Podcasts about Kickstarter

Both The Uhuru and its crew are battered and bloody, but they are not broken. They can sense the glimmer of victory on the horizon. Gable makes a desperate play to remove the remaining swift circling the boat with guns. Is anyone ready for the sacrifice it will take to win? CONTENT NOTE Main Show:  gunshots, vomit (no sound effects), death, blood Dear Uhuru: Returning soon! THE ULTIMATE RPG VILLAIN BACKSTORY GUIDE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy it here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave a review, please!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ COSMIC CENTURY KNIGHTS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get the game on Kickstarter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the mailing list for James' game design projects⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THE ULTIMATE RPG PODCAST ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen Here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SKYJOUST FIGHT WITH SPIRIT EXPANSION ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get it now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SKYJACKS: COURIER'S CALL IS BACK! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on Spotify (or any other podcatcher app)!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ STARWHAL PUBLIC FEED: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on Spotify (or any other podcatcher app)!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN OUR MAILING LIST ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Right Here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Kelly and Katai read THE NANCY DREW FILES #111: THE STOLEN KISS, a snooze of a mystery about a stolen painting and blah blah blah. They talk Ned holding Nancy back, George wanting Ned, questionable modeling outfits, and more!Support BROTHER MANOR, Kelly's gothic romance miniseries, on Kickstarter! INFO AND DONATE!SUBSCRIBE ON PATREON for ad free and video eps, bonus eps, & more.DiscordInstagramMERCH!TEEN CREEPS IS AN INDEPENDENT PODCAST.*All creepy opinions expressed are those of the hosts and guests. Hosted on Acast. See acast.com/privacy for more information.

Today, we're bringing San Diego Comic-Con International to you, our beautiful listeners. Writer Christopher Cantwellreturns to the show for a boisterous Star Trek celebration. On September 23rd, IDW Publishing is relaunching its Star Trek line. Cantwell spearheads the main ongoing series alongside his artist collaborator, Dennis Menheere. We've been given a sneak peek, and consider their phasers set to stun cuz - We. Are. Stunned. Years after the Star Trek: Picard finale, Seven of Nine now captains the Enterprise-G. Her crew includes several legacy characters. Picard's kid. LaForge's kid. Worf's kid. Not to forget some characters familiar to those who've been reading the IDW comics and several new folks, too. This book is more forward-looking than backward-looking, as all good Trek should be. Most excitingly, Cantwell and Menheere are free to make COMICS within the Star Trek franchise. In the past, likeness has been the predominant factor when crafting brand comics. Dennis Menheere lets loose with his cartooning, embracing shapes and lines that communicate emotion and thought. They're not just assembled to please entertainment lawyers. These characters look like who they should look like, but more importantly, they feel like they should. Cantwell, Menheere, and the whole IDW crew seemingly have learned all the right lessons from Absolute Batman's success. Let's tell stories that only comics can tell. Let's engage with this medium's tools. This episode is the first of five episodes coming at ya this weekend. Be on the lookout for one new Comic Book Couples Counseling episode for every day of San Diego Comic-Con International. It's a lot, but you're gonna have fun whether you're here in California or not. As we said, Star Trek #1 arrives in comic shops on September 23rd. Final Order Cutoff (FOC) is August 17th. It's written by Christopher Cantwell, illustrated and colored by Dennis Menheere, and lettered by Jodie Troutman. Make sure you're following Christopher Cantwell on Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christopher Cantwell and Tyler Crook on Out of Alcatraz Previously on CBCC: Christian Ward on The Forever Home Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

Welcome to Botched: A D&D Podcast! We are joined by special guest Charles Mcfall! Find his newest show: Little Brown Pill on all your podcatchers! You can also find him over at https://linktr.ee/rgop42The emissaries of the gods have slowly been tearing the world of Terry's Tough Guys apart. First, Terry, now the rest of the world. They go after Gazur, in the hopes of using him to inflame the rest of the people.What would be the best way to get the word out? A podcast, obviously! Sitting down with Gazur and Terry, things quickly go from bad to worse for the brand image of Terry's Tough Guys.How will they convince Gazur to help them? What information do they want from him? How will a podcast convince the world? How will the King of Alurys react? There are werecrocs where? Tune in and find out!Dennis has successfully completed a Kickstarter for his 4th graphic novel in his Lycan: Solomon's Odyssey series! Lycan is about the world's first werewolf! It's a mix of horror, mythology, adventure, and history. The 4th book in the series is all about ancient Egypt! Wanna read a story mixing a werewolf with Egyptian Gods? You can still back it on Kickstarter for the time being as we have Late Pledges enabled! Check it out on Kickstarter!We now have a PO Box! Wanna send us something? PO BOX 3178 Gettysburg, PA 17325All of our previous seasons can be found on our new channel!⁠⁠⁠⁠⁠⁠Botched Archives⁠⁠⁠⁠⁠⁠!A special shout out and thank you to all of our supporters over on Patreon. You help us continue to churn out “quality” episodes. With your continued support we can take our show on the road! Check out our store over at ⁠⁠⁠⁠⁠⁠⁠Botched Podcast⁠⁠⁠⁠⁠⁠⁠ where you can find tshirts, stickers, pint glasses and more!Give us a 5 star review on Itunes. Doing so will help the show grow, but we will also read out whatever you write at the end of one of our episodes!Feel free to email us any questions, comments or suggestions at ⁠BotchedPodcast@gmail.com⁠Follow us on ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, subscribe on ⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠, like us on ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠.You can watch the show live on ⁠⁠⁠⁠⁠⁠⁠Twitch⁠⁠⁠⁠⁠⁠⁠!Check out each of the hosts' Twitch streams! ⁠⁠⁠⁠⁠⁠⁠Dennis⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Phil⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Tristan⁠⁠⁠⁠⁠⁠⁠Hosts: ⁠⁠⁠⁠⁠⁠⁠Dennis⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Phil⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Tristan⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Steve⁠⁠⁠⁠⁠⁠⁠Editor: Philip D Keating And Dennis RobinsonProducer: Philip and DennisExecutive Producers: ⁠⁠⁠⁠James Thatcher⁠⁠⁠⁠, Chronic Ejac, Jim Beverly,Disgruntled Furniture, Chris Wisdom, ShinigamiSPQR,  Jayson Haiss, Toaster Bath and Scabby GoosePublisher: Phil and DennisArt by ⁠⁠⁠⁠⁠⁠⁠⁠Emily Swan⁠⁠⁠⁠⁠⁠⁠⁠Music by ⁠⁠⁠⁠⁠⁠⁠⁠Gozer⁠

Jonathan London stops by the show to talk about Super Action Man, which you can help back on Kickstarter right now! Dan and Jonathan discuss the influences behind the comic and they dive deep into some 80's action movie lore. Jonathan also talks about the difference between the "Action" section and the "Super Action" section that you used to find at Blockbuster Video and why that's important to Super Action Man. Jonathan discusses his influences behind some of his other projects, such as Paul London: Hero of The Prophecy too. So come along and check out this episode and be sure to check out the Kickstarter for Super Action Man!

WEPAAAA! The Comic Crusaders Podcast locks onto one of the most iconic franchises in pop culture as Al Mega sits down with Skybound Editorial Director Alex Antone to talk the continuing power of G.I. Joe: A Real American Hero. From handling a legacy run tied to Larry Hama, to bringing Cobra front and center in Sssilent Missions, to helping guide blockbuster compendium campaigns, Alex gives us a look behind the curtain at how this franchise keeps evolving without losing the pulse fans love. YT: https://www.youtube.com/watch?v=Ahmz7Mug9go Support the Kickstarter: https://www.kickstarter.com/projects/skyboundent/gi-joe-a-real-american-hero-compendium-1-2 Follow Alex on Instagram/X at @alex_antone Follow Skybound on Instagram: @Skybound_Ent Visit Skybound website at https://www.skybound.com/ Thank you for Watching / Listening! We appreciate your support! Host Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet Rumble/Twitch: ComicCrusaders YouTube: / comiccrusadersworld Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Edited/Produced/Directed by Al Mega #GIJoe #ARealAmericanHero #Skybound #LarryHama #ComicCrusaders #AlexAntone #Comics #Cobra

Frederick Littles joins The USDN Podcast to discuss Wise Acre Comics, Dark Sentinel: Origins #2, Magnus Jakuta, independent comic publishing, crowdfunding, comic production, and the realities of building a creator-owned publishing company.As the founder of Wise Acre Comics, Frederick has spent years developing original comic book properties while building a publishing company dedicated to producing creator-owned stories with long-term vision and lasting impact.From flagship titles like Dark Sentinel and Magnus Jakuta to expanding into action figures and collectibles, Wise Acre Comics is focused on creating an interconnected universe of original characters that extends beyond the comic book page.But building comics is only part of the story.During this conversation, Frederick shares the realities of independent publishing, managing creative teams, coordinating production schedules, running successful crowdfunding campaigns, earning the trust of backers, and balancing the creative and business sides of the comic book industry.Frederick also reflects on his military service, finding a second mission through comics, and the passion that continues to drive Wise Acre Comics forward.During this conversation, The Chairman and Frederick discuss his journey into comics, the founding of Wise Acre Comics, the origins of Dark Sentinel and Magnus Jakuta, creator-owned publishing, comic production, crowdfunding, expanding into collectibles, building original intellectual property, leadership, perseverance, and the future of Wise Acre Comics.TOPICS COVERED• Frederick Littles' journey into comics• The founding of Wise Acre Comics• Building a creator-owned comic publishing company• The origins of Dark Sentinel• Magnus Jakuta and expanding original IPs• Independent comic production and publishing• Managing creative teams and production schedules• Crowdfunding strategies and lessons learned• Building trust with Kickstarter backers• Expanding into action figures and collectibles• Leadership, perseverance, and long-term vision• Military service and finding a second mission• Building sustainable creator-owned intellectual property• The future of Wise Acre ComicsSUPPORT FREDERICK LITTLES & WISE ACRE COMICSWebsite:https://www.wiseacrecomics.com/Campaigns:https://www.wiseacrecomics.com/pages/kickstarter-zoopInstagram:https://www.instagram.com/wiseacrecomicsPROTECT YOUR COLLECTION WITH BCW SUPPLIESShop BCW Supplies:https://www.bcwsupplies.com/?acc=usdnUse code USDN for 10% off your order.Affiliate Disclosure:USDN may earn a small commission if you use our affiliate link or code. This helps support the show at no extra cost to you.FOLLOW THE USDN PODCASThttps://linktr.ee/USDN_PodcastCONTACT THE USDN PODCAST: thechairman@usdnpodcast.comFollow The USDN Podcast for more conversations with independent comic creators, writers, artists, publishers, and storytellers exploring indie comics, crowdfunding, creator-owned publishing, comic production, worldbuilding, and the realities of the independent comic book industry.The USDN Podcast - Where Indie Comics Come to Life.

Black Armada's Advent Adventures is launching today on Kickstarter! You can back the campaign here: ⁠⁠https://www.kickstarter.com/projects/blackarmada/advent-of-adventure⁠⁠We are playing Ex Tenebris: a star-spanning gothic investigation TTRPG.You can make a late pledge to the Ex Tenebris Kickstarter campaign here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/blackarmada/ex-tenebris?ref=7an243⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beyond the dark emptiness of space, beyond dreaming, lies the Tenebrium. Only you can unearth its mysteries, defeat the twisted horrors that lurk there, and keep humanity from becoming prey.In Ex Tenebris, you play a ragtag team of investigators, protecting the Republic of Stars from terrifying supernatural threats. You will face sorcerers and cults, dark technology from lost civilisations and the slobbering terrors lurking in the nightmare realm of the Tenebrium.In this episode:Tamzi sets up a risky meetingHamda puts his life in Lake's handsPlus: We discuss a procedurally generated art project and map-making gamesBlack Armada DiscordWe would like to invite our listeners to join the Black Armada discord, where you can hang out with the podcast crew. Join the discord here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/8GAtj9pRYy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CreditsOur players are:Joshua Fox ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/armadajosh.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Becky Annison as Tamzi (the resurrected) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/beckyannison.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eadwin Tomlinson as Galen (the tarnished badge) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/eadwin.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick Bate as Hamda (the technarchologist) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/ickbat.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sue Elliott as Orion (the relic) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/suefacetm.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Black Armada create and publish TTRPGs here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blackarmada.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick creates and publishes TTRPGs as Ickbat here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ickbat.itch.io/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The music is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Orange Button⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ by Esther Garcia.

Millrat Studio is a partnership between board game designers Nick and Adam from Boston. They are designers rooted in the local Boston board game community. Nick and Adam organize and run playtest events, teach game design to families, and Nick has spoken about the design process in classrooms and on panels. Recently. they launched MILLRAT Pack!, a collection of four lightweight games. Check it out now on Kickstarter: https://www.kickstarter.com/projects/millratstudio/millrat-packWHERE TO FIND OUR PODCAST:Spotify: https://open.spotify.com/show/5RJbdkguebb3MSLAatZr7riHeart Radio: https://www.iheart.com/podcast/269-board-game-binge-72500104/Tune In: https://tunein.com/embed/player/p1344218/Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vYm9hcmRnYW1lYmluZ2U=Apple Podcasts: https://podcasts.apple.com/ca/podcast/board-game-binge/id1522623033Visit Our Websites: Board Game Binge: https://boardgamebinge.com/Tin Robot Games: https://tinrobotgames.comElixir Board Games: https://www.elixirboardgames.com/our-games

On today's episode, we welcome Brynn MacLennan, Co-Founder and CEO of Slate Flosser — a women-led oral care company on a mission to transform flossing from an overlooked chore into one of the most important habits in preventive health. A product designer, entrepreneur, and mother of five, Brynn built Slate after recognizing that flossing wasn't a motivation problem—it was a design problem. What started as a Kickstarter project evolved into a seven-figure company and the #1 dentist-recommended electric flosser on the market. In this episode, Brynn shares how purchasing a dental practice opened her eyes to the connection between oral health and overall health, and why she believes the mouth is one of the most overlooked gateways to longevity. We discuss the three-year journey of developing Slate's patented 3-in-1 electric flosser, the challenges of disrupting a stagnant category, and how thoughtful product design can change consumer behavior. Brynn also opens up about scaling from a garage invention to a nationally recognized brand, building a women-led company culture, balancing entrepreneurship with raising five children, and why a simple 60-second daily habit can have a meaningful impact on long-term health outcomes. A must-listen for founders, product innovators, health enthusiasts, and anyone interested in prevention, behavior change, and building a brand that solves a real-world problem.   Are you interested in sponsoring and advertising on The Kara Goldin Show, which is now in the Top 1% of Entrepreneur podcasts in the world? Let me know by contacting me at karagoldin@gmail.com. You can also find me @‌KaraGoldin on all networks.   To learn more about Brynn MacLennan and Slate Flosser:https://www.slateflosser.com/https://www.instagram.com/slateflosser/https://www.linkedin.com/company/slate-flosser/https://www.linkedin.com/in/brynn-maclennan/   Sponsored By: AT&T Business - Switch to AT&T Business at business.att.com Rippling - Head to Rippling.AI/KaraGoldin and get the only AI to give you full visibility across your business and take complex actions across your entire organization. Fatty15 - Get an additional 15% off a 90-day subscription Starter Kit by going to Fatty15.com/KARA and using code KARA at checkout. LinkedIn Jobs - Head to LinkedIn.com/KaraGoldin to post your job for free. Upwork - Visit Upwork.com right now and post your job for free. Thrive Causemetics - Go to ThriveCausemetics.com/KARAGOLDIN for an exclusive offer of 20% off your first order.   Check out our website to view this episode's show notes: https://karagoldin.com/podcast/867

Robert Patton is the Founder and CEO of SHEATH, a premium men's underwear brand he conceived while serving as a U.S. Army Sergeant in the scorching heat of the Iraqi desert. After two combat deployments, Robert left the military with a mission: to create performance-driven underwear built around a patented dual pouch system that delivers unmatched comfort and support for active men.What started as a bootstrap idea fueled by a $5,000 insurance check and a successful Kickstarter campaign in 2013 has grown into a globally recognized brand selling to customers in over 120 countries. SHEATH is the first ever Official Underwear Partner of the UFC — a milestone Robert built without taking on outside investors.A daily meditator, lifelong student of Napoleon Hill's Think and Grow Rich, and relentless entrepreneur, Robert's story is a testament to grit, reinvention, and the power of solving a real problem the world didn't know it had.In This Conversation We Discuss:00:00 Introduction01:02 What an elite underwear makes01:56 The Iraq deployment origin story04:20 Building the first underwear prototype07:32 Sponsor: Klaviyo09:47 Early prototypes and finding a manufacturer15:12 Launching the first Kickstarter campaign17:06 Sponsor: Intelligems 18:33 A botched production and near giving up21:03 The second Kickstarter and revenue growth22:58 Using AI to speed up product design24:12 Sponsor: eFulfillment Service 25:58 Finding customers beyond Kickstarter26:57 The comedian throw stunt28:18 Sponsoring comedians and podcast hosts30:43 Famous names and loyal ad partners35:04 Advice for aspiring entrepreneurs38:14 Where to buy underwear for legendsResources:Subscribe to Honest Ecommerce on YoutubeMen's pouch underwear sheathunderwear.com/ Follow Robert Patton linkedin.com/in/robert-patton-b675273b    Schedule an intro call with one of our experts electriceye.io/connect Get your free demo klaviyo.com/honest Book a demo today at intelligems.io/ Lower scale costs today eFulfillmentService.com/honestSchedule an intro call with one of our experts electriceye.io/connect     If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

What makes a story unforgettable? In this episode, Andrew shares what he learned after writing more than 80,000 words for the upcoming Deliverance: Council of the Fallen campaign. From surveying players to rewriting an entire campaign narrative, this conversation dives into the craft of storytelling, worldbuilding, and creating narratives that genuinely engage an audience. Whether you're designing a board game, writing fiction, building a Kickstarter campaign, or simply trying to tell better stories through your marketing, these lessons apply far beyond games. Resources: Must Watch Episodes

Flight Instructor Suicide: A flight instructor jumps from a plane to leave his student to fend for herself. Could this be the greatest teacher we've ever seen?AI Robot Fails: As they keep trying to get us to work with robots, one of our favorite things is robot fails. Speaking of robot fails, here are a couple of new robot butlers on the horizon.Diarrhea Epidemic: Cyclosporiasis is spreading the country meaning that it's a diarrhea summer.FUCK YOU WATCH THIS!, THE BEAR!, TIP YOUR BARTENDER!, GLASSJAW!, DARYL!, NEW SPECIAL!, SHELL TV!, QR CODE!, SUPERTIPS!, PLATITUDES!, ZEN FELDMAN!, BOOPAC!, TIM TAMS!, FLIGHT INSTRUCTOR!, SUICIDE!, STUDENT PILOT!, NEWS!, MISHAP!, JUMPS FROM PLANE!, TALLER!, BIG!, YOU KNOW WHAT TO DO!, LET'S ROLL!, SIMPSONS!, GAG!, SUICIDE HERO!, KRISPY KREME!, PUT IT IN DRIVE!, BOYZ N DA HOOD!, RICKY!, PHONE THAT TELLS THE FUTURE!, DRIVE!, OLD LADY NEWS!, DISGUISE!, FREAK OUT!, GEEKING!, FALL!, KUNG FU!, DANCING!, BALLET!, GET UP!, GRABBED!, BRUCE LEE!, ROBOT FIGHTS!, AMERICA'S FUNNIEST HOME VIDEOS!, BABIES PUKING!, WALKING THROUGH GLASS!, WEAVE!, SEGWAY!, ISAAC!, STARTUP!, NORI!, REMOTE TASK ROBOTS!, MOP!, RAG!, ROBOT CAMERA!, SKATEBOARDING!, KICKSTARTER!, HORROR UNLEASHED!, DIARRHEA!, INFECTION!, PARASITE!, VEGETABLES!, IMMIGRANTS SHITTING ON LETTUCE!, ICE!, AUSTRALIAN!, GOLDEN CORRAL!, FOREIGNERS!, WORLD CUP!, TOURISTS!, CUT DICK OFF!, SET FIRE!, MUTILATING!, BOOKIE!, PEDEN!, LOAN SHARK!You can find the videos from this episode at our Discord RIGHT HERE!

This week on the AIPT Comics Podcast, we're bringing you the full, uncut conversation with Robert Kirkman, Joe Casey, and Andy Kubert about Terminal, Skybound's ambitious new superhero series. We dive into how the project came together, why the series embraces mystery and rotating protagonists, the thinking behind its striking character designs, and yes, the return of blind bag comics. It's a fun, wide-ranging discussion packed with insight into one of the year's biggest new launches. Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWS Marvel Comics relocating to Burbank, names Stephen Wacker new editor-in-chief Marvel unveils ongoing variant cover program for Midnight Universe titles Sam Alexander returns to stop the Ten Rings in 'Nova: Return of the Rings' #1 DC extends 'Absolute Green Arrow' to 12 issues following fan response Dark Horse Comics reveals full San Diego Comic-Con 2026 signing and panel schedule IDW unveils packed San Diego Comic-Con 2026 plans with TMNT #300, Godzilla, Hello Kitty, Sonic, and more Image Comics reveals massive San Diego Comic-Con 2026 plans Exclusive: Attack of the Killer Tomatoes returns with time-travel graphic novel and Kickstarter campaign EC Comics spotlights artists in new 'Artists From the Abyss' anthology series Bit Bot unveils first look at ‘Final Boss' video game adaptation with official screenshots 'Archie vs. The Terminator' brings John Connor to Riverdale this October Vampirella and Morrigan collide in first-ever 'Vampirella vs. Darkstalkers' crossover Greg Pak headlining a bold new era for ThunderCats this October 2026 ‘Ice Cream Man' #1 returns with interactive “Chocolate/Vanilla Twist” edition this October TOP 50 COMICS - JUNE 2026 Our Top Books of the Week: Dave: A Mischief of Magpies #1 (Si Spurrier, Matías Bergara) Sonic the Hedgehog x Godzilla #1 (Nick Marino, Jack Lawrence) Absolute Green Arrow #3 (Pornsak Pichetshote, Rafael Albuquerque) Chris:​​ Minotaur #1 (Si Spurrier, Michael Dowling) Punisher vs.The Amazing Spider-Man #1 (Dan Abnett, Matteo Della Fonte) Standout KAPOW moment of the week: Chris: Tigress Island #5 (Patrick Kindlon, EPHK)  Dave: Assorted Crisis Events #9 (Deniz Camp, Eric Zawadzki) TOP BOOKS FOR NEXT WEEK Chris: Sicko #1 (Tini Howard, Amilcar Pinna) Dave: Giant Robot Hellboy Returns #1 (Mike Mignola, Duncan Fegredo) JUDGING BY THE COVER JR. Dave: Uncanny X-Men #32 (Alexander Lozano '80s Rogue Cover) Chris: Star Trek: Red Shirts – Ghost of the 21st Century #1 (Chris Burnham variant) Interview: Robert Kirkman, Andy Kubert, Joe Casey Terminal #1 out July 22, 2026 Terminal is going to also feature a line bag program, what we can tell you right now, in true Robert Kirkman style, it is a blind bag with three surprise books in it unlike anything we've or anyone else has done before. Terminal throws readers right into a chaotic, violent world. When you were building the first issue, how did you approach onboarding readers without giving too much away? The book opens with some striking and surreal imagery, especially the eye and the idea of Maculox. What was the origin of that concept, and how central is it to the larger mythology? There's a clear tension between evolution and destruction running through the story. How did you want to frame that conflict without falling into a simple good versus evil dynamic? The first issue makes some bold narrative choices in terms of expectations around who the story might follow. Without getting into spoilers, should readers expect that kind of unpredictability to be a core part of the series? Robert and Joe, how does your collaboration work on a project like this? Are you breaking story together, dividing scripts, or building off each other's strengths in a specific way? Andy, the character designs, especially on the more villainous side, feel really eclectic and distinct. What were your inspirations when developing the look of this world and its characters? There's a bit of a “hidden world” structure here, where a regular person is pulled into something much bigger. What drew you to that kind of setup, and how do you keep it feeling fresh? The series feels like it has big, long-term potential, but also a very focused central idea. Is the plan for Terminal to be a long-running series, or are you working toward a more defined endpoint? For all three of you, what was the moment in developing Terminal where you realized this was something special or different from other superhero books you've worked on or read?

Sketch and Steven recap Tokyo Revengers and Blue Lock, then Paul joins in to discuss the mid-season climax of My Adventures with Superman, Adult Swim's plans for San Diego Comic Con, what's next for Toonami, Crunchyroll pay-walling their store and a successfully funded Kickstarter for a Tenchi Universe sequel! 0:00:00 - Intro 0:02:33 - Tokyo Revengers ep 22 Recap 0:19:04 - Blue Lock ep 22 Recap 0:29:56 - My Adventures with Superman ep 25 Recap 1:19:26 - Adult Swim at SDCC / What's Next for Toonami? 1:24:36 - Wandering off-topic starting with another Crunchyroll rant 1:41:01 - A long winding wrap-up / Tenchi Galaxy!?!

This Week on the Toy Power Podcast; we dive back into our regular News Segment - with quite a bit to cover! First off, a recap from Episode 1 (of 4) from Trent's latest Lego Masters Bricktacula Event! Then, an exciting announcement from Cards & Collectables season 2 - now with an official release date! A New 4-Armed Beast is announced for the MOTU Origins line; who is hyped for this?! New Movie MOTU characters announced plus some awesome TMNT plus Ghostbusters multi-packs from Mondo. S7 Silverhawks keep on delivering more characters; & Blokees tease an Absolute Batman. McFarlane announces more Batman related characters; then Robosen showcase the most Superior Decepticon of them all! The Cross-Over nobody asked for? -Transformers X Scooby Doo offer. Sometimes you think that some modern toys can't do any better; but somehow, SH Figuarts said "Hold My Beer!" Lego showcase the first round of Pokémon Mini-Figures plus in scale Pokémon Characters too; all in a very nice looking Build. Then Ben tests the lads with the return of The Quiz! Is it too hard? How many did you know? Support the show: http://patreon.com/toypowerpodcastSee omnystudio.com/listener for privacy information.

The grownups killed the world. To escape destruction, Henry built The Forever Home. Inside, his family enjoys existence, protected by the poisonous elements outside. One catch: their time is compressed. For every twenty minutes they live, one hour outside passes. Nothing should ever cross the threshold. Writer Christian Ward is having a moment. He's about to launch his new artworld horror, The Patron. Event Horizon: Inferno currently rages on the stands, with the previous Event Horizon: Dark Descent premiering as a trade paperback next week at San Diego Comic-Con International. And, this fall, courtesy of Oni Press, he launches maybe his most personal and mature work yet, The Forever Home. The Forever Home is his Cocaine Bear. The premise alone should hook you, and once you crack its pages, the comic delivers on its promise. It's always a joy to have Christian Ward on the podcast. He's a theme-forward storyteller, and as such, the perfect Comic Book Couples Counseling guest. We get into it! First, we discuss why this year's San Diego Comic-Con is such a critical moment in his career. We look at the road behind him and the road ahead. We talk about The Forever Home's dystopian present, the family tragedy bubbling within, and how it confronts tribalism. The Forever Home #1 arrives in shops on September 9th. It's written by Christian Ward, illustrated by Sammi Kivelä, colored by Jason Wordie, and lettered by Hassan Otsmane-Elhaou. Continue this conversation with Christian Ward by visiting his Website and following him on Blue Sky and Instagram. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Dan Schkade on Lavender Jack Previously on CBCC: Christian Ward on Event Horizon: Inferno Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

On this week's show: Apple wants smarter Home cameras, but only if you spring for the 2TB iCloud plan, IKEA quietly makes Matter less annoying, and Matter cameras from Tapo, Aqara, EZVIZ, and friends are finally becoming a real category. We also get into Josh.ai adding DMX and DALI for the fancy-lighting crowd, Sonos trimming some of the people you'd think it should keep, a coax-powered floodlight for those Wi-Fi dead zones, Ecowitt's Kickstarter water tester, new Home Assistant-friendly gear from IoTorero and Third Reality, a pick of the week, project updates, and so much more!The story behind Erling Haaland and his taxidermy raccoon: ‘Lock the doors, let's make this special'HomeTech HeadlinesTHIRDREALITY Smart Wall Outlet, Dual Independent Control for 2 Sockets, Individual Power Monitoring, Zigbee Repeater, Compatible with Home Assistant & SmartThings, ETL CertifiedWQT01: Smart Water Quality TesterChannel Master's Pro Floodlight uses coax to bring smart lighting to your garden's dead zonesApple Intelligence in Apple Home will require the $10-a-month iCloud Plus plan.Sonos Sacks Top Designers Behind its Premium Speakers | iPhone in CanadaJosh.ai Now Offers Native DMX & DALI Support - Residential SystemsIKEA updates DIRIGERA hub with Matter 1.4.2 support and improved network stabilityTapo, Aqara, Ulticam, and EZVIZ: All the Matter-certified camerasIoTorero joins Works with Home AssistantHermes Agent — The Agent That Grows With YouIrriSense 2 | 4-in-1 Smart Sprinkler & Irrigation System | AiperElegoo Saturn 4 Ultra 16K – Best 3D Printer for Beginners & ProsPrismML — Announcing Bonsai 27B: The First 27B-Class Model to Run on a Phone

CAT1RB3456-29111652-24062024transmutation (human) -/- catalyst (alchemical)Incident Elements:· misophonia (breath)· body horrorTranscripts available at https://rustyquill.com/transcripts/the-magnus-protocol/You can find a complete list of our Kickstarter backers https://rustyquill.com/the-magnus-protocol-supporter-wall/Created by Jonathan Sims and Alexander J NewallDirected by Alexander J NewallWritten by Jonathan SimsScript Edited with additional material by Alexander J NewallExecutive Producers April Sumner, Alexander J Newall, Jonathan Sims, Dani McDonough, Linn Ci, and Samantha F.G. HamiltonAssociate Producers Jordan L. Hawk, Taylor Michaels, Nicole Perlman, Cetius d'Raven, and Megan NiceProduced by April SumnerFeaturing (in order of appearance)Sasha Sienna as Georgie BarkerLowri Ann Davies as Celia RipleyAnusia Battersby as Gwen BouchardBillie Hindle as Alice DyerKazeem Tosin Amore as Teddy VaughnTim Fearon as AugustusDialogue Editor – Nico VetteseSound Designer – Meg McKellarMastering Editor - Catherine RinellaMusic by Sam Jones (orchestral mix by Jake Jackson)Art by April SumnerSFX from Meg McKellar, Soundly and Freesound: buzzatsea, ahriik, ThunderQuads, TRP, x3, franckwalden, Breviceps as well as previously credited artistsSupport Rusty Quill directly by joining our new membership platform at members.rustyquill.com or on Patreon at patreon.com/rustyquillPre-order links for From the Library of Jurgen Leitner: https://rustyquill.com/novelCheck out our merchandise available at https://www.redbubble.com/people/RustyQuill/shop and https://www.teepublic.com/stores/rusty-quillSupport Rusty Quill by purchasing from our Affiliates;DriveThruRPG – DriveThruRPG.comJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillX: @therustyquillEMAIL: mail@rustyquill.comThe Magnus Protocol is a derivative product of the Magnus Archives, created by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 International Licence.For ad-free episodes, bonus content and more, join members.rustyquill.com or our Patreon.Pre-order FROM THE LIBRARY OF JURGEN LEITNER, a Magnus novel releasing October 27th: rustyquill.com/novel Hosted on Acast. See acast.com/privacy for more information.

In this episode, I sit down with Miroki Tong, co-founder and CEO of StoryEngineDeck.com, where she sells a product most people can’t describe until they hold it in their hands. Miroki walks through how she and her co-founder turned a set of creative writing prompt cards into a million dollar Kickstarter campaign, and how they still run Meta ads at a 4-5x ROAS while refusing to use AI for anything creative. If you’ve ever worried your product is too weird, too niche, or too hard to explain to sell online, this one is for you. Enjoy the episode! What You’ll […] The post 647: How To Make $2M Selling Creativity In a Box With Miroki Tong appeared first on MyWifeQuitHerJob.com.

You'll never believe this story.  Get ready to be blown away by some of these valuable crowdfunding tactics.  In this episode of Crowdfunding Demystified, Salvador Briggman talks with Matthew Semple and Anderson Camp, the founders of Razor Rinser 2.0. You'll discover: Why THIS percentage of Kickstarter followers became paying backers How this easy tactic guided every major product upgrade What changed between their first and second Kickstarter campaigns Why simpler launch systems outperformed complicated funnels How this key marketing asset reduced launch-day risk What they learned about fulfillment, shipping, and customer trust Resources and Tools Mentioned: Book a coaching call Subscribe for Weekly Crowdfunding Tips Fulfillrite: Kickstarter and crowdfunding reward fulfillment services. They come highly recommended! Download their free shipping and fulfillment checklist FREE Kickstarter Course Kickstarter Launch Formula Audiobook Razor Rinser 2.0: Making Shaving Easier and Cleaner on Kickstarter  The Clean Shave Website

This week, Brad and Dave talk about the best business model for longform webcomics — and why putting your comic online for free is still the strongest way to build a sustainable career. Also: Kickstarter's late-pledge and pledge-manager tools, the difference between market research and mirror research, and how to keep going when your first posts get nothing but crickets. ON THIS WEEK'S SHOW... Dave's backyard skunk problem may or may not require Super Soakers What's the best business model for longform webcomics? Why fear of theft can stop creators from building an audience Why free-to-read comics remain the best foundation for a comics business “First comes the crowd, then comes the funding” Why readers who enjoy your work online are often first in line to buy the book How delayed access and early-access posts fit into a Patreon strategy Why exclusive side stories can work better than paywalling your main archive Avoiding physical rewards on Patreon and Substack Dave will be at San Diego Comic-Con booth 1228 with free ComicLab pins (use the super-easy mnemonic: 1BAT)  Kickstarter late pledges and Pledge Manager are bringing in real money Why charging shipping closer to fulfillment can be safer Market research vs. mirror research How to estimate Kickstarter shipping more accurately What to do when you start posting online and get “crickets” Why seven posts is not enough time to expect traction Reframing early work as building an archive for future fans Social-media advice for giving readers a reason to engage Why success in comics is a marathon, not a sprint You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Wythe Marschall (Stillfleet, PICARO!) and Christopher Pickett (Danse Macabre: Medieval Horror Roleplaying) chat with Laurence Phillips from Hardy Roach Games on Why We Roll, the indie tabletop roleplaying game design podcast of the Stillfleet Studio. We talk about Laurence's new cinema-inspired game, Il Fantasma del Giallo: The Phantom of the Yellow, which is going live on Kickstarter, summer 2026. In Il Fantasma, players are "disgraced actors trapped in a sequence of brutal Neo-Noir murder-mysteries." Laurence is the writer, artist, and layout artist! ☉ Back Il Fantasma del Giallo on Kickstarter: https://www.kickstarter.com/projects/hardyroachgames/il-fantasma-del-giallo-an-rpg-of-violence-and-identity ☉ Read more about the game: https://hardyroachgames.co.uk/il-fantasma-del-giallo/ ☉ Pick up Laurence's one-page games on Itch: https://hardyroachgames.itch.io ☉Join the conversation: https://discord.stillfleet.com ☉Support the show on Patreon:   https://patreon.com/stillfleet Learn more about your ad choices. Visit megaphone.fm/adchoices

America is a country founded on the principles of freedom and boundless opportunities. This sentiment is highlighted on the latest episode of The PVDcast, as I am joined by comic creator, Jonathan London. Jonathan is working on Super Action Man, an over-the-top, high octane, action comic that is reminiscent of 80's action movies with a splash of GI Joe thrown in. Super Action Man's Kickstarter is a topic of conversation that Jonathan and I discuss, as well as Jonathan's thoughts on America and how they tie into Super Action Man. We wrap up our chat discussing Jonathan's other project, Paul London's Hero of the Prophecy, and his brother's WWE wrestling career. Don't forget to rate, review and subscribe to the show & new episodes of The PVDcast drop every Thursday!

Jane tries to keep Pliff from bleeding as she rides back to what she thinks is the safety of the ship. Orimar after wreaking necromantic havoc and soaking up bullets like a sponge, Orimar also decides to return to the ship. Meanwhile, The Uhuru is taking some big-name casualties. CONTENT NOTE Main Show:  Pathetic men bleeding out, impressive men bleeding out, gunfire, cannonfire, body horror, death Dear Uhuru: Returning soon! THE ULTIMATE RPG VILLAIN BACSTORY GUIDE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy it here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave a review, please!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ COSMIC CENTURY KNIGHTS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get the game on Kickstarter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the mailing list for James' game design projects⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THE ULTIMATE RPG PODCAST ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen Here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SKYJOUST FIGHT WITH SPIRIT EXPANSION ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get it now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SKYJACKS: COURIER'S CALL IS BACK! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on Spotify (or any other podcatcher app)!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ STARWHAL PUBLIC FEED: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on Spotify (or any other podcatcher app)!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN OUR MAILING LIST ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Right Here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelly and guest co-host Omar Najam discuss THE DEAD GIRL by Jo Gibson! Too many men, put it in your peak, twin cousins, author lore, and more!Support BROTHER MANOR, Kelly's gothic romance miniseries, on Kickstarter! INFO AND DONATE!SUBSCRIBE ON PATREON for ad free and video eps, bonus eps, & more.DiscordInstagramMERCH!TEEN CREEPS IS AN INDEPENDENT PODCAST.*All creepy opinions expressed are those of the hosts and guests. Hosted on Acast. See acast.com/privacy for more information.

After more than a decade of releasing this show on Mondays, I'm moving it to Wednesdays, and this is the first episode of the new time slot.  On the one hand, this might sound like nothing at all, but it's also a big deal, for you and for me, and in this episode, I explain why I'm making the change, and past guests give some tips on sustainable creativity for the long term. Joanna Penn is an award-winning New York Times and USA Today bestselling author of thrillers, dark fantasy, short stories and travel memoir under J.F. Penn and also writes non-fiction for authors and hosts The Creative Penn Podcast. Why the podcast is moving to Wednesdays (1) Take time out to question what you're doing (2) Learn to pivot if you want to keep going long term(3) Set a sustainable pace, and don't build reader expectations you can't deliver on (4) Don't try to do it all, and try to identify the fear that might be driving your choices (5) Question what still serves you, especially as things continue to change(6) Consider different approaches to creativity. It doesn't have to be every day, or every week(7) Creative humans evolve. Build a body of work for the long term. You can find the backlist episodes at TheCreativePenn.com/podcast, just click into the episode to find the transcript. Why The Podcast Is Moving To Wednesdays, And 7 Tips for Sustainable Creativity Here's my big news! After more than a decade of releasing this show on Mondays, I'm moving it to Wednesdays, and this is the first episode of the new time slot. On the one hand, this might sound like nothing at all, but it's also a big deal, for you and for me! I know many of you have a routine of listening to the show during a certain thing on a Monday, so I'm sorry to have to disrupt that, and I hope I don't lose you along the way — although I guess you could just save the episode for Monday! For me, it's a much bigger deal, because a Monday show has meant I have often recorded the intro and edited and scheduled the episode over the weekend. The main reason is that I need to record in the mornings when I have energy and when the house is less noisy, since Jonathan is often on the phone since he works from home as well. So I would prepare the episode on Fridays, and I type out this intro before reading it, and source the news and my thoughts and all that — and then I'd record it Saturday morning, or Sunday morning if Saturday was busy — and so recently, I have felt like something has to change.  Moving the show to a Wednesday means that I can prep on Monday and Tuesday, which is perfect. Its so funny because I agonised over this, in the same way I agonised over changing the theme tune a few years back. Some of you may remember that — and it also turned out to not be a big deal at all. We build things up in our minds and then sometimes the problem can be solved in a different way. So instead of going to ad hoc episodes, or once every two weeks, I hope that moving to Wednesday makes the show more sustainable again, because let's face it, there's a lot going on, and if I did a show every 2 weeks, I might have to make them longer to get through everything! So, same show, just on Wednesdays from now on. And this change underscores what today's episode is about: sustainable creativity over the long term. How do you keep writing, and publishing, and podcasting — and creating for years — and I am now at two decades — without burning out, and without becoming a slave to the algorithm, or the market, or even your own audience's expectations? The goal is not to just survive this year's release schedule, or to keep feeding the machine until you crumble under the speed of it all. The goal is to still be creating, and still be enjoying it, next month, next year, in five years, in 10 years, in 20, in 30. Who knows how many years we all have left — but for sure, we are NOT machines, we are not AI — and we cannot churn it out – and what is the point of that anyway?  So in today's show, I'll share some thoughts and tips from me and also other authors from the show on this topic, and you can find the full episodes in the backlist, and links as ever in the show notes on TheCreativePenn.com/podcast  (1) Take time out to question what you're doing In early 2024, The Tim Ferriss Show, one of the biggest podcasts in the world, hit its ten-year anniversary with over a billion downloads and over 750 episodes, and Tim decided to take a sabbatical. He paused the show for four months and seriously questioned whether to continue. Not because it was failing, it was hugely profitable and he enjoyed talking to people, but because the landscape had changed.  Podcasting had gone from a wide-open space in 2014 to a saturated market, and his question wasn't “can I keep competing?” It was “is this still the game I want to play?” Just a little note here, I started The Creative Penn Podcast in 2009 when there were even fewer shows so I know a lot about a changing podcast market! After four months, Tim came back from what he called a sabbatical with a blog post on My New Rules for Podcasting — To Keep Things Interesting. He starts with the sheer number of podcasts, saying, “Having a good show is no longer good enough. Having a great show is no longer good enough. If you want to survive in the mindshare of listeners, you need differentiation.” I think this is true for us as authors as well as podcasters, or YouTubers, or social media, or anything. But the good news is that your differentiation can be you. Regular listeners will know that I have questioned ending the show over the years, worried that I was no longer useful, or that my voice no longer mattered when there are so many podcasts on similar topics. But after your wonderful feedback, and the fact that the show still gets a lot of downloads every week, and the growth in my Patreon Community, I don't worry about that anymore. It's unlikely that any of us will have a podcast as big as Tim Ferriss's or sell as many books as The Four Hour Work Week, but that's OK, because we are not Tim. I am Jo Penn and you're here because you find my take on the publishing industry is still useful in some way. When it's not anymore, you will go elsewhere, and I find myself at peace with that. Back to Tim's article — he asks some questions of himself, including:If I get to do this for another decade, or had to do this for another decade, what new rules might I create to keep it interesting? Of course, we all have different ideas of what this means for us. And I have already implemented one of these rules, which is that I interview people on topics I find interesting. I frequently get pitched by more famous authors and bigger names, but most of the time I turn them down, and choose to talk to people who are not famous but are more interested in serving you, my audience, because that is the point of this show. I also have people on that I enjoy talking to, because checking in with my friends while you listen in, can be useful too, since my friends are often authors who've been in the industry a while now. I have to make the interviews time that I find interesting or useful or fulfilling as well. But the point is to stop and take time to consider what might need to change, even if you are really successful. You cannot be a slave to the algorithm, to the media, to your audience, for the long term. You have to put some circuit breakers in sometimes. It's the old adage about the small business. You have to work ON in the business, not just IN the business, which means you need to step away. This does sometimes mean that you have to get away physically. I had this realisation while we were in Bruges in Belgium talking to Jonathan about what changes I could make because I just felt a lack of freedom — and freedom is my highest value, so I really need to honour that. So, the first question for you is: If you feel like you need a change, if your routines are becoming too much, or your workload is too much, or you are eating into time you need for rest and recovery or family or whatever you need, can you schedule time out to have a think about what you need and how things can change? You don't need to burn it all down. You might find the answer is just moving the show from a Monday to a Wednesday! (2) Learn to pivot if you want to keep going long term I love talking to authors who have been doing this career for a long time, and in December 2025 in episode 839, I talked to Jennifer Probst, the New York Times bestselling romance author of more than sixty books, about why some authors build decades-long careers while others vanish after one breakout. Jennifer has been through the indie gold rush, the fallout, traditional deals, Kickstarter, all of it, and I asked her how she thinks about how everything keeps changing, and we start with marketing but it goes much further than that. Writing Free: Romance Author Jennifer Probst On A Long-Term Author Career *** Jo: In terms of how we do marketing, TikTok is still a thing, and we can see maybe generative AI search coming on the horizon and agentic buying. A decade ago it might have been different, more Facebook ads or whatever. Then before that it might have been something else. So there's always things changing along the way. Jennifer: Yes, there definitely is. It is a very oversaturated market. They talk about, I don't know, 2010 to 2016 maybe, as the gold rush, because that was where you could make a lot of money as an indie. Then we saw the total fallout of so many different things. I feel like I've gone through so many ups and downs in the industry. I do love it because the longer you're around, the more you learn how to pivot. If you want this career, you learn how to write differently or do whatever you need to do to keep going, in different aspects, with the changes. To me, that makes the industry exciting. Again, perspective is a big thing. But I have had to take a year to kind of rebuild when I was out of contract with a lot of things. I've had to say, “Okay, what do you see on the horizon now? Where is the new foundation? Where do you wanna restart?” Sometimes it takes a year or two of, “Maybe I won't be making big income and I cut back,” but then you're back in it, because it takes a while to write a few new books, or write under a pen name, or however you want to pivot your way back into the industry. Or, like you were saying, diversifying. I did a lot of non-fiction stuff because that's a big calling for me, so I put that into the primary for a while. I think it's important for authors to maybe not just have one thing. When that one thing goes away, you're scrambling. It's good to have a couple of different things like, “Well, okay, this genre is dead or this thing is dead or this isn't making money. Let me go to this for a little while until I see new things on the horizon.” *** I love that from Jennifer, because there are always new things on the horizon, and we try new things and we pivot, and we bring in other streams of income as some drop off, and we go again and we keep creating. Authors with longevity are authors who pivot over their careers. They may lament the end of one era, but they don't stop, they find a new way forward. (3) Set a sustainable pace, and don't build reader expectations you can't deliver on Kevin J. Anderson is one of the most productive writers alive, with hundreds of books, most of which he writes with dictation while out hiking, and he has been on this show many times. In January 2025, in episode 791, we talked about building a long-term author business, and how authors need to be careful about setting reader expectations around pace of releases. Building A Long Term Author Business, Dictation, Kickstarter, and Short Story Collections With Kevin J Anderson Kevin: Now, again, we get back to the longevity of a career. It is exhausting to write lots of books a year, and most people can't keep doing that for 20 years or 30 years. That's one of the reasons, especially indie authors, where readers expect you to write several books a year. Some indie authors I know are writing a book a month. I couldn't do that for any long period. Well, I couldn't do that probably for a single year. You start building expectations, and when you fail to meet those expectations, they will leave you very quickly. That's why you should have Plan Bs. If you really, really can't stand writing your steampunk vampire romance series after book number 29, well, make sure that you have some other series you're starting and building up. Well, Hugh Howey's got several series that are going. Michael Anderle has all kinds of series, and Craig Martelle has all kinds of series. You don't just put all your eggs in one basket. You need to have Plan B and Plan C, to circle around to what I started with. *** Whatever cadence you choose, for your books, your email newsletters, or or your podcast, or your social media, choose a pace you can still be keeping up in a decade, because this is a long term career, and longevity in the market is one of the most important things. It's better to pace yourself than burn out. (4) Don't try to do it all, and try to identify the fear that might be driving your choices I couldn't do an episode on sustainability without Becca Syme! Becca is an author coach who has worked with thousands of writers, she is the creator of the Better-Faster Academy and the Quit books, and the QuitCast podcast — and In January 2023, in episode 668, at the end of our conversation about intuitive writing and marketing, I asked her what authors who sustain long careers have in common. Intuitive Writing And Book Marketing With Becca Syme *** Joanna: So in terms of sustainability, let's talk about that. You coach writers every day, you see writers on every spectrum of every personality type, and people who write differently and release differently and publish differently. So what do you see as your recommendations or, I guess, commonalities for authors who want this sustainable career as a writer for the long term in order not to burn out? What are you seeing in terms of the best way to be sustainable in a creative career? Becca: Conquering the fear that we have that we're not going to get what we want out of the career, like 100%. Because the fear is the thing that's driving us to burn ourselves out. The fear that if I don't do it this way, I'm not going to make money. If I don't do it this way, I'm not going to have a long career. I'm going to miss out on something if I don't do absolutely everything. And then I think the most important knowledge that we can have is that everyone in this industry who's a nonfiction person, including me, is giving you a perspective on how author life can be done. Every single one of us, not the perspective on how it should be done in order to have success. And if we could just change our expectations of how we look at the people who are helping us who are being good, helpful people who are very sure that their way is the correct way and who should be, again, because like all experts, they've had success doing what they are doing. But the downside is from someone whose job is to sit with authors for 45 minutes at a time, all day, every day, I see the outcome of the people who have tried to “do it all,” in quotes, with capital letters, and who are burned out because they were doing everything out of a fear place. And I think one of the best things that can happen in our — and what burnout often does is it forces us to reckon with the fact that we were doing all of this because we were afraid. My book isn't going to sell, I'm not going to be able to do this, I have this dream that I'm holding on to and what happens if it doesn't manifest itself. Then we make a lot of our decisions about how much to take on based on fear, and we don't know it. Because we don't realize that our brains are wired for survival, and so anytime fear kicks in, your brain is like, well, we have to do that because if you're afraid of it, then that must mean that we need it in order to survive. And we don't. We will survive if our books don't sell. We have to calm that fear and answer the question. Like, what will happen if in five years, I have not sold more than $1,000 on every book that I am writing? Like if each of the individual books that I write have not made more than $1,000. And I have to reckon with what might happen if that happens, because if I don't, that fear is going to drive me to burnout over and over and over and over again. That is why we're making so many of our decisions, including: do I pay for this class or conference? Do I pay for this book? Do I spend money on this advertising? Do I hire this expert consultant? So many of us are making those choices out of fear and we don't realize it. And that's why when we do our public live coaching, and whenever I'm at a conference, I'm always listening for, “but what are you afraid is not going to happen? Or what are you afraid is going to happen?” Because if we don't deconstruct that part of yourself and calm your survival mechanism down, you're going to continue over and over again to make those decisions out of fear. Then you're going to not listen to your intuition because you think it's risky to listen to it. And so I really think, and some of this might include therapy for some of us, I'm just going to acknowledge some of us have trauma around not getting what we want or around not actualizing our desires, and we can't just talk ourselves into letting the fear go. But some of us do just need to consistently confront the fear and make a plan for what happens and then act in spite of that fear because we are not making good decisions when we are in survival mode. *** Becca is very wise, and also pretty hardcore! So if you feel like you are trying to do it all, and you are on the edge of burning out, can you identify the fear beneath it? (5) Question what still serves you, especially as things continue to change Sometimes we keep doing things the same way, even when things have changed. What is lost if we give things up? What is gained? And what kind of game do you want to play? In episode 845, Claire Taylor, humour and mystery author, owner of FFS Media, certified Enneagram coach, talks about how social media has changed and why she gave it up. Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor *** Joanna: One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. **** To be clear, we're not saying you should give up social media, but it's about questioning how things make you feel, and what you can sustain and how you want to spend your time. I did question once again whether to give up this show entirely, but it is an important part of my creative body of work, and quite frankly, I reach more people with the podcast than I do with my books, and I still love talking to people, and I learn, and it underpins my business. I don't do much social media though. I learn about AI things on X and I do post photos and things on Instagram but I don't do much else. You have to decide what is right for you, but also, what is right for you might change over time. If we have a long term career, or a long term anything, things will change, and we will need to move on sometimes, or at least question whether it is still working in the way it used to. (6) Consider different approaches to creativity. It doesn't have to be every day, or every week.  In April 2026, in episode 858, I talked to Sara Rosett, USA Today bestselling mystery author and co-host of the Wish I'd Known Then podcast, about low-key marketing, and a more seasonal approach, or phased approach to podcasting as well as writing. Special Editions, Seasonal Podcasts, and the Art of Low-Key Book Marketing with Sara Rosett *** Jo: Although I must say I had forgotten about your Mystery Books podcast and going to seasonal. I also had my second podcast, Books and Travel, which is now on a kind of hiatus, but going to a seasonal approach is actually really interesting. Do you find that listeners come back to that podcast? Sara: Yes, and it surprises me because I've always thought you have to be weekly with a podcast to gain any traction at all, which I think is the best way to do it. You can build an audience quickly then, but I just knew I couldn't sustain that. So when I set out, I started with maybe seven to ten episodes and I did them each year — each year has had a season — and I do five to ten episodes. Readers find it, and I have highlighted specific books. I think maybe they're searching for a podcast about the Thursday Murder Club or something like that. They find it that way, and I get downloads, just steady downloads throughout the year, and I don't do much. I do some Pinterest pins for that, and that's about all I do. This is one of those things — it's the kind of low-key marketing that's low threshold, but it does work. I think if your readers are looking for stuff to listen to about the topic you write about, it could be a good way to do some low-cost, long-tail marketing. I love it. I keep doing it because I love it. Jo: That just seems more sustainable to me. I didn't like doing everything every day or every single week. Sara: Me either. I like switching it up, and I do enjoy the different phases of writing. I like the research and then I like doing the — well, I don't like the drafting that much, but once I get a draft done, I like the editing. And then when it comes time to promote it or do a special edition or whatever, I enjoy that part. Finding whatever I'm going to use for the interior photos and stuff — just things like that. I enjoy each phase and I like switching it out. Jo: I think that's really good. Some people think this writer's life is you write new words every single day and you manage your ads every single day. That seems to be what some people do, but that's certainly not us, is it? Sara: No. And that's great if you want to do that. I just don't want to. And I think we've come to the point now where each person can do this as they want. Hopefully people don't feel the pressure to meet these self-imposed deadlines or parameters that don't exist. There's no rules for writing or publishing. You can do whatever you want. *** I am definitely a seasonal creator, I don't write every day. I never have. I binge write when a book emerges, or binge create. As I record this I am working on the treatment and trailer for what is now called Cathedral Zero, a positive futurist sci-fi feature film that I am entering in the FutureVision X Prize in the next week or so, and then I will move to the next project. I also love Kickstarter launches for this reason. They feel much more sustainable because it's such a focused marketing push. My Books and Travel Podcast is still on hiatus, but I may still resurrect that at some point. I still feel the pull of it. And of course, this show remains weekly, but the Wednesday shift will hopefully help keep it this way. I can't see me going seasonal with this, but never say never! The main thing is to consider seasonality, or consider phased approaches to your work, rather than trying to do exactly the same thing week in week out. (7) Creative humans evolve. Build a body of work for the long term. Roz Morris first came on this podcast in 2011, and in March 2026, in episode 853 we talked about her memoir, discovery writing, and slow, sustainable book marketing. Roz is an award-nominated literary author and former bestselling ghostwriter, an editor and I always appreciate her perspective as she has been doing this far longer than I have. **** JOANNA: Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” **** Inspiring words from Roz there — “It's still me, I'm just doing something different.” And indeed, I am a very different Jo from the new author who started this podcast back in March 2009. I have evolved and this show has evolved and this is not the end, it is a new phase. It's funny because it's just a shift of two days, but it also breaks a habit, for you listening and for me creating. It changes a time slot, and that itself can be a way to change energy, to change direction, to shift what matters and how we do things.  So that's what I want to leave you with today. A question around how shifting something, even something small, might make a big difference to your creative body of work, the quality of time you have for yourself or your family, and I'd love to know what you think about today's episode and what we covered, as well as your thoughts on the Wednesday shift.  Please leave a comment on the show notes, or the YouTube channel, or email me. I will see you next Wednesday, so happy writing and I'll see you next time!The post Why The Podcast Is Moving To Wednesdays, And 7 Tips for Sustainable Creativity first appeared on The Creative Penn.

We are the choices we make. Good guy? Bad guy? We decide that every day until our last day. On this week's podcast, we're exploring how heroism and villainism mingle in Lavender Jack, the pulp adventure from cartoonist Dan Schkade. We're considering when to swim with society and when to swim against it, and how comic book vigilante justice too often forgets its own messaging. Lavender Jack, originally published on Webtoon, is where Schkade cracked the comic strip medium, preparing him to take over Flash Gordon, where he now lives daily. We discuss why these pulp adventurers appeal so profoundly to him, and how their tales can be told with a contemporary bite. It's the perfect discussion to prepare us for next week's plunge into San Diego Comic-Con, where we'll be moderating three panels and attempting to interview all the comic book celebrity guests. We're in plug-goblin-mode during the intro, barely containing our excitement for the year's biggest comic book event. If you thought our July 2026 coverage was already intense, oh boy, strap in. Lavender Jack is written, illustrated, and lettered by Dan Schkade. It's colored by Jenn Manley Lee. Volume One is currently available from Dark Horse Comics, and you can expect Volume 2 on September 29th. Make sure you're following Dan Schkade on Instagram and Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Dan Schkade on Flash Gordon Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

On this edition of FLZ presents: JEFF TREPPEL stops by to talk with Ken about his new Kickstarter project WAYPOINT!   Sign up for the Kickstarter at: https://www.kickstarter.com/projects/waypointcomic/waypoint-1-4 Follow Jeff at: https://hotrailstohell.ghost.io/ For your must stop destination for New Comic Book Day reviews: https://www.fanlightzone.com/comics Find A Comic Shop at: https://leagueofcomicgeeks.com/stores... Your Digital Marketplace for comics & Manga: https://neonichiban.com/ Find out more about COMICS! The Magazine: https://comicsthemagazine.com/ FOR ALL THINGS FLZ: https://linktr.ee/fanlightzone #comics #comicbooktalk #comicbook #waypoint #doctorwho #saga #jefftreppel #heavymetal #music #kickstarter #scifi #noir #mystery #fanlightzone  

This episode continues death, violence, drug use, sexuality, homophobia, and (off screen, in the past) animal and child death. Listener discretion is advised.With a new man in tow, The Deep Lake Latchkeys continue to investigate the missing family from Escondito Street. Will they be able to find the truth of what happened to them? Can they be saved, or at least the evil halted?Thus concludes our broadcast day.Public Access is a Carved From Brindlewood RPG of nostalgic analog horror in the early aughts by Jason Cordova. You can find out more about the game at The Gauntlet (with links to purchase from DriveThruRPG.) Public Access recently had a successful Kickstarter for an updated edition of the game with new stories and expansions. You can read more, or become a late backer, at the Kickstarter page.Greg - GMBen - Shane ScroederDan - Michael Wright (No relation)Sean - Amber Wright (No relation)

In the wake of the current authoritarian regime terrorizing the citizens of the USA, pockets of brave individuals have emerged to unite in using their skills and passion for the betterment of society. One of those groups are the folks at Apollo City Comics who are using their new anthology project This Comic Kills Fascists to not only bring likeminded creators together for the right cause but to educate their readers, too. Apollo City Comics co-founder/writer/artist Brandon Bloxdorf, editorial director/writer/designer Eric Allred, and contributor/writer/artist Sergio Medina break down the importance of their new comic while also breaking down their own individual creative processes during this week's interview. It's a scary time but people like Brandon, Eric, and Sergio are here to bring us all some hope. After you listen to the interview, consider joining a cause and/or strengthening your community by your involvement. And please also consider backing the Kickstarter campaign for This Comic Kills Fascists. You can use the links below to do that and to check out the work of this episode's guests. This Comic Kills Fascists Kickstarter: https://www.kickstarter.com/projects/apollocitycomics/this-comic-kills-fascists-dos Apollo City Comics Website: https://www.apollocitycomics.com/ Apollo City's Instagram: https://www.instagram.com/1010lilfoot Apollo City Comics Podcast YouTube: https://youtube.com/@apollocitycomics?si=IKuhAw3S39r6xZJi Brandon's Instagram: https://www.instagram.com/teenage_babylon/ Eric's Instagram: https://www.instagram.com/ericnallred/ Eric's LinkTree: https://linktr.ee/enallred Eric's YouTube: https://youtube.com/@ericallred8201?si=KCMwP3bWnvRR23IK Sergio's Instagram: https://www.instagram.com/shermanoakcomics/ Sergio's LinkTree: https://linktr.ee/ShermanOakComics Thank you for listening! Be safe, be nice to each other, and go out there and make some comics.

Gundam Wing mixed with Code Geass for crossover manga, GungHo executive arrested for alleged embezzlement, Anime International Company (AIC) wins 5-year legal battle, and a Kickstarter launched for Tenchi Muyo sequel pilot!And we bring back the Open Forum Topic, "Should conventions charge extra for badges for photographers that do paid shoots?"Meanwhile in Japan, summer overnight sightseeing train returns, a police inspector punished for playing crane games while on duty, a man arrested for luring foreign tourists into shady establishments, and Japan to regulate raw chicken dishes because people are stupid...

Kamilla & Kyle's New Secret Partnership Rob Cesternino is joined by Survivor alums Kamilla and Kyle from seasons 48 and 50 to talk about their latest project. While the tribe may be gone, the spirit of partnership and competition lives on as they explore the journey behind launching their new shared habit-tracking app—and the Survivor-inspired accountability that comes with it. The team dives into how the idea for Paprclip started with a cartoon mishap and how it grew during Kyle's Achilles recovery, where physical therapy homework led to a friendship-fueled solution for building new habits. Kamilla shares the honest struggle of keeping up post-Survivor gym routines and how having the right partner can make all the difference. The discussion covers the balance between gamification, deeper psychology, and the daily grind, touching on everything from hidden healthy habits to playful accountability with friends and spouses. Plus, the group samples a round of “guess the voice” with their Survivor friends, revealing inside jokes and the lengths they'll go for a laugh. Highlights from their chat include: Kyle's cartoon-inspired “aha” moment that sparked the concept for a habit-tracking app Kamilla's take on the challenge of staying motivated after Survivor and the importance of mutual accountability The creative ways Paprclip gamifies habit-building with streaks, points, badges, and friendly competition Insights into the Kickstarter campaign, group functionality plans, and how they aim to tackle loneliness and foster new connections A lively “voice memo” game with recognizable Survivor voices and quirky memories from the castaways Check out the full episode for candid stories, behind-the-scenes moments, and smart strategies to stay motivated—both in the game and everyday life. Kamilla and Kyle’s Kickstarter for Paprclip: https://www.kickstarter.com/projects/1638490462/paprclip-the-social-accountability-app To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Chapters: 0:00 Catching Up With Kamilla, Kyle 6:12 Paprclip App Concept Revealed 12:21 Accountability Stories From Survivor 18:56 Gamifying Habits With Paprclip 24:22 Group Habits and Kickstarter Goals 30:34 Survivor Friends Guessing Game Begins 36:58 Emotional Reflections and Farewell Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Kamilla & Kyle's New Secret Partnership Rob Cesternino is joined by Survivor alums Kamilla and Kyle from seasons 48 and 50 to talk about their latest project. While the tribe may be gone, the spirit of partnership and competition lives on as they explore the journey behind launching their new shared habit-tracking app—and the Survivor-inspired accountability that comes with it. The team dives into how the idea for Paprclip started with a cartoon mishap and how it grew during Kyle's Achilles recovery, where physical therapy homework led to a friendship-fueled solution for building new habits. Kamilla shares the honest struggle of keeping up post-Survivor gym routines and how having the right partner can make all the difference. The discussion covers the balance between gamification, deeper psychology, and the daily grind, touching on everything from hidden healthy habits to playful accountability with friends and spouses. Plus, the group samples a round of “guess the voice” with their Survivor friends, revealing inside jokes and the lengths they'll go for a laugh. Highlights from their chat include: Kyle's cartoon-inspired “aha” moment that sparked the concept for a habit-tracking app Kamilla's take on the challenge of staying motivated after Survivor and the importance of mutual accountability The creative ways Paprclip gamifies habit-building with streaks, points, badges, and friendly competition Insights into the Kickstarter campaign, group functionality plans, and how they aim to tackle loneliness and foster new connections A lively “voice memo” game with recognizable Survivor voices and quirky memories from the castaways Check out the full episode for candid stories, behind-the-scenes moments, and smart strategies to stay motivated—both in the game and everyday life. Kamilla and Kyle’s Kickstarter for Paprclip: https://www.kickstarter.com/projects/1638490462/paprclip-the-social-accountability-app To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Chapters: 0:00 Catching Up With Kamilla, Kyle 6:12 Paprclip App Concept Revealed 12:21 Accountability Stories From Survivor 18:56 Gamifying Habits With Paprclip 24:22 Group Habits and Kickstarter Goals 30:34 Survivor Friends Guessing Game Begins 36:58 Emotional Reflections and Farewell Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Welcome to Botched: A D&D Podcast! We are joined by special guest Charles Mcfall! Find his newest show: Little Brown Pill on all your podcatchers! You can also find him over at https://linktr.ee/rgop42While the group continues down the path of trying to block off access to their world from all gods (except the devils), the God's have caught wind of their plan! They send their avatars to investigate if the rumors are true.If they are true, they must do all they can to tear down the “good name” of Terry's Tough Guys.Who are these avatars? Will they discover what the group is up to? How will they ruin the reputation of Terry's Tough Guys? Are their blind crocodiles in the sewers of Alurys? Tune in and find out!Dennis has successfully completed a Kickstarter for his 4th graphic novel in his Lycan: Solomon's Odyssey series! Lycan is about the world's first werewolf! It's a mix of horror, mythology, adventure, and history. The 4th book in the series is all about ancient Egypt! Wanna read a story mixing a werewolf with Egyptian Gods? You can still back it on Kickstarter for the time being as we have Late Pledges enabled! Check it out on Kickstarter!We now have a PO Box! Wanna send us something? PO BOX 3178 Gettysburg, PA 17325All of our previous seasons can be found on our new channel!⁠⁠⁠⁠⁠⁠Botched Archives⁠⁠⁠⁠⁠⁠!A special shout out and thank you to all of our supporters over on Patreon. You help us continue to churn out “quality” episodes. With your continued support we can take our show on the road! Check out our store over at ⁠⁠⁠⁠⁠⁠⁠Botched Podcast⁠⁠⁠⁠⁠⁠⁠ where you can find tshirts, stickers, pint glasses and more!Give us a 5 star review on Itunes. Doing so will help the show grow, but we will also read out whatever you write at the end of one of our episodes!Feel free to email us any questions, comments or suggestions at ⁠BotchedPodcast@gmail.com⁠Follow us on ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, subscribe on ⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠, like us on ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠.You can watch the show live on ⁠⁠⁠⁠⁠⁠⁠Twitch⁠⁠⁠⁠⁠⁠⁠!Check out each of the hosts' Twitch streams! ⁠⁠⁠⁠⁠⁠⁠Dennis⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Phil⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Tristan⁠⁠⁠⁠⁠⁠⁠Hosts: ⁠⁠⁠⁠⁠⁠⁠Dennis⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Phil⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Tristan⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Steve⁠⁠⁠⁠⁠⁠⁠Editor: Philip D Keating And Dennis RobinsonProducer: Philip and DennisExecutive Producers: ⁠⁠⁠⁠James Thatcher⁠⁠⁠⁠, Chronic Ejac, Jim Beverly,Disgruntled Furniture, Chris Wisdom, ShinigamiSPQR,  Jayson Haiss, Toaster Bath and Scabby GoosePublisher: Phil and DennisArt by ⁠⁠⁠⁠⁠⁠⁠⁠Emily Swan⁠⁠⁠⁠⁠⁠⁠⁠Music by ⁠⁠⁠⁠⁠⁠⁠⁠Gozer⁠

He built an eight-figure brand without raising a dollar of outside capital. Now he's sharing exactly how he did it. J.W. reveals the playbook behind one of the adult non-alcoholic category's earliest success stories. He explains why he bet on the sober curious trend years before it became mainstream, how direct-to-consumer sales fueled profitable growth from day one, and why relentless product refinement – not rapid expansion – has been the foundation of the brand's success.  J.W. also discusses customer acquisition, retail strategy, premium pricing and the long-term vision that's guiding Curious Elixirs as it aims to redefine how people drink socially. Show notes: 0:20: JW Wiseman, Founder & CEO, Curious Elixirs – JW shares how his experience owning bars and drinking heavily inspired him to create one of the first premium non-alcoholic cocktail brands. He talks about developing the concept in 2013 and launching in 2015, and how he validated demand through Kickstarter, early consumer feedback and press coverage. JW explains why Curious prioritized profitability, premium pricing and digital marketing early on, how constant product refinement and customer feedback have fueled loyalty, and why focusing on how products make consumers feel has been central to the brand's success. He also discusses building an eight-figure business without outside investment, leveraging DTC data to expand into retail, thoughtfully approaching distribution and channel strategy, and balancing innovation with disciplined focus. He emphasizes Curious Elixirs' long-term mission to make premium non-alcoholic beverages a normal part of social occasions while proving that sustainable growth, strong customer relationships and unwavering product quality can build an enduring brand.  Brands in this episode: Curious Elixirs, LesserEvil, Poppi

This week on the podcast, Patrick and Tracy welcome back Michael Damian Thomas, to talk about Uncanny Magazine Year 13: The Space Unicorn Believes in YOU! About Uncanny Magazine Year 13: The Space Unicorn Believes in YOU!: We have something special planned this year, Space Unicorns. Along with it being Year 13, this year will feature our DIAMOND Issue 75! In celebration of this milestone, all of the solicited fiction contributors and two of the solicited essayists for Issue 75 have previously won an award for their Uncanny story or essay. HOW AWESOME IS THAT?!? Welcome back, Space Unicorns! Editor-in-Chief/Publisher Michael Damian Thomas and Team Uncanny Magazine have run successful Kickstarters for the eight-time Hugo Award-winning, World Fantasy Award-winning, and Locus Award-winning Uncanny Magazine Years One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, and Twelve. We promised to bring you stunning cover art, passionate science fiction and fantasy fiction and poetry, gorgeous prose, and provocative essays by writers from every conceivable background–not to mention a fantastic award-winning podcast featuring exclusive content. Through the hard work of our exceptional staff and contributors, Uncanny Magazine delivered on that promise every single year. Stories from Uncanny Magazine have been finalists for or winners of Hugo, Nebula, Locus, Sturgeon, Ignyte, and World Fantasy Awards! The Space Unicorn Ranger Corps, our name for the Uncanny Magazine community, made it possible for our remarkable staff and contributors to create this wonderful art for all of our readers via the web or as eBooks. THANK YOU, SPACE UNICORNS FOR YOUR SUPPORT! If you've been looking for an opportunity to join or re-up with the Space Unicorn Ranger Corps, now's your chance! We need your help to continue this mission for another year. This is your magazine, Space Unicorns! Let's make Year 13 happen! Though Uncanny continues to have multiple ways to support us, we still need the help of the Space Unicorn Kickstarter community to keep bringing you this amazing content. Unfortunately, there is a less-than-celebratory side to this Kickstarter. Recently, a very large online eBook retailor changed its terms again, and we lost all of our subscription earnings. YOUR support, specifically, makes it possible for us to make our magazine freely available on our website and to pay our contributors and staff. We need your help more than ever, Space Unicorns! About Michael Damian Thomas: Michael Damian Thomas is the eight-time Hugo, British Fantasy, World Fantasy, and Parsec Award-winning co-publisher (with Lynne M. Thomas) and editor-in-chief of the Locus Award-winning Uncanny Magazine. Michael was a Hugo Award finalist as the former Managing Editor of Apex Magazine (2012-2013), co-edited the Hugo Award finalist essay anthology Queers Dig Time Lords (Mad Norwegian Press, 2013) with Sigrid Ellis, and co-edited the anthology Glitter & Mayhem (Apex Publications, 2013) with John Klima and Lynne M. Thomas. Michael was additionally a contributor to the SF Squeecast podcast (with Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, and Catherynne M. Valente), a contributor to the Down and Safe- Blake's 7 podcast (with Amal El-Mohtar, Scott Lynch, and L.M. Myles), and is currently the Content Editor (with Lynne M. Thomas) of the It's Storytime with Wil Wheaton podcast. Michael was formerly the full-time caregiver of his late daughter, Caitlin. Caitlin had a rare congenital disorder called Aicardi syndrome. This week's picks: Michael #1: AEW Wrestling Michael #2: Scotland History Tours (YouTube) Michael: Ruth Aisling: Discovering Scotland (YouTube) Tracy: The Chameleon (Big Potato Games) Patrick: Platform Decay: The Murderbot Diaries by Martha Wells Links: Uncanny Magazine Year 13 on Kickstarter Tracy Townsend on BluSky Patrick Hester on Instagram The Functional Nerds Patreon Page © 2026 Patrick Hester The post Episode 710-With Uncanny Magazine's Michael Damian Thomas appeared first on The Functional Nerds.

Ready to bee inspired? Jana Kinsman joins Mary in this classic ep to share the incredible story of how she traded a corporate graphic design career for one filled with creativity, entrepreneurship, and more than 65 honeybee colonies. From launching successful ventures like Bike-a-Bee and Doodlebooth through Kickstarter to building multiple income streams around her passions, Jana proves that there's no single path to success.Learn more about Jana's businesses by visiting Bike-a-Bee at www.bikeabee.com and Doodlebooth at www.doodlebooth.meFollow her IGs: @bikeabee and @doodlebooth Have a question or thought for Mary? Leave us a voicemail for your chance to be featured on the show: https://www.allupinmyladybusiness.com/voicemail/Don't forget to subscribe so you never miss an episode, then come hang with us on Instagram (instagram.com/allupinmyladybusiness) & Threads (threads.com/@allupinmyladybusiness)!Learn more about A Mary Nisi Production: www.amarynisiproduction.comFind your next DJ at Toast & Jam: toastandjamdjs.comLaunch your DJ business with the Toast & Jam Lab: lab.toastandjamdjs.comSupport the show

Dennis Robinson is back, and he is not playing small. The Hive Head Studios creator has officially closed out a successful Kickstarter for Lycan: Solomon's Odyssey Chapters 1–4, the latest major step in his ambitious horror-mythology saga centered on Solomon, the world's first werewolf. The campaign ran from March 1 through April 1, 2026 and finished funded, giving readers another strong sign that Dennis is building something with real bite in the indie comics space. For those new to the series, Lycan: Solomon's Odyssey is not just a werewolf comic trying to coast on fangs and blood splatter. The book has been framed by Dennis and Hive Head Studios as a mix of horror, mythology, adventure, and history, following Solomon's long and painful journey after a desperate act transforms him into the first lycanthrope in human history. Solomon was born around 8,000 BC, and his story stretches through an alternate version of our world where folklore, monsters, magic, and gods are not just whispers in the dark—they are very real problems. That big-swing concept is a huge part of what makes the project stand out. Rather than staying stuck in one lane, the series keeps evolving. Chapter 2 brought in Arabic mythology, grief, PTSD, and magic. Chapter 3 expanded the universe with gods and cosmic horror, described by the official site as an alternate take on The Epic of Gilgamesh mixed with H.P. Lovecraft. Now, Chapter 4 sends Solomon into ancient Egypt, where he seeks out the gods themselves in hopes of finally finding a cure for his curse. Of course, this is Solomon we're talking about, so peace was never going to come easy. Instead, he runs into new weaknesses, new monsters, and more trials trying to tear him apart. And that's really the magic of Lycan. Dennis Robinson is using the werewolf myth not as a finish line, but as the front door to a much bigger story about pain, consequence, identity, survival, and the long shadow of history. Every chapter feels like it wants to ask a new question while still dragging Solomon deeper into the cost of what he has become. Dennis also brings a distinct creator energy to the table. According to Hive Head Studios, he's the creator/writer of the series, a founder connected to other geek-space projects, and a guy who clearly loves channeling horror, storytelling, and nerd passion into something personal and cinematic. That passion shows in Lycan's scope. This is not a safe little indie comic trying to whisper for attention. This is a full-throated monster odyssey trying to carve its name into the wall. So yeah, if you like your comics with mythology, monsters, blood, history, and enough ambition to make your pull list nervous, Lycan: Solomon's Odyssey should be on your radar. Dennis Robinson came back to the Comic Crusaders Podcast with a recently funded campaign, a growing universe, and plenty to talk about. And trust me, this wolf still has miles to go. YT: https://www.youtube.com/watch?v=KMTxwuaBXAI Follow Dennis Robinson and Hive Head Studios for more on Lycan: Solomon's Odyssey and future projects. Subscribe to Comic Crusaders for more interviews with comic creators, indie voices, and pop culture powerhouses. www.hiveheadstudios.com www.lycanbook.com (for the Kickstarter page) www.instagram.com/hiveheadstudios Thank you for Watching / Listening! We appreciate your support! Host Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet Rumble/Twitch: ComicCrusaders YouTube: / comiccrusadersworld Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Edited/Produced/Directed by Al Mega

In this special edition of The Wizard Files, we're interviewing the husband and wife writing duo of Michael Schwartz and Rachael Schaefer, the creative minds behind Till Death, the exciting new graphic novel from Clover Press available to back now on Kickstarter.We get the details of how this supernatural road trip adventure story came to be, plus learn about the pair's history in TV and film, their future ambition for comic book projects and more.Back the Till Death campaign now at this link: https://www.kickstarter.com/projects/cloverpress/till-death-graphic-novel?ref=discover_saved_projects&category_id=252 Thanks to our monthly supporters MegaRuss Steven W Steve Bada Matthew Strange Hombre Richard Cocchi Andrew Burt Brandon Whitmore Bill Gudde Michael Johnson Brock626 Tom Goodwin Matt and Lissy Poisso Lennon Patton Patrick McFadden Marvin Dupree Lunchlady Doris Mark Syp Seth Johnson Dapper Dan Paladin Phillip Sevy Robb Matt Frank Anderson Russell Sheath Hellions Team Damon David Ellis acovio Alex Giannini Jeremy Cathey Nate Clark Mark Florio David Fink Brent Cranfill MarWe Bruno Cavalcante David M Dalibor Žujović Evin Bryant Gary Hutcherson Fernando Pinto Jeremy Dawe MeltFaceKillah Brian Acosta Joe Marcello DenimJedi Miitchell Hall Lee Markowitz Mark McDonald ★ Support this podcast on Patreon ★

What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

Some creative teams are simply meant to make #comics together, and few partnerships have been as memorable as John Layman and Rob Guillory. On this episode, the acclaimed duo reunites to discuss Ghostbrawler, their action-packed new creator-owned series now on Kickstarter. Blending supernatural comedy with hard-hitting action, Ghostbrawler follows an ex-boxer who returns from death with the ability to literally punch ghosts, creating a wild new world filled with monsters, mobsters, and mayhem. John and Rob talk about reuniting after Chew, developing a brand-new universe, collaborating after years of working together, and why crowdfunding was the perfect way to launch the series.  You can back Ghostbrawler until July 23 here: kck.st/3QmawoF. You can follow John on Bluesky @themightylayman and Rob on his site, robguillory.com, or on Instagram @rob_guillory. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There are indie games that look cool on a storefront, and then there are indie games that come with a whole philosophy behind them. Astro Burn is shaping up to be one of those. On this episode of the Comic Crusaders Podcast, Al Mega sits down with Hasraf "HaZ" Dulull, founder and director of Beyond The Pixels, to talk about the making of the game, the value of agile development, and why the team is now bringing Astro Burn to Kickstarter with a physical edition built around ownership, preservation, and the joy of opening a game like it's the 16-bit era all over again. The campaign messaging emphasizes a physical copy outside digital platforms, plug-and-play simplicity, and a collector-focused experience that revives the ritual of getting a new game. YT: https://www.youtube.com/watch?v=GeXVfJ7bOf4 Peep the game at: https://store.steampowered.com/app/3810660/Astro_Burn/ Upcoming Kickstarter: https://www.kickstarter.com/projects/beyondthepixels/astro-burn-limited-edition-physical-indie-game Website: https://www.beyond-the-pixels.com/ Follow Haz on X: @HaZ_Dulull | Instagram: hazdazzle | Tik-Tok: @beyondthepixels | Facebook: @BeyondThePixelss Thank you for Watching / Listening! We appreciate your support! Host Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet Rumble/Twitch: ComicCrusaders YouTube: / comiccrusadersworld Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Edited/Produced/Directed by Al Mega

Survivor winner Kyle Fraser returns to First Round's On Me to introduce Paprclip, a social accountability app designed to help people accomplish goals, build better habits and strengthen their relationships together.Kyle explains how an unexpected moment involving a cartoon and a paperclip inspired the original idea—and how his secret Survivor alliance with Kamilla Karthigesu eventually evolved into a real-world business partnership.We explore why traditional habit trackers often fail, how accountability changes motivation and why completing goals alongside another person can be far more powerful than trying to do everything alone.Kyle also breaks down Paprclip's shared goals, habits, daily challenges, group functionality and private photo and video check-ins. He shares how the platform could help friends, couples, families, new parents and members of the ADHD and neurodivergent communities stay connected while becoming better versions of themselves.The conversation also covers entrepreneurship, choosing the right co-founder, maintaining adult friendships, protecting your imagination and learning to stop measuring your worth by how much other people like you.Paprclip's Kickstarter launches July 14. Follow the campaign through the link below and support the team as they prepare for beta testing.https://www.kickstarter.com/projects/1638490462/paprclip-the-social-accountability-app?ref=aj5ebcIn this episode:• Why accountability is more powerful than motivation• How Kyle came up with the idea for Paprclip• Why most habit-tracking apps fail• Building goals and habits with friends• How body doubling can improve consistency• Using accountability within marriages and families• Gamifying personal growth without replacing human connection• Kyle and Kamilla's transition from Survivor allies to co-founders• The loneliness of becoming a solo founder• Why friendship and imagination matter• What Kyle would tell his 10-year-old selfSubscribe to First Round's On Me for more honest conversations about dating, relationships, personal growth and genuine human connection.Happy connecting.00:00 Kyle Fraser Returns01:10 Becoming a New Father01:46 Where Paprclip Came From03:20 Turning an Idea Into an App05:38 What Is Paprclip?07:09 Accountability With Friends or Strangers08:17 Daily Challenges and Gamification09:33 Completing Goals Together10:20 Group Paprclips and Shared Content12:02 Why Habit Trackers Fail13:11 Accountability and the Loneliness Epidemic14:06 Maintaining Long-Distance Friendships15:00 Competition, Chores and Relationships17:02 Who Is Paprclip Built For?18:25 Fitness, Marriage and New Parenthood20:16 Making Adult Life Fun Again21:25 Introducing the New Dating App22:07 Calendars, Organization and AI23:24 Why Paprclip Is Human-Centered24:18 Paprclip's Development and Beta24:57 The July 14 Kickstarter27:13 Paprclip and the ADHD Community27:53 The Loneliness of Being a Founder28:38 Choosing Kamilla as a Co-Founder31:25 Paprclip's Vision for the Future32:01 Friendship and Imagination34:02 Finding Your Real Cheerleaders35:34 Refusing to Lose Your Creativity36:32 Advice to Kyle's 10-Year-Old Self37:39 Supporting Paprclip38:19 Where to Find the Kickstarter

E-commerce is where many crowdfunding creators expect the hard work to be over—but in reality, it's the beginning of an entirely new challenge. In this episode, Andrew and Sean break down what it actually takes to build a profitable online store after your crowdfunding campaign ends. They discuss why successful e-commerce is built on testing, data, and continual optimization—not luck or guarantees. Drawing from years of experience managing marketing campaigns for tabletop games and other businesses, they explain why knowing your numbers, understanding your customer journey, and investing in long-term marketing infrastructure are essential for sustainable growth. Resources: - Crowdfunding Nerds Community: https://www.facebook.com/groups/crowdfundingnerds/ - Must Watch Episodes

Shawn McBee and Maciej “MJ” Jankowski join The Chairman on the USDN Podcast to discuss Westron #2, their supernatural horror detective comic inspired by the creatures, legends, and folklore of Slavic mythology.After the first issue reached its Kickstarter goal in just six hours, Shawn and MJ return to expand the dark supernatural world of Westron.In this conversation, they share how a chance connection through Discord led to their creative partnership and the creation of the series, why Slavic mythology offers an untapped world of terrifying creatures and stories, and how they balance authentic folklore with building an original comic universe.The conversation also explores the realities of independent publishing and creator-owned comics, lessons learned from crowdfunding, the Kickstarter mistake they won't make again, the challenges of funding future issues, planning a long-term story with a definitive ending, and what lies ahead for Westron.Support Westron #2 on Kickstarter:https://www.kickstarter.com/projects/propsmith/westron-2Learn more about Westron:https://westroncomic.comConnect with the USDN Podcast:https://linktr.ee/USDN_PodcastBusiness & Media Inquiries: thechairman@usdnpodcast.com

John Charles returns to discuss his new magazine about comics. Back Insomniax on Kickstarter and follow John on Instagram and Facebook.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

Hello there! Welcome to Force Ghost Conversations. This podcast is your home for cozy, deep dives into all things Star Wars and Lucasfilm-adjacent properties. Each week, our host will be joined by fans, creators, and believers in the principles from the Galaxy far, far away to discuss the thematic elements from our favorite Lucasfilm properties. Without further adieu, it is time to gather around the campfire for some Force Ghost Conversations.After 237 issues and almost 40 years of operation, Star Wars Insider officially came to a close in May 2026. To celebrate the legacy of the publication and to discuss the changes in the media landscape, we are joined this week by Peter Holmstrom from the Young Indy Chroniclers and the upcoming documentary, George Lucas: The Lost Golden Age.Topics Discussed Include:1. Our Memories and Experiences with Star Wars Insider2. Rick McCallum's Column3. The Death of Print MediaSupport the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠Young Indy Chroniclers Patreon⁠⁠⁠⁠Support the Kickstarter for George Lucas: The Lost Golden Age⁠⁠If you want to continue the conversation, please follow us at the following websites:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Today's guest is Peter Holmstrom from the Young Indy Chroniclers and George Lucas: The Lost Golden Age. Be sure to support their work online!

Witnessing adaptation is one of our great pleasures. How does one transform an audio medium into a visual one? How will the podcast World Beyond Number, from Brennan Lee Mulligan, Erika Ishii, Aabria Iyengar, and Lou Wilson, expand into The Wizard, The Witch, and The Wild One, courtesy of comic storytellers Jadzia Axelrod and Sarah Webb? When the chance to ponder the thought arose with some of those involved, we jumped at it. There are only days left ot support Worlds Beyond Wonder: The Wizard, the Witch, and the Wild One via Kickstarter. As of this writing, it's already reached over $1.8 million. The book is happening and will be published through Skybound Entertainment. Join the party in confidence. We spoke with Brennan Lee Mulligan, Erika Ishii, and Lou Wilson about their love of comics and the delight they've discovered in watching Jadzia Axelrod and Sarah Webb bring their story to this medium. We relish the love evident in their play, found in every Worlds Beyond Number episode. We discuss nerdom not as a monolith, but as an endless pebbly beach. This episode was a fantastic surprise, but not as big a surprise as the email we recently received that threw our lives into turmoil (which is the topic of today's introduction). Friends, we've been through it. Thank goodness for our comic book pals. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Jadzia Axelrod on Justice League Dream Girls Comic Book Film Club: Punisher: War Zone at the Alamo Drafthouse in Winchester, Virginia on 7/12 at 5:00 PM. Co-Sponsored by Four Color Fantasies. Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The charming town of Orchard has everything you could ever need: walkable streets, friendly residents, and no escape. But why would you want to leave? The world outside is a nuclear wasteland! It's much better to stay in the warm confines of Orchard and ignore the deep secrets it holds. After all, it's a safe place to live. Free on Webtoon, Winston Gambro's A Safe Place to Live is the dystopian horror comic you've been waiting for. It's Severance meets Archie. Support human-made art!. If you are a fan of the legendary artwork of Michael Turner, you need to check out The DC Art of Michael Turner on Kickstarter from Clover Press and Aspen Comics. This oversized deluxe hardcover celebrates Turner's unforgettable takes on Batman, Superman, Wonder Woman, Supergirl, The Flash, the Justice League, and more, all packed into a massive 200-plus-page coffee-table art book. And if you back the Kickstarter, you can get exclusive editions and extras you can't find in stores, including slipcases, sketchbook editions, portfolios, and more. Michael Turner's art defined an era of comics — and this is his definitive collection. Visit Kickstarter and search “The DC Art of Michael Turner” before the campaign ends on July 9th. Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

We are joined by Felicia Day (!!!!!!!!) to talk about her newest graphic novel, Lost Daughter of Sparta, as well as Greek mythology, mythological retellings, and how these stories help us look at how modern society treats women.Content Warning: This episode contains conversations about or mentions of misogyny, ageism, grief, infidelity, human sacrifice, death, sexual assault, kidnapping, queerphobia, GuestFelicia Day is an actor, producer, writer, and streamer. She is the author of the graphic novel, “Lost Daughter of Sparta”. You can support her upcoming Kickstarter for The Guild Reunion movie here. Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.