Podcasts about Broadway

Lizze Broadway was an instant high-priority guest for Collider Ladies Night when Gen V wrapped its Season 1 run back in November 2023. Two years later, nothing has changed. Yet again, in Season 2, Broadway is a standout in an ensemble that's filled with top-tier actors. Not only is Broadway a consistent scene-stealer courtesy of pitch-perfect line delivery and spot-on comedic timing, but her character's growth as a leader has proven to be one of the most inspiring storylines of the season. It's an arc that made Emma an especially powerful anchor for the show — the character most responsible for bringing everyone together.With the Gen V Season 2 finale now available to stream on Prime Video, Broadway returned to the Collider Ladies Night studio to talk all things Emma Meyers. She went into detail on how heavily the late Chance Perdomo and his Gen V character, Andre Anderson, influenced Emma's Season 2 arc, and also Broadway's own personal journey as an actor. She also put the spotlight on Emma's new connections this season, namely her team-up with Sean Patrick Thomas as Andre's father, Polarity, and her budding friendship Jessica Clement's Harper.Enjoy all of that and more in this Gen V edition of Collider Ladies Night! Hosted on Acast. See acast.com/privacy for more information.

Feeling drained by life's noise—and wondering how to stay motivated, inspired, and centered when your spirit feels heavy?This inspirational, motivational episode features Seth Stewart. Seth has played the world's largest stages, performing major roles in some of Broadway's greatest hits- including the original, Tony Award-winning productions of “In the Heights” and “Hamilton”- and before tens of thousands of fans alongside artists like Madonna, Jay-Z, Jennifer Lopez, Mariah Carey, and Ne-Yo.   Seth is now a spiritual guide, author, speaker, and founder of True Kings Academy. Seth shares an authentic, motivational speech on spiritual hygiene, faith, solitude, purpose, and how to motivate your mind daily with simple practices that clear negative energy and restore peace. From the bright lights of Broadway to the stillness of the forest, Seth reveals how to follow your vision and live your truth—in practical, everyday ways. If you're craving inspiration, clarity, and a grounded path forward, this motivational, inspirational conversation will help you reset, refocus, and rise.If you're battling burnout, information overload, or emotional heaviness, this episode translates spiritual ideas into doable, daily habits—so you can protect your energy, stay motivated, and move toward the life you're called to live. You'll learn how inspiration + practical action creates momentum—even in a fast-paced world. What you'll gain:A simple “spiritual hygiene” toolkit (breathwork, grounding, visualization, quick resets) to clear negativity, boost focus, and motivate consistent action.A purpose-first mindset shift from hustle-only to grounded excellence—so your motivation becomes sustainable, peaceful, and inspirational.Real-world guardrails for empaths, leaders, and creators to stay centered in relationships, crowded spaces, and high-pressure moments—without losing your spark.Press play now for a powerful, motivational speech that will inspire you to protect your energy, follow your vision, and live your truth—starting today.Seth's Contact Info:Website: https://www.iamsethstewart.com Instagram: https://www.instagram.com/iamsethstewartLinkedin: @iamsethstewartTrue Kings: @truekingsacademy -  Instagram, TikTok, LinkedIninspirational, motivational, motivate, motivational speech, faith, spiritual hygiene, mindset, purpose, resilience, Hamilton, In the Heights, men's leadership, True Kings Academy, breathwork, grounding, solitude, personal growth, unity consciousness, healing,Send us a textSupport the showFor daily motivation and inspiration, subscribe and follow Real Talk With Reginald D on social media:Instagram: realtalkwithreginaldd TikTok: @realtalkregd Youtube: @realtalkwithreginald Facebook: realtalkwithreginaldd Twitter Real Talk With Reginald D (@realtalkRegD) / TwitterWebsite: Real Talk With Reginald D https://www.realtalkwithreginaldd.com Real Talk With Reginald D - Merchandise

In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Richard Rodgers and Oscar Hammerstein II are two of the greatest entertainers in New York City history. They have delighted millions of people with their unique and influential take on the Broadway musical — serious, sincere, graceful and poignant. In the process they have helped in elevating New York's Theater District into a critical destination for American culture.In this episode, we tell the story of this remarkable duo — from their early years with other creators (Hammerstein with Jerome Kern, Rodgers with Lorenz Hart) to a run-down of all their shows. And almost all of it — from the plains of Oklahoma to the exotic climates of South Pacific — takes place on just two city blocks in Midtown Manhattan!PLUS: What classic music venue still bears the name of Oscar Hammerstein's grandfather?How did the ritzy Plaza Hotel celebrate the fifth anniversary of Oklahoma's debut?How is Richard Rodgers associated with Hamilton the Musical?And what was the final song written by Rodgers and Hammerstein?In honor of the new Richard Linklater film Blue Moon about Richard Rodgers' first songwriting partner Lorenz Hart AND in honor of a new set of Broadway musicals opening in November, we're reissuing this 2017 show in a newly re-edited, remastered edition.Visit the website for more images of the shows discussed on this showAll music by Rodgers and Hammerstein can be found on releases from Sony Masterworks Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a shocking and ironic revelation, CBS revealed this week that the Denver Post owes the City of Denver around $2 million in unpaid rent on its lease in the Denver Post building at Colfax and Broadway. So, how will that affect the mayor's budget negotiations and the $200 million shortfall the city is dealing with? Then, unnamed business owners told the Denver Gazette that bicycle activists had been terrorizing them both in person and online, but who are these anonymous voices? Host Bree Davies and producer Paul Karolyi are joined by politics and green chile correspondent Justine Sandoval to dig into the City of Denver's landlord headache, more bicycle drama, Flock surveillance, and wins and fails of the week.  Bree talked about her interview with Clerk and Recorder Paul López, DoBetterDNVR's post about Harm Reduction Action Center, and the Buntport Theater. Paul mentioned the Chauncey Billups' indictment and photographer Drew Kartos' reflections on the ‘No Kings' viral moment. Justine discussed the latest drama with Raíces Brewing and the Broncos epic win.  What do want us to ask Mayor Johnston? We're sitting down with Mayor Mike soon and we want to hear what questions you have for him!  Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Watch clips from the show on YouTube: youtube.com/@citycastdenver or Instagram @citycastdenver or TikTok City Cast Denver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this October 24 episode: Arvada Center Denver Art Museum Denver Health Denver Film Elizabeth Martinez with Compass Real Estate - Do you have a question about Denver real estate? Submit your questions for Elizabeth Martinez HERE, and she might answer in next week's segment. Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

Local 802 and League reach agreement, Equity and League contract details, Alysha Umphress sings ‘Damn Yankees’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Join Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Leon Thomas's latest single, “My Muse,” from the PHOLKS EP (Oct 24, 2025, Motown/EZMNY). Explore Thomas's journey from Broadway's The Lion King to Grammy-winning producer with The Rascals, now a funk-soul trailblazer. “My Muse” blends ‘70s funk and modern R&B, earning praise for its soulful reflection and retro visuals (500K+ YouTube views). With 13.6M Spotify listeners, 1M+ first-day streams, and BBC Radio 1 support, Analytic Dreamz unpacks its chart potential, tour impact, and neo-R&B influence.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

[REBROADCAST FROM Feb. 24, 2025] The latest production from playwright Bess Wohl blends the present and the past to examine the Women's Lib movement in the 1970s. "Liberation" stars Susannah Flood as Lizzie, a woman who, to better understand her mother's past, embodies her mother to witness how she started a consciousness raising group with other women in her Ohio community. One of those women is Celeste, played by Kristolyn Lloyd, a Radcliffe-educated student who has her own thoughts on what it means to achieve liberation. Wohl, Flood, and Lloyd discuss the show.

Dave Hatmaker joins Sean and Andy in Episode 307 for a wide-ranging conversation about working in theme parks, helping test and develop new audio products, and some hard-hitting practical tips and tricks for mixing corporate events.Dave has mixed astronauts to vice presidents, and almost everything in between. He's also been a sound designer for the Walt Disney Company, helping to create many memorable in-park entertainment shows, spectaculars and guest experiences, including Beauty and the Beast (before going to Broadway), Spirit of Pocahontas, and Hunchback of Notre Dame: Festival of Fools.In addition, he's worked with various international audio companies as a research and development team member (most recently Yamaha) creating new technologies, and he was awarded an international patent in 2021 for a new creative new use of audio technology. And, he's been a featured panelist and moderator at international audio and music industry trade shows, including NAMM, AES, MusikMesse, ProLight & Sound, InfoComm, SCSBOA, and Jazz Educators, in addition to being a guest on several podcasts for MxU and AVIXA.Dave holds a Bachelor of Arts degree from California State University, Long Beach, with an emphasis in percussion performance. He has created and delivered audio seminars to high school and college bands, music educators and sound technicians.His goal in the audio business? ”Every day he wants to make life a bit better for musicians by having better, easier, smarter, better sounding products! And to make them FUN to use!!Episode Links:Dave Hatmaker.comDave Hatmaker On LinkedInEpisode 307 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there.

As Pres. Trump pivots on his White House ballroom plan by demolishing the entire East Wing after promising he wouldn't, 'The View' co-hosts weigh in while the price tag keeps building. The co-hosts weigh in on the controversy over Maine Senate candidate Graham Platner. Is prioritizing alone time in a marriage important? The co-hosts weigh in. Ben Stiller opens up about turning the camera on his famously funny parents, Jerry Stiller and Anne Meara, in 'Stiller & Meara: Nothing Is Lost,' a new documentary where he explores how the line between life and art could get blurry growing up in a show biz family. The cast of 'Aladdin,' one of the longest-running shows in Broadway history, performs 'Friend Like Me.' Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens when the ancient magic of theatre meets the disruptive energy of artificial intelligence? In this episode of The Tech Talks Daily Podcast, I sit down with Emmy-nominated producer and 440 Media founder Jeffery Keilholtz to unpack how AI is reshaping entertainment, licensing, and the very soul of live performance. From his time leading Broadway Licensing Global, home to thousands of acclaimed titles including Harry Potter and the Cursed Child, Jeffery brings a rare blend of creative and commercial insight to one of the most transformative moments in entertainment history. Our conversation explores how live entertainment faces twin challenges of visibility and scarcity in a digital age. As Jeffery explains, the rise of ChatGPT has changed how people search, discover, and decide what to see, forcing a shift from SEO to AEO, or Answer Engine Optimization. Yet even as AI floods the world with abundance, theatre's scarcity, that irreplaceable “live, local, urgent” energy, is becoming more precious than ever. Together we examine how AI can simultaneously empower and endanger creative industries, from copyright battles worth billions to the promise of smarter audience engagement and new paths to discover hidden works. Jeffery also shares his framework for balancing technology and artistry, urging creators to stay nimble like a blade of grass. He argues that surviving this era of AI-driven disruption requires humility, flexibility, and a renewed belief in human connection. It's a powerful reminder that the heartbeat of theatre, and perhaps of creativity itself, still belongs to people gathered together in the same room, sharing something that can never be replicated by a machine. How do you see AI reshaping the arts and entertainment world? Is it an existential threat to creativity or the tool that will help artists reach new heights? I'd love to hear your thoughts.      

Is ‘Hairspray’ heading back to Broadway, new ‘Heathers’ casting, all ‘DWTS’ Wicked Night performances Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a read more

Dennis is joined via Zoom by Barry Joseph, author of the new book Matching Minds with Sondheim, which is all about the legendary Broadway composer and lyricist's love of puzzles and games. Barry talks about being inspired to write the book in 2022, a few months after Sondheim's passing, and how writing the book became like a puzzle for him to solve. He also talks about his love of Sondheim's musicals, from listening to the West Side Story cast recording as a kid to going to see Passion on Broadway during its first previous (and not appreciating it much at the time.) He goes into detail about Sondheim's legendary game nights and treasure hunts and talks about Sondheim's stint as the crossword puzzle editor for New York Magazine in the late 1960's and that time Games magazine did a five-page profile on him, complete with photos of his extensive game collection. Other topics include: Barry's favorite Sondheim musical, the idea of creating order out of chaos, what drives him to do the work that he does and that surreal evening when actor Anthony Perkins ended up being the murderer in a Sondheim party game just a few months after appearing as Norman Bates in Psycho. https://matchingmindswithsondheim.com

MLVC welcomes special guest Pete Zias to the show! Pete is the host of Total Trash Live and is currently starring in Messy White Gays off-Broadway in NYC. We talk about Madonna at the Roxy back in 1998, expectations for Confessions 2, Pete's favorite Madonna scandals and so much more! Follow Pete on Instagram @ petezias and on YouTube: Pete Zias Follow MLVC on all social channels: @mlvcpodcast Subscribe to MLVC's YouTube channel Donate to the podcast on Venmo: mlvcpodcast Listen to more episodes on Spotify/Apple/Amazon/Google Play or here: https://mlvc.podbean.com/ #mlvcpodcast #madonnaforever #madonna #madonnapodcast

In this episode of Money Tales, our guest is David Adjmi. From childhood, our money stories shape the way we see the world—sometimes with clarity, and sometimes with confusion. For playwright David, growing up in a family and a neighborhood where money was about hustle, performance, and status left him questioning what financial security and self-worth really meant. David Adjmi's plays have been produced at theatres around the world such as Lincoln Center, RSC, Steppenwolf, and Soho Rep--where he was the Mellon Foundation playwright-in-residence for three years. Stereophonic (music by Will Butler of Arcade Fire) is running on London's West End after a successful run on Broadway, where it became the most Tony-nominated play in history. Stereophonic received the 2024 Drama Desk Award, New York Drama Critics' Circle Award, Outer Critics Circle Award, Drama League, and Tony Awards for Best Play. The Stumble was recently excerpted in The Paris Review, and his two-part play The Blind King is currently in development with The Public. Adjmi's controversial hit 3C was selected as one of the top ten plays of the year by the New York Post, Time Out and the Advocate. Elective Affinities premiered at the Royal Shakespeare Company and received a sold-out U.S. premiere at Soho Rep starring Zoe Caldwell (Top 10 of the year in Time Out, The New Yorker.) Other plays include Stunning, The Evildoers, and Marie Antoinette. He was awarded a Guggenheim Fellowship, the Whiting Writers' Award, the Kesselring Prize for Drama, and the Steinberg Playwright Award, among others.  He holds commissions from The Public, Playwrights Horizons, Yale Rep, Berkeley Rep, and the Royal Court (UK). His critically acclaimed memoir Lot Six was published by HarperCollins in 2020, and his collected plays are published by TCG.

Today's Mystery: A dance hall dancer is murdered.Original Radio Broadcast Date: April 28, 1951Originating from HollywoodStarring: Larry Thor as Lieutenant Danny Clover; Charles Calvert as Sergeant Gino Tartaglia; Jack Kruschen as Sergeant Muggavan; Tony Barrett; Frances Chaney; Martha Wentworth; Lawrence Dobkin; Joy Terry; Leo Cleary; Junius MatthewsSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Rick, Patreon supporter since March 2020.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Sponsors for today's episode include: Voetberg Method Experience This month, use my code: CRUNCHY20 to get 20% off each month you're subscribed. Get 20% off the  proprietary Voetberg Method Experience, where siblings can share lessons  and learn music in a way they'll never forget, even when lessons stop. https://tinyurl.com/RVCNowThatWereFamily Where Did TJ Go? A touching new book by Annie F. Downs to help you and your child talk about grief.  https://tinyurl.com/RVCWhereDidTJGo ——— Sweets Elderberry https://tinyurl.com/RVCSweetsElderberry ———  Wayfair Cozify your space with Wayfair's curated collection of easy, affordable fall updates. https://tinyurl.com/RVCWayfair _____ Upcoming Events Join us for the Wellness Collective, October 21st or 22nd: https://www.wellnesscollectiveevent.com/shop ______ Hang out with Emily at the Cultivate Homestead Retreat October 31st and November 1st: https://www.cultivatehomesteadretreat.com/buy-tickets Jason and Emily share the highs, lows, and mild panic attacks of their trip to New York City. They talk about paying way too much for Broadway tickets to The Lion King, having to walk through a protest in Times Square, and realizing they might be the most overprotective parents in Manhattan. Yes, there were AirTags on the kids. It's a story of family travel, big city chaos, and how two crunchy parents survived it all with their sense of humor (mostly) intact. Learn more about your ad choices. Visit megaphone.fm/adchoices

Local 802 sets strike deadline, Baldwin and Newell to join ‘Chicago,’ ‘Bat Boy’ rehearsal performances Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For read more

Damon, Jordan and Tony are curious – Can you be too loud and proud? We've all either had those moments or seen those moments where we or someone in our orbit is wearing their queerness out loud but very hyped up. They're usually causing a scene of some sort, whether in person or online. And for some that's always an expression of freedom whereas other queers feel it works against the community.  On today's episode, Broadway and reality TV star Robert Hartwell joins us to unpack the dilemma of if it's possible to be too loud and proud. Respectability buzzwords aside, the question forces hosts and our guest to outline what freedom looks like to them, what they consider obnoxious or harmful representation and why. Buckle up for this one!  You can join the conversation on socials and let us know your thoughts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can you improvise a musical? Sure, you can. But isn't it hard to do? Absolutely. That's why hardly anyone does it. I mean, who wants to do hard things? Well, Jessica McKenna and Zach Reino do. They're the hosts and creators of Off Book, a podcast where they improvise a whole new musical with each episode. They've also appeared on shows like Crazy Ex-Girlfriend, The Goldbergs, and Comedy Bang! Bang! (forgive our use of exclamation points, Sleepyheads). Jessica and Zach travel a lot and they sure do love tiki bars. You know with the pineapples and the garish decor and all that. They join John Moe to talk about the forgotten (and perhaps made up) oyster musical Oyster Ranch, the role of the “Edward Albee” in a theater, and all the things, like airplanes, that should be made tiki.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber? Email us at:  sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsTwitter @SleepWithCelebsTikTok @SleepWithCelebsJohn is on Twitter @johnmoe.John's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback.Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member. 

Send us a textOh what a celebration we'll have today! Tara and EmKay break down even more updates and featurettes from "Wicked: For Good," including Wicked Night on Dancing With the Stars! Show Notes:Oddment and TweakDrawn by BryanDrawn by Bryan RedBubbleDrawn by Bryan TeePublicInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

More shrimp is being recalled after being exposed to radiation. Broadway musicans could be going on strike as early as tomorrow. Sea otters are harassing surfers in Santa Cruz, CA.See omnystudio.com/listener for privacy information.

In this episode, I'm diving into one of the most important topics for any working actor today: self-tapes. They're no longer an occasional request or a pandemic workaround. Self-tapes are the audition room now. That means your setup, your mindset, and your energy have to communicate professionalism and confidence before you ever say a line. After losing my voice for a few weeks (and getting some incredible help from Mandy Fisher, Rose Marie, and Taylor), I wanted to come back with something that felt useful and practical. Because here's the truth: the actors who treat self-taping like an art form are the ones who keep booking. Why Self-Tapes Matter More Than Ever Casting directors aren't inviting actors into offices the way they used to. Your self-tape is your first impression. It tells us who you are before we even watch the performance. I've been watching this up close at home. My husband Jason decided to return to on-camera acting after years of working exclusively in voiceover. Within about six weeks, he recorded forty auditions and got seven offers. Seven. He's talented, yes—but what really made the difference was preparation, clarity, and confidence. Every tape looked professional, felt relaxed, and showed that he knew exactly who he was in the scene. The Confidence You Can't Fake The camera doesn't lie. It reads your nervous system, your self-belief, your energy. You can't fake confidence. That's why mindset work is so powerful. It's the foundation for everything I teach in The Weekly Adjustment. When you know you're good—and you trust that knowing—it naturally shows up on camera. Your Technical Foundation You don't need an expensive setup, but you do need consistency. A self-tape that looks clean and sounds professional instantly tells casting you take the work seriously. Here's what matters most: Lighting: Even, natural, and shadow-free. Background: Simple and neutral. Sound: Use an external mic and record in a quiet space. Framing: Keep your eyeline slightly off-camera. Test Everything: Always record a few seconds first to check your lighting and sound. Think of your setup as part of your craft. When it's dialed in, you can focus on performance instead of worrying about your gear. If you want to make sure your setup is working for you, grab the free Acting Business Boot Camp Self-Tape Setup Guide. It includes the exact gear, lighting, and mic recommendations I share with my students. The Reader That Makes or Breaks You A good reader is calm, grounded, and patient. Their job is to support you, not steal the moment. If you're working alone, reader apps or pre-recorded lines can work, but you still need to feel connected. Acting is about relationship, and that connection needs to be alive—even when you're the only one in the room. One of the great things about the Acting Business Boot Camp community is that members can find readers in our private Facebook group. Having a reliable reader on call changes everything. And if you're a strong sight reader, a teleprompter app can help you stay present without losing time to memorization stress. Presence Over Perfection Stop chasing “perfect.” The camera rewards presence. When I saw Art on Broadway recently, James Corden's performance stood out because he fully committed. It wasn't polished—it was alive. That kind of truth and energy is what makes casting directors pay attention. Commitment always beats precision. Be real. Be fully in it. That's what books. Key Takeaways Self-tapes are your new audition room. Confidence and presence matter as much as acting skill. A clean, consistent setup is your professional edge. A supportive reader elevates your work. Presence and commitment are more powerful than perfection. Resources Mentioned Free Self-Tape Setup Guide: Get Peter's list of recommended lighting, sound, and gear to make your tapes stand out. The Weekly Adjustment: Ongoing mindset coaching for actors who want to build confidence, consistency, and energy that books. Next week, in Part Two: Self-Tapes That Book – The Performance, Peter dives into choices, energy, and the details that make casting directors say, “That's the one.” Stay safe and treat yourself real well.

Bruce Springsteen has released a four-disc set around his 1982 acoustic album Nebraska, including electric versions of many of the songs. "You could multi-track right in the bathroom." Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes Nebraska '82: Expanded Edition (https://amzn.to/48I3cKO) Bruce Springsteen: Nebraska '82: Expanded Edition review – fabled album falls short of expectations (https://www.theguardian.com/music/2025/oct/13/bruce-springsteen-nebraska-82-expanded-edition-review-fabled-album-falls-short-of-expectations) Ian Penman: Infinite Wibble: Brian v. Eno (https://www.lrb.co.uk/the-paper/v47/n17/ian-penman/infinite-wibble) Betty Cantor-Jackson - Wikipedia (https://en.wikipedia.org/wiki/Betty_Cantor-Jackson) Springsteen on Broadway (https://www.netflix.com/gb/title/80232329) Our next tracks: Brian Eno and Beatie Wolfe: Liminal (https://amzn.to/479tjYC) The Ratchets: Glory Bound (https://amzn.to/3L2Ploq) If you like the show, please subscribe in Apple Podcasts (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

In this final, super-sized episode of Stagecraft: Listen in on insightful conversations with Broadway's biggest talents, recorded during Variety's annual Business of Broadway breakfast presented by City National Bank. We've got Keanu Reeves and Alex Winter talking "Waiting for Godot"; Lea Michele, Aaron Tveit and Nicholas Christopher on "Chess"; Kristin Chenoweth, Stephen Schwartz, F. Murray Abraham, Lindsey Ferrentino and Michael Arden on "Queen of Versailles"; and John Clay III, Lear deBessonet, Caissie Levy and Brandon Uranowitz on "Ragtime."This is the final episode of Stagecraft as a regularly scheduled podcast, but host Gordon Cox will be contributing theater segments to Variety's daily news briefing, Daily Variety. And stay subscribed to this feed for occasional, standalone episodes of theater talk in the coming months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matty Durkin is back after a well-deserved hiatus, and he's catching you up on everything — from major work events and exciting podcast appearances to weddings in the mountains of New Hampshire, including the unforgettable celebration of The Pop Corner's own AJ Hernandez!This week, Matty dives into the latest Oscar contenders, sharing his takes on Kiss of the Spider Woman starring Jennifer Lopez (already generating serious Academy Awards buzz) and One Battle After Another featuring Leonardo DiCaprio and Sean Penn.He also pays heartfelt tribute to the legendary Diane Keaton, reflecting on her extraordinary career and lasting impact on Hollywood.Of course, it wouldn't be The Pop Corner without a full dose of pop culture — from Taylor Swift's “Life of a Showgirl” era to Housewives returning to Broadway, Matty's weighing in on it all. Plus, don't miss his must-watch list, including Monster: The Ed Gein Story, The Girlfriend, The Morning Show, and so much more.Tune in for laughs, heart, and the latest from the world of entertainment — because at The Pop Corner, Matty always keeps it real, relatable, and a little bit fabulous.Follow us: IG:@mattydurkin IG/TikTok: @thepopcornerpod Hosted on Acast. See acast.com/privacy for more information.

Richard Linklater is one of the most admired directors working today, and yet moviegoers may admire him for very different things. There are early comedies such as “Slacker” and “Dazed and Confused”; there's the romance trilogy that started with “Before Sunrise,” starring Ethan Hawke and Julie Delpy; and the crowd-pleasers like “School of Rock” and “Hit Man.” Linklater's “Boyhood,” a coming-of-age story shot in the course of twelve years as its protagonist grew from child to young adult, is almost without precedent. This month, Linklater has two new movies releasing almost simultaneously, both dramatizing historical moments in the lives of creative geniuses. In “Blue Moon,” Hawke plays the Broadway lyricist Lorenz Hart at the moment his career is being eclipsed by a rival, Oscar Hammerstein II. “My tagline for this movie, that they're not going to use on any posters, but it's my tagline: ‘Forgotten, but not gone,' ” Linklater tells our film critic Justin Chang. “It's so heartbreaking . . . to do a film about the end of someone's career.” In “Nouvelle Vague,” which is almost entirely in French, Linklater depicts the unconventional filming of Jean-Luc Godard's “Breathless,” his triumphant 1959 début. “The most important film,” Linklater says, “is the one you make in your head.” Justin Chang's article about Richard Linklater was published on September 27, 2025.

Alfred Beach built America’s first operational subway in secret beneath 1860s Manhattan, decades before the city’s official electric subway line in 1904. He designed and commissioned a 300-foot-long, eight-foot-diameter tunnel 20 feet underground, built with a tunneling machine he invented for this purpose. The car moved quietly and silently, pushed by a 50-ton, steam-powered fan nicknamed "the Western Tornado," which pushed and pulled the single subway car through its sealed tube. Beach envisioned a clean, quiet pneumatic railway that would shoot passengers up and down Broadway, revolutionizing urban transit. The entire city would enjoy this steampunk system of transportation. He was the right man for the job. As the editor of Scientific American magazine and the head of the nation’s leading patent agency, Beach was intimately connected with many of the nineteenth century’s most important inventors and inventions. When Thomas Edison invented the phonograph, the first person he showed it to was Alfred Beach. But his dream was derailed by powerful political enemies, most notably Boss Tweed and the corrupt machine of Tammany Hall. Dreams of the project died after an economic crash in 1873. Today’s guest is Matthew Algeo, author of New York’s Secret Subway: The Underground Genius of Alfred Beach and the Origins of Mass Transit. We look at a pivotal moment in the origin story of mass transportation in America, and themes that resonate strongly today: infrastructure gridlock, public-private conflict, and the long-standing resistance to bold transit reform.See omnystudio.com/listener for privacy information.

Ethan Hawke joins to discuss his new film ‘Blue Moon,' where he plays Broadway lyricist Lorenz Hart. Also, Adam Brody stops by to catch up and talk about the return of his hit show ‘Nobody Wants This.' Plus, actor Brie Larson and chef Courtney McBroom share a delicious chicken spaghetti recipe from their new cookbook Party People: A Cookbook for Creative Celebrations. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Wolfe to replace Hilty in ‘Death Becomes Her,’ Krakowski extends run in ‘Oh, Mary!’, Stokes sends Henry a gift Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more

On today’s episode, Matt Tamanini is in conversation with the phenomenal Ruby Lewis, who is currently starring as Audrey in “Little Shop of Horrors” at the Riverside Theatre in Vero Beach, Florida. Ruby made her Broadway debut in Cirque du Soleil’s “Paramour” and was most recently seen Off-Broadway in the read more

Go tell your plowman! This week, Ryan challenges Brian with Broadway history, Brian challenges everyone with a brand new Contest of Now (really!), and Alex Verdugo can't leave well enough alone. Things to click: The Contest of Now! Get the puzzle here. Submit your answer here. Read the PUZ file notes for instructions. Ryan's latest Fandom Feast.  If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a DM or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words

Anne Ganguzza sits down with Billy Collura, a powerhouse agent with over 30 years at CESD New York. Billy shares his unique perspective on the dramatic evolution of the voice acting industry, from the early days of union-only radio spots to the current market dominated by non-union and digital opportunities. This conversation provides essential insight into the biggest voice acting trends that have shaped the industry and reveals the simple, authentic quality that makes a voice actor successful today. 00:03 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:06 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:12 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:23 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:34 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit vobosscom slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) Slash VIP-membership to sign up today. It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguzza.  01:08 - Anne (Host) Hey everyone, Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am thrilled to welcome someone who truly defines what it means to be a powerhouse in the voiceover industry. With more than 30 years at CESD New York, Billy Collura has been at the forefront of commercials and beyond, representing talent with a direct and grounded approach that has earned him the trust of clients and voice actors alike. I think it's fair to say that he doesn't just follow the changes in the business. He really helps to shape them. So, Billy, I am so excited to have you here on the podcast.  01:44 - Billy (Host) Thank you for asking me. Yeah, this is so nice, yeah.  01:47 - Anne (Host) Yeah, I love it, and of course we're like on opposite coasts here, so you're on my home coast and so I do miss New York quite a bit and we did have a little.  01:58 - Speaker 2 (Announcement) How often do you get out here, pardon me, do you get out here often?  02:00 - Billy (Host) Do you ever get out. You know what?  02:01 - Anne (Host) Not as often as I should. I really have now started to say I'm only coming out during the warm season because I'm done with the snow. Yeah, I hear you. But I would imagine like do you travel like elsewhere in the wintertime in New York, Because I know I stay here.  02:22 - Billy (Host) I travel a lot in general um during the course of the year, but um you know, I right now I'm upstate in well. I'm up in the Hudson Valley and in the city of Hudson, which is two hours North of Manhattan, so I go back and forth Um in the winter time. No, I'm usually, I don't know, I'm usually in the Northeast sometimes.  02:43 - Anne (Host) Okay, Are you a skier? Are you a skier? No, absolutely not, Absolutely not. That was, that was what a lot. What kept a lot of people on the East coast? Um, in my area anyways, they're like oh no, I have to be able to ski in the winter.  02:56 - Billy (Host) No, I don't like the cold.  02:57 - Anne (Host) Well, I have a. I have a mountaineer in California, Uh huh.  03:00 - Billy (Host) Uh-huh.  03:02 - Anne (Host) Oh my gosh. Well, anyways, it's so nice to see you again. It's been a while. I saw you at VO Atlanta and I'm just really thrilled that I have the opportunity to talk to you. I know how busy you are, but I'm just so excited that the bosses are going to get this opportunity to really benefit from your wisdom. And so, benefiting from the wisdom speaking of that, you've been at CESD for over three decades. Um, that's, that's amazing. So how would you say that your role as an agent has evolved during that time?  03:37 - Billy (Host) Well, you know like it started when I started. Um, it'll be. Um, it'll be 32 years in May. Oh my gosh, when I started, voiceover was a smaller industry and I dabbled in a little bit of everything, okay.  03:55 - Speaker 2 (Announcement) I did commercials.  03:57 - Billy (Host) There really wasn't. There was no internet back then. So we did radio and TV commercials and industrials and I'm not even sure cable was around when.  04:08 - Anne (Host) I started. I hear you. You know we didn't have computers, any of that.  04:13 - Billy (Host) So we did a little bit of everything. And then, you know, and promos, promos were a thing, and narration and trailers, and so, you know, we did a little bit of all of that. And then, as the industry kept getting bigger and bigger, we started specializing. And all of a sudden, in animation, I dabbled in gaming, but I also, you know, but pretty much my focus was commercials, because that's where the money is, you know, and that was the day where it was just, you know, it was just TV and radio, and you made the actors made a lot of money. Yeah, it was only union, we only worked on union jobs. And now fast forward to now, where 60% to 70% of my desk is non-union. We started doing non-union in 2019. Okay, the union opportunities have pretty much dried up, and I say that, but it's ebb and flow.  05:22 I mean right now this year it was a slow summer for some reason. It was like the old days, it was really slow and I mean that union and non-union. And then I go away on vacation and it just like exploded while I was away and I've been and since then I've been playing catch up and it's been so busy with union, lots of union stuff with non union. Yeah, so it's been great there.  05:49 Yeah. So I mean that's changed and I guess for me what's changed for me is because now I specialize much more on commercials. I do have a few non-union accounts, but I have my large union study accounts, steady accounts. Um, so most of my work, uh is you know, is in the commercial world. I also happen to handle the audio books, but I always say I'm not an audio book agent. I'm the agent at CESD that handles the audio books.  06:18 - Speaker 2 (Announcement) So it's a little difference.  06:20 - Billy (Host) Um so, but the audio book, what I do love about it. You know an an an agent who left um cause she was having. She got married and had babies and she said, take the audio books. They're the nicest people in the world. And I got to say they really are, and so I've kept it.  06:36 I love it. The people are so nice. Um, I really, really enjoy it. So that you know, so I I've been doing that. I also do ADR and loop group stuff, again very specialized, and there really aren't a lot of industrials. Now I know some of the other. I'm one of five, six agents in the department and then there's another two agents that work with agencies that cater to medical industrials.  07:04 - Speaker 2 (Announcement) So they're doing I don't do personally.  07:05 - Billy (Host) I don't do a lot of industrials. I think a lot of the industrials have gone to the pay-to-play sites, so but the union stuff, the medical ones, they are still at the big agencies. I just personally don't happen to have those. I would say maybe the commercial aspect of right Healthcare like pharmaceuticals and that sort of thing is huge and more and more of those blue chip companies are going non-union and those rates are you know.  07:34 - Anne (Host) Sure. What do you attribute that? Why is that happening? What do?  07:39 - Billy (Host) you attribute it to is when it started, when digital work started happening, and these great companies, the Droga5s and there was so many, that's just the first one they were doing great work with the digital work. You know, they were just with stuff before even streaming, when they were just doing they were making commercials for digital work and they were doing fine work. They were doing really good work and these companies, these blue chip companies, were saying, hey, you did that for this much money, why don't you just take all of our network stuff? And that's how I remember, like 10, 12 years ago, a large fast food chain started going, you know, went totally non-union. And then the large fast food chain started going, went totally non-union.  08:25 Then there would be some that because they had a celebrity voice on certain spots, and then they would get a third party and more and more I feel like these agencies, these digital agencies, just kept getting better and better at it and the actors were getting better and better at it. And it's not like the cable stations that you see up here that you know these infomercial things that you know that you can tell it's non-union. You know I've fallen and I can't get up kind of stuff. These. They're doing great work.  08:56 - Anne (Host) I can't tell, are they doing great work because they have great actors or are they doing great work because the entire production value of it?  09:05 - Billy (Host) Yes.  09:06 - Anne (Host) Yes, yes, you know, people are getting better at it.  09:09 - Billy (Host) The voiceover people certainly, and it's not even I mean the voiceover so many people. Covid just changed the game and everybody you know voiceover was the one business in town that didn't shut down during.  09:23 - Speaker 2 (Announcement) COVID.  09:24 - Anne (Host) And every I always say every jaboni with a mic, you know, just set up a studio at home and said I'm going to do voiceover, and not only you know they were well-established Broadway and TV and film you know everybody was doing it and that's and that's so interesting because I would say the majority of people that you know cause I was I was super busy coaching during COVID and I just had so many people that just wanted to like make the demos and get into the industry. But I had a lot more of the talent that were more beginner right to intermediate. But I would imagine that with COVID, with celebrities right them wanting to get into voiceover because what else was there? Because they weren't able to go into a studio, and so I would say that a good portion of that, I would say a good portion of people that were getting those jobs, were probably the celebrities right.  10:27 - Billy (Host) Absolutely coaching. You know they just kept getting better and better at it. And you know, and, and we're willing to work for low wages, I mean that's the other thing. And you know we always say somebody takes a job for $100. You know it's just a race to the bottom. Yeah, you know, if you're gonna add, because you know we don't work on the non union stuff, we don't work on the non-union stuff, we don't work on certain things. I won't work on stuff just because it's not worth my time.  10:48 - Anne (Host) Sure.  10:49 - Billy (Host) And I don't mean to be like, oh, but $250 is a lot to some people. Oh yeah, for all the work that I have to go into it, for me to do it and have my assistant do it and doing the editing to maybe get it, it's just not worth it. But I do. I mean that's usually. My threshold is 250.  11:10 - Anne (Host) And I understand that because I always tell people, because I do a lot of non-broadcast narration, coaching and demos, and I'm always telling people they're like, well, I want an agent. I'm like, well, an agent doesn't get excited about non-broadcast stuff because it's a one and done thing. You don't make your money on that, and so typically you want to have a tip top commercial demo because that's where they're going to be making their money with the residuals and and that sort of a thing. So would you do? You think it has to do with the sheer volume of people that got into voiceover as well. If you've got enough, you know, if you throw spaghetti against the wall right there, some of them will stick. And so then I started to drive down. I'm going to say it started to drive down maybe the prices, uh, or people willing to do the work for less, because it just got to be competitive.  11:56 - Billy (Host) It did.  11:57 There's so many people doing it now, so many people, and especially in the non-union world, there's so many opportunities out there and you know, with the pay to plays and I've kind of changed my tune a little on the pay to plays and I kind of see they're there for a reason. They're a great, you know, tool for learning, for getting the experience, for the auditioning. And I and I learned recently when I was at a conference in Holland and met the CEO from Voices 123. And I learned that they love to put people together and to put the actor and the company together. Take it off the platform and do your thing.  12:41 They don't want to micromanage, like there are other pay-to-plays that micromanage everything.  12:45 But I really found that you know, oh, that's really nice, and then people can make money that way. They're not interested, they're just interested in making the match. So, but, that being said, there are so many people that are doing this now and, yeah, driving down the prices because you know, they may be this may not be their full-time gig, it just may be a side hustle for them. So, yeah, sure, an extra $200, an extra $100, an extra $350. That can accumulate. But unfortunately then they're like well, you did it last time for $100. Why can't you? So it's hard, it's hard.  13:21 - Anne (Host) It is, but would you say that the amount of jobs is diminishing or no, it's just as volume you know, I don't see volume as normal.  13:33 - Billy (Host) I'm busy, you know, but I don't know, like, like I said, this summer was slow with the opportunities, with the, with the auditions. I find that my casting directors, my union casting, just my casting directors in general, um, they, you know, I have some that are busier than others, some I will hear from, you know, once every other month, and then some I will hear from three or four times a week. You know, um, so it's and it's all you know. There's no logic to it.  14:03 - Anne (Host) And then on the um isn't that the truth. Yeah, and then um after all these years, wouldn't you think like you could? You could predict, you know.  14:14 - Billy (Host) I would say to actors you know, I'm not booking, it's just one phone call, it's one job, don't forget. They're only picking one person, but yeah, yeah, picking one person. You, yeah, you know, only picking one person you know and you don't know.  14:25 - Anne (Host) That's a way to put it in perspective. Actually, if you think about it, but in 400,.  14:30 - Billy (Host) You know how many people are auditioning.  14:31 That's why with select VO. You know that only allows you X amount of people to submit. So if they, if the agency says, if they invite you and they say you can only submit three people per role, they won't let you submit a fourth person. So you really have to be smart and we're not the type of agency that will send you know to ten people and then, sophie's Choice, the three that I want. You know, I don't believe in that. I don't. I feel it's a waste of time of the actor. It's certainly a waste of time for my assistant and for me to have to listen to, then you have to listen to them Exactly.  15:10 - Anne (Host) What's the point, you know, and so that translates to me to a good relationship with everybody that's on your roster, absolutely, that that knowledge of their capabilities and you can communicate, uh, back and forth to make sure that the two of you are are, you know, keeping up with one another, and you would be the one that say, okay, I'm going to handpick this audition and send this to this many people, because you're the one that has to do the work right To send it the top three, to the. So the client.  15:43 - Billy (Host) Yeah, absolutely so. It's my reputation and there are some casting directors that you know they will.  15:48 I will submit a list and they will pick who they want to hear you know, back up, if I lose, or if we lose somebody, who else would you like? Or, you know, sometimes they'll say these are the three I want to hear. Send me one of your choice that maybe I, somebody, I don't know, um, and then there are certain casting directors that will micromanage and they have to. They, you know they will only see these people and they're, you know, not flexible. But it just kind of makes me a better agent.  16:14 - Anne (Host) That's why we're.  16:15 - Billy (Host) Cesd is an exclusive agency. We don't oversign in the union or non-union world. We're still building up our non-union roster. You know we're still doing that, but that's where we have the most amount of opportunities. You know, in the non-union world, Sure, Plain and simple.  16:34 - Anne (Host) Absolutely, absolutely. So what would you say after all these years? What's kept you loving your job?  16:42 - Billy (Host) Because it's different every day. You know, that's the— that's the thing. I never know what's ahead of me. So I, you know, I just love. Every day there's some, there's a new challenge, there's something new. Also, recently I have a new assistant who I adore and I love teaching him. He's a little sponge and he wants to learn.  17:09 And so that kind of inspires me to want to teach him, and you know so that that is. I guess that's the difference, and also being able to, because the business has changed. Remotely, you know, I can start earlier, I'm not in the office, I I can work later, you know. It just kind of like the whole. It's such I don't want to say a relaxed, but I feel I feel more relaxed Now. It could be because I've been doing this for a hundred years, but I just feel relaxed, I enjoy what I do. I don't feel the pressure. I don't feel like there's no such thing as a voiceover emergency If somebody screws up or, you know, if I've given you know there's no such thing.  17:51 - Anne (Host) Bravo to that. I always say there's never a VO emergency.  17:54 - Billy (Host) No, there's never a first you know, if something went wrong, don't freak out. How?  17:59 - Anne (Host) do we fix it? How do we?  18:00 - Billy (Host) fix it, that's all you know.  18:02 - Anne (Host) Now, that's from your perspective. What about your client, your casting director? Your client's perspective? Are there VO emergencies? Yeah, there could be, that's on them, not on me. Yeah, okay, I love that.  18:13 - Billy (Host) I don't, you know, I wanna help fix the problem, you know, sure so. And I mean, yeah, you know, it's always something. Fortunately I haven't had any of those emergencies in a while. But you know, the other night I was it was nine o'clock my time and an LA. It was an LA agency booking a client. She happened to be on the West coast, so it worked out okay, but it was nine 30. And I was like you know, I'm old, I can't stay up. And then I thought, and I got a text from the casting director she goes we want to book so-and-so. I left all the information on the email. So I was like, oh well, I have to finish Gilded Age, this episode, and then, as soon as I'm done, I will get on my computer.  18:56 - Anne (Host) I love it, that's great?  18:59 - Billy (Host) I guess yeah. So that's what keeps me going. The relationship with my clients, I don't. It's different because back in the day, actors used to come into the office to audition. West Coast was different because you guys were MP3ing long before, because you all wouldn't get in a car and drive a half hour to the studio.  19:20 - Anne (Host) But in New York, well, because of the traffic.  19:24 - Billy (Host) Yeah, yeah, and that's why you couldn't get to three auditions back in the day, but it was our job in New York to get you, you know, to get you from the Upper West Side down to Wall.  19:34 - Anne (Host) Street over to Midtown yeah, I know so many voice actors who still um go into studios to audition in New York. I mean, I almost don't hear about it anymore, except for well, I'm sorry, excuse me to go into the go on for booking.  19:48 - Billy (Host) No for bookings, they will.  19:49 - Anne (Host) They encourage that now but I have heard people in the last couple of years. I mean it's not every day, but sometimes they are going in. I don't know if it's to audition or if it's to actually do the job it's usually you know there's one or two the studios.  20:03 - Billy (Host) You know a couple of the studios that do auditioning, because that's what changed? Oh, okay, that makes sense, like all the advertising agencies that were in-house casting directors and those casting directors ended up going to the studios in New York and they have in-house casting directors, so they will encourage the Sonic Unions. The. Headrooms the Sound Lounges they will encourage hey, if the client is local to New York, boom, have them come in. Oh, that makes sense. And it kind of opened up because not everybody got SourceConnect especially our older clients.  20:40 It wasn't cost effective for them for that one audition every other month. It wasn't so the foreign language people, they weren't getting it because there weren't enough opportunities. But especially I I want to say the older clients they really weren't getting so this kind of opened up. If you lived in New York you could still send an MP3 and you're able to go to Sound Lounge for the booking that was always that's always a nice caveat.  21:06 - Anne (Host) So I'm sure people ask you this all the time. Commercial voiceover has changed, evolved over the years. Advertisers have changed how they buy and consumers have changed, I think, how they listen. What would you say is what sort of things have changed in terms of trends for commercial VO? What are you looking for now that maybe is different than what was relevant maybe five, even five or 10 years ago, Because I know probably you're going to say like 30 years ago it was more of that announcer sort of style, it was promo. But you know, maybe five, 10 years ago, what has changed?  21:43 - Billy (Host) You know, it was the, you know, when I first started. It was the time, when, you know, Demi Moore started with Keds and there was that raspy, damaged sound that has kind of you know, demi Moore started with kids and she there was that raspy damage sound that has, kind of you know, was such a thing for so long and our and I know our women back then, you know, were the most successful.  22:04 - Anne (Host) I coveted that which is not a part of my genetic makeup at all. I'm like I can't, I can't get a raspy.  22:11 - Billy (Host) No, if you don't, you know you can't put oh, I woke up with a, you know, with a sore throat today. I sound great I should audition. No, you shouldn't. Exactly. So that was. You know, that was always the thing and yeah, it was the rough and tough announcers and you know all those, all those guys, and then that kind of went away and it was the John Corbett kind of sound and he was you.  22:31 he stuck around for a long time as a prototype and now it's Paul Rudd and Rashida Jones and then. So those trends kind of changed. But then about 10 years ago, everything you know really were, it was people of color. You know they wanted voices for actors and that really opened up a wide, you know a wider net. There was no general market anymore because they used to say, you know, they were very specific, we want a Caucasian voice. But now you only see that if you're doing a demo for the on-camera and the on-camera actor happens to be a certain color. But they want authenticity. I remember you know getting. Now, everybody, especially in the union world, they want authenticity. I remember you know getting. You know everybody, especially in the union world, they all want to check boxes. You know, yeah, yeah, they, yeah, so they, you know it's all ethnicities. You know we want non-binary people and I'm like what does a non-binary person sound?  23:27 - Speaker 2 (Announcement) like I don't, it took me you know.  23:29 - Billy (Host) Then I realized oh, they don't really, they're just checking off boxes, but for the, you know, for the African-American community, they were in vogue. They were, you know, I would get breakdowns, all ethnicities, and the prototypes would be Viola Davis, Tiffany Haddish and Angela.  23:49 Bassett, Do the math you know, so that was a thing. And Angela Bassett do the math. You know, so that was a thing. And I think you know, I still think that that is happening. But I'm finding a trend like that is kind of changing, where general market is truly general market. Now they want, you know, it's everybody, it's everything.  24:09 - Anne (Host) That's great. Yes, I love to hear that.  24:12 - Billy (Host) That's the way it should have been, but unfortunately it was so the other way for so long and then it shifted and now it's kind of evening out.  24:21 - Anne (Host) Sure.  24:21 - Billy (Host) Sure, I don't know.  24:23 - Anne (Host) Well, I mean, that's what I was thinking would happen at some point. Right, it would even out and it's kind of nice to hear that that's happening.  24:31 I mean, I wouldn't want it to go another extreme you know, at all, you know, and especially because the world's a little chaotic right now and I know that it's affecting companies and their advertising, and so that to me says gosh, I hope that there's still as much opportunity for everybody as there ever was. And so that's just one of those things where I think if there was a slow part of the season, maybe it's people, you know. I think there's companies trying to gauge like what's happening and what's going to be what's going to work for them in terms of advertising.  25:08 And it's not so much the voice, but the whole, the whole thing, yeah, the whole, all of it On camera, all of it, all of it. How are they going to advertise it to be effective?  25:18 - Billy (Host) And I think you know, and I think that and this is just me I feel like voice wise, I feel that the union world is more tries to check the boxes, much more than the non-union world.  25:32 - Speaker 3 (Announcement) I truly than the non-union world.  25:33 - Billy (Host) I truly believe the non-union world they're gonna pick the best voice for the job, no matter what ethnicity you are.  25:41 I find, and I just because of the actors that I speak with, not only because I speak with my non-union actors in general so much more, just simply because there's so much opportunity there. But I notice, with my union actors I just don't A I don't really have that many opportunities for them. But you know it is. I speak to certain ones more, a lot more than the others. But I don't find that, I find it much broader in the non-union world. I mean it's a different and I've learned so much about the non-union world. I mean it's a different and I've learned so much about the, the non-union community and how. You know how different it is. I feel that it is much more I don't know how to say it. It's much more of a community, I feel.  26:27 I feel that they, they really are supportive of each other, they help each other. It's not as competitive or as petty competitive as it can sometimes be in the union world, it's just, and I think it's fabulous that they really everybody's out to help each other much more in that community.  26:52 - Anne (Host) Well, that's refreshing to hear. I like that from you, Absolutely. So then for you, for talent on your roster. What sort of qualities are you looking for in any talent that might appear on your roster? You know what's funny.  27:06 - Billy (Host) When I first started, you know, when COVID happened first thing, when I and I did a lot of these classes, first thing I was like, obviously the first thing was do you have SourceConnect? You know if?  27:17 - Speaker 2 (Announcement) you have SourceConnect, because so few?  27:18 - Billy (Host) people did.  27:19 - Anne (Host) You went right to the top of my list.  27:22 - Billy (Host) Yeah, if you had SourceConnect, and then it's, you know, and then it's just about reading the copy, and that's the same basic thing is, how do you read copy? Some of my most successful people, my white actors over 40, I have a couple of them and they just read copy. So well, I don't know what it is, they just they're just, they're just great they were. And so, yeah, there's. You can't teach it, it's, you know, it's just natural. This one particular guy, yeah, does he have that Paul Rudd feel to him? Just that guy next door, just that real comfortable, relaxed, nothing pushed, that's how he is in life and that's how it comes across Right, right. Oh, there was something else.  28:06 Oh, I did this one class and there was this woman, you know, like late 20s white woman, and there was just something. I was on a panel, I was one of three people and, oh my God, she was. There was just something about her read that made me crazy and like the next day I was like I have, you know, I want to set you up. I love you, you know, I love you the best. And now, here we are. I love you, know, I love you the best, and now here we are, fast forward to probably a little more than a year. She is one of my most successful actresses on my roster. And what is it about her? I don't know. She's just fabulous. You know, she just, she just reads. It's just, it's honest.  28:50 - Anne (Host) So I'm always looking for that honest. I like that honest, yeah, authentic, yeah. And I like, with that honest, I like that honest, yeah, authentic, yeah. And I like how you know we've heard for for so long right, bring you to the party, bring you to the party, it's that. I think that's so important. And and we throw it around like, oh yeah, okay, I can bring me, but and yet so many people still try to perform, uh and and if they really can just stop in their own head and and just bring themselves to the party because, like you and I like talk like there's something about like I really like Billy, and it's, it's, it's like an intangible thing and it's your personality, right, it's, it's how we connect.  29:23 - Billy (Host) And I think that's what's so right away. The first time we met, we would just like exactly.  29:30 - Anne (Host) I think that's the same thing for voice actors. If you can, you know, if, if you've got a great personality and you're like one of those people that you can connect with right away, I mean that's what I think we're looking for, that authenticity it's you're not trying to, you know, push anything and and this is who you are and I love to hear that, because I keep telling people gosh, you are enough. I mean it really is. Please don't try to be anything other than yourself, because I really like you.  29:55 - Billy (Host) Yes, and so many voice actors. They forget that.  30:00 - Speaker 2 (Announcement) you know this is acting and I said you know you got to get out of your head into your gut.  30:05 - Billy (Host) Whether you're selling peas for 99 cents, it doesn't matter. You have to be, you know, honest and authentic with it, so important. Now I have to ask the question authentic with it, so important?  30:14 - Anne (Host) Now I have to ask the question because you know probably everybody does. And what do you think about the threat of AI in the industry, and especially now that there's? It's not even just voice, it's on camera too.  30:27 - Billy (Host) Yeah, yeah. So I mean, we keep our eye on it. We read every contract, we read every contract, we read every breakdown. You know SAG is doing their best. Bless their hearts.  30:42 You know, nava is you know, above and beyond, what they're doing with the rules and the legislation and what they're doing. You know it's coming, it's not going away and it's going to get better and better. So we just try to keep our eyes and ears on everything and try to follow the rules and say, nope, large deal right now. And there was a huge component with um. They wanted an AI replica and fortunately, the person um doing it was like no, I've heard replicas of my voice and they're not, and they never sound as good as the real thing.  31:27 - Anne (Host) Um, so that's a really interesting point because I know for a fact that that's true, because I, you know back in the day. Well, back a few years ago, I started really delving deep into that and researching companies and how they made voices, and I've heard a lot of voices and there are some people who are amazing actors but yet their voice doesn't translate. Well, either it's the AI technology that has not given, it's just it's not doing the right thing for them and, yeah, it doesn't translate.  31:56 - Billy (Host) Yeah, and he said no, I, I will not. It's my, it's my voice, it's my reputation, and I will be available whenever they need me. They were like well, what in case he's what? You know? What if he's away on vacation?  32:08 - Anne (Host) Yeah, he said there are no VO emergencies. No, there are no VO emergencies, Right, there's no VO emergencies.  32:15 - Billy (Host) So yeah, so are we concerned about it? Yeah, am I concerned, absolutely, but you know I can't lose sleep over it.  32:23 - Speaker 3 (Announcement) It's coming.  32:24 - Billy (Host) You know, it's coming, and so we just have to manage it and make it work to our advantage.  32:30 - Anne (Host) Yes, I agree, I agree, I and make it work to our advantage. Yes, I agree, I agree, I love that. So I'm very excited because you're going to be doing a class for us, a VO Boss workshop, in November. As a matter of fact, it's going to be November 12th. Can you tell us a little bit about what we're going to be doing in that class?  32:48 - Billy (Host) Well, what I usually do is I like to just kind of give my spiel about what I've been doing and I guess the do's and don'ts of the proper way to get in touch with an agent, what to expect, what not to expect from you know. Once you're submitting to an agent, I just try to, I try to just say the things you know, kind of give the tips that actors need to know. You know what's proper, what's not, what's gonna get you. You know what's gonna get you seen, what's gonna get you heard. You know what makes it easy for me, the agent.  33:24 And I've come to also realize that it works differently from agency to agency. So I can only speak to what works for me, um, at CESD, um, but we'll, you know, I'll talk about that and I'll just talk about my feelings on on what it takes, what tools you're going to need and I mean like literal tools, what kind of demos you're going to need, that sort of stuff. Do a little Q and a and then read some copy, you know and anybody that does come to the class.  33:54 um, it's gotta be commercial copy, because that's that's what I do, you know um. I, I'm, I'm not going to be able to judge you on your animation copy or you know that kind of stuff. That's not really what I do. So we'll, you know, we'll do that and we'll tear it apart and hopefully get to two pieces within the class.  34:14 - Anne (Host) Yeah, I love that. We'll see. Yay, well, I'm very excited for that and, bosses, I'll be putting a link so that you can sign up for it, because I'm quite sure it's going to go quickly. Now my last question is because you said you're in upstate New York and I, you know, I have my own, like my own, nostalgic memories of upstate New York, and so, for me, I'd be riding a horse, you know, in in the countryside. So if you weren't an agent, philly, what would you be doing right now? Oh God, would you have a different career? Would you be retired and riding horses, or?  34:49 - Billy (Host) Yeah, well, you know, I've only had three different jobs in my life, okay, well, you know, other than high school jobs. I was an actor slash waiter, and then I became an agent. You know Like I've been it's you know. So I moved to New York to be an actor and that didn't happen, but I always kind of I was. I had a friend who was a commercial casting director and so I used to go in and help him out at the casting calls.  35:20 That was back in the days of Polaroids and signing up and I really was fascinated by it. And he would you know. And he kept saying there's an opening at this agency. Do you want to go? And I would go and audition, you know, to be an assistant. Sure, and then boom, boom, boom.  35:35 And then, it just so happens, he said CED, because we weren't CESD at that point it was looking to expand the voiceover department and was I interested, and my partner at the time said go and audition. I mean go and audition, apply for the job, cause one of these days you will make more money than me. And so you know. And um and so um, and now, every year, every year. I'm still in touch with him and I call him and I say thank you, greggy, for allowing me to have this job.  36:08 - Anne (Host) Here's my annual income report allowing me to have this job.  36:11 - Billy (Host) Here's my annual income report yes, so anyway, yeah. So I've thought about this. What do I do? I'm too old to be a waiter.  36:23 - Anne (Host) I'm not going to go back, though I think I would be really good at it.  36:25 - Billy (Host) I have these- I agree, actually, you've got the social I think I could do. Yeah, so do I go. But when I retire, whenever that is, I want to social. I think I could do. Yeah, you know, so do I go. But you know, when I retire, you know, whenever that is, I'm on a travel. I just love to travel, that's, that's my thing. So you know. You know, I feel like when this is behind me, that I will, you know, I'll just travel. I'm not going to be on a horse up here, but I always had.  36:50 You know, sometimes I've had, you know, I don't know if I even want another. You know job and I'm at that point now where you know, I'm old and I don't want another career. It's not like I'm. You know, I'm going to be an artist, or you know, I once thought I thought well, maybe I'll just go do community theater somewhere.  37:07 - Speaker 2 (Announcement) I have a friend.  37:08 - Billy (Host) I have a friend, interestingly enough, a little older than I am, lives in Chicago and he started taking an acting class just for the hell of it.  37:16 - Anne (Host) For the hell of it.  37:17 - Billy (Host) And he said, the others they love it because they have somebody to play the old man in all those scenes. And I thought, oh my God, that's great, I could do that. Yeah, I love that. I thought yeah, why not community theater you? Know, if that was it. Now there's no community theater in New York City, so if that's where I retire, you know. But if I was to retire up here, you know that would interest me, and you know because I am a lover of theater, so I do.  37:46 - Anne (Host) Yeah, Well, I feel like you kept yourself in the acting world, you know by being an agent I mean in that you know, it's still like a. It's still you're very much immersed in it, and so I feel like, if that was your one love, you came to New York, by the way. Where did you come from?  38:02 - Billy (Host) I grew up in Waltham Massachusetts, oh okay. Okay yeah, just a little outside of. Boston.  38:07 - Anne (Host) Yeah, very familiar with it. I went.  38:09 - Billy (Host) Yeah, I grew up in Waltham and then I went to UMass, Amherst and then to New York.  38:14 - Anne (Host) That was my. Oh, fantastic, yeah, there you go. Well, my gosh, it has been such a pleasure chatting with you today. I mean, I could go on. I feel like we could go on, but at some point, I do have to quit at some point.  38:32 But yeah, thank you so so much for sharing your wisdom. It's been really a joy talking with you. I'm so excited for November. Guys, bosses, remember November 12th. Get yourself to vobosscom and sign up to work with this gentleman. He's amazing, and I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses like Billy and myself, and find out more at IPDTLcom. Guys, have an amazing week and I'll see you next week. Bye, bye.  39:05 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Today on another encore episode of the Rarified Heir Podcast, we are talking to playwright, author and educator Luke Yankee, son of Oscar-winning actress Eileen Heckart. Luke spoke to us about his biography about his mother, Just Outside the Spotlight, his then upcoming play about his mother and the many, many tales he witnessed growing up the son of his actor/mother who was anything but a wilting flower. Eileen was a pistol and o're to be the subject of one of her pointed barbs! We also talk about host Josh Mills' mother Edie Adams who Luke had a first person connection to as well as some of Luke's mother's best known films, The Bad Seed, Barefoot in the Park, Butterflies Are Free and more. Along with that comes great tales about Goldie Hawn, George Segal, Soupy Sales, Sophia Loren, Marilyn Monroe and many more. While all of these amazing stories are told with a fun and mirth, there was one moment that genuinely choked us up in it's beautiful humanity that we just loved hearing. It was a pure and honest moment that gave us a truly well rounded picture of the complex woman that was Eileen Heckert. Broadway, the big screen and even a pivotal role on the small screen on The Mary Tyler Moore Show are all part of this episode with Luke Yankee. Everyone has a story.

Coming Soon: The Tom Jorgensen Broadway Drumming 101 Podcast EpisodeThere's a line that's stuck with Tom Jorgensen ever since he first heard it from jazz legend Michael Carvin:“It's not about what you're playing — it's about what you're doing.”It sounds simple. But as Tom explains in the upcoming episode of the Broadway Drumming 101 Podcast, that one sentence completely changed how he approaches music, performance, and storytelling on stage.For those who don't know Tom: he's the drummer on the North American tour of Beetlejuice The Musical, which returned to Broadway in a limited 13-week engagement at the Palace Theatre beginning October 8, 2025 and running through January 3, 2026. In this episode, Tom opens up about how Carvin's philosophy guided him through every stage of his career. From late nights on cruise ships to the bright lights of Broadway. He shares how mentors like Rich Mercurio and Nadia DiGiallonardo helped him realize that playing music isn't just about perfect notes or flawless grooves, it's about listening, intention, and being part of the story.This episode goes beyond chops and technique. It's about presence, purpose, and what it truly means to serve the music.If you've ever found yourself going through the motions—counting bars, chasing perfection, or just trying to “get through” a gig—this conversation will hit home. It's a reminder that every note, no matter how small, can help tell the story.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Mazel morons! John Stamos is back on the pod and oh boy is he getting real with us. From giving an *exclusive update* on Lori Loughlin's divorce and defending her through the college scandal fallout, to revealing wild Hollywood stories about sobriety, Law & Order meet-cutes, and his Broadway flops- nothing's off limits. Plus, we pitch him a Hallmark movie with Lori (yes, really), and John shares heartfelt lessons on fame, family, and forgiveness. It's Uncle Jesse unfiltered.Leave us a voicemail here!Follow us on Instagram and TikTok! Sponsors:Mint Mobile - Make the switch at MINTMOBILE.com/goodguys. That's MINT MOBILE dot com slash goodguys.Square - Right now, you can get up to $200 off Square hardware at square.com/go/goodguysOpenPhone - OpenPhone is offering my listeners 20% off of your first 6 months at OpenPhone.com/goodguys.Momentous - Right now, Momentous is offering our listeners up to 35% off your first subscription order with promo code goodguys.Sleepme - Visit www.sleep.me/GoodGuys to get 20% off your Chilipad with code goodguys.Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jennifer Simard is back for round two and I do not at all regret to inform you that this is now a First Wives Club fan podcast. As she takes questions from the Patreon Peeps, Jennifer talks a lot about her process as Helen Sharp in Death Becomes Her, from respecting the source material without doing a Goldie Hawn impression to staying true to the story that is in front of her (the script on a Broadway stage as opposed to the movie from 1992). Jennifer also dives into the what she calls "the real nougaty center of comedy" which is, say it with me! Pain! Darkness! Tragedy! I mean, come on, that's where the good stuff is! Why? Because all of those things come back to the truth. Oh hey did you know betrayal therapy is a thing? It sure is, and if Jennifer wasn't a multi-faceted and unbelievably talented performer, she'd probably be studying that area of psychology.  Don't worry, we still have fun this week! Jennifer unabashedly loves television and talks about the people and shows she loves: Carol Burnett, Laverne and Shirley, Columbo (Peter Falk), Madeline Kahn, and an interesting tidbit about Carol Channing when she stopped by Forbidden Broadway in the nineties.  Jennifer Simard on TikTok Jennifer Simard on Instagram Jennifer Simard sings "You'll Be Back" as Hamilton's King George III /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Jenn Harris is an award-winning writer, director, actor, and producer. She is currently starring in Oh, Mary! on Broadway.  Jenn originated the role of Clarice Starling in Silence! The Musical, won a Lortel and Theatre World award for her performance in Modern Orthodox, and was in the revival of All In The Timing. Film & TV credits: American Fiction (Oscar '24), "High Maintenance," “Elsbeth,” “Search Party," "30 Rock," "Gayby," "Difficult People," "Younger," "Bored to Death." She wrote, directed and starred in the short film She's Clean, her co-created series “NEW YORK IS DEAD” premiered at the Tribeca Film Festival and won Best Comedy at the New York Television Festival, and she co-directed the short "Island Queen" starring Rachel Dratch and Jesse Tyler Ferguson. She wrote My Name is Karen! and Snitch for Theaterworks Hartford. Jenn is also a member of the Ryan Murphy Half Initiative Directing Shadow Program. @realjennharris Learn more about your ad choices. Visit podcastchoices.com/adchoices

Todd Purdum joins Zach to unpack Desi Arnaz's wild arc: raised like a prince in Cuba, exiled at 16 by revolution, hustling in Miami, inventing the conga craze, then conquering Broadway and Hollywood with Lucille Ball. We dig into trauma that fueled his genius, the invention of the three-camera sitcom, catching "Lightning In A Bottle" with I Love Lucy, womanizing, marriage cracks and goodbyes, and the fingerprints Desi left on modern television. Guest bio: Todd S. Purdum is a veteran journalist and author whose forty-year career has spanned The New York Times, Vanity Fair, Politico, and The Atlantic. He's covered everything from city hall to the White House, served as diplomatic correspondent and Los Angeles bureau chief, and written definitive books on both Rodgers and Hammerstein's Broadway Revolution and the political drama behind the Civil Rights Act of 1964. He is the author of 'Desi Arnaz: The Man Who Invented Television.' This is only the first half of the episode with Todd Purdum. To get the full episode (audio and video), subscribe to The Zach Show 2.0 today: https://thezachshow.supercast.com/ TODD PURDUM LINKS:Desi Arnaz: The Man Who Invented Television: https://bit.ly/4opO7StAuthor Page: http://bit.ly/3L0BoY6New York Times Archive: https://www.nytimes.com/by/todd-s-purdumAll Books: http://bit.ly/3J97tMU THE ZACH SHOW LINKS: The Zach Show 2.0: https://thezachshow.supercast.com/Spotify: https://spoti.fi/3zaS6sPYouTube: https://bit.ly/3lTpJdjWebsite: https://www.auxoro.com/Instagram: https://www.instagram.com/auxoroTikTok: https://www.tiktok.com/@thezachshowpod If you're not ready to subscribe to The Zach Show 2.0, rating the show on Spotify or Apple Podcasts is free and massively helpful. It boosts visibility, helps new listeners discover the show, and keeps this chaos alive. Thank you: Rate The Zach Show on Spotify: https://bit.ly/43ZLrAtRate The Zach Show on Apple Podcasts: https://bit.ly/458nbha  

Tentative agreement reached to prevent strike, stars assemble for short ‘Good Sex’ run, Lin sings ‘Hamilton’ with Laufey Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio read more

Beluga Sevruga! In this bonus D-Brief episode, Conor and Caroline are surrendering to their darkest dreams as they give their reactions, insights, and tips for experiencing NYC's newest theatre experience: Masquerade. This reimagining of Andrew Lloyd Webber's classic, The Phantom of the Opera, comes to life all around you in an immersive spectacle that rivals that of the Disney parks. Nerd out with your favorite actors-turned-Disney-podcasters as they share their journey into the twisted mind of the Opera Ghost and why this show is not to be missed for any Disney or theatre fan. Keep your hand at the level of your eyes and let the spectacle astound you!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord | On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.

Get your cups ready, Communitea! For our monumental 350th episode, we are absolutely thrilled to welcome the incredibly talented Broadway star, Taurean Everett!   Taurean opens up about his journey from a sports-driven family in Wichita, Kansas to the bright lights of Broadway, starring in the 10-time Tony-nominated smash hit musical, 'Death Becomes Her.', what it means to represent Black queer excellence on stage, and how he's learned that being himself is his superpower.   Oh, and Taurean gets real about the Michelle Williams Tony nomination snub ("They slept on our sis")!    Plus, we talk D'Angelo's legacy, get Taurean's Mount Rushmore of Broadway shows, and settle the Beyoncé vs. Janet debate in Curiositea!   Thank you, Communitea, for 350 amazing episodes! We appreciate the love and support and cheers to at least 350 more!   Tea Stamps: 00:00 RIP D'Angelo & Intro 03:33 Taurean Everett & Death Becomes Her 08:01 They Snubbed Michelle Williams! 14:51 Giving Flowers! 17:52 The Journey to Broadway 23:46 Leaving ones legacy 26:35 Importance of being seen 29:52 The Impact of Representation 32:31 Embracing Individuality in Performance 37:34 Stage Presence 43:01 We Can See You- Zero Feet Away 46:09 Straight People Reactions 49:05 Self-Discovery 50:49 Chagall Backstory 57:53 Costume Career Highlights 01:02:33 Fitness and Performance Preparation 01:04:24 Curiositea: Taurean Everett 01:11:40 The Chaos of Backstage 01:12:32 Costume Changes and Quick Changes 01:14:19 The Energy Exchange with the Audience 01:20:33 The Joy of Live Theatre 01:23:08 Rushmore of Broadway 01:25:18 Creating the Ultimate Broadway Star 01:29:56 Beyonce or Janet? 01:33:30 Benediction

Get your cups ready, Communitea! For our monumental 350th episode, we are absolutely thrilled to welcome the incredibly talented Broadway star, Taurean Everett!   Taurean opens up about his journey from a sports-driven family in Wichita, Kansas to the bright lights of Broadway, starring in the 10-time Tony-nominated smash hit musical, 'Death Becomes Her.', what it means to represent Black queer excellence on stage, and how he's learned that being himself is his superpower.   Oh, and Taurean gets real about the Michelle Williams Tony nomination snub ("They slept on our sis")!    Plus, we talk D'Angelo's legacy, get Taurean's Mount Rushmore of Broadway shows, and settle the Beyoncé vs. Janet debate in Curiositea!   Thank you, Communitea, for 350 amazing episodes! We appreciate the love and support and cheers to at least 350 more!   Tea Stamps: 00:00 RIP D'Angelo & Intro 03:33 Taurean Everett & Death Becomes Her 08:01 They Snubbed Michelle Williams! 14:51 Giving Flowers! 17:52 The Journey to Broadway 23:46 Leaving ones legacy 26:35 Importance of being seen 29:52 The Impact of Representation 32:31 Embracing Individuality in Performance 37:34 Stage Presence 43:01 We Can See You- Zero Feet Away 46:09 Straight People Reactions 49:05 Self-Discovery 50:49 Chagall Backstory 57:53 Costume Career Highlights 01:02:33 Fitness and Performance Preparation 01:04:24 Curiositea: Taurean Everett 01:11:40 The Chaos of Backstage 01:12:32 Costume Changes and Quick Changes 01:14:19 The Energy Exchange with the Audience 01:20:33 The Joy of Live Theatre 01:23:08 Rushmore of Broadway 01:25:18 Creating the Ultimate Broadway Star 01:29:56 Beyonce or Janet? 01:33:30 Benediction

Learn more about Sober Songs the Musical:https://www.sobersongsthemusical.com/ Guests:MELANI CARRIÉMusician & Actor Plays AngieHENRY RYEDERMusician & Actor Plays Dean Angie's best piece of Recovery advice - What other peoplethink is not of your business Dean's best piece of Recovery advice - Don't get well toosoon Dean Songs that symbolize Recovery to Mel & Henry:Mel - Opening & Closing Song Welcome BackHenry - If nothing changes SummaryIn this episode of The Way Out Podcast, hosts Charlie andguests Henry Ryder and Melanie Carrier discuss the off-Broadway musical 'SoberSongs,' which explores the complexities of recovery through humor and music.They delve into how the show serves the recovery community, the importance ofcommunity and relationships in recovery, and the unique portrayal of addictionin popular culture. Both guests share their personal experiences and insightsgained from their roles, emphasizing the significance of self-awareness,honesty, and the ongoing journey of recovery. TakeawaysSober Songs brings humor to the recovery narrative.The importance of community in recovery cannot beoverstated.Recovery is a journey that intertwines with personalidentity.Self-awareness is crucial in recognizing the need forchange.Relationships play a vital role in sustaining recovery.The show aims to lower barriers to conversations aboutrecovery.Humor is an essential part of the recovery process.Each character represents different stages of recovery.The portrayal of recovery in media often lacks depth andauthenticity.Sober Songs encourages open discussions about addiction andrecovery. Don't forget to check out “The Way Out Playlist” available onlyon Spotify. Curated by all our wonderful guests on the podcast! https://open.spotify.com?episode/07lvzwUq1L6VQGnZuH6OLz?si=3eyd3PxVRWCKz4pTurLcmA (c) 2015 - 2025 The Way Out Podcast | All Rights Reserved. ThemeMusic: “all clear” (⁠⁠⁠https://ketsa.uk/browse-music/)by Ketsa (https://ketsa.uk⁠⁠⁠) licensed under CCBY-NC-ND4.0(https://creativecommons.org/licenses/by-nc-nd)

Collaboration Lessons from Theatre Directors That Apply to Any Creative Project with Stacy Zuberi, Sara Ruiz, Basil Rodericks, and Andy Reiff. What can a directing class teach us about creativity, leadership, and the art of telling stories that connect? In this episode of Your Creative Mind, Izolda Trakhtenberg sits down with fellow directors Basil Rodericks, Andy Reiff, Sara Ruiz, and Stacy Zuberi to share lessons from their time training with master teacher Karen Kohlhaas. You'll hear how working on plays like Sweet Bird of Youth, A Streetcar Named Desire, Mala Hierba, and The Revolutionists shaped their vision, sharpened their communication, and strengthened their confidence as creative leaders. If you want practical strategies for directing theatre, leading collaborative projects, or building a more mindful creative practice, this conversation is full of insights you can put to work in your own life. Andy Reiff Andy Reiff is a director and costume designer. Most recently, Andy directed and designed the costumes for Sugar and Salt as part of the Circle Theater Festival, produced by RJ Theatre and The Actor Launchpad. Directing credits include: Anton Goes to Heaven (?) at Theater for the New City. Costume design: The Fundamentalist (Theaterlab), My Name is Susan (Scandinavian American Theater Company), Miracle of the Danube (Philipstown Depot Theatre), Expression of Regret (Philipstown Depot Theatre). Film: "Down the Shore", "Gender Studies", "Goodboy", "Egg", "Lifted" for Gucci and Garage magazine. Styling credits include music videos, editorial projects, red carpet styling for Tony nominee Max Vernon for the opening of KPOP on Broadway and Ben Levi Ross for the premiere of Tick, Tick…Boom!. Andy is passionate about creating opportunities for trans actors onstage. For three years, Andy has been working towards directing and playing Sally Bowles in Cabaret, which you can follow at @prairieoysterclub. @andyreiff andyreiff.com   Basil Rodericks Basil Rodericks trained with John Basil at the American Globe Conservatory Theatre, where he performed for more than ten seasons. He later continued classical work with unShout the Noise (Tricia Mancuso Parks) under Ron Canada and as a member of Hedgepig Ensemble Theatre Company. Favorite roles: Othello, Iago, Claudius, the Ghost, Lord Capulet, Oberon, and the King of France. Recent: Langston Hughes in Harlem to Moscow: A Soviet Film on Negro Life as Told by Langston Hughes and Bill in PINK, both by Alle Mims under David Henry Hwang/Columbia U.. Directing: Kindergarten Confidential (Debbie Goodstein), The Wanderer (David Glover), and Pecking Order (59E59). Basil served as an evaluator for Hedgepig's “Expand the Canon” initiative and a nominator for The Drama League. An accomplished theatrical photographer, he teaches photography at a South Bronx high school. basilrodericks.com Currently: 2nd Murder, Soho Shakes at the Flea Oct 9-Nov 1. Tix: https://www.zeffy.com/en-US/ticketing/2nd-murderer    Sara Ruiz Sara Ruiz is a director, producer, writer, actor and activist from the San Fernando Valley. In 2020, she graduated with degrees in Political Science and Theatre from CSU Channel Islands. Since she was in high school her passions have been making politics and policy more accessible through the use of theatre and film. She believes that the arts can be used as a tool to break down barriers in the political world. Previously, she served as President of Ventura based theatre company, Unity Theatre Collective and is a founding member of Sana Sana Productions, a guerilla theatre and film production company based in LA. Currently she is Co-Directing "Everybody" by Brandon Jacobs Jenkins at CSU Channels Islands alongside her former Professor Laura Covault. Her past directing credits include: Asteroid Belt by LM Feldman, Collective Rage: a Play in 5 Betties by Jen Silverman, (un)American Activities, Sana Sana's first original short film, Mi Cielo, an original radio play, and a handful of staged readings.   Stacy Zuberi Stacy Zuberi has been acting since 2020. She has been in several short films and community plays. Her most recent stage productions were playing Mary in City Jail, Lorna in Surviving Grace and Mrs. Soames in Our Town. She has also been the director of Walnut Springs Middle School Drama Club since 2023. This past year they produced Shrek jr., the musical. In her spare time she loves hiking and biking and playing with her grandkids. https://www.instagram.com/zuberistacy/   Izolda Trakhtenberg Izolda Trakhtenberg is a director and playwright whose work spans stage and screen. Many moons ago, she directed Pam Gems' Dusa, Fish, Stas, Vi on a 50.00 budget. She also created original projects including the One-Minute Movies community short film series. With NASA, she wrote, directed, and produced award-winning films such as Breathable: A Story of Air Quality and Touch the Earth, along with over 30 films on Earth's biomes. As a playwright, her work has been featured in festivals across the USA, including Expiration Date at the 29 Palms Festival and Perhaps, Maybe? at Gi60. She is the creator of the If She Had Lived play cycle, exploring untold women's stories. She's currently writing three books, two plays, and a musical. She's also the president of the Tri-state New York chapter of Sisters in Crime, crime writers organization. Connect with Izolda Get exclusive content and bonus podcast episodes when you join my Patreon. Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series  https://crossroads.consulting/  This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link  

Martha Redbone is an extraordinary artist - a singer, songwriter and composer. She was selected as a United States Artist Fellow. Her music has been called a “tasty gumbo” of roots music which combines the folk and mountain blues of her youth growing up in the coal country of Kentucky, together with her teenage years living in Brooklyn, NY. Her songs and storytelling share her life experience as an Afro-Indigenous woman and mother. She writes about social justice, connecting cultures and celebrating the human spirit.In 2020 Martha received a Drama Desk Award for her work on the show “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuff”, at the Public Theater. And she followed that up with the show's 2022 Broadway revival. My featured song is “African Nights”. DropBox link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARTHA:www.martharedbone.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 world class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Peter Filichia, James Marino, and Michael Portantiere talk about Ragtime @ LCT’s Vivian Beaumont Theater, Waiting for Godot @ Hudson Theatre, Mint Theater Company’s production of Crooked Cross @ Theatre Row, Mexodus @ Audible's Minetta Lane Theatre, Let’s Love! @ Atlantic Theater Company, Album Review: Mark William: If I Can read more

Front Row Classics welcomes author Laurence Mason to celebrate the art of both Alfred Hitchcock and a great drink. Maslon recently wrote "Hitchcocktails: Lethal Libations inspired by the Master of Suspense". The books pairs Hitchcock's legendary films with a cocktail appropriate for the occasion. Larry mixes both film history and mixology in an attractive package for both films fans and drink enthusiasts alike. "Hitchcocktails: Lethal Libations inspired by the Master of Suspense" is available now from Weldon Owen wherever books are sold. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. Mr. Maslon, otherwise a nice guy, mixes a mean drink.  

General Shaw hosts in New York City as Phil is in a mood and refuses to show up for the program. Bob Wiftanee, owner of Wiffies, at 47th and 8th, contributes a chair so Margaret isn’t squatting in the street yet again, her chin resting on her knees. Broadway critic Ralph Banaa discusses “The Pitch” and Phil’s depression. Dr Jim Sadler is pushed in a crowd and bruises his jaw. But he decides to have his jaw wired shut so he doesn’t have to be on the show. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Bill Burr joins Conan live at the Fonda Theater in Los Angles to discuss the Riyadh Comedy Festival and performing on Broadway in the revival of David Mamet's Glengarry Glen Ross. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.