Podcasts about Move Me

Guardian angel or multiverse reset?   Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share   Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg “Alien Flyer” By TVP VT U https://imgur.com/gallery/aPN1Fnw “QR Code Flyer” by Finn https://imgur.com/a/aYYUMAh   Links: Multiverse/Quantum Immortality Episodes https://deadrabbitradio.blogspot.com/2025/02/episodes-ep-1365-dog-and-darkness.html Back-Up #1 https://archive.ph/7QoDf Back-Up #2 https://web.archive.org/web/20250210045729/https://deadrabbitradio.blogspot.com/2025/02/episodes-ep-1365-dog-and-darkness.html Retcon/Mandela Effect Episodes https://deadrabbitradio.blogspot.com/2025/02/retconmandela-effect-episodes.html Back-Up #1 https://archive.ph/t0ynm Back-Up #2 https://web.archive.org/web/20250210061401/https://deadrabbitradio.blogspot.com/2025/02/retconmandela-effect-episodes.html What's the most terrifying paranormal experience you've ever had? (Boy Falls In Road Reappears On Curb Near Death Multiverse story) https://www.reddit.com/r/AskReddit/comments/1dc5q2s/comment/l7xm7f6/ DID MY GUARDIAN ANGEL Lift Me, Move Me, & Save Me, From An Oncoming Pickup Truck? (Guardian Angel Boy Lifted Off Street story) https://www.phantomsandmonsters.com/2025/01/did-my-guardian-angel-lift-me-move-me.html (I couldn't find the exact articles and websites that talked about Alzheimer's and dementia being spread via bodily fluids. I will keep looking for them though.) Precautions in familial transmissible dementia: including familial Alzheimer's disease https://pubmed.ncbi.nlm.nih.gov/363103/ Alzheimer's disease may have been transmitted in now-banned hormone treatments https://www.science.org/content/article/alzheimer-s-disease-may-have-been-transmitted-now-banned-hormone-treatments Is Alzheimer's A Contagious Disease? https://www.alzra.org/blog/is-alzheimers-a-contagious-disease/   ----------------------------------------------- Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny The Cat Foreign Correspondent: Fabio Nerbon Discord Mods: Mason http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2025  

By reducing plastic and chemicals in our home, we are not only protecting our health but also the health of the Planet. Tina Tesch-Myers is the founder of Move me. She is out to change the planet, our health impacting the next generations.  Small changes can make a big difference. Let's inspire our familiars and friends to join in this incredible journey towards a Greener, Cleaner and Healthier lifestyle. Move Me

Hey everyone, it's Suzy from "Starting a Business Simplified." In our latest episode, I chatted with Tina Tesch-Myers, an Enviro Nutrient Consultant and founder of Move Me. Tina shared her inspiring journey of overcoming self-doubt to pursue her mission of reducing plastic waste. We discussed the importance of small, achievable steps to transition away from plastic, the long-term health benefits, and the impact on our oceans. Tune in to discover how Tina's simple changes can help you live healthier and make a difference. Don't miss it! Connect with Tina: https://move-me.org/ Connect with Suzy: StartingABusinessSimplified.com Subscribe to Business Success Accelerator Newsletter: https://www.startingabusinesssimplified.com/newsletter Join the Podcast Listener Community https://www.facebook.com/groups/startingabusinesssimplified

We're in-studio with Lewis OfMan!Lewis OfMan is a one-of-a-kind, funky, groove-ridden multi-instrumentalist. While his fan-favorite tracks Attitude and Flash exemplify his explorative electronic dance style, Lewis decided to do things differently with his sophomore album, Cristal Medium Blue. Having played all the instruments himself on the album's recording, this project marks a return to a sound and production style he had been missing. Even though it was risky, it has paid off, and now Lewis is on his international Cristal Medium Blue tour! Lewis OfMan spoke with Music You're Missing host Brendan Jeannetti about making Cristal Medium Blue, touring internationally, working with Carly Rae Jepsen on Move Me, having Donatella Versace's blessing on Attitude, and more!Listen to Lewis OfMan on the Music You're Missing Spotify Playlist!Follow Lewis OfMan:Instagram TikTokWebsite Follow Music You're Missing:Musicyouremissing.orgMYM TikTokMYM InstagramBrendan Jeannetti InstagramMusic You're Missing is a popular artist interview podcast based in Boston Massachusetts hosted by Brendan Jeannetti. For business inquiries, contact musicyouremissingpodcast@gmail.com.

This week Capt. Content reminds us that something unique happened in the 90s with “Classic Rock” radio where they completely omitted any new contributions musically from the bands. In the 90's, the “Legacy Act” tag hadn't hit yet and bands were still trying to be true to themselves, but still be relevant. We're playing the Lost and Forgotten songs released during the Alternative Rock era from bands that we all know and love.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Many of the classic 60s-70s bands were still writing and delivering new musical content into the 90s. Go and check out these songs and the albums that they come from! Songs this week include:The Doobie Brothers – “Showdown” from Brotherhood (1991)Nazareth – “Steamroller” from Move Me (1994)Blue Öyster Cult – “Cool Grey Light Of Dawn” from Heaven Forbid (1998)Electric Light Orchestra Part II  – “Whiskey Girls” from Moment Of Truth (1994)Foghat – “Motel Shaker” from Return Of The Boogie Men (1994)38 Special – “Deja Voodoo” from Resolution (1997)Emerson, Lake & Palmer – “Black Moon” from Black Moon (1992)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Descubra o álbum que fez do ZZ Top uma sensação nas paradas e os transformou em estrelas! Apresentamos "Tres Hombres", o terceiro álbum da banda, que completou este mês 50 anos de lançamento. Prepare-se para uma viagem cheia de groove e um ritmo contagiante. Com as guitarras marcantes de Billy Gibbons e a poderosa seção rítmica de Dusty Hill e Frank Beard, o produtor Bill Ham conseguiu capturar a essência inquebrável do trio. Neste episódio, Cristian e Filipe te convidam a mergulhar no som único que define a identidade do ZZ Top, com músicas tão cativantes como "Waitin' for the Bus," "Jesus Just Left Chicago," "Move Me on Down the Line," e o boogie "La Grange".

In this episode of Real Estate Sessions, Bill Risser and Katie Day catch up since the last episode 18 months ago and discuss the importance of video content for their business and the impact of technology on the real estate industry. They conclude that technology will not replace agents, but will help them become more efficient. Additionally, they discuss the importance of creating experiences for their children and Katie's plans to attend the Tom Ferry Summit in Dallas.https://www.movemetotx.comTRANSCRIPT00:00:00 - Bill RisserHi, everybody. Welcome to episode 356 of the Real Estate Sessions podcast. Thank you so much for tuning in. Thank you so much for telling a friend today we're going to do another do another shortcuts episode. This time it's Katie Day who is with the move Me to Texas team or the Move Me to TX team. Powered by Real Broker, LLC. We had Katie on the show about eight months ago, and she's doing some fantastic work with video and really focusing hard on her community in the Houston area. And I really can't wait to get back chatting with her. She had a nice change in her life that we're going to chat about as well. So let's get this thing started. Katie, welcome back to the podcast.00:00:45 - Katie DayThank you so much for having me again.00:00:48 - Bill RisserI can't wait to chat with our shortcuts episodes. It gives me a chance to go back in time. And for you, it was about 18 months ago. It was January of 2022, I believe you just started with Real about that time. So it was kind of a turning point in your career and some things. The first question that I ask every guest on these shortcuts is what's the most exciting thing that's happened for you in the last 18 months? Could be personal, could be professional.00:01:15 - Katie DayOh, well, that's easy. So I had a kid. I had a baby in February, so I have a five month old daughter. So that's been the most exciting thing for me.00:01:28 - Bill RisserThat was a no brainer. So let me just dig a little deeper there because I can't let that go. So the most surprising thing about being a mom, something that really surprised you, because I know I can imagine the prep work you did, the reading you did, you talked to a lot of family and relatives and friends, but is there something you just went, wow, I wasn't expecting that.00:01:50 - Katie DayIt's funny you say that, because in almost all aspects of my life, I'm definitely a planner and I've got my lists and I've got my checklists and I do my research and things like that. And so is my husband. And we didn't do a ton of research or things prior to having Riley. And so it was a little, I guess, surprising. Right. So as far as things that we weren't sure about or things like that, that was pretty much all of parenthood so far, right. Which I think was a good thing to some extent, right. Just to kind of not have expectations, because I think that a lot of times people will try to plan things out and try to have like, this is our plan for having the kid. This is our plan for when we bring them home and this is the schedule that they'll stick to and all of these things. And we've just kind of figured it out as if we've gone. So that's been interesting, for sure.00:02:44 - Bill RisserBillions of people in this world on earth have done the same thing. Right? Just let's see what happens and let's go from there. Yeah, that's cool. That's great. Well, congratulations. That's fantastic. Okay. That's the best shortcuts answer so far.00:02:59 - Katie DayIt was kind of a softball for me, right? I was trying to think of something that had happened in business and we said personal. I was like, oh, sweet. Like, I've got something.00:03:06 - Bill...

A month or so ago I had the opportunity to chat with my friend Katie Day of the Move Me to Texas team in Houston, TX for her podcast, REal Advice, and Katie generously allowed me to share it with our Empowering Women in Real Estate® - The Podcast listeners!   We cover so many topics on this episode, it was a really fun conversation. You can listen in on your favorite podcast app, or by clicking the link below.   Click subscribe to be notified every Wednesday when our latest episode is released, and be sure to check out our group on Facebook. https://www.facebook.com/groups/empoweringwomeninrealestate We are 32,000 members strong and we want you to join us!

At 27, Kelsey Peterson dove into Lake Superior, off the shores of Wisconsin, and emerged paralyzed. Suddenly living a new life, the former dancer struggled to redefine who she is while adapting to life with a disability. Kelsey is a smart, very deep thinker and I had the absolute pleasure of speaking with her, about among other things, her autobiographical film Move Me. In the documentary, that took 5 years to film, she chronicles her journey in a very raw, frank and beautiful way. Needless to say, Move Me moved me so much that I had to have her on to tell me/us all about it.

Episode Notes In episode 318, I sit down with filmmaker and dancer Kelsey Peterson as she shares all about her important new documentary “Move Me” now streaming on the PBS Video App.  We also have a big talk about internalized ableism and how Kelsey is navigating that, 10 years after her accident.  We talk about this, and that Kelsey is still learning so much about disability.  We have a really raw, candid conversation that I hope you will enjoy.  Learn more about Kelsey's new documentary “Move Me” at www.movemedoc.com and connect with film on IG here: https://www.instagram.com/movememovie/  Episode Sponsors: Clone-A-Willy or Clone-A-Pussy all your own and get 20% off sitewide by using coupon code DARKPOD at Checkout. www.cloneawillycom.  Hire Kristen Williams for disability centric therapy by e-mailing kristen.williams10@gmail.com  Get 15% off your next purchase of sex toys, books and DVDs by using Coupon code AFTERDARK at checkout when you shop at trans owned and operated sex shop Come As You Are www.comeasyouare.com  Support Bump'n and donate so everyone can access self-pleasure by going to  www.getbumpn.com  This podcast is powered by Pinecast.

Hey, y'all. I am Shay. This is thebuzzr podcast. On air indie, from my pad to yours over the airways. Monday's show, emerging Canadian artist Lisa Froment. Lisa tells us about the personal story behind her latest release ‘Baby Daddy', and why she wrote the song. Lisa is getting international attention for her music. Baby Daddy is her third release. Get a real-look glimpse of the artist & the stories behind her music. From Rock Era Magazine - Smooth, unapologetic, and powerful. Lisa Froment has created an anthem to help you come strong from an unhealthy relationship with a cheater. If you've ever been in a relationship when you found that your partner was so full of lies, you'll relate strongly to “Baby Daddy” by the Canadian artist, Lisa Froment. But this isn't a tearjerker single; rather, it's an empowering one to make you realize your worth and give the cheater up with no regrets. Enjoy the show! Thank you for tuning in. Enjoy the show! 10 P.M. EST at https://www.thebuzzrpod.com Track lineup: “Move Me” at show intro; “Baby Daddy” during show. Cheers! Shay About the Artist Lisa is a singer-songwriter & musician from Timmins, Canada. Lisa was born in Timmins Ontario and grew up in Wawa Ontario which is 3.5 hours away from Timmins. Her main instrument is guitar. Secondaries are the flute, drums and accordion. The artist's influences encompass all music styles and types. From pop to rock, to country, and rap. Her favorite is 80's rock. The timeless sound evokes memories. She grew up listening to Megadeth, Metallica, even Marilyn Manson, NINE INCH NAILS… to Journey, Heart, Toronto, Eric Clapton, Faith Hill, and Shania Twain. Her influences are across the board. Lisa was surrounded by music from a young age. She is from a musical family with both sides of the family talented musicians. It was natural to dabble into music. She picked up the guitar at age 12 learning by ear on her own. “We didn't have YouTube at the time. I sat in my bedroom with my guitar and would listen to some Eric Clapton and would pause the music, figure it out, rewind, play again, try to figure it out… until I did, then continued the song. I spent hours learning songs by ear and figured out chords, and what sounded right and what did not.” Christmas time in a traditional French home means, the wooden spoons, the violins, the guitars, the accordions, mandolins, and of course the singing. Singing just came naturally and discovered her voice at about 11 years old. She joined the elementary school choir and had the best music teachers. Mademoiselle Corrine Thomas and Mme Rancourt, accompanied by Mme Besner on piano. They taught her how to harmonize. “Not only that I got it right, but I knew the difference between hitting the wrong note and landing it every time because it's what sounds right to the ear. I can't read a music note to save my life but if a bass or guitar, a vocalist hits a wrong note? I'll catch it right away.” Personal reflection from the artist: “If you keep doing what you're doing, you're going to keep getting what you've been getting. If you want change, YOU must change, YOU must make the right decisions based on what YOU want. It's your life, live it for you. No one else will live it for you or make your dreams come true. Only YOU can make that happen. Don't wish on anything, take the proper steps to make it happen. Or you will wake up one day, an elderly, and regret that you have not gone for it. Tomorrow is never promised, so do it NOW.” Lisa has played many gigs, and festivals over the years. In her hometown of Timmins, the Stars And Thunder concert. On the bill were Brian Adams, Blue Rodeo, Tom Cochrane, Keith Urban and many more artists. She has sung the Canadian National Anthem for local hockey games and Canada Day festivals. At age 17 her first album received radio airplay. She was featured on CTV news for that first album, and for her second band called Fragmented Mind's albu...

On Part 1 of our two-part series on the 2022 Full Frame Documentary Film Festival, Brandon Vick offers up his thoughts on What We Leave Behind, Move Me, Mama Bears, Paper City, Gabor, and Stay Prayed Up.

Becky and Lily interview producer, director, dancer, and choreographer Kelsey Peterson and award co-director and producer Daniel Klein about their feature documentary Move Me, which premieres at the Full Frame Documentary Film Festival this weekend. A courageous and beautiful film, Move Me looks inside Kelsey's life as she decides to choreograph and dance for the first time since the spinal cord injury that left her paralyzed. Follow: https://instagram.com/movememovie Screening info: Release Date: Full Frame Documentary FF (World Premiere) Streaming April 7 -10, 2022 https://www.fullframefest.org/film/move-me/ Reel Abilities FF New York Streaming April 7 -13, 2022 In-Person Screening Tues. April 12, 8:00pm https://reelabilities.org/newyork/film/move-me/ Catch up on all the Friday Night Movie SXSW special coverage in this playlist, including featured interviews from SXSW Wonder House hosted by the University of Arizona. Keep checking back because we have even more SXSW content coming your way!  Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: NAACP Legal Defense Fund | Equal Justice Initiative | Asian American Journalists Association. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc.) and then head on over to our merch store your very own official FNM t-shirt.  Send us your recommendations and your tradesies! We'll watch them and report back on the show! Email us at pancake@pancake4table.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at fridaynightmoviepod.com.    

Lerne in dieser Podcast-Folge Martin Schmezko, Gründer und CEO von Move Me, kennen und erfahre, welche Erfahrungen er aus seinen zwei vorherigen erfolgreichen Gründungen in das Startup mit einbringt. Move Me setzt an dem Problem des betrieblichen Gesundheitsmanagements an. Bisher am Markt existierende Konzepte sind meist nicht auf den Alltag der Mitarbeiter:innen angepasst, sodass die meisten Nutzer:innen kurz- bis mittelfristig in alte Verhaltensweisen zurückkehren und dadurch keine langfristige Verbesserung der Gesundheit erreichen. Das Ziel von Move Me ist es, zu einer nachhaltigen Verhaltensänderung beizutragen. Als Grundlage dafür wird das transtheoretische Modell genutzt. Das 6-stufige Modell macht es möglich, Menschen in ihren diversen Stadien der Motivation abzuholen und sie bei ihrem persönlichen sowie dem Teamfortschritt zu begleiten. Martin Schmezko, CEO und Gründer des Startups, ist ein erfahrener Unternehmer und verantwortet bei Move Me sowohl Business Development als auch Vertrieb. Du willst mehr über diverse Startup-Gründer und ihre Geschichten erfahren? Dann abonniere diesen Kanal und verpasse kein spannendes Interview mehr!

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Bathory se formó el 16 de marzo de 1983 cuando tres jóvenes: Tomas Forsberg, Jonas Åkerlund y Freddan Hereafter se reunieron en Musikbörsen (una tienda de música ubicada al oeste de Estocolmo), tras responder a un anuncio que Forsberg había pegado en los tableros de tiendas de música y estudios de grabación de Estocolmo. Tomas Forsberg ponía en el anuncio que quería formar una banda al estilo de Exploited, GBH, Black Sabbath y Motörhead. Los tres jóvenes completarían la primera formación de Bathory, el vocalista y guitarrista Tomas Forsberg cambió su nombre a Quorthon (primero se hacía llamar Black Spade), el batería Jonas Åkerlund pasó a llamarse Vans McBurger y el bajista Freddan Hereafter se llamaba Fredrick Hanoi. Quorthon era el más joven de los tres, tenía 17 años y vivía en Västerort; mientras que McBurguer y Hanoi tenían 18 años y residían en Nockeby, al oeste de Estocolmo. Tras unirse, buscaron un nombre para la recién formada banda. Tras probar varias opciones, (Nosferatu, Natas, Mephisto, Grevinnan Báthory, Elizabeth Báthory y Countess Báthory) finalmente sus integrantes decidieron llamarse simplemente Bathory, en honor a la condesa húngara Erzsébet Báthory, que según algunas leyendas solía bañarse en la sangre de algunas jóvenes aldeanas que eran sacrificadas, con lo que pretendía adquirir la juventud eterna. La decisión final de tomar Bathory como el nombre definitivo para la banda se le ocurrió a Quorthon mientras se encontraba de visita en el museo del terror The London Dungeon donde encontró una figura de la Condesa Báthory tomando uno de sus baños de sangre. Durante el verano de 1983 Vans y Hanoi aprovecharon para irse de vacaciones a Londres, pero Quorthon no quiso desaprovechar la oportunidad de trabajar con Bathory y decidió llamar a unos amigos con los que había tocado en una banda de punk llamada Stridskuk para que le ayudaran, suponiendo que éstos le podrían ayudar con el toque brutal que quería para la banda. En aquel momento comenzaron a grabar temas como «Sacrifice», «Live in Sin», «Die In Fire» y «You Don't Move Me (I Don't Give a Fuck)», en una sala de ensayo alquilada, utilizando el mejor equipo que Quorthon pudo conseguir.Tras sus vacaciones veraniegas, Vans y Hanoi regresaron para continuar su trabajo con Bathory. En esta época la banda decidió contratar a un cuarto miembro y realizaron una audición para añadir un segundo guitarrista o un vocalista. Se presentaron varias personas, pero ninguno de ellos se sintió cómodo con el estilo y las ideas que tenía la banda. Después de la búsqueda fallida de una segunda guitarra, Vans y Hanoi llevaron a los ensayos de la banda a un músico llamado The Animal para que formara parte de la formación. Estuvo apenas medio año como vocalista, pero a Quorthon nunca le gusto su voz y en enero del 84, éste decidió echarlo y volver a encargarse de las voces. A comienzo de 1984 Quorthon comenzó a trabajar en la compañía Tyfon Records con la idea de empezar a conocer un poco más sobre el mundo de la música. Börje Forsberg (conocido como The Boss) había contratado a varias bandas para que hicieran un recopilatorio de bandas suecas, pero una de ellas no pudo participar. Al enterarse de esto, Quorthon le pidió a The Boss la oportunidad de que Bathory reemplazara a la otra banda. The Boss le preguntó a Quorthon si habían grabado alguna demo y el vocalista decidió mostrarle el material de ensayo que habían grabado. Con ocho temas propios escritos durante los diez meses de vida de la banda: «Satan My Master», «Witchcraft», «Live in Sin», «Dirty Woman», «Sacrifice», «The Return of the Darkness and Evil», «You Don't Move Me» y «Die in Fire», la banda se decidió por «Sacrifice» y "The Return of the Darkness and Evil" para la grabación del recopilatorio, llamado Scandinavian Metal Attack. A pesar de que fue la suerte quien les permitió hacer parte de este trabajo, éste se convirtió en el principal culpable de que Bathory surgiera del anonimato, además fue la única de las cinco bandas que participaron, que recibió correo de personas que se declararon sus nuevos seguidores. Poco después de la grabación de los temas para el recopilatorio la banda se separó, debido a que uno de ellos decidió irse a vivir a Londres y porque dejaron de llamarse y de reunirse para ensayar. Tyfon Records publicó el LP en marzo de 1984 con una edición de 3000 copias que se vendieron en un semana, por lo que se realizaron una segunda, una tercera e incluso una cuarta edición. En 1996 la discográfica Black Mark lo remasterizó y relanzó en el CD Scandinavian Metal Classics.Después del relativo éxito de Scandinavian Metal Attack, Quorthon recibió una propuesta de un estudio para comenzar la grabación de un álbum de larga duración. En aquellos momentos la banda ya no existía, pero para Quorthon esto no significó un problema, debido a que pensaba que tenía tiempo suficiente para encontrar músicos que trabajaran junto a él antes de junio, fecha para la cual se había planeado la grabación. Quorthon comenzó a planear la sesión de grabación con material sobrante de la sesión de Scandinavian Metal Attack y temas nuevos. Nuevamente Quorthon decidió llamar a sus ex compañeros de Stridskuk, el bajista Rickard «Ribban» Bergman y el batería Johan «Jolle» Elvén para que lo ayudaran con la grabación de los temas. Esta vez Jolle no pudo ayudarle porque a mediados de junio comenzaría a preparase para ingresar en la Marina. Debido a este inconveniente, Quorthon se puso en contacto con Stefan Larsson, que había tocado en la banda Obsklass. En mayo se reunieron en el centro cultural de Estocolmo, para hacer algunas pruebas de sonido con los dos nuevos integrantes. El lugar tenía algunos recursos para la grabación, que aprovecharon para hacer una rápida grabación de los temas «Witchcraft» inspirado en el tema «Overkill» de Motörhead y «Satan My master», la temática en cuestión fue sacada de un libro de rituales satanistas del siglo XV. Después de esta grabación, concretaron reunirse tres semanas después en Heavenshore, para comenzar a trabajar seriamente. A pesar de que Ribban estaba decidido a ayudar a Quorthon en la grabación, le hizo saber que no quería ser un miembro de Bathory de forma permanente, por lo que el vocalista decidió no incluir nombres o fotos de los integrantes de la banda en sus trabajos, sin embargo, poniendo en su lugar los nombre de tres demonios: Quorthon, Vvonrth y Kothaar. La fecha elegida para la grabación del primer trabajo de Bathory que se convertiría en su carta de presentación fue el sábado 14 de junio, con material escrito para llenar las dos caras de un LP. Aunque algunos de los temas como «Hades» y «Necromancy», aún estaban sin terminar. Sin mucho dinero y ajustando un poco el presupuesto decidieron bajar un poco la calidad de la grabación y haciendo un esfuerzo para grabar la mayor cantidad de material posible, finalizando la grabación de todo el material en 56 horas. Cuando se terminó la mezcla, el material grabado fue ecualizado en los estudios Elektra pocos días después. Todavía faltaban varios detalles; el nombre que se eligió fue Pentagrammaton pero Quorthon se dio cuenta de que muchos lo llamaban simplemente Pentagon, así que un poco presionado por el poco tiempo que le quedaba para terminar el trabajo, decidió dejarlo sin título, pasar el pentagrama a la contraportada y como primer intento para la portada, eligió el color negro de fondo y sobre él pegó una combinación de ojos, nariz y boca cortados de varios cómics con la idea de crear la figura de una cabra. Una buena cantidad de tinta se encargó de enmascararlo y darle pequeños detalles como el cuerpo, el pelo, alargarle las orejas y los cuernos. Quorthon decidió utilizar este macho cabrío en la portada y convertirlo en el símbolo de Bathory. En la contraportada, para imprimir los título de las canciones utilizó el mismo tipo de letra inglesa que había comprado para el nombre de la banda. Tras crear la carátula, una noche después de ser enviada a imprimir, descubrió que había cometido un error ortográfico en el tema «Necromancy», debido a que nadie le había dicho que se pronunciaba con una s, pero se escribía con una c. El álbum de ocho canciones (sin contar con el intro y el outro), fue publicado como LP el 2 de octubre de 1984. De este primer trabajo existen varias versiones, que se distinguen por las diferentes portadas con las que se imprimieron: Quorthon había leído que el color dorado es un color mágico. El plateado era el color del bien y la luz (por lo del mito de las balas de plata), pero que el color dorado podía ser usado tanto por la luz como por la oscuridad en los rituales. Fue por ello que intentó hacerlo en color negro y dorado pero esto haría que se incrementara el precio de las impresiones, así que decidió pedirle a la empresa responsable, que lo hiciera con un color que fuera menos costoso y que se acercara tanto como fuera posible al dorado. Una semana y media después, Quorthon decidió ir a ver como estaban quedando las carátulas y se dio cuenta de que las estaban imprimiendo con el macho cabrío en color amarillo, e inmediatamente paró su producción pues le pareció un resultado horrible. Sólo 1000 copias con esta portada fueron producidos, que ahora es popularmente conocido como The Yellow Goat («La Cabra Amarilla»), su precio actualmente es de 100 dólares si se encuentra en buen estado y si está autografiado puede llegar a costar entre 400 y 500 dólares. Finalmente decidió imprimirlo en blanco y negro, para poder tener un costo razonable y que así siguiera conservando su imagen oscura. Cuando Bathory firmo con Black Mark fue remasterizado en CD variando la carátula un poco, al hacer el macho cabrío más grande y con ojos rojos En el año 1997 con esta misma carátula fue publicada una versión PD (picture disc) de este trabajo impreso en vinilo, con un límite de producción de 666 copias. El coste de la producción del álbum debut de la banda fue aproximadamente de 500 dólares y 60 horas de grabación, incluyendo prueba de sonido y mezcla. Nadie se podría imaginar que lo que empezó siendo un desfogue experimental, terminó como semilla de un trabajo y género a seguir para toda una generación. Hoy en día sigue siendo el trabajo más vendido de Bathory y sigue posicionado en el punto más alto de todos los trabajos de Black Mark. En esta época y debido a que Venom contaba con una gran popularidad por esos momentos, Bathory se ganó la reputación de ser simplemente unos imitadores, ya que los ingleses habían editado el año anterior su álbum Black Metal que incluía temas como «Raise the Dead», «Hades», el ya mencionado «Sacrifice» o «Countess Bathory» y que casualmente hasta las portadas de ambos trabajos fueran parecidas. Esta comparación se dio más por la imagen y por simples conexión en los nombres, pero realmente si Bathory quiso imitar a alguien fue a Black Sabbath por sus letras y a Mothörhead por su intensa música y en ningún momento a Venom, sin embargo demostró lo contrario a través de los años y reunió una buena masa de fieles seguidores, gracias sobre todo a esa imagen tan influenciada por la mística y la mitología nórdica. El 10 de noviembre, cerca del momento en que el LP debut comenzó a llegar otros países de Europa, Quorthon regresa nuevamente a Heavenshore junto a Ribban y Stefan. La tarea era tratar de trabajar en terminar todo lo que no se había podido completar en la sesión del LP debut y tomar provecho de que Heavenshore estaría vacía durante una semana o más. El objetivo principal para reunirse nuevamente en esta fecha era para grabar cuatro temas, tratando de representar una versión de un grabado medieval, y rápidamente lanzarlo en navidad como un EP 45", un formato muy popular en los 80's. El trabajo tenía como nombre Necronomicon o Maleficarum (Quorthon no recuerda bien cual de los dos). Los temas claramente mostraban la evidencia de la creciente importancia por los temas oscuros en las letras de la banda. El material grabado durante esta sesión fue «Children of the Beast», «Crown of Thorns one the Golden Throne», «Crucifix» y «Necronomicon». Sin embargo decidieron posponerlo, debido a que los temas, no tenían nada que ver con los del LP debut, otra de las razones por las que fue cancelado, fue que la fecha límite para producirlo era el 20 de noviembre si querían que saliera para la época decembrina. Simplemente no había tiempo para producir el EP, luego enviarlo a los distribuidores en Suecia, para que finalmente pudiera estar en las tiendas antes de diciembre. Por tales motivos el EP Necronomicon/Maleficarum terminó archivado (lastimosamente Quorthon aún no sabe dónde). Ningún material de esta sesión fue regrabado para el segundo trabajo. Según cuentan, el material para este EP, no tenía ningún tipo de relación con el material del LP debut y claramente marcaba una evolución que eventualmente llevaba a la banda hacia The Return of the Darkness and Evil.El segundo trabajo The Return que se complementa con otra línea en la contraportada of Darkness and Evil, fue más tarde editado en 1985, para su grabación firmaron por primera y última vez con los Estudios Electra. El bajo fue grabado usando un pedazo de tubería de aluminio para obtener un sonido diferente, mientras que la batería y las guitarras fueron grabadas en un gran recinto para que sonaran con mayor poderío. En la grabación del punteo del tema «The Return of the Darkness and Evil» debido a que no estaba saliendo muy bien Quorthon se disgusto y rompió una guitarra, todo esto quedo registrado y al final del punteo se puede escuchar. Como en su primera obra, en la contraportada no aparecía nadie mas en los créditos que su cantante y guitarrista Quorthon, de lo que podemos deducir: que se alquilaron músicos de sesión para terminar la obra, que el mismo toco todos los instrumentos, o quería mantener en secreto los integrantes; solo se conoce algo sobre un bajista que fue despedido de la banda a mitad de las grabaciones porque era un drogadicto empedernido. En la contraportada del LP en vez de traer la lista normal de temas, trae una especie de poema en el cual Quorthon utiliza los nombres de cada uno de ellos en alguna de su parte. El tema «Born for Burning» fue dedicado a la bruja Marrigje Ariens que nació en 1521 y fue quemada en 1591 en Schoonhoven Holanda, y el tema "Bestial Lust" fue dedicado a una mujer con la que Quorthon tuvo sexo en el piso del baño de mujeres del Rock Club. El primer título que inscribieron para su tercer trabajo fue Nocturnal Obeisance (como lo es actualmente su intro), pero finalmente decidieron llamarlo Under The Sign Of The Black Mark (Bajo el Signo de la Marca Negra), el cual fue editado en 1987. Parte de este trabajo había sido planeado grabarlo en una iglesia acompañado de un coro de niñas e instrumentos medievales; al igual que en los dos trabajos anteriores, este estaba caracterizado por un sonido constantemente caótico y unas letras profundamente enraizadas con el satanismo, podríamos decir que es el responsable del moderno black metal Nórdico, este trabajo al igual que los demás fue producido por Quorthon, que editaba sus trabajos en La Península Escandinava bajo su propio sello discográfico Tyfon Gramoffon. Durante esta época Quorthon solo escuchaba música clásica, lo cual hacia que se interesara mas en adaptar música y escribir largas canciones, un buen ejemplo de esto es «Enter the Eternal Fire». La carátula de este trabajo es una foto y no una pintura como muchos creen, fue tomada en la Opera de Estocolmo con las cortinas abajo, mientras las personas esperaban para el segundo acto de «Carmen», el hombre que aparece con la mascara es Leif Ehrnborg, un campeón de levantamiento de pesas del equipo Sueco, quien en la foto original, en la parte de abajo de la montaña fue acompañado por fuego, humo y algunas mujeres desnudas, pero sólo fue utilizada la mitad que todos conocemos y la parte de abajo fue desechada (sólo en la versión en LP se puede constatar esto, si se despegan las solapas de la portada, donde se pueden ver claramente las cabezas de algunas de estas mujeres). Se corre el gran rumor de que existe un CD-Doble, el cual solo se publicó para Suecia. Para esa misma época Quorthon empezó a planear un espectacular vídeo mostrando a la banda tocando en vivo pero desafortunadamente nunca se realizó, consistía en alquilar un campo militar y levantar en el un gran escenario al aire libre, tan grande que se demorara varios minutos recorrerlo de un lado a otro y que estuviera acompañado por un juego de batería de 18 tones de piso que serían envueltos en fuego, juegos pirotécnicos y humo.En 1988 fue editado el Blood Fire Death (Sangre Fuego Muerte), época en que ingresaron a la banda Vvornth como baterista y Kotthar como bajista para acompañar a Quorthon, así por primera vez se pudo conocer una alineación estable, donde aparecían estos tres dioses en la contraportada. Los temas eran complicados, lo que le iba mucho mejor a Bathory, en contraposición con sus primeros temas más rápidos, su música se acercaba cada vez más al death y viking metal; sus letras también habían cambiado, ahora hablaban mas sobre mitos y leyendas, guerras, batallas, y la era vikinga, donde Quorthon exprimía su fuente inspiradora de la mitología nórdica. La música incluso sonaba más suntuosa que en sus primeros trabajos, había un uso frecuente de coros y teclados que le añadían una nueva dimensión de sonido. Por primera vez también se publicó una foto de la banda, lo malo es que a Quorthon no le gusto mucho la idea y decidió no volver a hacerlo en trabajos futuros. El quinto trabajo, Hammerheart, aparece en 1990, donde hallamos a Quorthon en la misma dirección de su anterior trabajo; se vieron aún más los cambios musicales, con una gran influencia por los teclados, punteos de la guitarra y letras que hablan sobre la vida de los vikingos; tanto la imagen como el sonido parecían cada vez más cercanos al Viking Metal de Manowar, la velocidad se había perdido y todos los temas eran largos y muy ligeros, excepto por la balada «Song to Hall Up High» que no es larga pero sí muy ligera. El final del tema «Shores in Flames» está acompañado de una replica del sonido producido por los cuernos de bronce que eran utilizados en la Era Vikinga y no con un simple cuerno de Alce como lo afirma la revista Metal Hammer, fueron grabados en los Estudios Heaveshore por un empleado del Museo Nacional de Antigüedades de Estocolmo. En esta ocasión firmaron con la Noise, pero según Quorthon resultó ser una gran equivocación, en todo caso cuando se pasaron para la Black Mark fue remasterizado y publicado en CD, donde se incluyó en el interior del libro una foto completa de la carátula, una imagen titulada «Nightfall by the Shore» con un escrito en latín y también se puede ver un pequeño cambio en el logo y colores más vivos en la portada. En esta misma época y a petición de sus seguidores, Bathory decide hacer su primer y único vídeo del tema «One Rode to Asa Bay», pero las cosas no salieron muy bien. En el año de 1991 la banda hace el lanzamiento de su sexto trabajo Twilight of the Gods, sin dejar a un lado la evolución musical con la que han venido últimamente y como su título lo deja entrever le siguen cantando a los Dioses Nórdicos; su vocal es normal y su música se ve grandemente influenciada por el sonido de los teclados y punteos de la guitarra, su estilo sigue siendo el viking metal (lento, depresivo y ligero) pero esta vez con un poco de influencias clásicas, obviamente por el interés de Quorthon en ese estilo de música. Uno de sus temas, mas explícitamente "Hammerheart" hace parte de un concierto de música clásica por Gustav Holst, en el que Quorthon escribió la letra. También se encuentra disponible en el mercado un sencillo con los temas «Twilight of the Gods» (versión editada), «Under the Runes» y «Hammerheart». En la contraportada aparece la imagen de un monumento que hizo Quorthon y representa a Yggdrasil (el árbol del mundo en la vieja mitología nórdica), mide alrededor de 10 metros de alto y 5 de ancho, y como en su trabajo anterior podemos encontrar un escrito que la acompaña. Uno de los acontecimientos más trascendentales en este trabajo fue cuando Quorthon dio la noticia de que esta sería la última creación de la banda, por tal motivo no fue incluido el «Outro» que finalizó sus primeros cinco trabajos y que tiene como significado Bathory esta arrastrándose bajo las rocas pero regresará. Afortunadamente todo esto no fue cierto. Para 1992 y 1993 lanzan dos trabajos recopilatorios de temas anteriores entre 1983 y 1991, exceptuando siete nuevos o al menos no escuchados anteriormente. En el Jubileum Volume I "Ride at the Gate of Dawn" que es un intro, "Crawl to your Cross", "Sacrifice" tomado del LP Scandinavian Metal Attack y «You Don't Move Me (I Don't Give a Fuck)» tomado del demo de 1983, y en el Jubileum Volume II «Burning Leather», «The Return of the Darkness and Evil» tomado del LP Scandinavian Metal Attack y «Die in Fire» tomado del demo de 1983. Aunque no eran temas nuevos, Bathory demostró que todavía tenía mucho camino por recorrer y que su final no sería pronto, como lo había anunciado Quorthon en el trabajo anterior. Una de las pausas más grandes que sufrió Bathory fue cuando Quorthon decidió lanzarse en solitario como Quorthon con álbum, pero la necesidad de regresar a escribir y tocar Metal nuevamente, impulsó el nuevo ataque de la banda, confirmando su verdadero regreso. En 1994 lanzaron Requiem, tres años después de su última producción, donde regresaron con el estilo caótico, brutal y rápido característico de sus primeros trabajos, con un mejoramiento musical más notable pero totalmente diferente al de los dos trabajos anteriores, su música fue escrita en dos semanas y sus letras hablaban sobre materias ocultas y terrenales, las cuales fueron censuradas y por tal motivo fue producido y publicado sin ellas. Igual que en sus primeros días, volvemos a encontrarnos con la sorpresa de ver a Quorthon como único integrante de la banda, pero nunca había sucedido un cambio tan notable con el logo, ahora era menos tradicionalista y más desafiante. Durante el periodo de grabación el tema «Apocalypse» fue llamado «Calypso» como un chiste. En una versión de este trabajo de 1989, se supone que hay tres temas mas llamados «Descend to Hell», «Cry», «Marching Off to War» y «Nine Lakes of Fire». Octagon (Octógono) su trabajo número ocho, fue lanzado en el año de 1995, fue escrito y grabado en medio año, luego de lanzar Requiem y en los créditos solo aparece registrado Quorthon, sin contar los Jubileum´s es el único que no fue publicado en pasta o vinilo; la tendencia al Thrash se hace más presente siguiendo el estilo de Slayer y el de su trabajo anterior, aunque con un ligero toque industrial (algo que no gustó mucho), la vocal es normal pero sin embargo brutal y las letras tocan el tema social (guerra, violencia, intolerancia y religión). Cuando iba a ser producido, dos temas fueron censurados a causa de sus letras, por este motivo se incluye por primera vez un cover, "Deuce" de Kiss que finaliza el trabajo, muchas personas opinan que eso fue un gran error y que ayudo a que el trabajo se ganara el repudio de varios de sus seguidores. En 1996 lanzaron Blood On Ice (Sangre Sobre Hielo) un trabajo temático que resultó ser todo un reto, se caracterizo por ser una especie de recopilación de temas inéditos de años anteriores (algunos de siete años atrás), donde Quorthon nos deleita con nuevas leyendas e historias. Su estilo es lento con una combinación heavy/viking metal, algo así como una fusión entre el Hammerheart y Twilight of the Gods. Las letras fueron escritas en formato de Saga y hablan sobre un joven que sobrevive a un feroz ataque en su villa y todo lo que hace en búsqueda de la venganza, fueron inspiradas por Conan y Richard Wagner´s "Götterdämmerung". Incluye la Historia de Bathory escrita por Quorthon hasta el lanzamiento de este trabajo, el cual fue grabado durante tres sesiones entre 1988 y 1989, pero no fue terminado debido a que Quorthon sintió que no era el momento preciso para publicar un trabajo de esta clase; cuando acabó el proceso de producción y lanzamiento del Octagon, varios de sus seguidores le escribieron preguntando cuando sería publicado y lo tendrían en sus manos, así que gracias a la motivación que le dieron se tomó el tiempo de terminarlo. Antes de su lanzamiento fue publicada una versión promocional en Mini-CD donde encontramos un logo muy formal y completamente diferente a todos los anteriores, sin embargo para la versión final decidieron usar el mismo que en el Requiem y el Octagon, encontrando que en el CD fue impreso en la contraportada, mientras que para el LP en la portada. La docena de trabajos se completan con Jubileum III en 1998, no hay mucho que decir de él, como los anteriores Jubileum's se trata de un trabajo recopilatorio que contiene los mejores temas de hasta cinco años atrás y seis temas inéditos: "Resolution Greed" y "Genocide" tomados de la sesión del Octagon (supuestamente estos son los dos temas que fueron censurados), "Satan My Master" y "Witchcraft" tomados del demo de 1983, el quinto es "In Nomine Satanás" la versión original del tema "Bond of Blood" del trabajo Twilight of the Gods que fue terminado más tarde en una nueva versión donde decidieron cambiarle el contenido de las letras, el sexto realmente no es un tema inédito, se trata de una versión especial de los coros del tema "Valhalla" del trabajo Hammerheart. Rompiendo el esquema de llamar a todos sus trabajos recopilatorios Jubileum, a finales de agosto del año 2001 lanzaron Katalog (Catálogo), sin embargo actualmente es tomado más como un catálogo (como su nombre lo indica) o CD promocional que como un trabajo, la diferencia con las demás recopilaciones, es que contiene sólo un tema de cada trabajo oficial, comenzando con un tema del Destroyer Of Worlds que aún no había sido lanzado, seguido por temas desde su primera creación Bathory hasta el Blood On Ice (lógicamente sin contar los Jubileum) y anteriormente incluían desde temas inéditos hasta varios temas de un solo trabajo. La Black Mark pretende con su lanzamiento dar una idea a los nuevos seguidores de lo que es y fue Bathory, algo bastante sorprendente es que haya sido producido antes que el trabajo en estudio, el cual había sido mencionado desde hace varios meses atrás, sin embargo sirvió como preludio de lanzamiento del tan esperado... Destroyer Of Worlds (Destructor de Mundos), en más de 6 años Bathory no entraba en estudio a grabar un nuevo trabajo, sin contar con el Blood on Ice como nuevo, ya que fue una recopilación de temas anteriores. El primer nombre que habían pensado fue Nemesis pero en el transcurso de su larga y dura grabación decidieron cambiarlo, fue dedicado a todos los seguidores de Bathory, finalizando con la frase You are the Best! (¡Ustedes son los mejores!). Contiene diferentes estilos musicales, debido a que Quorthon decidió complacer en un sólo trabajo a todos sus seguidores, que se habían dividido en dos (a los que les gustaba la era black/death metal y a los que les gusta la era Vikinga), así que pensó que no seria justo hacerlo sólo con el estilo de sus primeros trabajos como inicialmente lo había pensado, sus letras hablan sobre materias como la sociedad, muerte, motos y hasta hockey sobre hielo. Como siempre, es un trabajo totalmente diferente a cualquier otro que Bathory haya grabado anteriormente. Creó una gran expectativa ya que se especuló mucho sobre su fecha de salida al mercado (finalmente 8 de octubre, para el resto de Europa el 23 de octubre), casi más de 1 año por parte de la Black Mark y Quorthon. Nordland I (Tierra del Norte I), en el 2002 lanza su trabajo número once en estudio, el cual fue para casi todos una sorpresa, debido a que solo se conocieron algunas noticias semanas antes de su lanzamiento. Da comienzo a la saga Nordland (Tierra del Norte), un trabajo temático donde Quorthon nos deleita hablando sobre la Tierra Nórdica. Su estilo es semejante los trabajos Hammerheart, Twilight of the Gods y su anterior saga Blood On Ice. Nordland II (Tierra del Norte II), completa la docena de trabajos de Bathory en estudio y fue lanzado al mercado en marzo de 2003, mes en el que la banda celebro sus 20 años de vida remasterizando digitalmente y lanzando al mercado sus seis primeros trabajos. Nordland II es la continuación de la saga escandinava y todo parece indicar que es su punto final, aunque Quorthon no descarta la posibilidad de que la historia continúe en un futuro (no muy cercano), no se muestra muy animado en hacerlo argumentando que toda historia tiene su final y esta ya lo tuvo. Hay partes de algunos temas en ambos Nordland en los que se incluyen aproximadamente tres guitarras rítmicas, hasta ocho guitarras líderes haciendo melodías y armonías, incontables pistas de coros y en algunas ocasiones flautas, cuernos, acordeones y órganos. Sin mencionar la presencia de truenos, viento, olas, caballos y el sonido de la batalla detallando la historia y enriqueciendo la experiencia. No sólo hubo derroche histórico, artístico y musical sino también de mercadeo, además de ser lanzado en CD, también salió al mercado en LP y por primera vez para Bathory en DP (DigiPack) versión limitada. Como si no fuera poco, días después del lanzamiento del Nordland II salió al mercado una LP-Doble en versión limitada llamado Nordland I & II, que contiene la saga Escandinava completa y para la que no midieron en gastos a la hora de su realización, hasta la presentación y letras del interior vienen completamente en color y cada LP fue producido en Ice Clear Disk (Vinilo Transparente) para darle un toque más nórdico.El 7 de junio de 2004 el mundo del metal se lamenta por la muerte de Quorthon, el cual fue encontrado sin vida en su apartamento a causa de un paro cardiaco.6? Para esta época Quorthon estaba grabando un nuevo trabajo titulado Dra Ballen i Gruset Grabbar y se estaban publicando la historia de Bathory en su página web oficial, que llevaba poco tiempo activa.7? Ambas tareas se encuentran incompletas por el momento y todavía no hay ningún comunicado por parte de Black Mark sobre el tema. Se han recopilado varios álbumes tributo a Bathory realizados por diversos artistas del género black metal (algunos de ellos lanzados incluso antes de la muerte de Quorthon), entre ellos Conspiracy with Satan: A Tribute to Bathory (1998) y Voices from Valhalla - A Tribute to Bathory(2012).

I admit to having a few deep-seated biases when it comes to writer-directors whose work doesn't speak to me.  Two of them have names that rhyme with Karen Zhorkin and Badham McWay.  This is neither here nor there with regard to anything but it makes for an interesting viewing experience when I need to TRY and put those biases on the shelf in order to watch something like 'Don't Look Up', which has become enough of a streaming success on Netflix (if we trust their metrics) to merit inclusion on any list of the most successful films of 2021 and 2022. In this episode I unpack my bias against the "serious" films of Adam McKay ('Vice' and 'The Big Short') and see if 'Don't Look Up', a star-laden vehicle, can elevate beyond my petty concerns, reach into my cranial and cardiac areas and MOVE ME or if my biases are like a comet hurtling towards the objectivity required to absorb it all.

We have a long way to go before we reach TOTAL diversity, equity and inclusion in the ballet industry, but today's guest is hopeful and full of heart.  Jonathan Batista was born in Rio De Janeiro, Brazil, and went on to train at The Royal Ballet School in London, England, before graduating from the English National Ballet School and Trinity College London with a degree in dance. That was the very begging of a long and unusual professional career. As a person of color, he has a voice and advocates change for diversity and inclusion in the ballet world.  In 2021, Jonathan won the Art Culture & Music Award by The TAF AWARD FOUNDATION, and in this episode, we celebrate him for his work, journey, and the future of ballet. Transcript: Intro: This is words that move me, the podcast where movers and shakers, like you get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you’re someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight, but don’t stop moving because you’re in the right place. Hello, hello, my friend. Welcome to The Words That. Move Me. I’m Dana. This is my podcast. This is my excited voice because I am so excited to share this conversation that I just had with my new friend, Jonathan Batista. Jonathan was a principal dancer with Oklahoma city ballet for many, many years. He is now a soloist for Pacific Northwest ballet. Shout out to all my listeners up in Seattle. If you get a chance to go see Jonathan perform their Nutcracker season is about to start. So get ya booty to go see Pacific Northwest ballet. Um, Jonathan and I, uh, spoke before this interview a little bit about the life of a principal dancer for a ballet company. Y’all this person is so what is the word I’m looking for? Focused deliberate, um, energized, motivated, disciplined, I mean, wow. All of the good things that all of these virtuous qualities that we reserve for people who are out there doing it, but also a human, a real kind human being that I so enjoyed talking to. Um, so in our preliminary chat, we talked about his morning routine, which starts at 4:30 in the morning, meditation workout, you know, body self-care thought work. Um, and then off to the gym before heading into the studio for full rehearsal day, we didn’t dig into those nuts and bolts. In this episode, um, we kept our conversation focused on something quite different, which much, much deserves much, much attention. Um, we talked about what it means to be a person of color in the ballet industry, a lot to discuss there. Jonathan had some really great insights and, and hopeful words and sentiments. Um, I’m excited to share all that with you, but first let’s do wins. I am so jazzed about my win today because my win today, which is a little bit early, it’s a pre celebration, um, is that next week’s episode will be our 100th episode. Now, technically I think it’s actually like 107 or 106, because I started with episode 0.5. We like to sprinkle in bonus episodes here and there, but like, if we’re sticking to the number next week is 100 and celebrate. I’m going to give $100 cash away to one of you listening, perhaps. Um, this will be an Instagram contest. All you have to do is tag words that move me podcast. All one word, no spaces, no dashes, no nothing fancy, um, tag words that move me podcast and nine people that you think would enjoy listening to the pod. This could be in the form of, you know, your own photo that you post a talking head video of yourself, perhaps leaving, um, a few of your takeaways or sentiments about the podcast. You could also repost any one of our previous posts or episode posts, um, in your story, again,

NPR Music's picks for the best albums out today include new ones from the K-pop singer CL, rapper and producer Wale, a new project from Tricky called Lonely Guest, Grouper and more.Featured Albums:1. CL — ALPHAFeatured song: "Chuck"2. Wale — Folarin IIFeatured song: "Name Ring Bells"3. Grouper — ShadeFeatured song: "Pale Interior"4. Helado Negro — Far InFeatured song: "Wake Up Tomorrow"5. angel du$t — Yak: A Collection of Truck SongsFeatured song: "Love is the Greatest" and "All the Way Dumb"6. Lonely Guest — Lonely GuestFeatured songs: "Atmosphere" and "Move Me"7. John Forté — Vessels, Angels & AncestorsFeatured song: "88"8. Circuit des Yeux — -ioFeatured song: "Sculpting the Exodus"Other notable releases for Oct. 22: Bedouine — Waysides; Jackson + Sellers — Breaking Point; John Coltrane — A Love Supreme: Live in Seattle; Lana Del Rey — Blue Banisters; My Morning Jacket — My Morning Jacket.

This may be the first time we really dig into the subject of status and power dynamics on the podcast! FUN!!! In this episode, insiders and outsiders are under the microscope, and we approach the subject from the position of moving into a new role or industry AND I’ll point out how this power dynamic can shift during the course of ONE audition , or pitch meeting. I hope that after listening to this episode, you focus less on meeting the dress code/ getting on the guest list/ paying the cover. I hope this inspires you to become the VIP that you are and make the work that others want to be in on.Transcription: Intro: This is words that move me, the podcast where movers and shakers, like you get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you’re someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight, but don’t stop moving because you’re in the right place. Hello, Hello, my friend. Welcome to Words that Move Me. I’m Dana. I am so glad that you are here. Um, if you have been listening to these episodes in chronological order, then, you know, I spent some time at home in Colorado recently, and while I was there, I got to cash in on some way overdue quality time with my nieces, seven and almost four years old. And holy smokes, they’re the most special we got to play and cook and, um, watch some movies. Why is it now when I’m trying to make this sound beautiful and interesting that I cannot recall a single artful or exciting thing that we did. Everything we did was artful and exciting, including watch a couple of movies targeted towards their age bracket. One of them was Bigfoot Family. Don’t know if you’ve heard of this film, Bigfoot family and Mitchell’s versus machines. I can’t recall if it was Mitchell’s versus machines or Mitchell’s versus The machines. I actually did not double-check the titles of said films before stepping into the booth. But I do know, and I can tell you that the heroes of these films, both of them are young people with the capacity to edit video. These two heroes are like fully in their cartoon world editing in cartoon premiere pro, and they’re like dragging and dropping effects and adding the star wipe and adding, you know, like doing premiere pro, like I’m looking at the premiere pro timeline, but I’m looking at a cartoon. It was wild. I’m just kind of marveling at that because the heroes of the movies that I watched growing up spent time in malls, like at the mall and the heroes of these films spend time in premiere pro. It was fascinating me so way to go people, making family content and normalizing, making things over consuming things. Um, perhaps this isn’t a deliberate thing. Perhaps they did some market testing and found that, Hey, you know what, everybody, between 12 and 16 is a content creator these days. So we’re just making where the audience is wanting is possible, but it was just, I was moved by that. So hats off, good job people making family content. I should really be going to get on that. Definitely going to get on that. Anyways, I digress, while watching Mitchell’s versus machines, the machines, whatever it is we’re going to call it M versus M the lead character, a teenage girl on her way into film school says I’ve always felt a little different than everyone else. So I did what any other outsider would do and made weird art. And that reminded me of a topic that I have been meaning to dig into on the podcast. And that is the notion of insiders and outsiders. We’re going to save the notion of quote, weird and weird art. For another time today, we are talking about status. We’ll talk about that from the position of moving into a new r

042 - Well its different. With some varied and vague producers but an interesting unexpected ride. ENJOY. TRACKLIST: Time Shift Movement Machina Meloy Jonathan E. Blake Light Movement Machina Naravala Jonathan E. Blake Chiara Jonathan E. Blake Von Draussen Jonathan Kaspar Morgental Erik Heirman & Jeevan Jee Mouse In Trap Luca Draccar Stand Up (Tools) Dubman F. Move Me "Beatless Outro Version" Deeve Urano Data Nicolas Navarro Basanta "Torsten Fassbender Remix" Analog Jungs One Movement Machina Goodbye Movement Machina Ancient Methods Forerunners Darkness Movement Machina Still Think of You Movement Machina Sunrise Deeve Full Moon Deeve Aurora (Original Mix) Filterheadz No Party (Apo Tulup Remix) Magnetic Brothers Trojan Love "Tim Engelhardt Remix" Definition & Natascha Polke Alaria Jonathan E. Blake

Nicole Carmier, the owner of Move Me to Cali: Real estate group, joins Chef Cec to talk about the hot real estate market in Sacramento. Nicole, who is also the creator of Self Care Sundays, talks about what it's like to be a Black female realtor in the capital city. Despite Nicole's unparalleled, success, you would be SHOCKED to hear the egregious treatment by clients because of the color of her skin. Tune in now!

This week is the first of our replays for the month of August! Starting out with Episode #5, and it is frighteningly good. It digs into concepts of FEAR. The kind that keeps you alive and the other kind that keeps you from LIVING! Give a listen and cut the ties to fear that are holding you back. Quick Links: The Power Of Vulnerability – Brené Brown The Call to Courage – Brené Brown Daring Grately – Brené Brown Failing Your Way to Success How To Be A Successful Failure Gift of Fear – Gavin de Becker Brooke Castillo's Thought Model The Farwell – Akwafina Movie Episode Transcript Intro: This is words that move me, the podcast where movers and shakers like you get the information and inspiration you need to navigate your creative career with clarity and confidence. I am your host, master mover, Dana Wilson, and if you're someone that loves to learn, laugh and is looking to rewrite the starving artists story, then sit tight. But don't stop moving because you're in the right place.Hello, Hello, My friend and welcome to Words that Move Me. I’m Dana and you are catching the words that move me team on vacation after 85 plus episodes, including several bonus jams. The words that move me team is taking some well-deserved time off and reminding you of some of our favorite episodes. Today’s replay is one that I get the most feedback about. And when I teach and when I coach themes from this episode, show up almost daily. So yes, today’s replay is addressing fear. One of my favorite subjects so much fun. Uh, what’s really fun actually is that this episode is a very early one. I recorded it pre pandemic, and it’s really interesting to consider what people might’ve been afraid of then versus now so much has changed. And yet so much is the same. What do you think? Do you still have more to learn about fear? I’m willing to bet that you do, and I’m willing to bet that this episode will help. So I am so glad that you are here and I am so excited to share this episode, but before I do, I want to let you know that when we get back from our little break, we’ll be talking about fear and managing your mind around it a lot. So be sure to subscribe now so that you don’t miss anything later. All right, with that, everyone enjoy this replay of episode. Number five is fear keeping you alive or eating you alive? I’ll talk to you soon. Hello and hello. Welcome back to the podcast. This is episode five. Can you believe it? Episode five already. I'm stoked. Thank you so much for joining me. Thank you for tagging me for communicating with me on the socials. Um, a lot of real creative types popping up there. So hip, hip, hooray for all my daily doers. Um, if you are not daily making jump back and listen to episode one, very inspiring, exciting stuff back there. I am daily doing in some way, shape or form working on this podcast. Whoa, podcasts are way more w

Episode 52 begins our series on Sex, sex and SCI and the research into restoring sexual function. Matthew and Jason start by talking with Kelsey Peterson, Quinn Brett, and Thomas Cloyd about their experiences with sex after injury: their partners, perceptions, feelings and explorations. This is a frank and explicit conversation, so be prepared. We plan to continue the conversation with multiple interviews and guests. So please send us your comments and questions in order to steer our discussion in the most relevant direction. --- Music: In The Dark by Freaque (SCI artist Gabriel Rodreick) --- Thomas Cloyd is a healthcare business guy, fitness enthusiast, and advocate for the SCI community. He was born and raised in MN and following a c5 SCI in 2012, helped co-found GUSU, a SCI research non-profit, and graduated with an MBA from the University of Minnesota. He now lives independently in Oakland, CA working full-time and navigating all the ups and downs of adulthood with the added spice of quadriplegia. Thomas wouldn’t be where he is today without help from others, and he is committed to paying that help forward in any way he can. Kelsey Peterson is a dancer, writer, filmmaker and quadriplegic. Her previous path was interrupted when she sustained a spinal cord injury in 2012 and became paralyzed from the chest down. Despite her injury, Kelsey continues to dance, now from a wheelchair. She currently serves as co-director, choreographer and dancer on a live music and dance production featuring inter-abled artists called, A Cripple’s Dance. Her choreographic background lends to her storytelling, which she also leans on in her documentary film, Move Me. Artistic advocacy for people with disabilities is her passion, using storytelling as a means of education, visibility and empathy. Quinn Brett's passion for wilderness and adventure has taken her to the nooks and crannies of the world, reveling in the freedom of movement. Her accomplishments are varied; first ascents, speed ascents, summit handstands, public lands advocacy, National Park technical rescuer, educator and yoga-climbing retreat owner. In October 2017 she took a 100-foot fall climbing in Yosemite, causing paralysis below the waist, T12. Her drive to cover long distances over technically complex terrain continues, just a few layers deeper. Quinn still advocates for public lands and now spinal cord research through writing, speaking and as an athlete.

Dancers are unique in many many ways, not least of which is our income.  It comes from MANY different places, at inconsistent intervals, it’s often not taxed… and then there’s the actual numbers!  We might make $17.49/ hour, we might make over $1k per day, we might make $0.00 in a month, we might make $250,000.00 per year. Still interested?  Yea, me too.  In this episode, I break down the rates, tips, and trades that helped me understand and OWN my full financial picture. Quick Links: DA Rates/ Working Conditions: https://www.dancersalliance.org/da-rates TV/Theatrical 2020 Summary: https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_2020TV-Theatrical_Summary.pdf For super bonus extra credit: Understanding Residuals SAGAFTRA: https://youtu.be/p4U7CRtmdVM Understanding IRAs: https://www.nerdwallet.com/article/investing/learn-about-ira-accounts SAGAFTRA Music Department (for all your Music Video needs): (323) 549-6864 Money Book: https://www.goodreads.com/book/show/6705806-the-money-book-for-freelancers-part-timers-and-the-self-employed Transcript: Intro: This is words that move me, the podcast where movers and shakers, like you get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you’re someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight, but don’t stop moving because you’re in the right place. Dana: Hello, Hello, my friend. And welcome to Words that Move Me. I’m Dana, jazzed that you’re here stoked about this episode, even though it is about not my favorite subject. Yes, it is money March on the podcast. And in this episode, we are talking about the money side of dance life. Um, we’re going to focus specifically on dancers. We’ll talk about choreographers next week, but if you are an actor, a singer or another type of creative human or performer, um, or the parent of one for that matter, keep listening because there is a metric boat load of information about personal finance, uh, for people who do not so regular work. Uh, but first we’re going to talk wins. I have a very not money-related win today. I have taken ballet class three times in the last eight days, which is more than I have taken ballet class in the last eight months. And it’s feeling very good on my body. Um, I think this particular brand of ballet is a compassionate one. I’ve been taking class from the fabulous Spenser Theberge, and, um, I’ll be real with you ballet, and I have have had a rocky past, uh, we’re we’re not known for getting along and Spenser acts as such a marvelous mediator for me in that relationship. So if you’re looking to get back into a, a ballet class or a ballet practice, I really do recommend Spenser Theberge’s class. He’s been teaching on zoom lately. I don’t know how much longer that will continue. Um, but I will link to Spenser and some more about where to find him in the show notes for this episode, Shout out Spenser. Thank you so much, my friend. All right, Now, it’s your turn. What’s going well in your world. Awesome. I’m so proud of you. I’m glad that you’re winning. I’m glad that we’re here winn

In this episode I’m chatting with another old friend I haven’t spoken with in a long time: actor, singer, musician, writer, composer, teacher, all around superstar, Mr. Adam Magnacca! We begin by discussing our shared love of Toronto, or as the locals say it, “Terrano,” and he catches me up on all he’s been doing this past year. We continue to agree on almost everything, mostly our appreciation of slowing down and enjoying life’s little moments. For whatever reason, Adam has me cracking up over and over again as he mentions this simple but ever so true phrase: “it’s just life baby, it’s not that deep.” Enjoy!I wanted to take this moment to mention one of my favorite podcasts, Words that Move Me, hosted by master mover, Dana Wilson. Her latest episode, #55, will give you one creative, thoughtful, and sure fire way to KEEP your new year’s resolutions. She is inspiring and delightful and so dang smart, so please make sure you check it out!

There are thousands of articles and podcasts and videos about New Year's resolutions. You can find countless lists like "Top 4 (or 5, or 15, or 30) Reasons Resolutions Don't Work". You'll find even more lists of how to keep them! Well, in this episode, I give you ONE. ONE REASON why you aren't seeing your goals through and ONE sure fire way to make sure you do. This one goes out to all of my Daily Doers, and ANYONE looking to change their life in 2021. Quick Links: WTMM Community: https://www.thedanawilson.com/workwithme/membership-tiers Doing Daily Diary: https://www.thedanawilson.com/product/interactive-doing-daily-diary-download Fabletics Spot:  https://www.fabletics.com/new_collection2MFUAppleID5 https://www.youtube.com/watch?v=59gDzyzUgb0 Transcript: Intro: This is words that move me, the podcast where movers and shakers, like you get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you're someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight. But don't stop moving because you're in the right place. Dana: Alright. Alright. Hello and welcome to Words that Move Me, I'm Dana. I'm jazzed you're here. I am so excited about this episode, although it's a bit of a tough love type of episode. Um, speaking of love, and speaking of tough, I want to start this episode by saying, I hope that you are finding solid footing wherever you stand. Even if there is uncertainty, when you look out the window, solid footing is what I am asking for today. It's what I'm wishing you today. And I did a little Pilates earlier, so I stand a pretty good chance at finding solid footing today. All right, let's dig in. Shall we? Today we are talking about resolutions, including, but not limited to new year's resolutions. And we're talking about why they don't work. And we're talking about how to make them work. Now, as far as why new year's resolutions don't work, you can absolutely undoubtedly 100% find 100,000 articles on the internet about new year's resolutions. There's a lot of research about habits and there, there are a lot of really great and some not so great articles about this specific topic. You'll find lists on lists like top five reasons, top 16 reasons, top 20 reasons why your news resolutions didn't work or 14 new ways to make sure your resolution works. Listen, I'm going to sum it up with one, one reason your new year's resolution didn't work, and one way to make sure that it works. Now, if you are taking on a new year's resolution or a doing daily creative challenge, it's probably because of the way that you feel right now and the way you think you will feel once you have accomplished that thing. You think that something is not working for you now, the way you're doing things now, and you think that you will feel better when you act a certain different way, new year's resolutions and other long-term commitments are really all about what you think, the way you feel and the actions you take. Yet, for some reason, the only value in that equation, the think feel act equation. The only value that most people think to adjust is the actions I'm going to work out five days a week. I'm going to stop drinking every night. I'm going to start doing creative daily things. I’m going to start talking to my friends and family more often doing, doing, doing, or stop doing, stop, doing, stop doing. It's all about behav

Lem Springsteen is part of the house music duo Mood II Swing based in New York City. Lem is a song writer, music producer and recently completed an international DJ tour from 2016 to 2018. Mood II Swing became one of the most in-demand remixers in the late ‘90s, with remixes of Ultra Naté's "Free" that struck gold. Their impact extended beyond New York's house scene to techno and UK garage clubs. Mood II Swing worked closely with Louie Vega throughout the ‘90s and between 1994 and 1996, they released close to 100 tracks, including remixes and collaborative works. Throughout this period, dedicating 100% of their time to the studio, with standout tracks including “Do It Your Way", "All Night Long,", "Ohh" and "Move Me". After over 25 years' of making tracks, Lem is on a new path curating his own album which is soon to be released in January 2021. Lem and I break down his music career and the origins of house music in the ‘80s and ‘90s in New York. In a laidback conversation, we discuss some of the influences in his style of production throughout the years. Taking a look at his most recent tour, some of the highlights along the way and setbacks which he has learned from. Lastly, we take a look at the future of the music industry in an era where COVID-19 is reshaping the nightclub scene. Follow Kickoff Sessions on Spotify to keep updated with new sessions!If you enjoyed this episode, please consider dropping a share on Instagram or leaving a short review on Apple Podcasts. Tell everyone I'm a semi-decent guy and it really helps to grow the show!For show notes and more episodes, visit Kickoff Sessions website. Sign up to the Kickoff Sessions email list for regular updates and content.Connect with me on LinkedIn.Support the music artist: FarsiThank you internet people!*** Learn to Build a Website *** This episode is affiliated with Gary Melican Web Design, providing specialized web design, analytics, SEO, email marketing and conversion. Knowing how to build websites allows you to explore business ideas quickly and without the need to find and hire someone else. Move faster by learning to build your own website. This courseThis episode is sponsored by Sons. Please support the podcast and get 40% off your first order by using the discount code KICKOFFSESSIONS40. Sons IE: sons.ieSons UK: sons.co.ukSons are a men's health care brand that offers clinically proven, licenced hair loss treatments for less than the cost of a cup of coffee per day. - ExpressVPN: ExpressVPN.com/kickoffsessions and get 3 extra months free- Buzzsprout: Buzzsprout.com and receive a $20 Amazon Gift CardSupport the show

 My guest this week is the picture of hard work + talent + a winning mindset.  Dexter Carr is dedicated to his work ( from the cell phone screen to the big screen and to Broadway, and back again).  He works hard, and he knows how to get it done (with a team!).  Listen in as we talk everything from sweat pants to perfectionism. Show Notes Quick Links: CLI 2020 Experience: https://2020-experience.clistudios.com/ Dexter Carr's Clothing Line: https://dextercarr.com/shop Transcript: Intro: This is words that move me, the podcast where movers and shakers like you, get the information and inspiration. You need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you're someone that loves to learn, laugh and is looking to rewrite the starving artist story, then sit tight, but don't stop moving because you're in the right place. Dana: Hello. Hello friend. Welcome to Words that move me. I'm Dana and I, as per usual, am jazzed about this episode. I'm exceptionally juiced up because.. juiced up? Is that a thing that I say? Um, um, I was just trying to not use the word jazzed quite as much, but I can't find a better substitute. I'm exceptionally jazzed because I just came back from my vacation. Spoiler alert. I did not really take a vacation, but I did take several baths and I painted my nails. So I didn't leave town, I did work for several hours a day, but not all day, certainly not the 30 hours a week on zoom calls that I had become accustomed to during these quarantine times. Um, and when I wasn't working, my thoughts really turned kind of tropical. I thought that I had all the time in the world, so I didn't even set my alarm in the morning. Um, I thought about the sun on my skin, so I spent more time outside. I really, really sought out inspiration. Um, so I watched some of my favorite movies back. Oh my God. Friends, Wings of Desire by Wim Wendors, which is actually spelled with W's W I M W E N D E R S. Holy smokes. Maybe the most beautiful film I have ever seen. I genuinely cry thinking about it because I, I really don't think that there's anything better. It might be the best film ever made. Honestly, the only thing missing from this film is a dance number, but there is a beautiful trapeze artist and not one but two musical performances by Nick Cave and the Bad Seeds. So really how can you be mad at that? It's just so good. Please do check that out. Oh, also go head over to Words that Move Me podcast on Instagram, because we just posted the third series of mandatory lists. I do a post that is your mandatory reading list. I do a post that is your mandatory watch list. And then third of course is a mandatory freestyle list. Those are my favorite to freestyle, to my favorite movies and documentaries and series to watch. And my favorite books. Yes. We just posted our third series of that. So head over to IgG, take a look at what those are. Um, wings of desire is definitely on this list three, but I kid you not. When I tell you, I think this is my favorite movie of all time, okay. We're back, we're focused and we are talking wins. I start every episode with wins because I think it's important, especially now to celebrate what's going well in the world. And the wind that I'm celebrating today is that the podcast has broke 2000 followers on Instagram and more than 1200 videos have been posted with the hashtag

We’re raised to “get along with each other”... so why is conflict (especially with the people we love) so uncomfortable? What can we learn from cancel culture, and what do we really mean when we say “agree to disagree”? This episode holds the answers, AND the golden game plan for the next time you find yourself in a heated debate. Show Notes Quick Links Moncell Durden Online Course: https://www.moncelldurden.com/onlinecourse Dana Caspersen - the 17 principles of conflict resolution https://amzn.to/2ZOoDWI Transcript: Intro: This is Words that Move Me, the podcast where movers and shakers like you, get the information and inspiration you need to navigate your creative career with clarity and confidence. I am your host master mover, Dana Wilson. And if you're someone that loves to learn, laugh and is looking to rewrite the starving artist story, sit tight, but don't stop moving cause you're in the right place. Hello. Hello, and welcome to words that move me. I am Dana and I am as usual, very excited about this episode. Um, this week we are talking about disagreeing specifically disagreeing with people that you love, people that you care about very much. And this is becoming one of my favorite topics because it is starting to happen more frequently and I want to get better at it. I want us all to become better at disagreeing with people that we love, because I want us to be loving more people. And because I think that disagreeing is expected, it is part of the human condition. I don't think any two people will fully and completely agree on all of the things. So we might as well get better at disagreeing with people. Before we do that, however, of course, let's talk about some wins. This week my win is that I enrolled in an online course. I started last week and there are still two weeks left for you to get in on this. If you want to join in for the last couple of classes, um, the course is called Intangible Roots, exploring the heritage of black dance, culture and people. And it's led by a USC professor, Moncell Durden, who I am learning so, so, so much from. Um, uh, the purpose of the course. I'm going to go ahead and read off the website, cause I don't want to leave anything super important out. The purpose of the course is to illuminate personal and cultural dynamics of ethnic diversity through hip hop cultures, political, social, economic, environmental circumstances, and spiritual practice in the United States. I mean, Whoa, dig in to that. Um, and we do, we've been really digging in on some really, really important topics. Last week, we talked about stereotypes of black people are portrayed in cartoons, TV, film, right? Entertainment. Um, it's been really eye opening to watch and then really soul opening to discuss these topics. Um, in the course we do little breakout rooms. I've met some really interesting people and I'm just so jazzed about being a part of this program. It is not too late for you to sign up, go to https://www.moncelldurden.com/onlinecourse And there's a little link to register now again, that's Moncell, M O N C E L L D U R D E N.com/online course. And of course I will link to that in the show notes. All right. That was, that was a big bite. Now you go, what's going well in your world. Okay. Congrats. Keep winning. I am so jazzed for you. And I would like to

Romanthony – “Hold On” [Glasgow Underground] Kings Of Tomorrow, Alex Mills – “White Flag” (Sandy Rivera’s Extended Mix) [deepvisionz] KYKA – “Ananda” Universal Principles – “Inspiration And Light” (Decimal Vocal Remix) [Soma] Round One – “Quadrant Dub II” [Main Street] Aerone – “Biosignature” [Depper Shades Recordings] Mood II Swing – “Move Me” [Music For Your […] The post Housetrap 18th May 2020 appeared first on SSRadio.

Agree with each other or get the buzzer. Questions this week: When is a board game better than a video game (04:30) When is the easiest job in the video game business (10:50) Easily fixable flaw (17:16) What games should have been on another platform (22:50) If you were part of the Yakuza in the video game series Yakuza what would your specialty be (28:40) What are they holding back for Mario Maker 3 (34:56) Sell me on Diaster Report (41:12) Alamo Drafthouse of video games (47:10) If you could have any piece of clothing from a video game what would it be. (54:20) The best speed runner in the world at a video game of your choice (01:02:18) LIGHTNING ROUND: Auto Player One (01:08:58) Edited by Blaine Brown. Music ‘34 t u s k' From Yakuza 0 and ‘Move Me' from Ridge Racer Type 4.

"Move Me", by Merge (Spartan Jet-Plex & Berko Lover), from the album Merge

There are certainly dark corners and terrible evils at work behind the curtains of the social media-sphere, but places like Instagram, and Youtube are also a great (and free) place to share your work and connect with a global audience. This episode digs into ONE approach to a happy and healthy relationship with social media. After all, you get to choose who you follow, you get to choose what you share, shouldn’t you also get to choose that it’s kinda FUN to build the place where the world can go to find you? Show Notes: Quick Links: Join the WTMM Ears Out Contest!: https://instagram.com/wordsthatmovemepodcast?igshid=1l4tj0jgvyu8q Transcript: Intro: This is words that move me, the podcast where movers and shakers like you get the information and inspiration you need to navigate your creative career with clarity and confidence. I am your host, master mover, Dana Wilson, and if you're someone that loves to learn, laugh and is looking to rewrite the starving artist story than sit tight, but don't stop moving because you're in the right place. Dana: Hello. Hello. Hello. I am Dana. Welcome to the podcast. I am so glad that you are here right now. I am excited to talk to you today. Whoa, this is a big one. All right, so with the Words that Move Me Instagram contest going on right now, Oh, right now, by the way, is the last couple of days of February and heading into March. Oh my gosh. It's almost March. I can't really handle it. Time is flying so super fast. Anyways, it's the last couple of days of February heading into March and until March 9th Words that Move Me has an Instagram contest happening, so make sure you go check out our Instagram page to get all of the details on how you can be involved, how you can win and what you can win. It's all very exciting stuff, but because of the contest, social media has been on the brain and actually to be honest, contest aside, social media has been on the brain. There's a lot of talk around this right now. It seems kind of an unavoidable subject. It's like this part of our lives now. It seems to be. Anyways, I'm sure that there is a small contingent, possibly very, very small. Maybe just a few of my listeners that still exist completely handle free and hats off to you. I actually would love to know what that is like. Um, I haven't checked, but I'm very curious about how many hours a day. I know on average I spend a little over three hours a day on my phone, but out of that, I wonder how much of that is inside of Instagram, which is my preferred social media platform. I digress. I'd say that the sweeping majority of humans, probably age 16 to maybe 40, uh, have social media of some sort, whether it's Facebook or Twitter or Instagram, YouTube or all of them. Oh, tik tok. Oh my goodness. Which I don't have, but I hear that I quote need people tell me this like, Oh my God, you need to tik tok. And that's very funny because I feel totally fine without one. But then again, I have never had one. It is very possible that I haven't even lived yet because I don't have tik tok, tik tok. Am I, am I sounding ridiculous? The tik tok? Do you use the tik tok? I'm cracking myself up anyways. I think that social media for the most part gets a bad reputation for a lot of really good reasons. For example, it is literally designed to devour your attention. There are engineers who are paid to think of ways to keep your eyeballs on the screen longer so that they can show you more ads so that you can click more clicks so that they can make mor

Bowen McCauley Dance Company's Founding Artistic Director Lucy Bowen McCauley and Executive Director Helen Chamberlin were guests on the Embracing Arlington Arts Talks podcast to update us on the many exciting events they have coming up. From the "Move Me" festival to the Kennedy Center to collaboration with the National Chamber Ensemble and the Arlington Philharmonic, there is a lot on the schedule. Find out about all these events, and get a sneak peek at their plans for the company's 25th Anniversary during this interview.

Jeff and Mick chat with Rebecca Sansom, founder and artist manager at Blonde Artist Management; and Celeste Krishna, pop-rock artist and producer.First up, Mick interviews pop-rock artist Celeste Krishna, whose song, “Come On and Move Me,” was featured on NBC’s show “Good Girls." During the interview, she talks about the differences between singing and producing, how she chooses who to collaborate with, her favorite (and least favorite) aspects of being both an artist and a producer, and what qualities make for a great manager in today's music space.Next, Jeff interviews Celeste's manager, Rebecca Sansom, who founded Blonde Artist Management. She discusses her perspective on artist management, how that role plays into an artist's career and more.Then, the four make their picks for FanLabel's “Hot New Music” Best of Five Challenge.For more on Celeste Krishna, visit her artist page on blondeam.com, and follow her on Spotify and Instagram @celeste_krishna.For more on Rebeca Sansom and Blonde Artist Management, stay up-to-date with the latest via Twitter @BlondeArtMGMT and Instagram @blondeartistmgmt.

NCAA Football is BACK. There’s a lot of good, young NBA players. Football. Cutting cable. Candy. Music: “Move Me” — Gucci Mane “2Pac” — Future

Playlist: Delbert McClinton, If I Hock My Guitar, Kelly’s Lot, All I Ever Want Is The Blues, Kelly Richey, Just Like A River, Bloodest Saxophone, Don’t Move Me, Ben Levin, This Morning, Tom Euler, Blues Got My Back, Blowing Smoke Rhythm & Blues Band, Don’t Fight It, Cat Lee King And His Cocks, Let Me Love You, Heather Newman, Cheapshot, Terry Hanck, Here It Comes, Straw Family, Perfectly Fine, Savoy Brown, Walking On Hot Stones, Diana Rein, Queen Of My Castle, J.P. Reali, Whiskey For Blood, Grady Champion, I’m A Blues Man, Nancy Wright, Warranty, The Floor Models, Didn’t Come This Far To Quit, Trombeatz, Bomba Indiscreta, Terry Robb, It Might Get Sweaty, Richard Turgeon, Bigfoot’s An Alien, Harpdog Brown, A New Day Is Dawnin’, Kate Lush Band, You Already Knew, Ellis Mano Band, Whiskey, John Clifton, Junkie Woman Blues, The Cash Box Kings, Hunchin’ On My Baby, Christone “Kingfish” Ingram, Hard Times, Albert Castiglia, Love Will Win The War, Likho Duo, Good Morning Little Schoolgirl, Mojomatics, Soy Baby. Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services,American Showplace Music, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, BratGirl Media, Mark Pucci Media, Mark Platt @RadioCandy.com and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much! https://itunes.apple.com/us/podcast/id502316055

Playlist: The Reverend Shawn Amos, Whip It, Nick Goodman, Put A Bar In The Back Of My Car, Kenny Parker, I’ve Got My Eyes On You, Jason Robert, Good Vibes, Raw Terra, Suicide Lincoln, Kathryn Grimm, C’mon Home, Stacy Jones, Gotta Get Over You, Rick Vito, I’ve Got A Secret, John Mayall, Evil And Here To Stay, Paul Nelson, Color It Blue, Katarina Pejak, Chasing Summer, Tiffany Pollack & Eric Johanson, No Expectations, Jim Dan Dee, When You Move Like That There, Glen Clark, In Search Of, Bob Lanza, Kids, Dogs And Krazy Women, Will Jacobs, I’ll Play The Blues For You, Boogie Beasts, Night Time Hero, Travelin’ Blue Kings, Ninety Minutes, Black Cat Biscuit, Haunting Me, James Buddy Rogers, Can’t Get You Off My Mind, Bloodest Saxophone, Don’t Move Me, Dylan Bishop Band, Love Me With A Feeling, Willa Vincitore, I Love You Baby, Tomislav Goluban, Do The Right Thing, Chris O’leary, One More Chance At Love, Vin Mott, I Got The Blues On My Mind, Ina Forsman, Who Hurt You, The Trevor B. Power Band, Lord Have Mercy, River City Slim And The Zydeco Hogs, Back To The Bayou, Bobby Blackhat, Back To Cleveland, John Nemeth, Sooner Or Later, Monster Mike Welch, Move Along, Mojomatics, Soy Baby Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services,American Showplace Music, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, BratGirl Media, Mark Pucci Media and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much! https://itunes.apple.com/us/podcast/id502316055

Featuring: Jason (The Binge Movie Podcast), Reid (The Irrationally Exuberant Podcast), Sam (Breakers Podcast)In an incredibly polarized and unpredictable episode, we discuss our favorite songs from 2018.But! We all finally come together on the final song of the night.This week's playlist:Don't Beat the Girl Out of My Boy by Anna Calvi (Jason)The Opener by Camp Cope (Reid)The Devil by Shinedown (Sam)Hunter by Anna Calvi (Josh)Holding On by Jenn Champion (Jason)Traitor's Gate by Judas Priest (Reid)Ode from the Aspect by Blues Traveler (Sam)Second Door by Doe Paoro (Josh)Blue Lights by Jorja Smith (Jason)Crayons by Cupcakke (Reid)Zombie by Bad Wolves (Sam)I Don't Want Your Voice to Move Me by Laura Gibson (Josh)Listen to the playlist at our-americana.com/playlist

Episode 40 for the grown folks and shorties! I play some of my favorite new music and discoveries of the year plus a $4000 record?? wtffff let's go it's Hawthorne Radio Tracklist: Sly & The Family Stone "Sing a Simple Song" Eddie Drennon & BBS Unlimited "Do What You Gotta Do" Loose Ends "Nights of Pleasure" Mura Masa & Octavian "Move Me" Little Dragon "Lover Chanting" Joe Moks "Boys & Girls" SiR "Cadillac Dreams" SiR "Summer in November" Desire "Saturday" Khruangbin "Friday Morning" Jerry Paper "Grey Area" f Weyes Blood Tommy McGee "Take Me Home" Tania Maria "Come With Me" Karma "Depois do Portao"

This week we try out a new feature Bad Bad Good Bad, an opportunity to discuss music and songs that we don't like or feel guilty for liking. let us know your Bad Bad songs and your Good Bad songs. We briefly discuss this year's Mercury Music Prize nominations, we wish Demi Lovato well on her recovery and chat about 6ix9ine's abduction. As always we speak about our Top Ten Tracks of the last two weeks. Those ten tracks were: Tennyson "With You" // Grace Jones "Williams' Blood" // Gents & Jawns "Fireball" // Mura Masa "Move Me" // DJ Mehdi & Fafi "Lucky Boy" // Christina Aguilera & Goldlink "Like I Do" // Plato III & Remi Lankum "Illuminate" // Florence & The Machine "Big God"// Santigold "Run The Road" // Ebenezer "53 Sundays" As always you can check out all these songs on our Spotify page. Just user search for Selected Podcast or follow the link in the bio. Like, follow, subscribe, review and holler at us: https://www.stitcher.com/podcast/selected-podcast?refid=stpr https://itunes.apple.com/ie/podcast/selected-podcast/id1298786009 https://soundcloud.com/selectedpodcast https://twitter.com/selectedpodcast https://www.instagram.com/selectedpodcast/ helloselected@gmail.com

The first episode of a passion project of mine. A video game music podcast. I hope everyone enjoys it! You can check out more of my work at the following websites: ----------------------------------------------------------------------------------------------------------------------------------------- Check out the main site: otakugamerspot.com Catch my friends and I when we go live: twitch.tv/chazmosis Follow my friends and I on Facebook: facebook.com/otakugamerspot/ Follow me on Twitter: twitter.com/Chazmosis410 Here's the tracklist: Intro/Outro theme: "Tell Me" by Skyler Spence 1.) "Cyclops Stage/Danger Room" - X-Men Children of the Atom 2.) "Hulk's Theme" - Marvel Super Heroes 3.) "Conquest (Ablaze)" (Not "Duty." My mistake) - Fire Emblem Awakening 4.) "Dusk Falls" - Fire Emblem Fates 5.) "Cerberus Battle" - Devil May Cry 3 6.) "Northern Hemisphere" - Donkey Kong Country 7.) "Phedrana Drifts" - Metroid Prime 8.) "Frost Man's Stage" - Mega Man 8 9.) "Let's Go Away" - Daytona USA (Saturn) 10.) "Move Me" - Ridge Racer 4 11.) "Scorpion: Lost Soul Bent on Revenge" - The Immortals (Mortal Kombat The Motion Picture OST) 12.) "An Underlying Problem" - Shovel Knight 13.) "Not Nate..." - Retro City Rampage 14.) "Iwatodai Station" - Persona 3 15.) "Mass Destruction" - Persona 3 16.) "Spider-Man's Theme" - Spider-Man & X-Men: Arcade's Revenge 17.) "Flight Thrills" - Sonic: After The Sequel 18.) "Stellar Lights" - Sonic: After The Sequel 19.) "Funky Esaka" - The King of Fighters 95 (Arranged) 20.) "Jack-A-Dandy" - Guilty Gear Xrd

1. Rhino, Mason 2. Move Me, Alex Ranerro 3. Keep Pushing, Full Intention 4. Cola, CamelPhat, Elderbrook 5. Imagination (Audiojack Remix),Nico Stojan 6. Misunderstood, Boogie Pimps 8. Dope, Oliver & Oliver 9. Masala (Pablo Fierro Remix), Floyd Lavine 10. No Shame, Tuff London 11. U Got My Love, Noisy Bears 12. Cultural Decline, ANOTR 13. Hangin’ out with Charlie, CamelPhat 14. Andromeda (Purple Disco Maschine RMX)Gorillaz, D.R.A.M.

  Deuxième édition de Du Coup en ce samedi de l'enjaille ! Chloé et Maïa vous font découvrir des artistes, des coups de coeur et vous font surfer sur la vague de l'electro pour vous faire danser nuit et jour jusqu'à notre prochain rendez-vous !  Du coup à samedi !    L'artiste de la semaine  BLOWSOM - April Le coup de coeur des artistes LeMarquis - Cerrone - Move Me L'instant anglo    Honne - Sg Lewis - Shivers  j.robb - Owe The World  LarryKoek - Première Fois Le morceau nu-disco de la semaine Darlinn & Revers Gagnant - Paris Rooftop Le morceau old-school de la semaine Breakbot - Kavinsky - Nighcall  L'instant franco   Madeh & Velvet - One Day Booboo - Coffee Lover Kartell -  5 A.M Le sample de la semaine Revers Gagnant - Rolland Garros (Ft. Darlinn)  La soirée électro de la semaine  Nymra & Sofisticated - Exclusive Mix #24 - Soirée High Heels Prohibited 

This week, instead of one artist, Wombat Radio spends time with the directorial team PRAXIS just before they premiere Dark Matter - tickets here - at the Move Me festival in Perth, WA.   The PRAXIS | TEAM includes Choreographer Laura Boynes Video/Installation Artist Alexander Boynes Cellist/Composer Tristen Parr   mentioned: emma fishwick sarah scott PACT CCAS   more info: media

Ep. 197 - Singer/Songwriter (and Nickel Creek fiddler!) Sara Watkins is this week's podcast guest. We talk to her about licorice, what the food is like at Prairie Home Companion, and whether or not shrimp belongs in jello- a topic brought up due to the crazy food enhanced video for "Move Me", the first single off her new album.

Souldynamic ft. Roland Clark "Equatorial" Technasia, Green Velvet "Suga" DJ Sneak "Funky Rhythm" (Mark Knight's New Woman Remix) Mark Knight "Second Story" The Checkup vs. Chic "Move Me vs. My Forbidden Lover" Tazer "Wet Dollars" Carnao Beats "Endless Words" Fernando Campo "Razor Sharp" Soul Divine "Secret Love" (Shane D Remix) Disclosure ft. Gregory Porter "Holding On" EP137 The Oneness Recorded 08.09.15 Time 41:30 iTunes: http://itunes.apple.com/us/podcast/deep-house-episodes/id342587477

The Funky Train from Athens to Ibiza   Title is a referenced to the Mikis Theodorakis track (No.6), which I was very happy to drop considering the set was put together at the Nysia Hotel pool (Spetses Island, Greece).   A word on the Nissia hotel (http://www.nissia.gr/en). Great place, very good rate for their villas where you can comfortably sleep 6 to 8 people for under 300 EUR B/F included... Why would onenot want to come to Greece?   Sun-drenched poolside tunes with some cherry picked re-rub of old tunes and then the start of all the current beach and soulful tunes I have accumulated in the last 4 months.   I was listening for the nth times to old offensive covers of old tunes at a sunset bar called Cielo. I begged them to stream The Funky Blackman (Campo Allegre) latest podcast (http://funkyblackman.podomatic.com/entry/2015-07-03T21_29_57-07_00).   They finally obliged and the place started grooving… With all the free streaming music around, why on earth would anyone have to endure the same 3 year old crap music on repeat…? Beats me.. At least make an effort and find good remixes of old tunes…   Playlist:   2014 Walking On The Moon (J-Art & Madan Remix) [Millesim]. The Police 2013 Josephine (Chris Coco Edit). Disco For The People 2011 We R 1 (U&J's Morning After Mix). U-Ness, JedSet 2009 Find the Way (Jask's Reprise). Ethan White, Lisa Shaw, Jask 2015 Dance (Louie Vega Funk House Dub). 3 Winans Brothers, The Clark Sisters, Louie Vega 2015 The Funky Train Leaves at Eight (From Athens to Ibiza). Mikis Theodorakis, Francesco Diaz 2015 Wide Open (Reel People Vocal Mix). Choklate 2014 Love Is On Its Way (Shane D Remix). Lewis Ferrier, Mavis Acquah 2015 Love Is War (GMGN & Dusty Digital Remix). Vanessa Daou, GMGN And Dusty Digital 2015 Move Me vs My Forbidden Lover (Bootleg SoundCloud Remix). The Checkup & Chic 2013 Do You Feel (Club Edit). Clemens Rumpf, Tony Bravo, Gary Adams, Willy Washington 2014 Free (Lovebirds Beautiful Rework). Lovebirds 2015 Do What You Feel (JN Revival Mix). Joey Negro   Highlights: Do not expect underground house music but easy listening orginal poolside tunes. Do not miss the “The Funky Train Leaves at Eight” and actually go on line and by the album.. It is very, very clever. “Wide Open” from Chocklate and the Checkup booty “Move Me vs My Forbidden Lover” are true little gems. The Lovebirds remix of “Free” is not too bad either with a nice cocktail in hand..   Enjoy your poolside mix and I will be back soon, still mixing from beautiful Greece.. where the beach, the sea, the food and the people are still magic!   A bientôt   Xtian

Haute Properties! Once again I’m back with a tasty dose of House Music. As always, feel free to let me know your thoughts on my Facebook fan page: https://www.facebook.com/djhenryhall Enjoy! 1. Miguel Migs Feat. Aya – Little Star (https://soundcloud.com/miguelmigs1) 2. Soulstars Feat. Joy Malcolm – Beautiful Sunshine (Café 432 Remix) (http://www.traxsource.com/track/2204897/beautiful-sunshine-cafe-432-remix) 3. Rhemi – I Can Never Get Enough (Main Mix) (http://www.traxsource.com/title/393622/i-can-never-get-enough) 4. Akabu Feat. Linda Clifford – Ride The Storm (http://www.traxsource.com/track/2219115/ride-the-storm-joey-negro-club-mix) 5. Rhemi – I Can Never Get Enough (Future Acid Mix) (http://www.traxsource.com/title/393622/i-can-never-get-enough) 6. The Checkup – Move Me (http://www.traxsource.com/title/419224/move-me) 7. James Winter Feat. JoysSoul – Deeper Love (City Soul Project’s Classic Mix)(http://traxsource.com/title/415775/deeper-love-feat-joyssoul) 8. Joey Negro & The Sunburst Band – Journey To The Sun (Dennis Ferrer Remix)(http://www.traxsource.com/title/23010/journey-to-the-sun-ep-incl-dennis-ferrer-remix) 9. Cotterell – Music And Soul (Garage Vibe Mix) (http://www.traxsource.com/track/2180650/music-and-soul-garage-vibe-mix) 10. Chunky Jackson – What You Do To Me (Undertone Mix) (http://www.traxsource.com/title/362937/what-you-did-to-me) 11. The Boss – Congo (D Max Mix) (http://www.traxsource.com/title/6774/congo) 12. Souldynamic – Equatoriale (http://traxsource.com/title/439599/equatoriale) 13. Souldynamic Feat. Dana Weaver – My Freedom (http://www.traxsource.com/track/2209474/my-freedom) 14. Ross Couch – Burning Up (http://www.traxsource.com/track/2306874/burning-up) 15. Patrick Khuzwayo & Bhunu Brill Feat. Darian Crouse – Music’s My Only Drug (Chez Damier Panorama Dub Instrumental) (http://www.traxsource.com/title/388925/musics-my-only-drug-incl-chez-damier-mixes) 16. Luca C & Brigante Featuring Roisin Murphy (Original Mix) (http://traxsource.com/title/412828/invisions) 17. Ross Couch Feat. Tai Malone – Reverie (Deeper Dub) (http://www.traxsource.com/title/386606/reverie) 18. Barbara Tucker – I Get Lifted (The Bar Dub) (https://pro.beatport.com/track/i-get-lifted-the-bar-dub/1007871) 19. David Morales Presents The Red Zone Project Vol. 1 – Kaos (http://www.traxsource.com/title/351510/the-red-zone-project-vol-1) 20. St. Germain – Rose Rouge (http://www.amazon.com/Tourist-Remastered-St-Germain/dp/B0096U6TNC/ref=dp_olp_1) 21. Marshall Jefferson Presents Truth – Open Our Eyes (http://www.discogs.com/Marshall-Jefferson-Presents-Truth-Open-Our-Eyes/release/36433) 22. Danell Dixon – Dance Dance (Satoshi Fumi Re-edit of DJ Pierre Remix) (http://www.traxsource.com/track/1935515/dance-dance-satoshi-fumi-re-edit-of-dj-pierre-remix) 23. DJ Pierre Presents Shock Wave – The Mental Track (Simon Pitch Mix) (http://www.traxsource.com/title/46767/the-mental-track) 24. Deborah Cox – It’s Over now (Hex Hector & Mac Quayle Retro-Future Mix) (http://www.discogs.com/Deborah-Cox-Its-Over-Now-The-Remixes/release/149843_ 25. Sylvester – Might Real Vocal (Joey Negro Edit) (https://soundcloud.com/joeynegro/mighty-bloody-real-joey-negros-special-dub) 26. Mike Delgado Presents Upstairs Lounge – Byrdman’s Revenge (Original Mix) (http://www.traxsource.com/title/6966/upstairs-lounge-ep) 27. Ellis D – My Loleatta (Dish Apella) (https://www.youtube.com/watch?v=-RHqPOJykEQ) 28. Trilogy – Love Me Forever Or Love Me Not (Satoshi Tomiie Intro of Clivilles & Cole Dub of Doom Mix) (http://www.discogs.com/Danny-Tenaglia-Choice-A-Collection-Of-Classics/release/152419)

For the First time ever 128k Stereo Version of a Muffin Junkee Podcast!Thanks Buzzsprout for adding this fantastic Stereo Feature for Music Podcasts which is just brand new!Please enjoy this 128K Stereo version and check out the Mono version too!I will have both versions available here!So you can enjoy Conway Hambone in either or both!----------------------------------------------------------------------------------------------UK Musical Sensations Conway Hambone Plays Rock N Roll,Blues,Northern Soul,Reggae,Disco and Dub and more! --------------------------------------------------------------------------- But just who are they?This mysterious band that records out of enigmatic shed studio in an undisclosed location in the UK? ----------------------------------------------------------------------------- Podhost Jay Daniels Travels to the UK with a tape recorder in hand to find out!and breaches the boundry of the shed in an unprecedented series of sit down interivews with Paul Worsley about Conway Hambone and he speaks with some Collaborators too! -------------------------------------------------------------------------- Paul invites Jay into a the aneochaotic suite where he gives the Muffin Junkee live instrumental demos captured here on tape.Along with Material from Paul's first band Growling Dogs Nash(With Nick Bates)and Paul's subsequent Band Sally's Hat (Paul Worsley,Lisa/Lucy Diamond,Robin Diamond,Ravi Kasinathan ------------------------------------------------------------------------------- Conway Hambone Songs Played during this Podcast under a Creative Commons licence including rare tracks! Thank you Paul Worsley ----------------------------------------------------------------------------------------- Melon Blender Stomp .......... Lower Eastside Shuffle ........ Soultide ........ Cuban Stomp ......... Move Me ........ Aquaplane ....... Bone Hipshake ....... Cellphone Shake ...... Milk Stout Rock ...... 90 Degreez of Sleeze ....... OmniWaltz ....... Tears in My Beard ......... ---------------------------------------------------------------------------- Sally's Hat Tracks Played on this Podcast : Party (Live) ---------------------------------------------------------- Growling Dogs Nash Tracks on this Podcast : Dance Like a Zombie ...... Confusion ....... Life is Strange ....... ------------------------------------------------------------------------------ Ravi Kasinathan Tracks played on this Podcast : PSILUVU ........ Tinned Peaches ....... ------------------------------------------------------------------ Mike Afford Tracks played on this Podcast : All I know it Will Never Be Me (Angelo Campo) --------------------------------------------------------------------------------- Important ****Listen to Part 2(128k Stereo Version) of this Podcast which will be online here right after this one ends..it's called Muffin Junkee 15B:A Week With Conway Hambone Part 2 (128k-Stereo Version)**** ----------------------------------------------------------------------- Also note that due to the high quality of volume of material captured on tape there will be a Third 2 part Podcast about Conway Hambone Coming your way in 2 or three week that will feature the highly experimental music of Conway Hambone and Collaborators called from the Sublime to the Ridiculous !-so be sure look for that one*** ------------------------------------------------------------------------------ Special thanks to :Paul Worsley for all the hours of interviews and musical demos and making available uber rare material for this podcast and for creating the brand new Muffin Junkee Glambone Theme! and thanks also goes to Lucy Diamond,Leon Smith who will be interviewed on the podcast that follows this one,Ravi Kasinathan,Robin Diamond,Mike Afford and Angelo Campo

Mono Version -----------------------------------UK Musical Sensations Conway Hambone Plays Rock N Roll,Blues,Northern Soul,Reggae,Disco and Dub and more!---------------------------------------------------------------------------But just who are they?This mysterious band that records out of enigmatic shed studio in an undisclosed location in the UK?-----------------------------------------------------------------------------Podhost Jay Daniels Travels to the UK with a tape recorder in hand to find out!and breaches the boundry of the shed in an unprecedented series of sit down interivews with Paul Worsley about Conway Hambone and he speaks with some Collaborators too!--------------------------------------------------------------------------Paul invites Jay into a the aneochaotic suite where he gives the Muffin Junkee live instrumental demos captured here on tape.Along with Material from Paul's first band Growling Dogs Nash(With Nick Bates)and Paul's subsequent Band Sally's Hat (Paul Worsley,Lisa/Lucy Diamond,Robin Diamond,Ravi Kasinathan -------------------------------------------------------------------------------Conway Hambone Songs Played during this Podcast under a Creative Commons licence including rare tracks! Thank you Paul Worsley -----------------------------------------------------------------------------------------Melon Blender Stomp ..........Lower Eastside Shuffle ........Soultide ........Cuban Stomp .........Move Me ........Aquaplane .......Bone Hipshake .......Cellphone Shake ......Milk Stout Rock ......90 Degreez of Sleeze .......OmniWaltz .......Tears in My Beard .........----------------------------------------------------------------------------Sally's Hat Tracks Played on this Podcast :Party (Live)----------------------------------------------------------Growling Dogs Nash Tracks on this Podcast :Dance Like a Zombie ......Confusion .......Life is Strange .......------------------------------------------------------------------------------Ravi Kasinathan Tracks played on this Podcast :PSILUVU ........Tinned Peaches .......------------------------------------------------------------------Mike Afford Tracks played on this Podcast :All I know it Will Never Be Me (Angelo Campo)---------------------------------------------------------------------------------Important ****Listen to Part 2 of this Podcast which will be online here right after this one ends..it's called Muffin Junkee 15B:A Week With Conway Hambone Part 2 ****-----------------------------------------------------------------------Also note that due to the high quality of volume of material captured on tape there will be a Third 2 part Podcast about Conway Hambone Coming your way in 2 or three week that will feature the highly experimental music of Conway Hambone and Collaborators called from the Sublime to the Ridiculous !-so be sure look for that one***------------------------------------------------------------------------------Special thanks to :Paul Worsley for all the hours of interviews and musical demos and making available uber rare material for this podcast and for creating the brand new Muffin Junkee Glambone Theme! and thanks also goes to Lucy Diamond,Leon Smith who will be interviewed on the podcast that follows this one,Ravi Kasinathan,Robin Diamond,Mike Afford and Angelo Campo

Hubert K. aka knockingsoul presents a deep house mix dedicated to Sammy Wanjiru who passed away over the weekend. May you rest in peace and never be forgotten for the great accomplishments you brought to the sport of long distance running. 1. What Can you Love 2. Faith in Love 3. Brand New Day 4. Rain in Spain 5. Headphone Silence 6. Love Dea - Blaze 7. Feelin' House 8. Ship N Rocked 9. Do it Now 10. Move Me About Sammy: http://en.wikipedia.org/wiki/Samuel_Wanjiru knockingsoul@gmail.com http://www.knockingsoul.ca

Well, we started off with playing Hollywood; followed up by , I'm a New Man; , You Don't Move Me; continued interview; , No Big City; , The Blow Zone Layer; , U Complete Me; continued interview; , Slow It Down; , The Eternal Is; , How'd You Learn To Shake It Like That; and then wrapping up the interview!    

This is show #53, Big Lick Blues Festival Preview Podcast – for the last part of July, 2008 Well, we started of the show with belting it out with her tune, All About You! Who else are we gonna hear from? How about , Walk With Me Baby; , Blues in Rockville and Keep the Blues Alive; , Best Worst Day and Workin' Real Hard; , How Long; , Arky Shuffle; , Hungry and You Don't Move Me; and wrapping up with more , I Always Get My Man and Honey Do That Voo-Doo.

Included in this episode are interviews with Molly Shannon, Peter Sarsgaard, Regina King, Josh Pais and John C. Reilly from the cast of Year of the Dog as well as director/screenwriter Mike White. This podcast also includes interviews with Sarah Polley, director of Away From Her and Jonathan Pulley, director/screenwriter of the short film Move Me and Chris Mulkey from the cast of the film Nanking. Also behind the scenes footage with many other stars like Nick Nolte and Josh Hartnett. The podcast soundtrack features: "2 Coffees, 1 Juice" courtesy of Politicks

Included in this episode are interviews with Molly Shannon, Peter Sarsgaard, Regina King, Josh Pais and John C. Reilly from the cast of Year of the Dog as well as director/screenwriter Mike White. This podcast also includes interviews with Sarah Polley, director of Away From Her and Jonathan Pulley, director/screenwriter of the short film Move Me and Chris Mulkey from the cast of the film Nanking. Also behind the scenes footage with many other stars like Nick Nolte and Josh Hartnett. The podcast soundtrack features: "2 Coffees, 1 Juice" courtesy of Politicks