Podcast appearances and mentions of Samuel Beckett

Dit zijn onze shownotes:Abonneer je gratis op onze podcast via jouw favoriete podcast-app (zoals Google Podcasts, Spotify of Apple Podcasts), dan valt de eerstvolgende aflevering van het derde seizoen automatisch in je podcastbibliotheek.Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 34 van het derde seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:45 - 21 uur in Studio Kookhaven in Amsterdam Oost. Wil je erbij zijn? Aanmelden kan via de mail: alles@balletkroket.nlHost Francien Knorringa zag de film Solomamma. https://www.filmladder.nl/film/solomamma-2025Host Jannekee Kuijper zag de voorstelling Happy Days van Samuel Beckett door Dood Paard. https://doodpaard.nl/projecten/happy-daysGast Hans van der Klis schreef Italië Quizboek - 500 vragen en antwoorden over La Dolce Vita. https://edicola.nl/product/italie-quizboek/Onze Adverteerders:Onze technicus Reinder Van der Put doet de nabewerking van onze opname. Daardoor klinkt deze als een klok. Een even betaalbare als onmisbare dienst voor podcastmakers. http://putintomedia.nlSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl. Zoek Kookhaven ook op Instagram, daar vind je alle informatie over de komende oester- en scheermes pop up.Don Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nl Don Ostra is ook te vinden op Instagram. Daar is de informatie over de komende oester- en scheermes pop up te vinden.Jachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Mail alles@balletkroket.nl of stuur ons een DM op Instagram @balletkroket.Kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nlalles@balletkroket.nl

"A surreal discovery in a deserted motorway service station in Lazio. Behind the gas pumps stands a small, post-modern chapel, empty and silent. Inside, hidden low-fi speakers broadcast a bizarre loop of farm animals and distorted Christmas carols. The recording captures the haunting reverb of this lonely, sacred space, where kitsch sounds and motorway melancholy collide in a glitchy, suburban liturgy."To respond to this recording, I wanted to preserve its surreal, absurd and almost filmic character. The scene felt like something from a strange theatre production or an abandoned movie set, where familiar sounds take on an unsettling, dreamlike quality against the hum of the road. To capture this feeling I used a piano-led approach, collaging harmonic and melodic sounds from the recording and using pauses and space. Rather than filling the sonic landscape, I wanted to create room for the atmosphere of the original recording. I was reminded of Samuel Beckett and his use of absurdity, repetition and space in writing this piece. I aimed to use the theatrical strangeness of the recording while leaving space for its strangeness and melancholy to linger."Italian autogrill nativity reimagined by Laura Hills.

Paul Gross is taking on Samuel Beckett's Waiting For Godot this year at Ontario's Stratford Festival. You may know Paul as Mountie Constable Benton Fraser from Due South, or from his roles in Slings and Arrows, Republic of Doyle and Passchendaele. The Governor General's Award-winning actor and director joins Tom Power in the Q studio to talk about Waiting for Godot and why he wanted to take on the co-leading role of Vladimir. Paul also discusses why he thinks that this Beckett play is one of the single greatest creative achievements in human history.

A Piece of Monologue, performed by Barry McGovern, directed by Daniel Reardon and introduced by Gerry Dukes, whose stage adaptation, with Barry McGovern, of Beckett's post-war trilogy of novels as I'll Go On has played around the world.

Today, I'm joined by an amazing friend, client, and graduate of The Big Talk Academy Mastery, Dr. Lía Roth.    Dr. Roth is a psychoanalyst and keynote speaker specializing in shame, betrayal, and relational dynamics. She is the bestselling author of Get In or Get Out, But Don't Stay in the Freakn' Middle. Known for her sharp, grounded insight, she is a speaker whose presence ignites possibility.   In this episode, we'll explore: What happens when we operate from shame How to offer yourself belonging, rather than waiting to receive it from others The steps to heal from shame and create new possibilities Her current favorites: Book: Endgame (Fin de partida) by Samuel Beckett and Speaker: Tricia Brouk More from Dr. Lía Roth Her big talk, given at The Triad in NYC Website: https://drliaroth.com/speakup    Listen to her podcast  Read her book, Get In or Get Out, But Don't Stay in the Freakn' Middle Facebook: https://www.facebook.com/DrLRoth  Instagram: https://www.instagram.com/drliaroth  Linkedin:https://www.linkedin.com/in/drlroth  Substack: https://substack.com/@drliaroth    More from Tricia  Get your copy of my latest book, Being Smart is Stupid Join me LIVE for my Complimentary Monthly Workshop Explore my content and follow me on YouTube Follow me on Instagram  Connect with me on Facebook  Connect with me on LinkedIn  Visit my website at TriciaBrouk.com 

Portland’s Lloyd Center is scheduled to close Aug. 8 after more than 65 years in business.   The current owner, Urban Renaissance Group, plans to demolish the mall to make way for housing, businesses and a new music venue. Groups such as Save Lloyd Center Mall and the Save Lloyd Ice Coalition are holding out hope that a city hearing in June could prevent the mall’s closure, but it seems likely that the Lloyd Center is in its final days.   After its last anchor stores shuttered in 2021, the mall’s low rents and large usable space attracted a wide array of community groups and independent retailers. In its last incarnation, the mall became a hub for the kind of quirky community that Portland prides itself on.   We’ll listen back to three conversations that capture that recent era: Jason Leivian is the owner of Floating World Comics. We spoke with him in 2022, shortly after he relocated his store from Old Town to the Lloyd Center.   In 2023, we talked about a production of Samuel Beckett’s “Happy Days” that was staged in a former Victoria’s Secret store in the Lloyd Center. It was put on by the Northwest Classical Theatre Collaborative, which aims to bring theater to nontraditional spaces. We were joined by director Patrick Walsh, the collaborative’s executive artistic director, and Portland actress Diane Kondrat, who starred as “Winnie” in the play.   Finally, Krista Catwood joined us last summer to talk about the Food Court 5000. That’s a 1980s-themed mall walk that Catwood leads every Sunday morning in the Lloyd Center.  

The Old Tune is Beckett's free adaptation of La Manivelle/The Crank, a radio play by French writer, Robert Pinget. The Beckett Season is made possible by the kind permission of the Estate of Samuel Beckett.

Jeni Jones is a director, actor, playwright, producer, and performer whose 30-year career spans theatre, film, music, and spoken word. Known for her work as a Beckettian actor and director, she has directed productions of Waiting for Godot, Krapp's Last Tape, NOT I, and ROCKABY, and has earned recognition including an NAACP Theatre Award. Her work combines classical theatre with contemporary approaches, including hip-hop and performance art. In this program, Jones explores Samuel Beckett's female-centered works, focusing on NOT I and ROCKABY. Through discussion and a hip-hop-infused demonstration, she examines Beckett's challenging texts and her process for bringing them to life. NOT I, Beckett's intense and rapid-fire monologue delivered by “Mouth,” and ROCKABY, a haunting meditation on memory and mortality, offer a different perspective on the playwright's work while exploring themes of identity, isolation, and human connection. Learn more about your ad choices. Visit megaphone.fm/adchoices

A special programme curated from a brace of Bowman Sunday Eight Thirty programmes made in 2006 celebrating the centenary of Samuel Beckett's birth.

Le metteur en scène Ludovic Lagarde met en scène le texte du dramaturge Martin Crimp Des hommes endormis. Une pièce à voir à l'Athénée jusqu'au 24 mai.  Amour, boulot, pouvoir, désir : deux couples tâtonnent, tentent de faire le point, pour se dire… ou ne pas se dire des choses, le temps d'une nuit, une nuit propice à la parole et à la divagation.  Le texte de Crimp est fait de conversations, un peu hachées, un peu fragmentaires, où l'exploration du thème de la violence n'est jamais loin. La pièce démarre à deux heures du matin : Paul, qui crée de la danse, et Julia, critique d'art contemporain. Ce couple de quinquagénaires sans enfants mais qui a réussi socialement s'interroge sur son avenir quand surviennent Joséphine – assistante de Julia – et Tilman, jeune couple, futurs parents, invités par Julia. Invités : Ludovic Lagarde, metteur en scène. Il a mis en scène de nombreux auteurs du répertoire – Shakespeare, Tchékhov, Brecht –, mais aussi des auteurs plus contemporains tels que Samuel Beckett, Harold Pinter, Sarah Kane ou encore Olivier Cadiot avec lequel il a beaucoup collaboré. Il met en scène Des hommes endormis.  Laurent Poitrenaux, comédien. Il travaille avec Ludovic Lagarde depuis près de 40 ans. Il joue le rôle de Paul dans la pièce.  Le texte Des hommes endormis a été écrit par Martin Crimp, un auteur britannnique contemporain né en 1956. Dans ses textes, il aborde, avec un humour grinçant, la question de la violence. Il est l'un des auteurs de théâtre vivants parmi les plus importants. La pièce Des hommes endormis a été créé en 2018 pour la troupe du Deutsche Schauspielhaus à Hambourg. Le texte a été traduit en français par Alice Zeniter, qui a consacré sa thèse à l'auteur britannique et publié aux éditions de l'Arche.  À voir au Théâtre de l'Athénée-Louis Jouvet jusqu'au 24 mai.  Programmation musicale : L'artiste Ofé et son titre Je sais que tu m'aimes.

Le metteur en scène Ludovic Lagarde met en scène le texte du dramaturge Martin Crimp Des hommes endormis. Une pièce à voir à l'Athénée jusqu'au 24 mai.  Amour, boulot, pouvoir, désir : deux couples tâtonnent, tentent de faire le point, pour se dire… ou ne pas se dire des choses, le temps d'une nuit, une nuit propice à la parole et à la divagation.  Le texte de Crimp est fait de conversations, un peu hachées, un peu fragmentaires, où l'exploration du thème de la violence n'est jamais loin. La pièce démarre à deux heures du matin : Paul, qui crée de la danse, et Julia, critique d'art contemporain. Ce couple de quinquagénaires sans enfants mais qui a réussi socialement s'interroge sur son avenir quand surviennent Joséphine – assistante de Julia – et Tilman, jeune couple, futurs parents, invités par Julia. Invités : Ludovic Lagarde, metteur en scène. Il a mis en scène de nombreux auteurs du répertoire – Shakespeare, Tchékhov, Brecht –, mais aussi des auteurs plus contemporains tels que Samuel Beckett, Harold Pinter, Sarah Kane ou encore Olivier Cadiot avec lequel il a beaucoup collaboré. Il met en scène Des hommes endormis.  Laurent Poitrenaux, comédien. Il travaille avec Ludovic Lagarde depuis près de 40 ans. Il joue le rôle de Paul dans la pièce.  Le texte Des hommes endormis a été écrit par Martin Crimp, un auteur britannnique contemporain né en 1956. Dans ses textes, il aborde, avec un humour grinçant, la question de la violence. Il est l'un des auteurs de théâtre vivants parmi les plus importants. La pièce Des hommes endormis a été créé en 2018 pour la troupe du Deutsche Schauspielhaus à Hambourg. Le texte a été traduit en français par Alice Zeniter, qui a consacré sa thèse à l'auteur britannique et publié aux éditions de l'Arche.  À voir au Théâtre de l'Athénée-Louis Jouvet jusqu'au 24 mai.  Programmation musicale : L'artiste Ofé et son titre Je sais que tu m'aimes.

Au programme de l'émission du dimanche 10 mai 2026 :10 MINUTES CHRONIQUE : Molloy de Samuel Beckett, 3ème partie,par Catherine DésormièreL'INSTANT PHILO : "Quel sens donner à l'héroïsme ?" par Didier GuillometAGENDA : Galerie Hamon, Place de l'hôtel de ville. Alain Bertrand, l'Amérique mythique des années 40 à 60. Du 2 mai au 2 juin 26. (Isabelle Royer)

Ubiratan Brasil faz um balanço do Flipoços 2026, fala sobre o legado de Guto Graça Mello, que morreu nesta terça-feira, 05 de maio, e analisa “Fim de Partida”, novo espetáculo com texto de Samuel Beckett, estrelado por Marco Nanini, em cartaz no Sesc Pinheiros.See omnystudio.com/listener for privacy information.

durée : 00:59:46 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Phil & David welcome back for seconds our beloved rock power trio who we now consider Naked Lunch's house band. This is a loose and lively conversation with Dogstar about their powerful upcoming new album All In Now which comes out May 29th, as well as  everything from doing Samuel Beckett on Broadway to touring the world as a band to overpriced tuna sandwiches from Mob relatives to acting alongside Steven Seagal to an unauthorized drive on to an old Paula Abdul video to why the hell there's only one "t" in Bret. For more answers about Dogstar, or to pre-order the album go to https://dogstarofficial.com/. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at ⁠philrosenthalworld.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Au programme de l'émission du dimanche 26 avril 2026 :INSTANT POÉSIE : Éric Hardouin poète, musicien, auteur-compositeur havrais, par Mathieu Amans10 MINUTES CHRONIQUE : Molloy de Samuel Beckett 2ème partie, Aller ailleurs, par Catherine DésormièreAGENDA : Festival photographique "Are You Experiencing" ; Exposition "Chrysalides" de Clairelise Chobelet au Aub'Art (Isabelle Royer)

durée : 00:07:50 - Les Midis de Culture - par : Marie Labory - Les auteurs espagnols Jorge Carrión et Javier Olivares mettent en récit et en dessins la vie de Samuel Beckett, auteur entre autres d'"En attendant Godot". - réalisation : Laurence Malonda - invités : Catherine Robin Grand reporter et critique de BD à Elle; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

 The Great Fenian EscapeFor as long as the English have occupied Ireland there have been political prisoners. As long as there have been political prisoners there have been daring and ingenious escapes. In the most recent period of conflict it is estimated that around 100 republicans participated in escapes, including the great escape from the H-Blocks in 1983. That was the biggest ever in British penal history. Others tunnelled their way out; clambered over walls; escaped in a helicopter; shot their way out; blew a hole in a wall; hid in a bin lorry or dressed as priests or in one case as a woman. I was a Samuel Beckett type of escapee. I failed. But I never gave up. I failed better. Moore Street Trust calls on State to buy Moore St. TerraceThis Friday, 24 April, is the date 110 years ago when the Irish Volunteers and the Irish Citizen Army launched the Easter Rising. They published the 1916 Proclamation and proclaimed a Republic. For six days a small band of Irish rebels took on the might of the British Empire.  Ard Fheis 2026 in BelfastThis weekend the Sinn Féin Ard Fheis will be held in the ICC Waterfront Hall in Belfast. Like hundreds more I will be there as the party debates policy, including how we can advance our core objective of Irish Unity. 

There's an animate quality to the biomorphic sculptures of the self-taught, Utah-born artist Alma Allen. His works, carved from wood, marble, and bronze—and informed by his deep appreciation for the natural world—appear as if they're living, breathing things, at once prehistoric and futuristic. Far from fixed objects, they eschew any overt symbolism or predetermined narratives. For this “site-specific” episode of Time Sensitive, our milestone 150th, we traveled to Mexico City to sit down with Allen inside his family's home there to discuss his highest-visibility exhibition yet: “Call Me the Breeze,” a solo presentation at the U.S. Pavilion for the 61st edition of the Venice Biennale, opening May 9 and on view through Nov. 22. In addition to his plans for Venice and how he's been navigating the noise and public debate around his selection for this year's U.S. Pavilion, he also delves into the hard-to-pin-down nature of his material-forward sculptures and his peripatetic path to art-world ascendancy.  Special thanks to our Season 13 presenting partner, Van Cleef & Arpels. Show notes:  Alma Allen [20:04] Issey Miyake [20:04] Todd Oldham [20:04] Julio Espada [26:06] "Call Me the Breeze" (2026) [29:00] Mauricio Rocha [29:00] Isamu Noguchi [32:02] The Sound and the Fury [32:02] Thomas Pynchon [32:02] Samuel Beckett [41:03] Clyfford Still [39:10] Pierre Soulages [50:13] Glenn Adamson [53:00] J.J. Cale [55:41] JB Blunk [57:42] Constantin Brâncuși [57:42] Lynda Benglis [57:42] Louise Bourgeois [57:42] Thaddeus Mosley [59:24] Museo Anahuacalli [1:04:38] Alma Allen on Park Avenue (2025)

En Irlande, les artistes reçoivent 325 euros par semaine, par l'État. Le Basic Income for the Arts, en français, « le revenu de base pour les artistes », est un programme pilote, qui avait été lancé par le gouvernement pour aider le secteur à se relever après la pandémie de Covid-19. Ainsi, depuis octobre 2022, 2 000 artistes, tirés au sort, perçoivent ce revenu garanti et ont donc pu dire adieu aux jobs alimentaires. Et bonne nouvelle, le programme vient d'être prolongé ! Parmi ces 2 000 chanceux, le peintre Gearoid O'Dea. Dans son atelier, au sud de Dublin, il respire enfin. « Ce dispositif m'a offert de l'espace mental : ça te permet de vivre avec beaucoup moins de stress, et je n'ai plus besoin d'accepter des projets qui ne me ressemblent pas ! La plupart des œuvres ici ont été réalisées grâce au programme ! Je dirais que ça m'a permis d'élargir le champ de mon travail : car aujourd'hui, j'essaie vraiment d'explorer des formats plus ambitieux ».  Tandis que Gearoid peint de beaucoup plus grandes toiles, le compositeur Michael Gallen a lui imaginé un tout nouvel opéra, qui lui a valu le Prix Fedora 2025 ! « Avant, j'avais toujours l'impression de vivre au bord du précipice, sans savoir si je pourrais enchaîner un nouveau projet. Je pensais qu'être artiste, c'était forcément sacrifier sa vie personnelle : fonder une famille me semblait impensable… Mais aujourd'hui, je suis papa ! Et ce programme m'a redonné confiance, le sentiment que mon travail compte vraiment pour la société, a de la valeur ! », dit-il. Et une valeur économique tangible : selon un récent rapport, le dispositif aurait déjà généré plus de 100 millions d'euros de bénéfices pour la société irlandaise. Avec ses quatre prix Nobel de littérature et ses icônes musicales - U2, Sinead O'Connor… On pourrait croire l'Irlande paradis des artistes !  Une chance unique pour l'Irlande Mais c'est tout l'inverse : l'Irlande est le pays européen qui consacre le moins à la culture, avec seulement 0,2 % de son PIB. Beaucoup d'artistes créent donc malgré un contexte difficile. « Samuel Beckett avait dû quitter l'Irlande pour s'épanouir en tant qu'artiste ! Sans revenu de base, d'autres talents risquent d'en faire autant, attirés par d'autres pays ou contraints de changer de voie. Ce programme est une chance unique pour l'Irlande d'affirmer sa place comme pays de créativité et d'expression artistique », explique Maria Fleming, présidente de la Campagne Nationale pour les Arts. Le Basic Income for the Arts devait durer trois ans, de 2022 à 2025, mais fort de son succès, il vient d'être prolongé et élargi à 2 000 artistes supplémentaires. Un véritable coup de pouce pour le secteur, qui donnerait même des idées à d'autres pays, comme l'Australie, le Canada ou encore la Corée du Sud, qui se renseignent sur ce dispositif inédit ! 

Today marks the 120th birthday of Samuel Beckett. Inspired both by this milestone anniversary and by the wonderful new exhibition of the work of photographer John Minihan in the National Gallery of Ireland, this episode explores sites that are important to the story of Beckett and Dublin. Some, like Trinity College Dublin, will be familiar. Others, like the family business on Clare Street where he wrote some of his collection More Pricks Than Kicks are unmarked today. Our journey brings us to places as diverse as Elvery's sport shop and Kennedy's pub, as we get to walk in Beckett's footsteps across a city he did love, despite the challenges it put before him.

Michael Boatman on Spin City, Hollywood Survival & UFO Encounters In this engaging episode of Reza Rifts, Keith Reza sits down with actor and writer Michael Boatman for a wide-ranging conversation about creativity, career longevity, and the mysteries that keep life interesting. From his memorable work on Spin City, Arli$$, China Beach, and The Good Fight to his life as a novelist and storyteller, Michael reflects on the unpredictable path of building a lasting career in entertainment. The conversation explores his writing process, fascinating Hollywood encounters, the realities of working in television and film, and his longtime curiosity about space, UFOs, and the unknown. Funny, insightful, and surprisingly moving, this episode is packed with stories about resilience, identity, reinvention, and what it means to keep evolving as an artist in an industry that never stops changing. Guest Bio Michael Boatman is an American actor and writer best known for his roles as Carter Heywood on Spin City, Samuel Beckett on China Beach, Stanley Babson on Arli$$, Motown in Hamburger Hill, and Julius Cain on The Good Wife and The Good Fight. He has also built a respected career as a fiction writer, with books including God Laughs When You Die and The Revenant Road. Follow Michael Boatman Instagram: https://www.instagram.com/michaelboatman64/ IMDb: https://www.imdb.com/name/nm0090225/ Chapters 00:00 Introduction and Comedy Special Announcement 02:04 Guest Introduction: Michael Boatman 11:18 The Journey of Writing Books 17:40 Experiences with Aliens and UFOs 24:20 Acting Career and Breakthrough Roles 32:28 Contrasting Styles: Spin City vs. Arli$$ 37:02 Breaking Boundaries in Television 40:01 The Impact of Celebrity on TV 43:01 Michael J. Fox's Journey with Parkinson's 48:08 The Resilience of the Human Spirit 52:02 Navigating the Transition from TV to Film 55:04 The Evolution of the Entertainment Industry 01:00:57 The Challenges of Being an Actor Today 01:05:47 The Fear of Impermanence in Acting 01:11:59 A Sweet Reflection on Identity   Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   Up Next on Reza Rifts Stay tuned for more candid, funny, and deeply human conversations with actors, comedians, writers, and entertainers from across the Hollywood universe. On Reza Rifts, every episode brings you closer to the people behind the performances and the stories you never saw coming.   #RezaRifts #KeithReza #MichaelBoatman #SpinCity #Arli$$ #ChinaBeach #TheGoodFight #Hollywood #Acting #Writing #Storytelling #UFOs #SpaceMysteries #EntertainmentPodcast #ComedyPodcast  

Today marks 120 years since the birth of Samuel Beckett. He was awarded the Nobel Prize in 1969, but he still remains to be more of a remote figure compared to the pantheon of Irish writers.Joining Seán to discuss his life and career is writer Dr. Fearghal Whelan.

Anne Enright has written eight novels, most recently The Wren, The Wren, for which she was on the show in 2023. She won the Man Booker Prize for The Gathering and the Andrew Carnegie Medal for Excellence in Fiction, and was the inaugural Laureate for Irish Fiction. In 2022, she was awarded a Lifetime Achievement Award from the Irish Book Awards. Her latest collection of essays is Attention: Writing on Life, Art, and the World. These 24 essays cover a lot of ground, but one big theme is how Anne reads other writers, and specifically how she reads them today in contrast to how she's read them before. There are familiar names like Toni Morrison, James Joyce, Edna O' Brien, Samuel Beckett, and Alice Munroe. But some obscure writers, as well. Anne joins Marrie Stone to talk about reading, both for the joy of it and for the study of it, writing, attention, our waning attention spans, and how being a woman has played a role in every one of these topics. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded March 31, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

In Jane Stahl's series discussing the literature that informed her life and career, she shares a play that she'd written for a graduate school slide show project featuring characters from a variety of the literature she taught in a class she developed titled "Man's Search for Meaning" in Colorado in the early 1970's. The main characters are Samuel Beckett's bums GoGo & DiDi from Waiting for Godot. They are visited by Franny from Salinger's Franny and Zooey, Emily from Thornton Wilder's Our Town, Sabina and Mr. Antrobus from Wilder's Skin of Our Teeth, Viktor Frankl from Man's Search for Meaning, Meursault from Camus' The Stranger. Each character has advice for the two misfits, advice Jane considered as she discovered herself.

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist by David Bather Woods An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer's pessimism.Arthur Schopenhauer (1788–1860) almost wasn't one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer's pessimism in the context of his life experiences, revealing the philosopher's relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer's ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life's most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn't give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer's life informed his ideas and how they still resonate today. David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer's Moral Philosophy, and The Palgrave Schopenhauer Handbook. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Daniel A. Olivas, the grandson of Mexican immigrants, is a fiction writer, poet, playwright, book critic, and attorney. In this episode, Jacke talks to Daniel about his lifelong devotion to literature and its ability to humanize the targets of anti-immigration sentiment. In the interview, Daniel recounts how his interest in literature led to his novel inspired by Mary Shelley, Chicano Frankenstein, and his play inspired by Samuel Beckett, Waiting for Godínez: A Tragicomedy in Two Acts. PLUS Jane Austen expert Janet Todd (Living with Jane Austen) stops by to discuss her choice for the last book she will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

WE HAVE MERCH, CHECK IT OUT: https://artistsonartistsonartistsonartists.com/shopOscar Wilde, Samuel Beckett, George Bernard Shaw, W. B. Yeats. Some of the most iconic playwrights across genres, from absurdism to pastoral stories. Nestled within sweeping hillsides and rocky cliffs, Irish playwrights's stories have been told across not just the continent but the world. This week we sat down with some modern Irish playwrights as they discuss their own legacies they hope to leave, how their Irish upbringing has influenced their work, and the last time they saw God. All in the most beautiful and accurate of accents. Grab a pint, sit down at the pub with us, and listen in!This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Produced by Laservision Productions. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Logo designed by Lucy Tomkiewicz.Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

di Matteo B. Bianchi | In questo episodio, incontriamo Veronica Tati, alias @nicabooks, libraia italiana che lavora a Dublino in una delle librerie più antiche della città. Andiamo anche a conoscere Mattia Visani e la sua Cuepress, una casa editrice che pubblica testi di teatro, cinema e arti visive, che difficilmente troverebbero spazio altrove. Per concludere, lo scrittore Christian Raimo ci dà un suo consiglio di lettura molto sentito.  Libri consigliati in questo episodio: NIENTE DI SPECIALE di Nicole Flattery, La nave di Teseo L'IDIOTA DI FAMIGLIA di Dario Ferrari, Sellerio LE PARTI ROSSE. AUTOBIOGRAFIA DI UN PROCESSO di Maggie Nelson, nottetempo BELLISSIMO di Massimo Cuomo, Edizioni e/o TEMPI ECCITANTI di Naoise Dolan, Atlantide QUADERNI DI REGIA E TESTI RIVEDUTI di Samuel Beckett, Cuepress FARE UN FILM di Federico Fellini, Einaudi IL VINCOLO DELLA VERGOGNA di Carlo Ginsburg, Adelphi Learn more about your ad choices. Visit megaphone.fm/adchoices

Aujourd'hui, je reçois Maguy Marin, figure incontournable de la danse contemporaine. Avec « May B », créée en 1981 et inspirée de l'univers de Samuel Beckett, elle a profondément marqué l'histoire de la danse.En avril, plusieurs occasions permettront de découvrir ou redécouvrir ses œuvres : à la Mac Creteil avec « Les applaudissements ne se mangent pas » et à Chaillot qui lui consacre une première édition de Chaillot Expérience Iconiques autour de trois pièces majeures : « May B », « Singspiele » et « Les applaudissements ne se mangent pas. »L'occasion idéale de la rencontrer et de revenir avec elle sur son parcours.On l'écoute avec joie,❤️‍

Sam Leith's guest on this week's Book Club podcast is the historian Jane Rogoyska, whose new book Hotel Exile: Paris in the Shadow of War tells the bloody story of the Second World War through the lens of Paris's Hotel Lutetia – following a cast of exiled intellectuals through the febrile 1930s, the increasing horrors of the war and occupation, through to the devastating aftermath as waves of prisoners returned from the camps. She tells Sam how she came to this unusual approach, how the connections between her cast of characters proliferated, how close Samuel Beckett came to a concentration camp – and about falling a little bit in love with Walter Benjamin.  Hosted on Acast. See acast.com/privacy for more information.

My guest on this week's Book Club podcast is the historian Jane Rogoyska, whose new book Hotel Exile: Paris in the Shadow of War tells the bloody story of the Second World War through the lens of Paris's Hotel Lutetia – following a cast of exiled intellectuals through the febrile 1930s, the increasing horrors of the war and occupation, through to the devastating aftermath as waves of prisoners returned from the camps. She tells me how she came to this unusual approach, how the connections between her cast of characters proliferated, how close Samuel Beckett came to a concentration camp – and about falling a little bit in love with Walter Benjamin. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Today on Whats My Frame I'm joined by Director & Author, Rob Spera. Rob has a broad background in film, television, and theatre. His credits include the feature films The Sweet Life, Fathers and Sons, the cult classic Leprechaun in the Hood, and the TV shows Criminal Minds, Supernatural, Suspect Behavior, and Army Wives.During four seasons as Resident Director at the Tony Award-winning Actors Theatre of Louisville, he directed over 75 productions. His play Tracks enjoyed a successful run in Los Angeles, where it was hailed as “Chilling” by Variety, “Haunting long after leaving the theatre” by the Daily News, and “a comic horrific dance of death…in a world somewhere between Samuel Beckett and Full Metal Jacket” by The Los Angeles Times.Rob's teaching credits include 20 years at the American Film Institute Conservatory, as well as contributions to AFI's Directing Workshop for Women, the Sundance Collab, the Feirstein Graduate School of Cinema at Brooklyn College, and numerous others. His students regularly earn top honors at festivals worldwide, as well as awards and nominations from the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts and Sciences. He is currently the Head of Directing at Rideback RISE in Los Angeles, a fellowship program for mid-career filmmakers from POC and underrepresented groups.His recently published book, Film/TV Directors' Field Manual: Seventy Maxims to Change Your Filmmaking, has become an instant must-read for students and professionals and is available on Amazon. His other works include Actors Write For Actors, Encore, and The Field.robspera.com@robsperaofficial

 Remembering Frank StaggLast week marked 50 years of the death of Frank Stagg on hunger strike in Wakefield Prison, in England.  Events, including a black flag vigil and a march and rally were organised to remember the Mayo man. Gerry Kelly who was on hunger strike in England in the 1970s for over 206 days, during which he was force fed 167 times, gave the main oration in Ballina and spoke of Frank's great courage and commitment.I was in Long Kesh when Frank died on 12 February 1976 after 62 days on hunger strike. Britain's intransigence and in particular the obduracy of the then Home Secretary Roy Jenkins, ensured that Frank's fourth hunger strike would result in his death. As we walked around the Cage or sat in our cells the talk from when Frank embarked on his fast, was about his resolve and strength of character as on his own he faced the brutality of a British system determined to break him.Two years earlier we had watched as Frank's friend and comrade Michael Gaughan, another Mayo man, had died on hunger strike. Holy SmokeI used to smoke. I was very addicted to it. I smoked everything that was legal. I smoked a pipe for years. I liked the pipe. There is a certain ritual attached to pipe smoking. Filling your pipe requires special skills. It takes time. And care. Fill it too loosely and it will not last long. Too tightly and it will not burn at all. Most pipe smokers had a number of pipes. But there was always a favourite one. My favourites were invariably Kapp and Petersons. Particularly the bendy ones, favoured by Sherlock Holmes. Kapp and Peterson still have  a shop in Dublin. Kapp and Peterson gets honourable mention in Samuel Beckett's Waiting For Godot. In Belfast Miss Morans in Church Lane, which is still doing business, was a favoured supplier of pipes and good tobacco.Pipe tobacco is of course a matter of choice and taste. And addiction. I was inclined towards heavier brands like Condor. The I graduated to War Horse, particularly War Horse plug tobacco. The preparation of this type of pipe filler requires a pen knife for cutting off little slices of tobacco. These were then rubbed between your hands until they were reduced to the desired consistency. This added to the ritual. It was probably theraputic. If thats not a contradiction. Ditto  with the smell of pipe smoke. Back in the day pipe smokers were a fixed presence  in pubs and at most social gatherings. Many people, barely visible in the clouds of smoke, would declare how much they liked the smell. The death of Nora ComiskeyIt was with sadness that I heard of the death last week of Nora Comiskey. Many Dublin republicans and some of us from Belfast and other parts knew Nora over many years. She was a former president and long-time activist in the 1916-1921 Club. This was a unique institution founded in the 1940s whose aim was to try and bring together some of those who fought on the pro and anti- Treaty sides in the Civil War. Many did, including Nora who had been in Fianna Fáil. Its founding charter is the 1916 Proclamation and among its objectives are a commitment to honour those who fought for Irish Freedom and who work for its achievement. It also seeks to contribute to the cause of an Ireland — united, independent and sovereign 

Hey!I keep disappearing from this space.Just as I started to integrate the new information I wrote about last time, my scans showed (in the words of my breast surgeon), “This breast wants to make cancer.”January 28th, I had a mastectomy and DIEP flap reconstruction.My Frankenboob looks amazing. Almost like I went to a Build-a-Bear workshop.Except after my all-day Build-a-Boob workshop, I had a hemorrhage and lost a tremendous amount of blood. Getting a rapid blood transfusion was not fun - but I was feeling my good blood donor karma as they gave me bag after bag of O+. As they wheeled me into the OR they asked, do you have a health proxy form? Despite everything going on I asked, “Is it because you want to give them an update? Or because they may have to make a decision?” Awkward silence. “All of it,” she said.When I filled out my health proxy I never imagined actually needing it.My eternal optimist is in hiding.She got it wrong. I almost died.But I didn't.And now I'm mostly home recovering. I watched endless episodes of Long Lost Family. (British and American versions). My fetish was children put up by adoption by teenagers who ultimately ended up married and having families so when they are reunited they're a full-blood intact family. Perhaps that speaks to my own yearning for full-blood siblings and birth parents who remained a couple. I guess watching that show allowed me to sit with and nurse that interior wound along with the physical.I received TREMENDOUS support from friends - especially Anthony, David & Jackie who called/texted/came daily when I was the biggest mess. Jackie drove over a car full of “stuff” I'd need - like a one person mastectomy shower. Anthony took off work for two weeks and moved into our guest room and literally took care of me like a baby. I had decided to end the relationship just a few months before my recurrence and he still showed up in the most heroic way imaginable “milking my drains” multiple times a day for weeks. It was humbling really.Just wanted you to know this happened - that it's happening.And as for me? I am sick of writing everything like it's a fucking Editor's Letter. It's all so pat. This is what happened, this is the meaning behind it, and we all cheer in the end. I'm not cheering. I feel like I've been water boarded over the past few years. Every time I feel like I'm coming up for air, a big hand comes down and shoves my head under again. Divorce, Cancer, Your-father-was-not-your-father, Cancer. I don't feel bad or scared per say. I'm just sitting in this new space now that I can't define - Samuel Beckett called it The Unnamable. I am left without language worth sharing.I am just here. I will write again if I have something worth sharing or an update I think you would want to know, like today's letter to a friend, which is what you are. Thanks for that. Sending my love to you.xo atoosa This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit atoosa.substack.com

Dave McArthur discusses the modern Bill and Ted adaptation of the 1952 play Waiting for Godot by Samuel Beckett.

As he launches his new book about starring in Samuel Beckett's Godot opposite Ben Whishaw, Lucian Msamati sits down with Sarah and Alex to lift the lid on the mood behind the scenes, the behaviour of audiences and why theatre is still like gym for young actors Hosted on Acast. See acast.com/privacy for more information.

Week 44 takes us firmly into the 20th century, with a strong Irish lineup: James Joyce's “The Dead" from The Dubliners, the opening of Ulysses, and Samuel Beckett's Waiting for Godot.Joyce surprised me—in the very best way. “The Dead” is rich, intimate, and beautifully written, capturing married love, memory, and Dublin itself as if the city were another character. The opening of Ulysses was stranger and more dreamlike, but not impenetrable; I'm no longer afraid of it, even if I'm not sure the whole novel is in my future.Beckett, on the other hand, infuriated me. Waiting for Godot struck me as deliberately empty, a meditation on meaninglessness that simply wasn't for me, even while I understand its cultural impact.This week underscored how much I've grown as a reader: more patient, more persistent, and open to genres I never imagined loving. Eight weeks to go—and I'm grateful for every page.Oh, and the answer to that question? Well, you'll just have to listen to find out.The beautiful videos can be found in my substack post!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Allen visits the Faskally Safety Leadership Centre with Mark Patterson, Director of Safety, Health, and Environment at SSE, and Dermot Kerrigan, Director and Co-Founder of Active Training Team. They discuss how SSE has put over 9,000 employees and 2,000 contract partners through ATT’s innovative training program, which uses actors and realistic scenarios to create lasting behavioral change across the entire workforce chain, from executives to technicians. Reach out to SSE and ATT to learn more! Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining Light on Wind. Energy’s brightest innovators. This is the Progress Powering tomorrow. Allen Hall: Mark and Turnt. Welcome to the show. Thank you.  Mark Patterson: Thank you.  Allen Hall: We’re in Scotland, present Scotland and per Scotland, which is a place most people probably haven’t ventured to in the United States, but it is quite lovely, although chilly and rainy. It’s Scotland. We’re in December. Uh, and we’re here to take a look at the SSE Training Center. And the remarkable things that active training team is doing here, because we had seen this in Boston in a smaller format, uh, about a year ago almost now.  Dermot Kerrigan: Just Yeah,  Allen Hall: yeah. Six months  Dermot Kerrigan: ago.  Allen Hall: Yeah. Yeah. It hasn’t been that long ago. Uh, but IC was on me to say, you gotta come over. You gotta come over. You gotta see the, the whole, uh, environment where we put you into the police room and some of the things we wanna talk about, uh, because it, [00:01:00] it does play different. And you’re right, it does play different. It is very impactful. And it, and maybe we should start off first of Mark, you’re the head of basically health and safety and environment for SSE here in Perth. This is a remarkable facility. It is unlike anything I have seen in the States by far. And SSE has made the commitment to do this sort of training for. Everybody in your employment and outside of your employment, even contractors.  Mark Patterson: We have been looking at some quite basic things in safety as everybody does. And there’s a fundamental thing we want to do is get everybody home safe. And uh, it’s easier said than done because you’ve gotta get it right for every single task, every single day. And that’s a massive challenge. And we have like 15,000. 15,000 people in SSE, we probably work with about 50,000 contract [00:02:00] partners and we’re heavily dependent, uh, on get our contract partners to get our activities done. And they’re crucial.  Speaker: Mm-hmm.  Mark Patterson: And in that it’s one community and we need to make sure everybody there gets home safe. And that’s what drove us to think about adding more rules isn’t gonna do it. Um, you need to give people that sense of a feeling, uh, when a really serious sense of cars and then equip them with tools to, to deal with it. So. We’ve all probably seen training that gives that sense of doom and dread when something goes badly wrong, but actually that needs to be. Coupled with something which is quite powerful, is what are the tools that help people have the conversations that gets everybody home safe. So kind of trying to do two things.  Allen Hall: Well, SSC is involved in a number of large projects. You have three offshore wind farms, about a more than a thousand turbines right now. Wind turbines onshore, offshore, and those offshore projects are not easy. There’s a lot of complexity to them.  Mark Patterson: Absolutely. So look, I I think [00:03:00] that’s, that’s something that. You’ve gotta partner with the right people. If you wanna be successful, you need to make it easy for people to do the right thing. Yeah, as best you possibly can. You need to partner with the right people, and you need to get people that you need to have a sense that you need to keep checking that as you’re growing your business. The chinks in your armor don’t grow too. But fundamentally there’s something else, which is a sense of community. When people come together to, to do a task, there is a sense of community and people work, put a lot of discretionary effort into to get, uh, big projects done. And in that, um, it’s a sense of community and you wanna make sure everybody there gets home safe to their friends and family. ’cause if we’re all being honest about it, you know, SSE is a brilliant company. What we do is absolutely worth doing. I love SC. But I love my family a fair amount more. And if you bought into that, you probably bought into the strategy that we’re trying to adopt in terms of safety. Uh, it’s really simple messaging. Um,  Allen Hall: yeah. That, that is very clear. Yeah. And it should be [00:04:00]well communicated outside of SSEI hope because it is a tremendous, uh, value to SSE to do that. And I’m sure the employees appreciate it because you have a culture of safety. What. Trigger that. How long ago was that trigger? Is this, this is not something you thought up yesterday for sure.  Mark Patterson: No, look, this, the, the, what we’ve done in the immersive training center, um, really reinforces a lot of things that we’ve had in place for a while, and it, it takes it to the, the next level. So we’ve been working probably more than 10 years, but, uh, certainly the. Seven years we’ve been talking very much about our safety family, that’s the community and SSE with our contract partners and what we need to do. And part of that is really clear language about getting people home safe. Uh, a sense that you’ve, everybody in it that works with us has a safety license. And that license is, if it’s not safe, we don’t do it. It’s not a rural based thing. It’s how we roll. It’s part of the culture. We’d, we, uh, have a culture where, and certainly trying to instill for everybody a culture. Where [00:05:00] they’ve got that license. If, if they think something’s not right, we’ll stop the job and get it right. And even if they’re wrong, we’ll still listen to them because ultimately we need to work our way through, right? So we’ve been, we’ve thought hard about the language we wanted to use to reinforce that. So the importance of plan, scan and adapt. So planning our work well, thinking through what we need to do. Not just stopping there though, keeping scanning for what could go wrong. That sense that you can’t remember everything. So you need to have immediate corrective actions and that immediate sort of see it, sort of report it. If you see something that isn’t right, do something about it. And that sense of community caring for the community that you work with. And those are the essence of our, our language on safety and the immersive training. Uh, is not trying to shove that language down everybody’s throats again, particularly our contract partners, but it’s, it’s helping people see some really clear things. One is if a [00:06:00] really serious incident occurs at what, what it feels like here. And I’ve spent a lot of time in various industries and people are different when they’ve been on a site or involved when there’s been a really serious incident and you need to do something to. Get that sense of a feeling of what it feels like and actually make people feel slightly uncomfortable in the process. ’cause that’s part of it,  Allen Hall: right? Yes.  Mark Patterson: Because you know,  Allen Hall: you remember that.  Mark Patterson: You remember that. Yeah. We’ve had, you know, we’ve had people say, well, I felt very uncomfortable in that bit of the training. It was okay. But was, I felt very uncomfortable. And you know, we’ve talked about that a lot.  Allen Hall: Yeah.  Mark Patterson: We know you kinda should because if there’s something wrong with you, if you don’t feel uncomfortable about that. But what’s super powerful on the guys in at TT do brilliantly. Is have facilitators that allow you to have that conversation and understand what do you need to do differently? How do you influence somebody who’s more senior? How do you, how do you bring people with you so that they’re gonna [00:07:00] do what you want ’em to do after you’ve left the building? And. Just pointing the finger at people and shouting at them. Never does that. Right? Uh, rarely does that. You’ve gotta get that sense of how do you get people to have a common belief? And,  Allen Hall: and I think that’s important in the way that SSE addresses that, is that you’re not just addressing technicians, it’s the whole chain. It’s everybody is involved in this action. And you can break the link anywhere in there. I wanna get through the description of why that. Process went through ATTs head to go. We need to broaden the scope a little bit. We need to think about the full chain from the lowest entry worker just getting started to the career senior executive. Why chain them all together? Why put them in the same room together? Yeah. Why do you do that?  Dermot Kerrigan: Well, behavioral safety or behavioral base safety kind of got a bad rep because it was all about. If we could just [00:08:00] make those guys at the front line behave themselves,  Allen Hall: then everything’s fine,  Dermot Kerrigan: then everything’s fine.  Allen Hall: Yes.  Dermot Kerrigan: But actually that’s kind of a, the wrong way of thinking. It didn’t work. I, I think,  Allen Hall: yeah, it didn’t work.  Dermot Kerrigan: What the mess, the central message we’re trying to get across is that actually operational safety is not just the business of operational people. It’s everybody’s business.  Allen Hall: Right.  Dermot Kerrigan: You know? Um, and. Yeah, everybody has a role to p play in that, you know? Right. So site based teams, back office support functions, everybody has a role to play. And, you know, there’s a strand in, in this scenario where, uh, an incident takes place because people haven’t been issued with the right piece of equipment. Which is a lifting cage.  Allen Hall: Yes.  Dermot Kerrigan: And there’s a whole story about that, which goes through a procurement decision made somewhere where somebody hit a computer and a computer said no because they’d asked for too many lifting cages when they, somebody could have said, you’ve asked for five lifting cages, it’s takes you over the procurement cap. Would four do it? [00:09:00] Yes, that would be fine. That would be fine. Yeah. As it is, they come to a crucial piece of operation. This incr this, you know, this crucial piece of kit simply isn’t there. So in order to hit the deadline and try and make people happy, two ordinary guys, two technicians, put two and two together, make five, and, and one of them gets killed, you know? Yeah. So it’s, we’re, we’re trying to show that, that this isn’t just operational people. It’s everybody’s business.  Mark Patterson: Well, that’s why we worked with you in this, because, um, we saw. Why you got it in terms of that chain? Um, so in, in the scenario, it’s very clear there’s a senior exec talking to the client and actually as SSE. We’re sometimes that client, we’ve got big principal contractors that are doing our big construction activities. We’ve got a lot in renewables and onshore and offshore wind obviously, but, and the transmission business and in thermal, so, uh, and distribution. So I’ll list all our businesses and including customer’s business, but we’ve got some big project activities where we’re the client sometime we’re the principal contractor [00:10:00] ourselves. And we need to recognize that in each chain, each link in that chain, there’s a risk that we say the wrong thing, put the wrong pressure on. And I think what’s really helpful is we have in the center that sort of philosophy here that we get everybody in together mixed up. Probably at least half of our board have done this. Our executive team have all done this. Um, people are committed to it at that level, and they’re here like everybody else sitting, waiting for this thing to start. Not being quite sure what they’re gonna go through in the day. Um, and it’s actually really important you’ve got a chief exec sitting with somebody who’s, um, a scaffolder. That’s really important. ’cause the scaffolder is probably the more likely person to get hurt rather than chief exec. So actually everybody seeing what it’s like and the pressures that are under at each level is really important.  Allen Hall: SSC is such a good example for the industry. I watched you from outside in America for a long time and you just watch the things that happened. [00:11:00] Here you go. Wow. Okay. SSC is organized. They know what they’re doing, they understand what the project is, they’re going about it. Mm-hmm. Nothing is perfect, but I, I think when we watch from the United States, we see, oh, there’s order to it. There’s a reason they’re doing these things. They’re, they’re measuring what is happening. And I think that’s one of the things about at t is the results. Have been remarkable, not just here, but in several different sites, because a TT touches a lot of massive infrastructure projects in the uk and the success rate has been tremendous. Remember? You wanna just briefly talk about that?  Dermot Kerrigan: Yeah. But we, we run a number of centers. We also run mobile programs, which you got from having seen us in the States. Um, but the first, uh, center that we, we, we opened was, was called. Epic, which stood for Employers Project Induction Center, and that was the Thames Tideway Tunnel Project, which is now more or less finished. It’s completed. And that was a 10 year project, 5 billion pounds. Allen Hall: Wow.  Dermot Kerrigan: Um, [00:12:00] and you know, unfortunately the fact is on, on that kind of project, you would normally expect to hurt a number of people, sometimes fatally. That would be the expectation.  Allen Hall: Right. It’s a complicated  Dermot Kerrigan: project, statistic underground. So, you know, we, and, and of course Tide, we are very, very. Very pleased that, uh, in that 10 year span, they didn’t even have one, uh, serious life-changing injury, uh, let alone a fatality. Um, so you know that that’s, and I’m I’m not saying that what ATTs work, uh, what we do is, is, is, is directly responsible for that, but certainly Epic, they would say Tideway was the cornerstone for the safety practices, very good safety practices that they, they put out. Uh, on that project, again, as a cultural piece to do with great facilities, great leadership on the part of the, of the, of the executive teams, et cetera, and stability. It was the same ex executive team throughout that whole project, which is quite unusual.  Allen Hall: No.  Dermot Kerrigan: Yeah. [00:13:00] Um, so yeah, it, it, it seems to work, you know, uh, always in safety that the, the, the, the tricky thing is trying to prove something works because it hasn’t happened. You know?  Allen Hall: Right, right. Uh, prove the negative. Dermot Kerrigan: Yeah. Um,  Allen Hall: but in safety, that’s what you want to have happen. You, you do know, not want an outcome.  Dermot Kerrigan: No, absolutely not.  Allen Hall: No reports, nothing.  Dermot Kerrigan: No. So, you know, you have to give credit to, to organizations. Organizations like SSE. Oh, absolutely. And projects like Tideway and Sted, uh, on their horn projects. Who, who have gone down this, frankly, very left field, uh, route. We we’re, you know, it is only in the last 10 years that we’ve been doing this kind of thing, and it hasn’t, I mean, you know, Tideway certainly is now showing some results. Sure. But, you know, it’s, it’s, it, it wasn’t by any means a proven way of, of, of dealing with safety. So  Mark Patterson: I don’t think you could ever prove it. Dermot Kerrigan: No.  Mark Patterson: And actually there’s, there’s something [00:14:00]fundamentally of. It, it kind of puts a stamp on the culture that you want, either you talked about the projects in SSE, we’ve, we’ve done it for all of our operational activities, so we’ve had about 9,000 people through it for SSE and so far about 2000 contract partners. Um, we’re absolutely shifting our focus now. We’ve got probably 80% of our operational teams have been through this in each one of our businesses, and, uh, we. We probably are kind of closing the gaps at the moment, so I was in Ireland with. I here guys last week, um, doing a, a mobile session because logistically it was kind of hard to come to Perth or to one of the other centers, but we’re, we’re gradually getting up to that 80%, uh, for SSE colleagues and our focus is shifting a bit more to contract partners and making sure they get through. And look, they are super positive about this. Some of them have done that themselves and worked with a TT in the past, so they’re. Really keen to, to use the center that we have [00:15:00] here in Perth, uh, for their activities. So when, when they’re working with us, we kind of work together to, to make that happen. Um, but they can book that separately with you guys. Yeah. Uh, in, in the, uh, Fastly Center too.  Allen Hall: I think we should describe the room that we’re in right now and why this was built. This is one of three different scenes that, that each of the. Students will go through to put some realism to the scenario and the scenario, uh, a worker gets killed. This is that worker’s home? Dermot Kerrigan: Yeah. So each of the spaces that we have here that, that they denote antecedents or consequences, and this is very much consequences. Um, so the, the, the participants will be shown in here, uh, as they go around the center, uh, and there’s a scene that takes place where they meet the grown up daughter of the young fella who’s been right, who’s been, who’s been tragically killed. Uh, and she basically asks him, uh, asks [00:16:00] them what happened. And kind of crucially this as a subtext, why didn’t you do something about it?  Allen Hall: Mm-hmm.  Dermot Kerrigan: Because you were there,  Allen Hall: you saw it, why it was played out in front of you. You saw, you  Dermot Kerrigan: saw what happened. You saw this guy who was obviously fast asleep in the canteen. He was exhausted. Probably not fit for work. Um, and yet being instructed to go back out there and finish the job, um, with all the tragic consequences that happen,  Allen Hall: right?  Dermot Kerrigan: But it’s important to say, as Mark says, that. It’s not all doom and gloom. The first part of the day is all about showing them consequences. Allen Hall: Sure. It’s  Dermot Kerrigan: saying it’s a,  Allen Hall: it’s a Greek tragedy  Dermot Kerrigan: in  Allen Hall: some  Dermot Kerrigan: ways, but then saying this doesn’t have to happen. If you just very subtly influence other people’s behavior, it’s  Allen Hall: slight  Dermot Kerrigan: by thinking about how you behave and sure adapting your behavior accordingly, you can completely change the outcome. Uh, so long as I can figure out where you are coming from and where that behavior is coming from, I might be able to influence it,  Allen Hall: right. Dermot Kerrigan: And if I can, then I can stop that [00:17:00] hap from happening. And sure enough, at the end of the day, um, the last scene is that the, the, the daughter that we see in here growing up and then going back into this tragic, uh, ending, uh. She’s with her dad, then it turned out he was the one behind the camera all along. So he’s 45 years old, she’s just passed the driving test and nobody got her 21 years ago. You know,  Mark Patterson: I think there, there is, there’s a journey that you’ve gotta take people through to get to believe that. And kind of part of that journey is as, as we look around this room, um, no matter who it is, and we’ve talked to a lot of people, they’ll be looking at things in this room and think, well, yeah, I’ve got a cup like that. And yes. Yeah. When my kids were, we, we had. That play toy for the kids. Yes. So there is something that immediately hooks people and children hook  Allen Hall: people.  Mark Patterson: Absolutely. And  Allen Hall: yes,  Mark Patterson: they get to see that and understand that this is, this is, this is, could be a real thing. And also in the work site, uh, view, there’s kind of a work site, there’s a kind of a boardroom type thing [00:18:00] and you can actually see, yeah, that’s what it kind of feels like. The work sites a little bit. You know, there’s scuffs in the, on the line, on the floor because that’s what happens in work sites and there’s a sense of realism for all of this, uh, is really important.  Allen Hall: The realism is all the way down to the outfits that everybody’s worn, so they’re not clean safety gear. It’s. Dirty, worn safety gear, which is what it should be. ’cause if you’re working, that’s what it should look like. And it feels immediately real that the, the whole stage is set in a, in the canteen, I’ll call it, I don’t know, what do you call the welfare area? Yeah. Okay.  Dermot Kerrigan: Yeah.  Allen Hall: Okay. Uh, wanna use the right language here. But, uh, in the states we call it a, a break room. Uh, so you’re sitting in the break room just minding your own business and boom. An actor walks in, in full safety gear, uh, speaking Scottish very quickly, foreign American. But it’s real.  Mark Patterson: I think  Allen Hall: it feels real because you, you, I’ve been in those situations, I’ve seen that that break the,  Mark Patterson: the language is real and, uh, [00:19:00] perhaps not all, uh, completely podcast suitable. Um, but when you look at it, the feedback we’ve got from, from people who are closer to the tools and at all levels, in fact is, yeah. This feels real. It’s a credible scenario and uh, you get people who. I do not want to be in a safety training for an entire day. Um, and they’re saying arms folded at the start of the day and within a very short period of time, they are absolutely watching what the heck’s going on here. Yes. To understand what’s happening, what’s going on. I don’t understand. And actually it’s exactly as you say, those subtle things that you, not just giving people that experience, but the subtle things you can nudge people on to. There’s some great examples of how do you nudge people, how do you give feedback? And we had some real examples where people have come back to us and said even things to do with their home life. We were down in London one day, um, and I was sitting in on the training and one of the guys said, God, you’ve just taught me something about how I can give feedback to people in a really impactful [00:20:00] way. So you, so you explain the behavior you see, which is just the truth of what the behavior is. This is what I saw you do, this is what happened, but actually the impact that that has. How that individual feels about it. And the example that they used was, it was something to do with their son and how their son was behaving and interacting. And he said, do you know what? I’ve struggled to get my son to toe the line to, to look after his mom in the right way. I’m gonna stop on the way home and I’m gonna have a conversation with him. And I think if I. Keep yourself cool and calm and go through those steps. I think I can have a completely different conversation. And that was a great example. Nothing to do with work, but it made a big difference to that guy. But all those work conversations where you could just subtly change your tone. Wind yourself back, stay cool and calm and do something slightly different. And I think that those, those things absolutely make a difference,  Allen Hall: which is hard to do in the moment. I think that’s what the a TT training does make you think of the re the first reaction, [00:21:00] which is the impulsive reaction. We gotta get this job done. This has gotta be done. Now I don’t have the right safety gear. We’ll, we’ll just do it anyway to, alright, slow. Just take a breather for a second. Think about what the consequences of this is. And is it worth it at the end of the day? Is it worth it? And I think that’s the, the reaction you want to draw out of people. But it’s hard to do that in a video presentation or  Dermot Kerrigan: Yeah.  Allen Hall: Those things just  Dermot Kerrigan: don’t need to practice.  Allen Hall: Yeah. It doesn’t stick in your brain.  Dermot Kerrigan: You need to give it a go And to see, right. To see how to see it happen. And, and the actors are very good. They’re good if they, you know. What, whatever you give them, they will react to.  Mark Patterson: They do. That’s one of the really powerful things. You’ve got the incident itself, then you’ve got the UNP of what happened, and then you’ve got specific, uh, tools and techniques and what’s really good is. Even people who are not wildly enthusiastic at the start of the day of getting, being interactive in, in, in a session, they do throw themselves into it ’cause they recognize they’ve been through [00:22:00] something. It’s a common sense of community in the room.  Dermot Kerrigan: Right.  Mark Patterson: And they have a bit of fun with it. And it is fun. Yeah. You know, people say they enjoy the day. Um, they, they, they recognize that it’s challenged them a little bit and they kinda like that, but they also get the opportunity to test themselves. And that testing is really important in terms of, sure. Well, how do you challenge somebody you don’t know and you just walking past and you see something? How do you have that conversation in a way that just gets to that adult To adult communication? Yeah. And actually gets the results that you need. And being high handed about it and saying, well, those are the rules, or, I’m really important, just do it. That doesn’t give us a sustained improvement.  Dermot Kerrigan: PE people are frightened of failure, you know? Sure. They’re frightened of getting things wrong, so give ’em a space where they, where actually just fall flat in your face. Come back up again and try again. You know, give it a go. And, because no one’s, this is a safe space, you know, unlike in the real world,  Allen Hall: right?  Dermot Kerrigan: This is as near to the real world as you want to get. It’s pretty real. It’s safe, you know, uh, it’s that Samuel Beckett thing, you know, fail again, [00:23:00] fail better,  Allen Hall: right?  Mark Patterson: But there’s, there’s a really good thing actually because people, when they practice that they realize. Yeah, it’s not straightforward going up and having a conversation with somebody about something they’re doing that could be done better. And actually that helps in a way because it probably makes people a little bit more generous when somebody challenges them on how they’re approaching something. Even if somebody challenges you in a bit of a cat handed way, um, then you can just probably take a breath and think this. This, this guy’s probably just trying to have a conversation with me,  Allen Hall: right. Mark Patterson: So that I get home to my family.  Allen Hall: Right.  Mark Patterson: It’s hard to get annoyed when you get that mindset. Mindset  Allen Hall: someone’s looking after you just a little bit. Yeah. It does feel nice.  Mark Patterson: And, and even if they’re not doing it in the best way, you need to be generous with it. So there’s, there’s good learnings actually from both sides of the, the, the interaction. Allen Hall: So what’s next for SSE and at t? You’ve put so many people through this project in, in the program and it has. Drawn great results.  Mark Patterson: Yeah.  Allen Hall: [00:24:00] How do you, what do you think of next?  Mark Patterson: So what’s next? Yeah, I guess, uh, probably the best is next to come. Next to come. We, I think there’s a lot more that we can do with this. So part of what we’ve done here is establish with a big community of people, a common sense of what we’re doing. And I think we’ve got an opportunity to continue with that. We’ve got, um, fortunate to be in a position where we’ve got a good level of growth in the business.  Allen Hall: Yes,  Mark Patterson: we do. Um, there’s a lot going on and so there’s always a flow of new people into an organization, and if people, you know, the theory of this stuff better than I do, would say that you need to maintain a, a sense of community that’s kind of more than 80%. If you want a certain group of people to act in a certain way, you need about 80% of the people plus to act in that way, and then it’ll sustain. But if it starts. To drift so that only 20% of people are acting a certain way, then that is gonna ex extinguish that elements of the culture. So we need to keep topping up our Sure, okay. Our, our [00:25:00] immersive training with people, and we’re also then thinking about the contract partners that we have and also leaving a bit of a legacy. For the communities in Scotland, because we’ve got a center that we’re gonna be using a little bit less because we’ve fortunate to get the bulk of our people in SSE through, uh, we’re working with contract partners. They probably want to use it for. For their own purposes and also other community groups. So we’ve had all kinds of people from all these different companies here. We’ve had the Scottish first Minister here, we’ve had loads of people who’ve been really quite interested to see what we’re doing. And as a result of that, they’ve started to, uh, to, to step their way through doing something different themselves. So,  Allen Hall: so that may change the, the future of at t also. And in terms of the slight approach, the scenarios they’re in. The culture changes, right? Yeah. Everybody changes. You don’t wanna be stuck in time.  Dermot Kerrigan: No, absolutely.  Allen Hall: That’s one thing at t is not,  Dermot Kerrigan: no, it’s not  Allen Hall: stuck in time.  Dermot Kerrigan: But, uh, I mean, you know, we first started out with the centers, uh, accommodating project. Yeah. So this would [00:26:00] be an induction space. You might have guys who were gonna work on a project for two weeks, other guys who were gonna work on it for six months. They wanted to put them through the same experience. Mm. So that when they weren’t on site. That they could say, refer back to the, the, the, the induction and say, well, why ask me to do that? You know, we, we, we both have that experience, so I’m gonna challenge you and you’re gonna accept challenge, et cetera. So it was always gonna be a short, sharp shock. But actually, if you’re working with an organization, you don’t necessarily have to take that approach. You could put people through a little bit of, of, of, of the training, give ’em a chance to practice, give ’em a chance to reflect, and then go on to the next stage. Um. So it, it becomes more of a, a journey rather than a single hard, a single event experience. Yeah. You don’t learn to drive in a day really, do you? You know, you have to, well, I do transfer it to your right brain and practice, you know?  Allen Hall: Right. The more times you see an experience that the more it’s memorable and especially with the, the training on how to work with others.[00:27:00] A refresh of that is always good.  Dermot Kerrigan: Yeah.  Allen Hall: Pressure changes people and I think it’s always time to reflect and go back to what the culture is of SSE That’s important. So this, this has been fantastic and I, I have to. Thank SSC and a TT for allowing us to be here today. It was quite the journey to get here, but it’s been really enlightening. Uh, and I, I think we’ve been an advocate of a TT and the training techniques that SSC uses. For well over a year. And everybody we run into, and in organizations, particularly in win, we say, you, you gotta call a TT, you gotta reach out because they’re doing things right. They’re gonna change your safety culture, they’re gonna change the way you work as an organization. That takes time. That message takes time. But I do think they need to be reaching out and dermo. How do they do that? How do, how do they reach att?  Dermot Kerrigan: Uh, they contact me or they contact att. So info at Active Trading Team, us.  Allen Hall: Us. [00:28:00] There you go.  Dermot Kerrigan: or.co uk. There you go. If you’re on the other side of the pond. Yeah. Allen Hall: Yes. And Mark, because you just established such a successful safety program, I’m sure people want to reach out and ask, and hopefully a lot of our US and Australian and Canadian to listen to this podcast. We’ll reach out and, and talk to you about how, what you have set up here, how do they get ahold of you? Mark Patterson: I’ll give you a link that you can access in the podcast, if that. Great. And uh, look. The, the risk of putting yourself out there and talking about this sort of thing is you sometimes give the impression you’ve got everything sorted and we certainly don’t in SSE. And if the second you think you’ve got everything nailed in terms of safety in your approach, then, then you don’t. Um, so we’ve got a lot left to do. Um, but I think this particular thing has made a difference to our colleagues and, and contract partners and just getting them home safe.  Allen Hall: Yes. Yes, so thank you. Just both of you. Mark Dermott, thank you so much for being on the podcast. We appreciate both [00:29:00] of you and yeah, I’d love to attend this again, this is. Excellent, excellent training. Thanks, Alan. Thanks.

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 11, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠