Podcasts about spider man

Amy and Margaret discuss why kids become intensely obsessed with the things they love—whether it's dinosaurs, Pokémon, sharks, or Spider-Man—and how those fascinations manifest throughout their childhoods. They explore the developmental benefits of "intense interests," from mastery and comfort to confidence and identity. They break down when an obsession is typical and when it may need gentle guidance. Finally, they discuss how to connect with kids through their intense interests—and then use them as bridges to broaden kids' horizons. Correction! Comedian Sasha Baron-Cohen and psychologist Simon Baron-Cohen are neither siblings (as Amy claims in the episode nor uncle/nephew (as Margaret believed); they are first cousins. Here are links to some of the resources mentioned in the episode: Winnicott, D. W. for The International Journal of Psychoanalysis: Transitional objects and transitional phenomena; a study of the first not-me possession Dr. Judy De Loache et al for Developmental Psychology: ⁠Planes, Trains, Automobiles—and Tea Sets: Extremely Intense Interests in Very Young Children⁠ Lisa Joseph et al for Autism Research: Repetitive behavior and restricted interests in young children with autism: comparisons with controls and stability over 2 years. Our episode "Dinosaurs and Trains and Superheroes and Nerf Guns: Boy Obsessions" We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: ⁠⁠⁠https://www.whatfreshhellpodcast.com/p/promo-codes/ Get 50% Off Monarch Money, the all-in-one financial tool at ⁠www.monarchmoney.com/FRESH Ready to raise money-smart kids? Start now with your first month FREE at acornsearly.com/FRESH! Head to GigSalad.com and book some awesome talent for your next party, and let them know that What Fresh Hell sent you. intense interests in children, transitional objects, child psychology, special interests autism, supporting kids interests, mom friends, funny moms, parenting advice, parenting experts, parenting tips, mothers, families, parenting skills, parenting strategies, child development, family activities, family fun, parent child relationship, Learn more about your ad choices. Visit podcastchoices.com/adchoices

What If…. Stan Lee was replaced by George Romero? Now Playing Podcast has been overrun by Marvel Zombies just in time for Halloween, and somehow it's all up to Jersey brat Kamala Khan (aka Ms Marvel) to save the day. Can she transmit an S.O.S. to allies in space before Shang-Chi, Red Guardian, Spider-Man, Thor, Riri “Ironheart” Williams,  and dozens of other Avengers are overtaken by an undead horde commanded by Scarlet Witch?  And why is Blade choosing to trick-or-treat in Moon Knight cosplay? Learn if Arnie, Justin, and Stuart find any Braaains in this 2025 animated miniseries when you Listen Now.

Spider-Man and His Amazing Friends (1981) was not created during a time period when Bobby Drake was canonically gay, but watching "The Origin of Iceman" sure has Maddy and Ryan wondering about that. Thanks to the return of Video-Man (who has his own origin episode earlier in this series), Bobby Drake loses his mutant powers. Under the pretext of researching why this could have happened, Peter Parker straps Bobby into the university lab's memory machine, which allows Angelica and Peter to watch all of Bobby's embarrassing high school social gaffes on a big-screen TV. We soon learn Bobby would rather create a blizzard than dance with a girl, and even now, he can't manage to sit next to a girl on a couch. Also, this episode has some all-time great J. Jonah Jameson comedy in it, so we're excited to see him as a recurring fixture on this show. Next episode: "Triumph of the Green Goblin," Spider-Man and His Amazing Friends E-mail us your feedback at themutantages@gmail.com or follow us on social media at TheMutantAges. If you like what you hear, please consider supporting us via patreon.com/themutantages. Thanks!

Happy Halloween!  As we head towards the year's spookiest day we find out Crystal Lake has wrapped and comments from the Muschietti's about the HBO Max "It" prequel series, "Welcome to Derry".  Plus, James Gunn speaks on where the DCU is and where it's going, Ruffalo talks solo Hulk, and who will show up in Spider-Man, Brand New Day? All of this plus the latest on the potential WB sale.    

Spider-Man, Superman, the Avengers, and the Justice League all started out as comic books, but what goes into making sequential stories? This episode DJ is joined by his DANGER BOi collaborator, illustrator Sean Peacock, to discuss the art of making comics!Support the International Rescue Committee! https://www.rescue.org/crisis-in-gazaSean's Comics! https://www.allsorrows.com/storeSupport DJ's new Kickstarter! https://www.kickstarter.com/projects/djtalkstrash/graveyardshift?ref=dv4gmzMore DJ!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/djtalkstrash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme Music by: Steven James SchmidtFor exclusive bonus podcasts like What We're Into, Mutant Academy, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers⁠

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Episode 360. James B and Eddie celebrate Halloween with Goblins and Vampires. Sponsored by Hobgoblin masks. Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Osborn Corp. senior exec Donald Mekken.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

It's almost Halloween, yo! So this one's a bit spooky. Listener discretion advised. In this episode of the OutThere Colorado Podcast, Spencer and Seth chat about Snippy the mutilated horse, the very creepy 'Denver Spider Man,' ski resorts that have already opened and a few things to look forward to this season, and a new British pub (aptly named The Brit) that's worth checking out.

In this episode we chat about the final film in the MCU's Infinity Saga, Spider-Man: Far From Home. This is the from 42 minutes into the film to 1 hr 22 min. When the field trip arrives in Prague to Spider-Man getting hit by a train and Mysterio redirecting the field trip You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Spider-Man:_Far_From_Home#Plot)

What's up, everybody! Daemon here and in today's gaming news: Not everyone is loving the changes introduced in Halo: Campaign Evolved, the next Xbox will reportedly play PlayStation games, and a Spider-Man 4 with Toby Macguire is still on the table. #Halo #gaming #IGN

NEWSIndies dominate and fan favorites surprise at the 2025 Ringo Awards'Rick and Morty: The End' #1 goes “Blind Bag-Less” — because who needs plastic when you have chaos?‘Something is Killing the Children' is coming to life: Blumhouse secures film and TV rights to James Tynion IV's horror hitMarvel Solicitations January 2026Peach Momoko expands her universe with 'SAI: Dimensional Rivals'Marvel celebrates 'Avengers' #800 with Jed MacKay's explosive finale and a star-studded lineup of legendsMarvel's K-pop superhero returns! Luna Snow battles a sinister new idol in 'World Tour' #1Knullified covers, which is your favorite CJ?!DC Comics solicitations January 2026Our Top Books of the WeekDave:Absolute Wonder Woman #13 (Kelly Thompson, Matias Bergara)Escape #3 (Rick Remender, Daniel Acuna) CJ:​​The Ultimates #17 (Deniz Camp, Phil Noto)Immortal Legend Batman #3 (Kyle Higgins, Mat Groom, Erica D'Urso, Daniel Bayliss & Dan Mora - what a team!)Standout KAPOW moment of the week:CJ: Teenage Mutant Ninja Turtles #12 (Juan Ferreyra)Dave: Marvel Zombies Red Band 2 (Jan Bazaldua)TOP BOOKS FOR NEXT WEEKCJ: Black Cat #3 (G. Willow Wilson, Gleb Melnikov)Dave: Absolute Batman Annual #1 (Daniel Warren Johnson AND “Sanctuary” by James Harren, Dave Stewart and Cowles; “Let's Learn About Bats!” by Meredith McClarenJUDGING BY THE COVER JR.Dave: DISNEY VILLAINS: MALEFICENT VOL. 2 #1 (Paulina Ganucheau)CJ: RADIANT BLACK #38 (Marcelo Costa)Interview: Boulet Brothers: Dragula Titans Season 2 (Mondays at midnight et), comics, and more:Callback to comics: Back on the AIPT Comics Podcast (Episode 141 October 2021), I feel like we bonded over Scarlet Witch and your love of darker comic storylines. If Titans Season 2 were a comic book arc, what title or event would it resemble?As horror experts reinventing what horror means to so many, and horror being more prevalent with the return of EC Comics at Oni, and even Marvel going deeper into gore with polybagged Red Band comics, do you feel like Dragula is part of that same movement of pushing boundaries — treating horror as a living, evolving genre rather than a fixed set of tropes?Evolution of tone: You once described earlier Dragula seasons as DIY, campy, or serious horror. With Titans Season 2 blending those flavors, how would you describe the “recipe” of this new season?With Steve Orlando and Todd McFarlane judging on Titans Season 2 I feel like there more comic book representation on TV than ever, why were they important to weave into your show?Fright Feats twist: The extermination challenges are gone, replaced by mandatory Fright Feats. Why did you feel now was the right time to evolve that part of the competition, and how do you expect it to push the competitors differently?The first challenge is rooted in a spooky staple: reinventing classic Halloween costumes with a return of the Halloween house party. Not to give anything away, but do you have a favorite challenge of the season, and might you say which episodes #'s they are?Making comics is nothing new for you with your Heavy Metal Magazine takeover back in 2021, and a story in DC Horror Presents #1 and Hello Darkness #10! Do you see future opportunities where Dragula and comics collide again — perhaps a Dragula: Titansgraphic novel?

Tratando de grabar desde la red pública de un aeropuerto termina en uno de los episodios más editados en la historia de Desde El Clarín y Bernardo odiando un poco más a SpiderGámez… ¡acompáñennos!En este programa:Spider-Man #27 - "There's Something About a Gun Part 1" - Oct, 1992Spider-Man #28 - "There's Something About a Gun Part 2" - Nov, 1992Spider-Man #29 - “Hope - And Other Liars” - Dec, 1992Spider-Man #30 - “Brainstorm!” - Jan, 1993Spider-Man #31 - “Trust!” - Feb, 1993En honor al 60mo. aniversario de nuestro querido héroe arácnido, decidimos juntarnos a reseñar su historia en cómics y seguirle hasta donde la vida nos alcance.Conducidos por un supuesto experto y un supuesto novato, estaremos leyendo y platicando sobre este clásico run comiquero. Acompáñanos y lee con nosotros, que nunca serán demasiados cómics...FICHA COVACHAMESA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spider-Gamez ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bernardo Arteaga⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GRABACIÓN: Jueves 23 de octubre, 2025.EDICIÓN AUDIO: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bernardo Arteaga⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Síguenos ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ y ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suscríbete al Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Descarga Directa: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://archive.org/details/Playlist PodcastSpotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/playlist/7m7l2pBglOegOgjv4UKlVi?si=dfmr3UX5TNGH4-vni-kfIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Archive: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://archive.org/details/@lacovachamx/lists/1/desde-el-clar%C3%ADn?sort=-date⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marvel Unlimited:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Amazing Spider-Man (1963 - 1998)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Peter Parker, the Spectacular Spider-Man (1976 - 1998)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Web of Spider-Man (1985 - 1995)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Orden de Lectura Recomendado (aunque no prometemos cumplirlo por completo)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.comicsbackissues.com/comic-book-reading-order/spider-man-read-order-chronology/#order⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Música:Intro de The Amazing Spider-Man de 1994 de Kussa Mahchi, Jeremy Sweet, Shuki Levy y Joe PerryThe following music was used for this media project:Forgot About Me by DreamheavenLicense (CC BY 4.0):⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/standard-license⁠

This week on the Toy Power Podcast; we have not one, but two Special Guests join us in studio to chat all things Card Collecting! We have Matt; one of the Owners of Sports Card World - (The longest running Card Store in Australia! - bosting over 30years of Business!) Plus Lennon is present too; but more focus on Lennon, & his Cards & Collectables project on the next episode. As usual we ask our guest Matt some of our routine Get-To-Know-You-Questions. Then we dive into Matt's thoughts & knowledge around the exciting & addictive World of Card Collecting! Plus whilst running a Business dedicated to this very compulsive hobby. From Traveling Overseas & catching various Sports in Person, to arguments around who's going to work in the Store on Finals Day! This was a really Fun episode & was genuinely exciting to hear from another incredibly passionate form of Collecting. Then rounding out the show; we have a round table chat about what we are each Reading, Playing, Watching. To Find out more from Matt & his business: Sports Card World - be sure to check them out on Facebook, Instagram: @SportsCardsWorldAdelaide & in person at their store in the heart of Adelaide City - Regent Arcade - Shop 5/101 Rundle Mall - Open 7days a week! www.sportscardworld.com.au To Find out more about Lennon & his TV Series: Cards And Collectables - be sure to check it out on Facebook, Instagram: @CardsAndCollectablesTV & on TV via channel 9 Now app! www.cardsandcollectables.com.auSupport the show: http://patreon.com/toypowerpodcastSee omnystudio.com/listener for privacy information.

Before director Sam Raimi achieved major box office success with the original Spider-Man trilogy, he was primarily recognized as the cult filmmaker behind The Evil Dead series. In 1981, Raimi and star Bruce Campbell created The Evil Dead, offering their humorous and irreverent take on horror, featuring Ash—a clumsy fool—being terrorized by ghouls in a cabin surrounded by woods. The film's success led to this 80s flick, which serves as a pseudo-sequel and remake, blending the grotesque style of the first film with slapstick comedy that echoes Raimi's fondness for The Three Stooges.Join us at the creeky old cabin, turn on the reel-to-reel recorder, and strap on the chainsaw as Tim Williams and guest co-hosts Nicholas Pepin and Laramy Wells discuss “Evil Dead 2” from 1987 on this episode of the 80s Flick Flashback podcast!Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Ash's chainsaw appears to switch hands in one scene. This is because Sam Raimi decided Ash should walk the opposite way across the room in that scene, so he flipped the negative.The poster for the movie shows a close-up of a skeleton with eyes. This creature is not seen anywhere in the movie, but a similar enemy does show up in the sequel, "Army of Darkness".Sources:Wikipedia, IMDBhttps://www.mentalfloss.com/entertainment/movies/evil-dead-2-dead-by-dawn-movie-factsSome sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.Website - https://www.80sflickflashback.com/TeePublic Store - https://www.teepublic.com/user/eighties-flick-flashbackBuy Me A Coffee - https://buymeacoffee.com/80sflickfbFacebook - https://www.facebook.com/80sflickflashbackpodcastInstagram - https://www.instagram.com/80sflickflashback/TikTok - https://www.tiktok.com/@80sflickflashbackEmail - Info@80sFlickFlashback.com

On this episode of The Nikki & Brie Show, the twins are recording from the 1 Hotel in West Hollywood, fresh off a weekend full of memorable moments and big laughs. Nikki shares the emotional high of taking Matteo to his very first Monday Night RAW, a milestone she's dreamed of since before he was born. From watching him cheer in his Fearless Nikki hat to telling luchadores they reminded him of Spider-Man, Matteo fully embraced the magic of the night—and melted hearts when he worried about his mom taking a boot to the face. Brie reflects on why moments like these, when kids get to see their parents at work, are so meaningful and unforgettable.The sisters also catch up on their favorite LA rituals—like Nikki's glowing skin post-FaceGym visit and their new mission to get Bonita Bonita into the 1 Hotel. Plus, Nikki spills some behind-the-scenes WWE tea, including Maxxine's near-title win against Becky Lynch (and yes, Nikki brought six bottles of bubbly to celebrate) and the sweet words she received from Big E about her comeback. They talk about the importance of doing the work, growing with the new generation, and why showing up with the hunger still matters more than the highlight reels.To close things out, the twins dish on family FaceTime chaos between Buddy, Birdie, and Matteo, laugh about Brie's failed shoe resale adventure, and debate who would win in a fight for Thor's heart in a game of “Finish the Sentence.” Spoiler: Brie's switching teams to Aquaman. This episode is one for the books and full of sweet moments. Press play and feel the heart, the hustle, and the humor! Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

William's back with Grant and they chat about iced tea sugar bombs, William questions reality, William recalls Beaver Creek snowmaking, and questions if Spider-Man is really a hero. It's The William Montgomery Show!

Marvel's Ultimate Universe is coming to a close (for good this time), and we ask if readers are still loving Ultimate Spider-Man or not. Plus, reactions to The Ultimates, Absolute Wonder Woman and more.(00:00) The Rundown(02:37) Ultimate Spider-Man #22 Review & Discussion(08:31) The Ultimates #17 Review(14:27) Absolute Wonder Woman #13 Review(17:45) Superman #31 Review(21:39) Justice League Red #3 Review(25:31) Space Ghost #4 Review(27:13) Hello Halloween Review(29:25) Next Week's PullsBecome a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

La Turksploitation est un phénomène unique du cinéma turc, né dans les années 1970 et 1980, où des réalisateurs ont entrepris de copier les grands succès occidentaux – notamment américains – sans autorisation, ni moyens techniques, ni budget. Le mot vient de la contraction de Turkey et exploitation, un terme déjà utilisé à Hollywood pour désigner des films à petit budget exploitant des thèmes à la mode. La Turksploitation, c'est donc l'art de faire du Star Wars ou du Superman… sans Lucas ni Warner Bros.Tout commence dans le contexte du cinéma Yeşilçam, l'âge d'or du film turc populaire. À cette époque, la Turquie produit plusieurs centaines de films par an, mais l'industrie manque cruellement d'argent et de ressources techniques. Les importations de films étrangers sont limitées par la censure et les droits d'exploitation. Pour satisfaire la demande du public friand de super-héros, d'action ou de science-fiction, les studios turcs décident tout simplement de refaire les films occidentaux à leur manière, en les adaptant à la culture locale.Le résultat donne naissance à une série d'œuvres aussi improbables que légendaires. Le plus célèbre d'entre eux est Dünyayı Kurtaran Adam (L'homme qui sauva le monde, 1982), surnommé Turkish Star Wars. Le réalisateur Çetin İnanç y a littéralement inséré des extraits du Star Wars original dans son propre film, tout en empruntant la bande-son d'Indiana Jones. L'intrigue ? Deux héros turcs affrontent des extraterrestres en carton-pâte, dans un mélange d'arts martiaux, d'explosions bricolées et de décors désertiques. Ce film, devenu culte, incarne parfaitement l'esprit de la Turksploitation : audace, improvisation et passion du cinéma.Mais Turkish Star Wars n'est pas un cas isolé. La Turquie a produit un Turkish Superman (1979), un Turkish Rambo, un Turkish Spider-Man (3 Dev Adam, 1973) où Spider-Man devient un criminel sadique affrontant Captain America et le catcheur El Santo, ou encore des versions locales de E.T., Star Trek et Exorcist. Ces productions, tournées en quelques jours avec des acteurs peu connus, recyclaient les musiques et les affiches originales.L'esthétique de la Turksploitation repose sur le système D : montages approximatifs, effets spéciaux faits maison, dialogues surjoués, cascades improvisées. Mais malgré leur amateurisme, ces films témoignent d'un immense amour du cinéma et d'une volonté de s'approprier les mythes mondiaux.Redécouverte dans les années 2000 par les cinéphiles et les festivals de films cultes, la Turksploitation est aujourd'hui célébrée comme une forme d'art populaire brute et sincère — un cinéma sans moyens, mais pas sans imagination. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

We watch Spider-Man 2 and talk about it!

This week on Men of Steel, Case and Jmike sit down with legendary comics writer J.M. DeMatteis to talk about his incredible career and his thoughts on the Man of Steel himself. From Kraven's Last Hunt to Justice League International and beyond, we dive into storytelling, spirituality, and what makes Superman such an enduring symbol of hope. #MenOfSteelPod #JMDeMatteis #Superman #DCComics #ComicsPodcast #SupermanAdjacent Support us on Patreon! https://www.patreon.com/CertainPOVMedia Men of Steel Full Episode Originally aired: October 24, 2025  Edited by Sophia Ricciardi Scored by Geoff Moonen Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Men Of Steel - https://www.certainpov.com/men-of-steel​  FOLLOW US: ▶ Twitter: @certainpovmedia @menofsteelpod  ▶ Instagram: @certainpovmedia   Outline Introduction (00:00 - 00:10) Introduction and discussion about J.M. DeMatteis' prolific career. Discussion on writing styles (Marvel style vs. full script) and collaborative relationships. Creative Origins (00:10 - 00:20) J.M. DeMatteis shares his creative origins and early career struggles. Breakthrough into comics through short stories and TV writing with The Twilight Zone. Justice League International (00:20 - 00:28) His iconic Justice League International run with Keith Giffen. Creative chemistry with collaborators and evolution of their working relationship. ️ Marvel Runs (00:28 - 00:38) Discussion of Marvel runs including Maximum Carnage and Clone Saga. Perspectives on long crossovers and storytelling challenges. ‍️ Lesser-Known Characters (00:38 - 00:47) Work with less-known characters like Booster Gold and Blue Beetle in Justice League International. Character development freedom with lesser-known heroes and influence on DC Universe. ‍️ Superman Focus (00:47 - 00:57) Focus on Superman-related work, especially Speeding Bullets Elseworlds story. Discussion on Superman's character, symbolism, and challenges in keeping him human. Current Projects (00:57 - 01:07) Current and upcoming projects including the DeMultiverse Kickstarter series. Discussion on Spider-Man 94, prose novellas, and Batman: Caped Crusader animated series. ️ Writing Techniques & Style (02:00 - 02:10) J.M. DeMatteis adeptly switches between Marvel style (detailed plotting first) and full scripting based on collaborators and creative needs, emphasizing writer-artist synergy. Career Path & Persistence (10:00 - 13:30) His early career involved overcoming harsh rejections and learning from editors like Paul Levitz and Len Wein, highlighting the necessity of a 'hard head and thick skin' in freelancing. Creative Collaboration (24:00 - 27:30) The seminal Justice League International run was a product of rare chemistry and creative freedom between DeMatteis, Keith Giffen, and Kevin Maguire, elevating offbeat characters. Classic Runs Reflections (22:00 - 30:00) He described iconic runs like Kraven's Last Hunt as successful but unplanned monumental works, and underscored the importance of the artist in storytelling and the emotional core of heroism in Maximum Carnage. Character Development (34:00 - 38:00) DeMatteis expresses deep intimacy with characters like Peter Parker and Ben Reilly, treating them like real people and always seeking fresh narrative insights in revisiting familiar characters. ‍️ Superman's Core (48:00 - 54:40) Defines writing Superman as being 'in his heart' rather than just his mind, focusing on his decency, charm, and symbolic importance as cultural moral paragon and hopeful figure. Modern Work & Industry Shifts (01:00:00 - 01:02:00) Embracing Kickstarter for creator-owned projects like DeMultiverse, balancing traditional publishing with creative independence and audience engagement. Discusses upcoming projects including a Spider-Man miniseries and involvement in animated shows. Industry Insights (46:40 - 46:50) Reflects on evolving trends such as Elseworlds and multiverse storytelling saturation, and the need to refresh narrative approaches. Fan Community & Legacy (38:40 - 38:50) Notes enthusiasm from younger generations discovering older works like Justice League International, reinforcing enduring appeal.

John, Bob, Steve, and a little bit of Joey go a long way to hold the fort down this week, as another Talking Comics podcast goes in the books. While the guys wax rhapsodic about the evolution of media, Doctor Doom gets spicy, and something simply won't stop killing the children!Books: World's Finest #44, Captain America #4, One World Under Doom #8, Fantastic Four x Gargoyles #1, Transformers #25, Spider-Man #13-14, Something is Killing the Children #42-44, A Monster Hunter Walks Into a BarThe Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, John Burkle, and Bronwyn Kelly-Seigh who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast and you can email us at podcast@talkingcomicbooks.com.

For TWO HOURS of bonus content — including our coverage of Ant-Man's heel turn against the super-team he co-founded in Avengers #161, plus 22 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Madness Is All In the Mind!" - Amazing Spider-Man #170, written by Len Wein, art by Ross Andru with Frank Giacoia and Mike Esposito, letters by Joe Rosen, colors by Glynis Wein, edited by Len Wein, ©1977 Marvel Comics"Star Wars" - Star Wars #1, written by George Lucas and Roy Thomas, art by Howard Chaykin, letters by Jim Novak, colors by Marie Severin, edited by Roy Thomas, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Did you know that Spider-Man's famous line actually has biblical roots? In this first episode of Phrase Origins, Erik Cabral traces the journey of Spider-Man's most famous quote "with great power comes great responsibility" from Amazing Fantasy #15 (1962), to Uncle Ben on the silver screen, and ultimately back 2,000 years to the words of Jesus in Luke 12:48: “To whom much is given, much will be required.”You'll discover how pop culture simplified this truth into a catchy superhero line… and how the Bible reveals a deeper meaning about accountability, stewardship, and leadership in life, family, and business.

When everything feels like it's unraveling, how do we know art still matters? In this episode, we explore the question: What use is art in a world on fire?Across movements, across generations—from Ella Baker's quiet revolution to Beckett's unexpected presence in a prison theater—this episode offers three simple, potent reminders of how art works in times of chaos: to notice, to connect, and to rebuild trust. Whether you're an artist, organizer, or simply someone searching for clarity, you'll find resonance in these stories.Discover how art helps us pay attention—to our world, our neighbors, and ourselves.Understand the power of creative trust—what happens when making becomes a shared act of listening.Explore how storytelling and performance can bridge divides, even behind bars or across ideologies.Press play to be reminded that in uncertain times, art doesn't just survive—it leads. Listen now and carry these three truths forward into your community.Notable Mentions:PeopleBill Cleveland: Host of Art Is Change and Director of the Center for the Study of Art and Community. (Learn more)Ella Baker: Civil rights activist whose words inspired Ella's Song. (Learn more)Bernice Johnson Reagon: Composer of Ella's Song and founder of Sweet Honey in the Rock. (Learn more)Judy Munson: Composer and sound designer for the podcast. (Learn more)Donald Trump: Referenced in the context of political polarization. (Learn more)Samuel Beckett: Playwright of Waiting for Godot; supported San Quentin production. (Learn more)Jan Jönson: Swedish director who brought Beckett's play to San Quentin. (Learn more)Jim Carlson: Prison arts advocate involved in the San Quentin project. (Learn more)Barney Rosset: Beckett's U.S. publisher. (Learn more)Donald James: Actor who played Vladimir in the San Quentin production. (Learn more)Reginald Wilson: Actor who played Estragon in the San Quentin production. (Learn more)Brian Boyd: Author of On the Origin of Stories. (Learn more)Voltaire: Philosopher often linked with the quote popularized by Spider-Man. (Learn more)Events & ProjectsWaiting for Godot at San Quentin: 1988 prison arts project with lifers performing...

How will the web slinger get out of this one? And will Kraven's dream come true?

A.M. Edition for Oct. 21. President Trump demolishes part of the White House as he begins construction on his new $250 million ballroom. Plus, WSJ editor Dan Michaels looks at some of the new tech including Spiderman-like nets that European countries are looking to buy, to keep drones at bay. And, we look at how millennial and Gen Z consumers are getting their hands on luxury - at a major discount. Caitlin McCabe hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at Trump threatening to use the military in response to millions of Americans taking part in a historic show of "No Kings" protests across the country.Then, Jesse Plemons talks about his grandmother having a shrine of him in her antique store, him and Kirsten Dunst's kids being unimpressed with their Like Mike and Spider-Man roles and working with Emma Stone and Aiden Delbis in the film Bugonia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Disney may have scrapped a Hunt for Ben Solo movie that could've starred Adam Driver and been directed by Steven Soderbergh?! Kristian Harloff breaks down the latest Star Wars rumors and more on today's episode of The Kristian Harloff Show! Topics include: Driver & Soderbergh's planned Star Wars film Anthony Ippolito as a young, Rocky-era Sylvester Stallone Ryan Coogler's reasoning behind rebooting The X-Files Charlie Cox addressing Spider-Man rumors Hulu's Prison Break reboot officially greenlit Tune in for all the biggest movie and TV news, reactions, and breakdowns from across the galaxy! Sponsors: RUGIET: Ready to level up your confidence in the bedroom? Head to http://www.rugiet.com and use my promo code KRISTIAN for 15% off your first order. Upgrade your wardrobe and save on @trueclassic at http://www.trueclassic.com/KRISTIAN! #trueclassicpod Live Better Longer with BUBS Naturals. For A limited time get 20% Off your entire order with code KRISTIAN at http://www.Bubsnaturals.com

Plus the Fantastic Four meet Disney's Gargoyles! Originally recorded live on youtube.com/comicpop on October 20, 2025.

Spiderman x Ecclesiastes 4:9-10Your daily crossover of faith and fandom! Experience daily Biblical encouragement from nerdy Christian podcasters, bloggers and content creators. Join the Nerd of Godcast community at www.NOGSquad.com

In this the issue the guys recap some of the Marvel Television news that came out from NYCC this year. Jong and Michael discuss the confirmation that Spider-Man: Brand New Day & Daredevil: Born Again Season 2 will have connections, the return of Krysten Ritter as Jessica Jones, the first footage/details for Your Friendly Neighborhood Spider-Man/X-Men '97, what the footage shown for Vision Quest could mean for the setting of the film, and the weird rights of Kingpin/Spider-Man when working with Marvel Studios/Sony.Plus the guys discuss the first teaser trailer for Invincible Season 4, the first trailer for A Knight of the Seven Kingdoms, and DC Animation working on an animated multi-chapter adaptation of the Batman Knightfall comic run. Follow Jong and Michael on social media.  Bluesky: @one-punch.bsky.social & @producermike975.bsky.socialThreads: @producermike975Instagram: @onepunch______ & @producermike975Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com

Hi everyone! In today's episode we talk about some of the craziest urban legends like the elevator game, the abandoned town and many more! We also discuss new Marvel news about the upcoming series Vision Quest and the next season of X-Men '97! We also got new Spider-Man Brand New Day set footage that may have revealed a new character! Thank you all so much for listening! We love you all so much!

Please no Pinkertons.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the latest gaming buzz with Analytic Dreamz on Notorious Mass Effect! In this segment, Analytic Dreamz reacts to the explosive First-Ever PvE Mode announcement in Marvel Rivals: the Marvel Zombies trailer. Witness undead chaos unfold as heroes battle zombie hordes in a thrilling co-op survival twist. From Spider-Man's web-slinging frenzy to Wolverine's claw-ripping rampage, explore how this mode blends Marvel lore with intense PvE strategy, horde defense, and epic boss fights. Analytic Dreamz breaks down gameplay mechanics, character synergies, and potential impacts on competitive play. Whether you're a Marvel fanatic or Rivals pro, get unfiltered insights on upgrades, release teases, and why this could redefine hero shooters. Tune in for expert analysis on Marvel Rivals PvE evolution—subscribe now for more gaming reactions!Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

With NYCC in the rear-view mirror, it's time for Al and Paul to look back at some of the news coming out of the show, like the revamped Vertigo slate, Swamp Thing Is Killing The Children, DC K.O.'s unexpected crossovers, Marvel's two upcoming symbiote-centric sagas, Jeff Lemire and Dustin Nguyen's Crowbound, the first wave of post-Age of Revelation X-books, the impending Spider/Super crossover and a smattering of other little newsy nuggets, and once that's all done there's also reviews of Endeavour and DC K.O. to chew over. The Official Handbook of the Official Handbook of the Marvel Universe: not even once.

What happens when Anne has a slow evening? She gets together with friend of the show Glenn Matchett to do a run down of all the biggest news from New York Comic Con 2025! From new Spider-Man crossovers to the return of Vertigo we hit it all! Check it out!

In this episode we chat about the final film in the MCU's Infinity Saga, Spider-Man: Far From Home. This is the first 41 minutes of the film. From the start to the end of the scene where the drone is almost attacking the bus You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Spider-Man:_Far_From_Home#Plot)

The New Capes & Lunatics Ep #46 (LGY #401): Spider-Man vs Jack O Lantern This episode for the annual Gobble Gobble episode, your team of Phil, Lilith and Justin review Peter Parker, the Spectacular Spider-Man #56 (July 1981), Amazing Spider-Man #254 (July 1984), and Amazing Spider-Man #279 (August 1986) featuring Spider-Man's first two battles with Jason Macendale as Jack O Lantern, and Jack O Lantern battle with Silver Sable.   Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!    Capes & Lunatics Links  → Bluesky https://bsky.app/profile/capeslunatics.bsky.social → Twitter https://twitter.com/CapesLunatics → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/capesandlunatics → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

The Peacemaker season 2 finale is here and the guys from Super Talk Podcast provide their review.  First up "Titanium" and "The Professor" give an update on the latest episodes in Gen V season two.  Some wacky theories about what is really going on are provided and we'll see how the series finishes up and leads into the final season of The Boys later this year.  News items this week include trailers and teasers dropped at NY Comic-Con including information about Wonder Man, Visionquest, and X-Men '97 season two.  Our "Topic of the Week" is a review of the finale of Peacemaker Season 2.  What did the guys think about this season and how it may impact the future of the DCU? Email: supertalkpodcast@outlook.comShow Twitter: https://twitter.com/supertalkpodBecome a Super Talk Patron: https://www.patreon.com/supertalkSponsored by Studio G G Studios: https://www.youtube.com/channel/UC6LW33bFROddd2tYJYthmFg

Here's your Daily Disney News for Monday, October 20th, 2025 - Disneyland Resort unveils "Nightmare at the Park" for Halloween, featuring eerie decorations, Disney villains, and a special nighttime parade. - Tokyo Disneyland introduces a new meet-and-greet with Mirabel from "Encanto" in Fantasyland, complete with songs and stories. - Disney Cruise Line adds South Pacific destinations Bora Bora and Tahiti for the Disney Wonder, debuting next summer. - Disney's California Adventure Park announces a new Spider-Man attraction in Avengers Campus, offering an action-packed adventure. Have a magical day and tune in again tomorrow for more updates.

On this exclusive patreon episode we review a bunch of titles. Here's the books reviewed on this episode: Black Cat #1 &2 Spider-Man ‘94 #1 Miles Morales Spider-Man #33-38 Eddie Brock: Carnage #6-8 Are you a Crawlspace patreon member? Sign up to support the site and get free stuff!  https://www.patreon.com/crawlspace Be sure to visit our main page at: http://www.spidermancrawlspace.com Be sure to follow us on social media Facebook https://www.facebook.com/officialcrawlspace Twitter https://twitter.com/crawlspace101 Instagram https://www.instagram.com/officialcrawlspace/ Youtube https://www.youtube.com/spidermancrawlspace

The Spider-Man newspaper strip ran for 42 years and Clover Press is reprinting them from the beginning. We talk to Clover Press Publisher Hank Kanalz about their new Kickstarter campaign. It will bring back in to print the classic Stan Lee and John Romita strip that ran in newspapers across the country. If you would like to back the Kickstarter here is the link. It ends on October 23rd at 11pm central time. So sign up so we can continue the books.  http://kck.st/4mZK9PH If you would like to see the video recording of this episode, click here.  https://www.youtube.com/live/4TofzZHCAZg?si=YowJWtu8vafw0h3U   Are you a Crawlspace patreon member? Sign up to support the site and get free stuff!  https://www.patreon.com/crawlspace Be sure to visit our main page at: http://www.spidermancrawlspace.com Be sure to follow us on social media Facebook https://www.facebook.com/officialcrawlspace Twitter https://twitter.com/crawlspace101 Instagram https://www.instagram.com/officialcrawlspace/ Youtube https://www.youtube.com/spidermancrawlspace

Join Nick and Anas (@WarlionComics) as they have an open discussion around some of the following topics you do not want to miss!- What happens next in the Ultimate Universe?- Where will Hickman go next now that Imperial and Ult. Spider-Man are ending?- Are current villains in the comics/movies scary enough? Enter: Mr. Sinister and Absolute Scarecrow!- X-Men: Age of Revelation tie-ins are actually...enjoyable?!- Lanterns on HBO looks to be a huge success!- MUCH MORE!

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

As the end of the year looms, many of us are hit by the "October Slump," an period of low energy, mood, and increased irritability. We look at why this phenomenon is hitting Australians despite the warmer weather and how to stop everything from a clicking pen to poorly folded tea towels from making you quit your job. And in headlines today, Nationals leader David Littleproud is confident other MPs won't follow the lead of Barnaby Joyce and step away from the party amid internal tensions within the coalition; Prime Minister Anthony Albanese will land in Washington this afternoon ahead of his meeting with the US president at the White House the following day; The Israeli military has launched air strikes and artillery fire at targets in southern Gaza, dimming hopes that a US-mediated ceasefire would lead to lasting peace; London police are probing whether Prince Andrew asked an officer assigned to him as a bodyguard to dig up dirt on sexual assault accuser Virginia Giuffre; Tom Holland has admitted to Gordon Ramsey that he is out of the running to be the next James Bond, it’s reportedly because of contractual obligations to the Spiderman franchise THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guest: Jess Clark, Mamamia Managing Editor Audio Producer: Lu HillBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Is Spider-Man really sitting out of Avengers: Doomsday?! New reports suggest that Tom Holland's Spider-Man might not be part of the massive upcoming Marvel event film — but what does that mean for the MCU's future? Kristian Harloff breaks down the latest rumors, news, and official quotes in today's show! We're also diving into more huge updates across Marvel and DC, including: 1️⃣ Spider-Man Sitting Out “Avengers: Doomsday”? 2️⃣ LANTERNS Official Merch Leads To Speculation That DCU Series May Introduce Or Build Towards Something Big 3️⃣ AVENGERS: DOOMSDAY Star Channing Tatum On Dialing Back Gambit's Accent & His Reaction To The Script 4️⃣ VISIONQUEST Showrunner Talks Ultron's Return & “Very Different” Episodes If you love movie news, Marvel updates, and comic book talk — hit that subscribe button and join the conversation every week on The Kristian Harloff Show! #SpiderMan #AvengersDoomsday #Marvel #MCU #TomHolland #ChanningTatum #Gambit #VisionQuest #Ultron #Lanterns #DCU #MarvelNews #DCNews #KristianHarloffShow #MovieNews #ComicBookMovies SPONSORS: NUTRAFOL:  See thicker, stronger, faster-growing hair with less shedding in just 3-6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://www.Nutrafol.com and enter the promo code KRISTIAN. UPSIDE: Upside has given back $1 Billion dollars to its users. To find out how much you could earn, Download the FREE Upside App and use promo code KRISTIAN to get an extra 25 cents back for every gallon on your first tank of gas.  STRAWBERRY.ME: Head to https://www.Strawberry.me/KRISTIAN to claim a special offer and get started. Stop settling. Start building the career you actually want! 

Lina is back and we're easing you back in with a medium-unhinged episode title & a discussion about how to bolster communication among the neurospicy folks in your dynamic (insert us, the caller, their partner, and all of you into the classic pointing Spiderman meme — it's all of us).  Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

We are so excited to celebrate spooky season with our friends, Becky D'Anna & Jon Laubinger, as they launch their new show - DIRECTOR'S TAKE: A SONY PICTURES PODCAST! We got to chat with them about one of their favorite films of this last year, Steven Soderbergh's, PRESENCE (2024). Be sure to check out their New Podcast! Director's Take brings today's most acclaimed filmmakers into conversation with the films that shaped them. Each episode spotlights a director exploring a work they didn't make—but deeply admire—revealing how these stories continue to inspire new generations of artists and audiences. With fresh perspectives and cultural context, Director's Take reintroduces landmark titles as works worth rediscovering.Becky D'Anna has worked in the film industry for over two decades. She contributed to event marketing campaigns ranging from the X-Men franchise at Twentieth Century Fox to the Spider-Man franchise at Sony Pictures. Becky most recently worked on the third-party partnership campaigns for the Oscar-winning animated film, Spider-Man: Into the Spider-Verse, and Sony Picture's highest grossing film in its history, Spider-Man: No Way Home. When not at Sony, Becky loves sharing her film knowledge by writing and podcasting about her favorite movies, TV shows, and filmmakers. In addition, Becky is a guest instructor on film history and appreciation. She most recently taught a 6-hour lecture on the films of Ingmar Bergman at UC Riverside as part of their two week "Contemporary Approaches to Filmmaking" program, and was a guest panelist on the “Horror and the Inevitable Remake" panel at San Diego Comic Con 2022.Website: https://beckydanna.com/ Jonathan Laubinger is an avid movie lover and podcaster. He created, hosted, edited, and produced the Film Baby Film podcast, which primarily focused on deep-dive episodes of beloved art house film classics. Jonathan has also appeared on several other podcasts including WrongReel, Criterion Reflections, and others. He has appeared on multiple game shows, winning almost $90,000. For his day job, he is an executive at a start-up in the specialty insurance industry. Jonathan is a Fellow of the Casualty Actuarial Society and has his JD/MBA from Boston College. Spotify: https://open.spotify.com/episode/6H16LiwpgrEPQ8uhHE3FRU?si=5hilMRDWQHioGht6V29gVQ&nd=1&dlsi=7dd3dcf875154dd4Apple Podcasts:https://podcasts.apple.com/us/podcast/zach-cregger-adaptation/id1840753945?i=1000729183843Amazon Music / Audible: https://music.amazon.com/podcasts/08c227b8-ce1f-4817-9241-b11defb40a4c/directors-takePandora - https://pandora.app.link/Qs77bumo4WbTuneIn - http://tun.in/pxVVWSupport the show

Follow The Trophy Room Patreon: https://www.patreon.com/pstrophyroom Apple Podcast: https://apple.co/2PglU1a Discord: https://discord.gg/wPNp3kC -------- TimeStamps! Intro - 00:00 - 16:14 Ghost Sales - 19:00 Bluepoint's Next Game - 39:43 PS6 set to Release in 2027 - 48:25 The Outer Worlds 2 Interview - 01:05:35 -------- This week on the show, we break down the latest PlayStation and industry headlines — starting with Ghost of Yotei's massive debut across Europe, matching the launch success of Ghost of Tsushima and becoming Sony's biggest first-party hit since Spider-Man 2. We then dive into Sucker Punch's future as a single-project studio, Bluepoint's new third-person action game (is it Bloodborne Remake or God of War-related?), and fresh reports that the PlayStation 6 could launch in 2027. Plus, Silent Hill 2, Until Dawn (PS5), and Yakuza: Like a Dragon join the PlayStation Plus lineup, while Halo remake leaks and The Outer Worlds 2 devs drop fresh insights. All that and more on this week's deep dive into the world of PlayStation and beyond!  

Solo Leveling: ARISE OVERDRIVE, the action RPG based on the popular Solo Leveling franchise,launches on November 17 and is open for preorder and wishlisting on Steam and XBOX PC. But folks at TwitchCon can experience an exclusive demo at the Solo Leveling: ARISE OVERDRIVE booth.⁠https://slvariseoverdrive.netmarble.com/en/twitchcon⁠ Go to ⁠http://shadyrays.com⁠ and use code FUNNY to get 35% off polarized sunglasses. Thank you for the support! Ghost of Yotei is starting off strong, Andy has a new controller review, and Ball X Pit is another indie darling. Run of Show - 00:00:00 - Start00:14:26 - HousekeepingToday after, KFGD, you'll get:GAMESCAST - ROG Xbox Ally X ReviewAfter Gamescast is Baby Steps w/ Bennett FoddyIf you're a Kinda Funny Member:Today's Gregway is coming at you from SnowbikeMikeThank you to our Patreon Producers: Karl Jacobs, OmegaBuster, & Delaney "The Somm" TwiningThe Roper Report   -00:16:30 - 'Ghost of Yotei' is the biggest first party launch for Sony in Europe since 'Spider-Man 2' - Christopher Dring @ The Game Business00:28:40 - Ad00:41:15 - Andy's SCUF Valor Pro Wireless Controller review00:48:28 - Ball X Pit Review Round Up00:56:55 - Wee News!01:07:20 - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices