Podcasts about Cinnabar

revelation rome apocalypse wikipedia litter bema salamis hippolytus forgotten women cinnabar epiphanius

Play Episode Listen Later Apr 25, 2023 60:17

Apparently seeking to clean up a Saffron City that's rotten to the core, Dorito Doug decides to burn it to the ground. After making such a move that's clearly not on-brand for Doritos, he's forced to cool his heels down south for a while. On the journey to Cinnabar Island, he and Caprica-Six are joined by "Daniel" aka Daniel Golson, whose team is like a delicious bowl full of pasta and named thusly. The trio debates saving the many struggling Swimmers on Routes 19-20 but ultimately decides that's the Kanto Coast Guard's problem, which may or may not exist. On Cinnabar, Caprica-Six is finally able to replace Golbat the Golbat after tapping into the Cinnabar Lab's resurrection technology. Then, they try to continue their gym challenge but are forced to scour the depths of the Pokémon Mansion in search of a key that lets them into Blaine's Gym, which is also a wildly fun trivia show. After those fun and games though, it's time to determine who will retain or take over EXP. Share's IP in the first guest battle of the season! Notes: Thanks to Daniel Golson for joining us! Follow him and his sweet rides @dsgolson on Instagram & Twitter.

ip route pok gym islands mansion doritos swimmers routes exp golson seafoam cinnabar saffron city

Natrozippeite, Cinnabar & More

Radical Rocks

Play Episode Listen Later Apr 4, 2023 34:47

Today we talk about Cinnabar crystals and minerals. We talk about a field trip to rainbow ledge. Natrozippeite general discussion APRIL Gemstone, a nine-year-old discovers a Fossil and astroids approaching the Earth outback Jasper water on the moon and so much more thank you for stopping bye until next time remember Rockhound Stone die they petrify.

earth fossil cinnabar

323: The Forgotten Women of the Apocalypse

BEMA Session 1: Torah

Play Episode Listen Later Mar 23, 2023 60:57

Brent Billings and Elle Grover Fricks finish out the series by turning their attention to two figures in the book of Revelation.Cinnabar — WikipediaLitter (vehicle) [palanquin] — WikipediaEpiphanius of Salamis — WikipediaHippolytus of Rome — WikipediaIsis — WikipediaBEMA 300: John — The Migdal

Lapis Lazuli And Grace In Your Life

Crystal Clarity Podcast

Play Episode Listen Later Mar 1, 2023 21:51

⭐Subscribe to The Crystal Clarity podcast on Apple Podcast, or Spotify Watch the episode here on YouTube! Love the show? Subscribe, rate, review, & share! CCP Blog - Episode 3 Lapis Lazuli And Grace In Your Life What if you're already good enough? What if you absolutely don't have to do anything? What if the good things in life just shower on you without you asking for it? That is what grace means. You don't have to be good enough to receive grace. It just comes. It is something that Sarah Thomas loves to talk about because not many people open themselves up to receive grace. If anything, they are more often blocking grace from their lives. In this episode of the Crystal Clarity Podcast, we dive into the concept of grace, how it is connected to the Divine Mother, and how lapis lazuli acts as a trigger for grace to flow. The next time you wear lapis lazuli or give it to someone, you'll know its power and what it can do in a person's life. Tune in! This episode is all about unkinking that hose that is stopping or pinching the flow of grace in your life. The flow of grace that is coming from heaven, Earth, and nature all around you. This episode is about unblocking those chakras and letting them all receive this tremendous grace. It is all about surrendering to all of the things that you don't have to earn, that can be easy, and that are all around you. It calls for one beautiful, elegant, rich stone, which is lapis lazuli. Let's pull together the link between lapis lazuli and one of the primary qualities of the divine, which is grace. After the episode, you will have a good sense of when to get someone a lapis lazuli ring, when to put it on them before bed, when to make them a lapis lazuli anointing oil, or weave some lapis lazuli stones into their next birthday card. --- I'm excited because this episode is about grace. I want to define grace and us all good on the same page. Lapis lazuli is going to come shining in, uplift us, and love on us from this place of grace. I want to bring up this rags-to-riches concept. If you start from a hard place and you end up somewhere that is full of riches and treasures, I think of my little Chihuahua, Maria, who I rescued from a hoarder situation. She came out of a trailer that had 100 other dogs in it. She came to me. She was already old, gray, blind, and had a lot of health problems, and she had been living in these horrible conditions for, who knows, maybe her entire life. She was losing her hair. Lapis lazuli is going to come shining in, uplift us, and love on us from a place of grace. It was a sad situation, but we fell immediately in love and had smiles on our faces from the first day. By the next day, she is eating incredible food, toys, balls, and twenty beds around the house. She was in my arms all the time. It is like she went from rags to riches. She landed in the lap of the divine from her little perspective. Everything in the house smelled a million times better than in that trailer. She had all the food she wanted. She had complete safety. Something happened in her life where she got hit by grace. Grace is this opportunity to receive because a lot comes to you. It is time to receive that love, blessings, and miracles. My mom went to a retreat with her church. She didn't know what she was getting into. She got there and it was the pastor's wife that ran the retreat. It turned out that the only thing it was about was God's love, and it was about receiving God's love. They got there, and it was the surprise giant banquet of food. It was laid out for them. She said she felt like royalty. It is like rags to riches. Royalty is another big word that is going to come up a lot around lapis lazuli. She walked into that room and there were grapes, cheeses, fruits, chocolates, and all these things. She was like, “I was overwhelmed. I couldn't believe they set that all up for us.” Tears came to her eye. There is beautiful music. They get massages. She didn't know it was going to be all about receiving the love of God. That was all about grace. That pastor's wife was like, “This weekend is all about grace, and it is all about receiving.” Grace showers down on us, and it doesn't have to be earned. That is what grace is. It showers onto us. Have you ever had to do anything to make the rain, rain? No, it hits you. Have you ever had to do anything or been enough to make the sunshine? No, the sun shines on you. It is free. You don't have to earn it. It is tremendous love. You don't have to be good enough for grace. Grace is free. It showers down on us and it doesn't have to be earned. That is the definition of grace. You don't have to be good enough for it. It's loving you and given freely. It is a whole perfect reflection of the divine. Grace is a reflection of the divine. It is a primary quality of the divine because however you see that in your life or you see what the divine is, the divine is connected to infinity and eternal life. It is eternal energy. It is completely pure abundance, and it has so much to give. I was meditating and thinking about some things as I was getting started. This thought came into my head. I was like, “What if you are already good enough?” Because I was trying to be good enough, my mind and myself were trying to be good enough to get something started. I didn't realize I was doing this. Thank goodness for the grace right of this voice. It was like, “What if you are already good enough? What would you do if you were already good enough?” Everything shifted in my day because I sat there for a second and I took that seriously. “What if I'm already good enough? How would I be on this day if I was already good enough?” I relax and I start to receive the grace of who I already am. What is already available to me, so I don't have to earn what's coming up in the day? What if you are already good enough to start, heal, succeed, be happy, and change? What if there is nothing that you even have to do? It is mind-blowing to the Western mind. It is completely derailing to the self because the self or the mind feels like it always has to do enough and strive. It will never be enough. This immense grace is often forgotten. Because the self or the mind is loud, we forget about this immense grace. Some of the greatest teachers in my life and the people that I consider tapped and connected to the divine help me remember. One of the main things they have shared and helped me remember is to allow and receive grace. She has a lot to give. Receive the miracles, that this could happen to you and this could be easy. Let that grace in like that sun is always shining on you. With grace, all you have to do is open to receive it. Grace is this powerful magical quality of the divine. It allows us to know that things can happen easily and without cultivation or hard work. Things can happen without you having to earn it. It is free. How is the grace flowing in your life? How is it flowing for you right now? Have you forgotten about grace? Have you forgotten to receive all of the miracles and possibilities sitting there waiting for you to open to them when you are asking yourself, “How is the grace flowing in your life?” If you see someone who is a little bit stuck, they are in that loop of like, “I have to suffer to transcend,” you might start to open up the grace portals with lapis lazuli. It always comes in with this beautiful message of surrender to grace. It is all around you. Surrender to it and let it in. It is truly one of the major qualities and attributes of the divine, not the divine as we think of it in heaven, but the divine that is the Earth. The Earth feeds all of us every single day. The grace coming from the Earth is immeasurable. Open your body and all seven chakras to receive that grace. Lapis lazuli is a stone that is going to bring you up to that beautiful possibility of receiving grace, receiving it easily in your life. It is the trigger for grace to flow. If you put on that lapis lazuli ring or that jewelry, put it on somebody in treatment or on yourself before bed, it is the trigger for that grace to flow. It allows you to surrender to that grace, and it reminds you of it. Lapis lazuli is a stone that brings you up to the beautiful possibility of receiving grace. It is the trigger for grace to flow. When I was in Egypt, I was in a few museums. Everything is lapis lazuli. It is huge on all of the royalty, kings, and queens. Everybody was wearing lapis lazuli. When I was in India, all of the avatars and riches were lapis lazuli. It is like saying, “I'm receiving the grace of the divine. I'm allowing myself to sit not in rags anymore but in riches. I'm allowing myself to be royal.” In China, Tibet, and all around the world, lapis lazuli is when we allow ourselves to receive the grace of the divine. Riches is an important word. The color of lapis lazuli is so rich blue. Imagine finding that in the Earth that is incredible blue, it's like, “What a gift. What a precious treasure.” It is precious that it didn't even need to be changed to become a paint pigment. It became lapis lazuli paint pigment. It is rich. It was prized and beautiful. It is valued that painters back in the day would only have a tiny bit. They have to save up for a tiny bit of lapis lazuli paint pigment. When you only had that tiny bit, you would not paint your whole canvas with it. You would save it for these little moments like, “I'm painting the Virgin Mary. I'm going to use my last little bit of this to paint this scarf on her neck or paint her blue eyes.” It was like saying, “This is extremely valuable. I'm going to put it on what is most valuable.” When you put lapis lazuli on yourself, you are like saying, “I'm valuable. I can receive blessings and miracles. I can allow myself to go from rags to riches.” Sugilite can be a rich color purple. Cinnabar and hematite can be rich red. Gold is rich. Anytime something has a rich color, it is going to put richness into us. Watermelon tourmaline can be rich green and rich watermelon. It puts richness into us in the form of physical tonification or spiritual material richness. That richness of color is a translation of richness in us. We all want a rich life. I don't care who you are. You want your life to be rich. It might be completely different from what richness looks like to you to someone else. I know for my partner, a rich day would be if she could sit and read her book in the little nook of the couch. Smell the pages of the book, read one book, get out another book, and be in her world of books. That is rich to her, and have the house be quiet. I'm a teacher at college. I go to the college campus. I'm around people and we share ideas. That is rich for some people. I'm a Gemini, so that was my example. Other people might be like, “What was rich for me was that this crew and I built this tree house together. To see everybody working together was rich.” We want our lives to be rich. It is different for us, but that feeling of like, “My life feels rich.” That felt nourishing and rich. You are going to get that from these rich stones and rich in color. lapis lazuli is rich. It is connected to the divine mother aspects and the grace that flows from the divine mother. The grace that flows from the divine father is connected to sunstone. The divine father's grace is a lot about shifting our consciousness, waking us up, making us clear, and making us lucid. The divine father shares a lot of gifts of consciousness and grace around waking up, like consciousness, activations, boons, blessings on what we have, blessings on what we create, and growing things like that. The divine mother and the grace that she shares can be a lot around material wealth, having enough to eat, clothes, and shelter, elevating that to having wealth, riches, and prosperity, which is enough to give away to share and take everybody to Italy for the summer. It's to have that prosperity to give away, and she loves to give pure pleasure like “Here is an incredible bath and food.” Receive pleasure of the senses. The divine mother gives the pleasure of that incredible, beautiful, stunning stone lapis lazuli that is that beautiful rich blue color. Some people say it is the most stunning color that the Earth has made. It has this gold, which is pyrite. There is even some sodalite in lapis lazuli, which looks like there is some quartz in there. Lapis lazuli is a rock. It is not one mineral. It is full of different things. It looks like you are looking up at the night sky. You see incredible glittering stars, and the Milky Way galaxy stretches across the sky. The gold riches inside this beautiful blue. What could be richer than that looking up? It is like we are receiving this heavenly grace. The divine mother aspects of grace are connected to lapis lazuli. The divine father aspects of grace are connected to lapis lazuli and connected to sunstone itself. Pleasure, beauty, rags to riches, having enough, having wealth, having prosperity. The divine mother, I feel sometimes she was like, “Receive and enjoy it. You don't have to work hard. That is grace. You should receive and enjoy it.” What would happen if you let go and surrendered? Where could grace take you in your life? When we come up to conversations like this, there is a place where I can lose some people. When I talk about this, letting things come and being worthy to receive all of this grace because the light and shower of grace are strong. One of its superpowers is it will illuminate the shame and the unworthiness programs inside of you. It will illuminate the “I'm not good enough” programs inside of you. That is the beauty of grace. Look how it is able to root those out and bring those into the light. When you see that unworthiness program, that is a giant part of the process. Some people would say, “It is the whole process.” To see it is to be free of it. When you see that “I'm not good enough” program, that is a giant step. You should be cheering and celebrating because it means to see it is moving through. Grace and lapis lazuli have a way of bringing us up to face our shame, unworthiness, and all of this not good enough stuff that is embedded in the programming of the self. That is the same for all of us. There is no self out there that doesn't have shame, unworthiness, and not good enough to move through it. It can be to different degrees, but it is truly not personal to you. It is a quality of the self, the one giant program that we are waking up to. A wonderful time to bring out lapis lazuli is to say to someone, “You don't anoint yourself with riches. Receive this love.” What if somebody gets an amazing partner and they are blocking it? What if someone has this ability for something to be easy, and they are blocking it? Receive it. Somebody might be doing well in their business, but they are not receiving that piece that would allow them to make money, make that change, or get that first down payment on a house. Lapis lazuli is the moment to say, “Remember, there are miracles. There is so much grace out there that you don't have to earn. It is coming.” Open all seven chakras to receive that grace. When I say that, you might feel a couple of the chakras that are like, “I'm not receiving that grace.” Now that you have come to this episode and you have thought about this a little bit, you are going to start seeing lapis lazuli around. You are going to start noticing this always in riches, queens, and beautiful jewelry. I hope that there is a moment for you to become conscious of that question that I asked in the middle of the episode, like, “How is the flow of grace going in your life? Are you allowing it to be easy? Are you allowing the divine to shine its love on you? Are you receiving all of the energy in nature that is all around you, that wants to feed you, come up through the Earth and air? Are you receiving that? Are you letting that into your body?” We have to wonder, with these stones, did some human pull out this stone and say, “That is beautiful?” Humans started making up this story about what this stone does, or did this stone come up out of the Earth with the transmission inside it with a higher consciousness of receiving grace inside of it from the Earth or celestial realms? Did that transmission hit us and start moving in us as we started to interact with the stone? You got to wonder. Maybe it is our imaginations, and our imaginations are the same as these divine transmissions or it is all one. I wish you so much grace, and I will see you in the next episode.

god love earth china gold italy western open humans receive tears surrender apple podcast pleasure smell riches gemini tibet watermelon virgin mary milky way chihuahua divine mother sarah thomas lapis lapis lazuli cinnabar crystal clarity sugilite

3 Superpowers Of All Red Stones

Crystal Clarity Podcast

Play Episode Listen Later Feb 28, 2023 26:15

⭐Subscribe to The Crystal Clarity podcast on Apple Podcast, or Spotify Watch the episode here on YouTube! Love the show? Subscribe, rate, review, & share! CCP Blog - Episode 1 3 Superpowers Of All Red Stones We bleed red. Blood is warmth. It is animation. It is emotion. It is what makes us alive. And red represents all of those qualities and more. That is why there is power in red, and the ancients were aware of it. In this episode of Crystal Clarity Podcast, Sarah Thomas shares with us the three superpowers of red stones. And yes, they are true superpowers. Think about cinnabar, red tourmaline, carnelian, ruby, and hematite. Ancient peoples – even those who painted red ochre in caves – recognized their value and used them for a variety of sacred purposes. Tune in to this episode and get to know your red stones more intimately, so you can use them whenever you or someone else needs them. This episode is going to be helpful and important for you if you are about to go into something that is going to take some focus, presence, energy, and reserves and if you are going into a marathon type of moment or something where you are going to want to apply yourself. If you are going into something where you are like, “I want to feel steady, calm and grounded for this. I want to be able to feel present for this. I want to feel like I have the resources to get through this,” there is a group of stones that are perfect for these moments. It is the red stones. If you love red stones and you have red stones like red carnelian, ruby, sphalerite, tourmaline, and jasper, there are three superpowers that all red stones have. Knowing and naming those three superpowers of red stones are going to help you befriend and utilize them more. You will be able to give them to somebody when they are in these moments in their life. It allows you to allow them to do the work they are here to do. I can hear all the red stones peeking up around me. This is cool. This episode is about us. Enjoy this time to learn the three incredible superpowers of all red stones. --- This episode is about red stones. It is about the three superpowers that all red stones have in common. When I say superpowers, I mean really superpowers. These are super powerful stones. We are going to talk about all of these different red stones. I want to make sure that you know exactly the three superpowers, that anytime that you pick one of these up to heal, awaken or do ritual, all the things that we do with our stones, you will know what you are bringing to the table. You feel refreshed and clear about that. This is such an incredible group of stones. I want to start by saying that we bleed red. That is fascinating that we bleed red. We bleed this beautiful dark red color. It is my favorite color. I love red, orange, yellow, and pink. I love all the combinations of red. We could bleed blue, light blue, green, or yellow. It is what pumps through our veins and makes us alive. Blood is warmth. It is animation, in motion and emotion. It is what makes us alive. We bleed red. If you think of a dead body, it is cold and stiff. There is no warmth or movement. Blood is all about that animation, movement, and aliveness. Blood has everything to do with our emotional landscape. The blood carries and holds the spirit. If you have ever been in the room with someone who has passed away, you feel the spirit move out of the body. That spirit was housed by the blood inside the body. That aliveness, warmth, and feeling of being alive and feeling alive in a spiritual sense too. I feel alive now. I want to get up, get out of bed, and have my day. I feel alive. I feel that juiciness. That is the blood, and it is dark red. It is aliveness. Think of menstrual blood as well. The color red is often associated with women, whereas white would be more associated with biological men because white is the semen and red is the menstrual blood. Think of the menstrual blood and what it represents. It represents life. This person is able to make life. They are in a cycle of their life where they can make life. Think of soldiers. They always wear dark red. They will wear garnet, garnet belts, sheaths, and headbands. They will find red stones and iron hematite. They will wear those into battle because it is like saying, “You can't kill me. I'm alive. I'm going to have victory. I'm going to be the one that is standing here alive at the end of it.” In many different ways, blood means what is alive? It is dark red. Blood is also connected to our ancestry. It is the blood that we pass down. It is our blood relatives and the animation of the spirit that passes down through ancestry lands in our blood. It is amazing that it is dark red. It could be any other color. Color therapy is all about how color affects biological systems and anything that's alive but it is not that it affects our physical form. It affects our multi-dimensionality, spiritual body, emotional body, physical body, and the millions of multi-dimensional subtle nuances that we encompass. We feel the color red around us. We pick that up. We get affected by that biological system. When we say, “Red does something,” it is not a metaphor. It is not like we want to say that red does something because it looks like this. No, our bodies are picking up the color red. In Ancient China, when we look at the five-element theory, the color red means many things. It comes off the face and body. We see it in certain ways and it means things. It is phenomenologically tied to who we are. Color therapy is not just a metaphor. It is something that deeply affects us on all layers. Color is important, and it is highly correlated to emotions. I want to talk about the three superpowers of red stones. We are talking about cinnabar. Cinnabar even had red in the name. We are talking about garnet and hematite. It talks about ancestry in the name of hematite. Hematite created red ochre. The first cave paintings are made out of hematite streaks scratched on the wall. It makes red ochre paint pigments. It is important in this conversation. I'm not talking about pink. I'm talking about your red stones, red tigers eye, real red cornelian, real red jasper, and red tourmaline. Keep that in mind, like a darker red rubellite or the red inside watermelon tourmaline. There are many other red stones that you might be thinking about. Let's move into what they all have in common and these superpowers. Number one is that red stones are going to bring energy/vitality to that living system. Red builds strength in the body and physical systems. It builds physical power. It strengthens you up. Think of your adrenals and vitality like your power to move through the day. That is what red stones are going to affect. Think of your lower dan tian, which is the lower part of your belly, your pelvis underneath your belly button. That is where the fire is generated. The small of your back, which we call Mingmen, is where the fire in your body is cultivated. That fire rate is what creates metabolism, energy, and movement in our lives and the ability to move, be mobile and have energy. I used to go to a workout place for many years that was called the fire because fire is all about that metabolism that we light inside of us. Energy, libido, physical metabolism, fuel, moving, and feeling strong. The fire is red. It is all about this red color. It is going to go into the body and build strength and physical power in living systems. I keep saying the physical level. It is the physical level. All color affects all levels of who we are. There are a lot of levels of who we are. This one is particularly tuned in to hone you up in your physical system, which is important. I can't even name how many moments in people's lives they are going to need physical energy. Number two is grounding to the Earth. We could call this earthing, but this color and all of these stones ground us and connect us to the Earth below us. They have a resonance that keeps our feet on the ground. They keep our pelvis connected to the Earth. Red is connected to the root chakra. When you look at the visible light spectrum, red is moving the slowest, longest wavelength. That slow long wavelength is the last color we see before color disappears into too low and slow. That low and slow is connected more through relative resonance to the material body. The plane is slowing us down and bringing us to Earth as matters. It is moving fast in higher planes, and it slows down to materialize. Coming into materiality and the physical body is being grounded. All of these red stones are grounding. It is great to put them on the pelvis and the low belly. On the lower back, they are incredible. You can also put a red light over the red stone. All of this is going to make us feel like we are sinking into the Earth. What's important about this is that one of the big places where we get all energy, spiritual energy, life energy, emotional energy, and all energy is from the Earth. The Earth is something that feeds us. We get to the last place in our own energy body. Maybe we had a trauma, we went through something big, or we gave birth to a baby. When we get low, the place to source from is the Earth. Earthing is a way to get all of this energy up into your body. I want to make a little side note for empaths. I'm sure everybody reading this is an empath. One of the things that empaths do is because the information is too much for them often or can be overwhelming because they are picking up much information from the environment. Sometimes, to stop that overwhelm, they will block that information from the environment. One place we can block that information from is our butt, pelvis, and legs, that root chakra. We can hold things out as a way to protect ourselves. There is an unconscious crossing of wires. Empaths sometimes will be protecting themselves a lot of times in the lower body. They are not open enough to receive the energy of the Earth coming in. What is going to protect them is the energy of the Earth. It is like that grandmother energy that can come up and be like, “I will protect your energy and sort through this for you to make sure you feel safe and you can relax in your body. Number two is red stones will ground you to the Earth. They will allow you to open up that root shocker so you can let that Earth energy in. There are many other ways we can talk about why and when it is important to be grounded in the Earth. A lot of them are about shock, disassociation, feeling split from the body, or something that happened when we went up into space. Red stones will help ground that person back down, especially red stones with iron in them. Iron is heavy. It has such an incredible resonance with the Earth of dropping down to the heavy Earth to being able to materialize. A lot of red stones have iron in them. If you have dark red sphalerite with iron in it, that is perfectly resonant with what we are talking about. Garnet and hematite have a lot of iron in them. If you also get that iron in the chemical composition, it is perfect for grounding people to the Earth. Besides number 1) Energy vitality and number 2) Grounding and earthing, the third superpower of all red stones is phenomenal. It is going to bring us back to how we started, talking a little bit about the blood. The red color goes to the heart. The heart picks that up. They are in resonance. They come together. When anything is in resonance together, they start to exchange information. The heart has always been the color red. That is Ancient Daoist, knowing the heart is color red. We could talk about the heart as the green in the chakra system, but I'm going to leave that out for now. Let's tune into how the heart is red. When somebody has a constitutional heart factor or something is up with their physical heart or emotional heart, like they are in sadness, despair, or anxiety, their face and different parts of their body will get red. We can see little blood vessels popping out. I spent all this time studying this correlation between red and the heart, and many people have for centuries. We get to relax into the phenomenon of red associated with the heart. The heart pumps blood throughout the body. It is the master and controller of the blood moving out throughout the whole body, getting all the way out to the hands, feet, and head. The heart is pumping that blood and keeping us alive. It is holding that aliveness for us. We talked about how the spirit is housed in the blood and that feeling of animation and being alive is housed in the blood. Our spirit and aliveness are being pumped around the body by our hearts. What is amazing about the blood and the heart is that all of your emotions are in your blood. All of your emotions are carried by the blood. Blood is animation in motion and it is emotion. It is that movement of emotions. If there is anything that emotions love, it is to move. Emotions are free. They want to be free and feel. They want us to be present with them. They want to keep moving. When emotions stop or get blocked up, we have repressed or suppressed emotions. It is the blood that is able to move those emotions. The more suppressed and repressed emotions we have, the less we are able to be present in our lives. We want to have fewer repressed and suppressed emotions. Repressed emotions are things we don't even know that we have. If somebody said to somebody, “Do you fear death?” They were like, “No, I know I'm going to heaven.” They might have repressed fear of death. They don't even know that they have it. A suppressed emotion is something that somebody knows they have, but they are not managing it. It is like the elephant in the room. They were like, “I know this is there, but I would just look away.” We will dive into that a little bit more in the future. You might notice that you have some suppressed emotions. I know that fear of running out of money is there, but I will leave that elephant over there. A repressed emotion would be one that you don't even know that you have. Keeping those emotions moving is all about the heart. When we can keep our blood moving, that is aliveness and presence in life. I'm going to bring something up that you may already know, but trauma freezes the blood and stops the blood from moving. Moving trauma so we can integrate and be present in the present moment. Moving the emotions so that we can have a full experience of life and experience emotions as they move through. Being present with the mess they move through and keeping those moving has a giant impact on who we are and how we live our lives. That red color keeps that blood and emotions moving. When we can't manage our emotions, or there are too many elephants in the room or suppressed emotions, that is where numbing ourselves through addiction comes in. Red stones are going to keep the blood moving, keep us present and keep us saying, “I know I have this elephant in the room of this anxiety, but I know working out helps me. I'm going to work out. It keeps that moving going.” All movements of emotion are good for matters of the heart. Emotions that are hard to deal with around matters of the heart are anxiety, sadness, and despair. Red Stones will help with anxiety, sadness, and despair, being able to be present with those emotions and helping them move through heartbreak. The other side of that is that red stones can promote joy, aliveness, and feeling present. They also can promote feeling calm in our hearts. That is the opposite of how we feel when we are anxious. We don't feel calm in our hearts. We call that grounding or calming the Shen. It means heart spirit. We calm the heart with red stones. Calming the heart is the opposite of the whole spectrum from anxiety to mood swings, to bipolar, to mania, everything that feels like it is an out-of-control fire emotionally. Those things are connected to the heart. They are red color and red stones because they feel like an out-of-control fire. Red stones can also calm that fire to this beautiful candlelight that feels beautiful and manageable. It creates intimacy like you are sitting around a candle with someone. Those are superpowers. Number 1) Energy/vitality. Number 2) Grounding earthing. Number 3) Movement of emotions. Think of times in your life when you are like, “I would love to have all three of those as I go into this.” Imagine if a loved one was diagnosed with something hard. You would say, “I need physical energy/vitality and strength of the spirit in all parts of my body. I need to stay grounded in my body and present. I need my emotions to be moving and flowing.” That brings that presence. If you are training for a marathon, you need these things, “I'm going into a phase with my work where I have to work hard for three months.” Think of other times that you would need these three superpowers, “I'm pregnant. I'm going to go through this long process of being present. I need these resources and birthing the baby at the end of it.” Not even a loved one was diagnosed, but you had a health challenge that you were going to go through. These red stones are able to make us be like, “I'm present. I can focus on what is ahead. I have the resources to make it through.” Red stones are the fine wine of all stones. Thank you, cinnabar, red tourmalines, red zircon, hematite, all of you iron stones, garnet, and all of the other red stones, sphalerite. Red stones were the most important stones in Ancient China. They were seen as the most powerful. They were also seen as the most rare. Moving into red stones was like moving into the fine wine of all stones. As I used a metaphor with another dark red color of fine wine, I'm going to leave that episode right there at that part. Be sure to get out your red stones when you or someone else needs them. I will see you in the next episode.

Mosman Oil and Gas sees Cinnabar as a potential "step-change"

Proactive - Interviews for investors

Play Episode Listen Later Nov 24, 2022 9:31

Mosman Oil and Gas Ltd (AIM:MSMN) Chairman John W Barr visited the Proactive London studio to provide a progress update following "a very busy quarter" for the company. He gives his take on what higher production at the company's flagship Cinnabar project could mean, describing it as a potential "step-change." #ProactiveInvestors #oilandgas #invest #investing #investment #investor #stockmarket #stocks #stock #stockmarketnews

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Anya Fernald III: The Hellebore Mystery

Lexman Artificial

Play Episode Listen Later Oct 30, 2022 3:49

lawyer fails in her attempt to purchase cinnabar from an army surplus store.

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#82 Cliff Dunning- Piercing the Pyramid Paradigms Lost Technology from Ancient Guatemala to Ancient Egypt (Ancient Egypt/Sumer Months)

Rising From The Ashes

Play Episode Listen Later Sep 28, 2022 120:48

Hello Fire Tribe Hoping that all is well within your stasis, today is a special episode, glad to share this one with you. Breaking alot of codes with todays guest Cliff Dunning host of Earth Ancients Podcast, He is a role model to Dan and Romie. His vast experience hands on these ancient and sacred sites over the years has led him to some secrets that not even alot of scholars are framiliar with. Discover the secrets of the Cinnabar (mercury) tunnels under the pyramids in Ancient Maya & so much more. Psychic/Clairvoyant work SOBIAH SOGARD https://www.visionswitch.space/ RFTA LINKS TELEGRAM: https://t.me/risingftashes PATREON: https://www.patreon.com/risingftashes EMAIL: risingfromtheashespod@protonmail.com

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Purging tongs with juergen Schmidhuber

Lexman Artificial

Play Episode Listen Later Aug 10, 2022 2:47

In this episode, Lexman discusses the purging process of tongs with juergen Schmidhuber.

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A imagem como forma (perfil de Colin Insole)

Podcast da Raphus Press

Play Episode Listen Later Mar 25, 2022 19:33

BIBLIOTECA SUBMERSA é a nova série de episódios do Podcast da Raphus Press, uma ironia bastante séria com o conceito de canônico e marginal, de popular e elitista, de aceito e não aceito, a partir das obras de autores que, aparentemente, tinham alguma influência (ou relevância) de certas obras ou autores no passado e que, hoje, parecem ausentes das livrarias, cadernos culturais, canais de vídeo na Internet. Nossa inspiração é Jorge Luis Borges e uma conhecida citação de Virginia Woolf: “Livros usados são selvagens, destituídos; surgem em grandes bandos de penas variadas e possuem certo encanto que falta aos volumes domesticados de uma biblioteca.” Acervo revisto de hoje: A imagem como forma (perfil de Colin Insole) Obras citadas: “Dance for a Winter Moon” (parte da coletânea “The Gift of Kos'mos Cometh!”, organizada por Geticus Polus e Damian Murphy), “The Weimar Spider” (parte das coletâneas “Cinnabar's Gnosis”, organizada por Dan Ghetu, e “Elegies and Requiens”) e “Salt Flowers from the Years of Draught” (e sua tradução, “Flores de Sal dos Anos de Aridez”). Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html). Nosso podcast também está disponível nas seguintes plataformas: - Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs - Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4 - Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus. Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.

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S1 E15: Cinnabar Island, Cinnabar Mansion, Route 21

Chapter by Chapter

Play Episode Listen Later Mar 19, 2022 32:08

Join me and WiiCON as we continue our journey throughout the Kanto region! In this weeks episode, we'll be discussing all the tips and tricks to make the most of Route 21, Cinnabar Island and Mansion as well as the last two gym leaders!Any media used that relates to the Pokemon company belongs to them. The purpose of this podcast is to entertain and educate individuals on the game(s) discussed. Listen and let us know with a review below! Get Episodes a week early on our Patreon: patreon.com/chapterbychap Think you've got a wealth of knowledge on a video game? Get in contact at chapterbyc@gmail.com

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S1 E14: Saffron City, Route 19, 20, Seafoam Islands & Power Plant

Chapter by Chapter

Play Episode Listen Later Mar 12, 2022 34:05

Join me and WiiCON as we continue our journey throughout the Kanto region! In this weeks episode, we'll be blasting through the rest of the Kanto region by covering Sabrina's gym and everything up to the Cinnabar islands, including introductions to the first Legendary Pokemon!Any media used that relates to the Pokemon company belongs to them. The purpose of this podcast is to entertain and educate individuals on the game(s) discussed.Listen and let us know with a review below!Get Episodes a week early on our Patreon: patreon.com/chapterbychapThink you've got a wealth of knowledge on a video game? Get in contact at chapterbyc@gmail.com

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The King of Cinnabar – Hopalong Cassidy (07-23-50)

Hopalong Cassidy - OTRWesterns.com

Play Episode Listen Later Jan 5, 2022 27:52

Original Air Date: July 23, 1950 Host: Andrew Rhynes Show: Hopalong Cassidy Phone: (707) 98 OTRDW (6-8739) Stars: • William Boyd (Hopalong Cassidy) • Andy Clyde (California Carlson) Writer: • Harold Swanton Creator: • Clarence Mulford Producer: • Walter White Jr. Music: • Albert Glaser Exit music from: Roundup on the Prairie by Aaron Kenny […]

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The King of Cinnabar – Hopalong Cassidy (07-23-50)

Old Time Radio Westerns

Play Episode Listen Later Jan 5, 2022 27:52

Original Air Date: July 23, 1950 Host: Andrew Rhynes Show: Hopalong Cassidy Phone: (707) 98 OTRDW (6-8739) Stars: • William Boyd (Hopalong Cassidy) • Andy Clyde (California Carlson) Writer: • Harold Swanton Creator: • Clarence Mulford Producer: • Walter White Jr. Music: • Albert Glaser Exit music from: Roundup on the Prairie by Aaron Kenny […]

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Hopalong Cassidy 50-07-23 (030) The King of Cinnabar

Good Old Radio - Vintage Radio Shows

Play Episode Listen Later Dec 31, 2021 26:12

Hopalong Cassidy 50-07-23 (030) The King of Cinnabar www.GoodOldRadio.com

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Episode 48: Knitting Styles

make good: a knitting podcast

Play Episode Listen Later Nov 2, 2021 34:21 Very Popular

Lots of tutorials with different styles! Continental Style (picking) (also called German, European): Video: How to Knit Continental (https://www.youtu.be/Bqua0MP7pF4) *Norwegian Purl *: Video: How to Norwegian Purl (https://www.youtu.be/0DkwcejowiI) English Style (throwing) (also called American): Video: How to Knit English Style (https://youtu.be/aQmSJsowdyU) Flicking (lever knitting) (also called Peruvian, Catholic, Australian, Irish Cottage): Video: How to Lever Knit (https://youtu.be/wdIbvBz01yI) Combination : Video: How to Combination Knit (https://youtu.be/YerRyOYFeJU) Portuguese (Incan, Andean or Turkish - practiced all over the world): Video: How to Portuguese Knit (neck) (https://youtu.be/qxBZUZw2vlc) Shetland Knitting (also called: Pit knitting, Scottish, Shetland, From the Hip, Old Way) Video about Shetland Knitters who knit over 200 stitches per minute (https://youtu.be/4ibP2YH6QCI) CWA Knitting Competition 1971 (https://youtu.be/wIFvvwsRTCA) To see great short videos of knitting different techniques, visit @dankfiber (https://www.instagram.com/dankfiber/) on instagram! What's on our needles this week: Cinnabar (https://www.ravelry.com/patterns/library/cinnabar-6) designed by Andrea Mowry Gresham Wrap (https://www.ravelry.com/patterns/library/gresham-wrap) designed by Michael Vloedman KNITTING CARTOON CHICKENS EXIST! (https://www.shutterstock.com/video/clip-1833542-cartoon-hens-knitting-chicken-coop) Send us your letters! dearscratch@scratchsupplyco.com Oh hey, we have a Patreon now! Check it out (https://www.patreon.com/makegoodpod)!

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Episode 44: Bucket List

make good: a knitting podcast

Play Episode Listen Later Sep 28, 2021 33:51 Very Popular

This week is all about someday wishlists. Karen's dream projects: * Celestarium (https://www.ravelry.com/patterns/library/celestarium) by Audry Nicklin * A brioche sweater * Cinnabar (https://www.ravelry.com/patterns/library/cinnabar-6) by Andrea Mowry * Something with the Roosimine technique (like these patterns (http://www.aleks-byrd.com/patterns) by Aleks Byrd) * Beekeepers Quilt (https://www.ravelry.com/patterns/library/the-beekeepers-quilt) by Tiny Owl Knits * STEEKING. Here's the sweater I failed at Jessica's dream projects: * Lara Jacket (https://www.ravelry.com/patterns/library/lara-jacket) by Shiny Superhero * A hap! The Book of Haps (https://www.shopkdd.com/the-book-of-haps) by Kate Davies * One pair of socks every month What's on our needles this week: Cladonia (https://www.ravelry.com/patterns/library/cladonia-3) designed by Catherine Clarke Upcoming: Indie Untangled Handmade Swap Check out the details here (https://scratch-makerspace.myshopify.com/admin/articles/557373423787) Send us your letters! dearscratch@scratchsupplyco.com Oh hey, we have a Patreon now! Check it out (https://www.patreon.com/makegoodpod)!

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Episode 11: Pokemon Mansion, Cinnabar Gym, Route 21, Viridian City Gym

Pokemon Radio

Play Episode Listen Later Sep 6, 2021 57:31

In this episode, Professor Oak is working on some...experiments...so Derik and Ceci continue without him. Boojus and Dino traipse through Pokemon Mansion despite the clear safety hazards, Ceci gets nostalgic for the Pokemon League days of yore, and Derik has some ideas about who the Viridian City Gym Leader might be. The boys battle for their seventh badge at the Cinnabar Gym AND their eighth badge at the Viridian City Gym, while Field Correspondent Gabby is stuck interviewing a random man on a sidewalk, Mr. Wit Nissinshit Please rate and review the show on Apple Podcasts and subscribe/follow wherever you get your podcasts! ~Instagram: @pokemonradiopod ~Twitter: @pokemonradiopod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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Episode 10: Routes 12-15, 19-20, Seafoam Islands, Cinnabar Island

Pokemon Radio

Play Episode Listen Later Aug 30, 2021 47:43

In this episode, Derik and Ceci lead the way after Professor Oak gets trapped in the Seafoam Islands. Boojus and Dino battle roughly one trillion trainers, everyone gets stuck in the Seafoam Islands and that dang boulder puzzle, Ceci tries to find cell phone reception, and Derik is never so happy to see dry land. Dino beelines for the Pokemon Lab and fossil revivification, while Boojus is less than impressed. Field Correspondent Gabby brings us a harrowing report outside the Seafoam Islands with statements from Boojus and Dino themselves. Please rate and review the show on Apple Podcasts and subscribe/follow wherever you get your podcasts! ~Instagram: @pokemonradiopod ~Twitter: @pokemonradiopod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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Episode 38: Comfort Knitting

make good: a knitting podcast

Play Episode Listen Later Aug 17, 2021 27:21 Very Popular

This week we chat about the knitting that happens when everything feels overwhelming. We've got suggestions for projects that will carry you through whatever is bringing you down. Patterns: Crystal Star Wrap (https://www.ravelry.com/patterns/library/crystal-star-wrap) by Jen Peck (https://www.instagram.com/websterstreetknittery/) Cinnabar (https://www.ravelry.com/patterns/library/cinnabar-6) by Andrea Mowry (https://www.instagram.com/dreareneeknits/) Any sock pattern (https://ravel.me/8vdxpu) Dishcloths (and towels, etc!) (https://ravel.me/c3dfmr) Baby sweaters (https://ravel.me/9ui5w7) What's on our needles this week: Gresham Wrap (https://blueskyfibers.com/product/gresham-wrap/) designed by Michael Vloedman make good Summer KAL: The Jessie Maed-along! There are only two weeks left, but that's plenty of time to join us for our summer KAL. Make any Jessie Mae pattern that strikes your fancy! End date August 31 Participate by making something you love and tagging us #makegoodmaedalong Send us your letters! dearscratch@scratchsupplyco.com

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Skywave Audio Theater for the Week of July 24, 2021

Skywave Audio Theater

Play Episode Listen Later Jul 25, 2021 174:00

7/24/2021 Hopalong Cassidy "The King of Cinnabar" 7/23/1948 7/24/2021 Our Miss Brooks "Mrs. Davis' Cookies" 7/24/1949 7/24/2021 Dr. Kildare "Evelyn Briggs" 7/20/1951 7/24/2021 Bold Venture A Twelve-Year-Old Promise 7/23/1952 7/24/2021 Suspense "The Lodger" 7/22/1940 7/24/2021 The Weird Circle "Declared Insane" 7/22/1943 --- Support this podcast: https://anchor.fm/norman-gilliland/support

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Mt. Moon, Viridian City, Pallet Town, Route 21, Cinnabar Island, Route 20, Seafoam Islands, Volcano Badge, & Earth Badge

Love & Light Live Crystal Healing Podcast

Play Episode Listen Later Jul 6, 2021 53:37

Stanner & Will N. Testament make their way east from Pewter City to witness the Clefairy blood ritual or whatever over on Mt. Moon before heading south to complete their Kanto gym badge collection. In Pallet Town, they pay tribute to the legendary Captain Mr. Squirt and Joshua, whose absence leads them to search for them on the destroyed Cinnabar Island. There, they find nothing other than a Pokémon Center and Joshua, who is uh, "training deep in the mountains." He won't fight them until they get Blaine's badge, so they head east to Seafoam where they crush him as well as the beautiful Articuno—now deceased. Finally, Joshua agrees to take them on, which they do in Viridian City (after narrowly escaping being slaughtered, once again, by a random trainer in the vein of Ace Trainer Kevin).

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David Ward-Steinman's Cinnabar

Composers Datebook

Play Episode Listen Later Jun 15, 2021 2:00

Synopsis “Listening to inner voices” is a phrase that can mean a lot of things. For musicians who play the viola, PROVIDING those inner voices, musically speaking, is their daily bread and butter. In the modern orchestra, the viola provides the alto voice in the string choir, filling in harmonies and musical lines between the violins on top, and the cellos and double basses on the bottom. But (unfortunately) occasionally violists like to step forward, front and center, as soloists. And some composers have shown a special fondness for the viola's distinctive dusky color. According to the American composer David Ward-Steinman that color might well be likened to cinnabar, the ore of mercury, a crystallized reddish-brown mineral with flashes of quicksilver. Asked to write a solo for the 19th Annual Viola Congress held at Ithaca, New York, Ward-Steinman's “Cinnabar” for solo viola and piano premiered on today's date in 1991. David Ward-Steinman served as Composer-in-Residence at San Diego State University for many years. His own teachers included Wallingford Riegger, Darius Milhaud, Milton Babbitt, and Nadia Boulanger. Ward-Steinman's catalog of original works ranges from solo pieces and chamber works like “Cinnabar,” to large-scale theatrical scores and ballets. Music Played in Today's Program David Ward-Steinman (b. 1936): Cinnabar (Karen Elaine, viola; David Ward-Steinman, piano) Fleur de Son 57935

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David Ward-Steinman's Cinnabar

Composers Datebook

Play Episode Listen Later Jun 15, 2021 2:00

Synopsis “Listening to inner voices” is a phrase that can mean a lot of things. For musicians who play the viola, PROVIDING those inner voices, musically speaking, is their daily bread and butter. In the modern orchestra, the viola provides the alto voice in the string choir, filling in harmonies and musical lines between the violins on top, and the cellos and double basses on the bottom. But (unfortunately) occasionally violists like to step forward, front and center, as soloists. And some composers have shown a special fondness for the viola's distinctive dusky color. According to the American composer David Ward-Steinman that color might well be likened to cinnabar, the ore of mercury, a crystallized reddish-brown mineral with flashes of quicksilver. Asked to write a solo for the 19th Annual Viola Congress held at Ithaca, New York, Ward-Steinman's “Cinnabar” for solo viola and piano premiered on today's date in 1991. David Ward-Steinman served as Composer-in-Residence at San Diego State University for many years. His own teachers included Wallingford Riegger, Darius Milhaud, Milton Babbitt, and Nadia Boulanger. Ward-Steinman's catalog of original works ranges from solo pieces and chamber works like “Cinnabar,” to large-scale theatrical scores and ballets. Music Played in Today's Program David Ward-Steinman (b. 1936): Cinnabar (Karen Elaine, viola; David Ward-Steinman, piano) Fleur de Son 57935

american new york providing residence composer san diego state university ithaca nadia boulanger david ward darius milhaud music played cinnabar milton babbitt

Healing Properties of Cinnabar: A Crystal for Prosperity & Abundance

Play Episode Listen Later Jun 1, 2021 31:51

Cinnabar is a vibrant red, trigonal crystal often appearing on a matrix of Calcite, Dolomite, Quartz, or Opal. A Crystal Message about the Healing Properties of Cinnabar:"I open myself to the universe's natural flow of prosperity and abundance." Common Healing Properties of Cinnabar: Stimulates vitality Aids in manifesting prosperity and abundance Helps you reap the rewards of careful planning Increases motivation Promotes beauty (inside & out!) Enhances the energy in your environment or sacred space Opens and protects your grounding energy center Helps spice up your love life by promoting passion Cinnabar Associations & Correspondences Colors: Bright crimson red often in a matrix of white or off-white (appearing as flecks in tumbled stones) Associated Energy Centers: 1st (Root/Base) Zodiac Signs: Aries, Leo Elements: Fire, Earth Companion Flowers: Clematis Companion Essential Oil: Clove Companion Stone: Shattuckite Common Origins: China, Germany Notes: Also known as Cinnabarite. This stone is toxic - it contains mercury sulfide, so it's incredibly important to wash your hands after handling (and never touch your mouth or eyes when handling). Wanna’ Get Science-y? Click Here to get more information about this crystal! Cinnabar History & Lore: Cinnabar has been used since ancient times to create the pigment known as vermillion. The mineral was ground to create the bright orange-red color used for coloring caves, buildings, ceramics, and more. It was used ceremonially in China as far back as 4000 BC, but it has been in use as a pigment since Neolithic times in modern-day Turkey. It was used to adorn burial chambers and funerary objects in both China and Peru going back thousands of years. The red finish seen on many Chinese art pieces is called Cinnabar, referring to the red lacquer traditionally made from this stone that has been applied to these pieces. Many modern pieces are made without the use of the vermillion pigment (they're just made to look similar), but it's said that some modern use of this toxic mineral still occurs. /* Both Theophrastus and Pliny the Elder discussed extracting mercury from Cinnabar rocks in some of the earliest known written works on stones. Though this stone has long been in use (including its very unsafe use in cosmetics), its toxicity requires much caution in its handling (some sources claim it's safe to handle as long as the mineral is not vaporized or breathed in as dust, but using caution is always recommended). Cinnabar is still mined as an ore of Mercury for its use in creating thermometers and fluorescent lightbulbs. Pin it! Want to grow your knowledge & become a CONFIDENT Certified Crystal Healer? Find out more about my CCH and Advanced Crystal Practitioner Programs HERE! Enrollment opens soon...

A DISH BEST SERVED COLD novel Audiobook Episode 1: Inferior to a Speck of Cinnabar on Your Brow

Audiobook4B

Play Episode Listen Later Nov 16, 2020 13:32

A DISH BEST SERVED COLD - A DISH BEST SERVED COLD Chapter 1 A DISH BEST SERVED COLD Synopsis: Once upon a time, he was the eldest son of the Chu family. But because his mother was a low-born woman, both parent and child were subjected to untold humiliations. Finally, they were ousted from the Chu family. In order to make the Chus pay for their misdeeds and redress the wrongs done to his mother, the young man plotted revenge. It took him ten years to set up "Operation Spark" and plant his "Sparks" all over the world. One day, his "Sparks" would set the world aflame. On that day, the young man would visit the Chu family and make them kneel in apology. To hide his identity, he became a live-in son-in-law for three years. To his wife, he was just useless garbage. His in-laws saw him as a burden and his relatives ridiculed him for being poor. He became the butt of their jokes and endured untold humiliations. But still, he worried about his wife. The young man was afraid that he might die during his quest for revenge, so he secretly helped his wife establish her career and become independent. After years of operation, he was finally strong enough to make his move. And his "Sparks" were in position to shake the world. So the young man seized the opportunity to raise the flag of rebellion. After more than a decade, on the day of the old patriarch's birthday, he would finally return to the Chu family and exact vengeance for all the wrongs done to him and his mother! "When you stand up, the whole world will be trampled beneath your feet!" You can read A DISH BEST SERVED COLD on Bravonovel App.

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Restless in Peace - Land of the Lustrous, Cinnabar is more important then you think

Restless in Peace

Play Episode Listen Later Nov 13, 2020 7:49

In this episode of the Restless in Peace Podcast, I spotlight Land of the Lustrous. It's a super good manga and I have a neet idea about Cinnabar's role in the story, so enjoy. contact at - https://fennekk.wixsite.com/mysite

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Attack on the Lustrous (Land of the Lustrous Chapter 93 Review)

It’s An Anime Thing

Play Episode Listen Later Oct 28, 2020 24:35

I read the chapter out loud to y'all as I cry over Cinnabar and complain about the cancellation of this month's chapter -_- Check out my other content here! :) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/itsananimething/message

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051 - Power Plant, Seafoam Islands, Cinnabar Island, Pokémon Mansion, & Volcano Badge

Lokathor's Audio Only Let's Plays

Play Episode Listen Later Oct 20, 2020 56:51

Now with the ability to Surf, Joshua & Mr. Mime take a trip up to an abandoned Power Plant to try grabbing some exotic Electric Pokémon. They also decide whether to spare or end the lives of the Legendary Birds, as the next stop is the Seafoam Islands, where Articuno lurks its depths. After pushing boulders down a bunch of holes, they ride the waves to Cinnabar where they must explore the mysterious Pokémon Mansion to find a Secret Key that will allow them to battle the seventh Gym Leader, Blaine. Will they defeat him without losing any more of their precious 'mon? Or will Josh's prediction that someone will die in every episode hold true?

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[Pkmn Rand Red] Cinnabar Mansion and Cinnabar Gym

Play Episode Listen Later Oct 18, 2020 49:06

Making our way through a burned down, abandoned mansion, then using the Secret Key we find there to battle the Cinnabar Gym. How do other pokemon trainers ever face off against the gym if we have the key? The world will never know.

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38: Land of the Lustrous

Manga Log

Play Episode Listen Later Oct 1, 2020 34:24

This week's manga log: "Land of the Lustrous," written and illustrated by Haruko Ichikawa. Description (courtesy of Wikipedia): Land of the Lustrous is set in a far, distant future where the Earth had been struck six times by meteorites, ravaging it in the process. All of the remaining land was reduced to a single coast, whereas nearly all life was destroyed. Over vast stretches of time, a new race of sentient lifeforms emerged; immortal jewels that take the form of people. Phosphophyllite (Phos) is weak (with one of the lowest hardnesses) and considered useless by their peers. Phos asks their aloof but wise colleague Cinnabar for help after they receive an assignment to create a natural history encyclopedia, thus beginning their friendship and personal growth. Meanwhile, the "jewel people" are at war with the Lunarians (Moon people) who want to take advantage of their luxury value. Feel free to send your thoughts and questions via the Anchor app, the podcast e-mail: mangalogpod@gmail.com, or the podcast Twitter @mangalogpod. Next series: Inuyashiki Music: "Eternal Youth" by RUDE. Please support him! (Source: https://www.youtube.com/watch?v=3uXHaVENo6E) --- Send in a voice message: https://anchor.fm/mangalog/message

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TO THE DEATH! (Land of the Lustrous Chapter 92 Review)

It’s An Anime Thing

Play Episode Listen Later Sep 23, 2020 20:56

I try my best to describe the bout between Cinnabar and this new Phos as I cry over their relationship Check out my other content here! :) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/itsananimething/message

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Big On Pokemon! - Vacation On Cinnabar Island

AA UNPLUGGED

Play Episode Listen Later Sep 17, 2020 79:45

Things get hot and heavy for the boys this week as they tackle the one and only Blaine! Also Rocky and Ian have the battle of their lives as it becomes more and more apparent that their Pokemon have become evenly matched. Also Sergio is here. Listen now! YouTube: youtube.com/channel/UC-WqPFuclTh0mtCjhlFb7qg Instagram: instagram.com/analogarcade Twitter: twitter.com/arcadeanalog Twitch: twitch.tv/analogarcadeyt Arcade Busters: analogarcade.itch.io/arcade-busters --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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Cinnabar and The Difference Between Empaths, Lightworkers, Psychics, Mediums and Channelers

3rd Eye with Lorelei

Play Episode Listen Later Sep 5, 2020 30:09

Learn about the psychic vision inducing 'Merchants Stone' known as Cinnabar on this weeks episode and how it can improve your visions and even bolster your income! Lorelei discusses the differences between the empath, lightworker, psychic, medium, and channeler on this weeks episode. Often, these groups get thrown together as being the same but each is very different from one another. Learn how each group differentiates and how they are similar and how you may be any one! --- Support this podcast: https://anchor.fm/3rdeyewithlorelei/support

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Episode 04 - Unleashed

Pokemon Primeval

Play Episode Listen Later Jul 26, 2020 64:00

The growing storm is finally here and the rain falls as our group prepares to bring new life into the world. The ground beneath their feet shakes. The ocean rises and takes an unusual form, the hill beneath the Flora's home takes on a mind of its own, and Mt. Cinnabar erupts, not wanting to be left out of this elemental grudge match. Will our groups' new pink friend be able to help them out of their situation?

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Ep 5.23 - LIVE! with Doc Spears

Keystroke Medium

Play Episode Listen Later Jun 25, 2020 68:37

Josh, Chuck, and Lauren sit down to talk with the author of DARK OPERATOR the latest Galaxy's Edge tie-in novel by Doc Spears. *** Hosts: Josh Hayes, C. Stephen Manley, Lauren Moore [00:00] Opening remarks [05:33] Weekly update, Coyote Roundup Edition Lauren: Researching Black Gun, Silver Star: The Life and Legend of Frontier Marshal Bass Reeves (Race and Ethnicity in the American West) by Art T. Burton Started editing a military science fiction. Chuck: More Family Time™, working on Jack Dark #2 and other projects. Doc: Giving training for security/police forces. Josh: Vacation Time™ and attempted to water ski with some success but after effects were not good. [10:33] Main Event: LIVE! With Doc Spears! -The motivation behind writing Dark Operator and history with the Galaxy’s Edge creators Nick Cole and Jason Anspach. -In the fever of food poisoning, pitched writing a dark ops novel. -Ended up pitching a series. -The concept of special operations in the world of military structure in the fictional world. -You don’t have to know or have personal knowledge of a subject as long as you do the research. Example: Tom Clancy Example: Michael Connelly’s Bosch series Example: Jay Posey’s Outrider series -A relatable story that resonates with readers is important. [34:45] Sponsor: Doc Spears’ Dark Operator: A Military Science Fiction Special Forces Thriller [38:51] Main Event: LIVE! With Doc Spears, Continued! -Build the world first—political, military, culture, etc. that defines why the character is even there in the first place. -Special Operations are political instruments. Example: David Drake’s Republic of Cinnabar series -Common mistakes in military science fiction according to Doc: Be a student of military history If you can’t form a basis for something that’s happened factually, then you will have trouble drawing in a reader or make a believable world. -Plotter vs. Panster? Plotter 100%; first three novels outlined within a day. -Every writer teaches himself how to write. Example: Jim Harrison’s Legends of the Fall -Know the beginning and the end and figuring out the middle. -Chuck’s is more like an island chain. There are some points that he can work toward and still do some discovery writing. -A ‘throwaway’ character who becomes a major character. -Know when your story is over vs. writers who don’t know how to end a series. [1:03:43] Closing remarks Coffee and Concepts Writer’s Journey Storytelling Become a Medium today! https://keystrokemedium.com/mediums/ Don't forget to Like and Subscribe and get involved with the mayhem and shenanigans in the live chat! http://www.youtube.com/c/keystrokemedium If you have any thoughts or ideas for show topics or if you have authors you'd like to see on the show, let us know. Visit our Facebook page: https://www.facebook.com/KeystrokeMedium For all the latest and greatest KSM Gear, check out our store at: https://keystrokemedium.com/ksm-store/ Also, subscribe to Sci Fi Explorations for the best discounted and free books we come across through our contacts: http://www.scifiexplorations.com Keystroke Medium Anthologies Kingdoms of Iron and Stone - https://amzn.to/2GjbE6I Horizons Beyond - https://amzn.to/2SrJ6uX Farthest Reach – https://amzn.to/2UZINeo The Writing Dream – and How to Make it to Happily Ever After – Keystroke Medium’s first non-fiction book. https://amzn.to/2UZINeo If you enjoy this podcast, please leave us a review and rate the show on iTunes, Podbean, Stitcher, or wherever else you found us!

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Mt. Silver Podcast – Episode 17: Charizard vs. Magmar! Main Event on Cinnabar Island

The Lookout on RNC RADIO

Play Episode Listen Later May 25, 2020 56:10

It's the biggest battle in Pokemon history, maybe to-date! Meelz, Pat and Jeff are joined by Flow (@Flowmyhero) on this massive episode of Mt. Silver to talk about the trek to Cinnabar Island. They discuss the importance (or to some, lack of importance) of the island and what it offers in the game, in addition to the major battle in the anime. Ash is up for his 7th badge against Blaine in a battle that violates every OSHA regulation ever. Charizard vs. Magmar – Live on pay-per view!

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PWT United 076 - Zoot Suit Riot! Rose And Cobalt Vs The New Cinnabar Gym!

Play Episode Listen Later May 24, 2020

Pokemon World Tour United is back baby! And for our big return Rose and Cobalt are taking on the New Cinnabar gym! Janine and Locke join us for a roaring good time!Janine is on twitter @janinejuliet and Locke is @YamsLockeOther Music: Pokemon RBY: Pallet Town by insaneintherainmusic, youtube.com/insaneintherainmusicPatreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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076 - Zoot Suit Riot! Rose And Cobalt Vs The New Cinnabar Gym!

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Play Episode Listen Later May 23, 2020

Pokemon World Tour United is back baby! And for our big return Rose and Cobalt are taking on the New Cinnabar gym! Janine and Locke join us for a roaring good time!Janine is on twitter @janinejuliet and Locke is @YamsLockeOther Music: Pokemon RBY: Pallet Town by insaneintherainmusic, youtube.com/insaneintherainmusicPatreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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SILENCE! #279

SILENCE!

Play Episode Listen Later May 6, 2020 86:37

I FORGOT IT’S HAPPENING AGAIN SLOW DIAGONAL I FORGOT I FORGOT Take that bit there, the thin bit… that’s righ, Now pull it towards you whilst twisting it. NO! ANTI-CLOCKWISE! Sorry, didn’t mean to shout but you could have blown us all up there… okay, now take the round thing and clip it onto the end using the square thing. That’s it, you’ve got a blurb! Hey! Do you have a mind? Well not for long because Gary Lactus and The Beast Must Die are going to blow it with another issue of SILENCE! Just how are they going to do that? With a series of items of course! Some initial chat to lull you into a false sense of security. “How are you?” “I’m fine.” That sort of thing. BANG! The thing you least expected! Gary Lactus has watched a film and tells you about it in an explosive SILENCE! (Because the Film’s Started). The film he’s seen is The Illumination of Jim Woodring. With a head still swimming, the boys stamp on what’s left of your brains by holding your head down the Reviewniverse then flushing Rogue Trooper: Cinnabar, Thriller, Love and Rockets and Jason Shiga’s Meanwhile all over it. A polite wind-up chat to bring you to your senses. “Any plans for the weekend?” “No.” That sort of thing. Dare you listen?

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Games on the Grill #2

Idle Game Chat

Play Episode Listen Later May 5, 2020 79:27

Apps and Tom Adkins (not Adcock) are here for more Games on the Grill. On this edition, Adkins shares his early experiences with Final Fantasy VII Remake and the lads offer a belated celebration for #DaysGoneWeek by grilling it. Apps is also ill, so he whinges a lot. A fun show as always so check it out! Final Fantasy VII Remake Available on: PlayStation Apr 10th 2020 Developer: Square Enix Genres: Action, RPG Description: A spectacular reimagining of one of the most visionary games ever, FINAL FANTASY VII REMAKE rebuilds and expands the legendary RPG for today. The first entry in a multi-part saga, delivering a level of depth inconceivable for the original. Mind-blowing story, unforgettable characters, epic battles and technical excellence collide. The world has fallen under the control of the Shinra Electric Power Company, a shadowy corporation controlling the planet's very life force as mako energy. In the sprawling city of Midgar, an anti-Shinra organization calling themselves Avalanche have stepped up their resistance. Cloud Strife, a former member of Shinra's elite SOLDIER unit now turned mercenary, lends his aid to the group, unaware of the epic consequences that await him. Days Gone Available on: PlayStation Apr 26th 2019 Publisher: Sony Interactive Entertainment Genres: Horror, Adventure Description: A Dynamic World Using the power of PlayStation 4 and Unreal Engine 4, Days Gone offers an incredibly realistic and detailed open-world action game experience. Vast and hostile environments can be fully explored on the back of Deacon's drifter bike. Abandoned vehicles can be searched for useful items. Towns and buildings can be entered and searched – at great risk. All lighting is done in real time – eye adaption technology creates a real sense of dread when entering dark buildings; day and night have an impact on the experience; weather affects enemy behaviour. Brutal Sandbox Combat Exemplifying true, free-form gameplay, Days Gone offers freedom to explore, strategize and play “your way.” Every challenge can be approached and completed in an almost infinite number of ways. Many different items and weapons can be crafted using items found in the field, including brutal melee weapons and traps. Customizable weapons and skills offer true freedom in how the game is played. Unique Enemies In addition to human drifters, marauders, and other groups, Deacon must face a wilderness overrun by Freakers – mindless, feral creatures, more animal than human but very much alive and quickly evolving. Freakers have needs, habits and behaviours that the player can learn and adapt to. Unique Setting The harsh high-desert of the Pacific Northwest offers a large variety of environments in a single geographical area. One-minute Deacon can be riding through a pristine forest, a snow field, a lush meadow, and the next, be in the harsh desert lava fields. The hazardous environments, scarred by millions of years of volcanic activity, are defined by ancient lava flows, mountains, caves, cliffs and river basins, delivering a breath-taking backdrop to an equally diverse style of gameplay. Cinnabar mines, lava tube caves and small rural towns offer a variety of environments to explore. - Days gone is about survivors and what makes them human - Desperation, loss, madness, betrayal, friendship, brotherhood, regret, love - and hope - It's about how even when confronted with such enormous tragedy they find a reason to live Support this podcast ( https://www.patreon.com/dimpdigital )

Quarantine Comics: Comics’ Greatest World

Worst Collection Ever

Play Episode Listen Later Apr 25, 2020 42:31

Comics’ Greatest World: Out Of The Vortex #1 (1993)Oh man, time for some Dark Horse comics! In this offering, an alien in a dope-looking outfit appears out of nowhere in a military base located in Cinnabar Flats, Nevada. “Cinnabar” makes us think of cinnamon which is appropriate because our alien guy (Vortex the Heretic) encounters opposition in the form of space spartans carrying electric Eggo waffles. When it's all said and done, a big bubble of lethal toothpaste envelopes the base while our alien antihero makes a brave Army lieutenant his “space secretary.”Continue the conversation with Shawn and Jen on Twitter @angryheroshawn and @JenStansfield and email the show at worstcollectionever@gmail.com

025 - Diglett's Cave, Pewter City, Boulder Badge, Mt. Moon, Cinnabar Island, & Volcano Badge

Play Episode Listen Later Apr 21, 2020 49:55

Outside Vermilion City, the trainers make an unfortunate discovery: of all the people to still be in Kanto, it's the Shorts Guys. Then, when a Snorlax blocks their path forward, Fjelstan struggles to get his Pokégear to work. Joshua plays a bop to wake up the Snorlax, and then captures it. After flooding Diglett's Cave, the trainers arrive in Pewter City, where they have nothing else to do but smash Brock to bits. They take a brief detour, see some freaky stuff on and along the way to Mt. Moon, and decide a sea breeze should set them straight. But, Blaine isn't on Cinnabar and they have to find him before they can get the seventh badge. Notes: Featuring "Once in A Lifetime" by Talking Heads.

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007 - Seafoam Islands, Cinnabar Island, Pokémon Mansion, & Volcano Badge

Play Episode Listen Later Dec 17, 2019 49:09

Joshua & Mr. Squirt finally acquire the item the show is named after, only to discover in Generation I it's actually the "Exp. All" and also it sucks. They then dive into Route 19, explore the Seafoam Islands, capture Articuno, and continue onto Cinnabar Island. Once there, they drop off their Fossils at Cinnabar Lab, uncover secrets in the Pokémon Mansion, and then take on Gym Leader Blaine to get the seventh badge.

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PWT United 075 - New Cinnabar Dreams: A Relaxing Night At The Beach

Play Episode Listen Later Dec 6, 2019

Rose, Cobalt, and Victor enjoy a nice night at the beach.Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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075 - New Cinnabar Dreams: A Relaxing Night At The Beach

Play Episode Listen Later Dec 5, 2019

Rose, Cobalt, and Victor enjoy a nice night at the beach.Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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PWT United 074 - Lost! The Trek Back To Cinnabar!

Play Episode Listen Later Nov 22, 2019

Rose, Cobalt, and Cira found themselves back in Mt. Moon after escaping the secret lab. But how'd they get there and how do they get back? Maybe a friend can help out...Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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074 - Lost! The Trek Back To Cinnabar!

Play Episode Listen Later Nov 21, 2019

Rose, Cobalt, and Cira found themselves back in Mt. Moon after escaping the secret lab. But how'd they get there and how do they get back? Maybe a friend can help out...Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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073 - Secret Projects: Escape From The Cinnabar Lab!

Play Episode Listen Later Oct 25, 2019

Rose, Cobalt, and Cira are trapped within the secret lab in the pokemon mansion on New Cinnabar Island. Outside is at least one Rocket and inside is the key to solving a long buried mystery. Shannon Manor joins Jake, Josh, and Alan in this bottle episode of Pokemon World Tour United!Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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PWT United 073 - Secret Projects: Escape From The Cinnabar Lab!

Play Episode Listen Later Oct 25, 2019

Rose, Cobalt, and Cira are trapped within the secret lab in the pokemon mansion on New Cinnabar Island. Outside is at least one Rocket and inside is the key to solving a long buried mystery. Shannon Manor joins Jake, Josh, and Alan in this bottle episode of Pokemon World Tour United!Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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El Mundo de Delta Tech Ops: Manuela Morales, Co-op @ Delta Airlines

Play Episode Listen Later Aug 19, 2019 47:42

En este episodio hablé con Manuela Morales, Colombiana, estudiante de Ingeniería Mecánica en UCF y Propulsion Engineering Co-Op en Delta Airlines. Hablamos de su pasión por los aviones, su trabajo en Delta como Co-Op, todo acerca de Delta Airlines y sus beneficios, y cómo es ser mujer, latina e inmigrante en un entorno tradicionalmente masculino. Conéctate con Manuela vía linkedin: Manuela Morales Recursos mencionados: AviancaSociety of Women Engineers Valencia CollegeSociety of Hispanic Professional Engineers - SHPECalm - aplicación para meditar; recomendable para los que no les gusta volarTurbulence ForecastAPUFly-by-wireRelay For Life Nos quieres ayudar a crecer?: Déjanos una reseña en ITunesMandanos un mensaje a ConexionesPodcast@gmail.comCompártelo con un amigo Timestamps: 01:00 – Dando la bienvenida a Manuela Morales01:57 – Acerca de Manuela y cómo llegó a Orlando02:41 – Compañías en las que ha trabajado Manuela04:37 – Cómo funciona un Co-Op06:54 – De dónde viene la pasión de Manuela por la aviación14:40 – El trabajo de Manuela en Delta16:29 – El trabajo de Manuela como pasante (co-op) en Delta21:27 – #Mujer, #Latina, #Ingeniera trabajando entre hombres con más de treinta años de experiencia30:36 – Mujeres mecánicas en Delta?33:10 – Cómo conseguir un Co-Op o trabajo en Delta41:15 – Beneficios de Delta, y el favorito de Manuela45:18 – Últimas palabras para la audiencia Acerca del episodio: Manuela es originalmente de Colombia y ha vivido en un entorno de vuelos y aviones. Su padre era piloto de Avianca volando más de seis veces por día, y cuando se retiró, toda la familia se mudó a Florida en EEUU. Manuela fue a Valencia College y se recibió con un Associate's Degree en Ingeniería. Actualmente está estudiando en la universidad de UCF cursando su licenciatura en Mechanical Engineering. Manuela tiene pasión por la aviación y comenzó cuando se puso a estudiar ingeniería. Unirse al grupo de “Society of Hispanic Professional Engineers”, empezar el capítulo de “Society of Women Engineers at Valencia College” y conocer a otros profesionales y estudiantes, le permitió ver con mayor interés todo lo que su padre comentaba acerca de la tarea de ser piloto. Otro motivo de su pasión es haber visto por primera vez en Honeywell la pequeña y potente turbina APU que permite el vuelo de un avión. Manuela ha trabajado en varias empresas como Cinnabar, Limbach, Lincoln Electric donde realizó su primera pasantía, Honeywell, Walt Disney World, y Siemens entre otros. Actualmente trabaja en Delta TechOps dentro del aeropuerto de Atlanta, una división de Delta Airlines, encargada de la reparación, revisión y mantenimiento de las turbinas de los aviones. Esta división también ofrece sus servicios a clientes, tanto aviones presidenciales como a los de transporte. Ella trabaja como Co-Op en el grupo de “Propulsion Engineering” y se ocupa del mantenimiento y la seguridad de las turbinas. Todos los aviones tienen diferentes turbinas, y es por ello que en cada equipo hay ingenieros trabajando en distintos componentes, así como también hay otros ingenieros trabajando y viendo los procesos para reparar y controlar la turbina del avión al momento de salir. Un Co-Op es una pasantía a largo plazo de tiempo completo, en donde el pasante trabaja un semestre y en el otro estudia. La pasantía en la empresa dura aproximadamente año y medio. En ese tiempo enseñan y preparan a los pasantes para la etapa final, en la que estarán haciendo el trabajo de un ingeniero full time en la empresa. Durante los semestres existen evaluaciones en las que el pasante coloca su meta y dice lo que espera de Delta, y la empresa que espera del pasante. Las evaluaciones se dividen en tres etapas: inicial, media y final y son documentadas para la decisión final cuando se eligen a tres o cuatro Co-Ops de los cien que han contratado en el año. En el primer semestre tratan de familiarizar a los pasantes con la turbina acomodandolos e...

El Mundo de Delta Tech Ops: Manuela Morales, Co-op @ Delta Airlines

Play Episode Listen Later Aug 19, 2019 47:42

En este episodio hablé con Manuela Morales, Colombiana, estudiante de Ingeniería Mecánica en UCF y Propulsion Engineering Co-Op en Delta Airlines. Hablamos de su pasión por los aviones, su trabajo en Delta como Co-Op, todo acerca de Delta Airlines y sus beneficios, y cómo es ser mujer, latina e inmigrante en un entorno tradicionalmente masculino. Conéctate con Manuela vía linkedin: Manuela Morales Recursos mencionados: AviancaSociety of Women Engineers Valencia CollegeSociety of Hispanic Professional Engineers - SHPECalm - aplicación para meditar; recomendable para los que no les gusta volarTurbulence ForecastAPUFly-by-wireRelay For Life Nos quieres ayudar a crecer?: Déjanos una reseña en ITunesMandanos un mensaje a ConexionesPodcast@gmail.comCompártelo con un amigo Timestamps: 01:00 – Dando la bienvenida a Manuela Morales01:57 – Acerca de Manuela y cómo llegó a Orlando02:41 – Compañías en las que ha trabajado Manuela04:37 – Cómo funciona un Co-Op06:54 – De dónde viene la pasión de Manuela por la aviación14:40 – El trabajo de Manuela en Delta16:29 – El trabajo de Manuela como pasante (co-op) en Delta21:27 – #Mujer, #Latina, #Ingeniera trabajando entre hombres con más de treinta años de experiencia30:36 – Mujeres mecánicas en Delta?33:10 – Cómo conseguir un Co-Op o trabajo en Delta41:15 – Beneficios de Delta, y el favorito de Manuela45:18 – Últimas palabras para la audiencia Acerca del episodio: Manuela es originalmente de Colombia y ha vivido en un entorno de vuelos y aviones. Su padre era piloto de Avianca volando más de seis veces por día, y cuando se retiró, toda la familia se mudó a Florida en EEUU. Manuela fue a Valencia College y se recibió con un Associate's Degree en Ingeniería. Actualmente está estudiando en la universidad de UCF cursando su licenciatura en Mechanical Engineering. Manuela tiene pasión por la aviación y comenzó cuando se puso a estudiar ingeniería. Unirse al grupo de “Society of Hispanic Professional Engineers”, empezar el capítulo de “Society of Women Engineers at Valencia College” y conocer a otros profesionales y estudiantes, le permitió ver con mayor interés todo lo que su padre comentaba acerca de la tarea de ser piloto. Otro motivo de su pasión es haber visto por primera vez en Honeywell la pequeña y potente turbina APU que permite el vuelo de un avión. Manuela ha trabajado en varias empresas como Cinnabar, Limbach, Lincoln Electric donde realizó su primera pasantía, Honeywell, Walt Disney World, y Siemens entre otros. Actualmente trabaja en Delta TechOps dentro del aeropuerto de Atlanta, una división de Delta Airlines, encargada de la reparación, revisión y mantenimiento de las turbinas de los aviones. Esta división también ofrece sus servicios a clientes, tanto aviones presidenciales como a los de transporte. Ella trabaja como Co-Op en el grupo de “Propulsion Engineering” y se ocupa del mantenimiento y la seguridad de las turbinas. Todos los aviones tienen diferentes turbinas, y es por ello que en cada equipo hay ingenieros trabajando en distintos componentes, así como también hay otros ingenieros trabajando y viendo los procesos para reparar y controlar la turbina del avión al momento de salir. Un Co-Op es una pasantía a largo plazo de tiempo completo, en donde el pasante trabaja un semestre y en el otro estudia. La pasantía en la empresa dura aproximadamente año y medio. En ese tiempo enseñan y preparan a los pasantes para la etapa final, en la que estarán haciendo el trabajo de un ingeniero full time en la empresa. Durante los semestres existen evaluaciones en las que el pasante coloca s...

El Mundo de Delta Tech Ops: Manuela Morales, Co-op @ Delta Airlines | #42

Play Episode Listen Later Aug 19, 2019 47:42

En este episodio hablé con Manuela Morales, Colombiana, estudiante de Ingeniería Mecánica en UCF y Propulsion Engineering Co-Op en Delta Airlines. Hablamos de su pasión por los aviones, su trabajo en Delta como Co-Op, todo acerca de Delta Airlines y sus beneficios, y cómo es ser mujer, latina e inmigrante en un entorno tradicionalmente masculino. Conéctate con Manuela vía linkedin: Manuela Morales Recursos mencionados: AviancaSociety of Women Engineers Valencia CollegeSociety of Hispanic Professional Engineers - SHPECalm - aplicación para meditar; recomendable para los que no les gusta volarTurbulence ForecastAPUFly-by-wireRelay For Life Nos quieres ayudar a crecer?: Déjanos una reseña en ITunesMandanos un mensaje a ConexionesPodcast@gmail.comCompártelo con un amigo Timestamps: 01:00 – Dando la bienvenida a Manuela Morales01:57 – Acerca de Manuela y cómo llegó a Orlando02:41 – Compañías en las que ha trabajado Manuela04:37 – Cómo funciona un Co-Op06:54 – De dónde viene la pasión de Manuela por la aviación14:40 – El trabajo de Manuela en Delta16:29 – El trabajo de Manuela como pasante (co-op) en Delta21:27 – #Mujer, #Latina, #Ingeniera trabajando entre hombres con más de treinta años de experiencia30:36 – Mujeres mecánicas en Delta?33:10 – Cómo conseguir un Co-Op o trabajo en Delta41:15 – Beneficios de Delta, y el favorito de Manuela45:18 – Últimas palabras para la audiencia Acerca del episodio: Manuela es originalmente de Colombia y ha vivido en un entorno de vuelos y aviones. Su padre era piloto de Avianca volando más de seis veces por día, y cuando se retiró, toda la familia se mudó a Florida en EEUU. Manuela fue a Valencia College y se recibió con un Associate’s Degree en Ingeniería. Actualmente está estudiando en la universidad de UCF cursando su licenciatura en Mechanical Engineering. Manuela tiene pasión por la aviación y comenzó cuando se puso a estudiar ingeniería. Unirse al grupo de “Society of Hispanic Professional Engineers”, empezar el capítulo de “Society of Women Engineers at Valencia College” y conocer a otros profesionales y estudiantes, le permitió ver con mayor interés todo lo que su padre comentaba acerca de la tarea de ser piloto. Otro motivo de su pasión es haber visto por primera vez en Honeywell la pequeña y potente turbina APU que permite el vuelo de un avión. Manuela ha trabajado en varias empresas como Cinnabar, Limbach, Lincoln Electric donde realizó su primera pasantía, Honeywell, Walt Disney World, y Siemens entre otros. Actualmente trabaja en Delta TechOps dentro del aeropuerto de Atlanta, una división de Delta Airlines, encargada de la reparación, revisión y mantenimiento de las turbinas de los aviones. Esta división también ofrece sus servicios a clientes, tanto aviones presidenciales como a los de transporte. Ella trabaja como Co-Op en el grupo de “Propulsion Engineering” y se ocupa del mantenimiento y la seguridad de las turbinas. Todos los aviones tienen diferentes turbinas, y es por ello que en cada equipo hay ingenieros trabajando en distintos componentes, así como también hay otros ingenieros trabajando y viendo los procesos para reparar y controlar la turbina del avión al momento de salir. Un Co-Op es una pasantía a largo plazo de tiempo completo, en donde el pasante trabaja un semestre y en el otro estudia. La pasantía en la empresa dura aproximadamente año y medio. En ese tiempo enseñan y preparan a los pasantes para la etapa final, en la que estarán haciendo el trabajo de un ingeniero full time en la empresa. Durante los semestres existen evaluaciones en las que el pasante coloca s...

042 | El Mundo de Delta Tech Ops: Manuela Morales, Co-op @ Delta Airlines

Paleo Ayurveda and Spartan Yoga

Play Episode Listen Later Aug 19, 2019 47:42

En este episodio hablé con Manuela Morales, Colombiana, estudiante de Ingeniería Mecánica en UCF y Propulsion Engineering Co-Op en Delta Airlines. Hablamos de su pasión por los aviones, su trabajo en Delta como Co-Op, todo acerca de Delta Airlines y sus beneficios, y cómo es ser mujer, latina e inmigrante en un entorno tradicionalmente masculino. Conéctate con Manuela vía linkedin: * Manuela Morales Recursos mencionados: * Avianca* Society of Women Engineers Valencia College* Society of Hispanic Professional Engineers - SHPE* Calm - aplicación para meditar; recomendable para los que no les gusta volar* Turbulence Forecast* * APU* Fly-by-wire* Relay For Life Nos quieres ayudar a crecer?: * Déjanos una reseña en ITunes* Mandanos un mensaje a ConexionesPodcast@gmail.com* Compártelo con un amigo Timestamps: * 01:00 – Dando la bienvenida a Manuela Morales* 01:57 – Acerca de Manuela y cómo llegó a Orlando* 02:41 – Compañías en las que ha trabajado Manuela* 04:37 – Cómo funciona un Co-Op* 06:54 – De dónde viene la pasión de Manuela por la aviación* 14:40 – El trabajo de Manuela en Delta* 16:29 – El trabajo de Manuela como pasante (co-op) en Delta* 21:27 – #Mujer, #Latina, #Ingeniera trabajando entre hombres con más de treinta años de experiencia* 30:36 – Mujeres mecánicas en Delta?* 33:10 – Cómo conseguir un Co-Op o trabajo en Delta* 41:15 – Beneficios de Delta, y el favorito de Manuela* 45:18 – Últimas palabras para la audiencia Acerca del episodio: Manuela es originalmente de Colombia y ha vivido en un entorno de vuelos y aviones. Su padre era piloto de Avianca volando más de seis veces por día, y cuando se retiró, toda la familia se mudó a Florida en EEUU. Manuela fue a Valencia College y se recibió con un Associate’s Degree en Ingeniería. Actualmente está estudiando en la universidad de UCF cursando su licenciatura en Mechanical Engineering. Manuela tiene pasión por la aviación y comenzó cuando se puso a estudiar ingeniería. Unirse al grupo de “Society of Hispanic Professional Engineers”, empezar el capítulo de “Society of Women Engineers at Valencia College” y conocer a otros profesionales y estudiantes, le permitió ver con mayor interés todo lo que su padre comentaba acerca de la tarea de ser piloto. Otro motivo de su pasión es haber visto por primera vez en Honeywell la pequeña y potente turbina APU que permite el vuelo de un avión. Manuela ha trabajado en varias empresas como Cinnabar, Limbach, Lincoln Electric donde realizó su primera pasantía, Honeywell, Walt Disney World, y Siemens entre otros. Actualmente trabaja en Delta TechOps dentro del aeropuerto de Atlanta, una división de Delta Airlines, encargada de la reparación, revisión y mantenimiento de las turbinas de los aviones. Esta división también ofrece sus servicios a clientes,

Crystals, Chakras and Your Mind in a NON-FOOFOO Way

Play Episode Listen Later Jul 11, 2019 24:18

Topics The meaning of life is 42 according to the Hitchhiker’s Guide to the Galaxy. The book is way better than the movie. Find the book here: https://amzn.to/2XB0seU (https://amzn.to/2XB0seU) Crystals, chakras and your mind, oh my! What is a chakra? How many chakras are there? Are all minerals crystals? Electromagnetic fields and our human physiology Do you hang out with people that animals don’t like? Vie thinks she has a good sense of humor :-) Crystals are disciplined and will help you become disciplined What Pythagoras said about crystals Moldavite is formed from meteorite impact and it is considered tektite. There are also some theories that place it in the volcanic family. You can find moldavite here: https://amzn.to/2JxAwqy (https://amzn.to/2JxAwqy) The first working laser was a ruby laser: https://en.wikipedia.org/wiki/Laser (https://en.wikipedia.org/wiki/Laser) You can get rubies here: https://amzn.to/2XDC5Ny (https://amzn.to/2XDC5Ny) Quartz has great applications in oscillators, and other electronics and in optics. You can get quartz here: https://amzn.to/2G4F46O (https://amzn.to/2G4F46O) What is fascia and why should you care? Learn about your fascia here: https://squareup.com/store/training-courses/item/fundamentals-of-fascia-teacher-training?square_lead=item_embed (https://squareup.com/store/training-courses/item/fundamentals-of-fascia-teacher-training?square_lead=item_embed) Gerald Pollack’s work on the fourth phase of water: https://amzn.to/2LO29yb (https://amzn.to/2LO29yb) How much scientific evidence do you need? One of the best things you can do for your fascia is to practice Power Yin. Learn it here: https://squareup.com/store/training-courses/item/power-yin-teacher-training (https://squareup.com/store/training-courses/item/power-yin-teacher-training) Not all minerals should be worn. The composition of certain minerals can be toxic to the human body. Cinnabar should not be worn. But it is considered a wealth stone and should be placed near your money. You can get cinnabar here: https://amzn.to/2xFpn1l (https://amzn.to/2xFpn1l) The fumes of malachite can be toxic when working with the rough version of the stone: You can get malachite here: https://amzn.to/2XCycIS (https://amzn.to/2XCycIS) The next seven episodes will be about each of the chakras, the corresponding mineral and how to use it to improve you mind strength Resources Brought to you by Paleo Ayurveda - Ayurveda Designed for Thriving The Hitchhiker’s Guide to the Galaxy book: https://amzn.to/2LJoTj3 (https://amzn.to/2LJoTj3) The Hitchhiker’s Guide to the Galaxy movie: https://amzn.to/2XB0seU (https://amzn.to/2XB0seU) You can find moldavite here: https://amzn.to/2JxAwqy (https://amzn.to/2JxAwqy) The the first working laser was a ruby laser: https://en.wikipedia.org/wiki/Laser (https://en.wikipedia.org/wiki/Laser) You can get rubies here: https://amzn.to/2XDC5Ny (https://amzn.to/2XDC5Ny) You can get quartz here: https://amzn.to/2G4F46O (https://amzn.to/2G4F46O) Gerald Pollack’s work on the fourth phase of water: https://amzn.to/2LO29yb (https://amzn.to/2LO29yb) You can get cinnabar here: https://amzn.to/2xFpn1l (https://amzn.to/2xFpn1l) You can get malachite here: https://amzn.to/2XCycIS (https://amzn.to/2XCycIS) Paleo Ayurveda's Training Library can be found at: https://squareup.com/store/training-courses The Spartan Mind Strength Calendar: https://spartanmindstrength.com/events (https://spartanmindstrength.com/events) For YA & AAPNA Registered Instructors Earn non-contact CEUs here: https://squareup.com/store/training-courses (https://squareup.com/store/training-courses) Disclaimer All information provided here is for informational and educational purposes only, and is not to be construed as medical advice or instruction. No action should be... Support this podcast

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POKÉMON! #15 - Pallet Town

20 Sided Stories

Play Episode Listen Later Apr 17, 2019 27:03

The world is changing. Our trainers have no choice but to escape Cinnabar and find their way back home. Snag an Adventure Pass via Patreon Connect with us on Twitter @20SidedStories, Instagram, or Facebook. Or visit our website at 20sidedstories.com You can also follow The Dream Police on Twitter! @CandyCarterWins, @XxSkipBoarderxX, @Xandersucks_ POKÉMON! Pen & Paper Version a 20 Sided Stories Production Episode 15: Pallet Town Candace Carter was played by Jessica Dahlgren Skip Svitak was played by Greg Reasoner And Xander Whitten was played by Travis Reaves Additional Voices Aunt Clair - Skylar Schock Blaine - David McEuen Giovanni - David Michmerhuizen Trainer Blue - Noah Sturtridge Narrator, Cedric - Sage G.C. The original music from Pokemon Red, Green, Blue, and Yellow Versions was composed by Junichi Masuda With Arrangements and Additional Scoring by Sage G.C. Additional Production and Audio Assistance by Travis Reaves Game Master Assistance and Pokemon Battle Management by Grant Bouffard Original Character artwork and Episode 1 artwork by Arianna Cabebe Episode 2-15 artwork by Marissa Bernstel Credits Voice: Marlena Jean Podcast Directed, Edited and Sound Designed by Sage G.C. You can get the soundtrack to this series for free at Sagegc.bandcamp.com This podcast and series has no affiliation with Nintendo, The Pokemon Company, Game Freak, Creatures Inc., or anything in the official Pokemon franchise whatsoever. It is a non-profit, fan made parody piece created in fair use and all product names, trademarks and copyrights are property of their respective owners. The bulk of what you are about to hear was recorded live by improvisers who simply love the franchise, and we thank you for joining us on our nostalgic adventure through Kanto.

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Top Torn Tickets of 2018 - Part One, the Plays - January 9, 2019

Play Episode Listen Later Jan 9, 2019 4:00

‘Tis the time for “Best of …” lists, so in the spirit of my illustrious predecessor and with a nod to the substantial differences in mounting a musical versus a play, here are my top torn tickets of 2018 - Part One, the Plays (in alphabetical order): Blackbird - Main Stage West – As dark subject matter goes, this look at a pedophile and his victim is as unsettling a piece of theatre as I’ve seen. Under David Lear’s direction, Sharia Pierce and John Shillington acted the hell out of David Harrower’s script which raised a lot of really uncomfortable questions and provided no answers. Buried Child - Main Stage West – Elizabeth Craven’s direction of Sam Shepard’s nightmarish look at the crumbling American Dream found the right balance between the real and the surreal in this dark, funny, disturbing, and heartbreaking show. The Curious Incident of the Dog in the Night-Time - Spreckels Theatre Company – Elijah Pinkham’s revelatory performance as a 15-year-old with an Asperger’s/autism-like condition on a journey of self-discovery was the centerpiece of this Elizabeth Craven-directed production. Death of a Salesman - Novato Theatre Company & 6th Street Playhouse - It’s a critic’s burden to have to go see multiple productions of the same piece within weeks or months of each other and it’s rare when both productions are superb. The Carl Jordan and Craig Miller-helmed productions each had their own strengths and weaknesses but both had towering lead performances. Joe Winkler’s and Charles Siebert’s takes on Willy Loman were utterly different and totally devastating. Equus - 6th Street Playhouse – Peter Shaffer’s 1973 play about a boy and his horse was such a left-field choice for 6th Street to produce that I really didn’t know what to expect. That this very difficult play turned out to be one of the North Bay’s best 2018 productions is a credit to director Lennie Dean and an outstanding ensemble. The Great God Pan – Cinnabar Theater – A terrific combination of script, performance, technical and design craft under the direction of Taylor Korobow made this rumination on recovered memory unforgettable. Oslo - Marin Theatre Company – While the Oslo Accords have been deemed a failure, MTC’s excellent production of the J.T. Rogers drama about the negotiations that lead to them reminded us that humanity is too often the missing element in politics today. Next week: Top Torn Tickets, the Musicals!

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Love, Linda - January 2, 2019

It's Super Effective: A Pokémon Podcast

Play Episode Listen Later Jan 2, 2019 4:00

For years, Petaluma’s Cinnabar Theater has closed out the year with a musical cabaret show. Past years’ productions have celebrated the work of musical artists from Edith Piaf to Mahalia Jackson to Frank Sinatra. This year, the work of classic American tunesmith Cole Porter takes center stage via Love, Linda, a look at Porter through the eyes of his wife, Ms. Linda Lee. Veteran cabaret performer Maureen McVerry plays Mrs. Cole Porter and yes, there was a Mrs. Cole Porter. More than a marriage of convenience, the Porters had a genuine affection for each other, despite Porter leading an active homosexual life. Notwithstanding the challenges that presented to the relationship, they remained married until Lee’s death in 1954. The show is set in the Porter’s elegant Parisian apartment where Linda reminisces about her life before Porter, how they met, their life together in Paris, their adventures in Hollywood, and their settling in an apartment at the Waldorf Astoria hotel in New York. Interspersed between the memories are, of course, the songs. The tale of their time in Paris is matched with “I Love Paris”, their time in Hollywood with “Night and Day” (also the title of the highly fictionalized film biography where the diminutive Porter was portrayed by the 6’4” Cary Grant). Her complex relationship with Porter is represented by “My Heart Belongs to Daddy” and “Wunderbar”. Ms. McVerry’s vocals are accompanied by a terrific on-stage three-piece combo of piano (played by Chris Alexander for the opening performance, musical director Cesar Cancino handles it for the rest of the run), bass by Steven Hoffman, and drums by John Shebalin. McVerry does not possess a particularly rich voice, which led the musical accompaniment to regularly overwhelm her vocals. We hear Porter’s beautiful compositions, but his often amusing, often passionate lyrics are frequently lost. Cinnabar should really consider miking their musicals. Director Clark Sterling keeps things moving at a brisk pace and brings the show in at 85 minutes, including an intermission. Scenic designer Wayne Hovey brings an expansive apartment feel to the Cinnabar space, though I wish the projections used throughout the show had been worked more into the set rather than displayed over it. Love, Linda is an affectionate look back at one of America’s greatest musical talents. My affection for it would be amplified if the vocals were. 'Love, Linda' runs through January 13th at Cinnabar Theater in Petaluma. Friday and Saturday evening performances are at 8pm; the Sunday matinee is at 2pm. There’s a New Year’s Eve party and performance at 9pm on December 31st. For more information, go to cinnabartheater.org.

009 Hello Kanto: Cinnabar Island, Blaine

Play Episode Listen Later Nov 24, 2018 31:27

Episode 009 of our Pokémon Let's Go Pikachu and Let's Go Eevee coverage. The hotheaded Blaine awaits for SBJ and Greg to arrive to Cinnabar Island. We talk about how the anime episode of Blaine was a huge influence on this island and their gym leader. We also talk about the Pokémon Mansion, Mew, and Mewtwo diaries in there. www.pkmncast.com twitch.tv/pkmncast reddit.com/r/supereffective twitter.com/pokemonpodcast patreon.com/itssupereffective

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#149 - Houseki no Kuni (Part 1)

Transformation Sequence

Play Episode Listen Later Aug 14, 2018 71:15

Phos, a member of a community of creatures made from gemstones, feels useless and incomplete, unable to contribute anything to their comrades due to their utter lack of competence. Under threat from mysterious creatures from the moon, the gemstones defend themselves from being smashed into pieces and "collected" by these beings. After a chance encounter with another gem, Cinnabar, Phos vows to devote their efforts to discovering a way to bring joy to them, and begins to go drastic physical changes... You can also find us on; Vince (@vincekenny), Kym (@kymcattys) and Ben (@benstonick). Or! Drop us an email address with transformationsequence@gmail.com You can listen to Transformation sequence on Stitcher, too! http://www.stitcher.com/podcast/transformation-sequence

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Pokemon Blue Nuzlocke 29: CINNABAR ISLAND. (Season -04 episode -28).

Daniel K's Let's Plays

Play Episode Listen Later Apr 15, 2018 75:18

Pokemon Blue Nuzlocke 29: CINNABAR ISLAND. (Season -04 episode -28). New pokemon Blue nuzlocke episode! In it we hear from Eric B and Rakim, specifically a few seconds of their song Follow The Leader. We also hear a little bit of the Radiohead song Paranoid Android, and Joanna Newsom's Divers. I think that's all...

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59: Cinnabar

Mega City Book Club

Play Episode Listen Later Feb 18, 2018

The book club is back in Dublin's fair city as Brian Walsh returns to discuss one of the greatest of Rogue Trooper's adventures, Cinnabar by John Smith, Steve Dillon and Kev Walker.Check out Brian's artwork on our facebook page and at his site.And get your copy of Tales of Nu-Earth 4 from the 2000AD online store.You can find a list of episodes so far and all the upcoming books on the Facebook page, follow the podcast on Twitter, or email me comments and suggestions to MCBCpodcast@gmail.com If you cannot see the audio controls, listen/download the audio file hereDownload hereRight click and choose save link as to download to your computer.

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King of Cinnabar

Hopalong Cassidy

Play Episode Listen Later Jan 31, 2018 26:13

King of Cinnabar http://oldtimeradiodvd.com

cinnabar

A Look Back at Sonoma County Theatre in 2017 (Part II) - January 10, 2018

Play Episode Listen Later Jan 10, 2018 4:00

Avoiding the typical “Best of…” lists that are commonplace at this time of year, last week I presented Part I of my 2017 “Special End of Year” Awards for local theatre. Here now is Part II: The “One is the Loneliest Number” Award - I’ve been asked a couple of times “If you could open up a theatre company in Sonoma Country, what kind of shows would you do?” Getting past the issue that no one in their right mind would open another theatre company in this area, my answer is “one-person shows.” Why? Well, this year we had Patrick Varner as a Streisand employee, Libby Villari as a former Texas governor, Sheri Lee Miller as a ghost, and David Yen as a disgruntled Christmas elf. All were highly entertaining and each came down to a single performer and an audience. The “No, I’ve Got Something in My Eye” Award – I found myself quite taken with two holiday presentations (that aren’t really holiday plays.) Main Stage West’s Daddy Long Legs and Spreckels’ Little Women, the Musical took me by surprise. Credit the performers for getting me to dust off the adjective “sweet” in my vocabulary. The “Better Than It Had Any Right to Be” Award – The Redwood Theatre Company has impressed me in its short life for the energy and passion they bring to their productions. As one who has never succumbed to the cult of Star Wars, my expectations for their production of Brittany Law’s original musical parody The Farce Awakens were not high. I expected it to be a bunch of young folk in cheesy costumes with dime-store props saying silly things. That is EXACTLY what it was, and yet it was all delivered with such a sense of joy and fun that they won me over. The “If You Build It, They Will Come” Award – Sonoma County is blessed with several excellent set designers who often do wonders with often tiny, restricted spaces. The sets for Cinnabar’s Man of La Mancha, Spreckel’s The Sugar Bean Sisters, and Main Stage West’s The Birds all grabbed your attention and transported you to another place from the moment you walked through the theatre door. The “Just (Don’t) Do It” Award – Just because a show hasn’t been done in Sonoma County before (or in a long time), doesn’t mean it should be done. Some are chestnuts that are best left buried (The Children’s Hour), while others just aren’t very good (David Mamet’s Race.) And why do companies recycle shows that have played in the community within the past few years? You couldn’t pick one of the other 1,000 plays available? 2018 will be a challenging year for both theatre companies and audiences. The Sonoma County landscape has changed in many ways. Theatre companies that struggle even in good times face even greater difficulties now. I know our community’s support of the arts is greatly appreciated. Again, here’s to an artistically invigorating 2018. I’ll see you at the theatre.

A Look Back at Sonoma County Theatre in 2017 (Part I) - January 3, 2018

Play Episode Listen Later Jan 3, 2018 4:00

It’s that time of year again for the usual “Best of…” lists where critics review their picks for the best (and sometimes worst) in music, movies, fashion, and the like and give people at holiday parties something to argue about. For the past three years my approach has been a little different as I prefer to offer a few “Special End of Year Awards” to Sonoma County theatres and artists. Here is Part I of my 2017 awards: The “Now You See It, Now You Don’t” Award - The Santa Rosa Junior College production of It Can’t Happen Here opened on October 6 and closed on October 8. The adaptation of the 1935 Sinclair Lewis novel about the rise of a populist blow-hard to the Presidency had a lot to say about our current political climate, but not a lot of people had a chance to see it. Its run was cut short with the closure of the SRJC campus as a result of the fires. The “Show Must Go On” Award – There were many theatre companies that understandably postponed their runs during the North Bay fires. Cinnabar Arts and Spreckels Theatre Company went on with their scheduled openings of Quartet and Monty Python’s Spamalot. While neither facility was in immediate danger, I was conflicted about the decision. I attended both productions, enjoyed them both, and was glad they decided to open. That being said, I’m still not sure they should have. The “Yes, There IS Diversity in Sonoma County, Dammit” Award – The Santa Rosa Junior College production of Lin Manuel-Miranda’s In the Heights proved the claim that there isn’t a diverse enough talent pool from which to cast many shows is suspect. Perhaps choosing shows in a season that speak and appeal to more diverse artists and audiences would widen the pool. Maybe it’s also time to check some artistic egos at the door and go and find them. The “Big Things Come in Small Packages” Award – The studio theatres of Sonoma County’s largest companies often offered superior work to that displayed on their main stages - 6th Street’s Visiting Mr. Green and A Masterpiece of Comic… Timing and Spreckels’ The Sugar Bean Sisters and Little Women, the Musical for example. The “Out of Left Field” Award – Not many people are willing to venture out to Monte Rio to catch theatre. You should give it a shot. You’re not going to get the bells and whistles other production companies may provide, but Curtain Call can do a lot with a little. They put on an excellent production of The Elephant Man with local comedian James Rowan giving an incredibly touching performance as John Merrick. Live theatre continues to struggle in Sonoma County (as it does most any place else.) Like many residents, the theatre community did not escape the fires unscathed with some companies losing their performance space and others losing equipment, props and costumes. Numerous theatre artists lost their homes. Live theatre will go on because Sonoma County supports it but, as with every other part of our community, change is inevitable. Tune in next week for Part II of my awards. Here’s to an artistically invigorating 2018. I’ll see you at the theatre.

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Daddy Long Legs - November 29, 2017

The Inside Winemaking Podcast with Jim Duane

Play Episode Listen Later Nov 29, 2017 4:00

If you like A.R. Gurney’s popular two-person play “Love Letters”, you’re going to love “Daddy Long Legs”, a musical adaptation of the 1912 novel by Jean Webster. Set at the turn of the 20th century, it’s the story of the relationship between an orphan and her mysterious benefactor as told – well, actually, sung – through a series of letters. Elly Lichenstein, Artistic Director of Petaluma’s Cinnabar Theater, transports her directorial skills from the cozy confines of Cinnabar to the even cozier confines of Sebastopol’s Main Stage West for this production. Jerusha Abbott (Madison Genovese), the oldest orphan at the John Grier Home, is surprised to learn that a trustee who’s been impressed with her writing will provide her with a college education under a very particular set of circumstances. She must write him regularly with the knowledge that he will never respond. He will remain anonymous with her letters simply to be addressed to “Mr. Smith”. Jerusha imagines him to be a trustee whose shadow she caught a glimpse of one evening. His legs were long and spindly and as he is a trustee she imagines him to be quite old. Rather than address her benefactor with his chosen boring moniker, she titles him “Daddy Long Legs.” Her benefactor is actually Jervis Pendleton (Tyler Costin), a young philanthropist who is at first amused but soon enchanted by Jerusha’s musings on college life and her personal growth. As he’s the uncle of one of Jerusha’s college roommates, he arranges to meet her while maintaining his anonymity. Their relationship grows over the four years of college, but Jerusha’s graduation may finally force Jervis’s hand in revealing his true identity. This entire tale is told through song with titles like “Who is this Man?”, “She Thinks I’m Old”, “Freshman Year Studies”, “The Secret of Happiness”, “Graduation Day” and the like. The show’s format demands that the music and lyrics by Paul Gordon and John Caird be heavy on exposition and there’s so much of it that it often feels repetitive and one note. Ah, but it’s a beautifully sung note. Ms. Genovese brings pluck and charm to Jerusha and Mr. Costin’s physical lankiness is perfect for the role of Jervis. Both are in fine voice and complement each other quite well in their duets. They manage to completely avoid the trap that a closer examination of the storyline might provide. Elizabeth Craven had designed a very utilitarian set for the small MSW stage with half of it occupied by Jervis’s study and the other half representing the orphanage, the college, a farm and a mountaintop at various times. Musical director Dave MacNab and his three-piece orchestra give the often-sweet score its due with the cello work by Gwenyth Davis particularly emotive. Director Lichenstein, though again limited by the show’s epistolary format and the relatively small performance space, manages to add a few nice directorial touches that when combined with two appealing performances ends with the result being a very pleasant evening of musical theatre. “Daddy Long Legs” plays at Sebastopol’s Main Stage West through December 10, Thursday, Friday and Saturday evenings at 8pm, with Sunday matinees at 5pm. For more information, go to mainstagewest.com

Ep. 59 Caleb Mosley - From Mike Wolfe Vineyard Services

Play Episode Listen Later Sep 10, 2017 114:45

Having grown up on the Cinnabar Winery estate in the Santa Cruz Mountains, Caleb Mosely has worked with grapevines for nearly all his life. In this episode we talk about his upbringing at Cinnabar, school at CalPoly, work at Ridge Vineyards and then his vineyard positions in Napa before he moved to his current role as viticulturist with Mike Wolfe Vineyard Services. We cover a ton of technical geekdom about rootstocks, weed management, and organic practices. LINKS AND RESOURCES MENTIONED IN THIS EPISODE Cinnabar Winery, Santa Cruz Mountains Ridge Vineyards, Santa Cruz Mountains Araujo / Eisele Vineyard, Napa Valley Quintessa, Napa Valley Sunseeker App on iTunes Suppress organic herbicide Napa Grape Growers Viticultural Best Practices Video Series This podcast is brought you by Musto Wine Grape Company. Musto is the largest and oldest wine grape and juice distributor in New England, with their own vineyards in Suisun Valley, CA and long standing contracts with growers in Lodi, Central Valley, Napa, Sonoma, Mendocino, and Washington State. Musto services all aspects of the industry for wineries and home winemakers. Whether you need grapes, juice, equipment, chemicals, or winemaking help, Musto is there for you. Contact sales@juicegrape.com for the full inventory of grapes and supplies. QUESTIONS? COMMENTS? LET ME KNOW WHAT YOU THINK: JIM@INSIDEWINEMAKING.COM The Inside Winemaking Podcast on iTunes And Stitcher Radio Too

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Elephant Man & Man of La Mancha - September 6, 2017

Play Episode Listen Later Sep 6, 2017 4:00

Titular roles don’t come more challenging than those of Miguel de Cervantes, the Man of La Mancha and John Merrick, better known as The Elephant Man, so why not increase the challenge by casting the roles with performers whose fortés are outside of standard theatre? Cinnabar Theater Director Elly Lichenstein has Daniel Cilli, primarily an opera singer, in the dual role of Cervantes and Don Quixote, while Michael Tabib of Curtain Call Theatre has cast stand-up comedian James Rowan as Merrick. Both gentlemen do honor to their characters. La Mancha is set in the bowels of a 16th century Spanish prison, where Cervantes awaits his fate at the hands of the Spanish Inquisition. Stripped of his belongings by the other prisoners, Cervantes pleads for the return of his manuscript of Don Quixote and demands a trial. His defense will be a reenactment of his story of honor and love. He will play the title role with his also-imprisoned manservant (Michael Van Why) as Sancho Panza. Other prisoners are drafted into roles as the tale is told. And sung, because it is a musical after all. Under musical director Mary Chun, Cilli’s magnificent baritone is the perfect match for the Mitch Leigh & Joe Dario score culminating with a show-stopping version of “The Impossible Dream.” He sets the standard for musical performance in this show, and is met by Daniela Innocenti-Beem as his Dulcinea with the heart-breaking “Aldonza”. Nice vocal work is also done by Kevin Gino as the Padre. A necessary lighter tone is brought to this often-dark production courtesy of Van Why with “I Really Like Him” and Mary Gannon Graham as the Housekeeper in “I’m Only Thinking of Him”. Other quality performers round out the ensemble. Befitting a show with a budget, there’s a dank and detailed dungeon set by Wayne Hovey and appropriately grimy costumes by Abra Berman. Chun continues her award-winning work at Cinnabar with a six-piece orchestra that fills the auditorium with the Tony-winning score. Lichenstein wasn’t tilting at windmills when deciding to bring this production to the North Bay. A quest to Petaluma to catch this production will bring ample reward. On the opposite side of the budget spectrum lies Monte Rio’s Curtain Call Theatre. Housed in the Russian River Hall, they’ve impressed me in the past with what they’re able to do with minimal resources. Their current production of The Elephant Man utilizes projections more so than set pieces to evoke a sense of time and place and, because of the playwright’s desire to not recreate the physical deformities that afflicted the title character, allows the audience to get past that potential distraction by displaying photographs taken of John Merrick and his condition. That leaves it to James Rowan to give the audience the inner character. Best known for hosting and performing comedy at local taprooms, he’s begun dipping his toes in local theatre. There’s ample evidence that comedians make good actors (and, conversely, that actors do a lousy job playing comedians) and Rowan’s name can be added to that list. He gives a very human performance as Merrick that recalls John Hurt’s brilliant work in the same-titled film. For those unfamiliar with the story, it’s the fact-based tale of John Merrick, the doctor who rescued him from his “freak show” existence, his life as a resident of London Hospital and his transformation into an A-list member of British society. The cast consists of Curtain Call regulars and Tabib guides them in doing good work, but it all comes down to Rowan’s believability as the title character. His commitment to Merrick - his physicality and his manner of speech - is admirable. More importantly, he brings Merrick’s humanity to the forefront, particularly in several very touching scenes with Segal/Kendall. The Elephant Man is an excellent example of how, while technical elements often play an important part in a production’s success, a strong central performance is what really makes a show.

Carol Robertson

Floorr Artist Interviews

Play Episode Listen Later Jun 1, 2017 8:08

"Geometry allows me the freedom to channel a myriad of different material. It removes the potential chaos of having too many subject options, yet remains open to sensory or poetic influence." Could you tell us a bit about yourself. How long have you been a practising artist and where did you study?I live and work in London and have been a practising artist since 1981 when I completed my MA in Painting at Chelsea School of Art. Prior to that I’d been a BA student at Cardiff College of Art from 1974 to 1978. I knew I wanted to be an artist from an early age… I never had any doubts about going to art school and was quickly drawn towards painting and non-figurative art.Could you tell us about these repeating geometric forms you create, would you say you are quite obsessed with certain shapes?Geometry allows me the freedom to channel a myriad of different material. It removes the potential chaos of having too many subject options, yet remains open to sensory or poetic influence. I work with a variety of different geometric formations but it’s true to say I find the circle to be the purest, the most universal of all geometric shapes. I never tire of its associations with art and architecture, with ritual and religion and with the cosmos. I’ve been making circle paintings since the late 1980s and feel sure I will continue to do so for the rest of my life.Tell us a bit about how you spend your day/studio routine? What is your studio like?I always walk to my studio, which takes about half an hour. The walking part is important …it clears my head and leaves me fresh for working. I’m lucky that my route takes me mostly off-road, through London Fields and then along the Regents Canal. My studio is in a beautiful 1930s building, owned and managed by ACME, an artist’s studio and housing association, and I’ve worked there for over 20 years. It has a cohort of about 30 artists and my partner Trevor Sutton works there too. He and I have a close dialogue; we visit one another’s studio every day.I keep the studio tidy and organised… too much disorder interferes with my thought process. I normally work in series, on several paintings at any one time. I start intuitively, by pouring layer upon layer of unstructured liquefied oil paint over the canvas. Adding the meticulous over-painted geometric detail comes later. These combined processes satisfy my need for both chance and order. I try to achieve an atmospheric spatial quality in the grounds so as to create the equivalent of an environmental space in which the geometry can exist. Once the grounds are done, next comes the drawing and then finally the careful over-painting. The colour changes a lot. It’s never achieved in one go, so there’s a discreet physicality in the history of the surface. Pointstar, installation shot, Flowers Gallery Pointstar, installation shot, Flowers Gallery What artwork have you seen recently that has resonated with you?I’ve just seen Richard Long’s beautiful new installation Earth Sky at Houghton Hall in Norfolk. It’s an impressive experience, seeing his works in the context of formal gardens and parkland and the grand elegance of a Palladian house. His works take simple powerful forms; circles, lines, crosses, made in the most natural way from stone, slate and flint. And here they are made on a huge scale. There is a spectacular red Norfolk carrstone line, 84 metres long and also a giant circle made from fallen estate tree stumps. There are ghostly white pigment cascades poured from the tops of arched loggias on either side of the house and in the central Stone Hall of the house, itself a masterpiece, sits a Richard Long circle, another masterpiece in slate and flint.How do you go about naming your work?The provenance of my titles varies: some works are titled descriptively in numbered sequences, such as the recent Star, Ancestral Lines and Quadrille series. Others may record the place where they were made or an important event in my life, or simply offer poetic names that seem to fit their character. Every work is unique… it deserves a name. It’s important to use titles for identification purposes so I never leave finished works untitled. Quadrille #4, 2017 Quadrille 1, 2016 Quadrille #5, 2017 Where has your work been headed more recently?I’ve been making circle paintings exclusively for several years so I wanted to diversify by introducing very different geometry. By way of contrast I started exploring sharp pointed geometric formations, which, for no particular reason I have rarely used in the past. Firstly I worked with triangular motifs that quickly progressed into zig-zag chevron formations with a strong heraldic feel. Most recently, as variant of both circle and triangle I’ve started painting stars. Like the sun and moon, stars for me evoke the mysteries of the universe and the heavens: they come laden with inspiration drawn from the beauty and infinity of the cosmos.From an early age until I was sixteen I studied classical ballet. I was never going to be a great ballet dancer but I enjoyed doing it. It did however provide me with a developed sense of physical spatial awareness that I use to this day. I’m acutely aware of my physical movements in relationship to painting; how my body is set during the act of painting and how the scale of a work affects this. Composition-wise I’ve always had a sense of spatial order and discipline when it comes to proportion and placement. Chevron paintings like Dance acknowledge this and the Quadrille series is named after the square dance famous for its precise steps and figures.Is there anything new and exciting in the pipeline you would like to tell us about?I have a solo exhibition Pointstar, presently showing in London at Flowers Gallery, until 3 June. It’s the culmination of two years working on star and chevron paintings. Very large oil paintings on canvas are installed side by side with a series of tiny paintings on board.I show more star paintings in Life Lines 27 May- 14 July with Galerie Gisèle Linder in Basel. This is a three-person exhibition with works on paper by Trevor Sutton and burnt line wood pieces by the late Roger Ackling, who was one of our closest friends. The show is dedicated to him.Trevor and I are also working for the first time on a collaborative painting for a show at Cinnabar in San Antonio, Texas in September 2017. Four artist-couples are exhibiting individual works alongside their collaborations. We’ve just started our joint work and it will be interesting to see how well we can combine our imagery and methodologies to make a strong and unified painting.Carol Robertson: Pointstar is on view at Flowers Gallery, London W1 until 3 June.www.flowersgallery.comwww.carolrobertson.netAll images courtesy of Carol Robertson, Flowers Gallery London and New YorkInterview published 01/06/17

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New Year's Eve 2017 - December 28, 2016

Play Episode Listen Later Dec 28, 2016 4:00

Whatever else one has to say about the year 2016, for those in the North Bay who love live theater, it’s been an especially strong year. If you were willing to do your homework, make good choices, take some chances, and keep at it even after the occasional disappointment, there have been a high number of truly exceptional shows playing on local stages over the last 12 months. So what better way to end the old year and start the new one than by attending a party at one of our fine local theaters. It’s become a tradition, for some companies, to kick off their new year with a performance of the first show of that new year. Cinnabar Theater, in Petaluma, has turned the tradition into one of its best-attended fund-raisers of the year. This time, on Saturday night, December 31st, they’ll be launching another year-end gala with the first performance of the new one-woman musical “Sophie Tucker: Red Hot Mama.” Written and performed by acclaimed Tony-nominated actress Sharon McKnight, ‘Red Hot Mama’ tells the story of Sophie Tucker, the renowned burlesque, vaudeville and Broadway performer who made a name for herself with her tough-as-nails, bawdy and boozy songs and banter. The show features several of Tucker’s most famous songs, including ‘Red Hot Mama,’ “My Yiddishe Mama,” and “I Don’t Want to Be Thin.’ McKnight was nominated for a Grammy award for best supporting actress for the 1989 sci-fi musical ‘Starmites.’ Now a resident of Hollywood, she’s performed ‘Red Hot Mama’ all over the world. The show will have a full run at Cinnabar from January 6 – 22, but for those looking for a sexy and salacious way to sashay into the new Year, Cinnabar’s New Year’s Eve party will give a chance to see the show first, along with special musical entertainment, food and drinks, champagne and Auld Lang Syne. There’s just something about New Years and naughtiness. The other hot ticket for the New Years – so hot it had to be spread over two nights and three shows – is 6th Street Playhouse’s New Year’s Cabaret featuring Sandy and Richard Riccardi, performing their YouTube sensational songs about the weird side of life, love, politics and making it in a crazy world. The show runs once on December 30, at 8 p.m., and twice on New Year’s Eve, at 7 p.m. and again at 10, for those who want to be laughing at midnight when the calendar finally turns the page. To learn more and buy tickets, visit 6thsttreetplayhouse.com and/or cinnabartheater.org.

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"The Most Happy Fella" - September 7, 2016

Play Episode Listen Later Sep 7, 2016 4:00

It’s been twelve years since Stephen Walsh last played Tony the grape grower, in the classic Frank Loesser musical ‘The Most Happy Fella,’ at Cinnabar Theater. And to employ an over-picked cliché, in his second run of the show at Cinnabar, Walsh has only gotten better, deeper and rich—like a really, really good wine. The show itself—about romantic complications arising when the much older Tony, an Italian wine-maker in Napa, impulsively leaves a love letter for a San Francisco waitress—is a blend of fantasy romance and soap-opera heartbreak. It’s like something John Steinbeck might have written if asked to pitch an idea for a musical about love. Nicely directed by Elly Lichenstein, with her patented knack for filling the stage with things to look at, the production pivots on the performance of Walsh, who not only sings gorgeously, but nails the role of a love-struck sweetheart who believes he’s too old and unattractive to deserve happiness. Walsh makes Tony’s emotional journey so believable it’s impossible not be happy when happy and devastated when his desperate attempt at love hits snags, which it does from the very beginning. This is hardly light and fluffy musical material. There is real human drama here, and the music—with the exception of the poppy ear-worm ‘Standin’ on a Corner’— is complex and operatic, beautifully light and dark, bubbly and haunting, and occasionally a bit weird. This is the kind of show in which people sing whatever is in their soul, even if that means singing a single name over and over and over. As Amy—who Tony seems to think is named Rosabella—Jennifer Mitchell is charming. She’s especially strong in the early scenes where she is tricked—due to Tony having sent her a photo of his foreman instead of himself—into believing that her coffee shop pen-pal is the young and handsome guy she recognizes from the photo when she arrives at the Vineyard. She’s there in Napa, having impulsively agreed to marry the man she’s been swapping letters with. Mitchell sings beautifully, and plays the early flirtations of love and attraction to lovely effect. When she learns of the deception, a series of actions take place that steer the tale in the direction of tragedy, but never leaves us doubting that true love might somehow be possible for Tony, one way or another, no matter how unlikely. Michael Van Why, as Tony’s optimistic farmhand Herman, is magnificent—like the Scarecrow of Oz crossed with Curly from ‘Oklahoma’—and his guileless courtship of Amy’s friend Cleo—a power-force performance by Krista Wigle—is a nice balance to the rockier romance of Tony and his “Rosabella.” The music, played simply on two pianos and a set of drums, is nicely directed by Mary Chun. There are many reasons to see this show, but in the end, it all comes down to Walsh, who returns to a favorite role after a dozen years, and somehow makes it even better, giving one of the best performances of his career, and easily one of the North Bay’s best musical productions of 2016. ‘The Most Happy Fella’ runs through September 25 at Cinnabar Theater, www.cinnabartheater.org

New Year's Eve Traditions - December 16, 2015

Play Episode Listen Later Dec 16, 2015 4:00

Let’s talk a little about New Year’s Eve. I know, I know. It’s not even Christmas yet. But given that some of the New Years Eve events I’m about to mention will be sold out by Christmas, I thought I’d better talk about them now, while you still have a chance to snap up a ticket. But first, let me offer a little perspective on the whole theme of New Year’s Eve traditions. Different people celebrate the turning of the year in different ways. In Canada, on New Year’s Eve, cities offer free public transportation. Not sexy, perhaps, as traditions go, but it’s certainly practical. In certain parts of Mexico, as the midnight bells strike twelve times, partiers eat twelve grapes—hopefully without choking—because they make a wish with each swallowed grape. In Albania, at precisely midnight on New Year’s, they make perfectly timed phone calls to wish each other a prosperous new year. Also not sexy, or particularly festive, but definitely warm and fuzzy and nice. It’s midnight. Let’s call Dad. I like it. Meanwhile in the San Francisco North Bay area . . . well, we do all kinds of things. Amongst them, it has become a certified tradition for theater companies to wrap a big happy New Years Eve party around a brand new theatrical production, often kicking off the next full run of their new show by debuting it on the 31st of December, followed by a champagne toast, confetti, cheers and a kiss or two. I like that too. Case in point: this New Year’s Eve, Petaluma’s Cinnabar Theater (www.cinnabartheatre.org)—one of the first theater companies in the area to adopt the New Year’s Eve debut tradition—will be staging the first performance of their new show, Mahalia Jackson: Just as I Am. Written and performed by Sharon E. Scott, the show tells the story of America’s iconic blues and gospel singer, punctuating the tale with scorching renditions of Jackson’s best known songs. Cinnabar’s New Year’s Gala, running from $55-$66, begins at 9:00 p.m., and includes fancy pre-show desserts and champagne at midnight. Mahalia Jackson: Just as I Am, continues it’s run at Cinnabar through January 24. Over at Main Stage West in Sebastopol (www.mainstagewest.com), a bit of macabre mayhem will be added to the merriment on New Year’s Eve, as the esteemed theater launches Serial Murderess: A Love Story in Three Ax, Amanda Moody’s one-woman-show about a trio of famous female killers. Talk about drinking a cup of kindness … just make sure it’s not poisoned. Main Stage West’s first annual New Year’s Bash—cost $50, with the show beginning at 8:00 p.m.—includes food, drinks, a bit of murderous revelry, and the show itself. I suggest you dress to kill for this one. And finally, over at 6th Street Playhouse (www.6thstreetplayhouse.com), the New Year will kick in with a cabaret-style party and musical show—cost: $25-$40—featuring the return of Sandy and Richard Riccardi, the daft and daring duo whose charmingly satirical, tastefully raunchy songs have taken them to New York and back, and won them international acclaim on YouTube. There will be two shows, at 7:00 p.m. and 10:00 p.m. Food and drink will be available for purchase. These shows are actually much more than just a great way to kick off the New Year. Such special events are vital fundraisers; so even if you can’t make it out to your favorite theater, consider dropping off a tax-deductible donation as your way of saying Auld Lange Syne to support live theater in Sonoma County. Happy New Year, a little early, and here’s to a theatrically satisfying 2016.

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"A Christmas Carol," "Little Women: The Musical" - December 2, 2015

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Play Episode Listen Later Dec 2, 2015 4:00

“I wear the chains I forged in life!” This ghostly report from the doomed spirit of Jacob Marley is amongst the most famous supernatural utterances in English literature. It’s also a fair metaphor for the heavy weight of responsibility carried by any theater company brave enough to stage Charles Dickens’ A Christmas Carol. This unstoppably popular story has been around for better than 170 years, and along the way it’s forged a long, weighty chain of expectations, adorations, misinterpretations, criticisms, dismissals and the weird, unkind backlashes that spring from any legendary story’s overfamiliarity in the public eye. Amongst the many reasons that 6th Street’s current production of A Christmas Carol can claim to be called one of the best surprises of 2015, is that it both embraces what’s made the tale so enduring, while also blazing new trails, finding fresh, entertaining possibilities in what has, in some adaptor’s hands, become stale and predictable. With a strong, adaptable cast, an inventively clever script by Michael Wilson, sprightly, emotion-focused direction from Craig Miller, and a delightfully steam-punk production-design, this incarnation of the Dickens classic also makes maximum use of actor Charles Siebert as Ebeneezer Scrooge. Performing rarely on local stages, Siebert’s North Bay appearances are always occasions to celebrate (6th Street’s Red, Cinnabar’s The Price). As Scrooge—the miserly skinflint whose Christmas Eve haunting takes him backwards and forwards through his own history—Siebert is fancifully mesmerizing and terrifically, touchingly real, maintaining a remarkable level of creative generosity toward all others with whom he shares the stage. As Marley—materializing to deliver a dire warning to his former business partner Scrooge—Alan Kaplan is a wickedly, wackily menacing and also heartbreakingly earnest. As the various spirits of Christmas—past, present, and future—Miller has assembled a trio of comic actors (Jessica Headington, Nick Christenson, and Ryan Severt) who deliver delightfully spectral comedy while consistently landing sharp emotional punches when necessary—in one case, while towering over the stage on stilts. The large, multi-age cast—with notably strong and/or hilarious performances by Jeff Coté as Bob Cratchit, Harry Duke as Fezziwig, and Crystal Carpenter as Belle—work incredibly well as a shape-shifting, character-changing, scenery-moving ensemble. And particular praise must be given to Miller’s technical team, whose clock-work set (Jesse Dreikosen), mood-making lights (Steven Piechocki), and otherworldly sound-design (Miller, with John Gromada) are some of the best seen at 6th Street in many a Christmas. Meanwhile, over at Spreckels Arts Center, another beloved novel leaps to life on stage in ‘Little Women: The Musical.’ With a spectacular performance by Rebekah Pearson in the lead role of Jo March, with crisp, lively direction by Thomas Chapman, and a beautifully spare musical direction Jim Coleman, Louisa May Alcott’s enduring story of love, family and individual determination is gorgeously and cleverly transformed. The story has been rearranged a bit, with the bulk of the familiar tale of the March sisters a flashback in Jo’s grown-up memory, as she strives to make a go of it as a writer in New York City, far from the home she loves. IT works, taking elements of the book that happened earlier, and easing them later into the story, where they become the emotional peak of the play. The entire cast is excellent, the sing is stellar, and the remarkably accessible storytelling aims straight for the heart, without forgetting that ‘Little Women’ the novel, is also delightfully, humanly hilarious. Taken together these two season favorites are must-sees for this holiday season. A Christmas Carol’ runs Thursday–Sunday through December 20 at 6th Street Playhouse. 6thstreetplayhouse.com. Little Women: The Musical runs Friday - Sunday until December 20. Speckelsonline.com

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Gateway to Yellowstone: The Raucous Town of Cinnabar on the Montana Frontier

MontanaHistoricalSociety

Play Episode Listen Later Oct 27, 2015 34:56

The town of Cinnabar, Montana, no longer exists, but when it did, it served as the immediate railroad gateway for a generation of visitors to Yellowstone National Park. When the Northern Pacific reached the tiny town in 1883, Cinnabar became the jumping-off point for visitors on their journey into “Wonderland.” Yellowstone National Park historian and prolific author Lee Whittlesey brings this Wild West town, and the heyday of railroad tourism, back to life.

"The Creature" - October 21, 2015

Teaching Your Brain to Knit

Play Episode Listen Later Oct 22, 2015 4:00

1999 years ago, an unmarried teenage mother had a bad dream. The next morning, she decided to turn that dream into a short story. Over the next few months, that story evolved into a novel—and that novel changed the future of literature. The teenager was Mary Shelley, and her book was Frankenstein. As everyone knows, it’s the tale of a creature assembled from dead body parts and granted the spark of life. In playwright Trevor Allen’s stage adaptation The Creature, Shelley’s original story is taken apart at the seams and reassembled into something entirely new. The Creature, now running at Cinnabar Theater, is daring, inventive, and artful—but problematic. Director Jon Tracy mixes up a meta-theatrical cocktail of misty atmosphere and sheer chance-taking guts, staging Allen’s minimalist take on the novel using only a trio of chairs, a snowy slab of white for a set, a leather journal—and three actors. Eschewing special effects, action scenes and monster makeup, the three barefooted narrators are: Victor Frankenstein (played by popular local actor Tim Kniffin) Captain Walton (played by Richard Pallaziol), and the Creature himself (Robert Parsons). Each character takes turns telling their side of the story in a long string of beautiful words. Unlike the novel—a tale within a tale within a tale—Allen places the narratives side by side, simultaneously, with the narrative bouncing back and forth like a ping pong ball every sentence or two. Confusion and exhaustion are just some of the by-products of this fiendish experiment. By breaking each man’s tale into such tiny fragments, the power of Shelley’s original story is almost entirely diminished, literally smashed to pieces. As Walton, the ships captain who discovers Victor Frankenstein near the North Pole and takes his deathbed confession, Pallaziol is quite good, and Kniffin, as the dying mad scientist, nicely captures the last-gasp desperation of the character. But in delivering his entire story in a steady, near-lifeless monotone, the emotional arc of Frankenstein’s horrific personal journey becomes one-note, sadly hammered flat and cold. As the Creature, Parsons is served the best, and he brings an impressive sense of wounded dignity to the role of an abandoned child, but in the script, Allen goes too far in trying to make the character sympathetic, even altering the details of the Creature’s various murders. In a deliberate deviation from Shelley’s text, Allen turns each murder—including the calculated framing of an innocent woman—into simple, unintentional accidents. While such story and plot changes may go unnoticed by those unfamiliar with the novel, they do matter, throwing off the balance of the drama, robbing the story of much of its complexity. On the plus side, Tracy’s set is beautifully done—a sloping swath of snow that runs across the stage and curves up the wall and out of sight. And the lovely light design (also Tracy) and sound design (Jared Emerson Johnson) all set the mood beautifully. Still, though fascinating and visually haunting, this Creature—despite the best intentions of its talented creator—turns out to be less than the sum of its parts. ‘The Creature’ runs through Nov. 1 at Cinnabar Theater www.cinnabartheater.org

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Ep. 025 Impact of Mood, the Environment and Seeing Colors in Knitting

Play Episode Listen Later Oct 1, 2015 40:42

Welcome to Episode 25 Brainy Thing: 18:37 Behind the Redwood Curtain: 27:53 What We’re Learning from our knitting: Catherine is finishing up her second Fantasy Red Cardi (that’s the name but this one is a green and blue variegated with trim in a robin egg’s blue) by Kathryn. She has bought the yarn Wolle’s Yarn Creations Color changing cotton tape yarn by Elizabeth Drum to do the Vanessa Ives Mystery Knit along by Mona8pi. She bought two colors but hasn’t decided which one yet. Margaret knit about 10 inches of a cowl in Borroco Origami in a black/grey/brown color and decided she didn’t like the yarn for around her neck. She has four skeins of it, 98 yards per skein. It is 58% acrylic, 16% linen, 15& nylon and 11% cotton and has a lot of high ratings in Ravelry. Borroco has discontinued the yarn. She’s offering it to a member of the Ravelry group for free: Just post in the thread. If more than one person wants it by October 13, we’ll select someone by random number generator. Both Margaret and Catherine learned to create fabric cords with the simple cordage method at the Natural Fibre Fair in Arcata.. The demonstration was taught by the Julie Mueller-Brown from Cinnabar and Indigo, a vendor at the fair that sells handmade glass beads and other beautiful items. Brainy Thing: Do colors change when we’re depressed or are we depressed by dull colors in our environment? Catherine will explore this topic and the controversy around it in this segment. She investigates the work of Christopher Thorstenson of the University of Rochester Behind the Redwood Curtain: Margaret talks about the mystery of the little town or Orick, CA and why it hasn’t prospered. Check out Jensen Rufe’s Film, Orick, California USA. Knitting Tip: Consider cutting your knitting to make repairs. Margaret makes plans to cut her Hermione’s Everyday Socks by Erica Lueder in half to attempt to re-heel it.

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The Gift of Shamanism and Magic in Music

New Consciousness Review

Play Episode Listen Later Apr 29, 2015 56:53

Aired Wednesday, 29 April 2015, 2:00 PM ETToday’s Rising Stars are Itzhak Beery and Jaiv & Szilvia of Cinnabar.When a New York ad agency owner apprentices to South American shamans and becomes an extraordinary seer and healer, you know the ancient and modern worlds are colliding. Itzhak Beery reveals his transformation from skeptic to shaman, and encourages us to unlock our own shamanic potential.Jaiv Kave and Szilvia weave together live piano, flute, voice and electronics against a background of computer graphics to create an enchanting journey into the soul of oneness called “Magic Lives Here.”About Guests Itzhak Beery and Jaiv & Szilvia of CinnabarItzhak Beery is an internationally recognized shamanic healer and teacher, and the author of The Gift of Shamanism – Visionary Power, Ayahuasca Dreams, and Journeys to Other Realms. He was initiated into the Circle of 24 Yachaks by his Quechua teacher in Ecuador and by Amazonian Kanamari Pagè. He has also trained intensively with other elders from South and North America. The founder of ShamanPortal.org and cofounder of the New York Shamanic Circle, he is on the faculty of New York Open Center. His work has been featured in the New York Times, films, TV, and webinars. An accomplished visual artist and owner of an award-winning advertising agency, he grew up on Kibbutz Beit Alfa in Israel and lives in New York.His website is: http://www.itzhakbeery.com/ CINNABAR are a “Hunglish” 2-piece band consisting of Jaiv (Australia & Szilvia (Hungary.) Formerly known as KEYMAKER & the REDHEAD, they have a signature sound and visual style that blends organic & electronic instruments with matching film footage.Cinnabar will soon release their atmospheric music & film show, “Magic Lives Here,” on DVD. This entertaining Aural & Visual journey features Jaiv on piano (solo & with programming) and Szilvi on voice and flute, all playing to synchronized short films. The show is a shared experience made personal that emphasizes our connection to everyone and everything, and reminds us that the MAGIC lives inside us all . . .More on: http://tuneteams.com/cinnabar

tv music new york israel interview magic books new york times north america south circle gift dvd consciousness ecuador journeys south american rising stars talk radio shamanism redhead quechua new york open center szilvia cinnabar szilvi other realms itzhak beery aired wednesday shamanportal new york shamanic circle yachaks

"I Am My Own Wife" - February 11, 2015

Play Episode Listen Later Feb 11, 2015 4:00

Twelve years ago, journalist and playwright Doug Wright unveiled a new one-actor play with a curious name: "I Am My Own Wife." As a member of the Tectonic Theater, which had earlier premiered the ground breaking play "The Laramie Project," Wright was fully adept at the process of creating documentary style theater, a play that built from actual interviews with people who lived the experiences being recreated on stage, actors performing real-life characters using the actual words collected in the interview. When the Berlin Wall fell in 1989 and travel was permitted into East Berlin for the first time since 1961, word began to spread about a woman named Charlotte Von Mahlsdorff, an elderly antique dealer who ran a museum in her home. Charlotte was an openly transgender woman; people then referred to her as a transvestite. When Doug Wright learned that a transgender woman had somehow survived not only the communist regime of East Germany, but the Nazis before that, he set out to build a play around her experiences, using actual interviews, which he taped face-to-face over the course of a few years. Wright decided to emphasize the play’s tale of isolation and endurance by having all 40 characters, including himself and Charlotte, played by one single actor. The result, "I Am My Own Wife," is as much Wright’s journey as it is Charlotte Von Mahlsdorff’s, something much deeper, richer, complex and mysterious than a mere survivor story. It premiered on Broadway in 2003, winning the Tony for Best new play, and going on to win the Pulitzer Prize for Drama. In 2006, working with director Jennifer King, North Bay Actor Stephen Abbott tackled ‘I Am My Own Wife’ at Sonoma County Repertory Theater, a brilliantly-staged performance that played sell-out crowds. Four years later, Abbott and King remounted the show at Spreckels Performing Arts Center, with similar results. And now, nine years after first playing Charlotte Von Mahlsdorff, Abbott is doing it once again, this time at Cinnabar Theater in Petaluma. While it seems impossible to improve upon perfection, Abbott is doing just that. He is once again working with director King, who recently visited Germany and toured the real-life home and museum of Von Mahsldorff, who died in 2002 at the age of 74. That up-close-and-personal touch has only deepened the show, King introducing tiny details on which Abbott builds his characters, each one a bit more real, more clearly defined and complicated than ever. Regardless of how one ultimately feels about Von Mahlsdorff, and the questions of how she actually survived her years under brutal totalitarian regimes, this is an impressive work of art. Was she telling the truth with stories of killing her Nazi father with a rolling pin and turning a beloved gay friend over to the communists at his request? Did she really operate a gay brothel under the eyes of one of the most oppressive governments in history? Some of her stories are easier to swallow than others. Perhaps it was her ability to tell tall tales, to spin the truth her own way, part of what allowed her to survive in such an impossible set of situations? Either way, Abbott fully embodies the heart and soul of this extraordinary human being, showing her from the inside out, along with scores of the family, friends, soldiers, neighbors, customers, journalists and visitors she met along the way. As an extraordinary feat of first-rate theater, "I am My Own Wife" is a must see. As an inspiring, true-ish tale of living as your heart guides you, existing by your own rules, it could even, for some, be nothing short of life-changing. "I Am My Own Wife" runs through February 22 at Cinnabar theater, cinnabartheater.org.

germany drama wife broadway nazis wright transgender twelve pulitzer prize abbott berlin wall santa rosa east germany petaluma east berlin jennifer king laramie project doug wright cinnabar sonoma county california i am my own wife david templeton

Theatre Awards Season! - January 28, 2015

Play Episode Listen Later Jan 28, 2015 4:00

It’s awards season, and everyone’s talking about who got nominated and who didn’t. And no, I’m not talking about the Oscars. Last week, the San Francisco Bay Area Theater Critics Circle announced the nominees for its upcoming 29th annual awards ceremony, to be held Monday March 9, at the Victoria Theater in San Francisco. After decades of neglect from the Circle, which simply has had a majority of writers working and watching shows in the City, the East Bay and South Bay, the poor North Bay, and especially Sonoma County, has recently been enjoying a gradual shift in attention from the Circle, of which I am a member. Last year, there were actually a fair number of wins for a few surprised actors, directors and stage artists from North of the Golden Gate. With this year’s announcements though, it’s as if some sort of theatrical earthquake has hit the area, changing the geography so much that even Main Stage West, in far-from-the-Bridge Sebastopol got a number of well-deserved nominations. The reason for the change? It’s a mix of factors, one being simply that more North Bay theater critics have joined the circle of late, at the same time that the ranks of the circle have been declining due to attrition and other factors. So the odds once stacked impenetrably against Sonoma County theater artists are, for the time being, somewhat in our favor. There are, in fact, too many local names to mention all of them here, though I will point out a few highlights, and let you look for yourselves, if you find yourself curious. I’ll give the link to the Critics Circle web site in just a minute. Focusing primarily on Sonoma County, congratulations are due to Petaluma’s Cinnabar Theater, snapping up 22 nominations, including a Best Director nod for Sheri Lee Miller, for last year’s spectacular "Of Mice and Men," which also got nominations for Samson Hood for best Principle actor in a play, who played Lennie in the production also nominated for best show and best ensemble. Cinnabar was also awarded several nominations for its production of "The Marriage of Figaro," and for "Fiddler on the Roof," the latter snapping up a nomination for best principle actress for Elly Lichenstein and Best principle actor for Stephen Walsh. Nineteen nominations were awarded to Santa Rosa’s 6th Street Playhouse including several for choreography in a musical - congrats to Stacie Ariaga and Joseph Favalora for their work on "Grease" and "Victor/Victoria," both for Stacie, and "Thoroughly Modern Milly," that one for Joe. 6th Street also several got nominations for acting, including a much-deserved nomination for Abbey Lee, stealing every scene and dazzling audience with her hilarious strip-tease seduction in "Victor Victoria," and Larry Williams, doing the same thing, sort of, with exhausting-to-watch energy in the comedy "Boing Boing." Other acting nominations include one for Trevor Hoffman who played Kinicki in 6th Street’s production of "Grease." Other companies honored are Spreckels Performing Arts Center, with a whopping 25 nominations, including acting nods for members of "The Book Of Matthew Liebowits," "Annie Get Your Gun," "Oliver!," and "Bell, Book and Candle," and "Scrooge the Musical". Then there’s Main Stage West, with fourteen nominations, including one for Mary Gannon Graham for her work in "Mother Jones in Heaven," directing nods for Sheri Lee Miller for "T.I.C. Trenchcoat in Common" and Beth Craven for "Yankee Tavern," and acting nominations for Sheri Lee Miller (a good year for her) for her work in "Other Desert Cities," which also got nominations for Sharia Pierce. Whew! These names are just the tip of the iceberg. To read them for yourself, and get info on how you can attend and cheer on our local heroes, go to the website at SFBATCC.ORG, those being, of course, the initials of the San Francisco Bay Area Theater Critics Circle. Check it out.

"Edith Piaf: Under Paris Skies" - January 7, 2015