Podcasts about picasso

¿Te imaginas bañarte con un Picasso? En 1961, Picasso le regaló a Antonio El Bailarín un dibujo con su firma y este decidió plasmarlo en la piscina que se estaba construyendo en su nueva villa que sería lugar de paso de aristocracia y la jet set, y una de las mansiones más lujosas de Europa. Hemos hablado con la periodista Anabel Vázquez, autora del ensayo 'Piscinosofía: Tratado acuático y desordenado sobre piscinas reales e imaginadas", publicado en el año 2023. Como cada martes, Alejandro Pelayo se asoma al piano de la ser y, esta vez, habla de un lugar muy especial para la música conocido como 'Las piscinas'.

El pórtico 1) Paralizado: Hay siete cosas que pueden paralizarte la vida y me gustaría presentártelas: A) compararte: mirar la vida del otro te puede robar la tuya. Más bien, si quieres competir, compite con quien eras ayer;B) querer caerle bien a todos: porque, si tu paz depende de la aprobación externa, ya no es paz;C) apegarte a cosas temporales: recuerda que todo cambia y lo material hoy está y mañana no; D) vivir con rencor: el rencor no castiga al otro sino más bien te envenena a ti: E) rodearse de ruido: es soltar y saber buscar el espacio de cada uno. El silencio es claridad. Busca tu espacio y tu momento;F) querer controlarlo todo: cuando buscas controlar perdés el control, tu control. Solo controla lo que depende de vos;G) (lo que más te paraliza) la procrastinación: dejar para mañana las cosas. “Domina tu mente o tu mente te dominará a ti”.2) Agitado: La otra vez leía un libro que enseñaba la palabra “yutori” que en japonés significa “contemplar en silencio”. Vivimos agitados, estando de aquí para allá. Por vivir solo, en mi caso me di cuenta de que hasta no disfrutaba del almuerzo o cena, me sentaba a comer rápido y hasta comía con el celular en la mano, para contestar los mensajes. No ponía el mantel y casi que comía en la cocina misma, hasta me di cuenta de que ni siquiera disfrutaba de un sentarme a cenar o a almorzar. Por eso hoy, si compartías con tu familia, si almorzás con otros, trata de darte esa oportunidad de contemplar un buen almuerzo o una buena cena. Deja el celular de lado, poné la mesa, salí a caminar, contempla la naturaleza, implemente mira un rato en silencio a tus hijos dormidos. Sácate unos cambios de tu vida, para que tu vida tenga un cambio. 3) Levántate: Cuenta la historia que un hombre encontró a Picasso en una calle de Francia y le pidió que le hiciera un dibujo. Picasso tomó un papel y le hizo el dibujo y se lo entregó. El hombre le preguntó cuánto le debía y Picasso le dijo “10.000 dólares”. El hombre, asombrado, le dijo “Pero si tardó 10 minutos” y Picasso le dijo “No, tarde 40 años para dibujar así”. Es por ello que la gente siempre te medirá por los resultados de hoy, pero no ve tu sacrificio y tus luchas del ayer. Así que hoy levántate y seguí adelante luchando por tu vida y por tu historia. No dejes de seguir haciendo cosas por vos y por la vida. Perfecciónate en lo que hagas y seguí aprendiendo, seguí descubriendo, porque si no te esfuerzas por vos nadie lo va a hacer por ti. Este hombre del Evangelio estaba postrado y nadie lo ayudaba, solo Jesús. No esperes que otros te hagan caminar, más bien busca caminar con Jesús. Algo bueno está por venir.

Funaron exageradamente a La Rosalia? Se puede separar el arte del artista? Existe alguien queno tenga rabo de paja? Vean el episodio y respondan.Conoce nuestro patrocinante: Hora Track:https://horatrack.com?utm_source=youtube&utm_medium=banner&utm_campaign=nadia-mariaRecuerda que siempre puedes ayudar a este podcast ingresando a: https://patreon.com/lanadiamariaY Siempre puedes ayudar dejando tu comentario y calificando con 5 estrellas todos los episodios que te gusten.@lanadiamaria y @nadiamariapodcast en: instagram, tiktok, X y facebook.Dirección de Fotografía y video: Daniel “el cumanés” Aldamiz: https://www.instagram.com/aldamizcumanes_dpEdición: Joy Castañeda: https://instagram.com/enjoyvideo_ 

I've got lots of great deep tech house from Picasso, R1D1, Demuir, and more during The First 30 Mix…after that, it's your weekly recommended dosage of drum n bass with breakbeat and jungle from Amy Dabbs & ASC, plus liquid tunes from In:Most & GLXY…taking us to the virtual afterparty in my DISC 2 segment are Tilman and DJ Psychiatre! ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Episode: 1538 In which the various centuries show their faces.  Today, we ask what a century looks like.

From dinosaurs and acting class stories to jaw-dropping art revelations, Craig Carton and Chris McMonigle dive deep into the wild world of Picasso doodles, Banksy's secret sales, and Shakespeare conspiracy theories! Plus, they break down Geno Smith's one-year Jets future and hilarious fan calls. You won't believe some of these insane stories!

España no solo se puede contar a través de sus reyes, sus guerras o sus grandes fechas. También se puede contar a través de sus piedras, de sus colores, de sus templos, de sus palacios y de sus cuadros. Porque la historia del arte en nuestro país es, en realidad, una forma apasionante de recorrer nuestra propia memoria. Desde la oscuridad mágica de Altamira hasta la modernidad desafiante de Picasso o Gaudí, cada época dejó una huella que todavía hoy nos habla. Esta semana vamos a viajar por siglos de belleza, poder, fe, conflicto y creatividad para entender cómo el arte ha ido construyendo el alma visual de España. Un recorrido por cuevas, mezquitas, catedrales, monasterios, plazas, museos y obras inmortales que nos ayudará a descubrir no solo cómo fuimos, sino también por qué seguimos mirando nuestro pasado con asombro.

Let's kick things off with a bang, shall we? Eric G and John Dudley are diving deep into the world of DIY disasters, and trust me, they've got the golden nuggets you need to dodge those wallet-draining catastrophes. Right from the get-go, they're dishing out their best advice on steering clear of those cringe-worthy home improvement fails that can turn your dream project into a money pit faster than you can say “oops!” Whether you're a seasoned pro or just looking to spruce up your pad, they're here to help you avoid the pitfalls that even the most seasoned DIYers stumble into. With tales of unfortunate mishaps and wisecracks that'll keep you chuckling, this hour promises to be both enlightening and entertaining. So grab your paintbrush and let's get ready to make your home improvement journey a whole lot smoother! We've all been there, right? You dive into a DIY project, fueled by caffeine and Pinterest dreams, only to emerge with a masterpiece that looks more like a Picasso gone wrong. Well, fear not! Eric G and John Dudley are here to rescue us from our own creative catastrophes in this episode, where they break down the most common DIY blunders and how to dodge them like a pro. From choosing the right paint (because, seriously, who knew there were fifty shades of beige?) to avoiding those cringe-worthy color clashes, they spill the beans on all the insider tips you need to keep your home improvement dreams alive and well. Plus, they sprinkle in some laughs and clever quips that'll have you chuckling as you revamp your living space. So, grab your paintbrush and let's get to work – we promise it'll be less of a mess than last time! Navigating the minefield of DIY renovations can feel like a high-stakes game of Jenga, where one wrong move could topple your entire living room aesthetic. This week, Eric G and John Dudley dive headfirst into the world of home improvement blunders, chatting with Wendy Glaster about the common pitfalls that turn hopeful DIYers into frustrated homeowners. Picture this: you're all set to paint your living room a bold new color to shake off that winter gloom, but you stroll into your local paint store, armed with a Pinterest board full of ideas, only to be overwhelmed by a spectrum of options that would make even a rainbow blush. Wendy shares her expertise on how to choose the perfect hue without losing your mind or your wallet. Spoiler alert: it involves a lot more than just picking up the prettiest paint chip! From understanding undertones to avoiding the dreaded “apartment beige,” they break down the nuances of paint selections, ensuring you're not left staring at a wall that looks more like a mistake than a masterpiece. But wait, there's more! The conversation takes a delightful turn as they unravel the secrets behind professional painting techniques. Ever wondered why that DIY project didn't quite turn out as you imagined? It's all about the prep work (and boy, do we mean ALL about it!). Wendy's insights on how to properly prep surfaces before applying that dreamy paint color are invaluable. She provides tips that range from the best primers to use to ensuring your surface is ready to embrace that new shade. Trust us, you'll want to take notes, lest you fall victim to the dreaded peeling paint or uneven finishes. And if you think you can wing it with cheap paint, think again! As the episode wraps up, Eric and John engage in a bit of playful banter about their own painting disasters and triumphs. They highlight the importance of hiring professionals when it comes to extensive projects and how to manage expectations with contractors. With Wendy in the mix, you'll find yourself laughing and learning, all while gaining practical advice that could save you from future DIY headaches. So grab a paintbrush (or maybe just a notepad), and tune in to ensure your next home project is a smash hit rather than a DIY disaster!Takeaways:DIY paint projects can turn into major fiascoes if you don't prep properly. Trust me, I've seen it all!Choosing the right color is just the tip of the iceberg; lighting plays a huge role in how that color looks at home.Don't trust that 'paint and primer in one' nonsense; a good primer is crucial for a lasting finish.When it comes to paint sheen, matte is your friend unless you're going for that 'shiny plastic' look.Links referenced in this episode:aroundthehouseonline.comWe kick things off with a hearty chat about the wild world of DIY disasters, those cringe-worthy fails that have us shaking our heads and chuckling at the same time. Eric G and John Dudley dive into the nitty-gritty of home improvement blunders, sharing their sage advice on how to steer clear of costly mistakes. From roofers stacking shingles like they're playing a game of Jenga on a second-story deck, to electrical upgrades that look like they were done by a raccoon with a wire stripper, this episode is a goldmine of cautionary tales. Eric, with his design expertise, reminds us that planning is key. It's all about having a game plan, folks! No one wants to find out halfway through a kitchen remodel that they should have checked the plumbing first. The duo also emphasizes the importance of knowing when to call in the pros. DIY might be a fun weekend project, but there are some things—like electrical work or gas lines—where the handyman's toolkit just doesn't cut it. So grab your favorite beverage, sit back, and get ready to take notes on how to avoid those DIY pitfalls that could leave you with a hole in your wallet and a headache to boot!Takeaways:Planning ahead for your DIY projects is crucial to avoid costly mistakes later on.Always consult a professional when tackling complex tasks like electrical work to ensure safety.DIY fails often stem from not pulling necessary permits, leading to headaches down the line.Using materials that don't meet building codes can create serious issues, so always check before you buy.Remember that just because you can buy it, doesn't mean it's safe or legal to use in your home.Learn from social media DIY disasters, as they can be great cautionary tales for your own projects.Thanks for listening to Around the house if you want to hear more please subscribe so you get notified of the latest episode as it posts at https://around-the-house-with-e.captivate.fm/listenIf you want to join the Around the House Insider for access to the back catalog, Exclusive Content and a direct email to Eric G and access to the show early https://around-the-house-with-e.captivate.fm/support We love comments and we would love reviews on how this information has helped you on your house! Thanks for listening! For more information about the show head to https://aroundthehouseonline.com/Information given on the Around the House Show should not be considered construction or design advice for your specific project, nor is it intended to replace consulting at your home or jobsite by a building professional. The views and opinions expressed by those interviewed on the podcast are those of the guests and do not necessarily reflect the views and opinions of the Around the House Show.Mentioned in this episode:InstaBid: Stop losing jobs to slow estimates Turn 3 hours of manual estimating into 5 minutes. Real material prices. Real labor rates. Professional PDF quotes delivered instantly. Try it free at instabid.pro. Use code ATH50 for 50% off your first month. That's instabid.pro — code ATH50InstabidSubscribe to the podcast Make sure and Subscribe on your favorite podcast player or the link below! Podcast Subscribe 2026Check out our New YouTube channel @AroundtheHouse HQ Make sure you subscribe and RING THE BELL for our brand new channel with 4k content! Click the link to take you there! YouTube Around the House HQAround the House Top Products! Producer Jim shares an insider look at Eric G's hand-curated Top 10 products for 2026. From smart locks and app-controlled garage openers to precision tools and energy-saving water heaters, these are the game-changing items Eric personally recommends to make your home smarter, safer, and more efficient. Head to AroundTheHouseOnline.com/Top-Products to see the full list, click the product links for exclusive Amazon deals, and upgrade your home...

The Abyss Podcast - Issue 236: Bless Picasso It's Time for The Abyss Podcast Issue 236 back in VA for the return of Bless Picasso! This is a man who is never not working so there's plenty to catch up on with The Rillest In The Room like collaborating with certified legends 4th disciple and Nature or the next wave like Jamar Johnson, the uncompromising commitment to being every aspect of himself and the value of sharing authentic content, musically ending one chapter and preparing for what's next, showing love to the Virginia scene and more! Dave Proch came thru with the portrait, join Lukey, PrimoJAB and Karl for another episode from The Abyss! DON'T SLEEP TAP IN! IG- @the_abyss_podcast @skitgod_lukeycage @dr.hellmouth @primojab EMAIL- cftheabysspodcast@gmail.com

HT2556 - Knowing When to Move I think it was Picasso who said, "The trick in painting is knowing when to stop." I've adapted Picasso's thought for photograph. When out photographing, try to remind myself that the trick is knowing when to move on. I'm always tempted to move on immediately after I've pressed the shutter. I have it, so be done. If I can remember to resist this temptation, it's amazing how many times I find a better picture by being still, waiting a few moments, paying attention to the changes, and looking for the unexpected. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This week, we wrap up our amazing trip to Barcelona with a visit to the Picasso museum. And we introduce you to a Canadian who's making positive waves in British Columbia, Tod Maffin.

El audio transmite fatiga social y ansiedad por conflictos y tensiones, pero insta a la esperanza y al encuentro cristiano. El conflicto en Oriente Medio (Israel-Irán, con apoyo de EE. UU.) provoca estragos civiles y afecta a turistas españoles. El Papa León y el arzobispo Argüello (Conferencia Episcopal) urgen la paz. Argüello defiende la vida ante el aborto con base científica. En cultura, Burgos expone por primera vez obras de Picasso sobre sus raíces bíblicas. Paula Vega presenta "Mujeres Bíblicas", explorando la relevancia de estas figuras y sus conexiones con experiencias personales (endometriosis, adopción). Vega destaca su rol fundamental en la resurrección de Cristo y la perseverancia en la fe. El cine estrena "Las locas del Obelisco", film sobre las Hermanas Trinitarias que desde el siglo XIX acogen a víctimas de explotación sexual. La película subraya la vigencia de esta problemática (cientos de víctimas actuales) y la labor global de la congregación.

Eddie Pepitone joins us to talk about bathrobes, Greg Fitzsimmons, big butt Latina content, toasted skin syndrome, fish talk, his latest special The Collapse, his podcast Apocalypse Soon, Peter's graduation, my wanting to try ketamine therapy, peyote, Daniel's ongoing signature scent adventures, going to Milan for the olympics, Picasso, Tony's foot bath and more! Plus we did a round of JMOE, HGFY and Podcast Pals Product Picks. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collections

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collectionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

(00:00:29) Robert Menasses Novelle «Die Lebensentscheidung» rechnet mit Politik ab, geht aber vorallem um Beziehungen. (00:05:57) Delta-Blues-Ikone John Hammond gestorben. (00:07:13) Jess Jochimsen gewinnt Kabarett-Preis «Cornichon» 2026. (00:07:49) Berlinale: Intendantin Tricia Tuttle bleibt, Verhaltenskodex kommt. (00:08:42) Lausbubenverhältnis: Kirchner und Picasso in Ausstellung in Davos. (00:12:45) Städte bis zu 7 Grad wärmer: Wie Bodenversiegelung das Klima heizt und was dagegen getan wird. (00:17:26) Fleischkonsum besteuern? Das verhandelt das politische Theaterstück «Grand Conseil» in Neuenburg. (00:21:49) «Der Jahrestag» von Andreas Barjani: Eine erschütternde Kindheit als preisgekrönter Roman. (00:26:10) Blockbuster im Aargauer Kunsthaus: Die Ausstellung «Blumen für die Kunst».

In today's episode, a conversation with Francesca Wade, author of Gertrude Stein: An Afterlife, a biography as unconventional and surprising as the life it tells. 'Think of the Bible and Homer, think of Shakespeare and think of me,' wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding - and contested - writers of the twentieth century. In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso's portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography - a veritable celebrity. Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas's turn to tell the stories - especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein's radical writing and reveals new depths to the storied relationship which made it possible. This book truly shows Gertrude Stein as she was when nobody was watching: captivating, complex and human, and of particular note, it grants pertinent insight into her life with, and the life of, her companion Alice B. Toklas.  Enjoyed what you heard? Click here to purchase the book: https://www.readings.com.au/product/9780571369317/gertrude-stein--francesca-wade--2025--9780571369317

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collectionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The RPM Show Episode 22 Hosted by DJ DON PICASSO ft. SoundsByJosh from Jacksonville, FL! Please drive responsibly. REAL PLAYER MUSIC Follow SoundsByJosh https://soundcloud.com/soundsbyjoshp

Em 1964, uma artista publica um livro de memórias contando como foi viver ao lado de Pablo Picasso — o pintor mais famoso do século XX. O que parecia apenas um relato íntimo rapidamente se transforma em escândalo internacional, processos judiciais e uma nova forma de enxergar o artista por trás do mito.Neste episódio do Art Talks, acompanhamos a relação entre Picasso e Françoise Gilot e a sucessão de relacionamentos que atravessaram sua vida, conectando sua biografia às fases mais conhecidas de sua obra e levantando uma pergunta inevitável: é possível separar o gênio artístico da pessoa?‘História da Arte sem tédio' é uma série do Art Talks que conta bastidores, conflitos e histórias reais por trás de grandes nomes da arte. É a História da Arte contada de forma acessível, envolvente e sem linguagem acadêmica — para ouvir no dia a dia, mesmo sem ser especialista.Roteiro, produção e locução: Thais de Albuquerque @thais.de.albuquerque

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1980: Jeff Goins explores how history's greatest creators, from Picasso to Walt Disney, refused to be confined to a single craft, embracing new mediums to fuel lifelong growth. By challenging the modern pressure to specialize narrowly, he makes a compelling case for becoming a focused polymath who builds complementary skills over time. Discover how your past experiences, current interests, and willingness to pivot can shape a richer, more creative future. Read along with the original article(s) here: https://goinswriter.com/change-medium/ Quotes to ponder: "Sometimes, the way we get to our best work is by quitting something else." "The lesson? Our past can prepare us for our future, if we learn to embrace our present and never stop growing." "Don't be afraid to change mediums, keep trying new things."

Nous sommes le 15 octobre 1906, à Aix-en-Provence. Ce jour-là, Paul Cézanne s'effondre en pleine séance de travail, surpris par un violent orage alors qu'il peint en extérieur. Il va rester de longues heures sous la pluie. Trempé, fiévreux, il est finalement ramené chez lui par un passant qui le transporte dans une charrette. Alité mais toujours animé par sa passion du travail, il tente encore de peindre dans les jours qui suivent. Mais il meurt, une semaine plus tard, à l'âge de 67 ans, victime d'une pneumonie. Cézanne n'a jamais cessé de revenir aux paysages de son enfance. Peintre secret, il suit obstinément son propre chemin, loin des modes et des écoles. Il invente une nouvelle manière de peindre, résultat d'une construction lente, patiente, où les touches de couleur bâtissent les formes comme des pierres. La montagne Sainte Victoire est son motif fétiche, presque une obsession. Il l'a représentée sous toutes les lumières, comme s'il cherchait à en saisir la structure profonde. Ses natures mortes annoncent les révolutions artistiques du XXᵉ siècle. Picasso dira de lui : « … c'est le père de nous tous. » Longtemps rejeté par les Salons officiels, mal compris par le public, Cézanne ne connaîtra la reconnaissance que tardivement. Et pourtant, sans lui, ni le cubisme, ni le fauvisme ne seraient ce qu'ils sont. Cézanne est celui qui a su transformer la nature en architecture… Il est le père de l'Art moderne… Avec Anne Hustache, historienne de l'art. Sujets traités : Paul Cézanne, Aix-en-Provence, Sainte Victoire, Picasso, nature, moderne Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El conflicto en Oriente Medio se agrava con la unión de Estados Unidos, Israel y países árabes contra Irán, tras ataques que incluyen a Hezbolá. Europa apoya a los aliados, mientras la política exterior española genera dudas. La situación provoca graves consecuencias económicas globales: aumentan los precios del petróleo y gas, caen las bolsas y crece la inflación en España. La guerra afecta a miles de españoles, con turistas varados y comunidades iraníes en España preocupadas por sus familias. En el ámbito nacional, José Luis Rodríguez Zapatero comparece en el Senado defendiéndose de acusaciones por el rescate de Plus Ultra, y se investigan correos de Begoña Gómez. El Ayuntamiento de Madrid presenta un ambicioso plan urbanístico para La Broñigal. También se inaugura en Burgos una exposición de Picasso y se lanza una guía de empleo para personas con autismo.

Today we talk about current events.Also… last chance to order SIGNED Copies of Strange Company and the Wasteland Saga. Thank you.Strange Company Series and The Wasteland Saga Series are ready for ordering SIGNED copies. I do this at specific times because I need to order them in advance, as they are not always available. I'd jump on this if you want SIGNED copies for yourself, or, a gift for a special friend during the holidays or birthdays.These will be SIGNED Copies.I'll be SIGNING the Strange Company Books BUNDLE for $99.99 You get all 3 Books SIGNED for that price.TRIVA: These are beautiful books. The art on the covers is done by three of the most in-demand artists working in SciFi art today. Pascal Blanche (Dune Concept Artist) did Strange Company. Trent Kaniuga (Twilight Monk, Blizzard Diablo 3 Artist) did Voodoo Warfare. And Marc Lee (Coffee and Perspectives) did Hearts of Darkness. I think these are collectors' editions and I hope you take advantage of this offer. I wanted the best artists for the Strange Company, and I think the art adds to the story in an exceptionally satisfying way.I'll also be ordering copies of The Wasteland Saga.I'll be SIGNING The Wasteland Saga Series for $69.99. You get all 3 Books SIGNED for that price.TRIVIA: Artist M.S. Corley conceived and executed a very specific vision of the covers I wanted for The Wasteland Saga books. These were the third edition of the covers. The first, way back in 2011, was a cover I bought from an artist that was expensive for me at the time but didn't necessarily evoke what I wanted. Those were the early days of Indie pub and it was all I had the money for. It was kind of a take it or leave it deal. Then I sold the series to Harper Collins and they basically did a photoshop hack job for the covers. When I finally recovered the rights in 2019 I wanted to do something that evoked the Post-Apocalyptic Hemmingway nature of the books. I have a favorite sketch from Picasso. Don Quixote. I gave an image of the sketch to M.S. Corely and together we came up with covers that finally captured the series. Honestly… they are beautiful pieces of art and I love them even without the books. But that vintage feel they give to the covers of these books is very special to me and makes it feel like it was all worth it, and I am very pleased to offer them to you, SIGNED. These are keepers and I hope you cherish them as much as I do. -Nick This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit nickcole.substack.com/subscribe

How do we think about war? How do we imagine it, picture it and explain it? Adam Rutherford hosts Radio 4's discussion programme which starts the week, asking what we can learn about ourselves from our varied intellectual and cultural responses to conflict.Sir Lawrence Freedman is one of the world's leading scholars of warfare. In his new collection of essays, On Strategists and Strategy, he considers some of the key strategic thinkers of the last century and thoughts about the significance of political calculation, military tactics, organisational behaviour, character and psychology.A new exhibition opens in March at the Imperial War Museum, London titled Beauty and Destruction: Wartime London in Art. The curator Rebecca Newell explains what we learn from the ways in which artists recorded changes to the city during the Second World War in paintings, drawings and film.The Hôtel Lutetia, the grand hotel on Paris's Left Bank, has over the years drawn bohemians and great artists, including Matisse and Picasso. However, for a short period around the Second World War, the hotel was witness to significant events. Jane Rogoyska's new book Hotel Exile: Paris in the Shadow of War peoples the hotel with the intellectual and refugees gathering there in the 1930s, the men of the German military intelligence service who made it their headquarters and the deportees returning from concentration camps.Producer: Ruth Watts

We welcome Museum of Art and Light executive director Erin Dragado for a conversation about building a 21st century museum in Manhattan, Kansas and why audiences are responding. From Dean Mitchell's moving showcase to a U.S.-exclusive Picasso immersive, we explore art, tech, and community impact.• Origin story of the Museum of Art and Light• Erin's museum path from California and Chicago back to Kansas• Blending fine art, immersive storytelling and digital works• Why Web3 and generative art belong in museums• Dean Mitchell's career, themes and audience response• Creating an immersive narrative from 400 high‑res images• Exhibit timelines for Dean Mitchell and Picasso• Vsitor data, regional draw and economic impact• Partnerships with schools and arts education goals• Upcoming digital show Emulation with Art Blocks 500GMCFCFAs

Alicia Parente nos presenta tres planes para la semana: El Año Nuevo Chino por España, Ahora Ilusión en Zamora y la iniciativa 1 Picasso por 100 euros

Exploring the history of a monumental painting.

In Brienz/Brinzauls gilt wieder Phase grün, nach einer langen Evakuierungsphase. Unter der Rutschung in den vergangenen Jahren und Monaten haben auch die Strassen um Brienz gelitten. Es sind Sanierungsarbeiten und Neubauten nötig. Weitere Themen: · Fasnachts-Bilanz: Nach der Brandkatastrophe von Crans Montana galten an der Churer Fasnacht strengere Brandschutzmassnahmen. Die Fasnachtsvereinigung zieht ein positives Fazit. · Picasso und Kirchner: Das Kirchner Museum in Davos hat mit Pablo Picasso einen berühmten Gast und erkundet in einer neuen Ausstellung die Verbindung zwischen den beiden Künstlern.

Peter and Afua discuss the life of Gertrude Stein, an influential figure in the Parisian art and literature scene. They explore her relationships with artists like Picasso and her complex personality.Stay connected with LegacyFollow us for clips, behind-the-scenes stories, and new episode drops: Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.

The godmother of punk says she never had a choice when it came to being an artist — it was her calling from the moment she first laid eyes on a Picasso in a Philadelphia gallery. She talks about creating through loss, listening to omens and reliving her childhood, in new memoir Bread of Angels.

Episode Description: What's the most creative way you've ever sought revenge—or celebrated a birthday?

"Maestro" Rob Kellum makes some fine art with The Great PICASSO. Live, Thursday nights at 7:30PM ET on vocnation.com, it's WCW Retro! Join us as "Maestro" Rob Kellum is back, full time, in his capacity as host of WCW Retro! Rob talks about all things professional wrestling, including WWE, NXT, AEW, and … WCW! Plus, he takes your calls! Call into any live VOC Nation program by visiting callvoc.com. VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rick Beck's modern cast and carved figurative glass sculptures are inspired by industrial and architectural works as well as the human form, with an emphasis on formal aspects. Interested in playing the volumes of mass against the rhythm of the lines, Beck enjoys the interplay of the visual versus the verbal, creating art that challenges the eye as well as the mind. Beck states: "My wife, Valerie, got me a book about the competitive relationship between Picasso and Matisse. Their artistic dialogue about the figure has fired my imagination, especially the way they shared and borrowed images and ideas from one another, as well as from history and literature. Between this book and visits to the Art Institute of Chicago, I've been inspired by the use of shape, form, and mass to create something more universal than the literal subject." A studio artist who was based in Spruce Pine, North Carolina, for 30 years before moving to Hawaii in 2020, Beck began working in glass at Hastings College in Nebraska, where he received his BA. The artist received his MFA from Southern Illinois University, where he studied with Bill Boysen. He was awarded residencies at the Appalachian Center for Crafts 1989 to 1991, and in 1994 received a Visual Arts Fellowship from the North Carolina Arts Council, followed by a National Endowment for the Arts regional Visual Arts Fellowship from the Southern Arts Federation in 1995. A student of the Studio Glass movement, Beck has assisted at Pilchuck Glass School, assisting artists Curtiss Brock and Jan Mares, as well as at the Penland School of Craft.   Beck currently shares a studio with wife Valerie Thomas Beck in Hakalau, Hawaii. Valerie has been a designer and co-conspirator to Rick since 1984. Both artists have been artists-in-residence at Penland School of Crafts, North Carolina, (1991-94) and have also been instructors there. Their blown glass work consists mainly of vessels – canvasses for imagery based on dreams and experiences ranging from the sublime to the ridiculous. These vessels document their lives while providing beauty and pleasure. Since moving to the Big Island, Beck's challenge in making glass work is two-fold. First, to create work without using fossil fuels or adding to the demand for capacity on the electrical grid. Their new studio is powered by a solar/photo voltaic and battery system. Second, to create work that excites and challenges his concepts of art inside these new energy parameters. For him, formal aspects are crucial. Beck stretches and manipulates common shapes and objects, reducing the objects to pattern and geometry. Currently, he is producing work focusing on the geometry of life, plant, and human forms.  Beck's work will be on view in 2026 at Blue Print Gallery, Dallas, Texas, opening February 26; at Hidell Brooks Gallery, Charlotte, North Carolina, in May; at Blue Spiral 1 group show, Asheville, North Carolina; and at Ken Saunders, Chicago, Illinois. His work is also represented by Raven Gallery, Aspen, Colorado.    

March 6th is your day. This is the date that the changes to foreign buyers of expensive houses comes into play. This date, in a way, is like the LNG announcement. The idea of foreign buyers for houses isn't new. It's been part of the Government's plan ever since the Government became the Government. The LNG idea got floated in the winter of 2024, not long after the Government became the Government also. This proves one of two things - either it's hard work being in Government and things take longer than you think, or this lot aren't that flash at getting things done despite the rhetoric to the contrary. The foreign buyers rule is a righting of a horrible, myopic, narrow-minded wrong from the previous Government. House prices were never driven by Germans buying $15 million homes in Herne Bay, nor the Chinese buying $19 million homes in St Heliers. And Auckland is essentially where they were all bought. Queenstown has joined the party a bit lately. But the vast swathe of New Zealand never saw a mega purchase from a filthy, rich foreigner. Why it's important is we should see foreigners as good people who want to improve their lives, while improving ours via the improvement of the country. People who have money do things with it, like buy or build business, they invest, they grow, they employ and they pay tax. They bring knowledge and expertise and they, more often than not, fall in love with our piece of paradise and end up doing far more than they ever set out to do. I think a lot of Julian Robertson, an American who built lodges and golf courses here that bring in millions. He enhanced the place. And next time you're at the Auckland Art Gallery, go see one of his Picasso's. He gave them a fortune in art. What drives bans is envy, shallowness, fear and, often, stupidity. We have at last made it right. Yes, it will help the housing market, but more importantly it will help the country and this country needs to pull every trigger in its arsenal to fire it up. Nine years ago we were a place of pride and growth and global admiration. Labour 2017-23 destroyed that. March 6th is a small step back towards redemption and better days. LISTEN ABOVESee omnystudio.com/listener for privacy information.

On this episode of Roqe – Iran Rises, Jian is joined by Khosro Isfahani, Research Director at the National Union for Democracy in Iran, for a clear-eyed conversation about where the Iranian revolution stands right now, what intervention actually looks like, why the United States continues to negotiate with the Islamic Republic, and what may come next under Donald Trump. The episode then widens into a panel discussion with Picasso Moin in Istanbul and Kamyar Mahinsa in Vancouver, including Kamyar's reflections from the demonstration in Vancouver yesterday, the resilience of Iranians inside the country, growing distractions and infighting in the diaspora, and whether unity is holding at the moment it matters most. Jian opens Episode 414 with a moving essay - “When they arrest the doctors, the regime tells you what it is” - examining the moral meaning of a regime that punishes doctors and medical workers for helping wounded protesters. This episode of Roqe is brought to you with the support of Avoca Chocolates

If you've ever taken the time to create anything that's truly personal, you understand just how it feels like a piece of you. When it's released to the world, there's a vulnerability that can make or break your creative process with just one word. Picasso created a work that transformed the world of art and introduced that world to cubism. But it took nine years and an unapproved name change before it would ever be seen. Take a few moments to sit with a couple of artists as they walk through that creative journey with one of the most controversial paintings of the early 1900s.

durée : 00:59:54 - Les Nuits de France Culture - par : Philippe Garbit - À fin de la Seconde Guerre mondiale, les déportés rentrent chez eux. C'est ce retour qu'aborde l'émission "L'Histoire en direct" en 1988. Simone Veil, Pierre Daix, Germaine Tillion notamment racontent leur libération des camps et le retour en France. Un retour synonyme de sentiment d'exclusion. - réalisation : Virginie Mourthé - invités : Simone Veil Femme politique française; Pierre Daix Journaliste, critique d'art, écrivain, biographe et ami de Picasso; Germaine Tillion Ethnologue et résistante

Attaché à sculpter « l'essence des choses », Constantin Brancusi aura bouleversé l'art moderne grâce à ses formes épurées dont s'inspireront les designers du monde entier.Né en 1876 dans un petit village roumain, Brancusi quitte très jeune son foyer pour explorer le pays, avant de prendre la route de Paris, la capitale des arts.

The RPM Show Episode 21 Hosted by DJ DON PICASSO LIVE FROM ATLANTA, GA REAL PLAYER MUSIC. POWERED BY CHROME LABEL CHROMELABEL.WORLD

Shakur Stevenson didn't just win; he painted a "Picasso" in the ring. Shakur moves to 25-0 and becomes a four-division champ. His defensive "hit and don't get hit" philosophy completely neutralized Teofimo's aggression, leaving the former champ bloodied and frustrated.If you want to support, every little bit helps!We appreciate SuperChats, or you can donate:CashApp: $TheFormatPodcastVenmo: TheFormatPodcast

In this episode, we sit down with Walker Antonio, a Virginia-based Filipino-American painter whose work blurs the boundaries between the real and surreal, the physical and psychological. Working primarily on a large scale, Walker's process moves from energetic chaos to deliberate refinement—a philosophy that extends to his remarkable career trajectory. Just 18 months after graduating from Wofford College with his BA in Studio Art and Art History, Walker has built an impressive professional practice. He shares his unconventional journey from receiving the 2023 Whetsell Family Fellowship to spending 10 months at a ski resort in Germany, and how he quickly gained representation with three galleries upon returning stateside. We dive into Walker's evolving artistic practice—from large-scale figurative works exploring themes of environment and identity to experimental 6x6-inch pieces that challenge his understanding of composition. He opens up about the pivot points in his career, including creating 34 pieces in 10 days during the Foundation House Artist Residency and showing alongside Picasso and Basquiat at the Palm Beach Modern Contemporary Art Fair. As the first visual artist selected for the Kenan-Lewis Fellowship at Woodberry Forest School, Walker offers candid insights on balancing teaching, pursuing his MA in Fine Arts from Falmouth University, and managing the business side of art. He emphasizes the power of authentic networking over social media growth, the many hats artists must wear (accountant, marketer, graphic designer), and why he's chosen to avoid commissions to protect his creative vision. With solo exhibitions at Stevenson & Co. (Charleston, SC) and the Rhodes Art Center (Gill, MA) in 2025, plus upcoming shows at Sheridan Studios (Macon, GA) in February 2026 and the Baker Gallery (Woodberry Forest, VA) in November 2026, Walker's career is rapidly expanding. His work has been published in American Art Collector and Suboart Magazine, with forthcoming publication in the Penn Journal of Arts and Sciences. Whether you're an emerging artist or simply curious about the art world, Walker's perspective on treating Instagram as a living portfolio, his strategic approach to artist residencies (including his upcoming 2026 Elf School of the Arts Residency), and his commitment to "just keep going" will inspire you to pursue your creative path with intention and authenticity. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on the exploring art podcast, a panel of creative minds discuss what it means for art to be truly "timeless" through the guise of Pablo Picasso's masterpiece; "Les Demoiselles d'Avignon". As a team, they explain what led a proficient artist like Picasso to deviate from his normal painting style into a more crude and violent drawing like the Les Demoiselles d'Avignon. Along the way, conversations arise about why the painting was so negatively viewed upon its creation, and how through the passing of time, the people of Europe began to form an appreciation for it. Finally, the team begins to debate on what makes this art truly timeless and revolutionary, comparing it to other, more modern works and standards, finally ending on the conclusion that yes, this painting is timeless, revolutionary, and deserves to be remembered for generations to come. "Did I make you wait- Instrumental Version by Staffan Carlén"

For some collectors, art is about beauty, meaning, and power. For others, it's a convenient place to clean dirty money. Today, Nicole breaks down the hidden financial playbook behind the global art market, and why some billionaires treat paintings less like décor and more like offshore bank accounts. From subjective valuations and private appraisals to tax-free warehouses, art-backed loans, and regulatory gray zones, this episode walks through the exact five-step system the ultra-wealthy can use to store, grow, and sometimes quietly clean massive amounts of cash. You'll hear how a $5 million painting can magically become a $20 million asset on paper, why some of the world's most valuable art never leaves storage, and how auction houses legally facilitate transactions that banks never could. Then Nicole pulls it back to real life — what this reveals about how wealth actually moves, why valuation is often narrative-driven, and how everyday investors can borrow the thinking without needing a Picasso or a private jet. Check out Nicole's financial literacy course The Money School  Find a Financial Advisor or Financial Coach from Nicole's company Private Wealth Collective Watch video clips from the pod on Money Rehab's Instagram and Nicole Lapin's Instagram Here's what Nicole covers today: 00:00 Are You Ready for Some Money Rehab? 00:18 Art as an Investment 01:14 How the Wealthy Buy Art  02:18 Freeports and Tax Havens  03:20 Reappraisal and Inflating Art Value  04:46 Using Art as a Financial Tool  06:16 Money Laundering Through Art  07:16 Lessons for Everyday Investors  08:17 Investing in Art Without Millions  All investing involves the risk of loss, including loss of principal. This podcast is for informational purposes only and does not constitute financial, investment, or legal advice. Always do your own research and consult a licensed financial advisor before making any financial decisions or investments.

The Last Touch: Why AI Will Never Be an ArtistI had one of those conversations... the kind where you're nodding along, then suddenly stop because someone just articulated something you've been feeling but couldn't quite name.Andrea Isoni is a Chief AI Officer. He builds and delivers AI solutions for a living. And yet, sitting across from him (virtually, but still), I heard something I rarely hear from people deep in the AI industry: a clear, unromantic take on what this technology actually is — and what it isn't.His argument is elegant in its simplicity. Think about Michelangelo. We picture him alone with a chisel, carving David from marble. But that's not how it worked. Michelangelo ran a workshop. He had apprentices — skilled craftspeople who did the bulk of the work. The master would look at a semi-finished piece, decide what needed refinement, and add the final touch.That final touch is everything.Andrea draws the same line with chefs. A Michelin-starred kitchen isn't one person cooking. It's a team executing the chef's vision. But the chef decides what's on the menu. The chef check the dish before it leaves. The chef adds that last adjustment that transforms good into memorable.AI, in this framework, is the newest apprentice. It can do the bulk work. It can generate drafts, produce code, create images. But it cannot — and here's the key — provide that final touch. Because that touch comes from somewhere AI doesn't have access to: lived experience, suffering, joy, the accumulated weight of being human in a particular time and place.This matters beyond art. Andrea calls it the "hacker economy" — a future where AI handles the volume, but humans handle the value. Think about code generation. Yes, AI can write software. But code with a bug doesn't work. Period. Someone has to fix that last bug. And in a world where AI produces most of the code, the value of fixing that one critical bug increases exponentially. The work becomes rarer but more valuable. Less frequent, but essential.We went somewhere unexpected in our conversation — to electricity. What does AI "need"? Not food. Not warmth. Electricity. So if AI ever developed something like feelings, they wouldn't be tied to hunger or cold or human vulnerability. They'd be tied to power supply. The most important being to an AI wouldn't be a human — it would be whoever controls the electricity grid.That's not a being we can relate to. And that's the point.Andrea brought up Guernica. Picasso's masterpiece isn't just innovative in style — it captures something society was feeling in 1937, the horror of the Spanish Civil War. Great art does two things: it innovates, and it expresses something the collective needs expressed. AI might be able to generate the first. It cannot do the second. It doesn't know what we feel. It doesn't know what moment we're living through. It doesn't have that weight of context.The research community calls this "world models" — the attempt to give AI some built-in understanding of reality. A dog doesn't need to be taught to swim; it's born knowing. Humans have similar innate knowledge, layered with everything we learn from family, culture, experience. AI starts from zero. Every time.Andrea put it simply: AI contextualization today is close to zero.I left the conversation thinking about what we protect when we acknowledge AI's limits. Not anti-technology. Not fear. Just clarity. The "last touch" isn't a romantic notion — it's what makes something resonate. And that resonance comes from us.Stay curious. Subscribe to the podcast. And if you have thoughts, drop them in the comments — I actually read them.Marco CiappelliSubscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.> https://www.linkedin.com/newsletters/7079849705156870144/Marco Ciappelli: https://www.marcociappelli.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The guys respond to insightful audience comments on the brothers' MGM classic. Is the film actually more like their Paramount work than we give it credit for? Does the brothers' career trajectory resemble that of Picasso—or Elvis? And did Margaret Dumont actually land a joke? These and other truly life-altering questions are debated, dissected, and delightfully overthought.

In Episode 280 of Anecdotally Speaking, learn how an art dealer's unconventional strategy with Picasso offers lessons in decision-making, risk, and productivity. In this episode, … The post 280 – A Portfolio of Possibilities – Picasso and Kahnweiler appeared first on Anecdote.

The Enigmatic Journey of Morniel Mathaway: Art, Time Travel, and IdentityIn this episode of X Minus One, we delve into the intriguing story of Mourniel Mathaway, a painter whose journey from obscurity to fame is both fascinating and complex. The narrative begins with a vivid introduction, setting the stage for a tale that explores the nature of artistic genius and societal perception of talent. Mathaway, initially portrayed as a struggling artist, grapples with his self-identity and the weight of expectations as he is thrust into the limelight. The conversation reveals his insecurities and the paradox of being celebrated for work he feels is derivative, raising questions about authenticity in art and the role of critics in shaping an artist's legacy.As the story unfolds, we encounter a time traveler from the future, Gleskow, who brings news of Mathaway's immense fame and influence in the art world of 2487 A.D. This twist adds a layer of complexity, as Mathaway's struggle with his perceived lack of talent contrasts sharply with his future reputation. The dialogue between Mathaway and Gleskow highlights the tension between artistic aspiration and the harsh realities of creative expression, ultimately leading to a thought-provoking conclusion about the nature of genius and the impact of time on artistic legacy.In the realm of speculative fiction, few tales capture the imagination quite like the story of Morniel Mathaway. Initially an unremarkable painter, Mathaway's life takes a dramatic turn when he is visited by a future art scholar who reveals his impending fame. This narrative, rich with themes of time travel and artistic genius, invites us to ponder the nature of creativity and the impact of societal recognition on personal identity.The Discovery of Morniel MathawayMathaway's journey begins in a modest studio, where his lackluster paintings fail to garner attention. However, the arrival of a scholar from the year 2487 changes everything. This visitor, an art historian, informs Mathaway that his work will one day be revered, sparking a complex exploration of time travel paradoxes and the essence of artistic genius.A Paradox of Fame and AuthenticityAs Mathaway grapples with his newfound status, the story delves into the paradox of his future fame. The narrative raises profound questions about authenticity and creativity, challenging us to consider the role of societal validation in shaping an artist's identity. Is Mathaway's genius genuine, or is it a product of time's mysterious influence?Reflections on Art and IdentityUltimately, the tale of Morniel Mathaway serves as a poignant reflection on the nature of art and identity. It invites us to question the true source of artistic brilliance and the impact of external recognition on our sense of self. As we journey through this captivating narrative, we are reminded that the pursuit of creativity is as much about self-discovery as it is about external acclaim.Subscribe NowJoin us in exploring more intriguing stories and insights by subscribing to our blog. Dive into the world of speculative fiction and uncover the mysteries of art, time, and identity.Takeaways"I remember him as an unbathed and untalented village painter.""Society owes the artist something.""I could think of only three names: Picasso, Ruol, and me.""You are one of the immortals the human race has produced.""You're the real Mourniel Mathaway, and there's no paradox."Mourniel Mathaway, X Minus One, science fiction, art, time travel, William Ten, Galaxy Science Fiction Magazine, artistic genius, radio drama, storytelling

The guys boil the Freddy Peralta trade down to one core issue: the Mets improved immediately, but it still feels like a short-term roster with short-term bets. If Peralta is a one-year rental and anything goes sideways, the whole thing can feel like a “temporary Picasso” that gets ruined the second it gets wet. Then the phones light up. One caller thinks the Mets changed philosophy because of media pressure, but Evan pushes back hard and says the front office has actually been consistent all along. That leads into the bigger theme: the Mets' approach to short-term deals, what Bo Bichette's press conference really told you about the plan, and why fans keep asking what “good enough” is when you cash in top prospects. Plus: a debate over the “roadblock” narrative with Jett Williams, what happens if Luis Robert Jr struggles early, and how quickly the Mets would pivot if performance is not there. And it ends with a hard pivot to hoops: the Knicks annihilate the Nets, the “players-only meeting” story gets dissected through Josh Hart's comments, and the real question becomes what the Knicks do next, not what they did to Brooklyn.