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18 episodes with Hal Barwood
In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer! Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations. The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking. Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e If you enjoy the show we have a Patreon, so become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: Young sorcerer's apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master's enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon's fiery wrath and uncovering political intrigue that reveals the kingdom's rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support
Este pasado verano, se nos quedó pendiente de publicar este episodio con el que retomamos el género de fantasía con una película de espada y brujería que, a pesar de sus múltiples virtudes, entre las que destaca el fabuloso dragón Vermithrax y la banda sonora de Alex North, no es tan recordada como otras similares de la época. Y eso que fue precursora de muchas de ellas. “El Dragón del Lago de Fuego” (81), dirigida y co-guionizada por Matthew Robbins, es toda una joyita por descubrir. Nominada a dos Óscar por los efectos visuales y la banda sonora, co-producida por Paramount y Disney, pertenece a esa “edad de bronce” o “edad oscura” de la compañía del ratón, en la que se permitieron ser más arriesgados y valientes, sin que los resultados gozaran del reconocimiento en taquilla que muchos de estos productos se merecían. Basándose en cuentos antiguos, en la mitología existente, en otras películas anteriores y en la literatura previa, con especial mención a la obra de Tolkien, Matthew Robbins y Hal Barwood construyen un cuento oscuro con magos, campesinos, reyes, guerreros, princesas y, por supuesto, un dragón. Un dragón que surca el cielo, animado con avanzadas técnicas de stop motion y go-motion, construido con enormes animatrónicos y con una ambientación y escenarios de lo más efectiva. A lo largo de este episodio, desarrollamos todos estos aspectos, al tiempo que desglosamos la trama de la película y reflexionamos acerca de diferentes cuestiones que se derivan de la misma. Por supuesto, sin olvidarnos de hablar del elenco, mezcla de veteranos y nóveles, con un curtido Ralph Richardson y un debutante Peter MacNicol, como duplo ganador, escoltados por una joven Caitlin Clarke y con la presencia de Chloe Salaman, ejerciendo de trágica princesa Disney. Para iluminarnos en esta tarea, contamos con un highlander especialmente erudito y versado en las artes místicas, el historiador Manuel Jesús Segado Uceda. Asimismo, el paladín Óscar Cabrera aporta su voluntarismo y torpe pasión, mientras que el regio Juan Pablo Molina, nuestro videoclubsero, ruge y brama contenidos. Recordad que podéis dejar vuestra opinión y comentarios sobre el episodio, o incluso haceros suscriptores, ayudando a estos pobres aprendices de magos a seguir con su ejercicio de alquimia, que busca convertir el plomo de nuestras vidas en el oro de la ilusión y fantasía que sólo los ochenta podían ofrecer. ---------------------------------------------------------------- RECUERDA QUE PUEDES APOYARNOS A TRAVÉS DEL SISTEMA DE SUSCRIPCIÓN DE FANS ➡️https://www.ivoox.com/support/248910 ----------------------------------------------------------------- Escúchanos también en www.remakealos80.com Recuerda suscribirte a nuestro canal de YouTube para estar al día de nuestros directos https://www.youtube.com/@remakealos80 Síguenos en Instagram y Twitter @Remakealos80 y búscanos en Telegram, te dejamos el enlace a nuestro grupo de para que compartas tus opiniones e interactúes con nosotros: https://t.me/joinchat/GXsRJYMd3wQVBG2v Episodio grabado en verano de 2024
This week Anna & Paul are recapping their recent trip to the Adventure Game Fan Fair, hosted by Adventure Game Hotspot! Look, this is a pretty low-key, relaxed chat and Anna isn't even home yet but we figured instead of skipping this week maybe some of you would wanna hear about meeting the Sierra Alumni. the many amazing panels and meeting all the wonderful characters that make up our adv game community. So please consider enjoying this, we'll be back with a proper episode in 2 weeks time, MANGIA! Special Thanks to Joshua & Jack for putting the fair together, without them this magical weekend wouldn't have been ♥️ Wishlist our adventure game! The Phantom Fellows Pixel Panel feat. Paul, Meredith, Julia & Tom Official Fan Fair Recap Video: Adventure Games ARE NOT DEAD - Adventure Game Fan Fair Shek out our friends in the Adventure Game Hotspot Network: Space Quest Historian's Police Quest II: A Fair and Balanced Retrospective Adventure Game Geek's Magret & FaceDeBouc - The French Sam & Max (PC Game Review) OneShortEye's The Game That's Nothing But Stairs Conversations with Curtis' Hal Barwood plays Indiana Jones and the Infernal Machine with Daniel Albu! Tech Talk with Daniel Albu's A Conversation about Indiana Jones and the Iron Phoenix with Aric Wilmunder Adventure Game Hotspot's Indie adventure games we can't stop playing in 2024 (Feat. Paul!) Laura Cressup's Twitch & YouTube Channels Say hi I guess! Twitter (Anna) - @CGGpodcast Twitter (Paul) - @PhantomFellows ThePhantomFellows.com Send us your words! E-mail: mail@classicgamersguild.com Become a Patreon to support the show? www.patreon.com/ClassicGamersGuild Join the group and talk about neat stuff! Facebook Page Facebook Group We're also on Instagram & YouTube "CGG Theme" and "A Minor Concussion" by The Volume Remote Intro greeting (usually) by (and thank you to) Hope Kodman VonStarnes Games In the Episode: King's Quest Space Quest Leisure Suit Larry Heir of the Dog Perfect Tides Pajama Sam And finally, I'm gonna have to go ahead and ask you- I am once again asking you, to wishlist my game. I'm workin real hard on it, full time, and I think you're gonna love it. BUT, I'm gonna need you to tap on this and then tap several more times, until it's wish listedOMG THANK YOU SO MUCH ThePhantomFellows.com The Phantom Fellows on Steam
Welcome to Dev Game Club, where this week we return to our series on Homeworld with an interview with special guest Alex Garden, who co-founded Relic and directed the title. We talk about the inception of the idea to the implementation difficulties and much more. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:52 Interview 1:03:49 Break 1:04:24 Outro Comments Issues covered: the history of our guest, distributing pirated games, the cold intro, testing games, dropping out of high school, selling the company and working for some years, fixing someone else's bugs, the crystal sphere, "Spaghetti Ball," the lightning bolt, focusing on the loss, pulling together the team, a 50000-line demo, starting with multiplayer to demo, demoing for gods, "this has changed how I'll make games," not knowing how to tell stories in space, creating a reference for the ships, believing you can overcome the difficulties, finding your home and knowing you were in the right, the gravity of the situation and losing people, every life being precious, you are not the target audience, making the story and the gameplay the same, lack of dynamic range, one revolution multiple evolution, changing the licensor, ships with fantastic shapes and colors, the main ship and why it has that design, ship scale on LODs, a frequency domain audio engine, doing a lot procedurally, clock radios, joining the rebellion, what sticks with you today, trusting your vision, expectations smashed, the new game gods, trying to make designers rock stars, knowing your collaborators. Games, people, and influences mentioned or discussed: Madden (franchise), Triple Play, The Divide, PlayStation, Impossible Creatures, Warhammer 40K: Dawn of War, Company of Heroes, Nexon, Xbox Live, Zune, Zynga, US Robotics, Distinctive Software, Chris Taylor, Don Mattrick, Omar Sharif On Bridge, Where in the World is Carmen Sandiego, Sega Genesis, Beavis and Butthead, Conceptual Interface Devices, Luke Moloney, Radical Entertainment, Electronic Arts, NASA/JPL, Ptolemy, Battlestar Galactica, Jon Mavor, Greg McMartin, Scott Lynch, Sierra, Valve, Erin Daly, Rob Cunningham, Aaron Kambeitz, Jane Jensen, Rob Lowe, Roberta and Ken Williams, Peter Molyneux, Black & White, Wing Commander, Chris Roberts, Star Citizen, The Breakfast Club, Blizzard, Starcraft, Republic Commando, Games Workshop, Blur Entertainment, Chris Foss, Peter Elson, Monkey Island, Shane Alfreds, Deus Ex, Warren Spector, Harvey Smith, Tim Cain, Fallout, Ion Storm, Ken Levine, Cliff Bleszinski, Killcreek (Stevie Case), John Romero, Hal Barwood, Wil Wright, Tim Schafer, Larry Holland, Gabe Newell, American McGee, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: ??? Twitch: brettdouville or timlongojr, instagram:timlongojr, Twitter: @devgameclub Discord DevGameClub@gmail.com
Welcome to Dev Game Club, where this week we complete our series on Trespasser. We look through the glass darkly at the mistakes and how they illustrate some things, before turning to our takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finished the game! Issues covered: the funhouse mirror, writing the weird things on the whiteboards, voice acting, a game lost to time, the inner monologue, some good set up of a level, the invisible blocking wall surrounding Hammond's, box lifting master, weird technical friction about saves, looking for the white keycard, a misaligned bookshelf and visual language, the green disc, the personal memoir, rubbing the disc on the drive, the keycard mess, finding an alternate solution, immersive sim stuff, parallel developments, shining a light on something you didn't know you wanted, the preset objects, restoring forces, deconstructing what the designers put to place your own, contrivances, more keys that aren't keys, not leaning on the license, a more straightforward puzzle, 526327, the extending weird finger, modeling "dexterity," throwing the keycard in the Atlantic, a helpful (?) velociraptor, pressure plates in the ruins, playing something mid-development, games that should be canceled, deals that forced the game out, breaking your game while you build it, getting better at making the game, hitting the board in the wrong place, setting up the physics and seeing the world a certain way, shaking the Jell-O, letting the Jell-O settle, learning how to kite the dinosaurs, spawning three dinosaurs, making terrible mistakes, choosing appropriate goals, not knowing if a thing is possible, mashing up things, being aspirational, leading the way, admiring the purity, dinosaur ecology, getting to see something like this, being consistent in your rules, providing clarity. Games, people, and influences mentioned or discussed: Jules Verne, H. G. Wells, Arthur Conan Doyle, The Lost World, Through A Glass Darkly, Minnie Driver, Richard Attenborough, Jimmy Carter, Populous, Civilization, Peter Molyneux, Sid Meier, Ultima Underworld, Half-Life 2, DOOM (1993), Everything Everywhere All At Once, The Spielbergs, Bethesda Game Studios, Call of Duty, Indiana Jones, Tomb Raider, Skyrim, Todd Howard, Velvet Underground, Jell-O, Fallout 3, Hal Barwood, Ray Harryhausen, Land That Time Forgot, Zoo Tycoon, Far Cry 2, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: ?? Notes: Having not seen 1974's The Land That Time Forgot in quite some time, Brett misremembered the movie. He was actually thinking either about scenes from a movie called The Valley of Gwangi, which is from 1969, or One Million Years BC, (1966) both of which feature stop-motion animation by Harryhausen. Twitch: brettdouville or timlongojr, instagram:timlongojr, Twitter: @devgameclub Discord DevGameClub@gmail.com
Welcome to Dev Game Club, where this week we add a bonus to our series on Halo with a chat with designer Jaime Griesemer, whose sniper rifle talk we referenced in the series. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 1:01 Interview 1:13:02 Break 1:13:37 Outro Issues covered: looking up Halo lore for the intro, going to school to be a physicist, blackmailing someone for a studio tour, quickly leaving QA by making multiplayer maps, teams stacked with talent, refusing to return the keys, building the level before the play, enjoying the economy-free RTS, "sci-fi Myth," the early version being mostly vehicle- and exterior-based, finding the fun with multiplayer first, having long single rounds, Microsoft seeing something in Halo, how the demo worked, rehearsing to capture one long take, having no sound engine and covering it with music, desperation is the mother of intervention, a hair's breadth from disaster, FedEx-ing the disc, "tell us the formula," being bound to legacy, reverting to the roots, the philosophy background helping influence his design, incepting to understand design process, working with lousy controllers, reconfiguring other games, using the Usability Lab, the interrogation room/psych experiment lab, cameras pointed, being unable to ask whether controls are inverted, testing allowing natural configuration of buttons (and failing), how default became the default, an intro level that holds up, threading the needle between boredom and forgetting, people who forgot to look, people who can't use both sticks, the connection between the tutorial and the Usability Lab, a boring part making the exciting part more exciting, contextualizing the 30 seconds of fun, recontextualizing, why Halo has two weapons, limited memory, constraints inspiring creativity, having to make the right decision, the power of violating conventions, removing what's between you and the fun part, "random access controls," making all the decisions available "right now," thinking and having actions happen immediately, enabling the golden tripod, adding more buttons or sticks doesn't help, the co-evolution of games and controllers, the limitations of arcade controls, the Griesemer Click, the iterative process of tuning, synaesthesia, coming back to re-tune from scratch after a week, craft yourself into a good experiencer, "if I was good at the games, the games wouldn't be good," appreciate things while they're happening... and then seek something new, seeing whether games can do something new in nonfiction, regretting your quotes, reflecting back on a panel, enjoying the specifics, a restrained amount of progression, not having an RPG character in Master Chief. Games, people, and influences mentioned or discussed: Myth, Tyson Green, Jason Jones, Destiny, Sucker Punch, Infamous: Second Son, Highwire, Marty O'Donnell, Golem, Evan Wells, Dustin Browder, Blizzard, Starcraft, Matt Tateishi, Randy Smith, Paul Bertone, Chris Barret, Alex Seropian, Oni, Warcraft, Company of Heroes (series), MacWorld, Microsoft, ARMA (series), Steve Jobs, Julian Gollop, X-COM, Marathon, TimeSplitters, GoldenEye, PlayStation, Ratchet & Clank, Uncharted, Jim McQuillan, Tetris, Call of Duty (series), Shigeru Miyamoto, DOOM (1993), Half-Life, Nintendo, Six Days in Fallujah, Thief, Hal Barwood, Halo: Infinite, AC: Odyssey, Troy Mashburn, Resident Evil VII/Village, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: More Morrowind! Links: Halo MacWorld Demo (1999) https://www.youtube.com/watch?v=8YJ53skc-k4 On All Levels (2003 GDC Talk, audio only) Twitch: brettdouville or timlongojr, instagram:timlongojr, Twitter: @timlongojr and @devgameclub DevGameClub@gmail.com
Welcome to Dev Game Club, where this week we continue our series on Bioware's 1998 CRPG classic, Baldur's Gate. We talk a bit about the structure of the world, the difference between playing straight through on the main story and indulging in side quests, companions, and some about audio and music before turning to your feedback. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through Chapter 5 Issues covered: Brett explains Tim's intro, consistency of tone in the writing, economics in pop culture, considerations of what mixes badly with chocolate, the flow of Cloakwood, Brett makes a map, leaning into quicksaving, pulling back like a tactical map, how much time has been spent in-game, Tim's Cloakwood PTSD, CRPG arachnophobia, a few standout side areas, the slowness of D&D's progression mechanics, a well-written side character, companion characters from the beginning, adding in 3e backstab rules, the compositions of our parties, a walk through how you gained XP in different editions, D&D tournaments, Brett's anecdote about a chime of hunger, gaining story rewards, rich complex settings like the Forgotten Realms, how much do you leverage the IP, a fan wanting more fan service, being a potential recruitment tool, ambient audio, songs sticking in your head due to hours with them, orchestral soundtrack, inconsistent tone in voice performance, the large number of side characters, the unheroic death of Dorn, Rasaad's side quest in Baldur's Gate, the curse of Crenshinibon, the manual and tutorialization, brain-twisting THAC0, what editions/settings we're playing online, what designers leave to the player's imagination, cutting away from cutscenes, many uses of narrative design, audio logs, environmental storytelling, having the opportunity to sit with a story space in video games, how the numbers and pattern recognition lead to player stories, level caps in games, needing the cap for production reasons, needing the cap for design reasons, level caps and player goals, retiring in a tabletop game, modding in side management games into big RPGs. Games, people, and influences mentioned or discussed: The Dungeon Run, Critical Role, Star Wars, Eye of the Beholder, Darkstone, Neverwinter Nights, Icewind Dale, Black Isle, Birthright, Trading Places, Vampire: the Masquerade, R. A. Salvatore, World of Warcraft, Michael Hoenig, Charles Deenen, Craig Duman, Interplay, Wayne Cline, Hal Barwood, Indiana Jones and the Fate of Atlantis, Michael Dorn, Star Trek: The Next Generation, Grant, Winnie the Pooh, Darkwing Duck, Jim Sterling, Jennifer Hale, Kevin Brown, Champions, Call of Cthulhu, Paranoia, Wizards of the Coast, Rime of the Frostmaiden, Roll20, Greyhawk, The Shackled City, Zimmy Fingers, Bioshock, Fallout 3, Bethesda Game Studios, Pillars of Eternity, Obsidian, Diablo, Elder Scrolls (series), Cosmic Funkonaut, Grace Blessey, Hitman (series), Kirk Hamilton, Aaron Evers, Mark Garcia. Next time (two weeks!): Finish the Game Twitch: brettdouville and timlongojr, instagram:timlongojr, Twitter: @timlongojr and @devgameclub DevGameClub@gmail.com
Un mar interior, una inmensa cúpula de piedra sobre las cabezas de tres heroes, tres aventureros que arriesgan su vida en pos de la ciencia. Un historia que ha enamorado y hecho soñar a niños y mayores durante generaciones. Julio verne nos regalo un sueño de aventura y descubrimiento. Este fue recogido, ampliado y reinterpretado por otros artistas y creadores: Henry Levin, Juan Piquer Simon, Albert Pyun, Eric Brevig, Carlos Arias, Rafael Gomez, Alfonso Fernandez, Tab Murphy, Hal Barwood, Noah Falstein... Y tantos y tantos otros que compartieron ese sueño. En este programa aportamos nuestro humilde granito de arena y repasamos, a nuestro estilo, un buen puñado de obras inspiradas en la obra de Verne. Por supuesto contamos tambien con las secciones habituales y alguna nueva. Con vuestros comentarios y con el eclepticismo musical de costumbre. Si sois capaces de resolver el jeroglífico de Arne Saknussemm, os invitamos a uniros a nosotros en esta aventura.
Welcome to Dev Game Club, where this week we begin a new series on one of the highest-rated games of all time, The Legend of Zelda: Ocarina of Time. We of course first situate the game in time, but especially start the discussion by talking about how ground-breaking and revolutionary it felt at the time. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through meeting Princess Zelda Podcast breakdown: 0:50 Ocarina 1:01:05 Break 1:01:40 Feedback Issues covered: a man without a fairy, the antithesis of our last game, not being sure where we stopped, a surprising discovery, "I'm Mr. Rhythm," 1998 in games, release days in stores, seeing the character in 3rd person, a large team for time, the 64DD expansion, a mind-blowing impact, amazingly well-received, the revelatory step to 3D in this game, two giant cratering events in the year, approach of a Mario vs a Zelda in terms of problem space, cinematic choices, artful cinematics in-engine, stepping into the world and all the world-building, Nintendo and finding ways to present innovation, introducing a controller with Super Mario 64, creating characters that represent a mechanic, Navi & Lakitu & Wii Fit Trainer, helping people surmount the 3D barrier, the Fairy Navigation System, having to find the sword, near-perfection, a sense of ease and trust, being led to the places where you need to go, changing the world in ways that recontextualize the space, the timer of fire, one of the best introductory dungeons of all time, knowing you're doing the right thing, a weird choice with the Lost Woods, the quality of the moment of waking up, animation to show quality, getting a lot out of limited facial expressivity, using cinematic language to establish emotional tenors, texture changes to convey ageing, limited tools in 3D, music interactions, leading up to a boss, presenting you with a 3D way of thinking of past/2D Zelda dungeon construction, wondering how they iterated on the level design, why it's hard to talk about our more recent games, discussing some other weird differences in play between our games of Vampire the Masquerade Bloodlines, an unanswered question about VtM. Games, people, and influences mentioned or discussed: Vampire the Masquerade, Nintendo 64, Troy Mashburn (obliquely), Starfighter (series), Full Throttle 2, Jake Stephens, Wind Waker, GameCube, Wii, Metal Gear Solid, Half-Life, Thief, Grim Fandango, Banjo Kazooie, Xbox One, Crash Bandicoot, PlayStation, Xenogears, Suikoden II, Resident Evil 2, Fallout 2, Baldur's Gate, Unreal, Starcraft, Starsiege: Tribes, Falcon 4.0, Rogue Squadron, Shigeru Miyamoto, Eiji Aounuma, Yoshiaki Koizumi, Link to the Past, Koji Kondo, Mario 64, Link's Awakening, GameBoy, LucasArts, Shadows of the Empire, Wayne Cline, Hal Barwood, Tim Schafer, Psychonauts, Jon Knowles, Forza (series), Bill Tiller, SCUMM, Breath of the Wild, Wii Sports, Monkey Island (obliquely), Twilight Princess, Bethesda Game Studios, Dungeons & Dragons, Final Fantasy (series), Kingdom Hearts (series), Blarg42, nambulous, Kirk Hamilton, Aaron Evers. Next time: Through Death Mountain Twitter: @timlongojr and @devgameclub, instagram:timlongojr DevGameClub@gmail.com
Welcome to Dev Game Club, where this week we continue to flog the dead tauntaun of our series on Republic Commando, through a pair of interviews. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:53 Interview One 54:05 Break One 54:17 Interview Two 1:46:40 Break Two 1:45:55 Feedback Issues covered: starting out as a theater geek, finding a job in the newspaper, faking co-op via phone, QA as the breeding ground for designers and producers, needing to staff a project after folks left, finding management talent in QA as well, the benefits of a theater education in level design, the historical areas of the Indiana Jones game (including the Aetherium), using similar research as for set design, theatricality and 3D spatial design, matching believability with fun, reallocating resources to JK's ex-pack, scripting cutscenes, Leia/Marcus engine, the long crunch of Indy, figuring out how to ship a game, sharing design amongst Daron and programmers, looking into leadership, thinking you'd come in for mission design and having so much people work, leadership vs management, moving into more of a direction role, getting to build on something you knew, choosing pillars around features, aiming for more bombast, tying missions together, wearing a producer hat as well, "90% of the challenges are people challenges," picking people for the project, wanting to work with people, skill sets and talent, diving back into the first person shooter, building consensus and going too far, finding the right boundaries for consensus, using pillars and goals to set the sandbox for discussion, giving respect to others, having the connection of the team, listening as an actor (and as a director), the trust on the stage, physics as a misstep, switching to computer science for grad school, doing military contracting in academia, Caveman Tim lifts his head, learning a million subjects all at once, remembering that first interview, getting a random offer, having no flight simulator experience, starting out playing pure flight sims, programming mission logic, figuring out how a game works from the tools, EvE (the Event Editor), knowing the LucasArts legacy, learning everything about being a professional programmer and a good collaborator, moving quickly into leadership, the internal MMO, working closely with level designers, being asked to be a lead, "the designer's programmer," having a rapport with designers (and building it), fighting for the users, learning to work with people, being able to hold the technological line, a game being too expensive to build, helping shore up technical management, helping the programmers help the designers, Brett makes an Alien reference, not being set up for failure, opportunities for growth, the potential problems of success, the conundrum of what people make sense when on a project, the weird side effects of matrix management, we agree to never do it again, the difficulty of writing squad-style AI for varied potential parties in CRPGs, the goals of action games vs RPGs, differing fantasies, disconnect from expectations of players if you had more independence in CRPGs. Games, people, and influences mentioned or discussed: LucasArts, Mortimer and the Riddles of the Medallion, Star Wars: Dark Forces, Star Wars: X-Wing vs TIE Fighter, Star Wars: Jedi Knight, Mysteries of the Sith, Indiana Jones and the Infernal Machine, Starfighter (series), Crystal Dynamics, Tomb Raider (series), Microsoft, 343 Industries, Halo (series), Nintendo Wii, Jason Botta, Playstation 2, Xbox, MobyGames, Tacoma, Skyrim, Reed Knight (nee Derleth), Dan Connors, Jonny Rice, Nihilistic Software, Ray Gresko, Rob Huebner, Justin Chin, Infinite Machine, GT Interactive, Activision, Dan Pettit, Geoff Jones, Outlaws, Kevin Schmitt, Ryan Kaufman, Telltale Games, Hal Barwood, Wayne Cline, Daron Stinnett, Troy Mashburn, Rich Davis, Dave Bogan, Brad Pitt, Angelina Jolie, Tim Miller, Unreal, Harley Baldwin, Tim Schafer, Full Throttle II, Bethesda Game Studios, Fallout (series), Apple ][+, Colossal Cave Adventure, Macintosh SE/80, Richard Feynman, Pixar, Doom, Quake, Diablo, MYST, Steve Ash, Aric Wilmunder, SCUMM, Steve Dauterman, Garrett James, Descent: Freespace, Chris Corry, Andrew Kirmse, Sony Online Entertainment, Star Wars Galaxies, Jesse Moore, Doug Modie, Reeve Thompson, Force Commander, Tron, David Lee Swenson, Steve Dykes, Malcolm Johnson, David Worrall, Vernon Harmon, Sam and Max: Freelance Police, The Warriors, J. Scott Peter, Alien, Battlefront II, Patrick Sirk, Chris Williams, Harry Potter, EA, Nathan Martz, John Hancock, Michelle Hinners, Ashton Herrmann, Mass Effect, Baldur's Gate, Josh Lindquist, Hollow Knight. Next time: A final(?) interview Twitch: brettdouville, instagram:timlongojr, @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Welcome to Dev Game Club, where this week we are beginning to come dangerously close to spending longer talking about Republic Commando than we did playing it. This time, we get a look behind art development for Star Wars through the eyes and voices of two artists who worked on the title: Greg Knight, who was the principal concept artist for the game, and Paul Pierce, who designed the look and feel of the user interface. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:45 Interview segment 1:14:39 Break 1:15:14 Feedback Issues covered: how Paul got his start, web design in the 90s, learning 3D modeling, how Greg got his start, the ubiquity of LucasFilm in Marin, making an important connection and getting an unstoppable recommendation, the importance of art in establishing a game, the design of HUDs and menus, the distinction between UX and UI, how UI art got into the game, iterating the UI in response to the game you're building, starting out as a texture artist, imagining rooms as a whole and getting noticed for your control of tone, an exciting time to learn about concept art, being a force multiplier for the art team, the need for concept art with rising fidelity, keeping cohesive style and flow in the art by use of concept art as well as art direction, differences with film, what immersive experiences mean for content, lacking control of camera, good ideas coming from all over, vs auteurism, putting a burden on UI aesthetics by being always first-person, bringing in the visor pieces, losing visual real estate and that conversation, the impact on design on art decisions, putting the ammo readouts on the guns, marking up renders to figure out where UI elements would go, weapons as characters, running into resistance with the programmers, the ways programmers can... avoid work, the conversation you have to have around iteration cost, fitting into a palette, designing vehicles that didn't exist in canon, coming up with the tone of a more deadly clone story, figuring out who the clones even were, figuring out what the side stories were, imagining beyond the borders of the film, morphing to a different scale, how little a Geonosian means to a Jedi and how much to a trooper, colorgrading and how it sells various tones and moods, giving a different interpretation of Star Wars, seeing something of Republic Commando reflected in Rogue One, focusing on what's important to your characters, the heat and contrast of the Geonosians, pulling on the film's UI elements, avoiding drama on a project, checking egos at the door, how collaborative the game was, the value of technical art, the energy of team members, tech artists as glue and bridges, the value of a demo, Neanderthal Tim, when your level is difficulty, the design ideas behind the hangars and bridge, the knobs you had to turn for storytelling through tone, having to die again and again, failure without excessive punishment, the ability level of the team, where your skills are relative to the game, improving communication between branches of the team, setting a vision without falling to design by committee, being able to deliver a new experience for a Star Wars audience, the challenge of making an AI that keeps pace with the player, "The Squad Is Your Weapon," the debate around the efficacy of the squad, building around the game's goals and how other games might attack that differently, the importance of building consensus, trying to find a way to say "yes" to an idea, "everybody can design," being able to have the squad revive you. Games, people, and influences mentioned or discussed: LucasArts, Jedi Starfighter, Bounty Hunter, Galactic Battlegrounds (series), Escape from Monkey Island, Lucidity, Disney, 2K, Transformers, EndeavorRX, Akili, Indiana Jones and the Infernal Machine, The Phantom Menace, EA, Jedi: Fallen Order, NYU Film School, Whole Foods, Cybernautics, Rocket Science Games, Obsidian, Behind the Magic, Haden Blackman, Starcraft, Dan Colon, Lightwave, LucasFilm, Ralph McQuarrie, Hal Barwood, Chris Williams, Unreal, Adobe Illustrator, Peter Chan, Joe Johnston, Doug Chiang, Obi-Wan, Bill Tiller, Jedi Knight, Dark Forces, Nathan Martz, Jeremie Talbot, Hideo Kojima, Metroid Prime, Maya, 3DS Max, Daron Stinnett, Band of Brothers, Saving Private Ryan, Black Hawk Down, Rogue One, Paul Murphy, James Zhang, Adam Piper, Harley Baldwin, Mafia III, Hangar 13, Top Mix, Kovaak's Aim Trainer, Galaxy of Heroes, Reed Knight, TIE Fighter, John Drake, Ryan/biostats, Pat Sirk, Gary Whitta, Book of Eli, Fallout, Nick from LA, Halo Reach/Halo 5, John Hancock, Kirby's Epic Yarn, Epic Mickey, Super Mario RPG: Legend of the Seven Stars, Kirk Hamilton, Aaron Evers. Next time: YET. ANOTHER. INTERVIEW. Twitch: brettdouville, instagram:timlongojr, @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Die LucasArts-Adventures erfreuen sich hierzulande großer Beliebtheit – aber welches ist das Beste? Einer der Kandidaten ist auf jeden Fall Indiana Jones 4, im Original im 1992 als Indiana Jones and the Fate of Atlantis erschienen. Christian und Gunnar nehmen sich den Klassiker vor und haben viel zu sagen – es ist die bisher ausführlichste Folge geworden. Im Zuge der Recherchen zu dem Spiel hat Gunnar zudem ein Interview mit Noah Falstein geführt – Ausschnitte daraus sind im Podcast zu hören. Viel Spaß beim Hören der Folge! Podcast-Credits: Sprecher: Christian Schmidt, Gunnar Lott Mit O-Tönen von: Noah Falstein, Christian Beuster Audioproduktion: Fabian Langer, Christian Schmidt Titelgrafik: Paul Schmidt Intro, Outro: Nino Kerl (Ansage); Chris Hülsbeck (Musik)
Welcome to Dev Game Club, where we this week complete our Castlevania discussion with the beloved PlayStation classic. We talk about actually finishing the game, the size and scope of the thing, character movement, enemy variety, and a host of other topics including our takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finished the game! Podcast breakdown: 0:38 Castlevania SOTN discussion 52:30 Break 53:07 Takeaways and Feedback Issues covered: the end dialog of a game this gothic and melodramatic, the Japanese lens, localization in the 90s, various early memes, ideogram languages and translating into small amounts of space, translation as an art, the reward for getting a greater percentage of the game, finding your way to the inverted castle, having a 3D bias, following industry trends, Tim's mea culpa, the fully inverted castle and how big it is, whole new enemies and placements, wondering how they came to invert the castle and make the changes they did, the nightmare of mirroring or copying geometry, having the transformation buttons easily accessible, mapping where the bosses show up and whether there are more, Alucard and being both a hero and a vampire, not being familiar with these games, familiars and their various identities, challenging yourself to play different ways, the various sub-weapons, comparisons to Metroid, fitting together sprites for larger characters, managing pixel density, the availability of Redbook audio on a PlayStation, making changes in the CD hallways, getting the most out of memory, precise character animation, avoiding stun lock and when you are committed to a move, the huge space of the RPG elements, giving a look at Richter, gothic theming, video games are Hawaiian shirts, in Transylvania it's always the 15th century, how much of it is there is and player choice, wanting the player to miss stuff, exploration in space and systems, the ability to miss the big change, loving the bosses, seeing bosses again and in number, big bosses, committing to movements, grounding the character to match the groundedness of the space, motion blur on the character, full-screen effects, a first meetup for the podcast, emulation QoL improvements and auto-attacks, changing the feel of a game with QoL improvements, playing the unimproved Dragon's Dogma, leaning on fast travel, licensed titles, living in the worlds others have created, managing fan expectations, lack of consistent voices, reaching niche markets, using the Star Wars IP and bringing it to genres, Brett identifies his perfect license. Games, people, and influences mentioned or discussed: Zero Wing, Resident Evil, Starfighter (series), Douglas Hofstadter, Le Ton Beau de Marot, Siskel & Ebert, Metroid (series), Stranger Things (obliquely), Alex Neuse, Final Fantasy IX, Final Fantasy Tactics, Tomb Raider, LucasArts, Bob Dylan, Grim Fandango, Aliens, Castlevania: Harmony of Dissonance, Indiana Jones and the Infernal Machine, Ray Harryhausen, God of War (series), PlayStation/Xbox, Dead Cells, Super Mario World, Dark Souls, Legend of Zelda (series), Diablo, Metal Gear (series), Hal Barwood, Universal Monsters, Edgar Allan Poe, Metal Gear Solid, Thief, Shadow of the Colossus, Fumito Ueda, Ico, Hideteka Miyazaki, Contra, SNES Classic, Devil May Cry, Bloodstained, Koji Igarashi, Warren Linam-Church, Chrono Trigger, MYST, Breath of the Wild, Final Fantasy XII, Dragon's Dogma, The Witcher III, Elder Scrolls (series), Morrowind, Ashton Herrmann, Xbox 360/Arcade, Shadow Complex, Chair Entertainment, Epic Games, Gothic Chocobo, Hollow Knight, Star Wars, Daron Stinnett, Justin Chin, Matt Tateishi, Dark Forces, EA, Lord of the Rings, James Bond, The Godfather, Goodfellas, Fallout, No Mutants Allowed, Wasteland 2, TIE Fighter, X-Wing, Ingrid Bergman, Konami. Next time: Some of Bloodstained: Ritual of the Night https://twitch.tv/brettdouville, @timlongojr, and @devgameclub DevGameClub@gmail.com
A friend of George Lucas and Steven Spielberg, we're joined by the legendary Hal Barwood to talk about his time at LucasArts and the classic Indiana Jones and The Fate of Atlantis. Hal Barwood's homepage: [http://www.finitearts.com/](http://www.finitearts.com/) Please show some love to our sponsor and buy a copy of The Art of Point & Click Adventure games here: [https://theretrohour.com/adventure-month/](https://theretrohour.com/adventure-month/) Thanks to our amazing donators this week: James Alston, Michael Garrett, Garry Heather, Ramond de Vrede Audioboom new channel: [https://audioboom.com/channel/theretrohour](https://audioboom.com/channel/theretrohour) Audioboom RSS feed: [https://audioboom.com/channels/4970769.rss](https://audioboom.com/channels/4970769.rss) Join our Discord channel: https://discord.gg/GQw8qp8 Our website: http://theretrohour.com Our Facebook: https://www.facebook.com/theretrohour/ Our Twitter: https://twitter.com/retrohouruk Our Instagram: https://www.instagram.com/retrohouruk/ Events we'll be at: PLAY Expo Blackpool: https://www.playexpoblackpool.com/ RCM Christmas party: http://www.retrocomputermuseum.co.uk/forum/index.php?topic=5946.0 Show notes: Nintendo 64 Mini pictures leaked?: https://bit.ly/2q1YPU6 WinAMP is back: https://tcrn.ch/2COJqyQ Mega SG: https://engt.co/2EvjMAY Microsoft co-founder Paul Allen dies: https://bbc.in/2Pw6qp8 https://bit.ly/2yoAGvK
Welcome to Dev Game Club, where we are in the midst of our series about 1998's Thief; we talk about the story development of the world, some small mechanical bits, and then dig into the level design of the four levels we played. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through "The Sword" Issues covered: getting shot with an arrow, starting with the day in the life of a thief, establishing a baseline of a life, introducing the Hammerites and other groups, verses from religious texts, things are getting weird, weaving in "The Dark Project," upsetting the balance, the trope of stumbling into something larger, significance of what you're stealing, interludes vs cutscenes, preferring the mundane to the strange in this game, player expectations of story, surprising the audience, industrial/steampunk setting mixing with magic, wanting more from the city, leaning into weird backstory but drifting away, not needing the bizarre framing devices, constructing your story level to level, individual contributions driving story, extending the core fantasy with new mechanics, knucklehead stealth, sword swinging mechanics, complexity of collisions, the efficiency of the blackjack, adding traps and lock picks, slow projectiles, being able to see the mechanisms behind the traps, methodical trap avoidance, player skill in reading the environment, committing to first-person in lock-picking, triggering character skill, adding a lock-picking mini-game to the franchise, being a predator in other games, claustrophobia in narrow corridors, hacking a zombie to bits, the mournful music of the horn, building Garrett's character and placing him in the world, surprise switch objective, a level that is too long, not having the texture budget to support the level design, being lost, picking up things and having them in your inventory, doing stuff in the wrong order, banging up against the banners, being a second story guy, rope arrow mechanics, a weird space, relying on physics engines, level as character building, weird promotions, flipping the script and driving you away. Games, people, and influences mentioned or discussed: Dungeons & Dragons, Tomb Raider, System Shock 2, The Usual Suspects, Memento, Hitman (series), Assassin's Creed, Dario Casali, Half-Life, Dark Forces, Indiana Jones and the Infernal Machine, Hal Barwood, Die By The Sword, Ultima Underworld, Leon: The Professional, Ken Levine, Dark Souls, Pipe Dreams, Kent Hudson, Thief: Deadly Shadows, Arkham Asylum, Deus Ex, Stephen King, Creepshow, Swamp Thing, Cthulhu, HP Lovecraft, Gothic Chocobo, Fallout 3, Bulletstorm, People Can Fly, EA Partners, Turok, Dante's Inferno, Brutal Legend, Jack Black, The Way, Grand Theft Auto IV. Next time: Through "Undercover" Links: Assassin's Creed's Functional Story @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Welcome to Dev Game Club, where we are turning our eyes to 1996's Tomb Raider. In this episode we situate the game in its time, paying particular attention to the challenges of 3D and technology at the time. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through Peru Issues covered: setting the game in its time, 3D acceleration, "at least they got our names right," having to control a bunch of extra stuff in 3D, camera control in Super Mario 64 or Crash Bandicoot or Resident Evil, handling challenges differently through design and technology, Brett fumbles around the PS1 hardware, lack of save anywhere on PS1, designing for console vs PC, "the Indy game that people wanted," starting in Peru and Raiders callbacks, the ambient score supplementing exploration and loneliness, broken keymapping, Lara's evolving backstory, a strong self-sufficient woman, objectifying the character, nude mods, strong character design, British culture, traveling well, amalgamation of clear character archetypes, sensibility of a British icon, setting up a world via simple short character interactions, analogue in Resident Evil, world-building through grace notes, pulp antecedents, pure exploration, exploration as its own reward, finding secrets, doing whatever it needs to do to serve the core fantasy, level construction, Brett becomes a German, wanting more tracked data, stats and baseball, adding more tracking over time, using data in development, digging into his WoW stats, the person Tim spends the third most amount of time with, games that terrify you so much you can't play them, does Alien impact people who don't know the movies. Games, people, and influences mentioned or discussed: Jason Botta, Crystal Dynamics, Toby Gard, CORE Design, PlayStation, Crash Bandicoot, Lara Craft GO, Nokia, 3Dfx, Xbox, Super Mario 64, Nintendo 64, Diablo, Star Wars: Shadows of the Empire, Donkey Kong Country 3, Resident Evil, Quake, Indy's Desktop Adventures, Duke Nuke'em 3D, Civilization, 3DO, Meridian 59, Andrew and Christopher Kirmse, Game Developer, GDC, Game Programming Gems, X-Wing vs TIE Fighter, Indiana Jones and the Fate of Atlantis, Raiders of the Lost Ark, Next Generation, Sherlock Holmes, James Bond, Batman, Temple of Doom, Allan Quatermain, H. Rider Haggard, King Solomon's Mines, Spice Girls, Ian Livingstone, EIDOS, Deathtrap Dungeon, Games Workshop, Warhammer, Peter Molyneux, John Wick, Soul Reaver, Hal Barwood, Indiana Jones and the Infernal Machine, The Producers, Maas Neotek Proto, Final Fantasy, League of Legends, DOTA, Blizzard, Hearthstone, World of Warcraft, Eric Bartoszak/WeyounNumber6, Prey, Alien: Isolation, P.T., Ico. Next time: Thru Greece @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Welcome to Dev Game Club, where we are beginning our series on 2005's God of War. We set the game in its time, an interesting time at the end of a console lifecycle as new machines loomed on the horizon, and then turn to the game itself before hitting feedback. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Up to the desert / through Athens Podcast breakdown: 0:44 Segment 1: God of War 50:35 Break 51:06 Segment 2: Feedback Issues covered: the console lifecycle, PS2 install base, the new console generation, learning the hardware over the lifecycle, exclusives, squeezing the hardware over the series, optimizing instructions, iterating on a franchise, juvenile tone, the influence of the underlying mythology, being edgy or over the top, Greek tragedy and the fatal flaw, opening with a bang, narrative device of setting up how the character got to the big moment, setting up mysteries of character and fate, tension between player and character, pacing and balancing on a beam, perfecting the quick time event, the first level as a microcosm of the whole game, the influences of this game, skimming the top of a bunch of genres, adventure games drawing from every verb, explicit vs implicit tutorialization, great mythological moments, a series of yeses. Games, people, and influences mentioned or discussed: Broderbund Software, Red Storm Entertainment, Red Orb Entertainment, Riven, Prince of Persia 3D, The Journeyman Project, Santa Monica Studio, Shadow of the Colossus, Dragon Quest VIII, Resident Evil 4, F.E.A.R., Republic Commando, Metal Gear Solid 2, Sly Cooper 3, Guitar Hero, GTA: San Andreas, Japan Studio, Starfighter/Jedi Starfighter, Devil May Cry 3, Gran Turismo 4, Splinter Cell: Chaos Theory, Lego Star Wars, Horizon: Zero Dawn, Jak and Daxter, Ratchet and Clank, Tomb Raider (2013), Clash of the Titans, Hellblade: Senua's Sacrifice, Richard Wagner, Uncharted 2, Shenmue, Crystal Dynamics, Soul Reaver, Castlevania, Maximo: Ghosts and Goblins, MediEvil, Legend of Zelda: Ocarina of Time, System Shock 2, Sid Meier, Half-Life, Dario Casali, Sierra Games, Sebastian Pellegrino, Tim Schafer, LucasArts, Telltale Games, Amanita Design, Wadjet Eye, Daedelic, Edna and Harvey, Deponia saga, The Dark Eye, The Whispered World, Hal Barwood, Bill Tiller, Curse of Monkey Island, Duke Grabowski: Mighty Swashbuckler, A Vampyre's Tale, Indiana Jones and the Infernal Machine, The Dig, Kyle Vermaes, Fallout, Planescape: Torment, Link to the Past, Manhunter (series), Rules of Play, Eric Zimmerman, Katie Salen, Raph Koster, A Theory of Fun for Game Design, The Design of Everyday Things, Don Norman, GamaSutra, Brenda Romero, Challenges for Game Designers, Will Wright, The Sims, SimCity, A Pattern Language, Christopher Alexander, RadiatorYang, Ryan, Jason Schreier, Kirk Hamilton, Kotaku Splitscreen, Giant Bomb, Giant Beastcast, DLC, Jeff Cannata, Christian Spicer, RebelFM, Waypoint Radio, Patrick Klepek, Danielle Riendeau, Austin Walker, Steve Gaynor, Tone Control, Gone Home, Tacoma, Idle Thumbs, Important If True, Shall We Play A Game, Chris Suellentrop, JJ Sutherland, Slate Culture Gabfest, Filmspotting, Filmspotting: SVU, The Next Picture Show, Maximum Fun, April Wolfe, Switchblade Sisters. Next time: Up through the Three Challenges @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
We've mentioned it before but now it's finally time to pay homage to one of the greatest Point and Click games ever made. Hal Barwood's Indiana Jones and the Fate of Atlantis gets the full AA treatment. Adrian talks us through his love of the game, how it's taken 20 years to complete it (hint: its difficulty has nothing to do with this) and also treats us to a lovely Indy quiz which you can play along to at home/on the train/on the bus/in your garage staying away from your irate partner... Once you're done - why not check out our written interviews with Hal Barwood and Noah Falstein! http://www.arcadeattack.co.uk/noah-falstein/ http://www.arcadeattack.co.uk/hal-barwood/ Fancy discussing this podcast? Fancy suggesting a topic of conversation? Please tweet us @arcadeattackUK or catch us on facebook.com/arcadeattackUK All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.
Welcome to Dev Game Club, where we are beginning a new series on 1992's immersive sim classic Ultima Underworld. As usual, we situate the game in time a bit and in the Ultima series as a whole, before delving into the first few hours of the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Level 1 Podcast breakdown: 0:40 Underworld 54:54 Break 55:22 Feedback Issues covered: Brett gets hooked, first person game and a lot of clicking, getting over the initial hump, taking a long time to finish a game, 72-hour game benders, epilepsy and flashing, firsts of their kind year, seeing the walls of the design, branching out with the Ultima series, Ultima Worlds of Adventure, adding simulation to the point of view, not being alone in the first-person space, vector wireframe rendering in the first Ultima dungeons, feeling the presence of the developer, exploration of controls, limited verbs in FPSes, free look, overdesigned mouse interface, not reading the manual, coming full circle to analog controls in the modern day, fine-tuning movement, "this will never catch on," clarity in input, instinct was right but implementation was wrong, poll rates, mechanical mice vs optical mice, Trish the Bard, 80s looking character portrait, innovating on taking a thing from world and dragging into the inventory, the Trello of inventory systems, adding too many things to a bag, UX nightmare, convergence game with systems coming together, top-down design vs bottom-up design, RPG differences between player skill and character skill, gesture-based combat, idea to implementation, fewer barriers to implementation, lack of level designers, taking more risks because of lower costs, dark side of games, using a key in a door, verbs and similarity to adventure games, where the three hours went for Brett, fearing dropping something that you'll need later, traipsing all over, jumping difficulty, factions as an underpinning of the underground society, lack of quest log/journal, does dialogue hint at actions you can take, clarity of the rules, fading fortunes of SSI, playing MGS vs remembering MGS, coloring what follows a good moment, CGI cutscenes painting in the player's impressions of fidelity, the legacy of Lara Croft's portrayal, avoiding blind spots through diverse representation in your development team, preferring Twin Snakes. Games, people, and influences mentioned or discussed: The Chronicles of Narnia, Wolfenstein 3D, DOOM, Origin Systems, EA, Ultima (series), Richard Garriott/Lord British, Wizardry, Dungeon Master, Gold Box, Eye of the Beholder, The Bard's Tale, Dark Corners of the Earth, Elder Scrolls (series), Looking Glass Studios, Warren Spector, Doug Church, System Shock, Marc MAHK LeBlanc, Tim Stellmach, Deus Ex, Harvey Smith, Randy Smith, Prey, Dishonoured (series), Paul Neurath, Underworld Ascendant, Dune II, Warcraft, Ultima VII, Indiana Jones and the Fate of Atlantis, Hal Barwood, Ecco the Dolphin, Super Mario Kart, Mortal Kombat, Night Trap, Alone in the Dark, Resident Evil, Flashback, Another World/Out of this World, Martian Dreams, Savage Empire, Quake, Wing Commander, Space Rogue, id Software, Stonekeep, Final Fantasy (series), Dragon Warrior/Dragon Quest (series), Ogre, Quake, DOOM 2, Terminator, Planescape: Torment, SoundBlaster, Fallout 2, Elder Scrolls: Arena, SSI, Thief, Kupo1256, Christian Schuster, Metal Gear Solid (series), Fallout 3, Todd Howard, Jonah Lobe, Silent Hill 2, Final Fantasy VII/IX, Travis Grasser, Symphony of the Night, Tomb Raider (2013), Rise of the Tomb Raider, Jason Schreier, Kirk Hamilton, Michael, Final Fantasy XV, Christianne Meister, Skyrim, Jeff Buttaccio, GameCube, MGS: Twin Snakes, Shigeru Miyamoto. Next time: Levels 2 and 3 @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Welcome to Dev Game Club, where we are discussing Valve Software's 1998 classic Half-Life. This week we welcome Marc Laidlaw, long-time Valve employee and writer of Half-Life. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:40 Interview with Marc Laidlaw 1:04:50 Break 1:05:16 Feedback/Questions Issues covered: getting started at Valve, looking at story in first person games, unshipped game at Valve, getting Quake community people to work on Half-Life, the early plan for the company, finding features by building lots of tests, randomly discussing features with press, making outrageous promises to spur on the team, the development of a fully realized place, totality of effect, designing from the bottom-up and fitting stuff together later, having employees who were used to working alone, going back to the drawing board, hinting at other levels and wanting the glory, non-physical spaces, lone wolves, needing an overall director to enforce co-authorship, using the Cabal to fulfill that role, being in the trenches and etching into your brain, living Half-Life for two years, avoiding the space marine trope, making the gimmick "science," doing science experiments in game development, intricacy of clockwork levels/Chinese puzzle boxes, the technology of magic, working to get a reaction, characters emerging from setting, bridging to Half-Life 2, magic tricks being even more impressive when you know how they're done, user testing, knowing what questions to ask, players not getting to the ends of games, trying to avoid having to teach the player, expecting a literate player, keeping it clean and transparent, having no model for the main character generating a constraint, reacting to player experiences of the demo, working out of a corner/desperation, creating within constraints, having too much freedom (analysis paralysis), Marc's work available on Kindle, taking breaks, writing in the early days of video games, always in the helmet, E3 memories/discussion. Games, people, and influences mentioned or discussed: Day of the Tentacle, Half-Life 2, Portal, Counterstrike: Day of Defeat, Team Fortress, DotA 2, Eric Wolpaw, Jay Pinkerton, id Software, Quake, Michael Abrash, Mike Harrington, Gabe Newell, WIRED Magazine, Worldcraft, Ben Morris, Prospero, John Guthrie (Choryoth), Steve Bond (Wedge), Blues News, Harry Teasley, Peter Molyneux, Edgar Allan Poe, Thieves' World anthologies, Randy Lundeen, Shigeru Miyamoto, Kelly Bailey, Dave Riller, Ken Birdwell, Dario Casali, Alfred Hitchcock, Microsoft, Uncharted 4, Duke Nuke'em, Breaking Bad, Better Call Saul, Magazine of Fantasy and Science Fiction, Prey (2017), Nioh, Breath of the Wild, Bill Roper, Janos Flosser, Starfighter, Wayne Cline, Republic Commando, Ryan Kaufman, Mike Stemmle, Hal Barwood, Sean Clark, Jonathan Ackley, Larry Ahern, Tim Schafer, Dave Grossman, RebelFM, Phil Rosehill, Link to the Past, Super Metroid, ToeJam & Earl, LucasArts, Alexander Farr, Kotaku, Final Fantasy 9, Jason Schreier, Tacoma, Ico, Shadow of the Colossus, The Last Guardian, Halo 5, 343 Industries, Bethesda Game Studios, Unreal, Nintendo Wii, Evil Avatar, Phil Kollar, Polygon, Sony, Metal Gear (series), Witcher III, Anthem, No Man's Sky, Hello Games, Joe Danger, Assassin's Creed (series), Red Dead (series), PAX, Ficus/@giant_rat. Next time: Another Interview! Links: Marc's website @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
A long time ago in a galaxy far, far away a brave rebel named ROOKIE ONE blew up the dreaded DEATH STAR! That's right, this week Jason & Gabe take a look at the almost forgotten and barely talked about 1995 game, Rebel Assault 2! This Lucasarts game was the first time official live action Star Wars had been seen since Return of the Jedi!! Learn how the game was made straight from conversations with director Hal Barwood and how the game broke new ground and kinda led to the technology of the prequels and beyond! PLUS learn all about your new favorite heroes in Rascal Squadron! As if that wasn't enough, they talk about grumpy George Lucas, the promise of more Last Jedi stuff coming soon and how great Forces of Destiny looks!! So go blow up some invisible ships, kiss a stranger, listen today and celebrate the love with BLAST POINTS! Hal Barwood's site : www.finitearts.com Blast Points t-shirts are now available! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 visit the Blast Points website! www.blastpointspodcast.com reviews! comics! recipes, articles and tons more! if you dug the show please leave BLAST POINTS a review on iTunes and share the show with friends! If you leave an iTunes review, i will read it on a future episode! honestly! talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! also like Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! we are also on Instagram! Wow! your hosts are Jason Gibner & Gabe Bott! contact Jason at Gibnerd@hotmail.com May the Force be with you, always.
Welcome to a bonus episode examining 1994's Star Wars classic TIE Fighter. We welcome two guests, Reed Knight and Darren Johnson, who worked in QA on the original titles and co-led the QA team on the Collector's Edition. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. TTAJ: 14:24 Podcast breakdown: 0:29 Interview segment 1:10:00 Break 1:10:22 Outro, Next time Issues covered: Tim introduces QA as a discipline, Reed self-introduction, QA being in start credits of Full Throttle, Tim's interviews, Darren self-introduction, early history of Reed and Darren in QA, games that are fun to test months in, score competition, day in the life of a tester, bug entry process, having only one computer for entering bugs, "anti-speed runs," thinking in terms of triggers or events, gluing events together, getting the editor and looking for bugs, finding voice lines that had never fired in original TIE Fighter, finding bugs that weren't literally visible in-game, non-crash "A" bugs, Reed disputes Brett's account of an "A" bug, Darren defeating Darth Vader, best gaming moments, the lengths you go to to break a game, "SUM PIN TO DO," missing a bug because you haven't gone far enough, fighting for bugs on behalf of the player, suggesting technical solutions from QA, healthy tension between departments, "upstairs," Kerner Blvd, adversarial advocacy vs. regulatory capture, maintaining objectivity, balancing games from test, lead tester importance as ship date looms, maintaining loyalty to the QA team, turning to the Dark Side, getting QA consensus, "once a tester always a tester," humility vs arrogance, direct discussion with testers, every 1000th bug, golden age, free range testing, working on a platform title (due to license holder requirements), compatibility, quantity of bugs in modern day, playing console manufacturers off against one another, day one patches, usability issues, playing XvT co-op as former QA, TuneIn and Amazon Echo. Games, people, and influences mentioned or discussed: Rogue One, Toy Story, Buzz Lightyear, Emperor Zurg, Dark Forces, Full Throttle, Tim Schafer, Metal Warriors, Big Sky Trooper, Jedi Knight, Indiana Jones and the Infernal Machine, Stormfront Studios, Eragon, Don Daglow, Smithsonian, Leap Frog, Duke Grabowski, Bill Tiller, Gene Mocsy, Hal Barwood, Zelda, Indiana Jones Desktop Adventures, Yoda Stories, Afterlife, Day of the Tentacle, Dave Grossman, Mad Otter Games, Disney, Brian Kemp, Larry Holland, Totally Games, Dan Connors, Mark Cartwright, The Last Starfighter, Fallout 3, Todd Howard, Daron Stinnett, Starfighter, Brett Tosti, Galactic Battlegrounds, Battle for Naboo, Obi-Wan, Bill Roper, Tim Cain, Bethesda Game Studios, Nintendo 64, Shadows of the Empire, Livia Knight, Telltale Games, Sean Clark, Tabitha Tosti, Battlehawks 1942, Their Finest Hour, Secret Weapons of the Luftwaffe, Ico, Fumito Ueda, BlueTieCasual. Next time: Interview with Larry Holland! @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
Welcome to our second episode examining 1996's survival horror classic Resident Evil. We discuss the tight resource management of the game and the spatial logic of the place, amongst other topics. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Up to the tunnels (in theory) Podcast breakdown: 0:33 Segment 1: Resources (saves) and Spaces 50:27 Break 51:00 Segment 2: Feedback, next time, links Issues covered: save system, Tim and min-maxing OCD, clearing the map, differences between easy and normal, difficulty settings in games then and now, difficulty for developers and QA, punishing the player, controller difficulty, memorizing spaces, frustration and fighting the controls, fear response on lower difficulty, popping heads, running into other characters and having the space stop making sense, story choices, lack of story logic, "gaminess" of the design, crate teleportation, inventory systems in RE, realism fighting sensibility, localization, house structure as a real place not holding up, finding the balance of game needs and realism in level design, deliberately breaking spatial sense, surreal spatial design, Aetherium design, negative-space editing, exploiting engines, piecing together bits of story in journals, the wrong Moonlight Sonata, referring to the lighter, passive storytelling, VATS and more tactical options for added depth. Games, people, and influences mentioned or discussed: Batman, Justice League, Alone in the Dark, Apple ][, Demon's Souls, Dark Souls, SNES, Metroid series, Fear Effect series, Dead Rising series, Hideo Kojima, Resident Evil 4, GameCube, Biohazard, Shinji Mikami, The Evil Within, Psycho Break, Silent Hill 2, Winchester Mystery House, Robert Venturi, This American Life, Indiana Jones and the Infernal Machine, Starfighter, Hal Barwood, N64, Reed Knight, Bethesda Game Studios, Skyrim, GamaSutra, Troy Mashburn, Horizon: Zero Dawn, Beric Holt, Fallout series, Soldier of Fortune, Oblivion. Next time: Really play up and into the tunnels. No, really this time. Links: Brett on GamaSutra playing and talking Skyrim Brett on recognizing a designer's work Old post in which I mention The Aetherium from Infernal Machine Old post about difficulty settings @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
In this first episode of our series discussing Warcraft: Orcs and Humans, we examine the relevance of the original game to the series as a whole and its genre in particular and begin delving into the mechanics on display in the first few levels of the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: First two levels of each campaign: H1, O1, H2, O2 Podcast breakdown: 0:32 Intro and segment 1 (relevance, personal and industry wise) 33:55 Break 1 34:23 Dev and mechanics talk 1:07:05 Break 2 1:07:32 Quick additional topic and next time Issues covered: committing to the division of Orcs and Humans, reading the freaking manual, what went into manuals and not, training the player and avoiding the manual, credits in the PS2 era, what did you need a manual for, the Indie Box, tooltips and in-game instruction, story development inside of Blizzard games vis a vis Westwood, CD-ROM and FMV, mission type variety, mods as aid to development, unit grouping count, small squads vs large armies, moving towards hero focus, MOBAs born from heroes, prioritizing even derivative lore and the potential benefits, reading 8 to 10 Warcraft novels, beneficial aesthetics, humor, self-seriousness and camp, playing with your toys, discovering games on shared computers, multiplayer culture in RTSes and FPSes, using multiplayer for develop, pathfinding and the Dining Philosophers problem, lack of formation, micromanagement for tactical gain, counting frames and managing combat closely, unsignaled progress, energy and efficiency, levels of fog of war and the Eye of Kilrogg, the weight of individual units, build speeds, deliberate pacing (lack of click-to-move), contextualization and automation debates in the mid-90s, "the game playing itself," automating those things which are not the focus, stylization and exaggeration in visual design, minimum spec. Games, people, and influences mentioned or discussed: Dave Grossman, Tim Schafer, Uncharted 4, Day of the Tentacle, LucasArts, Starfighter, Dark Souls, Gone Home, Dune 2, XCOM, Westwood, Command & Conquer, Starcraft, Wing Commander, The 7th Guest, Rebel Assault, Starcraft 2, Warcraft 3, Sid Meier, Dawn of War II, Company of Heroes, Relic Entertainment, Defense of the Ancients, J. R. R. Tolkien, Gary Gygax, Bill Roper, Chris Metzen, Samwise Didier, Michael Morhaime, World of Warcraft, Hearthstone, Games Workshop, Dungeons and Dragons, Patrick Stewart, Dark Forces, DOOM (original and 2016), Castle Wolfenstein, Prince of Persia, Myth: The Forgotten Lords, Bungie, Starcraft 2: Legacy of the Void, Starship Troopers, Little King's Story, Legend of Zelda: Ocarina of Time, Wayne Cline, Ultima IX, Tomb Raider, Super Mario 64, Indiana Jones and the Infernal Machine, Hal Barwood, Overwatch, Diablo III, Disney, Nintendo, Pokemon Go. Next time: Play four more from each campaign, still alternating Humans and Orcs! @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
In this final interview episode discussing recently remastered LucasArts classic Day of the Tentacle, we welcome two guests, DOTT co-leads Dave Grossman and Tim Schafer! We had a fascinating time talking with the two of them and getting their insights on what they were trying to do and where some of the decisions came from. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Production note: Some of Brett's voice cut out during recording, and so there are a couple places where that is patched up. Podcast breakdown: 0:39 Interview with Dave Grossman and Tim Schafer 1:01:55 Segment 2: Next time on DevGameClub! Issues covered: long introductions of our interviewees, holding your breath for ten minutes, the puzzles you remember when you revisit a game, openness in adventure game design, the lessons of inexperience, three- and four-act structures, puzzle miasma, non-linearity and agency, "Why Adventure Games Suck," backwards puzzles, "how's the player supposed to figure this out?," pizza orgies, playtesting, usability, origin of the time travel motif and mechanic, Kerner buildings and ILM and the paradise of Skywalker Ranch, the turtle sweater puzzle and bitter tears, interface puzzles, low execution barrier, Monkey Island 2 air tube and available interface vocabulary, tiny cutthroat pool, dialogue puzzle, when a puzzle is broken, what's allowed when you use something only once vs ten times, branches and offshoots of adventure games, the adventure game headspace and how things aren't necessarily represented on the screen but in the player's head, having time to play, making systems vs crafting a few minutes at a time, sweet spot for puzzle difficulty, prequels and business realities, "I love this fucking game!," pacing in Telltale Games, "hero rooms," procedural narrative, computer-written Mozart, levels of narrative, macro vs micro, injecting the player into the story, red herrings, the obvious solution never works, guiding the player back, the mummy as helpdesk, what these gentlemen are up to today. Games, people, and influences mentioned or discussed: Monkey Island series, LucasArts, Humongous Games, Hulabee, Telltale Games, Earplay, Full Throttle, Grim Fandango, Psychonauts, Brütal Lëgënd, Broken Age, Tim Delacruz, Jonathan Ackley, Ron Gilbert, Noah Falstein, Gary Winnick, Die Hard 2, Gwen Musengwa, Gone Home, Infocom, Zork, Hitchhiker's Guide, Star Wars, Sierra, Republic Commando, Uncharted 4, Left 4 Dead, Chris Crawford, Clint Hocking, Hal Barwood, Peter Chan, Larry Ahern, Pete McConnell, Clint Bajakian, Jory Prum (RIP), Codename Cygnus, Pokemon, Futurama: Game of Drones. Links: Tim Schafer mentions a Hamlet text adventure that's web-based Tim and Dave refer a couple times to them playing the game, and you can watch that on YouTube Codename Cygnus Futurama Game of Drones Day of the Tentacle iOS Next time: Warcraft, the RTS that launched a whole universe! Play the first four episodes, playing Human 1, Orc 1, then Human 2, Orc 2. @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com
In this third episode of discussing Hitman 2: Silent Assassin on Dev Game Club, we talk about the next six missions in the game in-depth, spending some time talking about stereotypes and controversy surrounding the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played:Basement KillingGraveyard ShiftThe Jacuzzi JobMurder At The BazaarMotorcade InterceptionTunnel Rat Podcast breakdown:0:33 Intro1:40 Segment 1: First three levels this episode54:28 Break 154:37 Segment 2: Other three levels this episode1:31:58 Break 21:32:21 Final Segment: Next time, Brett's meta-story Issues covered: stereotyping (target and gender), controversy, mission briefing videos, the uses of laundry chutes, playing the map and visualizing scripting vs emergent behaviors, map symbology, imagining the perfect playthrough, the silly potato chip maze -- the uncanny valley of the world itself, a difference between movie and game environments, games are Hawaiian shirts, realism and abstraction, VR, stylization, sneaking around a mundane environment, designer-forced experiences, audio occlusion, generic "Arab" setting, stealth interaction and action buttons, Brett's second Silent Assassin rating, controversy around Motorcade Interception, sexualized nuns with guns, othering and abstraction, Silent Assassin rewards, jump height and death, the torture victim, night vision goggles, weird story stuff at the end of the levels we played, Father Maguffin, teaser: iteration, applying a meta-narrative and visualization, the Hitman niche and evolving verb sets. Games, people, and influences mentioned or discussed: La Femme Nikita, Superman and Lex Luthor, John Cusack/Better Off Dead, Beyond: Two Souls, David Cage, Hal Barwood, Hitman: Go, Jedi Starfighter, Tim Schafer, Emil Pagliarulo, Fallout 3/4, Oblivion, Kill Bill vol 1, Silence of the Lambs, Avatar: The Last Airbender, Thief, Alfred Hitchcock, North by Northwest, Marnie, Tippi Hedren, Orphan Black, Hitman (2016), Prince of Persia: Sands of Time, Dishonoured, Jedi Knight, System Shock 2, Hitman: Absolution. Next time:Finish the game! Temple City AmbushDeath Of HanneloreTerminal HospitalitySt. Petersburg RevisitedRedemption At Gontranno @brett_douville, @timlongojr, and @devgameclubDevGameClub@gmail.com
Mike and Bryan are joined by Mashable's Chris Taylor to discuss the forgotten legacy of Hal Barwood and his impact on Star Wars. They also touch on other instances of the Star Wars that almost was, but only after talking briefly about the latest episode of Rebels and Bryan's desire to taste jogan fruit.If you like the show, please leave us iTunes/Stitcher reviews and share us with your friends and family! We’d greatly appreciate it.Full Of Sith is a safe haven for Star Wars fans, no matter what you like or what your opions are, we'd love for you to share them with us. Please do so by sending us a voicemail or email. Keep an eye out for our newest episodes on Monday mornings.Contact info, episodes, banners, promos, bios and so much more can be found at http://www.fullofsith.comThanks For Listening & May The Force Be With You... Always!
Pray for the people trapped inside. Pray that they never get out! This week Juan will be joining the gang at the B-movie club house as talk about a Sci-Fi film that Juan recommended called Warning Sign from 1985. The film directed by Hal Barwood and stars Sam Waterston, Kathleen Quinlan and Yaphet Kotto. Plus […]
Featuring: Karl talks to Hal Barwood about his space-faring SNES game, Big Sky Trooper!
This is a big fat episode! In this episode you'll learn about the poorly-selling LucasArts roguelite, warezing over ISDN lines using DCC bots, and I summarize an interview with creator Hal Barwood.
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