Podcasts about Lionsgate

In this episode, Brian talks about some recent Lionsgate limited horror 4Ks, Some Imprint TV, Radiance Films, 88 Film and more. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

This is a NerdySouth Entertainment joint!    Joshua Lastine is an entertainment attorney and the founder of Lastine Entertainment Law, where he protects the rights of actors, directors, writers, producers, animators, social media influencers, and podcasters. A former in-house attorney at Lionsgate and ViacomCBS, Joshua has helped shape deals for everything from $100M+ Netflix productions to indie films and branded YouTube Content. With deep experience in talent deals, rights acquisitions, production agreements, and intellectual property law, he brings a sharp legal mind to the fast-moving world of media and entertainment. His client roster spans major studios, emerging creators, and everyone in between.    Joshua is a die-hard horror fan who helps creators survive the legal underworld of entertainment biz from IP theft and contract nightmares to behind the scenes battles on iconic franchises. He is a life-long fan who grew up on Scream, American Psycho, Jurassic Park, and Pennywise, and even collects horror VHS, DVDs, and Blue-rays. His horror IQ is high, and his legal insight is unmatched.  FIND HIM: lastineentertainmentlaw.com Instagram   30&Nerdy Podcast's Opening Rift: Kyle Standifer The Ballad of 30&Nerdy: Beth Crowley Fanboy Expo Ad Music: “Omega” by Scott Buckley   This Episode is brought to you by: Fan Boy Expo  Tennessee Legend Distillery Hippie Water use the code NERDYFOR30 at checkout Advertising Expressions Encore Theatrical Company Shane's Rib Shack Hwy 81 McDonough, GA   Reaper Apparel Company 30&Nerdy Podcast is an Ambassador for Reaper Apparel Co. If you are interested in checking out all the great attire they have, or learning more about them; click here and if you want to purchase something, don't forget to use our code 30ANDNERDYPOD at check out for 10% off of your order!   You can learn more about NerdySouth Entertainment and its content by visiting The Fortress of NERDitude and while you are there, subscribe to our Nerdly Newsletter for behind the scenes, announcements, and Nerdly News updates. You can also check out the other shows and content under NerdySouth Entertainment   For more NerdySouth content, find us on all social media outlets: Instagram YouTube TikTok Facebook   Email us at 30andnerdypod@gmail.com    Shop Nerdy at NerdySouth Studios   Cheers To Ya Nerds!

Learn more about Blackbird:  https://www.blackbird.vc/get-investment?utm_source=centennial Close Friends article: https://www.wired.com/story/the-blurred-truths-of-sora/ Please consider buying us a coffee or subscribing to a membership to help keep Centennial World's weekly podcasts going! Every single dollar goes back into this business

Roblox launches on ROG Xbox Ally and Samsung Galaxy Store as part of their ambitious goal to capture 10% of the gaming market, but simultaneously buries the “Continue” sort on the homepage. Developers also get access to new Lionsgate horror franchises with an improved pitch system, plus custom flipbook layouts that make particle animations more efficient and flexible.Let us know in the comments if you'd like to see a particular guest or have an idea for a deep dive topic.Chapters:(00:00) Intro(00:45) Handhelds - ROG Xbox Ally X(06:34) IP Licensing - New Lionsgate Franchises(14:54) Roblox Trivia(20:04) Ad break(20:49) Homepage - "Continue" Sort Gone(29:26) Events - Halloween Spotlight(33:17) Particles - Custom Flipbook Layouts(38:47) OutroSeason 3 Episode 4Sources:- Roblox coming to two new platforms— https://corp.roblox.com/newsroom/2025/10/roblox-everywhere-bringing-roblox-two-new-platforms— Device optimisation: https://devforum.roblox.com/t/handheld-ready-optimize-your-creations-for-any-device/3887726- New Lionsgate IPs and pitch feature— https://devforum.roblox.com/t/new-lionsgate-ips-arrive-in-the-licenses-catalog-–-plus-the-new-pitch-feature/4008864/1— Licensing platform: https://create.roblox.com/explore/licenses- “Continue” sort being buried on home page— https://x.com/Abstract_Alex/status/1978134759349104724- Halloween Spotlight— https://x.com/Roblox/status/1978153942405005436— https://x.com/Roblox/status/1979222934959935733— (AFTER RECORDING) https://x.com/Roblox/status/1980698146499076206- Custom flipbook layouts for particles— https://devforum.roblox.com/t/client-beta-optimize-your-particle-animations-with-custom-flipbook-layouts/4005128— Particle emitter docs: https://create.roblox.com/docs/en-us/reference/engine/classes/ParticleEmitter— Original beta: https://devforum.roblox.com/t/animated-particles-with-the-particle-flipbooks-beta/1718023Hosts:- Adam (BanTech): https://lastlevel.co.uk/adam- Fedor (LoadingL0n3ly): https://x.com/LoadingL0n3ly- Anthony (sublivion): https://www.roblox.com/users/44028290/profile----------------------------Watch or listen wherever you get your podcasts.Visit https://lastlevel.co.uk/podcast for more.Join the Discord: https://discord.lastlevel.co.ukBeyond The Blox is produced by Seb Jensen for Last Level Studios.----------------------------#beyondtheblox #roblox #robloxdev #robloxstudio #metaverse #virtual #experienceLicence code: TGSNZG5Z1OXPPELJ

Imani Davis is a writer, producer, and a film programmer at the American Cinematheque in Los Angeles. A recent LA transplant from Chicago, she is deeply committed to elevating women directors, as well as providing opportunities for emerging talent to break into the film industry. At the American Cinematheque, a 501c3 nonprofit boasting over 1,500 film screenings a year, Imani curates, plans, and executes unique and engaging film events. She has worked to put on events with A-list filmmakers and talent such as Sofia Coppola, Jordan Peele, Daniels (Daniel Kwan and Daniel Scheinert), Damien Chazelle, Christopher Nolan, and many more.Also within her work at the American Cinematheque, Imani founded and put on the inaugural PROOF Film Festival in October of 2023. PROOF is one of the first ever short film festivals completely dedicated to proof-of-concept short films. Imani thought of the festival concept and put on the first edition to rousing success within a year of starting her position at the AC. The first year of PROOF included screenings of over 40 hand-picked short films from emerging talent, industry mixers and panels, and film industry decision makers in attendance such as representatives from Sony, Lionsgate, Gersh Agency, MACRO, Hartbeat Productions, ColorCreative, and more.Outside of her role as a film programmer, Imani co-founded Film Girlz Brunch, a monthly casual meetup of women in film in Los Angeles which has formed a number of partnerships and hosted many events in just over a year of starting. She also co-hosts “Players: A Film Industry Podcast” with fellow filmmaker and producer Demma Strausbaugh which is dedicated to demystifying various industry topics in an accessible and fun way.Connect with Imani:➡️ Instagram: @imanimdavis➡️ TikTok: @imanidavishttps://www.americancinematheque.com/series/proof-proof-of-concept-film-festival-2025/About The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.Follow Us! ⤵️Instagram & TikTok: @thelot1podcasthttps://www.instagram.com/thelot1podcast/?hl=enhttps://www.tiktok.com/@thelot1podcast–Hosted byDeji Bankole (@deji_bankole)Christopher Henley (@henley_son)Produced byMina VazirianEdited byCarlos Luna & Christopher Henleyhttps://linktr.ee/thelot1podcast Hosted on Acast. See acast.com/privacy for more information.

On the nineteenth night of our #31DaysToHalloween the Mister joins me in reviewing THE DESCENT (2005), written and directed by Neil Marshall.  A year after losing her husband and daughter in a car accident, a grieving woman named Sarah joins five female friends for a caving expedition in the Appalachian Mountains.  Their trip quickly turns into a nightmare when a tunnel collapses, trapping them in an unmapped cave system where they realize they are not alone.  As they struggle to find an exit, the group is hunted by pale, carnivorous, humanoid creatures called "crawlers," forcing them to fight for survival against both the monsters and their own internal betrayals.  The film clocks in at 1 h and 39 m, is rated R and we caught the film on the Hoopla app (support your local library!) but you can also find it on Moviesphere by Lionsgate, Fawesome, Roku Channel, Prime Video, Tubi and to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#SupportYourLocalLibrary  @HooplaDigital#TheDescent #NeilMarshall #ShaunaMacdonald #Sarah #NatalieMendoza #Juno #AlexReid #Beth #SaskiaMulder #Rebecca #MyAnnaBuring #Sam #NoraJaneNoone #Holly #OliverMilburn #Paul #MollyKayll #Jessica #CraigConway #CrawlerScar #LeslieSimpson #Crawler #MarkCronfield #Crawler #SteveLamb #Crawler #CatherineDyson #Crawler #JulieEllis #Crawler #SophieTrott #Crawler #TristanMatthiae #Crawler #StuartLuis #Crawler #JustinHackney #Crawler #FolkHorror #MonsterHorror #Horror #PsychologicalThriller #Adventure #Thriller  @HooplaDigital  @MovieSphereChannel  @fawesometv  @TheRokuChannel  @Tubi  @PrimeVideo ⁠⁠ #31DaysToHalloween #SpookySeason #Day18  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

Sports Geek Rapid Rundown is a daily sports business podcast curated by Sports Geek Reads. We publish it on Sports Geek twice per week. In this episode: Apple secures exclusive U.S. Formula 1 streaming rights for $750M, Lionsgate partners with TikTok fan editors for movie marketing, NEP Group raises $700M, Spotify upgrades AI DJ with text commands, and The Economist explores how AI is killing the web - all curated by Sports Geek Reads. Subscribe at https://sportsgeekhq.com/rapidrundown

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Laci Goth and Matt Chokes welcome their friends Tiera (@SpookyT on TikTok) and Derek (@HFK on TikTok) join the show to play the game of Saw. We all have varying degrees of affection for this franchise, and we get into the long history of its development under James Wan and Leigh Whannell first in Australia and then in Hollywood, and the major series it spawned. Then we go through the movie at length, wondering, at the end of the day, what exactly Jigsaw is trying to teach us. Watch this episode in full: https://youtu.be/MFpl_Kd2JGc  Follow Tiera and Derek's filmmaking on YouTube: Elevated Cryptid Productions (https://youtube.com/@elevatedcryptidproductions) Next week: The Cabin in the Woods (2012) with Cinematic Joshua! Bonus video: Matt talks about Rob Zombie's Halloween (2007) for 20 minutes https://youtu.be/8OhZW4AImYU  Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! https://patreon.com/loadbearingbeams    Time stamps: 00:03:05 — Our histories with the Saw franchise / opening thoughts on the first Saw 00:16:30 — History segment: James Wan and Leigh Whannell develop Saw, shoot a short film as proof of concept, and sell it to Evolution Entertainment; the film is bought by Lionsgate, becomes a huge hit, and spawns a major franchise 00:44:50 — Movie discussion 01:35:20 — Final thoughts and star ratings   Sources: “Saw creators Leigh Whannell and James Wan” by Scott Tobias | The AV Club (2010) - https://bit.ly/46ytbms "Blumhouse Buys Rights to ‘Saw' Franchise" by Brent Lang | Variety (2025) - https://bit.ly/4pLGUO9   Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Your Ambition” - https://youtu.be/ZHudVTCkrQY “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Facebook: @loadbearingbeams Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social

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Send us a textOctober 10th (2025): Lion´s Gate MeditationThis is the Meditation that goes with episode 58 which is the 8/8 but we are re-releasing it on the 10th of October due to our Mothers illness! We release a brand new meditation once a month together with our monthly episodes.I´ve collected the links to the Podcast and us here: https://linktr.ee/ldsandmediumPlease follow us on all our Social Media and share if you like our content!Here you can also download our Meditations as MP3´s:Morning Meditation Prayer: https://payhip.com/b/IJt0Evening Meditation Prayer: https://payhip.com/b/80bfChakra Opening Meditation: https://payhip.com/b/yQAKEarthstar Chakra Meditation: https://payhip.com/b/H0hgAffirmations I AM (part 1): https://payhip.com/b/p6JjHeart Chakra Activation: https://payhip.com/b/uc2bLove Yourself Meditation: https://payhip.com/b/Hi4GConnect to the Divine Meditation: https://payhip.com/b/HFm9Connect to the Christ Light: https://payhip.com/b/dlh8Be the LightShare the LightSpread the LightShine! Support the show

"Kiss Of The Spider Woman" is an American musical drama film written and directed by Bill Condon. Based on the stage musical by Terrence McNally, John Kander, and Fred Ebb, it is the second film adaptation of the 1976 novel by Argentine author Manuel Puig, following the Oscar-winning 1985 film. Jennifer Lopez stars in the titular role, alongside Diego Luna and Tonatiuh. The film premiered at the Sundance Film Festival, where it received generally positive reviews from critics for its direction, performances, and craftsmanship. Costume Designers Colleen Atwood and Christine L. Cantella were kind enough to spend time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on October 10th from Lionsgate, Roadside Attractions, and LD Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textRyan, a Massachusetts native and oldest of seven, found escape in sports and filmmaking. He earned a basketball scholarship to Fitchburg State University, studying Broadcast Journalism and Theater. Shortly after joining the U.S. Army in 2001, 9/11 changed the world—and his path. Serving eight years with two deployments, Ryan credits the military for shaping his leadership and creative drive. Post-service, he moved to Los Angeles to pursue directing, creating content for brands like Nike, Audi, Under Armour, ABC, and Oprah. He has Executive Produced and Directed veteran-focused series for go90 and has a Lionsgate feature film in the works. A frequent guest on major media platforms, Ryan also champions veterans in entertainment through the nonprofit Veterans in Media and Entertainment, aiming to shift the narrative from trauma to talent, leadership, and success.-Quick Episode Summary:Ryan Curtis discusses filmmaking, veteran advocacy, resilience, and creative journeys.-SEO Description:Army veteran and director Ryan Curtis shares his journey from service to filmmaking, discussing creativity, failure, and his film "Hollywood Grit."-

Most people would assume that raising capital for a celebrity-backed business would be a cakewalk, but Thai Randolph knew that was far from the truth. Securing $100 million in investment for Kevin Hart's Hartbeat Productions required more than just a famous name; it took proving real value, building trust, and navigating rejection. Her success led to one of the largest private-equity rounds ever led by a Black woman in the U.S. In this episode, Thai joins Ilana to share the lessons she's learned throughout her career, from her time at Sony, Facebook, and Lionsgate. She also opens up about her personal struggles with fertility while building a successful career and the pivotal moments that shaped her leadership style. Thai Randolph is an award-winning entrepreneur and marketer, and the former CEO of Hartbeat, where she led the company's growth and secured a $100M investment, one of the largest private-equity rounds led by a Black woman in the U.S. In this episode, Ilana and Thai discuss: (00:00) Introduction (01:51) How Thai's Small-Town Roots Shaped Her Path (04:58) Pivoting from Marketing Missiles to Storytelling (09:36) Breaking into Big Tech: From Sony to Facebook (14:14) Balancing Fertility Struggles and Career Moves (22:11) Joining Lionsgate and Meeting Kevin Hart (26:34) Challenges of Carving Out a New Business (28:20) Raising $100M for Hartbeat Against All Odds (32:40) Transitioning to CEO and Leadership Lessons (37:49) Balancing Work, Life, and Avoiding Burnout (41:57) Redefining Your Identity Beyond the Job Title (49:28) Thai's Next Big Ventures and Future Plans Thai Randolph is an entrepreneur and marketer, and the former CEO of Hartbeat, where she led the company's growth and secured a $100M investment, one of the largest private-equity rounds led by a Black woman in the U.S. As President and COO of Laugh Out Loud, she oversees the strategy and operations for Kevin Hart's comedy network. Thai has driven digital transformation at companies like Facebook and Sony, and provided media strategy for top brands like Verizon, Dell, and more. Connect with Thai:  Thai's LinkedIn: linkedin.com/in/thairandolph Thai's Instagram: instagram.com/thairandolph Resources Mentioned: Thai's Podcast, The Suga: podcasts.apple.com/us/podcast/the-suga/id1502324399  LOL Network: youtube.com/@lolnetwork  Leap Academy: Ready to make the LEAP in your career? There is a NEW WAY for professionals to fast-track their careers and leap to bigger opportunities. Check out our free training today at https://bit.ly/leap--free-training 

In this powerful and timely interview, Emilio Ortiz sits down with New Zealand's top psychic, Gaia Chinniah, to explore the life-changing energies surrounding the 8/8 Lionsgate Portal 2025. Gaia reveals her major timeline prediction for this cosmic gateway and how it will ignite a personal and collective revolution. Together, they dive deep into themes of diversification in life and business, the importance of truth and boundaries, and the courage needed to face change. Gaia shares her insights on soul clusters, energetic protection, and alchemizing jealousy and envy into empowerment. She also reveals why the void after chaos is the most potent space for creation, and how this year's Lionsgate will call each of us to activate our mission, embrace leadership, and leave a meaningful legacy for future generations.Whether you're navigating uncertainty, seeking clarity about your soul's path, or feeling called to step into a new timeline, this episode offers practical wisdom and spiritual activation for the road ahead. Gaia's guidance on community, forgiveness, and preserving your energy during chaotic times will inspire you to move forward with courage and grace. If you've been sensing that a shift is near, the 8/8 Lionsgate Portal may be the very opening you've been waiting for—an opportunity to realign with your truth, strengthen your boundaries, and step fully into your soul's purpose.Meet Gaia Chinniah, born with the sacred name Gāyathirī, inspired by the Hindu Goddess. At 33, she felt an unshakable sense that something life-changing was on the horizon — and she was right. A pivotal moment with a friend reminded her of her profound spiritual gifts. From that day forward, Gaia embraced her calling as a healer, specializing in Soul Progression Therapy® (S.P.T) and Soul Evolution Techniques (S.E.T). With her natural abilities, Gaia accesses your Akashic records to uncover past lives, clear energetic blocks, and align you with your true purpose. ___________________PODCAST CHAPTERS00:00 – Gaia Chinniah Intro02:22 - What Gaia is Most Excited About04:19 - 8/8 Lionsgate Portal07:18 - Boundaries & Building the "Love Wall"09:34 - Dealing With Scams & Holding the Void14:40 - Learning to Receive Community Support17:43 - We Need Human Connection20:08 - Embracing the Void & Finding Your True Power20:43 - How Courage is Transforming Collective Consciousness23:39 - Overcoming Ancestral Patterns & Energetic Addictions32:30 - Alchemizing Jealousy & Envy 39:50 - The Benevolent Eye: Being Watched Over by Guides44:45 - Accepting Your Mission in Times of Revolution47:48 - Gaia's Greatest Insights on Legacy01:02:28 - Hardest Spiritual Truth Gaia Learned to Accept01:05:44 - What Truth is Humanity Still Avoiding?01:08:48 - Accountability, Forgiveness & Healing Humanity's Shadows01:14:49 - Chaos & Perfection: Creating the World We're Proud Of01:18:56 - It All Begins Within01:20:27 - Connect With Gaia & Her Powerful Offerings01:20:50 - Gaia's Belief in Miracles & Shamanic Synchronicity01:25:39 - The True Value of Your Existence___________________Guest: Gaia Chinniah | Soul 33✦ Website | https://www.soul33.com/✦ Gaia's App | https://www.soul33.com/the-app✦ Book Session with Gaia | https://www.soul33.com/book-now✦ Instagram |   / soulthirtythree  ✦ YouTube | ‪@Soul-yn4kb‬ Host: Emilio Ortiz✦ IG |   / iamemilioortiz  ✦ Subscribe to Channel |    / emilioortiz  ✦ Watch Emilio's latest series on 4biddenknowledge TV l https://bit.ly/AwakenThe6thSense___________________© 2025 Emilio Ortiz. All rights reserved. Content from Just Tap In Podcast is protected under copyright law.Legal Disclaimer: The views, thoughts, and opinions expressed by guests on Just Tap In are solely those of the guest and do not necessarily reflect the views or opinions of Emilio Ortiz or the Just Tap In Podcast. All content is for informational purposes only and should not be considered professional advice.

Avengers: Doomsday Trailer Release Date & Cryptic Photo, DCU Batman Casting Wars, AI Actress INSANE Controversy — Greg Alba & Coy Jandreau go LIVE to break down the latest Marvel & DC news! The Russo Brothers just shared a mysterious “Look Hard…” photo from the Avengers: Doomsday (2026) set, teasing fans with hidden details while a major leak from SFX artist Gi Ponci revealed new suits for the X-Men (Cyclops, Wolverine, Storm, Rogue, Gambit), Fantastic Four (Reed Richards, Sue Storm, Johnny Storm, Ben Grimm), Namor, Thor, Silver Surfer, and even Robert Downey Jr.'s Doctor Doom. On top of that, reports say the Avengers: Doomsday trailer is coming this December, and Channing Tatum is hyping it up as the wildest Marvel movie yet — bigger than Blade's Deadpool & Wolverine cameo! Plus, Ryan Reynolds is reportedly developing his own mutants team-up movie for the MCU's next saga. Meanwhile in the DCU, everyone wants to be Batman — but who has actually gone on record? We'll run down the names fans are buzzing about, while James Gunn teased two unannounced movie scripts, one mystery TV project, and updates on Supergirl. In Marvel TV, Daredevil: Born Again writer Jesse Wigutow revealed a scrapped “bottle episode” pairing Punisher & Echo — would that have worked? Over on Max, Peacemaker Season 2 keeps building toward Superman: Man of Tomorrow and Nicholas Hoult's Lex Luthor, while fans still debate the AI actress Tilly Norwood controversy. And for other wild news: Universal is developing The Mummy 4 with hopes for Brendan Fraser's return (but will audiences embrace it or reject another “old man sequel”?), and Lionsgate is scripting a Samurai Western spin-off in the John Wick Universe. Should Wick expand or bow out gracefully? We're covering it all tonight. Join the Reject Nation as we react, speculate, and debate across the MCU, DCU, and beyond — from Avengers: Doomsday and Spider-Man: Brand New Day to Gunn's DC plans, The Mummy 4, John Wick, and the future of comic book movies! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the opening weekend performance of Paul Thomas Anderson's One Battle After Another, cover the latest news in exhibition, and preview the October slate—including the surprise addition of Taylor Swift | The Official Release Party of a Showgirl.What to Listen For00:00 Intro 00:28 PTA's One Battle After Another01:02 Press Screening Reactions (Smashing Machine)02:11 PTA Box Office & Career High02:53 Warner Bros. Hot Streak04:22 Hollywood Tariff Threats07:55 Advisory Committee & Industry Response08:17 October Preview Kickoff09:07 Taylor Swift: Life of a Showgirl (AMC Event)10:56 A24's The Smashing Machine with Dwayne Johnson13:37 Avatar: The Way of Water Re-Release13:57 Daniel Day-Lewis in M&A15:12 Horror Spotlight: Bone Lake (Bleecker Street)16:22 Tron: Ares Preview18:14 Paramount's Ruman (Channing Tatum)19:07 A24's If I Had Legs I'd Kick You19:42 Sony Faith-Based Soul on Fire20:22 Netflix Thriller House of Dynamite21:03 Musical Adaptation Kiss of the Spider Woman21:54 Universal's Black Phone 223:47 Lionsgate's Good Fortune (Keanu Reeves)24:42 Angel Studios' Truth and Treason25:13 Amazon/MGM's After the Hunt26:42 Kelly Reichardt's The Mastermind27:22 Chainsaw Man: The Movie (Anime)28:23 Paramount's Regretting You (Colleen Hoover)29:02 Bruce Springsteen Biopic Deliver Me From Nowhere31:43 Richard Linklater's Rogers & Hart Film32:52 Yorgos Lanthimos Sci-Fi Remake

Writers — ever feel like breaking into the industry is a mystery no one's willing to explain? Joey Tuccio has been changing that for nearly a decade.Starting his career at Bold Films (Drive, Nightcrawler, Whiplash) and reading for companies repped by Hugh Jackman and George Clooney, Joey saw just how tough it is for writers to get real access and actionable feedback. So he co-founded Roadmap Writers, now one of the leading platforms connecting writers to execs and reps across the industry.Since 2016, Roadmap Writers has helped 440+ writers sign with reps and launch careers at Netflix, Hulu, Amazon, Lionsgate, and more. Joey also mentors for Cinestory and The Writers Lab, and somehow still finds time to rescue animals.Whether you're new to screenwriting or ready to take the leap toward staffing and selling your script — this is your moment.Watch the weekly LIVE stream on ⁠⁠BraveMaker ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow BraveMaker on social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠#BraveMaker #BraveMakerPodcast #JoeyTuccio #RoadmapWriters #Screenwriting #Writers #BreakInHollywood #FilmIndustry #TVWriters

How do we nurture and protect the most human endeavors of creation and discovery?  Zachary Levi joins us to discuss calling, technology, and a creative Ark in Austin. We move from one's life mission to concrete plans for land and film incentives. The central question of our time is whether we ride the AI tsunami or get swept under it. Highlights00:00 Opening and Zachary Levi's journey to Austin05:53 Calling vs discovery13:48 Build the ark and fix Hollywood25:13 Community, work, and purpose30:20 Why Bastrop for Wyldwood38:05 Austin's energy and first principles46:57 Film incentives and ROI54:00 AI reshapes studio vs creatives1:10:40 Purpose through creation and discovery1:19:07 What's Next Austin?Guest BioZACHARY LEVI has proven himself a triple threat- he is an accomplished actor, singer, and dancer that was displayed with his Tony- nominated performance for “Best Leading Actor in a Musical” in the critically praised Broadway production, SHE LOVES ME. In August 2024, Zachary starred in HAROLD & THE PURPLE CRAYON for Sony, based on the wildly popular children's book written by Crockett Johnson. He will next star in both MGM/Amazon's SARAH'S OIL as well as Joe Carnahan's real-life survivor thriller, NOT WITHOUT HOPE. Zac is also set to appear in HOTEL TEHRAN, a new thriller from writer-director, Guy Moshe. In March 2023, Levi reprised his role as Shazam! in the Warner Bros. DC franchise, SHAZAM! FURY OF THE GODS. Directed by David F. Sandberg, this was the follow-up to the first installment, SHAZAM! which held the #1 spot at the box office for weeks following its April 2019 release. In 2021, Zachary portrayed iconic NFL MVP and Hall of Fame quarterback, Kurt Warner in AMERICAN UNDERDOG for Lionsgate directed by Andrew and Jon Erwin. Zac will return with the Erwin brothers for another Lionsgate film THE UNBREAKABLE BOY, based on the true story of the most inspiring boy who touched and changed the lives of those around him in theaters February 21, 2025. In a fan favorite recurring role, Levi took home a SAG Award for “Best Ensemble in a Comedy Series” for season two and three of Amazon Studios' Emmy winning series, THE MARVELOUS MRS. MAISEL. The first season of the show won six Primetime Emmys, two Golden Globes, as well as a Peabody Award and two Critics' Choice Awards. The second season won one Golden Globe, three Screen Actor Guild Awards, one PGA Award, two Broadcast Film Critics Association Awards, one Critics Choice TV Award, and TV Program of the Year at the AFI Awards.Additional previous film credits include: CHICKEN RUN: DAWN OF THE NUGGET; TEDDY'S CHRISTMAS; APOLLO 10 ½: A SPACE AGE CHILDHOOD; THOR: THE DARK WORLD; ALVIN & THE CHIPMUNKS: THE SQUEAKQUEL; and TANGLED. The song “I See the Light,” written for TANGLED (performed by Levi & Mandy Moore) was nominated that year for an Oscar and Golden Globe for Best Original Song. The pair performed the duet at the 83rd Annual Academy Awards ceremony. “I See the Light” also won the Grammy Award for “Best Song Written for Visual Media” at the 54th Grammy Awards. Levi is best known for his fan favorite performance as Chuck Bartowski in the hit NBC series, CHUCK. Other previous TV credits include the Netflix mini-series ALIAS GRACE & HEROES REBORN. In June 2022, Levi made his author debut with his memoir, RADICAL LOVE: LEARNING TO ACCEPT YOURSELF AND OTHERS, which shares his emotional journey through a lifetime of crippling anxiety and depression to find joy, gratitude, and ultimate purpose Guest LinksZachary Levi: X, Instagram Wyldwood -------------------Austin Next Links: Website, X/Twitter, YouTube, LinkedInEcosystem Metacognition Substack

Addy and Joey analyze three stories at the intersection of AI and filmmaking: the potential talent agency signing of AI actress Tilly Norwood, the technical challenges in the Runway-Lionsgate partnership, and how VFX professionals are combining AI with traditional compositing tools.--The views and opinions expressed in this podcast are the personal views of the hosts and do not necessarily reflect the views or positions of their respective employers or organizations. This show is independently produced by VP Land without the use of any outside company resources, confidential information, or affiliations.

Step into the world of Hollywood storytelling with Kevin Eugee Wilson—Showrunner, Director, Executive Producer, and CEO of Sylver Lining Media. From producing the BET Awards, NAACP Image Awards, and Soul Train Awards to creating hit shows like Laugh Tonight with Damon Williams and Known Cap TV, Kevin's career spans Netflix, Lionsgate, BET, Nike, and more.In this candid conversation with hosts Floyd Marshall Jr. and Okema T. Moore, Kevin shares his journey from Chicago to Los Angeles, the hustle of breaking into scripted and unscripted TV, and his lessons on resilience, creativity, and creating opportunities. Listeners will gain insider insight into:

Welcome, everyone, to tonight's episode. We're diving into A Simple Favor and its sequel Another Simple Favor — two stylish, twisty thrillers that sit at the intersection of dark comedy, mystery, and melodrama. But behind the glamour and plot turns lies an interesting story of studio strategy, financial risk, and evolving distribution models.Let's start with the original. A Simple Favor (2018) is directed by Paul Feig, from a screenplay by Jessica Sharzer, and stars Anna Kendrick as Stephanie and Blake Lively as Emily. The film is based on the 2017 novel by Darcey Bell. Its budget was modest — around 20 million dollars — and it went on to gross nearly 98 million worldwide. Critics generally responded well, with a Metacritic score in the high 60s and audiences giving it a CinemaScore of B+. Rotten Tomatoes praised it as “twisty, twisted, and above all simply fun.” Part of the allure is the tone: it plays like a “mommy noir” — elegant, sharp, with sharply drawn characters and unpredictable turns. It was a strong showing for a midtier studio film, and helped cement A Simple Favor as a cult favorite in the thriller and women-driven mystery niche.Fast forward to 2025, and we have Another Simple Favor. This sequel is not based on a book — unlike the original, it's an original screenplay by Jessica Sharzer and Laeta Kalogridis. The production is a co-venture: Lionsgate still participates, but distribution shifted. Another Simple Favor was released on Amazon Prime Video rather than in theaters, with Amazon MGM handling distribution. Filming took place in 2024, in locations like Capri and the Villa Adriana in Italy. Critically, the sequel has earned mixed reviews. Some praise Lively's magnetic presence, gorgeous costumes, and the ambition of the story's escalation. But others argue it feels overstuffed, that pacing sags in parts, and that it lacks some of the tightness or novelty of the first film. One reviewer summed it up: “It works better when its characters are just allowed to be marvelous instead of mysterious.” It also premiered at SXSW in March 2025 before its streaming release on May 1. The fact that its home is Prime Video, rather than a theatrical run, signals some of the shifting business realities behind studio films — especially for sequels that may carry higher risk.These two films provide an ideal case study in how creative ambition, risk, and studio strategy collide. The first film was a midbudget gamble that paid off. The second gives us lessons in modern distribution, content partnerships, and the pressures on midsize studios to share risk or cede control with streaming giants.Tonight, we're going to compare the narratives, the characters, the successes and stumbles — but also look behind the curtain: how studios like Lionsgate are navigating a volatile business environment, why a sequel would skip theaters, and whether the shift in approach gives Another Simple Favor an edge or a handicap.So grab your martini, or mocktail — let's get into A Simple Favor and Another Simple Favor.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

In this episode of Byte, we go beyond the screen to meet the creative minds who shaped the look, feel, and emotional texture of The Long Walk, Lionsgate's chilling adaptation of Stephen King's dystopian classic.

In this special episode of Byte, we step into the boots of the young actors who bring The Long Walk to life. Adapted from Stephen King's chilling dystopian novel, the film follows 100 teenage boys forced to walk without rest—until only one remains. Audio provided by Lionsgate.

Grumpy Old Geeks is back with another round of righteous griping and eyebrow-raising headlines in Episode 715: Our Wizard Lies. We kick things off in FOLLOW UP, where TikTok is still the geopolitical hot potato that both the U.S. and China promise to sort out “someday, maybe,” while Wired's global editorial director explains how tech's growing political clout is playing out under Trump. From there, it's a cavalcade of absurdities: DOGE as federal workforce demolition derby, and crypto bros trying to turn Charlie Kirk's death into meme-stock retirement plans. Late-stage capitalism is nothing if not creative.Then in IN THE NEWS, Amazon gets spanked with a $2.5 billion fine for Prime trickery, Microsoft yanks cloud services from an Israeli military unit, and Palantir goes full lifestyle brand—yes, you too can cosplay as a drone strike enthusiast with a $99 pair of gym shorts. Silicon Valley philosophers warn AI regulation would literally summon the Antichrist, while banks whisper the bubble might pop before the devil even arrives. Meanwhile, YouTube toys with letting COVID and election denialists back into the algorithm, “SIM farms” threaten New York's cell networks, and unlucky tourists are finding themselves trafficked into cyber-scam slavery across Southeast Asia. Progress!MEDIA CANDY tries to lighten the mood—sort of—serving up everything from Elio, Tron: Ares, and Disney price hikes to AI musicians cashing million-dollar checks. Lionsgate, on the other hand, learns you can't feed four John Wicks into an algorithm and get an anime out the other side. Over in THE DARK SIDE WITH DAVE, we get furries on the DC Metro, Disney plotting your every park step via Ray-Ban spy glasses, a Ponzi scheme in RadioShack cosplay, and even a Jim Henson Company anniversary auction. We close out with shout-outs and sighs, because sometimes the world doesn't deserve a mic drop—just a slow shake of the head.Sponsors:Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/715FOLLOW UPUS and China agree to agree on a TikTok dealWIRED global editorial director on tech's growing political power under TrumpThe Story of DOGE, as Told by Federal WorkersCrypto Bros Are Trying to Monetize Charlie Kirk's DeathIN THE NEWSAmazon to pay $2.5 billion for allegedly duping millions to sign up for PrimeMicrosoft cuts off cloud services to Israeli military unit after report of storing Palestinians' phone callsPalantir Wants to Be a Lifestyle BrandSilicon Valley's latest argument against regulating AI: that would literally be the AntichristAI Experts Urgently Call on Governments to Think About Maybe Doing Something‘Workslop': AI-Generated Work Content Is Slowing Everything DownDeutsche Bank Issues Grim Warning for AI IndustryYouTube may reinstate channels banned for spreading covid and election misinformation‘SIM Farms' Are a Spam Plague. A Giant One in New York Threatened US Infrastructure, Feds SayThey traveled to Thailand. They wound up cyber scam slaves in Myanmar.MEDIA CANDYElioSupermanHuman: OriginsHuman: JourneysAlien: EarthThe Traitors IrelandDisney is raising the price of Disney+, Hulu subscriptions next monthWicked: For Good | Final TrailerLilith Faire: Building a MysteryTron: AresAI Artist Signs Million-Dollar Record DealLionsgate Is Finding Out It's Really Hard to Make Movies With AIJimmy Kimmel May Be Back. Trump's Attacks on the First Amendment Aren't Over By Merrill MarkoeJimmy Kimmel is Back!THE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingDisney Explores Using Ray-Ban Meta Glasses To Guide Guests Around Its ParksThe Happiest Story on Earth: 70 Years of DisneylandThe Mandalorian and Grogu | Official Trailer | In Theaters May 22, 2026The Jim Henson Company 70th Anniversary AuctionFeds Say Company That Bought RadioShack Was Running $112 Million Ponzi SchemeFurries ride the DC MetroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Long Walk is a 2025 American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner. It is based on the 1979 novel of the same name by Stephen King (under his pseudonym Richard Bachman). The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Joshua Odjick, Judy Greer, and Mark Hamill.The Long Walk was released in the United States by Lionsgate on September 12, 2025. The film received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the latest industry news, including Taylor Swift's upcoming event cinema release and Cinema United's announcement of the $1.5 billion that has been invested in cinemas around the country. Boxoffice Pro's Max Evry is then joined by The Strangers – Chapter 2 director Renny Harlin to discuss the success of his horror franchise gamble and the second chapter of his Strangers trilogy, which arrives in theaters September 26th from Lionsgate. In the feature segment, Daniel Loria and Lumma's Rolando Rodriguez recap the inaugural CineLATAM, discussing the event's success and its significance for the Latin American market.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:00 Intro 00:36 Fathom Screenings & Recent Movie Reviews05:20 Highlights from New York Film Festival09:21 Horror Releases & Box Office Updates10:15 Studio Merger Rumors & Market Concerns11:14 $1.5B Investment in Cinema Upgrades12:45 September Box Office Trends14:05 Upcoming Releases & Forecasts15:02 Taylor Swift Event Cinema Announcement18:24 Release Date Changes & New Projects21:20 Interview: Renny Harlan on The Strangers: Chapter Two27:10 Sponsor Message – Luma 4D28:05 CINELATAM Recap with Rolando Rodriguez35:30 Premium Formats & New Technology39:55 Closing Takeaways from CINELATAM

Madelaine Petsch has a penchant for divisive female characters.You may know her best as from her role as Cheryl Blossom in the CW's hit series Riverdale," which ran for 7 seasons. She's recently been evolving into one of Hollywood's most promising young producers. She's currently starring in and producing the next installment of "The Strangers" horror trilogy for Lionsgate, which hits theaters this Friday, September 26th. You can also catch her in the Amazon rom-com "Maintenance Required" on October 8th. In one film she's being chased by masked strangers; in the other, she's running from love. It was exciting to catch Madelaine in these early days of her shift into producing, especially when so many are skeptical of that leap. She's refreshingly candid about the brutal realities of fame—death threats, having her address posted online, and the strategic decision to delete her entire YouTube channel after millions of views. We explore how her South African immigrant parents shaped her work ethic, why she's drawn to complex female characters, and the politics of producer credits. And yes, before you ask—she can change your brake pads. xx CG

Jerrica Long is a creative strategist and digital showrunner with 12+ years shaping stories, brands, and fanbases at CAA, DreamWorks, Lionsgate, and Netflix. She's worked on Harry Potter, Barbie, American Girl, and UNO, while also championing pay equity and fair creative labor. Today, she runs Studio Jerrica, a TV and Film studio, and Greenlight Yourself, a consultancy helping creators and companies build loyal audiences without Hollywood-sized budgets.

In this episode of Byte, we sit down with Jeremiah Fraites—co-founder of The Lumineers—as he reflects on his cinematic debut composing the score for The Long Walk, the chilling adaptation of Stephen King's novel. Thanks to Lionsgate for the audio provided.

In this episode of Byte, director Francis Lawrence takes us behind the sonic curtain of The Long Walk, the haunting adaptation of Stephen King's dystopian classic. Known for his cinematic collaborations with artists like the Lumineers, Lawrence shares how his long-standing creative rapport with Jeremiah Fraites—co-founder of the band—led to Fraites' selection as composer for the film. Special thanks to Lionsgate for the audio.

The Long Walk is a 2025 American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner. It is based on the 1979 novel of the same name by Stephen King (under his pseudonym Richard Bachman). The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Joshua Odjick, Judy Greer, and Mark Hamill.The Long Walk was released in the United States by Lionsgate on September 12, 2025. The film received generally positive reviews from critics.

The year of the Stephen King adaptation marches on. This week, Derek Miranda (@DerekMiranda85) and Karen Peterson (@KarenMPeterson) sit down to talk THE LONG WALK. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: A group of teenage boys compete in an annual contest known as The Long Walk, where they must maintain a certain walking speed or get shot. Directed by: Francis Lawrence Written by: JT Mollner, adapted from the novel by Stephen King Starring: Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Josh Hamilton, Judy Greer, Mark Hamill *Clip from THE LONG WALK courtesy of Lionsgate.    @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

The following interview was recorded with Robert David Port, director of Twin Towers Legacy, a new documentary from Lionsgate.

Zeddy's reviews for WB's "The Conjuring: Last Rites" and Lionsgate's "The Long Walk". Rate, Review, & Subscribe ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Socials:V39: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/Vigilante1939⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zeddy: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/NickZednik⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ZeddyFilms/⁠⁠Movie Archer: ⁠moviearcher.com

"Twinless" is an American indie black comedy psychological drama film written, directed, co-produced, and co-starring James Sweeney alongside Dylan O'Brien. It had its world premiere at the 2025 Sundance Film Festival in the U.S. Dramatic Competition, where it received critical acclaim for its direction, writing, and performances and won the Audience Award. Sweeney and O'Brien were kind enough to spend time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, now playing in theaters from Lionsgate & Roadside Attractions. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – A follow-up on the wager between Mo' & Melissa, the Founder of the independent Black-owned media company ‘2UrbanGirls,'   regarding former KTTV, Fox L.A. host Elex Michaelson's next move…PLUS – Thoughts on the new Texas “anti-Anime bill” AND Mark Rahner has a review of the new Lionsgate adaptation of Stephen King's first-written novel ‘The Long Walk' in The Rahner Report - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

ICYMI: ‘Later, with Mo'Kelly' Presents – Mark Rahner's review of the new Lionsgate adaptation of Stephen King's first-written novel ‘The Long Walk' in the Rahner Report - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

Hey everyone, back with another monthly episode of The Howl, where me and my cohost Adam Cruz break down the biggest horror news, share what we've been watching, and talk all things horror. This month we're joined by screenwriter, producer, and director Joe Russo (Nightmare Cinema), who brings some serious insider perspective to the conversation.Our goal with The Howl is to catch listeners up with all of the horror news they might have missed from the past month in a fun, conversational format. If you want a quick-read version of The Howl sent straight to your inbox every month, sign up for my newsletter at nicktaylor.com/thehowl.We're easing back into doing this on a regular basis and wanted to focus this conversation mostly on industry insight which Joe is particularly dialed into as you'll see. Please enjoy this month's Howl podcast.So without further ado, here's me, Nick Taylor, with Adam Cruz and Joe Russo on this month's segment of The Howl.SHOW NOTESMovies Mentioned:Amityville Horror (1979 and 2005 remake)Lights OutCompanionWeaponsContractedNightmare CinemaThe Conjuring seriesAnnabelle Comes HomeSalem's Lot (new version)Poltergeist (TV development)Alien: EarthObsession (Curry Barker)Strange DarlingThe Long WalkThe Ring (Japanese and US versions)BarbarianWeaponsBlair Witch (upcoming Lionsgate iteration)Magic (remake)Good BoyThe PresenceM3GAN and M3GAN 2.0The Lost BoysAn American Werewolf in LondonThe UndertoneTalk to MeF1TogetherLonglegsTV Shows Mentioned:The Conjuring (upcoming HBO Max series)Stranger ThingsThe First Shadow (Stranger Things play)Resources Mentioned:Beyond FestColors of the Dark PodcastThe Innocence ProjectFollow Adam Cruz at:Instagram https://www.instagram.com/murdermemes_TikTok: https://www.tiktok.com/@murdermemes_Store: www.murdermemes.shopFollow Nick Taylor at:Instagram: https://www.instagram.com/nicktaylorhorrorshow/TikTok: https://www.tiktok.com/@nicktaylorhorrorshowYouTube: https://www.youtube.com/@NicktaylorhorrorshowWebsite: www.nicktaylor.comFollow Joe Russo at:Instagram: https://www.instagram.com/joerussogramX (Twitter): https://x.com/joerussotweetsWebsite: https://joerussofilm.com/IMBd: https://www.imdb.com/name/nm2349665/

In this episode of Tipsy Casting, we welcome the powerhouse show runner and co-creator of The House of The Dragon, Ryan Condal!The series launched on Max on August 21, 2022, with the first episode drawing in a total of 9.99 million viewers as HBO's biggest series premiere ever. The first season of the series went on to win the Golden Globe for “Best Drama Television Series,” in addition to receiving multiple nominations from the Primetime Emmy Awards, BAFTA Awards, Critics Choice Awards, and People's Choice Awards. The second season premiered on Max on June 16, 2024 with Condal at the helm yet again. Season 2 of HOUSE OF THE DRAGON secured 1.2 billion total viewing minutes in the first week airing on the platform.Ryan previously co-created, executive produced, and showran the USA series COLONY for three seasons. In film, he co-wrote Warner Bros' RAMPAGE for Brad Peyton, sold a pitch to Lionsgate with Chad Stahelski attached to direct, and wrote HIGHLANDER for Chad Stahelski, which is set up at Lionsgate. In the past, Ryan sold his spec screenplay INFINITE HORIZON to Warner Bros and wrote the feature HERCULES starring Dwayne Johnson. Ryan was named one of Variety's 10 TV Scribes to Watch for 2015.In this episode we discusss...Ryan's love of scotch whiskey His decision and transition from the US marke to the UK marketThe development process of The House of the Dragon We dive into the casting process and how he balanced getting the big name actors along with the lesser known up and coming castHis instinct for casting and how he views the processWhat is he looking forward to after The House of the Dragon is over and if he's keen to dive into a certain genreMentorship within the writing world and how to get your foot in the doorHow important networking and putting yourself out there can help you throughout your careerResources: Ryan Condal IMDBEntertainment Weekly's Article about HOD Season 3 ────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠

At 84, veteran mogul John Malone is still a power broker, hinting at “further consolidation in the media industry” following a recent sit down with David Ellison. Should we be on the lookout for a Warner–Paramount merger? Meanwhile in Vegas, the Sphere’s $100 million Wizard of Oz reimagining leans on AI to expand the visuals and even slip in cameos of David Zaslav and James Dolan. The Directors Guild did not take kindly to the stunt. Partners in Banter Kim Masters and Matt Belloni pull back the curtain on the Sphere's Emerald City sideshow.   Plus, Masters speaks with Runway co-founder Cristóbal Valenzuela about the role of artificial intelligence in Hollywood. The Chilean-born developer acknowledges that AI may lead to some job losses, but he argues it will ultimately benefit filmmakers. He explains why studios including Lionsgate, Netflix, and Disney are already using Runway’s tools. Plus, he compares the current backlash against AI to the upheaval that followed the introduction of sound in film.  

2025 has been a breakthrough year for AI video. In this episode of the MAD Podcast, Matt Turck sits down with Cristóbal Valenzuela, CEO & Co-Founder of Runway, to explore how AI is reshaping the future of filmmaking, advertising, and storytelling - faster, cheaper, and in ways that were unimaginable even a year ago.Cris and Matt discuss:* How AI went from memes and spaghetti clips to IMAX film festivals.* Why Gen-4 and Aleph are game-changing models for professionals.* How Hollywood, advertisers, and creators are adopting AI video at scale.* The future of storytelling: what happens to human taste, craft, and creativity when anyone can conjure movies on demand?* Runway's journey from 2018 skeptics to today's cutting-edge research lab.If you want to understand the future of filmmaking, media, and creativity in the AI age, this is the episode. RunwayWebsite - https://runwayml.comX/Twitter - https://x.com/runwaymlCristóbal ValenzuelaLinkedIn - https://www.linkedin.com/in/cvalenzuelabX/Twitter - https://x.com/c_valenzuelab FIRSTMARKWebsite - https://firstmark.comX/Twitter - https://twitter.com/FirstMarkCapMatt Turck (Managing Director)LinkedIn - https://www.linkedin.com/in/turck/X/Twitter - https://twitter.com/mattturck(00:00) Intro – AI Video's Wild Year (01:48) Runway's AI Film Festival Goes from Chinatown to IMAX (04:02) Hollywood's Shift: From Ignoring AI to Adopting It at Scale (06:38) How Runway Saves VFX Artists' Weekends of Work (07:31) Inside Gen-4 and Aleph: Why These Models Are Game-Changers (08:21) From Editing Tools to a "New Kind of Camera" (10:00) Beyond Film: Gaming, Architecture, E-Commerce & Robotics Use Cases (10:55) Why Advertising Is Adopting AI Video Faster Than Anyone Else (11:38) How Creatives Adapt When Iteration Becomes Real-Time (14:12) What Makes Someone Great at AI Video (Hint: No Preconceptions) (15:28) The Early Days: Building Runway Before Generative AI Was "Real" (20:27) Finding Early Product-Market Fit (21:51) Balancing Research and Product Inside Runway (24:23) Comparing Aleph vs. Gen-4, and the Future of Generalist Models (30:36) New Input Modalities: Editing with Video + Annotations, Not Just Text (33:46) Managing Expectations: Twitter Demos vs. Real Creative Work (47:09) The Future: Real-Time AI Video and Fully Explorable 3D Worlds (52:02) Runway's Business Model: From Indie Creators to Disney & Lionsgate (57:26) Competing with the Big Labs (Sora, Google, etc.) (59:58) Hyper-Personalized Content? Why It May Not Replace Film (01:01:13) Advice to Founders: Treat Your Company Like a Model — Always Learning (01:03:06) The Next 5 Years of Runway: Changing Creativity Forever

Texas Representative Linda Garcia has been fighting for our community, both within her state and all over the country. She was one of the brave representatives who fled and basically initiated a strike because of an impending vote to enact racist gerrymandering plans in the state of Texas. In doing so, she and her team were able to buy themselves some time and raise awareness about what's happening in local and federal governments. Our dear friend Linda Garcia has called us to action and told us exactly what we can do to help.    Representative Linda Garcia has 17 years of experience in the TV and film industry, helping to build programming for the U.S. Hispanic market at Azteca, Netflix, and Lionsgate. She founded In Luz We Trust, a company dedicated to restructuring negative generational money beliefs to create a positive experience through investing. She recently engaged in a deal with Wells Fargo and People's Self-Help Housing to educate USDA farmworker households for a financial literacy program. Rep. Garcia is a published author of the book Wealth Warrior: 8 Steps for Communities of Color to Conquer the Stock Market. Wealth Warrior received a bronze medal for Best Self-Transformation Book and a silver medal for Best Business. Rep. Garcia's work has been featured on Yahoo Finance, Univision, People En Español, Bloomberg, CNBC, Dallas Morning News, Chicago Tribune, Forbes, Parents Latina, and was a contributor to Time's Next Advisor. Rep. Garcia's achievements have earned her recognition from Latino Leaders Magazine and the City of Los Angeles. She also hosts a weekly podcast, Investies, where she makes complex economic topics accessible and actionable for a broad audience.   In this week's episode, Representative Linda Garcia shares her experience fighting back against the current administration as well as what we can do to help. She explains what gerrymandering is, how it would immediately affect our communities at the local and federal level, and actions you can take to fight back against these attacks on our communities. Now is the time to get involved. We can do this, together.  Resources Mentioned: Investies: Your Weekly Guide to the Stock Market, Investing & Economy Native Land Pod  Latino Vote podcast   Follow Linda on: IG: @linda4texas IG: @itslindagarcia   Follow Erika on: Instagram @‌theerikacruzTikTok @‌theerikacruzLinkedIn Website: http://www.theerikacruz.com How to work with Erika: Sign up for the free webinar “The Magnetic CEO Method” here! Join the waitlist for the Courage Driven Latina program here. Join the waitlist for the Magnetic Mastermind here.   Podcast production for this episode was provided by CCST, an Afro-Latina-owned boutique podcast production and copywriting studio. 

Offbeat Holidays in September With “The Long Walk” about to hit theaters on Sept. 12, Lionsgate is amping fans up by introducing a walking challenge for audiences. The film studio is holding a special screening where moviegoers will have to keep walking on a treadmill if they want to see the entire movie. Fans at a recent Korn and System of a Down concert got a whole lot more than they bargained for after one man was allegedly seen masturbating in the crowd. Taco Bell is reconsidering the roll out of its AI-powered drive thrus after some customers complained about problems with orders and others tried to troll the systems. #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamabasketaball #alabamafootball #auburnbasketball #auburnfootball #rolltide #wareagle SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzL... FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast... WEBSITE: https://nextroundlive.com/ MOBILE APP: https://nextroundlive.com/the-ne.... SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Joshua Lastine is an entertainment attorney and the founder of Lastine Entertainment Law, representing actors, directors, writers, producers and more. A former in-house lawyer at Lionsgate and ViacomCBS, he has worked on high-profile projects such as Halloween (2018) and The Blackening, as well as massive Netflix productions, indie films, and everything in between.Recognized by Variety as a Hollywood Deal Maker, Joshua also serves as an adjunct lecturer in Entertainment Business Law at The Los Angeles Film School.A lifelong horror fan with a collection of VHS, DVDs, and Blu-rays, Josh brings deep genre knowledge to his legal practice, helping creators navigate contract pitfalls, IP disputes, distribution hurdles, and budget constraints. Since founding Lastine Entertainment Law in 2021, he has been dedicated to empowering artists and safeguarding their creative rights while bridging the worlds of horror fandom and Hollywood deal-making.In this conversation, Josh breaks down the legal and contractual realities that every filmmaker needs to understand, from optioning IP and attaching talent to navigating distribution deals and protecting your rights. He also shares practical advice on unions, strikes, and why legal literacy is one of the most empowering tools a creative can have.On today's episode of The Nick Taylor Horror Show, here, without further ado, is Joshua Lastine.Key TakeawaysBuild your legal relationship early.Joshua's first counsel is simple. Do not wait for a contract to land in your inbox. Grab coffee with an entertainment lawyer, establish rapport, and get them looped in before deals apply pressure. He even outlines a smart starter plan for indies: raise an initial 25K for a line producer, budget, legal, and accounting, so chain of title and financing agreements are set before momentum stalls.Know your money lanes.He breaks down the big buckets: equity, debt, tax credits, and crowdfunding. Debt requires careful counsel. Equity means real finance docs and a clean LLC structure. Crowdfunding can be powerful when paired with creative perks, like the Eli Roth “we will kill you on screen” idea that trades access for cash.Investors buy more than ROI.For many backers, the value is experience and access: a set visit, a cameo for a family member, festival credentials. Pitch decks and sizzles matter, but so do relationships, attachments, and a clear sense of your project's look and tone in seconds. Package visually and socially, not just financially.Product placement is real money.Joshua points to Smile weaving Voss Water into its story as a character beat, likely putting real cash onto the screen. He and Nick also cite Weapons using Liquid Death cans in a 7-Eleven fight scene. The takeaway: brands can offset costs or boost perceived scale if you integrate them thoughtfully and on-brand.Keep chain of title airtight.Lawyers can't help if ownership is murky. Joshua stresses that rights must flow cleanly from screenplay to delivery, or distributors and E&O carriers will balk. This is the “heavy lifting” that protects your sale, your investors, and your future library value.Use AI and templates with judgment.For tiny, low-risk projects, basic templates or AI can help you start. The moment budgets rise, name talent appears, or you touch debt and distribution, you need a lawyer shepherding the paperwork and negotiating terms. That is the difference between scrappy and exposed.Understand franchise rights before you touch legacy IP.He...

Mark Schaefer has a new grandchild. Amanda Russell has a toddler. Both of them wonder what an AI-dominant world has in store for them.    In this personal and introspective episode, Mark and Amanda reflect on what college meant to their careers, the advice they would give to kids about college today, and how education will need to change for Gen Alpha.    This is an essential episode for everyone wondering how AI will impact the next generation.   Mark Schaefer is a strategy consultant, college educator, keynote speaker, and the author of 10 books including "KNOWN," “Belonging to the Brand,” and "Audacious: How Humans Win in an AI Marketing World." His annual marketing retreat is The Uprising.   For more of Mark's insights every week, subcribe to his award-winning blog. Mark also offers classes in personal branding and professional speaking.      Amanda Russell is a marketing leader, entrepreneur, and scholar. By age 32, she built and sold two successful businesses: an online fitness subscription community for women and a digital marketing and production company. She served as Chief Marketing Officer at a NYC-based portfolio fund and developed the world's first accredited MBA & EMBA Influencer Marketing programs at Northwestern University. She also founded the Global Center for Influence at the University of Texas. Amanda has taught at renowned institutions such as Bocconi University, London Business School, Harvard, Wharton, HEC Paris, NYU, and the University of Stockholm. Her book, "The Influencer Code," explores influence, consumer behavior, and the future of marketing. Amanda advises major companies, including Lamborghini, Cedars-Sinai, Lionsgate, and Silk-FAW.  

Send us a textFeeling overwhelmed by the collective anxiety, or like your voice is too small to make a difference? In this special bonus episode of Madi Murphy - Cosmic RX Radio, Madi offers an invitation to check in with your heart and remember your shared humanity. She explores how to tap into your courage, stand up for what you believe in, and use the powerful energy of the 8/8 Lionsgate portal to manifest powerful things for yourself and the collective.Key TakeawaysThe word "courage" derives from "core," meaning heart. Living authentically and speaking your truth is vulnerable yet powerful.Manifestation without alignment is unsustainable. When you give your heart, the universe reciprocates.If called to stand up for yourself or against injustice, you are ready. Don't let fear stop you.Old rules are obsolete. Connect with your passion; in the "age of air," your frequency is your currency.The Lionsgate portal is a powerful time to be intentional with your energy. Don't feel like you can't make a difference—your voice and actions matter. Use your heart to take sacred action, whether it's for yourself or for a collective cause that is alive for you right now. Then, share this episode with someone who needs an encouraging nudge to live from the heart.

The Lions Gate Portal is open—and it's time to activate your next chapter. In this special episode, I dive into the energy of the 8/8 portal, what it really means, and how to work with this cosmic gateway to call in clarity, abundance, and alignment. Whether you're in a season of expansion or deep reflection, this episode will help you harness the magic of the moment and elevate your frequency.✨ Tap into the energy and receive powerful support:

Candace Cameron Bure, is an actress, producer, director, and bestselling author, best known for playing D.J. Tanner on Full House and Fuller House. She's starred in over 40 romantic comedies and mysteries, including the hit Aurora Teagarden series. Candace competed on Dancing with the Stars, co-hosted The View, and voiced Pinky in the Emmy-nominated Reindeer in Here. In 2024, she starred in and produced Unsung Hero with Lionsgate.  Beyond acting, she's the CEO of Candy Rock Enterprises and Chief Creative Officer of Great American Media, where she develops family-friendly content focused on faith and lifestyle. We are about to take some of you right back to your childhood growing up years. You're going to love this conversation with Candace Cameron Bure. . . . . .  Follow Candace Cameron Bure on Instagram Check out the work she's doing here Candace Cameron Bure . . . . .  Owen Learns He Has What it Takes: A Lesson in Resilience Lucy Learns to Be Brave: A Lesson in Courage⁠ Grab your tickets today for the ⁠⁠⁠⁠⁠Raising Capable Kids Conference⁠⁠⁠⁠⁠ with David Thomas, Sissy Goff and special guests! Sign up to receive the ⁠⁠⁠⁠⁠monthly newsletter⁠⁠⁠⁠⁠ to keep up to date with where David and Sissy are speaking, where they are taco'ing, PLUS conversation starters for you and your family to share! Connect with David, Sissy, and Melissa at ⁠⁠⁠⁠⁠raisingboysandgirls.com⁠⁠⁠⁠⁠ . . . . .  If you would like to partner with Raising Boys and Girls as a podcast sponsor, fill out our ⁠⁠⁠⁠⁠Advertise with us⁠⁠⁠⁠⁠ form. A special thank you to our sponsors: JOLIE: Jolie will give you your best skin & hair guaranteed. Head to jolieskinco.com/RBG to try it out for yourself with FREE shipping.  QUINCE: Give your summer closet an upgrade—with Quince. Go to Quince.com/rbg for free shipping on your order and three hundred and sixty-five -day returns.  THRIVE MARKET: Skip the junk without overspending. Head over to ThriveMarket.com/rbg to get 30% off your first order and a FREE $60 gift.  NIV APPLICATION BIBLE: Save an additional 10% on any NIV Application Bible and NIV Application Commentary Resources by visiting FAITHGATEWAY.COM/NIVAB and using promo code RBG.  KIDS ADVENTURE BIBLE: Visit AdventureBible.com to check out the free Bible activities, reading plans, and teaching resources. Go to AdventureBible.com today. GOMINNO: Visit GoMinno.com to get a one month FREE TRIAL using code RBG. This is a web-only offer. Sign up at GoMinno.com with the code RBG. Learn more about your ad choices. Visit megaphone.fm/adchoices