Podcasts about Frank Sinatra

October 30, 1949 - Don Wilson is celebrating the anniversary of 25 years in radio. Frank Sinatra makes a guest appearance. References include the soap opera "Life Can Be Beautiful" and the advice show of John J. Anthony.

This week, we catch up with Billy, as he is again fired, despite being the league's Manager of the Year. He fights, more & more, with his celebrity getting him out of multiple arrests. But his celebrity doesn't help his attempted cocaine mule of a daughter. He lands his dream gig, as manager of the New York Yankees, only to almost be fired for talking back to the owner. Billy will never learn! Get fired, even though you're the AL Manager of the Year, call Frank Sinatra & Henry Kissenger to try to get your daughter out of trouble, and start fighting with your new team's owner with Billy Martin - Part 6!! Check us out, every Tuesday! We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS, STM & YSO merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS, STM & YSO!! Contact us on... instagram.com/smalltownmurder facebook.com/crimeinsports crimeinsports@gmail.com

CADENA 100 presenta la mejor variedad musical, con éxitos como "Blinded by the Lights" de The Weeknd, "Empire State of Mind" de Alicia Keys y "No Te Atreves A Volver" de Dani Fernández. En 'Buenos días, Javi y Mar', se celebra la música y la energía. Se escucha a Jessy J con "Price Tag" y se explora una anécdota de los inicios de George Clooney y Frank Sinatra. También se ofrecen consejos sobre cómo ahorrar en seguros con Mutua y Línea Directa. Se invita a descubrir el catálogo de juguetes de El Corte Inglés y se menciona la posibilidad de renovar el baño con Leroy Merlin. El programa destaca iniciativas como el sorteo 11 del 11 de la ONCE y el ahorro en combustible con Moove. Se escucha música de Cold Play, Isabel Pantoja y se presenta el trabajo de artistas como Zoilo y Aitana. Se reitera el lema de CADENA 100: 'La mejor variedad musical'.

Russell Wilson vs. Sean Payton renewed, Frank Sinatra was pro black, Stephen A. speaks on everything, Giants fans on least favorite Eagles player, the underrated part of the Dolphins failure, Fat Joe and Jadakiss on DMX, Paul Pierce speaks out, Rick Rubin's Mount Rushmore of bands and much more on this edition of ‘EJ Loves The Internet'.

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In our fourth annual Halloween Spooktacular episode, your hosts Aaron, Damon and George (The Gitmo Bros) talk about Tut v. Pickett, Lugubrious Jefferson Natorial III, Seth's vocals are lost in Aaron's keister, and the special needs cousin of Ghostbusters. In the Torture Chamber segment, Aaron and Damon compete for meaningless points by making George listen to his most hated Halloween tunes. Will George survive the Torture Chamber long enough to play one of his favorite spooky songs? Tune in and find out! Songs featured in this episode: "The World We Knew (Over and Over)" (Frank Sinatra), "Me and My Mummy" (Bobby "Boris" Pickett), "Fright Night" (The J. Geils Band)

The First Deadly Sin (1980) AIP Production #8007 Jeff and Cheryl discover that murder, not pride, is The First Deadly Sin. Screenplay by Mann Rubin From the novel by Lawrence Sanders Produced by George Pappas and Mark Shanker for Filmways Pictures Directed by Brian G. Hutton Cast: Frank Sinatra as Edward X. Delaney Faye Dunaway as Barbara Delaney David Dukes as Daniel Blank James Whitmore as Dr. Ferguson Brenda Vaccaro as Monica Gilbert Martin Gabel as Christopher Langley Anthony Zerbe as Captain Broughton Hugh Hurd and Ben Johnson Anna Navarro as Sunny Jordeen Victor Arnold as Officer Kendall George Coe as Dr. Bernardi Joe Spinell as Charles Lipsky Jeffrey DeMunn as Sergeant Correlli Reuben Green as Bill Garvin Eddie Jones as Officer Curdy An Artanis-Cinema VII Production A Filmways Release View the The First Deadly Sin TV spot here. You can rent The First Deadly Sin on Apple TV+.Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Crime on a MondayFirst, a look at the events of the day.Then, Mr. Keen Tracer of Lost Persons starring Bennett Kilpack, originally broadcast October 27, 1949, 76 years ago, The Case of the Ruthless Murderers.  A man just out of prison after five years had sworn to kill Mr. Keen. But Keen is saved by one of his secret inventions. Followed by Counterspy starring Don MacLaughlin and Mandel Kramer, originally broadcast October 27, 1950, 75 years ago, The Case of the Insidious Impersonation.    Ramon Sierra, a Philippine statesman, is arriving aboard the liner Trigania. Secret defense plans are to be made for the defense of the islands.Then, Rocky Fortune starring Frank Sinatra, originally broadcast October 27, 1953, 72 years ago, Pintsized Payroll Bandit.  Rocky's job as a night-man in a hamburger joint leads to a nine-year-old runaway with $50,000 in cash!Followed by Lights Out, originally broadcast October 27, 1942, 83 years ago, Mungahra.  A man just back from Australia with a huge diamond has a murder on his conscience. Finally, Claudia, originally broadcast October 27,  1947, 78 years ago, The New Car.  Claudia meets Caroline, David's secretary. David buys a new car.   Kathryn Bard and Paul Crabtree star.Thanks to Laurel for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”. Listen live every Saturday and Sunday at 3pm on DCRadio.gov

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”. Listen live every Saturday and Sunday at 3pm on DCRadio.gov

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”. Listen live every Saturday and Sunday at 3pm on DCRadio.gov

Two decades after his breakout album It's Time, five-time Grammy Award winner Michael Bublé sits down with Willie Geist at New York's Blue Note Jazz Club to reflect on his journey from Canadian fishing boats to global fame. Bublé opens up about the grandfather who introduced him to Frank Sinatra, Louis Armstrong and Ella Fitzgerald, the early gigs that shaped his craft, and the moment that changed everything in his career. He also talks about his love for Christmas music, the perspective he gained after his son's illness, and his return as a coach on NBC's The Voice, where he's chasing his third straight win. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dan Moren returns to the show. Topics include Atlas, ChatGPT's new web browser (or anti-web browser) for the Mac; Apple's loss in a "landmark" regulatory lawsuit in the UK regarding App Store commission rates; multiple reports of poor sales for the iPhone Air; and Apple's M5 product announcements: MacBook Pro, iPads Pro, and Vision Pro.

In this episode of the Broad Street Review Podcast, host Darnelle Radford speaks with Susan McKey, a seasoned actor involved in Hedgerow Theatre's production of 'Fly Me to the Moon.' They discuss Susan's extensive experience in theater, the dynamics of the play, the challenges of rehearsals, and the themes of loneliness and connection that resonate throughout the performance. The conversation highlights the importance of humor in addressing serious topics and the audience's experience of live theater.Chapters00:00 Introduction to the Podcast and Guest02:37 Susan McKey's Journey in Theater05:10 Exploring 'Fly Me to the Moon'07:58 Rehearsal Dynamics and Challenges10:24 Character Dynamics and Relationships13:01 Themes of Loneliness and Connection15:24 The Role of Humor in Serious Topics17:41 Audience Experience and Expectations20:39 Conclusion and Final ThoughtsSusan McKey and co-star Marcia Saunders star as Loretta and Francis, two cash-strapped community care workers, are on their way to another routine visit to their patient, Davey McGee, a lonely man dedicated to his newspaper, horse races, and memories of Frank Sinatra. The day takes an unexpected turn for poor Davey, as Jones spins a sharply funny tale exploring what happens when ordinary people are tempted with extraordinary (if not slightly outrageous) opportunities.“Fly Me to the Moon is a play about making the wrong decisions and then making the right ones,” shared Gibson. “As with all good farce, Marie Jones has crafted two credible characters that we can't help but fall in love with. While the play does speak to economic hardship and senior loneliness, what impresses me is the way Jones finds humor in their desperation. What charms me most about this play, however, is its optimism. The belief that, despite your circumstances, your life might just get better, Frank Sinatra might sing to you, or maybe your horse will finally come in.”FOR TICKETS AND INFORMATION: https://hedgerowtheatre.org

Sveriges geggigaste, sexigaste och härligaste podcast dundrar på i vanlig ordning med sex i stora lass. Denna vecka med novellen: "Vi möts igen". Allt varvat med snickesnack och bus gällande alltifrån Frank Sinatra till Lauren Bacall. Inte tråkigt alls med andra ord. Bara att dyka rätt in!Vill du stötta podden och ta del av exklusivt material som exempelvis ett par lite för explicita noveller?Gå in https://www.patreon.com/sexnovellerdeluxePuss, kram och lite smek / Jonas & Natalie! Hosted on Acast. See acast.com/privacy for more information.

Justin Lawrie joined VastSolutionsGroup.com to explain why live virtual events are a must for modern entrepreneurs. He framed virtual events as a cost-effective way to expand reach beyond local boundaries, turning a local audience into a national or global one. Justin stressed that a great virtual event is an experience — not just “another meeting” — and that treating it like a production, not a routine call, is the key to keeping attention and converting attendees.On the tech side, Justin walked through his core stack: a dedicated event platform called Obvio/Avio built around Zoom that provides a full dashboard — registration, magic-link one-click login, CRM integration, attendance tracking, and built-in email/sales pages. The platform includes Zoom meetings, not webinars, so attendees can be seen, breakout rooms can scale, and hosts can spotlight speakers while attendees can revert to gallery view. Justin emphasized that the right platform and CRM hookup make follow-up, segmentation, and automation straightforward.Operation and attendee experience are supported by a concierge model: every client is paired with an event specialist who shepherds weekly calls from planning through post-event. Justin recommends tech checks, moderator tools for question submission, and strict host controls to maintain professionalism and prevent interruptions. Chat is used for community and engagement, while structured forms funnel actual questions for moderated answers.Engagement techniques Justin recommends include gamification, breakout rooms sized for meaningful interaction, live cameras encouraged for connection, and transparent use of pre-recorded content only when labeled as such. He prefers live where possible but recognizes replays and replay events with a live host for connection have strong value. He also stressed recording everything so clients can create microcontent for social and marketing after the event — and pointed out the team helps with editing and content repurposing.Results and practical guidance rounded out the discussion: a case study, Land Geek's Bootcamp, showed a 110% increase in virtual-to-virtual revenue and nearly a million dollars difference when reformatted and run through Justin's system. Typical timelines are six to eight weeks for a comfortable build; the sooner you engage a specialist, the better. Justin's final advice: don't “f with the formula” — use best practices, start early, treat the event as a curated experience, and lean on experts so you can focus on content and conversion.Takeaways• Online events expand your reach beyond local audiences.• Using the right tech stack is crucial for success.• Engagement strategies like breakout rooms enhance attendee experience.• Marketing strategies should be tailored to your audience.• Post-event follow-up is key to maintaining relationships.• Common mistakes include treating online events like traditional webinars.• Live interactions foster a stronger connection with attendees.• Pre-recorded content can be effective if presented transparently.• Client communication is essential for successful event planning.• Understanding your audience's needs leads to better event outcomes.Sound Bites• We create the Frank Sinatra mentality.• We can meet you wherever you're at.• We are there with you every step of the way.Listen & Subscribe for More:

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Howdy Folks, The GOVT is shut down and we hate on politicians. A lot of great music as there is a ton of songs about how much Politicians Suck. Mostly Punk and Hip hop. Gower talks the oligarchy we are living in and how the only care about themselves. People protesting in the streets as our free speech and right to protest are under attack by these clowns. No good politicians, MATADOR Artist include: Paris, Killer mike, Public Enemy, Propagandhi, Sinatra and many more.

Legendary maître d' Brian Ellis pulls back the velvet rope on five decades at Melvyn's and the Ingleside Inn, where stars, moguls, and locals mixed like martinis as he opens up on this episode of Big Conversations, Little Bar with Patrick Evans and Randy Florence from the corner booth at Skip Paige's Little Bar in Palm Desert.. From overbooked New Year's Eves to Sinatra's rehearsal dinner, Ellis recounts how front-of-house finesse, unflappable charm, and a well-timed “wave” could turn chaos into magic. He remembers iconic entertainers like Nino Fontana, explains why the Sunday Jam became a civic ritual, and shares why Mel Haber's old-school rules kept the lights glowing and the legends returning. Ellis also reveals the craft behind saying yes to special requests, the rare moments that warranted an 86, and the human kindness that happened off the record. Finally, he updates us on life at Hotel Paseo and his forthcoming memoir packed with signatures, photos, and jaw-dropping tales. It's a sparkling masterclass in hospitality, Palm Springs history, and the art of making every guest feel like a headliner.Takeaways:Five decades at Melvyn's made Ellis the ultimate Palm Springs gatekeeper.Sinatra's rehearsal dinner at Melvyn's put the venue on the map.Sunday Jam crowds became a valley ritual requiring deft crowd management.Mel Haber's “say yes” ethos—and selective 86ing—shaped service culture.Nino Fontana's showmanship (and breaks!) inspired unforgettable lounge lore.Quiet philanthropy surfaced in stories of kindness from famous patrons.Classic tableside dishes and upselling sustained quality and profitability.Ellis now brings that front-of-house magic to Hotel Paseo—and to his memoir.#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #BrianEllis #MelvynsPalmSprings #InglesideInn #PalmSprings #MelHaber #FrankSinatra #NinoFontana #SundayJam #HotelPaseo #McCallumTheatre #CelebrityStories #RestaurantLife #MaitreD

Come sub with me. It's a Frank Sinatra submarine movie.  Also just a touch of the Queen Mary.John Champion has been sussing out the messages, morals, and meetings of every episode of Star Trek for more than a decade at the Mission Log podcast.  Head over here to get into that:https://www.missionlogpodcast.com/ Please dig us on Facebook and Twitter, and support this and our dives into other media like films of all types and prime Nintendo video games at our Patreon home of Podcastio Podcastius:https://www.patreon.com/podcastiopodcastiusAnd Matt makes music.  In fact, brand new albums include the acid folk of "Descent Into the Faerie Mound," and the binaural head trip of "Journey to Where."  Hear a few sounds here:https://rovingsagemedia.bandcamp.com/Coming Soon: The Doomsday FlightThe Man  ★ Support this podcast on Patreon ★

Meet Frank Sinatra. 50-11-12 Ep03 Guest-Jan Murray

Topics: Breaking Animal News, Memorizing Scripture, Discipleship, Frozen Bag of Pea, History Segment, Memoirs, Shock Jock, Your Attention BONUS CONTENT: Sam's Birthday, Karaoke Update   Quotes: “Sadly, information now is malleable.” “We always lionize ourselves.” “At least one of us is shocked.” “What you pay attention to influences your kids.” “Focusing on what really matters changes the future.”

Trevor and David return to the mic for a wild ride through the Disney multiverse of mayhem.This week's episode cruises from a retirement-home Sinatra serenade to the “officially unofficial” Anaheim Halloween Parade broadcast. Along the way, the guys rant about how Disney turned witty skipper improv into Dadventureland, reminisce about Universal Studios' weirdest theme park moments, and debate whether Walt's Apartment or Tarzan's Treehouse makes the better post-apocalyptic hideout.Plus: tornado sightings, the bizarrely dark origins of classic Grimm fairytales, and much more!Use code JUNGLE10 for 10% off subscriptions or merch, from this episodes sponsor WDW Magazine—the collectible way to keep the magic on your coffee table.

Today On With Mario Lopez – Tony Danza joins us to talk new movie 'Re-Election', his Sinatra show and more! Plus, details on Mario hosting the Daytime Emmys this Friday, fresh life hacks in Courtney's Corner, the latest buzz and much more!See omnystudio.com/listener for privacy information.

Un 15 de octubre nos dejó uno de los mayores compositores de la música popular del siglo XX. Recordamos algunas de sus grandes canciones en grabaciones de Louis Armstrong ('Let´s do it'), Ella Fitzgerald ('I love Paris', 'Begin the beguine'), Billie Holiday ('Night and day'), Bebel Gilberto ('Night and day'), Frank Sinatra ('I´ve got you under my skin'), Tony Bennett & Lady Gaga ('I´ve got you under my skin', 'I concentrate on you'), Caetano Veloso ('Love for sale', 'So in love'), Melody Gardot ('Get out of town'), Tom Zé ('Você é o mel') y Stéphane Grappelli & Yehudi Menuhin ('I get a kick out of you').Escuchar audio

The Daily Quiz - Music Today's Questions: Question 1: Which band was fronted by Debbie Harry? Question 2: Who wore the pink uniform on the cover of Sgt. Pepper's? Question 3: Which music icon is famous for songs like "Both Sides Now" and "Big Yellow Taxi"? Question 4: Which song begins with the lyrics: "If I should stay, I would only be in your way."? Question 5: Which British band released the song 'Paradise'? Question 6: Whose ballet music includes Petrushka and The Rite of Spring? Question 7: Which nickname for Frank Sinatra highlights his role as a powerful figure in the music industry, much like a corporate CEO? Question 8: Who released the song 'Off the Wall'? Question 9: Which of these is a brass instrument? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

John C. Reilly joins to discuss Mr. Romantic, his theatrical tribute to the Great American Songbook that treats Irving Berlin and Tom Waits as equals in the canon of timeless American song. Reilly recorded live in one room with his band using vintage ribbon microphones, embracing the squeaks and imperfections while layering in cinematic sound effects—crickets outside a lover's window, a collect call from prison—to transform each standard into an immersive scene. But what makes a song from the 1920s feel eternal? Music data scientist Chris Della Riva, author of the forthcoming Uncharted Territory and the newsletter Can't Get Much Higher, breaks down how composers like the Gershwins wrote for amateur musicians playing sheet music at home, creating universal lyrics and AABA structures where the hook comes first. That accessibility is precisely what draws Reilly to this repertoire. He sees himself in the lineage of interpreters like Sinatra, not selling his own story but passing along music that already belongs to all of us, like holding up a seashell and saying, "Isn't this one beautiful?" More Get Chris Della Riva's book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves Subscribe to Chris Della Riva's Can't Get Much Higher Songs Discussed Taylor Swift "The Last Great American Dynasty" George Gershwin "I Got Rhythm" Village People "Y.M.C.A." Billie Eilish "Bad Guy" Frank Sinatra "On the Sunny Side of the Street" Judy Garland "Over the Rainbow" Ella Fitzgerald "My Romance" George Gershwin "But Not for Me" Elvis Presley "Are You Lonesome Tonight" The Beatles "We Can Work It Out" The Beatles "Get Back" The Beatles "Yesterday" John C. Reilly "Moonlight Serenade" John C. Reilly "Dreams" John C. Reilly "Johnsburg, Illinois" John C. Reilly "Falling in Love Again" John C. Reilly "What'll I Do" John C. Reilly "Picture in a Frame" John C. Reilly "Just Another Sucker on the Vine" Randy Newman "Ragtime" John C. Reilly & David Garza "What's Not To Love" Harry Nilsson "Coconut" Judy Garland "Somewhere Over the Rainbow" Dooley Wilson "As Time Goes By" The New Vaudeville Band "Winchester Cathedral" Andy Williams "The Days of Wine and Roses" Nat King Cole "The Frim Fram Sauce" Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids.Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula.https://amzn.to/4okPHoVBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

What if success didn't require you to lose yourself?In this episode, Leïla Lahbabi, founder of MindImpact and author of Billion Dollar Purpose, explores what it truly means to build and scale a business your way. Inspired by Frank Sinatra's timeless song My Way, Leïla shares her personal journey of unlearning the conventional approach to business, reconnecting with intuition, and finding harmony between structure and flow.You will learn how to:Stop shaping your business to fit someone else's modelReclaim your energy and creativity by trusting your own rhythmFind balance between strategy and intuitionScale sustainably by aligning growth with purposeThis episode is for founders, investors, and conscious leaders who want to grow without compromise. It is a reminder that the most powerful strategy is the one that feels like you.Listen and ask yourself: Are you building your business your way or the way you've been told to?---Would love to read your comments, thank you for those who are cheering the podcast up with their amazing reviews !If you would like to connect and know more about me, you can reach out instragram or linkedin:Linkedin: www.linkedin.com/in/leilalahbabiimpactstrategyInstagram: https://www.instagram.com/leilalhb/

My Dad's Greatest Hits This will be my last regularly scheduled weekly episode. We'll talk about that as we go along. One of the last songs my dad heard in his hospital bed the day he died and the one we played as we wheeled his casket out of the church was the Frank Sinatra song, My Way. It's how my dad lived his life. And it's how I will bring this show to a close. I'll use paraphrased lyrics from the song. So Yes, the end is near. My friend, I'll say it clear.  Strap in. This is going to be a fun musical ride. So, get ready to hear 20 songs that had meaning to my father, my family, and me in Volume 250: Fading Out My Way. Credits and copyrights Louis Armstrong When The Saints Go Marching In A traditional Tune Opens and Closes (almost) every episode Lou Monte Pepino The Italian Mouse written by Ray Allen and Wandra Merrell Volume 9: Lou Monte and Pepino Herb Alpert and the Tijuana Brass Whipped Cream Written By – Naomi Neville Volume 98: Whipped Alpert Henry Mancini Peter Gunn Theme Written by Henry Mancini Volume 242: Mancini's Gunn Ray Conniff This Is My Song Written By – Charlie Chaplin Volume 76: My Song Willie Nelson Georgia On My Mind Written By Hoagy Carmichael and Stuart Gorrell Volume 225: The Standard Stoner The Sons Of The Pioneers Cool Water written by Bob Nolan Volume 41: Tumbling Tumbleweeds Part 1 Luciano Pavarotti with The National Philharmonic Orchestra conducted by Gian Carlo Chiaramello Torna A Surriento Composed By – Ernesto de Curtis Volume 86: Pavarotti's Greatest Part 1 unknown artist Oh Marie Adapted from Maria Marì written by Eduardo Di Capua, Alfredo Mazzucchi, and Vincenzo Russo Volume 127: Italian Favorites Roy Meriwether Trio Zipadee Doo Dah composed by Allie Wrubel with lyrics by Ray Gilbert Volume 62: Popcorn and Soul Kay Kyser And His Orchestra Woody Woodpecker, a Walter Lantz Cartoon With vocal chorus from Gloria Wood. Written by Ramey Idriss, George Tibbles Volume 74: 8 Sides from Columbia Bing Crosby Running Around in Circles (Getting Nowhere) Written by Irving Berlin Volume 78: Berlin's Blue Skies Pete Fountain Farewell Blues written by Paul Mares, Leon Roppolo and Elmer Schoebel Volume 25: Pete Fountain a High Society Fathers Day Glenn Miller Orchestra Bugle Call Rag Written By – Billy Meyers, Elmer Schoebel, and Jack Pettis Volume 122: Glenn Miller Collection Part 4 Jonah Jones Cherry Pink And Apple Blossom White Written By – Louiguy (real name Louis Guglielmi) Volume 210: Jonah Style Harry James Two O'Clock Jump Written-By – Benny Goodman, Count Basie, and Harry James Volume 4: Harry James Greatest Hits Al Hirt Holiday For Trumpet Written By – Mario Ruiz Armengol Volume 158: Hirt So Good Dean Martin Your Other Love Written by Mort Shuman and Doc Pomus Volume 75: Everybody Loves Dean Sammy Davis Jr. Mr. Bojangles written by Jerry Jeff Walker Volume 136: Sammy Record 1 Frank Sinatra My Way written by Jacques Revaux, Gilles Thibaut, and Claude François English lyrics by Paul Anka I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #dadsrecords #vinyl #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

National gumbo day. Entertainment from 1959. 1st Oktoberfest, Rhyme 3 blind mice printed, Executive Mansion named the White House. Todays birthdays - Luciano Pavarotti, Sam Moore, Pat DiNizio, Hugh Jackman, Kirk Cameron, Josh Hutcherson. Robert E. Lee died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Gumbo time - Sean ArdainMack the knife - Bobby DarinThe three bells - The Browns3 blind mice - Cooco TVBirthdays - In da club - 50 Cent     http://50cent.com/Dalla Caruso - Luciano PavarottiSoul man - Sam & DaveA girl like you - The SmithereensOnce before I go - Hugh JackmanAs long as we have each other - B.J. Thomas Dusty SpringfieldExit - Love like me - Highway 95    facebook pagecountryundergroundradio.comHistory & Factoids about today webpage

Mindy Rickles and her husband Ed Mann host a weekly podcast mixing laughs, stories, and classic clips - called "Mindy and Ed and Don Rickles"-Don on the Tonight show-Mindy Rickles on her fearless dad Don “No he didn't. And Sinatra, they were very close. My dad loved him because Frank Sinatra was the one who would come to the shows and bring his friends.” -Don's best friend Bob Newhart -Did she embrace being Don Rickles daughter-Working on the movie 'Casino' with Deniro and Scorsese-Hundreds of appearance on The Tonight Show and his relationship with Johnny  To subscribe to The Pete McMurray Show Podcast just click here

It's up to youuuu U - C - L - A !!!  Enjoy the sweet rhytmic melody of the People's Parlays second Sinatra of the season in honor of Penn State and Da Jankees demise. Another great day to be a hater.

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Centered around the endearing and vivacious Judy Foster, played by Louise Erickson, the show follows her misadventures, romantic escapades, and the delightful chaos that ensues in her teenage world. Set against a backdrop of catchy tunes and lively melodies, "A Date with Judy" not only entertained but also provided a relatable mirror to the experiences of its young audience. The supporting cast, including Judy's friends, family, and the charming Oogie Pringle, added layers of humor and warmth to the series. The show's musical interludes, featuring popular tunes of the time, created a rhythmic backdrop that enhanced the overall vibrancy of the program. This episode was originally broadcast March 20th, 1945 on NBC Radio.

Send us a textTim is joined by musician and YouTuber Nancy Howie (aka Fathom) to explore “And Your Bird Can Sing.” They dive into Revolver-era innovation, Paul's shape-shifting basslines, those tightly harmonised dual guitars, lyrical interpretations (from Sinatra to Lennon–McCartney dynamics), and why this two-minute gem feels so complete.Guest linksFathom on YouTube: https://www.youtube.com/@fathommusicnzFathom on Instagram: https://www.instagram.com/fathommusicnz/ Follow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongX (Twitter): https://twitter.com/myfavebeatlesCreditsOriginal music by Joe Kane.Logo design by Mark Cunningham.Solstice version of And Your Bird Can Sing by Tim Tucker, Dave Little & Jenny.

Murph & Markus - hour 4: Steve Young joins the show, reacting to the interview, & WDYTLT: Frank Sinatra's voice evolutionSee omnystudio.com/listener for privacy information.

Murph & Markus - hour 4: Steve Young joins the show, reacting to the interview, & WDYTLT: Frank Sinatra's voice evolutionSee omnystudio.com/listener for privacy information.

"The Very Day" If you're wondering if the Connecticut-born Grammyt Award winning keyboardist and composer grew up with music in the house, the answer is yes--his father Joe Porcaro was a renowned jazz drummer who played with everyone from Sinatra to Stan Getz to Madonna. He also played on hundreds of film and television scores including The Wild Bunch, I Dream Of Jeannie and Edward Scissorhands. He also founded the Percussion Institute of Technology and later the drum department at the Los Angeles Music Academy (https://en.wikipedia.org/wiki/Los_Angeles_College_of_Music). So, yeah music was the lifesblood of the Porcaro household and at very young ages, Steve and his brothers Mike and Jeff went into the family business. How early of an age you might be wondering? Well, at 17 when most of us were finishing our last year of high school and thinking about who and who wouldn't go with us to the prom, Steve was playing with Gary Wright's band on his 1976 Dream Weaver tour. A year later while most of us were fumbling our way through our first year of college, Steve and his brothers were in Boz Scaggs's band. In 1978 Steve and his brother Jeff along with a few other session playing pals formed their own band called Toto. How'd that work out? Well, 50 million albums later, I'd say it worked out very well, thank you. From "Hold The Line" to "Rosanna" to "Africa" Toto had a procession of hits, became one of the biggest bands on the planet and went on to compose the music for David Lynch's Dune. Steve left the fold in 1987 and went on to compose and score for countless film and television projects, including From Dusk Til Dawn 2, Eddie Murphy's Metro and he did all the original music for Justified. This is just a partial list, by the way--he also wrote the song "Human Nature" which Michael Jackson recorded on his Thriller album, the beginning of several compositions he wrote for Jackson to record. Considered one of the pioneers of analog synths, Porcaro's inventive loops appeared on works by everyone from Elton John to Don Henley. When it comes to artists he's collaborated with, here's a list that's going to knock you out: Hall and Oates, Earth Wind and Fire, Sheena Easton, Diana Ross, Warren Zevon, Jefferson Airplane, Yes, and Michael McDonald. Also a partial list. And speaking of Yes, Porcaro was good friends with Yes's Chris Squire and played in his band The Chris Squire Experiment. Porcaro's second solo album The Very Day is one of 2025's real bright spots. Featuring guest appearances by Stan Lynch, Jude Cole, Michael McDonald, Gardner Cole and his Toto pal David Paich, The Very Day is a stirring song cycle of effortless pop melodies, rootsy grooves and insanely catchy hooks. It's pure magic. And this conversation felt the same. Steve's an open book and a lovely guy and I can't wait for you to meet him, www.steveporcaromusic.com www.stereoembersmagazine.com (http://www.stereo) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

Alison Martino is back! Alison is the creative force behind one of the best Instagrams out there - Vintage Los Angeles. Alison and Kilby talk about their recent dinner at the legendary Dan Tana's and the history of the restaurant. And Alison tells a fascinating story, how her dad, singer Al Martino, somehow lost the song 'Strangers in the Night' to Frank Sinatra. Al Martino apparently had the song first and did a scratch track before the lyrics were written and where Al ad-libbed "doo-be-doo-be-doo." Hmmm...did Frank pull a fast one? Plus, LA Restaurant talk for your next visit to the City of Angels. Let's Go! Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth MacFarlane (Family Guy, Ted, American Dad!) is a man of many voices. For more than 25 years, he's voiced Peter and Stewie Griffin, Brian the dog, and their neighbour Quagmire on “Family Guy,” the adult animated sitcom he created back in 1999. But when Seth's not recording a character for TV and film, he's recording music. Now, the five-time Grammy-nominated vocalist is back with his ninth album, "Lush Life: The Lost Sinatra Arrangements.” Seth joins Tom Power to talk about finding a treasure trove of unrecorded Sinatra songs, learning how to sing like Sinatra, and how he feels about the situation between Jimmy Kimmel and the FCC.Fill out our listener survey here. We appreciate your input!

In this week's episode, Candice reconnects with longtime friend Steve Peacock, whose journey from law enforcement hopeful to teacher, journalist, voice talent, and now runway model is a testament to resilience and the power of reinvention.From surviving a near-fatal shooting that altered his life's course to standing on stage at New York Fashion Week, Steve's story reminds us that it's never too late to chase new dreams and embrace possibility. Through gratitude, courage, and an openness to change, he's learned that purpose is found not just in what we plan, but in how we adapt. In this inspiring conversation, Steve shares:How an unexpected tragedy reshaped his sense of purpose and resilienceThe role gratitude played in his healing and transformationHis winding path from police work to journalism to teachingWhat led him to pursue a decade-long career as an MC and voice talentHis recent leap into modeling and performing at New York Fashion WeekThe lessons he shares with his students about reinvention, courage, and authenticityWhy embracing change and “risking failure” opens doors to possibilitySteve's story is proof that it's never too late to rewrite your story and that every detour can lead you closer to purpose! About Steve:Steve Peacock is a voice talent, actor, and model. Twice, he has emceed the Mr. America bodybuilding competition on CBS Sports, and in 2024, he also sang the national anthem and Frank Sinatra's "Winners" at the iconic event. Within days of recording this podcast, he'll be making his New York Fashion Week debut both as event host and runway model.Website: https://steve-peacock.com/Instagram: https://www.instagram.com/steve__peacock/Facebook: https://www.facebook.com/peacockvoice/ -----If you're struggling, consider therapy with our sponsor, BetterHelp.Visit https://betterhelp.com/candicesnyder for a 10% discount on your first month of therapy.*This is a paid promotionIf you are in the United States and in crisis, or any other person may be in danger -Suicide & Crisis Lifeline Dial 988-----Connect with Candice Snyder!Website: https://www.podpage.com/passion-purpose-and-possibilities-1/Facebook: https://www.facebook.com/candicebsnyder?_rdrPassion, Purpose, and Possibilities Community Group: https://www.facebook.com/groups/passionpurposeandpossibilitiescommunity/Instagram: https://www.instagram.com/passionpurposepossibilities/LinkedIn: https://www.linkedin.com/in/candicesnyder/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/Fall In Love With Artists And Experience Joy And Calm: https://www.youtube.com/@movenartrelaxationClick this link to receive your FREE TRIAL to The Greenhouse Communityhttps://www.thegreenhousecommunity.com/checkout/the-greenhouse-membership?affiliate_code=11e889

Listen in to an amazing show as Joe features the newly released, two for one special album of Frank Sinatra, 'The Giants of Jazz'! Learn more about your ad choices. Visit megaphone.fm/adchoices

To tee up the release of Merrily's screen capture, we look forward to a broad overview of Sondheim's wonderful score. Renditions from Frank Sinatra, Julie Andrews, Lin-Manuel Miranda and various cast albums. 

In this newest installment we got going ova hea now, I'm filtering through my favorite pieces from Frank Sinatra and Tony Bennett, sprinkled with similar artists and a strong close. I'm telling you, I'm still jazzed up that I was able to find the single Demo drop of Jai Paul's Jasmine. The last feature on this episode is a snippet of Joy Anonymous sitting on the steps inside of an Italian Cathedral. Incredible stuff, really. Also I'd be remiss to forget to mention the Jerry Vale performance of Pretend You Don't See Her. A really underestimated scene in Goodfellas. Wicked hot. I'm thinking I'll be putting together some sort of hip hop episode next week so make sure and tune into that. Thank you, as always, for being here. Your most trusted internet disc jockey.. out. Host with the Most,Witwicka Juan Don

Excerpt of the 01 Oct 1946 tribute broadcast to Al Jolson. This star-studded program originated from both New York and California, and included George Jessel, Eddie Cantor, Dinah Shore, Frank Sinatra, Bob Hope, Perry Como, and others, in an hour long tribute to the World's Greatest Entertainer upon the release of The Jolson Story. This podcast includes songs by Eddie Cantor, Dinah Shore, and Frank Sinatra, along with the ending of the program by Mr. Jolson. If there is any doubt about how those in the business felt about Al Jolson, this should get rid of them for all time. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

On this week's Talkhouse Podcast we've got a pair of singers who both look to classic sounds for inspiration—and one of whom happens to also be the creator of one of the biggest animated shows ever. It's Liz Gillies and Seth MacFarlane. Now even if you don't know his name, you almost certainly know Seth MacFarlane's work and voice. He's the creator of the animated comedy Family Guy, which will enter its 24th season next year. He also co-created American Dad and The Cleveland Show, plus directed the movie Ted, among many other TV and film accomplishments. If that weren't enough, MacFarlane has a second career as a musician, a pursuit born out of his love for big band music of days gone by: It's not a lark or a joke, either. MacFarlane is a serious student of classic songwriters, which led to his tenth and latest album, Lush Life: The Lost Sinatra Arrangements. As that title suggests, MacFarlane was given access to a massive number of songs that had been arranged—often by big names—for Frank Sinatra to sing, but that had never actually been recorded. MacFarlane recruited an A-team to get them in shape, and he sang the hell out of them. Check out “I Never Felt This Way Before” right here. The other half of today's conversation is MacFarlane's friend and sometime musical collaborator Liz Gillies, who's also a multi-hyphenate. You may have seen her on TV—going all the way back to Nickelodeon—in movies or on Broadway. She even provided voices on a couple of MacFarlane's shows. But the two really found their working spark during the pandemic with Songs From Home, and that collaboration continued in 2023 with a holiday album called We Wish You The Merriest. As you'll see from this conversation, Gillies and MacFarlane have a friendly rapport. In this lively conversation, Gillies grills MacFarlane on the origins of Lush Life, a fascinating story in which MacFarlane is deeply invested. They also talk about how Liz likes to go out when they're on tour but Seth prefers the comfort of a hotel room, how to pronounce Rudolph the Red-Nosed Reindeer and more. Stick around for the end, when they get a little silly coming up with podcast names. Thanks for listening to the Talkhouse Podcast, and thanks to Seth MacFarlane and Liz Gillies for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Today on another encore edition of the Rarified Heir Podcast, we are speaking to Donavan Freberg, son of the genius humorist, comedian, advertising executive and writer Stan Freberg. Donavan was a guest we had tried to get on the podcast for quite some time and thankfully he finally agreed to be in the hot seat and we can't thank him enough. Our conversation with Donavan was frank and not always easy but at other times wonderful and whimsical. You'll see what we mean after you take a listen. Our chat with Donavan often started with the almost Wonka-like existence of growing up with a dad who had a fondness for Christmas, often took his son out on adventures late at night and sometimes not requiring him to go to school was part of his daily existence. It was more like a movie or an adventure that most of us ever get to experience in our own childhood When you mom breaks you out of school, you know you are living in rarified heir. We get into that hilarious story and a lot more on this episode. We learn from Donavan that his father was a genius ad man who created some of the funniest, most memorable commercials of the 60s and 70s which garnered him 21 Clio awards, the ad biz's equivalent of the Academy Awards for commercials. We also talk about our Frank Sinatra connection that likely brought us to this interview in some ways. We also learn from Donavan that a very, very rough change took place in his father's life after his mother passed away which is both heartbreaking and remarkable at the same time. Heartbreaking for the loss Donavan felt with his father and remarkable that he still has such affinity for his dad. This episode is all about duality. Take a listen. Everyone has a story.  

This week on Office Ladies 6.0, it's “All About Creed Bratton”! Creed Bratton joins Jenna and Angela in studio to talk all about the character and lore of the beloved “Office” character Creed Bratton. We also get to know more about the actor/musician Creed Bratton too, which includes a Frank Sinatra story! Jenna reads from the show bible and then a fan letter that is very accurate in recounting the character of Creed, Angela describes what it's like to be on a text thread with the real Creed and the Office Ladies team shares their favorite Creed moments. So get to know all about Creed Bratton! Or as much as you can because “Nobody steals from Creed Bratton and gets away with it. The last person to do this disappeared. His name? Creed Bratton.” Check out Creed Playing Music on YouTube's Jam in the Van  Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices