Podcast appearances and mentions of Samuel Beckett

"Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." The words of Samuel Beckett from a 1983 short story Worstward Ho inspire a Free Thinking conversation about failure chaired by Matthew Sweet. His guests are: Cath Bishop rowed for Britain in the Olympics, winning a silver medal and worked as a diplomat and business coach. She has written a book called The Long Win and co-hosts the Inside Out Culture Podcast with Colin Ellis which explores what can go wrong from business to sport, the Met police to the music industry. David Stevenson is Dean and Professor of Cultural Policy and Arts Management at Queen Margaret University in Edinburgh. He has researched the failure of arts organisations and co-authored with Leila Jancovich Failures in Cultural Participation Katarina Skoberne started an advertising agency, has worked as an interpreter in conflict zones and presented a TV show showcasing her experience in coaching. She now runs training in speech-making BeYourBestRemoteSelf. Dr Michelle Clement's research focuses on British government and public service reform. She's based at King's College, London. She has written a book The Art of Delivery: The Inside Story of How the Blair Government Transformed Britain's Public Services Dr Joseph Anderton is an Associate Professor of Literature at Birmingham City University researching authors including Samuel Beckett and he is the author of Beckett's Creatures: Art of Failure after the HolocaustProducer: Luke Mulhall

Click here to read the episode highlights.   The "Living with Heart" Podcast is brought to you by Chip Dodd Resources (www.chipdodd.com) and The Voice of the Heart Center (vothcenter.com). You can connect with Dr. Chip Dodd at chip@chipdodd.com. Contact Bryan Barley for coaching at bryan@vothcenter.com.    Leaders Have a Need for Help: Everyone, believe it or not, is created to lead. Everyone who cares about something and is investing themselves in what they care about is leading. Leaders find much fulfillment in serving others.  Whether it's serving as a CEO or a parent, the most significant moments for leaders come when they are giving their gifts, abilities, passion, and creativity.  Leaders who pour out great energy doing what is fulfilling also need to refill.   *Leaders need to be able to receive restoration and replenishment so they can continue to serve well. They refill by being humble enough to know their limits, to recognize their needs, and to ask for help.    I have worked with leaders for more than thirty-five years. I have recognized five common pitfalls that block leaders from receiving the replenishment that is essential to lead well. These pitfalls can stymie a leader's passion and purpose. As a result, the people the leader wishes to help ultimately do not receive what they need.   Pitfalls of Leadership Life is full of struggle, and the struggle is not preventable. Samuel Beckett wrote, “You are on earth. There is no cure for that.” Life's struggles are inevitable, but the Pitfalls of Leadership are preventable.   The Five Pitfalls: Work becomes confused with one's worth. Performance begins to be valued more than one's presence. People become things. To be an example to others, the true self is isolated. Secrets sap one's passion and purpose.   These pitfalls can destroy careers, friendships, reputations, marriages and families—unless one is freed from them.    Everyone always wonders, “What happened to them? How did this self-destruction happen?”   These episodes on the “Pitfalls” are about preventing those questions from being asked. Whether you are a parent, a pastor, a plumber, or a pulmonologist, these episodes are for you.   These episodes are also about what to do when you find yourself in the “Pitfalls” or when the consequences have already impacted your life.   Hope in spite of the Pitfalls: The beauty of life and the beauty of God in our lives gives us the hope of: redemption recovery restoration   Click here to continue reading the episode highlights.

durée : 00:59:46 - Les Nuits de France Culture - par : Albane Penaranda - Lecture publique de "Molloy" de Samuel Beckett par Pierre Chabert, diffusée la première fois le 4 mai 1989 sur France Culture. - réalisation : Virginie Mourthé - invités : Pierre Chabert Acteur et metteur en scène

durée : 00:29:57 - Les Nuits de France Culture - par : Albane Penaranda - Deuxième émission de la série “A voix nue” consacrée à Jérôme Lindon sur France Culture en 1994. L'éditeur, qui a succédé à Vercors, raconte l'importance de la publication du premier manuscrit de Samuel Beckett. Il évoque les liens de fidélité et parfois d'amitié, entre un éditeur et ses auteurs. - réalisation : Virginie Mourthé - invités : Jérôme Lindon Editeur, président des Editions de Minuit

I'm joined by one of Australia's most celebrated actors—Pamela Rabe. With a career spanning decades, Pamela has earned acclaim across stage and screen, and is also a respected stage director. Her versatility shines through in a wide range of genres—from musicals and comedies to powerful dramas. You may have seen her in unforgettable productions such as: August: Osage County Seventeen The Cherry Orchard Cat on a Hot Tin Roof The Dance of Death My Fair Lady The Glass Menagerie ...and so many more. She's tackled the works of Shakespeare, Molière, Chekhov, Brecht, Noël Coward, Patrick White, and David Mamet—just to name a few. Today, Pamela joins me to talk about her latest role as Winnie in Samuel Beckett's Happy Days, now playing at the Sydney Theatre Company. It's a demanding and iconic role, and we'll dive into what it means to bring Beckett's vision to life on stage. Reginabotros.com  

Associate Professor Rick de Villiers from the University of the Free State speaks to Lester Kiewit about the first-ever sanctioned Afrikaans translation of Samuel Beckett’s Waiting for Godot. They discuss why it has taken over 70 years for this iconic play to be translated into Afrikaans and reflect on the significance of this milestone during Afrikaans’ 100th anniversary as an official language of South Africa. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Dos Anjos paraibano e Beckett irlandês, um pré-modernista outro modernista, convergem nesse poema a ideia de um instante onde tudo se torna evidente e coerente sem a interferência do tempo. Escute meu podcast dessa semana para entender o que quiseram dizer. Obrigado.

It's one of those roles which great actors have on their to-do list: Winnie in the play Happy Days by Samuel Beckett.  Winnie starts the play buried up to her waist in dirt. In Act 2 she's buried up to her neck! Acclaimed actor Pamela Rabe tell us what makes this such an iconic play and how she approached it as both co-director and star of Happy Days for the Sydney Theatre Company.In the play POV (Point of View), 11-year-old Bub directs a pair of adult actors on stage, to re-enact scenes from her life. There's a catch: it's the first time the actors have seen the script, and Bub is filming them for a documentary. This innovative work by collective re:group is all about how a kid experiences the mental illness of a parent. We chat to young actors Mabelle Rose and Edie Whitehead, who play Bub, and director Solomon Thomas.What if Celine Dion wasn't just the torch-bearing soundtrack to Titanic — but the main character? That's the premise of a hilarious musical parody called Titanique, which originated off Broadway and has since proven popular here in Australia too. A cast of 11 joins The Stage Show, led by powerhouse Marney McQueen.

He led the Goodman Theatre in Chicago and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially not simultaneously. Presented with Hunter College. 

En este episodio nos adentramos en el oscuro y sangriento universo de Doom, el icónico videojuego de id Software que cambió para siempre el modo en que entendemos el terror interactivo. Pero hoy no hablaremos de armas ni de demonios... sino de narrativa. ¿Puede un FPS de los 90 ser interpretado como una alegoría existencial? ¿Qué hay detrás de sus laberintos pixelados y su violencia desatada? Aquí respondemos a esas preguntas con un enfoque literario y simbólico que te hará mirar a Doom con otros ojos. Gilgamesh, Homero, Virgilio, Dante Alighieri, John Milton, Clark Ashton Smith, H. P. Lovecraft, William Blake, Charles Baudelaire, Paul Celan, Elfriede Jelinek, W. G. Sebald, Albert Camus, Jean-Paul Sartre, Samuel Beckett, Franz Kafka, Georges Bataille, Thomas Ligotti, Friedrich Nietzsche, Nick Land, Cormac McCarthy..., todos ellos, de un modo u otro, están relacionados con el tema que nos ocupa el día de hoy. Patreon: https://www.patreon.com/vuelodelcometa YouTube: https://www.youtube.com/@vuelodelcometa Twitch: https://www.twitch.tv/vuelodelcometa Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social Instagram: https://www.instagram.com/vuelodelcometa Twitter: https://twitter.com/Vuelodelcometa Telegram: https://t.me/vuelodelcometacomunidad WhatsApp: https://whatsapp.com/channel/0029Vb16aSZEawdwoA2TD235 Facebook: https://www.facebook.com/Vuelodelcometa Mastodon: https://mastodon.social/@Vuelodelcometa Web: alvaroaparicio.net Si quieres apoyar este y otros proyectos relacionados: https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

My interview with NYPL Young Lion/5-Under-35 debut author Alexander Sammartino, on his novel Last Acts. We discussed: (1) the search for transcendence and "leaving your body" via literature; (2) father & son stories; and (3) unchecked Samuel Beckett fandom. All episodes of The Thoughtful Bro aired live originally on A Mighty Blaze. The Thoughtful Bro is proudly sponsored by Libro.fm and Writer's Bone.

This week I found myself reflecting on the simple yet powerful quote by Arthur Ashe: "Start where you are. Use what you have. Do what you can." This idea resonated deeply with me as I considered how often I overlook the tools and wisdom I already possess. Listen as I share my personal journey with starting over, the fears that come with trying new things, and the humor I find in my own missteps. Drawing inspiration from both Arthur Ashe and Samuel Beckett, I explore how failure isn't the end—it's part of learning, living, and growing. I hope this episode is a gentle reminder that the courage to begin, no matter where you are, is always within reach.Now That You Ask is a podcast that looks at topics that range from death to desire, and from wondrous to downright whacky. Join host, Akasha Halsey as she takes listeners on a journey through her writing and experience with life's most persistent questions.Thank you for listening!Listen to more episodes like this and subscribe to updates at https://nowthatyouaskpodcast.com

In 1975, at the height of their fame, British band Slade made a feature film, Slade in Flame. The film was a critical and commercial failure at the time, but has built up a cult following over the years. Now it's being re-released in cinemas and on DVD. Frontman Noddy Holder and film director Richard Loncraine spoke to Samira Ahmed in studio.With a new English translation of Simone de Beauvoir's novel The Image of Her and a stage adaptation of her semi-autobiographical The Inseperables, Lauren Elkin and Grace Joy Howarth discuss the enduring legacy of the French feminist icon.Plus Irish actor Stephen Rae talks about his career working with Samuel Beckett, his hit film The Crying Game, and his current production of Krapp's Last Tape

durée : 00:07:04 - L'Instant poésie - Le comédien Denis Lavant nous fait entendre "Comment dire", un des derniers poèmes qu'a écrits Samuel Beckett, un poème qui va à "l'essentiel des choses". - réalisation : Sophie-Aude Picon - invités : Denis Lavant Comédien

Nixon, Mark www.deutschlandfunkkultur.de, Fazit

If you have got a wicked case of the munchies, boy howdy, do we have the perfect episode for you! MUNCHIES (1987) directed by Tina Hirsch and MUNCHIE (1992) directed by Jim Wynorski. It's a Roger Corman produced double feature celebrating 4/20 here on Death By DVD and we hope you tune in and light one up for this special fan request episode. Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES or copy and paste the link below : https://deathbydvd.com/who-shot-hankWhoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD

Stirrings of spring and a stubborn donkey, Easter in Beirut and meeting Samuel Beckett, with Kate O'Shaughnessy, Louise Kennedy, Peter Cunningham, Joe Kearney, Jenny Beale and John F Deane

It's a small world. The great David Rieff came to my San Francisco studio today for in person interview about his new anti-woke polemic Desire and Fate. And half way through our conversation, he brought up Daniel Bessner's This Is America piece which Bessner discussed on yesterday's show. I'm not sure what that tells us about wokeness, a subject which Rieff and I aren't in agreement. For him, it's the thing-in-itself which make sense of our current cultural malaise. Thus Desire and Fate, his attempt (with a great intro from John Banville) to wake us up from Wokeness. For me, it's a distraction. I've included the full transcript below. Lots of good stuff to chew on. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. 5 KEY TAKEAWAYS * Rieff views "woke" ideology as primarily American and post-Protestant in nature, rather than stemming solely from French philosophy, emphasizing its connections to self-invention and subjective identity.* He argues that woke culture threatens high culture but not capitalism, noting that corporations have readily embraced a "baudlerized" version of identity politics that avoids class discussions.* Rieff sees woke culture as connected to the wellness movement, with both sharing a preoccupation with "psychic safety" and the metaphorical transformation of experience in which "words” become a form of “violence."* He suggests young people's material insecurity contributes to their focus on identity, as those facing bleak economic prospects turn inward when they "can't make their way in the world."* Rieff characterizes woke ideology as "apocalyptic but not pessimistic," contrasting it with his own genuine pessimism which he considers more realistic about human nature and more cheerful in its acceptance of life's limitations. FULL TRANSCRIPTAndrew Keen: Hello everybody, as we digest Trump 2.0, we don't talk that much these days about woke and woke ideology. There was a civil war amongst progressives, I think, on the woke front in 2023 and 2024, but with Donald Trump 2.0 and his various escapades, let's just talk these days about woke. We have a new book, however, on the threat of woke by my guest, David Rieff. It's called Desire and Fate. He wrote it in 2023, came out in late 2024. David's visiting the Bay Area. He's an itinerant man traveling from the East Coast to Latin America and Europe. David, welcome to Keen on America. Do you regret writing this book given what's happened in the last few months in the United States?David Rieff: No, not at all, because I think that the road to moral and intellectual hell is trying to censor yourself according to what you think is useful. There's a famous story of Jean Paul Sartre that he said to the stupefaction of a journalist late in his life that he'd always known about the gulag, and the journalist pretty surprised said, well, why didn't you say anything? And Sartre said so as not to demoralize the French working class. And my own view is, you know, you say what you have to say about this and if I give some aid and comfort to people I don't like, well, so be it. Having said that, I also think a lot of these woke ideas have their, for all of Trump's and Trump's people's fierce opposition to woke, some of the identity politics, particularly around Jewish identity seems to me not that very different from woke. Strangely they seem to have taken, for example, there's a lot of the talk about anti-semitism on college campuses involves student safety which is a great woke trope that you feel unsafe and what people mean by that is not literally they're going to get shot or beaten up, they mean that they feel psychically unsafe. It's part of the kind of metaphorization of experience that unfortunately the United States is now completely in the grips of. But the same thing on the other side, people like Barry Weiss, for example, at the Free Press there, they talk in the same language of psychic safety. So I'm not sure there's, I think there are more similarities than either side is comfortable with.Andrew Keen: You describe Woke, David, as a cultural revolution and you associated in the beginning of the book with something called Lumpen-Rousseauism. As we joked before we went live, I'm not sure if there's anything in Rousseau which isn't Lumpen. But what exactly is this cultural revolution? And can we blame it on bad French philosophy or Swiss French?David Rieff: Well, Swiss-French philosophy, you know exactly. There is a funny anecdote, as I'm sure you know, that Rousseau made a visit to Edinburgh to see Hume and there's something in Hume's diaries where he talks about Rousseau pacing up and down in front of the fire and suddenly exclaiming, but David Hume is not a bad man. And Hume notes in his acerbic way, Rousseau was like walking around without his skin on. And I think some of the woke sensitivity stuff is very much people walking around without their skin on. They can't stand the idea of being offended. I don't see it as much - of course, the influence of that version of cultural relativism that the French like Deleuze and Guattari and other people put forward is part of the story, but I actually see it as much more of a post-Protestant thing. This idea, in that sense, some kind of strange combination of maybe some French philosophy, but also of the wellness movement, of this notion that health, including psychic health, was the ultimate good in a secular society. And then the other part, which again, it seems to be more American than French, which is this idea, and this is particularly true in the trans movement, that you can be anything you want to be. And so that if you feel yourself to be a different gender, well, that's who you are. And what matters is your own subjective sense of these things, and it's up to you. The outside world has no say in it, it's what you feel. And that in a sense, what I mean by post-Protestant is that, I mean, what's the difference between Protestantism and Catholicism? The fundamental difference is, it seems to me, that in Roman Catholic tradition, you need the priest to intercede with God, whereas in Protestant tradition, it is, except for the Anglicans, but for most of Protestantism, it's you and God. And in that sense it seems to me there are more of what I see in woke than this notion that some of the right-wing people like Chris Rufo and others have that this is cultural French cultural Marxism making its insidious way through the institutions.Andrew Keen: It's interesting you talk about the Protestant ethic and you mentioned Hume's remark about Rousseau not having his skin on. Do you think that Protestantism enabled people to grow thick skins?David Rieff: I mean, the Calvinist idea certainly did. In fact, there were all these ideas in Protestant culture, at least that's the classical interpretation of deferred gratification. Capitalism was supposed to be the work ethic, all of that stuff that Weber talks about. But I think it got in the modern version. It became something else. It stopped being about those forms of disciplines and started to be about self-invention. And in a sense, there's something very American about that because after all you know it's the Great Gatsby. It's what's the famous sentence of F. Scott Fitzgerald's: there are no second acts in American lives.Andrew Keen: This is the most incorrect thing anyone's ever said about America. I'm not sure if he meant it to be incorrect, did he? I don't know.David Rieff: I think what's true is that you get the American idea, you get to reinvent yourself. And this notion of the dream, the dream become reality. And many years ago when I was spending a lot of time in LA in the late 80s, early 90s, at LAX, there was a sign from the then mayor, Tom Bradley, about how, you know, if you can dream it, it can be true. And I think there's a lot in identitarian woke idea which is that we can - we're not constricted by history or reality. In fact, it's all the present and the future. And so to me again, woke seems to me much more recognizable as something American and by extension post-Protestant in the sense that you see the places where woke is most powerful are in the other, what the encampment kids would call settler colonies, Australia and Canada. And now in the UK of course, where it seems to me by DI or EDI as they call it over there is in many ways stronger in Britain even than it was in the US before Trump.Andrew Keen: Does it really matter though, David? I mean, that's my question. Does it matter? I mean it might matter if you have the good or the bad fortune to teach at a small, expensive liberal arts college. It might matter with some of your dinner parties in Tribeca or here in San Francisco, but for most people, who cares?David Rieff: It doesn't matter. I think it matters to culture and so what you think culture is worth, because a lot of the point of this book was to say there's nothing about woke that threatens capitalism, that threatens the neo-liberal order. I mean it's turning out that Donald Trump is a great deal bigger threat to the neoliberal order. Woke was to the contrary - woke is about talking about everything but class. And so a kind of baudlerized, de-radicalized version of woke became perfectly fine with corporate America. That's why this wonderful old line hard lefty Adolph Reed Jr. says somewhere that woke is about diversifying the ruling class. But I do think it's a threat to high culture because it's about equity. It's about representation. And so elite culture, which I have no shame in proclaiming my loyalty to, can't survive the woke onslaught. And it hasn't, in my view. If you look at just the kinds of books that are being written, the kinds of plays that are been put on, even the opera, the new operas that are being commissioned, they're all about representing the marginalized. They're about speaking for your group, whatever that group is, and doing away with various forms of cultural hierarchy. And I'm with Schoenberg: if it's for everybody, if it's art, Schoenberg said it's not for everybody, and if it's for everybody it's not art. And I think woke destroys that. Woke can live with schlock. I'm sorry, high culture can live with schlock, it always has, it always will. What it can't live with is kitsch. And by which I mean kitsch in Milan Kundera's definition, which is to have opinions that you feel better about yourself for holding. And that I think is inimical to culture. And I think woke is very destructive of those traditions. I mean, in the most obvious sense, it's destructive of the Western tradition, but you know, the high arts in places like Japan or Bengal, I don't think it's any more sympathetic to those things than it is to Shakespeare or John Donne or whatever. So yeah, I think it's a danger in that sense. Is it a danger to the peace of the world? No, of course not.Andrew Keen: Even in cultural terms, as you explain, it is an orthodoxy. If you want to work with the dominant cultural institutions, the newspapers, the universities, the publishing houses, you have to play by those rules, but the great artists, poets, filmmakers, musicians have never done that, so all it provides, I mean you brought up Kundera, all it provides is something that independent artists, creative people will sneer at, will make fun of, as you have in this new book.David Rieff: Well, I hope they'll make fun of it. But on the other hand, I'm an old guy who has the means to sneer. I don't have to please an editor. Someone will publish my books one way or another, whatever ones I have left to write. But if you're 25 years old, maybe you're going to sneer with your pals in the pub, but you're gonna have to toe the line if you want to be published in whatever the obvious mainstream place is and you're going to be attacked on social media. I think a lot of people who are very, young people who are skeptical of this are just so afraid of being attacked by their peers on various social media that they keep quiet. I don't know that it's true that, I'd sort of push back on that. I think non-conformists will out. I hope it's true. But I wonder, I mean, these traditions, once they die, they're very hard to rebuild. And, without going full T.S. Eliot on you, once you don't think you're part of the past, once the idea is that basically, pretty much anything that came before our modern contemporary sense of morality and fairness and right opinion is to be rejected and that, for example, the moral character of the artist should determine whether or not the art should be paid attention to - I don't know how you come back from that or if you come back from that. I'm not convinced you do. No, other arts will be around. And I mean, if I were writing a critical review of my own book, I'd say, look, this culture, this high culture that you, David Rieff, are writing an elegy for, eulogizing or memorializing was going to die anyway, and we're at the beginning of another Gutenbergian epoch, just as Gutenberg, we're sort of 20 years into Marshall McLuhan's Gutenberg galaxy, and these other art forms will come, and they won't be like anything else. And that may be true.Andrew Keen: True, it may be true. In a sense then, to extend that critique, are you going full T.S. Eliot in this book?David Rieff: Yeah, I think Eliot was right. But it's not just Eliot, there are people who would be for the wokesters more acceptable like Mandelstam, for example, who said you're part of a conversation that's been going on long before you were born, that's going to be going on after you are, and I think that's what art is. I think the idea that we make some completely new thing is a childish fantasy. I think you belong to a tradition. There are periods - look, this is, I don't find much writing in English in prose fiction very interesting. I have to say I read the books that people talk about because I'm trying to understand what's going on but it doesn't interest me very much, but again, there have been periods of great mediocrity. Think of a period in the late 17th century in England when probably the best poet was this completely, rightly, justifiably forgotten figure, Colley Cibber. You had the great restoration period and then it all collapsed, so maybe it'll be that way. And also, as I say, maybe it's just as with the print revolution, that this new culture of social media will produce completely different forms. I mean, everything is mortal, not just us, but cultures and civilizations and all the rest of it. So I can imagine that, but this is the time I live in and the tradition I come from and I'm sorry it's gone, and I think what's replacing it is for the most part worse.Andrew Keen: You're critical in the book of what you, I'm quoting here, you talk about going from the grand inquisitor to the grand therapist. But you're very critical of the broader American therapeutic culture of acute sensitivity, the thin skin nature of, I guess, the Rousseau in this, whatever, it's lumpen Rousseauanism. So how do you interpret that without psychologizing, or are you psychologizing in the book? How are you making sense of our condition? In other words, can one critique criticize therapeutic culture without becoming oneself therapeutic?David Rieff: You mean the sort of Pogo line, we've met the enemy and it is us. Well, I suppose there's some truth to that. I don't know how much. I think that woke is in some important sense a subset of the wellness movement. And the wellness movement after all has tens and tens of millions of people who are in one sense or another influenced by it. And I think health, including psychic health, and we've moved from wellness as corporal health to wellness as being both soma and psyche. So, I mean, if that's psychologizing, I certainly think it's drawing the parallel or seeing woke in some ways as one of the children of the god of wellness. And that to me, I don't know how therapeutic that is. I think it's just that once you feel, I'm interested in what people feel. I'm not necessarily so interested in, I mean, I've got lots of opinions, but what I think I'm better at than having opinions is trying to understand why people think what they think. And I do think that once health becomes the ultimate good in a secular society and once death becomes the absolutely unacceptable other, and once you have the idea that there's no real distinction of any great validity between psychic and physical wellness, well then of course sensitivity to everything becomes almost an inevitable reaction.Andrew Keen: I was reading the book and I've been thinking about a lot of movements in America which are trying to bring people together, dealing with America, this divided America, as if it's a marriage in crisis. So some of the most effective or interesting, I think, thinkers on this, like Arlie Hochschild in Berkeley, use the language of therapy to bring or to try to bring America back together, even groups like the Braver Angels. Can therapy have any value or that therapeutic culture in a place like America where people are so bitterly divided, so hateful towards one another?David Rieff: Well, it's always been a country where, on the one hand, people have been, as you say, incredibly good at hatred and also a country of people who often construe themselves as misfits and heretics from the Puritans forward. And on the other hand, you have that small-town American idea, which sometimes I think is as important to woke and DI as as anything else which is that famous saying of small town America of all those years ago which was if you don't have something nice to say don't say anything at all. And to some extent that is, I think, a very powerful ancestor of these movements. Whether they're making any headway - of course I hope they are, but Hochschild is a very interesting figure, but I don't, it seems to me it's going all the other way, that people are increasingly only talking to each other.Andrew Keen: What this movement seems to want to do is get beyond - I use this word carefully, I'm not sure if they use it but I'm going to use it - ideology and that we're all prisoners of ideology. Is woke ideology or is it a kind of post-ideology?David Rieff: Well, it's a redemptive idea, a restorative idea. It's an idea that in that sense, there's a notion that it's time for the victims, for the first to be last and the last to be first. I mean, on some level, it is as simple as that. On another level, as I say, I do think it has a lot to do with metaphorization of experience, that people say silence is violence and words are violence and at that point what's violence? I mean there is a kind of level to me where people have gotten trapped in the kind of web of their own metaphors and now are living by them or living shackled to them or whatever image you're hoping for. But I don't know what it means to get beyond ideology. What, all men will be brothers, as in the Beethoven-Schiller symphony? I mean, it doesn't seem like that's the way things are going.Andrew Keen: Is the problem then, and I'm thinking out loud here, is the problem politics or not enough politics?David Rieff: Oh, I think the problem is that now we don't know, we've decided that everything is part, the personal is the political, as the feminists said, 50, 60 years ago. So the personal's political, so the political is the personal. So you have to live the exemplary moral life, or at least the life that doesn't offend anybody or that conforms to whatever the dominant views of what good opinions are, right opinions are. I think what we're in right now is much more the realm of kind of a new set of moral codes, much more than ideology in the kind of discrete sense of politics.Andrew Keen: Now let's come back to this idea of being thin-skinned. Why are people so thin-skinned?David Rieff: Because, I mean, there are lots of things to say about that. One thing, of course, that might be worth saying, is that the young generations, people who are between, let's say, 15 and 30, they're in real material trouble. It's gonna be very hard for them to own a house. It's hard for them to be independent and unless the baby boomers like myself will just transfer every penny to them, which doesn't seem very likely frankly, they're going to live considerably worse than generations before. So if you can't make your way in the world then maybe you make your way yourself or you work on yourself in that sort of therapeutic sense. You worry about your own identity because the only place you have in the world in some way is yourself, is that work, that obsession. I do think some of these material questions are important. There's a guy you may know who's not at all woke, a guy who teaches at the University of Washington called Danny Bessner. And I just did a show with him this morning. He's a smart guy and we have a kind of ironic correspondence over email and DM. And I once said to him, why are you so bitter about everything? And he said, you want to know why? Because I have two children and the likelihood is I'll never get a teaching job that won't require a three hour commute in order for me to live anywhere that I can afford to live. And I thought, and he couldn't be further from woke, he's a kind of Jacobin guy, Jacobin Magazine guy, and if he's left at all, it's kind of old left, but I think a lot of people feel that, that they feel their practical future, it looks pretty grim.Andrew Keen: But David, coming back to the idea of art, they're all suited to the world of art. They don't have to buy a big house and live in the suburbs. They can become poets. They can become filmmakers. They can put their stuff up on YouTube. They can record their music online. There are so many possibilities.David Rieff: It's hard to monetize that. Maybe now you're beginning to sound like the people you don't like. Now you're getting to sound like a capitalist.Andrew Keen: So what? Well, I don't care if I sound like a capitalist. You're not going to starve to death.David Rieff: Well, you might not like, I mean, it's fine to be a barista at 24. It's not so fine at 44. And are these people going to ever get out of this thing? I don't know. I wonder. Look, when I was starting as a writer, as long as you were incredibly diligent, and worked really hard, you could cobble together at least a basic living by accepting every assignment and people paid you bits and bobs of money, but put together, you could make a living. Now, the only way to make money, unless you're lucky enough to be on staff of a few remaining media outlets that remain, is you have to become an impresario, you have become an entrepreneur of your own stuff. And again, sure, do lots of people manage that? Yeah, but not as many as could have worked in that other system, and look at the fate of most newspapers, all folding. Look at the universities. We can talk about woke and how woke destroyed, in my view anyway, a lot of the humanities. But there's also a level in which people didn't want to study these things. So we're looking at the last generation in a lot places of a lot of these humanities departments and not just the ones that are associated with, I don't know, white supremacy or the white male past or whatever, but just the humanities full stop. So I know if that sounds like, maybe it sounds like a capitalist, but maybe it also sounds like you know there was a time when the poets - you know very well, poets never made a living, poets taught in universities. That's the way American poets made their money, including pretty famous poets like Eric Wolcott or Joseph Brodsky or writers, Toni Morrison taught at Princeton all those years, Joyce Carol Oates still alive, she still does. Most of these people couldn't make a living of their work and so the university provided that living.Andrew Keen: You mentioned Barry Weiss earlier. She's making a fortune as an anti-woke journalist. And Free Press seems to be thriving. Yascha Mounk's Persuasion is doing pretty well. Andrew Sullivan, another good example, making a fortune off of Substack. It seems as if the people willing to take risks, Barry Weiss leaving the New York Times, Andrew Sullivan leaving everything he's ever joined - that's...David Rieff: Look, are there going to be people who thrive in this new environment? Sure. And Barry Weiss turns out to be this kind of genius entrepreneur. She deserves full credit for that. Although even Barry Weiss, the paradox for me of Barry Weiss is, a lot of her early activism was saying that she felt unsafe with these anti-Israeli teachers at Columbia. So in a sense, she was using some of the same language as the woke use, psychic safety, because she didn't mean Joseph Massad was gonna come out from the blackboard and shoot her in the eye. She meant that she was offended and used the language of safety to describe that. And so in that sense, again, as I was saying to you earlier, I think there are more similarities here. And Trump, I think this is a genuine counterrevolution that Trump is trying to mount. I'm not very interested in the fascism, non-fascism debate. I'm rather skeptical of it.Andrew Keen: As Danny Bessner is. Yeah, I thought Danny's piece about that was brilliant.David Rieff: We just did a show about it today, that piece about why that's all rubbish. I was tempted, I wrote to a friend that guy you may know David Bell teaches French history -Andrew Keen: He's coming on the show next week. Well, you see, it's just a little community of like-minded people.David Rieff: There you go. Well, I wrote to David.Andrew Keen: And you mentioned his father in the book, Daniel.David Rieff: Yeah, well, his father is sort of one of the tutelary idols of the book. I had his father and I read his father and I learned an enormous amount. I think that book about the cultural contradictions of capitalism is one of the great prescient books about our times. But I wrote to David, I said, I actually sent him the Bessner piece which he was quite ambivalent about. But I said well, I'm not really convinced by the fascism of Trump, maybe just because Hitler read books, unlike Donald Trump. But it's a genuine counterrevolution. And what element will change the landscape in terms of DI and woke and identitarianism is not clear. These people are incredibly ambitious. They really mean to change this country, transform it.Andrew Keen: But from the book, David, Trump's attempts to cleanse, if that's the right word, the university, I would have thought you'd have rather admired that, all these-David Rieff: I agree with some of it.Andrew Keen: All these idiots writing the same article for 30 years about something that no one has any interest in.David Rieff: I look, my problem with Trump is that I do support a lot of that. I think some of the stuff that Christopher Rufo, one of the leading ideologues of this administration has uncovered about university programs and all of this crap, I think it's great that they're not paying for it anymore. The trouble is - you asked me before, is it that important? Is culture important compared to destroying the NATO alliance, blowing up the global trade regime? No. I don't think. So yeah, I like a lot of what they're doing about the university, I don't like, and I am very fiercely opposed to this crackdown on speech. That seems to be grotesque and revolting, but are they canceling supporting transgender theater in Galway? Yeah, I think it's great that they're canceling all that stuff. And so I'm not, that's my problem with Trump, is that some of that stuff I'm quite unashamedly happy about, but it's not nearly worth all the damage he's doing to this country and the world.Andrew Keen: Being very generous with your time, David. Finally, in the book you describe woke as, and I thought this was a very sharp way of describing it, describe it as being apocalyptic but not pessimistic. What did you mean by that? And then what is the opposite of woke? Would it be not apocalyptic, but cheerful?David Rieff: Well, I think genuine pessimists are cheerful, I would put myself among those. The model is Samuel Beckett, who just thinks things are so horrible that why not be cheerful about them, and even express one's pessimism in a relatively cheerful way. You remember the famous story that Thomas McCarthy used to tell about walking in the Luxembourg Gardens with Beckett and McCarthy says to him, great day, it's such a beautiful day, Sam. Beckett says, yeah, beautiful day. McCarthy says, makes you glad to be alive. And Beckett said, oh, I wouldn't go that far. And so, the genuine pessimist is quite cheerful. But coming back to woke, it's apocalyptic in the sense that everything is always at stake. But somehow it's also got this reformist idea that cultural revolution will cleanse away the sins of the supremacist patriarchal past and we'll head for the sunny uplands. I think I'm much too much of a pessimist to think that's possible in any regime, let alone this rather primitive cultural revolution called woke.Andrew Keen: But what would the opposite be?David Rieff: The opposite would be probably some sense that the best we're going to do is make our peace with the trash nature of existence, that life is finite in contrast with the wellness people who probably have a tendency towards the apocalyptic because death is an insult to them. So everything is staving off the bad news and that's where you get this idea that you can, like a lot of revolutions, you can change the nature of people. Look, the communist, Che Guevara talked about the new man. Well, I wonder if he thought it was so new when he was in Bolivia. I think these are - people need utopias, this is one of them, MAGA is another utopia by the way, and people don't seem to be able to do without them and that's - I wish it were otherwise but it isn't.Andrew Keen: I'm guessing the woke people would be offended by the idea of death, are they?David Rieff: Well, I think the woke people, in this synchronicity, people and a lot of people, they're insulted - how can this happen to me, wonderful me? And this is those jokes in the old days when the British could still be savage before they had to have, you know, Henry the Fifth be played by a black actor - why me? Well, why not you? That's just so alien to and it's probably alien to the American idea. You're supposed to - it's supposed to work out and the truth is it doesn't work out. But La Rochefoucauld says somewhere no one can stare for too long at death or the sun and maybe I'm asking too much.Andrew Keen: Maybe only Americans can find death unacceptable to use one of your words.David Rieff: Yes, perhaps.Andrew Keen: Well, David Rieff, congratulations on the new book. Fascinating, troubling, controversial as always. Desire and Fate. I know you're writing a book about Oppenheimer, very different kind of subject. We'll get you back on the show to talk Oppenheimer, where I guess there's not going to be a lot of Lumpen-Rousseauism.David Rieff: Very little, very little love and Rousseau in the quantum mechanics world, but thanks for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Death By DVD takes a bite out ofAMBROGIO : The First Vampire on this fresh from the grave episode! We have a real treat, the director, producers & stars of AMBROGIO : The First Vampire, Angelina Buzzelli & Alex Javo join me to discuss their new vampire epic and their careers as artists in general.  This is a delightful episode filled with great indie insight. It's educational and fun for everyone. I believe this is the first episode in Death By DVD history without a curse word! Don't hesitate, click play and hear this episode today. It may be one of the best we have ever released. I am so thankful to Alex Javo & Angelina Buzzelli for their time. Well, what are you waiting for?! Click play now! Tap here or copy and pate the link below for AMBROGIO : The First Vampire on IMDb : https://www.imdb.com/name/nm13682571/Tap here or copy and paste the link below for Alex Javo on IMDb : https://www.imdb.com/name/nm13682571/Tap here or copy and paste the link below for Angelina Buzzelli on IMDb : https://www.imdb.com/name/nm13682571/TAP HERE or copy and paste the link below to watch AMBROGIO : The First Vampire now on AMAZON : https://www.amazon.com/gp/video/detail/B0DRWH3LVJ/ref=atv_dp_share_cu_r ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

Send us a message, so we know what you're thinking!This episode, we look back at two hugely influential women artists – Patti Smith, whose 1975 “Horses” album inspired so many artists, and Marianne Faithfull, whose passing in January, 2025, is a huge loss.  “Horses”, with its confrontational approach - “Jesus died for somebody's sins, but not mine” - changed the landscape of rock music for the next few decades.  Produced by John Cale, of Velvet Underground fame, the album opened the door for so many women, including Blondie and so many English punk and new wave bands.  We talk about why we like this album, its influential impact, and how Patti Smith developed over later years. Marianne Faithfull has long been one of our favourites, and we talked about “Broken English” in Season 3. (If you haven't heard that episode, here's the link.) Tributes have come from every corner of the industry, all saying one thing – Marianne was inspirational to everyone she worked with, from The Rolling Stones to Metallica to Nick Cave and Warren Ellis. Banging our own drum for a moment, we've just been named as one of the top Australian Music Podcasts by monitoring service, Feedspot, which compiles the most comprehensive list of Australian Music Podcasts on the web. Great subjects.  Great episode.  Enjoy.  References:  Marianne Faithfull, Patti Smith, Andrew Loog Oldham, Sister Morphine, Girl on a Motorcycle, Samuel Beckett, homelessness, Hipgnosis, Storm Thorgerson, Mick Jagger, Keith Richards, “The Memory Remains”, Metallica, Lars Ulrich, Warren Ellis, She Walks in Beauty, Graham Coxon, Blur, TOTO, “Africa”, “Hold The Line”, "Rosanna”, Robert Dimery, 1001 Albums You Must Listen to Before You Die,  Jim Morrison, oil shortage – 70's, Robert Mapplethorpe, Allen Lanier, Blue Öyster Cult, Tom Verlaine, Television, "Break It Up",  John Cale, “Gloria”, Van Morrison, “Marquee Moon”, “Land (Horses)”, “Radio Ethiopia”, “Wave”, “Easter”, “Because the Night”, Siouxsie Sioux, Siouxsie & The Banshees, R.E.M.,  Michael Stipe, Peter Buck, Morrissey, Johnny Marr,  Courtney Love, Hole, PJ Harvey Episode playlistHorsesBroken EnglishMarianne Faithfull - Series 3, Episode 14

On this fresh from the grave episode of DEATH BY DVD we are talking about a movie that SUCKS. SUCKS blood, that is! Ambrogio : The First Vampire is a wonderful independent film shot entirely in Georgia and we are talking all things VAMPIRE on this episode. A brief history of vampire films and then we dive into all the glory that is AMBROGIO : The First Vampire. We discuss the cast, crew and of course the film itself. Hit play today to hear this epic indie episode all about AMBROGIO : The First Vampire.Tap here to watch Ambrogio : The first Vamprie now on Amazon.com or copy and paste the link below :https://www.amazon.com/gp/video/detail/B0DRWH3LVJ/ref=atv_dp_share_cu_rDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

Gabriella Bosco"I frutti del Congo"Alexandre VialattePrehistorica Editorewww.prehistoricaeditore.itI Frutti del Congo, è innanzitutto un volantino pubblicitario di una magnifica donna nera che porta con sé dei limoni d'oro. Ma anche i sogni degli scolari di una cittadina della montagnosa Alvernia, per i quali questa illustrazione simboleggia l'impresa estrema, la poesia stessa dell'esistenza.Cos'è del resto l'adolescenza? Proprio questa è la questione cui l'autore risponde, senza di fatto avere bisogno di rispondere, in questo romanzo. Vialatte infatti ci mostra l'adolescenza, con le sue stravaganze, le sue sublimi aspirazioni, i suoi amori febbrili; ci mostra al tempo stesso una città di provincia con le sue kermesse, il suo assassino, il suo dottore, il liceo e la piazza.Ode alla poesia del quotidiano, alla creatività e all'evasione, ma anche dura critica della società di consumo, I Frutti del Congo si dà come “uno dei più grandi romanzi francesi del XX secolo” – secondo il critico Pierre Jourde –, il capolavoro dell'avventura immaginata. Si tratta di un'opera dall'ambizione altissima, fulgida metafora della Letteratura.Alexandre Vialatte, divenuto celebre per aver fatto conoscere per primo ai francesi le opere di Kafka, e per avere tradotto autori del calibro di Nietzsche, Goethe, von Hoffmannsthal, Mann, Brecht, Alexandre Vialatte (1901 Magnac-Laval – 1971 Parigi) ha nel corso degli anni dato prova di un'immensa creatività artistica, che lo ha portato a spaziare dalla poesia alla cronaca letteraria, per arrivare al romanzo. Ha pubblicato presso alcune delle più prestigiose case editrici d'oltralpe, tra le quali Gallimard e Juillard. Oggi, è universalmente annoverato dalla Critica nella categoria dei grandi classici senza tempo.Gabriella Bosco, la traduttrice di questo libro, insegna letteratura francese all'Università di Torino. Si occupa di teoria della letteratura, stadiando in particolare le neo-avanguardie e le scritture narrative in prima persona. Scrive di letteratura su varie testate italiane e francesi. Traduce romanzi e saggi. Tra gli autori tradotti Eugène Ionesco, Samuel Beckett, Philippe Forest.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Riverside StudiosFor over 45 years, Riverside Studios has been the home of an extraordinary mix of new and innovative theatre, film, comedy, art, dance, music and television. A cultural hub that has attracted some of the world's best creative talent including Samuel Beckett, David Bowie, Benjamin Zephaniah, Amy Winehouse, Yoko Ono, Lenny Henry and Michael Clark.  Now, in our glorious new building, we are beginning our next creative chapter, driven by a belief in the power of creativity to bring people together, unlock potential and spark positive change in the world. We are ambitious, curious and audacious, we are for our community, our artists and our audiences.  We aim to be an independent home for new, innovative and international work, for an audience rooted in our local West London community and which is accessible to everyone, everywhere.

Santa Cruz poet, journalist, and author, Addie Mahmassani, buzzes into the Hive to talk Irish poetry with Dion O'Reilly. We read William Butler Yeats, Seamus Heaney, Samuel Beckett and Eamon-GrennanAddie Mahmassani is originally from the East Coast, where she completed a PhD in American Studies. This spring she is finishing an MFA in poetry at SJSU. She covers Arts & Entertainment for Metro Silicon Valley and other Bay Area papers and served as poetry editor of Reed Magazine, Issue 156. Her first book, a feminist history of the American folk revival, is forthcoming with University of Iowa Press.

We sit down with puppeteer Basil Twist, the creator of the stunning puppets at the heart of stage production ‘My Neighbour Totoro’. Then: we catch up with Séan Doran, the artistic director of Arts Over Borders. He’s leading the charge with a major new Samuel Beckett biennale and a rather extraordinary multi-decade production of one Beckett play. See omnystudio.com/listener for privacy information.

Os convidados do programa Pânico dessa quarta-feira (12) são Eduardo Sterblitch e Ricardo Ventura.Eduardo SterblitchLuiz Eduardo Sterblitch Páschoa é humorista, ator, roteirista, cantor e apresentador de TV que se tornou conhecido nacionalmente quando se juntou ao Pânico na TV, exibido de 2003 a 2012 pela RedeTV! e posteriormente pela Rede Bandeirantes, exibido entre 2012 e 2017. É casado com a atriz Louise D'Tuani.De origem judaica, Eduardo começou a estudar teatro aos três anos de idade, quando sua mãe, Jacqueline Sterblitch, matriculou-o em um curso livre na Casa de Cultura Laura Alvim, no RJ. Aos três anos de idade, ficou fascinado com a tradicional dupla de palhaços Xuxu e Xuxuzinho, que foi contratada por sua família para seu aniversário.A partir daí, por muitos anos exigia a presença desta dupla de artistas, que foram a primeira grande influência em sua futura carreira. Além destes, recebeu influência de referências como Antonin Artaud, Samuel Beckett, Eugène Ionesco, Jim Carrey, Mr. Bean, Charlie Chaplin, Buster Keaton, Monty Python, Nietzsche, Schopenhauer, Harold Lloyd, Andy Kaufman e diversos nomes igualmente importantes. Mais tarde, aos 8 anos, ingressou no Teatro O Tablado, onde sua tia avó era diretora.Eduardo Sterblitch, estreou no gênero musical com o premiado “Beetlejuice”, eleito o musical do ano em 2024 e que o consagrou como melhor ator de musicais nos prêmios PRIO do Humor, Bibi Ferreira e Destaque Imprensa Digital. Recentemente, sua atuação na temporada carioca de "Uma Babá Quase Perfeita" garantiu a ele uma nova indicação ao Prêmio PRIO do Humor, reafirmando sua capacidade de se reinventar e surpreender. O musical está em cartaz em São Paulo, no Teatro Liberdade.Redes Sociais:Instagram: https://www.instagram.com/sterblitch/Instagram musical: https://www.instagram.com/umababaquaseperfeitaomusical/Ricardo VenturaRicardo Ventura é psicanalista, cientista comportamental, autor e criador do canal “Não Minta Pra Mim” no YouTube. Ele é pioneiro na aplicação da Programação Neurolinguística (PNL) e escreveu cinco livros de sucesso, incluindo “Crenças”, “Comunicar, Vender e Negociar com PNL” e “Espero que Você Morra”, que se tornaram best-sellers na Amazon.Redes Sociais:Instagram: https://www.instagram.com/naomintapramimoficial/YouTube: Não Minta Pra Mim

Gianmaria Finardi"Palafox"Prehistorica Editorewww.prehistoricaeditore.itVediamo spuntare Palafox da un uovo che Algernon Buffoon, pedante ambasciatore inglese in pensione, si sta accingendo a mangiare per colazione, per lo stupore dei commensali.Certo, a prima vista, tutto lascia pensare che Palafox sia un pulcino; al massimo uno struzzo, dalle lunghe zampe e il collo smisurato. Un comune cucciolo di giraffa allora, col pelo giallo maculato, sì uno di quei leopardi silenziosi e temibili mangiatori d'uomini; un altro squalo assetato di sangue, una seccante zanzara con la sua tromba caratteristica, di qualsivoglia elefantino… ma presto si inizia a dubitarne. Palafox gracida, ci lecca la faccia, e le nostre certezze vacillano.Romanzo di scintillante ironia, una sfida lanciata al lettore che, come gli altri personaggi, sarà letteralmente chiamato ad acciuffarlo. Dietro un velo di umorismo, Palafox incarna la quintessenza della letteratura che -lungi da mode e ricette- dimostra di sapersi ancora muovere splendidamente sul terreno della fantasia e dell'invenzione pura.“Un romanzo di fulgida intelligenza e umorismo, probabilmente il più divertente di Chevillard.” The TimesÉric Chevillard è nato nel 1964 a La Roche-sur-Yon e, come recita non senza ironia il suo sito, “ieri il suo biografo è morto di noia”. Si tratta indubbiamente di uno dei massimi scrittori francesi contemporanei, che ha saputo suscitare il vivo interesse di critica e pubblico, anche all'estero. Ideatore del fortunatissimo blog letterario, L'Autofictif, ha nel corso degli anni ottenuto diversi e prestigiosi premi, come il PRIX FÉNÉON, Il PRIX WEPLER, il PRIX ROGER-CAILLOIS, il PRIX VIRILO e il PRIX VIALATTE per l'insieme della sua opera. Molti dei suoi capolavori sono tradotti, in inglese, spagnolo, tedesco, russo, croato, romeno, svedese e cinese. Nel 2013, la traduzione di un suo romanzo, Préhistoire (1994; Prehistoric Times), si è aggiudicata il Best Translated Book Award – premio statunitense assegnato dalla rivista “Open Letters” e dall'università di Rochester. Ha scritto oltre venti opere - volendo menzionare solo i romanzi - pubblicate dalla leggendaria casa editrice francese Les Éditions de Minuit, diventata grande con Samuel Beckett e il Nouveau Roman. Sul riccio è il primo testo in assoluto pubblicato da Prehistorica Editore, tutti sono stati tradotti da Gianmaria Finardi.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Tenemos la impresión de que los crímenes novelescos siempre tienen que ocurrir en grandes ciudades, como Madrid, Barcelona, Nueva York, París, Los Ángeles… Y hay autores que se empeñan todos los años en quitarnos la razón, en hacernos ver que estamos equivocados. Segovia, con su Acueducto imponiendo su silueta majestuosa, parece la ciudad perfecto para pasear y ser feliz, una ciudad de esas que no dejan espacio para el mal. Pero Juan Carlos Galindo nos ha demostrado que en Segovia también se mata. Al menos, en sus novelas. La última es Muerte privada, en la que una pista reabre el caso de Leticia Santos, una chica desaparecida hace veinte años en los alrededores del Alcázar. Y se ponen a trabajar el periodista Jean Ezequiel y la detective Teresa Trajano. El libro viene de la mano de Salamandra. El proceso de escritura tiene mucho de alquimia. De mezclar unos materiales con otros, transformándolos en algo diferente, un algo diferente que nos proporciona muchas horas de placer. Álvaro Colomer es un profesional de la información cultural al que un puñado de autores de primer nivel le han confiado sus secretos. Aprende a escribir es un libro lleno de revelaciones, de esas intimidades de los escritores. Lo ha publicado Debate. Llevamos casi un siglo esperando a Godot gracias a Samuel Beckett, un irlandés que fue muy amigo de James Joyce, pero que no solo dedicó su vida a la escritura. Tuvo varias amantes: una de ellas, la multimillonaria Peggy Guggenheim. Repasamos su vida, la pública y la privada. Y entre las novedades que llegan a las librerías, el regreso de Bevilacqua y Chamorro, treinta años después de que llegaran a nuestras vidas por obra y gracias de Lorenzo Silva. Y hasta tenemos la visita del conde Drácula.

Rencontre avec Denis Lavant, acteur ( vous l'avez peut-être vu dans un film de Leos Carax) et comédien (dernièrement, Denis Lavant a notamment travaillé sur des pièces de Samuel Beckett). Denis Lavant fascine à l'écran comme sur scène, tant il semble habité par ses personnages, souvent des marginaux, des excentriques. Alors nous avions l'intuition qu'il aurait deux trois choses à nous dire au sujet de la folie. Denis Lavant nous a parlé de son métier, des moments de folie que ce dernier avait pu engendrer, de la place que celle ci pouvait parfois prendre dans sa vie, de sa fascination pour ceux et celles qui avancent en dehors des lignes et de son amour pour les artistes et tout particulièrement pour les poètes qui furent considérés comme « fous ».Vous pouvez nous contacter sur notre adresse mail lesgardefouspodcast@gmail.com ou sur notre compte instagram @lesgardefousOn espère que vous allez toustes au mieuxHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

DEATH BY DVD PRESENTS : What's The Deal With Jeremy Berkowitz? An Interview with Jeremy Berkowitz. On this fresh from the grave episode we are proud to bring filmmaker Jeremy Berkowitz to the graveyard to discuss their art! Jeremy is a tremendously talented writer, director and actor and their feature film debut SYDNEY was released early 2025 for all to see. On this episode Jeremy discusses their work, Sydney, what made them want to be an artist and more. We dive deep into into Jeremy's world of art, from his start in stand up comedy to writing directing and starring in a feature film. I am so excited for you all to hear this episode, Jeremy creates dynamic art that drowns you in pure emotion and I truly hope you enjoy this episode and explore their art further. WATCH SYDNEY FOR FREE  : Tap here or copy the link belowhttps://www.sydneythefilm.com/VISIT THE OFFICIAL WEBSITE OF JEREMY BERKOWITZ: Tap here or click the link belowhttps://www.jeremyberkowitz.com/Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

Recorded February 13th, 2025. Pay Attention!: Literary Studies, Neurohumanities and the ‘Distraction Economy' Trinity Long Room Hub Visiting Research Fellow Prof Ronan McDonald (University of Melbourne, Australia) in conversation with Prof Christopher Morash (School of English, TCD) and Prof Shane O'Mara (TCIN, TCD). ‘Attention studies' is burgeoning in academic and popular fora, not least because there is a common perception that we live in an era of digital distraction. Drawing on insights from neuroscience, this project considers the relationship between reading and attention in literary studies. It considers how reading orientates our mind, between various affective states that compel or distract: between willed concentration, raptured enchantment or receptive, wide-minded noticing. Opening up a cross-disciplinary conversation between literary studies, psychology and neuroscience,  it seeks to provide new purpose and direction for literary studies. ​​​​​​​ About Ronan McDonald: Ronan McDonald holds the Gerry Higgins Chair in Irish Studies at the University of Melbourne. He is widely published in Irish literary studies, with a particular interest in Irish modernism and Irish-Australian literature. He also has a research interest in the history of criticism and the value of the humanities. His books include Tragedy and Irish Literature (2002), The Cambridge Introduction to Samuel Beckett (2007) and The Death of the Critic (2008). Recent edited collections include The Values of Literary Studies: Critical Institutions, Scholarly Agendas (Cambridge University Press, 2015) and Flann O'Brien and Modernism (2014). He is series editor of Cambridge Themes in Irish Literature and Culture. Current projects include an ARC Discovery Project with Prof Katherine Bode and Maggie Nolan, ‘Close Relations: Irishness in Australian Literature'. and a ARC Discovery Project, with Professor Simon During, on 'English: The History of a Discipline, 1920-70'. He is currently working on a book on ‘attention' in literary studies. Learn more at www.tcd.ie/trinitylongroomhub

Na to, aby malo literárne dielo celosvetový úspech, nemusí vždy nutne obsahovať strhujúcu zápletku s veľkolepým a šťastným koncom. Krásnym príkladom je divadelná hra Samuela Becketta Čakanie na Godota, ktorá dokonale vystihuje celý žáner absurdnej drámy. V dnešnej časti Čitateľského denníka sa budeme venovať práve tomuto dielu, ktoré, priznajme si, môže byť pre bežného diváka veľmi náročné na pochopenie. Kľúčové slová: Schooltag, Hashtag Čitateľský denník, Samuel Beckett, Čakanie na Godota Tento podcast ti prináša Žilinská univerzita v Žiline.

Charles Dashings of the Moral Minority podcast joins the show to talk all things Samuel Beckett. Get the After Dark episode and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/SatireRedacted x.com/artofdarkpod x.com/abbielucas x.com/kautzmania […]

El escritor y miembro de número de la Real Academia Española Félix de Azúa es entrevistado por el periodista Ramón González Férriz en una nueva sesión de Memorias de la Fundación, cuyos protagonistas son destacadas personalidades provenientes de diferentes ámbitos de la cultura que fueron destinatarios de becas o ayudas de la Fundación Juan March. En 1972 obtuvo una beca de Creación literaria de la Fundación Juan March para escribir la novela El tiempo de subir una escalera, título que cambió por Las lecciones suspendidas cuando fue publicada en 1978. Ha sido catedrático de Estética de la Universidad Politécnica de Cataluña y fue director del Instituto Cervantes de París. Ha traducido del francés a Samuel Beckett y Denis Diderot, y como novelista recibió el V Premio Herralde de Novela por Diario de un hombre humillado (1987).Más información de este acto

Click here to read the episode highlights.    The "Living with Heart" Podcast is brought to you by Chip Dodd Resources (www.chipdodd.com) and The Voice of the Heart Center (vothcenter.com). Contact Bryan Barley for coaching at bryan@vothcenter.com.    A man faces and struggles with being a work in progress by admitting and struggling to accept that “clumsy is as good as we are ever going to become.”    Though we carry eternity in our hearts and the picture of perfection in our hearts, we cannot achieve it.    A man faces four realities and perseveres in the midst of them and in spite of them:  Mistakes are inevitable and yet a man continues to pursue living fully, loving deeply, and leading well so that he leaves a positive legacy. We all have to live life on life's terms. Life is tragic and God is faithful. We have to struggle with that conflict, without becoming resigned or giving up. Everything in life is practice. We never get to stop needing to ask questions and learning how to live. It takes a lifetime to learn how to live. Remember that the movements are not a “twelve steps list.” They don't work as an ordinal ranking, checking one off and then going to the next, and then assuming that you are done.   The Twelve Movements of a Man's Life: offer a “path” not a “pill.”  offer a process of how to live so that a man offers his best to who he loves and what he loves.  require that a man submits to the reality of how life works. No one “beats” life or changes how it works.  Samuel Beckett said, “We are on earth, and there is no cure for that.” However, the courageous struggle to succeed in the midst of life's realities; therefore, the twelve movements are not about perfection, but about living with passion, intimacy, and integrity.   A man will leave a positive legacy when he is:  living fully loving deeply leading well This man will exhibit: passion intimacy integrity  A man must bring these three characteristics to each movement.   Remember that God controls the process of life. Listen to Episodes 23 and 24, “Trust the Process” Parts 1 & 2 for a better understanding.   A man or woman, who lives with passion, intimacy, and integrity is a competent person; therefore, a successful person.    Click here to continue reading the episode highlights.

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This week's book guest is There are Rivers in the Sky by Elif Shafak.Sara and Cariad are joined by the award winning Turkish-British novelist Elif Shafak. Elif has published 21 books and is best known for her novels, which include The Bastard of Istanbul, The Forty Rules of Love, Three Daughters of Eve and 10 Minutes 38 Seconds in This Strange World. Her works have been translated into 57 languages and she has been shortlisted for the Booker Prize, the Costa Book Awards, the British Book Awards and the Women's Prize For Fiction.In this episode they discuss the British Museum, archaeology, buried rivers, Samuel Beckett, literature festivals and Hemingway's writing schedule.Thank you for reading with us. We like reading with you!Trigger warning: In this episode we discuss genocide, sexual slavery and trafficking.There are Rivers in the Sky is available to buy here.You can find Elif on Instagram @shafakelifHer website is www.elifsafak.comHer Substack is called Unmapped StorylandsTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukSara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Cariad's children's book The Christmas Wish-tastrophe is available to buy now.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Lords: * John * https://abbydenton.itch.io/the-blade-of-cutiepants-a-very-cutie-christmas * Elena Topics: * Potluck advent calendar * NES games in my collection that are currently ranked rather low according to Science * http://8bitnintendo.science * Subtopic: I've grown to love engaging with criticism and differing opinions of silly things I like. * How animals read * https://jamchamb.net/projects/animal-crossing-letters * https://www.youtube.com/watch?v=zy-kIXzX5Cc * https://www.youtube.com/watch?v=dGlpWJ80d_Y * https://ailbey.tumblr.com/post/750880084257374208 * https://www.amazon.com/Dynamic-Wrinkles-Drapery-Solutions-Drawing/dp/0823015874 * https://www.drawright.com/ * https://www.amazon.com/Colour-Atlas-Human-Anatomy/dp/0723408823 Microtopics: * Crispy Shrimp Balls. * What makes it Dim Sum? * Whether there's always a cart that you roll around. * Tapas Lords, a new ASMR podcast. * The Blade of Cutie Pants: a Very Cutie Christmas. * Christmas Dangerous Dave. * Here's a song. I'm going to scroll past that. * Stock footage of Godzilla attacks. * An album about making games in Kilk n Play. * Granny Cream's Hot Butter Ice Cream. * Jim's songs in the Hypnospace OST. * Knowing a lot of people just by hanging out and being entertaining. * Recognizing sounds by looking at them. * Tea and Jam Advent Calendars. * Tippy Tops. * 3D-printed animals with wiggly arms. * Taking the economics of Halloween and applying it to Christmas. * Stocking Stuffers Every Day. * 365-day Advent Calendars. * Santa with a Fanta. * Showing Home Alone to a kid who already loves setting up traps. * An Advent Calendar filled with traps. * Never playing board games but opening up the boxes and playing with the pieces. * Fake Winstons. * Getting 2.5 trinkets from each person. * Half-Lego, Half-Chocolate. * Why your favorite NES games are terrible. * Shipping a game that's no good but damned if it doesn't exist. * A Failure of Science. * Rare game or Rare game? * The Treasure Master walk cycle. * The worst NES games with the best soundtracks. * British developers succeeding on the Commodore 64 but failing on the NES because people are willing to pay 6 quid for the latest Rob Hubbard track, but not $50. * Your neighbor who had Big Nose Freaks Out. * Punching the clues. * Buying the 3D version of Urban Champion on purpose. * Trying to go back to Super Monkey Ball. * Nostalgically revisiting your best Super Monkey Ball replays. * Accidentally transposing two digits and now you have a Super Monkey Ball world record. * Making local copies of videos you want to continue to exist. * Recognizing when something works for someone else but not you. * Writing letters to your animal neighbors. * The seven criteria to judge a letter. * How to safely write a letter about VVVVVV to your Animal Crossing neighbor. * Roleplaying James Joyce in Animal Crossing. * Teaching Animal Crossing a slur and then returning the cartridge to Gamestop. * Deciding that it's okay if local news stations freak out. * Taking joy in extremely mundane activities. * How you spend your moments and how you feel about them. * Watching TV so that in several decades you can go to a bar and find out who's the same age as you. * Practicing love by trying to love yourself. * The breakup song from the Wedding Singer. * Corollaries of aphantasia. * Blind people watching TV. * Learning to draw by studying human anatomy and proportions in detail and imagining the body kinesthetics. * Looney Tunes artists making faces in the mirror. * Knowing how bones go. * The Bone Book. * That's Topics!

For the second part of this year's Bloomcast Holiday Special, Alice, Lex, and Adam get help from novelist Claire-Louise Bennett and Philosophy professor Foad Dizadji-Bahmani to explore how it challenges conventional ideas of narrative, language, and meaning. As always, our Bloomcasters invite listeners into a spirited and thought-provoking conversation that bridges literary analysis, philosophical inquiry, and personal reflections…before topping of the conversation with a game so contrived it would make Blazes Boylan blush.*Alice McCrum is a Ph.D. student in the Department of History at Princeton University. Before starting her graduate work, Alice lived in Paris, where she taught at the Sorbonne, studied public policy at Sciences Po-Paris, and directed cultural programming at the American Library in Paris. Lex Paulson is Director of Executive Programs at the UM6P School of Collective Intelligence (Morocco) and lectures in advocacy and human rights at Sciences Po-Paris. Trained in classics and community organizing, he served as mobilization strategist for the campaigns of Barack Obama in 2008 and Emmanuel Macron in 2017. He served as legislative counsel in the 111th U.S. Congress (2009-2011), organized on six U.S. presidential campaigns, and has worked to advance democratic innovation at the European Commission and in India, Tunisia, Egypt, Uganda, Senegal, Czech Republic and Ukraine. He is author of Cicero and the People's Will: Philosophy and Power at the End of the Roman Republic, from Cambridge University Press, and is co-editor of the Routledge Handbook of Collective Intelligence for Democracy and Governance.Adam Biles is an English writer and translator based in Paris. He is Literary Director at Shakespeare and Company. In 2022, he conceived and presented Friends of Shakespeare and Company read Ulysses—an epic, polyphonic celebration of James Joyce's masterwork. Feeding Time, his first novel, was published by Galley Beggar Press in 2016. It was published by Editions Grasset in France in 2018 to great critical acclaim. His second novel, Beasts of England, was published in September 2023 by Galley Beggar Press, and will be published in 2025 by Editions Grasset. It was selected as a "2023 highlight" by The Guardian. A collection of his conversations with writers, The Shakespeare and Company Book of Interviews, was published by Canongate in October 2023 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Happy Joycension Day!For this year's Bloomcast Holiday Special, Alice, Lex, and Adam reunited for a lively discussion of Watt by Samuel Beckett, asking: How does Beckett's minimalist, disintegrative style compare to James Joyce's expansive, celebratory storytelling? What makes this novel so uniquely absurd and profound? And why does Watt feel both so playful and deeply unsettling? Is Watt a meticulously structured puzzle or an exercise in unraveling structure itself? What does Watt tell us about Beckett's influence on modern literature?Setting this enigmatic work against the context of Beckett's wartime experiences, they also explore how it challenges conventional ideas of narrative, language, and meaning. What is Watt's lasting impact on readers and thinkers alike? As always, our Bloomcasters invite listeners into a spirited and thought-provoking conversation that bridges literary analysis, philosophical inquiry, and personal reflections…before topping of the conversation with a game so contrived it would make Blazes Boylan blush.*Alice McCrum is a Ph.D. student in the Department of History at Princeton University. Before starting her graduate work, Alice lived in Paris, where she taught at the Sorbonne, studied public policy at Sciences Po-Paris, and directed cultural programming at the American Library in Paris. Lex Paulson is Director of Executive Programs at the UM6P School of Collective Intelligence (Morocco) and lectures in advocacy and human rights at Sciences Po-Paris. Trained in classics and community organizing, he served as mobilization strategist for the campaigns of Barack Obama in 2008 and Emmanuel Macron in 2017. He served as legislative counsel in the 111th U.S. Congress (2009-2011), organized on six U.S. presidential campaigns, and has worked to advance democratic innovation at the European Commission and in India, Tunisia, Egypt, Uganda, Senegal, Czech Republic and Ukraine. He is author of Cicero and the People's Will: Philosophy and Power at the End of the Roman Republic, from Cambridge University Press, and is co-editor of the Routledge Handbook of Collective Intelligence for Democracy and Governance.Adam Biles is an English writer and translator based in Paris. He is Literary Director at Shakespeare and Company. In 2022, he conceived and presented Friends of Shakespeare and Company read Ulysses—an epic, polyphonic celebration of James Joyce's masterwork. Feeding Time, his first novel, was published by Galley Beggar Press in 2016. It was published by Editions Grasset in France in 2018 to great critical acclaim. His second novel, Beasts of England, was published in September 2023 by Galley Beggar Press, and will be published in 2025 by Editions Grasset. It was selected as a "2023 highlight" by The Guardian. A collection of his conversations with writers, The Shakespeare and Company Book of Interviews, was published by Canongate in October 2023 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Beckett originally wrote the play in French, despite being fluent in English, as he believed the language allowed for greater simplicity and precision. It has since became one of the most studied and performed plays of the 20th ...

HAPPY NEW YEAR! 2025 is almost here and before 2024 comes to an end we here at Death By DVD wanted to pop in and wish you a happy new year and let you know about some of the new things coming to the graveyard in 2025! New guests, new episodes and more. The sky is the limit! Take a minute, or two, or thirty one and five seconds and join Death By DVD for a farewell to 2024 + more! Thank you for choosing Death, thank you for listening to Death By DVD, I hope you had a great year and that this new one coming is the best yet to come for you and me both! Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD AND it is a New Years themed event! Perfect to ring in the New Year. DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVDHAVE YOU HEARD DEATH BY DVD GOES TO THE MOVIE? Hear the thrilling tale of your faithful host Harry-Scott Sullivan's adventure to Augusta, Georgia to see the cast and crew premiere of an all new independent horror film called LEFT ONE ALIVE.Hear all three parts, or read the story exclusively at deathbydvd.com. Tap here to learn more, or copy and paste the link belowhttps://deathbydvd.com/goes-to-the-moviesDid you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comNEED MORE DEATH?Hear DEATH BY DVD'S exclusive interview with underground artist CHRISTOPHER BICKEL and learn more about their work and new film PATER NOSTER AND THE MISSION OF LIGHT today! Tap here or copy and paste the link belowhttps://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelBUY Pater Noster And The Mission Of Light NOW : https://www.indiegogo.com/projects/pater-noster-and-the-mission-of-light-horror-film

Penn, Matt, and Reddi Rich are back on Zoom with members of the congregation for another live Q&A. King Charles makes small talk with Penn, Glenn's origin story with Penn & Teller, Reddi's top ten live performances, and musings on Yoko Ono, Lenny Bruce, The Three Stooges, Samuel Beckett, and more.

Michael Elmgreen and Ingar Dragset talk to Ben Luke about their influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. This is the first episode of A brush with featuring an artist duo. Over the past 30 years Elmgreen and Dragset have consistently created unexpected scenarios within and outside of the museum and gallery structure. Playful, even mischievous at times, and yet shot-through with searing critique and sincere expression, their sculptures and environments are fundamentally concerned with space, both private and public, and the people and communities that occupy it. Elmgreen was born in 1961 in Copenhagen and Dragset in 1969 in Trondheim, Norway. They now live and work in Berlin. They discuss the influence of Hannah Ryggen and Vilhelm Hammershøi, Michael's meeting with Felix Gonzalez-Torres and his effect on their work, and how they feel their work relates to Samuel Beckett's writing, and the final, moving scene of Wim Wenders' film Paris Texas. Plus, they give insight into their lives in the studio and answer our usual questions, including: what is art for?Elmgreen & Dragset: L'Addition, Musee d'Orsay, Paris, until 2 February 2025; Elmgreen & Dragset: Spaces, Amorepacific Museum of Art, Seoul, 23 February 2025; K-BAR is open now at Khao Yai Art Forest, Thailand; Nurture Gaia, Bangkok Art Biennale, Bangkok, Thailand, until 25 February 2025. Hosted on Acast. See acast.com/privacy for more information.

This week on The Treatment, Elvis welcomes Oscar-nominated actor Jude Law who is currently starring in the FBI thriller The Order. Then, actor Aasif Mandvi stops by to talk about starring in a new production of Samuel Beckett’s classic Waiting for Godot at the Geffen Playhouse. And on The Treat, actor and comedian Ilana Glazer talks about a “biblical” double album that she loves.  

Jack Halberstam, the author of The Queer Art of Failure, is someone I've wanted to talk to since I first started this podcast. As a professor and scholar, Jack has dedicated his career to dissecting the often-radical undertones of popular cultural media. Together, we look at how animated kids' movies like Shrek, Finding Nemo, and Chicken Run offer critiques of a system that fails so many of us. We also talk about Jack's experience as a queer child in England, since where we come from always informs where we go. It's a wide-ranging conversation that calls into question the very essence of this podcast, as we examine what it means to be a failure in this world — and why Samuel Beckett's phrase “fail better” isn't all that inspiring when read in context.  Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. And if you want to continue the conversation with other listeners, join the My Lemonada community at https://lemonadamedia.com/mylemonada/ For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.  See omnystudio.com/listener for privacy information.

This is an extended version of a programme first broadcast on Sunday 17 September 2023.Adrian Edmondson first shot to national fame in 1982, playing the studded punk Vyvyan in the TV sitcom The Young Ones, set in a seedy student flat. The cast largely came from the developing alternative comedy scene, and included Rik Mayall and Alexei Sayle. Adrian was born in Bradford in 1957. He spent time as a child in Cyprus, Bahrain and Uganda, following his father who worked as a teacher for the armed forces. He attended a boarding school in Yorkshire from the age of 11, where he often rebelled against its rules and restrictions, but enjoyed performing in school plays. He headed to Manchester University to study drama, where he soon met Rik Mayall. They bonded over their shared interests in comedy, double acts, violent slapstick and the plays of Samuel Beckett. It was the start of a long performing partnership and friendship, which included the anarchic TV comedy and long-running touring show Bottom and a production of Beckett's Waiting for Godot on the West End stage.Adrian has also worked widely as an actor and musician, including an acclaimed appearance as Scrooge for the RSC, and performances with the reunited Bonzo Dog Doo-Dah Band. Adrian married Jennifer Saunders in 1985, and they have three daughters.DISC ONE: Downtown - Petula Clark DISC TWO: A Song of the Weather - Flanders & Swann DISC THREE: Sugar, Sugar - The Archies DISC FOUR: On My Radio - The Selecter DISC FIVE: Jole Blon - Vin Bruce DISC SIX: Saturday Gigs - Mott the Hoople DISC SEVEN: I'm Bored - Bonzo Dog Doo Dah Band DISC EIGHT: Wide Open Spaces - The Chicks (formerly The Dixie Chicks)BOOK CHOICE: Waiting for Godot by Samuel Beckett LUXURY ITEM: A tab of acid CASTAWAY'S FAVOURITE: Wide Open Spaces - The Chicks Presenter Lauren Laverne Producer Sarah Taylor