Podcasts about Broadway

Mike Isaacson is the Artistic Director and Executive Producer of The Muny, the third person to hold this position in The Muny's 106 -year history. During his 14 seasons, he has produced 89 Muny shows, 37 new to The Muny stage. He is also a 9 Time Tony Award winning Broadway producer. After his first season at The Muny, The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson the quality of Muny productions rose like the proverbial phoenix.” During his tenure, Isaacson has changed the look and feel of The Muny, overseeing a transformation in every aspect of production that culminated in 2019 with the arrival of the theatre's extraordinary James S. McDonnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets, and a host of other innovations. In 2016, The Muny embarked on an unprecedented $100 million capital campaign, raising within 5 years a record amount for any theater in the U.S. During the COVID lock-down summer of 2020, Mike produced and created The Muny 2020 Variety Hour, five live online shows that reached a worldwide audience of more than 400,000. For the summer of 2021, The Muny was one of two theaters in the U.S. to reopen, and produced five full productions, receiving acclaim for their artistry and their presence. The 2022 season's productions received 21 nominations from the St. Louis Theatre Critics Circle, more than any other theater in St. Louis. In 2023, The Muny bested its record with 26 nominations, and for it's 2024 season, The Muny received a record 30 nominations – a record for The Muny and for the Theatre Critics Circle. During his time, The Muny's education and outreach programs have grown in number, and their artistic endeavors now incorporate all aspects of theater making – production, performance and administration. The Muny kids and teens are now recognized nationally for their excellence, inspiring a national program where teens from throughout the U.S. audition annually come to St. Louis to be a part of a Muny production. For 27 years, with his partner Kristin Caskey, Mike has produced more than 40 Broadway musicals and plays, national tours, off-Broadway plays, and London productions. This Spring on Broadway, they are producing Jason Robert Brown's The Last Five Years, co-starring Nick Jonas and Adrienne Warren. In 2023, they produced the highly acclaimed Broadway revival of Parade, starring Ben Platt and Micaela Diamond, now on a national tour. Parade also received “Best Revival of a Musical” as well as “Best Musical Revival” from both The Drama Desk and The Outer Critics Circle. In 2022, they produced Neil Simon's Plaza Suite starring Matthew Broderick and Sarah Jessica Parker, which subsequently had a record-breaking run at London's Savoy Theater. Other recent Broadway productions include David Byrne's American Utopia, for which they received a special 2021 Tony Award. It also became a multi-Emmy Award nominated film by Spike Lee for HBO, for which he also served as an executive producer. In 2015, he received the Tony® award for “Best Musical” for the ground-breaking Fun Home. Other producing highlights include Dolls House, Part 2, The Humans (2016 Tony® Award, Best Play); Bring It On The Musical (2013 Tony® nomination for Best Musical); Red (2010 Tony® Award, Best Play); Legally Blonde the Musical (2011 Olivier Award, Best Musical); Thoroughly Modern Millie (2002 Tony® Award, Best Musical); You're a Good Man, Charlie Brown; If/Then; The Seagull; Burn This, Caroline, or Change; One Flew Over the Cuckoo's Nest starring Gary Sinise, and Death of a Salesman (1999 Tony® Award). For the IPN, he served as producer for the Broadway productions of Spamalot (2005 Tony® Award, Best Musical), Ragtime (revival) and The Color Purple. All told, his productions have received more than 139 Tony® Award Nominations, and 40 Tony® Awards. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Peter Filichia, James Marino, and Michael Portantiere talk about Steel Magnolias @ Bell Theater, Can I Be Frank? @ SoHo Playhouse, 54 Sings Wildcat @ 54 Below, Sexy Laundry @ Cape May Stage, and Ginger Twinsies @ Orpheum Theatre. “This Week on Broadway” has been coming to you every week read more

Interview date: July 16, 2023Episode Summary:Bobby Amamizu, a seasoned dancer, educator, and choreographer. Bobby shares his inspiring journey from a competitive dancer at Irvine Dance Academy to working with top choreographers and performing in high-profile productions like Dancing with the Stars. He talks about his early years in the dance industry, including the pivotal moments that shaped his career, such as performing in the Fiona Apple music video at just 10 years old and his experiences with Cirque du Soleil's Viva Elvis show in Las Vegas.He reflects on the importance of training in multiple dance styles, including tap, ballet, jazz, and hip-hop, and emphasizes how versatility helped him stand out in a competitive industry. He shares valuable advice for dancers, stressing the need to enjoy the process and cultivate strong relationships within the industry. The episode wraps up with Bobby's heartfelt insights into building lasting connections in the dance world.Show Notes:(1:00) Bobby's early dance journey and transition to competitive dance(5:00) Mentorship from Moni Adamson and his first professional gig at 10(10:00) Training at OC High School of the Arts and landing Viva Elvis with Cirque du Soleil(15:00) Navigating challenges as a young dancer in a competitive industry(20:00) How versatility in ballet, tap, and other styles set him apart(25:00) Moving to LA and diving into TV and film work(30:00) Teaching at major conventions like Tremaine and Hollywood Connection(35:00) Building relationships with top choreographers and mentors(40:00) Balancing live performances, TV shows, and teaching(45:00) Current projects, including The Marvelous Mrs. Maisel and an Amazon ballet show(50:00) Final advice: Keep training, stay humble, enjoy the journey, and never give upBiography:Bobby Amamizu originally from Irvine, CA is a graduate from Orange County High School of the Arts and holds a BFA in Dance Performance from UC Irvine. He is a professional dancer, educator, assistant choreographer, and choreographer who has worked in all varieties of entertainment such as stage, industrials, company, film, commercials, and television.Stage/Industrials/Company credits include: Cirque du Soleil's Viva Elvis (original cast), The Power of Music Evening with Hans Zimmer, Freelusion, Cirque du Soleil Worlds Away Roadshow, Loving The Silent Tears (original musical), International Ballet Festival of Miami, Laguna Dance Festival, National Choreographers Initiative, L'Oreal, Mattel, Morinda, Unity LA (Tessandra Chavez), and Commonality (Adam Parson).Film: A Week Away (Netflix), Valley Girl “Like Totally A Musical”, Fame, A Very Harold and Kumar Christmas, Dear Dumb Diary. Television/Commercials: Young Sheldon, The Marvelous Mrs. Maisel (Season 5), Physical (Season 2 and 3), Roar, The Voice Promo, Carpool Karaoke, Ford, Lip Sync Battle, Hulu's “Door No.1”, Home Joy, Miss Universe, Strictly Come Dancing, Fiona Apple music video “Paper Bag,” Jerry Lewis Telethon.He has taught for different companies, institutions, and conventions including Cirque du Soleil, Houston Met, OCSA, Edge Performing Arts Center, Steps on Broadway, Tremaine Dance Convention, and LA Elite/Elite Dance Convention. He is currently on faculty for Hollywood Connection Dance Convention and an Adjunct Professor at Pace University's Commercial Dance Department.Bobby is an assistant to many choreographers such as Marguerite Derricks, Michael Rooney, Bonnie Story, Lane Napper, Dominique Kelley among others. Some of the past projects he was fortunate to be a part of as an assistant choreographer include Happy Socks, AT&T, Carvana, Flirty Dancing and The Marvelous Mrs. Maisel. At the time of taping The Business of Dance Podcast he was working on a new ballet TV show “Etoile” as an assistant choreographer that was filmed in New York and Paris.Connect on Social Media:https://www.instagram.com/bobbyamamizuhttps://www.facebook.com/bobby.amamizu.9

Curing loneliness and finding belonging. $ BTC 113,800 Block Height 908,406 Today's guest on the show is ex-Broadway star Dion Wilson. What was Dion's jounrey to Broadway and what show did he appear in for 6 years? What is it like behind the curtain and how did Dion stumble across Bitcoin? How did Dion find Orange Pill App and how has that changed everything about his interactions with bitcoiners and his personal life in meat space? A huge thank you to Dioan for coming on the show and sharing his incredible life eperience! Find him on Orange Pill App and reach out to say hi. https://signup.theorangepillapp.com/opa/princey ALL LINKS HERE - FOR DISCOUNTS AND OFFERS - https://vida.page/princey - https://linktr.ee/princey21m Pleb Service Announcements. @orangepillapp That's it, that's the announcement. https://signup.theorangepillapp.com/opa/princey Support the pods via @fountain_app -https://fountain.fm/show/2oJTnUm5VKs3xmSVdf5n The Once Bitten YouTube Channel: https://www.youtube.com/@Princey21m Shills and Mench's: CONFERENCES 2025; BALTIC HONEY BADGER 9th - 10th AUGUST - RIGA. https://baltichoneybadger.com/ USE CODE BITTEN -10% BTC HELSINKI 15TH - 16TH AUGUST 2025 https://btchel.com/ USE CODE BITTEN - 10% PAY WITH FLASH. Accept Bitcoin on your website or platform with no-code and low-code integrations. https://paywithflash.com/ BUBBL - Curate your Podcast listening. https://bubbl.fm?via=Bitten Never miss another life-changing Bitcoin story! AURA by Bubbl.fm monitors thousands of podcasts 24/7 to find every conversation about Bitcoin adoption, investment strategies, and real-world success stories—delivering only the moments that matter. Set your topics (Bitcoin for families, inflation hedging, self-custody, Lightning Network, regulatory updates) and let AURA surface insights from Bitcoiners and experts you haven't even discovered yet. You'll find shows like Once Bitten, with our branded search portal, full transcripts, with easy to clip and share tools. Transform 10,000 hours of Bitcoin content into 10 minutes of relevant insights. RELAI - STACK SATS - www.relai.me/Bitten Use Code BITTEN BITBOX - SELF CUSTODY YOUR BITCOIN - www.bitbox.swiss/bitten Use Code BITTEN ZAPRITE - https://zaprite.com/bitten - Invoicing and accounting for Bitcoiners - Save $40 SWAN BITCOIN - www.swan.com/bitten KONSENSUS NETWORK - Buy bitcoin books in different languages. Use code BITTEN for 10% discount - https://bitcoinbook.shop?ref=bitten SEEDOR STEEL PLATE BACK-UP - @seedor_io use the code BITTEN for a 5% discount. www.seedor.io/BITTEN SATSBACK - Shop online and earn back sats! https://satsback.com/register/5AxjyPRZV8PNJGlM HEATBIT - Home Bitcoin mining - https://www.heatbit.com/?ref=DANIELPRINCE - Use code BITTEN. CRYPTOTAG STEEL PLATE BACK-UP https://cryptotag.io - USE CODE BITTEN for 10% discount. PLEBEIAN MARKET - BUY AND SELL STUFF FOR SATS; https://plebeian.market/ @PlebeianMarket

Subscribe to The Signal Sitdown wherever you get your podcasts: ⁠⁠https://megaphone.link/THEDAILYSIGNAL2026390376⁠⁠   It's Andrew Breitbart's world, we're all just living in it. Tragically, Breitbart himself is not. He died suddenly on March 1, 2012 at just 43 years of age. In his life, ⁠Breitbart⁠ was always a pioneer, pushing media and politics to the edges of the map only to open a completely new frontier. There's something fitting to him exploring the frontier of eternity just a little before the rest of us in his earthly death. Breitbart spent most of his career at the confluence of Hollywood, media, and politics. He was one of the first men on the right to clearly see the complete picture. “Celebrity is everything in this country,” Breitbart once said. “Media is everything. It's everything.” After listening to a radio interview with Breitbart, Larry O'Connor, then a show manager for Broadway productions, contacted Breitbart and wanted to write for his blog Big Hollywood. O'Connor found Breitbart, but Breitbart also found ⁠O'Connor⁠. Now a radio host with Washington, D.C.'s WMAL, probably the most influential political radio station in the country, and author of a new book titled “Shameless Liars,” O'Connor joined ⁠"The Signal Sitdown"⁠ to discuss how Andrew Breitbart saw the rise of Trump, and the efforts to take him down like the Russiagate hoax, coming. Keep Up With The Daily Signal Sign up for our email newsletters:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dailysignal.com/email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠     Subscribe to our other shows:  The Tony Kinnett Cast: ⁠https://open.spotify.com/show/7AFk8xjiOOBEynVg3JiN6g⁠  The Signal Sitdown: ⁠https://megaphone.link/THEDAILYSIGNAL2026390376⁠   Problematic Women:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://megaphone.link/THEDAILYSIGNAL7765680741⁠   Victor Davis Hanson: ⁠https://megaphone.link/THEDAILYSIGNAL9809784327⁠   Follow The Daily Signal:  X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://x.com/intent/user?screen_name=DailySignal⁠ Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/thedailysignal/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/TheDailySignalNews/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Truth Social:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://truthsocial.com/@DailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.youtube.com/dailysignal?sub_confirmation=1⁠    Subscribe on your favorite podcast platform and never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Literature Review 1) An exciting phase three trial with the CETP inhibitor Obicetrapib has shown serious promise for ASCVD and Alzheimer's Disease (AD). "In BROADWAY, a pre-specified AD sub-study was designed to assess plasma AD biomarkers in patients enrolled in the BROADWAY trial and evaluated the effects of longer duration of therapy (12 months) with a prespecified population of ApoE3/4 or 4/4 carriers. The sub-study included 1727 patients, including 367 ApoE4 carriers. The primary outcome measure was p-tau217 absolute and percent change over 12 months. Additional outcome measures included neurofilament light chain (“NFL”), glial fibrillary acidic protein (“GFAP”), p-tau181, and Aβ42/40 ratio absolute and percent change over 12 months. NewAmsterdam observed statistically significant lower absolute changes in p-tau217 compared to placebo over 12 months in both the full ITT population (p

In this episode, I sit down with drummer and Hawaii native Pili Fronda, and fair warning: you might learn more about Hawaiian history, food, geography, and culture than you bargained for. And I'm not mad about it…because I love Hawaii as much as Pili does. This conversation might've started out about drums, but before we even hit the 10-minute mark, we were deep in the mountains of Maui, eating poke in Vegas, dodging cliffs on the road to Hana, and breaking down what it really means to grow up Hawaiian.Pili shares powerful insight into his upbringing, the meaning behind his full name (which you're going to want to hear him pronounce), and how the cultural values instilled in him shaped not just his character, but his entire musical path. We also talk about the community-centered spirit of the islands, the way music is woven into Hawaiian education, and how Pili's musical influences—from reggae to Latin percussion to gospel—led him to the national tour of Mrs. Doubtfire.Later in the episode, we dig into his process for landing that tour gig straight out of college, how he prepared for it, and what it takes to thrive on the road. This is an inspiring conversation with a young musician who's doing things the right way, with humility, discipline, and heart.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.For more about Pili: www.pilifronda.comAnd if you're looking to build your own career in musical theater, I've got something coming for you. Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is almost finished, and I can't wait for you to read it. This book breaks down everything I've learned over decades in the industry, what it takes to get the gig, keep it, and grow beyond it. Sign up for our email list at www.BroadwayBoundBook.com to stay updated on the release.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

I recently saw Moulin Rouge!'s Broadway musical at The Al Hirschfeld Theatre for a special occasion! It debuted there 2019, and I saw 2 guests actors at the end of July's showtime: Wayne Brady, and Taye Diggs! The theatrics left me in awe with set changes, multi-generational cover songs, costumes, and a surprise encore curtain call. Hear my review in comparison to Paris France's historical cabaret, and 2001's film. Theme Song: "Dance Track", composed by Jessica Ann CatenaMoulin Rouge - cabaret history2001 Soundtrack: Amazon Music, Spotify, Apple Music"Lady Marmalade" - Christina Aguilera, Lil' Kim, Mya & P!nkMaking the Video2019 Broadway Soundtrack: Amazon Music, Spotify, Apple MusicInterviews: Wayne Brady: Live with Kelly and Mark, The ViewTaye Diggs: Live with Kelly and MarkRelated Episodes: Ep. 62 - Christina Aguilera Top 10Ep. 84 - P!nk Top 10 HitsEp. 113 - Annie/MJ The Musical/West Side StoryEp. 145 - Brian May Top 10Ep. 158 - Queen's "Face It Alone"Ep. 250 - French Lyrics PlaylistEp. 281 - Wicked & A Complete Unknown (Reviews)

Following increased rain, families across the southwest side are dealing with neighborhood and basement flooding. However, this comes at an increasingly precarious time for FEMA, the Federal Emergency Management Agency tasked with helping states, impacted individuals, and first responders prepare for, respond to, and recover from weather-related disasters. Block Club Chicago's Jamie Nesbitt Golden and Borderless Magazine's Aydali Campa are here to discuss the latest, including a new investigation that explores the growing costs to build affordable housing, and how the Trump administration is coming for our voter information and housing protections. Plus, more things to get excited about in August. Good News: South West Side Students Plant Trees and the Chicago Muslim Green Team Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Aug. 1 episode: Top Marks Prep – Receive 15% off when you use the link Broadway in Chicago Overlook Maps Framebridge Big Onion Hospitality – Wings for $15.25 all week at any of the Big Onion spots Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

Rich and Jim invite Wes Little into the studio for a deep dive into the life of a versatile drummer who's played everywhere from the Grand Ole Opry to Carnegie Hall. The Rich Redmond Show now has MERCH! Enter discount code FALL25 upon checkout for a 25% discount on our new tees, sweatshirts, knit caps and COFFEE MUGS!Go to www.therichredmondshow.comHighlights include:[0:10] The vibrant Nashville drum scene[0:25] Wes's journey from North Carolina to New York City[0:45] Living and creating music in tight NYC spaces[1:15] Transitioning to Nashville and building a diverse career[1:45] Session work, TV performances, and musical versatility[2:30] Creating a home studio (Coop DeVille)[3:00] Upcoming projects: podcast "Between Two Grooves" and drum technique book[3:45] Insights into the music industry's changing landscape[4:20] Personal stories from Broadway to backing major artistsA candid conversation about musicianship, creativity, and adapting to the ever-changing world of professional drumming.The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!Follow Rich:@richredmondwww.richredmond.comJim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.Follow Jim:  @jimmccarthywww.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Cowww.itsyourshow.co

‘Maybe Happy Ending’ writers issue statement, ‘Liberation’ to come to Broadway, Gad out of Hollywood Bowl ‘Superstar’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more

[REBROADCAST FROM June 2, 2025] Our Get Lit with All Of It musical guest for the month of May was actor and musician Reeve Carney, who joined us to discuss his career and creative process. Plus, he played some brand new original music live.

“The Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief.” As Jews around the world mark Tisha B'Av, we're joined by Columbia University professor and award-winning poet Owen Lewis, whose new collection, “A Prayer of Six Wings,” offers a powerful reflection on grief in the aftermath of October 7th. In this conversation, Lewis explores the healing power of poetry in the face of trauma, what it means to be a Jewish professor in today's campus climate, and how poetry can foster empathy, encourage dialogue, and resist the pull of division. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.   Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  An Orange Tie and A Grieving Crowd: Comedian Yohay Sponder on Jewish Resilience From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview:   Owen Lewis:   Overheard in a New York Restaurant.   I can't talk about Israel tonight.    I know.    I can't not talk about Israel tonight.    I know.    Can we talk about . . .   Here? Sure. Let's try to talk about here.   Manya Brachear Pashman:   On Saturday night, Jews around the world will commemorate Tisha B'av. Known as the saddest day on the Jewish calendar, the culmination of a three week period of mourning to commemorate several tragedies throughout early Jewish history.  As a list of tragedies throughout modern Jewish history has continued to grow, many people spend this day fasting, listening to the book of Lamentations in synagogue, or visiting the graves of loved ones. Some might spend the day reading poetry.  Owen Lewis is a Professor of Psychiatry in the Department of Medical Humanities and Ethics at Columbia University. But he's also the award-winning author of four poetry collections which have won accolades, including the EE Cummings Prize and the Rumi Prize for Poetry.  His most recent collection, A Prayer of Six Wings documents in verse his grief since the October 7 terror attacks. Owen is with us now to talk about the role of poetry in times of violence and war, what it's been like to be a Jewish professor on the Columbia campus, and a Jewish father with children and grandchildren in Israel. And also, how to keep writing amid a climate of rising antisemitism. Owen, welcome to People of the Pod. Owen Lewis:   Thank you so much, Manya. Manya Brachear Pashman:   So you opened with that short poem titled overheard in a New York restaurant. I asked you to read that because I wanted to ask whether it reflected how you felt about poetry after October 7.  Did you find yourself in a place where you couldn't write about Israel, but yet you couldn't not write about Israel? Owen Lewis:   Among the many difficult things of that First Year, not only the war, not only the flagrant attacks on the posters of the hostages one block from where I live, 79th and Broadway, every day, taken down every day, put back up again, defaced. It was as if the war were being fought right here on 79th and Broadway.  Another aspect that made this all so painful was watching the artistic and literary world turn against Israel. This past spring, 2000 writers and artists signed a petition, it was published, there was an oped about it in The Times, boycotting Israeli cultural institutions.  And I thought: artists don't have a right to shut their ears. We all need to listen to each other's grief, and if we poets and artists can't listen to one another, what do we expect of statesmen? Statesmen, yeah, they can create a ceasefire. That's not the same as creating peace. And peace can only come when we really listen to each other. To feel ostracized by the poetry community and the intellectual community was very painful. Fortunately, last summer, as well as this past summer, I was a fellow at the Yetzirah conference. Yetzirah is an organization of Jewish American poets, although we're starting to branch out. And this kind of in-gathering of like-minded people gave me so much strength.  So this dilemma, I can't talk about it, because we just can't take the trauma. We can't take hearing one more thing about it, but not talk about it…it's a compulsion to talk about it, and that's a way to process trauma. And that was the same with this poetry, this particular book.  I feel in many ways, it just kind of blew through me, and it was at the same time it blew through me, created this container in which I could express myself, and it actually held me together for that year. I mean, still, in many ways, the writing does that, but not as immediately and acutely as I felt that year.  Manya Brachear Pashman:   This book has been praised as not being for the ideological but for the intellectually and emotionally engaged. So it's not it's not something that ideologically minded readers will necessarily be able to connect to, or is it actually quite the opposite?  Owen Lewis:  Well, it's very much written from the gut, from the experience, from in a sense, being on the ground, both in Israel and here in New York and on campus, and trying to keep a presence in the world of poetry and writers. So what comes from emotion should speak to emotion. There are a few wisps of political statements, but it's not essentially a politically motivated piece of writing.  I feel that I have no problem keeping my sympathies with Israel and with Jews. I can still be critical of aspects of the government, and my sympathies can also be with the thousands of Palestinians, killed, hurt, displaced. I don't see a contradiction. I don't have to take sides.  But the first poem is called My Partisan Grief, and it begins on October 7. I was originally going to call the bookMy Partisan Grief, because I felt that American, Jewish, and Israeli grief was being silenced, was being marginalized. And I wanted to say, this is our grief. Listen to it. You must listen to this. It doesn't privilege this grief over another grief. Grief is grief. But I wanted ultimately to move past that title into something broader, more encompassing, more humanitarian. Manya Brachear Pashman:  And did that decision come as the death toll in Gaza rose and this war kept going and going and the hostages remained in captivity, did that kind of sway your thinking in terms of how to approach the book and frame it?  Owen Lewis:  Yes, but even more than those kind of headlines, which can be impersonal, the poetry of some remarkable Palestinian poets move me into a broader look. Abu Toha was first one who comes to mind Fady Joudah, who's also a physician, by the way. I mean his poetry, I mean many others, but it's gorgeous, moving poetry.  Some of it is a diatribe, and you know, some of it is ideological, and people can do that with poetry, but when poetry really drills down into human experience, that's what I find so compelling and moving. And that's what I think can move the peace process. I know it sounds quite idealistic, but I really think poetry has a role in the peace process here. Manya Brachear Pashman:  I want to I want to unpack that a little bit later. But first, I want to go back to the protests that were roiling Columbia's campus over the past year and a half, two years. What was it like to be, one, writing this book, but also, teaching on campus as a Jewish professor?  Owen Lewis:  Most of my teaching takes place up at the Medical Center at 168th Street. And there I have to say, I didn't feel battered in any way by what was happening. I had a very shocking experience. I had a meeting that I needed to attend on, or that had been scheduled, I hadn't been quite paying attention. I mean, I knew about the encampments, but I hadn't seen them, and I come face to face with a blocked campus. I couldn't get on the campus. And what I'm staring at are signs to the effect, send the Jews back to Poland. I'm thinking, Where am I? What is this? I mean, protest, sure. I mean we expect undergraduates, we expect humans, to protest when things really aren't fair. But what did this have to do…why invoke the Holocaust and re-invoke it, as if to imply the Jews should be punished? All Jews.  And what it fails to account for are the diversity of Jewish opinion. And you know, for some Jews, it's a black or white matter, but for most thinking Jews that I know, we all struggle very much with a loyalty to Israel, to the Jewish people, to the homeland and larger humanitarian values. So that was quite a shock. And I wrote a piece called “The Scars of Encampment,” in which I say, I can't unsee that. " And I go to campus, and, okay, it's a little bit more security to get onto campus. It's a beautiful campus. It's like an oasis there, but at the same time, I'm seeing what was as if it still is. And in a way, that's the nature of trauma that things from the past just roil and are present with almost as much emotion as when first encountered. Manya Brachear Pashman:  So did you need to tune out those voices, or did that fuel your work? Owen Lewis:  No, that fueled my work. I mean, if anything, it made me feel much more, a sense of mission with this book. And a commitment, despite criticism that I may receive, and no position I take is that outlandish, except to sympathize with the murdered on October 7th, to sympathize with their families, to resonate with what it must be like to have family members as hostages in brutal, brutal conditions. Not knowing whether they're dead or alive. So I really felt that the Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief. Manya Brachear Pashman:  Owen, if you wouldn't mind reading another poem from the collection. Of course, many of us remember the news out of Israel on Thanksgiving Day 2023, right after October 7th. And this poem is titled, “Waiting for the Next Release, Reported by the New York Times, November 23 2023”. Owen Lewis:  Waiting For the Next Release, Reported N.Y. Times, Nov. 23, 2023    Maybe tomorrow, if distrust  doesn't flare like a missile,  some families will be reunited.    How awful this lottery of choice; Solomon would not deliberate. Poster faces always before my eyes,   Among them, Emma & Yuli Cunio.  Twins age 3, Raz Katz-Asher, age 4, Ariel Bibas, another four year old.    What do their four year old minds make  of captivity? What will they say? What would my Noa say?    What will the other Noas say?  Remembering Noa Argamani, age 26,  thrown across the motorcycle    to laughter and Hamas joy.   I have almost forgotten this American day,  Thanks- giving,   With its cornucopian harvests,  I am thinking of the cornucopian  jails of human bounty.    (What matter now who is to blame?) Manya Brachear Pashman:  Really beautiful, and it really captures all of our emotions that day. You have children and grandchildren in Israel, as I mentioned and as you mentioned in that poem, your granddaughter, Noa. So your grief and your fear, it's not only a collective grief and fear that we all share, but also very personal, which you weave throughout the collection.  In another poem, “In a Van to JFK”, you talk about just wanting to spend one more hour with your family before they fly off to Israel. And it's very moving.  But in addition to many of the poems, like the one you just read, they are based on and somewhat named for newspaper headlines, you said that kind of establishes a timeline. But are there other reasons why you transformed those headlines into verse? Owen Lewis:  Yes, William Carlos Williams in his poem Asphodel, says, and I'm going to paraphrase it badly. You won't get news from poems yet, men die every day for wanting what is found there. And I think it's a very interesting juxtaposition of journalism and poetry. And I mean, I'm not writing news, I'm writing where my reflections, where my heart, goes in response to the news, and trying to bring another element to the news that, you know, we were confronted.  I mean, in any time of high stress, you swear off – I'm not watching any more TV. I'm not even gonna look at the newspaper. And then, of course, you do. I can't talk about Israel today. I can't not talk about it. I can't read the paper. I can't not read the paper. It's kind of that back and forth. But what is driving that? And so I'm trying to get at that next dimension of what's resonating behind each one of these headlines, or resonating for me. I mean, I'm not claiming this is an interpretation of news. It's my reaction, but people do react, and there's that other dimension to headlines. Manya Brachear Pashman:  That seems like it might be therapeutic, no? Owen Lewis:  Oh, totally, totally. You know, I'm very fortunate that having started a career in medicine, in psychiatry, and particularly in child and adolescent psychiatry. I always had one foot in the door academically. I spent, you know, my life as, I still teach, but I'm very fortunate to have, maybe 10+ years ago, been introduced to a basically a woman who created the field of Narrative Medicine, Rita Sharon. And now at Columbia in the medical school, we have a free-standing Department of Medical Humanities and Ethics, of which she's chairman.  So I've had the fortune of bringing psychiatry and medicine and writing together in a very integrated way. And yes, writing is therapeutic, especially, I could say in medicine, which has given itself over to electronic medical record keeping, but our whole society is moving towards the electronic. And what happens when you sit and write, and what happens when you then sit and read, you reflect. Your mind engages in a different way that is a bit slower than the fast pace of electronic communications and instant communications and instant thinking. And now with AI, instant analysis of any situation you want to feed data from.  So that's sorely lacking in the human experience. And the act of writing, the act of reading has huge therapeutic values, huge salutary benefits for humans in general, but particularly in times of stress. In a lot of work on Post Traumatic Stress Disorder, finding an outlet, an artistic outlet, it doesn't have to be writing, but that's often a way of transcending the trauma.  And medicine is filled with trauma. People trying to come to terms with acute illnesses, chronic illnesses. Doctors and caregivers trying to come to terms with what they can and can't do. And you know, we're coming up against limitations. But how do you make peace with those limitations? And it's not that it's a magical panacea, but it's a process of engagement, not only with the subject, but with yourself in relation to the subject. Manya Brachear Pashman:  I mean, I imagine dialogue is really the healthiest way of conversation and speaking through and interacting with a topic. And so I would imagine poetry, or, as you said, any art form, responding to news reports, it makes that a two way conversation when you're able to process and it's not just the headlines shouting at you, you're actually interacting and processing it by writing and reaction, or painting and reaction, whatever you choose to do. Owen Lewis:  Exactly. Manya Brachear Pashman:  You have said that poetry can serve a purpose during times of war. Is this one of the purposes to to be therapeutic or are you talking more in terms of what statesmen could learn from it?  Owen Lewis:  Well, yes, of course, what statesmen could learn from it, but it's human nature to want to take sides. I mean, that's kind of just what we do. But I think we can always do better than that. So I'm really talking about the people. I mean, there are also many Jews who are so angry at Israel that they can't listen to the story of Jewish grief. They should be reading mine and others poetries from this era. I wish the Palestinian poets were. I wish the Palestinian people. I mean, of course, in their current situation, they don't have time when you're starving, when you're looking for your next glass of fresh water. You don't have time for anything beyond survival.  But once we get beyond that, how long are these positions going to be hardened. I mean, I think when the people of all sides of the dilemma really listen to the others, I mean, they're, I mean, if, unless as Hamas has expressed, you know, wants to push Israel into the sea, if Israel is going to coexist with the Palestinian people, whether they're in a nation or not in a nation, each has to listen to the other.  And it's, you know, it's not one side is right, one side is wrong. It's far too complex a history to reduce it to that kind of simplicity. And I think poetry, everyone's poetry, gets at the complexity of experience, which includes wanting to take sides and questioning your wanting to take sides and moving towards something more humanitarian.  Manya Brachear Pashman:  You said earlier, you recommend Abu Toha, Fady Joudah, two Palestinian poets who have written some beautiful verse about– tragically beautiful verse–about what's happening. But there have been some really deep rifts in the literary world over this war. I mean, as you mentioned before, there was a letter written by authors and entertainers who pledged to boycott Israeli cultural institutions. Some authors have refused to sell rights to their books to publishers in Israel. So why not reciprocate? And I know the answer. I think you've already addressed it pretty well. What's wrong with that approach? Owen Lewis:  In any conflict, there are at least three sides to the conflict. I mean, claims to nationhood, claims to who shoved first, who. I mean, you don't entangle things by aggressively reacting. I mean, if we learned anything from Mahatma Gandhi, it's what happens when we don't retaliate, right? And what happens when we go the extra mile to create bridges and connections.  There are a host of people in Israel who continue to help Palestinians get to medical facilities, driving them back and forth, working for peace. I mean, there's a Palestinian on the Supreme Court of Israel, and well, he should be there. You know, that's the part of Israel that I am deeply proud of. So why not retaliate? I think it entrenches positions and never moves anything forward. Manya Brachear Pashman:  So have you gotten any negative feedback from your writing colleagues? Owen Lewis:  Some cold shoulders, yes. I mean not nothing overtly. I haven't been slammed in a review yet. Maybe that's coming. But when I publish pieces, I tend not to look at them. I had an oped in the LA Times. I've had some other pieces, you know, that precipitates blogs, and I started to read them.  And the first blog that came off of the the LA Times oped was, God, is he an opportunist, just taking advantage of having a daughter in Israel? And trying to make a name for himself or something. And I said, You know what, you can't put yourself out and take a position without getting some kind of flack. So occasionally, those things filter back, it's par for the course. Manya Brachear Pashman:  Right, not really worth reading some of those. You included Midrash in this book. You also spelled God in the traditional sense in the poems. Why did you choose to do that? Owen Lewis:  Well, I felt it honors a tradition of Jewish writing. It mean we have yud, hey, vav, hey, you know, which in English comes down as Yahweh, but it's unpronounceable. The name of God is unpronounceable. And, you know, yud, hey, vav, hey is just a representation. It isn't God's name. And there's a tradition that the name of God, when it's written down, can't be destroyed. And it's a way of honoring that tradition. Millennium of Jewish writers, you know, it's similar to say Elokim, instead of Elohim when the text is written. To sort of substitute. We know what we're talking about, but really to honor tradition, to pay respect and sort of to stay in the mind frame that, if there is a God, he, she, they, are unknowable. And somehow it creates, for me, a little bit of that mystery by leaving a letter out. It's like, G, O, D, seems more knowable than G-d. It's leaving that white space right for something bigger, grander, and mysterious, for the presence of that  right in the word itself. Manya Brachear Pashman:  And what about including Midrash? Owen Lewis: That's a very interesting question. You know Midrash for me, when you steep yourself in traditional Midrash, there's stories that exemplify principles and they fill in gaps. I mean, some of the most important. I mean, we have this notion of Abraham breaking the idols of his father before he left. No. That's Midrash, thats not in the Torah. And yet, nine out of ten Jews will say that's in the Torah, right? So, it kind of expands our understanding of the traditional text. But it also very much allows a writer to creatively engage with the text and expand it. It's like a commentary, but it's a commentary in story, and it's a commentary in terms that evoke human responses, not necessarily intellectual responses. So frankly, I think it's every Jews' responsibility to write Midrash. That reinvigorates the stories, the texts, and the meanings, and then we write midrashes upon midrashes. And you know, we get a whole community buzzing about a single story. Manya Brachear Pashman:  Which is very much what you've done with this collection, you know, writing poetry in response to news stories and engaging it in that way. It's very Jewish response, I would argue.  Do you observe Tisha B'av? Owen Lewis:  You know what I do. You're gonna laugh. My grandmother always warned us, don't go in the water on Tisha B'av, the sea will swallow you up. So I'm a big swimmer. I love swimming. I don't swim on Tisha B'av, because I hear my grandmother's voice, I'm going to be swallowed up. Manya Brachear Pashman:  If you could please wrap up this conversation by sharing a poem of your choice from your latest collection. Owen Lewis:  A poem I love to read again starts with a headline.   2000 Pound Bombs Drop, Reported N.Y. Times, Dec,, 22 2023.   In Khan Younis, the call to prayer  is the call of a dazed Palestinian child crying baba, standing at the brim of a cavernous pit of rubble   biting his knuckles–baba, baba . . .  It's so close to the abba of the dazed  Israeli children of Be'eri, Kfar Azza. There is no comfort. From his uncles   he's heard the calls for revenge– for his home and school, for his bed  of nighttime stories, for his nana's  whisper-song of G-d's many names.   His Allah, his neighbor's Adonai,  cry the same tears for death  and shun more blood. No miracle these waters turning red. Who called forth    the fleets of avenging angels? By viral post: Jewish Plagues on Gaza! A firstborn lost,  then a second, a third. What other plagues  pass over? Hail from the tepid sky?   From on high it falls and keeps falling.  Though we've “seen terrible things,” will you tell us, Adonai, Allah, tell us– do You remember the forgotten promise?   From the pile once home of rubble stone, a father's hand reaching out, baba, abba crushed by the load. We know the silence  of the lost child . . . G-d “has injured us   but will bind up our wounds . . .” Mothers  Look for us, called by the name yamma, calling  the name imma. Our father of mercy, not the god of sacrifice. Our many crying heads explode. Manya Brachear Pashman:   Owen Lewis, thank you so much for talking to us about how this book came about and for sharing some of these verses. Owen Lewis:   Thank you so much. Manya Brachear Pashman: If you missed last week's episode, be sure to listen to my conversation with Israeli comedian Yohay Sponder on the sidelines of AJC Global Forum 2025. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas terror attacks, and what he says to those who try to silence him.

Ayanna Nicole Thomas didn't follow a traditional path to Broadway—but that's exactly what makes her story so compelling. After growing up between the Bronx and LA, she eventually made her way back to New York to study musical theatre. But right before her senior year, she booked her Broadway debut in How to Dance in Ohio—a show that celebrates neurodivergence and gave her a sense of belonging she didn't expect. Now, she's playing Rose Granger-Weasley in Harry Potter and the Cursed Child, bringing her own warmth and humor to a character born from one of the world's most beloved franchises. In this conversation, Ayanna opens up about being diagnosed with ADHD and autism, and how that diagnosis helped her better understand her brain and her process. She shares how she uses Play-Doh and fidget toys backstage, what it was like to be a Broadway swing, and how she balances structure with spontaneity in a show filled with choreography, magic, and fireballs. She's charming, thoughtful, and not afraid to let her Bronx roots shine through. Ayanna Nicole Thomas is currently starring as Rose Granger-Weasley in Harry Potter and the Cursed Child on Broadway. She made her Broadway debut in How to Dance in Ohio and studied musical theatre at the Manhattan School of Music. A lifelong performer with a deep love of musicals and jazz, she's also a passionate advocate for neurodivergent representation onstage. Connect with Ayanna: IG: @ayannanicolethomass Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Albert Bramante, a seasoned talent agent with more than two decades of experience in the entertainment industry, holds a Ph.D. in Psychology from Walden University. Additionally, he is a certified Hypnotist and NLP Practitioner, bringing a unique blend of psychological insight and practical expertise to his work. Driven by a passion for both the performing arts and the human psyche, he embarked on a mission to empower actors to overcome self-sabotage and unlock their full potential. Throughout his impressive career, Dr. Bramante has achieved remarkable success as a talent agent, securing roles for actors in a wide array of productions including TV shows, films, commercials, Broadway, and Off-Broadway performances.  www.albertbramante.com  @dralbramante

Since our last episode I've been to New York City, Melanie has been to Nashville, and we both have stories to share. Truth be told, I sort of nerd it up this week as I share about the Broadway shows we saw on our trip, so please bear with me if that's not your sort of thing. MRS. HUDSON'S LITERARY CUP IS FULL.  We also talk through a creative idea from Perry, and it's Melanie's turn for Five Favorites. Hope you enjoy! - Join Us on Patreon - Our Amazon Shop - San Antonio Live Show (10/23/25) tickets are on sale now! Show Notes: - Just in Time - Jonathan Groff - Shukette in NYC - Angry Alan with John Krasinski - John Proctor is the Villain - Oh, Mary - Tituss Burgess - Death Becomes Her - Ess-a-bagel - Hard Rock Hotel NYC - The Optimist in Nashville - The Summer I Turned Pretty - Billy Joel: And So It Goes - Billy Joel Radio on Spotify - And So It Goes double album collection - My Mom Jayne - The Bear - It's a Love Story by Annabel Monaghan - Jules eyeshadow stick cream to powder - The Unlikely Country Woman on IG - Chase Me Cosmetics Superglo brightening pads - La Lumiere New York bracelets - Sundry vintage wide leg track pants  Sponsors: - LMNT - use this link for your free sample pack with any purchase - Maya Chia - use code BIGBOO at checkout for 15% off - Hungryroot - use code BIGBOO to get 40% off your first box and a free item for life - Dwell - use this link for 25% off a one-year subscription or 50% off a lifetime subscription

Meg Donnelly is in the house! You know her from Disney's Zombies movies and The Winchesters, but now she's taking over the music world with a brand-new EP. Tish and Brandi Cyrus sit down with Meg to talk about what it's really like growing up on set, juggling school and filming, and making the leap from Disney star to full-on pop artist. They get into everything—breaking out of the Disney box, Broadway dreams, the pressures of social media, and how Meg stays grounded in an industry that never slows down. Plus, the girls chat about female friendships, life after COVID, and why live performance hits different these days. And of course, it wouldn't be Sorry We're Cyrus without a little tea, and a rapid-fire Q&A you don't want to miss. Oh, and Meg spills all the details on her new EP Dying Art and the next Zombies movie! Follow Us: https://www.instagram.com/megdonnelly/?hl=en https://www.instagram.com/sorrywerecyrus/?hl=en   https://www.instagram.com/tishcyruspurcell/?hl=en   https://www.instagram.com/brandicyrus/?hl=en    Check out some of our TOP episodes on YouTube: https://www.youtube.com/watch?v=xFCS8rgv0RU&t=6s https://www.youtube.com/watch?v=OKnetfmRy0E https://www.youtube.com/watch?v=nHIBD6wCWmA&t=1935s Email videos/photos with your questions to sorrywerecyrus@gmail.com.   Thank you to our incredible sponsors: OneSkin: Get 15% off OneSkin with the code CYRUS at https://www.oneskin.co/ Quince: Go to quince.com/CYRUS for free shipping on your order and 365-day returns. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on 'Good One' comedian and actor Bill Burr sits down for a conversation about the trajectory of his career, from his early, angry days to his Broadway run and his two-time Emmy nominated special, 'Bill Burr: Drop Dead Years', streaming now on Hulu. The album, 'Drop Dead Years', is available August 1 anywhere you stream music. 00:00 Intro 00:00:52 Funniest thing that happened this week 00:03:19 His most recent special 00:06:22 Having a breakthrough 00:12:55 Regretting jokes 00:19:20 Going "Woke" 00:28:08 Politicians and comedy 00:32:12 Having kids 00:43:45 Taking mushrooms 00:48:32 Huge venues 00:53:08 Doing Broadway 00:57:58 Losing Bob Saget 01:02:08 The Conan O'Brien Mark Twain Prize 01:10:22 The Laughening Round Learn more about your ad choices. Visit podcastchoices.com/adchoices

Summer is far from over. Host Jacoby Cochran, executive producer Simone Alicea, and producer Michelle Navarro discuss the festivals and restaurants they are looking forward to checking out. Plus, they discuss stories they are following throughout the month, including Chicago Public Schools' looming budget and community organizers asking ICE to stay out of Chicago summer festivals.   If you're new here, welcome! We've put together a starter pack for you, with episodes and articles to welcome you to the City Cast Chicago community. For even more tips on how to make the most of August in Chicago, check out Hey Chicago's take on what to do this month. City Cast Chicago is powered by our members, who enjoy an ad-free version of the show. Find out more about how to become a member of City Cast Chicago. City Cast Chicago's guide to August is made possible by our sponsors, Top Marks Prep, Broadway in Chicago, Overlook Maps, Framebridge, and Big Onion Hospitality Interested in advertising with City Cast? Find more info HERE  Reach us at chicago@citycast.fm

Jamaal Parham, part of the directing duo Jams and Bash, talks to Oren and Matt about how they approach their business without the cheesiness. From a start working exclusively with Broadway productions, they've become a CAA-recognized brand in sports comedy.Matt discusses how the dream of never looking at a spreadsheet isn't realistic in filmmaking, or at least not in building a career in it. And Jamaal shares secrets on how they connect with decision-makers through targeted social media strategies that go beyond traditional PR, advertising, or social thinking.**Key lesson:** A lot of directing is really hosting. Don't get it? Check out this amazing episode!https://www.imdb.com/name/nm1729641/https://www.jamsandbash.com/---Matt's Endorsement: Chris Moran | Creative Breakdowns on TikTok and his tutorials on the Vox aesthetic https://www.tiktok.com/@chrismoran__Oren's Endorsement: order your pet meds from https://discountpetmedication.biz/ and the use Amazon to monitor for deals on what you want, like a Dyson v11, and get a great deal on Prime Week.Jamaal's Endorsement: "The Black Pack" book by Artel Great https://www.rutgersuniversitypress.org/the-black-pack/9781978838130/ Hosted on Acast. See acast.com/privacy for more information.

Big stars announced for ‘Bat Boy,’ ‘This World of Tomorrow,’ ‘Damn Yankees,’ ‘The Rink’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a read more

Listen: Lauren Class Schneider talks to Morgan Bassichis, writer and star in “Can I Be Frank?” at the Soho Playhouse. Morgan Bassichis, Credit Maria Baranova “Class Notes” actively covers New York's current theater season on, off, and off-off Broadway. Morgan Bassichis in CAN I BE FRANK?, photo by Emilio Madrid read more

There's a new theater company that opened about a mile from Dennis's home in North Hollywood called The Wisteria Theater and it's a magical place. The show that's currently running there is Xanadu: The Musical, based on the iconic Olivia Newton-John movie musical that Dennis has been obsessed with since 1980. In this episode, Dennis welcomes the team behind the show to play a couple rounds of his game You Don't Know My Life! The five guests are Renée Wylder (Producer and Wisteria Theater co-founder), acress Lexi Collins (Kira, Wisteria Theater company co-founder), actors Connor Bullock (Sonny) and Kelby Thwaits (Danny) as well as the show's director Brayden Hade. The two questions posed during the game are 1) "Xanadu is a story about dreams. When was a time in your life when you thought, OMG, this is a dream come true?" And 2) You come across an old diary entry with the headline A Night at the Theater I'll Never Forget. What happens in it?" Their stories involve everything from scoring big career breaks to on stage mishaps to trying to do a show in a tornado to pigging out on chips and tacos at Salsa y Beer down the street from the Wisteria. Xanadu runs at the Wisteria through August 10th www.wisteriatheater.com

Steve saw Six on Broadway, Jason Momoa shaved his beard for the first time in six years and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Generations of drum corps enthusiasts filled the stands at Belleville West High School to see some of the nation's best performers last week. The marching music tradition has deep roots in the Metro East and St. Louis. STLPR's Visuals Editor Brian Munoz discusses his reporting. He's joined by Steve McCarty, an alum of the Belleville Black Knights Drum and Bugle Corps and the admin of the Facebook group dedicated to preserving and celebrating the drum corps' legacy.

Today, the Spotlight shines On saxophonist and composer Sean Imboden.Sean spent years touring with Broadway shows and working as a sideman, but something was missing. He stepped away from a lucrative career path and took a leap, returning to Indianapolis, where he ultimately formed his 17-piece orchestra. Now that ensemble releases Communal Heart, an album that captures the community spirit Sean has built around his music, as well as his transformation from comfortable sideman to big band leader.Sean joined me to discuss this ambitious project and share how he has created what he calls "identifiably human-made music" in an increasingly digital world.(The musical excerpts heard in the interview are from Sean Imboden Large Ensemble's album Communal Heart)–Dig DeeperArtist and Album:Visit Sean Imboden at seanimboden.com and follow him on Instagram and YouTubePurchase Communal Heart by Sean Imboden Large Ensemble from Qobuz and listen on your streaming platform of choiceSean Imboden's ‘Communal Heart': A Quiet Subversion of the Big Band CanonCollaborators and Producers:Steve Allee - producer and Indianapolis jazz veteranRich Dole - producer and bass trombonistTucker Brothers - Indianapolis quartet featuring SeanJohn Raymond - trumpeter featured on the albumDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today's Mystery: A man kills his wife on the phone with Danny and plans to end his life.Original Radio Broadcast Date: August 21, 1950Originated in HollywoodStars: Larry Thor as Lieutenant Danny Clover, Charles Calvert as Sergeant Gino Tartaglia, Jack Kruschen as Sergeant Muggavan, Herb Butterfield, Anne Stone, Byron Kane, Janet Logan, Junius MatthewsSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Becky, Patreon supporter since March 2019Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey…http://survey.greatdetectives.netGive us a call 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesBecome one of our friends on Facebook.Follow us on Twitter@radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Grocery prices across the country rose 28% between 2019 and 2024. And they haven't exactly gotten better. Sun-Times investigative reporter Stephanie Zimmermann has been tracking prices across Chicago grocery stores since December. She tells host Jacoby Cochran about what she found and why everything is so expensive right now. Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this July 30 episode: Top Marks Prep — Receive 15% off when you use the link Broadway in Chicago Overlook Maps Framebridge Big Onion Hospitality — Wings for $15.25 all week at any of the Big Onion spots Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

In this deeply moving and refreshingly honest episode of Mirror Talk: Soulful Conversations, we sit down with Edward Miskie—actor, singer, producer, and now author of the book Cancer, Musical Theatre, & Other Chronic Illnesses. Edward takes us through his rare cancer diagnosis, the raw and absurd realities of treatment, and his journey toward healing, self-advocacy, and reinvention. Ten years after surviving a rare form of lymphoma, Edward reflects on how cancer dismantled his life—and how he built something even richer in its place.Edward speaks candidly about chemo, heartbreak, identity loss, sex, alcohol, and the chaotic beauty of finding yourself again after trauma. His insights are brutally honest and beautifully empowering. This is more than a cancer survival story—it's a story of reclaiming joy, identity, and purpose.

Episode 362: RASHAD SMITH (Pt.1): The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes' “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee's unexpected interest in using the track for Clockers (38:01). From crafting “Don't Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Time” (2:10:33). Don't miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Connor and Dylan are joined by Christopher Briney (The Summer I Turned Pretty, Dilaria). It's here, y'all: the summer you turned UP your volume and listened to your favorite twins chat with television's Conrad Fisher: Chris Briney. Chris is currently starring in Dilaria, the new off-Broadway play by Julia Randall. Hear all about his New York onstage debut, his costume of a slutty rugby tee and Calvins, and his costars Ella Stiller, Chiara Aurelia, and Tessa Albertson. From himbo Noah in Dilaria to high school heartthrob Aaron Samuels the Mean Girls movie musical, we get into Chris' memories from North Shore High, working with Tina Fey, and why he gives major kudos to the film's dancers. We of course discuss The Summer I Turned Pretty, including the storyline he's most proud of, the show's music budget, and his connection to the piece and his costars. Spoiler: he played basketball with one of them the day before this interview. But wait, there's more! Chris talks about his favorite theatrical memories from his time at PACE. We also break down Bravo's Next Gen NYC, the anniversary of Taylor Swift's “folklore” album, and the musical of Alex G. Oh, and the cancellation of Stephen Colbert's Late Show. You're going to fall in love with Chris (if you haven't already). Don't miss him in Dilaria at the Daryl Roth Theater 2 and on Amazon's The Summer I Turned Pretty.Follow Chris on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Goldsberry, Thomas, more to lead ‘Balusters’ on Broadway, ‘Hunger Games’ play finds its Katniss, Grace chats with Rishi Varma about ‘Sulfer Bottom’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace read more

Lakeridge High School senior Elaina Stuppler is no stranger to the spotlight. She performs in the Portland Youth Philharmonic, playing trombone - but she also plays tuba, piano and composes music as well. She’s regularly featured on All Classical Radio as a reporter and Artist in Residence. But the last few months have been a veritable cavalcade of honors and opportunities. Stuppler won the Musical Theater Songwriting Challenge. Her winning composition, about the life of Maria Anna Mozart, was performed  by Broadway musicians and singers in New York this summer. She was just one of five students in the U.S. chosen by the Grammy Museum for its summer screen scoring program in LA. She is also a winner of the prestigious YoungArts Award with Distinction, Stuppler joins us to share some of her compositions, and tell us about what these honors mean to her and what opportunities they may open up for her future.  

Beat Migs! And we chat with a seismologist about the Tsunami and Earthquake threats!

“When you're creating something new, nobody can tell you how to do it because it hasn't been done yet."  Notable Moments 00:52 – Ron's Disney legacy and first meeting with Jody 02:45 – Behind-the-scenes stories of parades and halftime shows 03:31 – Founding Disney Theatrical and Broadway tales 05:27 – Ron on budgets and working with Michael Eisner 06:55 – Teaching philosophy and student impact at UCF 10:16 – Value of live Q&A during teaching events 11:10 – Concept for a comprehensive Disney show history book 13:05 – Teaching career before and after Disney 16:03 – Encouragement to students: “Take no prisoners” 17:17 – Creating the Wild West show for Euro Disney 22:14 – On innovation: “Look again. There's always another answer.” 23:22 – Ron and Lee on candor, truth, and leadership 27:17 – Final voicemail from Ron to Jody Several years ago, Lee Cockerell surprised me when he said Ron Logan wanted to meet me. Ron, a Disney Legend who led global live entertainment for Disney, had seen my work with Lee and wanted help with legacy projects. That one introduction became a years-long friendship filled with stories, lessons, and laughter. Ron never did anything halfway. Whether we were watching videos of Disney parades or Super Bowl halftime shows, he narrated every decision with incredible detail and purpose. He'd talk through the music, the floats, the camera angles. Every element crafted for the perfect guest experience. It was storytelling, design, and leadership rolled into one magical conversation. We never recorded a podcast together, something I regret. But I do have clips that are small treasures of his voice and wisdom that I've held onto. In this episode, I share some of those pieces with you. You'll hear Ron reflect on budget discipline, the value of good teams, and his unwavering commitment to teaching the next generation. Ron Logan was a master of his craft and a generous mentor. He taught that creativity is problem-solving with heart and his legacy proves it. I miss him. But I'm honored to share his voice with you. Connect with Jody www.jodymaberry.com About Jody - https://jodymaberry.com/about-jody-maberry/ Instagram - https://www.instagram.com/sugarjmaberry LinkedIn - https://www.linkedin.com/in/jodymaberry/ Facebook - https://www.facebook.com/sugarjmaberry/ Twitter: https://twitter.com/jodymaberry  

Hang onto your slipcases, because Blake Howard and award-winning culture reporter and critic Candice Frederick ruminate on THE WIZ and how Sidney Lumet, Joel Schumacher, Diana Ross, Michael Jackson, Richard Pryor and Quincy Jones make it more than significant.The WizL. Frank Baum's timeless story The Wonderful Wizard of Oz gets a funky reimagining in this lavish adaptation of a landmark Broadway show based on the book. Diana Ross brings her showstopping star power to the role of Dorothy, here a Harlem schoolteacher who is magically transported to a surreal fantasyland that resembles New York City, complete with man-eating trash cans and a disco paradise. Propelled by the musical contributions of Quincy Jones and an all-star cast that includes Michael Jackson, Richard Pryor, and Lena Horne, this dazzling soul spectacular from legendary director Sidney Lumet reframes a beloved tale through the Black American experience, creating a powerful celebration of self-determination.Special FeaturesNew 4K digital restoration, approved by producer Rob Cohen, with Dolby Atmos soundtrackIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary featuring scholars Michael B. Gillespie and Alfred L. MartinArchival interviews with director Sidney Lumet and actor Diana RossTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Aisha HarrisCandice FrederickAward-winning culture reporter and critic with extensive experience in original reporting, interviewing, digital media, and editorial strategy. Well-sourced and adept at writing nuanced and contextualised pop culture criticism, in-depth features, and engaging celebrity profiles. Inquisitive reporter with a keen eye for cultural trends, industry shifts, social media discourse, examining controversial figures and topics, and challenging conversations through thought-provoking articles.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On June 6, Tony and Grammy award winner Renée Elise Goldsberry's debut studio album, “Who I Really Am,” was released via Borderlight Entertainment.The album coincides with the 10th anniversary of the Broadway phenom Hamilton, which saw Goldsberry win a Tony and Grammy award for originating the role of Angelica Schuyler. The album, “Who I Really Am,” blends genres in a deeply personal and sonically rich collection of songs.

In this heartfelt midweek mini, Joanna and Mary Ellen open up about the deeper meaning behind points and miles — how these travel tools can bring joy and relief during challenging times. They share moving listener stories about caretakers and families who used points to create precious travel memories amid hardship, reminding us all why this podcast exists: to empower people to travel smarter and live fuller.Their guest Lindsay, a longtime friend and foster mom, joins the conversation to talk about how points helped her family carve out a much-needed mini escape during a difficult season of caregiving. From canceled trips to spontaneous getaways, Lindsay's story highlights the true power of points beyond the glam.Then the duo dives into a practical, insider tip for Broadway lovers: the Broadway Direct app. Mary Ellen discovered this lottery-based ticket app that scores you deeply discounted tickets for top New York shows like Stranger Things and Death Becomes Her — often at a fraction of the regular price. They break down how the app works, how to navigate its quirks, and share their own winning experiences (including front-row seats and first-class flights!).Submit Your Summer Road Trip Series Story HEREFacebook GroupWonderland On Points BlogFind Us On InstagramMary Ellen | JoLinks30% off the CardPointers subscription!FlyKitt- the BEST Jet Lag Solution!Tripiamo Driving TutorialsOur Favorite Travel NecessitiesCredit Card Affiliate LinksThe above link includes referrals for Capital One Travel Cards. If you need AMEX or Chase please reach out and we would be happy to send you our personal referral links.We receive a small commission when you use our links. This is an amazing way to show your support for the show at no cost to you ❤️

Chris Sarandon has been a working actor on the stage, movies and television for over 50 years. Besides his appearances on Broadway and being in countless TV series and major motion pictures, he is well known for playing Jerry Dandridge in Fright Night, Prince Humperdinck in The Princess Bride, Detective Mike Norris in Child's Play, and Jack Skellington's speaking voice in The Nightmare Before Christmas. He was nominated for the Academy Award for Best Supporting Actor for his performance as Leon Shermer in Dog Day Afternoon.

In this episode of the Next Level Healing Podcast, Dr. Tara Perry interviews Bruce Cryer, former CEO of the HeartMath Institute. Join us as we dive into Bruce's inspiring journey from the dazzling lights of Broadway to the pioneering realms of heart-brain coherence and holistic health.In this captivating episode, Bruce shares his transformative path from a career in performance to a purpose-driven life focused on emotional and physical well-being. Discover how his early passion for spirituality led him to California, where he embarked on a quest for meaningful change.

This week, the boys fire off about “The Fantastic Four: First Steps” and “Happy Gilmore 2” before heading to 1941! The random year generator spoke, and we chose “The Maltese Falcon” for our featured conversation. This is our second John Huston/Humphrey Bogart collaboration after we discussed “The Treasure of the Sierra Madre” a few weeks ago!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 8:20 Dave's “The Fantastic Four: First Steps” mini-review; 15:42 Jeff & John's “Happy Gilmore 2” mini-review; 25:28 1941 Year in Review; 43:06 Films of 1941: “The Maltese Falcon”; 1:20:05 What You Been Watching?; 1:28:03 Next Week's Episode Teaser Additional Cast/Crew: Mary Astor, Gladys George, Peter Lorre, Barton MacLane, Lee Patrick, Sydney Greenstreet, Ward Bond, Hal B. Wells, Henry Blanke, Matt Shakman, Josh Friedman, Ian Springer, Kat Wood, Stan Lee, Jack Kirby, Pedro Pascal, Vanessa Kirby, Ebon Moss-Bacharach, Joseph Quinn, Ralph Ineson, Julia Garner, Natasha Lyonne, Paul Walter Hauser, Adam Sandler, Ben Stiller, Scottie Scheffler, Jordan Spieth, Post Malone, Margaret Qualley, Steve Buscemi, John Daly, Benny Safdie, Bad Bunny, Haley Joel Osment, Julie Bowen. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Bear season 4, The Sandman, Stranger Things: The First Shadow on Broadway, KPOP: Demon Hunters, Picnic at Hanging Rock Additional Tags: Peter Weir, Paramount, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Montana.

What sparked the creation of the iconic musical Rent? How does one navigate the ups and downs of a creative career? Join us in episode 251 of Late Boomers, as we chat with the brilliant Billy Aronson! Known for his work on Rent, Billy shares his journey from college heartbreak to collaborating on Broadway. We dive into his ventures beyond theater, like his Emmy-winning children's TV show Peg and Cat, and his latest musical project, Love War. Tune in for a masterclass in creativity, resilience, and the art of reinvention. Don't miss it!Billy Aronson's Bio:Billy Aronson's work in the musical theater includes the original concept/additional lyrics for Broadway musical Rent, libretto for Flurry Tale (Vinteryra) which premiered at Sweden's Malmo Opera, book for TheatreWorks USA's Click Clack Moo (Lucille Lortel nomination for Best Musical). Plays premiered at Playwrights Horizons, Ensemble Studio Theatre, Woolly Mammoth, SF Playhouse (Bay Area Critics Circle award for Outstanding Playwriting); published in 6 volumes of Best American Short Plays. TV: won 5 Emmy Awards, wrote for Beavis and Butt-head, Courage the Cowardly Dog, Wonder Pets, Sesame Street; co-created animated PBS Kids show Peg + Cat. Books include memoir/how-to book Out of My Head and one-act collection Funny Shorts. BA Princeton, MFA Yale Drama. Lives in Brooklyn, co-created animated offspring Jake and Anna with wife Lisa Vogel. (billyaronson.com)Connect with Billy:Website: https://billyaronson.com/Book: Out Of My Head - Learning to Reach People Through the Arts Facebook: https://www.facebook.com/billy.aronson.7Instagram: https://www.instagram.com/billyaronson/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

We don't normally do this but we also don't normally do 3 act musicals!!! The Lady from Lourdes has shown up to investigate the Miracle but who is she? And what is Hopgood up to? And will Cora get all the Cookies back in the Cookie Jar? Remember to leave a five star review and note that we have an email!!! Send us your questions and loving feedback!https://www.facebook.com/TY5Podcastthanku5pod@gmail.com

The title of the musical “Maybe Happy Ending” might leave you guessing about the storyline, but there’s no doubt the show itself is getting its due. It recently won six Tony Awards, including Best Musical. Senior arts correspondent Jeffrey Brown has a look for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

(0:00) Hardy quizzes Fred & Wallach on a training camp guy or Broadway musical camp guy challenge. (14:21) Fred, Hardy & Wallach comment on the Micah Parsons situation. Stephen A. Smith goes on a rant reacting to Stephen Jones' comments on Micah Parsons. (25:55) "Everyday Maggie" joins Toucher & Hardy to promote the McGovern contest giveaway and to her life as a social media influencer. (PLEASE be aware timecodes may shift up to a few minutes due to inserted ads) CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy This episode of Toucher & Hardy is brought to you in part by Profluent and then have that linked to https://go.happinessexperiment.com/begin-aff-o2?am_id=podcast2025&utm_source=podcast&utm_medium=podcast&utm_campaign=michael

The City Council is on summer break until September, when they'll return for an increasingly difficult budget season. We're discussing a few pieces of legislation waiting on their return, including expanding accessory dwelling units, creating a senior bill of rights, and a lifejacket requirement. Plus, we're taking the Hey Chicago City Council Nepo Baby Quiz and prepping for Lollapalooza weekend. Good News:  Illinois' Black Panther Party Heritage Trail Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246  Learn more about the sponsors of this July 29th episode: Top Marks Prep – Receive 15% off when you use the link Broadway in Chicago Overlook Maps Framebridge Big Onion Hospitality - Wings for $15.25 all week at any of the Big Onion spots Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

Mulvaney announces Off-Broadway premiere, stars set for ‘Songs for a New World’ concert, highlights from ‘A Chorus Line’ anniversary concert Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more

In Nevin Steinberg's second episode, the award winning Broadway sound designer gives even more insight to some of your favorite Hamilton moments including The Yorktown dance break and the stuttering gunshots heard throughout the show. And get ready to have your mind blown as Nevin shares the evolution of the Satisfied rewind, from Lin-Manuel Miranda's very first demo to the layered masterpiece we all know and love today anddddddd he shares a secret (and creepy! and awesome!) Easter egg that I promise you don't know about. While taking questions from the Patreon Peeps, Nevin talks a lot about how each sound is specifically chosen to tell a story, and even accents like cannon explosions and snare drums each have "their own personality."   Plus, Nevin talks about the steam whistle in 2023's Sweeney Todd revival, shares his thoughts on new cinema sound, explains his fascination with what it takes to be a great leader, and why when it comes down to it Nevin is only in it for the banter. Lin-Manuel Miranda on Soundcloud The Town Hall in New York City /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

When Mandy Gonzalez steps on stage, you feel it—power, passion, presence. She rose to fame as Nina in In the Heights, shattered ceilings as Angelica in Hamilton, and defied gravity as Elphaba in Wicked. Now, she’s back on Broadway, transforming into the legendary Norma Desmond in Sunset Blvd., rewriting the rules of a classic role. Her voice is unmatched. Her story? Even more powerful. A working mom, recording artist (Fearless), and screen actress (Quantico, Across the Universe), Mandy has built a career on strength, soul, and staying true to herself—even while battling breast cancer. Five years cancer-free, Mandy Gonzalez is not just surviving—she’s blazing. And Broadway is better for it.See omnystudio.com/listener for privacy information.

The pop singer and actress Reneé Rapp has a deep love for her friends. She maintains a nonstop group chat with more than 15 close friends every day. Their lives are so intertwined that the line between platonic and romantic can sometimes get blurry, particularly since many of them have dated each other.Rapp, best known for her role in the Broadway musical and new film adaptation “Mean Girls,” has an upcoming album, “Bite Me,” which delves into the intimacy and messiness of friendships, not just romantic relationships. Mirroring her album's themes, Rapp walks Modern Love host Anna Martin through various vulnerable moments she has recently shared with friends, including one with her best friend and former “The Sex Lives of College Girls” co-star Alyah Chanelle Scott.It's no surprise that Rapp chose to read the Modern Love essay “This is What Happens When Friends Fall in Love” by Sammy Sass. The piece resonates with her own experiences of sustaining love within queer friendships. While Rapp says she doesn't have a blueprint, she has learned to navigate misunderstandings and express genuine love to those closest to her. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.