Podcasts about dark room

Matt Maher, aka Imp, revisits the AEW week that was.Talking Wednesday's Dynamite and Saturday's Collision both featuring that Continental Cup 2nd round action. As well as pre-All In conversations for both men's and women's world title feuds!Dynamite- Will Ospreay, Francesco Akira & Henare vs Don Callis Family (3:32)Collision- Continental Cup: Orange Cassidy vs Kyle O'Riley (27:02)The Social Suplex Newsletter: https://www.socialsuplex.com/frontpage-15/Follow us on Bluesky: @socialsuplex.bsky.social, @thedamnimplicat.bsky.socialFollow us on Twitter: @SocialSuplexFollow us on Instagram: @SocialSuplexLike us on Facebook: https://www.facebook.com/SocialSuplex/Join our Discord: https://discord.gg/QUaJfaCVisit our website for news, columns, and podcasts: https://socialsuplex.com/Join the Social Suplex community Facebook Group: The Wrestling (Squared) CircleSupport the Social Podcast Network by leaving a rating and review on Apple Podcasts.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Stephanie Soo's ROTTEN MANGO moves to Netflix, and she's finally giving Ash Trevino that docu-series she's been talking about. Plus, did Tana and Paige shade Trisha's music career? And Trish is exposing her CAMP ROCK 3 audition process.

Decisions in darkness. FE rejects gravity? Teacher cries: kids can’t read. Pronouns. Globe? Divorce the world. Tasia Fortune "hanging." GA gas station case. Surrogate mothers?

Es ist DWIDSwoch! In dieser Woche geht es um die anstehende Sonnenfinsternis, gute Verschwörungstheorien und Geschichten aus dem Darkroom. Fußballmäßig starten Tim und Schlü in Dresden, denn der K-Block wird für das anstehende Spiel gesperrt, was laut DFB aber nicht einer Kollektivstrafe gleicht. Der TSV Havelse macht derweil Havelse-Sachen und in Polen hat der Präsident von seinen Gnadenbefugnissen gebrauch gemacht. Abschließend berichtet Schlü von seinem Spielbesuch von Wacker Burghausen in Rosenheim, während Tim zunächst beim Topspiel in Wolfsburg war, bevor der Auftritt der Sydsiden in Horsens auf dem Programm stand. GOODSFELLAS contact@goodsfellas.de https://goodsfellas.de/ HOLY https://de.weareholy.com/?ref=DWIDSWOCH&utmmedium=creator&utmsource=creator 10% Rabatt mit dem Code DWIDSWOCH Die DWIDSapp im AppStore https://apps.apple.com/gb/app/dwidsapp/id6550906007?uo=2 Die DWIDSapp im PlayStore https://play.google.com/store/apps/details?id=com.dwids.app&gl=DE Unterstützt ... Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Es ist DWIDSwoch! In dieser Woche geht es um die anstehende Sonnenfinsternis, gute Verschwörungstheorien und Geschichten aus dem Darkroom. Fußballmäßig starten Tim und Schlü in Dresden, denn der K-Block wird für das anstehende Spiel gesperrt, was laut DFB aber nicht einer Kollektivstrafe gleicht. Der TSV Havelse macht derweil Havelse-Sachen und in Polen hat der Präsident von seinen Gnadenbefugnissen gebrauch gemacht. Abschließend berichtet Schlü von seinem Spielbesuch von Wacker Burghausen in Rosenheim, während Tim zunächst beim Topspiel in Wolfsburg war, bevor der Auftritt der Sydsiden in Horsens auf dem Programm stand. GOODSFELLAS contact@goodsfellas.de https://goodsfellas.de/ HOLY https://de.weareholy.com/?ref=DWIDSWOCH&utmmedium=creator&utmsource=creator 10% Rabatt mit dem Code DWIDSWOCH Die DWIDSapp im AppStore https://apps.apple.com/gb/app/dwidsapp/id6550906007?uo=2 Die DWIDSapp im PlayStore https://play.google.com/store/apps/details?id=com.dwids.app&gl=DE Unterstützt ... Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Darkroom (1981) Season 1 Episode 1Closed CircuitStay Tuned, We'll Be Right Back

This post officially kicks off my Venice Immersive 2025 coverage, see links to all 38 episodes and 30+ hours of interviews down below. We're starting off with the interview that I did with Doug Liman (co-founder of 30 Ninjas), Julina Tatlock (co-founder of 30 Ninjas), & Jed Weintrob (co-founder of 30 Ninjas), & Max Spear (Product Lead of Android XR at Google) about Asteroid on Saturday, August 30, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Asteroid: "Asteroid is an immersive film and interactive story extension made for the launch of Google's new Android XR platform. The 180° immersive short film is a high-stakes action thriller about a group of strangers who take an old Russian Soyuz rocket to mine a near-earth, treasure laden asteroid for a chance at unimaginable wealth. After the film, the experience continues and the audience enters the world of Asteroid when they receive an SOS from one of the characters, DK Metcalf, who was left for dead. The viewer becomes a player when they are invited to aid in DK's rescue. Through speaking with an AI-generated version of DK — played by the NFL player as himself — the user determines the truth about what happened on the asteroid and sends his exact location to NASA for rescue." Here are the contextual domains that are explored: Long distance travel [9] where someone is left behind (de facto exile) [12], and there is a rescue mission where you as a character [1] help out the protagonist [7] in the second half, but also a lot of mystery [12] to figure out and investigate [9] Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: cinematic Virtual Reality thriller that begins as a film and continues as an immersive story game. Combination of live-action 180-video along with CGI-driven animations also in 180-video2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Worldbuilding of sci-fi extraction of asteroid, you embody a character in story in the last part, and you break the fourth wall in the onboarding talking to the actor who plays a character via AI3rd Center of Gravity of Air Element / Mental and Social Presence: Conversational-driven AI Story Extension - You talk to the actor DK Metcalf at the beginning and with the character at the end. A bit of puzzling together of the myserious aspects of the story4th Center of Gravity of Fire Element / Active Presence: continues as an immersive story game - Improv convo + slightly nudged and directed exploration Archetypal Themes and Character Explored: Everyone are anti-heroes archetypes - Power and Greed vs Limitations, constraints, boundaries, death. Doug Liman says there aren't many anti-heroes in space movies, Han Solo is an exception. What if all of the characters were Han Solos? What drama would ensue? Artist Statement: "I've always thought of myself as an immersive filmmaker. The goal was to put the audience in the action, not to be sort of passively watching it. Now that the technology has caught up with us, I really can put the audience in the rocket. Asteroid is the story of a ragtag group of astronauts who booked a ride on a used Soyuz spacecraft. An asteroid passes near Earth. It's laden with precious metals and gems. If you can get there, you can become insanely wealthy. It's a modern gold rush." Trailer: https://vimeo.com/1163762576/d0d75004c2?fl=pl&fe=vl You can find links to my 30+ hours of my coverage from Venice Immersive 2025 across 39 episodes. I've categorized the experiences according to these "elemental genres," which is looking at the top two elemental centers of gravity. You can watch this talk on "Blending the Elements on Experiential Design" for more details. #1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac #1750: Doug Liman's "Asteroid" Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage #1751: "Ghost Town" Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding #1752: Blending Embodied Game & Narrative Genres with "One True Path, Part 1" #1753: Mixed Reality Town-Building and Sim Game "Wall Town Wonders" #1754: Screen Life Thriller "LILI" about Surveillance Fuses Game Design, Film, and MacBeth Adaptation #1755: Hand-Tracked Sign Language as Story Beat Triggers in "Eddie and I" #1756: Exploring Narrative Potential of Generative AI in "8pm and the Cat" #1757: Embody a Geranium in Immersive Comedy about Boredom in "The Great Escape" #1758: Reckoning with Mental Health Taboos in Japan with "If You See a Cat" Immersive Animation #1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in "Mirage" Immersive Animation #1760: Immersive Fairy Tale about Automation with "The Sad Story of the Little Mouse Who Wanted to Become Somebody" #1761: Unpacking the Immersive Orchestral Mix of "1968" with Massimiliano Borghesi #1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in "1968" #1763: Blending Theater and 360 Video in "Re-Launching-Luigi-Broglio" #1764: Mixing Hand-Drawn Animation with 360 Video in "The Time Before" #1765: Immersive Action Thriller "Mulan 2125" Pushes the Edge of Graphical Fidelity #1766: Formula 1 LBE Experience "Black Cats & Chequered Flags" is an Immersive Biopic of Alberto Anscari #1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi's Paintings in "Alien Perspective" #1768: Symbolic Journey through Lithuania's Artist Mikalojus Konstantinas Čiurlionis' Paintings in "Creation of the World" #1769: Mixed Reality Musical on Avatars and Identity in "First Virtual Suit" #1770: Eastern Philosophy-Inspired Fusion of Theater and XR with "Mnemosyne" #1771: Environmental Storytelling in "The Great Orator" VR Diorama with Generative AI Experiments #1772: Climate Change Spatial Montage "Out of Nowhere" Aspires to Move Towards Rewilding Prevention #1773: "Collective Body" Assigns Elemental Avatars Based Upon Archetypal Dance Movements #1774: Combining Live Dance and Music in Immersive LBE Performance "L'ombre (The Shadow)" #1775: The Continuous Spatial One-Shot of Backlight's "La Magie Opera" LBE #1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within "The Big Cube" #1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in "Sense of Nowhere" #1778: Collaborative Social Game and Story of "Happy Shadow" #1779: "Heartbeat" Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency #1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon #1781: Winner of Venice Immersive 2025 "The Clouds Are Two Thousand Meters Up" Innovates on Gaussian Splats & Spatial Storytelling #1782: "A Long Goodbye" Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations #1783: "Less Than 5gr of Saffron" Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation #1784: The Incredible Spatial Transitions of "Dark Rooms" with Radical Consent Innovations #1785: The Landmark Achievements of "Blur" in Fusing Theater, Montage, Mixed Reality, and LBE VR #1786: Collective Reading Experience of "Constantinopoliad" Provokes Discussion on Defining "Immersive" #1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Mads Damsbo & Laurits Flensted-Jensen about Dark Rooms on Saturday, August 30, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Dark Rooms: "Dark Rooms is an exploration of human psychology through the prism of sexuality. The viewer and two other participants are invited to explore four inner spaces, each one a private, intimate story told and co-created by real people. A unique, embodied experience, guiding the users step by step into the heart of human desire and the shadows it casts. Dark Rooms is a sensory, site-specific and immersive installation that confronts the audience with their own bias and boundaries, exposing our deepest longings and the forces that may shape our sexual identities." Here are the contextual domains that are explored: Alternative and non-normative sexualities [5] that are usually hidden or taboo [12]. Exploring the culture of these Dark Rooms [11], the connection to personal identity [1], but also past and various familial traumas.[4]. Watch both as an invisible ghost [12], but also moments as an embodied character [1] to mimic being a part of this alternative culture [11]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Immerse yourself into the spatial architecture of these dark rooms. You're mostly a ghostly observer, but sometimes you do swtich into having an embodied role as a character within the narrative that's unfolding. But more to embody the form rather than to communicate or fully participate. More to evoke some embodied memories than to truly participate. The spatial transitions and overall spatial journey within this piece was one of the best jobs that I've ever seen. Feel like truely being taken on a spatial journey that I locomote through using my body and walking, but there's a cinematic quality to the spatial editing and rhythm of storytelling that's mirrored and amplified by embodied movements through space.2nd Center of Gravity of Water Element / Emotional Presence: Sense of awe, excitement, and wonderment. Listen to the oral history stories of these main protagonists, but in a way that's like walking through a spatial film, a waking dream, and a montage of memories. We see the stories of 3 different protagonists told sequentially.3rd Center of Gravity of Fire Element / Active Presence: Walking through a spatial architecture to tell a story. There's instances where you become a character who is play acting in the scene. No real narrative agency4th Center of Gravity of Air Element / Mental and Social Presence: Voice over narration is the primary mode in which the story is being told, but you're also embedded into these various spatial contexts and environments, and so there's also additional aspects of environmental storytelling happening. This experience allowed 3 people at a time to see it, and you see the other people as avatars who are also exploring these worlds. There was an AI-enabled offboarding pilot where you would start to debrief and talk about your experience, but it didn't necessarily have a clear stopping point as it would sort of endlessly ask questions. Archetypal Themes and Character Explored: exploration of human psychology through the prism of sexuality especially the "queer and non-normative sexualities." Also intends to "step into the heart of human desire and the shadows it casts" & "wish to open the doors to the darker spaces of our protagonists' sexuality." Embodied radical consent within the production of the process where participants had more control and agency over how their story was being told Artist Statement: "Dark Rooms was born out of a shared playfulness and curiosity. Laurits, coming from classic documentary, and Mads, from immersive storytelling, began a collaboration based on the idea of a virtual reality experience that would allow the audience to explore unknown territory through the prism of sexuality. Early on, Anne Sofie was connected to the project, and through her eyes and experience with queer and non-normative sexualities, the project grew into its current form. Dark Rooms is not only a reference to the unknown and the sexual — it is also a wish to open the doors to the darker spaces of our protagonists' sexuality. Under the maxim of “nothing about us, without us”, Dark Rooms was developed and designed through an intimate co-creation process with the protagonists, to help expose their journeys in a form that the audience would embody." https://www.youtube.com/watch?v=JV7H0mn_BPU This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Sister Sylvester about Constantinopoliad on Friday, September 12, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Constantinopoliad: "Constantinopoliad is a collective reading and audio work. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn-out pages in Constantinopoliad, an Epic, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems." Here are the contextual domains that are explored: The exploration of identity [1] as a person has moved from his home [4], and into a distant land [9] with some feelingsof being exiled [12], but also the implication of homosexuality [5] within the context of having to remain hidden or taboo [12]. It's dipping into the vast archive [9] of Cavafy's expressions of identity [1] and poetry and art [5], and recontextualizing as these universal experiences that are still very much relevant today [9]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: collaboratively reading together - narrative distillation of an archive. You listening to the audio narration, but you have to negotiate how to co-read this "book" object together. The form of this "book" also deviates from normal book where it is part pop-up book, but also a flat stage to be explored with the other person. This externalized book becomes a bit of an abstracted theatrical stage for the story as it unfolds, but there are also more explicitly architectural elements to this "book" object as well. The piece also creates an implicit invitation to connect and talk with your audience partner afterwards about the piece2nd Center of Gravity of Water Element / Emotional Presence: AMAZING MUSIC + time-based narration + lighting. There's some amazing synchrony between the music, the timing of the reading, as well as the lighting. It really gives a strong sense of time. The reading of the story almost feels like a narrative podcast of sorts, but is mostly a matter of convenience of recording of the live performance so that it could be toured at immersive festivals without the burden of paying for all of the performers and musicians.3rd Center of Gravity of Earth Element / Environmental and Embodied Presence: Book like object as an architectural artifact, and has a whole spatial journey. The installation also had tables with lighting effects, but also there were projctions that were happening within the space as well. Most of the focus of spatial experience happens within the context of the architectural nature of the "book" object, but the other theatrical elements of the environment definitely help to cultivate an overall mood.4th Center of Gravity of Fire Element / Active Presence: Explore the story through various interactions. There's no narrative agency per se, although one could deviate from directly reading along with the text. There's an implicit contract to stay on course with your actions since you're negotiating the experience with another person. Archetypal Themes and Character Explored: Exploration of the "lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems" Artist Statement: "My favorite response to this work was an audience member who described it as 'making love to a stranger through a book'. The work invites audiences into a sensual and concrete encounter with Cavafy's life and poems: fingers making contact with history; illumination revealing images from between the pages; sounds conjuring the ghosts of 19th century Alexandrian cabarets. With words by sister sylvester, score by Nadah El Shazly, and illustrations by Efrîn Özyetis, Constantinopoliad is a multi-sensory encounter with the past, and with forgotten stories that can haunt us into new imaginings for the present." You can see the projects I covered at Venice Immersive 2025 categorized in this image: Below, you will find links to my 30+ hours of my coverage from Venice Immersive 2025 across 39 episodes. I've categorized the experiences according to these "elemental genres," which is looking at the top two elemental centers of gravity. You can listen to this episode or watch the video version of "The Blending the Elements on Experiential Design" YouTube on for more details. #1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac #1750: Doug Liman's "Asteroid" Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage #1751: "Ghost Town" Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding #1752: Blending Embodied Game & Narrative Genres with "One True Path, Part 1" #1753: Mixed Reality Town-Building and Sim Game "Wall Town Wonders" #1754: Screen Life Thriller "LILI" about Surveillance Fuses Game Design, Film, and MacBeth Adaptation #1755: Hand-Tracked Sign Language as Story Beat Triggers in "Eddie and I" #1756: Exploring Narrative Potential of Generative AI in "8pm and the Cat" #1757: Embody a Geranium in Immersive Comedy about Boredom in "The Great Escape" #1758: Reckoning with Mental Health Taboos in Japan with "If You See a Cat" Immersive Animation #1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in "Mirage" Immersive Animation #1760: Immersive Fairy Tale about Automation with "The Sad Story of the Little Mouse Who Wanted to Become Somebody" #1761: Unpacking the Immersive Orchestral Mix of "1968" with Massimiliano Borghesi #1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in "1968" #1763: Blending Theater and 360 Video in "Re-Launching-Luigi-Broglio" #1764: Mixing Hand-Drawn Animation with 360 Video in "The Time Before" #1765: Immersive Action Thriller "Mulan 2125" Pushes the Edge of Graphical Fidelity #1766: Formula 1 LBE Experience "Black Cats & Chequered Flags" is an Immersive Biopic of Alberto Anscari #1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi's Paintings in "Alien Perspective" #1768: Symbolic Journey through Lithuania's Artist Mikalojus Konstantinas Čiurlionis' Paintings in "Creation of the World" #1769: Mixed Reality Musical on Avatars and Identity in "First Virtual Suit" #1770: Eastern Philosophy-Inspired Fusion of Theater and XR with "Mnemosyne" #1771: Environmental Storytelling in "The Great Orator" VR Diorama with Generative AI Experiments #1772: Climate Change Spatial Montage "Out of Nowhere" Aspires to Move Towards Rewilding Prevention #1773: "Collective Body" Assigns Elemental Avatars Based Upon Archetypal Dance Movements #1774: Combining Live Dance and Music in Immersive LBE Performance "L'ombre (The Shadow)" #1775: The Continuous Spatial One-Shot of Backlight's "La Magie Opera" LBE #1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within "The Big Cube" #1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in "Sense of Nowhere" #1778: Collaborative Social Game and Story of "Happy Shadow" #1779: "Heartbeat" Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency #1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon #1781: Winner of Venice Immersive 2025 "The Clouds Are Two Thousand Meters Up" Innovates on Gaussian Splats & Spatial Storytelling #1782: "A Long Goodbye" Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations #1783: "Less Than 5gr of Saffron" Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation #1784: The Incredible Spatial Transitions of "Dark Rooms" with Radical Consent Innovations #1785: The Landmark Achievements of "Blur" in Fusing Theater, Montage, Mixed Reality, and LBE VR #1786: Collective Reading Experience of "Constantinopoliad" Provokes Discussion on Defining "Immersive" #1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Author and savant poaster Dan Baltic, the show's lawyer, joins the pod to talk about Norm Macdonald's book and last special, cancer and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/baltic_dan x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode is a unique opportunity to explore the principles of soul elevation with Dr. Carol Talbot. Learn how her unique approach to human potential can shift your perspective. In this episode, host Kara Goodwin talks to Dr. Carol Talbot to discuss her body of work and the specific insights she has gathered throughout her career relating to the nature of reality. This conversation is going to hit home for anyone seeking a deeper understanding of personal growth and the factors that drive meaningful contributions in life. We examine the core philosophy behind incarnation into a human life and how this applies to everyday challenges. Dr. Carol discusses human potential and "superhuman" abilities, her background in quantum morphogenetic physics, and how her gifts present as a pre-language "knowing" rather than clairvoyance, which she translates into written scan reports using minimal client information. She explains DNA as a transmitter/receiver of consciousness, with "junk" (intron) DNA representing potential that can be dimmed by conditioning and toxins, and describes her pranic nourishment/Breatharian practices, fasting, and dark-room retreats as part of her DNA-repair exploration. She connects frequency, identity, and timelines, describing tools like entrainment audio and mastery mapping to shift baseline frequency toward an optimal timeline, and recommends coherence practices such as holding a positive thought for 10–15 seconds, breath, stillness, and nature. This episode will allow you walk away with actionable takeaways that you can apply immediately to your own path.  I also got SO MUCH from my multidimensional field scan from Carol. I highly recommend it! I have carefully read mine several times and got a lot from it on many levels. Subscribe to Soul Elevation for personal growth insights. https://www.youtube.com/@soulelevationpodcast?sub_confirmation=1  Connect with Carol: https://multi-dimensionalintelligence.com/ 

d4vd has a music video where his character drags a body into a car. Prosecutors are now alleging he did that, for real, to a fourteen-year-old girl. We put the fictional version and the criminal allegation side by side. Before any of this, David Burke was a homeschooled kid recording songs on an iPhone in his sister's closet, building a following inside Fortnite lobbies. Prosecutors say that's also where he met Celeste Rivas Hernandez, when both were still teenagers, years before his career took off. Signed to Darkroom and Interscope at seventeen, Burke created an alter ego, Itami, meaning pain, an agent of chaos he described wearing a blindfold, a concept pulled from a manga about a detective whose alter ego commits the murders he solves. The comparison he used himself was Tyler Durden. His videos showed the character with a bloody knife and, in another, taking a woman's arm. The forensic case built during the preliminary hearing doesn't rely on any of that. A trace analyst matched cuts on a garage pool to fragments recovered on Celeste's leggings. DNA tied both the Tesla and the home to her. A criminalist described real blood scrubbed from the garage floor, feet from containers of fake blood. Cell tower records placed Burke's Tesla in Santa Barbara County three times after Celeste allegedly died. She was fourteen, went to his home on April 23, 2025, and was never heard from again. Her remains were found in the Tesla months later. Burke has pleaded not guilty to murder, illegal acts involving a minor, and mutilation of human remains. We walk through what the physical evidence actually shows. Links Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePod Disclaimer This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice. Hashtags #D4vd #CelesteRivasHernandez #HiddenKillers #DavidBurke #Itami #PreliminaryHearing #TrueCrime #LACounty #JusticeForCeleste #MusicIndustry 

There's a music video where d4vd drags a body across the floor and loads it into a car. Prosecutors now allege he did the same thing his character did, to a fourteen-year-old girl, and that overlap is the thread running through everything else in this case. Before the fame, David Burke was a homeschooled teenager recording songs on an iPhone in his sister's closet, building an audience inside Fortnite lobbies. Prosecutors say that's also where he met Celeste Rivas Hernandez, years before either of them were adults, and the relationship kept going while no adult around either of them intervened. At seventeen, signed to Darkroom and Interscope, Burke created an alter ego called Itami, pain in Japanese, an agent of chaos wearing a blindfold, a concept he traced to a manga about a detective whose alter ego commits the murders he then has to solve. He compared it to Tyler Durden. The videos put a bloody knife and a severed arm on screen. Then the forensic testimony from the preliminary hearing. A trace analyst matched cuts on a garage pool to fragments on Celeste's clothing. DNA tied the Tesla and the home to her. A criminalist described blood scrubbed from the garage floor, steps from containers of fake blood. Cell tower records tracked Burke's Tesla to Santa Barbara County three separate times after she allegedly died. Celeste went to Burke's Hollywood Hills home on April 23, 2025. She was fourteen. Her remains were found in his Tesla months later. Burke has pleaded not guilty to first-degree murder, illegal acts involving a minor, and mutilation of human remains. We go through the persona, the industry that profited from it, and the physical evidence now on the record. Links Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePod Disclaimer This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice. Hashtags #D4vd #CelesteRivasHernandez #HiddenKillers #DavidBurke #Itami #PreliminaryHearing #TrueCrime #LACounty #JusticeForCeleste #MusicIndustry 

There's a video that exists before any of this happened, where d4vd plays a character dragging a body into a car. Prosecutors are now alleging he did the real version of that scene to a fourteen-year-old, and tonight we sit with what that overlap actually means. David Burke's story starts small. Homeschooled, recording in his sister's closet, building an audience in Fortnite lobbies. Prosecutors say that's where he met Celeste Rivas Hernandez, both of them still teenagers, and the connection continued for years without anyone in either of their lives stepping in. At seventeen, newly signed to Darkroom and Interscope, Burke introduced an alter ego, Itami, the Japanese word for pain, an agent of chaos wearing a blindfold, built from a manga concept about a detective whose double commits the murders he investigates. He put that character on camera holding a knife, taking a woman's arm. Then the physical evidence entered the record. Investigators matched cuts on an inflatable pool in Burke's garage to fragments found on Celeste's leggings. DNA connected the Tesla and the home directly to her. A criminalist testified about real blood scrubbed from the garage near shelves of fake blood used for props. Cell tower data placed the Tesla in Santa Barbara County three times in the weeks after she allegedly died. She was fourteen when she went to his home on April 23, 2025, and was never heard from again. Her remains surfaced in his Tesla months later, the day after what would have been her fifteenth birthday. Burke has pleaded not guilty. Tonight we trace the character, the industry around him, and the forensic case now in front of a judge. Links Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePod Disclaimer This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice. Hashtags #D4vd #CelesteRivasHernandez #HiddenKillers #DavidBurke #Itami #PreliminaryHearing #TrueCrime #LACounty #JusticeForCeleste #MusicIndustry 

Comedian Dylan Carlino joins Coastal Idiots for one of the most debaucherous episodes yet. They debate Lana Del Rey vs. Taylor Swift, Billie Eilish, comedy's changing landscape, terrible tattoos, internet fame, growing up with bizarre childhood stories, and why stand-up feels different than ever. Then things completely derail with two ridiculous games that spiral into some of the biggest laughs of the season. The second half becomes total chaos with "If I Was..." and impossible hypothetical scenarios. ++++++++++++++++++++++++++ Coastal Idiots is a weekly comedy podcast where each week your host Shane and Katherine are joined by a friend or two where they do something very stupid and hilarious. Follow Katherine and Shane so they have a reason to keep going. The show is produced by the marvelous Keida Mascaro. Some of the art on the walls by the great Perry Shall. Music by Gymshorts and Alex Orange Drink. Your favorite idiots are now available wherever you listen to podcasts! Stream video on Spotify or Youtube, to drink in every detail of Katherine Blanford & Shane Torres' shenanigans and insane sketches. Listen to audio on all podcast platforms. Welcome to the ATC family! Let's get weird. Let's get Coastal. Don't forget to call our Coastal Idiots hotline and leave a message, we might just publish it! Coastal Idiots Hotline: (510) 974-3349 More Dylan! IG: https://www.instagram.com/dylanpcarlino/ More Coastal Idiots! IG: https://www.instagram.com/coastalidiots/ More Katherine! IG⁠: https://www.instagram.com/itskatherineblanford/ More Shane! IG: https://www.instagram.com/shanetorres/ ++++++++++++++++++++++++++++ Produced by Keida Mascaro ⁠⁠⁠⁠⁠IG: https://www.instagram.com/keidamascaro/ The Cave Podcast Studio https://keidamascaro.com/the-cave Presented by: All Things Comedy IG: https://www.instagram.com/allthingscomedy/ Theme Song by GYMSHORTS IG: https://www.instagram.com/gymshortsmusic/ Logo & Artwork by Perry Shall IG: ⁠⁠⁠⁠⁠https://www.instagram.com/perryshall/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

John Robertson is an Australian comedian, writer, and performer who has carved out a singular space between stand-up, theatre, and video games. Beginning his career on the UK and international comedy circuit, he became known for his high-energy, unpredictable style—before creating The Dark Room, a live-action text adventure where audiences shout commands, face absurd deaths, and attempt to survive his chaotic world.The show has toured globally, sold out runs at the Edinburgh Festival Fringe, and grown into an online phenomenon, streamed to millions and adapted into digital formats. Alongside this, he has written and performed a wide range of solo shows and interactive work, creating a unique space where comedy, games, and audience participation collide.John Robertson – website & showJohn Robertson – official websiteThe Dark Room – live show informationThe Dark Room – live dates and ticketsThe Dark Room – Edinburgh Fringe 2026 at the Gilded BalloonThe Dark Room – Dark Room Deathstravaganza at Leicester Square Theatre, 22 NovemberJohn Robertson – Twitch (Robbotron)John's Perfect ConsoleSonic the Hedgehog 2 (Mega Drive, 1992) – WikipediaSuper Puzzle Fighter II Turbo – WikipediaWii Sports Resort – WikipediaSid Meier's Civilization V – WikipediaHitman: World of Assassination – official siteHitman: World of Assassination – SteamOther games and references mentionedCaves of Qud – official siteCaves of Qud – SteamPAX West – Seattle gaming conventionSwitch Sports – NintendoNext week's guestPierce Brown – official websiteRed Rising – Pierce Brown's debut novelSupport the showMy Perfect Console – episode archiveSupport My Perfect Console on PatreonBecome a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsoleTake the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025 Hosted on Acast. See acast.com/privacy for more information.

Show Notes 0:00: In a packed episode of TheOASG Podcast, Justin and Helen first kick things off with the news of Crunchyroll announcing that their store can only be accessed by Mega and Ultimate subscribers starting in August, and both hosts explain the ramifications of this decision moving forward. 17:41: Anime International Company (AIC) has won their civil suit against AIC Rights and producer Yoshikazu Maeda, which may be worth monitoring considering the series they’re involved with; Helen and Justin discuss the former CEO of Crunchyroll launching a new B2B marketplace for anime licensing and if it can actually make an impact in the industry. 26:00: Sumi Eno announced that the After God manga will take a break following its latest chapter releases; Negi Haruba needs to recuperate until sometime in August due to his health, so Go! Go! Loser Ranger! will be on hiatus until then. 26:51: The voice of Fujiko Mine in the first Lupin the 3rd TV anime series, Yukiko Nikaido, passed away at 87 due to old age; Book author and illustrator (Kiki’s Delivery Service) Akiko Hayashi died of pneumonia on July 1 in a hospital in Nagano prefecture at 81; The official X/Twitter account for Kadokawa’s Aokishi magazine revealed that manga creator Ryoichiro Kezuka died in late May. Licenses 29:12: While Helen has a grand time calming down her dogs due to World Cup shenanigans, Justin talks about a few licenses that did happen in the last few weeks, starting with Seven Seas surprising everyone by announcing they’ve licensed Kazuo Umezz's Ultraman on a Friday; Neguse Okita’s Soon, You’ll Paint Your Heart Out and Tabireco’s Baby Road Trippers have been added to MANGA Plus; Ichiro Sakaki, Ryohei Yamauchi & Hiyori Asahikawa's Trained to be the Ultimate Anti-magic Spellblade, Ryō Hiromatsu & Osamu Kozuki's Uglymug, Epicfighter SSS, & Kanade Ezaki's AGERECO! Getting Into the Voice Acting Spirit! is now on Manga UP!. 30:57: And while not technically licenses, this occurred during the very busy Anime Expo weekend so this did not get covered: Akimi Yoshida's Banana Fish and Hisaya Nakajo's Hana-Kimi have been added to VIZ Manga's library — with VIZ finally having a Hakusensha title on their service, does this mean Yona of the Dawn has a chance? (Maybe not this year though) Streaming News 32:48: Crusher Joe, Crusher Joe: A Trap of the Frozen Jail, Crusher Joe: The Final Weapon ASH, Haré+Guu Deluxe, Haré+Guu FINAL, and Simoun are now on the latest service now streaming anime, Darkroom; Hyakushō Kizoku – The Farmer’s Days and 500000000 years button is now on RetroCrush; and apparently this was announced at Anime Expo, but Strange: Junji Ito’s Tales for Sleepless Nights will stream on the HBO Max service internationally this fall. Main Topic: Summer Anime 2026 First Impressions 36:18: Let’s just say Justin (and especially Helen) are overwhelmed with choices for the summer anime season, which is packed with some seemingly quality looking works. In fact it’s so packed that Justin even had to lament the works he was interested in but just can’t watch due to time (37:28). Helen has checked out a few anime (Sparks of Tomorrow and BANG DREAM Yume∞Mita among the new shows), but Justin has a lot of anime to discuss — from what he surprisingly did not enjoy to those he’s having a good time with to the three shows that stand alone for him this season (1:36:17: Jaadugar: A Witch in Mongolia, Iron Wok Jan!, Though I Am an Inept Villainess) Weird News 1:58:25: Let’s just say you certainly want your fans to buy the magazine that holds the final chapter of the series you like — but for Blue Box fans, there was some trouble getting that WSJ issue due to One Piece and that series celebrating its 29th anniversary! 2:00:09: There is apparently a need for more Tenchi, if the Kickstarter that has succeeded means anything; Yes Live-action Hollywood Naruto is a go, and naturally the hosts wonder if it’ll be any good. 2:02:51: Normally Banana Fish streaming on Netflix next month after the rights expired on Prime Video would belong in the streaming news section…but this getting a dub just a year after the AI dub hilarity last year on Prime makes this turnaround pretty wild! If there’s anything you’d like to share about the latest news or your thoughts on a very packed summer anime season, please feel free to reach out to us on Twitter (@TheOASG) or comment below with your thoughts! The post TheOASG Podcast Episode 248: Hot Historic Anime Summer appeared first on TheOASG.

Your life gets loud fast: notifications, inbox urgency, endless content, and the constant pressure to keep up. Then a real moment hits and suddenly the only questions that matter rise to the surface: What am I doing with my life? What do I actually want? Am I living the way I want to be living? Today's Monday Mindset is a quiet, honest pause for middle school ELA teachers who feel pulled in every direction and want their time and attention back.Here's to another week of living intentionally. If this hit home, subscribe, share it with a teacher friend, and leave a review so more educators can find the quiet, too.

Author Kenan Meral joins the show to talk John Lennon, eternal 1968, music, his writing and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/up_an_octave x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Futurist. Gallerist. Author. Consultant. Historian. Founder of Galleria Fiume. Rachel Haywire joins Kevin to talk McLuhan, the state of media and the arts, and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/AltCulture x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you have a dark room in your home, are there any tricks to light it up naturally?This week, the Home Squad are here to discuss lighting for a dark room!Joining Andrea to discuss is Jenny Sheehan, Co-Host of ‘Rip it up: The Renovations Podcast' (@workerscottage on Instagram) and Interior Stylist Sarah Doyle of Retwiggd.

What if the seasons you feel overlooked in are actually where God is doing His deepest work? In this message, discover how your "dark room" isn't a setback, but the place where God develops your faith, character, and purpose. Recorded: Feburary 1, 2026

What if the seasons you feel overlooked in are actually where God is doing His deepest work? In this message, discover how your "dark room" isn't a setback, but the place where God develops your faith, character, and purpose. Recorded: February 8, 2026

C. Sandbatch joins the show to talk Faulkner, Fletcher, and Southern Modernism. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We talk about C.S. Lewis' great epistolary Christian apologetic novel: The Screwtape Letters. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. bookclubfromhell.substack.com x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Publisher Will Ballard of Farthest Heaven joins us to tease our forthcoming Max Ernst episode with Brad Kelly, and more. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. farthestheaven.com x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mark knew exactly where he was heading in life, or at least he thought he did before one injustice changed everything.What followed was a spiral into anger, disappointment, and a search for meaning in all the wrong places. But years after asking, “Who have I become?”, Mark found himself at a retreat he almost didn't attend, listening to a message he didn't know he needed.His story is about shattered dreams, unexpected mercy, and what happened when a dark room became brighter than it should have been. 

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsWORKS CITEDArnold van Gennep. The Rites of Passage. 1909; English translation, University of Chicago Press, 1960. Use for: separation, transition, incorporation, initiatory structure, and the candidate's movement through old identity, liminal state, and return.Victor Turner. “Betwixt and Between: The Liminal Period in Rites of Passage.” In The Forest of Symbols: Aspects of Ndembu Ritual. Cornell University Press, 1967. Use for: liminality, threshold identity, the candidate as “betwixt and between,” and darkness as embodied transition.Victor Turner. The Ritual Process: Structure and Anti-Structure. Aldine Publishing, 1969. Use for: liminality, communitas, anti-structure, social transformation, and the ritual pressure placed on ordinary identity.Catherine Bell. Ritual Theory, Ritual Practice. Oxford University Press, 1992. Use for: ritualization, ritual power, the ritualized body, and the temple as a structured environment that trains perception and action.Catherine Bell. “The Ritual Body and the Dynamics of Ritual Power.” Journal of Ritual Studies 4, no. 2 (1990): 299–313. Use for: ritualized bodies, spatial discipline, gesture, power, and the way ritual arrangements shape action.John C. Lilly. The Deep Self: Profound Relaxation and the Tank Isolation Technique. Simon & Schuster, 1977. Use for: the isolation tank, reduced stimulation, altered consciousness, and the modern technological black room.John C. Lilly. The Center of the Cyclone: Looking into Inner Space. Julian Press, 1972. Use carefully for: Lilly's altered-state/counterculture context, isolation tank work, consciousness exploration, and the bridge between research and psychedelic-era experimentation.Justin S. Feinstein et al. “Examining the Short-Term Anxiolytic and Antidepressant Effect of Floatation-REST.” PLOS ONE 13, no. 2 (2018): e0190292. Use for: Floatation-REST, reduced environmental stimulation, anxiety reduction, mood change, and the clinical side of float tanks.Hannah Hruby et al. “Induction of Altered States of Consciousness During Floatation-REST Is Associated With the Dissolution of Body Boundaries and the Distortion of Subjective Time.” Scientific Reports 14 (2024). Use for: float tanks, altered states, body-boundary dissolution, and subjective time distortion.Madison K. M. Garland et al. “A Randomized Controlled Safety and Feasibility Trial of Floatation-REST in Anxious and Depressed Individuals.” PLOS ONE 18, no. 6 (2023): e0286899. Use for: safety, tolerability, repeated Floatation-REST, and caution against overclaiming.Lashgari et al. “Floatation-REST Systematic Review.” 2025. Use for: the broad current state of Floatation-REST research, including anxiety, pain, stress, sleep, well-being, and the need for stronger standardization and larger studies.Michael T. H. Do. “Melanopsin and the Intrinsically Photosensitive Retinal Ganglion Cells.” Neuron 104, no. 2 (2019): 205–226. Use for: ipRGCs, melanopsin, non-image-forming vision, circadian entrainment, pupil response, sleep, and light as biological timing information.Lorenzo Lazzerini Ospri, Glen Prusky, and Samer Hattar. “Mood, the Circadian System, and Melanopsin Retinal Ganglion Cells.” Annual Review of Neuroscience 40 (2017): 539–556. Use for: light, mood, circadian rhythm, melanopsin, and the biological consequences of light exposure.Charles A. Czeisler and related circadian medicine research. Use for: artificial light, circadian disruption, melatonin suppression, shift work, and modern light exposure as a biological intervention.Anne-Marie Chang, Daniel Aeschbach, Jeanne F. Duffy, and Charles A. Czeisler. “Evening Use of Light-Emitting eReaders Negatively Affects Sleep, Circadian Timing, and Next-Morning Alertness.” Proceedings of the National Academy of Sciences 112, no. 4 (2015): 1232–1237. Use for: screens, evening light, melatonin suppression, delayed circadian timing, altered sleep, and modern light's effect on the body.A. Roger Ekirch. At Day's Close: Night in Times Past. W. W. Norton, 2005. Use for: premodern night, darkness before electric light, nocturnal fear, dreams, prayer, crime, labor, and the cultural history of darkness.A. Roger Ekirch. “Sleep We Have Lost: Pre-Industrial Slumber in the British Isles.” The American Historical Review 106, no. 2 (2001): 343–386. Use for: segmented sleep, first sleep and second sleep, night waking, dreams, prayer, and premodern sleep culture.Craig Koslofsky. Evening's Empire: A History of the Night in Early Modern Europe. Cambridge University Press, 2011. Use for: early modern night culture, artificial lighting, urban night, public space, and the transformation of darkness.Elisabeth Bronfen. Night Passages: Philosophy, Literature, and Film. Columbia University Press, 2013. Use for: symbolic and cultural readings of night, dream, fear, darkness, passage, and the imagination.Robert F. Taft. The Liturgy of the Hours in East and West: The Origins of the Divine Office and Its Meaning for Today. Liturgical Press, 1993. Use for: night offices, vigils, prayer through darkness, sacred time, and Christian ritual use of night.Bernard McGinn. The Foundations of Mysticism: Origins to the Fifth Century. Crossroad, 1991. Use for: Christian mystical traditions, contemplative darkness, early mystical theology, and the development of mystical language.Pseudo-Dionysius. The Complete Works. Translated by Colm Luibheid. Paulist Press, 1987. Use for: divine darkness, apophatic theology, mystical unknowing, and darkness as a theological category.John of the Cross. Dark Night of the Soul. Various editions. Use carefully for: spiritual darkness, purification, absence, mystical trial, and transformation.“The Neophyte Initiation Ritual.” Public Golden Dawn ritual material. Use carefully for: hoodwink, darkness, “Light dawning in darkness,” staged revelation, and the candidate being brought from night into day.Chögyal Namkhai Norbu. The Crystal and the Way of Light: Sutra, Tantra and Dzogchen. Routledge, 1986. Use for: Dzogchen context, light, vision, and the broader framework around contemplative perception.Christopher Hatchell. Naked Seeing: The Great Perfection, the Wheel of Time, and Visionary Buddhism in Renaissance Tibet. Oxford University Press, 2014. Use for: visionary practice, Great Perfection, Tibetan contemplative contexts, and careful treatment of luminosity and appearance.R. Shane Burns. “Dark Retreat in Tibetan Buddhist Practice.” Use for: dark retreat, preparation, disciplined context, and the difference between contemplative practice and casual sensory deprivation.Raymond Moody. Reunions: Visionary Encounters with Departed Loved Ones. Villard, 1993. Use for: modern psychomanteum practice, grief, mirror-gazing, and encounters with the dead.Arthur Hastings. “The Psychomanteum: A Modern Oracle of the Dead.” Use for: psychomanteum procedure, grief, memory, mirror-gazing, and structured encounter.Marcia K. Johnson, Shahin Hashtroudi, and D. Stephen Lindsay. “Source Monitoring.” Psychological Bulletin 114, no. 1 (1993): 3–28. Use for: inside/outside ambiguity, origin judgments, memory, imagination, and how dark or altered environments complicate interpretation.Shahar Arzy et al. “Induction of an Illusory Shadow Person.” Nature 443 (2006): 287. Use for: sensed presence, body-self disruption, temporoparietal junction, and the feeling of another being nearby.Olaf Blanke et al. “Neurological and Robot-Controlled Induction of an Apparition.” Current Biology 24, no. 22 (2014): 2681–2686. Use for: sensorimotor conflict, apparition-like presence, body-boundary disturbance, and the embodied basis of sensed presence.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Happy Pride month! In case it wasn't clear already, we're huge fans of the LGBTQ+ community here at Sextras, so we'll be publishing an episode a week for the rest of the month. This week, Honey talks to Samuel Douek, founder of HOWL, a sexual wellness brand and queer, sex-positive rave. Samuel tells us all about his journey into starting the brand, including why he was drawn to running queer nightlife. We talk about the challenges of running a dark room and marketing a queer-friendly CBD lube in a world where sexual wellness is increasingly censored. Samuel even shares some upcoming launches and changes to HOWL raves to look out for.You can find Honey's favourite lube here, info about upcoming parties here, and follow Samuel and HOWL on Instagram to keep up with what they have coming up.As always, you can find Sextras on Substack, Instagram, TikTok, and our website. We want to hear your queer sex and dating stories, dilemmas, and questions. Email us at sextraspodcast@gmail.com, leave us an anonymous message on our website, or DM us on Instagram to get in touch. Don't forget to leave a review wherever you're listening to support us! It's Pride month, don't let us down (or else...). Produced by Honey Jane Wyatt. Hosted on Acast. See acast.com/privacy for more information.

Before Laurel Canyon became a myth, it was a room.This is Part 2 of my deep dive into David McGowan's Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & the Dark Heart of the Hippie Dream.In Part 1, we looked at Laurel Canyon from above: the military family backgrounds, Lookout Mountain, and the strange feeling that the official hippie dream had something sitting over it in the hills.In this episode, we go inside the rooms.This part gets into Vito Paulekas and the Freaks, the strange dancers and scene-makers who helped create the atmosphere around the early Los Angeles counterculture. These were not just random people in the crowd. They helped make the scene feel like something was happening before the public fully understood what the “hippie dream” even was.Then the story gets darker.We talk about Godo Paulekas, Kenneth Anger, Lucifer Rising, Bobby Beausoleil, occult film, performance, young runaways, unsafe rooms, and the question that keeps coming up throughout this whole series:What kind of freedom was this, and who was actually safe inside it?This episode covers:Vito PaulekasThe FreaksGodo PaulekasKenneth AngerLucifer RisingBobby BeausoleilLaurel CanyonThe Sunset StripThe early countercultureThe dark side of the hippie dreamThis series is not about pretending every connection proves one giant conspiracy. Some of this is documented history, some of it is David McGowan's interpretation, some of it is speculation, and some of it is just extremely weird.The goal is not paranoia.The goal is discernment.Website: https://idiotmystic.comBlog: https://idiotmystic.com/blogDiscord: https://discord.gg/dXKjhZrZmMInstagram: https://instagram.com/idiotmysticTikTok: https://tiktok.com/@idiotmystic

Psychotherapist Shavaun Scott, with more than thirty years of forensic mental health experience, provides a developmental analysis of David Anthony Burke's trajectory from a restrictive Houston household to a globally touring recording artist signed to Darkroom and Interscope Records — and the systemic failures she identifies at every stage.Burke was homeschooled. His mother served as his teacher and primary social contact. Gospel was reportedly the only music permitted in the home until approximately age thirteen. The transition from a controlled environment to unrestricted digital access occurred without any documented intermediary — no gradual exposure, no external socialization structure, no institutional safeguard. By seventeen, Burke was signed to a major label, touring internationally, and generating significant revenue. The adults in his professional orbit were apparently structured around product management rather than developmental oversight. His mother reportedly managed his business finances.Scott examines the forensic psychology literature on this specific developmental sequence: extended isolation during formative peer-socialization years, abrupt transition to unrestricted access, sudden acquisition of wealth and status without corresponding emotional infrastructure, and the absence of accountability mechanisms within the professional ecosystem. She identifies the specific vulnerabilities this trajectory allegedly creates in a developing adolescent mind and explains why the pattern has been documented in prior forensic case studies.Prosecutors allege Burke is responsible for the death of fourteen-year-old Celeste Rivas Hernandez and that the killing was motivated by career protection. He has pleaded not guilty to all charges and maintains his innocence. This analysis does not address the criminal charges directly. It examines the developmental conditions that allegedly preceded the conduct prosecutors describe — and the failures of family, industry, and institutional oversight that Scott argues are identifiable at each stage of the trajectory.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#D4VD #CelesteRivasHernandez #DavidAnthonyBurke #ShavaunScott #HiddenKillers #TrueCrime #ForensicPsychology #MusicIndustry #Interscope #JusticeForCeleste

Psychotherapist Shavaun Scott has spent more than thirty years in forensic mental health. She doesn't start with the crime prosecutors allege. She starts with the trajectory — and traces every system that allegedly broke down along the way.David Anthony Burke was homeschooled in Houston. The only music allowed in his home was gospel until he was thirteen. His mother was his teacher, his entire social world, and the person who reportedly encouraged him to start making music. There was no intermediary between a restrictive household and the unrestricted digital access that followed. By seventeen, Burke was signed to Darkroom and Interscope Records. Touring internationally. Generating real revenue. Still a teenager. The people around him were apparently not there to raise him — they were there to keep the product moving.Scott examines what that specific sequence allegedly does to a developing mind. Isolation during the years when peer socialization typically forms the foundation of emotional regulation. A sudden leap from total control to total freedom with no bridge between them. Financial power without the emotional infrastructure to manage it. An entourage built around commerce, not care. A mother who reportedly managed his business finances and allegedly saw nothing that warranted intervention.Prosecutors allege Burke is responsible for the death of fourteen-year-old Celeste Rivas Hernandez and that he killed her to protect his career. He has pleaded not guilty to all charges. This episode doesn't examine the criminal case — it examines the developmental conditions that allegedly preceded it. Scott identifies what was missing at every stage and explains why forensic psychologists have studied this exact pattern: sheltered childhood, unrestricted access, sudden wealth, zero accountability, and the specific vulnerabilities that combination allegedly creates.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#D4VD #CelesteRivasHernandez #DavidAnthonyBurke #ShavaunScott #HiddenKillers #TrueCrime #ForensicPsychology #MusicIndustry #Interscope #JusticeForCeleste

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsPart 1: The Road of RhythmPart 1 focuses on the drum as an ancient technology of altered consciousness. The argument is not that every beat causes trance, or that neuroscience has proven spirits. The stronger argument is that rhythm enters the human organism through hearing, motor prediction, breath, movement, attention, emotion, expectation, culture, and social synchrony. The drum becomes powerful when sound, body, group, ritual frame, and meaning converge. These sources support the archaeology, neuroscience, EEG research, shamanic studies, possession studies, Indigenous and culturally specific drum traditions, ritual theory, placebo and meaning-response research, ceremonial magic, and modern witchcraft material used in the episode.Core Academic and Scientific SourcesHuels, Emma R., Hyoungkyu Kim, UnCheol Lee, Tirsa Bel-Bahar, Ana V. Colmenero, Alexandra Nelson, Stefanie Blain-Moraes, George A. Mashour, and Richard E. Harris. “Neural Correlates of the Shamanic State of Consciousness.” Frontiers in Human Neuroscience 15 (2021): 610466. Use for the strongest modern EEG anchor. This study used high-density EEG with shamanic practitioners and controls during rest, shamanic drumming, and classical music listening. It assessed altered-state reports alongside brain measures such as power, connectivity, signal diversity, and criticality. Use carefully: the study does not prove spirits or show that drumming mechanically causes trance in everyone. It supports the more careful claim that trained practitioners entering shamanic states with drumming show measurable brain-state differences.Gordon, Yoel, Golan Karvat, Noa Dagan, and Ayelet N. Landau. “Neural Tracking at Theta Predicts Drumming-Induced Altered States of Consciousness.” Scientific Reports 16, no. 1 (2026): Article 10204. Use for the strongest updated drumming/theta/neural-tracking source. This study tested drumming at theta, delta, and alpha-rate rhythms while recording EEG, and found that stronger rhythmic neural tracking at theta was linked to stronger altered-experience reports. Use carefully: this does not mean theta equals the spirit world or that one frequency opens a portal. The serious point is that altered experience may depend partly on how strongly the nervous system tracks rhythmic stimulation.Aparicio-Terrés, R., et al. “The Neurobiology of Altered States of Consciousness Induced by Drumming and Other Rhythmic Sound Patterns.” Annals of the New York Academy of Sciences, 2025. Use for the newer review literature showing that rhythmic sound is now a serious altered-consciousness research topic. This supports the opening claim that modern academia is examining drumming, rhythmic sound, absorption, relaxation, cognition, and neural activity without reducing the subject to one simple “trance frequency.” The review is especially useful for framing the field as promising but still complex.Neher, Andrew. “Auditory Driving Observed with Scalp Electrodes in Normal Subjects.” Electroencephalography and Clinical Neurophysiology 13 (1961): 449–451. Use for the historical bridge between repetitive sound, EEG, auditory driving, and early scientific interest in rhythmic stimulation.Neher, Andrew. “A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums.” Human Biology 34, no. 2 (1962): 151–160. Use carefully. This is useful as an early attempt to connect ceremonial drumming and physiology, but it should be balanced with Rouget because the “drum simply causes trance” argument is too mechanical.Maurer, R., V. K. Kumar, L. Woodside, and R. J. Pekala. “Phenomenological Experience in Response to Monotonous Drumming and Hypnotizability.” American Journal of Clinical Hypnosis 40, no. 2 (1997): 130–145. Use for monotonous drumming, subjective altered experience, imagery, absorption, and hypnotizability.Maxfield, Melinda C. “Effects of Rhythmic Drumming on EEG and Subjective Experience.” PhD diss., Institute of Transpersonal Psychology, 1990. Use as older supporting context on drumming, EEG, imagery, body-image changes, and subjective altered experience. Do not make this the main scientific proof; use it as background.Nozaradan, Sylvie, Isabelle Peretz, and André Mouraux. “Tagging the Neuronal Entrainment to Beat and Meter.” The Journal of Neuroscience 31, no. 28 (2011): 10234–10240. Use for EEG evidence that the brain can track beat and meter. This supports the claim that the brain does not merely hear rhythm as background sound; it can represent rhythmic structure in measurable ways.Nozaradan, Sylvie. “Exploring How Musical Rhythm Entrains Brain Activity with Electroencephalogram Frequency-Tagging.” Philosophical Transactions of the Royal Society B 369, no. 1658 (2014). Use as broader rhythm/EEG entrainment support. This helps explain frequency-tagging, beat tracking, meter, neural entrainment, and the measurable relationship between rhythmic structure and brain activity.Thaut, Michael H., Gerald C. McIntosh, and Volker Hoemberg. “Neurobiological Foundations of Neurologic Music Therapy: Rhythmic Entrainment and the Motor System.” Frontiers in Psychology 5 (2015). Use for rhythm as motor-system timing information. This supports the claim that a beat can become bodily instruction, not just sound for the ear. Especially useful when discussing rhythmic auditory stimulation, motor planning, gait, entrainment, and the auditory-motor bridge.Ross, Jessica M., John R. Iversen, and Ramesh Balasubramaniam. “Time Perception for Musical Rhythms: Sensorimotor Perspectives on Entrainment, Simulation, and Prediction.” 2022. Use for rhythm, timing, prediction, sensorimotor entrainment, and the way musical rhythm interacts with time perception.Hove, Michael J., and Jane L. Risen. “It's All in the Timing: Interpersonal Synchrony Increases Affiliation.” Social Cognition 27, no. 6 (2009): 949–960. Use for synchrony and social bonding. This helps support the group-body argument: moving or acting in time with others can increase affiliation.Wiltermuth, Scott S., and Chip Heath. “Synchrony and Cooperation.” Psychological Science 20, no. 1 (2009): 1–5. Use for the claim that synchronized movement can increase cooperation and attachment among participants.Tarr, Bronwyn, Jacques Launay, and Robin I. M. Dunbar. “Music and Social Bonding: ‘Self-Other' Merging and Neurohormonal Mechanisms.” Frontiers in Psychology 5 (2014): 1096. Use for music, synchrony, bonding, endorphin/social mechanisms, and why group rhythm can feel like more than private listening.Fancourt, Daisy, Rosie Perkins, Sara Ascenso, Louise Atkins, Fatima Kilfeather, and Aaron Williamon. “Effects of Group Drumming Interventions on Anxiety, Depression, Social Resilience and Inflammatory Immune Response among Mental Health Service Users.” PLOS ONE 11, no. 3 (2016): e0151136. Use for modern group-drumming research showing psychological and physiological effects, including anxiety, depression, social resilience, wellbeing, and inflammatory immune response. Use carefully: this does not make group drumming a cure-all. It supports the more grounded claim that embodied rhythm and group participation can affect mood, social connection, and body chemistry.Bittman, Barry B., et al. “Composite Effects of Group Drumming Music Therapy on Modulation of Neuroendocrine-Immune Parameters in Normal Subjects.” Alternative Therapies in Health and Medicine 7, no. 1 (2001): 38–47. Use as older supporting material on group drumming and neuroendocrine-immune measures. Keep secondary. Fancourt is cleaner for the main script body.Archaeology and Deep History of DrumsLawergren, Bo. “Neolithic Drums in China.” In Music Archaeology in China. 2006. Use for clay drums in Neolithic China and the deep-history claim that drums are not just poetic symbols of antiquity. They appear in the archaeological record as instruments tied to early sound-making, ceremony, and social order.Both, Arnd Adje. “Music Archaeology: Some Methodological and Theoretical Considerations.” Use as general support for why ancient instruments should be treated as ritual and social evidence, not merely decorative objects.Anthropology, Ethnomusicology, Ritual, and TranceRouget, Gilbert. Music and Trance: A Theory of the Relations Between Music and Possession. Translated by Brunhilde Biebuyck. Chicago: University of Chicago Press, 1985. Essential source. Use for the caution that music does not mechanically or universally cause trance. Rouget helps keep the argument academically serious by emphasizing culture, ritual frame, meaning, and expectation.Becker, Judith. Deep Listeners: MAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Shavaun Scott doesn't start where most people start with this case. She starts in a closet in Houston — where a homeschooled teenager with no peer socialization and no music in the house except gospel was recording tracks that would reach millions. She works forward from there because the forensic psychology question isn't what allegedly happened to Celeste Rivas Hernandez. It's what allegedly made the person prosecutors say is responsible.Scott has more than thirty years in forensic mental health. She traces every system that allegedly failed along the way. The household was restrictive — mother as teacher, as social world, as the only consistent adult presence. The only music allowed was gospel until Burke was thirteen. Then the internet arrived with no intermediary. By seventeen, Burke was signed to Darkroom and Interscope. Touring globally. Opening for SZA. Making real money. Still a teenager whose brain was still developing.The people around him were apparently not there to parent. They were there to keep the revenue moving. His mother reportedly managed his business finances. The entourage was built around commerce. Nobody was apparently checking whether anyone was watching — because watching wasn't the job description.Scott examines what that trajectory allegedly does to a developing mind. Total restriction followed by total access. No peer socialization during the years when emotional regulation typically forms. Sudden wealth without emotional infrastructure. Power without accountability. She explains why forensic psychologists have studied this exact pattern and what it allegedly produces when every safeguard is absent.Prosecutors allege Burke killed fourteen-year-old Celeste Rivas Hernandez to protect his career. He has pleaded not guilty. This conversation isn't about the charges. It's about the conditions that allegedly preceded them — and every adult, institution, and industry that was allegedly in the room and reportedly did nothing.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#D4VD #CelesteRivasHernandez #DavidAnthonyBurke #ShavaunScott #HiddenKillers #TrueCrime #ForensicPsychology #MusicIndustry #Interscope #JusticeForCeleste

David Anthony Burke, known professionally as D4VD, faces first-degree murder charges with special circumstances in the death of fourteen-year-old Celeste Rivas Hernandez. Prosecutors in Los Angeles County have alleged murder for financial gain and murder of a witness, charges that make Burke eligible for the death penalty. He has pleaded not guilty. The People's filing alleges Burke killed Rivas Hernandez to prevent her from revealing information that would have jeopardized his career. But the psychological and developmental dimensions of this case extend well beyond the alleged criminal act. Psychotherapist Shavaun Scott, with more than thirty years of forensic mental health practice, joins True Crime Today to examine the conditions that allegedly preceded the charges. Burke was raised in a strictly religious household in Houston where the only permitted music was gospel. He was homeschooled by his mother, who reportedly served as his sole educator and social structure and who allegedly suggested he begin making music. By seventeen, Burke was signed to Darkroom and Interscope Records. He was touring internationally, generating significant income, and operating within an inner circle that consisted entirely of industry professionals whose financial interests were allegedly tied to his output. Scott addresses the clinical significance of that trajectory — religious restriction followed by unrestricted digital and cultural immersion with no intermediary, parental enmeshment followed by industry enmeshment, and the total alleged absence of peer relationships or adult oversight positioned to provide accountability rather than profit from his continued production.Footer Links:Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodDisclaimer:This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.Hashtags:#D4VD #CelesteRivasHernandez #TrueCrimeToday #DavidBurke #ShavaunScott #ForensicPsychology #MusicIndustry #LACounty #SpecialCircumstances #TrueCrime

What if the story you've been told about your diagnosis… isn't the only one available to you? In this uplifting episode, I sit down with Mark Ruegg, a Stage IV pancreatic cancer thriver whose awe-inspiring journey reinforced what I know is possible when it comes to healing. I first heard about Mark after two different people told me I had to hear his story — and after listening for myself, I had to have him on the podcast. Incredibly, he credits the HEAL Documentary for inspiring a sense of hope and possibility after his diagnosis. It brings me so much JOY to know the film continues to inspire this community to take your healing and transformation into your own hands! After being told his cancer was inoperable and incurable, Mark found himself standing between two very different worlds—one rooted in fear, prognosis, and limitation… and another rooted in possibility, belief, and the body's capacity to heal. What he chose changed everything.  We talk about the moment he came across the HEAL Documentary — and how that experience, along with others who had walked this path before him, helped him borrow belief when he didn't yet have it on his own. This conversation explores the deeper layers of healing that often go unspoken — how fear can live beneath the surface even when life looks “good”… why belief may be the foundation everything else rests on… and how learning to get quiet, listen inward, and regulate the nervous system can open the door to guidance you didn't know was available. Mark shares the shifts he made across every area of his life — from the way he moved his body, to how he nourished it, to the way he thought, felt, and related to his diagnosis. We explore the power of community, environment, and emotional energy — and why healing isn't just physical, but deeply mental, emotional, and spiritual. This conversation isn't about denying reality — it's about expanding it. It's about what can happen when you stop outsourcing your power… and start actively participating in your healing. If you or someone you love is navigating a diagnosis — or simply searching for a new way to approach health, resilience, and life — this episode will open your mind to what might be possible. Key Moments You'll Love ✨ :

Do you have a plug for a miniature donkey? Please get in touch. Jane and Fi are off for the afternoon, so they're feeling liberated. They chat barely-there pavements, Noel Edmonds' farm, fox hay fever, spending sprees, and permission for raspberry trousers. There's no guest today because... there isn't. You can buy tickets for Fringe by the Sea: https://www.fringebythesea.com/off-air-with-jane-fi-and-special-guest-jan-ravens/ Our next book club pick will be a collection of short stories! 'Interpreter of Maladies' is by Jhumpa Lahiri. You can check out our YouTube channel here: https://www.youtube.com/@OffAirWithJaneAndFOur new playlist 'Coiled Spring' is up and running: https://open.spotify.com/playlist/4tmoCpbp42ae7R1UY8ofzaOur most asked about book is called 'The Later Years' by Peter Thornton.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In this episode of Music Matters, host Darrell Craig Harris sits down with Sacha Mattey, Head of Business Partnerships at Darkroom Records, the powerhouse label behind global superstar Billie Eilish. Tune in for an inside look at the business of modern music, strategic artist partnerships, and the inner workings of one of today's most influential record labels. About Sacha Sacha Mattey is the Lead of Business Partnerships at Darkroom Records, where he drives the company's strategic growth across finance, operations, and dealmaking. Overseeing internal and external financial transparency, Mattey plays a central role in building the infrastructure behind one of music's most influential independent labels. At Darkroom, Mattey has led and supported high-impact initiatives across the roster, including securing brand partnerships for Waylon Wyatt with leading lifestyle brands such as Wrangler and Ariat-spanning major activations at Stagecoach and custom Wrangler outfitting for Zach Bryan's Hyde Park show in London. He also played a key role in structuring John Summit's Experts Only partnership with Darkroom, leading deal conversations alongside label manager Toby Andrews, building financial forecasts, and establishing the internal infrastructure and team to successfully onboard and scale the venture. Website www.DarkRoomRecords.com  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer                  

In this episode, we welcome Emmy-nominated director Andrew Bernstein. Known for his work on acclaimed series including Mad Men, Ozark, The Americans, The Diplomat, and Fear the Walking Dead, Andrew has built a remarkable career crafting visually dynamic and emotionally grounded stories across film and television. In our conversation, we discuss Tom Clancy's Jack Ryan: Ghost War, his collaboration with writer and star John Krasinski, shooting on location in New York City, and the creative process behind bringing the latest chapter of the iconic franchise to life.The Making Of is presented by AJA:AJA solves IP, sync gen hurdles at NABFrom remote production to monitoring, IP introduces new challenges across productions. Get ahead of them with AJA's latest ST 2110 solutions, including BRIDGE LIVE IP and an upcoming IP25-R firmware update. The company also unveiled a new OG-GEN10 solution bringing its GEN10 Mini-Converter functionality to an openGear format. Find out more.Upcoming Event:ATX TV Festival | May 28–31TV Camp for Grown Ups returns with ATX TV Festival: Season 15 happening in downtown Austin on May 28–31 — and it is packed full of TV goodness.This year's lineup includes Friday Night Lights 20 Year Reunion, a celebration with Phil Rosenthal & Ray Romano for Everybody (Still) Loves Raymond‘s 30th anniversary, HBO's House of the Dragon returns for S3, Apple TV brings us the enigmatic Tatiana Maslany, Jake Johnson & Murray Bartlett for Maximum Pleasure Guaranteed,and the return of Steve Zahn and Rick Gomez. British TV invasion with Jane Austin in Austin courtesy of Britbox, Universal TV celebrates NBC's 100th Anniversary with The Paper, Funny AF and Procedurals, and the Mark Duplass led inaugural Indie TV Pilot Competition.Whether you're a die-hard fan or a TV industry insider, there's a seat at the campfire for you. Badges on sale now — don't miss the weekend where TV people come to celebrate the medium they love most. 20% off Camp, GP, TV Pass with code: atxtvpartnerMAKE — expires 5/20/26. Visit hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Browse hereZEISS LA Event | June 4thJoin ZEISS Camera Lenses and Beers & Cameras LA for a special evening of photography, lenses, lighting and community before we kick off CineGear LA 2026!Whether it was a hand-me-down SLR, a thrift store point-and-shoot, or your grandpa's coveted rangefinder, every filmmaker begins their journey examining light and shape through the viewfinder of a still camera. ZEISS Camera Lenses is honored to have spent the last 130 years supporting the Photography and Filmmaking community on sets in LA and abroad and is thrilled to join Beers and Cameras LA to continue our legacy of community building and image making.The ZEISS and B&C:LA teams invite all LA imagemakers to Arts District Brewing Co on Thursday June 4th from 6:30-9:30 PM for an evening of lens testing, portrait shooting, analog geekery, and so much more, including: Otus ML, ZEISS ZM, Batis, Touit, and Milvus lenses will be available for testing at the ZEISS Lens Bar!A series of beautifully lit portrait bays will be provided by our friends and sponsors Harlowe Lighting! Additional event support provided by our friends at LA Film Lab and The Darkroom! With a special guest appearance by Photographer, Filmmaker, Analog Enthusiast, and YouTuber, Caleb Knueven! (@BadFlashes)RSVP hereMeet the YoloCam S7The YoloCam S7 paired with the included YoloLiv MFT 18mm F1.4 Lens gives creators a complete professional video solution right out of the box — all for just $799. Featuring stunning 4K60FPS video, real-time autofocus, interchangeable lenses, simultaneous HDMI and USB-C output, and seamless integration with YoloBox and YoloLiv workflows, the YoloCam S7 delivers incredible flexibility for livestreaming, content creation, and video production. Whether you're using it as a high-end webcam or a full live production camera, this bundle gives you everything you need to get started. Learn more today by contacting Videoguys at 800-323-2325. Visit here Podcast Rewind:May 2026 - Ep. 133.Advertise in The Making Of:Promote your products or services to 260K film industry pros and content creators reading this newsletter. To explore a partnership, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

The harder you lean on the Lord, the stronger you'll discover Him to be. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Author and cultural critic Sean Murphy joins us in the Dark Room to talk Bukowski and how he speaks to our current technocratic situation. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/bullmurph x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Guests: Lindsay Buchman and Heather Raquel PhillipsHost:  Christopher KardambikisRecorded on March 20, 2026This is the second of three episodes focusing on the recent publication: Even the Score, guest edited by Lindsay Buchman and published by Homie House Press.Lindsay Buchman is an interdisciplinary artist, writer, and publisher based in New York (NY) and Philadelphia (PA), whose work explores image-making and writing through print and lens-based media, artist books, and installation. Recent exhibitions include the Penumbra Foundation (NY), Center for Photography at Woodstock (NY), and the Wignall Museum of Contemporary Art (CA). Her work is in the collections of the Metropolitan Museum of Art, the New York Public Library, and SFMOMA. She is a recipient of the Toby Devan Lewis Fellowship and the Flaherty Fellowship, and her work has appeared in Hyperallergic, Lenscratch, and The Hopper Prize Journal. Buchman has been an artist-in-residence at Light Work, Virginia Center for the Creative Arts, the Lower East Side Printshop, and Kala Art Institute. She holds an MFA from the University of Pennsylvania and a BFA from California State University, Long Beach. lindsaybuchman.comHeather Raquel Phillips (she/they) is an interdisciplinary artist & independent curator based in Philadelphia, Pa. Working across photography, moving image, text-based textiles, and installation, Phillips critically investigates systems of power as they relate to personal autonomy, sexuality, deviance, and transgression. Phillips is the recipient of the Toby Devon Lewis Fellowship 2016, the Leeway Foundation Art & Change Grant 2017 and the Leeway Foundation Transformation Award 2020. She was the 2019 Visiting Scholar at the Leather Archives & Museum (LA&M) in Chicago, where she was voted onto the Board of Directors in 2020. She has since helped craft the LA&M Artist In Residence program and curated the exhibition, Sparks in a Dark Room  by Gabriel Martinez. Phillips participated in the post-grad apprenticeship at The Fabric Workshop and Museum in 2022 and as a CFEVA Finalist in 2025.  Phillips' work, The Path to Candyland, is currently exhibited at Taller Puertorriqueno, Philadelphia, as well as Threaded Currents at Pennsylvania Academy of Fine Art.Her work has been featured in Hyperallergic, Artforum.com, and Sixty (Inches From Center), Philadelphia Gay News and Artblog. She has exhibited nationally and internationally, including in Los Angeles, New York City, New Orleans, Chicago, Philadelphia, and the United Kingdom.heatheraquelphilllips.comEpisode artwork by Homie House Press“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

Another year, another Overlook Film Festival, one of the premier genre festivals in the country. Unfortunately, this year, the main players of The Scariest Things were unable to attend the festival in person. Eric was able to get some of the films to stream, but, as is the norm, remote screeners were limited and did not include the showcase films. Fortunately for us, one of our loyal Patreon Contributors, Robin Marcotte, was in attendance again, and she helped fill in the gaps we missed. This year, there were a number of good films, and according to Robin, one GREAT film. This year, we watched fourteen films and thirty shorts. Give our recap a listen to hear our thoughts on the 2026 Overlook presentation. It pains me not to attend Overlook. It is one of my favorite events every year, but this doldrums economy forced me to be cautious with my funds, so I resorted to reviewing their films remotely. The pandemic spoiled stay-at-home movie critics, as nobody could attend festivals in person. All the films were remote. The times have reverted back, however, and one of the poorly held secrets is that film festivals rarely ever make their centerpiece films available for remote review. SXSW, Sundance, Overlook… the bigger films just don’t get the distributor go-ahead. However, some independent films were made available, and that was true for 2026. Fortunately for us, one of our valued Patreon patrons, Robyn Marcotte, was, as usual, in attendance, as she is a New Orleans local. Shockingly, many of the releases with known quantity actors and/or directors failed to connect with Robyn. Proof positive that The Scariest Things is not a shill for festival darling films! Still, there were a number of gems worth watching. Films we were able to cover: Obsession, directed by Curry Barker Hokum, directed by Damian McCarthy Leviticus, directed by Adrian Chiarella American Dollhouse, directed by John Valley Buffet Infinity, directed by Simon Glassman Chili Finger, directed by Edd Benda and Stephen Helstad Cramps! A Period Piece, directed by Brooke H. Cellars Never After Dark, directed by Dave Boyle New Group, directed by Yuta Shimotsu Normal, directed by Ben Wheatley Parasomnia, directed by James Ross II Suffocation directed by Louis Chan and Stone Chang Ugly Cry, directed by Emily Robinson So, plenty of new material to find out about! Standout Short Films include: “The Dysphoria” (AUS), directed by Kylie Aoibheann “Hot Water” (USA), directed by Myles Gunter and Cassie Cramer “Scissors” (USA), directed by Hannah Aline “Man Eating Pussy” (Canada), directed by Lee Lawson “Carousel” (USA), directed by Christopher Kosakowski “Haint” (USA), directed by Jahmil Eady “Breeder” (USA), directed by Sapphire Sandalo “House Cat (USA), directed by Kyle Spleiss “Steak Dinner” (USA), directed by Nathan Mark Ginter “Darkroom” (USA), directed by Matthew Black Here is the link to Episode 211: The Overlook Festival Recap Leviticus (2026) New Group (2026) Cramps! A Period Piece (2026) Hokum (2026) Chili Finger (2026) Normal (2026) Obsession (2026) Parasomnia (2026) Ugly Cry (2026) Buffet Infinity (2026) Never After Dark (2026) Suffocation (2026) American Dollhouse (2026) The Dr. Loomis Tapes (2026) “Hot Water” (2026) “House Cat” (2026) “Man Eating Pussy” (2026) “Scissors” (2026) “Steak Dinner” (2026) “The Dysphoria” (2026) “Carousel” (2026)

Alex Howard and Lee Pugsley are back on The ADNA Presents, and a lot has changed since their first visit. The Darkroom podcast hosts and co-founders of the Blind Film Critic Society join Roy Samuelson for a conversation about what it means when blind critics evaluate Audio Description -- not just as consumers, but as people who can now name the performers, writers, and engineers responsible for the work. They talk about why crediting the full Audio Description team is gaining ground, how the back catalog movement is raising the bar for quality, and what it looks like when the field shifts from technical compliance to genuine artistic contribution. Alex also shares something personal: that bad Audio Description at a movie theater still makes him feel like he doesn't belong. It's a quiet, honest moment that says something important about what's actually at stake. The Blind Film Critic Society is growing. Darkroom is expanding its scope. And the conversation about who gets credited -- and who gets to evaluate that work -- is getting sharper.

We're closing out our series on prounoun movies with the one that (probably) started it all: The 1927 silent romantic comedy It, starring the original "it girl" herself, Clara Bow! Join in as we discuss Bow's life and career, writer Elinor Glynn, 1920s Coney Island, and our favorite intertitles. Plus: What exactly is It? Who has It today? And, most importantly, is this movie Ittier than It (2017)? Make sure to rate, review, and subscribe! Next week: Hook (1991)-----------------------------------------------------Key sources and links for this episode:Watch It (1927) for free on YouTube!It in the AFI CatalogIt from Turner Classic Movies"It and the It Girl, Clara Bow" (Bright Wall, Dark Room)"Clara Bow: The Hard-Partying Jazz Baby Airbrushed from Hollywood History" (The Guardian)"Forgotten Hollywood: Clara Bow" (Golden Globes)"Remember When Jessie Buckley was on an Insane Reality Show?" (Vulture)

In this episode I spoke with comedian John Robertson who talked about a 5-year vendetta, a wall untouched, transparent video cases filed with offal and the Pagliacci game. "John Robertson: Excitable Boy" at Edinburgh Fringe "John Robertson's The Dark Room" at Edinburgh Fringe Instagram @mr_dark_room YouTube robbotron www.thejohnrobertson.com The Comedy Nerd Instagram @The ComedyNerd thecomedynerd.com Comedy in a Nutshell Instagram @ComedyInANutshell comedyinanutshell.podbean.com

The Dark Room's John Robertson talks about his "Set and Forget It" mind set and how embracing randomness and passion can lead to your most authentic, successful work. From his evolution of the wild Dark Room performances to his unexpected strategies in daily life, it may look like chaos but it's all routine baby! If YOU have a Neurodivergent Moment email us at neurodivergentmomentspod@gmail.comJoe & Abigoliah's Stuff:Pre-Order our Book: https://linktr.ee/ndm_bookJoin Our Patreon: https://www.patreon.com/neurodivergentmomentspodTickets for Joe's Tour: https://www.livenation.co.uk/joe-wells-tickets-adp1394683Watch Abigoliah's Stand Up Special: https://youtu.be/rp1GBgUIMG4?si=FdKe6ZqbybJoo30XAbigoliah Insta: https://www.instagram.com/abigoliah/Joe's Insta: https://www.instagram.com/joewellscomedian/Show Music by: Savan DePaulPodcast Logo by: Belle Fiik https://www.instagram.com/bellefiik/John's StuffThe Dark Room Tour and Live Dates: https://www.thejohnrobertson.com/livedates/Website: https://www.thejohnrobertson.com/Instagram: https://www.instagram.com/mr_dark_room/ Hosted on Acast. See acast.com/privacy for more information.

What if the reason your marketing isn't converting has nothing to do with your content... and everything to do with the part that comes after it?In this episode, Annemie and Dayna get a little theatrical to break down one of the most important (and most avoided) distinctions in your business: the difference between marketing and selling, and why you genuinely can't have one without the other.Using Wicked as their framework, they make the case that Glinda (your marketing) gets all the love, while Elphaba (your selling) gets an unfair bad rap. But here's the truth: the magic only happens when they work together.In this episode:Why marketing alone won't grow your business, and what has to happen nextWhere selling gets its "wicked" reputation (and why that's worth unpacking)How understanding your numbers changes your relationship with pricing conversationsWhat it looks like to switch hats between marketing mode and selling mode, and why that skill is everythingNo sparkly wand required... but it wouldn't hurt!Sign up for The Darkroom, our free companion app to the podcast: thiscantbethathard.com/darkroomResources:New to the podcast? Go to thiscantbethathard.com/welcome to get access to 3 of Annemie's best free resources.Join our community! We'd love to welcome you into our supportive, business-focused private Facebook group. Go to facebook.com/groups/thiscantbethathard to request access.Long-time listener? Leave a review!

Picture this: you're cruising down the highway, passing billboard after billboard without really registering any of them. Then hunger strikes, and suddenly that McDonald's sign is the only thing you can see.That's how marketing works: you're not introducing yourself once and hoping for the best. You're showing up again and again, so that when your client's _"I need a photographer!"_ moment finally hits, yours is the name that comes to mind.But here's the catch: even when someone is ready to pull off at the next exit and book, their brain starts throwing up speed bumps: questions about pricing, worries about their messy house, uncertainty about how the whole process works.In this episode, Annemie and Dayna break down how to use your email and social media marketing to sand down those speed bumps before someone even _thinks_ about booking, making the decision to hire you feel easy, obvious, and overdue.In this episode, we cover:The rule of seven, and why the repetition in your marketing isn't annoying, it's necessaryFour of the most common client hesitations and how to address each oneHow to turn your FAQs and prep guide into a steady stream of evergreen contentWhy a clear, specific call to action matters more than you think (and what "vague booking" is costing you)By the end, you'll have a whole new way to think about your social and email content... less like a relentless content treadmill, more like a helpful guide walking your ideal clients right to your door.Sign up for The Darkroom, our free companion app to the podcast: thiscantbethathard.com/darkroomResources:New to the podcast? Go to thiscantbethathard.com/welcome to get access to 3 of Annemie's best free resources.Join our community! We'd love to welcome you into our supportive, business-focused private Facebook group. Go to facebook.com/groups/thiscantbethathard to request access.Long-time listener? Leave a review!

I interviewed SXSW XR Experience 2026 curator Blake Kammerdiener about this year's selection, and how immersive artists are using Generative AI in a series of different projects. Below is the selection (ordered from longest to shortest). This year's program runs from 11a to 6p CDT from Sunday, March 15-17, 2026. XR Experience Competition Escape The Internet (Part 1) (50 min) Inter(mediate) Spaces (45 min) Winterover (45 min) Fabula Rasa: Dead Man Talking (30 min) Frustrain: Trainman (30 min) The Forgotten War (30 min) Watsonville (30 min) Fillos do Vento: A Rapa (28 min) Crafting Crimes: The Mona Lisa Heist (20 min) Love Bird (20 min) The Baby Factory is Closed (20 min) Lionia Is Leaving (18 min) Body Proxy (15 min) Cycle (15 min) The Great Dictator: A participatory AI installation about power, rhetoric, and memory (15 min) XR Experience Spotlight The Clouds Are Two Thousand Meters Up (62 min) The Great Orator (50 min) Lesbian Simulator (40 min) A Long Goodbye (35 min) Dark Rooms (35 min) Lacuna (34 min) The Dollhouse (24 min) Reality Looks Back (21 min) Insider Outsider (12 min) loss·y (10 min) Lost Love Hotline (10 min) Out of Nowhere (10 min) Spectacular: The Art of Jonathan Yeo in Augmented Reality (10 min) Ascended Intelligence (9 min) MIT Open Documentary Lab's AR and Public Space Artist Collective Layers of Place: Austin [90 min total] ORYZA: Healing Ground (15 min) The Founders Pillars (15 min) Open Access Memorial (15 min) Paper Boat (15 min) Humble Monuments (15 min) Moving Memory (15 min) This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality