Podcasts about Italian

Today’s topic is an abandoned mansion, but it was once a gorgeous and luxurious home designed for a prominent citizen of northern Italy. It’s often described as haunted and as having a dark history, but there are some interesting contradictions regarding that story. Research: “Caravan Journal, the rediscovered manuscript. The Orient through the eyes of a forgotten Milanese patriot: Felice De Vecchi.” Arte.IT: The Map of Art in Italy. https://www.arte.it/calendario-arte/milano/mostra-giornale-di-carovana-il-manoscritto-ritrovato-l-oriente-attraverso-gli-occhi-di-un-patriota-milanese-dimenticato-felice-de-vecchi-4835 “Cesare Maria De Vecchi in Rhodes.” Palace of the Grand Master. https://grandmasterpalacerhodes.gr/cesare-maria-de-vecchi/ Claus, Patricia. “Mussolini's Old Villa on Rhodes Still on Real Estate Market.” Greek Reporter. July 17, 2020. https://greekreporter.com/2020/07/17/mussolinis-old-villa-on-rhodes-still-on-real-estate-market/ Britannica Editors. "Aleister Crowley". Encyclopedia Britannica, 11 Oct. 2025, https://www.britannica.com/biography/Aleister-Crowley Frigo, Marco. “Villa De Vecchi: the haunted mansion inhabited by ghosts not far from Milan with a mysterious, dramatic and fascinating past.” Milano Segreta. Oct. 6, 2025. https://milanosegreta.co/en/villa-de-vecchi-ghost-mansion/ Linstrom, Emily. “Villa de Vecchi.” Atlas Obscura. Lecco, Alberto, Foot, John. "Milan". Encyclopedia Britannica, 13 Oct. 2025, https://www.britannica.com/place/Milan-Italy Linstrom, Emily. “Villa de Vecchi.” Atlas Obscura. https://www.atlasobscura.com/places/villa-de-vecchi “History of Milan.” Civitatis Milan. https://www.introducingmilan.com/history Imam, Maham. “ATHENAEUM: Adaptive reuse of Villa De Vecchi into a public Library.” University of Management and Technology, Lahore. 2023. https://drive.google.com/file/d/1j3dhAHK8v4i-vV_IkAB8WXWMXpCEP_BQ/view?pli=1 Philip, Lizzie. “The Real Story Behind Northern Italy’s Abandoned ‘Ghost Mansion.’” Atlas Obscura. Oct. 17, 2018. https://www.atlasobscura.com/articles/ghost-mansion-in-northern-italy#:~:text=Place-,Villa%20de%20Vecchi,explore%20more%20Atlas%20Obscura%20videos. Pitzalis, Bruno. “Step Inside an Abandoned ‘Ghost Mansion’ of Northern Italy. Atlas Obscura. Oct. 9, 2018. https://www.youtube.com/watch?v=oTP2erZ7CBc&t=38s Santarelli, Enzo. “DE VECCHI, Cesare Maria.” Biographical Dictionary of Italians. https://www.treccani.it/enciclopedia/de-vecchi-cesare-maria_(Dizionario-Biografico)/ “Sidoli, Alessandro (1812-1855), Architekt, Maler und Graphiker.” Österreichisches Biographisches Lexikon. Austrian Center for Digital Humanities and Cultural Heritage. (Translated.) https://www.biographien.ac.at/oebl/oebl_S/Sidoli_Alessandro_1812_1855.xml Smee, Taryn. “The Red House – Italy’s Most Haunted Villa Which Lies Abandoned and Off Limits.” The Vintage News. Nov. 20, 2018. https://www.thevintagenews.com/2018/11/20/villa-de-vecchi/ “Villa De Vecchi, Italy: A Timeless Masterpiece of Architectural Splendor.” Rethinking the Future. https://www.re-thinkingthefuture.com/articles/villa-de-vecchi-italy See omnystudio.com/listener for privacy information.

The boys are back and this time Crendor discovers that there was once an Italian royal crest that featured 3 "balls". Jesse of course becomes obsessed. Speaking of obsessed, the boys have some things to say about Twitch these days and peoples obsession with attention. Oh and apparently times are to tough people are using pumpkins as boats. All this and so much more on a brand new Cox n' Crendor! Eat smart at https://factormeals.com/cox50off and use code cox50off to get 50% off your first box, plus Free Breakfast for 1 Year. Go to http://uncommongoods.com/cox for 15% off your next gift.

Halloween week gets weirder than ever on The Box of Oddities as Kat and Jethro dive into the chilling mystery of electronic voice phenomena (EVPs) — and why some recordings might not come from the past… but from the future.

It's a Halloween special with Sal Vulcano and Gary Vider joining Mark and Sam, dressed up as your favorite Sesame Street crew—Bert and Ernie, Big Bird, and Elmo. It's candy, chaos, and comedy as the guys debate kids' TV, Blippi's wild past, and overpriced Italian dinners. Plus, Iceland adventures, Joe Pesci stories, and the world's worst toy memories. Sponsored by: Sign up for your one-dollar-per-month Shopify trial https://www.shopify.com/DRUNK Get 50% off your first Factor box + free breakfast for a year with code DRUNK50OFF https://www.factormeals.com/drunk50off Subscribe to We Might Be Drunk: https://bit.ly/SubscribeToWMBD Merch: https://wemightbedrunkpod.com/ Clips Channel: https://bit.ly/WMBDClips Sam Morril: https://punchup.live/sammorril/tickets Mark Normand: https://punchup.live/marknormand/tickets ⸻ Produced by Gotham Production Studios @GothamProductionStudios | Producer: Matthew Peters #WeMightBeDrunk #MarkNormand #SamMorril #SalVulcano #GaryVider #HalloweenEpisode #ComedyPodcast #StandUpComedy #SesameStreet #BodegaCatWhiskey Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered why nutrition seems so complicated, with constantly changing dietary advice, making it hard to know what's truly healthy? I speak with Vinnie Tortorich, a celebrity trainer and author, about cutting through nutrition noise. We discuss how the food industry feeds people untruths, shaping the obesity and chronic disease epidemic. Vinnie, who created the No Sugar, No Grains movement (NSNG), explains that celebrities achieve results through high levels of dedication. We explore why people must sacrifice for goals and how success requires facing failure and maintaining perseverance. Vinnie reviews historical dietary shifts, noting that grains are fattening. He shares how following NSNG supported his 17-year remission from leukemia, a period surpassing medical records. I believe you will find Vinnie's perspective very helpful. Key Takeaways The confusion around nutrition is not accidental; the food industry has been feeding people untruths for decades, contributing to the obesity and chronic disease epidemic. Celebrities achieve impressive transformations due to their "Type A plus plus personalities," meaning they possess the extreme mental capacity and commitment necessary to follow strict plans, such as only eating red meat, fish, chicken, and eggs. Success, both in fitness and in life, is built on the back of failures, a concept Vinnie Tortorich refers to as the Failure Quotient (FQ), which is the number of times one can fail and successfully recover. The NSNG philosophy arose from Vinnie's observation, contrary to prevailing 1980s nutritional wisdom, that grains (complex carbohydrates) contribute to fat storage; his Italian great-grandmother also understood that eating too much grain makes you fat. Following the no sugar, no grains diet dramatically impacted Vinnie's 2007 battle with leukemia, helping him achieve 17 years without needing chemotherapy—a time period significantly longer than the typical prognosis for his form of cancer, making him the person with the longest record. Political and corporate changes in food standards move at a glacial pace, but starting small—such as changing views on saturated fat and removing seed oils—is necessary to eventually alter public health outcomes. Resources Nate Palmer's Website: https://milliondollarbodylabs.com/ Nate Palmer's Book: The Million Dollar Body Method Nate Palmer's Lean Energy Stack: https://milliondollarbodylabs.com/pages/lean Nate Palmer's Instagram: @_milliondollarbody Vinnie Tortorich's Book: Fitness Confidential Vinnie Tortorich's Documentary: Fat Vinnie Tortorich's Podcast: Fitness Confidential Vinnie Tortorich's Website: https://vinnietortorich.com/  

What do you get when you mix the NBA with the Italian mafia and then add in some poker? Perhaps one of the most explosive gambling scandals the sports world has ever seen. Over thirty people have now been indicted according to U.S. Attorney Joseph Nocella, Jr. as part of two investigations known as Operation Royal Flush and Operation Nothing But Net. Beginning as early as 2019, defendants in the case are accused of using wireless cheating technology to run rigged poker games in places like the Hamptons, Miami, Las Vegas and Manhattan. How did defendants allegedly pull it off? USA TODAY Sports Reporter Mark Giannotto joins The Excerpt to unpack this muti-layered story.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

World War II hero Phil Larimore remains the youngest candidate to ever graduate from Army Officer Training School, which he did at the age of seventeen, on the eve of America's involvement in World War II. Landing on the Anzio beachhead in February 1944, Phil – the youngest commissioned US officer in World War II – was put in charge of an Ammunition Pioneer Platoon of the 3rd Infantry Division. Their job: to deliver ammunition to the frontline foxholes—a dangerous assignment involving regular forays into No Man's Land. As Phil fought his way up the Italian boot, into Southern France and across the Rhine River into Germany, he experienced some of the most intense combat ever. But it was what happened in the final stages of the war, when Phil was sent on a secret mission into Nazi-occupied Czechoslovakia to find the farm where Hitler was hiding his world-famous Lipizzaner stallions that makes his story incredibly special and is  the ultimate expression of Phil Larimore's life-long love of horses. Like so many veterans of that “greatest generation,” Phil didn't talk much about his war experiences until much later in life, and when he did his stories seemed outrageous to his family and his sons. After his death, his son and our guest Dr. Walt Larimore discovered his father's papers in the attic—and learned that his father's stories were all true. In this episode, Dr. Larimore describes his father's remarkable service to his country, including meeting Eisenhower, losing his leg, fighting to stay in the army, and being awarded  the Distinguished Service Cross, two silver stars, two bronze stars, three Purple Hearts, the Medal of France, the Crois du Garde with a palm, and more. All of this and more is described in Dr. Walt Larimore's remarkable book At First Light.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

This week, we catch up with Andrea Casalegno, better known on the internet as I Am Casa. Casa is a watch journalist and content creator who burst onto the scene with his exceptional taste and love of the organic Melting Watch from Exaequo. We chat about why this Dali-esque design is so significant for Casa, why Italians have such a reputation for being tastemakers when it comes to vintage watches, and why watch burnout is a real thing.  Dennison Dual Time Capsule Collection (2:57) Ming Polymesh bracelet (4:35) Main Interview (9:41) Iamcasa on Instagram The Exaequo Melting Watch (12:49) Like watches? Join our Discord. How to follow us: Instagram: @ot.podcast Facebook: @OTPODCASTAU Follow hosts: @fkscholz + @andygreenlive on Instagram. Send us an email: otthepodcast@gmail.com If you liked our podcast - please remember to like/share and subscribe.

Nach einem langen Tag raufen wir uns noch einmal zusammen und sprechen u.a. über Nackenschmerzen bei Minyas, Italian brainrot, des Kanzlers Worte, natürlich Megabonk, Battlefield 6 im Portal Modus, Humanica, One Last Raid, das Unreal Engine Problem und der Ärger um die Klemmbausteine.Links zu den Themen der Folge► Italian brainrot https://en.wikipedia.org/wiki/Italian_brainrot► Humanica https://store.steampowered.com/app/2112740/Humanica/► One Last Raid https://store.steampowered.com/app/3524830/One_Last_Raid_Demo/► Super Fantasy Kingdom https://store.steampowered.com/app/2289750/Super_Fantasy_Kingdom/► Das Problem ist nicht die Grafik – sondern etwas viel tieferes https://youtu.be/bKAB8kTs56k► Warum hassen alle Lego? https://youtu.be/_g8YPkn5rPc► random violinist goes crazy improv https://youtube.com/shorts/8K_YqT16pYkDie2 auf Twitter ⁠⁠⁠https://twitter.com/die2onair

  The doomed advance commenced around 5 a.m., when still quite dark. The idea was for General Bagration's left flank to initiate the attack on the French right flank and drive the enemy into the mountains.   Officers were hurriedly drinking tea and eating a decent breakfast while buttoning their coats and buckling their swords.  Battalion and regimental commanders, along with their adjuncts, mounted their horses and gave final instructions.  Austrian guides were now moving among the troops and heralding the advance.   Those who would be moving were anxious amidst the cold and mist.  The soldiers had been eating their rations, which consisted of a biscuit, while some beat their feet (while sitting around fires) to a tolerable warmth. The allied army reached a critical point, to either keep what they had or destroy it. Thus, into the fires went chairs, tables, wheels and everything that was not needed or could not be carried.  The men then hoisted their bags onto carts, readied their muskets, and ran to form rank. There were a lot of non-combatant equipment men and logistics people who harnessed and packed the wagons.  Soon the tramp of thousands of marching feet resounded.  The throng moved without seeing where they were headed, as great masses of familiar men were surrounded by smoke and fog. For most, their senses heightened and they listened intently and looked about, each strengthened by their numbers.   The columns thus advanced, descending and ascending hills, going over new and unknown ground. Nowhere did they encounter the French. The troops marched with enthusiasm for about an hour before the greater part had to halt and an unpleasant consciousness of some blunder spread. Tolstoy notes how such a mindset moves through such a body so rapidly is impossible to define. It was understood that large units were crossing one other.  For example, in one area, several thousand cavalry crossed in front of the infantry. In contrast to the jovial spirit with which the troops had started, they were now filled with vexation and anger. The disorder was attributed to “those stupid Germans,” often called “sausage-eaters.”   There were even visible altercations between some Austrian and Russian leaders. While stationary, the troops grew listless and dispirited. After this inauspicious development that lasted the better part of an hour,  some soldiers started to hear shots. It was beyond the fog and irregular but then came at more frequent intervals.  A small contingent who expected to come upon the enemy down by a stream stumbled upon the French in the fog.   Similar interactions, of advancing and halting and exchanging uneven shots with the enemy, played out among the first, second and third columns in the lowlands, amidst thick fog. The 4th column, which Kutuzov was with, stood on the Infamous Pratzen Heights. On this higher ground, much of the field was becoming observable as the day developed and sun rose. High up in the village of Schlappanitz –the Great Napoleon stood with his marshals, observing the field and the Pratzen Heights.  He was basking in the crimson sun that was rising in a striking blue sky. He donned the famous blue cloak he wore on his Italian campaign, sitting on his gray Arab horse. He gazed at the hills which seemed to rise out of the sea of mist and on which his adversaries were moving, listening to the sounds of firing.  He is imbued by as already having the air of having victory. One part of the Russian forces already descended into a valley toward the ponds and lakes and another were leaving the Pratzen Heights, which Napolean abandoned before the battle but intended to retake and regarded as the key position. Napoleon plainly noticed the disorderly movement of his enemy and that the columns moving near The Pratzen Heights constituted the center of the Russian army, which was sufficiently weakened to be successfully attacked.

Join Chef Char Nolan in her virtual office as she welcomes all of your questions. From cooking techniques to course-specific questions, to how to turn your cooking passion into profit or simply hearing the perspective of a professional chef, Chef Nolan tackled all variety of questions!Char Nolan is a serious crusader for plant-based education, armed with a degree in public health from Philadelphia's Temple University. She teaches nutrition and plant-based cooking throughout Philadelphia, and in many underserved communities. Char holds a certificate in plant-based nutrition from eCornell and completed Rouxbe's Plant-Based Professional Certification course in 2015. In 2019, Char completed post-graduate course work in social media marketing at the University of the Arts. When she is not cooking or teaching, she manages social media accounts for several plant-based influencers.Char prides herself on learning everything she knows about cooking from growing up in her grandparents' Italian restaurant. Her favorite vegetables are Brussels sprouts and kale, of course. Char originally hails from Queens, NY, but has lived in Philadelphia most of her adult life. She is a former Peace Corps Volunteer.You can watch the original video version of this episode on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rouxbe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

We have reached the last clue of our virtual treasure hunt - La fantastica Caccia al Tesoro di Coffee Break 2025 - which will lead us to the final location! Test your Italian and detective skills as we reveal everything you need to know to determine the last destination. Remember to submit your entry form listing the location from each episode to be in with a chance of winning a prize.Click here to locate the entry form and for further details about the competition. Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for October 26, 2025 is: cognoscente • kahn-yuh-SHEN-tee • noun Cognoscente refers to a person with expert knowledge in a subject. It is usually encountered in its plural form, cognoscenti, and preceded by the. // The audience at the club, though small, was full of writers, musicians, and other noteworthy members of the jazz cognoscenti. See the entry > Examples: "Even as [Ray] Bradbury was embraced by the New York cognoscenti—traveling to the city in the fall of '46, drawing the attention of Truman Capote, meeting Gore Vidal, dancing with Carson McCullers at a Manhattan party—Mars beckoned. Yet he would not dare tell his New York associates, for fear of being laughed out of the room." — Sam Weller, LitHub.com, 28 Apr. 2025 Did you know? Cognoscente and connoisseur—both terms for those in the know—are more than synonyms; they're also linguistic cousins. Both terms descend from the Latin verb cognōscere, meaning "to know," and they're not alone. You might guess that cognizance and cognition are members of the cognōscere clan. Do you also recognize a family resemblance in recognize? Can you see through the disguise of incognito? Did you have a premonition that we would mention precognition? Cognoscente itself came to English by way of Italian and has been a part of the language since the late 1700s.

Live in Seattle, WA at the Here-After, Amanda is joined by Nivi, Kim, and Janelle to talk about optimism, activism, and why doomerism is just so @#$%ing boring. We will also discuss:What it means to be a steward of your clothingWhy it's more than "just clothes"What we sacrifice in favor of convenience cultureHow to lead by example for those around youAnd how to keep the conversation about difficult topics goingNivi: Soapbox Project, @soapboxprojectKim: @heavydutyvintageJanelle: @janelleabbottGet your Clotheshorse merch here: https://clotheshorsepodcast.com/shop/If you want to share your opinion/additional thoughts on the subjects we cover in each episode, feel free to email, whether it's a typed out message or an audio recording:  amanda@clotheshorse.worldDid you enjoy this episode? Consider "buying me a coffee" via Ko-fi: ko-fi.com/clotheshorseClotheshorse is brought to you with support from the following sustainable small businesses:Slow Fashion Academy is a size-inclusive sewing and patternmaking studio based in Philadelphia, Pennsylvania. Designer and fashion professor Ruby Gertz teaches workshops for hobbyists and aspiring designers, so that anyone can learn the foundational skills of making, mending, and altering their own clothes. Ruby also provides professional design and patternmaking services to emerging slow fashion brands, and occasionally takes commissions for custom garments and costume pieces. She has also released several PDF sewing patterns for original designs under her brands Spokes & Stitches, and Starling Petite Plus. Check the schedule for upcoming workshops, download PDF sewing patterns, and learn about additional sewing and design services at www.slowfashion.academy.The Pewter Thimble Is there a little bit of Italy in your soul? Are you an enthusiast of pre-loved decor and accessories? Bring vintage Italian style — and history — into your space with The Pewter Thimble (@thepewterthimble). We source useful and beautiful things, and mend them where needed. We also find gorgeous illustrations, and make them print-worthy. Tarot cards, tea towels and handpicked treasures, available to you from the comfort of your own home. Responsibly sourced from across Rome, lovingly renewed by fairly paid artists and artisans, with something for every budget. Discover more at thepewterthimble.com Deco Denim is a startup based out of San Francisco, selling clothing and accessories that are sustainable, gender fluid, size inclusive and high quality--made to last for years to come. Deco Denim is trying to change the way you think about buying clothes. Founder Sarah Mattes wants to empower people to ask important questions like, “Where was this made? Was this garment made ethically? Is this fabric made of plastic? Can this garment be upcycled and if not, can it be recycled?” Signup at decodenim.com to receive $20 off your first purchase. They promise not to spam you and send out no more than 3 emails a month, with 2 of them surrounding education or a personal note from the Founder. Find them on Instagram as @deco.denim.Vagabond Vintage DTLV is a vintage clothing, accessories & decor reselling business based in Downtown Las Vegas. Not only do we sell in Las Vegas, but we are also located throughout resale markets in San Francisco as well as at a curated boutique called Lux and Ivy located in Indianapolis, Indiana. Jessica, the founder & owner of Vagabond Vintage DTLV, recently opened the first IRL location located in the Arts District of Downtown Las Vegas on August 5th. The shop has a strong emphasis on 60s & 70s garments, single stitch tee shirts & dreamy loungewear. Follow them on instagram, @vagabondvintage.dtlv and keep an eye out for their website coming fall of 2022.Located in Whistler, Canada, Velvet Underground is a "velvet jungle" full of vintage and second-hand clothes, plants, a vegan cafe and lots of rad products from other small sustainable businesses. Our mission is to create a brand and community dedicated to promoting self-expression, as well as educating and inspiring a more sustainable and conscious lifestyle both for the people and the planet.Find us on Instagram @shop_velvetunderground or online at www.shopvelvetunderground.comSelina Sanders, a social impact brand that specializes in up-cycled clothing, using only reclaimed, vintage or thrifted materials: from tea towels, linens, blankets and quilts.  Sustainably crafted in Los Angeles, each piece is designed to last in one's closet for generations to come.  Maximum Style; Minimal Carbon Footprint.Salt Hats:  purveyors of truly sustainable hats. Hand blocked, sewn and embellished in Detroit, Michigan.Republica Unicornia Yarns: Hand-Dyed Yarn and notions for the color-obsessed. Made with love and some swearing in fabulous Atlanta, Georgia by Head Yarn Wench Kathleen. Get ready for rainbows with a side of Giving A Damn! Republica Unicornia is all about making your own magic using small-batch, responsibly sourced, hand-dyed yarns and thoughtfully made notions. Slow fashion all the way down and discover the joy of creating your very own beautiful hand knit, crocheted, or woven pieces. Find us on Instagram @republica_unicornia_yarns and at www.republicaunicornia.com.Cute Little Ruin is an online shop dedicated to providing quality vintage and secondhand clothing, vinyl, and home items in a wide range of styles and price points.  If it's ethical and legal, we try to find a new home for it!  Vintage style with progressive values.  Find us on Instagram at @CuteLittleRuin.Thumbprint is Detroit's only fair trade marketplace, located in the historic Eastern Market.  Our small business specializes in products handmade by empowered women in South Africa making a living wage creating things they love like hand painted candles and ceramics! We also carry a curated assortment of  sustainable/natural locally made goods. Thumbprint is a great gift destination for both the special people in your life and for yourself! Browse our online store at thumbprintdetroit.com and find us on instagram @thumbprintdetroit.Picnicwear:  a slow fashion brand, ethically made by hand from vintage ...

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TC Dj Present: Sessions Worldwide Episode 78 ( Tech House Episode 1 ) LISTEN ON: Live - On Recast : https://players.rcast.net/popup2/63884 Live - On Twitch : https://www.twitch.tv/tc_dj Listen Live On Website : https://tcdjintheclubroomworldwide.jimdofree.com All Dj Set: https://hearthis.at/tc.dj.official On Air - On Radio : https://www.radio.net/s/tcdj On Air - On Tune In : https://tunein.com/radio/TC-DJ-In-The-Club-Room-Worldwide-On-Air-s278784 On Air - Keep One https://keepone.net/radio/k130403/tc-dj-in-the-club-room-worldwide-on-air On Air - On Zeno : https://zeno.fm/radio/theclubroomworldwideonair On Air - On My Tuner : https://mytuner-radio.com/radio/tc-dj-in-the-club-room-worldwide-on-air-509593 Music: Techno - Dark Techno - Hard Techno ____________________________________________________________________________________________________ Download My Free App ANDROID https://drive.usercontent.google.com/download?id=1dbbMA2lUNx0GWhKFKWbPvLTsdTwi51pQ&export=download&authuser=0 ____________________________________________________________________________________________________ Download Radio Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android _______________________________________________________________________________________________________ Download Zeno Free App App Store https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player _______________________________________________________________________________________________________ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. Axe club, naxsos, street parade, love parade, house club,energy, the club, tabo club, effel she zen, will return in most clubs in the Italian area of southern Italy the Cyclops, Metropolis, italian discotheques. where they have performed internationally renowned artists such as Todd terry.little Louie Vega, Roger Sanchez, Francois Kevorkian, dennis fererr, Tony Humphries, Sven Vath, Marco Carola, lello Roman, Erick Morillo, DJ Simi, Carl Cox etc.. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

Italian Olive Harvest and Historical Vatican-UK Royal Visit. Lorenzo Fiori reports that the olive harvest in Tuscany is expected to be low in quantity due to mosquito damage caused by humidity and rain. However, recent strong winds helped remove damaged olives, potentially ensuring a "very tasty" oil. Fiori also discusses the historical visit of King Charles III to the Vatican's Sistine Chapel to pray with Pope Francis. This event, which Fiori found spectacular, is seen as crucial for restoring dialogue between the Anglican and Catholic Churches after centuries of division.

A look at gender equality, specifically the revolutionary walkout by Icelandic women 50 years ago, as documented in Pamela Hogan's film 'The Day Iceland Stood Still.' The show discusses the impact of women's strikes on society and includes an interview with Iceland's second female president, Hala Thomas Dottir. The episode also highlights the struggles of the Palestinian filmmakers behind the Oscar-winning documentary 'No Other Land,' focusing on the challenges they face in distributing their film in the United States amid rising settler violence in the West Bank. Additionally, the program features a segment on the remarkable 92-year-old Italian sprinter Emma Zenga and her secrets to longevity. Finally, former NATO Secretary General Jens Stoltenberg shares insights from his tenure, including his interactions with global leaders and the complexities of maintaining the NATO alliance, particularly during Trump's presidency. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a free preview of a paid episode. To hear more, visit www.serioustrouble.showThis week in the free episode: the indictment of John Bolton and how it's pretty different from the Comey indictment, plus Trump's apparent demand that the Justice Department pay him $230 million for the indignity of being prosecuted.Paying subscribers also get to hear a dive into two wild NBA-related indictments that came down this week in the Eastern District of New York. One indictment alleges that conspirators, including an NBA coach and members of four of New York's Italian mafia families, ran rigged poker games to fleece unsuspecting players out of millions of dollars. The other alleges a conspiracy to fraudulently bet on NBA games — or more specifically, on propositions about NBA games — through the use of inside information. Both of these cases have crazy factual details, and the NBA betting one also involves some interesting, novel legal issues.Also: an update on lawsuits over National Guard deployments (and some theories about why an unfavorable ruling for Gavin Newsom did not get a rehearing en banc), a look at the case demanding that Speaker Mike Johnson hurry up and seat the Democrat who won a special election in Arizona several weeks ago, and an update on Hunter Biden-related litigation.Visit serioustrouble.show to upgrade your subscription.

KB & DJ are BACK and... SO IS THE NLL! The guys discuss the CBA signing and the BONKERS start to NLL Free Agency that has SO many players heading to new teams. Then they talk about PLL Day 2025 and Hoots having a trading card in the new PLL Card Set?!Voicemails: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠speakpipe.com/OTBLaxPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support our partners!Rita's Italian Ice & Custard of Sewell, NJ:Visit Rita's in Sewell, NJ at 288 Egg Harbor Road and enjoy the best Italian ice, cream ice, custard, and more all season long! Ice-Custard-Happiness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Code UNDERGROUND for 10% off at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠phiapparel.co/shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠'47 BrandShop for your favorite sports fan and get FREE SHIPPING on ALL orders with '47 Brand!⁠⁠⁠⁠47.sjv.io/e1Nyor⁠⁠⁠⁠PLL App CodeDownload the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PLL App⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & redeem code OTBPOD for 500 XP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BUFFShop the SURVIVOR 49 Collection!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buff.sjv.io/yqqVz2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kenwood BeerVisit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kenwoodbeer.com/#finder⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see who has Kenwood on tap! (Must be 21+)Follow Us!TwitterUnderground: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/UndergroundPHI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OTB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/OTBLaxPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/KBizzl311⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DJ: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Scs_nextgreat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hoots: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/HootSportsMedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠https://www.instagram.com/otblaxpod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/undergroundphi/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUBSCRIBE on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/@UndergroundSportsPhiladelphia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/@OTBLaxPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Intro/Outro Music: Arkells "American Screams"#Lacrosse #PLL #PremierLacrosseLeague #NLL #NLLCBA #PLLDay2025 #Subscribe #fyp

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Travel and learning other languages often go hand in hand, whether we're cramming in a few words before we visit somewhere for the first time or we are intentionally travelling to practice a language, perhaps even heading to a language school for full immersion. This episode covers all manner of language experiences, starting with Chris Magnuson who was a brave and confident teenager, boldly striking out on French streets with the goal of just talking French with as many people as possible. Spiri Tsintziras then chats with me about her relationship with Greek - the language spoken in her childhood home in Australia, and a language she wanted to pass on to her children. Next, Ros Belford describes her initial learning of Italian and some tips for new learners of any language, involving focusing on a passion. Finally, Megan Frye talks about choosing a language school when you are specifically taking a trip to practice another language. Links: Preply to find language tutors - https://notaballerina.com/preply Chris’s website - https://www.streetviewvagabond.com/ Streetview Vagabond on Instagram - https://www.instagram.com/streetviewvagabond/ Spiri Tsintziras - https://www.writingspirit.com.au/ Spiri’s new book Twelve Golden Gifts - https://amzn.to/4mWCqCa Ros Belford - https://rosbelford.com Ros’s book Children of the Volcano - https://amzn.to/4dq2vpz Megan Frye - https://www.meganfrye.com/ Join our Facebook group for Thoughtful Travellers - https://www.facebook.com/groups/thoughtfultravellers Join our LinkedIn group for Thoughtful Travellers - https://notaballerina.com/linkedin Sign up for the Thoughtful Travellers newsletter at Substack - https://thoughtfultravel.substack.com Show notes: https://notaballerina.com/369 Support the show: https://thoughtfultravel.substack.com/See omnystudio.com/listener for privacy information.

Comfort can quietly cost you the life you really want. When we play it too safe in the name of avoiding unpleasant thoughts or feelings, we drift away from our values and the things that bring meaning, energy, and connection. The Stoics offer a way back through intentional action, self-inquiry, and showing up with integrity – even when it's uncomfortable.***I'm your host, Sarah Mikutel, a communication and mindset coach. My work is about helping people like you share your voice, strengthen your relationships, and have more fun.As an American expat living in the U.K., I value curiosity, courage, and joy. A few things I love: wandering European streets in search of the best vegetarian meal, practicing Italian, and helping my clients design lives that feel rich and meaningful.If you're ready to have conversations that open doors – in your career, your relationships, and your life – let's talk.We can also chat on Insta :)Do you ever go blank or start rambling when someone puts you on the spot? I created a free Conversation Cheat Sheet with simple formulas you can use so you can respond with clarity, whether you're in a meeting or just talking with friends.Download it at sarahmikutel.com/blanknomore and start feeling more confident in your conversations today.

On this special weekend episode of the Opinions Matter podcast - Adrian & Jeremy talk the most random rubbish...as they get stuff off their chest!You'll hear them debate why there are no Italian chippers in Italy, Jeremy's theory about what happens to your poo when you flush it down the loo...and do you know the significance of an upside down pineapple?

Pääministeri Giorgia Melonin hallitus nousi tällä viikolla Italian pisimpään hallinneiden joukkoon. Meloni on ollut pääministerinä nyt kolme vuotta ja suositumpi kuin koskaan. Ohjelmassa kuullaan Italiasta, mikä Melonissa vetoaa. EU-politiikassaan Meloni on hallinnut asiantuntijoiden mukaan enemmän keskeltä kuin moni muu laitaoikeiston EU-johtaja. Hän kannattaa esimerkiksi Ukrainan tukemista sen puolustautuessa Venäjän hyökkäyssotaa vastaan. Konservatiivisia arvoja ajava Meloni nauttii Yhdysvaltain presidentin Donald Trumpin suurta suosiota. Ohjelmassa haastateltavan yhdysvaltalaisprofessorin mukaan Melonin Italia näyttää nousseen Britannian EU-eron myötä vapautuneelle USA:n luottopakin paikalle EU:ssa Maailmanpolitiikan arkipäivää -ohjelman ovat toimittaneet Jenna Vehviläinen ja Paula Vilén. Äänitarkkailijana on Marko Vierikko. Tunnusmusiikki: Petri Alanko, kuva: Tuuli Laukkanen/Yle.

It's time for the third clue of La fantastica Caccia al Tesoro di Coffee Break 2025, our virtual treasure hunt across Europe! Using the interesting facts we provide, and your language skills, can you work out where checkpoint number three is? In case you missed it - everyone who correctly identifies the four mystery locations will win a free month's subscription to the Coffee Break Club, as well as being entered into a prize draw to win lifetime access to our entire collection of Italian courses!Don't miss out on this exciting adventure - click here for more details. Hosted on Acast. See acast.com/privacy for more information.

October 24, 1917. The Italian army is crushed by Austrian and German troops during World War I, losing thousands of soldiers and retreating over 150 kilometers in a terrible battle which still scars the country. This episode originally aired in 2023.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The pod dives into the NBA betting scandal, the best Italian dishes , top 5 coons

From Ravenna to New York, the visionary entrepreneur reflects on innovation, identity, and the art of sustainable style. Visionary entrepreneur Federico Marchetti shares his remarkable journey from the quiet streets of Ravenna to the vibrant world of New York City. As we chat, he offers a vivid window into the Feast of All Feasts in Little Italy, drawing playful contrasts with his hometown celebrations and humorously imagining a fusion of this street festival with New York Fashion Week. His story captures the search for belonging across cities—rooted in his formative years at Columbia Business School and his entrepreneurial triumphs in Milan, where he first married online technology with high fashion. Federico recounts the challenges and innovations that defined his path at the intersection of fashion and technology. He pioneered Italian e-commerce, overcoming logistical hurdles while bringing Italian elegance into the digital age. His insights reveal a delicate balance between creativity and machine efficiency, as he champions the integration of AI with traditional craftsmanship to promote sustainability and preserve the longevity of luxury fashion. Beyond business success—including the sale of his company for billions—Federico now devotes himself to initiatives that blend purpose with progress. His commitment to what he calls philanthropic industrialism reflects a desire to use innovation for good. Inspired by Giorgio Armani's harmony of creativity and discipline, Federico continues to shape the dialogue between culture, technology, and responsibility. This conversation celebrates fashion, vision, and the enduring pursuit of meaningful creation in a rapidly changing world.    HIS SOCIALS Instargam: @federicomarchetti X: @fmarchetti   WHERE TO GET HIS BOOK  https://www.amazon.com/Geek-Chic-American-Dream-Italian/dp/B0DWLPDC4M

The NBA gambling scandal is starting to feel like something straight out of a mafia movie. Reports of Italian mob ties, rigged poker games, and NBA players allegedly involved in illegal gambling circles have the sports world buzzing. Joe and Hollywood react to the latest twists, what this could mean for the league's integrity, and why this story keeps getting wilder by the day.

The NBA gambling scandal is taking on mafia-movie vibes, with reports suggesting Italian mob involvement. Larry Blustein joins to break down the biggest storylines and must-watch matchups in high school football this weekend. Plus, Hollywood's Headlines covers A-Rod's new documentary, Joe's take on Lance Armstrong, and the latest dip in the sports card market.

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Hello, hello! Join us today for a long awaited, incredible conversation with Frank Franciosi, former executive director of the US Composting Council, as he shares his vision for transforming waste management. Discover why "trash that's separated is good trash" and how composting can create jobs and reduce our carbon footprint. Frank delves into the challenges of greenwashing, the importance of local solutions, and the future of sustainable waste practices. Tune in to learn how we can all contribute to a cleaner, greener planet and why he is called the Italian stallion. Never miss an episode by following us on all our socials by clicking on the link below!⁠⁠⁠⁠⁠https://linktr.ee/goodgarbagepodcast⁠⁠⁠⁠⁠Don't forget to turn on your notifications and leave us a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

During the First World War, over 300,000 Italian emigrants returned to Italy from around the world to perform their conscripted military service, a mass mobilisation which was a uniquely Italian phenomenon. But what happened to these men following their arrival and once the war had ended? In Emigrant Soldiers: Mobilising Italians Abroad in the First World War (Cambridge UP, 2025) Dr. Selena Daly reconstructs the lives of these emigrant soldiers before, during and after the First World War, considering their motivations, combat experiences, demobilisation, and lives under Fascism and in the Second World War. Adopting a micro-historical approach, Emigrant Soldiers explores the diverse fates of four men who returned from the United States, Brazil, France, and Britain, interwoven with accounts of other emigrants from across Europe, the Americas, Africa, the Middle East and Australia. Through letters, diaries, memoirs, oral histories, newspapers, and diplomatic reports, Dr. Daly focuses on the experiences and voices of the emigrant soldiers, providing a new global account of Italians during the First World War. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

During the First World War, over 300,000 Italian emigrants returned to Italy from around the world to perform their conscripted military service, a mass mobilisation which was a uniquely Italian phenomenon. But what happened to these men following their arrival and once the war had ended? In Emigrant Soldiers: Mobilising Italians Abroad in the First World War (Cambridge UP, 2025) Dr. Selena Daly reconstructs the lives of these emigrant soldiers before, during and after the First World War, considering their motivations, combat experiences, demobilisation, and lives under Fascism and in the Second World War. Adopting a micro-historical approach, Emigrant Soldiers explores the diverse fates of four men who returned from the United States, Brazil, France, and Britain, interwoven with accounts of other emigrants from across Europe, the Americas, Africa, the Middle East and Australia. Through letters, diaries, memoirs, oral histories, newspapers, and diplomatic reports, Dr. Daly focuses on the experiences and voices of the emigrant soldiers, providing a new global account of Italians during the First World War. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

During the First World War, over 300,000 Italian emigrants returned to Italy from around the world to perform their conscripted military service, a mass mobilisation which was a uniquely Italian phenomenon. But what happened to these men following their arrival and once the war had ended? In Emigrant Soldiers: Mobilising Italians Abroad in the First World War (Cambridge UP, 2025) Dr. Selena Daly reconstructs the lives of these emigrant soldiers before, during and after the First World War, considering their motivations, combat experiences, demobilisation, and lives under Fascism and in the Second World War. Adopting a micro-historical approach, Emigrant Soldiers explores the diverse fates of four men who returned from the United States, Brazil, France, and Britain, interwoven with accounts of other emigrants from across Europe, the Americas, Africa, the Middle East and Australia. Through letters, diaries, memoirs, oral histories, newspapers, and diplomatic reports, Dr. Daly focuses on the experiences and voices of the emigrant soldiers, providing a new global account of Italians during the First World War. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

**Live Show Moving To Wednesdays In November** What a week for Donald Trump, first he brings peace to the Middle East, then he brings Columbus back to the American people! Not such a good week for Mark Sanchez, Katie Porter, or two drunk broads from New Jersey. Mike Montone has it all in this week's Sacktap Live! Full Video Episode: https://www.youtube.com/watch?v=kEKo2ThQ6xc 

Ten years, 50,000+ copies, four languages, and about a million stories later… the second edition of Mastering Portrait Photography is here. Sarah flips the mic and grills me about why we did a new edition, what changed (spoiler: basically everything but one image), how mirrorless and AI have shifted the craft, and why a tiny chapter on staying creative might be the most important two pages I've ever written. There's a Westie called Dodi, a cover star called Dory, and a street scene in La Boca that still makes me grin. Enjoy! Links: Signed Copy of Mastering Portrait Photography, New Edition - https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/   Transcript: Sarah: So welcome back to the Mastering Portrait Photography podcast and today's a special one. Hi, I'm Sarah, and I'm the business partner of Paul at Paulwilkinsonphotography.co.uk and also his wife too. Now, you might already know him as the voice behind this podcast, but today I'm gonna get the rare pleasure of turning the microphone around and asking him the questions. So Paul, it's been 10 years since the first edition of mastering portrait photography hit the shelves, and with selling over 50,000 copies, multiple reprints and translation into four languages, it's safe to say it's had a bit of an impact, but as we all know, photography doesn't stand still and neither do you. So today we're diving into the brand new second edition. So Hello Paul. Paul: Hello. It feels weird saying hello to my wife in a way that makes it sound like we've only just met. Sarah: Mm. Maybe, maybe. Paul: The ships that pass in the night. Sarah: Yes. So I thought we'd start with talking about the, the first version. You know, how did it come about? A bit of the origin story about it. Um, and I'll leave that with you. Paul: Well, of course Confusingly, it's co-authored with another Sarah, um, another photographer. And the photographer and brilliant writer called Sarah Plater, and she approached us actually, it wasn't my instigation, it was Sarah's, and she had written another book with another photographer on the Foundations of Photography. Very popular book. But she wanted to progress and had been approached by the publisher to create Mastering Portrait Photography. This thing that we now have become used to didn't exist 10 years ago, and when she approached us, it was because she needed someone who could demonstrate photographic techniques that would live up to the title, mastering portrait photography. And we were lucky enough to be that photographer. And so that first book was really a, a sort of trial and error process of Sarah sitting and interviewing me over and over and over and over and over, and talking about the techniques that photographers use in portraiture. Some of it very sort of over the sort of cursory look, some of it in depth, deep dives, but all of it focusing on how to get the very best out of your camera, your techniques, and the people in front of you. And that's how it came about. I mean, little did I know 10 years ago we'd be sitting here where we are with Mastering Portrait Photography as a brand in and of itself.This is the Mastering Portrait Photography Podcast Yes, because the book sold so well. Sarah: And did you expect it to do as well as it Paul : Oh, I'm a typical photographer, so, no, of course I didn't, you know, I kind of shrugged and thought it'd be all right. Um, and, and in some ways, because you have to boil it down into, I think there's a 176 pictures or there, there were in the first book or somewhere around there, a couple of hundred pages. There's this sense that there's no way you can describe everything you do in that short amount of space. And so instead of, and I think this is true of all creatives, instead of looking what we achieve. We look at the things we haven't done. And I talk about this on the podcast regularly, the insecurity, you know, how to, how to think like a scientist. That's something that will come up later when we talk about the new version of the book. But no, I, I thought it would be reasonably well accepted. I thought it was a beautiful book. I thought Sarah's words were brilliant. I thought she'd captured the, the processes that I was talking about in a way that clarified them because I'm not known for my clarity of thought. You know, you know, I am who I am, I'm a creative, um, and actually what happened was the minute it was launched, the feedback we got has been amazing. And of course then it's gone on to be translated into Italian. A couple of different Italian versions for National Geographic. It's been translated into Korean, it's been translated into German, it's been translated into Chinese. Um, and of course, technically it's been translated into American English. And, and one of the reviews that made me laugh, we've got amazing reviews on Amazon, but there is one that kind of made me laugh, but also upset me slightly, is that both Sarah and myself are British authors. Using English uk, UK English, but for the international market right from the get go the book was using American spellings, Sarah: right? Paul : We didn't know that was what was gonna happen. We provided everything in UK English and of course it went out in with American English as its base language. Its originating language. Um, and that's one of the biggest criticisms we Sarah: got. Paul - Studio Rode Broadcaster V4 (new AI): And when that's the criticism you're getting that people are a bit fed up that it's in American English and apologies to my US friends, of which I have many. Um, it was the only one that really. I don't like that. So I thought, well, it must be all right. And so for 10 years it's been selling really well. book. I never knew it'd be in different languages. Um, it was in the original contract that if the publisher wanted to do that, they could. And really, I only found out it was an Italian when I started getting messages in Italian from people who'd bought the book in Italy. And then of course, we found out. So it's been a remarkable journey and. I don't think I've been as proud of something we've done as I have of the book. I mean, me and you spent hours pouring over pictures and talking about stories. Sarah had to then listen to me. Sarah: Yes. Paul: Mono, sort of giving these sort of diatribes on techniques and things we do. Um, you know, and I think, I think it's a remark. I, well, I still think it's a remarkable achievement. I'm really proud of it. Sarah: Yes. Did, did you think the second edition would, would happen or, um, or how did it come about? Paul: No, not really. Because if you remember, we did a sort of interim update, which was just off the ISBN, so the same ISBN, same book number, but we'd been asked if there was anything that needed tweaking minor word changes, those kinds of things. And I assumed not really being, you know, that time experienced with this stuff is that was. Was a second edition, it was basically a reprint. So I sort of assumed that was the end of it. And then, um, we were contacted the end of last year, um, to say that with the success of the book over the past decade, would we consider, uh, refreshing it properly refreshing it, a new updated edition because of course there's lots of things that change over time. Um. And it's, it was worth having another look at it. So no, I didn't expect it, but it was an absolute joy when the email came in It must have been. It's, it's one of those things that's so lovely when other people appreciate it and know that, um, it would be really good to have a, have another go at it and, uh, see what's changed. Sarah: So it kind of brings me onto what, what have you changed in it? What's, what are the new, the new bits that are in the second edition? Or was it even that from the first edition? You, you knew that there were things you'd love to include? Paul: Well, in a decade, so much changes. I. The equipment is the most obvious. You know, there's a chapter at the beginning on Kit, so you know, one of these dilemmas with books. I think again, we took advice from the publisher as to what do you include in a book? And the publisher were really keen and have stayed really keen that there's a chapter on the kit at the beginning. Um, and apparently that just helps a very particular part of the market sell. So that's fair enough. No problem with that. It's quite fun talking about technology. I don't mind it. Um, but of course that technology's evolved, so we had to update all of that to reflect the fact that 10 years ago we were just beginning to talk about the advent of mirrorless cameras, but they were nowhere near the quality of a digital SLR, for instance. Well, now mirrorless is the professional choice. Everything has gone mirrorless because it's got fewer moving parts. The sensors have increased in, um, sensitivity to focusing, you know, there's a million reasons why that's happened. So of course we've updated all of the technology. I think more importantly, certainly from my point of view is in those 10 intervening years, I've changed every picture. Our clients, the techniques, the. Post-production, the thought processes, um, even down to the fact that with mirrorless cameras, you can actually shoot in a slightly different way. I mean, I'm a traditionalist in many ways. I grew up with a film camera. Yes. So, you know, metering either using a meter or very careful control. Because your dynamic range is pretty limited. Um, maybe the fact that you would focus on a point and then wait for whatever it is that's moving through it, to move through it and take your, take your picture. Um, these were the kind of techniques, you know, lock your focus repose when I started, even even A-D-S-L-R, you know, I'll give you a really good example on how the technology has helped, though. It's not actually part of this book, but it's a, it's a really good illustrative point. Um, technology isn't the be all and end all of photography. What goes on in your head is what matters, but the technology is the enabler. And I work with the hearing dogs every week. We photograph running dogs all the time and with the DSLRs I was using, it would just take four goes, maybe five goes to get that perfect moment where the dog is spot perfect in focus. It's airborne, its paws are off the floor. Everything about it is absolutely right. Four or five goes, you know, because I'm shooting at maybe 10 frames a second. The focusing is more or less keeping up because of course, every time you take a picture, the mirror slaps up and the focusing then has to predict where the dog might have ended up. It's not doing, it's not tracking it at that point, and then you move to mirrorless. Um, and the Z9 that I use now, the Nikon is an unbelievable piece of kit. It locks onto the dog. I can shoot at 20 frames a second. Um, and one of those shots is invariably the shot I'm looking for. And, and that sounds like I'm cheating in some ways, but when you are a professional photographer, your job is to do the very best for your client. And so instead of spending an inordinate, inordinate amount, it's not easy for me to say a very long time. Um. You know, trying to get the right shot. Now I can do it very quickly and move on to another shot so we can provide a wider variety to our clients. And that's true with running children too. Yes. So the technology has changed and the techniques have changed with it. Um, now you're seeing on the back of your camera or through the viewfinder exactly the image. Not a facsimile of it, not a mirror. Prism view of it, you're seeing precisely what you're gonna capture. Um, and that gives you a huge amount of confidence in the shot and a huge amount of control too. You can really fine tune exactly how you want the exposure to be. For instance, you know, you don't have to worry about, is that right? Let's must check the histogram afterwards. You can check the histogram, live in the viewfinder and all these little bits, just make your job different. They, you connect with the shot in a different way. You connect with a client in a different way, and that's the tech side. But I've also, you know, I, in 10 years, I'm 10 years older. You know, in some ways I'm 10 years faster. In other ways, I'm 10 years slower. You know, the cameras are quicker, my shots are quicker, my knees are slower. Um, and it's a different perspective on life. I also teach a lot. The podcast, the book itself, the first edition of the book, led us to the podcast and the website where we run workshops and everything else. So all of this cumulative knowledge, when you look back at the old book, and while I'm still massively proud of it, the new edition was a wonderful opportunity to sit down and say, what would I like, how would I like to be represented this time? Yes, and it's a much more grown up approach, I think. I mean, I, I wasn't a kid back then, but this time around because the book was successful, instead of providing 10 pictures for every slot, I provided the picture I want, in that slot. Right? And so the book is much closer to how I would like it to be as a photographer. Every picture. Now, I could tell you a story about every single picture, every single client, and having the luxury of success on the first version gave me the luxury of being able to do more of what I wanted in this version. This is much more reflective, I think. Of me personally. Yes. And so I've, I've loved it. It's absolutely, it's such a, a lovely process to go through. Sarah: So how many pictures have been changed between the two versions? Paul: All bar one. Sarah: bar one. How intriguing. So will you tell us what the one is, or is that Paul: can, you can go and find that out for yourself. Yeah, so there's one single image that hasn't been changed. There's single image that hasn't been but every other image has has changed from the first edition. Uh, just a caveat to that, of course, some of the kit pictures, uh, 'cause they were generic, they've stayed the same. But every portrait, Wow. every single portrait except for one, has been changed. Sarah: And how did you go about choosing those pictures? 'cause I can imagine, you know, if you're starting effectively with a blank canvas for where the images have gotta go, uh, how on earth did you do that Paul: Um, slowly the publisher will tell you, uh. The thing to you have to remember though, is that this is an updated edition. Yes. And that was the contract. It was not a complete start again. So, although I had the opportunity to change every picture, every picture had to fit into an almost identical space because they weren't gonna redesign it. Right. It's updated edition and we have to be clear about that. So part of the puzzle was not just, which pictures do I want to illustrate, which point. It was, which pictures in the same shape previous do I want to illustrate? I mean, there's some wiggle room in there, but the designers did not want to do a full redesign. That was not what we were contracted for. Um, obviously the words were being updated too. And both Sarah and myself, um, I mean, since the first book I now write for magazines and online articles and things all the time, I write for all sorts of photography stuff. Um, and so actually both Sarah and myself wrote words this time round. Um, but nonetheless, we couldn't change too much. We could bring it up to date, but there, there were still bits that, you know, if I was being truly honest, there are things that I think in the past 10 years have become less relevant. And things, it would've been nice to have put some different stuff in, but that again, this is an updated edition, um, not a complete from the ground up rewrite. So actually I sat down and I looked at all of the, um, chapters and the words that we'd written in the first edition and thought about what we were trying to illustrate and went back to sort of basics really, and where I already had pictures in the portfolio. Um, we used pictures of great clients, interesting light, interesting locations, interesting techniques where there are certain things where, I'm not sure, the first time round, um, the illustrations of them were as good as I, as strong as I would've liked. I shot them again here in the studio, so things like the lighting pattern. You know, I have, I've talked about them for 10 years, these lighting patterns. So it was a really nice chance to sit Katie, who works for us in the studio, uh, to sit Katie in front of the camera and say, right, this is what we're gonna do. And I worked every lighting pattern and redrew every diagram to make that absolutely on point, which I think the first time round, while they are very, very good. They're not what I would've liked them to be this time round. So there was that side of it too. And then of course, and I'm sure you're gonna come onto it, there's a couple of, well, there's a new chapter in there which did give us a chance to explore something a little bit different. Um, so yeah, it was just a long process of finding pictures that if I'm gonna put my name to it, are the ones that I would like. Yes. And it's not always the best picture. It's not always the competition winners. they're in there. They are in there. Of course they're in there. Um, but I think this time round, um, I really enjoyed reminiscing. I think some of the pictures in there, they're all beautiful pictures, don't get me wrong. But some of the people I picked to be in them are people because actually that was a moment that I will remember for the rest of my life for all sorts of reasons. And I think the, the strongest example of that is our cover shot is Dory now. The story of Dory. That sounds really weird. The story of Dory? photo. Dory. Story of photograph. Oh yeah, my you met Dory? Or should we go with I dunno if the story of Dory that's like, sounds like a children's book. That'd be a great chance to write a children's book. So Sarah and I were having dinner. Dory was working in the restaurant that, uh, we are having dinner in. Um, I laughed to Sarah and said, I think, um, Dory would photograph beautifully. Sarah said, we'll, go and ask her. And I asked her and she said, no. She absolutely said no, categorically. And I said, okay. Then I wrote our email address, sorry, I wrote our web address. Uh, on the back of a, of a napkin and handed it to her. I said, look, you know, if you're not interested, that's fine, but have a look at my work. Um, and this was after the first edition of mastering portrait photography, and my idea was for Dorie to come to the studio and we'd film some stuff where we photographed her and use it for information, stuff for people who read the book and maybe create some YouTube videos and things. Um, anyway, at four o'clock in the morning, got an email back from Dory saying, actually, I've just looked at your work. Yes, please. And Dory has gone on to be someone we've worked with fairly regularly. Um, mostly, um, because she's just the nicest person in the world, but also she's supremely photogenic and you bring those two things together and they're the kind of people I love to work with. I love to celebrate. Photography with, so her picture, one of those pictures I shot in that session is the cover shot in the book and she features later on as well. 'cause she's come back with her husband and her kids and it's just a delight. And then there, you know, there are people from all over the world. Um, and so there's a lot of memories in there for both me and for you I Yes, Um, and it was, uh, just a pleasure to go through it. Oh, and the other thing is every single shot is shot since we published the first edition. So I did limit us to the past 10 everything is limited to what, what you've captured in the last 10 years? Yeah. Yes. Because figured that, um, if you're gonna do an updated edition, then, although there were pictures in the first version of the book, I would've loved to have had in there that never made it. Why don't we start from that point and move forwards? Other than the one Other than other than the one other than, one Sarah: so you've, you've talked a little bit about how you've changed and that's been reflected in the book. You've talked a little bit about how the technology has changed, but probably one of the biggest changes has been post-production, um, the introduction of, of ai. So is that reflected in the book, Paul: Yeah, of course it is. Um, the post-production chapter, um, I mean, the thing with post-production is that's a volume of books in and of itself. Uh, we put it into the book Sarah and myself, because I think it was important to note that an image isn't generally finished in camera. It's finished when it's finished. And this is true for film, by the way. This is not news, you know? Um, and it's for as long as film has been shot, transparency's and negatives. People have been doing a certain amount of post-production on them afterwards in their development tanks. Um, or whether they're doing hand toning or something is', this isn't new for me. I think you're about halfway there. Now, the second half might be a very short half, but it's almost certainly gonna evolve, at the very least, um, brightening controlling your tones and cropping. Okay. Maybe a bit of sharpening if that's your thing. So we put that chapter in just to make the point that there is a finishing stage. That was 10 years ago. In those 10 years, everything has changed. Yes. Yes. You know, even if I just kept it to the Photoshopping that we had in the first edition, all of that is different. I. And of course AI has now arrived. Um, I mean, it's a precocious child of a technology at the moment, but it's growing up really very fast and it's gonna affect us in every single element of us as creatives of, of us as business owners. There's, there's no part of our work. Even. Even the people that say I don't believe in AI are using cameras that have AI in them. You know, there's no way of escaping it. It's here with us and you can fight it if you want. And there are bits of it that I'm not that comfortable with. Certainly some of the training, the way they did it on images, without any acknowledgement of copywriting things, it's problematic. But in the end, it's here, it's now, and if you don't embrace it, the people who are in your market as a professional competing with you. Are embracing it so there's no getting around it. So yeah, there's a part of our post-production now talks about specifically EVOTO.AI, which is the app that we use. There's others as well re Bloom and a few others that do a very similar thing. Um, and we've put it in there. Again, not as this is what AI does, but for make, to make people aware that AI is now part of the puzzle. Use it, don't use it. And that's completely your choice. The same as it is with Photoshop. But it's a good place to just remind people. That this is the direction of travel for a good chunk of the industry. So yeah, we've changed that quite a lot. Sarah: And a section at the end. Is it Paul: my favorite section? Yes. this Sarah: a, this was a request from you to add this in. Paul: Yes, yes. Um, there's a, one of the things with doing this as a job, and it's not just a risk, it really does happen, is you find yourself. Sort of burnt out isn't the right word for it, really, or the right phrase for it. But you find yourself same old, same old, same old. You get good at stuff, you get known for stuff. People ask you to do that stuff. You do more of it. You, you're still good at it, but eventually you start to find yourself just a little bit flat. Um, and it happens all the time. And so I put a chapter and I asked the publishers if we could wiggle some stuff around and make some space to put one specific chapter in. It's not a long chapter, but to me it might be the most important chapter in there. It's about staying creative. It's just little techniques, little ideas for staying on top of your game, thinking of new things, being a creative. And, and being a creative is something you have to work at. You can't just, you don't just invent ideas. You have to be open to seeing things and thinking things and trying things, experimenting, working with different people, having mentoring. These are all the facets that I wanted to just in a very short chapter, 'cause we could only squeeze in a couple of pages. But it's the chapter that I think I am the most proud of Sarah: Yes. And knowing you as well as I do, you know, it's part of my challenge in the business is making sure that you keep motivated and keep being creative. So I, I know how important it's, and how we have to put shoots in the diary and, and do things that are just for you, for no other reason. Just than just to let you play. So I, I can see how important that is. Paul: Yeah. I'm, I'm aware of just how much cotton wool you wrap me in and I can feel it building as well. I always know when I'm not firing on all cylinders, because you start to sort of wrap cotton wool around me and start to think about putting it in other things that we need to do, or just a break to get away for a week. You know, there's those things. It's really hard. It's hard being a creative, as in it's hard to be a creative a hundred percent of the time, and b, creative a hundred percent of the time. The, the, you know, being called a creative is one thing, but actually being creative is a process of invention and experimenting and doing things that you haven't done before. That's the point of being creative. Um, and so, yeah, I'm always aware when I'm clearly starting to feel a bit frazzled because I can feel you starting to. Talk about doing other things. Sarah: So what I didn't realize is what you said earlier, that the, all the images have all been taken since the last book. Um, and they're from clients we've had all around the world as well. So I wondered if it would be. Nice to pull out a couple of our favorite images. Um, I sort of going on from your comments about staying creative. One that jumps out to me is when, um, Vivian and Dody came to the studio and, you know, this was a, a lady who came in with her West Highland tert. So Westy Westy, it's a white west. Highland, ter. And, um, we did some beautiful shots indoors, outdoors, um, having lots of fun. And then you built this, uh, amazing scene, um, which is including in the, included in the posing chapter. Do you wanna just explain and tell me a little bit about that one? Yeah. Um. Paul: Um, you know, Dodie, sorry. Vivian had emailed Dodie didn't email, obviously Doty's Do's dog, Vivian Vivian emailed to say she wanted a shoot with her dog. And I kind of, I say I distinctly remember the email. I remember what she said in the email, which is that she couldn't find another photographer who photographed the owner with their dog. Now, I dunno how hard Vivian looked. I'm not, I'm sure there's a lot of photographers listening to this that photograph dogs with their owners and I judge a lot now as a, as a judge and as a coach. So I know it to. Out there. But anyway, she landed on us and I'm thrilled that she did Vivian and, uh, Dodie turned at the studio. And Vivian is just beautiful. She's elegant. She has a real sort of gentle way about her, uh, and this beautiful little West Highland ter, which was for the first 10 minutes, I have to be honest in now. Backstory, my Nan had repeatedly West Highland Terriers. My Nan repeatedly did not train her. Westie, my Nan's dogs repeatedly bit us all of us as kids, as teenagers, as adults. Even my dad would like shut the door and run because this dog would go for him. And so when she turned up with this little Westie, I must admit I backed away. However, Dodi, just like Vivian, was gentle and calm and just followed her around and, and he would sit. In the studio just looking at her while we worked, if it was shots for her on her own. And then when she scooped him up or we tried to do something with him, he was so patient and so well behaved. So I've got this incredible client who wants to do these shots, and at the end of the shoot sometimes the greatest privilege you get is to say to someone, how long have you got? And if they've got a little bit more time. What you can do is say, would you mind just trying a few bits with us? So we cleaned the studio out. It's a white, the, the dog was a white dog. Vivian had a light colored outfit and this kind of fair, and she was just, it. It struck me that we could do something interesting with the white walls of the studio, the white floor of the studio, the white posing blocks that I've had probably for 20 years here. And so I did a couple of things and we, we shot some different combinations and then in the post-production STA stage, I built a model of our studio in 3D in blender, it with blocks exactly the same. And then I can create almost any scene I wanted around this shot that's right in the middle of Dodi looking up at Vivian. Um, and it was one of those shoots that, I mean, every shoot in here, there's a story similar to this where I could tell you it's a shoot I'll remember forever. Um, and it was, and it was just a, a real luxury and, and just, you know, I dunno if Vivian listens to the podcast, but hello. Um, and Vivian's also very kindly sourced books from China for us. Yeah. yes. It's hard to get hold of some of these things when you are not in country. So we're still in touch with her very much. He's a lovely client. Another one that, um, oh, actually there's quite a few in the book from where we work as master photographers with Crystal cruises and so, um. Sarah: We've got this lovely line where we talk about the book, where is it From Venice to Vietnam and Haddenham to Hawaii. Yeah. But, uh, one of my favorite shoots that's included is Christine, when we were in Brena Aires, and actually this is from this year when we were in South America and there's quite a few people that we borrowed on the ship to get some pictures. And also what a lovely opportunity. I think it's in locations. Um. Where there is it and where was it? It was in Le Bocca. Wasn't Itca Le Bocca with Christine? Do you Well, a little bit about that one? What's Paul: It has been a, a real luxury for us in the intervening 10 years. So a lot happened in 20 14, 20 15. And one of the things that happened around the time of the book was they were asked to work with Crystal Cruises, a company that provided the photography to them. Interviewed myself and Sarah. Sorry, us too. It's weird talking, made a third person and giving it right here. Um, interviewed us as a team and ever since then we've been traveling the world with them grading high-end portraits for these beautiful international clients. Um, and this time round the deadline. Not the instigation, but the deadline for the book came up while we were working for about seven weeks around South America on the cruise. So I already had earmarked images from previous cruises, previous visits to different places. But when I was on the ship, there were a couple of people, um, that really leapt out just. Ship. And one of the great luxuries when you have something like a book or you like you've become well known as a photographer, is you can say to people, would you mind stepping in to allow us to take some photographs? So there's a couple of people from the crew where you have to get permission to work with the crew. Um, there's, um. Uh, Barbara is one of the team on there. Uh, say Hi is one of the people on there, um, who were crew members that we just loved the way they were with us. They made our lives wonderful. And so we photographed them specifically to put them in the book. Um, and then there's a client of ours, which is the one you've alluded to, which is Christine Now. We met Christine at the end of another shoot, and this is. Um, I mean, remember this is still the Mastering Portrait Photography podcast, and so it's always worth remembering some of the things that you can do as photographers. This is not just an interview about me in a book, but here's some ideas for you that work. So on the ship, we had just done a shoot, an amazing shoot, and a lady who was in that shoot was showing her images round the bar to all of her friends on our iPad. Now we were drinking, we were sat and we were sat next to this lovely lady who was very quiet and we'd said hello and had a quick chitchat, but not majorly a long conversation. When our client handed us back the iPad, Christine, who was the lady who was sitting with us, said, do you mind if I have a look? And I said, yeah, of course. It'd be my pleasure. You know? So she had a look and she said, would you be willing to do that for me? And I said, well, of course we would, you know, this is what we're here for. Um, and so we arranged to do a couple of different bits. A couple of it is actually two different shoots, but we did a site visit to Le Baca, this area in Buenos Aires. Is that right? Yes. Bueno Aires. Was it? No. Yes. Yes, it was. Bueno Argentina. Yeah. Thank you. Are confused. So we, we did a couple of visits to this place in, uh, bueno Aires Laca to go and check it out for different locations. Uh, myself and you and Keith, who's our client, strictly speaking, who runs the, the photo. Um, company found all these locations and went the following day with Christine to go and explore this really beautiful, touristy area of leer. It's very characterful, it's very hot. Um, very intense actually. There's a lot going on and you do have to have your head on a swivel. Yes. it's quite notorious for pickpockets and thefts and so you do have to be careful. So, Sarah, I mean you, sorry, this is really weird. So I'm used those to talking on my own. So you and me, we were working as a team with Keith. Christine was not. Christine was stealing sausages from barbecue places and running them down alleyways that probably she shouldn't have been. Christine everywhere, but really where we wanted her to be, which was safe and in our site. Um, and if you remember, we kind of, um, we went round a corner. In fact, we were just heading back to the car. We, so Christina had arranged the driver and we'd gone round the corner, haven't we? And we were in this little street. And I just, I looked over the top of the cars to the street shops, the shop fronts on the other side of the road and thought that would make a great picture because the color of Christine's dress, the color of these shops, the whole scene would just be something interesting. But I'm shooting across the road through cars. Um, we've got Keith on the other side of the road with her. You are on the side of the road with me. Both of us trying to keep eyes everywhere 'cause we've now stepped out of the touristy bit. We are now in an area where, strictly speaking, you shouldn't be hanging around with a 10,000 pound camera. Yes. Um, so I dragged the shutter. I got, I got everything else. I wanted it and dragged the shutter in a gap between the cars as somebody walked past. And I have this shot of Christine killing herself, laughing, looking at the camera. Um. With somebody walking past and it has this real vibe of a street shot, a candid shot. It's not, it's been staged, but it's one of my favorite shots in the book because it's, to me, every time I look at it, and this is true of your clients too, and when you're listening, the photographers are listening to this. Remember this every picture, if you've created an experience around it, that picture. We'll hold memories for that client of yours. And it's true for me too. This experience was amazing. We're still in touch with Christine. She's desperate for us to go out and visit her in Texas. Um, but it was such a privilege, such a pleasure. So much laughter and that every time I open that page in the book, that's what it takes me it. I I'm with I love the colors, I love everything about it. And it's nice that it's such a lovely story too. crazy story. Sarah: So who do you think the book is for? Who do you think we'd pick it up and find useful? Paul: Well, I'm hoping another 50,000 people will be. I've, I don't, I don't have total control over that. Um. It's really this, I think there's something for almost any portrait interested photographer in there. Um, if you are already a pro, you're probably not gonna pay a lot of attention to the kit chapter at the beginning. That won't be your shtick. Um, but there will be stuff on posing and interactions and some of the post-production might be of interest. Um, if you are ready. You know, a supremely experienced photographer, you might like it simply 'cause the pictures are really beautiful. I still buy photo books because I will pick them up, look at the pictures and think, do you know what? I'm gonna use that idea. I'm gonna meld that into something else I'm doing because I like, I love seeing. Great photographs. If you are truly a beginner, there's enough in there to get you going. And some of the techniques are a little bit further out there, but mostly it builds on this idea that you have a camera, you have a client, you have your subject, and you're gonna create an experience. And then from that experience, great pictures. So I think it's broader than possibly the mastering portrait photography title gives it. Um, but it covers a little bit of all bases. And it certainly has enough in there to say, actually there's, there's stuff in there that if you do this, it really is quite, um, sophisticated. Yes. Do you, we don't know at this stage in terms of whether it'll be translated into other languages that that usually comes a year after, doesn't it? After the, you last time, say. It was only when I started getting emails in Italian. Yes. Um, that I noticed what happened. And we didn't know if you remember that it was in Chinese and Korean no. we started to put the marketing together for this book. Yes. And we asked the publisher AB, in absolute terms, how many copies have you sold? Yes. And they back with different language versions that we never knew about. Yeah. So, you know. Been been a, a journey of discovery, a journey. a journey. Yes. So, yeah, who knows? I, I really hope they do, uh, create some, uh, different language versions of it. 'cause there's nothing quite like seeing your work in Italian, Yes. So, And, and Chinese, I think that's the one I find the, the most intriguing. Sarah: So the book is officially launched next Tuesday, I believe. Is the 28th. The 28th. Um, so what, what's on the horizon next is what, what are you gonna be doing with the book and knows? Um, I mean, obviously the first thing we've gotta do is get through the launch of the book. Yes. Um, which is exciting. And obviously us two have been walking the studio trying to figure out how to tidy the whole place up. 'cause we haven't done a full on party probably since the last book. No. Or thereabouts. So we've we're inviting. Everybody who's featured in the book Yeah. Um, to a, a launch at the weekend. Yeah. Um, and we are refreshing all of the pictures in the studio, uh, to reflect the pictures that are in the book as well. And it's just, it'll be such a lovely thing to do and it's, I can't wait to see everything when it's up. Yeah. So that's, but next week's gonna be a bit fraught It's 'cause in the middle of all that, I think I've got five shoots to work my way through. Right. I don't sleep much. I a challenge. Yeah. I'm not, I'm I'm not being super, thankfully. Um, so there's that. And then, you know, once that gets rolling, of course I go back to our regular job. I'm judging for the British Institute. Professional photographers print competition straight after. So we've got. A big bash on the Saturday night. Yeah. Uh, for all of our, all the people in the book on the Sunday, we're inviting anybody's around to come and a studio open day, studio open day in the afternoon. And then at some point in that afternoon, I have to go all the way up to Preston Salubrious, uh, Preston, to go and begin the process of judging the print competition for the 2025 print masters. So a lot going on. And you're gonna be busy signing books as well. yeah, It's been a while since I've had to sit and do a big a book signing, but there's a load of that going on. Yeah. Uh, it's just lovely. exciting. It really is. Well, I think that just about brings us to the end of everything. So I've enjoyed being on the other side of everything. Sarah: So I'd just like to say, Paul, thank you ever so much for letting me do that and sitting on the other side of the mic today, um. We have got a limited number of copies here at the studio that Paul can sign, but they will be available at all. Good bookshops, um, with water zones. I think there's some competitions going where they will be with Graphistudio and with. Um. A professional photo. Yeah. Yep. So there's, there's lots of ways for you to get your hands on it and uh, we'd love to know what you think of it and um, especially if you've got the first version and seeing the second version, we'd love some feedback 'cause we are so proud of it. And especially with the pictures in there, and if you can tell us what's that, what's the picture in there that, that haven't been changed? That will be even better. There's no prize. So, no, thank you. Thank you very much. Well, it's a pleasure. And you know what you've gotta say now, don't you? What's that? If you've enjoyed this podcast, is it? No. If you've enjoyed this podcast, please head over to mastering portrait photography.com, which is full of articles. And as it happens, I'm doing all of the behind the scenes diagrams and stories for the images that are in this book. It'll probably take me 10 years to get there, but there's a couple of hundred of those. Uh, and of course, whatever else you do. be kind to yourself. Take care guys.  

One of the principal architects of Allied Victory in North Africa during World War Two was French General Louis Dio. His importance in North Africa lies in his role as a key leader of the Free French forces and a trusted subordinate to General Philippe Leclerc. He participated in every battle from Douala to the Fezzan Campaigns in the early 1940s. The most heroic moment of General Louis Dio came during the siege of the Italian fort at Kufra, a key desert outpost in southern Libya, in 1941. During the intense fighting, Dio personally led a daring night grenade assault on an Italian position, an action for which he was seriously injured and later made a Companion of the Liberation by Charles de Gaulle. Despite all that, he remains largely unrecognized because he was a modest and discreet man who left no memoirs and did not seek glory, preferring to live a simple life after the war. Many books exist in French to recount General Philippe Leclerc’s famous WWII epic, from his 1940 arrival in Cameroon until the final 1945 victory in Germany. However, few are dedicated to his fellow combatants. In this episode, we retrace the steps of this epic journey from the Free French soldiers fighting under Dio’s command. They had started in the forests of Gabon and ended at Hitler’s Eagle Nest. Particular interest is paid to the role of Dio Tactical Group in the seizure of the town of Alençon in Normandy, the liberation battles of the left bank of Paris, the thrust into Alsace and Lorraine, the conquest of Strasbourg (fulfilling Leclerc’s “Koufra Oath” to see the tricolor fly from the city’s cathedral. Today’s guest is Monique Seefried, author of “Général Louis Dio, the Wartime Epic of One of Free France’s Greatest Soldiers, 1940-1946.” See omnystudio.com/listener for privacy information.

Craig Collins remains in for Greg Corombos, and he notices a big mafia story arrives, just in time to honor his Italian heritage. Craig and Jim applaud some new Trump administration decisions on Ukraine, lament the fact that Zohran Mamdani looks like a shoo in to be the next mayor of New York City, and marvel at a big sports gambling scandal that led to the arrest of an NBA player and coach. First, Craig and Jim note that while it's been a long time coming, the Trump administration is hitting Russian oil giants Rosneft and Lukoil with new sanctions, cutting off the Russian firms from American banking systems and financial institutions, essentially barring them from operating in U.S. dollars. Trump is finally getting wise to the fact that all of his seemingly good conversations with Vladimir Putin never seem to results in Putin's policies. Next, President Trump doesn't see any way that anyone can beat Zohran Mamdani in the New York City mayor's race, and there's not a lot of evidence to counter the president's conclusion. In a year where a lot has gone right for the GOP, a major frustration is that no argument about Mamdani's extremism on everything from economics to policing to geopolitics has seemed to get traction. Finally, the Portland Trail Blazers face a tough lineup of opponents this year – the Warriors, the Lakers, and the FBI. The Bureau announced that it had arrested Blazers coach Chauncey Billups and Miami Heat guard Terry Rozier as  part of a pair of wide-ranging investigations related to illegal sports betting and rigged poker games backed by the Mafia. Jim and Craig acknowledge that while sports gambling is wildly popular, particularly among young men, the temptations and dangers of widespread legal sports gambling were predictable.Get 20% off your first purchase of classic menswear. Visit https://MizzenAndMain.com with promo code 3ML20—shop online or visit a Mizzen and Main store in select states.Open a new qualified IRA or cash account with Noble Gold and get a free 10-ounce Silver Flag Bar plus a Silver American Eagle Proof Coin—visit https://NobleGoldInvestments.com/3MLKeep celebrating World Mental Health Day by starting your journey with BetterHelp—get 10% off your first month at https://BetterHelp.com/3MLSupport your health with Dose Daily.  Save 25% on your first month when you subscribe at https://DoseDaily.co/3ML or enter code 3ML at checkout.

The FBI arrested over 30 people in an NBA gambling scandal, including NBA stars and Mafia members.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

This week, we're turning up the voices that define Celtic music. From Niamh Dunne's haunting “Ballyneety's Walls” to Mànran's fiery “Mire,” from timeless ballads to modern folk songs—every track in this episode is sung from the heart. Discover the storytellers and voices that keep Irish and Scottish tradition alive, on the Irish & Celtic Music Podcast #731  -  -  Subscribe now! Niamh Dunne, Mànran, McFloosey, Téada, Ed Miller, Jesse Ferguson, Olivia Bradley, Don Gabbert, The Inland Seas, Skyrie, Marc Gunn, SeeD, Loveridge, Andrew D. Huber + the Gecko Club, Eclectic Revival, Screaming Orphans, Ainsley Hamill GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Niamh Dunne "Ballyneety's Walls" from Portraits 3:25 - WELCOME 5:39 - Mànran "Woah" from To the Wind 9:08 - McFloosey "The Briar and the Rose" from Fiacre's Fell 12:41 - Téada "Song: An Spailpín Fánach" from Ainneoin na stoirme / In spite of the storm 15:27 - Ed Miller "The Last Trip Home" from Many's The Fine Tale 19:09 - FEEDBACK 22:29 - Jesse Ferguson "The Raggle Taggle Gypsy" from Ten 25:53 - Olivia Bradley "A Gaelic Blessing" from Misty Morning Shore 27:39 - Don Gabbert "Devlish Mary" from Donovan's Fancy 29:42 - The Inland Seas "Cold Blows the Wind" from Crown of Clover 33:41 - Skyrie "Exiled" from Hunger Road 38:09 - THANKS 40:19 - Marc Gunn "Tae the Begging" from St Patrick's Day 44:37 - SeeD "We Will Fly" from FAE 48:59 - Loveridge "The Safety of Home" from As the Crow Flies 53:06 - Andrew D. Huber + the Gecko Club "Kickin' Whiskey" from Sailor's Rescue 56:41 - Eclectic Revival "Six String Salute" from Life & Love 1:01:01 - Screaming Orphans "Darlin' Girl from Clare" from Paper Daisies 1:04:12 - CLOSING 1:05:19 - Ainsley Hamill "Leave Her Johnny" from FABLE 1:08:55 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest dancer Kevin Doyle on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Maz Farookhi, Guillem Balague, James Horncastle and Mina Rzouki discuss all the latest in European football.The panel discuss a record-breaking Champions League gameweek with a massive 71 goals being scored against the 18 matches.Arsenal's 4-0 win over Atletico Madrid at the Emirates was one of the standout results – Does that now make the Gunners the favourites to win this season's competition?Napoli and Juventus, meanwhile, both lost in midweek with the gang discussing the struggles facing the two Italian sides plus the rise of Cesc Fabregas' Como who are sixth in Serie A.The decision to cancel the La Liga game in Miami between Barcelona and Villarreal is also a topic on the episode and Guillem previews this weekend's first El Clasico of the season between Real Madrid and Barcelona at the Bernabeu.1:00 – Goals galore in the Champions League 5:00 – “There has to be an all-English final” 8:00 – Are Arsenal favourites to win the Champions League? 16:30 – Napoli and Antonio Conte 22:40 – Juventus' struggles 27:10 – Cesc Fabregas' Como success 33:10 – La Liga Miami fixture cancelled 39:00 – Guillem Balague previews El Clasico

Martina Fuchs international business journalist, DJ, and Guinness World Record holder, joins Grammy-nominated producer Maejor and The Frequency School to release ‘The 195', the first song in history featuring women from all 195 countries, recorded in 528 Hz ‘Love Frequency' to promote women's empowerment, global unity, and holistic wellness. I had the wonderful opportunity to sit down and have an in-depth chat, tune in now. :) Martina Fuchs is an international business journalist, music executive, Guinness World Records holder, expert on China and the Middle East, and speaks 9 languages.   She currently works as a Europe business correspondent for China's news agency Xinhua, co-founder of the Frequency School with U.S. Grammy-nominated music producer Maejor, consultant for the IMD business school, and advisor for the Lang Lang International Music Foundation. Based in London, Zurich, and Dubai, Martina also serves as a board member for the Montreux Jazz Festival China and is the brand ambassador for Switzerland's premium chocolate retailer Läderach. Apart from being a global citizen and world traveler, she is also a music DJ and set a new GUINNESS WORLD RECORDS™ title in 2025 (“Most nationalities to contribute vocals to a musical recording”) for the “195” - the first song in history featuring women from all of the world's 195 countries. Martina speaks 9 languages, including: German, French, English, Chinese, Arabic, Spanish, Portuguese, Italian, and Swahili. Social media: LinkedIn (Top Voice, 36K followers): https://www.linkedin.com/in/martinafuchsglobal/ Instagram (57K followers): https://www.instagram.com/martina_fuchs_global/   ABOUT THE FREQUENCY SCHOOL: The Frequency School was created at the renowned international boarding Aiglon College in Switzerland in 2024 by U.S. Grammy-nominated and multi-platinum music producer Maejor, and co-founders Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson. Our pioneering concept is designed to harness the transformative power of music for the holistic development of people focusing on the mind, body, and spirit. We provide music-based wellness services and resources, promoting not only their mental and physical health but also their spiritual wellbeing. Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in music therapy with traditional wellness practices to support the whole person. In January 2025, we set a new GUINNESS WORLD RECORDS title for: “Most nationalities to contribute vocals to a musical recording (single song)” The “195” is the first song in history featuring women from all of the world's 195 countries and using the 528 Hz ‘Love' sound healing frequency. Using the sounds of birds and the heartbeat as instrumental elements, the “195” aims to raise awareness about gender equality, and promote women's empowerment and female leadership. The "195" Song  https://www.youtube.com/watch?v=oxCn0c9W5V4 Social media:  https://www.instagram.com/thefrequencyschool/ www.linkedin.com/company/the-frequency-school  https://frequency.school     She's All Over the Place Podcast: https://www.instagram.com/shesallovertheplacepodcast https://www.chonacas.com/links/    

The Italian verbs "mandare", "spedire", and "inviare" all have a general meaning of “to send” but they're used in different contexts, from informal settings to the digital world.Start learning Italian today!1. Explore more simple Italian lessons: https://italianmatters.com/2142. Download the Italian Verb Conjugation Blueprint: ⁠⁠⁠https://bit.ly/freebieverbblueprint⁠⁠⁠3. Subscribe to the YouTube lessons: ⁠⁠⁠https://www.youtube.com/italianmatters⁠⁠⁠The goal of the Italian Matters Language and Culture School is to help English speakers build fluency and confidence to speak the Italian language through support, feedback, and accountability. The primary focus is on empowering Italian learners to speak clearly and sound natural so they can easily have conversations in Italian. Hosted on Acast. See acast.com/privacy for more information.

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It's Tort Tuesday on the Majority Report On today's show: Mike Johnson claims to not know anything about the $230 million payout Trump is demanding from the government over the costs from his investigations. Sam is joined by the following lawyers from the Mass Tort Conference in Las Vegas: Julia Gordon from Meadow Law firm discusses her case on video game addiction and the gaming industry's targeting of children Alicia Tappan from Survivor Led Solutions, a survivor led nonprofit aiming to fill the gap between victims and survivor leaders by empowering their voices, providing leadership and professional development, and giving access to life-long mental health services, tells her harrowing story of surviving human trafficking. Emmy Paulos and Jeff Gaddy from Levin Papantonio discuss their mass tort cases on social media addiction and Roblox being used as a game infested with pedophiles. Yvonne Flaherty from Lockridge Grindal Nauen joins Sam to talk online gambling addiction Andrew Cuomo thinks that people don't like him because he is big and Italian. When asked about recent assassination attempts, Hakeem Jeffries cannot seize an opportunity to make a broad point about right-wing extremism and instead talks about himself. All that and more The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: SHOPIFY: Sign up for a $1/month trial period at shopify.com/majority SUNSET LAKE:  Head to SunsetLakeCBD.com and use coupon code “Left Is Best” (all one word) for 20% off of your entire order  Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com  

Throughout the twentieth century, few names loomed as large in the business and financial worlds as John Paul Getty. Once the richest man in the world, Getty made his fortune in the oil industry and an avid art collector, with a massive collection that served as a basis for the Getty Museum, the wealthiest museum in the world.  Getty's wealth and business acumen made him a household name well beyond his death in 1976; however, that same wealth and notoriety made him a target for con artists and other criminals. Among those who sought to extort the Getty family, no attempt was more incredible and sensational than the kidnapping of Getty's favorite grandchild, J. Paul Getty III, by an Italian crime syndicate in 1973.At first, the scion of the Getty family refused to negotiate with kidnappers, arguing that, if he paid the money, they would only kidnap other members of this family. But Getty reconsidered his position just a few weeks later, when his grandson's ear arrived in the mail, with the promise of other body parts, should he not comply with their demands.ReferencesAssociated Press. 1973. "Getty kidnapers spurn offer of $430,000 ransom as 'paltry'." Buffalo Nerws (Buffalo, NY), August 3: 2.—. 1973. "Getty's mother awaits word from kidnapers on ransom." Buffalo News (Buffalo, NY), July 18: 3.—. 1973. "Grandson of Getty missing." Los Angeles Times, July 13: 9.—. 1974. "Italy arrests 3, seeks 4th in Getty kidnapping ." New York Times, Janaury 17: 14.Miller, Julie. 2017. "What All the Money in the World gets right (and wrong) about the Getty kidnapping." Vanity Fair, December 25.New York Times. 1976. "2 Getty kidnappers sentenced in Italy." New York Times, January 30: 10.—. 1973. "Roman police report a threat to sever a finger of Getty boy." New York Times, July 20: 2.Norman, Judith. 2013. "His favorite wife: A memoir looks back on the life of the fifth and final Mrs. Getty." New York Times, September 1: 10.Pearson, John. 1995. Painfully Rich: J. Paul Getty and His Heirs. London, UK: Macmillan.Reuters. 1973. "Ransom is offered for Paul Getty, 17, his father reports." New York Times, November 18: 8. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElroy (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.