Podcasts about picasso

El Patronato del Museo Picasso Málaga aprobó recientemente su programación expositiva para el 2026. Podremos ver confrontados con Picasso a figuras esenciales del arte moderno y contemporáneo como Edvard Munch, Elena Asins, Joana Vasconcelos y Miquel Barceló. Para conocer más detalles entrevistamos al director del Museo, Miguel López Remiro. Escuchar audio

Nálgast má þáttinn í heild sinni inn á; https://solvitryggva.is/ Alex Þór Jónsson, betur þekktur sem Lexi Picasso, á ótrúlega sögu. Hann kom eins og stormsveipur inn í íslenskt rapp þegar hann flaug á einkaþyrlu inn á sviðið árið 2016. Lexi hafði þá starfað í Atlanta í Bandaríkjunum, sem sumir kapp höfuðborg rappsins. Nokkrum árum síðar var hann fastur í hjólastól í Kenya í miðjum heimsfaraldri. En með aðdáunarverðu hugarfari hefur hann náð góðum bata af mænuskaða í kjölfar slyss. Í þættinum fara Sölvi og Lexi yfir þessa mögnuðu sögu, hæðir og lægðir, listina, ástríðuna og margt fleira. Þátturinn er í boði; Caveman - https://www.caveman.global/ Nings - https://nings.is/ Myntkaup - https://myntkaup.is/ Mamma veit best - https://mammaveitbest.is/ Mama Reykjavík - https://mama.is/ Smáríkið - https://smarikid.is/ Ingling - https://ingling.is/  

Ultan Guilfoyle is a filmmaker and an author, who co-curated the landmark 1998 exhibition “The Art of the Motorcycle” at the Solomon R. Guggenheim Museum in New York City. “Installing motorcycles in the rotunda was a thrill,” he recalls. “It was like taking sculptural, three-dimensional objects and putting them up in the space and allowing people to see them in a way they had never seen before.”On this episode of the “Driven to Ride” podcast, Guilfoyle relates the story behind the exhaustive efforts to gather the astounding 111 motorcycles presented in the exhibition. “If you're curating an art exhibition, say you're doing Picasso, you know where all the Picassos are,” he tells host Mark Long. “You make 50 calls, and you've got 40 yeses and 10 nos. At least you got an idea. We had no idea.”Co-curator Charles Falco and Guilfoyle had a list of 50 “must-have” motorcycles, without which they had little hope of achieving their lofty exhibition goals. Twenty-one of those machines were ultimately lent to the Guggenheim by the Barber Vintage Motorsports Museum in Birmingham, Alabama. That, Guilfoyle says, led to a relationship with founder George Barber, a relationship that continues to this day. Connect with Us:Website: www.driventoridepodcast.comInstagram: www.Instagram.com/driventoridepodcastFacebook: www.facebook.com/driventorideEmail:hello@driventoridepodcast.com

Hola! This is Jorge from Spanish Loops, and I'm so excited to welcome you to today's episode. This week, Fran and I are touching a topic that is a bit differentfrom our usual, but I promise it's just as fascinating.We're talking about none other than Pablo Picasso, but not just the genius artist we all know. No, today we're exploring the man behind the paintings. The real Picasso, the one with all his loves, mistresses, and complex relationships.Look, I'm sure you've heard the stories, but today we want to get into the nitty gritty. Picasso was brilliant, yes, but also an incredibly complicated person. His personal life was just as intense and dramatic as his art. From his tumultuous love affairs to his deep, almost obsessive relationships with the women in his life, he definitely didn't fit the mould of the calm, cool artist we might imagine.And here's the thing: understanding his personal life is key to understanding his art. The passions he experienced, the heartbreaks, the betrayals, the egos… it all foundits way onto the canvas. We are really excited to share this side of Picasso with you today. It's raw, it's real, and it's something that gives us a deeper look into one of history's most fascinating figures.Sit back, relax, and let's dive into the world of Picasso, the man, the artist, and everything in between. We can't wait for you to hear it!

Hola! This is Jorge from Spanish Loops, and I'm so excited to welcome you to today's episode. This week, Fran and I are touching a topic that is a bit differentfrom our usual, but I promise it's just as fascinating.We're talking about none other than Pablo Picasso, but not just the genius artist we all know. No, today we're exploring the man behind the paintings. The real Picasso, the one with all his loves, mistresses, and complex relationships.Look, I'm sure you've heard the stories, but today we want to get into the nitty gritty. Picasso was brilliant, yes, but also an incredibly complicated person. His personal life was just as intense and dramatic as his art. From his tumultuous love affairs to his deep, almost obsessive relationships with the women in his life, he definitely didn't fit the mould of the calm, cool artist we might imagine.And here's the thing: understanding his personal life is key to understanding his art. The passions he experienced, the heartbreaks, the betrayals, the egos… it all foundits way onto the canvas. We are really excited to share this side of Picasso with you today. It's raw, it's real, and it's something that gives us a deeper look into one of history's most fascinating figures.Sit back, relax, and let's dive into the world of Picasso, the man, the artist, and everything in between. We can't wait for you to hear it!

Un annexe secret du testament d'Étienne révèle qu'il aime ses enfants, même s'ils sont chers! On explore la vie terrible des femmes autour de Picasso et on débat du retour des personnalités annulées.. Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée

"Do not be tempted to undervalue yourself just because it happens to be something that's fast or easy for you to produce." -Casey Brown In the finale of this two-part series, pricing expert and president of Boost Pricing, Casey Brown, returns to share how bookkeepers can move from fear-based pricing to confident, value-driven conversations. She explains how to stop pre-discounting, test your true pricing ceiling, and communicate your worth with clarity and confidence. In this interview, you'll learn: Why pre-discounting hurts your profits How to identify & attract better, higher-value clients How to package & present your services with confidence Connect with Casey on LinkedIn. To buy her book, Fearless Pricing, click here. Watch her TED Talk, or video on 12 things I Hate About Hourly Billing. To learn more about Boost Pricing, click this link. Time Stamp 02:03 – The two types of discounting: negotiated & pre-discounting 03:52 – How to test your true price ceiling 04:54 – Overcoming scarcity mindset & fear of losing clients 06:02 – Why fewer clients at higher prices can be more profitable 08:44 – Letting go of price-sensitive clients who drain your energy 10:43 – Why bad clients cost more than they're worth 11:13 – The gender gap in business pricing & confidence 12:45 – How women undervalue their services & why it costs them 13:52 – Messaging & packaging your services for higher value 15:17 – Half of pricing success is the number; half is how you frame it 16:52 – Stop obsessing over numbers & focus on context 17:47 – The problems with hourly billing models 18:47 – Why fixed-fee & value-based pricing work better 19:26 – When & how to offer pricing packages 20:47 – Avoid overwhelming clients with too many choices 22:28 – Be the expert—guide your client's decision 24:31 – Why clear messaging builds trust & confidence 25:57 – The Picasso lesson: charge for your experience, not your time 26:58 – How to articulate the process & value you deliver 27:21 – Where to find Casey's free resources, book & programs 28:42 – Fearless Pricing community & how to join This episode is brought to you by our friends at Dext! Dext handles transaction capture, keeps your data accurate, and even simplifies e-commerce reconciliation, all in one place. Join thousands of bookkeepers and accountants who've already made the switch. If you're ready to save time, reduce errors, and make bookkeeping more efficient, Dext is for you! Go to thesuccessfulbookkeeper.com/dext to book a demo TODAY and see how it can transform the way you work!

Join me for an extraordinary conversation with Biet Simkin, renowned spiritual teacher, bestselling author, and the self-proclaimed "David Bowie of meditation." Biet's journey from abject poverty in Queens with an awakened shaman father to becoming a sought-after spiritual guide earning seven figures is unlike anything you've heard before—and it will challenge everything you think you know about money, success, and destiny. In this raw and transformative episode, Biet shares her childhood growing up in a roach-infested tenement apartment after her mother died of pancreatic cancer, being raised by a father who believed love and consciousness were the only currencies that mattered. She was reading Carl Jung at nine years old, meditating deeply, and already convinced she possessed magic—even as she cried every day at public school where she was punched for seeming "too intelligent." Biet takes us through getting signed to Sony at 18, watching her music career collapse as the industry imploded, and descending into drugs, alcohol, and dating "the wrong men" as a DJ in New York's party scene. But after the devastating loss of her four-month-old daughter to SIDS, followed by her best friend's suicide, her father's death, and her house burning down, Biet found sobriety—and with it, her true calling. She reveals how she went from earning $12,000 a year (living on $1,000 a month in NYC) to $170,000 in one year, then tripling to over $400,000, and eventually hitting seven figures—all without following conventional business advice, creating funnels, or doing what everyone said she "should" do. Instead, she trusted her magic, priced herself like Picasso, and believed the quantum field would deliver. This episode is for anyone who's ever been told they're "too much," too spiritual, too unconventional—and for those ready to stop apologizing for their gifts and start claiming their worth. Key Topics: Why being raised in "abject poverty" by an awakened shaman became her greatest blessing The dangerous lesson: when you're taught that money is shameful and love is the only real currency From signed at Sony to career collapse: navigating the music industry implosion without a safety net How devastating loss and trauma became the portal to sobriety and spiritual awakening The moment her partner asked to see her numbers—and why shame kept her hiding from financial truth Going from $12,000/year to six figures by trusting her magic instead of business gurus The Picasso pricing philosophy: "I said so, therefore it's worth it" Why sales and marketing are spiritual practices—and how to sell yourself without apology   Connect with Biet online: Website: https://www.bietsimkin.com Instagram: @bietsimkin   Find more from Syama Bunten: Instagram: @syama.co, @gettingrichpod Website: wealthcatalyst.com Podcast: wealthcatalyst.com/getting-rich-together-podcast Download Syama's Free Resources: wealthcatalyst.com/resources Wealth Catalyst Summit: wealthcatalyst.com/summits Speaking: syamabunten.com Big Delta Capital: www.bigdeltacapital.com

This week on Marginalia, Beth Golay speaks with Sue Roe about her new book, Hidden Portraits: Six Women Who Shaped Picasso's Life, and Suzanne Perez reviews The Merge by Grace Walker.

The RPM Show Episode 19 Hosted by DJ DON PICASSO (Feat. DJ Babyoil) chromelabel.world https://soundcloud.com/mistababyoil

In this episode, our group explores what we believe is considered beautiful or ugly in art. Through paintings like Starry Night, and primarily Les Demoiselles d'Avignon we discuss whether or not we view them as “beautiful” or “ugly” as some may have. By digging deeper into the meaning of Picasso's Les Demoiselles d'Avignon, we give our own thought of this painting's own beauty. Maybe even forming your own meaning of what this painting is to you as you listen along.

In this episode, three students take a close look at The Studio in Avignon, checking out what it felt like when Picasso worked there back in 1907. Instead of just listing facts, they dig into how the messy attic, jammed with drawings and carvings inspired by African art, fueled the raw vibe of Les Demoiselles d'Avignon. While one focuses on why it shocked people and the fear, another ties it to influence and exploitation, whereas the third links it to the depiction of the women. Because each sees things differently, their chat blends old records, outside influences, and gut reactions to show how the artwork shook up its time. Since the space was so packed with ideas and objects, it ended up sparking a total shift in how artists approached work during the 1900s.

today's show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz' amazing reinterpretation of Picasso's “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times.  If I want to watch the clip of Jermaine O'Neal hitting some random schmoe into the next stratosphere, I cannot do so without getting a sponsored ad for a megachurch.   I'd have loved to really dive into all of this on this week's program but a) EVR only gives me two hours, and b) I didn't check the calendar until after taping.  SO SORRY. 

Dr. Greg Hammer, is a Former Professor at Stanford University School of Medicine, Physician, Best-Selling Author, and Mindfulness Expert.It was a wonderful conversation as he shared stories of his grandmother and her love for art and he declaration about using proper english grammar. Greg shares how he inherited  that same consciousness as to being respectful to the english language.A Best Selling Author with an eye on being active and healthy, his recent book is about adults, caregivers, teachers helping teenagers reduce their stress levels by using his meditative technique incorporating Gratitude, Acceptance, Intention and Non judgement in a 3-4 minute daily meditation that anyone can do. He explains and walks us through a short meditation during this conversation.It's important for all of us to have balance in our lives-mental and physical balance and peace.It was a real pleasure speaking and meeting Dr. Greg Hammer.architectInformation about his most recent book: A Mindful Teen: Helping Today's Teenagers Thrive through Gratitude, Acceptance, Intention, and Non judgement Topic: Coping Strategies for Youth this National Suicide Prevention MonthTalk Points: Destigmatization is the key - Suicide is preventable through awareness, education, and accessible resources.The more we discuss mental health in productive ways, the better primed we will be to catch the warning signs before they progress into something serious.Openly discussing mental health encourages youth to initiate those conversations for themselves and ask for help should they need it.Today's teens face stressors that older generations never imaginedSocial media, smartphones, and the internet – and AIAfter-effects of COVID lockdown and isolationThe great political divide, affecting relationships in and outside of familiesIncreasingly competitive college admission and tuitionThe economic pressures their families faceThe Role of Parents and Parenting  - Cultivating Compassion, Forgiveness, and EmpathyThe Risks and How to Spot Them*Early Detection can save your child's life - The warning signs that someone is struggling with their mental health can easily be overlooked (especially amongst teenagers).*The most common symptoms of depression and anxiety (i.e. changes in behavior and mood, irritability, changes in sleep habits, changes in eating habits, withdrawing socially) are also commonly associated with the standard growing pains and hormonal shifts of adolescence. So, how do you know the difference?If something feels off with your child, the best thing you can do is ask.Sit down with your child and have a gentle, but honest conversation about your concerns. You may have to speak with them multiple times before they're ready to open up. Trust your instincts and be gently persistent.Consult a Mental Health Professional: There is no shame in asking for help for both teens and adults.Mindfulness at Home - Encouraging children to practice mindfulness daily can help build their mental and emotional resilience and protect their mental health in the short and long term.*Mindfulness can be a great tool to help teens rewire their brains away from the negativity on which they dwell. It can neutralize their tendency to ruminate over the past, often leading to depression, and to overthinking the future, creating fear and anxiety.The GAIN Method - Gratitude, Acceptance, Intention, and Nonjudgment are the pillars of happiness for teens - and for the rest of us.Website:https://amindfulteen.com/Facebook: @GregHammerMD; https://www.facebook.com/greghammermd/Instagram: @greghammermd; https://www.instagram.com/greghammermd/LinkedIn:https://www.linkedin.com/in/greg-hammer-02b20422/ "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out the SHLTMM Podcast website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

In this episode, our group discusses the Pablo Picasso painting Les Demoiselles d'Avignon; what was so specialabout it, why it shocked viewers, and how it ultimately transformed 20th-century art. We break down the painting's bold use of fractured forms, its controversial depiction of the human body, and the way Picasso pulled from African and Iberian influences to completely rewrite the rules of representation. We also look at the intense reactions it sparked when it was first shown, why even Picasso's fellow artists were unsettled by it, and how the work paved the way for Cubism and modern abstraction. By the end, we reflect on why this painting still matters today and what it reveals about the evolution of artistic expression.

In this episode, we explore Pablo Picasso's painting named Les Demoiselles d'Avignon. Our group discusses why Picasso was so hesitant to show the painting to the public. We will be also mentioning and revising over the several details and features that made it distinct throughout its time. Join us in our pursuit to discover why context truly matters in regards to understanding art.

In this Episode, we look into Picasso's art piece Les Demoiselles d'Avignon and dug deep into his decision to not show this painting to the public for awhile. It seems quite strange for one of the best and most influential artists of all time. Our group discusses the motives behind his decision and what exactly this painting that made him reach that decision. Looking into its context, themes, and style to understand Picasso. Join us as we explore what this painting has to offer about Picasso and the world in general (both past and present).

In this episode, we take a deep dive into one of the most controversial paintings in modern art and uncovering questions about sexuality and beauty. Our group explores the history of Les Demoiselles d'Avignon and the scandal that kept it hidden for over a decade. Along the way, we question Picasso's use of African aesthetics and the cultural influence. Join us for a conversation full of discussion and curiosity. Piano Concerto no. 2 - Mvt. 3, Intermezzo by Sergei Prokofiev

In this episode we explore Picasso's Les Demoiselles d'Avignon, We discuss its radical style, cultural influences, and the tension between distortion and aesthetic truth. we also will examine the artist's intentions and the reactions of his contemporaries among other things, Join us for a thoughtful conversation about art, culture, and the power of perspective.

In this episode, we talk about Pablo Picasso's Les Demoiselles d'Avignon and why it shocked so many people when it was created. We explore how the painting breaks old ideas of beauty, uses new shapes and angles, and helped inspire the style we call Cubism. Our group also discusses Picasso's interest in African masks and the cultural question that come with that influence. Join us as we look at why this paining stills feels bold, powerful, and ahead of time.

#HerkeseSanat Zaman eriyor, nesneler bükülüyor, formlar değişiyor. Lale Müzesi sanat yönetmeni, halen devam eden Dali ve Matisse sergilerinin yardımcı küratörü Ece Yıldırımlı, Salvador Dali'nin hikayesini anlatıyor. Programda Dali'nin: Çocukluk travmaları ve kimlik arayışı, Sürrealizme uzanan içsel dönüşümü, Freud hayranlığı ve rüyaların dili, Gala ile karmaşık ama yaratıcı ortaklığı, Picasso ile rekabet ve hayranlık dolu ilişkisi, “Belleğin Azmi” gibi ikonlaşmış eserlerinin arka planı gibi pek çok detayını öğreniyoruz. NEDEN HERKESE SANAT? Uzak durduğumuz sanat dallarıyla tanışıyor, o sanat dalının seyircisi olmayı öğreniyoruz. Çünkü anlamak için tanışmak gerekir. Nacide Berber'in hazırladığı program cumartesi 12.30, pazar 18.30'da NTVRadyo'da. Herkese Sanat programı kayıtları, radyoda yayınlandıktan sonra ntvradyo.com.tr adresinde ve podcast platformlarında. #ntvradyo #herkesesanat

On le surnomme “le Picasso de la pâtisserie”.Dès ses 9 ans Pierre Hermé savait qu'il deviendrait pâtissier.Il grandit en Alsace, dans le laboratoire de la boulangerie familiale où il apprend les bases du métier aux cotés de son père.Mais très vite Pierre aspire à plus.Il renonce à reprendre l'entreprise créée par son arrière grand-père et rejoint la capitale pour intégrer la maison Lenôtre.Il y apprend l'excellence, la précision du geste et découvre un art très différent de celui qu'il connait.D'abord pâtissier privé pour le ministre de la Défense, Pierre réalise vite qu'il a besoin de plus d'espace pour s'exprimer : il veut être libre de créer, avoir son univers, ses produits et sa propre maison.L'empire Pierre Hermé né avec l'ouverture de la première boutique à Tokyo en 1998.Aujourd'hui le groupe en compte 95 sur 4 continents.Une marque internationale pionnière de la haute-pâtisserie, qui a construit sa renommée autour d'un produit star : les macarons — écoulés par dizaines de millions chaque année.Dans cet épisode Pierre livre les clés de sa réussite :Où trouver l'inspiration pour créer jusqu'à 200 nouvelles recettes par anPourquoi il faut être obsédé par les détailsLes grands principes de la pâtisserieComment maintenir la qualité quand on produit à grande échelleBienvenue dans l'univers d'un chef visionnaire avant tout guidé — avec succès — par ses goûts, ses intuitions et ses envies.Vous pouvez suivre Pierre sur Linkedin et consulter la page Welcome To The Jungle pour rentrer en contact avec la maisonTIMELINE:00:00:00 : De la première boutique à un empire de 95 points de vente00:12:51 : Quitter sa famille à 14 ans pour découvrir l'excellence de l'école Lenôtre00:22:16 : Comment s'assurer de la qualité délivrée à l'autre bout du monde00:30:10 : Créer 200 nouvelles recettes par an00:39:03 : Être le pâtissier privé d'un ministre00:49:15 : Pierre et son obsession pour le café01:02:01 : Le lancement d'une offre de boulangerie Pierre Hermé01:09:08 : Le savoir-faire unique des pâtissiers français01:14:27 : « Je ne m'occupe que des produits, le business ne m'intéresse pas »01:25:18 : Le pionnier de la haute-pâtisserie01:34:57 : Où trouver l'inspiration pour innover sans cesse01:43:16 : Pourquoi les trompe-l'œil sont autant à la mode ?01:50:16 : La pâtisserie végétale sans beurre, sans œufs, sans lait et sans crème02:00:11 : « J'aime ce que je fais, donc je n'ai pas du tout l'intention d'arrêter »02:11:52 : Un secret pour tous les pâtissiersLes anciens épisodes de GDIY mentionnés : #464 - Nina Métayer - Cheffe Pâtissière - “Je ne peux pas travailler pour autre chose que l'excellence”#33 - Nicolas Paciello - Pâtissier - Viser les étoiles pour réussir à en ramener 2 !#250 - Chef Alain Ducasse - Faire de sa cuisine un apprentissage, une passion et une marque mondiale#433 - Pascal Rigo - Boulanger - Vendre ses boulangeries 100 millions et devenir le patron de la food de Starbucks#342 - Thierry Marx - De la cité à la cuisine étoilée : l'extraction sociale d'un titan#449 - Sarah Poniatowski - Maison Sarah Lavoine - Remettre le beau au centre de sa vie : comment réinventer son intérieurNous avons parlé de :L'ouverture de la 1ère boutique de Pierre à TokyoLenôtre, école des arts culinairesCafé Pierre Hermé Beaupassage (Paris 7)Le salon de thé Pierre Hermé de la Mamounia (Marrakech)Hippolyte CourtyLes machines à café Victoria ArduinoÉric Vincent, CEO de Pierre Hermé ParisLes recommandations de lecture :Le dictionnaire amoureux de la pâtisserie – Pierre HerméLa pâtisserie végétale – Pierre HerméTout Robuchon – Joël RobuchonSIMPLE – Yotam OttolenghiUn grand MERCI à nos sponsors : SquareSpace : squarespace.com/doitQonto: https://qonto.com/r/2i7tk9 Brevo: brevo.com/doit eToro: https://bit.ly/3GTSh0k Payfit: payfit.com Club Med : clubmed.frCuure : https://cuure.com/product-onelyVous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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Ángel Expósito en COPE presenta la última hora. La legislatura avanza y Pedro Sánchez gana tiempo mientras Puigdemont continúa humillando. Bildu es el socio más estable del Gobierno y Esquerra sigue viviendo del independentismo. El PSOE carga contra el Tribunal Supremo por investigar pagos en efectivo, y la Guardia Civil registra sedes de Acciona por el caso Koldo. El Gobierno inicia la tramitación de los presupuestos 2024. La inflación alcanza su nivel más alto del año, con subidas en electricidad y alimentos. Zelenski viaja a España la próxima semana. Íñigo Errejón es procesado por presunta agresión sexual, y se investiga un asesinato machista en Barcelona. Una macrooperación policial desarticula una red de trata de mujeres en Madrid. La borrasca Claudia afecta varias comunidades, mientras los contagios de gripe aumentan en España, con un pico esperado en Nochebuena y Reyes. Se triplican los casos de VRS. En cultura, el Museo Thyssen ofrece exposiciones de Warhol, Pollock, Picasso ...

Amy Gledhill joins Dan, James and Andy to discuss gambling, flirting, and pudding. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

Welcome back to ARTMATTERS: The Podcast for Artists.My guest today is Jameson Green. Jameson is an artist living and working in Hudson, NY. He holds an MFA from Hunter College. Green has exhibited extensively with Derek Eller Gallery and Almine Rech, including solo exhibitions in New York, Paris, London, Brussels, and Santa Monica. His work has been featured in group exhibitions at the Dallas Museum of Art, Museo Picasso Málaga, and ICA Miami. You can also find Green's work in the public collections of the Musée d'Art Moderne de la Ville de Paris, the High Museum of Art, the Dallas Museum of Art, and the Pérez Art Museum in Miami.A couple weeks ago, Jameson braved a wild rainstorm to visit my Greenpoint studio—a rare reversal for this show. What followed was one of the most fluid and wide-ranging conversations I've had on ARTMATTERS, so I've split it into two episodes. On today's show Jameson and I discuss the three elements of great painting, draftsmen vs. pure painters, drawing, sampling from art books and other paintings, rhythm, abstraction, narrative, and why great paintings are littered with hypocrisy. We also discuss Frances Bacon, John Singer Sargent, Guston, Picasso, Matisse, and Jenna Gribbon. Enjoy this conversation with Jameson Green.Special shoutout to my fluffy silent producer who finally made a sound mid-episode. Extra points if you hear her over the rain:)ARTMATTERS is listener-supported. If you want more conversations like this, take 30 seconds right now to leave a five-star review. It's the single most effective way to keep the show going.Support this podcast on Patreon: https://www.patreon.com/c/artmatterspodcastHost: Isaac Mannwww.isaacmann.comInstagram: @isaac.mannGuest: Jameson Greenwww.derekeller.comInstagram: @r.jamesonMusic by ARRN, Detroit-based artist and instrumentalist.

durée : 00:11:53 - Les Midis de Culture - par : Marie Labory - Première femme galeriste à Paris, Berthe Weill a révélé Picasso, Matisse, Modigliani ou encore Van Dongen. Visionnaire et combattive, elle fit de sa galerie un laboratoire de la modernité. Le musée de l'Orangerie rend hommage à cette pionnière restée trop longtemps dans l'ombre. - réalisation : Laurence Malonda - invités : Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.; Stéphane Corréard Editorialiste au Journal des Arts

"I fall in love with places" - Cy TwomblyWhile still reflecting on the life of Cy Twombly, I muse over a few artists that have been influenced by Italy (and my artistic process). There is just something about the visual beauty and the history of Italy that seems to impact many artists, writers and creatives. I go further into thoughts on the art of Cy Twombly and Robert Rauschenberg throwing his art into the Arno River in Florence after a disparaging critic's comment, and how artists move forward regardless of popularity or understanding. Generally the people catch up later. For some like Julian Schnabel they hit their stride early.  Schnabel said, Italy had a “massive impression” on him.  He lived in Milan earlier in his career creating work influenced by place and the landscape. A visit to the Scrovegni Chapel in Padua had such an impact on his psyche he changed the way he painted. You can see this shift in his documentary in Julian Schnabel: A Private Portrait. He later purchased land in New York City and turned it into a Venetian Palazzo. Palazzo Chupi is bright pink building and an ambitious manifestation of his own artistic temperament. The visual beauty of Venice influences many of us in varying ways.  I go on a personal journey on this episode contemplating the life of the artists and my own. Later in the share I muse over the life and inspirations of Cy Twombly, Julian Schnabel, Basquiat and Picasso. "blurring, blotching, writing and inscribing were purposely obscured by superimposing" - Thierry Greub on Twombly's painting processPentimento .... "Pentimento: a visible trace of earlier painting beneath a layer or layers of paint on a canvas". "The word pentimento is derived from the Italian 'pentirsi', which means to repent or change your mind. Pentimento is a change made by the artist during the process of painting. These changes are usually hidden beneath a subsequent paint layer".Musical Scores by Richard JohnstonShownotes at MichelleJohnston.lifeA Writer in Italy InstagramSubstack - At My TableMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

Picasso once said, “Good artists copy, great artists steal.” It wasn't just a quote, it was a warning. Because every great designer, from Rand to Scher to Draplin, has stolen their way to mastery. The only difference is that they knew how to do it right.Here's what most designers don't want to admit... we all steal. Fonts, layouts, grids, styles, everything you create is built on someone else's foundation. The problem isn't theft. The problem is that too many designers steal without understanding what they're taking. Lazy designers copy the surface. Great designers steal the soul.This week, on The Angry Designer Podcast, we dive into the controversial art of creative theft, and why it's not a crime but a craft. From dissecting the difference between imitation and transformation to learning how to absorb influences like a pro, we're showing you how to steal smarter and design better.In this episode, you'll discover:-The unspoken rules of creative theft every designer needs to know- Why copying can be the fastest way to build mastery- How to transform influence into something that's undeniably yoursDesign education isn't about learning to being original. It's about understanding what came before you and how to make it yours. You can keep pretending your work came from thin air, or you can embrace the truth: the best designers are thieves with taste, intent, and vision.Stay Angry our Friends –––––––––––Join Anger Management for Designers Newsletter at https://tinyurl.com/mr4bb4j3Want to see more? See uncut episodes on our YouTube channel at youtube.com/theangrydesigner Read our blog posts on our website TheAngryDesigner.comJoin in the conversation on our Instagram Instagram.com/TheAngryDesignerPodcast

(Reprise Episode) This episode is the second in a series of excerpts from my upcoming book, "The Friend at the End," which tells the story of the major stroke that I suffered in 2011. As the first episode began, I was 62 years old, at a wonderful stage in my life, with everything safe and secure. It was the Saturday of Memorial Day weekend and I was looking forward to the summer, which was just over the horizon.       But when I had gone down to the pool at our condo, after a short while, I started feeling a little nauseous. Soon after, an unusual and disturbing white light appeared in my upper left peripheral vision. At first, I thought the light was coming from somewhere on the outside, but I soon realized that it was coming from within me, which was extremely alarming.  So, that marked the end of the first episode, now the story continues…     In reality, vision impairment is a classic symptom of a stroke, but I just didn't know that at the time. If I had, I would have dropped everything and gone straight to the emergency room. But I didn't have that information.  That's the real   Catch-22 when it comes to knowledge. You never know what you don't know. You just can't. By definition, the unknown remains unknown until you finally find it out. And hopefully, by then, it's not too late.      Anyway, I felt a little tired and laid back down on my lounge chair and tried to relax. I'm not sure what happened next, but I must have drifted off to sleep. I don't know how long I was out, but when I woke up and opened my eyes, I was met with a complete shock.  My entire field of vision had radically changed.     I could still see, but it was like looking at the world through a splintered kaleidoscope, a bizarre Picasso painting of bright colors and random fractal patterns. I had never experienced anything like it before and obviously, things had taken a major turn for the worse. It was seriously disconcerting. Oddly though, the feeling of nausea was gone completely. Other than this bizarre vision issue, I felt fine.  I opened and closed my eyes a few times, but nothing changed. I still saw the world in the same splintered, fractal way. I closed my eyes for a moment to try to stabilize myself and the vision suddenly appeared within.    I opened my eyes again, and to my shock and dismay, I couldn't tell whether my eyes were opened or closed. It didn't matter. Opened or closed, my field of vision remained exactly the same. I still saw the same set of broken, fractal lights. What had been bad had suddenly gotten much worse. This was, by far, the most alarming thing that had ever happened to me physically in my life, and immediately, a chilling fear came over me. "Oh my God! I'm going blind!" I thought.  It was earth-shattering. I felt like a bug splattered on a speeding windshield, and my mind went wild with a flood of terrifying images of me, living my life as a blind man. The horrible scene went on for quite a while, before I could finally pull myself together.   "Whatever's going on, this is much worse than I thought," I said to myself, as I recognized how seriously things had deteriorated. "This is bad. This is really bad."  I was stunned and had no idea what to do.  "Yeah, this is definitely much worse than you thought," I thought. "And you know what, it might actually be much worse than you think it is now. Forget about going blind. You might actually be dying. This could be the beginning of the end."  The unwelcomed idea hadn't occurred to me before and it stopped me dead in my tracks. "Now wait a second," I responded, "Let's not go to extremes here."   I quickly tried to pull myself together. Even though I was definitely in bad shape, I certainly didn't want to entertain any thoughts of dying. Why let that in? It couldn't possibly help. So, I quickly decided to put it out of my mind. But a few moments later, it came back again.  "Look, of course, the idea is upsetting to you, to say the least. And obviously dying is the last thing in the world you want to think about. But still…" "But still, what?" I countered, sharply. "Still, you don't really have a choice. The way things are going, at this point you have to consider everything. You really do." Okay, so this was the rational, non-emotional side of my mind talking to me in its rational, non-emotional way. And it was probably right to consider the worst-case scenario. But I instantly dismissed the idea again. Sure, it was normal for me to have had a passing thought that I might be dying, but that's all I wanted it to be - just a passing thought.  As far as the actual reality of it was concerned, I would have none of it.  "No. It can't be. Not like this. Not now. No way." "Well, why not?" Mr. Rationality responded rationally. "You know it's going to happen someday; it has to. There's no way around it. It's written in stone. So why not now? And why not like this? Just because it's sudden and you weren't expecting it, that doesn't mean anything. Look what happened to Daddy."   There was no refuting the logic of it. And bringing up my father was a major factor for me. He had died instantaneously of a massive heart attack at the age of 52, and I'm sure he never knew what hit him. Here one minute, gone the next. I was sixteen years old and along with the terrible shock and grief, it really drove the point home that any one of us can go at any time. Nobody operates with any guarantees here. That's not the way it works.  "You have to understand something," this part of me went on. "There are no rules now and anything can happen." It paused for a moment. "Face it. This really could be the end of the line for you. You very well might be dying." The weight of the reality of death began to sink into me like a ton of wet concrete sliding out of a cement mixer, and it rattled me to the core. Just a few minutes ago, I was facing the fear that I was might be going blind, and that was absolutely devastating. Still, you can learn how to live with it. Millions of people have. But while you can learn how to live with being blind, you can't learn how to live with being dead. No. This wasn't about coming to a major crossroads in my life. This was about coming to the actual end of it, and it was staggering. I was in a whole new world and I knew it.  I started to feel disoriented. "Oh my God!" was the last thing that came into my mind before it went blank. I think I went thoughtless, and it might have been for fifteen seconds, fifteen minutes, or even more.  In that state, who knows? Anyway, at some point, I could think again.  "Could it really be true?" I asked myself, soberly "I mean, could this really be it?" "Well, you can't rule it out," I answered myself. "Look, you've never experienced anything like this before. Things are obviously getting worse, and there's no telling where this might lead. Anything can happen. You just have to face facts."  "Yeah. Okay," I thought, still stunned.  "Listen, Dying isn't a question of 'if,' it's only a matter of 'when.' And as far as what it's going to be like when it actually does happen, well, nobody really knows that until they get there," the rational side said.  "Then you find out for sure."  It was obviously true. We have no idea of what our actual death is going to be like. We have no frame of reference for it. It's not like you're going to a new beach where you've never been before. But you know what to expect from a day at the beach, so you throw a bathing suit and a towel into a bag, grab a beach chair, and you're good to go. No, it's nothing like that. This is 100% uncharted territory. And although we may all have our ideas about it, that's all they are – just ideas.  At that point, I realized that I had no idea what to do. So, I just sat there, with this bizarre field of colored. fractal vision filling my head, whether my eyes were opened or closed. I was stuck. Checkmate.  Then something hard to describe happened. Call it a stroke of insight or a flash of intuition, but suddenly two critical points became unmistakably clear to me. And they were both seriously disconcerting.   The first one was that I knew for sure that I was in serious trouble and that my life was on the line. I knew that I very well might be dying and it was beyond any doubt to me. I had no further questions about it at all.  The second one was more subtle and much harder to grasp. I knew intuitively that some of the thoughts I had been thinking weren't actually coming from me. This little conversation that had been going on inside my mind wasn't just between me, myself, and I. I felt like there was something or someone else, a presence of some kind, speaking to me through the instrument of my own mind.  Now, the very idea that I was receiving some form of mental telepathy was deeply unnerving, to say the least, and I hoped I wasn't just losing my mind. I mean, after all, dying is bad enough, but I didn't want to go nuts on top of it.   It was quite an intense moment and a strong wave of anxiety washed over me. But still, almost within that wave, there was another feeling that was equally as strong. I felt that this presence, or whatever it was that was talking to me, was somehow familiar. It was like an old friend that I had forgotten so long ago that I didn't even have a distant memory of it. Just a vague feeling that I had forgotten something, but I couldn't remember what it was. The only thing I could remember was that I had forgotten. But whatever this thing was, I knew that I knew it.  I just didn't know how. It was too out of reach.   As this wave of familiarity kept radiating to me from just beyond my awareness, somehow, I could sense a rightness to it and something within me seemed to surrender to the situation. Any remaining doubts I had got set aside and I felt myself go all in. It felt uncomfortably strange, yet strangely comfortable at the same time.  "Ok, good," it finally said, seeming to respond to my new state of mind. "You're getting clear now. Stay as clear as you can. There may be a lot different things coming up for you soon, and clarity will help you stay focused on what's important. Clarity will keep you strong." Another long pause seemed to happen, then it continued, "So, you have to understand where things are now. You are coming to a major turning point." Somehow the level of communication had crystalized considerably. Like a cell phone that suddenly becomes static-free, my reception was much more clear.   "This truly is the possible end of your life on earth," it continued.  "And it's time to start wrapping things up. And at this point, one question becomes critically important for you."  We sat in silence for an endless moment of eternity. Then a very firm, but very kind voice, it asked me, "Are you ready?"   So that's the end of this episode. As always, keep your eyes, mind and heart opened, and let's get together in the next one.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio exclusivo para suscriptores de Se Habla Español en Apple Podcasts, Spotify, iVoox y Patreon: Spotify: https://open.spotify.com/show/2E2vhVqLNtiO2TyOjfK987 Patreon: https://www.patreon.com/sehablaespanol Buy me a coffee: https://www.buymeacoffee.com/sehablaespanol/w/6450 Donaciones: https://paypal.me/sehablaespanol Contacto: sehablaespanolpodcast@gmail.com Facebook: www.facebook.com/sehablaespanolpodcast Twitter: @espanolpodcast Hola, ¿cómo va todo? Por aquí ya nos estamos preparando para el frío, porque hace un año empezó justo en noviembre, aunque más bien en la segunda mitad del mes. Pero bueno, si la temperatura es parecida a la que tuvimos entonces, no está mal. Hizo mucho frío comparado con Madrid, pero nada del otro mundo. Con ropa de abrigo se arregla todo. Así que, me conformo con que este año sea más o menos igual. En cuanto a la noticia de hoy, está relacionada con lo que sucedió hace poco en el Museo del Louvre de París. No sé si lo habrás visto en las noticias. Si no es así, te lo cuento. Bueno, en realidad, te lo iba a contar igualmente. Para eso estoy aquí. Bueno, el caso es que el domingo 19 de octubre, a plena luz del día y mientras el museo del Louvre estaba abierto al público, cuatro ladrones disfrazados de obreros accedieron al interior de una sala del museo utilizando un montacargas. Un montacargas es un ascensor que se utiliza para subir y bajar cosas pesadas, de mucho peso. Pues bien, en apenas siete minutos, los ladrones se llevaron ocho joyas de la Corona francesa, entre ellas una diadema de perlas que perteneció a la emperatriz Eugenia y un conjunto de collar y pendientes de zafiros de la reina María Amelia. Y luego, durante la huida, dejaron caer una corona que resultó dañada. El valor estimado del botín supera los 88 millones de euros. Por si no lo sabes, en este contexto, el botín es la cantidad de dinero robada. Por ejemplo, los ladrones que robaron el banco se llevaron un botín de 1 millón de euros. Volviendo a la noticia del Louvre, la policía francesa ha detenido ya a varios sospechosos. Sin embargo, las joyas aún no han sido recuperadas. Bueno, eso es lo que pasó en París, pero yo siempre suelo hablarte de algo ocurrido en España. Y, como te decía antes, guarda cierta relación con el robo de las joyas francesas, aunque no es igual, ni mucho menos. Te hablo de la desaparición de un cuadro del pintor Pablo Picasso. Y antes de escuchar la noticia, como hago siempre, voy a darte algo de contexto. Y en este caso tengo que hablarte del autor de la obra desaparecida. Pablo Picasso nació en Málaga en 1881, y fue uno de los creadores del cubismo, un estilo que revolucionó el arte en el siglo XX. Además de pintar, también trabajó en escultura, cerámica, grabado y diseño teatral. Vivió gran parte de su vida en Francia y dejó un legado inmenso, con obras muy famosas como el Guernica o Las señoritas de Avignon. La obra de la que hablaremos hoy se titula Naturaleza muerta con guitarra, pintada en 1919. Es una composición de objetos cotidianos, como una guitarra y una botella, representados con formas geométricas y colores planos, típica del estilo cubista. Aunque no es una de sus piezas más conocidas, tiene un gran valor artístico y económico. Por cierto, si alguna vez vienes a España y quieres ver obras de Picasso, puedes visitar el Museo Reina Sofía en Madrid, donde se encuentra el famoso Guernica; el Museo Picasso Málaga, en su ciudad natal, que alberga una colección variada de pinturas, cerámicas y dibujos; el Museo Picasso Barcelona, con más de 4.000 obras, especialmente de su etapa juvenil; y el Museo Thyssen-Bornemisza, también en Madrid, que expone algunas de sus obras dentro de su colección de arte moderno. Y dicho todo esto, ya estamos preparados para escuchar la noticia de Radio Nacional de España. Como te explicaba antes, trata sobre la desaparición del cuadro de Picasso Naturaleza muerta con guitarra. Escucha con atención y te sigo contando cosas. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Un caso extraño, ¿verdad? Bueno, pues luego te cuento qué pasó en realidad, porque entre el día que escuché la noticia y el día de la grabación de este episodio, ya se ha resuelto esa desaparición. Pero antes vamos con las palabras que pueden resultar más complicadas. Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Ejemplos: El cuadro estuvo expuesto en el Museo del Prado durante tres meses. Los documentos confidenciales no deben estar expuestos en lugares públicos. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Ejemplos: El extravío del paquete ocurrió durante el transporte. Se denunció el extravío de una obra de arte muy valiosa. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Ejemplos: Van a exhibir esculturas de artistas jóvenes en la galería. El museo exhibe una colección de arte moderno. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Ejemplos: La muestra de fotografía estará abierta hasta el domingo. En la muestra se incluyen obras de Picasso y Dalí. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Ejemplos: El manuscrito está datado en el siglo XV. El cuadro está datado en 1919, poco después de la Primera Guerra Mundial. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Ejemplos: El coche está asegurado contra robos y accidentes. La obra de arte estaba asegurada en 600.000 euros. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Ejemplos: El cuadro fue retirado del inmueble del propietario en Madrid. Compraron un inmueble en el centro de la ciudad para abrir una tienda. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Ejemplos: Las obras fueron trasladadas en un furgón con medidas de seguridad. El furgón llegó a la galería con varias cajas de arte. Hacer noche: Pasar la noche en un lugar durante un viaje. Ejemplos: Los conductores hicieron noche a mitad de camino antes de seguir a Granada. Vamos a hacer noche en Zaragoza y continuar el viaje mañana. Muy bien. Pues ahora tienes que entender todo lo que vamos a escuchar por segunda vez. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Te adelanto que la desaparición se ha resuelto y no han arrestado a nadie. Por lo tanto, ¿qué habrá pasado? Bueno, luego te lo cuento. Así mantengo el suspense, el misterio. Ahora voy a contarte la noticia con otras palabras. En la información nos dicen que en Granada debía presentarse una pintura de Pablo Picasso, pero que nunca llegó al lugar previsto. La obra, titulada Naturaleza muerta con guitarra y realizada en 1919, fue enviada desde Madrid como parte de un préstamo para una exposición artística. La Policía Nacional está intentando esclarecer si se trata de una pérdida accidental o de un posible robo. El cuadro iba a formar parte de una muestra organizada por la Fundación Caja Granada, pero no se encuentra en el sitio donde debía exhibirse. En la noticia nos cuentan que la pieza salió de la vivienda del propietario en Madrid, y que fue trasladada a las instalaciones de una empresa especializada en transporte de arte, una empresa que contaba con sistemas de seguridad, claro. Días después, se cargó el cuadro junto a otras obras en un vehículo cerrado y se dirigieron a una localidad que se llama Deifontes, donde los conductores pasaron la noche. El día que apareció la noticia no se había determinado en qué momento exacto se produjo la desaparición. Lo único confirmado es que nunca llegó a Granada. Seguro que estás dándole vueltas a la cabeza pensando en qué pasó realmente. Pues no te preocupes que te lo cuento en un minuto, justo después de volver a escuchar la noticia. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Venga, te lo cuento ya. En realidad, el cuadro de Picasso no desapareció y tampoco fue un robo, sino simplemente un olvido. La obra no llegó a ser cargada en el camión de transporte. De hecho, el cuadro se quedó dentro del edificio del propietario, porque los encargados de recogerlo lo olvidaron allí. Subieron al camión otras obras, pero no esa. Y el asunto se resolvió porque una vecina entró al edificio, vio un paquete en el suelo y se lo subió a su casa pensando que era de Amazon. Así de sencillo. Qué cosas pasan, ¿verdad? En este caso, el cuadro de Picasso no se perdió. Pero a lo largo de la historia, muchas obras de arte han sido robadas o han desaparecido misteriosamente. Uno de los robos más famosos fue el de La Gioconda, también conocida como La Mona Lisa, de Leonardo da Vinci. En 1911, un empleado del Museo del Louvre se llevó la pintura escondida bajo su abrigo. El cuadro fue recuperado dos años después, pero durante la investigación incluso se llegó a interrogar a Picasso como sospechoso. Otro caso emblemático es el de El grito, del noruego Edvard Munch. Esta obra fue robada dos veces: la primera en 1994 y la segunda en 2004. Afortunadamente, en ambas ocasiones se pudo recuperar. También está el robo en el Museo Gardner de Boston, en 1990, donde desaparecieron once obras maestras de artistas como Rembrandt, Vermeer y Degas, valoradas en más de 100 millones de euros. Hasta hoy, muchas de esas piezas siguen sin aparecer. Incluso el propio Picasso ha sido víctima de robos auténticos. En 2010, su obra La paloma con guisantes verdes fue sustraída en París y aún no ha sido recuperada. Bueno, por suerte, la noticia de hoy ha terminado con final feliz, y espero que te haya servido para aprender cosas nuevas del español y del artista Pablo Picasso. Y antes de despedirme, vamos a repasar las palabras y expresiones que hemos visto hoy en detalle: Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Hacer noche: Pasar la noche en un lugar durante un viaje. Si alguna vez haces noche en Madrid, recuerda que puedes ver algunas obras de Picasso en varios museos de la capital. No dejes pasar esa oportunidad. Por mi parte, es todo por hoy. Te agradezco mucho que sigas ahí apoyándome y te espero la próxima semana con más contenido exclusivo solo para ti. Adiós. Escucha este episodio completo y accede a todo el contenido exclusivo de Se Habla Español. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/171214

In this Five Minute Friday, I challenge orthodontists to rethink their mindset around fees, value, and confidence. Are you charging based on time, or on the value you deliver? Do you feel hesitant to raise fees because you fear what patients might say—or worse, because your treatment coordinator feels uncomfortable presenting them?I share two legendary pricing stories—one involving Picasso, the other Henry Ford—and what they teach us about expertise, perception, and worth. I also tell the story of how a respected peer pushed me to rethink what I charge for surgical ortho cases—and why you should, too. If you want to be seen as the clinical expert you are, it starts with owning the value you bring to the table and making sure your team believes in it too.QUOTES“You're not doing braces in 18 months—you're doing it in the 11 years of training and the decade or two of experience that followed.”– Dr. Glenn Krieger“If your TC sees $6,000 as more money than they've ever had in the bank, that fee will feel uncomfortable—and your case acceptance will suffer.”– Dr. Glenn KriegerKey TakeawaysIntro: Time-based vs. value-based fees (00:00)Why orthodontists struggle with charging what they're worth (01:10)The Picasso and Henry Ford pricing stories (02:00)Understanding the return on your educational investment (03:25)Why surgical cases deserve a five-figure fee (04:20)How your TC's money mindset affects case acceptance (05:35)Action step: Align confidence between doctor and TC (06:40)Additional ResourcesI've seen firsthand how undercharging can undermine your brand, your confidence, and your case acceptance.If you're ready to present your fees with clarity, alignment, and conviction—start by having an honest conversation with your TC. And if you're ready to scale your mindset and practice with less stress and more impact, stay tuned for the 2026 Ortho Vanguard. Want in? DM me for details.Register for Ortho Vanguard: https://www.opvanguard.com - For more information, visit: https://orthopreneurs.com/- Join our FREE Facebook group here: https://www.facebook.com/groups/

durée : 00:39:30 - L'Invité(e) des Matins - par : Guillaume Erner, Yoann Duval - En 2023, Sophie Calle expose au Musée Picasso. Tour à tour décrite comme artiste conceptuelle, photographe, vidéaste et même détective, elle brouille dans ses rituels les frontières entre l'intime et le public, la réalité et la fiction, l'art et la vie. - réalisation : Félicie Faugère - invités : Sophie Calle Artiste plasticienne française

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

A bit of a roundup of Spanish news stories from recent weeks. First up, a German pastor in Costa del Sol gets a big surprise about his family history. Then, the lost (and found) Picasso painting in Madrid. And finally, Carlos Mazón who was (probably) the most hated man in Spain, finally resigns as president of the Valencian Community... sort of. More on the web: https://expatmadrid.com/himmler-picasso-mazon/Donate to the cause here: https://expatmadrid.com/donate/Also, you can support this podcast by signing up for a walking tour at https://exaptmadrid.com/walks/Or a food tour in Spain or elsewhere in Europe with Devour: https://expatmadrid.com/devour/And don't forget Bike Tour in Spain for all your bike touring needs: https://biketourinspain.com/

L'idée que les gauchers seraient plus créatifs que les droitiers est ancienne, séduisante… mais scientifiquement controversée. Elle repose sur une intuition simpliste : si le cerveau gauche contrôle la main droite et le cerveau droit contrôle la main gauche — et que le cerveau droit serait “le siège de la créativité” — alors les gauchers, plus “droit cérébral”, devraient être plus imaginatifs. Mais la réalité, révélée par plusieurs études, est bien plus nuancée.Une étude publiée en 2009 par Shobe et al. dans la revue Brain and Cognition a testé cette hypothèse sur des étudiants américains. Les chercheurs ont mesuré leur “pensée divergente” — la capacité à produire des idées originales — et ont comparé droitiers, gauchers et “inconsistants” (ceux qui utilisent les deux mains selon la tâche). Résultat : les gauchers n'étaient pas systématiquement plus créatifs. En revanche, les personnes au faible degré de latéralisation (ni totalement droitières, ni totalement gauchères) obtenaient de meilleurs scores de créativité. Leur cerveau semblait mieux équilibré entre les deux hémisphères, favorisant des connexions inhabituelles entre des idées éloignées.Cette découverte a inspiré une hypothèse neurolinguistique : la communication interhémisphérique — facilitée par un corps calleux plus actif — pourrait être un atout pour la pensée créative. Autrement dit, ce n'est pas la main utilisée qui compte, mais la souplesse du cerveau à mobiliser ses deux côtés.Des recherches plus récentes, notamment une méta-analyse publiée en 2019, confirment ces nuances : il n'existe aucune corrélation stable entre la main dominante et les performances créatives. Les différences observées sont faibles, variables selon les tests, et largement influencées par d'autres facteurs : culture, environnement familial, éducation artistique, exposition à la nouveauté.Enfin, le cliché du “génie gaucher” vient aussi de l'histoire : Léonard de Vinci, Picasso, Mozart, ou Jimi Hendrix étaient gauchers, ce qui a renforcé l'idée d'un lien mystérieux entre gaucherie et talent. Mais statistiquement, la majorité des créateurs reconnus sont droitiers — simplement parce qu'ils sont plus nombreux.En somme, les gauchers ne sont pas plus créatifs par nature, mais leur cerveau légèrement différent peut favoriser une pensée moins conventionnelle chez certains individus. La créativité, elle, reste surtout une compétence entraînée, nourrie par la curiosité, l'ouverture et la diversité des expériences — bien plus que par la main que l'on utilise pour écrire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Alfredo Muccino: Memories & DreamsAlfredo Muccino: Memories & DreamsAlfredo Muccino was born in Bogotá, Colombia, and raised as an Italian. His father's engineering career took the family across the world. His father was a painter, and Muccino would imitate his work. His artistry has been influenced by Picasso, Matisse, and Basquiat, as well as the art and architecture of Rome, where he grew up. As Muccino recalled, “A lot of it also comes from growing up in Rome as a kid, riding my bicycle around, drawing the statues of Bernini and the churches of Michelangelo.”In 2025, Muccino is returning to his roots with a solo exhibition, "MEMORIES & DREAMS," which showcases his meditations on life, mortality, and the death of dreams. At the heart of this series is the idea that dreams can change over time. He hopes to explore the disparity between memory and reality, turning his personal reflection into a shared experience.Follow Alfredo on Instagram at alfredo.muccino and on his website, solidbranding.com Check out the upcoming Morgann Trumbull Projects' exhibitions at morganntrumbull.com #MEMORIESandDREAMS #AlfredoMuccino #ContemporaryArt #SanJoseArt #SoFADistrict #ArtExhibition #CreativeDirector #LiquidAgency #SolidBranding #ReturnToRoots #FineArt #LifeMortalityDreams #InstaArt #SupportArtists

What do a Brazilian retail strategist and an Indian industrial designer have in common? A passion for transforming complex systems through service design—and a shared mission to push the profession forward. In this episode, Lou welcomes Gustavo Vieira and Shreya Dhawan, two of the curators behind the upcoming Advancing Service Design conference, for a behind-the-scenes look at how service design is evolving—and how they're helping shape that evolution. Gustavo shares how his early work in franchising sparked a fascination with aligning brand strategy, operations, and customer experience, eventually leading him to service design as a more holistic lens. Shreya's journey began with product design in hospitals, where she realized the real challenge wasn't just designing a better object—it was improving the entire system around it. Together, they reflect on the emerging trends in the field, including the move toward systems-level thinking, new contexts like journalism and B2B, and the rich global collaboration shaping this year's conference. The conversation is full of thoughtful insight, heartfelt reflection, and a few unexpected gifts—from Ken Wilber to Picasso.

Vjeran Tomic, surnommé l'homme araignée. Un cambrioleur escaladeur comme on en voit seulement dans les séries télé. Plus de quinze ans avant le Louvre, il a commis un vol entré dans l'histoire criminelle. Cinq tableaux de maître dérobés au musée d'Art Moderne de Paris. Un scénario spectaculaire, et des arrestations mais peu de réponses. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Buenos días, Javi y Mar en CADENA 100 informa que hoy, 3 de noviembre, comienza el juicio contra el fiscal general del Estado, Álvaro García Ortiz, acusado de revelación de secretos. También se especula con la dimisión de Mazón en la Comunidad Valenciana, quien ha convocado a los medios. Una periodista que comió con Mazón el 29 de octubre declara hoy como testigo. Se investiga el paradero de un cuadro de Picasso que no fue robado, sino extraviado por un error de transporte y hallado por la portera de un edificio. Maral cancela conciertos por neumonía. La sección de ‘Buenos días, Javi y Mar' comenta que Mar sufrió agujetas por clases de yoga y zumba, y Javi hizo migas por primera vez. Se anuncia el matrimonio de Damián David. Se menciona que Mariah Carey y Vigo “inauguran” la Navidad. Los oyentes comparten sus planes a largo plazo: un viaje a Galápagos en marzo de 2026, una media maratón el próximo año, celebrar un 50 cumpleaños en Nueva York con amigos en 2.5 años, dos bodas en 2027, ...

Son las 8:00 AM y en 'Buenos días, Javi y Mar', José Real informa que Carlos Mazón podría dimitir hoy a las 9:00 AM en Valencia. Se juzga por primera vez a un Fiscal General del Estado, Álvaro García Ortiz, por revelación de secretos. La periodista que comió con Mazón declara como testigo. Un cuadro de Picasso valorado en medio millón de euros,

In this series, Jeff and Andy look at historical events that took place on this day.Today in history, a man wrongfully imprisoned is executed, this generations Picasso is born, and the world economy enters a downturn.This series is brought to you by the great Boss Shot Shells.

In another exciting Required Reading episode, Chris and Matt offer their penetrating, high IQ thoughts on the latest book by journalist and podcast quizmaster, Helen Lewis. Titled 'The Genius Myth: The Dangerous Allure of Rebels, Monsters, and Rule Breakers', the book tears into some of the long-enduring myths surrounding historical and contemporary geniuses from Picasso to Elon Musk. It's a critical dissection of gurus and devoted fans, so very on topic! And yes, it is better than Cod...Full episode is available to Patreons on the Revolutionary Genius tier! (1hr 13 mins).Join us at: https://www.patreon.com/DecodingTheGurusLinksThe Genius Myth: A Curious History of a Dangerous Idea by Helen LewisSnippy Review at The Philosophers MagazineLess snippy review at the ObserverRequired Reading: The Genius Myth00:00 Book Review: Genius Myth04:11 The Genius Myth: Book Thoughts!07:02 Exploring the Concept of Genius08:49 IQ Tests and High IQ Societies10:55 Social Perception of Intelligence12:20 Elon Musk and Modern Genius16:08 Historical Perspectives on Genius18:42 The people behind the Geniuses25:15 The Role of Context and Luck27:44 Mythmaking and Cultural Icons45:01 The Flawed Genius Stereotype50:50 What about Tim Robinson?52:51 The deranging impact of attention01:03:33 Overall Thoughts01:12:44 Better than Cod

“If you don't make the video with audio in mind first, that's the difference between, you know, a 14% click-through rate versus, you know, a 2% click-through rate. And a lot of people don't tie those two together, that it matters. It's something that people should be focusing on with a lot of time and energy.” – Nikolaj KlochThis week's guest is a videographer, content creator, and former aerospace engineer who helps speakers, entrepreneurs, and brands elevate their presence using impactful video that actually delivers. With a background in both engineering and creative production, he brings a rare mix of precision and artistry to his work, and he's worked with speakers from TEDx stages to Fortune 500 boardrooms, helping them stand out, connect with audiences, and grow their influence.His name is Nikolaj Kloch, and he's passionate about the power of sound and its impact on visuals. Stay tuned as he shares his insights on why audio isn't just important – it's essential. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - The Power of Audio in MarketingAs we start off our discussion, Nikolaj recalls one of his first memories of sound, a Lego commercial his brother starred in when they were children. “They actually had to bring in a mic and he just hit the blocks over and over to get the sound crumbling,” he recalls. “And you know, you don't put those together as a kid until you get older, but I can always hear those blocks crumbling.” He shares how his background as an aerospace engineer took a surprising turn towards audio production, and the common threads between the two. “A lot of people think they don't translate as much,” he explains, “but it's one of those things where, you know, audio is a great example of the nitty gritty. There are specific engineers that dive into this every single day, and spend nothing else for their time.”(0:09:12) - Mastering Precision Audio RecordingWe talk about precision audio, just what that phrase really means, and the extensive background that getting the most out of audio can require. “It's kind of like Picasso saying he won't sell his little picture on his napkin because he's taken so much time learning this,” Nikolaj says. “And I feel like that directly ties into this, because it's really precision. You know they have to line up perfectly.” As the first half of our talk wraps up, Nikolaj shares how he aims to create the ideal environment for an on-site recording and how he helps clients work around some less-than-ideal ones. “I'm going to be reusing this over and over,” he says. “So I'm always like, please, let me at least talk to them and see what their setup is, let's dive into it a bit. They usually get a little annoyed, but it makes a big difference.” Episode SummaryHow videographer Nikolaj Kloch transitioned from aerospace engineering to sound design.Nikolaj's work with precision audio, from live recordings to film...

INTRO (00:24): Kathleen opens the show drinking a Chilltown Crusher Pilsner from 902 Brewing Company, and reviews her weekend in Atlantic City at the Borgata.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   COURT NEWS (10:44): Kathleen shares news announcing that Stevie Nicks had a fantastic show in Atlantic City, Taylor Swift attended the Chiefs vs Raiders game, and Jelly Roll served as College Game Day's guest picker for the Georgia vs Ole Miss game.    TASTING MENU (2:26): Kathleen samples a Hershey's Zagnut Crunchy Peanut Butter bar, and Lay's Chesapeake Bay Crab Chips.    UPDATES (19:29): Kathleen shares updates on the Bill Belichick UNC drama, Sarah Ferguson is forced to relinquish her title, and Southwest Airlines unveils their new WILMA boarding process.    HOLY SHIT THEY FOUND IT (41:23): Kathleen reveals that an amateur treasure hunter discovered a 500-yr-old Royal pendant.    FRONT PAGE PUB NEWS (43:13): Kathleen shares articles on the last day of MTV, an 82-yr-old becomes the oldest to climb Everest, Canada's WestJet will charge passengers to recline, Prince Andrew gives up all his titles, the Eugenie crown jewels are stolen from the Louvre in Paris, a Picasso painting vanishes en route to an exhibition, Pope Leo is disbanding Opus Dei, and polar bears have taken over an abandoned research island in Russia.    SAINT OF THE WEEK (1:15:19): Kathleen reads about St. Cornelius, the patron saint of earaches, epilepsy, switching, cattle, and domestic animals.    WHAT ARE WE WATCHING (15:16): Kathleen recommends watching “Murdaugh: Death In The Family” on Hulu.    FEEL GOOD STORY (1:13:26): Kathleen shares a story about 2 beluga whales who finally found freedom in Iceland after being rescued from an aquarium in Shanghai. 

Peanut Allergies Plummet, Comet Doubleheader, Picasso in the Wind, AI Textbook Pushback, & Never Too Old To Be A Swiftie!    

 Headlines: – Welcome to Mo News (02:00) – Trump's Latest Target In The Latin American Drug Trade (05:50) – George Santos Sentence Commuted By President Trump (13:30) – Heists Steal Jewels At The Louvre & Picasso At Spanish Museum (21:40) – Millions Gather At Anti-Trump "No Kings" Rallies Across The U.S. (26:00) – Israel, Hamas Affirm Ceasefire Commitment After Sunday Attack (31:00) – Louisiana Resident Assisted In Hamas 7 October Attack, US Says (34:00) – Prince Andrew To Lose Royal Title Due To Jeffrey Epstein Sex Abuse Ties, Allegations (35:15) – The End Of The Social Media Era? (37:50) – On This Day In History (41:15) Thanks To Our Sponsors:  – ⁠LMNT⁠ - Free Sample Pack with any LMNT drink mix purchase –⁠ Industrious⁠ - Coworking office. 50% off day pass | Promo Code: MONEWS50 – Incogni - 60% off an annual plan| Promo Code: MONEWS – Factor Meals – 50% your first box plus free shipping | Promo Code: monews50off – Monarch Money - 50% off your first year | Promo Code: MONEWS – ⁠Boll & Branch⁠ – 20% off, plus free shipping on your first set of sheets