Podcasts about Fleetwood Mac

Fleetwood Mac's album hit number one on this day and is Kelly Clarkson's talk show really ending?

When Lenise Bent entered the L.A. audio engineering scene in the late ‘70s, she didn't mind that it was primarily a male dominated industry. Through a chance meeting with Leon Russell at his home studio, she was swept away with the studio atmosphere, the sound, and it was her curiosity about the recording console and gear that captured her spirit and sent her down the path of becoming a recording engineer. She was determined to work with the best equipment, the best studios, and the best musicians. And she did. She's credited on some of the best sounding albums that were ever recorded, including Steely Dan's “Aja”, Supertramp's “Breakfast In America”, Marc Jordan's “Mannequin”, Blondie's “Autoamerican”, and “Tusk” by Fleetwood Mac, just to name a few. Here to discuss her incredible journey as a pioneering audio engineer is none other than Lenise Bent.

Percussionist Lenny Castro has made a career out of being an ingredient that makes everything he touches better. He's been one of the most in-demand musicians of the last 50 years and was even an official member of Toto for many decades. Would classics like "Africa" and "Rosanna" be what they are without him? Doubtful. He's also the best thing about Christopher Cross's "Ride Like the Wind" and ONJ's "Physical". We also discuss a bunch of his session work with people like Stevie Wonder, Robert Palmer, and Fleetwood Mac. He's "mostly" retired now but keeps getting pulled in because he's so good and even just completed a tour with John Mayer. He's the best and we're lucky to hear from him. Enjoy!  The Hustle Podcast | creating podcasts | Patreon

What makes a podcast worth coming back to again and again? What turns a single episode into something listeners want to sit with, revisit, and recommend? Today, we continue with another installment of Jonathan Howard's Obsession-Worthy Podcast series, using Song Exploder as a case study to explore what makes a podcast truly re-listenable. We take a closer look at an episode, breaking down Fleetwood Mac's Go Your Own Way, focusing less on the song itself and more on how the story is told. We explore how clear structure, intentional editing, and listener-first decisions build trust. We talk about why strong questions don't need to be heard to be felt, and how letting listeners experience uncertainty, decision-making, and emotional stakes keeps them engaged. If you interview guests or tell stories on your show, this episode offers a lasting reminder: obsession-worthy podcasts are designed with the listener in mind. Where could you let your listeners hear the moment something clicked?This episode includes brief music excerpts used for educational and commentary purposes. We do not own the rights to the music featured.Episode Highlights: [07:41] What makes this episode obsession-worthy? [11:31] Breaking down Fleetwood Mac's “Go Your Own Way”[22:12] An emotional opening and the songwriting process[28:00] Applying creative processes beyond music[30:09] Exploring song lyrics and personal storytelling[35:16] Storytelling elements in podcasting[41:01] Asking better questions and interview techniques[43:04] Podcast evaluations and community building[46:02] What's coming nextLinks & Resources: The Podcasting Morning Chat: www.podpage.com/pmcJoin The Empowered Podcasting Facebook Group:www.facebook.com/groups/empoweredpodcasting⁠Empowered Podcasting Conference Course with Recordings: https://ironickmedia.com/courses/epc2025/Empowered Podcasting Conference 3: Use discount code ‘Podfest26' to get your ticket for under $200: https://empoweredpodcasting.comApplication To Submit Your Show For Evaluation: https://docs.google.com/forms/d/e/1FAIpQLSc8-Xv6O6lrNPcPJwj3N0Z5Osdl-5kHGz_PiAU45U57S-XgoA/viewform?usp=headerSong Exploder “Go Your Own Way” https://songexploder.net/fleetwood-macRemember to rate, follow, share, and review our podcast. Your support helps us grow and bring valuable content to the podcasting community.Join us LIVE every weekday morning at 7 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠ https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w⁠⁠Live on YouTube: ⁠https://youtube.com/@marcronick⁠Brought to you by⁠ ⁠iRonickMedia.com⁠⁠ Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you!--- Send in your mailbag question at:⁠ https://www.podpage.com/pmc/contact/⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Chat? Send me a message on PodMatch, here: ⁠https://www.podmatch.com/hostdetailpreview/1729879899384520035bad21b⁠

Fleetwood Mac makes their return back to Ranking Tracks. This time around I learned perhaps the most surprising fact about any album (or in this case any song) I have ever reviewed! What could it be?

The Rage Select Podcast is SUS AF this week as Bryce and Jeff discuss the alluring temptaions of The Traitors, Jeff's 2025 video game backlog, as well as ALL THE NEWS of the week! Check out Bryce and Jeff's new podcast about the Fleetwood Mac album Tusk on all the podcast apps or right here: https://twotusks.transistor.fm MP3 here - http://traffic.libsyn.com/rageselect/RageSelectEpisode628.mp3 RSS feed here - http://rageselect.libsyn.com/rss iTunes here - https://itunes.apple.com/us/podcast/rage-selects-podcast/id657490976 Email address for your questions: mail@rageselect.com FOLLOW Tessa on Instagram - https://www.instagram.com/tessamorrison FOLLOW Matt on Twitter! - https://twitter.com/spankzilla85 FOLLOW Brian Salisbury on Twitter! - https://twitter.com/JunkfoodCinema FOLLOW Jeff on Twitter - https://twitter.com/RageSelect FOLLOW Grant on Twitter - https://twitter.com/BaronVonGrant LIKE Rage Select on Facebook - https://www.facebook.com/RageSelect Listen to our podcast and if you enjoy it, SUBSCRIBE! Check out the full website at http://www.rageselect.com #rageselect #podcast

If you're lucky enough to get old, think of all you've gained. First off, you're alive, which is better than the alternative 100% of the time. Secondly, you can use all of the wisdom and knowledge you've collected over a lifetime of experiences, and you can use it to find ways for you and others around you to be happy. In this already ridiculous year of 2026, we're working hard to stay positive, and music is almost always the key. Thankfully our good friend Dustin Prince feels the same way, and was more than up for helping us count down our favorite songs about that touchy but important subject. Picks 10-6 are revealed here in Top Ten Songs About Aging Part 1 of 2. Go see Dustin playing around Los Angeles with the Kevin West Band!https://kevinwestmusic.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. On January 1st we gave you double the Wolffings with cousins Chris and Justin helping out in Emergency Pod 23. Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

Holy hell, somebody done showed up a little late to the top-albums-of-2025 party. List week = missed week. NBD, better late than never, right? RIGHT? It's the sixth annual big episode, where Jay and Deon discuss their favorite twenty-two vinyl releases of this past year. That be eleven each, because Lickers go to eleven while these other suckaz be stuck on ten. LLR goes deep. LLR goes long. LLR wishes what you just read was code for something way cooler, but it isn't. It's just really long. The flippin' Free Bird of podcats.Dig this list? What did they miss? Let ‘em know your favorite long player releases in the year of our Lord 2025, it's never too late to share what sonically inspires you. Lightnin' Licks Radio Podcast's one big beautiful twenty twenty-five year in review episode SAMPLE SOURCES include: NPR, Beastie Boys, James Todd Smith. John Ussery, Prince Paul, Frukwan, Method Man, Brothers Johnson. Harry Shearer, Larry David, Cheryl Hines, Lynyrd Skynyrd, Kankles McTaco Tits, Elton John, The Time with Prince. Jeremy Gan, Josh Heath Scott, Jim DeRogatis, Anthony Fantano. Molly Sanborn, Matt O'Leary, Eli Enis, Ian Cohen. A Tribe Called Quest, Bon Iver, Justin Vernon, Missy "Misdemeanor” Elliot, Nicole “Lady” Wray, Tropical Fuck Storm, The Bee Gees, The sisters Haim. Calvin Harris, The Beatles… always. Kaytranada. Janet Jackson, De La Soul, Kelly Moonstone, Quelle Chris. Uncle Tupelo, Wilco, The AutumnDefense. NewDad, Aesop Rock, Blockhead. Verity Den, …And You Will Know Us by the Trail of Dead. Winter, Debby Friday. Water From Your Eyes, This Is Lorelei. Greg Freeman, Richmond Fontaine, Poison, The Darkness, KISS, Jimmy Jam and Terry Lewis, Aerosmith. Lael Neale, The Cars, Weakened Friends, Buckethead. Liquid Mike, The Rentals. Pile, Cody Maresec, YUM! The Smith Westerns, Whitney, Billy Nomates, Sleaford Mods. Fleetwood Mac, Eric Gale, Faces, Ry Cooder, Randy Weston. Pines, Greet Death, Christian Science Reading Room. Momma. Chris Keys (a lot), Amosdoll, Atlys, The Zombies. Cozy Cole, Andy Cohen, Raúl "El Gordo" De Molina, Tommy Chong, James Austin Johnson, Tim Robinson (YOU CAN'T DO THAT!), and lastly - and certainly least… Swamp Thing. Alternate links to the uninterrupted 2025 EOY mixtape will be available in short order,Have a great year!LLR's Top 22 albums of 2025 SPOTIFY PLAYLISTHear the mix via Soundcloud here!Part 1(Deon) : Intro _ Liquid Mike – AT&T _ HAIM – Everybody's Tryin' to Figure Me out! _ Pile – Bouncing in Blue _ NewDad – Entertainer _ Kelly Moonstone – Nananabooboo _ Weakened Friends – Queen of Town _ This Is Lorelei – Mouth Man _ The Autumn Defense – More Than I Can Say _ KAYTRANADA featuring TLC – DO IT! (Again) _ Debby Friday – Lipsync _ Greet Death – Love Me When You Leave Part 2(Jay) : Greg Freeman – Gulch _ Lael Neale – Down on the Freeway _ Aesop Rock – Full House Pinball _ Momma – Last Kiss _ Bon Iver – S P E Y S I D E _ Billy Nomates – Nothin' Worth Winnin' _ Lady Wray – Best of Us _ Whitney – Damage _Verity Den – Wet Glass _ Winter - The Beach _ Tropical Fuck Storm – Stepping on a Rake.Lickers drink champagne and shop at Electric Kitsch.Please act kindly to our neighbors and be patient with those who serve us. Let some light in. Good will prevail. Cheers and later.Dedication: Rob Ervin 1961 - 2025

We start by talking about “songs that are factually incorrect”, with artists like U2, Alanis, Journey, Fleetwood Mac, Toto, ABBA and Pitbull being taken to task. Christopher and Tom have a ton of fun ranting about these “egregious” errors. Speaking of U2, we feature at 1985 interview with bassist Adam Clayton as he and his mates come to grips with the growing popularity of the band. Adam talks about playing for screaming fans (not ideal) and comparisons between U2 and Bruce Springsteen. The remainder of the episode includes other artists from the ‘80s. Some highlights: Ian Astbury of The Cult talks about spending five years of his youth in Canada – and how he didn’t much care for it. Brian Ferry of Roxy Music discusses the importance of solo work Roland Gift talks about Fine Young Cannibals and his acting career Montreal’s The Box discuss marrying politics and music And we try to find at least ONE interesting moment in what could be the most boring interview in our archives… Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

We have a very special guest for our season 3 premiere! Thanks to Emma, we got to chat with “Jennifer Juniper: A Journey Beyond The Muse” author Jenny Boyd about her time as a model in swinging London, San Fransisco during the Summer of Love, with the Beatles in India, and on the road with Fleetwood Mac at the height of their fame. We also got to talk about her earning her doctorate, exploring the creative process in her thesis “Musicians in Tune”/“Icons of Rock,” her work in the addiction recovery field, and an exciting new project. It's well and truly a journey beyond being a muse. Thank you Jenny for joining us this week!Plus, Emma gives a life update on her growing family and how she found her midcentury dream home! “Jennifer Juniper: An Interview with Jenny Boyd” is available now wherever you stream your podcasts

In our annual check-in with renowned mastering engineer Kevin Gray, he reflects on a very busy 2025 that included his Rhino High Fidelity versions of Fleetwood Mac and Lindsey Buckingham and Stevie Nicks' long-out-of-print Buckingham Nicks. How did Gray and fellow mastering engineer Chris Bellman feel about Rhino releasing separate versions of Buckingham Nicks mastered by each of them? Gray also discusses the Rhino High Fidelity John Coltrane: 1960-1964 Mono box, for which he revisited some albums he'd previously mastered in stereo. Gray's RHF version of T. Rex's Electric Warrior followed the label's reel-to-reel tape release of that album—which should sound better? Of course, we had to address the hullabaloo sparked by Gray's comments on Caropop a year ago criticizing the One Step pressing process. Was he surprised? Does he feel vindicated? Other topics covered: Gray's Blue Note Tone Poet work with producer Joe Harley; the jazz albums Gray is recording and releasing on his Cohearent Records label. What's in store for 2026?

Stanley Simmons: From Viral Moment to Americana Revival | Evan Stanley & Nick Simmons Interview In this episode of Caught on the Mike, host Mike sits down with Evan Stanley and Nick Simmons, the folk-Americana duo behind Stanley Simmons, for a conversation about creativity, connection, and finding the right sound at the right time. Though they've known each other their entire lives—and grew up immersed in music history as the sons of Paul Stanley and Gene Simmons of KISS—they never intended to collaborate. That changed after a spontaneous viral Instagram video revealed an undeniable vocal chemistry, what they describe as a “third voice,” and sparked the formation of Stanley Simmons. The conversation explores the making of their debut single “Body Down,” a song rooted in Americana, folk, blues, and classic songwriting traditions, while feeling distinctly modern. Evan and Nick discuss writing 41 songs in just 11 months, working with legendary producer Rob Cavallo (Green Day, Fleetwood Mac, Paramore), and how early bedroom demos evolved into a full-length album. They also reflect on creating music without chasing trends, navigating legacy without leaning on it, and why they believe music is medicine—a form of resilience, expression, and connection in uncertain times. If you're a fan of Americana music, folk revival, singer-songwriters, roots rock, or artists like Fleetwood Mac, Crosby Stills Nash & Young, Noah Kahan, and Harry Styles, this episode offers a thoughtful look at two artists building something honest and enduring.

Esta semana, en nuestras Islas de Noche, nos centramos en el rock clásico que a mediados de los 70 daba ya muestras de agotamiento creativo pese al éxito de la fórmula, que, por otra parte, ya empezaba a pasar de moda. Con todo, en esa encrucijada gloriosa que supuso la mitad de la década, los grandes, que aún seguirían llenando estadios durante décadas pese a su evidente decadencia, todavía fueron capaces de sacarse de la manga grandes canciones -e incluso aún algún disco notable más-. Eso sí, de aquí en adelante ya nada volvió a ser lo mismo. Suenan: LED ZEPPELIN - "Night Flight" ("PHYSICAL GRAFFITI", 1975) / THE WHO - "Dreaming From The Waist" ("WHO BY NUMBERS", 1975) / THE KINKS - "No More Looking Back" ("SCHOOLBOYS IN DISGRACE", 1975) / ROY WOOD - "Any Old Time Will Do" ("MUSTARD", 1975) / GRAND FUNK RAILROAD - "Bad Time" ("ALL THE GIRLS IN THE WORLD BEWARE", 1974) / BEAU BRUMMELS - "Singing Cowboy" ("BEAU BRUMMELS", 1975) / DANNY KIRWAN - "Second Chapter" ("SECOND CHAPTER", 1975) / FLEETWOOD MAC - "Come a Little Bit Closer" ("HEROES ARE HARD TO FIND", 1974) / WINGS - "Letting Go" ("VENUS AND MARS", 1975) / ROLLING STONES - "Luxury" ("IT'S ONLY ROCK AND ROLL", 1974) / CHAPMAN-WHITNEY - "Showbiz Joe" ("STREETWALKERS", 1974) / TRAFFIC - "Something New" ("WHEN THE EAGLE FLIES", 1974) / Escuchar audio

Dave and Chuck the Freak talk about reusable Trader Joe's shopping bag, guy who collects Hawaiian shirts, what do you use Craigslist for?, medical resident caught hiding camera in private staff area, store owner accused of hiding a camera in women's bathroom, paraglider fell nearly 500ft into ocean, road rage incident between neighbors, huge bear that was finally removed from crawl space moved under another house, bear discovered candy store, fur store closes after 136 years in Detroit, the guy with the blue fur coat, photoshopped billboard of Dave & Chuck, Mike Tomlin steps down after 19 years as Steelers coach, man worked as a flight attendant as fantasy football loss punishment, Timothy Busfield turned himself in, Kiefer Sutherland arrested, Scott Adams died, update on the Disney employee knocked over by boulder at Indian Jones ride, Fleetwood Mac's Landslide finally charts thanks to Stranger Things, Michael Jordan once got showed up by Kenny Rogers, woman with handcuffs on shot deputy, man slips out of handcuffs and shoots deputy, woman arrested after threatening people with skillet, man arrested driving drunk, guy touching himself in front of window, guy seen jerking while driving, man developed condition after getting tattoo, old man at airport tried to push dead wife in wheelchair through security, Dave's garage door opened by itself, woman lives in spider-infested apartment, monkey still on loose in St. Louis, Are You Dead? App, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 1: The creator of the famous Dilbert comic strip, Scott Adams, has passed away. The Fresh Prince of Belair house is for sale. For the first time in 25 years, California is drought free - so enjoy the beautiful weather this week guilt free! Our relationships with our dogs have really evolved since the first dog park was established in Berkeley. San Francisco will be represented in the Puppy Bowl this year. Is there any cool way to pick up after your dog? Hour 2: Thank you, Live Nation. Celebrity bad behavior continues: Timothy Busfield has turned himself in with his wife, Melissa Gilbert, by his side. Meanwhile, Kiefer Sutherland was arrested for allegedly assaulting his rideshare driver. A memorial will be held this weekend in Golden Gate Park for Claude, the Bay Area's late albino alligator. Ed Sheeran is probably thrilled about the new Heinz French fry box. Eye glasses just got smart, actually. GenZ already can't imagine life without Chat GPT. (49:33) Hour 3: It's time for the generations to battle it out in the hopes of bringing us all closer together… hmm. Steiny is back for his third and final appearance. Can he be Sarah & Vinnie's first ever 3-peat? Today's challenger is a 25 year baker from Sales. Will today's loser be sour? The astronaut dealing with a medical issue comes home today. Would a TV about two astronauts stuck at the space station be incredibly interesting or boring? Do tasers work on mermaids? These sports are shockingly dangerous. Let's talk about guacamole. (1:32:21) Hour 4: The enthusiasm for BottleRock is unmatched. Taylor Swift is where she belongs, on the Billboard Hot 100 at least. Fleetwood Mac's ‘Landslide' is charting… for the first time?! US Vinyl sales rose for the 19th consecutive year. Here's who's leading the charge. The toughest Kiss, Marry, Kill we've had yet. A little sports update from Vinnie. How do we get our hands on an elite passport? And when the heck did that happen? (2:11:29)

The enthusiasm for BottleRock is unmatched. Taylor Swift is where she belongs, on the Billboard Hot 100 at least. Fleetwood Mac's ‘Landslide' is charting… for the first time?! US Vinyl sales rose for the 19th consecutive year. Here's who's leading the charge. The toughest Kiss, Marry, Kill we've had yet. A little sports update from Vinnie. How do we get our hands on an elite passport? And when the heck did that happen?

This week, our "Classic Conversations" take over until early spring, as Frank and I bring you an episode that originally aired in late September, 2023--Fleetwood Mac! Next week, perhaps our best "Debut Album"--it's "Boston" from fall '76. Plenty of great Classic episodes will run through the winter and early spring. Enjoy!!

Today begins a new calendar week in 2026! And that means another episode of our new "70s Rock Daily" Podcast!! Thanks for listening-and remember, our longer-form "Classic Conversations" featuring Rock Expert Frank Aust returns tomorrow for the winter and early spring. Fleetwood Mac will be our Featured Artist to start things off. Enjoy!

Welcome to our latest episode of "70s Rock Daily"! Today in Rock History, News, Notes & Tour Information, Songs of the Winter, Thought for the Day and more will all be heard in our 15-20 minute Daily Podcast. And keep in mind, our long-form "70s Rock Conversations," featuring Rock Expert Frank Aust, continues each and every Monday morning--this coming week, our "Classic Conversations" take over until early May. Fleetwood Mac is our Featured Artist this coming week. Enjoy!

Alan Light dives into Fleetwood Mac's Rumours album on the Fake Show with host Jim Tofte!

In this episode, I sit down with drummer Paul Stewart for a conversation that starts with how music can connect people across oceans and turns into a deep dive on taste, touch, craft, and the long arc of a career. Paul and I talk about how I first discovered his band The Feeling years ago from a CD a friend handed me after a gig, and how that one listen turned into a long-term appreciation for the songs, the playing, and the production. Paul shares why so many musicians connected with that sound, and how their work pulled from both the 70s world of Supertramp, 10CC, Elton John, and Fleetwood Mac, and the deeper 60s roots that fed that era, like The Beatles, The Stones, The Kinks, and The Zombies. We get into drum sound, why that thuddy, dead 70s tone fits their music so well, and how those choices shaped the identity of the recordings.Paul walks me through his origin story, from being hooked on drum sound as a kid, to getting his first kit at 12, to saying yes to every playing opportunity he could find. He tells an incredible story about a middle school teacher who stayed late after school so Paul could get extra time in the drum room, and we zoom out on how mentors, parents, and supportive educators change the course of a life. From there, we talk about preparation, professionalism, and the responsibility you carry in an ensemble, including how the anxiety of being underprepared can be its own lesson in why doing the work matters. Paul also shares a regret he has about not keeping his reading chops sharper, and why playing along with records became his true north as a drummer.We dig into influences from both sides of Paul's musical world, from rock and early Chili Peppers and Rage Against the Machine, to the cassette tapes an uncle sent that opened the door to jazz, funk, fusion, and players like Vinnie Colaiuta, Dave Weckl, and the Tower of Power world. Paul explains how the UK acid jazz scene became a significant pull, and how an acid jazz band at music college eventually evolved into The Feeling. We also talk about what it's like working with major artists outside the band, including how touring logistics can lead to local musicians being hired, and how surreal it can be to play iconic songs with legendary voices while still remembering they're just musicians on stage doing the same job.A meaningful part of our conversation is about performance anxiety, stage fright, and the emotional extremes musicians ride before, during, and after gigs. We talk honestly about confidence, coping, and what it means to choose a healthier path, and we acknowledge that even global superstars can struggle with fear right before walking on stage. Paul and I also reflect on the approaching anniversary of The Feeling's first album, how those songs were originally recorded as a weekend friends project without any expectation of success, and how playing them now carries twenty years of growth, finesse, and perspective while still honoring the original parts that make the songs work. We close with what Paul has been up to recently, including work with Anastacia, Paul Young, The Voice UK, and the broader creative world around the band, and why music remains a powerful source of joy, balance, and hope for people everywhere.Music from the Episode:Never Be Lonely (The Feeling)Everyday and All of the Night (The Feeling)Sun Won't Shine (The Feeling)I Want You Now (The Feeling)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Happy New Year!! This week, Frankie and I bring you the last of our "Best Last Albums"-- "The Long Run" by the Eagles. Released in fall '79, we kind of had a feeling that this album would be their final effort for awhile. Solo albums were soon to come-but who knew that it would be 15 years until new music and any live performances by the group would happen. Next week, our "Classic Conversations" take over until May '26; as we feature Fleetwood Mac. And we're glad you're enjoying our new "70s Rock Daily" Podcast!!

 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

"And you may find yourself living in a shotgun shackAnd you may find yourself in another part of the worldAnd you may find yourself behind the wheel of a large automobileAnd you may find yourself in a beautiful house, with a beautiful wifeAnd you may ask yourself, "Well, how did I get here?"Well it doesn't really matter how you got here, as long as you stay.Joining us are Robin Trower, Spirit, Billy Joel, Supertramp, Nilsson, The Alan Parsons Project, Judy Collins, David Bowie, Roxy Music, Led Zeppelin, Bob Dylan, Fleetwood Mac, Bruce Springsteen, George Harrison, Kenny Rankin, Traffic, LounReed, Yes, Mamas & Papas, Frank Sinatra, Dan Fogelberg and Talking Heads....

"Savages Greatest Hits of All Time 2008" being Adrian Horwitz's remake of Kevin Savage's show from 4th May 2008. Kevin features in virtually every link and where he does not introduce the song, Adrian has added an Ad or Voiceover done by him. The playlist is faithful to his but for 2 items- Adrian used Chrissie Hind's version of "I got you babe" and not Sony and Cher because he had a clip of Kevin introducing the song and for the same reason substituted Fleetwood Mac's Don't Stop for Go your own way.

Alan Light reflects on how Fleetwood Mac put aside their internal conflicts to create the iconic album 'Rumours'.Listen to Episode 343 - The Enduring Legacy of Fleetwood Mac's 'Rumours'15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Shouts to Fleetwood Mac

Excited to have author Alan Light on our latest episode to discuss why new generations of fans still can't get enough of Fleetwood Mac's 'Rumours'!Purchase a copy of Don't Stop: Why We (Still) Love Fleetwood Mac's RumoursListen to Sound Up!Visit the Sound Up! Podcast Website15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

It's a banner day here on the pod, Slushies. We welcome a very special guest, American Poetry Review's Elizabeth Scanlon to the table as we discuss three prose poems from Sara Burant. Dagne sends out birthday wishes to Canada's own Margaret Atwood while Lisa shows the team her Margaret Atwood-as-saint candle. We note the recent poetry trend towards raising the profile of female visual artists whose work has been overlooked during their lifetimes. Artists like Sonia Delaunay, mentioned in Burant's poem “Fields,” and Hilma af Kilmt, whose art inspired Didi Jackson's recent book “My Infinity.”  The mention of a clay pipe in one poem sends Marion running for a treasure her husband found while mudlarking. Kathy cops to her blue-collar resistance to a precious ars poetica and we discuss what it takes to win her over in the end. Elizabeth relates how John Ashbery likens waiting for a poem to a cat's finicky arrival. We note Frank O'Hara's notion of “deep gossip,” name checking his own friends along with celebrities in his poems, a gesture Burant employs in her poem “Heat wave.” And we come full circle with a shout out to American Poetry Review's own podcast where Elizabeth interviewed Margaret Atwood during the pandemic. As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Elizabeth Scanlon, Kathleen Volk Miller, Marion Wrenn, Lisa Zerkle, and Lillie Volpe (sound engineer) Bio: Sara Burant's poems, reviews, and collaborative translations of Paul Éluard's poems have appeared in journals such as OmniVerse, Pedestal, periodicities, Ruminate, and The Denver Quarterly. Her work has been honored with a fellowship from Oregon Literary Arts and a residency at Playa. At 55, she received an MFA in Poetry from Saint Mary's College of California. She's the author of a chapbook, Verge. Fields after Frank O'Hara And the truck driver I was made in the image of has a tattoo reminiscent of a Sonia Delaunay on her chest. And on her upper left arm, a nude torso of Apollo reminiscent not only of Rilke but of the male figure who loved her passionately in a dream—my god, he knew how to kiss and be kissed and knew her better than she'll ever know herself. Nobody sees these tattoos except her, looking in the mirror in a cheap motel's bathroom. At home she has no mirrors, just the phone she occasionally snaps a selfie with to make sure she has no spinach or gristle lodged between her teeth before heading to the bar. Actually, the truck driver I was made in the image of is undercover. She's really a Jungian analyst. Those cows in another dream, her heaviest self, chewing the cud of the past, farting, trampling the delicate vegetation, forming a tight circle around the calves when threatened, bellowing when all else fails. Hauling 30 tons in her 35-ton rig, she speeds past field after field which are all the same field. Oh field of dreams, why hasn't she built you? Instead she deletes photos to make room for more photos, wondering why this sunset, that face, this puddle's reflection, that abstract painting. She fished and caught and couldn't filet the tender meat that smelled too much like drowning. One rainy winter in Paris she nearly did drown. Creeping water-logged from museum to museum, finally she clung to Cézanne's misshapen fruit as if to a buoy. The apples and pears, just one man's apprehension of apples and pears, not thoughts inside thought-balloons, not some parable of ancient September. Just tilting tabletops, shapes, colors, the suggestion of shadows and light. Ars poetica For the chickens I save tidbits, potato skins, and the outer cabbage leaves which make me think of hats. The red wobble of the hens' combs and the smell of their fecal heat, unaccountably dear to me. Awaiting a match to warm me, I chew on a clay pipe's stem, contemplating the waning moon of its bowl and my pink lipstick past. The silence behind words spoken or thought clucks softly in my inner ear. Sitting inside, I can't help looking out, a lifting, carrying blue, the wind's little pull on the earlobe of my heart. Lately I've been cutting paper into shapes that mean Feed me or Take me to your leader, wishing I'd been taught to name feelings as they arise. Tenderness for the apple still hanging from winter's limb. Loneliness drunk down with morning's darjeeling. There are conspirators for beauty. Like rabbits, they leave tracks in the snow. Like geese, they arrow through hallways of night. Without sentiment or self-pity they gaze at certain slants of light. They chip away the ice with a pick to get at the lock. Then they pick the lock. And oh, what a view. I want to walk in the dark to get there, not following anyone's directions. To enter the fortune teller's crystal ball with bread in my pocket and a botanist's loupe. Though I don't know your name, I move forward only beside you, your imaginary hand in mine.  Heat wave The woman at the table next to mine gives up loud-talking in favor of song, but it's not looking for love, it's looking for FUN—& feeling groovy. Maybe I should warn her—today's theme isn't love or fun, it's submarine & skedaddle, it's danger-danger, hold your breath & sound. This avalanche of heat, these record-shattering days. See the breakage piling up on sidewalks so hot the barefoot babies weep as they learn to toddle. Maybe, as you like to point out, I'm catastrophizing, when what I really want is to feel groovy again. To butter my skin with baby oil & sizzle, walking barefoot along the burning sand, Bradford Beach where I fell in love unrequited for the umpteenth time. Back then, who was counting? Back then summer lasted for years & still wasn't long enough. 1978, despite Mother's reservations, I saved my babysitting money for a ticket to Fleetwood Mac at County Stadium. Eilleen, Maggie, Liz, Jean, Mary, me—& Stevie Nicks & Christine McVie, the elm trees & long summer dusk of those women's voices. A dusk so filled with the orange, violet & chartreuse silk of its immense flag flying above, beside & through you, you neglect to notice shadows splotching the periphery & forget your curfew. I didn't notice much, so stoned I was, we were, melting into the moment's spotlessness, our adolescent hips grooving, our tan arms waving, here, now, this, this, this—I mean there, then, that, that, that—no one yet suspended for drinking, no one yet strung out, dropping out, running off with boys to Oregon or Wyoming, limping home pregnant or in rags. The elms, gone. Mom, Vince, Rob & Christine McVie, too. I've had to swear off many things due to poor digestion—but oblivion, I'd still like to indulge in that sometimes, diving into it like a bee into a flower, a morning glory, its dumb, purple, one day only show. 

On Monday afternoon, Hugh Jackman and Kate Hudson stopped by the Vogue offices for a live conversation about their new film, Song Sung Blue which comes out Christmas Day. The project, inspired by the real-life story of Mike and Claire Sardinia—a Wisconsin couple who form a Neil Diamond tribute band is based on the documentary of the same name, which director Craig Brewer first encountered at a festival and later adapted for the screen. “I realized that everyone is living an extraordinary life,” Jackman shared to Chloe and Vogue's Deputy editory Taylor when reflecting on why he chose to take the role of Mike.After earning a Golden Globe nomination for her role as Claire, Kate speaks candidly about rediscovering her voice, crediting Sia (who she worked with on the film Music) with inspiring her to sing more freely. She recalls being pushed onto the microphone at her 16th birthday by her mother, Goldie Hawn, to perform “That's What Friends Are For,” with Quincy Jones in attendance. “He told me to get into the studio,” Hudson remembers.Plus, Hugh and Kate discuss what it's been like singing at bars across the world, what their tribute band would be (hint: Fleetwood Mac mentioned!), and answer a fun question from none other than Anna Wintour about whether or not they should adapt this film as a theater production.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Bestselling author Alan Light is here to unravel the enduring allure of Fleetwood Mac's monumental 1977 album, Rumours. In Light's comprehensive new book Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours, Light explores the album's transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today's rapidly changing contemporary music scene.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Didn't find everything on your RSD Black Friday list? Maybe you'll still find it on RSDMRKT.com.    Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!   This episode is dedicated to Christine McVie and the late great Marty DiBergi.  

Takin’ A Walk with Mike Campbell: The Heartbreakers’ Guitar Legend on Tom Petty, Fleetwood Mac, and Rock History Join host Buzz Knight for an unforgettable replay interview with Mike Campbell, the legendary guitarist and Rock & Roll Hall of Fame inductee who spent four decades as Tom Petty’s right-hand man in Tom Petty and The Heartbreakers. This essential replay episode captures Campbell’s incredible journey through rock and roll history, from crafting iconic guitar riffs to his work with Fleetwood Mac, Don Henley, and countless other music legends. In this deep dive music history interview podcast, Mike Campbell shares behind-the-scenes stories from The Heartbreakers’ most celebrated albums, his songwriting partnership with Tom Petty, and the creative process behind classic rock anthems that defined generations. Discover how this guitar virtuoso helped shape the sound of American rock music, his experiences recording with legendary producers, and his transition to Fleetwood Mac following Lindsey Buckingham’s departure. Whether you’re a Tom Petty fan, guitar enthusiast, classic rock devotee, or music history buff, this episode delivers intimate insights from one of rock’s most respected musicians. Mike Campbell discusses his vintage guitar collection, studio techniques, touring life, and the enduring legacy of The Heartbreakers. Like this show? Leave us a review here. Review Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The Rage Select Podcast is getting REVVED UP to DANGEROUS LEVELS as Bryce and Jeff discuss Bryce's experiences with the new Gran Tursimo Power Pack Expansion, Jeff's feelings about a pair of anime "movies", as well as ALL THE NEWS of the week! Check out Bryce and Jeff's new podcast about the Fleetwood Mac album Tusk on all the podcast apps or right here: https://twotusks.transistor.fm MP3 here - http://traffic.libsyn.com/rageselect/RageSelectEpisode625.mp3 RSS feed here - http://rageselect.libsyn.com/rss iTunes here - https://itunes.apple.com/us/podcast/rage-selects-podcast/id657490976 Email address for your questions: mail@rageselect.com FOLLOW Tessa on Instagram - https://www.instagram.com/tessamorrison FOLLOW Matt on Twitter! - https://twitter.com/spankzilla85 FOLLOW Brian Salisbury on Twitter! - https://twitter.com/JunkfoodCinema FOLLOW Jeff on Twitter - https://twitter.com/RageSelect FOLLOW Grant on Twitter - https://twitter.com/BaronVonGrant LIKE Rage Select on Facebook - https://www.facebook.com/RageSelect Listen to our podcast and if you enjoy it, SUBSCRIBE! Check out the full website at http://www.rageselect.com #rageselect #podcast

Takin’ A Walk with Mike Campbell: The Heartbreakers’ Guitar Legend on Tom Petty, Fleetwood Mac, and Rock History Join host Buzz Knight for an unforgettable replay interview with Mike Campbell, the legendary guitarist and Rock & Roll Hall of Fame inductee who spent four decades as Tom Petty’s right-hand man in Tom Petty and The Heartbreakers. This essential replay episode captures Campbell’s incredible journey through rock and roll history, from crafting iconic guitar riffs to his work with Fleetwood Mac, Don Henley, and countless other music legends. In this deep dive music history interview podcast, Mike Campbell shares behind-the-scenes stories from The Heartbreakers’ most celebrated albums, his songwriting partnership with Tom Petty, and the creative process behind classic rock anthems that defined generations. Discover how this guitar virtuoso helped shape the sound of American rock music, his experiences recording with legendary producers, and his transition to Fleetwood Mac following Lindsey Buckingham’s departure. Whether you’re a Tom Petty fan, guitar enthusiast, classic rock devotee, or music history buff, this episode delivers intimate insights from one of rock’s most respected musicians. Mike Campbell discusses his vintage guitar collection, studio techniques, touring life, and the enduring legacy of The Heartbreakers. Like this show? Leave us a review here. Review Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

This episode we are talking "FLEETWOOD MAC" with Diane Lutz and Andie Baldwin from STEVIE MAC... the Fleetwood Mac tribute that is lighting up the stage all over the country! Diane and Andi are the Stevie and Christine McVie of the original iconic band and talk about their passion for the music. About StevieMacStevieMac authentically and flawlessly pays tribute to the legends of Fleetwood Mac. In this mesmerizing theater production, StevieMac replicates the most popular hits and the most memorable live performances spanning the decades long careers of Fleetwood Mac as well as the solo careers of Stevie Nicks, Christie McVie and Lindsay Buckingham. Time period wardrobe, multimedia and story-telling transport the audience to the specific eras being celebrated, immersing the audience in a multi-sensory experience you will be talking about for years to come.For more on the band  https://www.steviemactribute.com

Music journalist Alan Light discusses spirituality and song, as well as his new book Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours, which examines the enduring relevance of Fleetwood Mac’s album Rumours 50 years after its release. He is interviewed by radio host Ryan Arnold. This conversation originally took place November 24, 2025 and was [...]

The boys (minus one) welcome back YouTube veteran and newly prolific author, Tim Durling into the lab to discuss his latest book, THE SOUND THAT HAUNTS YOU: A Beginners Companion to Fleetwood Mac.

“What's the one song that guarantees a bar fight—or at least a round of shots?” That's the question Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray tackle in this hilarious and surprising episode of The Ben and Skin Show.The crew dives into the Top 10 most-played bands on TouchTunes jukeboxes in bars across America, and the results will blow your mind. From ACDC at #1 (because nothing says pool and darts like “Back in Black”) to the shocking resurgence of Creed (“The Cowboys should book them for halftime again!”), this countdown is packed with nostalgia, laughs, and plenty of hot takes.You'll hear the gang debate why Nickelback secretly slaps when you're three beers deep, why Fleetwood Mac is the soundtrack for 2 a.m. stragglers, and how Lynyrd Skynyrd's “That Smell” might just be the anthem for bar brawls.

Welcome back on board TL's Road House! Tracy Lawrence sits down with country singer-songwriter Lanie Gardner to talk musical inspirations, family influence, stage nerves and more. A North Carolina native with traditional roots, Lanie first blew fans away in 2020 when her YouTube cover of “Dreams” by Fleetwood Mac went viral. Before that, she was learning guitar and singing alongside her dad from an early age. Her career has quickly taken off with a record deal right out of college, opening for major acts like the Jonas Brothers, Jelly Roll and Cody Johnson, and she most recently released her sophomore album, Faded Polaroids. Tracy and Lanie get real about life lessons they have learned, while also bonding over their go-to Broadway bars, and the memories made along the way. Tune in for a fun and heartfelt conversation with one of country music's fastest-rising stars!

In this episode of VRP Rocks, Paul is joined by legendary drummer Steve Ferrone — the rhythm powerhouse behind some of the most iconic names in music. From playing with Tom Petty and the Heartbreakers for over two decades, to sessions and tours with Eric Clapton, Christine McVie, George Harrison, Michael Jackson, Duran Duran, Chaka Khan, and many others — Steve's career reads like a hall of fame roll call. The conversation kicks off with Steve's behind the scenes memories of that unforgettable Rock and Roll Hall of Fame performance with Prince, where “While My Guitar Gently Weeps” became a viral moment thanks to Prince's incredible guitar solo — and yes, Steve was right there on stage, holding it all together. From there, he shares incredible stories about his time with Tom Petty, what it was like to work with Michael Jackson, his unexpected recruitment into Duran Duran, and why recording with Fleetwood Mac's Christine McVie still holds such a special place in his heart. A warm, funny, and humble storyteller, Steve Ferrone delivers an inside look at some of the most legendary moments in rock and pop history.

655. Joseph Makkos returns to the porch to talk about his work and an archivist and researcher. He manages a rare collection of some 30,000 historic New Orleans Times Picayune newspapers dating from 1880s-1929. He has worked as a printmaker and preservationist, having salvaged and restored historic printing equipment from over a dozen print shops to date. Using these resources he actively runs a design studio in New Orleans that focuses on artful print production and independent book publishing. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. Carl Bernhard, Duke of Saxe-Weimar Eisenach. Travels through North America During the years 1825 & 1826. In the evening about eight o'clock, the company assembled at the ball, which was animated, and the ladies elegantly attired. They danced nothing but French contra-dances, for the American ladies have so much modesty that they object to waltzing. The ball continued until two o'clock in the morning. I became acquainted at this ball with two young officers from West Point, by the name of Bache, great grandsons of Dr. Franklin. This week in Louisiana history. December 6, 1889. Confederate President Jefferson Davis died in New Orleans. This week in New Orleans history. On December 6, 1975 Fleetwood Mac and Jiva performed at a Warehouse. This week in Louisiana. Candy Cane Lane 170 Hwy 151 N. Calhoun, LA 71225 Dates: November 8 - January 4 Time: Nightly, 6:00 PM – 10:00 PM www.candycanelane.net Admission: Family Vehicle: $25.00 (Cash/Card at Gate or Online). Visit CandyCaneLane.net for full details on commercial vehicle pricing and hayride tickets.    Get ready for the brightest holiday tradition in Northeast Louisiana! Candy Cane Lane at Calhoun is officially open, inviting you to take a magical drive through more than one million twinkling lights and festive displays. Cruise down a mile-long wooded route that includes stunning light tunnels and an interactive musical light show. Don't forget to check the schedule for their popular hayride option! Postcards from Louisiana. Doreen "Do You Know What It Means?"  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Discover Lafayette welcomes Hans Nelsen, known on air as “Fast,” who co-hosts the morning show on Big 102.1 from 6:00 to 10:00 a.m. each weekday with CJ Clements. Pictured are CJ Clements and “Fast” (Hans Nelson), co-hosts of Big 102.1’s Morning Show Hans has been on the air in South Louisiana since 1985, starting as a USL student working the graveyard shift at a new urban contemporary station and going on to serve as on-air talent, program director, account executive, and sales manager at several top local stations. He also spent years as a stadium voice and play-by-play broadcaster, and his career has become intertwined with the story of local broadcasting in Acadiana. Hans was joined by his lifelong friend Sean Trcalek, General Manager of KATC TV-3, who was once known on radio as “Charlie Roberts.” The two reminisce about their early days as radio co-hosts and their lifelong friendship. Early Love of Music and the Magic of Radio Hans grew up in a home filled with very different kinds of music, from German organ to big show tunes, and a little boy's transistor radio became his portal to the wider world of sound. He recalls: “I grew up in a household where my dad listened to German organ music and would play it throughout the house on Sunday afternoons. We had to listen to it whether we wanted to or not. My mom was really into big show tunes. ‘I’m Gonna Wash That Man Right Out of My Hair” and “The Sound of Music.” But his own soundtrack lived on his bike: “As a little boy, I had a transistor radio that I taped to the handlebars of my bike, and I would listen to top 40 in one way or another. 1972.” He loved the Eagles, Fleetwood Mac, and pop hits like “Billy, Don’t Be a Hero.” As he got older, he says, “I really wanted to be a musician, and I wanted to be a singer, and I can’t really do any of that. I can play a little guitar, but radio was this next opportunity, though I didn’t really know you could turn it into a career. I just thought it would be something I did for fun.” Learning Radio on the Graveyard Shift Hans' first job was at an urban contemporary station, Foxy 106.3 (KFXZ). Growing up in New Iberia, he already knew some of the music: “It’s funny, you could be a rock guy, but also listen to the Gap Band and Kool and the Gang.” Even so, he had to go deeper into that catalog for a targeted audience: “This was deeper and a more targeted ethnic audience. But it was a piece of cake, because I loved music.” Being alone on the air at night was intimidating: “Well, I’d listen to so much radio. You try to imitate or emulate Casey Kasem, but I was so terrible. The fact that they let me stay past the first night…It was the middle of the night miracle.” He also remembers the mind games of that lonely studio: “You’re in a room by yourself and you can play mind games because you can either convince yourself that no one hears you, or that everyone’s listening. That one mistake, everybody’s going to hear it.” Hustling Through College Radio and 24-Hour Weekends Still in school, Hans got a weekend job at KVOL (1330 AM) and was quickly recruited by KSMB: “On my second shift, Scott Seagraves called me from KSMB and said, I’m listening to you. Do you want to come work for me?” He was “so hungry” to be on the air that he took on extraordinary hours. ““I would do six to noon on KSMB on Saturday and Sunday, and quickly added noon to six on weekends at KXKW. So, I worked 24 hours in two days and worked at a bar both nights. But I knew that I had the bug, and I turn it into a job!” That building is where he and Sean first truly connected and eventually became a morning team: “And Sean comes into that building, we end up being the morning team and here we are.” https://www.youtube.com/watch?v=y1XZVTbmikg Teaming Up with Sean: Voices, Characters, and Parodies Sean came in as a young newsreader, hired to do newscasts in the morning and afternoon. Their chemistry led to a two-man show that blurred the lines between straight news and wild characters. Sean explains: “It started as you and Debbie Ray and me in news. Well, when Debbie left, it was you and me doing news. And I think it was just kind of like. Why do we need a third guy? You know, I still did the newscast, but it was a two man show.” Hans recalls the “credibility issue”: “Sean's doing the ‘17 people were killed today' delivering the news and then he’s doing this crazy voice five minutes later and people knew it was the same guy. But we somehow just moved past that.” The two displayed a gift for spontaneous skits and song parodies: “We both could really rewrite song lyrics. We could make custom versions of big songs at the time. Remember Michael Johnson's ‘Give me wings, gimme wings.” It would end up, “Don’t give me legs. Breasts or thighs!” Hans says the creativity often felt effortless. “What was special about us? A special talent we both had was that there was no prep. We would sometimes do stuff and turn the microphone off. We’d look at each other thinking, that’s good. How did we just do that?” Hans Nelson (‘Fast’) and Sean Trcalek (‘Charlie Roberts’) pictured early in their broadcasting careers on the radio together. They have remained close friends over the decades. Humor, Changing Sensibilities, and Wanting Everyone to Feel Welcome Looking back at their 1980s material, Hans is candid about how much humor standards have changed: “Yeah, it was humor, but let’s just say sensibilities are different, right?” He offered a vivid analogy from pro wrestling to show how certain stereotypes were once normalized and now are not: “The character development in the 70s and 80s was the Iranian guy or the Nazi guy was the bad guy. It was what they did. You just don’t do that now, right?” Hans shared his personal compass: “I always wanted everybody to like me. I need as many listeners as I can get. They don’t have to look like me. They don’t have to vote like me. They don’t have to drive the same kind of car as me. But I want everybody to say, ‘I like listening to that guy on the radio.” Music, Memory, and Nostalgia of Radio For both Hans and Sean, music is deeply emotional and geographically specific; certain songs instantly bring them back to particular corners of their childhoods. Hans shared, “Some songs. What I’ve always been amazed by is when you hear a song and it brings you to a specific place. I mean, like a certain corner in your hometown and you’re like, why am I thinking of that when I hear Sammy John's “Chevy Van?” He offers another vivid memory: “Saturday in the Park by Chicago reminds me of standing in line at Saint Edward’s Catholic School for the cafeteria. I don’t know why.” Becoming “Fast Eddie” and Then Simply “Fast” A big turning point came when KSMB's sister station needed a music director and night disc jockey. The job came with a new name Hans disliked: “They tell me, your name is going to be Fast Eddie.” He tried to negotiate the name away, but wouldn't get the job if he didn't accept the on-air name. KSMB was too big to walk away from: Later, when he was put in charge of a new station and morning show, he pushed to shorten the name: “When we put the morning show on, it was the rude awakening with ‘Fast Eddie and Rob.' We could have done it. It just didn’t sound right. Fast is a speed, not a name, but it ended up being I can’t go anywhere and people yell it out like it’s normal. When I hear Hans, it’s heartwarming. I love being Hans, I wish I could be Hans on air.” The Power and Future of Local Broadcasting Both Hans and Sean describe themselves first and foremost as broadcasters: “What we have always had in common and still have in common is we’re broadcasters. People say, what do you do? I don’t say I’m the general manager of a TV station, or I’m a broadcaster. We’re local broadcasters and we’re passionate about it. We have been since the day we met, and to this day, we’re passionate about the impact that local radio and television can have on a market.” For Hans, that impact includes everything from playing nostalgia-filled music to public service in storms: “By impact, I mean moving people. When you play music, when you tell them what the weather’s going to be like, but also telling people where to go pick up sandbags.” Hans reminds us, “During a hurricane, we’re still the last man standing. TV stations may go down… but I have been on the air during hurricanes when I was the only voice available on the air in this market.” Sean highlights the advocacy role broadcasters have played in keeping AM radio in cars: “We are big advocates, and were successful this past year in advocating that automakers continue to be required to put AM radios in new cars. The reason to keep AM radio is that its infrastructure often remains operational when power grids fail and cell networks are overloaded or damaged, providing a core part of the Emergency Alert System (EAS). During events like hurricanes, AM stations became the primary way people received verified, real-time information, coordinated help, and connected with the outside world when phones and internet were down. They both reject the idea that streaming will wipe out local media: Hans says, “I’ll wrap that up with saying, Satellite radio and Netflix are not going to mean the end of local radio and local TV.” A Morning Show Today: Competing With Phones, Not Just Stations Hans reflects on what it's like doing a local morning show in 2020s Lafayette: “Technologically, it’s very different. Audience participation and reception is very different. We compete with many more things. I believe my biggest competitor in drive time is the telephone.” Listeners no longer call to check school closures, they get texts, but live local radio still plays a crucial role, especially in emergencies. Hans and his long-time friend CJ now host a show built on deep local roots: “We put this show together with almost a hundred years of Lafayette radio experience in one room for four hours a morning. There’s nothing that has happened here since the 60s that we don’t know about. We know where every street is. We know where the schools are. We know it. To me, it is a gift.” Big 102.1 has embraced app listening while staying “radio-first”: “On big 102.1, we've had over 1,000,000 hours of listening on our app. We’re still a radio station first. So if that many people are listening, that’s why we’re still effective… we do everything we can to stay connected to the audience, to do relevant things, provide relevant content and make it fun.” Voice of the Ragin' Cajuns From 2009 to 2017, Hans served as the stadium voice for UL Lafayette football and basketball, a role that grew out of his lifelong fandom: “I was such a fan. I was a Ragin Cajun as a kid. I wasn’t an LSU kid or a Tulane kid. It was USL.” Eventually, security protocols and family priorities pushed him to step away so he could watch games in the stands with his daughter: “Because of security protocol, she could not come in the press box. So when it was my weekend, I lost the whole Saturday and I said I would rather be in the stands with her watching the game.” His last act as stadium voice was a memorable one: “So my last duty was to introduce Billy Napier as the head coach. And I resigned that day.” Christian's Story, Organ Donation, and a Legacy of Life In one of the most moving parts of our conversation, Hans shares the story of his son Christian, who died after a workplace accident in 2013. Christian fell from a picker truck in a warehouse, and although doctors did everything they could, the injury was catastrophic. “He fell 20 feet. When you say 20 feet, you think broken ankle, maybe broken arm, but somehow, on the way down, his feet hit the forklift and flipped him. And he landed on his head.” At the hospital, after a brief brain surgery, the doctor came in and said, “Call your family.” When representatives from Louisiana Organ Procurement Agency arrived, Hans initially felt overwhelmed and resistant: “I’m like, heck no, I’m dealing with too much.” His ex-wife, Jenn, reminded him of Christian's own wishes when he got his license. “She said he would want to do it because he asked about it when he got his driver’s license.” That decision changed everything; “I realized he was going to save somebody’s life. We ended up saving four lives and it was life changing for us.” Christian's heart went to a teenage male that had been waiting for a heart for 18 months with time running out. Christian's right kidney and pancreas went to a female in her 30s. His liver went to a female in her 40s, and his left kidney went to a little boy. His corneas were donated, which gave sight to 2 people. Hans began speaking to civic groups and driver's ed classes about organ donation: “We would tell kids at Driver’s Ed like, they’re going to ask you about this when you get your license, you should know what it means. Most people can’t be an organ donor, even if they want to. You have to die a certain way.” He and Jenn started the Christian's Legacy Foundation to create awareness of the importance of organ donation and to provide support to donor families. Stories of other young donors continue to touch him deeply: “All these years later, those stories touch me in a different way. And I would not have read that story the same way had I not gone through that.” Is Broadcasting Still a Good Career? Asked if he would still recommend a career in broadcasting, Hans doesn't hesitate, though he acknowledges the landscape has changed: “I’m always going to recommend a career in broadcast. Sean explains that media sales in particular remain a strong path, even as technology and products evolve: “Your competition is different. Your products might be different. But of all we do, that’s probably changed the least.” There are fewer jobs, but better pay and more efficiency: “KATC had 100 employees not long ago. Our building was built for 120 people and we’ve got 52 now. And it’s not just because of efficiencies. Our cameras are robotic now Hans still longs to see young people with the same hunger he and Sean had: “I would love to see some young person who was like me or Sean who was willing to work 24 hours in two days when I was at KSMB. They fired the janitor, and for nine months I cleaned the building every night after I did my show, because I wanted them to see that I was willing to do anything to make it. And that’s not beneath me.” Through stories of late-night graveyard shifts, irreverent morning shows, hurricane coverage, stadium announcing, heartbreaking loss, and renewed purpose, Hans Nelson, “Fast,” reminds us why local broadcasting still matters. As he and Sean put it, they are, above all, local broadcasters, passionate about “the impact that local radio and television can have on a market” and the ways music, stories, and community can move people. You can contact Hans Nelson at Fast@big1021.com.

Is “Dreams” what it sounds like when personal chaos becomes collective brilliance? In this live episode from On Air Fest with KCRW, Diallo and Luxxury explore this Fleetwood Mac classic with journalist and podcast host Sam Sanders. Together, they dive into the Rumours-era drama and unravel why the magic of “Dreams” feels both intensely personal and universally resonant. One Song Spotify Playlist Songs Discussed: “Dreams” - Fleetwood Mac “Silver Springs” - Fleetwood Mac “Albatross” - Fleetwood Mac “I'll Be Around” - The Spinners “Dancing On My Own” - Robyn “Hey Ya!” - Outkast “My Ship” - Herbie Hancock “Boom Boom Pow” - Black Eyed Peas “Nice & Slow” - Usher Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus episode of the Behind The Song podcast, Janda dives into the sonic evolutions of artists whose debut albums sound like they were recorded by a completely different group. Trace the changes in bands like Pink Floyd, Fleetwood Mac, and the Scorpions!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textIntro: I'm Yours by Jason MrazAlbum 14: Physical Graffiti by Led Zeppelin (1975)Song 1: Trampled Under FootSong 2: In the LightSong 3: Down By the SeasideAlbum 13: Fleetwood Mac by Fleetwood Mac (1968)Song 1: My Heart Beat Like a HammerSong 2: Long Grey MareSong 3: I Loved Another WomanLink to Physical Graffiti (Andrew's Mix)

This is a free preview of a paid episode. To hear more, visit www.wethefifth.comYou asked for it, you got it! A session with just Matt, Michael, and Kmele… plus 200 of their closest friends. It's The Fifth Column recorded LIVE in Burbank (just like Fleetwood Mac) on Sunday, November 23, 2025. Want early access to the next live show (and full access to this episode)? It's easy: become a paid subscriber!•The Klonopin Diaries•Cover Ma…

Hosts Jim DeRogatis and Greg Kot talk with journalist and author Alan Light about his book “Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours.” They discuss the music, history and why younger generations are still listening to this record almost 50 years after its release.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fleetwood Mac, "I Don't Want to Know," Rumours, Warner Bros., 1977The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Fleetwood Mac, "Don't Stop," Rumours, Warner Bros., 1977Fleetwood Mac, "Second Hand News," Rumours, Warner Bros., 1977Fleetwood Mac, "Silver Springs (Live)," The Dance, Reprise, 1997Fleetwood Mac, "You Make Loving Fun," Rumours, Warner Bros., 1977Fleetwood Mac, "Gold Dust Woman," Rumours, Warner Bros., 1977Fleetwood Mac, "Go Your Own Way," Rumours, Warner Bros., 1977Buckingham Nicks, "Frozen Love," Buckingham Nicks, Polydor, 1973Fleetwood Mac, "Tusk," Tusk, Warner Bros., 1979Fleetwood Mac, "The Chain," Rumours, Warner Bros., 1977Fleetwood Mac, "Dreams," Rumours, Warner Bros., 1977Fleetwood Mac, "Never Going Back," Rumours, Warner Bros., 1977Fleetwood Mac, "Songbird," Rumours, Warner Bros., 1977Fleetwood Mac, "Landslide (Live)," The Dance, Reprise, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, 1998See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On September 5, 1973, the first and only Buckingham Nicks album was released. It wasn't a huge hit, but it was how the world was first introduced to the music of Stevie Nicks and Lindsey Buckingham, before they went on to become members of Fleetwood Mac. Their time together in Fleetwood Mac led to some of the best-selling, most critically acclaimed, and most influential albums of all time. Their individual talents, their musical chemistry together, and the ups and downs of their romantic relationship all eventually became legendary. And yet, despite all that, the Buckingham Nicks album went out of print not long after it came out. For over 50 years, it wasn't available, until it finally got re-mastered and re-released in September 2025. So for this episode, I spoke to both Stevie Nicks and Lindsey Buckingham about the making of one of the songs from that album, called “Frozen Love.” It's the only song on the album where they're credited as co-writers, and it's the song that led Mick Fleetwood to invite Lindsey Buckingham to join Fleetwood Mac. But Lindsey would only join if Stevie could, too, and that's how that story began. So this episode is about a beginning and an ending. It's the story of how Stevie and Lindsey first met, and how they made "Frozen Love," and how that song really led to the end of their band. I also want to mention that not only was Buckingham Nicks out of print for all those decades, no one has heard the isolated tracks that you're about to hear. To make this episode, there was an epic search for the original master tape from Sound City, the studio where they recorded the album with producer Keith Olsen. It took months, but the tape was finally tracked down and digitized, and it feels very special to be able to present this for the first time here, along with the memories and stories from Lindsey Buckingham and Stevie Nicks. For more info, visit songexploder.net/buckingham-nicks.