulkner Pylon by William Faulkner In Cold Blood by Truman Capote Music for Chameleons by Truman Capote Answered Prayers by Truman Capote “Where Is the Voice Coming from?” by Eudora Welty The Ballad of the Sad Café by Carson McCullers The Heart Is a Lonely Hunter by Carson McCullers Tess of the d'Urbervilles by Thomas Hardy Jude the Obscure by Thomas Hardy The Return of a Native by Thomas Hardy The Golden Notebook by Doris Lessing The Summer Before the Dark by Doris Lessing Children of Violence series by Doris Lessing Pentimento by Lillian Hellman Scoundrel Time by Lillian Hellman An Unfinished Woman by Lillian Hellman The Blithedale Romance by Nathaniel Hawthorne The Scarlet Letter by Nathaniel Hawthorne Appointment in Samarra by John O'Hara Butterfield 8 by John O'Hara A Rage to Live by John O'Hara Sophie's Choice by William Styron Grendel by John Gardner October Light by John Gardner The Art of Fiction by John Gardner On Moral Fiction by John Gardner The Water Babies by Charles Kingsley The Secret Garden by Frances Hodgson Burnett Giant by Edna Ferber Soul on Ice by Eldridge Cleaver A Distant Mirror by Barbara W. Tuchman Once Is Not Enough by Jacqueline Susann Burr by Gore Vidal The Godfather by Mario Puzo In the Hand of Dante by Nick Tosches Delina Delaney by Amanda McKittrick Ros Charlie and the Chocolate Factory by Roald Dahl Stuart Little by E. B. White The Railway Children by Edith Nesbit Flowers in the Attic by V.C. Andrews Jaws by Peter Benchley

Hey there Voices of the Bench community, this is Trish Jones with Ivoclar. If you've been curious about fast-firing zirconia to improve efficiency but aren't convinced it can deliver predictable, high-quality results, I'd encourage you to connect with us. Our new IPS Emax Zirconia offers multiple fast-fire protocols designed to help save you valuable production time while maintaining consistent results. Time is money in every lab. Don't wait. Reach out to your local Ivoclar rep today and discover how IPS Emax Zirconia can help streamline your workflow. As full-arch dentistry continues to grow, so do the demands on today's dental laboratories. That's why Knight Dental recently launched SimplyARCH Studio, a dedicated production environment built exclusively for full-arch restorations. To support this specialized workflow, Knight invested in an XTCERA milling system and carefully evaluated multiple CAM software solutions before choosing hyperDENT. The decision came down to exceptional milling quality, minimal hand finishing, and impressive production efficiency. But what truly set hyperDENT apart was the implementation process. From the very beginning, the team provided more than software training—they shared the knowledge and experience needed to build an optimized workflow for complex full-arch cases. With proven expertise in advanced milling strategies and laboratory production, hyperDENT helped ensure SimplyARCH Studio was designed for long-term success from day one.Matt Everatt joins Elvis and Barb for a fascinating conversation that takes a deep dive into his journey through the dental laboratory industry and the story behind his book, The Invisible Profession. From discovering dental technology at 16 and specializing in maxillofacial prosthetics and orthodontics to working in hospitals, developing early sleep-apnea appliances, and nearly leaving the profession altogether, Matt's career has taken some seriously interesting turns. Eventually, he helped co-found S4S, building a successful business around sleep-apnea appliances, occlusal splints, orthodontics, and more before eventually stepping away from ownership. Matt Everatt joins Elvis and Barb for a fascinating conversation that takes a deep dive into his journey through the dental laboratory industry and the story behind his book, The Invisible Profession. From discovering dental technology at 16 and specializing in maxillofacial prosthetics and orthodontics to working in hospitals, developing early sleep-apnea appliances, and nearly leaving the profession altogether, Matt's career has taken some seriously interesting turns. Eventually, he helped co-found S4S, building a successful business around sleep-apnea appliances, occlusal splints, orthodontics, and more before eventually stepping away from ownership. But this conversation goes far beyond Matt's career. His book, The Invisible Profession, explores how the dental laboratory industry arrived at a place where technicians and laboratories are often undervalued, pushed into price competition, and expected to simply keep their heads down and produce. Matt shares his thoughts on the "million little things" that shaped the industry, the danger of becoming a "busy fool," and why laboratories need to stop competing solely on price and start becoming known for the value, expertise, and partnership they bring to the dental team. Elvis, Barb, and Matt also talk about the changing landscape of digital dentistry, AI, 3D printing, speed, service, and why the labs that embrace change and remain agile will be the ones positioned for the future. It's an honest, thought-provoking, and ultimately optimistic conversation about where the dental laboratory profession has been, where it is today, and where it can go next.Special Guest: Matt Everatt.

Michael Smerconish talks with New York Times White House correspondents Maggie Haberman and Jonathan Swan about their book "Regime Change: Inside the Imperial Presidency of Donald Trump." Drawing on more than 1,000 interviews, they examine how Trump returned to the White House better prepared, more powerful and more willing to test the limits of presidential authority—and what makes his second term so different from his first. Original air date 27 July 2027. The book was published on 23 June 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

A Review/reaction to Neneh Cherry's memoir "A Thousand Threads" Neneh Cherry was, for a brief but unforgettable stretch, one of the most influential voices in British pop — a punk-rock-raised, hip-hop-fluent artist who fused genres before it was fashionable, and who famously performed "Buffalo Stance" on Top of the Pops eight months pregnant. Her 2024 memoir, A Thousand Threads, was shortlisted for the 2025 Women's Prize for Non-Fiction, and on this episode, Ted shares his personal take on the book — one he first picked up at Powell's Books in Portland. The verdict, right up front: a B minus. What works, and works well, is the book's throughline about Cherry's mother, Monika "Moki" Karlsson — a Swedish textile artist who lived an unconventional, bohemian life with jazz musician Don Cherry, running what amounted to an artist colony out of an old schoolhouse. The memoir is, at its heart, a daughter's love letter to her mother, and that material is where the book comes alive. What doesn't work, at least for a longtime fan of her music, is how little space the book gives to the records themselves — especially Homebrew, Cherry's excellent 1992 follow-up to her debut. Ted highlights the moment that best captures the problem: Cherry's collaboration with Michael Stipe of R.E.M. on the song "Trout" gets exactly one sentence in the entire book (page 218). The long-rumored backstory behind "Buddy X" — reportedly inspired by Lenny Kravitz's infidelity while touring together — goes unaddressed entirely. Ted also touches on a pattern common to a lot of musician memoirs: artists who've told the story of their career a thousand times to press and interviewers end up skipping over it in their own books, in favor of the material they haven't already talked to death — usually family, identity, and personal struggle. That's very much the case here. Is it worth reading? Yes — it's a compelling, honestly told story about growing up between cultures and finding identity through family. Just don't expect much insight into the music that made Neneh Cherry a household name. Grade: B- Leave a comment below about this episode, or comment away at Planet LP's Facebook and Instagram pages. This episode is sponsored by Steve Fox's Old School — commercial-free 90s R&B, hip hop, and classic soul, streaming 24/7 at stevefoxoldschool.com.

Michael Smerconish speaks with Princeton historian Dr. Julian Zelizer about "Burning Down the House: Newt Gingrich, the Fall of a Speaker, and the Rise of the New Republican Party." Zelizer explores how Gingrich used confrontation, cable television, and talk radio to transform Republican politics—and help set the stage for the Trump era. They also discuss Gingrich's rapid rise in Washington, his political and personal controversies, and the lasting impact of his no-holds-barred approach to partisan combat. Original air date 24 July 2020. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailJeffery Sussman joins King Hap to talk about his life near the mafia, people he knew involved in the mafia, and his years of investigation and writing about the mob. He has written 19 Non-Fiction books including his latest, “Mafia Hits, Misses, Wars, and Prosecution (The Rise and Decline of the Mob in America)” Hap is always down to talk mafia, organized crime, boxing and show business so this show is a lot of fun! Check out Jeff's website https://www.jeffreysussmanauthor.com/Follow him on Facebook https://www.facebook.com/share/1DXctEaMPU/?mibextid=wwXIfrThis episode was recorded live on the network infront of Happy Hour V.I.P.s If you want to be part of the live tapings follow us onTwitch https://m.twitch.tv/thehappyhourscOrwww.TheHappyHourSocialClub.comAS  ALWAYS The Happy Hour is brought to you by LIQUID-IV & LIQUID-IV SUGAR FREE LIV ENERGY!!!https://glnk.io/koyv/kinghap  *PROMO CODE KINGHAP OR KING.HAP SAVES 25%OLD SCHOOL LABS AMAZING Supplements made for Amazing people!….. Try the Delicious TIRAMISU PROTEIN! Save 25% site wide with promo code Kinghap(https://shop.oldschoollabs.com/KINGHAP)NORTH CANNA CO.Discover the best THC-infused drinks and THC gummies on the planet. Sip or chew while relaxing the enjoyable life's finer moments with no hangover!  CBD blends are also available as option for both drinks and chews. https://www.drinkthenorth.com/?snowball=KINGHAP

Marlon and Jake explore why we're so eager to revisit the worlds of our favorite stories, asking whether great characters are better left where their authors left them—or if there's value in imagining what came before or after. Tune in as they unpack the appeal of sequels, the pitfalls of origin stories, and why some fictional worlds are more powerful when they remain a mystery. Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter A High Wind in Jamaica by Richard Hughes Lord of the Flies by William Golding Wuthering Heights by Emily Brontë The Life and Loves of a She-Devil by Fay Weldon Auntie Mame by Patrick Dennis Flashman series by George MacDonald Fraser Mansfield Park by Jane Austen To Kill a Mockingbird by Harper Lee The History of Tom Jones, a Foundling by Henry Fielding The Merry Wives of Windsor by William Shakespeare Jane Eyre by Charlotte Brontë Lost Horizon by James Hilton Pride and Prejudice by Jane Austen Rebecca by Daphne du Maurier The Talented Mr. Ripley by Patricia Highsmith Little Women by Louisa May Alcott Little Men by Louisa May Alcott David Copperfield by Charles Dickens The Maltese Falcon by Dashiell Hammett Catch-22 by Joseph Heller Wide Sargasso Sea by Jean Rhys A Streetcar Named Desire by Tennessee Williams Oliver Twist by Charles Dickens Bleak House by Charles Dickens Kidnapped by Robert Louis Stevenson Treasure Island by Robert Louis Stevenson Big Blonde by Dorothy Parker The Tempest by William Shakespeare

"Mind Over Murder" hosts Bill Thomas and Kristin Dilley and their listeners review what books they are reading, podcasts they are listening to, and TV shows they are watching in Summer 2026, not just true crime but all genres.  This is Part 2 of 2 Episodes.National Center for Victims of Crime (NCVC):  https://victimsofcrime.org/CrimeCon CLUE Awards Unveil 2026 Winners:https://podnews.net/press-release/crimecon-clue-winners-2026CrimeCon Clue Awards 2026:https://www.clueawards.com/NBC: FBI Norfolk field office links deceased suspect to additional Colonial Parkway Murders In January 2026, the FBI announced Alan Wade Wilmer Sr. is responsible for the 1986 Virginia murders of Cathleen Thomas and Rebecca Dowski.https://www.nbcnews.com/dateline/cold-case-spotlight/colonial-parkway-murders-cathleen-thomas-rebecca-dowski-resolved-rcna255097American Detective TV series: Colonial Parkway Murders:https://www.youtube.com/watch?v=Fp3rNRZnL0EWashingtonian: A Murder on the Rappahannock River:https://www.washingtonian.com/2019/06/27/murder-on-the-rappahannock-river-emerson-stevens-mary-harding-innocence-project/WTKR News 3: One year after development in Colonial Parkway Murders, where do things stand?https://www.wtkr.com/news/in-the-community/historic-triangle/one-year-after-development-in-colonial-parkway-murders-where-do-things-standWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerWTVR CBS News:  Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News:  New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/Alan Wade Wilmer, Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over MurderColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.

Michael sits down with media scholar Dr. Joseph Turow to discuss his new book, "The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age." Their conversation explores how AI, advertisers, and tech platforms are reshaping not only our privacy, but our perception of the world. Turow explains how hyper-personalized media and marketing could erode the shared experiences that hold society together, creating increasingly isolated digital realities. It's a thought-provoking discussion about the hidden costs of convenience, surveillance, and the future of public discourse. Original air date 20 July 2026. The book was published on 11 June 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Books have been both a refuge and a source of inspiration. And they can be so uplifting.” – Nicole Pope Today's featured award-winning author is a book coach, international journalist, editor, and ghostwriter, Nicole Pope. Nicole and I had a chat about her books, her unexpected journey from humanitarian work and foreign correspondence in Turkey to book coaching, the irreplaceable human element in writing amid the rise of AI, and more!Key Things You'll Learn:What led Nicole to unexpectedly become a journalistSome common traps to avoid when writing your bookWhy is incorporating storytelling and a human dimension into non-fiction importantWhat helps Nicole get her work done while still dealing with procrastinationNicole's Site: https://www.nicolepope.com/Nicole's Books: https://www.amazon.com/stores/author/B001KIW0RC/allbooksThe opening track is titled, “Unknown From M.E. | Sonic Adventure 2 ~ City Pop Remix” by Iridium Beats. To listen to and download the full track, click the following link. https://www.patreon.com/posts/sonic-adventure-136084016 Please support today's podcast to keep this content coming! CashApp: $DomBrightmonDonate on PayPal: @DBrightmonBuy Me a Coffee: https://www.buymeacoffee.com/dombrightmonGet Going North T-Shirts, Stickers, and More: https://www.teepublic.com/stores/dom-brightmonThe Going North Advancement Compass: https://a.co/d/bA9awotYou May Also Like…1038 – From Bulgaria to Publishing Success by Finding Your Unique Voice with Katerina Stoykova (@Katya_Stoykova): https://www.goingnorthpodcast.com/ep-1038-from-bulgaria-to-publishing-success-by-finding-your-unique-voice-with-katerina-stoykova/896 – From Mind to Manuscript with Maggie Mills (@takemaggiesword): https://www.goingnorthpodcast.com/ep-896-from-mind-to-manuscript-with-maggie-mills-takemaggiesword/1071 – Self-Publishing Tips for A Successful Author Career with Wiebke Tasch (@Wiebke_Tasch): https://www.goingnorthpodcast.com/ep-1071-self-publishing-tips-for-a-successful-author-career-with-wiebke-tasch-wiebke_tasch/781 – Laughter, Learning, and Liberating Yourself Through Memoir Writing with Alison Wearing: https://www.goingnorthpodcast.com/ep-781-laughter-learning-and-liberating-yourself-through-memoir-writing-with-alison-wearing/778 – How High Value Writing Can Transform Your Workplace Communication with Erin Lebacqz (@ErinLebacqz): https://www.goingnorthpodcast.com/ep-778-how-high-value-writing-can-transform-your-workplace-communication-with-erin-lebacqz-erin/670 – The Bestselling Book Formula with Honorée Corder (@Honoree): https://www.goingnorthpodcast.com/ep-670-the-bestselling-book-formula-with-honoree-corder-honoree/856 – The Bestselling Planner Pivot with Dr. Nicole Janz (@drnicolejanz): https://www.goingnorthpodcast.com/ep-856-the-bestselling-planner-pivot-with-dr-nicole-janz-drnicolejanz/#Bonus Ep. – From Idea to Finished Manuscript with Chandler Bolt (@self_pub_school): https://www.goingnorthpodcast.com/bonus-ep-from-idea-to-finished-manuscript-with-chandler-bolt-self_pub_school/752 – The Speaker's Edge with Ken Lizotte (@kenlizotte): https://www.goingnorthpodcast.com/ep-752-the-speakers-edge-with-ken-lizotte-kenlizotte/#BaltimoreAuthor Bonus Ep. - Navigating Contracts, Marketing, and Creative Growth with Jean Burgess, PhD: https://www.goingnorthpodcast.com/baltimoreauthor-bonus-ep-navigating-contracts-marketing-and-creative-growth-with-jean-burgess/712 – When Your Heart Says to Leave a Legacy with Bridget Cook-Burch: https://www.goingnorthpodcast.com/ep-712-when-your-heart-says-to-leave-a-legacy-with-bridget-cook-burch-inspiritwriter/942 – Breathe. Write. Breathe. with Lisa Tener (@LisaTener): https://www.goingnorthpodcast.com/ep-942-breathe-write-breathe-with-lisa-tener-lisatener/920 – The Surprisingly Simple Art of Getting It Done with Sam Bennett (@realsambennett): https://www.goingnorthpodcast.com/ep-920-the-surprisingly-simple-art-of-getting-it-done-with-sam-bennett-realsambennett/

[REBROADCAST FROM February, 2021] We present the full conversation of an important installment of our Full Bio series. In 2021, historian David Blight shared stories and insights from his book, Frederick Douglass: Prophet of Freedom, which won the 2018 Pulitzer Prize for History.  Cover art courtesy of the publisher Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Michael speaks with neuroscientist and educator Dr. Jared Horvath about his provocative book, "The Digital Delusion:How Classroom Technology Harms Our Kids' Learning–and How to Help Them Thrive Again." Drawing on cognitive science and classroom data, Horvath argues that the widespread use of laptops, tablets, and other digital devices in schools is harming students' ability to learn, remember, and think critically. They explore why reading on paper still matters, the decline in cognitive performance among younger generations, and whether it's time to put the screens away and bring pencils back to the classroom. Original air date 16 July 2026. Book Publish Date 18 August 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

[REBROADCAST FROM January 26, 2026] On January 28, 1986, a frigid cold day with an icy blue sky, the Space Shuttle Challenger exploded just 73 seconds after launching from Cape Canaveral, Florida. The accident killed all seven crew members aboard and was the first fatal in-flight spacecraft disaster in NASA's history. For many, the explosion came as an absolute shock. Millions of people were watching live, including school children who were especially eager to catch a glimpse of Christa McAuliffe, a teacher from New Hampshire and the first civilian in space. On this episode, we remember the Challenger tragedy with author Adam Higginbotham who details what went wrong and the aftermath in his book, Challenger: A True Story of Heroism and Disaster on the Edge of Space. Photo by Corbis/VCG via Getty Images: A thick cloud of engine exhaust, solid rocket booster plume, and expanding gas fill the sky above the Kennedy Space Center in Florida after the explosion of the space shuttle Challenger, which claimed the lives of seven crew members, including that of Christa McAuliffe, a teacher and the first civilian shuttle crew member. January 28, 1986.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

[REBROADCAST FROM May 11, 2026] 30 years ago, a deadly blizzard on Mount Everest claimed the lives of eight climbers. Among the surviving members of the expedition was journalist Jon Krakauer, who was covering it for Outside Magazine. His book about the experience, Into Thin Air, became a hit. But 30 years later, what has changed about the experience of climbing the highest peak in the world? Jon Krakauer discusses the new 30th anniversary edition of Into Thin Air.   Photo by John Storey/Getty Images: Author Jon Krakauer in a park. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Shoutout to listener Irena for inspiring this week's episode, all about the challenges of going from academic writing to transformational nonfiction. Mike and AJ discuss how to focus on the reader more and why the shift is so hard for those in academic writing. They give solutions on how academics can become more comfortable with writing for their readers. Be sure to visit https://dwtbpodcast.com for more information and add your name to start receiving their newsletter. If you'd like to support this show, rate, subscribe, and leave a review on your podcast app. Books/Resources Mentioned: Page Two Simplified Connect with AJ & Mike: AJ Harper, website  Write A Must-Read   Free resources AJ's Socials: Facebook LinkedIn Mike Michalowicz, website All books   Mike's Socials:  IG FB LinkedIn

Fells Point: A Novel – William Loving – Rare Bird Books – Hardcover – 9781644285558 – 240 pages – $28.00 – June 9, 2026 – ebook available at lower prices Fells Point is a bit of a noirish, bit of a postmodernish novel set in modern day Baltimore. In all honesty, I was surprised by […] The post William Loving: Fells Point: A Novel first appeared on WritersCast.

A decade ago, ISIS was the leading story for every news organization in the Western world, especially after its attack on the seafront at Nice on July 14, 2016. Having emerged in Iraq, two years earlier ISIS had declared a global caliphate. Through the clever deployment of digital media that claim attracted followers from around the world. But ISIS accompanied its headline attacks in Europe with the murder of much larger numbers of ordinary Muslims, declared infidels for disagreeing with ISIS's fringe interpretation of Islam. In this episode, we investigate that interpretation. And by looking at the beliefs of the people drawn to its radical message, we see how ISIS's teachings took shape and gained traction among isolated individuals far and wide.  Nile Green talks to Graeme Wood, The Way of the Strangers: Encounters with the Islamic State (Random House, 2017), a Foreign Affairs “Best Book of the Year” and won the Canadian Governor General's Award for Non-Fiction.

Tad Devine, chief strategist for Bernie Sanders' 2016 presidential campaign, joins Michael Smerconish to discuss his book, "How the Democrats Screwed Bernie." Devine argues that the Democratic establishment tilted the primary process against Sanders, examines the role of superdelegates and party leadership, and explains why he believes Bernie could have defeated Donald Trump. It's a candid conversation about the Democratic Party's past, present, and the lessons it must learn before the next presidential race. Original air date 13 July 2026. The book was published on 7 July 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Now the author of two books and many articles in major publications, Eva Holland was just getting started in 2012. That's when she was offered a 10-month back-fill position with Up Here magazine. “It was the break I was waiting for,” she says, “and I spent those months in an informal feature-writing boot-camp.”In this episode, Eva chats with The YUKON Magazine's co-publisher, Tammo Walter, about her evolution as a northern writer and what it means to “write the North.” She then reads a timeless story titled “I Found the Sweet Life,” which chronicles a week she spent among Skagway's seasonal workers during her “boot-camp” era more than a decade ago. Originally published in Up Here, this piece also appears in Eva's collection No Sleep ‘Til Fairbanks."This story,” she explains, “was my first foray into the sort of immersive first-person reporting that would become my trademark.”The rest is history.CREDITSInterview by Tammo WalterReading by Eva HollandMixed and edited by Mark KoepkeIntro/outro music and stings by Major FunkOther music:acoustic primitive guitar open C by yunclas -- License: Creative Commons 0MORE FROM THIS SERIES((Poetry)) by Peter Jickling((Theatre)) by Larrikin Entertainment((Radio)) by JAM Live!((Music)) by the august arrival((Fiction)) by Nadine Sander-Green((Moosic)) by Cows Go Moo((Music)) by The Lucky OnesSend us Fan MailCONNECT WITH USSend a text or voicemail Website: theyukonmagazine.comInstagram: @the.yukon.magazineFacebook: @TheYukonMagazineLinkedIn: @theyukonmagazineEmail: podcast@theyukonmagazine.comSUBSCRIBE TO THE MAGAZINESubscribe for yourself or as a gift for that special person who needs a little more Yukon in their life. Four issues every year, delivered right to your door.

Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview WriterCon keynote speaker William Martin, the New York Times-bestselling author of twelve novels, a PBS documentary, book reviews, magazine articles, and a cult-classic horror movie. His most recent book is December '41, which Steve Berry (who has also keynoted at WriterCon), called “Another masterpiece from a master, and that's exactly what William Martin is.”0:00 Opening ThoughtsUpdates on the Commonwealth Prize controversy—and WriterCon '26!5:11 News1) Self-Published Book Sells Over 2.5 Million Copies!2) AI Stories Favor Elias Thorne and Lighthouses16:53 Craft CornerChristina Kaye discusses how to treat your books like a business, not a hobby20:17 Interview with William Martin49:46 Parting WordsBill's book The Superman Wars is about a writer, just like you, and the struggles he suffered are still with us today. Jerry Siegel, the kid who came up with the idea for Superman, was the first American writer to sue his publishers, and many other writers now benefit from what became the most important creator-rights battle of modern times.WriterCon is September 4-7, in Oklahoma City at the historic and haunted Skirvin Hilton. Lara and I will be there, plus Jesse, plus William Martin, plus about sixty other writers, agents, publishers, and people connected to the publishing industry. You can review the schedule on our website, www.writercon.com.If you haven't joined the WriterCon Facebook Group yet, do it today and join this wonderful community of writers. Click here!Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.com www.writercon.com

Michael Smerconish sits down with veteran pollster Douglas Schoen and political strategist Carly Cooperman to discuss their book, "America: Unite or Die: How to Save Our Democracy." They examine the growing political polarization threatening America's democratic institutions, debate the responsibilities of both the left and the right, and outline practical reforms—including ranked-choice voting, redistricting changes, and empowering political moderates—that they believe can help restore trust, compromise, and national unity. Original air date 25 October 2021. The book was published on 2 November 2021. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome, writers and book lovers. The Bleeders is a podcast about book writing and publishing. Make sure you subscribe to the companion Substack: https://thebleeders.substack.com/welcomeToday's guest is author, writing coach, and sobriety expert Tawny Lara, the author of Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze.In this episode, Tawny pulls back the curtain on her publishing journey—from blogging and viral essays to finding an agent, switching from memoir to more journalistic nonfiction, completely rewriting her proposal, and ultimately selling her book. We get into querying, indie publishing vs. the Big Five, advances, audiobooks, and DIY book publicity. She also shares why every writer needs a newsletter, how she built an effective Substack strategy, the publicity tactics that landed her major media coverage, and why tapping into your existing network is often more powerful than chasing social media algorithms.Plus, Tawny explains how she sold a sobriety card deck to Penguin Random House, why rejection is an essential part of every publishing career, and the simple writing advice that transformed her creative practice.Subscribe to Tawny's Substack Beyond Liquid Courage. Follow her on Instagram @tawnymlara, and buy your copy of Dry Humping on Bookshop.org, Amazon, or wherever books are sold!Get your copy of Courtney's debut memoir Girl Gone Wild from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The Bleeders is hosted by Courtney Kocak. Follow her on Instagram @courtneykocak and Bluesky @courtneykocak.bsky.social. For more, check out her website courtneykocak.com.Courtney is teaching some upcoming classes you might be interested in:Midsummer Pitch Party: https://www.courtneykocak.com/store/midsummerpitchpartySo You Want to Start a Podcast?: https://writingworkshops.com/products/start-podcast-workshop-courtney-kocakEdit & Elevate: Revision Intensive: https://writingworkshops.com/products/edit-elevate-revision-intensive-zoom-seminar-with-courtney-kocakThe Multi-Passionate Writer's Life: https://writingworkshops.com/products/the-multi-passionate-writers-life-zoom-seminar-with-courtney-kocak12 Months to a Full Memoir in Essays Incubator: Write Your Memoir in a Year: https://writingworkshops.com/products/memoir-in-essays-incubator-nonfiction-writing-workshop-online-june-2026How to Build a “Platform” for Writers Who Shudder at the Thought: https://writingworkshops.com/products/how-to-build-a-platform-for-writers-who-shudder-at-the-thought-zoom-seminarStart a Newsletter to Supercharge Your Platform, Network and Business: https://writingworkshops.com/products/start-a-newsletter-to-supercharge-your-platform-network-business-zoom-seminarLand Big Bylines by Writing for Columns: https://writingworkshops.com/products/land-big-bylines-by-writing-for-columns-zoom-seminar

The Miles of Books Non-Fiction Debut Episode originally dropped on April 22, 2025.This debut episode is ideal listening for all athletes, especially ones in a pursuit of increased athletic enjoyment and success. Along with host Sarah Bowen Shea, Coach Liz Waterstraat does a deep dive into the new book Me, But Better: The Science and Promise of Personality Change by Olga Khazan. Among other things, Coach Liz discusses the importance of openness during a race; how conscientiousness can help runners succeed in training; and why being more outgoing might deepen your connection to running. (As promised, here's Coach Liz on Goodreads.)Other books Coach Liz recommends:How to Change: The Science of Getting from Where You Are to Where You Want to Be: Katy MilkmanFour Thousand Weeks: Oliver BurkemanUnwinding Anxiety: Judson BrewerThe Miles of Books Debut Fiction Episode originally dropped on May 6, 2025.Fiction lovers will delight in this first novel-filled episode of our new biweekly [now weekly!] podcast. In a lively conversation, Ellison Weist talks up these four books with host Sarah Bowen Shea:The Fisherman's Gift: Julia R. KellyTilt: Emma PatteeMurder at Gulls Nest: Jess KiddI See You've Called in Dead: John KenneyOther books Ellison is looking forward to reading:33 Place Brugmann: Alice AustenA Gentleman's Gentleman: T J AlexanderFeisty Fest: Join us from September 18-20, 2026 - https://feisty.co/events/feisty-fest/Follow us on Instagram: https://www.instagram.com/themotherrunner/Cozy Earth: Use code: AMR to receive 20% off at https://cozyearth.com/Hettas: Use code STAYFEISTY for 20% off at https://hettas.com/Momentous: Use code AMR for up to 35% off your first order at https://www.livemomentous.com/Currex: Use code AMR15 for 15% off at https://currex.com/Tifosi Optics: Use code FEISTY2026 for 20% off at https://tifosioptics.com/ PLUS: Register to win a Free Pair of Sunglasses: https://feistymedia.activehosted.com/f/121

Welcome back for a new season! Marlon and Jake catch up on what they've been reading, writing, and working on, including Marlon's new novel, and explore the books they return to when it's time to create. They discuss the stories that inspire rather than intimidate, the surprising value of giving up on a book, and the writers they revisit to clear the cobwebs from their minds. Tune in to hear how reading shapes their creative process, from finding the right voice to discovering what makes great dialogue. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. “A Trifle from Life” by Anton Chekhov Three Sisters by Anton Chekhov The Cherry Orchard by Anton Chekhov “Hills Like White Elephants” by Ernest Hemingway The House at Pooh Corner by A. A. Milne War Music by Christopher Logue The Odyssey by Homer The Oresteia by Aeschylus Letters from a Stoic by Seneca Maurice by E. M. Forster Ernesto by Umberto Saba Memoirs of Hadrian by Marguerite Yourcenar New Hampshire by Robert Frost In Parenthesis by David Jones Civil War by Lucan

 "Mind Over Murder" hosts Bill Thomas and Kristin Dilley and their listeners review what books they are reading, podcasts they are listening to, and TV shows they are watching in Summer 2026, not just true crime but all genres.  This is Part 1 of 2 Episodes.National Center for Victims of Crime (NCVC):  https://victimsofcrime.org/CrimeCon CLUE Awards Unveil 2026 Winners:https://podnews.net/press-release/crimecon-clue-winners-2026CrimeCon Clue Awards 2026:https://www.clueawards.com/NBC: FBI Norfolk field office links deceased suspect to additional Colonial Parkway Murders In January 2026, the FBI announced Alan Wade Wilmer Sr. is responsible for the 1986 Virginia murders of Cathleen Thomas and Rebecca Dowski.https://www.nbcnews.com/dateline/cold-case-spotlight/colonial-parkway-murders-cathleen-thomas-rebecca-dowski-resolved-rcna255097American Detective TV series: Colonial Parkway Murders:https://www.youtube.com/watch?v=Fp3rNRZnL0EWashingtonian: A Murder on the Rappahannock River:https://www.washingtonian.com/2019/06/27/murder-on-the-rappahannock-river-emerson-stevens-mary-harding-innocence-project/WTKR News 3: One year after development in Colonial Parkway Murders, where do things stand?https://www.wtkr.com/news/in-the-community/historic-triangle/one-year-after-development-in-colonial-parkway-murders-where-do-things-standWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerWTVR CBS News:  Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News:  New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/Alan Wade Wilmer, Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over MurderColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.

In this 2018 conversation, Michael sits down with journalist Salena Zito to discuss "The Great Revolt: Inside the Populist Coalition Reshaping American Politics", her bestselling book exploring the voters who propelled Donald Trump to the White House. Zito explains the seven voter archetypes she identified across key Rust Belt states, why so many political analysts misunderstood Trump's coalition, and what the 2016 election revealed about populism, localism, and the growing disconnect between America's political class and its voters. Recorded during Trump's first term, this conversation offers a fascinating snapshot of the political landscape at that pivotal moment. Original air date 9 May 2018. The book was published on 8 May 2018. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailBeth and Lisa welcome literary agent and debut author Alia Hanna Habib, whose book Take It From Me is a practical behind-the-scenes guide to getting a nonfiction book published. Alia represents acclaimed writers including Clint Smith and Nicole Hannah-Jones, was named one of New York Magazine's most powerful New Yorkers you've never heard of, and writes the Substack newsletter Delivery and Acceptance.WHAT IT'S REALLY LIKE TO BE A WRITER (WHEN YOU'RE ALSO AN AGENT)Alia shares what it was like to experience the writer's side of publishing for the first time — the anxiety of waiting for feedback, the obsessive inbox-checking, and the hard-won empathy for her own clients. Her takeaway: before you hit send on that panicked email to your agent, ask yourself — am I sending this because I need an answer, or to soothe my own anxiety? If it's the latter, wait.HOW THE BOOK CAME TO BEThe idea came during an afternoon nap. Alia was expanding a writing workshop for Stanford academics and realized there was no practical guide specifically about nonfiction publishing. She texted her colleague and friend Meredith Pafel Simonoff two paragraphs — and had a proposal within weeks. Writing the book took two years, complicated by divorce, loss, and the realities of doing it alongside a full-time career.THE NONFICTION LANDSCAPE RIGHT NOWWe're in an escapist moment. Romantasy, cozy mysteries, and rom-coms are dominating. In nonfiction, what's working is practical books that make your life better or give you hope. Alia also sees a coming wave of tech-critical books skeptical of our online lives. Her agenting philosophy: if something fascinates her, it'll fascinate readers. She doesn't chase headlines — nonfiction timelines are two-plus years, and you can't predict the news.CRAFT: WRITING A WINNING NONFICTION PROPOSALThe biggest mistake Alia sees is what she calls "death by PowerPoint" — leading with marketing bullet points instead of writing. Publishers are readers first. Her advice:Open with a scene in the voice of the book, not a summarySolve the "page 100 problem" — what's the engine that sustains 80,000 words?Keep marketing sections grounded in what you actually bring to the table — platform, expertise, existing audience. Publishers decide budgets and tours. Skip the hypotheticals.You're being judged on how you tell a story, not how great you are at bullet pointsWHAT ALIA IS LOOKING FOR RIGHT NOWBooks that provide guidance or reframe someone's life, historical true crime, and narrative nonfiction with a strong storytelling engine. Current projects include a Regency-era true crime story and My Jane Austen Breakup Album — a literary memoir about a man who lost his partner and his home and spent a year couch-surfing with his collected Jane Austen, reading her for romantic advice while navigating the gay dating scene in Manhattan.FIND ALIASubstack: Delivery and Acceptance Book: Take It From Me — available now wherever books are sold Support the show Visit the WebsiteFind Full Episodes on YouTube!Writers with Wrinkles Link Tree for socials and more!

Marine Corps veteran and social entrepreneur Rye Barcott joins Michael to talk about his new book "Courage Can Save Us: Ten Extraordinary Americans and the Fight for Our Future." Hear them discuss why courage, service, and principled leadership are more important than ever. Drawing on the stories of ten veterans who have put country before party, Barcott explains how military service fosters bipartisan cooperation, why veterans are often more effective lawmakers, and what America can learn from leaders willing to put the common good first. A thoughtful conversation about courage, polarization, and the future of American democracy. Original air date 30 June 2026. The book was published on 9 June 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

How do you write about the most painful experiences of your life without being overwhelmed by them? How can timed writing and a braided story help you untangle your hardest stories? With Nicole Walker. In the intro, Self-Publishing Pop Up Books [Self-Publishing with ALLi]; New in KU [BookBub]; The solar sail theory of indie publishing [ProductiveIndieFictionWriter]; Bones of the Deep; Selfie Awards Shortlist 2026. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing helps us understand “the puzzles of the universe” — and when to trust that intuition The braided essay: alternating between trauma and an everyday obsession to unlock the hard stuff How two-minute timed writing lets you go deep and then safely step back Rooting pain in the body, using the senses, scene, and dialogue instead of words like “trauma” Truth in memoir, big T versus little t, and the emerging genre of speculative nonfiction What actually sells books: pairing up on book tour and getting readers back out into the world You can find Nicole and NikWalk.com. Transcript of the interview with Nicole Walker Jo: Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. So welcome to the show, Nicole. Nicole: Hi, Joanna. It's so nice to be here. Jo: I've lots to talk about, but first up— Tell us a bit more about you and your journey into writing and publishing. Nicole: I was always a writer. As all writers say, I've been writing since I was five. I kept little journals and things like that, and I was on the high school literary magazine. I was an English major in college, but that was always tempered with some serious commitment to the sciences, to English literature, to German, to Spanish. I had a wide variety of interests, but there was always something that tugged at me about writing that made me feel like, this is where I feel most at home. This is the way I like to understand the puzzles of the universe. This is how I make sense of the world—through writing. So even though I got my BA in English at Reed College in Portland, Oregon, I stuck around Portland for a few years because I loved it. I worked for various non-profits, and that was great. At some point I said, “I really want to take this seriously.” So I went ahead and applied to graduate school, and ended up in the University of Utah's PhD programme, where I stayed for eight very lovely years. I always recommend to my own students: never graduate. Stay in graduate school forever, because it's such a beautiful place where people support your writing. You have professors who support it, but more importantly, you have your cohort. To this day, I have so many great friends. You make a lot of friends if you stick around for eight years. That sort of community-building is, I think, the other part of why I became a writer. Writing by myself is obviously a lonely business, and there's a lot of internal struggle that happens with that. I have found a literary community, both at the University of Utah and then growing from there, serving as president of the NonfictioNOW Conference, teaching my own graduate students, serving as the series editor for Crux, the imprint at the University of Georgia Press. I feel like my world has expanded because of my writing. So that's been a true gift. Jo: Oh, I love that. I love that you said you understand the puzzles of the universe through writing, and that this tugged at you. Could talk about that a bit more? Because a lot of listeners, I think, sometimes mistrust that feeling. They think, “Oh, maybe I shouldn't necessarily lean into that intuition.” It feels like you leaned very strongly into an intuition that this was the way. Nicole: Yes, and this book in particular, Writing the Hard Stuff, takes that to heart. I think about writing the hard stuff as writing all kinds of tricky things—things that are really hard to communicate. The book begins revolving around personal trauma. Things that happened in my childhood, as well as difficult subjects that happen to us when we're growing up. It also includes things like environmental issues and political issues: things that are really hard to talk about, that are philosophically difficult to express, that can be controversial, and that you can put people off by talking about. One of the goals of the book—one of my own philosophies—is that by looking deeply into the knotted ball of string that is a kind of trauma or a kind of difficulty, and beginning to pull those strings out, that's where you start to not only make meaning out of what happened to you, or what this particular problem is, but those strings themselves become connections. I talk about Donna Haraway's book Staying with the Trouble. It's primarily about how we can overcome our political differences regarding climate change, and one of her examples is to change the way we think about narrative. In Western thought, we often think there's a beginning, a middle, and an end, and she brings up the Navajo game that we all know as cat's cradle. So if you think of that ball of knots—your trauma, your difficult subject—you start pulling out the strings, and then you start playing with it. With cat's cradle, you make one design with your hands, and then a friend pulls it around and turns it into another design. To me, that's how reading and writing work. We share, and we build on each other's ideas, but we're always connected by those strings. So if you have this difficult subject and you're shying away from it, you're losing, I think, some of the opportunity to make connections and to make sense of what that nest of string sitting in your stomach actually is. Jo: I love that metaphor. I think it's brilliant. I've never heard it described that way, and I think it's fantastic. What's interesting is that some people don't have a mind's eye—I know several listeners who don't. So while in my mind I'm picturing the ball of string and then the cat's cradle, some people won't be able to do that, which is also fascinating in terms of how people's brains work. In terms of how you'd recommend people think about it: this ball of string that we want to turn into a design like a cat's cradle is a total mess. So where do we even start? How do we know where to start pulling on the threads? Because it might just feel like it's out of control. Nicole: Oh, I deeply appreciate both the idea that some people don't have that mind's eye, or just think differently. We all have different ways of imagining what we call our trauma, this nest of problems, this ball of string. Of course a metaphor does oversimplify in some ways. I say, “Well, you just take one of the ends of the string and start pulling.” But practically, what does that really mean to do? There are a couple of things I suggest in the book and offer at workshops. One is an exercise I call writing the braided essay. I ask the writer to sit down and think about a scene that was difficult in their life—something that had a lot of tension, that they're really still struggling with, that they don't love thinking about. I'm going to ask them to go there for just a couple of minutes. Then there's the other side of the braided essay: I ask them to think about something completely different, completely off-topic. Perhaps a walk they took in the aspen grove, or what they were making for dinner last night, or perhaps they're deeply invested in the networks of the blood in the human body—anything they're fascinated and obsessed with. I say, “Okay, I want you to write about your difficult subject for two minutes, but then I'm going to give you a break, and you're going to pop over and talk about how you spent all day weeding your garden, and yet there are still weeds.” Then I'm going to ask people to go back and talk about their difficult subject, and then go back and talk about their obsession with weeds. They write about each of these things for two minutes. What happens—which I think is a pretty compelling experiment, from my point of view and from theirs—is that they write back and forth, and they're able to take a break from the hard thing. They're also tempted to go back to it once they've had that break in their research. The other thing that happens—and, you know, every book in nonfiction has to have a colon, so of course it's called Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose—is that by going back and forth, you'll see the connections these writers make. They make connections with word choice, with verbs, with colours and different kinds of imagery. They start to make meaning between those two ideas. What happens to the writer then—and to me, when I'm doing it—is that I now have something that is constructed. So it's not just this knot in my stomach. It's not just my interest in research. Now I've put these things together, and then I get to play. We get to the cat's cradle part of the metaphor, where I really start thinking about craft issues. Why did I happen to bring these two ideas together? What might they have in common? What does it mean that I'm telling the story of my parents' divorce and my personal trauma, and in the research part I'm talking about weeds? Well, maybe I felt in the weeds. You come up with some sort of overarching understanding of why you chose that research story, and it lets you go deeper into that personal trauma, now with some of the techniques of craft, which I think help shield you from some of the trauma and pain of that original hard story. Jo: Again, I really love that idea. Do you also think the timed writing actually helps people go deep and then withdraw a bit, which psychologically may help them write about these difficult subjects? People are like, “I need to sit down for two hours and write about this deeply traumatic thing,” which of course feels like it's going to be too hard. So perhaps that two-minute process actually releases people from that. Nicole: Oh, absolutely. What a great way to think about it. It is prohibitive to sit down and think, “Okay, I'm going to go into the worst thing that ever happened to me and sit with it for two hours.” Going back and forth, you create energy and tension. But also, nobody wants to sit with something by themselves for two hours. If you think of research as your companion—”I'm coming in there with you, buddy”—you have something to rely on, this other side of the story, and it gives you that space. The timed writing, the two minutes, two minutes, two minutes, also reminds you that you don't have to write for two hours straight any day. I have a goal where I write 500 words a day, which is mostly true, unless I'm really in the weeds. We'll use two metaphors today: we'll use string, and now we'll be using weeds. But when I'm really in the weeds teaching, or going around the country talking about books, I really do write 500 words a day. I often try not to write too much more, because sometimes it loses freshness, and it can be overwhelming. So I really appreciate you saying that having that timed writing is important, but also that having that balance of deep emotional investigation with this more cerebral, informational crutch can really help you get into the subject and go deeper. Jo: Yes, and perhaps it anchors the writing in something concrete. Because with memoir particularly—having also written one—it can be too easy to lean on big words like “pain” or “trauma,” but that's actually meaningless in a book. So why is it so important to be specific and concrete in our writing in order to convey these bigger topics? Nicole: I think we know our own trauma. We know how it feels in our bodies, and we've been living with it for a long time. So it's pretty hard to communicate it to others. Why does it matter to other people? Of course it matters to you, but how are you going to convey the breadth of that trouble with words that aren't rooted in the physical world? The nice thing about rooting things in the physical world is that every one of us has a body. We have different bodies, but we share that in common. So it's the old trope of using your senses first. What did it feel like? If you can't think of what part of your body it particularly hurts in, you have the availability of metaphor to describe how that might have felt. You have the opportunity to create scene. This is particularly difficult for memoir writers, I think, because we imagine it's the fiction folks who have to use dialogue, who have to have a setting, who have to put their bodies in a place. Thatt's one of my mantras when I teach: we need to be able to see where you are. We need to see what is physically happening, how the interactions work. Dialogue, I think, is one of the best ways to literally get your body on the page—and to get your other characters, or subjects, on the page—because to speak, you have to have a body. Once you start having dialogue, you can picture the way the speaker's face moves, the way they cross their legs. You can even picture the colour of the paint behind them, or the kind of chair they're sitting in. So dialogue is one of the first ways you can say, “All right, I must have a scene here.” I can't go on just telling people, “It was so traumatic. I suffered so much. It was terrible. I felt so much pain.” You can say that sometimes, that's totally fair, but you have to pair it with that physical, concrete imagery, so other people can begin to understand what it felt like for you in your body, so they can feel it in their body. Jo: Interesting that you bring up dialogue because one of the issues with memoir is—I've had people compare it to truth with a small “t” and truth with a big “T.” So you're telling some kind of big truth about your life. If you're writing dialogue about something that actually happened to you, in memory, it's very unlikely that it actually happened in that way, so it's not necessarily small-“t” true. So on a practical note, what are your thoughts and tips on truth. How do we tell our own story even if others don't see it that way? Nicole: This is a subject I'm deeply invested in right now. When I first started teaching creative nonfiction, it was at the height of the John D'Agata and David Shields questions. What is truth? Big T, little t? What am I obligated to do as a creative nonfiction writer? I had a great friend, Angie Truong, who came to teach one of my classes, and she said, “Nonfiction is a pretty big spectrum. You have journalism on one end, and then you have the lyric essay on the other end.” You imagine the lyric essay is full of metaphors and things like that, so you can approach truth. You're saying, “This is what it felt like. This is what it seemed like.” Check out my newest favourite thing. It's called speculative nonfiction, and I use a little bit of this in my book How to Plant a Billion Trees, which Writing the Hard Stuff is somewhat based on. I wrote them in tandem, which was a very strange and interesting and fun thing to do. But in How to Plant a Billion Trees I use this thing called speculative nonfiction, which goes even further along the spectrum, past the lyric essay, to this opportunity to use language like “perhaps,” “maybe,” “I imagined.” So I have sections in my book where I can't remember the dialogue exactly, but I know that the dialogue in some sense matters—that what might have been said will do much more to convey what was happening than my exposition over the matter. By using those turns of phrase, you're alerting your reader: “Dear reader, this definitely is not exactly what happened, but this is how I recall it.” Then you're being not only honest to the story and honest to your reader, but you're also conveying the feeling and the mood of the event—that other kind of truth that memoir is really trying to get at. It was like this for me, which is why I think this way now. It's a fledgling genre. I just read a book by Laraine Herring called A Constellation of Ghosts: A Speculative Memoir with Ravens. It's brilliant. It's an amazing book that pairs her actual colonoscopy and discovery of colon cancer with the story of her dad, who has passed already and comes back as a raven and helps her through it. So you're pulling on some of the tools of fiction, which creative nonfiction already has been doing. But it does so in this bright and, I feel, incredibly ethical way. You're alerting your reader, “My dad is not really a raven.” But you're also saying, “Oh my gosh, I sensed he was with me. I sensed every time a raven approached that I had somebody's hand on my shoulder.” That, to me, has been a lot of fun—a much more imaginative way of creating some of those scenes than doing something like, “Well, I don't remember the dialogue.” Or, even worse—and we know people have been unethical in their approach—recreating the dialogue as if they'd had a tape recorder with them when they were 17 years old. Jo: Mm. Nicole: So I offer that as an option to your listeners, as something to experiment with. Allow yourself to have that imaginative opportunity to show the reader what it might have been like. Jo: I love that. It's interesting, you talk there about the spectrum of nonfiction, which is ridiculously big, as is fiction. Obviously these are very big. But I wonder if we do get hemmed in by genre. I love the idea of a speculative memoir. I'm going to have to go read that book because I can't even imagine what that really means. I feel hemmed in by my expectations of a memoir. But then, from a business and marketing perspective—because we're all trying to sell our books— Do we risk not meeting the expectations of a reader of a genre that way? Nicole: Right. One of the good and bad things about my literary career is that I've spanned a lot of genres. My PhD is actually in poetry. Nobody expects the full truth from poetry. One of my poetry professors once said she wrote this really sad poem about her father's death, and the audience was moved, and then her real father stood up and said, “Good job, daughter.” And someone in the audience was just shocked: “You just read a poem about your dead dad, and here he is!” We have absolute expectations of genre, and expectations of truth, in everything we read. If you label it fiction, you're kind of off the hook—even though, of course, fiction uses so many elements of nonfiction: so much research, so much information, so much personal memory to create those fantastic landscapes. So when I think about how one sells one's memoir, I do think you also have to acknowledge what you expect your audience to be. With Laraine Herring's A Constellation of Ghosts, by putting “colon, a speculative memoir,” you're alerting your reader to that possibility. And because it's a pretty far-out way of thinking right now, it probably does curtail some of the sales. On the other hand, think of memoirs that are written for celebrities, and how many of them are ghostwritten—or written with other people, where the ghostwriter's not even part of the thing—but it comes across as the most legit of all memoirs, because it's a celebrity and we know them. We associate their lives with their story, and their story must therefore be true. So I think, with all levels of creative nonfiction, it's incumbent upon the writer to suggest right off the bat what kind of nonfiction they're reading. Are they reading journalism? Are they reading lyric essays? Are they reading speculative nonfiction? I think a lot, too—as an editor for a literary series for nonfiction books—about what I look for in memoir. It's something that takes the personal story and connects it into the larger conversation. Even if the larger conversation is directly about what the main subject is about, to me it's still about the crux of the matter. Why does your story make an impact on the world in this bigger way? How do you let the world inform your story? How does your past and your trauma, or your difficulties, connect to a larger world? Jo: Mm. Nicole: To me, that's something some memoirs are capable of doing. Some memoirs are truly invested only in that personal story, which I think is totally legitimate too, because I love learning how people think. I love understanding. This is just how my brain works. But in terms of sales? I don't know. Again, as the series editor and as the seller of my own books, I think you can't determine it in advance. So you should probably write what you want to write, what feels right to you, using as many craft techniques as you can hone. But the market, to me, feels very non-negotiable. You never know exactly how things are going to turn out. So I deeply believe: write the best, most well-crafted book you can, and I do think your readers will find you. Jo: We'll come back to marketing in a minute, but just returning to your own writing practice. I've got your book page up in front of me, and you've written all kinds of things: your essays, your memoirs, some fiction, and some poetry, as you mentioned. So I wondered: when you're researching something, or you've got a feeling about wanting to write, how do you choose the type of book you turn it into—or a poem, or an essay? Or do you pitch it as some kind of external work, or turn it into a workshop? How do you turn an idea into what it will eventually be? Nicole: I love that question because it's somewhat of a mystery to me, but I think I'm getting close to understanding. It really is in those first few words, that first sentence, that I think, “Okay, I know which direction this is going.” For example, the other day I woke up in the morning and thought, “All right, I'm writing this poem about how man took over for God, and that's how the planet ended up being such a mess.” So I started writing it, and it was pretty lyrical at the beginning. But then I started making full sentences, and explaining things a little bit more, and I thought, “Okay, this is not a poem. It's going to be an essay.” When I start writing fiction, I pull on something a little further, a little more distant from my experience, and then I pull it back into something more character-driven. For example, in a novel I'm writing, I begin with this whole story about McDonald's and ravens, and then I pull it back into the character. If I were to diagram the sentences between a poem, the nonfiction, and the fiction, I think I'd see fundamental differences between the three. Jo: Do you work on multiple projects at the same time, or once you commit to something, is that what you finish? Personally, I have lots of little things happening, and then a moment comes and I commit to a book, and I won't stop until I've finished that book—the rest will have to wait. It's that decision moment. How does it work for you? Nicole: My process is pretty similar to yours. I have a number of ongoing projects, percolating here and there. Some days I'll think, “All right, today feels like a fiction day.” But for the most part, you're absolutely right. There's a bunch of little things I'm writing, or things I'm dabbling in, but once there's a critical mass—which I'd say is around 20,000 words or something—I'm all in, and I've got to focus on this project. Even though I think I can do whatever multitasking, really it's important to try to maintain some sort of through-line in whatever project I'm working on. If I do that with too many projects, I lose that through-line. I also worry sometimes that the projects start to sound too similar. So say I'm writing a nonfiction collection and a novel—if I go back and forth every other day, those sentence differences I'm talking about might start to collapse, and they become too similar. Then what the heck would I be writing? I don't even know. Jo: It's interesting because you span academic publishing and, I guess, trade publishing—whatever you want to call it—where more non-academics read books. I'm just finishing up a master's myself at the moment, and writing academic stuff is completely different to writing my other books. So when you're deciding on these books, are you aiming for a specific publication market—as in, you want an academic publisher, or you want a trade publisher? How do you think about publishing in the process? Nicole: As much as I once really wanted to find some ground as a scholarly and academic writer—and I really do love to write reviews of other people's books, and Writing the Hard Stuff is a textbook that relies tremendously on so many other people's books. That is really important to me because that goes back to how one both creates and thanks one's community for creating the literary world we live in—I feel like there's a smaller audience for that sort of academic writing. But it's something we should do. As generous as you are here, for example, reaching out to other people about other people's books is probably the kindest thing you can do. So I hope to continue to take time to do that and make it part of my repertoire. It's not as fun, I'd say, as the imaginative elements of writing creative nonfiction, or fiction, or poetry. That's when I really love to groove and get into that mode of, “Oh, the words are coming. Oh, I never thought about it that way.” With academic writing, I feel I sometimes write in a slightly more stilted voice. My friend Ander Monson, who teaches at the University of Arizona, has done a really great job of writing—whether it's his personal essays or his critical essays—where he maintains the same voice. He doesn't move into that super-formal academic speak. He'll literally say things like, “You know,” or, “That's a banger of a sentence,” in the middle of an academic essay, and I really admire him for that. I feel like maybe if academic writing were more receptive to people writing in their unique voices, then maybe more people would read it. Jo: Yes. One of the pieces of feedback on one of my earlier essays in my master's year was around my sentence structure—that it would be far more appropriate in a novel than in an academic essay. I was saying to my husband, “I can't believe this, but I'm just going to have to change my style.” It's very interesting. We're almost out of time, and I also wanted to ask you: you have a recent blog post on how to try to get your forthcoming book attention in 4,231 simple steps, which made me laugh. We all find book marketing a challenge, so what have you found works best for you? I should tell the listeners—there are not 4,000 steps in your blog post. Although I think people would want them. Nicole: Exactly. I stopped at 72, but I can go on. That was sort of the pre-publishing process. There have been so many great things that have happened, but a lot of them have been driven by me. I have a publicist, but he works on a lot of other books, and I have a marketing person at Bloomsbury. They have to juggle a lot. The only person who is really, really, really committed to your book is you. So I've written companion essays. I haven't had any luck publishing them, which hasn't been true in the past, so I wonder what's going on there. I'll write something for the Huffington Post or Newsweek that's tangentially related to my book. I also might just write too much in essay voice instead of popular-magazine voice. As we were just talking about, academic voice versus novelistic voice. So that might be part of the problem too. Reaching out to people who might invite me onto podcasts has been really rewarding, and very, very kind. I think the best thing I did was to put myself on book tour and to pair myself with someone in that community. I've gone on book tour before by myself, and there have been occasions where there were two to three people in the audience, which can be really disheartening. The problem wasn't so much the bookstore's fault or my book's fault—it's just that if you go to a bookstore in a town where nobody knows you, they're not going to put a lot of effort into making the date happen, unless you're super famous. So what I did was find somebody in a community—a friend of mine—who would go with me and be part of the conversation. Even if their book was a couple of years old, we'd still go and have a conversation about each of our books. This has worked tremendously well. People will come to see their friend, and then they'll be introduced to you, and they'll ask you questions and buy your book. You create new connections and new friends thanks to that friend and that place. So that's my number one recommendation for how to get the word out in the world. I also did all the social media stuff. It doesn't work as well as it used to. It's kind of a strange time. But because of my suggestion about going to bookstores with people you know… I think we're coming out of our COVID time, where we got so used to doing everything on our computers and just staying in our electronic universe. People are hungry to get out. So one thing I want to do, and haven't done yet, is throw a big party. Go to weird places where you don't even do readings—you just offer people snacks and a glass of wine and say, “Hey, here's a book if you want to buy it.” To have these more informal gatherings that bring people together because I do think there's a hankering for people to get out into the world again. Jo: And just on that—you've got these two books coming at the same time: How to Plant a Billion Trees, which is the memoir, and Writing the Hard Stuff, the how-to book for writers. When you do these events, are you choosing one or the other depending on the audience? Or are you selling both at the same time? Because they're obviously very different. Nicole: Yes, I'm definitely selling both at the same time. Although I probably push How to Plant a Billion Trees first, because most of the people I'm pairing with are also writers of nonfiction or memoir. The other thing is, I can talk about How to Plant a Billion Trees, and if people have a really deep question about, “Well, how did you write this section?” I can say, “Well, if you refer to this book, Writing the Hard Stuff, you'll see.” So it's an easier segue. I think people aren't used to going to book events for craft books. But in the interview world—where people are reviewing books or interviewing me—Writing the Hard Stuff has definitely been the primary book I've been approached to speak about because people really do want techniques. So it depends on the context as to which book gets the spotlight, but it's been really fun to be able to talk about both in tandem. I don't know if they're competing against each other or supporting each other. That's my hope, that people think, “Oh, I read this one book, I might as well read the other one.” But that's asking a lot of people, to buy two books, so I try not to overstate that hope. Jo: They are very different, and I love the idea of doing that. Absolutely. So where can people find you and your books online? Nicole: You can find me at my Substack, which is substack.nikwalk.com—N-I-K-W-A-L-K. Or my website, which is the same: nikwalk.com. I might just start going as Nik Walk in the world, so people can find me more easily. I also really love to support Bloomsbury. They have really good deals, especially on the audiobook for How to Plant a Billion Trees, and they also have good deals if you buy both books, you get free shipping. So Bloomsbury is probably the number one place to get the books, but of course they're also available on Bookshop.org and Amazon.com, and on Amazon in the UK as well. Jo: Brilliant. Well, thanks so much for your time, Nicole. That was great. Nicole: Oh, it was so fun to talk with you, Joanna. Thank you again so much for this opportunity.The post Writing The Hard Stuff: Turning Difficult Subjects Into Meaningful Prose With Nicole Walker first appeared on The Creative Penn.

In this special episode of The Folklore Podcast, recorded live on location at The Bookery, a community-owned bookshop in Crediton, Devon, host Mark Norman talks with BBC Radio 6 Music's Zakia Sewell about her book Finding Albion. Longlisted for the Women's Prize for Non-Fiction, the book is an exploration of British identity, folk culture and myth and grew out of a documentary series Zakia made for BBC Radio 4.Find Zakia online at www.zakiasewell.co.ukSupport The Folklore Podcast and join a community of like-minded others at www.patreon.com/thefolklorepodcast where there is plenty more free and paid content available.

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether it is legal to use real people's names in nonfiction, including the limits around copyright, defamation, and writing about deceased public figures. Other questions include: How much does it generally cost to have a 52,000-word fiction short story collection edited? Where can an author find a cover designer for their next book? What should an author do to make the most of a BookBub featured deal they've just been granted? Whatever happened to the golden age of author podcasts, and what would be the gold-standard listens for someone entering the industry today? Where should an author distribute a professionally recorded, author-narrated audiobook? What can ALLi do for a member whose KDP account was wrongly terminated for the stated reason of having multiple accounts? And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

This week Shannon and Robin are discussing LBGTQ-themed nonfiction. Titles mentioned include:Chris Belcher, Pretty BabyEthelene Whitmire, The Remarkable Life Of Reed Peggram: The Man Who Stared Down World War II In The Name Of LoveRuth Coker Burks & Kevin Carr O'Leary, All The Young Men: A Memoir Of Love, AIDS, And Chosen Family In The American SouthCaro De Robertis, So Many Stars: An Oral History Of Trans, Nonbinary, Genderqueer, and Two-Spirit People Of ColorNico Lang, American Teenager: How Trans Kids Are Surviving Hate And Finding Joy In A Turbulent EraBen Barres, The Autobiography Of A Transgender ScientistAshley C. Ford, Somebody's DaughterChristian Cooper, Better Living Through Birding: Notes From A Black Man In The Natural WorldYou can always contact the Book Bistro team by searching @BookBistroPodcast on facebook, or visiting:https://www.facebook.com/BookBistroPodcast/You can also send an email to:TheBookBistroPodcast@gmail.comFor more information on the podcast and the team behind it, please visit:https://podcasters.spotify.com/pod/show/book-bistro

Bestselling author William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Cristina LePort, a cardiologist and writer of medical thrillers, including Dissection, Change of Heart, and Defrosted. 0:00 Opening ThoughtsAI stories are winning awards??? Calgon, take me away...6:27 News1) Author/Murderer Sentenced to Life2) Human Authors Can Now Verify That They're Human14:50 Craft CornerLara Bernhardt Discusses the Value of Writing Contests19:26 Interview with Christina LePort37:57 Parting WordsOne more plug for Bill's new book, The Superman Wars. This book is about a writer, just like you. Jerry Siegel was the first American writer to sue his publisher, and many other writers now benefit from his fight. Learn more about the most important creator-rights battle in modern history.The WriterCon Retreat is at Canebrake Resort near Tulsa, July 15-19. Lauren Smith will be there, with John Wooley and agent Hunter Strickland. Come join us! www.writercon.com/retreat/The annual WriterCon Conference is September 4-7, in Oklahoma City at the historic Skirvin Hilton. Lara and I will be there, plus Jesse and about sixty other writers, agents, publishers, and others connected to the publishing industry. You can review the schedule on our website, www.writercon.com.

We sit down with Dr. Steven Thrasher to talk about his new book, The Overseer Class; how our police state today evolved from yesterday's slave plantations; and why Dr. Thrasher has been blacklisted from academia after defending his students at Northwestern University during the Palestine encampment movement in 2024. Guests:Steven W. Thrasher, PhD, is the author of The Overseer Class: A Manifesto and the award-winning book The Viral Underclass: The Human Toll When Inequality and Disease Collide, which was a New York Times's Paperback Row Editors' Pick, named one of the Best Nonfiction Books of 2022 by Kirkus Reviews, was longlisted for both the PEN/John Kenneth Galbraith Award for Nonfiction and the Carnegie Medal for Excellence in Nonfiction Literature, and won the 2023 POZ Award for Best in Literature. He is also the inaugural Daniel Renberg Chair for Social Justice in Reporting at the Medill School of Journalism and a faculty member of Northwestern University's Institute of Sexual and Gender Minority Health and Wellbeing. An internationally renowned scholar on race, gender, and infectious disease, Dr. Thrasher's writing has been published by the Guardian, Atlantic, New York Times, Scientific American, Literary Hub, and in many academic journals.Credits:Studio Production / Post-Production: David HebdenBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

A new book traces the influence of women on the American Revolution, from a Cherokee leader to a British spy. Author Denise Kieran discusses her new book Obstinate Daughters: The Rebels, Writers, and Renegade Women Who Ignited the American Revolution.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The BOB & TOM Show – June 10, 2026 6:00 AM Hour 6:00 – Orange barrels; Todd Yohn 6:03 – Chick out, Jeff in 6:07 – The Fugitive theme 6:12 – Search for John Wilkes Booth; movie discussion 6:14 – Jeff was next to a truck driver whose engine was on fire 6:15 – Tom: “I'm a big horn guy” 6:16 – Lean discussion 6:25 – Kristi did not want to die on the toilet during last night's storms 6:29 – Tom might have an electric rod on his house 6:31 – Jeff sits on the toilet backward for No. 1 6:32 – Tom discussed attractive women with very large feet 6:33 – Letter from a woman who wears size 12 shoes and is 6 feet tall 6:36 – Jeff's first wife was 6'2" 6:47 – Letter explaining why windshield cleaner smells bad; bird waste mentioned 6:48 – Letter: A good hose is not cheap 6:48 – Letter: Found colonoscopy pictures belonging to a friend's father 6:50 – Tom: If the elevator is not working, take the stairs 6:51 – Kristi discussed miniature horses delivering beer at a party 6:54 – Tom is a Mr. Potato Head fan 7:00 AM Hour 7:02 – Donating old socks to horses and donkeys 7:04 – Great Beaver Quest in Toronto 7:08 – World Cup fever may increase birth rates 7:21 – Letter: Listener puts socks on while standing like Tom, lost balance and fell 7:25 – Tom's morning routine 7:27 – Sports 7:27 – Fastest time to assemble a Mr. Potato Head 7:30 – Human tower greeted Pope Leo 7:36 – Porches designed to look like Toy Story characters 7:40 – Tom wondered whether a parody film was ever made about Johnny Appleseed 8:00 AM Hour 8:04 – Jeff's 9-year anniversary on the show 8:06 – Discussion of astronauts on the Artemis mission 8:08 – USA vs. Italy; NASA discussion 8:10 – Jeff wants to drive an Alfa Romeo 8:22 – Tom discussed a recipe for small beer 8:23 – “Island Rallies” with Josh and Jeff 8:28 – Kristi said cinnamon gets rid of ants 8:30 – Jeff has never gone commando 8:32 – Kristi discussed gym power plays 8:45 – Josh mocked Pat about paying taxes 8:47 – Today in History 8:49 – Parrot causing a disturbance at a funeral 9:00 AM Hour 9:05 – Nonfiction book sales are down 9:05 – In studio: Jessica Alsman 9:05 – Josh's big sneeze 9:14 – Lean discussion 9:22 – Zoom interview with Alli Breen 9:23 – New boyfriend deactivated one dating profile but remains on Tinder 9:25 – Boyfriend uses the nickname “Pickle” for multiple women 9:27 – Husband's friend is cheating on his wife and uses others as an alibi 9:33 – New boyfriend dropped his pants near an open door to urinate 9:35 – Josh and Tom exchange humorous comments 9:37 – Couple argued on a seven-day cruise; boyfriend later seen partying with other women 9:51 – Discussion about women and urination Learn more about your ad choices. Visit podcastchoices.com/adchoices